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Tuesday 23 Dec 2014
By Adrian Dannatt. Features, Issue 200, March 2009Published online: 11 March 2009
As a girl Patti Smith was shy about her striking looks and skinny physique until a teacher showed her pictures by El Greco, Modigliani and Soutine and soon she was posing with Picasso's Blue Period portraits in front of her mirror. Art freed and sustained Smith to a degree that might surprise those who revere her primarily as the most unique of rock stars. In fact, unable to afford art school, Smith trained to become a school teacher of art before the experience of seeing Warhol's first ever retrospective in Philadelphia inspired her to escape to New York in 1967, aged 20, with just $16. From moving to the notorious Chelsea Hotel with the equally young Robert Mapplethorpe, to cracking the charts in 1978 with "Because the Night" co-written with Bruce Springsteen, Smith has lived a life of absolute creativity and extraordinary diversity. She wrote a poem for Picasso when he died, was adored by Allen Ginsberg and Bob Dylan and her lovers have included the actor Sam Shepard, the poet and musician, Jim Carroll, Allen Lanier of the band the Blue Oyster Cult, and the guitarist Fred "Sonic" Smith with whom she had two children. She first appeared on the cover of Time Out nude in London in 1971, she put out arguably the very first punk rock record "Piss Factory" in 1974, and current company includes everyone from REM lead singer Michael Stipe to the Dalai Lama. But throughout all this Smith has always found time to devote to her first love, art, whether her photography or distinctive drawings, some of which are in the collection of MoMA.
The Art Newspaper: Your "Veils" series of photographs is showing at Robert Miller…Patti Smith: Veils are the touchstone of the show, here is a child's garland that I shot in Moscow. Also I like to visit churches and to photograph their interiors. A lot of these pictures were taken inside churches in Spain during renovation, altar pieces veiled in plastic, I find the net they put over construction very beautiful. Some of these "veils" are more literal, some just an atmosphere.TAN: You take Polaroids but they are then made into prints?PS: I use a very simple Polaroid, a Land 250, which has no negative, so I get a negative made and make ten silver-prints from it. My drawings are time-consuming and intricate and if I sell them, very expensive. So I like doing photographs because I have some young collectors who don't have a lot of money, so I try to make something nice, to please myself but also so they can obtain something that isn't too costly.TAN: Why do use a Polaroid?PS: Because I'm on the road a lot with my band. Having a Polaroid I can take a picture and see it right away, that gives me a sense of accomplishment, I have something in my hand.Also like Robert [Mapplethorpe] I don't take 40 pictures, when we did the cover of "Horses" [Smith's 1975 debut album] he took 12, and one of them was the record cover. But today when I do a photo shoot with somebody they want to take 400 pictures and after 24 I say to them, look, come on, we would have had "Horses" by now! I go out for a walk in a city, say Paris or Beirut, I take ten shots and each one has to have some meaning, I have to really understand the light I want, the moment I want, the image I want, then I can see it, I have it in my hand. It's like creation, I "see that it is good", it's an affirmation.TAN: That affirmation given to you by art at an early age…PS: I can really trace my affinity with visual arts from finding discarded fashion magazines as a young girl, not my mother's, because those magazines were too expensive for her. I was looking through other people's trash for things to cut out and coming across issues of Harper's Bazaar and Vogue from the 1950s. I started digging them out of the trash every month. I realised I gravitated towards certain pictures and the ones I really liked were all by Irving Penn, or Cecil Beaton. I liked the world in these magazines: they would tell you what to wear at a fox hunt, it was as far from my world as you could imagine. We were pretty poor, living in an army barracks in Philadelphia, my father worked in a factory, my mother was a waitress. When I first saw real art in person I was extremely moved that people had created these things, so I decided very early in life that was what I wanted to do.TAN: You visited museums?PS: We were too poor for that, we went one time in my whole childhood to an art museum, the Philadelphia Museum of Art. I was 12 and it was life changing. I was beguiled by Picasso.TAN: When you started living with Mapplethorpe neither of you were taking photographs?PS: No, we spent the whole time drawing, we were just 20, we both put language in our drawings. I read William Blake as a child and I always liked the idea of the handwriting as art—poetry, handwriting, the song and the image all together as one. I studied him very young, copying his writing, trying to make little books as he did.TAN: Did you ever paint?PS: Well I did, but if I have one regret in my life it's that I never really pursued painting. I have a whole big roll of finest Belgian canvas, I look at it every day, I've had that for ten years and keep looking at it.I spent a lot of time with Larry Poons and Brice Marden was a good friend of mine, I must have met him back in 1970. And they influenced me in terms of their work ethic, seeing a painter work with these vats of paint, huge canvases, seeing them working. For me going to visit William Burroughs and seeing him drink Methadone and nod-out was not so interesting, but seeing him working on something, typing away non-stop, was exciting.TAN: You have known very creative people and very destructive ones…PS: I'm less snobby about this now but I used to feel people who had the calling of being artists were extra-special, that this is a gift that should be cherished, so it pained me to see people throw it away.TAN: One could draw parallels between your hand and Beuys.PS: In the late 1960s I was doing fairly sophisticated drawings for a 21-year-old and I was in Paris with my portfolio, I was broke and trying to sell something and I saw a drawing in a gallery window that looked just like mine. So I went in there very confidently and there was this elegant woman who was quite amused by me, I said: "Hey I've got some drawings here as good as that guy in the window." And so she looked at my drawings and actually thought they were very good, she said: "You've done your homework, you've been studying Twombly, the man in the window." And I said I've never heard of this guy. I mean I know that I was heavily influenced by Bob Dylan, I copied him, I dressed like him, I know when someone's a strong influence, and I'd never seen Twombly. Funnily, those drawings I did in Paris in 1969, the Pompidou bought them so they've returned to that city. The woman who looked at those drawings was Ileana Sonnabend.TAN: Do you get the chance to follow much contemporary art?PS: If I have time I'm more likely to go to the opera than schlepping round the galleries. Also a lot of things I see lack soul, they might be clever, or well done, but it's like the difference between listening to Theola Kilgore or one of the great R&B singers then having to listen to Britney Spears. Somebody like Jeff Koons I think is just litter upon the earth, I look at his stuff and I'm appalled, I can't access where these people are coming from.TAN: Though it's theoretically in a direct line from Duchamp.PS: Duchamp I can look at and I see poetry and intellect, I don't see this "cleverness". I'm not interested in just commentary or humour. For me art isn't just commentary, maybe I look at art in the old fashioned way, to me art should take us to a place we have never been, to see something we've never seen. I can't look at a Koons giant dog and be moved.TAN: But he is trying to be genuinely populist.PS: Look, let the populace be "populist". To have to try to be "populist" is pathetic, that is not what we should be trying to do with art. I find Koons's work especially vile, to go into Versailles and have to look at his silliness all through that magnificent building. By contrast I recently helped organise a show in Florence combining Michelangelo's work and Robert's photographs of nudes and of sculpture, and I do see some kind of relationship.TAN: Do you collect at all?PS: I don't really have the money to collect art, if I did I would like a nice little Lee Krasner painting, a little Yves Klein. I do actually have a few nice photographs, two Brancusi photographs. One is really exquisite, I sold a lot of drawings in Paris and instead of taking money I got this photograph. Brancusi took it in Steichen's garden of his own piece of sculpture, because Steichen was teaching him how to print at the time. I mostly have manuscripts, I have H.P. Lovecraft letters, I have a typed postcard of Herman Hesse, I have the first edition of Rimbaud's "A Season in Hell" and I have his carte de visite, I have a few nice drawings of Robert's.TAN: Do you have these manuscripts framed as art?PS: No, I have one manuscript poem in Jim Morrison's hand that Michael Stipe gave me for my 50th birthday and that's in a frame because he presented it to me that way. But my other manuscripts I keep in portfolios because I like to touch them. I have a Glenn Gould and something signed by Maria Callas. Of course I left rock'n'roll just as I was starting to make money but if I had stuck around through the 1980s I might have been able to buy a Krasner.TAN: You sing that Jackson Pollock was a "rock'n'roll nigger", another song is called Blue Poles, rather unusual rock references.PS: It's because I came to rock music organically. I was hoping to be an artist in 1964, I didn't record "Horses" until 1975, all those years I was hoping to be an artist and poet, I didn't really start working on songs until 1970. My connection was all through Bob Dylan and some mergence of poetry and image. It just happened organically from doing poetry readings, then reading a poem was not enough, it did not satisfy my physical need to express myself, it's like if Jackson Pollock had to paint Easter eggs. There was something that drove me, for me being in rock'n'roll is a lot more mystical or mystifying than art. I think that I'm flawed in everything that I do. But it seems like the thing I really know how to do is perform, I have to struggle with my poems, with my lyrics, with my drawings, I have to struggle with everything I do except performing.Going back to Koons, maybe he's just a more generous artist than I am, if he is indeed serving the people with his work, and that is his impulse, but for me that is not my impulse. I don't look to serve the people through art, I serve the gods of Art. I sing rock'n'roll to serve the people. BiographyComing Up: "Veil" at Robert Miller Gallery, New York (19 March-18 April) Born: 1946, Chicago Education: Glassboro State Teachers College, Philadelphia Selected solo shows, 2008: Fondation Cartier, Paris 2002: Warhol Museum, Pittsburgh; Photographic Resource Center, Boston University; Museum Eki, Kyoto; Centre Pompidou, Paris 1978: With Mapplethorpe at Robert Miller Gallery
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"Versailles was the "populist" display of the day. It was an unabashed display of wealth."
That is so true. And I'm also surprised that Patti ignores that. In a historical sense, Koons fits perfectly in a Baroque environment.
Patti Smith's prejudices seem quite powerful sometimes.
ps. I'm not interested in Koons at all though.
Patti you are beautiful. It seems humankind is moving away from individual sensibility and every distinguishing aspect of it, toward an insect-like persona which seeks sameness in every part as validation. Once I thought individuality must triumph because it is the truth of Nature, and that everything that made humankind great was vested in the purest of individual expression. I no longer believe this form must prevail. Now I see ourselves slipping away, voluntarily given up in exchange for nicety and acceptance. Thank you Patti for your great soul in music. Of female vocalists I rank only Billie above you. I am a painter. All my love, Steve Agin
Photography is the opiate of the pupil.
The Playdo Institute
Handel Glassberg, President
Amen Patti. Love you and everything you do. Thank you for confirming my own suspicion - that Jeff Koons produces only vapid semblances of true art. Like the rest of our commercial world, Koons lacks the depth and substance of artistic passion and emotion. He creates cookie cutters and we accept them because they mimic the world around us and we can't see past the construct.
to Alowe, St. Paul and waterballs,
I agree wholeheartedly with water, that patti's comparison is very punk rock. i dont know how you can be a fan of patti and not respect her right to speak her truth, whether it is in her art or in an interview.
Comparing Koons to Britney spears is punk rock at its finest....
Koons' recent populist work is what, a painted BMW car for BMW for what, entering it in the Lemans? Sooo populist! and BMW, ah, yes, the car company that requires at least one of its F1 drivers is German...heh.
Love the abject Koons claiming 'horses' inspired him to move to nyc to become a commodities exchanger by day, and a populist artist by night....
As a great fan of Patti Smith, I was saddened to hear that she doesn't appreciate Koons work. Particularly since Koons has cited her album "Horses" (which is my favorite, by the way) as the reason he moved to New York. It's unfortunate Smith has to be stuck in an out-dated mode of thinking about art, and isn't open-minded enough to accept others.
By the way, Versailles was the "populist" display of the day. It was an unabashed display of wealth. Rococo is exactly on the level of Koons, except without the theoretical back-drop.
Smith, you're still a great poet and I'll always love that. Disappointed to read this though.
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As a great fan of Patti Smith, I was saddened to hear that she doesn't appreciate Koons work. Particularly since Koons has cited her album "Horses"...
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Hello everyone.
I do hope everyone is ok from the storm. I am thinking of you all.
This weekend should be low key I hope. Last weekend was crazy expensive. I have to work for 6 hours on Saturday so that should help. I need a new crock pot and have been putting off buying one. I have done a few things in a roaster but I miss my crock pot and my 30 year old one broke. It was the best crock pot. It just died. I suppose it paid its dues I just miss it lol. I would like one with the center that you can take out and wash. Oh well, not this weekend, but I will break down and get one eventually. I used it a lot.
What is everyone doing this weekend? Spending or laying low?

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Posted Thursday, August 23rd, 2012 at 7:02 am.
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Prior to November 7, 2012: An Eclectic Collection of News, Opinions, and Commentary on Current Events Encompassing the Political, Social, and Religious, with more than a Slightly Conservative Slant. Since July 10, 2013: A collection of erudite quotations from writings dating from Antiquity to the present, that have relevance today but might have been missed by those still clinging to the biased memes of the mainstream media. "Excita Domine, potentiam tuam, et veni."
Monday, March 21, 2011
Claire Berlinski: An Open Letter to Turkey and Israel
Claire Berlinski is not as concerned as some about the drift away from a secular government in Turkey. In fact, she thinks there is a chance that relations between Turkey and Israel can return to what they were not that long ago. She posted this Open Letter to Turkey and Israel at Ricochet.Com, the outstanding Blog she edits. It should be noted that Berlinski lives and writes in Istanbul, and obviously has strong feelings for the country and its people.
There are others who are not as optimistic as Berlinski about the future of Turkey as a secular state, and much less optimistic about current and future relations between Turkey and Israel. You can read some of those views by clicking on the links on this prior post.
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The season of holiday parties is upon us—which means host(ess) gifts are on many of our to do lists. Today's craft is the perfect accompaniment for a bottle of wine or sparkling cider. Using inexpensive wine glasses is perfectly acceptable for the project—these are meant to be fun rather than fine (thrift stores are a great resource for glassware).
You will need:
These glasses should be hand washed, but you may be able to cure the paint by following the paint manufacturer's directions and baking the dry, painted glassware in the oven.
JTofit on December 13 at 4:51 p.m.
Polka dots. There's an idea! Love it.


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If These Trees Could Talk have signed with Metal Blade Records! The post-rock outfit was properly formed in 2005 and has grown tremendously since their humble origins in Zack Kelly's basement as an instrumental project in college.Read More
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Here's a fun way to create a tasteful interpretation of a photograph, requiring some moderate Photoshop skills.
This photograph of an ice cream parlor on Isla Mujeres, off the shore of Cancun, uses a combination of two effects to achieve the final image. Here's the basics of how I did it.
In Photoshop, I copied the original background photo onto two additional layers, and labeled them "Watercolor look" and "Line drawing." (See the Photoshop screenshots)
I selected the "Watercolor look" layer, and temporarily turned off the visibility of the other two layers. I applied Topaz Adjust plug in filter, tweaking the controls until I found a pleasing smooth painterly effect You may find that some of the standard Photoshop filters may give you another pleasant effect.
I then selected the "Line drawing" layer, and temporarily turned off the visibility of the other two layers. At this point, it looked like the original photo. I applied the "Find Edges" filter (Filter > Stylize > Find Edges), getting a colorful line drawing. To turn the line drawing to black, I used Image > Adjustments > Black & White.
To put it all together, I restored the visibility of the "Watercolor look" layer, then changed the blending mode of the "Line drawing" layer to "Darken." In this way, the "Watercolor look" layer showed thru except where the "Line drawing" layer had dark lines. I saved the result.
Hint: If you try this technique, and you may find that the line drawing is not bold enough. If so, select the "Line drawing" layer, apply some Gaussian Blur to it (Filter > Blur > Gaussian Blur) to fatten-up the lines. Use Levels (PC: Ctrl-L, Mac: Command-L) to keep just the darkest parts of the fat lines.
I used Photoshop CS4 and Topaz Adjust 3, however, any recent version of these programs will suffice.
Give this idea a try with some of your own photos, and have fun!
Prints and gifts containing this image are available in my gallery.


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The Disarmament Commission is clearly at a crucial stage in its work. In putting forward the views of my Government I am impressed by the responsibility that rests upon each one of us. Some of the outstanding political problems that undermine international confidence at the present time would themselves appear in a new and less difficult light if the world could make some progress towards agreed disarmament, under effective international control. What the world expects of us at the present time is not fine phrases and propagandist declarations, but a realistic discussion looking to the solution of the practical difficulties that stand in our way.
I am sometimes asked by my colleagues and by members of the public outside Australia why the Australian Government takes such a vigorous and sustained interest in the work of the United Nations on disarmament. After all, people say, Australia is not one of the great powers. She is situated far distant from the traditional points of outbreak of world wars, she is separated from other land masses and centres of population by considerable stretches of ocean, she has never maintained large forces in time of peace. Why then should Australia take such an interest in disarmament? Why should Australia be so anxious to express views concerning forces and weapons which Australia herself does not have? And why should Australia be so concerned with the threat of the ultimate (or is it now merely the penultimate?) weapon-the hydrogen bomb-the secret of which and the means of manufacture of which are so far possessed by only three countries2 situated at great distance from Australia?
The answers to these questions seem clear enough to the people of my own country, but perhaps I should say a word about them before putting forward Australia's views on the present stage of the Disarmament Commission's work.
Basically the Australian outlook on disarmament springs from our relations with our kinsmen of the British Commonwealth and with friendly countries, such as the Western members of the Disarmament Sub-Committee. The members of my delegation and, indeed, our fathers before us, have grown up and lived with the simple fact that, if our kinsmen of the United Kingdom or Canada were attacked, Australia would be immediately involved in war. As the world situation has developed over recent years, and particularly as a result of the second World War, this acceptance of Australian involvement in the world security situation has broadened and deepened. For example, I should not imagine that there are today many Americans or indeed Frenchmen, who would seriously believe that in the event of aggression against the United States or France, Australia would be a disinterested spectator on the sidelines.
[matter omitted]
In Australia we live on the edge of Asia, where teeming millions are awakening to the possibilities of a better life, through the application of scientific knowledge to the tasks of production, and the principles of social justice to the problems of distribution. Within our limited means, we are giving what assistance we can to neighbouring countries which are laying the foundations for unprecedented economic and social progress. But we see clearly (sometimes, it seems to us, more clearly than some of our neighbours) the extent of the dangers that political insecurity, subversion, and international conflict hold for human progress in this region. Of all areas in the world perhaps the under-developed countries of Asia can least afford to divert manpower and capital into armaments; but what real assurance have they that they can safely ignore the menace to their independence and their freedom, and concentrate all their efforts upon economic and social development? At the present time, Australia with Iran is the only representative in this Commission of an enormous area stretching from the Mediterranean Sea to the Pacific Ocean. We cannot fail to be impressed by the need of this area for a major relaxation in world tension and for rapid progress towards world-wide disarmament.
With considerations such as these in mind, the Australian people earnestly desire the adoption of a world-wide system of agreed and controlled disarmament, as an evidence of reduced world tension, as a contribution to world security, and as a relief from the burdens which modern armaments impose. Our people desire this so earnestly that they would undoubtedly be prepared to accept such inconveniences and hazards as controlled multilateral disarmament would impose upon us, and our people recognise that the prime need at present is for the Great Powers to reach agreement upon practicable and acceptable measures to make such a system possible. However, when we are confronted, as we are today, by the prospect of long-drawn-out negotiations, and at best a gradual approach towards world disarmament through successive stages, Australia is obliged to consider not only the end objective, but also her own security situation at various stages along the way. This is what I had in mind when in January I reminded the Commission that all countries have the right and responsibility to make their voices heard in consultations leading to the reduction of armaments, to ensure that particular problems which may seem insignificant from the point of view of a great power, but may affect the destiny of small nations, are taken fully into account. Moreover we, and our friends in Asia, have special security problems in our own region, which inevitably influence our attitude towards the details of such partial disarmament plans as may be developed by the Great Powers.
[matter omitted]
In short, Australia regards the problem of control and verification as crucial, and our attitude towards particular measures of disarmament that have been proposed, or are proposed in the future, will be greatly influenced by the progress made towards the institution of an effective control. Whilst the negotiation of substantial measures of disarmament must proceed concurrently with the elaboration of the control system, since the nature of the necessary controls must depend upon the nature and extent of actual disarmament that is envisaged, the establishment of the control system, or appropriate parts of it, must in our view, precede the actual implementation of the agreed measures of disarmament. Hence, I repeat, we should make an early start to learn something of the practical problems that will arise in the setting up and operation of such a control system.
Having, I trust, made our position clear on that point, I should like to offer some comment, from an Australian point of view, on certain of the issues that have arisen regarding particular measures of disarmament. In accord with the spirit of realism and frankness which has animated the Commission's debate so far, let me say plainly that Australia's own geographical situation, and our own regional security problems have an important influence upon our assessment of such problems as those relating to the levels of forces and those arising from the development of nuclear weapons.
An Australian cannot fail to be struck by the fact that disarmament programmes of the Great Powers place tremendous emphasis on what might be called the European and North Atlantic areas. We do not of course quarrel with this approach since it is probably true, at least for the present, that the European and North Atlantic area remains the determinant area in terms of world strategy and military and economic power. But even assuming (and it is a dubious assumption) that this state of affairs will continue indefinitely, there are considerations affecting other parts of the world which are particularly important in relation to the various stages of a general disarmament plan, or to any partial programme. For instance, any disarmament formula fixing the size of forces must take account of essential strategic considerations, in addition to political, economic and demographic facts. The preoccupation of the Great Powers with such considerations from their own points of view, was of course apparent in the discussions that took place in the Sub-Committee. These considerations are particularly important to Australia, and assume a special form for Australia, because of her size, her location, her limited population, and her dependence upon sea and air communications. We recognise that the question of force levels in any agreed disarmament plan must obviously be the subject first of negotiation between the Great Powers. Until some progress is made in actual reductions it will be difficult to determine what the ultimate levels should be; and in our view those levels would need to take account of the responsibilities of the Great Powers in relation to collective security problems in Asia as well as in other areas. It is common knowledge that present Communist military manpower in Asia (particularly if Soviet Asia is included) enormously outweighs the military strength maintained by the non-Communist countries in Asia and the Pacific area. Very considerable political consequences might flow from sanctifying such military predominance through levels of forces arrived at in purely global terms.
The negotiation of force levels must therefore take account of the effect of any such agreement upon the security of smaller countries in various parts of the world, and upon the forces which those smaller countries will need to maintain themselves. The levels of forces that would be appropriate for a country such as Australia in an international system of disarmament would obviously depend upon considerations such as I have mentioned; and the fact that we have never maintained large forces in peace time makes such considerations all the more important for us.
Similarly the situation of Australia in relation to the enormous and rapidly expanding populations of Asian countries under Communist domination lends special weight, in our thoughts, to the consideration that the prohibition of nuclear weapons should be preceded and accompanied by major reductions in conventional weapons and forces to agreed levels, carried out to an agreed time-table, and subject to effective international control of a kind that inspires the confidence of all nations. Our ultimate, and I trust not too distant objective, must of course be a disarmament programme that will also remove forever the fear of nuclear attack. But it seems clear that in the present stage of scientific knowledge our main hope must be in the development of measures to prevent the possibility of surprise attacks, and such measures should be integrated with the controls that will be needed to verify agreed reductions in conventional armaments and forces.
[matter omitted]
[NAA: A1838, 80/5/2 part 1]


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Direct Entry Programs- Does ranking really matter?? - page 2
For Direct Entry Graduates----- Does the rank of the program truly matter?? I am trying to decide what program is best for me and get through a good program with the smallest amount of debt. My speciality is FNP and the more hcp... Read More
- 0Feb 21, '13 by BCgradnurse GuideI found that most employers were more concerned over my lack of NP experience than RN experience.
- 0Feb 26, '13 by AdeniumTake a look through the postings here. Many many frequent requests for help in finding a preceptor. People have to be really proactive, and depending on their area or timing of their rotation may just be unlucky. Unfortunately they don't necessarily have the option to just defer - they need a site.
My program asks that you send in names/sites if you have them and would like to go there, but they do place everyone. Bit of a squeeze this year as we're the first FNP vs. adult cohort. I wouldn't want to have to find my own - even if you find them it might not be a good site for learning. Too much stress already never mind cold-calling offices.
If you are debating between two schools, why not ask if they can put you in touch with recent grads or people enrolled now? That would give you the best read on local options.
- 0Feb 26, '13 by litchick91Does anyone have information regarding finding one's own clinical placements? I'm planning to attend Vandy (one of the programs that requires students to find their own clinical placements if they are out-of-state), and I'm curious to learn about other students' experiences with finding clinical placements at schools like Jeff and Vandy.
- 0Feb 26, '13 by bbccWhen I went to my info session at Vanderbilt, they said they had never had a student unable to graduate because of not being able to find a clinical placement. It seemed like they give you more-or-less a pre-approved list and you just have to take the step of actually calling. This doesn't seem to be the case for a lot of other schools, since their students are frequently posting on here about being unable to find preceptors, so I don't know what the difference is, but I didn't get the impression it would be a problem at Vandy. They even have a staff person who helps with clinical placements, so I think it really is just, we have some autonomy and learn professional skills in terms of setting it up, but we're not just left for the wolves.


text: Eileen Davidson Leaving Days of Our Lives Aug 06 2013, 11:30 AM by Aaron Hagey-McKay Eileen Davidson with her husband, Vincent Van Patten. Photo by Getty Eileen Davidson is leaving Days of our Lives after a year as Kristen DiMera, the bombshell villainess with vengeance in her heart. Her return came after a 14-year absence from the show, appearing as Ashley Abbott on the Young and the Restless. With that news hitting the internet, fans bombarded her with questions, concerned that her exit meant she was on bad terms with the show or that her family situation was in trouble. Davidson took to Twitter to thank and reassure her fans about her that this exit is amicable: You're all so awesome! I didn't get fired. My family is fine. Thanks for your love and support! xoxoxo — Eileen Davidson (@eileen_davidson) July 31, 2013 Executive Producer Ken Corday told Soap Opera Digest, that the official word from Davidson is that she is leaving to take a break and spend time with her family, and she's not leaving for another show. Corday also thanked Eileen Davidson for her return, calling it, "the first shot in the arm we [at Days of our Lives] needed." But worry not fans; although she finished taping on July 16th, they shoot so far in advance, there will be months to come of her character tormenting the denizens of Salem. And apparently her exit will be something to see, with Corday - a man who has seen many on camera dramatic performances in his time – saying that, "The Kristen story wrap-up is just fantastic; she was just glorious." 10 reasons we'll miss Kristen DiMera 1. The way she calls her brother E.J. "Eeeje" 2. Her cries. 3. Her devious, innocent smile. 4. Her willingness to drug a Priest and have sex with him on camera. 5. Her wardrobe. 6. Her flashback moments 7. Her mastery of disguise 8. When she gets drunk 9. Her hatred of her nemesis Marlena 10. Her being a total cradle-robber with Brady What will you miss the most about Kristen DiMera, soap fans? _______When is Days of our Lives on TV? In Canada, Days of our Lives airs weekdays at 1.00 et/pt on Global TV Where can I watch Days of our Lives online for free? GlobalTV.com/daysofourlives/index.html streams full episodes of Days of our Lives online for free - episodes are typically posted the day after the initial on-air broadcast.


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Validating multiple pull down menus with javascript
Hey guys. I'm working on a website and could use your help.
So I have a form. The form lists all of the users on my website, and next to each username is a pull down menu which lists that users "position" on my website. There is one pull down menu per user.
The form/pull downs are generated using PHP, so the form content (and the names of the pull down menus) is ever-changing depending on the users subscribed to my website. However, all the pulldown menus have the same basic format for their name: position_change_<username>
For example, one row of the form might have the username "aganrp6" followed by a pull down menu with the following code:
<SELECT name="position_change_aganrp6" style="background: #EABD6E;"> <OPTION value="EIC" >Editor-in-Chief<OPTION value="ME" >Managing Editor<OPTION value="SAE" >Senior Articles Editor<OPTION value="AE" SELECTED>Articles Editor<OPTION value="EE" >Executive Editor<OPTION value="EOE" >Executive Online Editor<OPTION value="SNC" >Senior Notes and Comments Editor<OPTION value="NC" >Notes and Comments Editor<OPTION value="RE" >Research Editor<OPTION value="BE" >Business Editor<OPTION value="SE" >Symposium Editors<OPTION value="Spader" >Spader<OPTION value="Alumni" >Alumni </SELECT>
I'm not really sure where to begin with identifying all of the pull down menus, since they have ever-changing names (though they all have the same format). Help!
Last edited by icydash; 02-12-2013 at 04:38 AM.
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Never mind, figured it out:
Code:function checkEOE() { var cont = 0; var inputs = document.getElementsByTagName('select'); for(var i = 0; i < inputs.length; i++) { if (inputs[i].value == "EOE") { cont = 1; document.getElementById("update").disabled = false; } } if (cont == 0) { alert("You must select someone to be the EOE."); document.getElementById("update").disabled = true; } }
Seems easy enough.
But your HTML is both invalid and ancient.
Tags nowadays are lower case and <option> must be closed with </option>.
You HTML will not pass w3c validation.
I'm not sure your idea to disable the submit button is a good one. What happens is somebody choose the right value, so the the button gets enabled, and then they go back and change to the wrong value? You'd have to re-disable the button.
But you won't KNOW that this particular <select> was the one that *HAD* been right, so you have to go check *all* of them, again.
I'm going to code it that way, but you will need to think about it.
An optimist sees the glass as half full.
A pessimist sees the glass as half empty.
A realist drinks it no matter how much there is.
And alert( ) is considered to be obsolete. It can be blocked by the user in most modern browsers.
And if you simply return after setting disabled to false you don't need the cont variable, at all.
An optimist sees the glass as half full.
A pessimist sees the glass as half empty.
A realist drinks it no matter how much there is.


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|American Standard Version (ASV)
|New International Version (NIV)
|2 the elder women as mothers; the younger as sisters, in all purity.
|2 older women as mothers, and younger women as sisters, with absolute purity.
|The American Standard Version is in the public domain. (The American Standard Version Bible Online)
|Scripture quoted by permission. Quotations designated (NIV) are from THE HOLY BIBLE: NEW INTERNATIONAL VERSION®. NIV®. Copyright © 1973, 1978, 1984 by Biblica. All rights reserved worldwide. (New International Version Bible Online)


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tag:blogger.com,1999:blog-2968710057868332316.post5924100830144964403..comments2014-12-18T01:49:18.282ZComments on MakeupSavvy - Makeup And Beauty Blog: Cosmopolitan Blend Perfection Sponge ReviewFee - Makeup Savvyhttp://firstname.lastname@example.com:blogger.com,1999:blog-2968710057868332316.post-61807340716843203522011-01-24T10:09:45.240Z2011-01-24T10:09:45.240ZOhhh I've been using the Ruby&Millie spong...Ohhh I've been using the Ruby&Millie sponges (yay to the £5 off voucher) but this just looks too cool to pass up on!

I have dry skin and I hate applying foundation with a brush.

Sponges are the way forward!
I must get my mitts on this :) xHarrriiiethttp://firstname.lastname@example.com:blogger.com,1999:blog-2968710057868332316.post-60900053625680145872011-01-01T01:55:22.613Z2011-01-01T01:55:22.613Z@Meowcake - Only ever used it with liquid products...@Meowcake - Only ever used it with liquid products, so can't really say. But I think it only works with liquid/creme products as you need to wet the sponge first...so I think it would just pick the product up off the skin..if that makes sense!

Fee xAbout Makeup Savvyhttp://firstname.lastname@example.com:blogger.com,1999:blog-2968710057868332316.post-70823596443975339102010-12-30T02:07:01.375Z2010-12-30T02:07:01.375ZWow your skin looks amazing with it Fee, I got a s...Wow your skin looks amazing with it Fee, I got a superdrug's voucher for Christmas so I will have to pick one up next time I'm there. I did have a sponge but it ate half the foundation before it had even reached my face. I think this would be great because I get spotty and I think it may be because I apply it with my hands and maybe it would improve it a little and give better coverage. Great review and adding it to my list xxxVintage and Cakehttp://firstname.lastname@example.com:blogger.com,1999:blog-2968710057868332316.post-36798969938378678952010-12-29T23:17:02.708Z2010-12-29T23:17:02.708ZI always check my local superdrug for this but the...I always check my local superdrug for this but they never have it! Next time I am further afield I will look again. It looks lovely =D xPyxieehttp://firstname.lastname@example.com:blogger.com,1999:blog-2968710057868332316.post-56166542553013596662010-12-29T19:06:16.370Z2010-12-29T19:06:16.370ZWOW, I'm going to agree with several ladies he...WOW, I'm going to agree with several ladies here and say FLAWLESS SKIN.
I've been looking at this whenever I go into Superdrug and wasn't 100 % sure, got to say you've sold me on this :o)LaaLaa Monroehttp://firstname.lastname@example.com:blogger.com,1999:blog-2968710057868332316.post-22328444440470638472010-12-29T18:48:00.894Z2010-12-29T18:48:00.894Zyour skin looks flawless! i've been wanting t...your skin looks flawless!

i've been wanting to try a beautyblender-esque sponge but i haven't found an inexpensive one in canada yet. i'll definitely be on the look out, though :)dani@callitbeautyhttp://email@example.com:blogger.com,1999:blog-2968710057868332316.post-35957635549045323192010-12-29T18:28:31.257Z2010-12-29T18:28:31.257ZOhh, that looks good. I've always wanted to tr...Ohh, that looks good. I've always wanted to try the Beauty Blender but could never get one easily, this might be something to try when I have some pennies.Clairehttp://firstname.lastname@example.com:blogger.com,1999:blog-2968710057868332316.post-45556267791617400292010-12-29T16:51:04.482Z2010-12-29T16:51:04.482ZThis is so amazing thnx fr letting us know about i...This is so amazing thnx fr letting us know about it ur very pretty btw xHoudahttp://email@example.com:blogger.com,1999:blog-2968710057868332316.post-27845634482131921922010-12-29T13:53:11.177Z2010-12-29T13:53:11.177Zyour skin looks flawless xxyour skin looks flawless xxroshashttp://firstname.lastname@example.com:blogger.com,1999:blog-2968710057868332316.post-83742133663019612802010-12-29T12:32:01.644Z2010-12-29T12:32:01.644ZYour skin looks amazing! I was umming and awwing o...Your skin looks amazing! I was umming and awwing over this a few weeks ago but I may just have to buy it now after reading this :)
xDanihttp://firstname.lastname@example.com:blogger.com,1999:blog-2968710057868332316.post-1527802207289545512010-12-29T12:05:05.306Z2010-12-29T12:05:05.306ZI have one of these too and I absolutely love it! ...I have one of these too and I absolutely love it! Your skin looks incredibly radiant and dewy, which is even more impressive considering second skin normally settles quite flat. Great review for a great product!

xThe Beauty Bitehttp://firstname.lastname@example.com:blogger.com,1999:blog-2968710057868332316.post-62980940832024106262010-12-29T11:18:57.331Z2010-12-29T11:18:57.331ZI only use powder/mineral foundation. Would you sa...I only use powder/mineral foundation. Would you say the sponge is better for just liquid foundations etc?Meowcakehttp://firstname.lastname@example.com:blogger.com,1999:blog-2968710057868332316.post-50766011467160576072010-12-29T11:01:19.374Z2010-12-29T11:01:19.374ZOh this is good to know! I hardly ever use a spong...Oh this is good to know! I hardly ever use a sponge for foundation but I hate using my fingers! Your skin does look great with it :)Nic's Notebookhttp://email@example.com


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Your Fisher Center scientists have just published their third significant finding in nine months. Congratulations to Dr. Greengard and his team of leading researchers. Read the latest expert reviewed news below.
Your ALZinfo Team
|Latest Alzheimer's Disease News In Review
|Fisher Center Scientists Show That Anti-Inflammatory Drugs Reduce Effectiveness of SSRI Antidepressants
Scientists have shown that anti-inflammatory drugs, which include ibuprofen, aspirin and naproxen, reduce the effectiveness of the most widely used class of antidepressant medications...
|Speaking Two Languages May Help Keep the Brain Sharp
Men and women who are fluent in more than one language may be protected in part from the memory ravages of Alzheimer's disease...
|Brain Changes May Be Early Clue to Alzheimer's
Researchers are discovering subtle changes in different areas of the brain that may be early clues to the onset of Alzheimer's...


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Reviewed By joseph g (ST. PETERSBURG, FL) —11/21/2014 6:17 AM
Easy to put together and use
Reviewed By Julio B (fort lauderdale, FL) Reviewed for a 2003 Ford Econoline —10/7/2014 8:21 PM
Well made, highly recommended item. Get hot but it is "normal" (manual owners explained). When in use, the compressor doesn't stay in a place due to the vibration when the pump is working. I can live with it. Is not so slow to put the air in a truck tire. 20 psi in about few minutes (less than 5)
Know before you buy! Read customer reviews about VIAIR Suspension Systems or ask our Product Experts.


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