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Hello, my name is Terry White, Worldwide Design Evangelist for Adobe Systems,
and it's my pleasure to take you through the brand new Photoshop CS5
and Photoshop CS5 Extended.
So let's start off with one of the new things that customers have been asking for,
and that is the new Mini Bridge.
Now, of course, Mini Bridge or Bridge itself is one of those things that is really cool
because you can actually use it across the suite.
You can open up Bridge and use it as your file browser across all of the applications.
However, there's nothing like having something built in,
so what users have told us is said, "While Bridge is great,
I still want that functionality right within the applications."
So now, Bridge is a little panel inside of Photoshop as well as the full-blown Bridge.
So we'll go ahead and open up this folder
and in this particular folder, I've got several images, and of course,
I could have hundreds or thousands of files,
so of course, it's important to be able to filter so we can filter on things
like the star ratings and labels, just like we do in regular Bridge.
But more importantly, we can also do a search.
So for example, if I search for the word "example"
it will go ahead and find all of the things that say "example" in the file name
right here inside of Bridge.
I can deselect them by just clicking the little X to get back to all my photos.
And of course, I can also search by any part of this that I want
because it's actually using the built-in search engine for your operating system.
So in my case, it's using Spotlight since I'm on a Mac.
All right, so now that it's found it, before I open this photo up,
let's go ahead and take a look at full Bridge or the regular Bridge .
Now, Bridge is still there, so I can get to it just by clicking this Go To Bridge button
and that will take me to Bridge, and you're probably saying,
"Why would you want to go from one to the other?"
Well, remember, Mini Bridge has a lot of the functionality you're going to want,
or maybe most of the functionality you're going to want within Photoshop
to do your day-to-day job, but Bridge still could do more than what Mini Bridge can do.
So for example, one of the things I can do in Bridge--and this will become more important
for those of you who are InDesign users--
is that maybe you might select a photo and you want to add metadata to it.
InDesign can now take advantage of that metadata,
things like the title and description, and Bridge can help you put those things in
to all of your images.
So that's one thing you would still use Bridge for
and another thing that we're about to use it for is the review capability.
So I'm going to go ahead and select two things.
I've got a Photoshop image and a PDF selected.
We'll go up to our View menu and we'll just go down to Review mode
or hit the keyboard shortcut for it,
and that will bring these up full screen.
Now, in this case, what the example here is that the original photo on the left
was shot against the cityscape background that it was photographed against.
However, we need to put it on a different background for this magazine cover.
So let's go ahead escape out of that, and what I want to do is go ahead now
and open up this one.
Of course, I can do it here from Bridge, but let's head back over to Photoshop
because we can also do it from Mini Bridge.
So I'll just double-click or hit the Return key or Enter key
to open that up.
Now, here's the task: I need to select these folks
and get them off their original background
so I can put them on the new cityscape background.
So I'll go to the layer that they're currently on
and I'll do a quick selection.
As a matter of fact, it's going to be very quick because I've saved it,
so I'll just go ahead and choose a quick selection.
This was done with the Quick Select tool
and as you know, the Quick Select tool, while it may be great on hard edges
like the jackets and the clothes,
it's not good for soft edges like hair and fur.
So in this case, this would not be a good enough selection to cut them out.
It would actually look like we cut them out with scissors.
So instead, we're going to go in using one of our selection tools--
it doesn't matter which one you select--and all you have to do is with the selection tool,
select it, hit Refine Edge.
Once we go to Refine Edge, this will actually allow me to view this
on any kind of background I want.
So for example, I can see it just on Transparency and I can see how hard it is,
that it's been cut out.
I can see it as an overlay, and again, I can see how much of the hair I'm missing here.
and I can see it also, of course, with marching ants, and if I wanted to reveal it
on a new layer, I could as well.
But I'm going to show it on black
and the next thing we're going to do is we're going to invoke
the brand new Edge Detection, and this is what really makes this feature sing.
So we'll go ahead and switch on Smart Radius
and we'll just increase the radius by about 30 pixels.
Now that we've got the radius increased, it's basically done a really good job
of selecting hair and hard edges, but in this case,
there were some pieces that weren't selected properly in the original photos.
So we'll go ahead and zoom in here and we'll zoom into this area over here
and you can see that we've got part of the white background still in her hair,
and that's the problem with other methods of selection.
Well, luckily, we have this great Edge Detection brush,
this Refine Radius tool that lets us go ahead and fix this problem.
I'm going to make my brush size just a little bit smaller
and even though there's no background here where it did get rid of it,
I know that that background was white--the same kind of white that's in her hair.
So if I just go ahead and start painting over this,
it will not only--it's not a Mask Edit tool.
It's not saying we'll get rid of this or add it back in.
It's a redefine tool.
It's basically saying, "Oh, you want me to redefine it based on what you just painted.
No problem, I'll do that."
So it's basically detecting and recalculating
as if that were my original selection to begin with.
So I can go around the edges of things like hair and do a better job
of getting those things with this tool.
And again, this tool is normally chosen by default,
but because I picked the zoom tool to zoom in, I had to go back and reselect it.
Now, we'll do the same thing on this gentleman over here.
We'll go ahead and grab the same tool and work around his hair
and we'll just make sure that we're doing a better job of selecting his hair.
Now, that's great for the edge.
However, you can see that I'm getting a white halo on the top of his head
and that's actually the color that was on the background being reflected into his hair
and a lot of the times you will get things like that on photographs
that are shot against a bright background or color background.
You actually get the background reflected into the subject.
So how do we take care of that?
Well, luckily, we have this new Output module
as part of the Refine Edge command
that lets me choose Decontaminate Colors,
so I can actually go ahead and just drag a slider
that will look for the color of the background in the subject around the edge
and decontaminate it.
Now, last but not least, I also get to output that in various ways,
so in this case, I want to output it to a new layer
with a new mask based on everything I've done here.
So let's go ahead click OK on that.
It will go ahead and create that new mask.
I can now go ahead turn on my new background
and that is my new subject against my new background,
perfectly extracted, maintaining the hair, maintaining the detail,
maintaining the sharp edges.
unlike anything that's ever been done this easy and this fast before
inside of Photoshop, so I'm very excited about these new controls.
All right, so let's go ahead and close this one
and now, let's go ahead and switch back over to Mini Bridge
and we'll open up the next document that we're going to work on.
And actually, it's in this folder.
We'll go into the Content Aware folder,
and we've got a couple things we want to do here.
We want to go ahead and open up this image,
and in this image, we want to do the opposite.
Instead of extracting him onto a new layer, we want to remove him from this photo.
So we'll go ahead and make a quick selection, and this time,
we'll use one that was actually originally done with the Lasso tool,
which is very easy to use.
We'll just go ahead and make that model selection.
We've got just a very liberal selection, even picking up some of the background
and now I'm going to do the unthinkable: I'm going to hit the Delete key.
When I hit the Delete key, that, of course, would normally
in previous versions of Photoshop just fill it with the background color.
But now, in CS5, it actually is detecting
that you probably want to do something more sophisticated,
like Content Aware Fill.
So it brings up Content Aware Fill
and says, "I can fill this in based on what's the surrounding area."
So once I click OK, it starts looking at what's around him,
and like magic, saving the hours of cloning, it fills it in perfectly.
Now, in this case, let's try it one more time because I know it's hard to believe that.
It's just so cool, so easy.
Let's load another selection in, and this time, we'll load in the vines.
And again, nothing special here.
A quick Lasso around the vines, we'll hit the Delete key,
bring up Content Aware Fill, click OK and just watch it do its magic.
So in about two seconds here, we'll be done.
And it is done. Great job.
And removing those objects from my wall that I can now use as a background
on something else without the people or vines in the way.
Now, Content Aware Fill is not just for deleting things or removing things,
so let's go back to Mini Bridge and let's take another example,
and this is one that I'll probably use more often because I do a lot of photo retouching.
Let's say we want to remove objects from the photo, like this line.
Now, typically, you might use something like the Healing brush to do that.
We love the Healing brush.
And I'll switch it back to the way it used to do it in CS4,
so I'll grab my Wacom pen here so I can do a nice, good job on this
or selection on this, and we'll just go ahead and paint that line right out of the photo here.
Now, this is the old way it would have done it,
so when I let go, it will calculate, and here's the problem with the old way.
It would still leave some areas--especially if it encountered
a sharp contrast in the original background or corners or things like that,
or edges.
I would still have to go in and do some cleanup on that,
so let's undo it, and now, using the Healing brush
let's turn on the new Content Aware option for the Healing brush.
So Content Aware fill or Content Aware technology has also made its way
into the Healing brush.
So we'll do the same exact thing
but with the Content Aware option turned on this time
and we'll just go ahead and paint our way out of this and let go.
And like magic, we've got it perfectly.
We don't have to do any extra work in that particular case.
Now, the thing about this tool is I've started using it on things
I just didn't think would work at all, and I'm still amazed every time I use it
to get rid of things in a photo that I just didn't believe that it would do,
and it's just doing a fantastic job here getting rid of these objects.
I could do this all day long and it's going to make my retouching a lot faster,
a lot easier, and a lot better.
All right, so let's go ahead and close this one
and let's go back up one more.
The next thing we're going to talk about is the new Paint engine
inside of Photoshop CS5.
Now, the Paint engine is fantastic for artists or graphic designers
that are creative and expressive.
I'm not a painter.
I'm not that creative when it comes to things like this,
but I can certainly appreciate what this tool is doing.
Now also, to really, really take advantage of this tool, you're going to want
a Wacom tablet and pen to work with this tool effectively.
This is not a mouse tool.
You can do things with the mouse, but to really make it sing, you're going to want a tablet.
All right, so I'm going to choose the wet and heavy mix as my preset.
I'm going to make sure that I sample all the layers.
I'm also painting onto a new layer, so anything I create will be on its own layer
all by itself, and I'm going to lower the mix
from 100 percent, which was in the preset, to about 50 percent or thereabouts.
Great. Close enough.
All right, so now, what does this Mixer brush do?
Well, in Photoshop--all previous versions--
we really didn't have a way of mixing colors together.
We can push colors around;
we can smudge them, but the pixels themselves wouldn't really blend
like they do now.
So for example, if I started dragging through this green paint into the red paint,
into the yellow paint, the bristles are picking up those colors
and blending them together to create new colors.
So that's what the Mixer brush does.
Now, of course, we can also use this on a photo,
so I can introduce new colors into that photo
or I can sample colors that are already in the photo
and use those colors to enhance, and again, I'm mixing colors together.
Now, again, I'm not going to sit here and pretend that I'm a painter.
I'm really not, but I can certainly appreciate what's being done here.
So for example, let me show you the end-result, which this was a photo,
that if we zoom in on it--that is now original art.
This was painted from scratch onto a new layer from the original photo.
So this was done by an artist or someone who really knows how to do this stuff
and someone who can now do it all inside of Photoshop.
So let's go ahead and let's close that there.
The next thing we'll do is we'll go ahead now and we'll go onto our next photo.
So we'll switch over to Photoshop here
and we'll close this,
and we'll switch over, back to Mini Bridge and we'll grab our next photo.
So in this case, we're now going to switch over to the brand new Repose.
Now, this is an Extended feature
because now we're going to deal with 3D.
So I'm going to go ahead and open up a Photoshop image,
and in this particular case, in this Photoshop image,
I'll go to my Layers panel and in my Layers panel,
I'm going to twirl down the original Objects layer
because these were all extruded 3D objects,
and what I want to do now is I want to turn the originals on--the flat ones--
and I want to just work on one of them, so I'm going to hold down my Option or Alt key
and select just the MOVE one, which will turn on just that one and turn off everything else.
We'll also turn on the background so that we have something to work against.
We'll switch over to our Move tool and we'll move that up and over just a bit.
All right, so now that we've got it moved,
the next thing we'll do is we'll go ahead and fire up--
we'll select that layer and we'll fire up the 3D Workspace
because we have multiple workspaces now that actually allow you to set up the interface
for things you're going to be doing, like painting and photography.
There's also one for 3D.
And with that object selected, I want to create a new 3D Repose object.
Now, even though it was text, it is going to have to rasterize that text
in order to create this, so that's happening behind the scenes
and it has now brought this up in Repose.
So what I want to do here is I want to go ahead and let's turn the switch to that.
Okay, so now we're going to go ahead and just show you what's been done so far.
So what's been done so far is this object is already extruded.
It's already 3-D at this point.
Now, the next thing I want to do is I want to go ahead and start working with the presets.
We have a ton of control over the 3-D interface now
inside of Photoshop CS5 Extended.
So we give you presets to choose from;
you can experiment with all the crazy presets that are here
to kind of experiment what you would get.
I like this one, where it kind of bows out the front of the object
and now if I turn that on its bottom there, you can actually see the MOVE is extended out.
I can, of course, control any of this.
I can control the depth of that by just dragging a slider.
I can control the angle or the bend just by doing any of this.
I can add materials and properties and more lights.
I can really work with this, as I would any other 3-D object.
So now that I've got this 3-D object--and by the way, we bent it,
so let's go ahead and twist that around so we have actually bent the extrusion out--
now that I've got this 3-D object in place,
and I don't want to bend it quite that much.
Let's bend it about half of that.
There we go.
And now that we've got this 3-D object in place, we'll just go ahead and click OK
and that will return us back to Photoshop,
but it's given us a real 3-D object--a real 3-D object that we can go in and work on.
By the way, I'll hide all of these extras here
so that we can just play with it in the original photo.
So at any point, I can twist this around, turn it around, do whatever I want to do with it.
I can also get right back to Repose to edit it,
so if I have that selected, I can go to Repose in the menu and say Edit in Repose
and that would take me right back into the dialog box
so I can make any future changes to it.
I can add lights to it. I can export it out.
I've created a 3-D object inside of Photoshop.
This is kind of one of the things, the directions that customers
have been wanting us to go in,
especially designers that want to create simple 3-D objects
without necessarily having to master a 3-D program.
Now I'm going to show you--let's pop over to Bridge for a moment.
I'm going to show you an example of how this was used to create an animation
right inside of Photoshop itself.
So I've got the animation here, because Photoshop CS5 Extended
also has a Timeline and we can actually animate things over time.
So one thing created inside of Photoshop easily, 3-D,
animated, exported out as a QuickTime movie and playing back here
in the preview module or preview area of Bridge CS5.
All right, so with that, let's go ahead and stop that; that'll run forever.
The next thing we'll do is we'll go ahead and switch back over to Photoshop,
and in this case, we're going to close this one.
We'll come back to some more 3-D features in just a moment.
And we'll now take a look at--let's go back to our Essentials workspace.
We'll take a look at the new Puppet Warp technology.
So we'll go ahead and select this folder, we'll open up our photo here,
and you might say, "What is Puppet Warp?"
Puppet Warp is actually a technology that originated inside of AfterEffects.
So we have this 2-dimensional, flat photo
that I now want to warp and twist; maybe I want his trunk.
It would have been great if I could have photographed it
where he was actually eating something.
Well, certain things happen in time
and you don't always capture the moment the way you wanted it.
That's what Photoshop's for, so let's go ahead and choose the Edit menu.
We'll choose Puppet Warp, and in this case, it puts a mesh
which we have all kinds of controls here at the Control Panel to adjust.
So in this case, I want to put points--just by dropping the pin--
where I want things to bend.
So I want it to bend there, there, there, there, and there.
Those are all the areas that I want to be able to bend,
and again, I can put as many of these points down as I want.
So I can go ahead and just pick up his trunk now
and without doing all that cloning, without having to wait,
without having to possibly get eaten, I can go ahead and control this
and warp this right inside of Photoshop.
Amazing technology.
Now, you can take it to the next level if you change the mode.
If you go into the mode, you can actually go into something called Distort.
Before we go to Distort, I want to point out a couple more things.
People always want to know, "Could I have fewer points or more points in a mesh?"
Yes, and this will, of course, give you fewer or more control
over the object itself.
You can also expand the mesh out.
You can also not show the mesh, and more importantly,
the pins themselves have a stacking order,
so maybe you wanted it to behind his leg or in front of his leg
so you can control the stacking order of the pin.
It's pretty amazing the way that works.
Now, let's go back to Distort, and with Distort,
now I'm not just moving it, I'm also distorting it.
So again, it's bigger when I go that way, smaller when I go that way.
I can only imagine what this is going to be used for, by the way.
Let's go ahead and we can distort this all kinds of ways now
with the new Puppet Warp and Distort.
All right, so let's click OK on that.
We've got our new object and we'll go ahead and close that.
We'll go back and we'll take a look at our next thing,
which is for the photographers out there.
We'll talk about Adobe Camera Raw, but I like to think of Camera Raw
as not just something for photographers.
It's also good for designers.
So where I'm going to select multiple Raw files here,
some of these are .dmgs, one of those looks like a Nikon .NEF file.
Camera Raw supports over 200 of the most popular Camera Raw formats
and it also works with your TIFFs and JPGs,
so it's not just for photographers.
All right, so now what do we want to do here?
Well, the first thing is we want to go into this particular photo
and I want to point out something that's new in Camera Raw 6.
You'll notice we've got this little icon or little warning here
letting me know, "Hey, you can click this and update the processing
to the new 2010 way of doing it."
So what does that mean?
That means that Camera Raw itself has improved.
The engine underneath it has improved to give us better Raw manipulation.
So for example, if I click this little button,
that will switch it over to the 2010 process
and it will make a sharper image based on the new algorithms
that CS5 can do in Camera Raw 6 that we couldn't have done before.
All right, the next thing I want to do is I want to talk about some effects that we can do in this,
so we'll go ahead and just switch over
because we can have multiple Camera Raw images open.
So I'll switch over to the Noise Photo, and Noise is a common problem
when you shoot in low light or at high ISOs and in low light--
high ISO settings on your camera.
So in this case, I've got a lot of noise.
I've got color noise up the wazoo here, so we're going to go ahead
and switch over to this third icon here, this third panel--
for the Detail panel--
and the Detail panel lets me get to the brand new noise reduction algorithms.
So we have a great one for color and luminance noise,
so when I drag over the color slider,
it actually starts to get rid of those various colors
that were introduced inside the camera's sensor.
Again, this is one of those things, you only drag it over as much as you need to.
No sense dragging it all the way over because there's no need to process it that hard.
The next thing is the actual noise itself, or the graininess,
so I can actually drag over the luminance slider to start to reduce that noise.
Now, I'm going to exaggerate it here because we're on a video,
and you may not be able to see it once the video is compressed or smaller,
but it's amazing the amount of detail we can now do in the noise reduction here
and still maintain detail in the photo.
So let's go ahead and zoom in on it again and it's great to see a before and after,
so if I turn off the preview, that's what we started with.
Look at all that noise.
And this is what we have now.
So a lot of photographers out there saying, "I can't wait to go back to my old photos
and do this to them."
All right, so this last thing is going to actually take a different approach.
First of all, we have a white balance problem, which we'll grab our White Balance tool
and just go ahead and fix that.
The next thing we want to do is we want to zoom in on this area here
and we're going to do the unthinkable:we're going to go our new Effects panel
and in the Effects panel, we're actually going to do something
that a lot of people don't think to do, and that is add grain
or add noise to it, well, "grain," I should call it.
Now, why would you ever do this?
Well, the reason is you have photographers out there that want their photos
to look more like film and less digital.
Digital is one of those things where it's almost too perfect,
so this allows me to add a film grain back into my photos,
but do it a better way than I would have gotten with just noise.
So I get control over the size and the roughness
and I can control this and get the look and feel that I want for my photos.
So those are just a few things in the brand new Camera Raw.
We're going to zoom out and take a look at one more before we go,
and that is the new post-crop vignetting features.
Now, this was in the previous version, but we've added some abilities to it.
So for example, you now have three modes; two new ones, Highlight and Color Priority,
and the old previous one is called Paint Overlay, so whichever way you like to do it.
Now, of course, what vignetting allows me to do is either add vignetting to a photo
or move it if the camera lens did it, so I'm going to exaggerate this once again
and we now have more control over things like the midpoint,
to kind of choose how much of that vignetting we'll see.
We also have the roundness control, so if I don't want it to be a perfect oval,
I want it to be more of a rectangle or square,
I can control the roundness, and I can even now control the feathering,
so I can get a very hard edge vignette
or a soft vignette, and of course, with Highlight Priority,
I control the highlights in my vignette as well.
So you get the idea: great new features inside of Camera Raw,
and of course, I want to remind you that Camera Raw is not just for photographers.
It also works with your JPG and TIFF files,
so basically, it works with any camera or just about any image.
So we'll cancel out of those settings.
Yes, I want to cancel all of the things I just did.
It said, "Are you sure you want to get rid of all that work?"
and the answer is yes.
All right, the next thing we'll do is we'll pop over to another folder,
and now this one is again--this is actually a photographer feature
and it's been one that's been requested for a long time,
and that is professional-level, better HDR support.
So I've got several photos selected here and I'm just going to go right in Mini Bridge,
grab this little menu here and I'm going to say from Photoshop,
I want to merge them into an HDR-pro.
So take those multiple images--it's warning me that it would work better if they were Raw,
but it doesn't have to be Raw, and it's now processing them--
which is basically taking several exposures that were shot in a bracketed environment
and saying, "I'm going to take these--let's see; 1, 2, 3, 4, 5, 6, 7, 8 exposures--
and combine them into one.
Now, why would you do this?
You notice that this one is really blown out
and you know that this one is really dark and we've got everything in between
by about 2 stops off.
Now, what this allows the photographer to do is to shoot in bracketed mode
and then combine those multiple exposures to create a high dynamic range image.
That's what HDR stands for.
So now that we've got our HDR composited together,
we can actually now start to use the sliders to control what it looks like.
So we can pump up the gamma or reduce it.
We can control the exposure.
We can go in and increase the detail.
We could do all of these things to create that really rich-looking photo,
including working with one of the presets.
So I have a preset here that's called More Saturated.
When I choose More Saturated, that gives me a more saturated photo,
but I just noticed the problem.
In this particular photo, the problem is that the wire is ghosting,
meaning that even this was probably shot on a tripod,
the wire is moving in the wind, so in each exposure down here at the bottom,
it was captured at different spots, even on a tripod.
So what I can do is use the new Remove Ghost feature in the upper right corner here
and that will look at one of those exposures--
and you can pick the one if you don't like the one it picked--
and it will basically use that one as the basis to lock down everything
and remove any ghosting, so even if you didn't shoot it on a tripod,
this will be a great feature for people that are hand-holding their HDRs.
All right, so we got this great HDR image, this new composite.
I'm going to hit Escape to get out of it, but you get the idea.
Now here's the bigger question: What happens when you get home from a shoot
and you look at one photo and you say, "You know what?"
"That would have been great as an HDR."
You only had the one exposure; you didn't shoot the multiples
and there's no way to do HDR unless you have 2 or more photos.
So we did the next best thing.
Under the Image menu, under Adjustments,
there is something called HDR Toning,
and HDR Toning is kind of like an effect of HDR
without having to have the multiple exposures.
So this gives me that crazy, surrealistic look
that I want, that all the photographers are going crazy over right now
without necessarily having to have multiple exposures to do it.
So again, it's not real HDR, but it's the HDR look.
I even get the same preset, so I can do the More Saturated thing that we did before
or I can play around with the various effects myself
and control and get the looks that I'm looking for.
All right, so that is just taking a quick look at HDR from a professional level
and HDR from a "Hey, I'm just a single-shot guy and this is all I have."
"Can I make it look like HDR?"
All right, so let's go ahead and close this.
Let's go back to Mini Bridge and the next thing we're going to take a look at
is we're going to now go back to an Extended feature.
We're going to take a look at the rest of the 3-D capabilities.
Oh, wait--I've forgotten one.
Before we go, there's one more photographer feature.
and real quick, we'll just open up this image shot with a fisheye lens
and fisheye is a great effect, but sometimes it gives you an undesired effect
on certain objects.
So we have great lens correction built right in,
so I'll go to Filter, Lens Correction; it auto-detects the camera and the lens that shot it
from a list of lenses and cameras that we have built in
and auto-corrects based on that.
And I know what you're thinking: "What if I don't have that camera
and that particular lens or those lenses that are listed?"
We give you the ability to create your own custom profiles.
So even if a lens comes out after CS5, you can go ahead and get that lens
and add it in, basically correct one image, save that as your preset,
and it would know how to correct future images.
So that's it.
That's the after, that's the before.
It's now automatic and easy based on the most popular common lenses
and camera combinations.
So let's go ahead and close that.
Now let's go ahead and take a look at 3-D inside of Photoshop CS5 Extended.
All right, so the next thing we'll do
is we'll grab this photo--well actually, before we grab the photo,
the next thing we'll do is we'll actually go in and take a look at--
let's go into this folder here.
We're in Mini Bridge, and Mini Bridge is actually able to preview these 3-D objects.
These are 3-D files, so when I'm in Bridge or maybe Mini Bridge,
I can actually preview them and see what they look like.
So the next thing we'll do is we'll go ahead and we'll take a look at the original 3-D object here,
the original PSD for this ad,
and this is a rendered model of a laptop.
Now I'll switch back over to my 3-D workspace,
and in my 3-D workspace, I'm going to now start adding components to this
so we can actually see it better.
So for example, we'll go ahead and we'll add in--we'll select that layer
and we'll add in--it would help if I'm on the right tool--there we go.
We'll go ahead and add in the 3-D ground plane
and we'll add in the 3-D axis.
All right, so now, of course, we can move this around in the 3-D space
and you're probably saying, "Well, couldn't you do that before in Photoshop?"
The answer is yes, but now we have a much better, improved retracer
for shadowing, for rendering, for basically just more control over this.
And really, in many cases, more things that you can do inside of Photoshop CS5 Extended
that you could ever do before in the 3-D objects inside of Photoshop CS4.
So we've got this all set, and of course, we can move this around in 3-D
and it will show us in the 3-D space what this looks like.
Now, as soon as I let go, it's going to want to start tracing that again
so I can hit the space bar to pause the retracer.
I can go up to the 3-D menu and resume the progressive retracer whenever I want
so I don't have to wait for it to render just by making a simple movement.
All right, so now that we've got this in place, the next thing I want to take a look at
are the lights, so we'll go ahead and turn on the lights for this particular object
and these lights are here in place, and I can, of course, grab a light tool.
I can even move the lights around, rotate them, change them,
have them go in and out of a photo--there we go--rotate it around,
so as I move the light source, it is actually relighting the object based on that,
so you can add your own lights, choose how you want your lights to appear
and look so you can control the glossiness and opacity and shininess
of how they're going to appear on your object.
So lots of control over the lighting of your 3-D objects.
You also even have the ability to control things like the materials in your object,
so if I go to my materials here, I can choose between some of the presets that are built in.
The next thing customers want to know is can they load their own, and yes,
you can build your own materials and load them in
for how you want to bend and wrap those materials around your objects.
You can even go into individual pieces inside of the 3-D object itself.
So for example, I can grab the keyboard
and we can choose a material for the keyboard itself
and it will render that material onto the keyboard of the object.
I can diffuse it. I can do all kinds of things to each individual piece,
never having this kind of control inside of Photoshop itself
without having to actually go out to a traditional 3-D rendering application.
So I can go on and on and on about the controls that you have inside of 3-D:
the lighting, the mesh, just the controls over the way you look at it,
but I think let's go ahead and take a look at the argument or use cases
as to why you would do any of this to begin with.
So let's close this,
and let's go ahead and take a look at Mini Bridge one more time,
and let's go to the final ad where this 3-D object was placed
and this is what really drives 3-D home.
Now, everything in this was done inside of Photoshop, obviously,
including the 3-D model, which I still have control over,
so if I go to that layer that that 3-D object or 3-D laptop is on,
I have the ability to work with that inside of 3-D.
There it brings up all my options that we talked about earlier.
So we're going to turn off all of these.
Now, why do 3-D?
Well, this ad of this laptop has got the laptop facing one way.
If I needed this laptop to face in various ways in different pieces
and different print components or different videos and different things in AfterEffects,
I would have to photograph it all of those different ways and know that up front.
And also, what if this laptop doesn't even exist yet?
A lot of things--a lot of concepts are created as 3-D models before they're actually ever built.
So now, inside of Photoshop, I have the ability to reposition this on my ad
any way I want, any time I get ready
because it's a 3-D model.
So as you can see, there is an advantage to working inside of 3-D inside of Photoshop
and having the ability to do things like superimposing,
like this screen on top of my 3-D model.
And that's the only thing--things that Photoshop does very well:
lowering the opacity, dropping another photograph on.
So working inside of 3-D inside of Photoshop CS5 Extended
is a great thing to have for any designer that needs to mock up designs
and illustrations for objects that either don't exist yet
or you don't want to photograph in all the various ways that you're going to need it.
All right, so the next thing we're going to do is we're going to go over to this folder
and we're going to grab this image here and we're going to talk about a new thing,
and that is CS Review.
So we have this web mockup; a lot of web mockups
start off as multiple layers inside of Photoshop,
but you want to hand it off to someone to review
and it hasn't even been put on the web yet.
It hasn't even been output yet.
So what we can do is we can switch over; under CS Live,
we have a brand new set of services.
We can go ahead and pull that down.
You've got Browser Lab, CS Review, Site Catalyst, Net Averages,
Adobe Story, and, of course, acrobat.com,
so I'm just going to switch over to my CS Review panel here
and we're going to create a new review of this ad
right from within Photoshop, Illustrator, or InDesign.
Now that I've got this panel up, we'll go ahead and say that we want to create a new review.
We'll say that this is going to be the local web with comp,
we want to add the current document to this review.
And it will ask us how to upload this, quality-wise, and normally,
I would choose View Online After Upload, but I'm not going to do that just yet.
We'll go ahead and upload this, and what it's doing is it's taking a snapshot of this in time
and uploading it my CS Review service on acrobat.com.
Now, again, had I told it to take us to it, it would have gone ahead and done that,
but I'm going to go ahead and switch over to the browser myself,
and there's my new web comps, and the reason I wanted to do it this way
is because I wanted to show you where it appears inside of acrobat.com.
It appears with all the rest of your files, so it treats it just like a file inside of Acrobat.
You have your author here, which is me.
You can share it with multiple clients.
I'm going to go ahead and take a look at it now,
and when I look at this, it actually shows me, of course,
the output that it took in that particular time inside of Photoshop.
But I even have the ability to zoom in on it, so it's more than just a simple screen shot.
There's a lot of technology going on here to render this at various sizes.
Now, not only do I get to render it at various sizes,
but I also get to add comments to it.
I can add a comment to the entire part,
so "Looks great."
I can say that.
I can, of course, go in and add comments to individual areas
so we'll go ahead and drag out an area there.
"Darker blue please." And we'll save that, and of course, I'm adding comments.
I'm the one that did it, but more importantly, it would be better
if I shared this with someone, so let's go ahead and share this with an individual.
We could also share it and put it in our personal workspace,
which is a new feature on acrobat.com,
as long as I know that individual's email address, so we'll do Mike.
There it is--Mike Wallen, Mike the client--
and it's saying that I'm sharing a file with him and then I can put in my message,
"Mike, please take a look at this."
So now, once I send this to Mike, which, by the way, it's doing it through Acrobat.com;
I don't have to bring up my email program to do that.
He will get a link to this web client.
He will actually be able to participate in the review
and make comments just like I'm doing
without having to know anything about Photoshop,
without having to have anything about Creative Suite installed on his machine.
He just needs a web browser and connection to the internet,
and of course, the Flash player.
So now, let's go ahead and switch back over to Photoshop
and the beauty here is that Photoshop completely integrates with this,
so the two comments I made have already been brought down into Photoshop.
I can look at them, I can see where those comments were made,
and I can now go in and make the corrections and upload a new version of this
for further review.
I can also go in and choose what I want or if I want to accept the comments or not.
So I can say, "You know what? This one is approved; however, yes,"
or I could say it's rejected or it's a to-do or any of the above.
And of course, anything I do here goes right back into CS Review,
so if we click on that, it's got the one reply,
and there it is approved, yes.
So that's a quick look at CS Review.
Last but not least, let's go ahead and pop back over to Photoshop.
Photoshop not only gets all of the things we saw today,
but it also gets lots of little things that will never make their way onto the box shot
or onto a brochure because they're "just do it" improvements,
the kinds of things that people have been asking for for years and years and years,
so I'll show you a couple of them.
Just to make things easier, for example, we'll switch over to the Ruler tool
and in the Ruler tool, I'll drag out along this edge to straighten this photo.
Now, you could have done this before, but you had to figure out how to do it
once you drug out the Ruler tool.
Now, there's a Straighten button right there.
I call it, it straightens my photo.
Next, let's go ahead and grab a selection tool--this is one of my favorites--
we'll just go ahead and make a selection, just so I can duplicate that onto its own layer.
Now that I have it on its own layer, I want to put a drop-shadow on it.
So when I create a drop-shadow--well, there's nothing new about that--
but when I actually bring up the drop-shadow dialog box
and we'll pull the shadow out a little bit,
we'll go ahead and increase the size of it--well, if this is the kind of shadow
I like to do all the time, now, for all of your effects, you have the ability
to make that the default.
So you could make your own defaults for the shadows, for the glows, for the bevels,
and emboss, strokes--all the things that you want
instead of having to change them every single time you come in to Photoshop.
Last but not least, and there are several of these; I only have a few seconds left,
so we'll just hit Command-H.
Now, Command-H is a Mac thing, and traditionally in Photoshop,
Command-H has always been hide your extras.
Well, on the Mac, once OS X came out, Command-H meant Hide the Program,
and users have always been saying,
"How come you don't do it the way Mac OS X intended you to do it?"
And of course, the argument would be that once we change it, then everyone else
that is used to it the other way is going to not like it,
so now when I hit Command-H, you set your own preference
for the way you want it to happen.
So lots of little enhancements throughout Photoshop, including 64-bit,
more things in 16-bit mode, just all kinds of enhancements along the way.
That's my time. I hope you enjoyed it.
This is Photoshop CS5, Photoshop CS5 Extended.
My name is Terry White. Thanks.
Photoshop CS5 Overview
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Join Terry White as he walks you through the brand new Photoshop CS5 and Photoshop CS5 extended.
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Runtime : 00:45:32
Added : 04/11/2010
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With Free Shipping Both Ways |
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2 Product Reviews
Questions and Answers
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Ask A QuestionHow will this bat do with the USSSA ball 40 COR mens and womens?
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Does this have the USSSA stamp?
Yes, the 2014 DeMarini Ultimate Weapon (WTDXUWE) carries the USSSA 1.20 BPF stamp.
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It depends on the type of balls. The 2014 DeMarini Ultimate Weapon Slow Pitch Softball Bat (WTDXUWE) has the new ASA stamp. These bats are made to hit the .52 core 300 compression balls. Bats that are USSSA certified are made to hit the .44 core 325 compression balls.
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Land ProtectionJoin this group
blog BY kevin_anderson ON May 7 - 0 COMMENTS
West Branch Susquehanna Lands Protected Posted in Land Protection
TU partner the Western Pennsylvania Conservancy recently acquired 466 acres along the West Branch of the Susquehanna River in Clinton County, Pennsylvania. The property includes Green Run, a "Class A" wild brook trout fishery and a direct tributary to the West Branch. With the Conservancy's... [ READ MORE... ]
blog BY kevin_anderson ON January 6 - 0 COMMENTS
Eastern Lands Protected with TU's Help Posted in Land Protection
As 2013 drew to a close, TU made four small but strategic investments in projects that permanently protect habitat for Eastern brook trout. Four TU Coldwater Land Conservancy Fund grants were given to three land trusts to protect 1,180 acres from future development. Two of the grants facilitated... [ READ MORE... ]
blog BY damonhearne ON May 20 - 0 COMMENTS
Coldwater Land Conservancy Fund RFP Announced Posted in Land Protection
The Coldwater Land Conservancy Fund (CLCF) provides matching grants for land and easement transaction costs—expenses like boundary surveys, appraisals, and legal fees. These expenses can be difficult to fund and can keep good projects—especially donations of land and conservation easements—from... [ READ MORE... ]
blog BY damonhearne ON May 20 - 0 COMMENTS
Land Protection Project Overview Posted in Land Protection
TU's Land Protection Project accelerates permanent protection of our most pristine fisheries by engaging sportsmen and women as advocates and supporters of land protection and restoration; working with land trusts and grassroots to prioritize and permanently protect high quality trout and salmon... [ READ MORE... ]


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Women & Gender
Ensuring equity between women and men is the key to unleashing the full potential of communities to transform their lives. Mercy Corps addresses the unmet needs of women and girls in places where they have been marginalized and disempowered, while recognizing that it is vital to involve men and boys in the process of helping women and girls claim their equal place.
Throughout our programs, we consider the needs of both genders and build on the courage and resourcefulness of women to help them improve their families and communities.
All stories about Women & Gender
India: Styling a better future April 10, 2008
The eight kilometers that Sonia and Rima bike each day from their homes on the Maud Tea Estate might seem like a short ride, especially to seasoned cyclists.
India: Change Brewing in the Tea Lands April 10, 2008
India: Pay Dirt April 10, 2008
Moni Das's village has no name. It's simply referred to as Line 10, Deohall Division, Deohall Tea Estate, Assam. It is a microcosm of life inside Assam's estate fences: anonymous, hidden among acre upon acre of tea bushes and existing solely to serve the needs of the estate.
Zimbabwe: Untrammeled Spirit April 3, 2008
Guatemala: Earning Money and Respect April 3, 2008
Ethiopia: Turning Trash into Cash March 14, 2008
As a single mother with a 13-year-old son, Tafessu Jiru doesn't have a lot of kitchen scraps coming from her household. Most everything is put to prudent use.
DR Congo: Rainstorms, Lava and a Human Flood February 27, 2008
I recently watched as the rain fell for hours over Goma. From the comfort of a house, rain in tropical Africa is spectacular, even magic. But for the thousands displaced Congolese waiting out the storm in their twenty-four square foot huts made of sticks and banana leaves, it is hell.
South Sudan: A Lodge 'Bigger Than The Hilton' February 11, 2008
China: Perfect Harmony Family February 6, 2008
Sudan: New Skills for Asha January 28, 2008
By looking at 25-year-old Asha, you could never tell that she has been through so much in her young life.


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I didn't like jumping back and fourth either. I made a record series for our favorite PTAT shows. The PTAT recording will be with your other recordings so you won't have to go to the PTAT folder. The timer will count toward the 96 timer limit but will not be a priority issue.
I Thought about doing that but it eats into your 1GB storage space, no?


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Editors' Top PicksSee All
When I first saw Sony's PJ series of camcorders, with their built-in projectors, I flashed back to all the times I sat waiting for certain friends of mine to hook up their various devices to the TV in order to share their vacation videos. They eventually just left the necessary cables hanging off the TV, but for a lot of people, that's a suboptimal solution. The small projector in the Sony Handycam HDR-PJ10 is a far more elegant option.
Essentially the same camcorder as the Sony Handycam CX160, the HDR-PJ10 gets its usefulness quotient increased quite a bit by a pico projector. (Much of this review is based on that of the CX130/CX160.) In part because the just-OK video quality matters a lot less when you're viewing it via the projector, and I'm assuming that if you bought this model it's because you're going to be projecting rather than connecting to a TV.
In sunlight, with the subject filling the frame, the camcorder produces good-looking video that passes for full HD. But in many other circumstances, especially when there's a lot of background detail and motion such as grass or trees waving in the breeze, the low-resolution (in this case, less than the native 2.07 megapixels required for HD) sensor simply isn't up to the task of resolving all that and you'll start to see artifacts from the interpolation and video compression, despite the relatively high bit rates.
As with the CX130/CX160, the colors look pleasing and sufficiently saturated, if a bit coolly white-balanced, and while bright highlights get blown out, that's an acceptable trade-off for the price that most people probably won't mind. Moderately low-light video looks decent, albeit a bit soft and noisy, and in very dim living-room light, the camcorder trades off color for visibility and sharpness, producing usable video with a not-unpleasant graininess reminiscent of black-and-white.
While the still photos are serviceable, you probably don't want to count on the camcorder as a camera. Photos are bright and colorful, but have that smeary, processed look of a cheap digital camera because they're scaled up from the native resolution of 1.67MP to 1.9MP.


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Fierce Tales: The Dog's Heart
The citizens of Houndspoint have always loved and trusted their canine companions, but a recent wave of coordinated attacks by a pack of strange dogs has thrown the snowy mountain town into a state of fear. After your beloved dog, Pippa, is kidnapped by the creatures, you vow to discover the cause of the sudden attacks and figure out who, or what, is behind it all. Explore beautiful hidden object scenes and mysterious locations to uncover the truth in Fierce Tales: The Dog's Heart!
- Rescue your canine companion
- Investigate a cruel love story
- For a more in depth experience, check out the Collector's Edition
- Get the Strategy Guide!
- Check out our Blog Walkthrough
Game System Requirements:
- OS: Windows XP/Windows Vista/Windows 7/8
- CPU: 1.6 GHz
- DirectX: 8.0
- Hard Drive: 1148 MB
Game Manager System Requirements:
- Browser: Internet Explorer 7 or later
The Big Fish Guarantee:
- Quality tested and virus free.
- No ads, no adware, no spyware.


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Our 6th Annual Dance For A Cure for Cystic Fibrosis is May 18th at The Bedford Moose. It's up stairs. No alcohol and No smoking permitted at dance. No need to be member. It's open to everyone.
Price is $7 per person or for Families of 5 or More its a flat rate of $30. There will be a basket fundraiser too! Food and refreshments also included.
Any question or concerns you can reach me at 814-494-0911.
We will also be holding a special drawing that the proceeds will go to a local family of a 10 month old little girl to help with their trips to Pittsburgh Childrens Hospital.
Bedford Moose Family Center 480 * 123 South Richard St. *Bedford* PA * 15522
Saturday, May 18, 2013 - 7:00pm


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It's easy to sign-up for Guideposts newsletters and special offers. Simply click the appropriate box(es) for each newsletter you want to subscribe to and enter your email address at the bottom of the page. Once you've made your selections, click the Submit button at the bottom of the page to subscribe.
Guideposts, a nonprofit organization, touches millions of lives every day through our inspiring and uplifting stories and helpful resources.
Weekly - Inspiring real-life stories of heavenly angels—and earth angels too! Plus an angel blog, videos, angel sightings and more!
Weekly - Stories about those inexplicable, chill-down-your-spine experiences that are more than luck, more than mere coincidence.
Monthly - Calling all fiction lovers! Get updates on new releases, chapter samples, author exclusives, giveaways and more.
Weekly - Enrich your prayer life with our devotions, tips and thoughtful articles on ways to deepen your relationship with God.
Weekly - A collection of the most popular stories, videos and slide shows from the previous week.
Weekly - Be moved and inspired by real-life stories of hope and faith by authors, clergy, experts, everyday people and celebrities.
Weekly - Connect with Jesus—his teachings, love and wisdom—through the Mornings with Jesus newsletter, featuring devotions and inspiring reflections by the contributing writers.
As an outreach program of Guideposts, Ourprayer is a community of people comforting others through the power of prayer.
5 times/year - Join us for daily reflections aimed at deepening your prayer life and relationship with Jesus.
Monthly - Experience the power of prayer! You'll receive a monthly invitation to join us in a day of prayer, each with a specific theme and focus.
Weekly - Insightful and practical Bible lessons that will show you how to apply God's Word to your daily life.
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Daily - You'll receive a Biblical passage, prayer and inspiring quote to help you feel God's presence throughout your day.
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Processing Time - Orders typically ship in 2-5 business days. Transit via UPS Ground can take up to 6 business days. Braided and custom-made products may take 2 to 3 weeks for delivery.
Free Shipping to Contiguous United States - We do not ship to Alaska, Hawaii or the Caribbean Islands at this time.
Oversized items - Orders that ship freight may take up to 2 weeks from shipment date to be delivered. You will be contacted by the trucking company to schedule a delivery appointment.
Shipping to Canada - Orders shipping to Canada will be subject to a 15% shipping surcharge fee. The shipping surcharge does not cover duties, customs, taxes or brokerage fees which may be charged to you by the shipping courier at time of delivery. At this time we are not shipping to Yukon and the Northwest Territories in Canada.
Pin It | Houzz |
Milliken Modern Times Cipher Brown Leather Rug
Item #: 279753100024-P Add to Wishlist
Description: A first impression with Lasting Beauty. Not only are Milliken rugs beautifully designed, they're designed to stay beautiful. Their very construction ensures lasting aesthetics. Each rug is made with premium nylon fibers to ensure strength and resilience, then treated with Milli Guard to protect against stains, soils and indoor pollutants. All Milliken rugs are backed by an exclusive five-year wear warranty. Beautiful designs and quality construction are just a few of the differences you'll find in Milliken.
This item is made to order and usually ships in approximately
2 -3 weeks.
- Collection: Modern Times
- Brand: Milliken
- Material: 100% Nylon
- Weave: Machine Made
- Styles: Contemporary Rugs
- Origin: USA
- Available in the following sizes: 2' 8" x 3' 10", 3' 10" x 5' 4", 5' 4" x 7' 8", 7' 8" x 10' 9", 10' 9" x 13' 2", 7' 7" Round, 7' 7" Square, 3' 10" x 5' 4" Oval, 5' 4" x 7' 8" Oval and 2' 1" x 7' 8"
I love it. Very well made, vibrant colors. .
RECOMMENDED: Yes, I would recommend this to a friend.We have been very disappointed with this product purchased in a larger size. The corners of the rug are rounded making it look cheap and the rug is very thin and skimpy in appearance. Make sure the smaller sizes do not have rounded corners if that is something that will bother you. Know, too, that the underside is quite scratchy so you will need a pad.
RECOMMENDED: No, I would not recommend this to a friend.The color of the rug is exactly what was pictured and it was shipped much quicker than we expected. We would definitely order again!
RECOMMENDED: Yes, I would recommend this to a friend.Love the rug.
I love this rug. The colors are beautifully vibrant and are exactly as pictured. Works perfect with my decor. Will definitely make future purchases. Thanks
RECOMMENDED: Yes, I would recommend this to a friend.
Whether the environment you want to create is exotic or romantic and peaceful, Milliken has a rug that will pull the colors and the feel of your room together while adding the perfect touch. Milliken protects all its rugs by an exclusive five year warranty against abrasive wear.
Fill out the information below.


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Office of the Dean
As part of a comprehensive state university, the College of Business Administration offers undergraduate and graduate programs to prepare students either for a professional career or, through its Ph.D. program, for an academic/research career. Ever since the founding of the college in 1936, the College has offered an undergraduate professional program; a number of years ago it began offering graduate professional programs; and in recent years, professional development programs. For over 20 years, the College has offered a doctoral program, initially as a DBA and more recently as a Ph.D. With these programs, the College meets the University's dual commitments to undergraduate and graduate instruction, as well as to programs "designed to serve area executives and business professionals as well as prepare students for productive careers in a global economy." [Kent Institutional Characteristics].
Michelle McGregorSpecial Assistant to the DeanEmail: firstname.lastname@example.com Phone: (330) 672-2772 Office:Room 306, Business Administration Building |
Office of the Dean P.O. Box 5190 Kent State University Kent, OH 44242-0001 USA |


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The door balance kit needed to be replaced Cheryl H. • Omaha, NE • March 24, 2014 My Repair & Advice Watched a you tube and repaired the dishwasher. Hardest part was getting the dishwasher out. Was this review helpful to you?
Dishwasher dead Thomas S. • Oxford, OH • September 12, 2014 My Repair & Advice Hoped it was a fuse but didn't know if dishwasher had a fuse. Entered model number into Appliance Parts Pro website and was presented with their wonderfully laid out parts explosion and sure enough, there was a fuse. Clicked on the fuse and OMG there was a video showing how to replace it. Without the video I probably would not have done it myself. Ordered the part, it arrived two days after I ordered it and replaced it just as was shown in the video. Was this review helpful to you?
Whirlpool dishwasher wasn't leaving dishes clean Jesse T. • Canterbury, NH • April 01, 2014 My Repair & Advice My wife and I finally got so frustrated with our Whirlpool "Gold" leaving dishes dirty that we started to tear it apart (a last-ditch effort before replacing). I lifted out each layer of the DW carefully until I got down to the chopper. It had worn itself out to the point of self-destruction. The blade assembly was sideways and had cut into the metal screen. Therefore, no particles were being chopped and the whole thing was completely clogged. Fortunately it had simply disconnected from the impeller behind it and caused no other damage. I found this site and ordered my part - was at the house in two days - I installed it in a matter of minutes! It was a little tricky to get it in right - the screen fits in a groove and you have to be sure to get the fat end in the right place, while getting the chopper integrated with the impeller. But, overall it wasn't bad at all. And - it fixed our problem!!!! Process: remove racks, unscrew the bottom sprayer, undo the screws plastic pipe in back, carefully rotate clockwise to unlock the bottom piece, then remove all screws from bottom, lift out, remove next cover deeper down on the left. Chopper should be visible-simply pull out by hand. Was this review helpful to you?
Humming noise in dishwasher Rosario P. • Scottsdale, AZ • April 09, 2014 Appliance: Model KITCHEN AID KUDP01DLBL0 My Repair & Advice I don't normally take time to respond to such requests. However, I feel this exception is necessary. All my research pointed to a number of items as the cause. I did a diagnostic on each, and found that the noise should have been in the motor. After talking with your customer service representative, I ordered a new motor. When I installed it, the noise prevailed. First, there was absolutely no question or resistance in accepting a return of the motor. Second, it seemed that the intake valve might be the problem. I spent over a half hour on the phone with your representative, and finally agreed to re-inspect the chopper assembly which your tech presumed to be the problem area. In fact, when I did so, I found a foreign object wedged between the blade an screen. Once removed the washer worked perfectly. Not only did this prevent me from ordering another part that would not have solved the problem, but gave me a great feeling about working with your company. I am old enough to remember when most companies put the customer first, and I'm happy to see at least one still does. Was this review helpful to you?
Dishwasher wouldn't complete cycle Steven B. • Highland Beach, FL • April 04, 2014 My Repair & Advice Installed new control board. So far so good Was this review helpful to you?


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Welcome Week 2011
Byrd's Books welcomes NY Times bestselling author Garth Stein at WCSU's Ruth Haas Library
WCSU lecture and workshop to focus on women in business
WCSU Visual and Performing Arts Center No. 9 on list of 'Amazing Campus Arts Centers'
WCSU B.A. program in social work ranks seventh nationally in ROI
WCSU earns 2015 Green Award from Morris Media Group
Morris Media announces Green Award winners
WCSU Weather Information
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The Emergency / Weather Alert will be posted on the WCSU home page any time an emergency or bad weather causes a delay, cancellation or early closing of the university.
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There are some bible passages that a lot of Christians either 1) are completely unaware of, 2) were purposely sheltered from, 3) deny its existence, or 4) already have an excuse involving context, and "you'd have to read the rest of the bible to understand it".
I'm talking about passages that involve everything from violence and vengeance to blatant hypocrisy and contradiction. All from a religion that claims to preach understanding and love (which was never true). It's all very interesting.
I'm going to share some of my personal favourites, and it would be great if everyone could share theirs too.
Slavery is Dandy
Ephesians 6:5-9
5 Slaves, obey your earthly masters with respect and fear, and with sincerity of heart, just as you would obey Christ. 6 Obey them not only to win their favor when their eye is on you, but as slaves of Christ, doing the will of God from your heart. 7 Serve wholeheartedly, as if you were serving the Lord, not people, 8 because you know that the Lord will reward each one for whatever good they do, whether they are slave or free.
(Christianity is very much about being aware of the suffering in this life, and through suffering you earn a better life next time. It really just seems like a way of controlling the people below you, and making them content with the state of their life, by giving them false hope for the future. Christopher Hitchens wrote a book about Mother Theresa along the same lines.)
Women < Men
1 Corinthians 14: 34-35
34 Women should remain silent in the churches. They are not allowed to speak, but must be in submission, as the law says. 35 If they want to inquire about something, they should ask their own husbands at home; for it is disgraceful for a woman to speak in the church.
1 Timothy 2:11-12
11 A woman should learn in quietness and full submission. 12 I do not permit a woman to teach or to assume authority over a man; she must be quiet.
1 Peter 3:1-2
1 Wives, in the same way submit yourselves to your own husbands so that, if any of them do not believe the word, they may be won over without words by the behavior of their wives, 2 when they see the purity and reverence of your lives.
Deuteronomy 22:28-29
"If a man happens to meet a virgin who is not pledged to be married and rapes her and they are discovered, he shall pay the girl's father fifty shekels of silver. He must marry the girl, for he has violated her. He can never divorce her as long as he lives."
Matthew 10:32-39
32 "Whoever acknowledges me before others, I will also acknowledge before my Father in heaven. 33 But whoever disowns me before others, I will disown before my Father in heaven.
34 "Do not suppose that I have come to bring peace to the earth. I did not come to bring peace, but a sword. 35 For I have come to turn
"'a man against his father,
a daughter against her mother,
a daughter-in-law against her mother-in-law—
36 a man's enemies will be the members of his own household.'
37 "Anyone who loves their father or mother more than me is not worthy of me; anyone who loves their son or daughter more than me is not worthy of me. 38 Whoever does not take up their cross and follow me is not worthy of me. 39 Whoever finds their life will lose it, and whoever loses their life for my sake will find it.
(If you love your family more than you love god, you are unworthy of his love and therefore need to worship him and seek forgiveness. Interesting cyclical relationship.)
Self Hatred
Luke 14:25-26
25 Large crowds were traveling with Jesus, and turning to them he said: 26 "If anyone comes to me and does not hate his father and mother, his wife and children, his brothers and sisters—yes, even his own life—he cannot be my disciple.
Just Plain Ridiculous
Ezekiel 23: 19-20
Yet she increased her prostitution, remembering the days of her youth when she engaged in prostitution in the land of Egypt. She lusted after their genitals as large as those of donkeys, and their seminal emission was as strong as that of stallions.
Genesis 6: 1, 2-4
God's sons come down from Heaven to have sex with Earth women.
Psalm 137:9
Happy shall he be who seizes your infants and smashes them against the rocks.
Exodus 34:14
'For thou shalt worship no other god: for the LORD, whose name is Jealous, is a jealous God.' (Jealousy is one of the seven deadly sins.)
Deuteronomy 23:1
No one whose testicles are crushed or whose male organ is cut off shall enter the assembly of the Lord.
Ezekiel 4:12,13
"And thou shalt eat it as barley cakes, and thou shalt bake it with dung that cometh out of man, in their sight. And the Lord said, Even thus shall the children of Israel eat their defiled bread....Then he said unto me, Lo, I have given thee cow's dung for man's dung, and thou shalt prepare they bread forthwith."
Numbers 23:22
God brought them out of Egypt; he hath as it were the strength of an unicorn.
And my all-time favourite: Revelation 12:3-4
3 And there appeared another wonder in heaven; and behold a great red dragon, having seven heads and ten horns, and seven crowns upon his heads.
4 And his tail drew the third part of the stars of heaven, and did cast them to the earth: and the dragon stood before the woman which was ready to be delivered, for to devour her child as soon as it was born.
There comes a point when one has to realize that the bible is a social commentary on what superstitious, uneducated people happened to believe at one point in history. Stories made up to teach lessons, to entertain, and to control. I will even go so far as to say that perhaps there was a man named Jesus. But do I think he was the son of a god? No. Was he the result of a virgin birth? No. Did he perform miracles? Certainly not. Did he help people every now and then? Sure. But so does every decent human being.
More for ridiculous:
2 Kings 2:23-24
And he went up from thence unto Bethel: and as he was going up by the way, there came forth little children out of the city, and mocked him, and said unto him, Go up, thou bald head; go up, thou bald head.
And he turned back, and looked on them, and cursed them in the name of the Lord. And there came forth two she bears out of the wood, and tare forty and two children of them.
Nice! This a keeper. Thanks for the post.
The Skeptic's Annotated Bible is a GREAT source for this kind of stuff ... or anything other kind of material you want regarding the bible, quran or book of mor(m)on.
I just lost a 'friend' because I pointed-out that there are horrible things in the bible. Good riddance!
ignorance is bliss, huh Melinda! have a great day.
Exactly Matthew! She's even told me before she just blocks-out anything she doesn't want to hear. Well she won't hear from me anymore! lol. You have a great day too! :)
Good riddance is right booklover - you don't need friends like that.
I know Steph, I felt relieved. I am also very sorry for her that she has a drinking problem, and I hope someday she gets help for it. If not for herself, then for her 2-year old grandson. She is only 44.
I like this list because it includes mainly New Testament quotes. A LOT of xians will cop out on Old Testament quotes (well... except for the one's about homosexuality!)
© 2015 Atheist Nexus. All rights reserved. Admin: Richard Haynes.


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Funeral services will be held at 11 a.m. Saturday, March 16, 2013, at Mt. Tabor Church in Shaw with Reverend Dr. C.W. Ray officiating. Burial will follow in Ray Memorial Gardens in Shaw.
Visitation will be from 2-6 p.m. Friday, March 15, 2013, at Byas Funeral Home in Cleveland.
She is survived by her husband, M.C. Williams of Shaw; son, Michael Williams of Shaw; mother, Virgie Lee Suggs of Manila; and sisters, Caffie Suggs, Robin Suggs, Mavis Suggs, Helen Suggs and Renee Suggs, all of Manila, Ark.; Mildren McLauren of Blytheville, Ark.; Christina Lopez of Paragould, Ark.; and Shellie Rayford and Tina James, both of Osceola, Ark.


text:
New digital technology allows for construction of a virtual trade show – the term even has its own Wikipedia entry. Even for a massively attended event like the Fresh Summit, much planning for the PMA's Fresh Summit can be done online.
The technology providing instant communications and high speed answers make it more problematic to wait and unveil new products at a trade show.
A recent story about the future of trade shows - "what tradeshows might look like in 2016" - said this about those who think the existing model will continue to function, with some modifications.
"This scenario looks much like the existing tradeshow model. No matter how spectacular the technology, it cannot replace powerful face-to-face meetings and large-scale, annual gatherings of like-minded individuals that have been the backbone of the tradeshow industry. In this scenario, change will happen gradually, and the fundamental metric is reaching attendance goals in the exhibition halls. The problem with this scenario is that being late to the future means losing muscle in reacting to competitors that are implementing change."
What will produce shows look like in 2016? There may be more Smartphone apps, more digital connections and potentially a tougher market to attract exhibitors and buyers.
We can only hope there will be avocado bags and chocolate-covered strawberries.


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Characters from the "Leaders for Life" posters and classrooms resources have become larger than life on the walls of Hopewell Elementary School's cafeteria.
Behind the colorful mural is local artist Hollye Kile.
"Since first grade that's all I wanted to do was be an artist," Kile said. "I took every art class that was available then."
Leadership murals of some kind are springing up in elementary schools across the system. Kile said she has completed several and is talking to more principals about bringing Indigo Crow and the Leader Ship to their school walls.
"Everybody's interested. I just haven't gotten to everybody yet," Kile said.
Yet, Kile was brightening school walls long before supervisor for elementary education Sheena Newman developed the "Leaders for Life" program.
Principals often commission Kile to paint a mural for the cafeteria or a hallway.
"I'll ask them if they have any ideas, and if they don't it's left up to me to find something that will work for their school," Kile said. "I try to make it all different."
Kile tries to incorporate the school's mascot whenever possible.
At Hopewell, their tiger mascot can be seen going for a swim near a waterfall and steering the S.S. Leader Ship.
"Each school has a different them," Kile said.
Each school mural starts with a sketch.
"That way I can usually tell them what it's going to cost," Kile said. "I also help them figure out ways that we can raise the money to help through sponsors and that type thing."
Painting people in her mural is harder than painting animals, she said.
At Prospect Elementary School, Santek Environmental sponsored a mural that highlights recycling.
Larger projects such as cafeteria murals are finished in stages.
"And that's great because it keeps it fresh for the kids," Kile said.
Kile said she enjoys having the students watch her while she works. Often the students will make suggestions and ask questions.
"I always try to do it during school hours when they can watch," Kile said. "Unless it's a cafeteria or a gym ... that gets kind of hard. I've done gyms before with kids in it, but that gets challenging sometimes."
She said students relate to the mascots.
Kile painted her first mural for a school about 15 years ago.
"I started at Taylor Elementary School. A teacher approached me ... and she said my school needs something in the cafeteria and my principal wants you to come take a look at it. He wanted to go around the world, so we did."
Her next mural was for Bradley Central High School.
One wall usually takes her about a week.
Kile tries to capture the personality of the person she is painting for.
"I like bright colors because the kids identify with bright, elementary colors," Kile said.
Painting a school mural takes stamina, Kile said.
"It's the up and down on the ladder. The reach you have to have ... you have to stay in shape," Kile said.
Speed is also a component to ensure the color is consistent when mixing colors to create different shades. Also, it has to be used before it dries, she said.
"People don't realize how much effort it takes when you are working on that size of a span."
Her sketch drawing usually follows the scale of one inch being equal to one foot.
"If I've got 22 feet, I've got a 22-inch paper," Kile said.
Many times students are surprised that math is involved in Kile's work.
Kile's school murals are special to her because she attended Bradley County Schools.
"I never thought I would be painting in my school walls," Kile said.
Kile said she enjoys painting murals of animals because animals are "a big part of my life."
Kile owns a farm with miniature donkeys, horses, goats and other animals.
"I'm an animal lover," Kile said.


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The soup aisle has a LOT of options - just check out all our soup reviews, but when I saw that Campbell's Select Harvest Vegetable Medley was new on the shelves, I decided that it was time to try something different.
The flavor in each spoonful is rich, deep and the title of this soup is well deserved because a wonderful "vegetable medley" fills your mouth. The soup is chock full of fresh tasting vegetables like celery, tomatoes, corn, green beans and peas with rustic chunks of potatoes and carrots making the loudest statement. The tomato based broth contains visible bits of dried onion, parsley and garlic. My only complaint is that the vegetable variety does not come with a low sodium option.
The nutrition facts for Campbell's Select Harvest Vegetable Medley Soup are phenomenal, with the previously mentioned sodium count being the exception. One cup (half a can) provides 100 calories, 0.5 grams of fat (1% of the RDA), no saturated fat, 480 mg of sodium (20% of the RDA), 3 grams of fiber (12% of the RDA), 6 grams of sugar and 3 grams of protein. A few vitamins and minerals are also added to your daily regime in the form of 70% for Vitamin A.
Some "low sodium" soups also have 20% of the RDA, like Progresso 50% Less Sodium Chicken Noodle Soup - that's why you really have to read the label instead of just the flashy marketing copy.
On its own, your 1 cup bowl of soup is probably not going to keep you full for very long, so you might want to add something else - but nothing too heavy, like a light sandwich. Even though this soup is not low sodium, it can fit nicely into any balanced diet. Consequently, I enjoyed every last bit of Campbell's Select Harvest Vegetable Medley and I have a feeling that $1.79 of my next shopping trip will be spent on another can.


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Funeral services will be held at 11 a.m. on Saturday, July 20, 2013, at Byas Chapel in Cleveland. Burial will follow at Westlawn Cemetery in Cleveland with Reverend Larry King officiating.
Visitation will be from 2-6 p.m. on Friday, July 19, 2013, at Byas Funeral Home in Cleveland.
She is survived by her sons, Garfield Hester and Tommy Lee Hester, both of Cleveland; daughters, Linda Hester of Cleveland, Pearlie Hester of Milwaukee, Wis., and Willie M. Haywood of Memphis; sisters Elizabeth Peden of Detroit, Mich.; 11 grandchildren; and a host of great-grandchildren.


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Homestander: Critical Thinking
milwaukee brewers June 7th, 2013
Each Thursday preceding Brewers weekend home stands, Tyler Maas Vince Morales will help prepare fans for all elements of the upcoming series with the Homestander. Tyler prints Wisconsin-themed shirts at Forward Fabrics and contributes to such fine publications as Milwaukee Magazine and The A.V. Club Milwaukee. All views, naughty words and weirdo sentiments are his own. Follow him at @TylerJamesMaas @vintown
There is a witch hunt going on in the MLB and it involves our favorite son, Ryan Braun. I don't know why, but there is. The mainstream media is a big part of it because they want to get the scoop, they want to break the story and they want to get the page views. They learned from the Melky Cabrera situation that he just doesn't get the clicks anymore. They've learned that Alex Rodriguez, once a ratings bonanza of controversy on par with Tiger Woods, just doesn't get the viewers like he used to. In order to strum up some business with this Biogenesis thing, they need a name with some value. A guy who is still good, they NEED Ryan Braun. I guarantee you if someone ends up suspended for this thing (and they shouldn't be unless they fail a drug test, but that's another rant) that the media will tell you that "so and so was suspended, but still no word on Ryan Braun" because "so and so" doesn't get the clicks, but Ryan Braun will. Ryan Braun is forever stung by this thing and it sucks. Whenever there is a thing with PEDs, he will be brought up. Right now, every dumb person I know just assumes that Ryan Braun did PEDs and he WILL be busted soon. There is no burden of proof, only a belief in what ESPN tells you.
Which is why I say this, don't believe everything you read or see on TV. The media lies. They have an agenda. Sometimes that agenda is protecting their corporate sponsors and sometimes that agenda is to get more viewers. Ryan Braun can be used to fit that agenda. I'm not saying he's guilty or innocent, I'm just saying you need to look at what you know and make up your own decisions. Use critical thinking and stop letting ESPN or whoever else decide things for you. You can do it. We are Anonymous. Read the rest of this entry »


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Long sleeve red plaid button front barn coat with navy fur lining.
Travis' measurements: Shirts: Medium / 38R
This is a vintage piece, and the product will come as is in the photograph.
Brand: Street Etiquette
is the hugely influential style blog of Joshua Kissi and Travis Gumbs—two dapper young gentlemen from the Bronx who filter classic American style through a modern, urban lens and photograph the results for all to see. Though barely of drinking age, Kissi and Gumbs have already garnered accolades from around the world for their unique take on menswear and their keen eye for highlighting detail and placing clothing in historical context. The duo have been featured in the likes of GQ and Vogue, created signature shoes with nautical mainstays Sebago, and were even named "Best Men's Style Blog" by the Guardian UK.


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Seriously, guys. Everyone here is a Red Sox fan. Everyone. And if they're not a Red Sox fan, they still hate the Yankees. It's a little bit eerie, actually. As I landed in Boston yesterday, a woman behind me was filling in her kids on the Sox game and said something about Cody Ross. I was this close to turning around and being all, "2010 World Series, baby!" when I realized that I was in Boston now and they were not the least bit interested in the 2010 World Series. I picked up my black-and-white checkered tote and zipped my lips.
I missed last night's game because being a West Coast fan on the East Coast is horrible and I couldn't stay awake, but I hear it was quite depressing anyway. I would be lying if I said I was all sad about missing it. Interleague Play has not treated us terribly well so far this year and I'm more nervous than I should be, heading into the Bay Bridge Matchup. Series loss to the Rangers, series loss to the Mariners and now a series loss to the Angels. When this Giants team is good, it's really, really good. But when it's bad? It's really, really bad. Not that there were't good things about last night's game and the past few series' in general – Vogelsong did pretty much the best he could have, three runs over seven innings – but otherwise, they just seem off, for lack of a better word. Everyone's healthy, but not everyone's good.
Also, the Angels of Anaheim are doing better than they should be. It helps that the Rangers are 9-1 in their last 10, but the Angels are also 7-3 and exactly five games back. Too close for comfort? Yes.
The Giants meanwhile, are 4-6 in their last 10, but that's exactly the same as the Dodgers, so nothing is too disastrous after all. San Francisco is four games back from first place and heading into a series against the A's who, while they might be hot right now, are sure to cool off sometime. And starting tomorrow is sure to be "sometime".
Am I not the best inspirational speaker in the history of the Giants blogosphere? (Admittedly short history, but still.)
Go Red So– aah. No. This city is not getting to me.
Diamond Girl