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InfoComm 08 in Review
Aug 1, 2008 12:00 PM, By Trevor Boyer
Newsworthy AV products and trends at this year's show.
In an impressive InfoComm appearance, Bosch showcased its PL series professional vocal and instrument microphones. These mics — including condensers and dynamics — feature ultra-low handling noise, multistage pop filters, hardened-metal Memraflex grilles, and a non-reflective, textured satin finish.
Also unveiled at the show was a complete new range of Electro-Voice (EV) fixed-installation loudspeakers in the EV Innovation line. These incorporate the new SMX woofer family with symmetric motor and suspension design and the HD2B high-frequency compression driver with rim-center-diaphragm design and die-cast aluminum heat sink. The new products include the EVF series front-load product family, the EVH series of horn-load coaxial design that features EV's new rotatable HF waveguide with seven coverage patterns, and the EVA series of expanded vertical arrays. These EV products also offer external passive/biamp selection, a diagnostics port, and a 70.7V transformer kit-landing pad.
EV also showed its Iris-Net Intelligent Remote and Integrated Supervision Network for complete PA-system monitoring and control with the NetMax N8000 digital matrix processor and up to 250 Remote Power Amps. Featuring a very adaptable and customizable graphical user interface, the application allows the operator to see everything happening on a large sound system and to control it all from one location.
Also on hand was EV's TourX line of road-worthy loudspeaker systems with a patent-pending Backbone grille, SMX woofers, and steep-slope analog crossovers with elliptical filters providing slopes of up to 36dB per octave. The 12in., two-way ZX3 loudspeaker was there with its ND2 neodymium compression driver and DVX3121 12in. woofer, ready to be fitted with its CB-5 array kit or MB3 wall/ceiling-mount bracket and other attachments.
Samson makes a variety of audio products, from WAV recorders to simple zoned audio systems. New for Samson was the ZM125 — a 6-channel-input, five-zone system that uses one monoblock amp (125W/70V). There's a telephone output for music-on-hold. Designed for aerobics and other hands-free presenters, AirLine Synth is a tiny transmitter with an integrated mic. The idea is that for many applications, a corded lavalier is too cumbersome. AirLine Synth is a frequency-agile model that operates at 800MHz.
After the big introduction of the groundbreaking SpectraPulse high-end audioconferencing technology at last year's show, Audio-Technica (A-T) had a relatively quiet InfoComm. It showed the fruits of its rebranding efforts ("Experience More"), along with some new gear. The ES905CL is a rigid-pipe gooseneck with one microphone element. A-T also introduced the ESRSC remote-switch control box, which enables contractors to extend remote on/off and muting functions to mics that don't otherwise have control interfaces. ESRSC adds a contact closure, and the user supplies the switch.
If you're looking for the smallest of the small in body-pack transmitters, Shure's new UR1M is worth a look. The company says that it beta-tested the UR1M at the 2008 Academy Awards (on host Jon Stewart) and at this year's Miss America pageant. The tiny transmitter is set to ship in late summer. It's part of the Shure UHF-R wireless microphone system. The receiver can control several aspects of the UR1M via infrared — such as frequency, gain, and level.
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1st Annual People's Choice Awards
Jun 5, 2013 11:21 AM
Here are your finalists.
The View from the Shard
Dataton, DJ Willrich, Event Communications, Mirage Associates for The View from the Shard
The 72-story skyscraper known as The Shard was inaugurated in July of 2012; The View from The Shard visitor attraction enables Londoners and tourists to enjoy 360-degree vistas from 800ft. above London—almost twice the height of any other viewing platform in the city. The AV system, designed by Event Communications, entertains and educates, as well as delivers digital signage information for ticketing and for corporate events. Synchronized multimedia content, HD/4K imagery and a site-specific soundtrack connect visitors to the building itself and to the city spread out beneath them.
AV supports the experience from the moment visitors enter the building: in the ground floor lobby, ticketing area and shops; as they ascend and descend in the high-speed elevators; and in the viewing galleries. Custom software written for the project takes data from the OmniTicket system and passes it to the AV system for display of up-to-the-minute ticket availability. The system supports day-to-day operations with a combination of show control and digital signage functionality. Both components were designed to be customizable for private functions and tours.
The centerpiece of the system is a Dataton WatchOut system; key components of playback and display include Bose audio, and NEC LCD monitors.
Comal Restaurant Acoustic System
Berkeley, California
Meyer Sound and BugID for Comal Restaurant
This is the first installation in the world to use Meyer Sound's Constellation acoustic system to flexibly adjust the acoustical ambience of dining spaces. Patrons experience an ideal balance of lively buzz and the ability to converse comfortably without excessive background noise. Constellation achieves this by picking up ambient sounds from the room using dispersed ceiling microphones, processing the sounds in realtime, and re-distributing the sound using a large number of small, self-powered loudspeakers.
The operator uses an iPad to select the right preset for the time of day and occupancy level to set an appropriate acoustical ambience. The system aids conversation and also delivers clean, low-distortion background music. Meyer Sound's SIM 3 audio analyzer was used during system commissioning and in subsequent fine-tuning after the restaurant was open. Objective testing data includes room reverberation time, reverberation frequency envelope, ambient sound level, and combined sound level with background music included.
Comal Restaurant is also the debut of Meyer Sound's patent-pending Libra acoustic image system, which employs visually striking panels with tailored combinations of fabric types, frame depth, and underlying acoustical absorption.
SFJAZZ Center At Robert N. Miner Auditorium
San Francisco
Auerbach Pollack Friedlander, BBI Engineering, SIA Acoustics for SFJAZZ
SFJAZZ Center is the new home of SFJAZZ, one of world's preeminent organizations promoting jazz performance and education. The purpose of the audio system was to provide uniform, high-quality sound reinforcement for performances, recording, and broadcast in a small flexible auditorium that seats 350 to 700 people. The biggest challenge was assuring an optimum listening experience at every seat despite the fact that each listener would hear both ambient room sound and amplified sound.
An unusual configuration of flown arrays accommodates the very broad horizontal and vertical coverage requirements and asymmetrical seating layout. Forty-nine full-range loudspeakers and subwoofers were balanced to ensure uniformity of response throughout the seating areas. Five flown subwoofers create a cardioid directional pattern that delivers full, punchy bass to the audience while avoiding bleed onto the stage that could muddy the sound. Coordinated design of the room acoustics and the sound reinforcement ensures that the ambient room sound blends seamlessly with the amplified sound for a true representation of the instruments on stage.
Design includes Meyer Sound Mina line array loudspeakers, plus additional arrayable loudspeakers, line array loudspeakers, and subwoofers. Mixing consoles are all Avid: Profile at FOH, SC48 at monitors, and ICON D-Command with Pro Tools integration in the broadcast booth.
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subset: commoncrawl


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Special report, Collins murder, hr. 2, 05/09/12
{MP3remote}http://dev.ksco.got.net/podcasts/KSCO_20120509_150601.MP3{/MP3remote} Download File Rosemary Chalmers discusses the murder of Shannon Collins, co-owner of "Camouflage" in Santa Cruz. No motive has been established for the brutal attack, which occurred Monday, May 7th, on the 300 block of Santa Cruz's Broadway Ave. 44-year-old Charles Anthony Edwards III has been arrested for her murder.


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Cabinets for built-in appliances: create a contemporary finish
If you want to maintain a contemporary and consistent look throughout your kitchen, look no further than our cabinets for built-in appliances. Our range features cabinets to fit fridge/freezers, ovens, microwaves, dishwashers and washing machines. We've made sure that every cabinet is reinforced to accommodate the weight of IKEA appliances. In fact, these cabinets are specifically designed for the appliances we sell. We offer a variety of designs, so we're sure you'll find the perfect fit for your kitchen space. Make sure you create a harmonious look in your kitchen with our cabinets.
Cabinets for built-in appliances: available in different finishes
With optional fronts and cover panels, you can make our cabinets for built-in appliances seamlessly fit in with the rest of your kitchen. Most cabinets feature practical storage options, so there's plenty of space to stow away ingredients and utensils. And all our cabinet doors can be mounted to open from the left or right, so you can decide which is most practical for your needs. To complete your cabinets, take a look at our matching and complementary products; these include fronts, knobs and handles, interior fittings and organizers.


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Dr. Crawford has been trained in one medical specialty.
Having studied Rheumatology, Dr. Crawford has been trained to diagnose and treat the various types of diseases affecting the musculoskeletal system, which may include rheumatoid arthritis, gout, lupus, osteoarthritis, osteoporosis and fibromyalgia, among others. Dr. Crawford is trained to provide a wide range of treatments, including the prescription of medications.
Rheumatology is a medical specialty focused on the non-surgical treatment of arthritis and rheumatic disorders. Rheumatologists diagnose and treat disorders of the joints, soft tissue and connective tissue, as well as autoimmune and rheumatic diseases. Autoimmune diseases are those affecting the immune system's reaction to the body's own tissues – for example, the immune system may attack the body's healthy tissues by mistake. Rheumatic diseases are those affecting the muscles or joints, typically caused by swelling or inflammation.
The most common rheumatic disorders treated by rheumatologists include osteoarthritis, rheumatoid arthritis, gout, infectious arthritis, fibromyalgia, tendonitis, sclerodoma and reactive arthritis, among others. Autoimmune disorders treated by rheumatologists include vasculitis, Sjogren's syndrome and lupus, among many others.
When treating patients for these and other diseases, rheumatologists provide a wide range of treatment options. Rheumatologists may prescribe physical therapy, non-steroidal anti-inflammatory drugs (NSAIDs), corticosteroids, immunosuppressive medications or assistive devices (braces, splints, canes, etc.), among others. Rheumatologists may also speak with their patients regarding their diet, as it may affect their condition; exercise is also helpful in the management of rheumatic and related disorders. If therapy, exercise or medications are not effective, rheumatologists may refer the patient to a surgeon when appropriate.
Learn more about rheumatology at MD.com.


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Orientation (April 24 through June 30)
Wednesday, April 24
Event Topics
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BU Today: Latest Headlines
- Back to School Today January 29, 2015All classes and services on the Charles River Campus and at the School of Public Health return to their normal schedule today, Thursday, January 29. Classes at the School of Medicine resumed a normal schedule on Wednesday, as did classes at the Henry M. Goldman School of Dental Medicine. As well as classes, all Thursday […]
- Football: Child's Play, Adult Peril? January 29, 2015As the 100 million viewers tuning in to this Sunday's Super Bowl can attest, Americans adore football. And for many, the love affair begins in childhood: Pop Warner Tiny-Mites start as young as age five, and many adults retain warm memories and friendships from their youth football days. But a new study from BU School […]
- Fall Alcohol Hospitalizations Nudged Up January 29, 2015During the fall 2014 semester, 112 BU students were transported to local hospitals for acute intoxication, an uptick University police say is partly attributable to the fact that more students are summoning help for drunken peers than in the past. The previous fall saw 89 BU students sent to the hospital, according to Student Health […]
- Lunch, Anyone? Bamboo Thai January 29, 2015Boston is filled with popular Thai restaurants, and happily one of the best is close by, tucked in a tiny storefront at the corner of Commonwealth Avenue and Washington Street in Brighton. A hidden gem, Bamboo Thai offers some of the most authentic Thai cuisine in the city, all at impressively low prices. Although small, the […]
- Freshman Hockey Star Talk of the Sport January 29, 2015There is one reason that Sports Illustrated, ESPN, and dozens of NHL scouts come to Agganis Arena this season: freshman Jack Eichel.


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found a new home!
Plenty of my friends are looking
for one too. Find a pet to adopt.
Find a pet to adopt |
My name is Grizz and Bear!
Facts about Grizz and Bear
- Breed: Rottweiler/Labrador Retriever Mix
- Color: Brown/Chocolate - With Black
- Age: Puppy
- Size: Med. 26-60 lbs (12-27 kg)
- Sex: Male
- ID#: Cuties!
Grizz and Bear's Info...
This is Griz and Bear. They are 7 week old brothers that
just arrived into rescue May 5th. Rescued from a high kill
shelter and now in a loving foster home in the Marlton NJ
area. We do not adopt out same gender litter mates
together so each pup will need his own home.
Email firstname.lastname@example.com for an application to adopt.
Adoption fee is 295 and includes up to date vetting, up to
date vaccines and neuter when the pups are 5 months old.
Please fill out an application.
Puppies and More Rescue and Adoption in Marlton, NJ 08053
Pet Adoption Application
Thank you for your interest in our dogs. We would appreciate your answers to following questions so that we can best select the right pet for you. All information is treated as confidential. Submission of this application does not guarantee that you will receive a dog. Applications without addresses and phone numbers will be discarded.
NAME: ________________________________________________ Date:___/___/___
FAX(or Cell Phone: (_____)_________________ E-mail:__________________________________
Where did you hear about Pet Rescue? ________________________________________________
Do you own or rent? ______________________________________________________________
If renting: (House) (Duplex) (Apartment) (Mobil Home)..........Does your lease permit dogs? (Yes) (No)
Landlord: ________________________________________ Phone: (_____) ________________
You are: (Single) (Married) (Divorced)
Age and sex of children in the same home? ___________________________________________
Occupation of Head of household: __________________________________________________
Occupation of Partner: ___________________________________________________________
List others in the home who may have contact with the dog, and their relationship to you:
Why are you interested in obtaining one of our pets? ____________________________________
What do you like about these pets?
What do you NOT want in the pet that you get?
Your previous and current dogs, cats or other pets:
Name............... Breed.................. Sex.. Age Neuter Current Health or Cause of Death.............
____________ ______________ ___ ____ _____ ______________________________________
____________ ______________ ___ ____ _____ ______________________________________
____________ ______________ ___ ____ _____ ______________________________________
You would like a pet that is: (Male) (Female) (Either).. Prefered age range: Youngest ____ Oldest:____
Can you commit to caring for a pet for its lifetime ? ________________________________________
Where will your dog stay during the day? _______________________________________________
Where will your dog stay during the night? ______________________________________________
Type of fence: _______________________________ Fence height _________________________:
How much time will you spend with your dog on a typical day? ______________________________
What will you do with the dog when you go on vacation? __________________________________
If you have to move, what would you do with the dog? ____________________________________
Have you ever taken a puppy through puppy class? (Yes) (No)
Have you ever taken a dog through obedience class? (Yes) (No)
What books have you read on Pet Care or Pet Training? __________________________________
If obedience classes are recommended for the dog, will you attend? (Yes) (No)
Your current Veterinarian: ____________________________ Phone:(____) __________________
Please provide 3 personal references and phone number
Please add any information, facts or comments, which might aid in picking the right pet for you:
Please return to: email@example.com
We Serve the Following Cities, Towns, and/or Counties...
We rescue mommy dogs and puppies from death shelters and adopt to the NJ and PA area
Other Pets at Puppies and More Rescue
Why Adoption is a Great Option
Grizz and Bear, a Marlton Rottweiler/Labrador Retriever puppy was adopted! Here's how you can benefit by looking at adoption as an option to buying a Rottweiler/Labrador Retriever for sale in Marlton, or seeking a Rottweiler/Labrador Retriever puppy from a breeder in Marlton.
- Rescues and shelter volunteers in Marlton already know the personality and tendencies of their pets. This means they can match you with the right pet. That will makes it much easier transition to owning a pet for yourself and your new pet.
- On average adoption fees are much less than you'd pay a Marlton breeder, or pet store. Plus most often rescue pets have already been to the veterinarian for a check-up, had a round of vaccinations, and are spayed or neutered. That is a lot of savings!
- You will become a hero, and give a needy dog or cat a loving home. In fact, there are even Rottweiler/Labrador Retriever breeders who help with Rottweiler/Labrador Retriever rescue. One puppy or kitten adopted in Marlton paves the way for another one to be saved.


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Chattahoochee RiverBlog PostsJoin this group
blog BY KevinMcGrath ON April 17 - 0 COMMENTS
Sweep-the-Hooch 2014 Sets A Record -- 14,000 Pounds of Trash! Posted in Upper Chattahoochee Chapter - 436, Stream Clean-up, Conservation, Chattahoochee River, Tailwater - 532, Cohutta - 242, Oconee River - 661, The Front Porch, Georgia Council - 9GA
580 volunteers cleaned-up 7.257 tons of trash - that's 14,500 pounds!!! Sweep-the-Hooch began four years ago. Last year 3.7 tons of trash was removed from the river and surrounding banks. Upper Chattahoochee TU, National Park Service-Chattahoochee River National Recreation Area and Chattahoochee [ READ MORE... ]
blog BY KevinMcGrath ON March 3 - 3 COMMENTS
Water, Water, Every Where, But Not A Drop To Use Posted in Upper Chattahoochee Chapter - 436, Conservation, Chattahoochee River, Coosa Valley - 519, Blue Ridge Mountain - 696, Rabun - 522, Kanooka - 398, Georgia Foothills - 629, Gold Rush - 733, Tailwater - 532, Flint River - 243, Cohutta - 242, Savannah River - 592, Oconee River - 661, The Front Porch, Chattahoochee Nantahala - 692, Georgia Council - 9GA
Apologies to Samuel Taylor Coleridge, The Ancient Mariner and Albatrosses everywhere.
Water, water everywhere, but not a drop to use. That's how some Georgians may feel if Gov. Deal has his way in the General Assembly with SB 213, the cleverly named Flint River Drought Protection Act. It allows [ READ MORE... ]
blog BY John Ross ON February 27 - 0 COMMENTS
100 Best: Chattahoochee Posted in Upper Chattahoochee Chapter - 436, Chattahoochee River, Chattahoochee Nantahala - 692, Georgia Council - 9GA, 100 Best Trout Streams, Tailwater - 532
Location: Northern Georgia
Type of stream: Freestone, Tailwater
Angling methods Fly, spin, bait
Species: Browns, rainbows, few brookies
Access Easy to moderate
Season: Varies by section Supporting
Services: Helen, Atlanta
Short take: Hooch by two…mountains and metro
Handicapped access: Yes
Closest [ READ MORE... ]
blog BY KevinMcGrath ON February 16 - 0 COMMENTS
Sweep-the-Hooch 2014 Posted in Upper Chattahoochee Chapter - 436, Stream Clean-up, Chattahoochee River, Cohutta - 242, Georgia Council - 9GA
Why not clean-up 44 river miles in one day? Why not sweep clean the entire Chattahoochee River National Recreation Area in one fell swoop? Why not have the largest river clean-up in Atlanta's history? Why not? So we did!
That's how Sweep-the-Hooch got started. Upper Chattahoochee Trout Unlimited, [ READ MORE... ]
blog BY KevinMcGrath ON December 22 - 0 COMMENTS
A Forest Grows through Offshore Drilling Posted in Chattahoochee River, Georgia Council - 9GA
The Chattahoochee National Forest recently announced that it added nearly seven acres of land with over 500 feet of Chattahoochee River frontage to the Forest. The tract lies north of Robertstown, GA and just downstream of Spoilcane Creek. Partnering with the Trust for Public Land, the Forest used [ READ MORE... ]


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Photo Gallery
Seen here in a still from the film, MATT DAMON (center) received a Best Supporting Actor nomination for his performance as South African rugby player, Francois Pienaar.
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Hi and welcome.
My name's Julianne Kost, and we're going to take the next few minutes to look at
all of the new video features in Photoshop CS6.
I'm going to begin here in Bridge, and I want to select these three video clips
and quickly import them into Photoshop.
So I'll choose Tools, Photoshop, and then Load Files Into Photoshop Layers.
That's going to open each one of these individual clips
and put it on its own layer within the same document.
In fact, here we can see on the layers panel there are the three video clips.
What you'll notice down here in the timeline is that each one of these video layers
is then stacked one on top of the other.
So what I'm going to do is select all three of the video clips in the layers panel,
and then on the timeline I'll use this icon in order to create a new video group from clips.
What that does is it puts all of the video layers into a single group
and it puts them sequentially, one after another,
so that I can use it more like a video editor.
Now, you'll notice that as I move my time insertion marker,
we can preview the video playing, but if I want to set a new In or Out point,
all I need to do is position my cursor over the end of the clip
and then simply drag.
As I drag, I get a preview right above it that shows me where I'm going to put
my new Out point.
If I wanted to set a new In point, I would simply select from the other side of the clip
and drag over.
You'll notice that when I let go and I set that new In point or Out point,
all of the rest of the clips on the timeline automatically scoot over
so that there are no gaps between the clips.
Once I've set all of my In and Out points,
I might want to add a transition between each clip.
By clicking on this icon, I can choose between fades and cross-fades.
For example, between two pieces of video I might want to cross-fade,
so I'll just drag and drop it.
You'll notice that the duration is set right down here by default to 1 second,
but I can change that.
I'll drag another cross-fade, right here, and then I'll use a fade with black
at the beginning and also at the end.
Of course, I can also reposition these if I want to by simply dragging
or reordering the layers down here in the sequence,
but for now I'll leave them the way they are.
Now if I position my cursor and scrub on top of that transition,
we can see the one clip fading into the other.
In addition, each clip has a little triangle here in the upper right-hand corner
where you can find additional attributes for either the video or the audio.
Let's say, for example, I've captured audio with this video, but it's really terrible
so I want to mute it by just clicking on this icon.
I'll go ahead and do the same for the other two clips as well
because I know that the audio is not any good,
and I would much rather click right here to add my own audio track.
So I'll add some audio and then just navigate to find a song and open that,
and we can see that now on the audio track.
I'll go ahead and move the time insertion point back to the beginning,
and if I tap the space bar, it will go ahead and play this with the audio.
[♫ guitar music ♫]
Of course, the best part about having video in Photoshop
is that all of the other tools that you know in Photoshop
still apply to your video.
So let's say, for example, you wanted to make a change to one of these video clips.
Maybe you needed to color-correct it or you wanted to add a special effect to it.
Well, I'll just select the layer on the layers panel of the clip that I want to add my
adjustment to, and at the bottom of the Layers panel I'll click on my adjustment layer icon,
and then we can choose from the list.
Maybe I want to do a little bit of color balancing.
I might want to move this a little bit more towards cyan and
and a little bit more towards blue.
And you'll notice that by default, because this video was in a video group,
Photoshop automatically added the adjustment layer and clipped it
so that it would only affect that video.
Now we might also want to add some still images to our video,
so let's navigate back to Bridge, and I'll select these next two images.
And just to speed things up, I'll go ahead and load them into a single document.
That just makes it easier to drag and drop to combine all of these images together.
I have a keyboard shortcut set up that I can go ahead and tile all of my open images.
On the layers panel we'll select both of those
and just drag and drop them into my video project.
Now I no longer need this open, so we'll close that.
Now, because I had a layer selected that was inside the video group,
you'll notice that Photoshop went ahead and added those layers within the group.
But I want to move them outside of the group so that I can play them
on top of the video.
Of course, if I wanted them to stay aligned where they are, we can do that,
and you can see that it went.
Of course, these files are much too big, so we're only seeing a part of it.
So let's move them outside of the video group
by just dragging until we see that solid line.
And now you can see that the stacking order has changed.
No longer are these sequential because they're no longer part of the video group.
Of course, I can move these around.
They're both selected, so they move together, but we could deselect them and
then move them independently if we wanted to.
So let's position our time insertion marker right on top of this one.
Obviously this layer is far too large, so I'll click on the arrow
and then choose from my motion options to pan and zoom.
Now, as I preview what that looks like, we can see that Photoshop has automatically--
basically it set the key frames that I need in order to zoom in.
With this second clip, if I want to be more specific, and I actually want to control
exactly how it pans and zooms, then all I need to do
is convert this to a smart object.
You'll notice right now on my timeline that I can keep track of the position
of this layer, but I actually want it to transform over time.
So in order to convert it to a smart object in my layers panel,
I'll right mouse click and say Convert to Smart Object.
Now let's look at the options that I have.
No longer does it say Position; it says Transform.
So at the beginning of this clip, let's go ahead and transform this down
so that it kind of plays like a picture in a picture,
and we'll scoot that right to there and hit Return.
And I want Photoshop to keep track of this, so I'm going to click on the stopwatch
to set my first key frame.
Then I'll move to the end of the duration of the clip,
and in this case it's a still frame, so I could make this as long as I wanted to.
Let's go ahead and move it out, and I'll go to Free Transform again,
and we'll just zoom that up a bit and hit Return.
And let's get our preview a little bit larger here so we can see what's going on.
When I did that free transform, you'll see that Photoshop automatically added
that second key frame.
So now we can go back in time, and you can see when that image appears
I've got that exact precision and control that I need to move that image within my video
by using the transformation controls on a smart object.
Finally, you might want to add a filter to a video clip, so let's move forward in time.
This clip looks a little bit unsharp to me, so what I'd like to do
is I'd like to add a high-pass sharpening effect.
But if I add a filter on a video clip as it is right now,
all Photoshop will do is add that effect to the first frame in that video sequence.
So what I'm going to do is on my Layers panel I will click on the clip,
and then I'm going to right mouse click, and I'm actually going to turn
this into a smart object.
Once it's a smart object, now we can go into the filter menu,
come down to Other, move over to High Pass,
and this is what the high pass filter looks like by default.
I'm going to go ahead and move the radius up a little bit and click OK.
But obviously that's not the sharpening effect that I want
because I see all that gray.
Well, you'll notice on your layers panel if I double-click on this icon right here,
I can change my blend mode to either soft light,
which will give me a little bit more subtle sharpening effect,
or to overlay.
If I'm happy with that, I'll click OK, and now you can see as I scrub through the timeline,
that that image looks much sharper than it did before.
So the key there is if you want to add any kind of filtering to your video clip,
just make sure that you turn them into a smart object first.
When you complete your project, you're going to want to render out the video,
so you can either select File and then Export and Render Video
or there's an icon in the lower left of the timeline.
Clicking on that brings up all the rendering options.
So you want to save your location, and then you can choose to use
the Adobe Media Encoder or you can go ahead and output this
to an image sequence.
You'll select your format, and then for presets you'll notice that we have a
wide variety that should meet probably 99% of your needs right off the bat.
But, of course, if you want something a little bit more custom than this
you can go ahead and select--maybe you're going to Vimeo--
but you can always change any of the rest of the attributes.
One of the nice features here is this option to color manage
because sometimes you might have a mix of images that are in different color spaces,
so in order to bring them all into sRGB you'll want to go ahead and
check that option, and then simply click Render to render your video.
Well, that's a quick overview of all of the new video features in Photoshop CS6.
You'll notice that I was using the regular version,
so this is no longer an extended-only feature.
Thanks for watching.
Using the New Video Features in Photoshop CS6
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About This Episode
Adobe Digital Imaging Evangelist Julieanne Kost shows how to use the new video features in Photoshop CS6.
Runtime : 00:10:12
Added : 04/22/2012
About this show
Photoshop CS6 Feature Tour
Create powerful images with the professional standard.
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