text:
ISO a lunch stop near or in Seattle but before Tacoma and a dinner stop on the way back
- grayelf Jan 30, 2012 01:53 PM
We are setting out from Vancouver, BC at 9 am on a Wednesday next month. Sadly, no time to do any justice at all to the local eating scene. But we *should* arrive on the outskirts/Sea proper around about lunchish and would sure appreciate some assistance. Since we need to get to Portland by late afternoon, we can't go too too far off the I-5 (sigh) and thought we should stop before we hit the section of road that can be congested btwn Sea and Tacoma. We'll be reversing the trip and looking for dinner on the way back.
We're pretty flexible apart from needing to find some gluten free dishes for one passenger for the lunch only. We'd be thrilled with a good Mexican option, cart or whatever, and don't mind holes in the wall at all. The goat at La Conasupo sounds great but apparently it's only available on Sunday and the rest of the prepared food is just okay. Any other ideas to save us from a roadside stop at a chain? TIA.
How about dim sum somewhere in Chinatown. It's easy to get to right off the Dearborn exit from I-5. Different people will pick different places as a favorite. Jade Garden is kind of the default (and it's good), but I'm a fan of Tea Garden (especially if you get in at an "off-peak" time, since they will do stuff to order) and New Kowloon on Jackson.
Couple of nice spots off the Swift and Albro exit in Georgetown too. Hangar Cafe would be a nice light meal (although I don't what they do for gluten free...) and Jules Mae does some nice food.
If you want to be adventurous, take the Kent-Des Moines road exit, hang a right, and then a left at the light to cruise down International Blvd/Pacific Highway until you find an authentic looking Vietnamese or Mexican spot. I'm willing to bet you'll have a damn good meal as good (better?) than anything a "foodie" would tell you about in Seattle proper.
Grayelf, I suggest Vuelva A La Vida in Tacoma for authentic Mexican. (Lots of seafood on the menu including oysters.) They are located at 5310 Pacific Avenue which is an easy off/on from Interstate 5. I am a big fan of their Ceviche and also their goat tacos. (Don't expect any chips and salsa--this is not Americanized food.)
re: Leper
Thanks both of you for your replies. Hadn't thought of dimsum which is funny as it's such a staple here at home. Will have to check if it passes the gluten-free test. Also may prefer to go for something we can't get at home such as one of your Mexican suggestions!
Leper, since we don't know what the border will be like I'm a bit chary about waiting for Tacoma for lunch as I've heard the road btwn Sea and Tac can be slow. Can you tell I don't drive in your area??? We're happy with non-Americanized, especially me, as I've spent a bunch of time in Mexico and we can't get anything decent north of the border.
re: grayelf
Also, I'd add that mid-day on a Wednesday I can't imagine the drive from Seattle to Tacoma would be too bad...
Greyelf, knowing your level of high standards on Chinese food, I'd steer you away from the dim sum in Seattle...
Our Vietnamese food on the other hand....You could do Green Leaf or Tamarind Tree in the ID, just off the Dearborn exit, or go a little further to my personal favorite, Ben Thanh, on Rainier.
The Salvadorean Bakery in White Center is good, though it takes a little while, so perhaps the nearby Rosteceria El Paisano?
re: dagoose
Thanks for the additional tips, dg! Vietnamese would be good on two counts: it's gf friendly for our gluten avoider, and the SO's current favourite cuisine is Vietnamese. We have a lot here but it tends to be the same dishes repeated so would be cool to see what yours have to offer.
Sadly, I am so unfamiliar with Sea restaurants. Will deffo research all the choices offered here more thoroughly, as it has occurred to my slow brain that we will need sustenance on our way home (Sunday early dinnerish, no gf restrictions then though as our friends are taking the train back) as well. Much appreciated, all who answer :-).
re: grayelf
You might consider the Ba Bar for some nice Vietnamese with higher end ingredients. It gets mixed reviews here, but I think the food is fabulous.
Everyone here seems to want to send you towards Asian food for some reason...if you're set on Mexican, you might want to think about Poquito's in Capitol Hill (it's maybe 10 min from I-5 near downtown, but the directions are kind of complicated...google it) or if you want something more like street food, there's a food truck immediately adjacent to the freeway at the Northgate exit that many people like (Exit Northgate and turn right, it's on the left in the gas station/Starbucks parking lot).
If you're into food trucks, you might also want to check out Seattle's highly regarded Marination, they now have moved from the truck to a permanant location, but the same food, kind of Korean/Mexican/Hawaiian fusion. It's at Broadway / Pike, close the fwy but like Poquito's via a roundabout route -- nothing you can't probably handle.
Just south of SEA proper, is Burien; easily accessable from I-5 at the airport exit.
Head to Taqueria La Estacion. Definelty not fancy, but fabulous food. In a building that had a former life as some kind of fast food place, but man - the salsa bar, the huaraches (hard to find), excellent tortas. Great carne asada, good looking 9have not tried) roasted chicken meals. Super horchata.
It's always full of mexican families eating, and very few gringos when I go.
This is a 10 minute drive West on highway 518 from I5. Freeway dead ends at Burien. Go straight through the lights at 1st ave S, and up to Ambaum. About 1/3 mile. Go right. It will be up on your left about 4 blocks. Your welcome, really:)
Taqueria La Estacion
14820 Ambaum Blvd SW
(between 148th St & 149th St) Yum!
Burien, WA 98166
re: gingershelley
Perhaps Chinese is not the best choice with our scene at home but I'm really okay with Vietnamese options (SO fave, good for gf travelling companion) and Mexican is great too, so thanks for the additional ideas. I think I can talk my little gang into a small detour for really good food :-).
Would the places mentioned so far on this thread also be options for our trip back which will involve an earlyish dinner on Sunday? I was reading about this place on a local blog and it rather appeals, appearing to be nearish the I-5: http://www.chowfoods.com/five/menu.aspx
re: grayelf
5 spot is part of a small local chain. Nothing to write home about. Popular for late breakfasts... you can do WAY better. It's kind of over-priced too. Maybe the location rent, but whenever I have eaten there (breakfast), I always feel my meal should have been at least $1-2 less.
re: gingershelley
I wouldn't go out of the way to hit the 5 spot. Honestly, the thought of sitting in a car for 2.5hrs after a 5 spot meal is not very pleasant, so to speak. If you want to eat on the early side, you could stop before Seattle for the best Mexican around in Chehalis (or on the way down if you hold out) at Taqueria Juquilita.
If you're coming through Seattle though...the world is your oyster--almost everything will be open, so it's just a matter of what you want to eat.
re: dagoose
Dagoose, who I absolutely respect,
You meant for grayelf to stop at Taqueria Juquilita as a 'on the way back" destination for mexi, non? Not on the way down... that would be too far for any CH tummy to wait:)
Good to know about that spot, as I regularly go to Cannon Beach a few times a year, and find that my peckishness on the route has less great options than I like.
re: gingershelley
I just googled and Chehalis is 4 hours from Vancouver, so Taqueria Juquilita might be a bit far for us once you factor in a likely pause at the border and the slight possibility of traffic around Seattle. But I plan to include it as a second choice, and if that doesn't work out, it appears to be only 1.5 hours from Portland for the way back. I'm getting more determined about chowing on as many antojitos as I can on this trip, dang it.
re: gingershelley
Or as an additional stop, since like all good hounds, I'm confident greyelf could convince her buddies one more stop wouldn't hurt ;)
I just thought I would put a plug in for it, since it's absolutely fabulous and right on her route...
re: gingershelley
Argh, the $2 rule! Thanks for the warnings, both of y'all. Juquilita is deffo on my list for Mexican. And catfish tacos sound interesting, akq, especially with a view (this is a holiday, after all). It doesn't have to be authentic as long as it tastes good!
If you aren't looking for totally authentic Mexican, maybe consider Aqua Verde for some yummy catfish tacos and a really cool view of the water. It's pretty close to I5, the food is pretty tasty and it is kind of Seattle institution.
Reporting back. We hit La Conasupo for lunch which turned out to be less than five minutes off the freeway. This unassuming loncheria at the back of a grocery store served up gigante platters for muy poco dinero. The carnitas were tasty, I enjoyed my carne de res sope (as big as a dinner plate) and the tacos were good but very big. $50 all in including pops all around.
On the way back, we stopped at Taqueria Juquilita for lunch in Chehalis, much improved from descriptions I'd read of the setting, owner Sra Julia from a small village near Oaxaca, bought place from landlord and fixed it up, just reopened with fully functioning loo, jamaica was a bit weak, flautas were great, good huarache though missing the promised beans and red enchilada ($13 total with a Mexican pop). Really handy to be able to order a la carte from "side orders" with only two of us, and very nice to be offered half/half on the huarache to try more meat options.
Another quick stop at Tecalitlan #2 trailer and quonset hut at Burlington, great carnitas, crunchy and porky, fine double tortillas $1.25, toppings were fresh, hot sauce was on point, even the radishes were delicious -- this would be a must stop for me in future, and so convenient too just off the Burlington "clover leaf."
Then La Gloria in B'ham for three tacos with only one tortilla $1.50 each carnitas (good flavour, lacking crunch) chorizo and fish (tilapia, not great), pozole 8.99 a bit bland/oily/tomatoey but more than passable with added lime and hot sauce… flautas 5.99 with rice and beans sadly flour tortilla, huge tamarind agua for $1.99 -- I'd stick to the tacos in future I think.
Thanks all for your suggestions and rest assured they have all been captured for future trips. We had such a grand time in Portland we're already planning another round in May.
Quick note on traffic for other food travellers: None on the way home what with HOV/express lanes and Sunday, but had a 20 min delay on the way down in Seattle because of an accident (Wednesday day)
re: grayelf
Pix from La Conasupo
re: grayelf
Pix from Juquilita
re: grayelf
shot of reno'd interior of Juquilita
Tacos from Tecalitlan plus menu
re: grayelf
La Gloria eats
re: grayelf
Is this the La Gloria in north B'ham, that's also a store ?
Did you hit that taqueria off of The Guide near the pro golf shop ?
re: LotusRapper
Yes and maybe. There is more than one Tecalitlan truck and I think maybe one of the others is located on Meridien, saw that somewhere IIRC.
re: grayelf
Oh right, I forgot there are two of them.
re: LotusRapper
We did another eating trip to Portland mid May and thought I would tack a report on here since y'all were so helpful last time.
On the way to Portland, we stopped about 10:45 at Tacos Tecalitlan truck #2 at Burlington (exit 131) for a couple of carnitas tacos each (to which they are now adding fried onions as well as raw, see pic where I've extracted them!) and a mandarina Jarritos for the SO (all $1.25 each). This little snack was enough to tide us over till we got to Tacoma where we took the 56th Street exit (Exit 130) and located Vuelve a la Vida easily (well, just one wrong turn!). The tostada de camarones ($3.50) was the weakest dish with the shrimps a bit tough and overmarinated and the sauce too tomato-ey sweet. The three tacos (fish, tripitas and carnitas, $5.75 for three -- $2.25 for most, $2.75 for fish individually) were good and quite large, especially the tripitas which was very crunchy and a fine example for the SO's first taste of it. We were lucky to be there on Thursday when they do chiles rellenos ($6.50 for one, $8.95 for two, pictured, huge!) which were excellent, soft inside with creamy cheese and a light crunch to the batter. Beans and rice were solid too. The SO had a bottled Victoria by Modelo ($3.50) and I drove after lunch :-). I'd go back for the chiles rellenos if it were Thursday.
On the way home from Portland, we held out till Bellingham as we had a huge brunch at Helser's. Tadeo's was our choice for a late lunch at 3ish. Jamaica ($1.80) was tasty and giant (we shared one), sope de picadillo ($3.95) was the standout, tamal Sinaloaense de puerco ($3.25) was very good with lots of masa flavour, taquitos dorados de pollo ($5.95) were the best I've had in ages – crazy amount of food for $16, ate way too much but it was soooo good, especially the sope with perfectly spiced meat and really savoury frijoles refritos. I'd come back for everything, and to try out one (or three) of the all day breakfasts which looked really great in the photos (I've attached a shot which will likely be all but useless of the wall display detailing the breakie offerings). This is the finest Mexican food I have found yet along this corridor and the service was perfect to boot.
first three photos: tacos from Tecalitlan x2, interior of Vuelve a la Vida
next three: tostada de camaron, chiles rellenos, three tacos
final four: giant agua de jamaica at Tadeo's, breaky offerings on wall, taquitos, sope and tamal


text:
Phil Stern, 1919-2014
Photo by Genaro Molina / LA Times
Photographer Phil Stern died on December 13 in Los Angeles; he was 95 years old. A photographer for Life, Look, and other magazines, Stern was best known for photographing Hollywood legends and jazz musicians, including James Dean, John Wayne, Ella Fitzgerald, and Dizzy Gillespie. Stern began shooting for Life magazine in 1941 and also shot a number of album covers for the Verve, Pablo, and Reprise record labels.
— By Jean Dykstra 12/15/2014
Arthur Leipzig, 1918-2014
Photo by Arthur Leipzig, courtesy Howard Greenberg Gallery
Documentary photography Arthur Leipzig died on December 5; he was 96 years old. One of a group of socially minded photographers that included Helen Levitt, Roy DeCarava, and Gordon Parks, Leipzig photographed on the streets of New York, as well as in Sudan, Honduras, Ethiopia, and Puerto Rico, from the 1940s until the 1960s. His work was included in Edward Steichen's landmark Family of Man exhibition at the Museum of Modern Art, and his book Growing Up in New York was published in 1995. Born in Brooklyn, Leipzig studied at The Photo League with Sid Grossman. He is survived by his wife of 72 years, his daughter, son, three grandsons and a great-granddaughter.
— By Jean Dykstra 12/08/2014
Eva Respini Moves to Boston's ICA
Photo by Martin Seck
Eva Respini, a curator of photography at the Museum of Modern Art, has been named Barbara Lee Chief Curator at the Institute of Contemporary Art, Boston. During her 15 years at MoMA, Respini curated the 2012 Cindy Sherman retrospective, the recent Robert Heinecken exhibition, as well as shows on Anne Collier and Leslie Hewitt, among others. Thematic exhibitions have included Pictures by Women, a photographic history of women artists, and Staging Action: Photography and Performance since 1960. Respini is currently working on a monograph on Walid Raad.
— By Jean Dykstra 12/05/2014
MoMA Shows Thomas Walther Collection
Max Burchartz, Lotte (Eye), 1928. Courtesy the Museum of Modern Art, Thomas Walther Collection
Object.Photo. Modern Photographs: The Thomas Walther Collection, 1909-1949 is the result of a four-year collaborative project between the departments of photography and conservation at the Museum of Modern Art. The project includes a Web site with in-depth information on each photograph and essays by scholars, which allows visitors to explore the collection; a hard-bound catalogue of the collection; an interdisciplinary symposium examining the way the digital age is changing our engagement with historical photographs; and an exhibition of select works from the collection. Modern Photographs from the Thomas Walther Collection, 1909-1949 opens December 13 in the Edward Steichen Galleries of the museum. The exhibition includes work by such photographers as Berenice Aboott, Karl Blossfeldt, Lucia Moholy, Laszlo Moholy-Nagy, and Paul Strand, among others.
— By Jean Dykstra 12/04/2014
Art Fairs in Miami
Art Basel Miami Beach
Warmer Climes Are Calling: Art Basel Miami Beach and the accompanying satellite fairs open their doors this week in Miami to thousands of dealers, collectors, curators, and artists. Art Basel Miami Beach, December 4-7, brings more than 250 art galleries this year, and last year some 75,000 visitors came to the fair.
Art Miami, December 2- 7, the contemporary and modern art fair, celebrates its 25th edition this year with more than 125 international galleries. Its sister fair, CONTEXT Art Miami is dedicated to mid-career and emerging artists, with 75 galleries in the pavilion adjacent to the Art Miami pavilion.
Miami Project, one of six fairs produced by Art Market Productions takes place December 2-7 in Midtown Miami, and Red Dot Art Fair Miami, also December 2-7, returns to the Wynwood Art District with some 60 galleries showing photography, painting, and sculpture.
Also December 2-7, Scope Miami Beach, with more than 100 exhibitors and the fair's Breeder Program, which introduces new galleries to the market. And Pulse Miami Beach, also December 4-7, moves to Indian Beach Park this year, for its tenth edition of showing cutting-edge, contemporary art.
And finally, a Miami fair just for photo lovers, the Miami Street Photography Festival, December 4-7 in the Wynwood Arts District, showcasing the best of contemporary street photography. Featured photographers this year are Susan Meiselas, Constantine Manos, Maggie Steber, Alex Webb, and Rebecca Norris Webb.
— By Jean Dykstra 12/01/2014
Lorenzo Vitturi: Dalston Anatomy
Yossi Milo Gallery, New York
Lorenzo Vitturi, Multicolor #1, 2013. ©Lorenzo Vitturi, courtesy Yossi Milo Gallery
Photography, the medium that began life as unflinching witness to the world, has long delighted in flexing its muscles in unexpected ways. This vibrant show by Venetian-born, UK-based photographer Lorenzo Vitturi presses it into ever-more supple positions: allowing it to function both as discrete, collectible art object and chameleon-like supporting character actor within a larger mise-en-scene. The result is this delightful, immersive show, on view at Yossi Milo through January 10, full of juicy color and formal rhythms, even as it takes on larger issues like identity, the conceptual limitations of portraiture, and class.
Every aspect of Milo's white-box gallery space was pressed into service here: its cement columns festooned with such raucous detritus as striped tarp, plastic vegetable packing material, a coconut resting on a homemade shelf, and powdered pigment. Vitturi's subject matter is the open-air Dalston Ridley Road market in East London. Its vendors are primarily of Caribbean and African descent, and the market is facing the threat of gentrification. You feel him thoroughly delighted by the many sights, smells, and sounds of the place as he takes the fruits and vegetables sold there back to his studio, where he pins them into anthropomorphic positions and photographs them before their eventual decay: nubbly brown breadfruit poked with wooden hair combs; an over-ripe banana supporting limbs of pale green berries and tomatoes. In the marketplace, all good things eventually rot and come to an end, so there's more than a bit of the Vanitas in these exuberant constructions as well the weird humor of Archimboldo.
Lorenzo Vitturi, Green Stripes #1, 2013. ©Lorenzo Vitturi, courtesy Yossi Milo Gallery
As for his more straight photographic portraits of people in the market, what the artist chooses to leave out is as interesting as what he depicts. More than 75 percent of the "portraits" here obscure their subject's faces, blotting out one woman's face with a dusting of bright yellow chalk; covering another man's features with a scattering of tiny, sewing-drawer-type notions in a tutti-fruity palette. Exact identities are a mystery, but textures like clothing and jewelry and skin color are intact, forcing us to question how much we think we know about the inner life of people who come from worlds more seemingly exotic than our own.
At first, learning that Vitturi is Venetian is almost startling. One senses how deeply he must have had to earn his sitters' trust in order to involve them in an experiment so aestheticized without exploiting them. On further consideration, Venice is a romantic island culture we've all visited and think we know -- though we seldom befriend an indigenous resident. Co-option comes in many forms. And Vitturi certainly understands the beauty in decay.
— By Sarah Schmerler 12/01/2014
Larry Sultan: Here and Home
LACMA, Los Angeles
Larry Sultan, Discussion, Kitchen Table, 1985. ©Estate of Larry Sulton, courtesy the Estate of Larry Sultan
Larry Sultan's father, Irving, hated the photograph of him sitting on his bed in a dark blue suit, tense, staring straight ahead. He put the suit on because his son, who had just begun photographing him obsessively, asked him to. He sat on the bed because he needed to rest. It was like being an actor on a film set, and then seeing cameras start to roll when you were taking a break--entirely unfair. It also was not a photograph about him. The New York Times obituary for Sultan, who died in 2009 at age 63, quotes Irving reprimanding his son: "[Y]ou tell people that that's not me. . . . That's you sitting on the bed."
Sultan's photographs of his father, and often his mother, in their Southern California home read as self-portraits even if you do not know how Irving felt. The point of looking so closely at his parents, quirky, charismatic and probably hot-tempered, seems to be to understand his own tastes and origins. Pictures from Home (1984-1994) may be the most memorable series Sultan ever did, and in the artist's LACMA retrospective, organized by curator Rebecca Morse and on view through March 22, it's hard to move on from the galleries that hold it.
The first series you see when you enter the show, though, is Sultan's final one, Homeland (2006-2009), of day laborers against suburban landscapes. He hired the laborers, then took them to vacant lots or un-landscaped yards in the San Fernando Valley. The lighting and staging is exquisite: men carrying dishes of food across an overgrown field in late afternoon sun, men standing languorously, staring out of a batting cage mid-day. But the sentimental prettiness would give the wrong impression of why he is an interesting artist. His sense of light, color, and composition were, in his best work, not the main point but tools to give intimate views into strange, specific worlds.
Larry Sultan, Boxers, Mission Hills, 1999. ©Estate of Larry Sultan, courtesy the Estate of Larry Sulton
Pictures from Home follows Homeland, then transitions into Evidence. A project Sultan completed in the late 1970s with artist Mike Mandel, Evidence involved requesting access to multiple government and corporate archives then culling them for compelling images of politicians, fires or medical patients. The artists sequenced the photographs and then published them in a book that included no contextual information. It became a landmark in conceptual photography, delving deep into strangeness and privileging uncanny, intuitive associations over authorship and narrative.
The show's final few galleries feature, among other things, The Valley, photographs of porn stars and their surroundings. Sultan, who began this project in the late1990s, would spend all day on set, getting bored but also becoming more familiar with the details: the way an actress holds her robe shut between shoots, the weirdness of neighbors' windows facing a set.
It is rare that ordering a show chronologically actually seems like the better option. But in this case, it might have been more affecting to start at the beginning, to see Sultan and Mandel grappling with how to represent "official" documentation of their cultural moment; then to see Sultan mining his perceptions of his parents; then on to porn sets and flashy stars. After spending time in these self-contained worlds Sultan excavated, you would encounter the measured beauty of Homeland, with the laborers traversing landscapes, and you might be better primed to appreciate the photographer's urge to zoom out on bigger vistas.
— By Catherine Wagley 11/26/2014
Lewis Baltz, 1945-2014
©David Kregenow
Lewis Baltz, the influential photographer whose work was included in the landmark exhibition New Topographics: Photographs of a Man-altered Landscape at the George Eastman House in 1975, died on November 23. Baltz grew up in Newport Beach, California, but he spent his last years between Paris and Venice. He was one of the most important figures in the New Topographics movement in photography in the 1960s and '70s, which redefined the parameters of landscape photography in terms of a minimal approach that often examined suburban sprawl.
— By Jean Dykstra 11/25/2014
Fahey/Klein Opens New Space
William Claxton, Chet Baker (Piano), Hollywood, 1954. Courtesy Fahey/Klein Gallery
The Los Angeles-based Fahey/Klein Gallery is opening a second location in Miami, with an inaugural exhibition opening December 4. The opening show will be a group exhibition including such photographers as Henri Cartier-Bresson, Elliott Erwitt, William Klein, Ellen von Unwerth, and Danny Lyon, among others, coinciding with Art Basel Miami (December 4-7). A special portfolio of photographs by William Claxton will be on view, including images of Hollywood celebrities, jazz musicians, and fashion icons.
— By Jean Dykstra 11/24/2014
RISC Benefit Auction Open Now
Photo by Tim Hetherington
The RISC Silent Auction is open now and concludes on December 3, at a Benefit Auction at Aperture Gallery at 6:30. RISC (Reporters Instructed in Saving Colleagues) was founded by Sebastian Junger and is dedicated to training journalists in all media to treat life-threatening injuries on the battlefield. RISC training is provided free of cost to experienced, published freelance conflict journalists, and the proceeds from the Benefit Auction will go toward the training of more journalists.
The auction features a short program by Sebastian Junger and Magnum photographer Susan Meiselas, hors d'oeuvres and beverages, an work by 46 photographers, including Meiselas, the late Tim Hetherington, Richard Mosse, Roger Ballen, Michael Kamber, and Gillian Laub, among many others.
— By Jean Dykstra 11/21/2014
Orit Raff: Priming
Julie Saul Gallery, New York
Orit Raff, Special Topics in Calamity Physics, 2013. Courtesy Julie Saul Gallery
In Orit Raff's photographs of rooms and interior spaces, on view at Julie Saul through December 6, beams of sunlight fall across a floor, and lamplight softly illuminates the corner of a bedroom. Light – that essential tool of photography – is a living, breathing entity in her works, creating the mood and setting the emotional temperature. But these images are not what they seem. For one thing, they are not photographs, and that evanescent light is a digital manifestation, not a record of the real thing. Raff fabricated these images entirely in a computer, using architectural and photo-editing software. The 13 works on view depict rooms or spaces in different novels, ranging from classics such as Madame Bovary to contemporary works such as Jonathan Franzen's Freedom. They also play with conventions of photography in the oblique but thoughtful way that has characterized Raff's work.
Raff conjured these spaces with exacting precision after immersing herself in the novels, placing details like the rope clutched by the newly blind Jose Saramago's Blindness, or the Bob Dylan poster and the Pepsi bottle in the room from Jonathan Franzen's Freedom. Deftly borrowing visual tropes from architectural and documentary photography, she encourages us to read the pictures as facts. Then she slyly pulls apart the indexical character photography.
Orit Raff, Blindness, 2013. Courtesy Julie Saul Gallery
Raff's previous series also explored space and architecture. White focused on domestic objects -- a soap dish, a bathroom sink, a drain – and the evidence left there of human habitation. Mobius Strip depicted on the indentations in carpets and other surfaces in recently vacated apartments that suggested the way the space was laid out when it was occupied. She has also photographed old wooden desktops from schools that bear the marks of generations of schoolchildren's scribbles and doodles.
Priming takes her interest in the traces left by people one step further. As curator Lauri Firstenberg commented in an interview with Raff in 2005, the artist seems to approach her subject sideways, through surrogates – places, objects, and traces, rather than the thing itself. In these images, she sidles into an exploration of memory – her own memory of a place she imagined while engaged in a story, and perhaps viewers' memories as well. But whether the viewer has read the books or not, these images are full of possibility and tension, percolating with narrative potential.
— By Jean Dykstra 11/19/2014
Lucien Clergue, 1934-2014
©Jean-Marie Perier
French photographer Lucien Clergue died on November 15, at the age of 80. A photographer and champion of the medium, he founded Les Rencontres d'Arles in 1970, one of the forerunners of the many art fairs today. In 2006, he was the first photographer elected to France's Académie des Beaux-Arts.
Clergue, who was born in Arles, was only 19 when he approached Pablo Picasso at a bullfight in Arles to show the famous artist his photographs. Picasso was impressed, and a 30-year friendship was born. Clergue is known for his nudes and landscapes and well as photographs of bullfighting and of Picasso and his circle. On the occasion of Clergue's 80th birthday in July, l'Oeil de la Photographie devoted an entire issue to him, which has been republished in his memory.
— By Jean Dykstra 11/17/2014
Sandro Miller: Malkovich, Malkovich, Malkovich: Homage to Photographic Masters
Catherine Edelman Gallery, Chicago
Sandro Miller, Andres Serrano / Piss Christ (1987), 2014. ©Sandro Miller, courtesy Catherine Edelman Gallery
There are few somebodies who can become anybody. John Malkovich is one of them. The actor's 60-year-old face shape-shifts its way through art history in Sandro Miller's Malkovich, Malkovich, Malkovich: Homage To Photographic Masters at Catherine Edelman Gallery (through January 31, 2015). Famed portraits by Avedon, Mapplethorpe, Penn, and Warhol, among others, are simulated by Sandro, himself a master persona-maker for more than 30 years, and Malkovich. The hilarious images smack of heartfelt collaboration.
The two artists met in Chicago while working at the Steppenwolf Theatre, Malkovich on stage and Sandro shooting playbills. Apparently the idea for the series sprang from Sandro's gigantic library of photo books—he is self-taught—and the two men reenact some of the 20th century's most iconic, beautiful, and strange photographic portraits. Dorothea Lange's 1936 Migrant Mother and Diane Arbus's 1967 twins are popular favorites. Malkovich as Christ submerged in piss shocks anew.
Sandro Miller, Dorothea Lange / Migrant Mother, Nipomo, California (1936), 2014. ©Sandro Miller, courtesy Catherine Edelman Gallery
Ultimately, Malkovich's face and its encyclopedia of expressions dominate each scene's flawless mimesis. But this is John Malkovich, not some Everyman Actor. One no longer sees Malkovich the man (whoever he is) but that which Malkovich's face has come to signify: a metaphysics of identity.
The series is not just a nightmare where everything you love has been replaced with the face of a monkey; rather, Sandro's work with Malkovich demonstrates icon fantasy. These are the saints of art history transformed by Sandro's—and our—obsession with masterpieces and geniuses. Even as millions of personal images circulate the globe daily, it is likely that only a few will define you. Such is the paradox and power of images in the celebrity age.
The reenactments hit a high note of performance energy. Malkovich soars. The sets and costuming are impeccable. Perhaps the series will not be as eternal as their sources, but they remain a curious delicacy in the oeuvres of Sandro and Malkovich.
— By Jason Foumberg 11/15/2014
Paris Photo-Aperture PhotoBook Awards
The winners of the Paris Photo-Aperture Foundation PhotoBook Awards were announced in Paris on November 14: Hidden Islam by Nicoló Degiorgis is the winner of $10,000 in the First PhotoBook category. The award for a new category this year, Photography Catalogue of the Year, went to a set of catalogues, Christopher Williams: The Production Line of Happiness and Christopher Williams: Printed in Germany. Imaginary Club by Oliver Sieber is the winner of PhotoBook of the Year. A special mention in that category goes to Vytautas V. Stanionis's Photographs for Documents.
— By Jean Dykstra 11/14/2014
Sunil Gupta: Out and About: New York and New Delhi
sepiaEYE, New York
Sunil Gupta, Untitled #21, from Christopher Street, 1976. Courtesy Sunil Gupta and sepiaEYE
On the surface, the two bodies of work in Sunil Gupta's exhibition, Out and About: New York and New Delhi, on view at sepiaEYE through December 20, have a lot in common. In both Christopher Street and Mr. Malhotra's Party, Gupta explores queer presence in public spaces. But context is crucial, and ultimately the series, separated by place and more than 30 years, reveal key differences, opening up an intriguing conversation about freedom and identity.
Christopher Street, like much of Gupta's work, straddles the personal and the political. In 1976 Gupta abandoned a master's program in business administration in New York City to pursue photography education at the New School. His photos of fellow gay men on Christopher Street from this period may be seen not only as a reflection of the gay liberation movement taking hold at the time, but Gupta's own "coming out" as an artist.
The Village was a revelation to Gupta, who'd never seen a place where sexuality was so openly expressed. His enthrallment shows in his photographs, in which his camera acts as a proxy for his own wandering, curious eye. His subjects, pictured in black and white walking the streets of the gay haven, are mostly unaware that they're being photographed, and perhaps equally heedless of their own unprecedented freedom.
Sunil Gupta, Bikram, India Gate, 2007, from Mr. Malhotra's Party. Courtesy Sunil Gupta and sepiaEYE
Mr. Malhotra's Party, taken more than 30 years later, reveals the luxury of that freedom by comparison. In Delhi, where the photos were taken, centuries-old anti-sodomy laws were only struck down in 2009, two years after Gupta began taking photos of queer people around the city (the laws were re-instated in 2013). There are no gay bars in the city; gatherings for queer people are advertised as private parties under the name of a host.
In this political environment, a queer person posing for the camera is a conscious act of defiance, one that Gupta instigated with friends and acquaintances for the photographs. His subjects face the camera directly, as though challenging those who oppose them. Their expressions are powerful and moving.
Taken together, these photos speak to the variety of experiences in gay communities, but they also tell a story about the development of a photographer and activist. While he is an anonymous, wide-eyed observer in the Village, Gupta shows himself to be an active dissenter in Delhi, driven to create a world in which, one day, perhaps, images of gay life in the West and the East might not look so different.
— By Jordan G. Teicher 11/13/2014
at LACMA, Los AngelesLewis Baltz, 1945-2014Fahey/Klein Opens New SpaceRISC Benefit Auction Open NowOrit Raff: Priming
at Julie Saul Gallery, New YorkLucien Clergue, 1934-2014Sandro Miller: Malkovich, Malkovich, Malkovich: Homage to Photographic Masters
at Catherine Edelman Gallery, ChicagoParis Photo-Aperture PhotoBook AwardsSunil Gupta: Out and About: New York and New Delhi
at sepiaEYE, New YorkBuilder Levy: Photographer
at Arnika Dawkins Gallery, AtlantaMayumi Lake: Latent Heat
at Miyako Yoshinaga Gallery, New YorkSpecial Sale of Magnum PhotosNew Space for Foley GalleryJuan Fernando Herrán Win Prix Pictet CommissionMaurice Ortega to Head Curatorial Assistance
at Gitterman Gallery, New YorkHoward Greenberg / SteidlMagic on Earth: Jean-Claude Moschetti
at M.I.A. Gallery, SeattleBlind Spot | Griffin Editions Project SpaceShannon Ebner: Public Surface Pattern
at Altman Siegel Gallery, San FranciscoRuud van Empel: New Work
at Jackson Fine Art, AtlantaGetty Acquires Chris Killip PhotographsSamuel Fosso
at Walther Collection Project Space, New York
at Shoshana Wayne Gallery, Santa MonicaGuarapuava: Valdir Cruz
at Throckmorton Fine Art, New YorkICP to BoweryWhitney Museum Gets Major Photography GiftAmon Carter Museum Digitizes Trove of ArtworksClimate Week NYC at ICPFilter Photo FestivalRichard Mosse at Indianapolis Museum of Contemporary ArtErnest Cole: Photographer
at Grey Art Gallery, New YorkAugust Sander: Just Women / Jess T. Dugan: Every Breath We Drew
at Gallery Kayafas, Boston
at High Museum of Art, AtlantaWhere There's Smoke. John Gossage: Who Do You Love
at Fraenkel Gallery, San FranciscoAllan Sekula: Ship of Fools
at Christopher Grimes Gallery, Santa MonicaCantor Art Center Receives Warhol ArchiveJack Leigh: Full Circle, Low Country Photographs, 1972-2004
at SCAD Museum of Art, SavannahJosef Koudelka: Nationality Doubtful
at Art Institute of Chicago, ChicagoStephen Wirtz Gallery ClosingJustin Kimball: Where We Find Ourselves
at Carroll And Sons, BostonJacques Sonck: Archetypes
at L. Parker Stephenson Photographs, New YorkThe Invisible PhotographGetty Acquires Robert McElroy ArchiveOresick Joins Silver Eye CenterLiz Deschenes Awarded Rappaport PrizeNew Avedon AppBonjour Arles!Doug Hall: Bodies in Space
at Benrubi Gallery, New YorkCahiers d'Art Devoted to SugimotoPhoto Espana Prize Goes to Aitor Lara
at de Young Museum, San Francisco2014 Prix HSBC Awarded to Two PhotographersRudolf Kicken, 1947-2014"Biggest Photography Class in History"Puppies and PicturesDomesticated: Photographs by Amy Stein
at National Academy of Sciences, WashingtonSteel Stillman: Incidents, 1969-2014
at Show Room Gowanus, BrooklynCallahan Collection Donated to Vancouver Art GalleryBrandon Thibodeaux Wins Michael P. Smith GrantRoger Mayne, 1929-2014The Fence Goes on View in BrooklynKa-Man Tse Wins Robert Giard FellowshipMultiple Exposures: Jewelry and Photography / The Embroidered Image
at Museum of Arts and Design / Robert Mann Gallery, New YorkTim Barber: Relations
at Capricious 88, New York
at Boite Noire Gallery, West HollywoodSze Tsung Leong: Horizons
at Yossi Milo Gallery, New YorkPortland Art Museum Acquires Robert Adams PhotographsMichael Schmidt, 1945-2014Paul Anthony Smith: Mangos and Crab
at Carrie Secrist Gallery, ChicagoMichael Schmidt Wins Prix PictetJaimie Warren
at SF Camerawork, San FranciscoSymposium at Getty Celebrates 175th Anniversary of PhotographyZoe Leonard Receives Buckbaum AwardAndre Serrano Creates Public Art ProjectLuigi Ghirri: La Città
at Matthew Marks Gallery (LA), Los AngelesRichard Mosse Wins Deutsche Börse PrizePoetics of Light: Pinhole Photography
at New Mexico History Museum, Santa FePrix Pictet Finalists On View at V&ARichard Renaldi: Touching Strangers / This Grand ShowHillman Photography Initiative Explores Future of PhotographyWalking in Their ShoesMark Ruwedel Wins Scotiabank Photography Award
at Sous Les Etoiles Gallery, New YorkA New Space for Photo-EyeMaroesjka Lavigne: Island
at Robert Mann Gallery, New YorkGeorge Dureau, 1931-2014More AIPAD Picks from Elisabeth BiondiElisabeth Biondi's AIPAD PicksSarah Schmerler's Picks from AIPAD2014 Guggenheim FellowshipsLisa Sette RelocatingPhoto Eye: Avant-Garde Photography in Europe
at Museum of Fine Arts, BostonLower East Side Photo WalkRoe Ethridge: Sacrifice Your Body
at Andrew Kreps Gallery, New York
at Salon 94 Bowery, New YorkGetty Museum Acquires Tress PhotographsAmy Elkins Wins Aperture Portfolio PrizeMoutoussamy-Ashe Photos Go to SmithsonianWalead Beshty: Selected Bodies of Work
at Regen Projects, Los AngelesPublic Intimacy: Art and Other Ordinary Acts in South Africa
at Yerba Buena Center for the Arts, San FranciscoPrince/Cariou Case SettledDaniel Gordon Wins Paul Huf AwardNew Photo Gallery in WilliamsburgICP on the MoveNational Gallery of Art Receives Gift of PhotographsJamie Warren Wins Baum AwardChloe Dewe Mathews Wins Gardner FellowshipMatthew Pillsbury: Nate and Me
at Sasha Wolf Gallery, New YorkGetty Images Opens Up LibraryPaula McCartney: A Field Guide to Snow and Ice
at Klompching Gallery, BrooklynAmerican Cool
at National Portrait Gallery, Washington, D.C.
at Block Museum of Art, EvanstonICP Announces Infinity Award WinnersOnward in PhillySamuel Fosso Photographs RescuedJ. Shimon & J. Lindemann: We Go From Where We Know
at John Michael Kohler Art Center, SheboyganJohn Stanmeyer Wins World Press Photo AwardNot Your Grandmother's LibrarianPatrick Nagatani: Outer and Inner: Contemplations on the Physical and the Spiritual
at Andrew Smith Gallery (annex), Santa FeNew Photo Gallery in BostonFred McDarrah: Save the Village
at Steven Kasher Gallery, New YorkJ.D. 'Okhai Ojeikere, 1930-2014Kevin Cooley and Phillip Andrew Lewis: Unexplored Territory
at Kopeikin Gallery, Los Angeles
at Guggenheim Museum, New YorkGetty Acquires Pictorialist PhotographsPeter Hujar: Love & Lust
at Fraenkel Gallery, San FranciscoChild Identified in 1908 Lewis Hine PhotoHeather Snider Joins SF CameraworkThe Sochi Project: An Atlas of War and Tourism in the Caucasus
at DePaul Art Museum, ChicagoPhillip Prodger Joins London's National Portrait GalleryTanya Marcuse: Fallen
at Julie Saul Gallery, New YorkJoshua Chuang Joins CCPSophie Calle: Last Seen
at Isabella Stewart Gardner Museum, BostonDanielle Durchslag: Relative Unknowns
at Denny Gallery, New YorkCarnegie Museum Founds Hillman Photography InitiativeSoo Kim Awarded Gutmann FellowshipSymposium on March on Washington
at Nailya Alexander Gallery, New YorkNelson Mandela, 1918 - 2013Sylvie Pénichon New Photo Conservator at Art InstituteICP Awarded Ford Foundation Grant for "Rise and Fall of Apartheid"Carson Fisk-Vittori
at Carrie Secrist Gallery, ChicagoAttention Photographers: Interested in the South of France this Summer?API Launches Online ExhibitionVivian Maier: Self-Portrait
at Howard Greenberg Gallery, New YorkDavid Vestal, 1924-2013Danny Custodio: Trees
at Gallery Kayafas, BostonBarry Friedman RetiringMeet Me in MiamiThomas Demand: Dailies
at Matthew Marks Gallery (526), New YorkChuck Mobley Leaving SF CameraworkCatherine Evans Named Chief Curator of the Carnegie Museum of Art
at Gagosian Gallery (Mad Ave), New YorkSaul Leiter, 1923-2013Maine Philanthropists Give Collection to Portland Museum of ArtDaniel Morel Wins Suit Against Getty Images/AFPSean McFarland: Glass Mountains
at Stephen Wirtz Gallery, San FranciscoJohn Divola: As Far As I Could get
at Santa Barbara Museum of Art, LACMA, Pomona Museum of Art,Eileen Quinlan: Curtains
at Miguel Abreu Gallery, New YorkICP Names New Executive DirectorClarence John Laughlin Award AnnouncedPrix Pictet Shortlist AnnouncedAnd the Winner Is ....Libération's Powerful Homage to PhotographyTanja Hollander: The Landscapes of Are You Really My Friend?
at Carroll And Sons, BostonWar/Photography: Images of Armed Conflict and its Aftermath
at Brooklyn Museum of Art, BrooklynLisa Hostetler to Eastman HouseDispatched to TexasFinding Vivian MaierQueens Museum Reopens with Photos by Jeff Chien-Hsing LiaoNew E-Book from Library of CongressHello, Goodbye
at Leila Heller Gallery, New YorkDeborah Turbeville, 1932-2013ICP Celebrates Robert Capa's CentenaryOf Walking
at Museum of Contemporary Photography, ChicagoHere is New YorkPolly Borland: You
at PK Shop, New YorkExhibition Showcases Martin Weinstein's CollectionThey Are Us: Animal Identity and the Anthropomorphic Urge
at Rick Wester Fine Art, New YorkRoxana Marcoci Named Senior Curator at MoMAMuseum of Fine Arts, Houston, Acquires Manfred Heiting Photo Book CollectionDocumerica Looks BackMatthew Porter: Greet the Dust
at M+B Gallery, Los AngelesGeorge Tice: 60 Years of Photography
at Nailya Alexander Gallery, New York
at Edwynn Houk Gallery, New YorkCarrie Mae Weems Is a MacArthur GeniusWe Shall: Photographs by Paul D'Amato
at DePaul Art Museum, ChicagoShe Who Tells a Story: Women Photographers from Iran and the Arab World
at Museum of Fine Arts, BostonMalcolm Daniel Heading to TexasRyan McGinley: Yearbook
at Ratio 3, San FranciscoBrian Sholis Joins Cincinnati Art MuseumPieter Hugo: Kin
at Yossi Milo Gallery, New YorkAdieu to Le Journal de la PhotographieNadia Sablin Wins Firecracker Photography AwardGetty Acquires Baltz Archive
at Andrew Smith Gallery, Santa FeGuillermo Santos: La Ciudad Blanca
at Fotografica Bogota 2013,The Getty Shares Its CollectionsInez & Vinoodh
at Gagosian Gallery (LA), Beverly Hills
at Hosfelt Gallery, San FranciscoParty Picks: Estate of Jimmy DeSana
at Salon 94 Bowery, New YorkIn The Studio
at John Messinger, East HamptonThat Which Is: Marcia Lippman
at KMR Arts, Washington DepotBen Lifson, 1941-2013Jan Banning: Down and Out in the South
at Hagedorn Foundation Gallery, AtlantaTom Wood: Men and Women
at Thomas Erben Gallery, New YorkFrom the Ground Up: The Tent Camera Photographs of Abelardo Morell
at Stephen Daiter Gallery, ChicagoPortion Control: Chrisopher Boffoli
at Winston Wachter Fine Art, New York
at James Harris Gallery, SeattleA Different Kind of Order: The International Center of Photography Triennial
at International Center of Photography, New YorkJR / Jose Parla, Wrinkles of the City, Havana Cuba
at Bryce Wolkowitz Gallery, New York
at Carroll And Sons, BostonJapan's Modern Divide: Photographs by Hiroshi Hamaya and Kansuke Yamamoto
at Getty Center, Los AngelesMichael Jang: The Jangs
at Stephen Wirtz Gallery, San FranciscoDavid Levinthal: War Games
at Corcoran Gallery of Art, Washington, D.C.Mike Brodie's Period of Juvenile ProsperitySpectator Sports
at Museum of Contemporary Photography, ChicagoJoshua Lutz: Hesitating Beauty
at ClampArt, New York
at New Mexico Museum of Art, Santa FeGarry Winogrand
at SFMOMA, San FranciscoLiliana Porter: 1973
at Barbara Krakow Gallery, BostonIn The Studio
at Dillon DeWaters, BrooklynAIPAD's Photography ShowBruce Davidson
at Museum of Modern Art, New YorkIwan Baan: The Way We Live
at Perry Rubenstein Gallery, Los AngelesSuburbia
at Hagedorn Foundation Gallery, AtlantaJulie Weitz
at The Suburban, Oak ParkArmory Show 2013
at Armory Show, New YorkScope New York 2013
at SCOPE New York, New YorkADAA Art Show 2013
at ADAA Art Show, New YorkShooting Stars: Publicity Stills from Early Hollywood and Portraits by Andy Warhol
at Corcoran Gallery of Art, Washington, D.C.
at G. Gibson Gallery, SeattleMiles Barth Joins ArtnetThe Unphotographable
at Fraenkel Gallery, San FranciscoKatrina del Mar: Girls Girls Girls
at Participant, Inc., New YorkRobin Rhode: Take Your Mind off the Street
at Lehmann Maupin (Chelsea), New YorkArne Svenson: The Neighbors
at Western Project, Culver City
at Bruce Silverstein Gallery, New YorkBeat Memories: The Photographs of Allen Ginsberg
at Grey Art Gallery, New YorkKatherine Bussard Named Curator at
Princeton Art MuseumCatherine Wagner: trans/literate.
at Stephen Wirtz Gallery, San FranciscoKarl Baden: Roadside Attractions
at Miller Yezerski Gallery, BostonViviane Sassen on ViewJanuary is for Hot ShotsRichard Pare: The Lost Vanguard: Soviet Modernist Architecture, 1922–32
at Graham Foundation, Chicago
at Metropolitan Museum of Art, New YorkIdris Khan: New Photographs
at Fraenkel Gallery, San FranciscoJessica Eaton: Polytopes
at M+B Gallery, Los AngelesNadav Kander: Yangtze: The Long River
at Flowers, New YorkOri Gersht: History Repeating
at Museum of Fine Arts, Boston, BostonAttachments
at The Hole, New York1979:1—2012:21: Jan Tichy Works with the MoCP Collection
at Museum of Contemporary Photography, ChicagoBonni Benrubi, 1953-2012

subset: commoncrawl


text:
Players are listed in alphabetical order.
Topics: Blackwelder, Mallory, Blumenherst, Amanda, Cho, Misun, Dergal, Tanya, Harigae, Mina, Hernandez, Maria, Hill, Nannette, Kempter, Katie, Lacrosse, Cindy, Lindberg, Pernilla, Get to know [+]
Players are listed in alphabetical order.
|Mallory Blackwelder
State: Kentucky
Turned professional: May 2009
Priority List Category: 20
Blackwelder becomes part of the first mother-daughter pair to be members of the LPGA Tour. Her mother, Myra Blackwelder, played from 1980-97. Blackwelder enjoyed a successful amateur career, winning once (Women's Western Amateur Championship) and finishing runner-up (Trans-National Amateur Championship), both in 2007. She is a two-time collegiate winner, once while playing for the University of Kentucky (2009) and once while playing for the University of Florida (2005). In 2004, Blackwelder was the American Junior Golf Association (AJGA) Bluegrass champion. She competed on the CN Canadian Women's Tour in 2009. Blackwelder's hobbies include going out with friends, watching sports, reading and watching movies.
|Amanda Blumenherst
State: Arizona
Turned professional: June 2009
Priority List Category: 11
Blumenherst had quite an impressive amateur career which included a number one ranking and the 2008 Women's Amateur Championship title. At Duke University, she was a three-time National Collegiate Player of the Year, was named Duke University's Senior Female Athlete of the Year and earned three consecutive Atlantic Coast Conference (ACC) Player of the Year awards. She is the only three-time recipient of the Nancy Lopez Award and the only two-time recipient of the Dinah Shore Award. Blumenherst was a member of the victorious 2006 and 2008 U.S. Curtis Cup Teams. Away from golf, Blumenherst enjoys being outside and doing anything competitive, reading, sunbathing, swimming, playing cards, watching movies, skiing and baking.
|Cathryn Bristow
Country: New Zealand
Turned professional: December 2009
Priority List Category: 16
Bristow joins the LPGA Tour from the University of Oregon, where she finished in the top-10 in 33 tournaments, including three victories, two in 2006 as a freshman and one in 2008 as a junior. In 2008, she was named to the All-PAC-10 Conference Second Team, and in 2006, was named Honorable Mention. She represented New Zealand at both the Queen Sirikit Cup and World Amateur Team Championship. Bristow was the low-amateur at the 2005 ING New Zealand Rotarians Minister's Cup, and in 2004, was part of New Zealand's Queensland Stroke-Play championship team. Outside of golf, Bristow enjoys all sports, food and being with her family and friends.
|Jane Chin
State: California
Turned professional: May 2009
Priority List Category: 20
Chin was a key member of the University of California at Irvine's women's golf squad, winning three tournaments in a row, and becoming the first women's golfer at UCI to be named a First-Team All-American by the National Golf Coaches Association (NGCA) in 2009. Overall, Chin recorded 19 top-10 finishes, including the three wins. She was the Big West Conference Women's Golfer of the Year in 2009, and also was given NGCA All-West Region distinction. A three-time All-Big West Team member, Chin was ranked second at the end of the 2009 season in the national collegiate rankings.
|Misun Cho
Country: South Korea
Turned professional: 2007
Priority List Category: 9
Cho finished third on the 2009 Duramed FUTURES Tour season-ending money list, thanks to two victories at the iMPACT Invitational and the USI Championship. She finished in the top-10 five additional times. Cho is a two-time winner of the Australian Junior Championship (2004, 05), and is a two-time recipient of the Junior Merit Award those same years. She finished runner-up at the 2003 Australian Amateur Championship. Cho placed fifth at the 2007 NCAA West Regional Championships while at Pepperdine University, and was named to the Duramed National Golf Coaches Association (NGCA) All-American Second Team. In 2007, Cho was victorious on the CN Canadian Women's Tour. In her free time away from golf, Cho enjoys watching movies and shopping.
|Tanya Dergal
Country: Mexico
Turned professional: January 2007
Priority List Category: 16
Dergal played collegiate golf at the University of Southern California, and was a member of the NCAA Women's Golf Championship team in 2003. She has competed in four Women's World Amateur Championships representing Mexico (2000, 2002, 2004, 2006). In two years on the Duramed FUTURES Tour, Dergal has played in 32 tournaments, finishing in the top-10 three times, including a best finish tie for sixth at the 2008 CIGNA Golf Classic. Outside of golf, Dergal enjoys dancing and spending time with her family.
|Mina Harigae
State: California
Turned professional: 2009
Priority List Category: 9
Harigae finished the 2009 season on top of the Duramed FUTURES Tour money list and won three times, including the Ladies Titan Tire Challenge, Michelob ULTRA Duramed FUTURES Players Championship and the Falls Auto Group Classic. She was named to the 2008 U.S. Curtis Cup Team, and played in the U.S. Women's Amateur Championship. She's competed in two U.S. Women's Opens as an amateur (2007, 2008), and was a three-time Rolex American Junior Golf Association (AJGA) All-American First Team selection. Harigae is a four-time winner of the California Women's Amateur Championship (2002-05), and she won the 2007 U.S. Women's Amateur Public Links Championship. She played on the PING U.S. Junior Solheim Cup Team twice, in 2005 and 2007, and was a stroke-play medalist at the 2006 U.S. Girl's Junior Championship.
|Maria Hernández
Country: Spain
Turned professional: June 2009
Priority List Category: 11
Hernández, the 2009 NCAA Player of the Year out of Purdue University, turned in a strong collegiate career, which was capped off with the NCAA Division I Individual Championship. She won eight times while at Purdue University, and in 2008, she won the Big Ten Conference Championship and was named the Purdue Female Athlete of the Year. She's a two-time Duramed National Golf Coaches Association (NGCA) All-American First Team selection, and a two-time Big Ten Conference Player of the Year, both in 2007 and 2008. An eight-year member of the Spanish National Team (2002-09), Hernández is a five-time European Team Championship gold medalist, and she also earned a gold medal at the 2005 Mediterranean Games as both an individual and team. When away from golf, Hernández enjoys soccer, skiing and watching movies.
|Nannette Hill
State: New York
Turned professional: August 2009
Priority List Category: 16
Hill played collegiate golf at Wake Forest University and was a Second-Team All-American selection in 2009. Throughout her career at WFU, she recorded one win and 13 overall top-10 finishes. She's a three-time All-Atlantic Coast Conference (ACC) player. As a junior golfer in 2005, Hill was an American Junior Golf Association (AJGA) Rolex All-American and an EA Sports All-American. In 2004, she was named to the AJGA Rolex All-American Second Team, and was Honorable Mention in 2003. Hill won the New York State Junior Championship three times (2000-02). Outside of golf, Hill enjoys playing tennis, biking, spending time with her friends and family and her pet dogs.
|Katie Kempter
State: New Mexico
Turned professional: May 2009
Priority List Category: 11
Kempter was a standout golfer at the University of Denver, making the All-Sun Belt Conference Team and National Golf Coaches Association (NGCA) All-Scholar Team four straight years (2006-09). She won three tournaments, including the Las Vegas Intercollegiate, Topy Cup of Japan in 2007 and the Sun Belt Conference Tournament in 2006 as a freshman. Kempter finished in the top-10 18 times in her collegiate career. Her hobbies include reading, driving, watching sunsets and listening to music.
|Lucy Kim
Country: South Korea
Turned professional: November 2007
Priority List Category: 11
Kim's amateur accomplishments include a victory at the Asian Junior Championship and the Jeju Junior Open Championship. She also played in the Big Yard Championship and the Korean Junior Championship as well. In 2009, Kim competed on the Duramed FUTURES Tour. Kim's hobbies include watching movies and cooking.
|Cindy LaCrosse
State: Florida
Turned professional: May 2009
Priority List Category: 20
LaCrosse enjoyed a successful collegiate career at the University of Louisville, where she won four tournaments, including the Big East Conference Championship in 2007. She's a three-time All-Big East Conference selection (2006-08) and was the 2007 Big East Player of the Year. She played on the Duramed FUTURES Tour in 2009, and finished in the top-10 five times and finished third on the Tour in scoring average (71.13). When away from the golf course, LaCrosse enjoys watching movies, playing Rock Band and taking boxing classes.
|Il Hee Lee
Country: South Korea
Turned professional: June 2006
Priority List Category: 11
Lee's amateur accomplishments are highlighted by a win at the Asia-Pacific Junior Championship in 2004. She also competed on the Korea Ladies Professional Golf Association (KLPGA) for three years prior to joining the LPGA. Other than golf, Lee enjoys photography.
|Pernilla Lindberg
Country: Sweden
Turned professional: June 2009
Priority List Category: 11
Lindberg, the winner of the 2008 Amateur World Championship, played her collegiate golf at Oklahoma State University, where she won three times. She was named a First-Team All-American in 2007 and 2009, and was the 2007 NCAA West Regional champion, and in 2006, she was named the Big 12 Conference Newcomer of the Year. A member of the Swedish National Team, which won the European Ladies Team Championship in 2006 and 2008, Lindberg has one top-10 finish on the Ladies European Tour (LET) and five top-10 marks on the Duramed FUTURES Tour. In 2009, Lindberg led the Duramed FUTURES Tour in scoring average at 70.87. Lindberg's hobbies include alpine skiing and working out.
|Lisa Meldrum
Country: Canada
Turned professional: July 2004
Priority List Category: 11
Meldrum is a three-time Quebec Junior champion and a two-time Quebec Amateur champion. She won the Canadian Amateur Championship in 2001, 2002 and 2003, and was the 2000 Canadian National Junior champion. At the University of Oklahoma, Meldrum won three times, and was named the Big 12 Conference Freshman of the Year in 2000. As a member of the Duramed FUTURES Tour, Meldrum won the 2009 iMPACT Classic and finished in the top-10 four other times. Meldrum's hobbies include spending time with her family, hockey (Montreal Canadians) and working out.
|Gerina Mendoza
State: New Mexico
Turned professional: September 2007
Priority List Category: 16
Mendoza played collegiate golf at the University of Texas, El Paso (UTEP), and won four tournaments as a senior in 2007. She was also the 2007 Conference USA individual champion, Player of the Year and the UTEP Female Athlete of the Year. Competing on the Duramed FUTURES Tour, Mendoza finished runner-up three times, most recently at the 2009 USI Championship and the iMPACT Classic. In 2009, Mendoza was a contestant in the Golf Channel's Big Break: Prince Edward Island series. Mendoza's hobbies include playing Rock Band and Guitar Hero, sports, dancing, spending time with family and listening to music.
|Paola Moreno
Country: Colombia
Turned professional: March 2009
Priority List Category: 16
Moreno played collegiate golf at the University of Southern California, was the 2008 PAC-10 Individual Champion and Team Champion and received Honorable Mention distinction. She was the NCAA National Runner-up in 2007, and was selected to the First-Team All-American that same year. Moreno competed on the Duramed FUTURES Tour in 2009, finishing in the top-10 twice at the USI Championship (T2) and the iMPACT Invitational (T3). Other than playing golf, Moreno enjoys reading.
|Azahara Muñoz
Country: Spain
Turned professional: September 2009
Priority List Category: 11
Muñoz has experience on the Ladies European Tour (LET), winning the 2009 Madrid Masters. A member of the Spanish National Team, Muñoz enjoyed a successful amateur career, winning the 2002 Spanish Amateur Championship and finishing runner-up at the 2008 U.S. Women's Amateur Championship. Most recently, she was the British Women's Amateur champion in 2009. At Arizona State University, Muñoz was the 2009 NCAA Individual National Champion, as she led the Sun Devils to the team National Championship as well. As a junior, Muñoz represented Europe on the Junior Solheim Cup Team in 2002, 2003 and 2005. Outside of golf, Muñoz enjoys playing tennis, shopping and spending time with her friends.
|Gwladys Nocera
Country: France
Turned professional: November 2002
Priority List Category: 11
Making her debut as an LPGA Tour member, Nocera brings with her seven seasons on the Ladies European Tour (LET), including 10 victories. In 2009, she earned the most points for Team Europe at the Solheim Cup, and in 2008, she finished first on the LET Order of Merit. She also competed on the European Solheim Cup Team in 2005 and 2007. In addition to her 10 wins on the LET, Nocera has finished in the top-10 40 times, with her most recent victory coming in 2008, where she won five times. As an amateur, Nocera earned wins at the 2002 French International Championship and the German International Championship. She finished runner-up at the French Amateur Championship that same year, and runner-up at the 1998 British Ladies Amateur Championship. In her spare time, Nocera enjoys all sports, reading, traveling and listening to music.
|Beatriz Recari
Country: Spain
Turned professional: November 2005
Priority List Category: 11
Recari enjoyed a successful amateur career by winning the 2004 Spanish Amateur Championship and the 2005 French Amateur Championship. In 2004, she won the European Team Championship with Spain and in 2003, was runner-up at the British Girls Amateur Championship. Also in 2005, she was a member of the European PING Junior Solheim Cup Team. Competing on the Ladies European Tour (LET) for four years, Recari won the 2009 Finnair Masters and finished in the top-10 two other times. Outside of golf, Recari enjoys listening to music, reading, playing tennis, going to the gym and cross-country skiing.
|Jean Reynolds
State: Georgia
Turned professional: 2007
Priority List Category: 9
Reynolds finished runner-up at the Women's Western Junior Amateur Championship in 2002, and was a quarterfinalist at the U.S. Girls' Junior Championship. She's a five-time winner of the Georgia State Golf Association (GSGA) Championship, and was a member of the 2005 United States Golf Association (USGA) State Championship team, representing Georgia. On the Duramed FUTURES Tour, Reynolds won the Florida's Natural Growers Charity Classic and the Horseshoe Casino Classic at Lost Marsh Golf Course, in addition to 10 other top-10 finishes.
|Dewi Claire Schreefel
Country: Netherlands
Turned professional: December 2008
Priority List Category: 17
Schreefel joins the LPGA as the first Dutch player to become a member in Tour history. At the University of Southern California, Schreefel was a member of the 2008 NCAA National Championship Team, the 2006 NCAA Individual Champion, a three-time All-American and she finished in the top-10 14 times, including three wins. As an amateur, Schreefel won the 2004 Italian Women's Amateur Championship and the Dutch Match-Play Championship. As a junior, she won the Dutch Stroke-Play Championship five times (1999, 2000, 2002-2004). On the Duramed FUTURES Tour, Schreefel won the 2009 ING New England Golf Classic. In addition to golf, Schreefel's hobbies include field hockey, sailing and rock climbing.
|Marianne Skarpnord
Country: Norway
Turned professional: November 2004
Priority List Category: 11
Skarpnord is making her debut on the LPGA Tour after spending five years on the Ladies European Tour (LET). In 2009, the Norwegian player recorded a pair of wins at the Deutsche Bank Ladies Open and the Carta Ladies Italian Open, in addition to finishing in the top-10 seven other times. Overall on the LET, Skarpnord has two wins, 16 top-10s, including seven top-5s. As an amateur, she won the British Girls' Championship in 2003, and played on the winning European Junior Solheim Cup Team in Sweden in 2003 as well. Outside of golf, Skarpnord enjoys fishing, shopping and going out with friends.
|Christine Song
State: California
Turned professional: January 2009
Priority List Category: 17
Song was a two-time winner and a three-time (2005, 2006, 2008) American Junior Golf Association (AJGA) Rolex Junior All-American Honorable Mention. In 2009, she competed on the Duramed FUTURES Tour, recording a season-best second place at the Louisiana Pelican Classic along with five additional top-10 finishes. Song finished eighth on the season-ending Duramed FUTURES Tour money list. Other than playing golf, Song enjoys watching Korean dramas.
|Mariajo Uribe
Country: Colombia
Turned professional: July 2009
Priority List Category: 11
Uribe played collegiate golf at UCLA, and was a two-time First Team All-American in 2008 and 2009, winning three events. In 2007, she won the U.S. Women's Amateur Championship. She played in one event on the Duramed FUTURES Tour in 2009, finishing tied for 15th at the ING New England Golf Classic. Uribe's hobbies include dancing and scuba diving.
|Whitney Wade
State: Kentucky
Turned professional: July 2007
Priority List Category: 17
Wade had a successful junior career, winning five times on the American Junior Golf Association (AJGA) circuit, and in 2002, was named to the First-Team ALGA Polo Golf All-America, as she represented the United States on the PING Junior Solheim Cup Team. As an amateur, Wade was a three-time Kentucky State Amateur champion (1998-2000). At the University of Georgia, Wade was a three-time All-American and a four-time All-Southeastern Conference (SEC) First Team member. Wade competed in the Duramed FUTURES Tour in 2008 and 2009, winning the 2009 Duramed Championship. Also in 2009, Wade finished sixth on the season-ending money list. In her spare time, she enjoys basketball, watching movies and shopping.
|Alison Walshe
State: Massachusetts
Turned professional: February 2009
Priority List Category: 17
Walsh played her collegiate golf at the University of Arizona, where she was a three-time All-American with 10 individual wins. In 2008, she was a member of the victorious U.S. Curtis Cup Team, and played for the U.S. World Amateur Championship Team. In 2007, Walshe won the North-South Amateur Championship. She played on the Duramed FUTURES Tour in 2009, with her best finish a tie for second at the Texas Hill Country Classic, and finished ninth on the season-ending money list. Walshe's hobbies include traveling, spending time with her friends and Boston sports.
Adrienne White
White enjoyed a successful amateur career, which included wins at the 2004 and 2005 Alberta Amateur Championship. At the University of Louisville, White won twice, including the Big East Conference Individual Championship. She competed on the Cactus Tour and won its season-ending event in 2007. White played on the Canadian Tour for three years (2007-09) and the Duramed FUTURES Tour in 2007. Outside of golf, White enjoys hiking, hockey, working out and live music.
Topics: Blackwelder, Mallory, Blumenherst, Amanda, Cho, Misun, Dergal, Tanya, Harigae, Mina, Hernandez, Maria, Hill, Nannette, Kempter, Katie, Lacrosse, Cindy, Lindberg, Pernilla, Get to know [+]


text:
Mel Brooks directs this film about a ruthless billionaire, Goddard Bolt (Brooks), who wants to obliterate a poor section of Los Angeles and build a high-tech commercial center in its place. His only problem is that he owns only half the land needed for the construction, the other half belonging to equally ruthless billionaire Vance Craswell (Jeffrey Tambor), who has his own ideas for the land. The two try to buy each other out until, finally, a deal is struck: Craswell bets that Bolt cannot survive a month on the streets as a homeless man. If Bolt makes it, he gets the property. If he doesn't, Craswell gets it. Bolt agrees and, as a poor man, he begins to feel the pain of being uprooted and alone, even meeting a friendly homeless woman, Molly (Lesley Ann Warren) with whom he forms an attachment.
Download the TV Guide app for iPhone, iPad and Android!


text:
Style #: 32853886
In muted pink and grey gingham, our classic tailored button-down yet has an incredibly versatile feel. Pair with a blazer for a pulled-together look, or keep it laid-back with your favorite jeans.
Club Monaco is a subsidiary of the
Ralph Lauren Corporation. You will now be
directed to the Ralph Lauren career site.


text:
Samurai Gunn stealth released on PC today
Samurai Gunn (from boy genius Beau Blyth) has been flying under the radar for a while, but now it's available for the entire world to experience. The frantically-paced Bushido brawler released on Steam and the Humble Store today without telling anyone it was coming.
The fact that it stealthily released isn't the sticking point, though. Samurai Gunn has seriously impressed in its pre-release builds. In fact, it was my favorite game that I played at PAX Prime. This is one title that you'll want to make a point of looking into.
The key to fun in Samurai Gunn is having friends
1:15 PM on 12.11.2013
Review: Samurai Gunn
12:00 PM on 12.11.2013
Samurai Gunn might be my favorite game at PAX
4:24 PM on 08.31.2013
Samurai Gunn to see wide release on PC, PS4, and Vita
6:00 PM on 08.27.2013
Samurai Gunn Updates, Screenshots, & Videos
Comments not appearing? Anti-virus apps like Avast or some browser extensions can cause this.
Easy fix: Add
[*].disqus.com to your software's white list. Tada! Happy comments time again.
Did you know? You can now get daily or weekly email notifications when humans reply to your comments.
Spelunky updates: PS TV support, replay fast-forwarding, Daily Challenge ghosts
7:00 PM on 11.10.2014


text:
I've signed up for the Wilderness 101 event having never ridden that area before. The long range, leading up to the day is looking like a lot of rain. How does this area drain, does it dry out quickly or is it going to be a greasy, slippery race of attrition? Should I be putting on more aggressive tires or sticking with the Specialized FastTrack 2.0?
Have plenty of experience with this type of racing around my local region (Ontario, Canada) but have never ridden south PA.
From what I have read, the race is a lot of road, fire road, double track climbing with some gnarly descents, True?
Thanks in advance
Results 1 to 1 of 1
Thread: Wilderness 101 - Looking Wet?
Similar Threads
Hot Deals See All Hot Deals >>
Interbike Featured Booths
Check out the hottest mountain bike products from these brands!
See All Interbike Coverage - Click Here »
Latest Mountain Bike Articles
MTBR on Facebook


text:
Updated 4:25 p.m. with vote results
Parents of two Sandy Hook elementary students killed by a Connecticut gunman last fall testified in favor of limiting high-capacity ammunition magazines in Illinois.
The Illinois Senate's Executive Committee voted 12-3 Monday to advance legislation banning magazines that hold more than 10 rounds.
St. Louis Public Radio is a service of the University of Missouri-St. Louis.


text:
Select () or exclude () categories to narrow your recipe search.
As you select categories, the number of matching recipes will update.
Find exactly what you're looking for with the web's most powerful recipe filtering tool.
Sort by: Date | Rating | Most Helpful
"I made these and they tasted lovely !!! i really recommend these to anyone ."


text:
Mikel backs Mourinho methods at Chelsea
John Obi Mikel believes Jose Mourinho is beginning to instil a winning mentality into Chelsea's players, who are starting to realise that second is not good enough for the Blues.
Mourinho's men are well placed to win silverware this season and Mikel, signed by Mourinho during the manager's first spell, believes it is imperative his team-mates understand that winning every game matters to Chelsea, after recent seasons where the Blues' focus has slipped in some competitions.
"If you don't play for Chelsea, you don't know what these trophies mean to this club," Mikel said.
"It's not a team where if you come second, third or fourth, it doesn't matter. No.
"Every year you have to win something and this is the pressure.
"It's a matter of letting them know what it means when you come to the end of the season, what the Premier League and Champions League means to this club.
"Now they're here, they have to feel the pressure and they are feeling it right now. "That's why we just want to keep doing well and now they're starting to understand that we don't want to get beaten.
"We just want to keep going and hopefully come the end of the season they will start to show the winning mentality even more that the manager is trying to install into them and we go on from there and win trophies."
Chelsea won the 2012 Champions League and 2013 Europa League, but finished 25 and 14 points adrift in the Premier League in the last two seasons and have won the championship once since Mourinho's departure, in 2009/10. Just eight members of that squad remain.
Since the extra-time Capital One Cup quarter-final loss at Sunderland, Chelsea have won four of their five games, conceding one goal, in a productive festive period.
The Blues are third in the Premier League, two points behind leaders Arsenal, and play Stoke in the fourth round of the FA Cup after a


text:
Rio+20 Conference starts on June 20
At the Rio+20 Conference on 20-22 June 2012, world leaders, along with thousands of participants from governments, the private sector, NGOs and other groups, will come together to shape how we can reduce poverty, advance social equity and ensure environmental protection on a more resilient planet.
New Horizons - For The Conference will focus on two themes which are green economy in the context of sustainable development and poverty eradication; and the institutional framework for sustainable development.
During the preparations for Rio+20 seven areas which need priority attention in order to ensure sustainable development were came to the front which are decent jobs, energy, sustainable cities, food security and sustainable agriculture, water, oceans and disaster readiness were.
It is expected to these areas will be elaborated during the discussions within the frame of the Conference themes. In parallel with and between the official events, there will be numerous side events, exhibitions, presentations, fairs and announcements by a wide range of partners.
'Turkey claims the future'
Twenty years after the 1992 Earth Summit in Rio, Rio+20 mobilized the interest of governments and interventions to sustainable development in national and international levels.
Turkey initiated the national preparations to Rio+20 through "Assistance to Turkey for the UN Conference on Sustainable Development 2012 (Rio+20) Preparations" project which is executed by the Ministry of Development and facilitated by UNDP.
Turkey also contributes and supports international processes and events towards Rio+20 such as the Secretary General's High Level on Global Sustainability and the Global Human Development Forum.
Within its preparatory activities, participatory processes were conducted at national and local level to take stock of developments in Turkey on sustainable development particularly in the last decade.
Green growth as a tool for achieving sustainable development under emerging threats to human development such as climate change, economic crises etc. was intensely elaborated through technical studies and macro-economic models apart from participatory dialogue meetings.
Green growth dialogues eased to build up Turkey's vision and approach to green growth during forthcoming years. The national vision definition on green growth will be made public during Rio+20 Conference.
Moreover, Turkey identified national green growth best practices implemented in last decade not only to reveal them as models for the country but also as for the international community to be shared during Rio+20.
Since sustainable development and green growth is related to and responsibility of all main stakeholders, private sector, government agencies, local authorities, civil society organizations and academia are invited to submit their implementations for the identification process. Among 181 applications, 24 implementations were selected in which 10 of them were from private sector, 6 from government and local authorities, 5 from non-governmental organizations and 3 from academia.
Lessons learned and outputs of this process will be shared with the international community in Rio+20 by side events, and other communication opportunities.


text:
Available Colors/Styles
Detail Pics
Set sail for the evening in the Bouy Pea Coat.
Billabong takes the traditional pea coat in a totally new direction with the Women's Bouy Pea Coat. This double-breasted fleece jacket steers clear of the ordinary with a cropped, fitted silhouette and a flattering curved yoke.


text:
- Description
- Fitment
- Specs
- Reviews
World's Largest Aftermarket Motorcycle Parts and Accessories Superstore!
Know Your Part Number?
Input the part number and quantity to add a part directly to your cart.
Select your motorcycle to guarantee fitment! Select A Motorcycle
Everyday Low Price: $36.99
Gold Club Price: What's This? $33.29
J&P Part: ZZ38142
Select your motorcycle to guarantee fitment! Select A Motorcycle
|V Star Tourer XVS 1300CT : 2008
|V Star XVS1300 : 2008
|V-Star XVS1300 : 2009–2010
|V-Star XVS1300 Tourer : 2007, 2010
|V-Star XVS1300CT : 2007
|V-Star XVS1300CT Tourer : 2009
This product has not yet been reviewed. Be First To Write A Review
Call Us 24/7 1-800-318-4823


text:
Update Software
All-in-one Disc Burning - Now with Social Media Backup & System Recovery
Power2Go delivers reliable, high-performance disc burning & copying for CDs, DVDs and Blu-ray discs. Burn all your data, rip and covert music and create exciting video DVDs. Download and back up your photos and video from YouTube, Facebook and more. Easy-to-use and packed with innovative features, Power2Go is the smart choice for all your disc burning needs.
|Procedure for Software Update Download and Installation
Unless noted, software updates provided on this page are exclusively for retail and online purchased versions only. To check for updates for hardware bundled versions, locate the "About" dialog in the software, and then click on the "Upgrade" button. In the Upgrade dialog click the "Update" tab to see if there are any updates available. Also note that the software will pop up a notification periodically when there is an update available.
- Updates
- Language Kits
- User's Guide
Power2Go 9
Updates Power2Go 9 to build 1827
Install this patch update to fix online media backup issues.
Power2Go 8
Updates Power2Go 8 to build 2126b
Install this patch update to improve the stability of the virtual drive.
Power2Go 7
Updates: This update file updates Power2Go 7.0.0 to 7.0.0 build 111827.
Power2Go 6
Power2Go 6 updates for the HLDS version of Power2Go 6: This update is for HLDS customers that want to update to the Power2Go 6 (OEM version) Windows 7 compatible build.
Updates: This update file updates Power2Go 6.0.0 to 6.0.0 build 3108.
Power2Go 5.5 Next-Gen
Updates: This patch file updates Power2Go 5.0/5.5 to 5.5.1 build 2608 which is fully compatible with Windows Vista OS.
Power2Go 4
Updates: This patch file updates Power2Go 4.0 to 4.2.2329
Power2Go 3.0
Updates: This patch file updates Power2Go 3.0 to 3.1.0601


text:
I agree that would indeed solve the problem -- either refp specific header(s) or the use of [to] property. -Anish -- Tom Rutt wrote: > > As Glen has suggested before, encapsulating the ref parms and ref props > in a ws-addressing specific header element would allow arbitrary > qnames for the ref props and ref parms, without confusion. > > Tom Rutt > > Anish Karmarkar wrote: > >> >> Yes. >> Or in the context of SOAP, composability with any specification that >> uses SOAP header(s) as a mechanism to convey information. >> >> -Anish >> -- >> >> Jonathan Marsh wrote: >> >>> Specifically, you're worried about the case where the reference >>> properties and reference parameters are in a namespace used by the >>> reliability, security, etc. mechanisms, right? >>> >>> >>>> -----Original Message----- >>>> From: email@example.com [mailto:public-ws- >>>> email@example.com] On Behalf Of Anish Karmarkar >>>> Sent: Monday, November 15, 2004 11:10 AM >>>> To: firstname.lastname@example.com >>>> Subject: Composibility problems with refps >>>> >>>> >>>> All, >>>> >>>> During last week's concall discussion of issue i008 I took an action >>>> to >>>> explain the composibility problem with refps in an email. This email >>>> fulfills that action. >>>> >>>> WS-Addressing [1] Submission includes [reference properties] and >>>> [reference parameters] in the info models for EPR. These refps are >>>> opaque to the consumer. In the SOAP binding of EPR, the refps are >>>> bound >>>> as individual SOAP header blocks. I.e., a consumer of a EPR using SOAP >>>> is required to copy the refps as individual SOAP header blocks without >>>> understanding what the blocks mean or do. >>>> >>>> Typically SOAP header blocks are part of a SOAP module and express >>>> certain functionality. For example, WSS, WS-Reliability, >>>> WS-ReliableMessaging, WS-C, WS-T WS-Context etc, specify header blocks >>>> that have a particular meaning that is conveyed from the sender to the >>>> receiver. Specifications in the realm of Web services are designed to >>>> be >>>> composible with other specs. For example, WS-Context can be composed >>>> with WS-Reliability and WSS. >>>> >>>> A consuming application that dereferences an EPR that contains refps >>>> may >>>> have some policies in place wrt to reliability, security, >>>> coordination, >>>> transaction, privacy etc. Given that refps may contains any XML and >>>> these refps are bound as SOAP header blocks, refps can potentially >>>> interfere with composibility of WS-Addressing with other WS-* specs >>>> that >>>> the consumer may be using. The opacity of the refps prevents the >>>> consumer from making any inferences about the refps in an EPR. >>>> >>>> This issue is slightly different from the security of EPRs -- which >>>> *may* potentially be resolved by requiring the minter of the EPR to >>>> sign >>>> the EPR. >>>> >>>> HTH to clarify the issue. >>>> >>>> -Anish >>>> -- >>>> >>>> >>>> >>>> [1] http://www.w3.org/Submission/2004/SUBM-ws-addressing-20040810/ >>>> >>> >>> >>> >> >Received on Monday, 22 November 2004 19:04:25 GMT
This archive was generated by hypermail 2.2.0+W3C-0.50 : Tuesday, 2 June 2009 18:34:59 GMT