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68 Quart 2 Faucet Blue Jockey Box Coil Cooler - Blue Model:CB68B
68 Quart 2 Faucet Blue Jockey Box Coil Cooler - Blue
Serve cold and refreshing draft beer at parties or get togethers using the 68 Quart 2 Faucet Blue Jockey Box Coil Cooler (CB482B). This cooler, which is easy to use, is designed to keep your beer cold and fresh: all you have to do is add ice and cold water to the box, then connect your kegs to the two (2) connections in the back and you'll have beer running through the cold coil lines in no time! Foam insulation on the sides and top of the cooler assure you that the ice and water will stay cold, helping to freeze the line which keeps the beer cold before it goes from either of the two (2) taps and into your cup.
Built-in, heavy-duty side handles help to keep this box sturdy while being carried around, and the lightweight box is easy to take anywhere when you need it. The two (2) 100 foot coils ensure that the beer will be super-cold when traveling through the cold tubes, so you get the best possible beer. A snap-lock child safety latch keeps your young ones out of the box, while the recessed drain plug makes draining the box of ice water super easy, so you can easily refill it when you need to. Perfect for large parties or events where you need to serve a large amount of beer in a short time, this jockey box ensures that you beer stays cold for much longer.
Keg Capacity:
Connects to two (2) kegs for a better variety of beer and helps to keep the beer cold before it goes through the taps for easy serving and distributingCooler Size:
The 68 quart cooler ensures that you have enough ice and water to keep the coil cold, which helps to keep the beer cold before servingDrain Plug:
A built-in drain plug helps empty the box of water, so you can easily refill it with ice water


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PNC Bank Arts Center
Holmdel, New Jersey 07733
Venue Details
Expand - Will Call, Parking, Directions, and moreWill Call Info
Pick up tickets one hour prior to show. Customer must present the actual credit card used to place the order and a photo ID.
Parking Info
ADA parking is on a first-come-first-serve basis and no additional VIP parking tickets are needed For "VIP Parking" see www.ticketmaster.com, reserve your space and show up when you want. Parking lots will open 1 hour prior to doors.
Phone Info
The Retro Fitness Box Office Numbers General Info Number: (732) 203-2500 Heritage Festival Info ONLY: (732) 442-9200 X8665
Misc. Info
LAWN CHAIR RENTALS ARE AVAILABLE FOR MOST PERFORMANCES. PERSONAL LAWN CHAIRS ARE ACCEPTABLE PROVIDED THEY ARE 9" OR LESS FROM THE GROUND. BLANKETS ARE ACCEPTABLE ON MOST PERFORMANCES. DOORS OPEN 1 HOUR PRIOR TO PERFORMANCE. The AmeriHealth NJ First Aid Station: First Aid is located on the right side of the main plaza. The first aid station is staffed by certified personnel from MONOC (The Monmouth Ocean Hospital Service Corporation.) Concessions: Food and drinks are available for purchase at the concessions stand. Special Events: Call (732) 203-2500 x3VIP and speak with the Corporate Sales Department for more information. Purchase a block of tickets and have a pre-show party on site for your group of 20 or more! Patrons will be permitted to gain entry into the parking areas 2 hours prior to show time. Our parking lots open 2 hours prior to show time and doors open 1 hour prior to show time. We only permit snack foods into the venue which must be packed in a clear plastic bag. One plastic factory sealed bottle of water per person is permissible as well.
Take Exit 116 on the Garden State Parkway, Northbound and Southbound. 40 miles south of New York City.
General Info
BOX OFFICE HOURS: The box office is closed for the 2014 concert season. Holiday Lights is back this year at the PNC Bank Arts Center! Visit www.seetheholidaylights.com For updated information.
Payment Options
Cash, AmEx, Visa, MC, DSC, A service charge is applied to each ticket.
General Rules
The PNC Bank Arts Center enforces the law prohibiting underage consumption of alcohol anywhere on site. Violators will be prosecuted. NO recording equipment, radios, TVs or unauthorized electronic equipment. NO alcoholic beverages, smoking, bottles, cans, coolers, weapons. NO Laser Pointers. One factory sealed bottle of water per person. Camera Policy: Personal cameras are allowed in the venue. Flash photography, video and removable lens cameras are not permitted without venue approval.

subset: commoncrawl


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- 1 Hansen: Sweeps sweet, regardless of style points
- 2 Wildcats feast on low-Cal diet
- 3 Arizona Wildcats beat Cal 73-50
- 4 UA-Cal postgame: On fouls, turnovers and that foot
- 5 Steller: Apparent double-cross deepens TUSD's perception problem
- 6 NBA: Ex-UA guard Terry called 'coach,' 'mentor'
- 7 Former disc golf course is for the birds
- 8 The Container Store to open at Tucson Mall
- 9 UA football: 3-star receiver commits to Wildcats
- 10 Pima Summer Youth Programs accepting job applications
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Sequin Hi-Lo Tunic
Style # 205939
With a luxe fresh drape and scattered sequin detail, this bebe tunic is a glam way to up the cool factor on new season style. Try it with a pair of leatherette pants and oversized hoop earrings.
- 100% polyester
- Center back to hem: 29" (74 cm).
- Sleeve length: 18" (46 cm)
- Dry clean
- Imported
- Model 5'9" and is wearing a US size S
Sequin Hi-Lo Tunic
Great color; tons of compliments!
I recently purchased the blue tunic in XS, and it fits great! Even though it's an XS it's not tight since it's a loose fit. Love the bright blue and sequins make it stand out. Got lots of compliments on it right away.
Cozy, although one its flaws is the material is a bit scratchy. If you get easily irritated by such sweaters this may bug you, but I got used to it. Also, it easily snatches, you have to be careful not to have any jewelry or even broken nails that can pull on it because that's not easily fixable :/
Otherwise it's a great style, goes great with black pants and leather boots!
January 29, 2013
1-1 of 1


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way bracelet
by TASSIA CANELLIS
Paris based designer Tassia Canellis launched her eponymous jewelry line in 2007. Her collection explores many elements, compositions, and themes.. not fitting into one box. It falls somewhere between lightness & sophistication, charismatic & urban, classy & delicate. Every design comes from her imagination as "she creates as she loves."
Back To Product
View All From This Designer
was $64.00
Men's Size Chart
Product Details
Delicate, gilt brass bracelet with a very fine mesh chain featuring 5 silver pearls.
• 6" - 7" adjustable chain length
• lobster claw clasp closure with brass logo plate
• made in France


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ACCA (the Association of Chartered Certified Accountants) and IMA® (Institute of Management Accountants) announced today (25 June 2012) their global strategic partnership. The signing of the agreement took place at IMA's Annual Meeting of Members, during IMA's Annual Conference & Exposition, in Las Vegas, Nevada, USA.
The partnership was formalised by Mark Gold FCCA, ACCA's senior council member and former global president and Brian McGuire, Ph.D., CMA, CPA, IMA Chair.
'This partnership complements our respective strengths,' said Dr. McGuire. 'Our plans include research collaborations, CFO roundtables, joint chapter events, and the exploration of opportunities to increase awareness and adoption of our respective certifications.
'ACCA is one of the world's most respected and influential accounting associations, with nearly 590,000 members and candidates in 170 countries, working through 83 offices and centres. ACCA's mission and history is very similar to IMA's – one of inclusivity, community, and service to the global profession. There are clear synergies between both organisations and I am delighted to be making this announcement today,' continued Dr. McGuire.
Helen Brand, chief executive, ACCA, said: 'Both IMA, which is headquartered in the U.S., and ACCA have a long history of seeking innovations in finance and accounting, recognising that a strong global profession needs to innovate to be relevant in a fast-changing world. We have already delivered several tangible products and services to global practitioners, especially in the research and thought leadership areas.'
Mr. Gold added: 'Partnerships are essential to ACCA as they help to deliver benefits for our members and our students and to develop a strong global profession which brings value to business. By working together, we can share our expertise for the benefit of the global profession.'
Jeff Thomson, CMA, IMA president and CEO, concluded: 'Together, we summarise this exciting new strategic partnership very simply – ACCA and IMA, global bodies empowering accountants and financial professionals to drive business performance.'


text:
- 1 Blake's Lotaburger to open first Tucson location
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- 3 Tucson weather: Up to 2 inches of rain today
- 4 UA-OSU postgame: Is McConnell Pac-12's midseason POY?
- 5 Hansen: UA stays awake, shuts down OSU
- 6 UA basketball: Cats dam up Beavers
- 7 Group completes $8B acquisition of Safeway
- 8 Record rainfall in Tucson as storm drenches S. Arizona
- 9 Arizona Wildcats' Jackson-Cartwright out with concussion
- 10 3 dead in Mammoth collision
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Our guidelines prohibit the solicitation of products or services, the impersonation of another site user, threatening or harassing postings and the use of vulgar, abusive, obscene or sexually oriented language, defamatory or illegal material. You may not post content that degrades others on the basis of gender, race, class, ethnicity, national origin, religion, sexual orientation, disability or other classification. It's fine to criticize ideas, but ad hominem attacks on other site users are prohibited. Users who violate those standards may lose their privileges on azstarnet.com.
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Funeral service will be at 2 p.m. Sunday, March 3, 2013, at Williams and Lord Funeral Home in Ruleville with Rev. Larry Chouccolli officiating. Burial will follow in Lehrton Cemetery in Ruleville.
Visitation will be from noon-2 p.m. Sunday at Williams and Lord Funeral Home in Ruleville.
She was the daughter of Floyd Edward Mitchell Sr. and Irene Craddock Mitchell and a retired LPN.
Survivors include daughters Pamala Cottrell of Gulfport and Amy Carolla of Northport, Ala.; sisters, Barbara Arendale of Winona and Jane McCarty of Drew; brother, Floyd E. Mitchell Jr. of Ruleville; and six grandchildren.
Pallbearers will be Roger Earls, A.J. Wilson, Gene Mitchell, John Ray West, John Ray West Jr. and Jack West.


text:
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Singer Hilary Ann Feldman has fashioned her new cabaret show around the music and life of Audrey Hepburn.
♦ 8 p.m. May 4, 11
and 18
♦ Davenport's Cabaret, 1383 N. Milwaukee Ave., Chicago
♦ Tickets, $15 with a two-drink minimum
♦ (773) 278-1830;
Updated: June 4, 2013 6:08AM
Iconic actress Audrey Hepburn is only peripherally associated with songs or singing. Yes, she starred in "My Fair Lady" but the vocals were dubbed, and she sang only briefly in a few films such as "Breakfast at Tiffany's" and "Funny Face." So creating a cabaret show — which is all about the song — around the actress might seem a stretch. Hilary Ann Feldman said she feels just the opposite.
A cabaret performer who sometimes delves into the unusual, Feldman had been toying with the idea for years before deciding to give it a shot. The result is "My Fair Audrey," a show created with collaborator pianist and music arranger Beckie Menzie. It's filled with familiar songs — "Moon River" and selections from "My Fair Lady" — as well as other disparate tunes used to musically illustrate Hepburn's life story.
"The challenge was to pay tribute to Audrey without it becoming like a documentary," Feldman said. "Some of her life story is told but mostly I wanted to pay tribute through music to Audrey the human being, the humanitarian, the wife, the mother, the actress."
Feldman brought the idea for the show to Menzie who has "a great arranger's brain." Menzie was intrigued by the idea and drawn in by Feldman's enthusiasm for her subject.
"When someone comes to me with a show idea, one of my jobs is to ask questions to find out why they are attracted to the subject matter," Menzie said. "Hilary became impassioned as she answered my questions and had a genuine affection for the life of Audrey Hepburn including her challenges, as well as her successes."
Feldman was inspired by Hepburn's backstory, the moments in the actress's life that formed the woman she would become. Hepburn dreamed of becoming a prima ballerina but years of hardship and poor nutrition living in Belgium and Holland during World War II dashed that dream. Instead, in London she performed in chorus lines in several West End productions. While filming a small role in a film, she was discovered by the French writer Colette who was visiting the set on the lookout for an actress to star in the London stage adaptation of her novel "Gigi." Hepburn had no real stage experience but the play was a huge success in London and New York. The notice brought Hepburn her first film, "Roman Holiday," for which she won an Academy Award. Many more wonderful films would follow as well as a decades-long commitment to UNICEF for which she was named a Goodwill Ambassador.
All of these tangents fascinated Feldman: "Her life took so many strange turns but she just took it in stride and said yes to things. She was very true to herself and worked twice as hard to get where she wanted to be."
Feldman, who is accompanied by Menzie on piano, uses a variety of songs to fill out the show. These include selections from musicals such as "Godspell," "Violet" and "Romance/Romance" as well as pop tunes by Natasha Bedingfield and Mary Chapin Carpenter. There also is more dialogue than usual interspersed with the songs.
Feldman said the biggest challenge was the fact there was really nothing bad, none of the usual film star controversies in Hepburn's life. "When there's not that sort of dirt, you're missing out on the juicy, entertaining stuff," Feldman said with a laugh. "Things can get very dry."
But Feldman does break through the actress's regal image and delve into the other side of Hepburn, "the flirtatious and funny woman who smoked, loved her whiskey and understood that there was a lot more to sexy than curves."
Mary Houlihan is a local freelance writer.


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New Software Applications And Recommendations Now
Uncategorized Comments OffBefore you try out new software, it is a good idea to learn a little bit about what it can do. This will help to make sure that you only buy software that will be useful and beneficial. Below are three recommendations for software programs that work on Windows-based machines.
Listening Music Teacher
One of the most important parts about being a musician is being able to identify chords and notes by ear. This can help you learn new songs and adapt to what the Read More »


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Making a webcomic... with cookies!
Forum Index
General Discussion
Joined: 09 Dec 2008
Posts: 2
Posted: Tue Dec 09, 2008 3:07 am
Post subject: Making a webcomic... with cookies!
Hey all. I've had experiences with the Earthsong forum guys and you guys seem pretty nice, so I've decided to ask my question here.
So, I'm starting a webcomic. I want it to be in the sort of format that Earthsong is-- the long page thing, as if it was going to be published. I was wondering what a good size to draw it at would be and what some good final dimensions for the page could be?
Everyone who answers gets a free (virtual) cookie.
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Joined: 03 Sep 2008
Posts: 608
Location: Smelbourne
Posted: Tue Dec 09, 2008 3:23 am
Post subject:
Um, it really depends on a lot of factors. Generally, it's better to have it at (in my experience) about 4x the size it will appear as on the final product, and having at a high (200+, I usually have it at 300) dpi helps too (although if you don't plan on getting it published, you don't need it to be higher than 72 dpi).
And 800x600 is the standard size for Earthsong-style formats, I think!
Dubbed Pants by AsA, via the way of the electric pants.
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Joined: 23 Mar 2008
Posts: 258
Posted: Tue Dec 09, 2008 4:24 am
Post subject:
Eh, you don't need a 4x size. While it's a good idea to do a larger dpi than you're likely to encounter if you're not sure of your final product, there's rarely a need for larger dimensions. (If you NEED something larger, it's likely for a specialized purpose such as promotional material, in which case you'd be making it special anyway.) Most important is to get your aspect ratio chosen, as that determines your composition. Not sure what standard print comics are but, a vertical 1.3 format (.7 I guess) seems about right just by looking at some that Squee has. That's like 6x8 inches?
If you're planning on doing print (or want to leave the possibility open), 300 dpi should be your
dpi. 600 dpi is what Squee would recommend though. Of course that's a ton more space required...
So yes, the right way to do it is to 1) Pick whether you want a vertical or a horizontal format. 2) Pick the dimensions for print. Best would be to go to a store and look at the dimensions of stuff there that you like. Remember, depending on your style of comic, many comics have unusual aspect ratios and will put multiple strips per page (not very popular in graphic novels though). 3) Make your comic at 300-600dpi in the dimensions you chose. You can then downscale to 72 dpi for web. 4) Draw your comic at around the same dimensions as it would be in print, at least when you first start out. Helps you get the feel for the final look until you're used to it. Plus, it allows you to scan it in at exactly the dpi you'll be working in.
Scanning at a higher dpi is good, but there's not reason to actually work in higher dpis than your final product, so can be a waste of time if you have a slow scanner like me XD
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Joined: 03 Sep 2008
Posts: 608
Location: Smelbourne
Posted: Tue Dec 09, 2008 4:35 am
Post subject:
I said four times larger not because of any technical reason, but it makes your lineart A LOT smoother and helps to cover mistakes. Seriously, I make so many botches on my pieces, but they're practically invisible when they're four times smaller. It makes lines go nice and clean, too, hmm yes.
Dubbed Pants by AsA, via the way of the electric pants.
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Joined: 10 Apr 2008
Posts: 3541
Location: Grammar Police HQ. Watch your language, I'm armed with the NYTimes Style Book AND Strunk and White!
Posted: Tue Dec 09, 2008 11:43 am
Post subject:
I don't have technical experience, but I can give you some tips for what readers like to see (usually):
1. Clean art. I personally like clean, smooth lines, like Pants said, because wavery art is unprofessional. Make sure you know how to use the space you give yourself; don't leave too much white space or cram too much in.
2. A solid story, if you're going the plot-based route. Make sure you know where your characters are going so you don't write yourself into a corner.
3. If you've got the time and inclination, extra material for your readers to peruse while waiting for the next installment is always nice.
So yeah, just some things I've noticed are common between the webcomics I like. Especially in graphic novels the art is more important than the story, so that should be paramount, in my opinion.
Good luck!
Forum Grandmother
, because I hand out nicknames and hugs whether you want them or not. ^_^
Keeper of the Library and the Gateway to Haven
Nem: "It's the sort of face you just know is getting ready to poke you with something sharp."
BS: "...then insist you eat a brownie."
If we shadows have offended,
Think but this and all is mended...
Give me your hands if we be friends,
And Robin shall restore amends.
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Joined: 03 Sep 2008
Posts: 608
Location: Smelbourne
Posted: Wed Dec 10, 2008 4:06 am
Post subject:
Yeah - make sure you know where you're going and what you're going to do when you get there as well. Good art will draw a reader in, and good writing keeps them in. Having only one will not save your webcomic, by many people's standards.
Oh, this is kind of off-topic now :p
Dubbed Pants by AsA, via the way of the electric pants.
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Joined: 23 Mar 2008
Posts: 218
Location: 2010 Olympics (Please enjoy them, b/c I am paying for them).
Posted: Thu Dec 11, 2008 3:38 pm
Post subject:
Am I the only person who thought that someone was making a web comic out of cookies?
My printer thinks it's some kinda guitar hero because it won't stop jamming.
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Joined: 14 Apr 2008
Posts: 2141
Location: England
Posted: Thu Dec 11, 2008 4:07 pm
Post subject:
I thought of this:
Heh-heh <_<
As important as anything else make sure you design the website it's going to go in properly. None of those awful flash thingies and so on. If you can make recurrent elements reference a single page which you can then alter rather than having to alter every single page of your comic that's also handy if you ever want to change things around.
Never forget,
We stroll along the roof of hell
Gazing at flowers.
- Issa
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About Pamela LoveNew York-based jewelry designer, artist, and musician Pamela Love is known for her macabre-inspired rings, necklaces, and cuffs. Since founding her eponymous line in 2006, Love has collaborated with a host of reputable names in the fashion industry including Marchesa, Zac Posen, a... View More.
SHIPPING & RETURNS We offer free 2 day shipping on all other US orders. For international orders, we offer free express shipping (3-6 days) on all orders.
We do not deduct any shipping or pickup charges from your refund.
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North America
North America
Recent Activity
This article examines common challenges and factors influencing the development of local labor-market integration initiatives targeting immigrant youth, based on four city case studies conducted in the United States and the European Union.
In 2011, India was the third largest country of origin for immigrants in the United States, after Mexico and China. The close to 1.9 million Indian immigrants in the United States accounted for almost 5 percent of the country's total foreign-born population of 40.4 million. This article examines the latest data on Indian immigrants in the United States, including population size, geographic distribution, admission categories, and demographic and socioeconomic characteristics.
In 2011, there were 25.3 million Limited English Proficient (LEP) individuals residing in the United States, or roughly 9 percent of the nation's population ages 5 and older. Although most LEP individuals were foreign born, nearly one-fifth of this population was native born, about three-quarters of whom were children ages 5 to 17. This article provides a demographic and socioeconomic profile of LEP individuals residing in the United States, including the population's size, geographic distribution, and demographic and socioeconomic characteristics.
On June 27, the U.S. Senate passed legislation to overhaul the U.S. immigration system on a scale not seen in decades. Despite this major breakthrough, it is clear that immigration reform faces an uphill battle in the House of Representatives, where the dynamics are much different than in the Senate. This article assesses the prospects for immigration reform in the House, explores provisions of the Senate bill, the implications for U.S. immigration policy of the Supreme Court's recent ruling on the Defense of Marriage Act, and more.
The region encompassing Central and Eastern Europe as well as the former Soviet Union is the source of a sizeable share of international migrants today, yet many of these countries' development efforts do not benefit from strong diaspora ties.
In this video, Michael Fix and Margie McHugh discuss the distribution of English Language Learners across the country, their growth in enrollment, and more.
In this video, Michael Fix and Margie McHugh examine key indicators of ELL students' performance on standardized tests, among other topics.
This awards ceremony, honoring the 2011 recipients of the E Pluribus Unum Prizes — a national awards program for exceptional immigrant integration initiatives — featured panel discussions with the awardees and federal officials and remarks by White House Director of Intergovernmental Affairs Cecilia Muñoz and Assistant Secretary of Education Brenda Dann-Messier.
The conference offered law and policy analysis and discussion on cutting-edge immigration issues. Featured panelists included high-ranking government officials, academics, advocates, and other immigration experts.
Doris Meissner, Director of the U.S. Immigration Policy Program at MPI, offers her knowledge and expertise regarding border security in this testimony before the Senate Homeland Security and Governmental Affairs Committee.
This discussion includes a status of preparation of the 2012 GFMD summit, including a discussion on the possible ideas and projects presently being contemplated that would fully integrate migration into the development framework, with a special focus on Africa.
A discussion with Rosario Farmhouse, Alejandro Mayorkas, Jasenko Selimovic, Peter Sylvester, and Demetrios G. Papademetriou, MPI President.
This MPI webinar features U.S. Department of Justice (DOJ) officials discussing the department's efforts to improve communications with Limited English Proficient (LEP) communities in federal and federally-funded programs and activities.
The Migration Policy Institute celebrated its first decade as the authoritative, unimpeachable resource on immigration and immigrant integration analysis and policy design in the United States and internationally.
A discussion on the gains that young adult immigrants or the U.S.-born children of immigrants have made in education and employment, with speakers: Michael Fix, Jeanne Batalova, Andrew P. Kelly, Raul Gonzalez, and Margie McHugh.
Recent Activity
During this online chat, MPI researchers discuss their findings in an MPI brief, Deferred Action for Childhood Arrivals at the One-Year Mark: A Profile of Currently Eligible Youth and Applicants, that provides the most up-to-date estimates of the current and prospective DACA population by educational attainment, English proficiency, state of residence, country of origin, age, gender, labor force participation, poverty, and parental status.
MPI experts participate in a video chat shortly after the Migration Policy Institute released an analysis comparing the major provisions of the Senate bill to those of the individual House bills considered to date in House committees.
Testimony of Doris Meissner, Senior Fellow and Director, U.S. Immigration Policy Program, before the Committee on Homeland Security and Governmental Affairs, U.S. Senate.
La migración ha contribuido a dar forma y definir las relaciones entre Estados Unidos y México desde hace más de un siglo, y las relaciones con Centroamérica aproximadamente durante los últimos 30 años. A veces, incluso la migración se convierte en la lente a través de la cual se consideran todos los otros aspectos de esta relación.
This issue brief analyzes the Deferred Action for Childhood Arrivals (DACA) program, which provides a two-year reprieve from deportation for eligible unauthorized immigrants who came to the United States as children. The study finds that 49 percent of the eligible population had applied during the program's first year, and reveals wide variation in application rates across states and national-origin groups.
This fact sheet offers a detailed review of the comprehensive immigration reform legislation approved by the U.S. Senate in June 2013 and compares its major provisions with those of the five targeted immigration bills approved by the House Judiciary Committee and the House Homeland Security Committee.
Testimony of Margie McHugh, Co-Director of MPI's National Center on Immigrant Integration Policy, before the House Judiciary Subcommittee on Immigration and Border Security, U.S. House of Representatives.
At this release event in Washington, DC, co-sponsored by MPI, the Chicago Council on Global Affairs, and ImmigrationWorks USA, the Chicago Council's independent task force on immigration released its report, U.S. Economic Competitiveness at Risk: A Midwest Call to Action on Immigration Reform.


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So DID he bang her under a desk at work or not?
Seems the email thing is right out.
Is that Peggy Noonen? Why are we still listening to her?
Actually watch the whole clip...
Spyfall - Part 1
Spyfall - Part 2
Your personal life must be incredibly boring if you think sex under a desk is bizarre. Now, if the desk had been out in a room with a half dozen other desks, with people at them, yeah, that would be a bit over the top. So would sex in a dumpster, or on an escalator. But under the desk tells me he has an orderly and disciplined character that wouldn't let him disturb the top of the desk.
"Thirty-one* states allow all qualified citizens to carry concealed weapons. In those states, homosexuals should embark on organized efforts to become comfortable with guns, learn to use them safely and carry them. They should set up Pink Pistols task forces, sponsor shooting courses and help homosexuals get licensed to carry. And they should do it in a way that gets as much publicity as possible. "
--Jonathan Rauch, Salon Magazine, March 13, 2000
*the number is now forty
I'm not that much of a prude. I read Gawker and Media Matters at work, but that's far different from having sex under a desk.
I find it troubling that the FBI is making an issue over the affair and that he had to resign because of it, but these lurid details of his sexual indiscretions take their toll.
"Rarely do we find men who willingly engage in hard solid thinking. There is an almost universal quest for easy answers and half-baked solutions. Nothing pains some people more than having to think.'' - Dr. Martin Luther King Jr.
So, has ANYONE been charged with anything yet? And who was Cantor fucking?
Awesome Maxpwr9 thanks I hadn't seen the whole thing....
Both clips are funny end to end but the miriad of clips where fox news 'pundits' express outrage over whatever vague conspiracy they cantrive and then Stewart (a comedian mind you) blows up their arguments with their own news broadcast.... amazing....utterly republicans are so fucking full of shit amazing.
This is actually turning out to be a much deeper problem than just a lurid sexual affair of adultery. Now more people are involved and it includes harassment and classified information. I don't think we've seen the full story yet, and it may be far worse than it appears even now.
#439th oldest member on JUB.
I believe they worked together to raise funds for Wounded Warriors (http://en.wikipedia.org/wiki/Wounded_Warrior_Project)
Dammit! Here I sit with an article about Cantor and he has already been mentioned. HE tried to cause an October surprise and failed.
I'm gonna post the article anyway. Fuck Stewart!
MARK KARLIN, EDITOR OF BUZZFLASH AT TRUTHOUT ericcantor2 Eric Cantor: His October Surprise Failed
Amidst the sordid details of the high-ranking CIA sex scandal (that has now spread to an investigation of Jill Kelley, the woman who complained of being harassed by Gen. David Petraeus's mistress (Paula Broadwell), being involved in voluminous and questionable e-mail exchanges with the current commander of forces in Afghanistan, Gen. John Allen), one important political factor has emerged in the last day: Republican House Majority Leader Eric Cantor appears to have tried to put pressure on the FBI to advance the investigation, with the likely goal of an October surprise scandal that would have potentially harmed Obama's chance of re-election.
BEWARE! Harassing the Indian may result in sudden and severe hair loss.
No shock at all at the fact Fox News fails to mention Cantor's role in all of this.
And I'll also say this..over and over people have said Petraeus is a man of integrity,yet some people at Faux News and elsewhere have said he might have been blackmailed into lying so he could keep his job.
Doesn't sound like he has much integrity to me in that case.
FOX reported last week that Cantor had be told -- I think it was Oct. 26 or 27 -- and referred the person who told him to the FBI.
MSNBC and MediaMatters doesn't report all the stuff from FOX News. In fact, I hear they have an agenda regarding FOX.
Sources tell Fox News that Reichert talked to the whistle-blower, then referred him to Cantor. The whistle-blower talked to the majority leader's office, then to Cantor directly. The whistle-blower -- who purportedly was concerned about a possible national security breach -- was then put in touch with FBI Director Robert Mueller.
Read more: http://www.foxnews.com/politics/2012...#ixzz2CDiherap
OK genius, why did some no name FBI special agent HAVE to tell Cantor?
Specifics - if you can find any. What regulation or rule was there that the Hose Majority Leader HAD to be told but NOT the Senate or anyone else evidently.
SOOOOOO Has ANYONE been charged with a crime yet?
I have a big simple question to ask the republicans here.
Why did Cantor not tell the nation and the president when he was made aware of the problem by the people involved in the issue.
When you answer that question, and think of all its implications, things start to become clearer.
Why is it that all participants are GOP members? How did they conspire to keep this secret from the executive office, yet leak it to the legislature.
Who has the most to gain from all of this?
People need to stop being tittilated by the real housewives of the Armed forces, and a bit more attuned to the players and the effects that they caused.
Who can benefit from the head of the CIA being removed, and who would be able to do it through contacts? The last CIA director, who is now.... gasp.... The Sec of defense. You know... the guy that the generals report to in the pentagon.
Oh yeah, on a side note... a budget negotiation is getting ready to happen that may cut funding for agencies across the board. I wonder what effect these events are going to do to the budgets of these departments now. Anyone have a guess?
Who was the first politician who knew all about this and didn't tell the commander in chief?
OHHH Cantor that's right. He would have no reason to want leverage in an upcoming budget negotiation.
Why does this Paula woman remind me so much of the Glenn Close character in Fatal Attraction? Their eyes?
Here's what I don't get--if we gay folks don't want people focusing on our sex life, so why is it okay to focus on theirs? This is a personal issue between Mr. Petraus and his wife, period. I felt this same way about former President Clinton.
And please don't lecture about morality, holding some people to higher standards. If you want to go there, then why are so many philanderers still in Congress? Why didn't they resign immediately? Folks like Ensign from NV; Vitter from LA. And please understand, I am not singling out republicans--these two are the first who come to my mind.
As I learn more about this case each day, I am reminded about that old adage "Be careful what you ask for". I wonder if the woman in Florida (Jill somebody?) who went to the FBI thought through the potential that her family's dirty laundry would be aired?
Now we've learned about her and her husband's financial problems; her twin sister's custody battle? Wow...
This event should be a teaching moment for all, especially our young folks--if you write it, post it, it's forever. Kinda like those stupid sexting nude shots that get posted...
IF we learn that any security/defense information was compromised, then it's time to throw the book at all involved. And don't get me going on the FBI guy who informed Cantor, et al.
The reason everyone is focused on his sex life --- one simple fact -- Mr. Patraeus was the head of CIA. He made himself open to blackmail. Think about the possibilities.
- - - Updated - - -
He referred to the FBI -- you should be glad Cantor did not make it an election issue.
Jack that makes no sense.
Cantor is part of this, in some way, and we will find out. If there's one thing I trust, it's a politicians instinct to hide damaging situations well.
Cantor's own career could be at risk now... regardless if he made it an election issue or not. As a lawmaker he had a duty to report it to the executive branch. There could be other implications here. The reason why Cantor didn't make it an election issue suggests potential involvement on his part and potentially other GOP lawmakers.
The GOP would be Wise to back up a bit and not pick a fight with the agency. They won't win. Petraeus was expected to run for office in 2016 and be ready to get the nomination by 2020... it's what they were grooming him for.
DC intrigue...lol. It's never about the sex. The sex is the public excuse to have a spat. The outcome of the spat? keep your eye on that ball.
Cantor may have taken the Bhengazi conspiracy away from the GOP, by being a heavy handed free wheeling politician who thought procedure meant nothing... in effect. He thinks he is himself...HA
Last edited by MisterB; November 14th, 2012 at 03:11 PM.
This is the truth. The reason why this wasn't brought up prior to election day is that Petraeus is the GOP's man... and they want him to run for their party in 2016 potentially. It's lovely seeing this backfire on the GOP... just like how the Benghazi spin and political profiteering has backfired on the GOP.
^ Better than lovely.
It is lip smackingly delicious to see the hetero boys club caught with their boxers down around their ankles again....trying to figure out ways to avoid collateral damage.
And they said DOMA and DADT are attacks on traditional relationships....
Is this the traditions they mean? Sounds like a cheap skinemax production. Lewd and tawdry, and god knows what is happening with the kids from that woman's twin? To think that hetero parenting is so neglectful.
It's clear they have no respect for the family unit.
I'm not really clear how Cantor fits into this.
sounds like a whistle-blower reported to him, he was like "lol, this is none of my business" and went about his day.
Someone ran to Cantor with this thinking scandal, what happened next is murky.
"Thirty-one* states allow all qualified citizens to carry concealed weapons. In those states, homosexuals should embark on organized efforts to become comfortable with guns, learn to use them safely and carry them. They should set up Pink Pistols task forces, sponsor shooting courses and help homosexuals get licensed to carry. And they should do it in a way that gets as much publicity as possible. "
--Jonathan Rauch, Salon Magazine, March 13, 2000
*the number is now forty
Every citizen is complicit in a crime that they witness and do not report.
Cantor's fingers are all over this, and he had an obligation to his office to report knowledge of any laws broken, or any clear and present danger that the nation may face that they discover as they function in their office. It's clear that this contact happened with Cantor because he's a congressman.
Why Cantor, as a congressman, decided to keep the secret from President Obama is irrelevant. It was not his call to make.
It reflects at least, his contempt for the duly elected Two term president of the United States, Barack Obama.
The answer is in the Oath of office...
The current oath was enacted in 1884:
I do solemnly swear (or affirm) that I will support and defend the Constitution of the United States against all enemies, foreign and domestic; that I will bear true faith and allegiance to the same; that I take this obligation freely, without any mental reservation or purpose of evasion; and that I will well and faithfully discharge the duties of the office on which I am about to enter: So help me God.
I don't think the FBI has alleged any broken laws or danger to the nation, though?
No that's the bitch of of it. There are no allegations of anything beyond horny straight guys with wives.
There were classified documents passed, you will find, or the hand off would not have occurred from humint to Exec.
Even if not, the problem in the link is when Cantor received the info, and did not pass it on to the general's superior, President Obama. the posibility of being compromised, of others having the info and using the info, demanded that the president take him out of office. Just the way it goes.
It sucks to be held to that high a bar, but then we only have one CIA director at a time, and if they are vulnerable to outside undue influence to keep their secret, then well.. that's how that world works, and everyone in it knows it.
So the posibility of illegality was all that was needed to set off the bells and whistles. Cantor didn't set them off. He is smart enough to know that inaction is as complicit as participation, when you are talking about keeping secrets of and about the CIA director from the president.
The reason Cantor was involved is the FBI weenie contacted his representative who then told him to call Cantor.
Well before the election mind you. Republicans thought it better to sit on this one and not have yet another republican scandal before an election. Probably figured it would remind voters of the Bush years.
Blaming Cantor is like blaming Repubs for Benghazi
not that he isn't a weasel
Not Blaming Cantor for anything more than failure and incompetence. But republican inability to get anything done is well documented so that is rather redundant to say republican and failure. It does seem a bit odd the Congress is bitching they were not told in a timely manner yet one of them knew and was keeping it from others....
not that it will sway anyone who already hates the guy, but Cantor released a statement:
http://www.politico.com/blogs/on-con....html?hp=rh_b2"I received information from an individual that I had not known before, did not know. The information that was sent to me sounded as if there was potential for a national security vulnerability," the Virginia Republican said. "I had no way of corroborating the story that I was told and felt that the best thing to do at the time was not to politicize it but to put national security first."
The New York Times first reported that Cantor learned of the affair in late October and his chief of staff Steve Stombres spoke to FBI officials about the situation.
"I turned to Director [Robert] Mueller's office to ask them to do their job and assume that the FBI would comply with its obligations to keep us on the Hill informed once it determined whether an investigation was necessary or a crime had been committed," Cantor said.
Well, he did resign without being asked to.
And, he did the "drop box" communication trick like any innocent and guilt-free person would do.
I have problems with the FBI checking someone's e-mails and then forcing them to resign. I also have problems with the ex-head of the military having sex under a desk with a slutty, so-called biographer.
"Rarely do we find men who willingly engage in hard solid thinking. There is an almost universal quest for easy answers and half-baked solutions. Nothing pains some people more than having to think.'' - Dr. Martin Luther King Jr.
Oh but I blame republicans for trying to score political points off Benghazi, but that's an entirely different thread.
What Cantor did was not report a potential crime that was happening and that could have potentially damaged US intelligence, thus putting US Forces at risk. Eric Cantor at this point should be removed from office. Sorry chance, but this whole issue backfired on the GOP... once again.
The CIA was potentially compromised and Cantor didn't tell the executive branch. I'm sorry but that is potential malfeasance.
i think john mccain being a whiny bitch is a bigger story.
Whiny Bitch? that's kind of you.
he's so busy sucking Lindsay Graham's cock that he burps cumm whenever he comes up for air in front of the media. The guy is pathetic. His depends show when he walks up to the press podium.
I have squirrels in my yard that are more intelligent and honest than this guy, and my dog STILL tries to kill them.
If that old scabby bastard tried to talk about my dog the way he's lied, I would sue him into next year. He needs to go suck some more cash out of that butt ass ugly cunty wife of his.
I said wife... I meant McCains campaign money dispenser.
I only hope Megan can save the family name in honor of her great grandfather and grandfather, because after her mongoloid father gets done, she isn't going to have much to work with.
Reverend Al last night on his show did a segment on how Faux news bobble heads are comparing this and the related Benghazi (sp?) attack "scandals" to two of the country's most famous REPUBLICAN coverups--Watergate and WMD/9/11.
You just can't make this stuff up.
I can't remember a time when the Faux news folks let the facts get in the way of their "news" stories.
Do you think they have any idea what they are saying? They can't be that stupid, can they? I would be curious to know what these "newscasters" are paid to act out and play simple stupid. Their cue cards must give them instructions on how to act outraged when they are saying outrageous things.


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Paul's defence before the council of the Jews. (1-5) Paul's defence. He receives a Divine assurance that he shall go to Rome. (6-11) The Jews conspire to kill Paul, Lysias sends him to Cesarea. (12-24) Lysias's letter to Felix. (25-35)
Verses 1-5 See here the character of an honest man. He sets God before him, and lives as in his sight. He makes conscience of what he says and does, and, according to the best of his knowledge, he keeps from whatever is evil, and cleaves to what is good. He is conscientious in all his words and conduct. Those who thus live before God, may, like Paul, have confidence both toward God and man. Though the answer of Paul contained a just rebuke and prediction, he seems to have been too angry at the treatment he received in uttering them. Great men may be told of their faults, and public complaints may be made in a proper manner; but the law of God requires respect for those in authority.
Verses 6-11 The Pharisees were correct in the faith of the Jewish church. The Sadducees were no friends to the Scripture or Divine revelation; they denied a future state; they had neither hope of eternal happiness, nor dread of eternal misery. When called in question for his being a Christian, Paul might truly say he was called in question for the hope of the resurrection of the dead. It was justifiable in him, by this profession of his opinion on that disputed point, to draw off the Pharisees from persecuting him, and to lead them to protect him from this unlawful violence. How easily can God defend his own cause! Though the Jews seemed to be perfectly agreed in their conspiracy against religion, yet they were influenced by very different motives. There is no true friendship among the wicked, and in a moment, and with the utmost ease, God can turn their union into open enmity. Divine consolations stood Paul in the most stead; the chief captain rescued him out of the hands of cruel men, but the event he could not tell. Whoever is against us, we need not fear, if the Lord stand by us. It is the will of Christ, that his servants who are faithful, should be always cheerful. He might think he should never see Rome; but God tells him, even in that he should be gratified, since he desired to go there only for the honour of Christ, and to do good.
Verses 12-24 False religious principles, adopted by carnal men, urge on to such wickedness, as human nature would hardly be supposed capable of. Yet the Lord readily disappoints the best concerted schemes of iniquity. Paul knew that the Divine providence acts by reasonable and prudent means; and that, if he neglected to use the means in his power, he could not expect God's providence to work on his behalf. He who will not help himself according to his means and power, has neither reason nor revelation to assure him that he shall receive help from God. Believing in the Lord, we and ours shall be kept from every evil work, and kept to his kingdom. Heavenly Father, give us by thy Holy Spirit, for Christ's sake, this precious faith.
Verses 25-35 God has instruments for every work. The natural abilities and moral virtues of the heathens often have been employed to protect his persecuted servants. Even the men of the world can discern between the conscientious conduct of upright believers, and the zeal of false professors, though they disregard or understand not their doctrinal principles. All hearts are in God's hand, and those are blessed who put their trust in him, and commit their ways unto him.
Acts 23:1-10 . PAUL'S DEFENSE BEFORE THE SAMHEDRIM DIVIDES THE RIVAL FACTIONS, FROM WHOSE VIOLENCE THE COMMANDANT HAS THE APOSTLE REMOVED INTO THE FORTRESS.
1. Paul, earnestly beholding the council--with a look of conscious integrity and unfaltering courage, perhaps also recognizing some of his early fellow pupils.
I have lived in all good conscience before God until this day--The word has an indirect reference to the "polity" or "commonwealth of Israel," of which he would signify that he had been, and was to that hour, an honest and God-fearing member.
2. the high priest . . . commanded . . . to smite him on the mouth--a method of silencing a speaker common in the East to this day [HACKET]. But for a judge thus to treat a prisoner on his "trial," for merely prefacing his defense by a protestation of his integrity, was infamous.
3, 4. God shall smite thee--as indeed He did; for he was killed by an assassin during the Jewish war [JOSEPHUS, Wars of the Jews, 2.17.9].
thou whited wall--that is, hypocrite ( Matthew 23:27 ). This epithet, however correctly describing the man, must not be defended as addressed to a judge, though the remonstrance which follows--"for sittest thou," &c.--ought to have put him to shame.
5. I wist not . . . that he was the high priest--All sorts of explanations of this have been given. The high priesthood was in a state of great confusion and constant change at this time (as appears from JOSEPHUS), and the apostle's long absence from Jerusalem, and perhaps the manner in which he was habited or the seat he occupied, with other circumstances to us unknown, may account for such a speech. But if he was thrown off his guard by an insult which touched him to the quick, "what can surpass the grace with which he recovered his self-possession, and the frankness with which he acknowledged his error? If his conduct in yielding to the momentary impulse was not that of Christ Himself under a similar provocation ( John 18:22 John 18:23 ), certainly the manner in which he atoned for his fault was Christ-like" [HACKET].
6-9. when Paul perceived--from the discussion which plainly had by this time arisen between the parties.
that the one part were Sadducees, and the other Pharisees, he cried out--raising his voice above both parties.
I am a Pharisee, the son of a Pharisee--The true reading seems to be, "the son of Pharisees," that is, belonging to a family who from father to son had long been such.
of the hope and resurrection of the dead--that is, not the vague hope of immortality, but the definite expectation of the resurrection.
I am called in question--By this adroit stroke, Paul engages the whole Pharisaic section of the council in his favor; the doctrine of a resurrection being common to both, though they would totally differ in their application of it. This was, of course, quite warrantable, and the more so as it was already evident that no impartiality in trying his cause was to be looked for from such an assembly.
8. the Sadducees say . . . there is no resurrection, neither angel, nor
the scribes . . . of the Pharisees' part . . . strove, saying, We find no evil in this man, but--as to those startling things which he brings to our ears.
if a spirit or an angel hath spoken to him--referring, perhaps, to his trance in the temple, of which he had told them ( Acts 22:17 ). They put this favorable construction upon his proceedings for no other reason than that they had found him one of their own party. They care not to inquire into the truth of what he alleged, over and above their opinions, but only to explain it away as something not worth raising a noise about. (The following words, "Let us not fight against God," seem not to belong to the original text, and perhaps are from Acts 5:39 . In this case, either the meaning is, "If he has had some divine communication, what of that?" or, the conclusion of the sentence may have been drowned in the hubbub, which Acts 23:10 shows to have been intense).
10. the chief captain, fearing lest Paul should have been pulled to pieces . . . commanded the soldiers to go down and take him by force, &c.--This shows that the commandant was not himself present, and further, that instead of the Sanhedrim trying the cause, the proceedings quickly consisted in the one party attempting to seize the prisoner, and the other to protect him.
Acts 23:11-35 . IN THE FORTRESS PAUL IS CHEERED BY A NIGHT VISION--AN INFAMOUS CONSPIRACY TO ASSASSINATE HIM IS PROVIDENTIALLY DEFEATED, AND HE IS DESPATCHED BY NIGHT WITH A LETTER FROM THE COMMANDANT TO FELIX AT CÆSAREA, BY WHOM ARRANGEMENTS ARE MADE FOR A HEARING OF HIS CAUSE.
11. the night following--his heart perhaps sinking, in the solitude of his barrack ward, and thinking perhaps that all the predictions of danger at Jerusalem were now to be fulfilled in his death there.
the Lord--that is, Jesus.
stood by him . . . Be of good cheer, Paul; for as thou hast testified of me in Jerusalem, so must thou . . . also at Rome--that is, "Thy work in Jerusalem is done, faithfully and well done; but thou art not to die here; thy purpose next to 'see Rome' ( Acts 19:21 ) shall not be disappointed, and there also must thou bear witness of Me." As this vision was not unneeded now, so we shall find it cheering and upholding him throughout all that befell him up to his arrival there.
12-14. bound themselves under a curse . . . that they would neither eat . . . fill they had killed Paul--Compare 2 Samuel 3:35 , 1 Samuel 14:24 .
15. Now . . . ye with the council signify to the chief captain . . . as though, &c.--That these high ecclesiastics fell in readily with this infamous plot is clear. What will not unscrupulous and hypocritical religionists do under the mask of religion? The narrative bears unmistakable internal marks of truth.
or ever he come near--Their plan was to assassinate him on his way down from the barracks to the council. The case was critical. but He who had pledged His word to him that he should testify for Him at Rome provided unexpected means of defeating this well-laid scheme.
16-22. Paul's sister's this time residing at Jerusalem for his education, like Paul himself, he may have got at the schools those hints of the conspiracy on which he so promptly acted.
17. Then Paul called one of the centurions--Though divinely assured of safety, he never allows this to interfere with the duty he owed to his own life and the work he had yet to do.
19. took him by the hand--This shows that he must have been quite in his boyhood, and throws a pleasing light on the kind-hearted impartiality of this officer.
21. and now are they ready, looking for a promise from thee--Thus, as is so often the case with God's people, not till the last moment, when the plot was all prepared, did deliverance come.
23, 24. two hundred soldiers--a formidable guard for such an occasion; but Roman officials felt their honor concerned in the preservation of the public peace, and the danger of an attempted rescue would seem to require it. The force at Jerusalem was large enough to spare this convoy.
the third hour of the night--nine o'clock.
24. beasts . . . set Paul on--as relays, and to carry baggage.
unto Felix, the governor--the procurator.
26-30. Claudius--the Roman name he would take on purchasing his citizenship.
Lysias--his Greek family name.
the most excellent governor--an honorary title of office.
27. came I with an army--rather, "with the military."
29. perceived to be accused of questions of their law, &c.--Amidst all his difficulty in getting at the charges laid against Paul, enough, no doubt, come out to satisfy him that the whole was a question of religion, and that there was no case for a civil tribunal.
30. gave commandment to his accusers . . . to say before thee--This was not done when he wrote, but would be before the letter reached its destination.
31, 32. brought him . . . to Antipatris--nearly forty miles from Jerusalem, on the way to Cæsarea; so named by Herod in honor of his father, Antipater.
32. On the morrow they--the infantry.
left the horsemen--themselves no longer needed as a guard. The remaining distance was about twenty-five or twenty-six miles.
34, 35. asked of what province he was--the letter describing him as a Roman citizen.
35. I will hear thee--The word means, "give thee a full hearing."
to be kept in Herod's judgment hall--"prætorium," the palace built at Cæsarea by Herod, and now occupied by the Roman procurators; in one of the buildings attached to which Paul was ordered to be kept.


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noun \ˌa-jə-ˈlā-shən, -dyə, -də-\Definition of ADULATION
: excessive or slavish admiration or flattery
— ad·u·late \ˈa-jə-ˌlāt, -dyə-, -də-\ transitive verb
— ad·u·la·tor \-ˌlā-tər\ noun
— ad·u·la·to·ry \-lə-ˌtȯr-ē\ adjective
Examples of ADULATION
- The rugby player enjoyed the adulation of his fans.
- a writer who inspires adulation in her readers
Origin of ADULATION
Middle English adulacion, from Old French, from Latin adulation-, adulatio, from adulari to fawn on (of dogs), flatter
First Known Use: 14th century
Related to ADULATION
- Synonyms
- worship, deification, hero worship, idolatry, idolization, worshipping (also worshiping)
Learn More About ADULATION
Next Word in the Dictionary: Adullamite
Previous Word in the Dictionary: adularia
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Fisher Performance Night Results |
Saturday, 06 April 2013 | |
Haudenschild Continues Attica Hot Streak; Marcoullier Wins Late Model Thriller; Dussel Over Powers 305 SprintsBy Brian Liskai (Attica, OH) At the end of last year Sheldon Haudenschild showed he was going to be a force to be reckoned with at Attica Raceway Park. Though he crashed while battling for the lead then, he came out swinging in 2013 and last week scored a second place at the track against the All Stars. On Saturday, the Wooster, Ohio native would take the lead on lap 14 and would hold off Dale Blaney – who beat him the week before – to score his first ever Attica 410 sprint victory on Fisher Performance Night. Cap Henry and Haudenschild would bring the field to the green for the O'Reilly Auto Parts 410 Sprint feature. Henry would lead the first lap with Haudenschild racing to his inside while fourth place starter Craig Mintz ran right on their rear bumpers. Mintz would take second on lap two and would drive into the lead a lap later. Haudenschild drove into second on lap four and immediately raced under Mintz to challenge for the lead. Mintz and Haudenschild wild battle side by side over the next 7 laps as they raced into traffic by lap 10. A Brian Lay spin on lap 13 would halt the action. When the green reappeared, Mintz and Haudenschild would continue their exciting race with Haudenschild leading lap 12 but Mintz regaining the top spot as they ran side by side. Haudenschild would grab the lead on lap 14 with Mintz staying to his outside. With 15 laps in the books – halfway - Haudenschild lead Mintz, who now had his hands full with Blaney who was behind the wheel of the Tony Kennedy #14k machine. Meanwhile there was a tremendous battle for fourth between Travis Philo, Chris Andrews, Byron Reed and Henry. Blaney would take second from Mintz on lap 17 and closed on Haudenschild who had found the back of the pack with 10 circuits remaining. The caution would fly on lap 21 for a Cole Duncan spin with Haudenschild leading Blaney, Andrews, Mintz, Philo, Reed and a closing Caleb Griffith up from 13th starting spot. Andrews would slip up on lap 23 and would stop with front end problems, bringing out the caution. The restart order was Haudenschild, Blaney, Mintz, Philo, Reed, Griffith, Henry and 16th place starter D.J. Foos. The final caution would fly on lap 27 for a Stuart Brubaker spin. With the clear track, Haudenschild would blast to the top side of turns one and two and would pull away from Blaney. Haudenschild would drive to the win over Blaney, Mintz, Griffith and Philo. In the 25-lap Summit Racing Equipment UMP Late Model main, Chris Keller and Eric Spangler would bring the field to the green with Spangler earning the lead over Jon Henry, Keller, John Bores, Matt Miller and Ryan Markham. You couldn't fit a piece of paper between the top four cars when the caution flew on lap three for a Chad Poorman spin. On the restart it was a tremendous battle up front between Spangler, Keller, Henry and Miller as they often raced three wide through the corners. Keller would drive into the lead by a nose on lap six with Spangler, Henry and Miller continuing the fantastic race. With 8 laps scored, Marcoullier had joined the fray. Over the next eight laps it was literally a five car battle for the lead with Keller continuing to lead by a nose over Spangler with Henry, Miller and Marcoullier racing to their outside and on their rear bumpers. Henry would take second on lap 10 with Marcoullier moving into third. Keller, Henry and Marcoullier ran three wide over each lap until the caution flew with 10 laps to go for a stalled Spangler. On the restart Henry grabbed the lead over Keller, Marcoullier, Miller, Markham and 17th starter Ryan Missler. With Henry out front, Miller took second on lap 16, but Marcoullier returned the favor a lap later. With five laps to go Marcoullier got under Henry to take the lead with Miller racing to their outside. Marcoullier and Henry would race side by side the remaining laps. Marcoullier won by half a car length over Henry, Miller, Keller and Missler. Dussel and Jimmy Colvin would lead the field to the green in the 25-lap Foster's Auto Body 305 sprint feature. Everyone went to the bottom groove and Dussel took the lead over Colvin, Jordan Ryan, Dustin Stroup, Jamie Miller and Dustin Dinan. The caution flew on lap four for Matt Fackler and Eric Duposki spins. On the restart Paul Weaver would loop it out and on the ensuing restart Jamie Miller spun, collecting Seth Schneider. When the green reappeared Dussel would pull away from Stroup, Colvin, Ryan, Dinan and Tyler Gunn. On lap seven, Duposki and Fackler would spin again. As he did for the other restarts, Dussel would pull away over Stroup, Colvin, Ryan, Dinan and Gunn. Ryan would take third on lap 10, bringing Dinan into fourth as the caution flew for a Nate Reeser spin. Dussel would again pull away from Stroup as Ryan and Dinan battled for third. Dinan would take the third position on lap 12 and began pressuring Stroup for the runner-up spot. Dussel would race into lapped traffic by the 16th circuit, but Stroup, Dinan, Ryan and Colvin could not close. The final caution would fly on lap 18 for Ricky Peterson who spun in water created when Dinan got side ways, but gathered his machine back up but knocked the radiator hose off. The restart order was Dussel, Stroup, Dinan, Ryan, Colvin and Steve Rando. Dussel would drive a smooth race on the bottom to pull away for his sixth career Attica win over Stroup, Dinan, Ryan and Colvin. Attica Raceway Park will be back in action Friday, April 12 for UUI/Bazell Race Fuels Night with the UMP Late Models, 305 sprints and dirt trucks in action. For more information go to www.atticaracewaypark.com or like Attica Raceway Park on Facebook and follow the track on Twitter. Attica Raceway Park - 4/6/2013 Fisher Performance Night O'Reilly Auto Parts 410 Sprints (26 Cars) [#]-Starting Position Heat 1 - Nitro Black Performance by Engine Pro (8 Laps - Top 5 finishers transfer to the A-feature) 1. 9X-Brandon Martin[1] ; 2. O9-Craig Mintz[3] ; 3. 45L-Brian Lay[2] ; 4. 54-Cap Henry[7] ; 5. 40D-Caleb Griffith[8] ; 6. 46AU-Stuart Williams[6] ; 7. 7-Troy Kingan[9] ; 8. 27-Paige Polyak[4] Heat 2 - Summit Racing Equipment (8 Laps - Top 5 finishers transfer to the A-feature) 1. 5T-Travis Philo[2] ; 2. 14K-Dale Blaney[1] ; 3. 97-Phil Gressman[4] ; 4. 29-Cole Duncan[8] ; 5. 2+-Brian Smith[5] ; 6. 53-DJ Foos[3] ; 7. 69-Scott Curren[9] ; 8. 45-Danny Holtgraver[7] ; 9. 55-Brad Bowman[6] Heat 3 - Ultra Shield Race Products (8 Laps - Top 5 finishers transfer to the A-feature) 1. 35-Stuart Brubaker[1] ; 2. 16-Chris Andrews[6] ; 3. 5R-Byron Reed[8] ; 4. 93-Sheldon Haudenschild[7] ; 5. 9Z-Duane Zablocki[5] ; 6. 40-Caleb Helms[4] ; 7. 94-Brandon Thone[3] ; 8. 57X-Andrew Palker[2] B-Main - Computer Man Inc. (10 Laps - Top 5 finishers transfer to the A-feature) 1. 53-DJ Foos[2] ; 2. 46AU-Stuart Williams[1] ; 3. 40-Caleb Helms[3] ; 4. 45-Danny Holtgraver[8] ; 5. 11-Shawn Hubler[11] ; 6. 27-Paige Polyak[7] ; 7. 94-Brandon Thone[6] ; 8. 69-Scott Curren[5] ; 9. 57X-Andrew Palker[9] ; 10. 7-Troy Kingan[4] ; 11. 55-Brad Bowman[10] A-Main - (30 Laps) 1. 93-Sheldon Haudenschild[2]; 2. 14K-Dale Blaney[3]; 3. O9-Craig Mintz[4]; 4. 40D-Caleb Griffith[13]; 5. 5T-Travis Philo[8]; 6. 5R-Byron Reed[6]; 7. 53-DJ Foos[16]; 8. 54-Cap Henry[1]; 9. 97-Phil Gressman[7]; 10. 2+-Brian Smith[14]; 11. 9X-Brandon Martin[12]; 12. 29-Cole Duncan[9]; 13. 9Z-Duane Zablocki[15]; 14. 45-Danny Holtgraver[19]; 15. 46AU-Stuart Williams[17]; 16. 40-Caleb Helms[18]; 17. 45L-Brian Lay[11]; 18. 35-Stuart Brubaker[10]; 19. 11-Shawn Hubler[20]; 20. 16-Chris Andrews[5] Hard Charger: 40D-Caleb Griffith[+9] Foster Auto Body 305 Sprints (22 Cars) [#]-Starting Position Heat 1 - Nitro Black Performance by Engine Pro (8 Laps - Top 8 finishers transfer to the A-feature) 1. 4M-Jamie Miller[2] ; 2. 1W-Paul Weaver[1] ; 3. 13D-Jeremy Duposki[3] ; 4. 10X-Dustin Stroup[6] ; 5. 19R-Steve Rando[7] ; 6. 2-Ricky Peterson[8] ; 7. 560-Ross Moore[4] ; 8. 83X-Nate Reeser[5] Heat 2 - Summit Racing Equipment (8 Laps - Top 8 finishers transfer to the A-feature) 1. 9-Jimmy Colvin[4] ; 2. 36-Seth Schneider[7] ; 3. 22M-Dan McCarron[2] ; 4. 68G-Tyler Gunn[6] ; 5. 22D-Dan Hammond[5] ; 6. 26-Ryan French[1] ; 7. 1J-Jeremy Shambaugh[3] Heat 3 - Ultra Shield Race Products (8 Laps - Top 8 finishers transfer to the A-feature) 1. 6-Dustin Dinan[1] ; 2. 1-Nate Dussel[3] ; 3. 5R-Jordan Ryan[4] ; 4. 8J-Jess Stiger[5] ; 5. 25-Jason Keckler[2] ; 6. 34-Eric Duposki[6] ; 7. 23F-Matt Fackler[7] A-Main - (25 Laps) 1. 1-Nate Dussel[1]; 2. 10X-Dustin Stroup[4]; 3. 6-Dustin Dinan[12]; 4. 5R-Jordan Ryan[3]; 5. 9-Jimmy Colvin[2]; 6. 4M-Jamie Miller[9]; 7. 19R-Steve Rando[13]; 8. 1W-Paul Weaver[7]; 9. 68G-Tyler Gunn[6]; 10. 25-Jason Keckler[15]; 11. 22M-Dan McCarron[5]; 12. 36-Seth Schneider[8]; 13. 8J-Jess Stiger[10]; 14. 560-Ross Moore[19]; 15. 22D-Dan Hammond[14]; 16. 2-Ricky Peterson[16]; 17. 83X-Nate Reeser[22]; 18. 13D-Jeremy Duposki[11]; 19. 1J-Jeremy Shambaugh[20]; 20. 34-Eric Duposki[18]; 21. 23F-Matt Fackler[21]; 22. 26-Ryan French[17] Hard Charger: 6-Dustin Dinan[+9] ©2013 - Results Provided by: Computer Man Inc. Fremont, OH |
Last Updated ( Tuesday, 09 April 2013 ) |


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This is a blue ribbon recipe, one of our top-ranked of all time!
See more of Epi's bestClementine Jicama Salad
Gourmet | November 2008
photo by Ditte Isager
Makes 8 (first course) servings
active time
25 min
total time
25 min
- 1/2 teaspoon chopped garlic
- 1/4 cup fresh lime juice
- 6 tablespoons olive oil
- 1/2 teaspoon sugar
- 8 clementines (1 3/4 pounds), peeled and cut crosswise into 1/4-inch-thick slices
- 1 pound jicama, peeled and cut into 1/4-inch-thick matchsticks (3 cups)
- 1 small red onion, thinly sliced
- 3/4 cup packed cilantro sprigs
- 1/2 cup crumbled queso fresco or mild feta
- 1/3 cup raw green (hulled) pumpkin seeds (pepitas), toasted
Mince and mash garlic to a paste with 1/2 teaspoon salt, then whisk together with lime juice, oil, sugar, and 1/2 teaspoon pepper in a large bowl.
Just before serving, add clementines, jicama, onion, and cilantro and gently toss. Season with salt. Sprinkle with cheese and pumpkin seeds.
Cooks notes:
Vinaigrette can be made 4 hours ahead and kept at room temperature.
Clementines, jicama, and onion can be cut 4 hours ahead and chilled.
my notes
- Calories218
- Carbohydrates20 g (7%)
- Fat15 g (22%)
- Protein4 g (9%)
- Saturated Fat3 g (14%)
- Sodium63 mg (3%)
- Polyunsaturated Fat2 g
- Fiber5 g (21%)
- Monounsaturated Fat9 g
- Cholesterol5 mg (2%)
recipe featured in
recipe at a glance
type: Quick & Easy, Salad
main ingredients: Cheese, Citrus, Seed
cuisine: Latin American
dietary considerations: Vegetarian
holiday/celebration: Thanksgiving, Potluck


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Deadline: Nov 29, 2013
WWF-UK are recruiting a consultant for a research study: Improving our understanding of illegal logging: A study into timber trade flows, actors and impacts of illegal logging. The purpose of the study to describe and analyze for each of the five project countries (Colombia, Ghana, Central African Republic, Malaysia and Indonesia) and for all of them together: Timber trade flows: The impacts of illegal logging. Stakeholders and actors in the illegal logging and timber trade and how they can be motivated to support actions to decrease illegal logging and timber trade.Visit the WWF website.


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Chicago Jazz Festival's new edge with move to Millennium Park
BY MICHAEL JACKSON August 28, 2013 5:24PM
♦ To Sept. 1 at Millennium Park, Randolph Street and Michigan Avenue, Chicago
♦ Free
♦ cityofchicago.org
Article Extras
Updated: October 1, 2013 6:11AM
It's a landmark 35th year for Chicago Jazz Festival, the incumbent land being Millennium Park, since events fully transfer from Grant Park, the glamorous Pritzker Pavilion now hosting headliners once parading Petrillo Bandshell. It's a bold, welcome move introducing Jazz and Heritage and Von Freeman side stages flanking the Bean, ingeniously housing the Young Jazz Lions Pavilion behind the Pritzker above Harris Theater. The lineup is tremendous, notwithstanding cruelly early sets for saxist Nick Mazzarella's Trio, Fast Citizens and the Engines — the latter two superb aggregations of a nasty Sunday lunch clash. Latin jazz is represented — Chevere, Papo Vazquez; traditional forms — Evan Christopher's Clarinet Road, the Fat Babies and Jimmy Heath; plus vocalists Gregory Porter, Hinda Hoffman, Erin McDougald.
Ubiquitous artist-in-residence drummer, percussionist and faith healer Hamid Drake throws down with Japanese taiko drummers on Aug. 30, convenes an all-star
improv quartet on Aug. 31 and fronts his mystical Bindu's "Reggaeology" septet on Sept. 1.
Given Chicago's progressive palette, there are plenty of challenging sounds — catch cutting-edge Scandinavians Atomic on Aug. 30, for instance. Softer flavors amid the more piquant include mellifluous yet exploratory saxophone sage Charles Lloyd and rhythm and blues-savvy pianist Robert Glasper. Then savor joyful closing sets from Jason Moran's Fats Waller Dance Party and Donald Harrison and the Congo Square Nation, a New Orleans fiesta.
Try not to miss anything, but here are a few tips.
Ben Patterson Organ Quartet (Von Freeman Pavilion, South Promenade, 3:30-4:25 p.m.)
A pertinent slot for onetime Von Freeman sideman Patterson at the stage dedicated to the late saxophonist. Now New York City-based, Patterson is a dexterous, Oscar Peterson-school pianist who moonlights in blues circles. The downside experiencing him behind the Hammond B-3 is that you'll doubtfully spy his fleet digits. Explosive trumpeter Victor Garcia will negotiate Patterson's tricky "Comin' Right Up," also expect soupçons of Stevie Wonder.
Geof Bradfield's 'Melba!' (Pritzker Pavilion, 6:30-7:20 p.m.)
Undersung, scholarly saxophonist Bradfield's "Melba!" (Origin, 2013) illustrates the life and times of trombonist and arranger Melba Liston, who collaborated with everybody from Count Basie and Duke Ellington to Marvin Gaye and Diana Ross. Liston's chief associates were Dizzy Gillespie and Randy Weston, and Bradfield has fashioned eponymous tributes to both within his suite. While Joel Adams channels Liston, Victor Garcia (having a busy day) will exhume the diverse moods of Gillespie, but brilliant pianist Ryan Cohan will likely defer to Weston, when the master himself sits in.
Wadada Leo Smith's 'Ten Freedom Summers' (Pritzker Pavilion, 7:40-8:40 p.m.)
I attended the 2011 premiere of this Pulitzer Prize short-listed magnum opus for improvising quartet and chamber ensemble, intended by Smith as a psychological study of the Civil Rights struggle. The entire piece now runs seven-and-a-half hours after Harvard University's Fromm Music Foundation commissioned "The March on Washington D.C.- August 28, 1963," and it traverses several hundred pages of handwritten manuscript plus graphic scores. The latter are properly described as "language scores" in Smith's world of Ankrasmation, which involves beautiful visualizations of color forms providing keys to interpretation. Smith nurtures pods of creativity within the whole yet ushers narrative shifts with hand gestures or stark, Harmon-muted trumpet blasts, conjuring chasms of space or texture. Watch for pianist Anthony Davis (long-running collaborator in Smith's Golden Quartet and a highly individual strategist), plus stunning violinist Shalini Vijayan, a crucial link with Smith's Pacifica Red Coral ensemble. Samples from the 22 sections of the full work will include "Emmett Till" (because of Till's Chicago connection), and "JFK," in honor of the city's strong Irish population.
Ernie Krivda Quartet (Von Freeman Pavilion, 2:20-3:15 p.m.)
Krivda's calling card hasn't spread wildly beyond his Cleveland home base because in his 20s the jazz greats came to him, when he fronted the house band at the legendary Smiling Dog Saloon. It's true that he also turned down Miles Davis. Krivda's barrage balloon lungs could puff down a brick house but he's a noted composer, too, and will include a new piece, "Requiem for a Jazz Lady," dedicated to Beverly Jarosz, a Cleveland jazz patron murdered in 1964. "It's a Cleveland version of the Black Dahlia story (an unsolved case)," says Krivda, who will also homage late Detroit-Toledo pianist Claude Black with "The Remarkable Mr. Black." Krivda's drummer Renell Gonsalves, incidentally, is the son of Ellington sax hero Paul Gonsalves.
Satoko Fujii's Orchestra Chicago (Von Freeman Pavilion, 3:30-4:30 p.m.)
Berlin-based Japanese pianist Fujii's lovely, low-key solo CD "Gen Himmel" (Libra, 2013) highlights her skill exploring untempered textures with accessible logic. The quartet Kaze, the nucleus of this specially assembled group, concurrently released "Tornado" (Libra), and on the title track, tag-team trumpeters Natsuki Tamura and Christian Pruvost shriek like pterodactyls meeting Daffy Duck in a wind tunnel between urgent statements of more conventional motifs, while Fujii dampens strings, morphing her piano into a gamelan or cimbalom. This team, including French drummer Peter Orins, will have a blast melding amid such cherry-picked local meta-musicians as Keefe Jackson, John McLean and Michael Zerang.
Gregory Porter (Pritzker Pavilion, 6:10-7:05 p.m.)
Like Lizz Wright (also the offspring of a minister) and Kurt Elling (who studied divinity), Porter transmits the force of faith but his head isn't above clouds. His gorgeously disarming and original love poems, which smack of Elling's beseechment, Curtis Stigers, Jamie Cullum or Stephen Sondheim at intervals, draw you into personal dramas and chaste reflections shot with indelible feeling. Porter's Blue Note debut, "Liquid Spirit" hits Sept. 9, following up the fine "Be Good" (Motema, 2012), with spoonfuls of bittersweet wishful thinking. Check the Romeo-n-Juliet paean to denial "Hey Laura" and his aching "Wolfcry." If Porter (replete with cute, inexplicable choice of headgear) doesn't get to you, you may have a hole in your heart.
Rudresh Mahanthappa's 'Gamak' (Pritzker Pavilion, 7:25-8:25 p.m.)
A helluva band lit by the unstoppable virtuosity of alto saxist and composer Mahanthappa and endless, phantasmagoric guitar inventions from David Fiuczynski (imagine, if you will, John Scofield on hallucinogens) — not to discount world-class French bassist Francois Moutin and versatile drummer Dan Weiss.
Hamid Drake & Bindu's 'Reggaeology' (Pritzker Pavilion, 6:10-7:05 p.m.)
Anchored by Joshua Abrams' bass and guimbri, and boasting the simpatico twin trombone assault of Jeb Bishop and Jeff Albert, gloriously tortured guitar from Jeff Parker, beatboxer Napoleon Maddox, and special guest vibraphonist Jason Adasiewicz, this group exposes essences of Drake's radical belief system, via guru Lex Hixon's writings and Tantric hymns. Drake delays grooves to field spontaneous abstract interplay, then kicks in with one-drop rimshots and takes us to Jamaica. Any Drake-helmed group tastes snap, crackle and pop, but what he's really after is no less than universal consciousness, borne out on "Reggaeology" (RogueArt 2010) by calls for "Togetherness" and "Hymns of Solidarity."
Robert Glasper (Pritzker Pavilion, 7:25-8:25 p.m.)
Music is a cyclic continuum to Texan pianist Glasper. He has a touch not unlike Bill Evans, who he borrows from on his "Blue Note Canvas" (2005) — delicate but tensile, although Herbie Hancock is the more common association. There is no "boom, tish!" since Glasper percolates grooves without fanfare, used as he is to backing singers of all genres, mostly in the palatable rap, hip-hop arena. Corey Benjamin threatens to bag most attention with his big hair and vocoder antics as much as smooth sax play, while bassist Derrick Hodge and drummer Mark Colenberg synch with Glasper's non-gratuitous ethos.
Michael Jackson is a local freelance writer and photographer.