text:
How To Fix A Stuck CD Tray
What do you think about this video?
ALIENMANMUSIC: Now i can finally use ableton without any problems!!
aditya narayan: Handy, and really gud video. But won't it work only on those big individual-unit drives? What to do if my laptop's drive is not ejecting? Dismantle the whole laptop, then fix the drive and then find out that the laptop is dead now and basically incur a bill that runs into tens of thousands?
PercivalGull1: I had the same problem with my Audiosonic DVD player and replaced the small belt. However the problem remained. I tracked it down to the small black pressure switch that that is supposed to cut off the power to the drawer motor. It was not working so I applied some WD40 to the switch and the drawer now works perfectly.
Lord Creepypasta: Pin won't open my tray :( Help please?
filletboy: That WORKED like a charm. I was lucky to find a rubber band in my junk drawer and it works great. I managed to put it on just by opening the drive and getting in. THANKS Guy
Slecter: i have this probelm but with my xbox. any chance you could do one for the xbox 360?
frvo: Please man!! Cut your fingernails!!!
iAmmyyx3: what should i do if the rom doesnt slide out? cant open the front
Rohan Rao: awesome work dude , saved me around 200-300.Rs to repair it by some other hardware shops
alkoreah: thank you that was very helpfull
HeCTiiC Aurora: can you help me fix my laptop CD tray it wont go in i can still move it but it doesent go fully in
Oni64: worked, does the drive also have make more noise now?
King Prada: u did not teach me crap!!!!!!!!
Guy Techie: Sorry. I'll fire my camera crew.
Anshul Ahuja: i had a small pin and i tried with it..now the situation is that the tray opened but the pin got stuck inside due to which the tray doesnt close now. it opens automatically when i push it back.. pleaseeee plaeseee pleaseee help me with what to do next
Dohn Joe: Unless the old rubber belt is ruptured, you can reuse it as follows: - clean it with alcohol - clean both plastic wheel grooves with alcohol - spray some WD40 on belt and rub it for a minute between fingers - dry belt with a paper towel then clean it again with alcohol You got now a better than new belt that will never dry again.
Guy Techie: Most DVD players have the same mechanism to eject the tray, but you'll never know until you open them up. Some use a cork screw to open and close the drawer.
sigbunch: hello guy. I have a bose321 and the tray will not come out. It has a cd in it and there is no button to push to release the tray. Your help will be greatly appreciated.
Susan Crites: Thanks for this great suggestion! I never would have thought of this!
Gordon Freeman: i have the same drive.
Wendy St. Christopher: I love that it sounds like you recorded this while at work! :-)
roycoolguy: Get to the freaking point !
J'khari Wilson: htf do i even pull it out?
j0s3phPS3: thank you sooo much .appreciate it
ffuentese: Thank you. I've got two CD drives with similar issues, one of them opens just a little bit outside and I have to pull the tray out to make it work. When a disk has to be inserted the tray gets stuck in the same point and I have to pull so it can read the disk.
nidumite: Cheers a great help , thanks
Mike Harman: This was very helpful. I was able to reach the rubber belt just by opening the drawer and using needle-nose pliers to lift it off the plastic wheel and drive pulley. Then I used a Q-tip with grain alcohol to clean the pulley, wheel and belt. With everything cleaned up, I put the old belt back in and it worked like new. Then I did the second DVD drive and got the same results.
Guy Techie: @Oni64 It shouldn't make any more noise than it used to
GoophyOne: Thank you SO much for this! You are pretty awesome to share this with us!
CtlAltShift: Just spent hours first getting spare PC PSU to work as bench PSU (google it) and greasing the CD drive innards to try and make it open properly - which it didn't - then googled for this Tip - thanks - now it works using tiny home jam-cover band almost exactly right size! Haven't tested in PC yet...
FalconXYGTHO: @enzo1st You would be suprised how handy long nails can be while tinkering with things
HardcoreMeez69: soo how to i get the paperclip to fit in the pickle try!? i cant take my router apart and i cant find any way to pribe it open :( i really need help on this
saidi firas: i have a bigger problem with the same type of the cd player the green light dosen't stop working and when i push the bottom he dosen't cames out help
ionescu: i prefer to use a magnet or a tweezer
badtmaru: No need to find a new rubber band. You can shrink the old rubber band by using a hair dryer to blow hot air on it. 100% working guaranteed
Niki de Brun: Great! now if only I can find the right rubber band, I'm looking at my computer cable stuff :)
0zfer: Sometimes the issue with pc drives is the actual track breaks in the closed position so there is no track for it to engage on.
ClubGuiatarHero: I dont have the emergency hole >.> i have an acer aspire X1200
caboose torres: Screw ppl with the Xbox fix Seriously Now I have to waste about 150$ Cuz of this damn videos Thanks ladys
Guy Techie: @Lilylibra Haha, thanks for that. :)
SURFER7X: @badtmaru I tried this out on my DVD drive and it worked. 100%
2sexxyfaya: thanks,is that for regular dvd players that u hook up to tvs too?
ThePunisherish: lol
Jaime Estevez: These players use a computer driver and bose design does not allow you to see it, you have to open and disassemble so you can see, is exactly like the computer, with a tiny hole
emnoptcrusier: cut your nails
Stamp: what do you do if it is not reading the disc? for a pc?
rachidzenda: my dvd drive is a freaking fail i trayed it dont want to open i'll throw and get a freaking new one
barrad0s: tx man, i fix computers on the side, and this worked perfectly for me.
James Miller: Thanks for tip.
How to Fix a stuck CD Tray 4.5 out of 5


text:
[1465] Evaluation of Functional GSK-3β-Cdc25A Axis in Hodgkin and Non-Hodgkin Lymphomas
E Wey, C Mankey, S McDonnell, A Kronk, D Thomas, F Keyoumarsi, K Elenitoba-Johnson, M Lim. University of Michigan, Ann Arbor, MI
Background: Cdc25A is an oncogene that is overexpressed in many human cancers and is a key regulator of the G1/S transition. Glycogen synthase kinase-3β (GSK-3β) targets Cdc25A for degradation and inactive (phosphorylated) GSK-3β correlated with Cdc25A expression. Cdc25A mRNA is associated with histologic and clinical aggressiveness in non-Hodgkin lymphomas but no studies exist evaluating Cdc25A protein expression in a large panel of lymphomas. Furthermore, our in vitro chemical screen of compounds that target kinases identified GSK-3β inhibitors as having a negative effect on the growth of a variety of lymphoma-derived cell lines. In this study, we evaluated the expression of Cdc25A, GSK-3β and its phosphorylated form p-GSK-3β (inactive), in a large panel of lymphomas (n=334).
Design: Tissue microarrays were constructed using material available at the University of Michigan. Diagnoses included chronic lymphocytic leukemia/small lymphocytic lymphoma (CLL/SLL), mantle cell lymphoma (MCL), diffuse large B cell lymphoma (DLBCL), anaplastic large cell lymphoma (ALCL), peripheral T cell lymphoma (PTCL) and Hodgkin lymphoma (HL). Immunohistochemistry was performed with specific antibodies to GSK-3β, p-GSK-3β and Cdc25A and evaluated using parameters of staining intensity, percentage of immunoreactive neoplastic cells and cytoplasmic versus nuclear staining. Reactive tonsils were used as control tissues.
Results: The expression of p-GSK-3β was cytoplasmic while Cdc25A expression was nuclear. P-GSK-3β and Cdc25A were expressed in all lymphoma types with moderate to strong intensity (see Table). Furthermore, a positive correlation between p-GSK-3β and Cdc25A was observed in almost all lymphoma subsets with relatively strong correlation in DLBCL (r2=0.48) and in ALCL (r2=0.65), independent of ALK status. A negative correlation was observed in neoplastic cells of HL.
|66% (50/76)
|96% (72/75)
|63% (15/24)
|96% (24/25)
|68% (52/76)
|91% (71/78)
|87% (13/15)
|81% (13/16)
|73% (22/30)
|79% (26/33)
|78% (73/94)
|94% (100/106)

subset: commoncrawl


text:
Don't-Miss Home theater Stories
HBO Go arrives on Amazon's Fire TV streaming box
Service offerings for Amazon's set-top box catches up with Apple TV, Chromecast, and Roku, but the Amazon Fire TV Stick won't get it until the spring.
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Bad news, Redbox fans: Renting movies and games is about to become more expensive.
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Remember that TV feature you used once, when your set was brand new? This box is everything you thought PiP would be, and a whole more.
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The Nexus Player certainly looks more appealing than the failed Nexus Q and Google TV projects from years past.
Forget 4K, Sharp's already pushing TVs with 8K resolution
Next-generation displays are being promoted as consumers try to catch up to 4K
Video from IFA: Fraunhofer brings 4K TV to tablets
Germany's Fraunhofer Institute is bringing 4K TV content to second screens using tablets almost like magnifying glasses to zoom in on the picture.
TiVo goes ginormous, with 24TB of storage and a $5K price tag
The TiVo Mega, capable of recording more than three year's worth of programs, is slated to ship early next year, so start saving now.
Video from IFA: Flexibile TVs are this year's home theater gimmick
At least three TV makers were at IFA last week showcasing sets that could go from flat to slightly curved and back.
11 dorm room gadgets that are too cool for school
You're going to spend the next nine months on campus. We've got suggestions for the gear that can turn that spartan dorm room into a home away from home.
Samsung to load new smart TVs with games, Skype group calls
Samsung newest TVs will come with games like "Need for Speed: Most Wanted" and "Real Football 2014"
Syfy, Philips team up to put Sharknado in a new light
If you've got a Philips Hue connected home lighting system, download the Syfy Sync app for iOS, and your lights will sync up with the action during next week's debut of Sharknado 2 on the cable channel.
Qplay streaming service to shut down July 25
The video streaming service plans to close up shop less than a year after launching.
SlingTV aims for a unified TV experience at home and away
Sling Media's new user interface for its flagship Slingbox has a few features sports nuts in particular will love.
Every episode of 'South Park' ever joins new original programming on Hulu
Hulu wins rights to become the exclusive streaming home of Cartman, Kenny, and company.
Chromecast updates include mirroring and casting without Wi-Fi
Three new features were announced at the Google I/O keynote, coming soon to a Chromecast near you.


text:
U.S Sen. Tammy Baldwin, D-Wis., discussed the changes in the field of health care with employees of Delta Dental in Stevens Point on Tuesday, Feb. 18, focusing on how the Affordable Care Act (ACA) will affect Central Wisconsin residents and local insurance companies.
Baldwin said she came to visit Delta Dental because it is a Wisconsin-based not-for-profit dental-service corporation and is the state's largest dental care provider.
"I know Delta Dental is a success story. I wanted to see more of it and to see its impact on the economy," said Baldwin.
Baldwin serves on several Senate committees that focus on budget and health care concerns, including Health, Education, Labor and Pensions and the Committee on the budget.
Dennis Peterson, the executive vice president of Delta Dental, said he was concerned that dental care would be undervalued in the Senate's discussion because it is a small part of the complete health care system.
"Our passion is that everyone has access to quality dental care. We don't want dental to be lost in the equation," he said.
The rest of this content is only available in our print edition.
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text:
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Bunn 27900.0001 Dual Soft Heat® Brewer with Docking System
Product Description
Dual Soft Heat® Brewer with Docking System
- Brews 16.3 to 18.9 Gallons (61.7 to 71.5 liters) of perfect coffee per hour
- Variable batch selector knob lets you brew small servings or large batches of 0.5, 1 or 1.5 gallons
- Server heat control automatically shuts off once target temperature is reached; range of 175º–190ºF (79.4–87.8ºC)
- Electronic grinder interface instructs grinder on exact amount of coffee for selected brew batch size
- Servers sold separately
- The brewer is 3-wires plus ground service rated 120/208V or 120/240V, single phase, 60Hz
- 5900 watts
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ATHENS, GA. — In 1946, amid the Cold War conflict between the United States and the Soviet Union, the Department of State embarked on an innovative program of cultural diplomacy. At the heart of this initiative was a project called "Advancing American Art."
The project called for assembling Modernist paintings by contemporary American artists that would travel through Europe, Latin America and Asia. The objective was to combat Communism, demonstrate to the world the freedom of expression enjoyed by artists in a democracy and document America's artistic coming of age.
The controversy this initiative generated, its shutdown in the face of multifaceted opposition in the United States and the ultimate fate of works in the touring exhibitions form the subject of a fascinating look back in "Art Interrupted: Advancing American Art and the Politics of Cultural Diplomacy," on view at the Georgia Museum of Art at the University of Georgia through April 20. The host museum organized the exhibition with the Jule Collins Smith Museum of Fine Art at Auburn University and Fred Jones Jr Museum of Art at the University of Oklahoma. It has already been seen at those two sites, plus Indiana University Art Museum. Each organizing institution has sizable holdings of works from "Advancing American Art" that are on view, and other museums and private collectors loaned works to recreate the original exhibitions.
In 1946, J. LeRoy Davidson, a State Department visual arts specialist, initiated the organization of a set of touring exhibitions to demonstrate the diversity of American Modern art and the power of democracy to nourish freedom of expression. He employed a keen eye and daring spirit in selecting works for inclusion in the program.
The exhibitions originally consisted of 79 oil paintings paired with smaller collections of watercolors and works on paper, making a total of 107 works. The artists represented ran the gamut from the famous to the virtually unknown, offering a cross section of works in the development of American Modernism.
The traveling exhibition got off to a good start, drawing positive press in the United States and Europe. For a time it seemed that art could serve as a means of cultural diplomacy, building bridges between people of diverse nations and healing divisions created by World War II.
Shortly after "Advancing American Art" began its tours, however, controversy broke out in American media, government forums and public discourse. The high-minded experiment in cultural diplomacy soon fell prey to political maneuverings and intellectual posturing as to what was an appropriate image for the United States to project around the world.
For many in and out of Congress, Modern art conveyed a negative view of America. Critics blasted the paintings chosen for the program, and labeled participating artists as subversive and un-American. Clearly, a number of painters had left-leaning political views, and the collection, by design, largely avoided traditional representational styles. Congressmen investigated the backgrounds of the artists, a number of whom were immigrants and/or had progressive affiliations. President Harry S. Truman spoke out publicly against avant-garde art, calling it "scrambled egg" art and the artists "half-baked" and "lazy." William Randolph Hearst's New York Journal American ran images of the art with caustic captions. Conservative artists' groups, unhappy with the exclusion of Realist work, organized letter-writing campaigns against the program.
As a result of all this turmoil, the State Department closed down the program, leaving the art to be auctioned off to institutions by the War Assets Administration in 1948. The current exhibition reassembles most of the oils and some of the watercolors sold as war surplus.
To Twenty-First Century eyes, few of the works on view seem controversial. They certainly achieve the goal of demonstrating America's artistic coming of age. Their value on today's market was demonstrated in 2006, when one of three works in "Advancing American Art" by early Modernist Stuart Davis (1892–1964), "Still Life with Flowers," 1930, reflecting the influence of the Armory Show of 1913 and the artist's recent sojourn in Paris, fetched $3,152,000 at Christie's. An icon of the most progressive trends in American painting, it was sold in 1948 to an Illinois school district for $62.
One of the big names on view, the most important and enduring Modernist, Marsden Hartley (1877–1943), is represented by a characteristically strong still life, "Wild Sea Rose," and the glowering "Whale's Jaw, Dogtown," depicting a boulder-strewn area in Gloucester, Mass. Arthur Dove (1880–1946), America's first Abstractionist, turned out a lifetime of challenging, often enigmatic works. Two paintings from late in his career, "Grey-Green" and "Another Arrangement," showcase his gift for sensitive colors applied to compositions that were considered aesthetically daring in the 1940s.
Three characteristic paintings by Russian émigré Max Weber (1881–1961) document the influence of his teacher, Henri Matisse, and his exposure to and embrace of the European avant-garde early in the Twentieth Century. Both his figural studies, like "Conversation," and Cezannesque still lifes like "Fruit and Wine," are infused with spirituality and drew inspiration from nature and the real world.
As one might anticipate, "House in Provincetown" by Realist Edward Hopper (1882–1967) features the effects of sunlight on the side of a New England white house. Art historian Heather Read suggests that in this oil the artist of American alienation "captures the disquieting effect of a neighborhood submerged in the echoing stillness of Indian summer." It is one of a number of traditional, quintessential American views that were overshadowed by avant-garde images and painters in the postwar show.
Among the more interesting artists in the State Department exhibition who might be classified as fairly famous today are Walt Kuhn, William Gropper and Ralston Crawford. Kuhn (1877–1949), one of the oldest painters in the exhibition, was a key organizer of the Armory Show of 1913 that introduced Modernism to America. Best known for his strong depictions of circus performers, he turned to still lifes, like "Still Life with Red Bananas," late in his career, painting somber-toned compositions reminiscent of Paul Cezanne. "Pine at Five O'Clock," a vigorous rendering of a towering tree, utilized brushwork that echoes his treatment of fit acrobats and clowns. This traditional image made it a safer bet for the cover of Art News than some of the exhibition's more provocative selections.
A rabble-rousing social critic with a brush, Gropper (1897–1977) turned out works that were bound to arouse the ire of critics, yet his stature in the art world was such that he was a clear — if courageous — choice. He was targeted by disdainful congressmen, the House Un-American Activities Committee detailed his long list of "Communist" affiliations and he was later denounced as a subversive and ordered to appear before Senator Joseph McCarthy's "red hunting" committee; he denied ever joining the Communist Party.
Among the three Groppers selected were a powerful painting of human suffering and loss — a woman hopelessly picking through the rubble of her house that has been destroyed by war or an act of nature — and an animated watercolor in which a swarm of ravens is about to descend on a swirl of men so locked in close combat that they fail to notice the threat from above. A 1945 oil, "They Fought to the Last Man," vividly depicts the carnage of war.
Gropper's soulmate Philip Evergood (1901–1973) graphically depicts evil in "Fascist Leader," in which a ghastly skeleton in a fancy blue and gold uniform gestures toward a long line of chained prisoners of war, while an added portent of evil, a second skeleton, hovers above.
Crawford (1906–1978), whose prewar Precisionist canvases were acclaimed, kept painting on the side while serving in the Army Air Force during World War II and right after. Rather than continuing as a Precisionist, he applied a color-filled, semiabstract style to two oils growing out of a commission from the Miller Lighting Company to illustrate its latest light installation at the Curtis-Wright aircraft plant in Buffalo, N.Y. In "Plane Production" and "Wing Fabrication" flattened, simplified forms and large planes of smoothly applied, saturated color suggest aircraft parts that are simplified to the point of abstraction.
Other famous artists displayed include Ben Shahn (poignant temperas of urban poor); Charles Sheeler (precise depiction of automobile spare parts); Georgia O'Keeffe (closeup of an Eastern skunk cabbage and an undulating New Mexico high desert landscape); John Marin (two energetic seascapes) and Jacob Lawrence (panoramic view of Harlem people and buildings).
There are also characteristic works by diverse artists still well regarded today: William Baziotes, Romare Bearden, Charles Burchfield, Werner Drewes, Lyonel Feininger, Adolph Gottlieb, Philip Guston, Yasuo Kuniyoshi, Jack Levine, Loren MacIver, Reginald Marsh, George L.K. Morris and Robert Motherwell.
Among lesser known artists, a Cubist/Fauvist image by Abraham Rattner (1892–1978), "The Yellow Table," stands out, as do colorful, Cubist interpretations of lively New York subway exits and tenements by O. Louis Guglielmi (1906–1956).
It is good to see paintings by numerous artists whose work is too frequently overlooked nowadays: Anton Refregier, Louis Bouche, Byron Browne, Joseph De Martini, Adolf Dehn, Robert Gwathmey, John Heliker, Morris Kantor, Dong Kingman, Karl Knaths, Edmund Lewandowski, Herman Maril, Irene Rice Pereira, Gregorio Prestopino, Boardman Robinson, Mitchell Siporin and Franklin Watkins.
Rounding out the exhibition's survey of 1940s art are interesting works by painters almost completely unknown today, such as Ben-Zion, Rainey Bennett, Douglas Brown, Paul Burlin, Benjamin Kopman, Julian Levi, Lewis Jean Liberte, De Hirsh Margules, Hans Moller, Everett Spruce, Nahum Tschacbasov, Sol Wilson and Karl Zerbe. In a sense, the 1946 project has had a second life, as various university museums, notably the three that organized this exhibition, and galleries that displayed "Advancing American Art" paintings over the years reached countless Americans in their formative years.
Since the curtailed postwar tours prevented a full appreciation of what these paintings had to say about the artists and the period in which they were created, the reunion of their works gives the artists and their original State Department organizers the recognition they deserve.
Moreover, the public debate about the project that raged more than six decades ago — about the value of Modern art, what constitutes a truly American art form and government's role in art patronage — addressed issues still pertinent today.
The 273-page catalog includes images and essays about each work, informative chapters by art historians and appendices documenting exhibition checklists and other useful information. First-rate in every way and published by the Georgia Museum of Art, it sells for $65, hardcover.
The Georgia Museum of Art is at 90 Carlton Street on the University of Georgia campus. For information, 706-542-4662 or www.uga.edu/gamuseum.


text:
Fact Sheet — International Students and Graduates
The number of international students choosing to study in Canada has been on the rise since 2004. Many of those students have options for working during their studies or after they graduate, through the Off-Campus Work Permit Program and the Post-Graduation Work Permit Program.
Advantages to Employers
Hiring a foreign student or a recent international graduate is extremely easy. Both the Off-Campus Work Permit and the Post-Graduation Work Permit are open work permits. This means that employers do not need to apply to Human Resources and Skills Development Canada (HRSDC) for authorization to hire a foreign national (i.e., a Labour Market Opinion).
When employers hire an international student or a recent graduate, it is usually a young person who is forming the skills they will need to be successful in the long term. Employers who take pride in the quality of training and mentorship they provide should find hiring foreign students very appealing.
International students and graduates who are gaining experience in Canadian classrooms and workplaces are also an important source of future permanent economic immigrants. By studying and working in Canada, they are already well prepared for the Canadian labour market. During their studies, they may have learned about the latest developments in an employer's field and bring that knowledge and know-how to the workplace.
With the Canadian Experience Class, the Federal Skilled Worker Program and the Provincial Nominee Program in place, international students or graduates have options if they wish to stay permanently in Canada. Employers may discover that by the time the international graduate employee has become a permanent resident, they have become a truly dedicated employee who will provide many years of service to the organization.
How These Programs Work
Foreign nationals studying full-time at participating publicly funded post-secondary institutions, or in certain programs at private post-secondary institutions, are eligible to apply for an Off-Campus Work Permit (OCWP).
The OCWP allows foreign students to work for an employer off campus for up to 20 hours a week while class is in session, and full-time during scheduled breaks in the academic calendar.
Foreign nationals who have completed a program of at least eight months at a participating Canadian university or college may apply for a Post-Graduation Work Permit (PGWP). The PGWP allows international students who have completed their studies to work for an employer in Canada for up to three years, depending on how long their course of study was.
Facts and Figures
- More than 98,000 international students entered Canada in 2011, an all-time record.
- About 6,700 international students made the transition to permanent resident status in 2011.
For more information, see the CIC website.
Last updated: October 1, 2012
- Date Modified:


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Home Sheerness News Article
A Queenborough woman is the new star of Saturday night TV after making an appearance in an ad campaign.
Mavis O'Callaghan was spotted during a break in ITV entertainment show Take Me Out, which made its return last weekend.
She appears in one of a series of 10-second clips, called idents, for the takeaway ordering website Just Eat, which sponsors the programme.
The 87-year-old is well-known as she was a dinner lady at the three Cheyne schools for nearly 40 years and a governor at Halfway Houses Primary.
The adverts take the format of pairs of people sitting on a sofa having various discussions.
The one with Mrs O'Callaghan sees her talking with a red-haired younger man about ginger hair.
It all came about because her granddaughter, Sue Modral, 39, is employed by advertising firm Karmarama in London which been working on the campaign.
Mrs O'Callaghan said: "My granddaughter works in advertising and every so often she phones me up and I go up to London for the day.
"They were all very nice people. They were all youngsters and they tell you where to go and they work around you. They're ever so good."
It is not her first dabble in the industry, however. Her granddaughter also called on her services for an advert with Sir Ian McKellan a year ago.
It was a campaign for the charity Age UK, in which the Islander's voice was dubbed over the Lord of the Rings actor's as he spoke about some of the hardships faced by the elderly.
Mrs O'Callaghan said: "I had people ringing me up saying is that you?
"I didn't know my voice was so distinctive."
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text:
i have arrived
As fast as I could
As far away as I could get
I stand breathing heavily
And run again
Tears stream down my face
All the pictures vivid
The intimidations
The frustration
The competition
Favouritism, secretive process
I want to get away
As far away as I can
I thought I had a purpose
I had found a life-a part of my dream
I run away
The wind through my hair
Sweat and tears on my brow
The trauma, the bleakness
Then I see a light
The moon high up in the sky
I stop look up and feel it
I am empowered
I feel elated
I am here
I have arrived
I stop running
Yes you have
That's a nice, emotional poem. Hope to read many more.
And yes, you have arrived.
Gertrude (Get rude? Lol) You
Gertrude (Get rude? Lol) You have so much in you.. Phew, where do you find this much energy? Well done dear.. Nice one!
I do not aim for Perfection; Just excellence!
Yes dear, you have arrived.... I loved it...
@chiomachuka on Twitter
Lovely poem
It's good to see you flowing like this again.
I have arrived.
I stop running from the past that can never catch pace with me
For I am a voice
of the future.
Just my little addition :)
from today i live out of my imagination
i am more than my yesterday
tomorrow i plant a new seed
nothing that lies behind easy
nothing that is ahead real
my within is all i have today
*Napo Masheane*


text:
Program Coordinator, EnviroIssues
EnviroIssues is an organization that provides communications and technical expertise to help clients effectively engage the public in complex and controversial environmental projects.
I use my environmental and communications background to provide logistical support on a variety of projects. I've coordinated several successful public open houses, managed project deadlines, and communicated project information to the public. For me, my internship at EnviroIssues opened the door to the vibrant and exciting work I now do fulltime.
Lara Gricar
IAS: Science Technology and the Environment '06
© University of Washington Bothell Privacy | Terms


text:
The Unknown Schubert
Barbara M. Reul, Lorraine Byrne Bodley
Ashgate Publishing, Ltd., Jan 1, 2008 - Music - 263 pages
Franz Schubert (1797-1828) is now rightly recognized as one of the greatest and most original composers of the nineteenth century. Schubert steadily graced Viennese musical life with his songs, piano music and chamber compositions. Throughout his career he experimented constantly with technique and in his final years began experiments with form. The resultant fascinating works were never performed in his lifetime, and only in recent years have the nature of his experiments found scholarly favor. In The Unknown Schubert contributors explore Schubert's radical modernity from a number of perspectives by examining both popular and neglected works. Chapters by renowned scholars describe the historical context of his work, its relation to the dominant artistic discourses of the early nineteenth century, and Schubert's role in the paradigmatic shift to a new perception of song.
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aria artistic B-flat major Beethoven Berio Biedermeier Brian Newbould Byrne Bodley cadence Cambridge University Press character chord chorus Claudine von Villa coda comedy composer composer's compositional context cycle D major Deutsch downbeat dramatic dynamic ensembles Example Ferdinand Ferdinand Schubert Fierrabras final Florinda Franz Schubert G major genre German Goethe Goethe's harmonic hermeneutics hypermeter Ibid impromptus interpretation Johann Josef Kahl Klavierstiick Latin Latin Latin Leiermann Lieder Lorraine Byrne lyric piano piece Mass Mayrhofer measure melody Memnon minor motif musicological musicology Musik musikalische narrative Nebensonnen nineteenth-century Novalis opera orch orchestral Otto Erich Deutsch passages performance phrase Piano Sonata poem published Quartet Quartettsatz rhythm rhythmic Romantic Salve regina SATB scherzo Schubert's music Schubert's setting score second movement Singspiel smaller sacred song stanza strings structure Symphony Tantum ergo tetrachord theater thematic theme third Tomasek tonal tonic University of Regina Vienna Viennese Popular Villa Bella vocal Vofisek Winterreise Wirtshaus


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NBC News projects California and Hawaii will go to Obama, while Romney wins Idaho and North Carolina. And Obama wins Washington, as well. Meanwhile, Colorado, Virginia and Florida are still too close to call.


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So Fustrated!! Please help!! - page 4
Hello, I been reading the advice on all nurses for a while now, but I need some advice of my own please. I'm hoping someone can give me advice on effective ways to help study for my A&P course. I have tried flashcards,... Read More
- 0Jun 1, '11 by EgriffI am in A&P 1 at the moment as well. I HIGHLY recommend looking through the A&P sticky on this website-I found it tremendously helpful. Also, you should figure out your learning style. Do you learn by hearing the material? Are you a kinesthetic learner (learning by doing)? Here's what I've been doing to study, and it seems to work for me.
-Go to ALL labs (obviously), including open labs. And stay until they kick you out.
-study a little bit at a time, frequently! If you study in small chunks, you will retain the information more easily, and all you have to do is review the night before the test instead of cramming.
-Flashcards, flashcards, flashcards.
-Buy page flags and cover the names of muscles and bones in your textbook. (The pictures of muscles in my textbook aren't very good so I found a good atlas to use). Quiz yourself!
-Use page protectors for labeling pictures to your heart's content.
Teach someone else (This one is the absolute best for me). If you can explain it to someone else, then you know that you know the material!
Rewrite your notes. Pretend like you're writing them for a high school level A&P class.
Make sure you have good test taking skills. A person can know all the material forwards and backwards but fail the test because they just don't have good test skills. Universities typically have a department that can help you with study/test skills.
Most important of all, though, is make sure you understand the concepts behind all the "stuff" and how to apply the material. A&P is ANYTHING but rote memorization. It's all about the processes and relationships.
You can do it! I know you can Good luck!
- 0Jun 6, '11 by HeiseCQuote from heather.fFor me, i always got annoyed with hearing myself write on the note pad, so when i recorded my lectures, i hit record and set the pen on the table, or near the teacher (if you feel comfortable that way). Then, I write my notes down on a regular note book. When you upload it, make sure you remember you can slow down the audio, bookmark sections of the lecture that you feel are imortant.@ heisec- I gotta start learning how to use the pen. I start school in Aug and want to know it inside, outside and upside down. Any tips that took you a while to figure out - or quirks about it? Thanks
Also, if you know how to convert your lectures into mp3's, do that and upload them onto a mp3 player of choice, or make a CD for the car. Doing that helps me, because if i can hear the tone of the teacher when talking about a certain answer to a test question, I'm more likley to get it right. If you have any questions or concerns, feel free to message me. Oh, and before I forget, I don't know if the new pen have the same headphones, but if you have the headphones, test out the 3-D recording. I provides a better sound, which reminds me to test out the microphone sensitivity, so that you can get the best recording. Different classroom require different needs.
Hope that helps


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Men's Tennis Swept by Saints
last modified 2010-04-10 05:23 PM
NEW ULM, Minn. - The men's tennis team was unable to notch a point in a 9-0 loss to St. Scholastica Saturday morning.
Scott Henrich (Milwaukee, Wis./LPS) forced his number one singles match into three sets, but ended up losing in the third set 7-10. All other singles matches finished in straight sets. The Saints also swept the doubles matches.
With the loss, MLC dropped to 1-4 on the season and 1-2 in UMAC competition. St. Scholastica improved to 5-8 overall and 4-0 in the conference.
MLC will return to the courts on Monday, April 12, when it hosts Sioux Falls for a 3 p.m. match.


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