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The A to Z of Marxism covers the history of Marxism and all its thinkers and schools of thought in a comprehensive manner. This is done, through a chronology, an introductory essay, a bibliography, and hundreds...
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This is a collection of interviews with many of the men and women who defined blaxploitation-a genre of films produced mainly in the 1970s that were marketed to a predominantly black audience. Among those interviewed...
Compassionate, caring, green: this is how David Cameron presented himself before the election. Once in Downing Street, he threw off his disguise. The laid-back old-school Tory emerged as the leader of a party...


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The West Ocean String Quartet Choose DPA Microphones
The West Ocean String Quartet, winner of The Irish Times/The Ticketâs Trad CD of the Year 2013 for their album An Indigo Sky, are now using DPA d:vote⢠4099 Instrument Microphones to capture their unique sound.
The microphones, which were supplied by DPA's Irish Distributor Big Bear Sound, were chosen for their ability to deliver a true string sound with exceptional clarity.
âFor us, the assurance of knowing that wherever we play in the world, the DPA 4099 Instrument Microphonesâ warmth and accuracy will be consistent is everything," says violinist Niamh Crowley. "We need only be concerned with making music. To now perform without them would be unthinkable.â
The West Ocean String Quarter recently appeared at Ceiliúradh (Celebration), a special evening of music, spoken word and dance which was held at London's Royal Albert Hall to mark the historic occasion of the first State Visit to the UK by the President of Ireland Michael D. Higgins. For this concert, which was watched and heard by millions globally, the Quartet played several traditional Irish pieces, arranged by Neil Martin who not only plays in the quartet but also writes and arranges most of their music. During the London show they were joined by singer Eimear Quinn and actor Fiona Shaw, ending with a powerhouse performance alongside the all-star house band, and Army bands and pipers from both Ireland and the UK.
Formed in 1999, the West Ocean String Quartetâs vision, eclectic repertoire and style have won them global praise. Their music lies somewhere between the worlds of classical and traditional music. Disregarding rules and boundaries, they have found for themselves a unique voice, and have collaborated with many leading artists, both on stage and in the studio, including Christy Moore, Mary Black, Liam OâFlynn, Matt Molloy, Maighread NÃ Dhomhnaill and Brian Kennedy.
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Nieuport 28
Sale Price: $259.99
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To Order by Phone Call 1-800-933-6249
- Additional Details
- Scale: 1:20 model
The Nieuport 28's maiden flight was on June 14, 1917. The Nieuport 28 type was already a surplus from the French point of view. A total of 297 Nieuport 28s were purchased by the Americans and they were used to equip the very first American squadrons, with four AEF pursuit squadrons flew the Nieuports 28s operationally, the 27th, 94th, 95th and 103rd Aero Squadrons.
The Nieuport 28 has crew of 1. It has a maximum speed of 184 km/h and a range of 349 km. It has two 0.303 in Vickers machine guns. The primary users of the Nieuport 28 are Aeronautique Militaire and U.S. Army Air Service. There are about 300 Nieuport 28s built. After the end of World War I, some Nieuport 28s crossed the Atlantic with the returning American forces and a few were supplied to various foreign air forces.
Wing span: 12.75"
Length: 16 inches
Handcarved Mahogany Wood Model Airplane
Handcrafted and Handpainted


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New Super Mario Bros. Wii Cheats for Nintendo WiiHome / Nintendo Wii /
This page contains Cheats for New Super Mario Bros. Wii organized by sections for Nintendo Wii. New Super Mario Bros. Wii is a Action Platformer 2D game, made by Nintendo, released on Nov 15, 2009 and published by Nintendo. If you can't find a hint or secret in our list, then please check this page periodically for the latest updates.
- Developer:
New Super Mario Bros. Wii Nintendo Wii Cheats
A classic Mario adventure for everyone - at the same time - Nintendo's game developers have long dreamed of decades a Super Mario Bros. game to create a simultaneous multi-player mode. The Wii console fills us all now that dream. Players can side-scrolling game environment as before exploring anywhere in the game alone or invite up to three friends to get together or against each other to have fun. Thanks to the multi-player mode brings the latest installment in the popular video game series is an entirely new form of family entertainment in the living room and provides common, turbulent Super Mario Bros. fun. More fun, more players, more Mario! The story of the classic 2D platformers follows the Nintendo DS version of New Super Mario Bros.: Upper Rogue Bowser has kidnapped Princess Peach again. Honor for Mario to rescue his girlfriend. But this time he is not on your own! Up to four Wii players can simultaneously chasing Bowser behind by acting as Mario, Luigi and his brother as one of two Toads. To train, you can enjoy the fun, of course, continue alone. But soon find out friends or relatives, you will not stay long solo.Nintendo
- Publisher: Nintendo
- Genre: Action Platformer 2D
- Release Date: Nov 15, 2009
- ESRB: Everyone
Intentionally fail a level eight times. In Auto Pilot mode Mario will automatically complete a level....From: Paifiarve
Collect all three Star Coins on a level to the Hint Movie for that particular level....From: Ufexjljj
Get 99 lives and Mario will no longer wear his hat. If you complete a level with 99 lives, Mario will not be wearing a hat at the map screen or the next level. He will wear a hat again if his lives drop below 99....From: warcraft002
Complete the indicated task to unlock the corresponding ending....From: Conor
Select a level with a white Toad marker. Listen for Toad when the level starts then break the "?" block that he is inside to free him. Reach the end of the level to make a mushroom house appear. The following types of mushroom house with a mini-game or reward will appear, depending on the ...From: Happeanubreva
Beat the game to unlock World 9. The levels in World 9 are only available if all Star Coins are collected in the previous Worlds....From: Harvester
Get Toad to the end of the level and hit flag when the last digit of the time ends in 7, 8 or 9...From: trippintripodi
Get Toad to the end of the level and hit flag when the last digit of the time ends in 0, 1, 2 or 3....From: ironman
Get Toad to the end of the level and hit flag when the last digit of the time ends in 4, 5 or 6...From: sailexadbadia
After you finish the final castle in World 8, you can save anywhere in the map. A Save option will appear where the Quick Save option used to be....From: halofreak
Fulfilling special tasks will award you stars on your save file....From: homeworld12345
When you beat giant bowser you play a fun game where the credits are on ? blocks and you bash them for coins! On the top right on the screen it shows you the high scores!!!...From: cellcell8
Get five stars on your save file by beating the game, collecting all the star coins in worlds 1-8, all the star coins in world 9, finding all the exits from a level and using every mushroom house and cannon on the map and you'll get a message saying everything has been cleared. Mushroom Houses will ...From: Zachary
Every dancing flower will give you one coin if you Spin Jump (flick Wiimote upwards) from a Neutral position....From: Godnaruto
In World 2, you can jump on the turtle as done in New Super Mario Bros. to get extra lives until you choose to stop or until time runs out. If you are riding on a Yoshi and jump on the bullets seven or eight times you will get as many extra lives as desired. Kill eight enemies with a star on you to ...From: Jhizzy
To get an easy leval up at the end there is a pole(ya no the 1 with a bowser flag on it)jump(this is better with a hellacopter suit)on top of the pole then u get an extra life....From: Sir K Johnoh
Using the star power-up, walk into an enemy on the map screen, such as the giant Goomba in World 1. They will instantly disappear!...From: mrmister998
Stand still, then Spin Jump on a dancing flower to get a coin....From: packspoet2000
You can encounter random enemies on the world map, To avoid them, activate a Star from your item menu....From: sniperG
In multi-player mode, have both players time a Ground Pound (press [Jump], Down) to hit the ground simultaneously. This results in a Double Ground Pound that can kill nearby enemies similar to using a POW Block....From: user5986
In multi-player mode, do a Ground Pound on your teammate to steal their turn in a Red Mushroom House match game....From: Haryer
In multi-player mode, when someone runs out of lives during a level they can hold the D-pad in any direction and press 1 and 2 to make sounds such as a cowbell, drums, clapping, and a horn....From: Freaky397
When in front of a small item such as a turtle shell, press 1 and shake the Wiimote while picking it up. Holding it over your head will protect you from falling objects....From: lamxuan
In 2-5, grab Yoshi. He's toward the beginning of the level. Then, eat the snowmen things (I think they're called Pokies) when they look like peaches - when the music goes "dah." You can get a powerup! I discovered this while i was thinking: "If you eat 5 peaches with Yoshi, you get a ...From: mrmister998
Want to not do a level. Die 7, 8 or 9 times to make a Luigi demo do the work for ya! At the end of the level it will ask you if you want to try it with Mario or skip it because Luigi did it. Push skip it. The board will still be red but it will not be flashing. You can skip right past it. NOTE:It wi...From: cellcell8
When watching a demo, stop playing the demo. You'll play as Luigi until you beat the level....From: Power Pikachu
In 1-1 where there are the spinning circles somewhere after or before the checkpoint so some of those circles have an underground pipe if you go into the wall and i think one of the pipes has a star coin....From: cheat master
You start at the long pair of 3 coin ? blocks with a propeller box on the mushroom ground and just fly and land and fly in a row on the goombas and those green fat coin givers when you kill them....From: cheat master
After world nine there are more levels this is how to get it in the last level of world 9 at the end use a yoshi to go up to the pipe and go up it....From: mario money
Near the finish of world 1-1 you will see one spinny peace of ground with a pipe. Stand on the pipe BUT don't go down when it comes to the wall stay on the pipe! You will find loads of coins and 3 1-ups! Hope this helps everyone!...From: Jack34
In the beginning, use a mini mushroom and walk to the right. Follow the bullet that comes out of the cannon to the right and jump on it. Now you can carefully cross the level bouncing on it!...From: 2cool
Using wigglers, bounce up high on them to reach floors near the ceiling in the cave. When you jump up, you can go into rooms that have 1-ups and starcoins....From: 2cool
After the second yoshi box when you passed the checkpoint, there will be several floors near a pipe with a fire plant in it. Get to the top using yoshi, but don't cross the secret. Instead, jump with yoshi and flutterjump and press right on the control pad. You can't see yourself, but over on the sc...From: 2cool
Most people think you can only hard save(the save you can reload every time) any time you want once you beat the final boss, but what they don't know is that once you defeat a fortress/castle, you can save anytime! Let's say I am on the World 8 airship for the first time. I will probably die, unless...From: thecoolest
Here is some information about all the Worlds in this game: World 1: The easiest world, it introduces some features that are in other worlds. But it is a lot of different types of biomes (Grasslands, Water, and more). World 2: Kinda easy, in some levels, I guess. All Desert, has unusal levels. The S...From: Ryback Rules
Use helicopter power and don't die. Then once you reach Big Bowser, use helicopter power to get to the button. Then, they will give you helicopter power in a box....From: Ryback Rules
First go to world 8-5 then get to flag (do not go to it) jump over it then make mario duck a few times then you come out of a secret pipe get to the top then mario won't talk wario will be talking after that go to the castle in world 1 then wario will there for multiplayer....From: Baseman
Easter Eggs
After defeating the Koopa Kids once, Kamek casts a spell to make them tougher for the rematch. In Yoshi's Island and Yoshi's Island DS, he also cast spells on those Bosses that made them tougher....From: sagajohnson
During the introduction sequence, you can see Bowser Jr. and the other Koopalings leave after kidnapping Princess Peach and taking off in an airship from Super Mario Bros. 3 and Super Mario Galaxy....From: grooma
Reach the goal with a time of 11, 22, 33, 44, 55, 66, 77, 88, or 99 to see from one to nine fireworks....From: crimson_blood
(only works with multi-player) Go to world 4 to the last castle. When you get to the large fence whith koopas on it, have one player constantly banging on the fence, and another with the ice flower juping and trying to freeze a koopa. This has to be done at the same time. To the effect of this, infi...From: blade9604
Video Walkthroughs
Stuck on this game? Set a specific, clearly defined question and let others answer your question or view answers to previously asked questions. If you think you are an New Super Mario Bros. Wii expert then please try to help others with their questions.
I'm probably the only girl that's playing, I'm working on it with my brother. And do we have to get all the big star coins to finish the game? Or is it just optional....
Posted on: 09-02-2014
I haven't gotten to world 9. What is it like. Much Details Appreciated! Thanks A Lot!...
Posted on: 05-03-2014
Hi, I'm new to gaming. I have finished world 1-2 about 6 times now in a row. Why won't it advanced to world 1-3...
Posted on: 01-10-2014
What is the huge red bullet bill called?...
Posted on: 10-04-2013
Where is the last star coin in the ghost house on level 7...
Posted on: 03-01-2013
How do you get the 2 coin on level 1-1 it is really hard...
Posted on: 08-09-2012
How many levels are in world 9?? beat all of them and nothing happend. very disapointing...
Posted on: 06-16-2012
In world 2 how do u go to the cannon...
Posted on: 05-30-2012
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Montezuma Messenger Bag by District
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Our most-durable messenger treats your techie treasures and other stuff kindly. 1,680D ballistic polyDimensions: 12'h x 16.25'w 5.75'd1,121 cubic inchesPadded carrying handleLaptop sleeve: 11'h x 13.5'w 2'd; fits most 15' laptopsMultiple interior organizational pockets Note: Bags not intended for use by children 12 and under. Includes a California Prop 65 and social responsibilityhangtag .


text: Start fixing your 2012 photos in a photo book. Hurry and take advantage of this deal now, Buy one Photo Book Get one of equal or lesser value for 50% Off at CVSphoto.com. Use code CVSBOOK. Offer valid 1.13.13 - 1.19.13 You can also Save 20% on all photo calendars with code CVSCAL20. Or Receive 25% off any Canvas order at CVSphoto.com. Use code WALL25 Hurry, offer ends 1.19.13. Shop Madame Deals and Save! … [Read more...]


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guy yocom
guy yocom
Results: 141 - 150 of 166
My Shot: Gary McCord
A golf game vanishes! A TV career materializes out of thin air! Life lessons from storage bins, bikini wax and dented lockers.
January 2005
- keywords:
- Gary McCord,
- my shot,
- Tom Watson,
- PGA Tour
My Shot: Dr. Charlie Sifford
Tales of Joe Louis, Teddy Rhodes and traveling with a band in a life that has been tough but fulfilling.
December 2006
- keywords:
- Dr. Charlie Sifford,
- Sifford,
- my shot,
- minority golfers
My Shot: Pete Dye
Overtip the ice-cream girl. Feel free to dress badly. And whatever you do, don't wrestle Babe Zaharias. A few tips from an American icon.
July 2002
- keywords:
- Pete Dye,
- my shot,
- designer,
- dye fore,
- ocean course
My Shot: Michelle Wie
We came to talk golf. Our child prodigy opted to discuss terrifying clowns, 16-hour snoozes, revolting elixirs and run-ins with the golf gods. Frankly, we're glad she got her way.
August 2004
- keywords:
- Michelle Wie,
- my shot,
- stanford
My Shot: Curtis Strange
A former shoe salesman, two-time U.S. Open champion and soon-to-be senior reflects on pranks, polish and pain.
February 2005
- keywords:
- Curtis Strange,
- my shot,
- U.S. Open Champion,
- Ryder Cup,
- Seve Ballesteros
My Shot: Billy Casper
A winner of 51 tour events speaks out on the value of putting in the dark, hippo as an entree, and why he always wanted to be known as The Gorilla.
April 2005
- keywords:
- Billy Casper,
- Casper,
- my shot,
- putting,
- Ben Hogan
My Shot: Moe Norman
Weeks before passing away, Pipeline Moe, the straightest hitter who ever lived, offered a lasting testimonial to the game he loved.
November 2004
- keywords:
- Moe Norman,
- my shot,
- autism,
- Dave Pelz,
- George Knudson
My Shot: Notah Begay III
The PGA Tour's most fervent idealist envisions a perfect world—one devoid of snakes, diabetes, and certain team mascots.
October 2004
- keywords:
- Notah Begay III,
- my shot,
- Stanford,
- tiger woods,
My Shot: Jackie Burke
Check your ego at the door and listen up. Golf's greatest living sage is going to give you a talking-to you'll never forget.
May 2004
- keywords:
- Jackie Burke,
- Burke,
- my shot,
- teachers,
- instructor
Results: 141 - 150 of 166


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Miguel Ortiz Berrocal
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Miguel Ortiz Berrocal (Villanueva de Algaidas, Málaga, 28 September 1933 – Antequera, Málaga, 31 May 2006) was a Spanish figurative and abstract sculptor. He is best known for his puzzle sculptures, which can be disassembled into many abstract pieces. These works are also known for the miniature artworks and jewelry incorporated into or concealed within them, and the ability of some sculptures to be reassembled or reconfigured into different arrangements. Berrocal's sculptures span a wide range of physical sizes, ranging from monumental outdoor public works to intricate puzzle sculptures small enough to be worn as pendants, bracelets, or other body ornamentation.
From 1967 to 2004, Berrocal worked in Verona, Italy and in nearby Negrar, where he worked closely with sculptural foundries to produce his art. In 2004 he returned to his birthplace in Spain, remaining artistically active until his sudden death in 2006. As of 2014[update] the Fundación Escultor Berrocal (Berrocal Sculpture Foundation) continues to preserve and promote his artwork and legacy, from its headquarters in his hometown of Villanueva de Algaigas.
- 1 Biography
- 2 Principles of Berrocal's art
- 3 Fundación Escultor Berrocal
- 4 Representative works
- 5 Selected solo exhibitions
- 6 Selected literature
- 7 See also
- 8 References
- 9 External links
From a very early age Berrocal demonstrated a talent for art and research. He produced his own toys with recycled material, drawing and painting with colors of his own design.[citation needed] He completed his education in Madrid.[clarification needed] A marked experience was his first visit to the Prado, which he revisited often. He attended the Academia de Bellas Artes de San Fernando and the Escuela de Artes Graficas, and evening classes at the Escuela de Artes y Oficios, where he befriended his tutor and sculptor Ángel Ferrant. He enrolled at the Faculty of Exact Sciences to in preparation for the entrance examination for Architecture. He was fascinated by analytic geometry, a style that later manifested itself in his works.[citation needed]
Artistic beginnings[edit]
In 1952 Berrocal's first exhibition took place in Madrid at the Galería Xagra, where he showed drawings of people and landscapes of Algaidas and Madrid—signing with his paternal surname, Ortiz. He was awarded a grant to study in Italy. After visiting the scenes of Roman civilization, he lived in Rome for several months; which he was familiar with only through his classical studies . There, for the first time, he came upon the work of Picasso–prohibited in Spain at the time–in a major exhibition at the Galleria Nazionale d'Arte Moderna. In 1954 he returned to Spain to partake in military service. He returned to the Faculty of Exact Sciences and to his drawing and sculpture classes. He found his friend Ferrant, who encouraged him in his work. He was invited to take part in the XXVII Biennale di Venezia, where he exhibited his drawings in the Spanish Pavilion, still signing as Ortiz.
The award of a grant by the Institut Français in Madrid enabled Berrocal to travel to Paris in 1955, where he continued as a painter, plunging into the stimulating atmosphere that the city offered him. He frequently saw the sculptors Cárdenas and Giacometti and many others. He returned to Rome, where he met Afro, Burri, Guerrini and other artists. He worked for various established architects, and with a group of young companions he prepared an entry for a project for the construction of the Chamber of Commerce in Carrara. For the ornamentation of the facade the twenty-two-year-old Berrocal invented a solution of Balaustradas, a work based on eight modules, with which he obtained a number of permutations and combinations that far exceeded the requirement, which was to make each of the balustrades of the building different from the others.
In 1957 he exhibited his first sculptures in wrought iron at the Galleria La Medusa, in Rome. The works that he produced during the summer in the studio that he rented in Mougins on the Côte d'Azur concluded his cycle of activity as a painter. At this time he succeeded in being received by Picasso at La Californie. He returned to Rome and henceforth concentrated on sculpture. Works made in this period include La Boîte découpée, Sarcophage and Grand Torse, which mark the transition from the analysis of the problem of filled and empty space and the multiplicity of positions of a single sculpture to the problem of the combinatorial possibility of different volumes.
After making a decision to devote himself exclusively to sculpture, Berrocal had a house/studio built in Crespières (near Paris) to a design by Le Corbusier. He had an important first exhibition at the Galleria Apollinaire in Milan, for which he signed his work definitively as Berrocal. Bruno Lorenzelli, a well-known director of an art gallery in Bergamo, became his first dealer. Works produced in this period include Torso Benamejí and Torso Her, first made in plaster and wood and then cast in bronze and aluminum respectively.
1962 was a year full of events and important decisions. His exhibitions included shows with Ipoustéguy and Müller in New York at the Albert Loeb Gallery (Loeb henceforth acted as his dealer in the United States) and his important first solo exhibition in Paris at the Galerie Kriegel (Kriegel became a very close friend and acted as his dealer in France for many years). Throughout his life Miguel was known for his deliberate attempts to portray variety in his sculptures, often submitting individual pieces to different exhibitions.
Search for a foundry[edit]
On his way to the Biennale di Venezia, in his search for foundries he stopped at Verona, where there was a small foundry willing to cast his sculptures. Together, they made Verona and its foundries one of the most important centres for contemporary art in Europe. In addition to his own work, Berrocal brought the best-known sculptors of the time to Verona, including Miró, Dalí, Magritte, De Chirico, Lalanne, Lam, Matta, Duchamp-Villon, Ipoustéguy, César, Étienne Martin, Peñalba and many others.
His sculptural exploration led him to experiment with new techniques and materials. Thanks to his scientific training, he applied art technologies used only in the most advanced sectors of industry. He began experimenting this year, making 200 copies of the sculpture María de la O.
In 1964 Berrocal exhibited as a sculptor in the Spanish Pavilion at the XXXII Biennale di Venezia, where the Belgian collector Baron Lambert acquired Mercedes for his collection. Jules Engel made the film Torch and Torso, the first in an extensive range of films about Berrocal and his work (films and videos have been produced in European, American and Japanese editions), which was presented at the Museum of Modern Art in New York and received numerous prizes. During his stay in New York, in Lipchitz's studio he learned about the Shaw process, a lost wax system for casting in porcelain. Despite considerable difficulties, after some years he succeeded in importing this technique to Italy and applying it. It revolutionized the world of artistic casting because it permitted lost wax casting in bronze, significantly reducing costs and times and guaranteeing high quality and fidelity to the original. He taught Technique of Materials at the Hochschule für bildende Künste in Hamburg. He selected Thomas as his dealer in Germany and had his first exhibition in Munich.
The need to find better foundries obliged him to shuttle every week between Paris and Verona, where[which?] he decided to settle definitively in 1967. After remaining in the city for a while, he moved to Negrar, where he lived until 2004. His sculpture became increasingly complex. The search for a "fourth dimension" became evident in Adamo Secundus and David, small works with complex possibilities of disassembly. The sculptures of this period were so successful that in the US they acquired the status of "conversation pieces".
In 1968 Berrocal was made a Chevalier de l'Ordre des Arts et des Lettres by the French Minister of Culture, André Malraux. German television made a documentary about Negrar. He exhibited at the Palais des Beaux-Arts in Brussels, where he met Henry Moore and Baron Lambert, the first of the considerable number of his devoted Belgian collectors and friends. Colonel Marcel Stal became his dealer. He presented an exhibition at the Badischer Kunstverein in Karlsruhe.
The successful series of exhibitions in private galleries begun in 1968 continued (Frankfurt, Geneva, Paris, New York, Milan and Hanover, among others). This year he finally produced Romeo e Giulietta, using the technique of injection casting, which for the first time enabled him to make 2000 copies of a sculpture. He used similar techniques to make Goliath (consisting of 80 pieces) and Richelieu (61 pieces). He worked on the book/object Petite Rapsodie de la main, with text by Loys Masson. Important works produced during this period are Sainte Agathe II, Cleopatra and Alfa e Romeo, a work specifically studied as an illustration for Petite Rapsodie de la main. Mini David began the series of five mini-sculptures produced in quantities of 10,000 copies, using the automatic injection technique, a subtle procedure hitherto used exclusively in industrial manufacture. The Galería Iolas-Velasco in Madrid presented his sculptures in Spain for the first time. Various well-known dealers created Multicetera, a company for the distribution of his mini-sculptures. He received the Gold Medal from the Presidency of the Italian Republic for "Metal as a pure expression of art" at the V Biennale del Metallo in Gubbio.
In 1971 Berrocal met Maria Cristina Blais of Saxe-Coburg and Gotha Braganza, whom he married a few years later and who thereafter accompanied him in his life and in his work. They had two sons:
- Carlos Miguel Berrocal of Saxe-Coburg and Gotha Braganza (Verona, 1976)
- Beltrán José Berrocal of Saxe-Coburg and Gotha Braganza (Verona, 1978)
In 1972 the city of Málaga gave him a commission for a large monument as a tribute to Picasso. In 1976 Monumento a Picasso was exhibited at the Rond-Point of the Champs Élysées in Paris before its definitive placement in Málaga.
In 1973 Berrocal represented Spain at the XXII Bienal de São Paulo, where he was awarded the Grand Prize of Honour. He visited Brazil, Peru and Venezuela and exhibited in Caracas. On the basis of the experience of the Monumento a Picasso, he undertook a new series of monumental works, including Richelieu Big, Almudena, Dalirium tremens and Torso C. Also produced in this period were the editions of Il Cofanetto, a tribute to Romeo and Juliet and the city of Verona, and Paloma Box, a tribute to Paloma Picasso. Paloma Picasso lived for a few months in the Villa Rizzardi, Berrocal's home, and she worked on her own jewelry in Berrocal's workshop.
He went back to painting and did a series of gouaches and numerous painting variations on recurrent themes in his sculptures (early sculptures, torsos, female figures, reclining nudes, heads, still lifes). During a journey in the Belgian Ardennes he found a group of old anvils, which he bought and which later (1982) gave rise to the series Desperta Ferro and Almogávares and Las Mujeres pasadas por la piedra, the last of which has not yet been completed. With the Spanish architect Ricardo Bofill he studied a project for a sculptural work one kilometre long, on the border between France and Spain, and also a solution for the trou des Halles in Paris (these ambitious architectural projects have not been carried out). He gave a talk at the École d'Art de Luminy in Marseilles.
Works produced in this period include La Maja, Manolete, and Metamorehorses. An unforgettable experience in this period was the great didactic exhibition Les mains regarding, organised at the Centre Georges Pompidou and intended for the blind, in which the work Torero was exhibited and touched by thousands of people. Berrocal visited the United States. Espace Berrocal was inaugurated at the Centre Artcurial in Paris.
In 1979 the circuit of museums, galleries and collectors functioned actively, and the use of casting for the production of sculptures now became very important. Berrocal declined an increasing number of invitations in order to concentrate on his work, which became more varied. Works produced in this period include Caballo Casinaide and Omaggio ad Arcimboldo.
In 1980 there were further exhibitions in Caracas and at the Palazzo delle Prigioni Vecchie in Venice. Berrocal was the only artist invited to the I Symposium sur la Sculpture Éditée in Brussels, where he participated in a seminar on multiplied sculpture together with students from the University of Louvain. He completed Astronauta, a tribute to Jules Verne, composed of 21 different pieces of jewellery.
In 1981 Berrocal returned to colour: he painted a series of gouaches and silkscreen prints and made two large patchwork hangings for Vogue International. He gave an exhibition in New York, which he visited. Andy Warhol did his portrait. For the centenary of Picasso's birth he made a medal and a plaque for the artist's birthplace, which had now become a museum. He made Hoplita, which contained the famous Rubik's cube, in a tribute to the Hungarian mathematician. He made various exhibitions in Europe.
In 1982 his first exhibition in Kuwait took place. He produced the series Desperta Ferro, ten pieces on a theme that anticipated the Almogávares, and completed Neon (a sculpture with computer-controlled neon circuits, which gave life to countless combinatorial possibilities of equestrian figures). He had his first collaboration with the architect Núñez Yanowski, for the design for the Place Picasso in Marne-la-Vallée (Paris), which led to the creation of Sarabande pour Picasso. He visited New York, where he met the mayor of the city, Ed Koch, who showed great interest in the possibilities of Berrocal's sculpture in an urban context.
In 1984 the Spanish Ministry of Culture devoted a major exhibition to him at the Palacio de Velázquez in Madrid. An exhaustive historical and critical catalogue was published to accompany the exhibition, with critical texts by Julián Gállego and Franco Passoni. After Madrid, the exhibition was presented at the Palau Meca in Barcelona and at Le Botanique in Brussels during Europalia. After an absence of 25 years, Berrocal returned to Algaidas where he was born, and where, in 1984, his fellow-citizens had established the Asociación Amigos de Berrocal in order to create a documentation centre and a museum devoted to him.
1986 was a period characterised by the installation of various urban monuments: Sarabande pour Picasso (Paris), Fuente del Limonar (a project for a garden with a fountain in Málaga), Torso Es (Olympic Sculpture Park in Seoul). A substantial monograph was published in French by Éditions de la Différence in Paris, with a critical essay by Jean-Louis Ferrier. He gave his first exhibition at the museum in Villanueva de Algaidas, in conjunction with the award of the status of "Favourite Son" of his native town. He designed the sets and costumes for Bizet's Carmen at the Arena in Verona.
In 1991 Berrocal received a commission for three monumental works for the Spanish celebrations of 1992 (the year of the Exposición Universal in Seville, the Olympics in Barcelona, and the nomination of Madrid as Cultural Capital of Europe). As a consequence he produced Doña Elvira (a sculpture 6 metres high, intended for the Auditorium on the Isla de la Cartuja in Seville), Manolona (a sculpture 14 metres high erected in the Parque Juan Carlos I in Madrid) and Citius, Altius, Fortius (a torso 4 metres high presented at the Exposición Universal in Seville before its definitive placement at the entrance to the Olympic Museum in Lausanne in 1993). He was nominated as a Goodwill Ambassador for UNESCO. In response to technical difficulties encountered when making his monumental sculptures, Berrocal carried out research into new materials and techniques, not hesitating to turn to the most highly specialised industrial sectors in order to learn avant-garde technologies (the three monumental works produced in this period were made using Kevlar and carbon fibre). The application to sculpture of technologies never before used for artistic purposes is significant in terms of the profound symbiosis between art, science and technology that had always accompanied Berrocal's sculptural research.
In July 1994 the artist inaugurated in Seville the monument Torso de Luces, made for the company Sevillana de Electricidad to celebrate its centenary. In the autumn, there was a retrospective of multiples at the Cankarjev Dom cultural centre in Ljubljana.
In 1995 Berrocal inaugurated the Fuente de la Paz in Ibiza. The exhibition Berrocal: Sculture e Disegni was held at the Museo d'Arte Moderna e Contemporanea, Palazzo Forti, in Verona.
From June to September 1996, Berrocal exhibited at the Barchessa Rambaldi, Bardolino. He installed three large monumental sculptures, Pepita in Bordeaux, Alcudia on the campus of the Polytechnic University in Valencia, and Marcelisa in the Marselisborg sculpture park in Denmark, respectively.
Between 1997 and 1998 Berrocal took part in the following exhibitions: VI Biennale di Scultura in Monte Carlo Venice, Piccole sculpture, grandi scultori at the Olympic Museum in Lausanne and Berrocal, Forme et Mouvement, catalogue by Pierre Restany and Robert C. Morgan.
In 1999 he appeared at the ARCO art fair in Madrid, and at the same time in a large solo exhibition which was presented at the Centro Cultural Conde Duque in Madrid and then traveled to Oviedo, where it was seen at the Teatro Campoamor from 15 October to 8 December, and to Málaga, where it was shown at the exhibition rooms of Unicaja. Berrocal illustrated Emilio Prado's book The Mystery of Water for the City Council of Madrid. In September he took part in the international exhibition of sculpture and installations OPEN'999 at the Lido in Venice, with El Diestro, a work 3 metres high. In October he presented a solo exhibition at the Galerie Artcurial in Paris. In December he had a large solo exhibition at the Galleria Ghelfi in Verona.
In 2000 Berrocal took part in the Miami Art Fair and the ARCO Art Fair in Madrid, the laying of the foundation stone for the Museo Berrocal in Villanueva de Algaidas, a solo exhibition in Málaga, and another exhibition at the Fondation Veranneman in Belgium. He gave talks in Spain at the University of the Basque Country, Faculty of Fine Arts, Bilbao and the Conference on the Teaching and Learning of Mathematics, Thales, in San Fernando. He participated in group exhibitions in Hamburg and Como and in several collective and international exhibits such as: International Fair of Contemporary Art (ARCO) in collaboration with the Málaga Provincial Council; the exhibit Golden Imagination: Artists, Silver and Goldsmiths in the Second Half of Italy's 20th Century, in Ancona; the monographic exhibit, Return to Classicism: The Fusion of Art and Science at the Gallery of the City Hall of his natal village, Villanueva de Algaidas; the 36th Abitare el Tempo a Verona, and last, an extensive personal retrospective at the Spazio Creativo Cardin in Venice.
In 2002 He took part in the group exhibition, Scultori a Verona 1900–2000, at the Palazzo Forti in Verona, and at the Mostra Internazionale di Arte Contemporanea in Vicenza. In the spring he was involved in an itinerant exhibition with the name Ecume: Autour de la monnaie unique, which took the design of the Euro as its motif and was organized by the French Government; the Swinger Art Gallery presented the exhibition Berrocal Scultorea. That summer he prepared another extensive exhibit at the Institute Valencià d ́Art Modern (IVAM) that included drawings and sculpture. During that retrospective an important monograph was published. The book was illustrated with photographs of Roberto Bigano and included texts of high intellectual soundness.
In 2003, the retrospective in Valencia continued into the spring, in this case in Málaga at the "Episcopal Palace". It was organized by the Unicaja Benefit Society. Several large sculptures were presented, such as the wooden Richelieu Big, which is two meters in height and can be taken down to 61 pieces. Several monographic and collective exhibits showed the presence of Berrocal in Europe. These included his participation in Milan on the occasion of the Furniture Fair, as well as in Belgium, Venice, Frankfurt and Rome. A collection of jewellery was presented at the Château de Seneffe in Belgium with the title Être ou ne pas être: Peintres ou Sculpteurs? Les bijoux des plus grands, and received a positive response from critics and the public[citation needed].
During 2004 he showed various works at the International Fair of Contemporary Art (ARCO) in Madrid. He also was in the exhibition Forme Animali–Warning Colours that unified art and science. It was organized by the University of Aquila at the Abbey of Saint Maria di Collemaggio. He also participated at the Milan MIART. In June he took part in the collective exhibit Objects of Desire. Objects of the Artist at the Elvira Conzales Gallery of Madrid. In June and August, an open-air exhibit of monumental sculptures held in the magnificent Mediterranean landscape of Cap Roig in Costa Brava was attended by more than 150.000 people. In that show the work Melilla was presented for the first time. The piece was to be permanently placed at the Plaza de las Cuatro Culturas in the city of Melilla.
Return to Spain[edit]
At the end of 2004, Berrocal decided to move to Andalusia permanently. He established a home in his natal village, Villanueva de Algaidas, in the province of Málaga. There he managed the building of his new studio: an immense warehouse among olive trees, the ideal place to hold the oeuvres his insatiable appetite for knowledge, fantasy and versatile curiosity had accumulated during more than fifty years of making art.
During 2005, he wrote and edited his memoirs, and prepared two other publications: a general catalogue of his sculptures, and a separate catalogue of his painting, drawing and graphic works. Along with ten other sculptors of different nationalities, he participated in the symposium Creator Vesevo organised by the city of Herculaneum, close to Naples. That fall, a powerful and monumental torso[which?] made out of volcanic stone was placed on the side of Mount Vesuvius. Berrocal started to move his material possessions from Villa Rizzardi de Negrar in the Valpolicella (Italy), where he had lived and worked for forty years, to his new residence in Spain.
In February 2006 he finished Large Leaning Nude, made of white Kevlar, which now projects as a white cloud over the beautiful landscape of Lake Como. That year he finished writing his memoirs. He continued to work enthusiastically in drawings and sketches for several new works to be built at his studio. Miguel Berrocal died May 31 in Antequera[citation needed].
Principles of Berrocal's art[edit]
The young Berrocal, inspired by the great creative forces of the first half of the 20th century, sought his own artistic path and asked himself: "How to awake people to sculpture?[citation needed]". This question fostered a personal artistic philosophy and esthetic language that can be better understood through seven main points:
- Science as inspiration—Using his academic education in pure sciences and architecture, Berrocal created pieces based on principles derived from mathematics, physics or other marvels of science. They represent the search for beauty through the universal language and the fascination of exploration and of all the invisible principles that hold reality.
- Empty space—In overstepping the standards of traditional sculpture, Berrocal searched for unexplored spaces, penetrating the volumes inside the shapes, going beyond the "surface" of the sculpture: a "sculpture" within the sculpture. "Empty space is alive as full space. Look at it!" (Berrocal)
- Disassembly—The process of researching the shapes inside of volumes provides an important key for the interpretation of Berrocal's works, the fact that the sculptures can be disassembled: the sculptures are made up of elements that the viewer has to assemble and take apart in order to understand their inner invisible space.
- Interactive esthetics—The consequence of the possibility of disassembly is that the sculpture is designed to be touched, experimented, "observed with the hands". It is an esthetical appropriation through usage, a process that is more similar to drawing an image than to merely looking at it: when you draw you possess that image more profoundly.
- Techniques—As a consequence of disassembly and of his interest in sciences and applied arts, the techniques and technologies needed to develop his complex sculptures became very important for Berrocal. The artist invented many techniques and processes, both intellectual and design driven, as well as for prototyping and material construction, in order to transform his ideas into reality.
- Multiples—The increasing complexity of Berrocal's sculptures and the precision needed to realize them caused the artist to produce them not just as unique pieces, but also in many signed and numbered exemplars. Berrocal, inventing the concept of multiples in sculpture, sought to extend sculptural art's reach to everybody, just as the painters could do through the reproduction techniques of graphic arts.
- Project—Because of their complexity, all Berrocal's sculptures are based upon an enormous quantity of documents and materials - the project - that are fundamental to understanding the uniqueness of his creative process and his polyhedric personality. Each project was elaborated during several years and generated thousands of documents that highlighted a profound symbiosis of art, science and technology. The entire project is itself Berrocal's authentic work of art. Pierre Restany said: "that preliminary material, the study, is the very essence and structure of the work".[citation needed]
Fundación Escultor Berrocal[edit]
In order to protect and enhance the vast creative legacy of Berrocal, the Fundación Escultor Berrocal (Berrocal Sculpture Foundation) was established on 22 November 2007 in Madrid by the heirs of Miguel Berrocal, fulfilling his expressed will and culminating the projects which the artist started during his life. The aims of the institution are the preservation, research, and dissemination of the work of Miguel Berrocal, as well as contributions to the advancement of sculpture in all its forms, and to the development and progress of culture and the arts. The foundation is headquartered in the Estudio-Taller Berrocal, the last studio and workshop of the artist, in his hometown of Villanueva de Algaidas in the province of Málaga, Spain.
The following seven permanent programs were created:
- Collections management—managing art collections, private, institutional or corporate, that include works of Miguel Berrocal. The purpose is to organize temporal or permanent exhibitions of his works, as well as those from other artists who have a connection with Berrocal.
- Publications—editing and co-editing publications related to the work and entourage of Miguel Berrocal
- Conservation—inventory, logistics, cataloguing and conservation of Miguel Berrocal's works
- Berrocal archives and documentation center—inventory, cataloguing and conservation of the archives of Miguel Berrocal, with the possibility of creating a library
- Art production—continuing production of Berrocal's limited editions
- Estudio-Taller Berrocal (Berrocal's studio and workshop)—conservation and exhibition of Berrocal's workshop in Villanueva de Algaidas (Málaga, Spain), as well as the creation of activities such as educational workshops to animate it
- Berrocal Museum—promoting and coordinating initiatives for the creation of a Berrocal Museum in Villanueva de Algaidas.
At the moment the building of the Berrocal Museum hosts in its first wing open to public the Center of Interpretation of Water and Contemporary Art, that through an exhibition dedicated to the artist's monumental fountains proposes you a different approach to the works of Berrocal, looking to understand how the mind of an artist uses the poetry and complexity of the liquid element in different ways in his works.
Representative works[edit]
- Opus 8 Balaustradas 1955-57 Rome
- Opus 28 La Boîte découpée 1959 Rome
- Opus 30 Escultura 1958 Rome
- Opus 31 Grand torse 1959 Rome
- Opus 32 Le bijou 1960 Rome
- Opus 38 Torso her 1961 Crespières
- Opus 43 Pajaro como Leon 1961 Crespières
- Opus 45 Mujer 1961 Crespières
- Opus 50 Via Appia 1961 Crespières
- Opus 55 Les amants 1961 Crespières
- Opus 60 Mercedes 1962 Crespières
- Opus 83 La femme prisonniere 1963 Crespières
- Opus 92 Maria de la O 1962-64 Crespières
- Opus 101 Romeo et Giulietta 1966-67 Crespières-Verona
- Opus 107 Mini David 1967 Negrar
- Opus 114 Goliath 1968-72 Negrar
- Opus 115 Richelieu 1968-73 Negrar
- Opus 117 La menina II 1972 Negrar
- Opus 123 Il cofanetto 1969-75 Negrar
- Opus 129 Monumento a Picasso 1972-74 Negrar
- Opus 130 Almudena 1974 Negrar
- Opus 166 Manymorehorses 1976-79 Negrar
- Opus 167 Omaggio ad Arcimboldo 1976-79 Negrar
- Opus 250-259 Almagovar I – X 1981-83 Negrar
- Opus 397 Manolona 1991-92 Madrid
- Opus 444 Adriano Big 1994 Negrar
Selected solo exhibitions[edit]
- 2009 Berrocal, Guerreros y Toreros, Plaza Nueva, Seville. Organized by Fundación Escultor Berrocal in collaboration with Fundación Unicaja
- 2008 Berrocal, Guerreros y Toreros, Plaza de la Constitución, Málaga. Organized by Fundación Escultor Berrocal in collaboration with Fundación Unicaja
- 2006 Miguel Berrocal, Ferri e bronzi 1955/65, Lorenzelli Arte, Milan
- 2005 Berrocal un malagueño universal, Centro de Exposiciones, Benalmádena, Málaga
- 2005 Venice Design Art Gallery, Venice
- 2004 Berrocal en Cap Roig, esculturas de gran formato, Jardí Botànic de Caixa de Girona, Calella de Palafrugell, Girona
- 2004 Berrocal, Galeria Barcelona, Barcelona
- 2003 Berrocal, Sala del Palacio Episcopal, Málaga
- 2003 Miguel Berrocal, Die Galerie, Frankfurt am Main
- 2003 Piretti Art Gallery, Knokke
- 2002 Berrocal, IVAM, Institut Valencià d'Art Modern, Valencia
- 2000 Sala de Unicaja, Palacio Italcable, Málaga
- 2000 Miguel Berrocal, Sculpturen - juwelen - tekeningen, Fondation Veranneman, Kruishoutem
- 1999 Centro de Arte Moderno Ciudad de Oviedo, Oviedo
- 1999 Centro Cultural del Conde Duque, Madrid
- 1998 Berrocal Forme et Mouvement, Olympic Museum, Lausanne
- 1995 Berrocal Sculture e Disegni 1958-1995, Galleria d'Arte Moderna Palazzo Forti, Verona
- 1994 Multipel Opus 1962 - 1993, Galerija Cankarjev Dom, Ljubljana
- 1993 Interkolumnie, Museion - Museo d'Arte Moderna, Bolzano
- 1991 Berrocal, Reflex Modern Art Gallery, Amsterdam
- 1990 Almogávares, Gallery Guy Pieters, Saint-Martens-Latem
- 1985 Berrocal 1955-1985, Le Botanique, Brussels
- 1984 Antologica Berrocal (1955–1984), Palacio de Velázquez, Parque del Retiro, Madrid. Organized by Ministerio de Cultura
- 1984 Almogávares - Desperta Ferro, Galerie Isy Brachot, Brussels
- 1984 Berrocal, Vingt ans de sculptures editées 1964-1984, Artcurial, Paris; 1982 Gallery Gekkoso, Tokyo
- 1981 Berrocal, sculptures, Arnold Katzen Gallery, New York
- 1980 Berrocal, Circolo Artistico Palazzo delle Prigioni Vecchie, Venice
- 1979 Berrocal Multiple Sculptures, The Art Contact Gallery 2, Coconut Grove, Florida
- 1979 Miguel Berrocal. Obra gráfica y esculturas, Museo Carrillo Gil, Mexico City
- 1979 Berrocal: à la découverte des constructions intérieures, Artcurial, Paris
- 1979 Berrocal, sculptures et multiples, Musée de l'Athénée, Geneva
- 1977 Berrocal, Galería Rubbers, Buenos Aires
- 1977 Berrocal, nuevas esculturas múltiples, Galería Sen, Madrid
- 1976 Artcurial, Paris
- 1976 Indianapolis Museum, Indianapolis
- 1973 Bienal de São Paulo, Pabellón Español, Exposición monográfica, São Paulo
- 1972 Palazzo delle Prigioni Vecchie, Venice
- 1972 Espace Pierre Cardin, Paris
- 1972 Sculptures en or et en argent, Cartier, Munich
- 1970 Ulmer Museum, Ulm
- 1968 Palais des Beaux-Arts, Brussels
- 1968 Galerie Krugier, Geneva
- 1965 Galerie Thomas, Munich
- 1963 Galerie Ziegler, Zürich
- 1962 Three sculptors, Berrocal, Ipoustéguy, Müller, Albert Loeb Gallery, New York
- 1962 Galerie Kriegel, Paris
- 1960 Galleria Apollinaire, Milan
- 1958 Galleria La Medusa, Rome
- 1952 Galería Xagra, Madrid
Selected literature[edit]
- 2009 Fokus Figur Focus Figure 30 Jahre . 30 Year of Die Galerie, Die Galerie, Frankfurt am Main, 2009
- 2009 Berrocal Guerreros y Toreros, Fundación Escultor Berrocal, Málaga, 2009 (exhibition catalogue)
- 2008 Jean-Noël Schifano, Photographies d'Alain Volut, Creator Vesevo, Éditions Gallimard Loisirs, Paris, 2008. The book is dedicated to the outdoor museum Creator Vesevo that was inaugurated in 2005 in the national park of Mount Vesuvius in the south of Italy, and its sculptures. The ten sculptures by the same number of artists were formed out of basalt that had once flown as lava from the crater of the volcano.
- 2008 Carolin Cros, L'art à ciel ouvert, Commandes publiques en France 1983–2007, Flammarion, Paris, 2008. Caroline Cros, inspector of artistic creation and professor at the Ecole du Louvre, and Laurent Le Bon, conservator at the Centre Pompidou, had been in charge of carrying out the public instructions as members of the Delegation for Plastic Arts.
- 2008 Fundación Escultor Berrocal, Berrocal Casa Fuerte Bezmiliana, Área de Cultura, Ayuntamiento del Rincón de la Victoria, Málaga, 2008 (exhibition catalogue)
- 2008 Berrocal Guerreros y Toreros, Fundación Escultor Berrocal, Málaga, 2008 (exhibition catalogue). First publication of the Fundación Escultor Berrocal.
- 2008 Alain Monvoisin, Dictionnaire International de la Sculpture Moderne & Contemporaine, Editions du Regard, Paris, 2008
- 2007 Tony Shafrazi, Carter Ratcliff, Robert Rosenblum, Andy Warhol Portraits, Phaidon, 2007. A comprehensive overview of Warhol's iconic portraits of late twentieth-century public figures.
- 2007 Zivile Slektaviciute, Robert Pardo, Robert C. Morgan (Introduction), Luigi Sansone (Introduction), Open Studios, Artefact Pardo Publications, 2007
- 2006 Miguel Berrocal, Ferri e bronzi 1955/65, Lorenzelli Arte, Milano, 2006 (exhibition catalogue)
- 2005 Berrocal un clásico de la modernidad, Ibercaja, Zaragoza, 2005
- 2004 Berrocal, Inparce Barcelona, Barcelona, 2004
- 2004 Jean-Luc Chalumeau, Claude Mollard, Quand les artistes entrent à l'université, Campus Euro(pe) Art. First traveling exposition of contemporary art in the universities, Scéren, 2004
- 2004 Mercedes, "La rivista delle idee in movimento", Numero 3, Hemels Italia Srl, Firenze, 2004 (magazine)
- 2003 Être ou ne pas Être ... Peintres ou sculpteurs? Les bijoux des plus grands, a.s.b.l. Domaine de Seneffe - Musée de l'orfèvrerie de la Communauté française, 2003
- 2003 Jacon Baal-Teshuva, Faces Of The Art World, National Center of Photography of Russian Federation, Saint Petersburg, 2003
- 2003 Le Ali, Air Dolomiti In-flight Magazine, March 2003, Air Dolomiti, Gorizia, 2003 (magazine) Article: Alberto Fiz, "Sulle Orme di Michelangelo, In the Footsteps of Michelangelo", Artisti stranieri che hanno scelto l'Italia come patria elettiva, Foreign artists who have chosen Italy as their adopted home.
- 2002 Berrocal, IVAM Institut Valencià d'Art Modern, Valencia, 2002. 100 full page color photographs by Roberto Bigano, theoretical essay by Kosme de Barañano and the art historian Lola Jiménez Blanco, together with literary contributions by Spanish writers and poets José Antonio Muñoz Rojas, Ángela Vallvey and Valentí Puig.
- 2002 Arte, Mensile di Arte, Cultura, Informazione, Numero 349, Editoriale Giorgio Mondadori S.p.A., Milano, 2002 (magazine) Article: Beba Marsano, Berrocal e la scultura come alchimia. La classicità, il barocco, la scienza.
- 2001 Esculturas de la UPV, Esculturas del campus de la Universidad Politécnica de Valencia, Universidad Politécnica de Valencia, Valencia, 2001
- 2001 Quién y por qué, Anales de las Artes Plásticas en el siglo XXI, Año 2000, Edita Arte y Patrimonio, S.A., Madrid, 2001
- 2000 Berrocal, Sala Unicaja "Italcable", 2000 (exhibition catalogue)
- 2000 Hans Fonk, Object, Living in Style NO. 17, Hans Fonk Publications bv., Leimuiden, 2000 (magazine)
- 1999 Miguel Berrocal Sculture e Opere su Carta, Giorgio Ghelfi Editore, Verona, 1999 (exhibition catalogue)
- 1999 Berrocal, Centro Cultural del Conde Duque, Madrid, 1999 (exhibition catalogue)
- 1999 Berrocal, Centro de Arte Moderno "Ciudad de Oviedo", 1999 (exhibition catalogue)
- 1998 Berrocal Forme et Mouvement, Olympic Museum, Lausanne, 1998 (exhibition catalogue)
- 1997 Franco Farina, L'anima e le forme, scultori in fonderia, Editrice Compositori, Bologna, 1997 (exhibition catalogue)
- 1996 Miguel Berrocal Sculptures - Multiples, Die Galerie Gesellschaft für Kunsthandel mbH, Offenbach am Main, 1996
- 1996 Miguel Berrocal Skulpturen - Multiples, Die Galerie Gesellschaft für Kunsthandel mbH, Offenbach am Main, 1996
- 1995 Berrocal, Sculture e disegni 1958-1995, Galleria d'Arte Moderna e Contemporanea di Palazzo Forti, Verona, 1995 (exhibition catalogue)
- 1994 Instituto Andaluz de Evaluación Educativa y Formación del Profesorado, Berrocal Escultura en el Aula, Junta de Andalucía, Consejería de Educación y Ciencia, Sevilla, 1994
- 1994 B. de York, Signatures des Artistes du Bronze et fondeurs du XIX ème siècle suivi d'un index de 2500 noms avec références bibliographiques, Editions Collections Livres, Bruxelles, 1994
- 1992 Suite Olympic Centennial 50 Grand Peintres 50 Great Painters, International Olympic Committee, Lausanne, 1992
- 1992 Parque Juan Carlos I, Proyecto y Obra 1990-1992, Ayuntamiento de Madrid, Empresa Municipal "Campo de las Naciones", Madrid, 1992
- 1989 Jean-Louis Ferrier, Berrocal, Éditions de La Différence, Paris, 1989
- 1989 Philippe Sollers, Les Ambassadeurs, 406 photographies de André Morain, Editions de la Différence, Paris, 1989
- 1987 Miguel Berrocal Skulpturen, Die Galerie Gesellschaft für Kunsthandel mbH, Offenbach am Main, 1987. Einleitung von Erwin Treu, Beiträge von Klaus-Hartmut Olbricht, Enrico Bellati, Vittorio Sgarbi, Ulrich Willmes.
- 1986 Spagna 75 anni di protagonisti nell'arte, Electa, Milano, 1986
- 1984 Antologica Berrocal (1955–1984), Ediciones El Viso, Madrid, 1984. Published on occasion of the anthological exhibition Antologica Berrocal 1955-1984, organized by the Spanish Ministry of Culture at the Palacio de Velázquez, Parque del Retiro, Madrid, Spain from October to December 1984. This monographic catalogue containing more than 5000 reproductions was designed directly by the sculptor and is the catalogue raisonné of all the sculptures produced by the artist up until 1984.
- 1982 VIVIR HOY®, "Revista venezolana e internacional de decoración, arquitectura y cultura", Editorial Lei & Zanelli C.A., Caracas, 1982 (magazine) Photographs by Walter Ponchia, Article: Berrocal y su maquina para vivir.
- 1973 Giuseppe Marchiori, "La sculpture de Berrocal", La Conaissance, Bruxelles, 1973
- 1971 Gert von der Osten, Horst Keller, "Kunst der sechziger Jahre Sammlung Ludwig" im Wallraf-Richartz Museum Köln 1971, 5. erweiterte Auflage, Art of the Sixties 5th revised edition, Köln, 1971 (exhibition catalogue) 1970 Orangerie Multiples, Köln, 1970 Presents its first series of mini sculpture multiples by Berrocal.
- 1969 Katalog 5 Austellungsjahr 1969, Miguel Berrocal, Kestner-Gesellshaft, Hannover, 1969 (exhibition catalogue)
- 1969 Gert von der Osten, Horst Keller, Kunst der sechziger Jahre. im Wallraf-Richartz Museum Köln. 2. erweiterte Auflage, Art of the Sixties 2nd revised edition, Köln,1969
- 1969 Claude Pélieu, ill. Miguel Berrocal, Ce que dit la Bouche d'ombre dans le bronze-étoile d'une tête, Édition Le Soleil Noir, Paris, 1969 1968 Enciclopedia Universal Ilustrada Europeo-Americana, Suplemento Annual, 1963–1964, Espasa-Calpe, S.A., Madrid, 1968
- 1958 Leonardo Sinisgalli, Civiltà delle Macchine, Mayo-Agosto 1958, Roma (magazine)
See also[edit]
External links[edit]
|Wikimedia Commons has media related to Miguel Ortiz Berrocal.


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A doula who married a cop & became a mama to 3 boys: G 12/22/00, my rainbow baby B 2/2/07 and L 2/10/10 my CBA2V baby, waiting for my little caboose late February 2013 & always remembering my two angels 2006 & 2012.
We have some 7th gen sposies for the first week so we won't have to worry about laundry. I think it will depend on how I feel. I have heard that meconium comes off easier/stains less than breastmilk poo though.
Mama to my beautiful Ana Carolina (2/07), Isabel Cristina (6/10), and #3 on the way in August 2013!
Happily married, busy mom to a houseful :-)
Expecting again early Oct 2014!
Sarah :c) ~ Emily (8) Toby (5) Bean (7/2012)
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Banks Trail the Market: Financial Losers
NEW YORK ( TheStreet) -- Morgan Stanley (MS) was the loser among the largest U.S. banks after the markets reopened Tuesday after the holiday break, with shares sliding 3% to close at $15.29.
While the broad indexes saw slight increases for the session, the KBW Bank Index (I:BKX) pulled back 1% to close at 39.60, with 19 out of 24 index components seeing declines.
Economic news was mixed. The Conference Board said that its measure of consumer confidence for December was 64.5, exceeding a forecast of 58.3 among economists polled by Thomson Reuters and improving from 55.2 in November. Meanwhile, there was a report of a continued overall decline in U.S. housing prices, with the S&P/Case-Shiller 20-city index of national home prices falling to 1.2% in October, far exceeding the 0.4% decline expected by economists polled by Thomson Reuters.
Morgan Stanley has been one of the more volatile names among the big banks this year, and was included last week among TheStreet's 10 New York Bank Stocks With Most Upside for 2012. Based on a revised consensus price target of $22.36, analysts polled by FactSet see 42% upside for the shares in 2012.Investors will see a messy fourth-quarter earnings report for the company, following Morgan Stanley's settlement with MBIA (MBI) over claims related to credit default swaps on commercial mortgage-backed securities, which will result in a $1.8 billion pre-tax charge. Richard Staite of Atlantic Equities estimated that Morgan Stanley would post a 51-cent fourth-quarter loss. Interested in more on Morgan Stanley? See TheStreet Ratings' report card for this stock. Shares of Bank of America (BAC) declined over 2% to close at $5.48, after rising 8% last week. The stock continues to be the most heavily discounted among the largest U.S. banks, with shares trading at just 0.4 times their Sept. 30 tangible book value of $13.20, according to SNL Financial. Along with the regulatory onslaught being faced by all the major banks, investors are concerned about Bank of America's capital adequacy, as the company's Sept. 30 Tier 1 common equity ratio of 8.65% according to SNL, was the lowest among the "big four" U.S. banks.
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Blogs Roundup
April 18, 2014
Every chlorine bomb, every aerial attack, every starved city and any other move by the Assad administration is with one purpose in mind- re-election; guessing a hijabi's beauty in Saudi; the windows of KSA mosques; and the people demonstrate in Yemen of fuel prices.
April 17, 2014
For all the photo junkies, these are the absolutes must for any photographer heading to Lebanon to beef up their portfolio; the EU's lift of the Oil Ban in Syria may come back and bite them; and an Easter craft that takes just a few buttons.
April 16, 2014
For many Lebanese, they figure since weed and prostitution are so rampant, why not legalize it? The powers that be stand in the way; Palestinians mourn woman who died after inhaling tear gas; and Assad is not as permanent as people may think.
More and more, users are going to their mobiles for gaming as well. Sony has just put out a cell that will revolutionize playing on your phone; Lebanese politicians using Tinder; and an Egyptian girl's perspective on hasrassment.
April 15, 2014
Among the chemical weapons, chlorine is considered the least lethal. So, despite five people now dead, Assad seems to be getting a free pass to use them; blogger rights; rich Arabs unite! and how the Salafis supported the constitution in Egypt.
As a sign of things going from bad to worse in Egypt, live ammunition was used against students and now reporters at Cairo University; Lebanon was once really cool; a Syrian inventor reduced to selling water; and a daily look at Jeddah
April 14, 2014
For all the techies waiting to get their hands on the glasses that will turn you into some sort of demigod, the Google Glass hits the shelves tomorrow; West Bank village blocked for Passover; Iran not going to Atlantic; and last week in Lebanon.
An archived video from 1937 shows just how entrenched Libya was by the colonization of Italy- even the minarets were crying out "Viva Italia!"; sometimes the commercials just flat-out lie; sexy in a face veil; and the Ethiopian Dam is making controversy again.
April 13, 2014
From the information made available to the foreign press, it appears it's always sunny in the Geneva Two room. The forecast, however, may be calling for storms; April 13th- a solemn day in Lebanon; 2014- the year of the woman in KSA; and confusion between the U.S. and Iran.
In many Arab countries, the resident Christian communities take time out to celebrate the remembrance of Jesus entering into Jerusalem on a donkey, introducing himself as the Prince of Peace. Many would hope for that to be true today.
April 12, 2014
An ancient Coptic manuscript has been proven to be indeed ancient and on it, Jesus mentions his wife as a disciple. True or not, should this change contemporary treatment of women? Big women are sexier in Lebanon; and Hillary gets high-heeled!
April 11, 2014
A jailed blogger is being denied medical treatment and is instead being systematically tortured in a tiny cell by the Iranian government; iTunes going HD; what race attracts the most lovers? and Jazz star John McLaughlin plays in Ramallah.
April 10, 2014
Most people either have missing teeth or an uncle with a radiant toothless smile. Soon, a simple piss in a cup will bring back that pearly splendor; six Arab foods foreigners hate; save the antiquities in Egypt; and nuclear talks in Iran done... for now.
April 9, 2014
Ne'er has an administration been so blatant in pointing fingers at the settlement buildings and break of the Oslo Treaty as ruining the peace talks; a lot of money from America goes to Lebanon; and Twitter is about to pop!
Any single men over forty looking for a defense of your awesomeness? Jaraad lays out ten reasons, and even backs them up with the Quran! Anonymous strikes Israeli sites again; and little children eating lemons in slow motion.


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- 0Nov 11, '09 by MzRN2BHi Everyone,
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Saturday, 08 Jan 2011 04:45 PM
Arizona Sen. John McCain is calling the shooting involving U.S. Rep. Gabrielle Giffords a terrible tragedy that has shocked the nation.
McCain, who is in Cartagena, Colombia, meeting with Colombian's president, Juan Manuel Santos, said Saturday:
"I'm deeply saddened and shocked at the tragedy that has taken place in my home state of Arizona. The shooting of Congresswoman Giffords and the deaths of other individuals is a terrible tragedy and one that has shocked me and our nation.
The Republican says that his "prayers are with congresswoman's husband Mark and her entire family and the families of the other victims of this terrible, terrible tragedy."
© Copyright 2014 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.
Friday, 04 Jan 2013 13:06 PM
Tens of thousands of Fatah supporters rallied in the Hamas stronghold of Gaza on Friday for the first time since they we . . .
Tuesday, 17 Jul 2012 18:11 PM
. . .
Friday, 13 Jul 2012 12:27 PM
James - good for you ! Yep , your telling the truth . Yet , I still wonder why...
This is the most out of touch utterance any president has ever made. It is...
When will the protesters learn it is not racism. It is about crimes and...
11. That Obama , Holder , Sharpton , Jessie , Farrakhan have started a Race...
Can't disagree with O'Reilly on this one....
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Despite developing romantic feelings, Truman (Philip Seymour Hoffman) will get the answers to his questions about Perry (Clifton Collins Jr.)Set in 1957, this film follows Truman Capote (Philip Seymour Hoffman) as he is sent by The New Yorker magazine to cover the brutal murder of a small-town family. In the course of his investigation, he forms a friendship with one of the killers, which makes it increasingly difficult to finish the book he started.
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Fall Leaves Jumbo Wire Garland
Fall Leaves Jumbo Wire Garland
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Perfect for any fall celebration!Liven up your fall decorating with the Fall Leaves Jumbo Wire Garland. Each 12' long Fall Leaves Jumbo Wire Garland features red, orange and yellow foil leaves attached to a bendable wire strand. The fall leaf garland is perfect for decorating at home, the office, school or church.
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Im a mother of a four month old baby. the second i brought this garland out of the package he liked watching the leaves move. I put it up near the ceiling between our kitchen and living room and when the air kicks on it moves and he loves to watch it move. I think the colors are perfect fall colors and i cant wait to hove our guests see it!
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Very nice.
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I expected "jumbo" to be larger - the leaves are small but proliferous so I still love it and te wiring makes them very easy to use
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This Absolutely Must Be Watched.Submitted by RonPaul4Prez2012 on Thu, 02/28/2013 - 17:01
Scientific Research explaining why they are spraying the sky's around the world.
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I posted a topic relavent to this yesterday
Clam down a bit guys. I don't think they should be spraying either, but this planet is more resilient than you think. I think soon mother nature will push back for the harm being done, but it wont be anything like what they are describing in the above video.
Listen to this interview, it should teach you everything you would need to know, then watch the above video again.
Direct Link:
It's an interview with Dr. Michael Coffman, a 25yr ecosystem analyst, who was on the Global Warming/Acid Rain team in the late 80's. He started his own lobby groups now to do his best to disprove global warming propaganda through facts.
It's on a Christian radio show, if the non-Christians can make it through a little Christianity talkin for 30mins, he talks about negative feedback pretty close to the beginning.
If you go far enough they start talking about the UN trying to destroy American property rights.
Forum topic posted yesterday:
Dr. Coffman vs U.N. Biodiversity Treaty:
Dr. Coffman played a key role in stopping the ratification of the Convention on Biological Diversity (Biodiversity Treaty) in the U.S. Senate an hour before the Senate was scheduled to vote on its ratification. His maps and information have been used by local citizens across America to stop the global agenda at the local level. This includes two UN Biosphere Reserves.
Thanks for the post.
At a time when I was attempting to spread awareness of the dying honeybee - needed for pollination of plants providing us fruits, vegetables, and nuts, some people came back with the fact that bees weren't the only pollinators. True, and bats are among the others. Now in recent years, millions of bats in the Northeast have died off from an incurable fungus. Here in the Hudson Valley, 90% of one species are gone; for two others, it's 98%. There are unexplainable anomalies all over. Likely, there are myriad factors: toxic chemical pesticides and herbicides now regularly used in farming and lawncare, genetic engineering and its various consequences (http://www.raw-wisdom.com/50harmful.), whatever it is they're spraying, and who knows what else. Our soil, water, and air are all contaminated.
When we try to pick out anything by itself, we find it hitched to everything else in the Universe.
~ John Muir
Here is another easy to understand video about methane
locked up on the ocean bottom and the Paleocene rapid climate change event when the methane was suddenly released into the atmosphere.
I believe the video is trying to warn us that the sudden release of methane trapped under the ocean TODAY could produce a rapid climate change, a runaway green house event, with catastrophic results for all life. We may be on the brink of this disaster.
The Day The Oceans Boiled
These guys are talking about positive feedback cycles
I'm sorry guys, i have studied this as well since the 80's. This guy is wrong.
Our planet is has negative feedback loop, it cant do what they say it will.
While i agree this isn't good, our planet is not going to implode.
Has he noticed the fact that the southern sea (or Antarctic) has increased almost 3x as big since the arctic started shrinking?
Positive Feedback is what happened to mars, the fact they bring it up shows he has no idea what hes talking about, i don't care how long hes been studying it.
Truthfully, full industrialization of the world, ALL of it, accounts to around a 0.4% of the heat change.
He starts out by saying "I don't like Al Gore, but then spews his nonsense."
If the sea evaps, carbon is released into the air, creating clouds, which reflect sunlight and bring down the temperatures. This guy needs to go take basic science class from 4th grade.
Never mind
how long he has been studying it, are you still in 4th grade?? Normal cycles would be welcome.
Al Gore blames global warming on everything we people do here on earth. This guy is blaming it on geoengineering. We have all seen the chem trails if we look up in the sky. And what about the thousands of nuclear tests-in the atmosphere, underground and on the ground, cutting and not replanting trees, especially in the rain forests of South America which has had a devastating effect on the ecosystem(btw trees use carbon dioxide and release oxygen which we breath); the space related rockets with their associated emissions.
I have noticed-white sunlight which used to be yellow, trees dying, moss growing in my lawn, on trees, and on my siding, no bees, no bats, no crickets, no grasshoppers, and I could go on.
I certainly don't know if there's that much methane but I think this guy sounded very knowledgable and believable.
Global warming caused by the masses vs
Global warming caused by the government are not the only two options. You have to stop and look at the data to see if their is really global warming at all and if their is was their global warming before humans and what caused it. saying you see white sunlight and fewer bugs is not proof of anything. they are merely observations of a .0000000000000001% of the entire world. the same mistake happened back when people made the conclusion the world was flat because they could only see the horizon across the ocean. You need to do more then observe from your backyard to make a conclusion about the world. The truth is the world has been cooling for the last decade. the planet goes through cycles where we get lots of rain and then periods of droughts. Warm weather and cool weather. To make the conclusion the government is causing a drought after a summer with little rain and you see things in the sky that you dont understand doesn't mean the government is trying to destroy the planet. Remember the politicians also live on this same planet and could also die if it is ruined.
A+ for critical thinking
Anyone else notice that the person in the video's conclusion was a hypothesis... That is not science. That is someone stating his opinion as proven fact. We are better than the liberals here people. Think critically
Sounded more like panic or maybe even fearmongering to me.
But perhaps I was a bit to harsh on him. I take back the tone by which my previous message was spoke.
btw CARBON IS GOOD FOR THE PLANET
ITS WHAT TREES USE, since 1997, the sun has been in a cooling cycle, Africa has increased crop outputs by around 7% since 1997, crop growth is INCREASING because of the carbon build up.
Sent via Twitter
to all mainline news. Bet it is never seen on TV.
How do the bad people
and their loved ones avoid the poison?
The law cannot make a wicked person virtuous…God's grace alone can accomplish such a thing.
Ron Paul - The Revolution
Setting a good example is a far better way to spread ideals than through force of arms. Ron Paul
When they get sick, they get the best treatment- more natural, more effective and quicker. They feed us the food with pesticides, toxins, and give us and our children shots with mercury and other heavy metals....just for starters....
The conspiracy people haven't thought that far ahead.
They see things online that caters to their miss trust in the government and follow the Shepard. They question nothing and don't stop to think for themselves. they are the anti-crowd-crowd.
The only difference between Global warming religion and the chem-trail religion... One believes that the population causes global warming and the other believes gov't causes global warming. Neither stop to see if the globe is really warming.
I asked a simple question below and got downvoted
I really would like to know what people think that believe in this, is the end game.. purpose and final outcome?
I mean if they pollute the earth.. is there evidence that they have some sort of immunity to the poisons? Why poison a place that you're living on too and will die from as well.
Do you think they're satanist and just want to watch the world die?
Did the X-file get it right? Is this an alien collaboration and the rich people are sacrificing us for their safety for the coming colonization?
What gives.. What is the masterplan behind this?
Patriot Cell #345,168
I don't respond to emails or pm's.
Those who make peaceful revolution impossible will make violent revolution, inevitable.
Look up
U&N a#g*e!n^d@a twenty one and reducing the global pop to 500mil. In fact read all of that document and don't get suckered into "how nice that would be". Read and digest-paved road to serfdom.
Simple answer
Crush competition.
Ignoring the answer offered is a choice.
If the subjects of crime made legal are allowed to gain too much power then the subjects will no longer be subjects.
The most powerful among us know this, and the power they steal is used to steal more, and so the power to grow your own food, without a license, can be genetically engineered out of existence, or not, but how much does it cost to give it a try?
How could, if it was a goal, how could a few people demand from everyone else absolute obedience to the few?
Create a Legal Money Monopoly, and then buy whatever is needed to take everything else.
Found a book
1989: Population Doomsday
I just started reading it; it's a ficticious tale about America in "the year of the mask" where to live in a major city means you have become accustomed to airlocks and 'gog-masks' because the air has become SO polluted that you cannot breath freely, and food cannot grow using it. A new president has just been inaugurated and his first act is to declare martial law and has seized control of all natural fuels, denying consumers and businesses the ability to ship products, drive, etc. unless they are considered a 'vital function.' It is all based on a non-fictional analysis by Dr. Paul Ehrlich in 'The Population Bomb' in which he describes how man-kind will snuff itself out.
I look foward to finishing this tale equally as to how terrified I am. There are so many parallels to be drawn, and when I realized this book was written in 1970 I recognized that the mess we are in now has been a long time coming.
If a trial were conducted
12 Jurors
Listen to the answer folks - this IS one of the species killers.
Would there be a conviction?
You are the juror.
This guy is straight up nut
This guy is straight up nut job. Global warming and cooling is going to continue on as it has for eons. My greatest concern is the politics of control through global warming rhetoric.
We will adapt or die. We are not immune to history either politically or climatically. It has been both warmer than this and cooler than this on about a 10-20 thousand year cycle. My guess is it will happen again. I will not be easily convinced otherwise on 150 years of data since the industrial revolution that we are significantly effecting this cycle any more than minute changes in the sun might be.
"Any man who thinks he can be happy and prosperous by letting the government take care of him better take a closer look at the American Indian." ― Henry Ford.
Yet Al Gore admits to
Yet Al Gore admits to geo-engineering as factual on TV?
I wouldn't call
contrails Geo-engineering, maybe Geo-stupidity. They are simply the condensation of water vapor left by any combustion engine, same as the white stuff that comes out of your cars tail pipe. The problem is the ridiculous amount of air traffic in certain heavily populated areas of the country. It is true that they essentially are clouds and act like clouds, holding heat in at high altitudes and keeping heat out at low altitudes. We can solve this problem and the TSA at the same time, STOP FLYING. I don't think anything is being sprayed, spray is totally unnecessary to create contrails you just need a jet flying at a normal altitude.
The bold effort the present bank had made to control the government ... are but premonitions of the fate that await the American people should they be deluded into a perpetuation of this institution or the establishment of another like it-Andrew Jackson
It's pretty obvious those are
It's pretty obvious those are chemtrails, not contrails
You are a sheep. Move along
You are a sheep. Move along sheep. baaaa baaaaaa baaaa
Did you see the NASA photo?
If those are regular flight patterns, I'm Buggs Bunny.
Yeah, there are some weird photos in that video.
Patriot Cell #345,168
I don't respond to emails or pm's.
Those who make peaceful revolution impossible will make violent revolution, inevitable.
I'm like 1.5 minutes in
and I already agree with your title.
Remember when you were a
Remember when you were a child, laid down on the grass and stared into the blue sky?
I saw all kinds of funny animals, and weird looking people in the clouds, but I never saw any kind of grid, or pattern of condensation trails resembling something I would most definitely remember.
If I ever saw some kind of giant, X marks the spot, "cloud," as a child...I would have remembered such a thing, but it never happened back then.
Now I wake up in the morning, go outside and see grid lines pasted in the sky that are composed of God knows what.
Never be afraid to ask simple questions.
geo-enginerring has been
geo-enginerring has been going on for 60 years. But it seems they are doing more now than ever
Guys. Look up condensation trails before you jump on the bandwagon...


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A boy and a girl who fall in love. Two families whose hopes collide with destiny. An extraordinary novel that offers a resonant new definition of what it means to be American.
Arturo and Alma Rivera have lived their whole lives in Mexico. One day, their beautiful fifteen-year-old daughter, Maribel, sustains a terrible injury, one that casts doubt on whether she'll ever be the same. And so, leaving all they have behind, the Riveras come to America with a single dream: that in this country of great opportunity and resources, Maribel can get better.
When Mayor Toro, whose family is from Panama, sees Maribel in a Dollar Tree store, it is love at first sight. It's also the beginning of a friendship between the Rivera and Toro families, whose web of guilt and love and responsibility is at this novel's core.
Woven into their stories are the testimonials of men and women who have come to the United States from all over Latin America. Their journeys and their voices will inspire you, surprise you, and break your heart.
Suspenseful, wry and immediate, rich in spirit and humanity, The Book of Unknown Americans is a work of rare force and originality.
©2014 Cristina Henriquez (P)2014 Random House Audio
"A triumph of storytelling. Henríquez pulls us into the lives of her characters with such mastery that we hang on to them just as fiercely as they hang on to one another and their dreams. This passionate, powerful novel will stay with you long after you've turned the final page." (Ben Fountain, author of Billy Lynn's Long Halftime Walk)
i like to read. i like to listen.
"interesting view into the immigrant experience"
this was a really interesting book, giving some insight into the immigrant experience in America today. told by different characters, it mostly telling the story of two familes (one from Panama, one from Mexico) and their children's doomed love affair.
i think it was tragic and cute and sad and sometimes nerve wracking. a well written and quick view into the experiences of Spanish speaking immigrants and the challenges they face when coming to America. i liked it and can see why it's getting all the praise it has.
"Teen Lit"
This book should be considered teen lit. I'm notably under impressed and under engaged.
Lack of depth
"The immigrant experience brought to life"
Yes. I found it to be a very moving--sometimes heartbreaking--story and I loved the narration by different actors. That really brought the book to life for me. I finished it a couple of days ago but keep thinking about it.
The various perspectives of the different characters
I loved the parts of the book that were narrated by Mayor. He was such a kind hearted, loving boy, yet his parents favored his brother and often misunderstood his (admirable) motives.
The last few chapters had me weeping, but I don't want to spoil the story so I won't elaborate further.
"How We Should Look At Our Role With Our Neighbors"
This book I would recommend because there are too many ways this book interacts directly with my local community. Also the bigger international perspective is presented well here.
Each character is distinct. It's hard to say.
The end really made me tear up. There are parts here where the adolescent characters represent feelings and ideas their age deals with really well.
Give a shot to those around you who are probably going further than you have ever understood to struggle for a better life.
"Well worth reading !"
Well written. Loved this book; loved the several narrators for the different characters. Spanish immigrants from from several western hemisphere countries come to Wilmington, Delaware and their stories unfold. Their dreams, feelings, goals were like anyone's so that ethnicity and education seemed irrelevant. I could "see" and feel their challenges of being immigrants,their hesitations and questions as they learned about a new country and culture, their successes & failures & frustrations & love & anger & despair. All of this is wrapped in the stories of 2 families who meet in their housing complex, of the son, Mayor, who befriend's the other family's teenage daughter who suffered brain damage after an accident, of the paths their lives take as half truths, events untold, and miscommunications lead to innocent and unintended outcomes.
The author includes immigrants from several Spanish speaking countries-- some for only a chapter -- as a way to share the differences in origins and what it is like to be looked at "as all the same," with, in this case, Americans not trying to get to know and see each person as an individual. Personally, it put a possible identity to the person who delivers our newspaper every morning of the year. This is Maribel's story, too -- of her parents' love and concern since the accident that handicaps their seeing her as she now is and can be; of Mayor's acceptance and caring for who she is now, and the growth that this relationship fosters. Everyone gains insight, but not without cost.
"Read this book"
This book is so well done and brings the current deportation situation into a whole new light. Very well written
interesting character stories about new transplants and how difficult it can be to assimilate into a new country.
"Great audio production - story wasn't awful."
I just love LOVE audio books that have many different narrators - it just brings the book to life.
IMO the fantastic audio presentation brought this book to life. I loved this book with a passion until the last half an hour - then it got draggy and I found myself looking at how much longer was left. A good editor could have made this a 5 star listen but it was still worth a credit.
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text:
Gilmore Girls which revolves around the bond between a young single mom (Lauren Graham) and her teenage daughter (Alexis Bledel) was instantly hailed by critics as one of the season's best new offerings. And viewers seem to be catching on: Gilmore Girls has gradually developed into a modest Thursday night hit for the WB, particularly among young women.
"We are thrilled with the creative performance of the show this season, as we are with the ratings trends," adds Levin. "It's a show that we're extremely proud of."
It's also a show that would probably be an even bigger smash were it not for the fact that it's up against Nielsen hogs Friends and Survivor. Still, Levin says no decision has been made to relocate the show to another night in season two. "You never know what your needs are going to be and how a schedule unfolds and what [the other networks] are doing," he notes. "You want to be as open as possible to looking at the situation, but we are happy with the way it's been performing on Thursday nights."
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