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Castlevania: Symphony of the Night Walkthrough :
This walkthrough for Castlevania: Symphony of the Night [XBOX 360] has been posted at 12 Jun 2010 by MissAtrosity and is called "FAQ/Walkthrough". If walkthrough is usable don't forgot thumbs up MissAtrosity and share this with your freinds. And most important we have 12 other walkthroughs for Castlevania: Symphony of the Night, read them all!
Walkthrough - FAQ/Walkthrough
*************************************************************************** * Castlevania: Symphony of the Night Walkthrough/FAQ * * Version 3.9 - Last Updated 3 April 2002 * * By: Zach Keene (firstname.lastname@example.com) * *************************************************************************** Table of Contents . . . . . . 7 1) Introduction . . . . . . 57 2) What's New? . . . . . . . 93 3) Credits . . . . . . . 118 4) Legal Crap . . . . . . . 278 Part I: Alucard . . . . . . 298 5) Introduction to Alucard . . . . . 300 6) Alucard's Special Weapons . . . . . 317 7) Alucard's Special Moves . . . . . 345 8) Alucard's Familiars . . . . . . 357 9) Frequently Asked Questions . . . . . 459 10) Walkthrough - First Castle . . . . . 621 11) Walkthrough - Second Castle . . . . . 1753 12) Why Don't I Have 200.6%? . . . . . 2415 13) Miscellaneous Alucard Tips . . . . . 2506 Part II: Richter Belmont . . . . . 2842 14) Introduction to Richter Belmont . . . . 2844 15) Richter's Special Weapons . . . . . 2872 16) Richter's Special Moves . . . . . 2936 17) Richter Tips . . . . . . 2981 Part III: Maria ** SATURN VERSION ONLY ** . . 3095 18) Introduction to Maria Renard. . . . . 3097 19) Maria's Special Weapons . . . . . 3116 20) Maria's Methods of Unholy Mass Destruction . . . 3155 21) Maria Tips . . . . . . 3210 Part IV: Mechanics . . . . . . 3244 22) Combat Handbook . . . . . . 3246 23) Levels and Experience . . . . . 3602 Part V: Equipment Lists . . . . . 3747 24) Equipment - Hands . . . . . . 3749 25) Equipment - Head . . . . . . 5089 26) Equipment - Body . . . . . . 5229 27) Equipment - Cloak . . . . . . 5414 28) Equipment - Accessories . . . . . 5481 29) Equipment - Relics . . . . . . 5732 Part VI: Enemy Lists . . . . . . 5920 30) Enemy List . . . . . . . 5922 31) Enemy Index . . . . . . . 7342 Part VII: Miscellaneous . . . . . 7439 32) PSX vs Saturn . . . . . . 7441 32) Audio Info . . . . . . . 7537 33) The End . . . . . . . 7711 =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= ::: Introduction :::::::::::::::::::::::::::::::::::::::::::::::::::::::::: =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= "Oh bloody hell, Konami's screwed up again!" Or so I thought, as I first read about the new Castlevania game. It was supposed to be more Metroid-ish than Castlevania-ish. Now, Metroid is pretty cool and all, but I remembered what happened _last_ time Konami brought one of its classic series to the Playstation, and screwed with its formula. The result can easily be found in the used bins at any EB or Software, Etc. However, the reviews were overwhelmingly positive, so I figured, "what the hell?" I got my copy for Christmas in 1997, and my previous skepticism proved to be completely unfounded. Far from being another Legacy of Bore, this was, and is, probably the best Playstation game ever made. This FAQ was originally written for the North American PSX version. It has since been expanded to cover the Japanese PSX version as well as the Sega Saturn version (which was only released in Japan). However, you may still come across a few items here and there which assume you are using the NA PSX version (like the Audio Info section). This FAQ was originally written using the almighty MS-DOS edit, but since then I have found an even greater power, and henceforth all updates will be conducted using Emacs, The One True Editor. For best results, view with a monospace font, 8 spaces per tab, 76 characters per line. Where to get the latest version of this FAQ ------------------------------------------- http://www.geocities.com/arcanelore2001/faqs/csotnfaq.txt [This version is always current.] GameFaqs - http://www.gamefaqs.com/ The Castlevania Dungeon - http://classicgaming.com/castlvania/dungeon.htm =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= ::: What's New? ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= Version 3.9 - (3 April 2002) - Some more additions to the Frequently Asked Questions sections. - Game mechanics freaks will want to look at the new and vastly improved Mechanics section. Quite a bit has been added since the last update. (In related news, a fair bit of info has been dumped into the Enemy list. I realize it has become quite cluttered with this update, but I do eventually intend to give it a redesign in the future.) - A bit of Saturn version info has been added here and there. Nothing too major. - Oddly enough, my list of places Richter can't go did not include the area behind the switch in the Abandoned Mine and Cave. - A neat Richter/Shaft battle glitch has been added to the Misc. Alucard Tips section. - The method to get the Silver Ring without getting the Spike Breaker is probably fairly well known by now, but it's been added to the Misc Alucard Tips nonetheless. - More fun with the Sword Brothers glitch; check the Misc Alucard Tips section. - And the usual minor corrections... =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= ::: Credits ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= Thanks to (in alphabetical order): Alex - HUGE thanks to Alex, who has determined how wepaon ATT is calculated, how familiar attacks work, and provided me with a list of enemy ATT values (which are now cluttering up the Enemy List. :), found a number of errors in the Librarian's enemy list, and tons of other stuff. Daniel Amado - Sent me a method to glitch the Richter/Shaft battle, as well as a way to get the Silver Ring without getting the Spike Breaker first. email@example.com - Info about the Yasatsuna oddity and other weapon abilities. An unthinkable DAIS - Pointed out screw-ups, well, pretty much everywhere... Pamient Ash - Was the first to suggest why GameShark users might not be able to get their familiars to level up (they were using a Level 99 code.) Azusa - Corrected a name mix-up. Jeremy Beaver - Got me to look into a way to solve the Clock Tower gear puzzle without having to listen for the clicks. Blair - Described all of the possible ways your stats can be affected by leveling up. Robert Braddock - Told me about the Alucart equipment luck bonus, and gave me a few teleporting weapon tips. The Cardinal - Told me about the alternative "Game Over" sound clips. The Castlevania Dungeon [http://classicgaming.com/castlevania/dungeon.htm] - Where I found out what the Runesword "says." John Chambers - Pointed out a section that was not written clearly. Mike Chenoweth - Sent me info about the possible fifth ending. Dave Connoy - Told me about the Throw 2 weapon weirdness, as well as some other tips, Familiar leveling strategies, and other goofups. (And was the only person three years ago who thought my writing this FAQ wouldn't be a complete waste of my time. :) Ben Darlow - Was the first to suggest to me that beating Dracula would clear up the Rare Item "Bug". email@example.com - Told me about the trick to go over 200.6% ~dust - Told me about the Red Rust's tendency to jam. firstname.lastname@example.com - Info about the Heaven Sword special move. gargoyle sox - Lots of tips and corrections, including the infinite peanuts trick. General MX - Told me how to get the large fireballs with Alucard's Hellfire. the guy - Pointed out some spelling errors, straightened out my left from my right, and many other tips. Shawn K. - Was the first to point out that you can use the elevator in the Alchemy Laboratory to get the Basiliard before fighting Gaibon and Slogra. Brian Kern - His FAQ describes how experience is determined. n3m3s1s - Pointed out my Clock Tower enemy list had a few omissions. (And a few other mistakes.) Nolan Irving - The Library Card Invisibility trick and some other tips. Jacka1 - Figured out once and for all how the Drac vs Richter battle affects Alucard's beginning stats. Stephen Judkins - Gave me a working version of the trick to keep Alucard's inital equipment, and some info on how to get higher stats. Joshua Kaufman - Reminded me months ago that you needed a Lv. 99 Sword Familiar to escape the castle. Lord Genji - Pointed out that my walkthrough still said that the Alucart stuff is useless. Fernando Lee - Noticed that the Stone Rose has a few unexpected reactions to sword attacks, gave me some Doppleganger strategies, and told me about a glitch in the original Japanese version that allows you to get to Dracula without getting the Eye of Vlad. Saverio M. - Pointed out a missing pork bun in the Catacombs. Nemo Incognito - Helped me clarify the Master Librarian trick, as well as giving me some great Maria vs. Galamoth tips I'll have to use if I ever make a FAQ for the Saturn version. Nightman - A few tips, such as cancelling the Hellfire's fireball and Medusa Shield abilities. Nop - Noted that my list of places you can't get to with Richter was missing an area in the Abandoned Mine/Cave. P-Chan - Insight on how to affect Alucard's beginning stats. quest64freak - Discovered the trick to squeeze more percentage out of the Sword Brothers glitch by using the Alucard Shield combo. rec.games.video.sony - Where do you think I learned most of the stuff in the first place? Richard Perrin - Pointed out evidence against the fifth ending, as well as how to get around XAPlay's 17:30 time limit. Rimage - Also helped to straighten out my left and right. email@example.com - Pointed out that I was missing the Sword of Dawn. Setzer The Gambler - For telling me that they put "Nocturne" back into the "PlayStation the Best" Japanese re-release version. Dean Siron - For a Combat Knife tip. Skiewolf - Pointed out an inaccuracy in my description of the Clock Special Weapon. smelliton - For revealing the Muramasa's true awesome powers. THOTH - For pointing out the Tyrfing's elemental oddities. TorgVega Q - How not to get the Fifth Alucard ending. Toto - Told me how to get the Grape juice in the Royal Chapel. Toykeeper - Some tips on how to take Richter through the Catacomb Spike Rooms. Joe Wisley - Sent me a revised .XA file index after using XA2WAV to circumvent XAPlay's 17:30 limit. Nick Zitzmann - Lots of various info. Thanks to the five billion people who wrote in to tell me I had neglected to add Richter's Brandish Whip move: Rainard Belmont, Lurk, and Robby Stone. (I think there were a few more, but that's all I could find at the moment.) Thanks also to ArdenLyn, Blair, HolyLancer9, Machinegun, and PaleDim, for either discovering new rooms with quest64freak's new Sword Brothers glitch extension or helping me actually get them. :) Thanks also go to Pijaibros' Castlevania Page and Darkhugh's Den. I used neither directly in the making of this FAQ, but some of the stuff here I originally learned from either source. (Yes, I really did hunt down every blasted enemy and drop item myself, which is what added an extra week on to the production of this FAQ.) =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= ::: Legal Crap :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= This Castlevania: Symphony of the Night FAQ is (C) 1998, 1999 Zach Keene. As Grand Poo-bah of Copyrightedness, I grant upon thee the following rights: 1) Thou mayst give this FAQ to whomever you so choose. The key word here is "give". If anybody gets paid for this, it darn well better be me. :) 2) Thou mayst put this FAQ up on thine website, so long as it remains completely intact. And I do mean completely. Castlevania (R), Symphony of the Night (TM) are registered trademarks of Konami Co., Ltd. (C) 1997 Konami Co., Ltd. Now if you'll excuse me, I have to sue myself for copying from my Einhander FAQ. :) -----------------------------Part I: Alucard------------------------------- =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= ::: Introduction to Alucard ::::::::::::::::::::::::::::::::::::::::::::::: =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= Unlike previous Castlevania games, where you played as a member of clan Belmont, you now play as Dracula's half-human, half-vampire son Alucard. Alucard was previously seen fighting alongside Trever Belmont in Castlevania III. Instead of relying on a whip for the whole game, Alucard can use many different kinds of weapons and armor that can be found or bought during the course of the game. Also, Alucard has all sorts of special moves he can pull off, and he can shapeshift into a mist, bat, or wolf form. Also, Alucard gains experience as he fights enemies, which makes him stronger as the game progresses. [If you want to play the game as Richter Belmont, see the Richter part of the FAQ below.] =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= ::: Alucard's Special Weapons ::::::::::::::::::::::::::::::::::::::::::::: =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= Like the Belmonts, Alucard can make use of the traditional Castlevania special weapons. These special weapons are powered by Hearts, which can be collected from defeated enemies or Candles. The maximum number of Hearts Alucard can be increased by gaining levels or collecting Heart Max Up items. 1) Knife: Throws knife straight ahead. Travels quickly, but weak. (1 Heart) 2) Axe: Hurls axe in an arc. Strong, but low range and hard to aim. (4 Hearts.) 3) Holy Water: Lobs in a small arc, which creates a small flame on impact. Good power, but very low range. (3 Hearts) 4) Stopwatch: Freezes on screen enemies for a short period of time. Does not work on most bosses and some enemies. (20 Hearts) 5) Cross: Large crosses rotate around a beam of light, which expands to envelop the whole screen. Does massive damage to all on-screen enemies. (100 hearts) 6) Holy Book: Holy Book revolves around Alucard and does damage to all enemies it contacts. (5 Hearts) 7) Rebound Stone: Alucard throws the stone at an angle and it bounces off everything it hits. (3 Hearts) 8) Agunea: Throws lightning. If it connects, hold U + Attack to continue the attack. The longer you hold it, the more hearts it uses. (5 Hearts) 9) Bibuti: Throws ashes directly ahead. (3 Hearts) =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= ::: Alucard's Special Moves ::::::::::::::::::::::::::::::::::::::::::::::: =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= Alucard also has a number of special moves at his disposal. First, there are the eight "spells" that can be viewed on the "Spells" menu on the status screen. The Master Librarian will sell items that will put these spells on the spell list, but this is not necessary. They will be added as you do them. Also, various weapons or Relics may allow additional special moves. These will be discussed in the Items lists. Key: U = Up D = Down F = Foward B = Back Charge (button) = Hold (button) for two seconds, then do whatever. 1) Dark Metamorphosis: B, UB, U, UF, F + Attack Whenever Alucard attacks an enemy that bleeds and touches the blood, Alucard heals some HP. (10 MP) 2) Hellfire: U, D, DF, F + Attack Just like Dracula. After you teleport out, press left or right to determine where you teleport in. Then, you'll do Dracula's 3-Fireball attack. Or, hold U as you teleport in to do Dracula's large fireball attack. Hold D to cancel the fireball period and just have a teleport. (15 MP) 3) Summon Spirit: B, F, U, D + Attack Summons spirit which homes in on one enemy. (5 MP) 4) Tetra Spirit: Charge U, UF, F, DF, D + Attack Like above, but summons four spirits at once. (20 MP) 5) Soul Steal: B, F, DF, D, BF, B, F + Attack Steals life from enemies and Candles. (50 MP) 6) Wolf Charge: D, DF, F + Attack Swift charge attack. (Must be in wolf form. Requires Skill of Wolf and Soul of Wolf Relics. 10 MP) 7) Wing Smash: Hold X (U, UB, B, DB, D, DF, F) Release X Swift charging attack. (Must be in Bat form. Requires Soul of Bat Relic. 8 MP) 8) Sword Brothers: D, DF, F, UF, Charge U, D + Attack Sword Familiar does an attack which damages all on screen enemies. (Requires Sword Card relic. Sword Familiar must be active as a Familiar. 30 MP) =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= ::: Alucard's Familiars ::::::::::::::::::::::::::::::::::::::::::::::::::: =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= As you progress through the game, you will pick up various relics that will summon Familiars. As you fight enemies, Familiars will gain experience independently of Alucard. (Most enemies are only worth 1 point of Familiar experience, but some are worth more.) For every 100 points a familiar gets, it will gain a level. Note that a Familiar has to be active to gain experience. Note also that the Familiar does not have to do the killing to get experience. 1) Faerie Familiar: When she's active, she will administer potions and medicine to Alucard as needed. For example, if you get cursed and have an Uncurse in your inventory, the Faerie will instantly use it. She is the only one who can use the Hammer and Life Apple items. She will also point out breakable walls ("There's something funny about this wall") and give out other tips. 1a) Half-Faerie Familiar (Japanese versions only): Basically identical to the normal Faerie, but in some versions you can get her to sing a song. If you're playing the Saturn or Japanese "PlayStation the Best" version, activate the Half-Faerie and sit in a chair somewhere, and wait a few minutes. (You'll also need the Lyric Card equipped if you're playing the Saturn version.) 2) Demon Familiar: The demon's most practical use is to press the switches in the Abandoned Mine and the Cave. Otherwise it will use different elemental attacks, depending on its level. 2a) Tengu Familiar (Japanese versions only): Just a funky looking version of the Demon. 3) Bat Familiar: Occasionally swoops on enemies. At its level rises, so does the damage it causes. Also, if Alucard morphs into a Bat, the familiar will summon other bats to fly alongside Alucard. These extra bats function like Options in Gradius: if you fire, so will they. The number of "Options" you get depends on the level of the Bat Familiar. 4) Ghost Familiar: It homes in on enemies and does a weak attack. When it gets to a high enough level, it will Soul Steal enemies. 5) Sword Familiar: Probably the most powerful Familiar. It will do various swooping and slashing attacks which increase in both frequency and power as the Familiar gains levels. It also allows you to do the Sword Brothers spell. When it gets to level 50, you will have the option of using it as either a sword or a Familiar. The higher the level of the Familiar, the more powerful the sword will be. However, you can not raise the Familiar's levels if you are using it as a sword. Here are some tips for leveling up your familiars. Most of these have been floating around for so long that I'm not even sure who to credit for them anymore, unfortunately. 1) The enemies in the Forbidden Library are almost always worth several points of familiar experience, and are easy to kill. 2) Similiarly, the Spectral Sword in the Anti-Chapel. I don't think the individual parts are worth as much as the Forbidden Library enemies, but you can kill a lot of them quickly. 3) If you have a Duplicator, find a spot where you can switch screens quickly to regenerate a lot of enemies (the room in the Reverce Caverns with the four zillion Dark Octopi is good for this, as is the above-mentioned Spectral Sword), and use a weapon like the Pentagram to kill them all. =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= ::: Frequently Asked Questions :::::::::::::::::::::::::::::::::::::::::::: =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= Here's a quick list of questions that I get asked quite a bit. If your question is listed here please don't e-mail me about it, since I'll probably just tell you to read this section. Q) I'm missing enemy number 61 (the Mudman)! Where is it? A) It is in the Long Library, but the only time you can find one is when you fight the Lesser Demon there as a boss. If you can leave it alive long enough it will periodically summon one of three enemies: a Skeleton, an Ectoplasm, or a Mudman. Unfortunately the Lesser Demons in the inverted castle only replicate themselves and don't summon enemies. Q) I just got hit by a Medusa Head/Stone Rose and I could have sworn I saw Alucard turn into a giant gargoyle statue! Was I hallucinating? A) No. Alucard will randomly be turned into a large gargoyle statue when hit with a petrifying attack. You will not take any damage from enemies in this gargoyle form, but otherwise it is functionally identical to the regular petrified status. Q) Help! I used a Library Card and now I'm stuck in the first castle!! How do I get back to the second castle? A) The same way you got there in the first place. Head to where you fought Richter, keep heading left, and notice the teleporter at the "dead end" there. Press Up to teleport to the second castle. Q) I can't get any of the spells to work! What's going on? A) When most people have trouble with them, it's usually because they're usually trying to tap out each direction one after another, when the moves should be done in one continous motion when possible. For example, Alucard's Hellfire move is Up, Down, Down-Forward, Forward + Attack. What you should do is tap up, then quickly press down, down-forward, then forward in one continous motion and hit the attack button at the same time you reach Forward. (There are some spells, like Tetra Spirit, where you can get away with tapping each individual direction. Generally whenever diagonal directions are involved you should be doing a "rolling" motion as described above.) Q) Where is the Jewel Sword/Beryl Circlet? A) In the Entrance there is a large room with a rock in the middle (and mermen leaping around below). Break through the rock, then fly through it one way in Bat form and then return in wolf form. This will open up the bottom left wall, which leads to a small room with the Jewel Sword. You can also get a Jewel Sword as a rare drop from the Discus Lord in the Catacombs. Doing the same rock trick in the inverted castle will get you the Beryl Circlet. Q) Where is the Sword Card? A) I assume you are playing a Western version of the game if you are asking this, since it lying in plain sight in the Japanese versions. :) Anyway, find that large open area in Olrox's Quarters with a fountain at the very bottom, and four exits. The top left heads to Olrox, the top right leads to a Save Point, bottom right leads to some minor treasure, and the bottom left leads to the Royal Chapel? Once you're there, take the bottom left exit, and keep heading left until you come to an area where the bricks change colour from dark grey to a more whitish colour. This area is about a screen or so wide, and is a sort of "bridge". Once you're here, slash at the ceiling towards the left of this area. Or, just use the Soul Steal spell to find the breakable area. Once you break the hole in the ceiling, fly up the hole. You'll now be in a small room with the Sword Card. Q) Where is the Soul of Bat? A) In the Long Library. You'll first need to have the Leap Stone (found in the Castle Keep) and the Form of Mist (found in the Colosseum). Then, go to the Long Library, and find the large "stairway" that leads down to the Master Librarian's room. As you go down you should be able to see a ledge on the left side of the screen. Double jump to that ledge. It will lead to another section of the Library that contains the Soul of Bat. (The Soul of Bat is tucked away behind a grate, which is why you must have the Form of Mist to get it.) Q) I've been trying to get a Ring of Varda from a Paranthropus but all I'm getting are Gauntlets and Turquoises. Help! A) Short answer: beat Dracula. See the "Getting a Ring of Varda" header under the "Misc. Alucard Tips: section for more details. Q) There's this gate in the Clock Tower. How do I open it? A) Scattered in two rooms of the Clock Tower are four gears. To open the gate, go to a gear and keep hitting it until it makes a "click" sound, instead of the clanking sound it usually makes. Then move on to another gear. Once all four gears are "clicked" into place, the gate will open. For the PSX version, you can use these crude maps to see how many hits each gear needs (G represents the gate): First Castle: Second Castle: | 2|14 | | G| G| |8 | 3| |3 | 8| |G | | | 14|2 | (These exact numbers won't work in the Saturn version. I'll try to get the Saturn "combination" for the next update, if KCEN didn't go and make it totally random...) Q) How do I get the right statue of the giant clock room in the Marble Gallery to open? A) Use the Stopwatch subweapon. Q) You said that the Ring of Arcana/Dracula Tunic/AxeLord Armor is dropped by the Master Librarian. How? A) See the "Master Librarian Trick" heading under the "Misc. Alucard Tips" section. Q) My familiars aren't gaining any experience! A) Almost all of the time I get an e-mail like this, it's from someone who is using a GameShark. I don't know what codes they were using, and even if I did I couldn't confirm that they were the source of the problem since I don't own a GameShark. But I am unaware of any other reason that would cause the familiars not to gain experience, other than not having one active (duh.) [Note: it has since been suggested to me that people with this problem were probably using a maximum experience code, and that familiars won't gain experience when Alucard is at level 99.] Q) I'm playing the Saturn version and I can't get the wolf to swim! How do I fill in those missing blanks in my map of the Reverse Caverns? A) Yep, for some unknown reason, the powers that be at KCEN removed the wolf's ability to swim. Fortunately, Alucard's super jump is much better at filling in map squares in this area than it was in the PSX version, but there are still a few stubborn squares. The easiest way, albeit a little tricky, to fill in the water areas in the Saturn version is a method I call "turbobombing", and anyone familiar with the Metroid games will probably soon see why. Find the place in the block you need filled in with the highest ceiling, and then position Alucard beneath it. Do a Super Jump, then immediately after you hit the ceiling keep transforming into a wolf and back as quickly as possible. You may be able to gain just enough altitude doing this to fill in the block. (If not, just try again.) Q) What's up with the "Final Stage: Bloodlines" in the intro? A) OK, I'll admit it; very few people have actually asked me this. But I want to rant about this. Kurt Kalata of the Castlevania Dungeon has put up his own explanation of this on his site, and he may be right, but even so I argue that this was incredibly stupid. In the original Japanese version, it read "Final Stage: Chi no Rondo", which makes a heck of a lot more sense. (Chi no Rondo = Rondo of Blood, the PC Engine CD/Turbo Duo game that CSOTN is the sequel to, and that the SNES game Castlevania: Dracula X is loosely based upon.) Seeing as this level was a recreation of the final level of Rondo, what else should the title of this level be? So what possessed the translators to render this "Final Stage: Bloodlines"? I have no clue whatsoever. It's incredibly misleading, since this game has little to do with the Sega Genesis Castlevania game. Maybe the translators didn't want to use "Rondo of Blood", since it was never released in the US and perhaps they felt very few people would be familiar with the title. If that's the case, they probably should have called it "Final Stage: Dracula X", referring (for better or worse :) to the SNES title that did make it over. =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= ::: Walkthrough - First Castle :::::::::::::::::::::::::::::::::::::::::::: =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= And now, the part you've all been waiting for: the complete Alucard game walkthrough. First off, I make no claims that the walkthrough below is the fastest, easiest, best, or the only possible way through the game. But, it will get you through the game, so want more do you want? :) If you've already played through the game once and don't have 200.6%, but would like to get there without starting a new game, see the "Why Don't I Have 200.6%?" section for some hints. --------------------------------------------------------------------------- Facts About: Final Stage: Bloodlines Music Track: Prologue Enemies Found: None Bosses Found: Dracula Items Found: Badelaire, Dark Shield, Firebrand, Heart Refresh, Moon Rod, Shield Rod, Sunglasses, Power of Sire --------------------------------------------------------------------------- Journey back to 1792 and the Transylvanian countryside of Romania... When you reach the top of the stairs, whip the entranceway to hit a switch. This switch will lower another stairway that you can go up. This leads to an area where you can pick up various weapons from the "real" game. I'm not sure what effect this has on anything, since they don't carry over into the Alucard game. Continue to the left to encounter Dracula. --------------------------------------------------------------------------- Dracula Tactics Boss Music Track: Dance of Illusions --------------------------------------------------------------------------- The game begins with a flashback to the last battle between Dracula and a Belmont. You play this level as Richter Belmont. Richter has a variety of cool special moves, but the


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Kukla's Korner Hockey
Category: Washington-Capitals
Afternoon Line - Barry Trotz
by Paul on 10/24/14 at 01:21 PM ET
Comments (11)
If you missed what Glenn Healy said, you can start here....
Filed in: NHL Teams, Washington Capitals, NHL Media, Hockey Broadcasting, d, | KK Hockey | Permalink
Tags: barry+trotz
Are The Washington Capitals A Playoff Team?
by Paul on 10/24/14 at 11:45 AM ET
Comments (1)
Chuck Gormley of CSNWashington answered some questions,
what's the caps odds of finishing top 4 in the metropolitan division? Or is too early to tell?
If the season ended today, the Capitals would be preparing to face the Columbus Blue Jackets in the first round of the playoffs while the Pittsburgh Penguins would be polishing their golf clubs for an early summer vacation. From the start of training camp I've been saying the Caps are good enough to finish in the top five or six in the conference and I still believe they are good enough to nail down one of the top three playoff spots in the Metro.
I thought the Penguins would struggle out of the gates with new coach Mike Johnston and they're off to a 3-2-1 start, just one point off the playoff pace.
I thought the Islanders improved themselves dramatically with the summer additions of goaltender Jaroslav Halak, center Mikhail Grabovski and defensemen Nick Leddy and Johnny Boychuk and they're off to a 5-2-0 start.
The Ottawa Senators [4-1-0] and Detroit Red Wings [4-1-2] have been pleasant surprises so far, but I'd be shocked to see both teams get into the playoffs, especially with the Bruins and Penguins expected to rise to the top of the conference.
The Caps are off to a solid start under new coach Barry Trotz and they should get better as they grow more accustomed to his way of playing. So, yes, the Caps should finish in playoff position and, quote honestly, should not shoot any lower than a Metropolitan Division title.
more Washington related questions....
Filed in: NHL Teams, Washington Capitals, | KK Hockey | Permalink
Kypreos vs. Healy On Ovechkin And A Few More Topics
by Paul on 10/23/14 at 12:53 PM ET
Comments (6)
from Greg Wyshynski of PuckDaddy,
Sportsnet has a debate segment on its NHL coverage called "To The Point" in which Nick Kypreos and Glenn Healy argue different perspectives on hockey's most pressing issues. Or if they run out of them, "Is Alex Ovechkin coachable?"
That was the topic on Wednesday night* during the Washington Capitals' game at the Edmonton Oilers, one of the few games this season in which Ovechkin went scoreless.
Kypreos took the "I believe in Ovie" side, although he said Ovechkin is "not the sharpest knife in the drawer" and said it's "his last chance to prove he's not a coach killer." Which sounds really ominous, until you consider that it doesn't really mean anything except that he'll get another coach or two or 10 before his contract runs out.
Healy attempted to make that point, although it was like giving a filet mignon to a hot dog vendor to cook. Here's Healy on Ovechkin's coachability:
continued and/or watch the segment below which also includes more topics...
Filed in: NHL Teams, Washington Capitals, | KK Hockey | Permalink
Tags: alex+ovechkin
The Star Player And Barry Trotz
by Paul on 10/22/14 at 10:03 AM ET
Comments (0)
from Mark Spector of Sportsnet,
We're still in the honeymoon of this relationship, with the Capitals unbeaten at 3-0-2 as they open their three-game Western Canadian swing against the Edmonton Oilers tonight. Yet it seemed fitting to ask Trotz, Washington's fifth head coach since Ovechkin entered the league in 2005, how he plans to get the 51 goals out of his superstar winger, but shore up the minus-35 defensive rating.
"Dominik Hasek used to say, a star player starts each year at minus-10," began the coach, referring to the desperate situations near the end of games, when a team goes all out to score and so often gives a goal up. Or the fact that the best players face the best competition, and thus, are bound to surrender more goals than someone playing against the other team's fourth line.
"So star players start out at minus-10. How (Ovechkin) got the other minus-25, I'm not quite sure," Trotz said with a laugh. "There are some things in his game that he is committed to change. Not all of (his deficiencies) were Alex's fault. Some of the things he was asked to do, it probably took away from him defensively. The player that I know has been very good in all those areas."
Normally in a column about Ovechkin and his Washington Capitals, it's right around now where one points out that nothing this club does in the regular season matters anymore.
Filed in: NHL Teams, Washington Capitals, | KK Hockey | Permalink
Tags: alex+ovechkin, barry+trotz
A Look At The Defensive Corp Of The Washington Capitals
by Paul on 10/18/14 at 10:49 AM ET
Comments (0)
from Alex Prewitt of the Capitals Insider,
The summer signings of Matt Niskanen and Brooks Orpik came with intended secondary consequences for the Washington Capitals, trickling down to the rest of the defensive corps.
The expected logjam at the depth chart's bottom has somewhat been sorted already, with Nate Schmidt starting the past three games, John Erskine and Jack Hillen taking healthy scratches, and a host of once-NHLers returning to Hershey.
The Capitals also wanted to even out their blue line ice time, a difficult proposition last season given the league-high 14 defensemen who played. Now, with a top five defined from the moment Niskanen and Orpik signed their deals, the players see a welcome balance.
"I think that's the luxury that we have now," defenseman Karl Alzner said.
Filed in: NHL Teams, Washington Capitals, | KK Hockey | Permalink
Video- Cory Schneider With The Bad Goal Of The Night
by Paul on 10/17/14 at 08:14 AM ET
Comments (1)
Tough night for Schneider.
Filed in: NHL Teams, New Jersey Devils, Washington Capitals, | KK Hockey | Permalink
Tags: cory+schneider
Afternoon Line - Ted Leonis
by Paul on 10/16/14 at 01:57 PM ET
Comments (4)
"It's just such great theater. The bar keeps getting raised, and we'll have a couple of unique things to D.C. I'm sure we'll do something important with the military. Hopefully we can get President Obama to come. It's Chicago, it's Washington, it's national television. I'm hoping that we can get President Obama to come to the game."
-Ted Leonsis, owner of the Washington Capitals on the Winter Classic. More from Dan Steinberg of DC Sports Bog.
Filed in: NHL Teams, Washington Capitals, | KK Hockey | Permalink
Tags: ted+leonsis
Video- Alex Ovechkin Goes Down Fairly Easy
by Paul on 10/10/14 at 08:14 AM ET
Comments (5)
Would you call this embellishment or a dive by Alex Ovechkin?
Below a recap of how the NHL will handle the diving/embellishment this year...
Filed in: NHL Teams, Washington Capitals, | KK Hockey | Permalink
Tags: alex+ovechkin
Hockey In Washington D.C. Forty Years Ago
by Paul on 10/09/14 at 12:00 PM ET
Comments (0)
"They come down from the lake country of Canada, these tough young men with dentures and the quick eye for the girls. Most could skate as early as they walked, and their first flirtation with hockey was whacking a horse apple down a snow-covered street, the way an American kid would kick a can."
That is how the Washington Post described hockey to their readers 40 years ago. (The Caps first season)
More from Sarah Larimer of DC Sports Bog at the Washington Post.
Filed in: NHL Teams, Washington Capitals, | KK Hockey | Permalink
Pressure On Crosby And Ovechkin
by Paul on 10/08/14 at 09:25 AM ET
Comments (0)
from Scott Burnside of ESPN,
They came into the league out of the ashes of a soul-sucking lockout that scuttled an entire season and got the kind of fanfare that precedes players maybe once in a generation.
They were asked to do nothing less than restore hope and guide the NHL into a new future, a new golden age of hockey.
So on many levels, it's hard to argue that Sidney Crosby and Alex Ovechkin haven't delivered on those demands in spades, time and time again.
"They're still the face of the league. For sure they are," said one longtime NHL player who has worked at a number of positions with a number of teams around the league.
Between them, Crosby and Ovechkin have collected five Hart Trophies and six Ted Lindsay Awards as the players' MVP in the past eight seasons. And then there's Crosby's Stanley Cup ring and two Olympic gold medals.
"That's not going away," the source said of the two players' accomplishments, regardless of whatever issues assail their respective franchises.
Filed in: NHL Teams, Pittsburgh Penguins, Washington Capitals, | KK Hockey | Permalink
Tags: alex+ovechkin, sidney+crosby
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About Kukla's Korner Hockey
Paul Kukla founded Kukla's Korner in 2005 and the site has since become the must-read site on the 'net for all the latest happenings around the NHL.
From breaking news to in-depth stories around the league, KK Hockey is updated with fresh stories all day long and will bring you the latest news as quickly as possible.
Email Paul anytime at email@example.com
Most Recent Blog Posts
Video- Don Cherry On His Kingston Days
Video- NHL Action From Sunday Night
Video- Matt Bartkowski Hit On Brian Gionta Plus The Marcus Foligno Fight Which Followed
Videos- Hometown Hockey Visits Kingston, Features On Doug Gilmour And Mike Smith
The Florida Panthers/Pittsburgh Penguins Rematch On Monday
The Best Scoring Duo In The NHL


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Great Weight Loss Meal Plan
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Consuming great deals of clean fruits as well as veggies is actually incredibly necessary, as well as don't forget the more vibrant the shades the more desirable they are actually going to be actually for you to consume. Physical exercise diet plans actually additionally going to be actually an essential component listed here.


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|Key Info
Description Luxury Flat in Promenade des anglais area
Located in a listed art deco building in the heart of Nice.
The property offers self-catering accommodation with a free Wi-Fi connection and is just 20 metres from the beach.
The apartment is decorated in a contemporary style and offers a flat-screen TV with satellite channels.
The luxury equipped kitchen are fitted with an oven, stove, refrigerator and dishwasher. Restaurants can be found in the immediate vicinity and in the Old Town, situated near the flat
Luxury Nicole Palace is 20 metres from the nearest bus stop and a 10-minute walk from Nice Train Station. Nice Cote d'Azur Airport can be reached in 15 minutes by car.
|Sleeps up to 6, 2 bedrooms
|Nearest beach
|500 m
|Will consider
|Corporate bookings, House swap, Long term lets (over 1 month), Short breaks (1-4 days)
|Car not necessary
|Nearest Amenities
|200 m
|Nearest travel links
|Nearest airport: Nice côte d'azur 2 km, Nearest railway: Central station 3 km
|Family friendly
|Suitable for children over 5, Suitable for people with restricted mobility
|No pets allowed, No smoking at this property
|Log fire, Internet access, DVD player
|Central heating, Air conditioning, TV, Video player, CD player, Telephone, Safe, Wi-Fi available
|Kettle, Toaster, Iron, Hair dryer
|Clothes dryer, Dishwasher, Cooker, Microwave, Fridge, Freezer, Washing machine
|2 bedrooms, 3 bathrooms of which 1 En suites and 2 Shower rooms, Solarium or roof terrace
|1 Sofa beds, Double beds (2), Dining seats for 6, Lounge seats for 8
|Linen provided, Towels provided
|Balcony or terrace
|Lift access
The city is called Nice la Belle (Nissa La Bella in Niçard), which means Nice the Beautiful, which is also the title of the unofficial anthem of Nice, written by Menica Rondelly in 1912.
The area of today's Nice contains Terra Amata, an archaeological site which displays evidence of a very early use of fire. Around 350 BC, Greeks of Marseille founded a permanent settlement and called it Nikaia, after Nike, the goddess of victory.[3] Through the ages, the town has changed hands many times. Its strategic location and port significantly contributed to its maritime strength. For years it was a dominion of Savoy, then became part of France between 1792 and 1815, when it was returned to Piedmont-Sardinia until its reannexation by France in 1860.
The natural beauty of the Nice area and its mild Mediterranean climate came to the attention of the English upper classes in the second half of the 18th century, when an increasing number of aristocratic families took to spending their winter there. The city's main seaside promenade, the Promenade des Anglais ('the Walkway of the English') owes its name to the earliest visitors to the resort.[4] For decades now, the picturesque Nicean surroundings have attracted not only those in search of relaxation, but also those seeking inspiration. The clear air and soft light has been of particular appeal to some of Western culture's most outstanding painters, such as Marc Chagall, Henri Matisse, Niki de Saint Phalle and Arman. Their work is commemorated in many of the city's museums, including Musée Marc Chagall, Musée Matisse and Musée des Beaux-Arts.[5] Nice has the second largest hotel capacity in the country[6] and it is one of its most visited cities, receiving 4 million tourists every year.[7] It also has the third busiest airport in France after the two main Parisian ones.[8] It is the historical capital city of the County of Nice (Comté de Nice).


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Al Sole Hotel
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Italy by the seat of our pants.
... for a vino and birra and will have our soup and cold cuts tonight. What a great day. 2.11.14 Got up to another gorgeous and sunny day. Had breakfast and paid for our accomodation early, Vittorio showed me the old kitchen downstairs with the Pizza/Bread oven built in 1812 and still looks great. We headed off and drove to the hillside town of Montepulciano. Found a parking spot and walked up the hill into the historic centre. Very old buildings and ...
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Mon 27th: Took off to Verona going the northern route out of Slovenia. We ended up going through an 8km tunnel through to Austria (following the #*#!* GPS ...
... to host the main operas which come to town during July and August, as well as concerts and plays in the intervening months. There were a whole lot of workmen inside pulling up the false floor, which I assume was laid for the last concert held there. It must be a lot of work if a false floor has to be laid every time there is a concert! Outside the Arena is a devotional column which used to bless a marketplace held in the square, and also ...
Italy Day 1 - Amsterdam to Verona
We took the flight from Amsterdam to Venice at 7:30AM. Then we took a bus to the train station called "Venezia Mestre" from the airport. We were so hungry, so we went in the restaurant just front of the train station. Our first Italian cuisine!!! I had "Spaghetti Bongole" and some seafood. It was ...


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News Details
A great start for Vergne
Jean-Eric Vergne had no complaints with his Saturday afternoon in Melbourne as the Toro Rosso driver qualified sixth for the Australian GP. While some may argue that the rain proved to be a great leveller with both Toro Rosso drivers challenging inside the top ten, Vergne feels it was all down to his STR9. In Toro Rosso's first grand prix under Renault power, the Frenchman clocked a 1:45.864 which meant he claimed sixth place on the grid for Sunday's race. His rookie team-mate Daniil Kvyat will start eighth despite a late crash. "It's a very good feeling, a great start to the season," said Vergne. "After so much hard work during winter testing, to get two cars into Q3 is a...
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Fairfax, VA USA | Member Since 2010
"Well Written and Well Narrated"
I loved this book! I'm a fan of HL Mencken but didn't know much about all the things he had done in his lifetime. William Manchester's obvious affection and his personal relationship with Mencken comes through in his prose and how he tells his story. I thought it was riveting. And the narrator did an great job with the reading. I highly recommend it - especially since the book, published in 1951, is no longer in print.
"Disadvantage Recast in a Different Context"
Yes. The examples, case studies and concepts are powerful reminders of how shifting our perspective (or paradigm) can make us see the forces affecting an outcome in an entirely different way. Life is about perspective and what we see depends on where we are standing.
Malcolm Gladwell does a wonderful job narrating his own books. He brought to life the words of the people whose stories he told.
He brought a very important subtext to the bombing of London during World War II that I had not previously heard.
Life through the lens of disadvantage as a strength.
A very important book in seeing beyond the obvious to the unseen and unconsidered factors that shape people and outcomes.
"Essential Reading for Creating a Better Future"
It spoke to my own struggles over the last 50 years of being a woman in America: as a person who understood gender inequality in kindergarten, as a wife, mother, employee, entrepreneur and political activist. Unless you've been living under a rock, this book - Brigid Schulte's reporting - touches on your own life and those around you.
How intensely real her experiences are. I could feel her frustration, anger and sense of being overwhelmed because I have lived that experience. We accept as immutable the culture we live in and assume it's "the best" because Americans see our lifestyle and our country as "exceptional." In many of quality of life factors, we lag well behind other countries. We don't look around seeking ways to improve how we live. At this point in my life, it's about improving it for my 3 twenty-something children. I want to leave a different legacy behind - one where my son and daughters have more choices and options to live the lives they want to live.
She brings a believable voice to that of the author. By the end of the book, you feel you have bonded with Brigid - you have shared her journey and what it means to try and having a meaningful life off the hamster wheel people enjoy complaining about.
Life doesn't have to be this way.
This is one of the most important books you can read this year. Things will not change or improve for our children and grandchildren if those of us at the top of the Boomer foodchain don't recognize we have a responsibility to change the dynamics of the workplace, our schools, our social structures and our communities. We do not have to be OVERWHELMED to prove we are productive and have value to the world.
"It's the Community, not just the Economy"
One of the best audiobooks I've listened to. It's written by a journalist, and while it's a non-fiction account of the collapse of the domestic furniture industry, but it reads like a novel. It's riveting.
Very much like The House of Mondavi. A multi-generational account of a family owned business with all the intrigue that wealthy powerful families have.
JB III of course. He is the force behind the story. Reviewers have almost universally forecast that the book will become a movie. It's easy to see the appeal after listening to this audiobook.
The whole world turned against John D. Bassett, III. Even his extended family. He faced the criticism and shunning by lifelong friends and colleagues in the furniture business. But he never backed down. He feels a responsibility to the 700 people who rely on their jobs at Vaughan-Bassett to feed their families. He stands for something.
It's a portrait of a time and place that are largely forgotten now in our information driven global economy. As a lifelong resident of Virginia who was born in Galax, I have a great deal of pride in the history of the furniture industry and the Virginia families who created an engine of economy that employed workers for three generations. It's not easy being the last man standing, but John D. Bassett, III has rare grit and determination. Beth Macy has written a rare and wonderful story.
"A Deeper Understanding of America"
As a Virginian who was born and raised in the rural southern part of the state, I need to understand more clearly why it's so difficult to reach rural conservative voters. I've lived in the more densely populated area of Northern Virginia for over 30 years and I'm a political activist who cannot figure out how to reach the people I grew up with. Joe Bageant's story is my story too.
It's a bit like "Detroit: An American Autopsy." It's new journalism at its best. Both of these writers go back to the hometowns of their youth, after many years away, to try and sort out the people who shaped who they are - their family and childhood friends. Journalists are perhaps some of the best people to tackle such a complex examination of culture and make it readable, interesting and engaging for the rest of us.
His conversations with locals ring true. It's a lens through which to view the world as they see it. Poverty is a lot of work. Only people who have been poor understand that. I understand that.
There were a number of "aha" moments in this book. Often a writer's greatest gift is to clearly articulate a concept we know is true but we didn't have a way to talk about. We need a better way to talk about issues like poverty, guns and religious fundamentalism.
This book is extremely helpful in clarifying why our fellow Americans view the world as they do. I didn't agree with all of Joe's conclusions, but the insight and reporting he brings to these subjects is invaluable. Most of us don't step out of our comfort zone to be with other people in a place where we are the odd man out - even in our own country. Understanding and empathy is the key to finding common ground.
"This Memoir Stands on its Own Merits"
Warm affectionate storytelling.
I think this book is unique. It's in the style of "new journalism" which means it's journalistic non-fiction reporting but the journalist is also part of the story. It really works here.
She captures the tone of the author really well and her portrayal of Nelle Harper Lee and her sister Alice is believable.
An elusive literary legend as next door neighbor.
The book stands on it's own merit. This is not a straight-up biography of Harper Lee. It's the author's personal memoir of the months and years she spent getting to know Nelle Harper Lee, her sister Alice, their close friends and the community of Monroeville, AL. There is important biographical information about the author of "To Kill a Mockingbird" but the book is so much more than that.
"Sissy Spacek is Amazing!"
Yes! The book is a classic and Sissy Specek captures each character so faithfully and beautifully. Her "southernness" is not overpowering but essential in re-creating this time and place.
All the characters are beautifully developed here. She captures the tone of the children - Scout, Jem & Dill - so well.
Sissy Specek could read anything to me and I would be happy. She's a skilled actress and that carries over to voice narration.
Gregory Peck won an Academy Award for his portrayal of Atticus Finch in the movie version of this book. Many people are more familiar with the movie than the novel. This audiobook surpasses even the movie for bringing this story to life.
This is a treat. Don't miss it. Perfect for a family road trip in the car for kids 12 and over. It's a book everyone will enjoy.
"Every Child Matters"
A must read.
This is the reality of raising a child who has challenges you didn't expect to confront as a parent. The whole concept of "gender non-conforming children" is so new that even teachers, doctors and counselors who primarily work with children are left at a loss. As a community, people should care about how we are raising every single child. Children should be supported in who they are and professionals who work with them should recognize protecting children in their care and keeping them safe is a primary responsibility. This story also shows the limits of friendship and how crushing it can be to find out the people you believed would love you no matter what - don't.
Lori really makes her son CJ come alive. He is very real to me in her telling of how he sees and interacts with the world.
Yes, it was. It's a journey of discovery and I wanted to know how it would turn out for this family. I respect that Lori wanted to read her book herself because the stories of her children, husband, brother, parents and in-laws are so deeply personal. She may not be a professional narrator, but she did a great job and the authenticity comes through.
The bonus interview at the end of the book with Lori Duron was excellent. It made me glad I chose the audiobook instead of the hardcopy. I also appreciated knowing this was CJ's mother talking directly to me and this was all very very real.
"Very Motivating"
The author is genuine. This is not hype. It's actually a reminder of things we know but forget, ignore or drown out with negative self talk. Here is someone who has walked the walk and shows the journey in an engaging way. He's a wonderful storyteller. I listened to the book realizing that the prize in life goes to those who can continue to press forward and re-imagine the possibilities when the path we're on turns out to be something we no longer want to be on. I gifted copies to all three of my 20-something children. Adopting Jon Acuff's worldview earlier rather than later will greatly improve the quality of their daily lives.
"A Book for Women AND Men"
One of the best ones I've listened to.
I liked the overall tone of what Sheryl had to say. She is realistic, optimistic, empathetic and very self effacing. She is not at all what the media has portrayed her to be. She speaks not in a critical voice, but in a way that says we can make the world a better place if we look at making choices more equal for both women and men. At the close of the book she talks of hoping that both her son and her daughter will have the opportunity to pursue what they want in both a career and at home and that they will be supported in their choices. That message is for everyone - not a particular demographic.
Elisa did a good job reading the book. After seeing Sheryl Sandberg's TED Talk, I was familiar with how she delivered her message and I thought Elisa gave an accurate portrayal of that.
I listened to this with my husband Tom while we were driving around all weekend from one city to another. At various times, he stopped the book so we could talk about something she had just said. It was very productive for us to listen to this together over the course of 3 days in the confines of our car. We had an opportunity to really focus on what she was saying and to relay to each other experiences we've had that were an example of what she is talking about. My husband is a partner in a law firm and a baby boomer, and I think he got a great deal out of this book.
This is a great book to listen to with someone else because it is a wonderful catalyst for meaningful conversations on really important issues we ALL need to be concerned about.
"Written for Popular Consumption"
This is not an academic treatment of race relations in America. Eugene Robinson is a highly regarded columnist for the Washington Post. He writes in a style that is meant for the vast majority of newspaper readers. His stories are memorable, his style engaging, his research convincing and his conclusions practical. I think this is a very important work on how far African-Americans have come in the last 40 years and what it will take to move forward the "Abandoned" class of individuals in this country. As a resident of the Washington, DC area, it was also a great bonus to get a history of many of the neighborhoods and areas in DC. I thoroughly enjoyed the audio production of this book and highly recommend it.
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Bravo's Top Chef All-Star and Los Angeles executive chef serves up more than 100 quick and easy family recipes that she developed as a hardworking single mom.
Many busy moms dread the challenge of getting a delicious and healthy home-cooked meal on the table. For single mom Antonia Lofaso, the issue hits especially close to home as she continues to do appearances for Bravo while working as an executive chef.
Showcasing Lofaso's top picks for quick and satisfying meals,… (more)
Publisher: Avery (August 02, 2012)
Format: EPUB
Page count: 224 pages
File size: 940 KB
Protection: DRM
Language: English


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- Filed Under
Happy 40th birthday, Eminem.
The Detroit rapper who helped define contemporary youth culture has notched the big one today, officially moving into the Elder Statesmen wing of the hip-hop palace.
That milestone once might have been a career death knell in rap, a genre marked by its perpetual hunt for the next hot thing. But the landscape has changed: In turning 40, Eminem breaks a threshold comfortably crossed by the likes of Jay-Z -- Eminem's 2010 concert partner -- and Dr. Dre, the hip-hop kingpin who helped propel him to fame. ...


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Date: 6 years ago
Runtime: 4:58
Views: 376,390
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Larry Nichols says she will be our next President
This inteiw I quite telling of the goings on with the Clinton's. Even more telling of how the system is rigged, and certainly not in our favor.
Jeff Rense & Larry Nichols - The Truth About Hillary & 2016 Pt 1 - YouTube
► 14:47► 14:47
Oct 3, 2013 - Uploaded by Jeff Rense
Clip from October 1, 2013 - guest Larry Nichols on the Jeff Rense Program. Full program ...
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Add some spider scare to your look with this necklace! It features a silver chain with a metal spider pendant with a gem body. Available in Orange, Green, Black, and Purple. Imported.
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Abstract available in
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Description (OCR text may contain errors)
NOV. 29, 1966 .5, Z. DAsovlC ETAL 3,287,854
STRUCTURAL PANEL Filed Jan. 7, 1965 2 Sheets-Sheerl l ln ven fors STEVE Z. DSOVIC HANS-GUNTHER R. WOLF Nov. 29, 1966 s. z. DAsovlc ET Al.. 3,287,854
STRUCTURAL PANEL Filed Jan. 7, 1965 2 Sheets-Sheet 2 INVENTORS STEVE Z. DASOVIC BY HANS -GUNTHER RJNOLF United States Patent O1 3,287,854 STRUCTURAL PANEL Steve Zlatko Dasovic, 37 Brightside Drive, and Hans- Gunther Richard Wolf, 8 Du Barry Ave., both of West Hill, Ontario, Canada Filed Jan. 7, 1965, Ser. No. 423,966 8 Claims. (Cl. 49-501) The invention relates to a stressed combination structural panel for use in doors and the like.
Structural panels such as are used in assembling doors often comprise a rigid wooden framework and relatively flimsy wooden sheeting such as plywood to cover same, or wooden slats in some cases. However, panels of this type must be made with strong, rigid frames in order to remain fiat and withstand the typical strains experience-d in use, particularly the racking of the frame, and the full economy in construction is not achieved.
The problem lof achieving the necessary rigidity has also obstructed the substitution of plastics for wood in door construction and in fact plastics have been assumed to be uneconomic materials for such purposes. Economies in the amount of plastic used can be achieved by a combination of plastic and wood but this form of construction brings in the further problem of unequal coefficients of expansion which creates built-in stresses which are highly destructive, particularly over substantial lengths or areas.
Accordingly, it is an objective of the present invention to provide a structural panel for use in doors and the like which is for-med of a combination o-f wood and plastic and which is economical in the use of both materials and which is stressed to provide added resistance to usage.
More particularly it is an object of the present invention to provide a panel having the foregoing advantages which permits the expansion and contraction of the wood and plastic at different rates without damage.
More particularly it is an object of the present invention to provide la panel having the foregoing advantages in which a Wooden frame is covered with sheet plastic stressed therearound.
More particularly it is an object of the present invention to provide a panel having the -foregoing advantages in which the wood incorporated therein provides a means of anchoring to the plastic.
The foregoing and other advantages will now be described in the following description of a preferred embodiment of the Iinvention with reference to the following drawings in which like reference device refer to like parts thereof throughout the various views and diagrams and in which:
FIGURE 1 is a perspective of a structural panel according to the invention;
FIGURES 2, 3, 4 and 5 are sections of theembodiment of FIGURE 1 along the lines 2 2, 3 3, 4 4 and 5 5 respectively, of FIGURE l;
FIGURE 6 is a schematic sectional side elevation of the panel of FIGURE 1 at a stage in its construction;
FIGURE 7 is a sectional side elevation of a further embodiment, incorporating the panel of FIGURE 1;
FIGURE 8 is a perspective illustration of a further embodiment of the invention;
FIGURE 9 is a section along the line 9 9 of FIGURE 8 Showing greatly enlarged, the construction of a corner of the embodiment of FIGURE 8',
FIGURE 10 is a section along the line 10 10 of FIGURE 8; and
FIGURE l1 is a cut-away perspective view Showing a further embodiment of the invention.
From FIGURES 1 to 5 it will be seen that the invention comprises a structural panel 10 having a wooden ice frame 11 comprising side portions 12 and end portions 13 fastened together by any suitable means such as rnetal dowels 14 and by gluing. Frame 11 is covered over one sde and its edges =by the box-like plastic member 15 formed in this case of molded sheet plastic material such as polystyrene, polyethylene o-r acrylonitrile butadiene stvrene by vacuum forming techniques. Member 15 has a face portion indicated 'by arrow 16 provided with any desired ,form of decorative design such as ribs 17 to stimulate the transverse slats lof a conventional louvre door (not shown) although any other suitable decorations, or yfunctional design, may be used in any particular case. Member 15 is provided with integral side walls 18 extending there-around substantially normal thereto in the finished article shown in FIGURE l, and suitable attachment smeans such as conventional hinges 19 may be fastened to panel 1f) by any suitable means such as wood screws (not shown) passing through a side wall 18 and into the adjacent side portion 12 of frame 11. Other fastening means or hardware such as door hasp (not shown) may also be attached in a similar manner to any portion of panel 1d if desired.
Due to the differential rates in expansion and contraction experienced as between wood and plastic the attachment between frarne 11 and box-like plastic mem ber 15 is achieved by gluing in certain areas only while leaving other areas of contact between yframe 11 and member 15 free of any attachment whatever. The gluing areas 20 are shown specifically in FIGURES 2, 3, 4 and 5 indicated by reference 20. Thus it will be seen that a layer of glue or other suitable adhesive extends entirely around the interface yof side walls 18 and frame 11, the gluing in this area being designated specifically as 20u. In addition, glue is present at the four corners of frame I1 between the interface of member 15 and frame 11, the gluing in these areas being indie-ated specifically as 2flb. Thus is will be seen that the front or visible surface of panel 1f) corresponding substantially to the area of member 15 is actually bonded to frame 11 only at its four corners, all `other portions being free of bonding and therefore free to move -at differential rates of expansion and contraction independently of one another. Conversely, the side portions 1S are directly bonded to the corresponding faces of frame 11 around the fu'll extent thereof whereby expansion and contraction thereof at differential rates is virtually impossible. However, the prevention of s-uch differential expansion and contraction in such side areas of panel 1li will not produce any serious results, particularly so, lbecause such side areas are generally speaking either completely concealed and invisible or at least not obvious, therefore, @any wrinkling or straining of the plastic material in these areas which may take place will usually pass unnoticed. The method of attachment of member 15 to frame 11 according to this invention may be likened to the attachment of a skin to a drum whereby the principal arca of bonding or attachment is in a plane substantially normal to the plane of the principal stresses which will occur.
In order to achieve a panel 10 of maximum strength and minimum Iweight according to this preferred embodiment, the member 15 is preferably stressed during the process of application and bonding to frame 11 so as to cooperate with frame 11 in resisting strains such as racking strains. In order to achieve such prestressing, member 15 is preferably formed with a degree of warping in its natural state, an example of such warping being shown by member 15 in FIGURE 6. In order to apply a member 15 in this condition to a frame 11, the frame 11 is first treated with glue inthe glue areas 20a and 20b as shown and is then placed in contact with member 15 ready for assembly and gluing. Suitable presses 21 and 22 then apply substantial pressure to member 15 and frame 11 and to side walls 13 of member 15 so as to force member 15 to adopt a completely flat condition and to bend or twist side walls 18 around frame 11 and firmly into contact with the side of the side portions 12 and cross members 13 of frame 11.
While panel 16 as shown in FIGURE 1 may be suitable for providing doors for cupboards or closets, where only the outer face is normally visible, two such panels may be themselves glued back to back, substantially as shown in FIGURE 7, in order to provide a communicating door between two rooms, hinges 19 possibly being clamped between the respective frames 11 of panels 10, as shown, or otherwise aixed in any suitable manner.
According to a further embodiment, illustrated in FIG- URES 8, 9 and 1G, provision may be made for incorporating still further resistance to warping stresses, particularly when utilizing a panel 10 in the construction of a full length door such as the so-called bi-folding door of the type consisting of two door panels 10a and 10b (see FIGURE 8) hingedly jointed together by further hinges 19 and .having upper and lower trunnion means 234 provided for running in a suitable track which may be aiiixed to the upper and lower portions of the door frame (not shown). In order to resist the very severe racking strains experienced in this type of door, additional stiifening is provided in the `form of the steel strip 24 provided down each of the side portions 12 of panels 10a and 10b. Steel strips 24 are preferably fastened in position in recessed portions of side members 12 and extend approximately half way across the ends of the end portions 13 substantially as shown in FIGURE 9, this feature preventing the endwise contact between steel strip Z4 and the side walls 18 of plastic member 15 which might otherwise result in the sidewalls 18 being cut or ruptured by the exposed ends of the steel strip 24. Steel strips 24 are preferably fastened in position by means of suitable wood screws 25 and extend down the full width of frame 11 which cooperates therewith to prevent flexing of steel strips 24 across their thickness. In the embodiment, bonding is achieved between side portions 18 of plastic member and steel strips 24 by any suitable adhesive -in substantially the same manner as described in connection with the embodiment of FIGURE 1. Steel strips 24 are effective to prevent actual warping of units 16a and 10b or bending along their length and flexing of steel strips 24 is prevented by their attachment to frame 11 as described above.
Additional hardware will usually be provided on this type of door comprising handle 26 for sliding the door to and fro and latch 27 for fastening it in its closed position.
A further embodiment of the invention for use in still larger doors and shutters is shown in FIGURE 1l. In this embodiment the side portions 12 of frame 11 are dispensed with and steel strips 24 extend to the full length of frame 11 along each end of end portions 13, being attached thereto by suitable wood screws (not shown). In addition, the plastic member 15 is provided with inturned flanges 28 extending over the back face of frame 11 and a plastic covering sheet 29 is attached over substantially the entire hack surface of frame 11 in order to cover the same and provide a complete door. It will be noted that in this embodiment side portions 18 of member 15 extend only around the side portions 12 of frame 11, end portions 13 being uncovered and -free of attachment in this embodiment so as to permit a limited degree of relative movement, bearing in mind that the complete door may be in excess of six feet in height.
By way of example the plastic member 15 may be formed of sheet plastic of between about .05 and .75 of an inch thick and in the embodiment of FIGURE 8 the steel strip 24 may be between 1A@ and 1,@ of an inch thick. In the embodiment of FIGURE l1 strips 24 will be heavier to withstand the greater stresses.
The foregoing is a description of a preferred embodiment of the invention which is here given yby way of example only. It is not intended to limit the invention to any of the specific features described but the invention comprehends all such variations as come within the spirit and scope of the appended claims.
What we claim is:
1. A combination stressed structural panel and comprising:
a rectangular space frame having side portions and end portions defining front and :back faces, and having side and end surfaces in planes substantially normal so said front and back faces, said side and end portions enclosing a substantially rectangular space;
a thermoplastic frame-covering member extending over the whole 4of said front face and side surfaces, said member covering said rectangular space on one side thereof and being free of attachment to said front face over a substantial proportion thereof permiting relative movement therebetween;
said member comprising a face portion and side portions in planes substantially normal thereto; an adhesive bonding layer ybetween said side portions of said member and said side surfaces vof said frame around substantially the full extent thereof, and a molded pattern formed in said face porti-on of said member and occupying a portion of said rectangular space.
2. A combination stressed structural panel as claimed in claim 1 including metallic stiffening strips extending along said side portions of said frame.
3. A combination stressed structural panel as claimed in claim 1 including adhesive means bonding said member to said front surfaces of said frame at the four corners thereof only.
4. A combination stressed structural panel as claimed in claim 1 including i ange portions on said covering member extending partially around said side portions of said frame and over said back face thereof;
means bonding said member to said side surfaces lof said frame around substantially the full extent thereof and to said back face of said side portions;
and hinge means attached to said frame.
5. A combination stressed structural panel as claimed in claim 1 including hinge means attached to said frame.
6. A combination stressed structural panel as claimed in claim 5 including handle means attached to said frame.
7. A combination stressed structural panel as claimed in claim 1 including a thermoplastic sheet member extending over the full extent of said back face of said frame and bonded thereto.
8. A door structure comprising at least two structural panels, each panel comprising:
a rectangular frame defining front and back faces, and having side surfaces in planes substantially normal to said front and back faces;
a thermoplastic frame-covering member extending over the Whole of said front faces and at least part of said side surfaces, said member 4being free of attachment to sai-d front face over a substantial proportion thereof permitting relative movement therebetween;
means bonding said member to said side surfaces of said frame around substantially the full extent thereof; and means bonding said two panels back-to-back with one another.
(References on following page) References Cited by the Examiner UNITED FOREIGN PATENTS STATES PATENTS 1,030,991 3/1953 France.
Chadwick et al 20n25 1,107,864 8/1955 France.
Patent Citations
Referenced by
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Interim Budget: Rs 11,200 crores provided for capital infusion in public sector banks
An amount of Rs 11,200 crore has been provided for capital infusion in Public Sector Banks(PSB's)in the Interim Budget 2014-15.
Finance Minister P Chidambaram made this announcement while presenting the Interim Budget in the Parliament today.
Chidambaram further informed that the Public Sector Banks have opened 5207 branches so far and nearing the goal of installing an ATM at every branch.
Chidambaram said that bankers have assured that they will be able to contain the NPA's, recover more loans and build healthier balance sheets as the economy turns.
(Posted on 17-02-2014)
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A modern dictionary of Catholic terms, both common and obscure. Find accurate definitions of words and phrases.
A term applied to the sacramental character insofar as it distinguishes the baptized from the nonbaptized, the confirmed from the nonconfirmed, and the ordained from the nonordained. It therefore identifies them before God and characterizes them according to each respective sacrament.
All items in this dictionary are from Fr. John Hardon's Modern Catholic Dictionary, © Eternal Life. Used with permission.
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