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MXR ZW44 Zakk Wylde OverdriveThe Zakk Wylde Overdrive is your pedal. Looking for a great overdrive? How about a front end boost on your tube amp? From crunchy rhythm tones to screaming leads, MXR delivers the drive like a rock 'n' roll pizza boy.$99.99
MXR MC404 CAE Wah PedalThe Dunlop MXR MC-404 CAE Wah Pedal is about as versatile as a Wah-Wah can get. Featuring two selectable voices and a built in line driver, the Dunlop MXR MC-404 CAE Wah Pedal is the one you have been looking for.$169.99
MXR MC402 CAE Boost / OverdriveMXR and Bob Bradshaw present the MC-402, a CAE Line Driver with an overdrive built in as well. The CAE Boost/Overdrive features the transparency of the Line Driver coupled with warm overdrive, from bluesy crunch to screaming lead!$139.99
MXR MC401 CAE Boost / Line DriverThe MXR MC-401 Custom Audio Electronics Boost / Line Driver pedal is a great clean boost for your pedalboard. The CAE Boost is great for boosting signal on long cable runs too. Check out the The MXR MC-401 CAE Boost / Line Driver.$99.99
MXR M87 Bass CompressorThe MXR M87 Bass Compressor is an actual, full-featured studio compressor in a stompbox. Featuring Constant Headroom Technology, the MXR M87 Bass Compressor is a totally transparent compressor that allows your full dynamic range to shine through.$189.99
MXR M82 Bass Envelope FilterThe MXR M82 Bass Envelope Filter is an all new filter pedal from MXR for you four stringers. The MXR M82 Bass Envelope Filter is an analog filter that yields classic funk tones for any bassist. The MXR M82 Bass Envelope Filter, hey if it's good enough for Marcus Miller, it's good enough for you.$149.99
MXR M81 Bass PreampThe MXR Bass Preamp combines a pristine bass preamp with a studio-quality Direct Out in a Phase 90-sized box, providing clear tone without hogging precious pedalboard space.$169.99
MXR M78 Custom Badass 78 DistortionThe all new MXR Custom Badass 78 Distortion is here. Built road tough the MXR Custom Badass 78 Distortion is a hot-rodded distortion circuit designed to bring that big amp tone to any rig.$89.99
MXR M75 Super BadassMXR's Custom Badass™ team is at it again, this time with the Super Badass Distortion—nothing but rock housed in a sturdy stompbox, bringing you decades of analog distortion that covers the whole spectrum of rock to metal and beyond.$99.00
MXR M68 UnivibeThe MXR team has just remastered the classic effect for modern players. The MXR Chorus/Vibrato delivers the same chewy, Leslie-sounding goodness with a smaller footprint.$129.99
MXR M288 Bass Octave Deluxe PedalThe MXR M288 Bass Octave Deluxe is the newest octave on the block and MXR has really done it this time. Dual blendable octave tones and a mid boost make the MXR M288 Bass Octave Deluxe the most versatile octave around.$149.99
MXR M264 FET DriverThe FET Driver thickens up lead tones with musical, amp-like distortion and sustain without the fragility and inconsistency associated with tubes.$149.99
MXR M237 DC Brick Power SupplyPut an MXR M237 DC Brick on your pedalboard and never worry about batteries again. The compact DC Brick has 8 9-volt outputs and 2 18-volt outputs for a total of 2,000 mA with short/overload protection. Comes with 18v AC adaptor and 10 connector cables.$119.99
MXR M234 Analog ChorusThe MXR M234 Analog Chorus is a true bucket-brigade chorus pedal that packs tons of vintage shimmer and swirl. Dial in the amount of chorus then use the Hi and Low frequency cut knobs to dial in the tone and the MXR M234 Analog Chorus will give you exactly what you're after.$99.99
MXR M195 Noise ClampCrank it up without the noise with the MXR M195 Noise Clamp. Designed to give up to 26db of noise relief, the MXR M195 Noise Clamp is perfect for the high gain player looking to quiet down the background and let the guitar shine through.$89.99
MXR M173 Classic 108 Fuzz PedalThe MXR M-173 Classic 108 Fuzz pedal is basically a FuzzFace in a smaller box. The BC-108 Fuzzface was recreated in the compact monster known as the MXR M-173 Classic 108 Fuzz Pedal.$129.99
MXR M169 Carbon Copy Analog DelayThe MXR M-169 Carbon Copy Delay pedal is the newest in analog delay. True bypass, bucket brigade technology, and all analog circuitry yield sweet, warm analog delay with switchable modulation. The MXR M-169 Carbon Copy Delay, check it out.$149.95
MXR M134 Stereo ChorusThe MXR M134 Stereo Chorus is a gorgeous sounding chorus pedal from legendary pedal manufacturer MXR. The MXR M134 Stereo Chorus features true stereo operation as well as a Bass Filter switch for keeping low end intact. The MXR M134 Stereo Chorus, it's bringing chorus back.$169.99
MXR M133 Micro Amp Clean Boost PedalThe MXR M-133 Micro Amp is an affordable clean boost pedal designed to give a boost to your amps front end or balance out instruments with different output levels. Check out the MXR M-133 Micro Amp and give your rock a boost!$79.99
MXR M117R FlangerIt's back! The MXR M-117R is a faithful reproduction of the original MXR Flanger. Whether you like jets or rocket ships, this flanger has you covered. The M117 even let's you disengage the auto sweep and adjust the frequency any way you like!$169.99
MXR M116 Fullbore Metal DistortionThe new for 2009 MXR Fullbore Metal M-116 Distortion unleashes viscous metal tones in compact case. If you are looking for over the top distortion with sweepable mids and a built in gate the MXR Fullbore M-116 Metal Distortion was made for you.$99.99
MXR M109 6-Band EQThe MXR 6-Band EQ covers all the essential guitar frequencies, with each slider ready to deliver +/-18dB of cut or boost for incredible control over your sound.$79.99
MXR M108 10 Band EQThe MXR M108 10-Band EQ provides control over 10 of the most used frequencies. The MXR M108 has 12db of cut or boost via input and output sliders.$119.99
MXR M107 Phase 100The MXR Phase 100 is the Phase 90 redefined. Preset intensity selections let you shape your phaser tone to fit your style! The Phase 100 is another brilliant MXR creation for the stompbox enthusiast!$129.99
MXR M104 Distortion +The MXR M104 Distortion + is a soft clip, germanium diode distortion designed for those classic tones. Get everything from rich distortion to vintage overdrive or use the MXR M104 Distortion + to enrich an already dirty amp for over the top lead tones.$79.99
MXR M103 Blue Box Fuzz Octave PedalMore low end than your neighbor's lowrider, the MXR M-103 Blue Box Fuzz Octave pedal will scream its way into your heart. Fuzz and two octave down duplication makes the wet signal from the MXR M-103 Blue Box Fuzz pedal chaotic yet friendly.$79.99
MXR M102 Dyna Comp Compressor PedalThe MXR M-102 Dyna Comp Compressor pedal is a classic by MXR that gives you control over level and sustain. Get clean, plucky country tones or super sustained screamer leads with the MXR M-102 Dyna Comp Compressor pedal.$79.99
MXR KFK1 Kerry King 10-Band EQThe KFK-1 pushes the classic MXR 10-band EQ into new territory, allowing you to punish not just one, but TWO amps at the same time. Scoop your mids to chunk out the thrash. Boost 'em to scream a lead over the mix. Check out the MXR KFK-1 EQ.$139.99
MXR EVH90 Phaser PedalEddie Van Halen and MXR have done it again! The classic Phase 90 tones in a sweet EVH striped case. All this plus a "script" switch to give you the classic script logo Phase 90 tone. The MXR EVH-90 Phaser pedal will rock you like it's 1984!$129.99
MXR EVH117 Eddie Van Halen FlangerThe choice of the Master! Eddie Van Halen and MXR teamed up to bring you the EVH-117. This classic bucket-brigade MXR Flanger features the EVH switch that calls up that classic Eddie Van Halen flange that made the original Van Halen tone.$189.99
MXR DD11 Dime DistortionThe MXR Dime Distortion is nothing but pure gain and distortion. Designed without "warm" or "boutique" in mind, the DD-11 was made purely for sonic mayhem. A 3-band EQ and Scoop switch, make the MXR Dime Distortion a must in any metal arsenal.$129.99
MXR Custom Shop MicroAmp+ CSP233For more than 20 years, the MXR Micro Amp has been a staple among the world's top artists because of its ability to boost and sweeten up your guitar or bass tone and drive the front of your amp. The MXR Custom Shop team has combined those features with a specially-tuned EQ section a... read more$119.99
MXR CSP204 Custom Comp DeluxeUndoubtedly, MXR has taken then next step in the hallowed Dyna Comp series, feature-wise. But the sound should be the player's reason to rejoice. It's everything you ever liked about the Dyna Comp but with none of the detractors. Simply put, it's the next step in the Dyna Comp timeline.$159.99
MXR CSP203 La Machine Octave FuzzThe MXR Custom Shop La Machine serves up thick, shaggy retro fuzz that's tailor-made to drive the raw sounds of '70s-style hard rock and modern garage rock.$139.99
MXR CSP101SL Custom Shop Script Phase 90The MXR Script Phase 90 is a recreation of the original script logo pedal that made the phaser an effect to remember. The latest version of the MXR Script Phase 90 features an LED and a power jack as well as that sweet, sweet tone.$99.00
MXR CSP099 Custom Shop Phase 99The MXR Custom Shop Phase 99 opens up the sonic palette of the iconic Phase 90 by combining two phase circuits into a single Phase 90-sized housing. Separate rate controls for each circuit allow you to create intense complex phasing.$169.99


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Prado Museum
Matias Costa for The New York Times
News about Prado Museum, including commentary and archival articles published in The New York Times.
For many years, the Prado was almost a secret in plain sight. Years of Spanish isolation, neglect under Franco, then institutional incompetence, compounded the impression of narcolepsy. Melancholy reports of leaks in the ceiling, or yet another director promising change before evaporating, overshadowed the odd loan exhibition. Save for busloads of Japanese tourists, the world simply seemed to pass the Prado by.
Truth be told, it was nice. While every other museum concocted Monet blockbusters and fancy new buildings by celebrity architects to name after trustees and satisfy the bean counters who judge success by the number of visitors through the turnstiles rather than by the quality and care of the collection, the Prado stuck with Velázquez and Goya and Titian and Tintoretto in rooms of increasingly shabby grandeur. Before such pictures, nothing else really mattered.
That was then. The Prado has in the last several years hired a crew of gifted young curators under an ambitious young director with Byronic good looks named Miguel Zugaza. Now there's a serious and world-class exhibition program, more than two million visitors annually and a 237,000-square-foot extension.
It's said to have cost several times more than was budgeted; but then, so did your kitchen. The final price tag was $219 million. Devised by the 70-year-old Spanish architect Rafael Moneo, it moves the museum, stuck so long in the 19th century, into the 21st by modernizing and rationalizing what had become, willy-nilly, a haphazard and disorganized physical plant.
Before, whenever an exhibition went up, some of the permanent collection had to come down. Galleries became storage rooms for lack of better places to put the art. Visitors came through side doors not designed to handle mobs, because there was no functional main entrance.
The extension, by freeing up space in the original building (half again as many paintings will have room to go on view), deals with such unglamorous necessities as a new, centralized point of entry, rooms for temporary shows (totaling 15,000 square feet, no minor addition), a lecture hall and -- replacing a gulag-style basement cafeteria -- a new cafe, all black marble and wood. The cafe is comically small, which actually speaks well of the museum's priorities. The whole enterprise has the remarkable (for these days) goal of letting the museum do what a museum is supposed to: show its collection better. The plan is so conservative that it's radical.
The old Prado, a stolid neo-Classical behemoth with various expansions added to it since the early 19th century, naturally became an object of Spanish veneration over the years. Frankly, it's not a particularly graceful work of architecture, but love is blind. The museum's new, centralized entrance smartly revives Juan de Villanueva's original 1785 plan, connecting what's called the Velázquez door, facing one of Madrid's great boulevards, to a new vestibule. The vestibule is shaped like an apse, in stone and bronze, with walls colored what Mr. Moneo calls Pompeiian red, although you might find yourself thinking of a watermelon.
From the vestibule, Mr. Moneo leads visitors toward a second, huge wedge-shape lobby, cut into the slope behind the old museum, with a bronze ceiling and floor-to-ceiling windows. From here you reach the new galleries for temporary shows. The structure's best feature is a rooftop garden, fitted seamlessly into the streetscape and planted with handsome box hedges. The plan otherwise plainly solves a thorny architectural problem: how to shoehorn various basic services underground and behind the old building, then connect the old museum to a 17th-century cloister a block away.
The cloister of the Jerónimos, as it's called, long a local wreck, became cannon fodder for the French 200 years ago and was left to crumble under Franco. Nobody paid much heed before the museum announced in the 1990s that it would take over the site, after which neighbors, foreseeing years of noisy construction, declared the expansion plan a sacrilege.
Endless haggling and a slew of editorial jeremiads unfolded over the better part of a decade. Mr. Moneo finessed the preservation issue by burrowing below ground for the temporary exhibition galleries so that the cloister, now restored, sits on top, exactly where it always was. It's enclosed, below a skylight, and incorporated as a kind of giant ready-made sculpture into the museum, which silences critics who argue that the cloister needed saving, even if the solution somewhat sterilizes the site.
Meanwhile, the glass-and-steel light well that Mr. Moneo cut through the cloister's floor provides windows for the galleries, relieving them of some of the claustrophobia always felt in underground spaces.
From the street, all you see is an exterior of brick, glass and stone, austere and anonymous architecture, discreet but rich, blending quietly into the neighborhood. The one theatrical flourish: a luxuriant pair of massive bronze doors, molded as thickets of vines, by the artist Cristina Iglesias. I suspect there will soon be talk about further extensions, as there always is after a museum expands. Spaniards might want to think twice now.
It's worth recalling that the Prado was never meant to be encyclopedic like the Metropolitan or the Louvre. It began as a royal collection, overseen not by art historians but by court painters like Velázquez and Goya, the best possible curators, and this legacy of private taste, combined with long isolation, assured singularity. You just can't know great painting unless you've been here. That's the biggest compliment any art museum could be paid. It would be a pity if the Prado, flush with ambition and the prospect of yet another million tourists, diluted its focus.
As Mr. Zugaza put it, ''The real extension of the Prado is in the old building.'' In the end, the beauty and dignity of the extension lie in this service to the art and tradition.
Give much credit to Mr. Moneo, whose humility reflects a native's respect for a national symbol and for the painters with whom he was wise not to compete. Subtlety is hard and self- effacement brave in this age of chest-thumping designers. The extension implicitly rebukes all the excessive posturing that has overtaken many museums lately.
Perfect it's not. But then, aside from Velázquez, what is?
Tour a Museum From Anywhere
Apps for smartphones and tablets can enhance a physical tour or offer users a virtual visit.
October 26, 2014, Sunday
MORE ON PRADO MUSEUM AND: Mobile Applications , Museums , Art , Metropolitan Museum of Art , Museum of Modern Art , Guggenheim, Solomon R, Museum , Rijksmuseum , Prado Museum , Louvre Museum
Masterworks vs. the Masses
Visitors from all over are lining up at the Louvre, the Vatican and the Uffizi museums, posing problems for institutions trying to balance accessibility with art preservation.
July 29, 2014, Tuesday
MORE ON PRADO MUSEUM AND: National Gallery (London) , Uffizi , Museums , British Museum , Louvre Museum , Rijksmuseum , Europe , Prado Museum , Vatican Museums
Spain Pays Tribute to El Greco 400 Years After His Death
Several exhibitions, mostly held in Toledo but also in Madrid and Valladolid, commemorate the most modern of the old masters.
April 23, 2014, Wednesday
MORE ON PRADO MUSEUM AND: Art , Spain , Museums , Prado Museum , El Greco , Toledo (Spain) , Madrid (Spain)
Juxtaposing History With the Fantastic
The exhibition "Natural Histories," on show in Madrid until late April, takes the Prado back to its origins as a home for natural objects.
December 19, 2013, Thursday
MORE ON PRADO MUSEUM AND: Prado Museum , Museums , Madrid (Spain) , Goya, Francisco de , Taxidermy
Treasures of the Prado, Now Showing in Texas
Gary Tinterow, the Houston museum's new director, has gathered about 100 priceless works from the Madrid museum for an ambitious exhibition.
December 16, 2012, Sunday
MORE ON PRADO MUSEUM AND: Museum of Fine Arts (Houston) , Art , Museums , Houston (Tex) , Spain , Prado Museum
Unprecedented Loan Show From the Prado to Open in Houston
Paintings by Rubens, Titian, El Greco, Goya, Velázquez and others will go on view at the Museum of Fine Arts, Houston on Sunday, in a blockbuster exhibition called "Portrait of Spain: Masterpieces from the Prado'' that represents the first time the...
December 13, 2012, Thursday
MORE ON PRADO MUSEUM AND: Goya, Francisco de , Velazquez, Diego , El Greco , Houston (Tex) , Spain , Madrid (Spain) , Museum of Fine Arts (Houston) , Prado Museum , Museums , Art
Rare Survey of Late Raphael Masterpieces at the Prado
The great 16th-century painter Raphael (1483-1520) is being honored with a rare exhibition focusing on the last period of his life. "Late Raphael" is on display at the Prado through Sept. 16 and moves on to the Louvre from Oct. 8 through Jan. 14.
August 17, 2012, Friday
MORE ON PRADO MUSEUM AND: Madrid (Spain) , Louvre , Louvre Museum , Prado Museum , Travel and Vacations , Art
Beneath That Beguiling Smile, Seeing What Leonardo Saw
A researcher at the Prado, using high-tech tools, discovered that a copy of the Mona Lisa was most likely painted by someone sitting next to Leonardo da Vinci as he produced his masterpiece.
April 14, 2012, Saturday
MORE ON PRADO MUSEUM AND: da Vinci, Leonardo , Art , Prado Museum , Gonzalez Mozo, Ana , Research , Madrid (Spain) , Restoration and Renovation
Beneath That Beguiling Smile, Seeing What Leonardo Saw
A researcher at the Prado, using high-tech tools, discovered that a copy of the Mona Lisa was most likely painted by someone sitting next to Leonardo da Vinci as he produced his masterpiece.
April 14, 2012, Saturday
Mona Lisa Copy in Spain May Be Her 'Sister'
She is not the Mona Lisa, but you might think of her as Mona Lisa's sister, who - after more than 500 years - is finally having her debutante party. The Art Newspaper has reported that conservators at the Prado in Madrid now believe that a copy...
February 2, 2012, Thursday
Prado Museum
For many years, Madrid's Prado was almost a secret in plain sight, but now an extension moves the museum, stuck so long in the 19th century, into the 21st.
Calle Ruiz de Alarcón 23
Madrid, Spain 28014
General Information: +34 91 330 2800
From 9am to 8pm: Tuesday to Sunday and public holidays.
From 9am to 2pm: 24 December, 31 December and 6 January.
Recommended Admission:
Free entry: Tuesday to Saturday 18:00 to 20:00 and every Sunday 17:00 to 20:00.
General entrance tickets: €6; Reduced price entry: €3 (proof required)
Calle Ruiz de Alarcón 23
Madrid, Spain 28014
General Information: +34 91 330 2800
From 9am to 8pm: Tuesday to Sunday and public holidays.
From 9am to 2pm: 24 December, 31 December and 6 January.
Recommended Admission:
Free entry: Tuesday to Saturday 18:00 to 20:00 and every Sunday 17:00 to 20:00.
General entrance tickets: €6; Reduced price entry: €3 (proof required)
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Petite Marisa Straight Leg Pants in Twisted Melange
Petite Marisa Straight Leg Pants in Twisted Melange
$44 .88
 Flaunting a wider waistband for an impossibly sleek fit, this straight leg pair is done in our wonderfully lightweight twisted melange fabric for a hint of chic texture. Fits smoothly from waistband through to hips. Front zip with hook and bar closure. Belt loops. Slash pockets. Back besom pockets. Lined. 29" inseam.
Style #317059
64% Polyester, 34% Rayon, 2% Spandex
Machine Washable


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A well-known case in the Capital Region is getting some new attention-on the social networking site Facebook. But it's not a Facebook page created by a group hoping to find Jaliek Rainwalker; it's a page claiming to be created by the missing boy.
Cambridge-Greenwich Police Chief George Bell said, "I think, whoever it is, whatever their intentions are, whether it's to throw us off, or to upset the family, I don't know, but I'd like to find out who is behind it."
Chief Bell said he's working with State Police to see if there's any credibility to the page. The page says Jaliek is living in Pennsylvania, but there's no other info on the page other than a picture.
Bell said he's found no reason to believe it was actually Jaliek who created the page.
He said, "I believe Jaliek is the victim of a child homicide, at this point, there's not any bearing to this Facebook page."
Jaliek was last seen at his adoptive parents' home in Washington County more than five years ago. Jaliek's grandparents, Barbara Reeley and Dennis Smith, have been active both publicly and online in searching for their grandson. They think the page wasn't created with malicious intentions by someone, but instead, by someone trying to help.
Smith said, "My gut feeling is it's someone trying to be helpful but maybe a little confused about what they are doing."
Just last month, Chief Bell called the case a probable homicide. Police said they found the jacket they believe he was wearing when he was last seen. For Reeley and Smith, they're just looking for any information they can find online about their grandson's whereabouts.
"We believe that Jaliek would try to contact us," Smith said. "Whether this is factual or not, again, our gut feeling is that it is not, it's a well meaning person to try to help us find out what happened to our grandson."
There is another page created for Jaliek on Facebook, run by his grandmother, Barbara Reeley. She uses it to post updates about the investigation into her grandson's disappearance. Reeley said she checks sites online everyday looking for tips.
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Please measure the circumference of your hand starting at the top side of the base of your thumb (see image chart) using a cloth tape measure and choose your size from the chart below. Please note all measurements are in inches.
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Tested by the Good Housekeeping Research Institute
Scanpan IQ 12.5-Inch Skillet
Product Review
About GHRI RatingsX
Good Housekeeping Research Institute (GHRI) ratings are based on laboratory tests conducted by our scientists at the U.S.'s foremost consumer products evaluation laboratory, and incorporate consumer feedback. GHRI is situated on the 29th floor of the Hearst Tower in New York City and is staffed by chemists, engineers, nutritionists, textile specialists, culinary experts, and other scientists.
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Established in 1900, before there was a Federal Drug Administration or a Federal Trade Commission, GHRI has always been the most trusted source consumers can rely on to choose products that are safe and effective.
Made of recycled cast aluminum, the Scanpan IQ has a stainless steel bottom that makes it safe for use on induction ranges. We found the handle particularly well designed from an ergonomic standpoint. (Plus, it didn't get too hot during use.) The exterior and interior of the skillet are coated with a ceramic nonstick finish, which means you can crank up the heat and use it to sear a steak. Its roomy enough to brown 8 chicken pieces at once, but its shallow, so you won't be able to add too much sauce to the pan. While the IQ can be popped in the dishwasher, we found that machine washing will discolor the finish. If you opt to hand clean though, you wont find it too difficult to remove cooking stains. And no need to worry about using metal tools with this pan; they shouldn't scratch its nonstick finish.
Type: Ceramic-Titanium Nonstick
Induction Safe? Yes
Manufacturers Warranty: Lifetime
Tell Us What You Think!Click Here(
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Researching Carbon Fiber Reinforced Plastic Acoustic Guitars
Fanny Littmarck | January 8, 2013
There are traditional acoustic guitars made of wood, and now there are also those made entirely out of carbon fiber reinforced plastic (CFRP). Do these plastic guitars sound like their wooden forbearers? Guess what, you can use computer modeling to find out.
AutoCAD® model of an acoustic guitar. Image courtesy of J. O'Donnell and G. McRobbie.
Acoustic Guitars and the COMSOL Conference
In 2011 a couple of researchers from University of the West of Scotland presented their work on the acoustic response of CFRP plates at the COMSOL Conference in Stuttgart. Back then, they demonstrated that actual and virtual results of the plates' acoustic response are strongly correlated. Now they show us how they're building on their initial research. This time, they presented their findings at the COMSOL Conference in Boston.
Acoustic and Vibrational Effects of CFRP Acoustic Guitars
In their paper "A Study into the Acoustic and Vibrational Effects of Carbon Fiber Reinforced Plastic as a Sole Manufacturing Material for Acoustic Guitars", J. O'Donnell and G. McRobbie analyze the soundboard of a CFRP acoustic guitar using COMSOL Multiphysics and the Structural Mechanics Module. The first 10 Eigenfrequencies and their modal shapes were determined to investigate the acoustic and vibrational effects.
The model of the guitar was first constructed using AutoCAD®, and then the 3D model was imported into COMSOL for the Eigenfrequency analysis. Since the research pertained to the soundboard only at this stage, the edges of the soundboard were fixed and the top and bottom plates were free to vibrate (as true to life).
First Eigenfrequency, 1:1 mode. Image courtesy of J. O'Donnell and G. McRobbie.
Next Steps?
As you can tell, the researchers are not yet done investigating the acoustic and vibrational effects of CFRP acoustic guitars. The results from the plate and soundboard are only the beginning. In the conclusions of their second paper, the authors state that "the results have shown that there is a consistent match between early and current studies for each individual Eigenmode". They also say that "the data gives the author full confidence to carry out further research in this area and to develop and refine techniques". Let's hope they conclude their research as indicated, and show us the results of a complete guitar. Perhaps we will see them at the COMSOL Conference 2013?
Further Reading
- A Study into the Acoustic and Vibrational Effects of Carbon Fiber Reinforced Plastic as a Sole Manufacturing Material for Acoustic Guitars
- A Study of the Acoustic Response of Carbon Fiber Reinforced Plastic Plates
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OWENSBORO, Ky. (10/9/13) - The Owensboro Police Department reported the following activity on Tuesday, Oct. 9:
Zachary T. Wathen, was arrested at 6:20 a.m. on charges of Public Intoxication of a Controlled Substance (Excludes Alcohol).
Terri Banks, of the 100 block of W 5th St, was arrested at 3:03 p.m. on charges of Alcohol Intoxication in a Public Place (First and Second Offense).
Elisha S. Early, of the 2500 block of Wimsatt Ct, was charged with Drug Paraphernalia Buy/Posess.
Shawn M. Westmoreland, was charged with Possession of Marijuana.
Taylor Riley
SurfKY News
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L'Oreal-owned La Roche-Posay has a pharmaceutical lineage based in France, and the company speaks of their thermal spring water as the cornerstone of their commitment to dermatological skin care. Sound familiar? L'Oreal-owned Biotherm makes similar claims for the water in their products, yet their marketing niche is spas, while La Roche-Posay caters to doctors and consumers interested in effective, no-frills skin care. Regardless of the source of their water, or how many minerals there may be in it, or the other benefits they assert it has, water is water and skin can't tell the difference. Even if the water were somehow "special," it takes a lot more than water to create and maintain healthy skin. This is something La Roche-Posay is aware of, because they do offer a fairly broad range of products to address the various needs of skin.
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Note: La Roche-Posay is categorized as a brand that tests on animals because its products are sold in China. Although La Roche-Posay does not conduct animal testing for its products sold elsewhere, the Chinese government requires imported cosmetics be tested on animals, so foreign companies retailing there must comply. This requirement is why some brands state that they don't test on animals "unless required by law." Animal rights organizations consider cosmetic companies retailed in China to be brands that test on animals, and so does the Paula's Choice Research Team.
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Serves 6 |
Prep Time 1 hour 20 minutes |
Cook Time 0 minutes
30 ounces Eden Organic Black Eyed Peas, 2 cans, drained
14 1/2 ounces Eden Organic Diced Tomatoes w/Green Chilies, drained
1/2 cup green bell pepper, diced
1/2 cup red bell pepper, diced
1 cup organic sweet corn, fresh or frozen, blanched 1 minute
1/2 cup green onions, finely chopped
1/4 cup red onion, finely minced
1/2 cup celery, diced
1 cup cucumber, peeled, if waxed and chopped
3 1/2 Tbsp Eden Red Wine Vinegaror Eden Organic Apple Cider Vinegar
1 clove garlic, minced
1/4 tsp dried oregano
1/2 tsp dried basil
2 Tbsp fresh parsley, finely chopped
1/4 cup water
2 Tbsp Eden Organic Barley Malt Syrupor organic maple syrup
1/4 tsp Eden Sea Salt
1 tsp Eden Shoyu Soy Sauce
(Add All Eden Ingredients to Shopping Cart)
Mix all salad ingredients together in a large mixing bowl. Place all dressing ingredients in a blender and blend several seconds. Pour dressing over salad and mix. Refrigerate for 1 hour before serving or may be served room temperature.
American, Beans, Condiments, Good/High Fiber, Good/High Protein, Japanese Food, Oils, Salad, Sweeteners, Tomatoes, Vegan, Vinegars


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BATH, ENGLAND - JANUARY 31: Detail of artist Joan Sallas' 1.5-metre-high folded linen table fountain he is displaying as part of a new exhibition 'Folded Beauty: Masterpieces in Linen', which is opening at the Holbourne Museum on January 31, 2013 in Bath, England. The exhibition of the lost art of linen folding, examples of which would once have graced the dining tables of Kings and Emperors in seventeenth century Europe, will include animals, flowers and even miniature buildings and fountains all made from intricately starched and folded linen. This is the first UK exhibition by the world's leading authority on historic linen folding who has previously exhibited his work across Europe and the USA. (Photo by Matt Cardy/Getty Images)
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Home > Current Events & Politics Forum > Topic
American WWII Interrogators speak out against torture; "I'm proud to say I never compromised my humanity"
Posted by PowerToThePeople
For six decades, they held their silence.
The group of World War II veterans kept a military code and the decorum of their generation, telling virtually no one of their top-secret work interrogating Nazi prisoners of war at Fort Hunt.
When about two dozen veterans got together yesterday for the first time since the 1940s, many of the proud men lamented the chasm between the way they conducted interrogations during the war and the harsh measures used today in questioning terrorism suspects.
Back then, they and their commanders wrestled with the morality of bugging prisoners' cells with listening devices. They felt bad about censoring letters. They took prisoners out for steak dinners to soften them up. They played games with them.
"We got more information out of a German general with a game of chess or Ping-Pong than they do today, with their torture," said Henry Kolm, 90, an MIT physicist who had been assigned to play chess in Germany with Hitler's deputy, Rudolf Hess.
Blunt criticism of modern enemy interrogations was a common refrain at the ceremonies held beside the Potomac River near Alexandria. Across the river, President Bush defended his administration's methods of detaining and questioning terrorism suspects during an Oval Office appearance.
Several of the veterans, all men in their 80s and 90s, denounced the controversial techniques. And when the time came for them to accept honors from the Army's Freedom Team Salute, one veteran refused, citing his opposition to the war in Iraq and procedures that have been used at Guantanamo Bay in Cuba. [...]
"During the many interrogations, I never laid hands on anyone," said George Frenkel, 87, of Kensington. "We extracted information in a battle of the wits. I'm proud to say I never compromised my humanity."
From [www.washingtonpost.com]
"When they say there's not enough money, they mean there's not enough money for YOU." - Jill Stein, Green Party presidential nominee.
Interesting from GITMO
From OD's link.
U.S. District Judge John Bates gave the new president and his Justice Department until February to tell him whether they want to change the government's position on the definition of "enemy combatant." Prisoners from U.S. detention facilities at Guantanamo Bay, Cuba, and Bagram Airfield in Afghanistan are challenging their detention as so-called enemy combatants in federal court.
"The new presidential administration may wish to review the government's current position regarding the appropriate definition of 'enemy combatant' to be used in these and other habeas cases," Bates said Thursday.
American prisoners were tortured at the hands of the Japanese, who considered any soldier who did not fight to the death to be worthy of contempt. The tales told by American survivors of their brutality is hair-raising.
The sinking of America to to that level of depravity is due to the rise of right-wing "values"-- of winning at any cost, of glee at heaping humiliation on the helpless, and their weird hang-up on homosexuality that makes them want to emasculate other men.
We can only hope that this can be looked upon as a short, sad chapter in American history.
I am not sure whether the Nazis actually tortures - in the definition of torture - Prisoners of War taken in the course of action. They did torture some that were taken in other ways. For example some who infiltrated by parachute ot in other ways to contact the Resistance or to spy.
This was one way they were fed false information about D-Day when a a young officer was parachuted in with the intent of having him captured and cracking under torture, He did not know that, of course or that the information he had was false.
At the Scopes Monkey Trial, Clarence Darrow gave a brilliant speech, but the cynical journalist H.L. Mencken told him "You may as well have shouted it up a waterspout in Outer Mongolia for all the effect it will have on your listeners ..
Ditto here.
olde dude Wrote:
> The main thrust of my link was that one of the
> released "detainees" is now the head of al Qaeda
> in Yeman, the home of the attack on the Cole. But
> I guess that's a lie since all the detainees are
> innocent.
There are a lot of Americans arrested by cops for garden variety crimes, then released either because they are innocent or because of a lack of evidence against them. Undoubtedly some of these released people later go on to commit other unrelated crimes. But that doesn't mean we should keep every person who was ever arrested in jail permanently because they might commit a crime.
As for the Gitmo detainees, some are no doubt guilty of very bad crimes and some of some of not so bad acts. Some are probably innocent. But there is one constant, those detainees all have brothers, cousins and others who resent their relatives being imprisoned without charge. While it's interesting that one former detainee is now working for al Qaeda, I'd like to know how many middle easterners have become radicalized and terrorists because of a family member is locked up in Gitmo.
All of the Gitmo detainees should get trials. If they are guilty, lock them up. If innocent, let them go. I'm not sure about the legality, but to be prudent, all of them should have a chip secretly implanted (like pets get) so they can be tracked for the rest of their lives. The sad fact is that even if any of these guys were innocent, after seven years in jail without trial they hate America now.
I'm not sure about the legality, but to be prudent, all of them should have a chip secretly implanted (like pets get) so they can be tracked for the rest of their lives.
That's an intriguing idea, Curt. It's highly illegal, but... they are potential terrorists. Is it possible to stick a chip in someone without them noticing? Otoh, I wonder about what kind of ethical precedent that would set.
Pondy- I figure that if this site can make sweeping lies, innuendos, and suppositions about Republicans or conservatives, it's fair game. If you're too nancy to put up with the filth that is spewed here when you don't like it, don't allow the filth when you do.
Curt- Because of the fingerprinting that is being done now in Iraq, many that stated they were in Jordan and Syria are actually wanted for homicides in the US. What I get is that since one MAY be innocent, we should let them all go and close Gitmo. You (all) assume these are innocent people. They were taken in acts of war. Why would we spend the money, time and energy to get a goat farmer to Gitmo. If it's small stuff, either the Iraqis can handle it, or we keep them in country.
The chip idea would be completely ineffictive. They'd be taken out within hours anyway. AND you'd only have evidence AFTER the crime was committed anyway. By the time they blow themselves up in the middle of a mall, do you really need the chip?
Obama certainly is not talking about letting all the Gitmo prisoners go. He's just pushing ahead a judicial review of their status and seeking an alternate site for their confinement. Given some reports I've seen, it's really hard to justify holding some of the people imprisoned based on weak evidence of their involvement in terrorism.
Start calling young men "Spiderman" even if they're black..
To olde.dude, olde dude or whoever,
The former detainee who is now an al Qaeda leader in the NY Times story was apparently released by the Bush administration. Evidently there was reason to think he was not guilty, otherwise they wouldn't have set him loose.
If the Bush administration wanted to created more terrorists, I can't think of a more effective way than incarcerating innocent people without charge, submit them to "enhanced interrogation" and house them with real terrorists who then would spend seven years indoctrinating them.
The revenge factor is probably also at play.
If I was swept off the street, hooded, shackeled, and taken to Gitmo or a black site gulag and tortured and held in captivity for years, I might become a terrorist just from that experience.
The BushCo terrorist policy is BONEHEADED and ANTITHETICAL TO REDUCING TERROR.
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Eleanor: The Radical Roosevelt
Eleanor turned to others for emotional support and intimacy. According to her biographer, Blanche Wiesen Cook, one of these others was Lorena Hickok, an AP reporter assigned to follow the first lady. Their daily letters included both political observations and expressions of love.
Eleanor forged a long-term friendship with a socialist union organizer from New York City, with whom she walked picket lines.
World War I offered Eleanor an outlet for her organizing talents. She organized a Union Station canteen for American soldiers on their way to training camps, led Red Cross activities, supervised the knitting rooms at the Navy department, and spoke at patriotic rallies. She visited wounded soldiers in the hospital and led an effort to improve conditions at St. Elizabeths Hospital, a mental hospital in Washington, D.C.
During the Red Scare that followed the war, Eleanor renewed her reform impulses. She became active in several groups that the attorney general, A. Mitchell Palmer, considered dangerously radical. She coordinated the League of Women Voters' legislative efforts, mobilizing members to lobby for bills. In 1922 she joined the Women's Trade Union League (WTUL), which included wealthy reformers, working-class women, and radical activists. She taught classes, raised money, and participated in the WTUL's support for bills to require shorter working days and better wages for women workers.
Through the WTUL, Eleanor forged a long-term friendship with Rose Schneiderman—a socialist union organizer from New York City—with whom she walked picket lines. J. Edgar Hoover, a close aide to Palmer who later became FBI director, kept a file on Eleanor for many years.
A radical voice in the president's ear
As FDR rose through the ranks—first to governor of New York in 1928 and then to president in 1932—Eleanor constantly had to find her footing as a public person. By the time he was elected governor, FDR was stricken with polio, leaving him unable to walk. Eleanor became his eyes and ears, investigating conditions at hospitals, asylums, and prisons.
Eleanor not only supported organizing efforts, she joined a union herself.
Eleanor's involvement with reform movements prepared her to become the most influential and politically progressive first lady in American history. "No one who ever saw Eleanor Roosevelt sit down facing her husband and [and say] to him 'Franklin, I think you should' or, 'Franklin surely you will not' will ever forget the experience," wrote Rexford Tugwell, a key FDR aide.
When she became first lady in 1933, Eleanor devoted considerable time to those hardest hit by poverty, visiting an encampment of World War I veterans (referred to at the time as "Bonus Marchers") in Washington, sharecroppers in the South, and people on breadlines in San Francisco. Her public support for union organizing drives among coal miners, garment workers, textile workers, and tenant farmers (including the racially integrated and left-wing Southern Tenant Farmers Union) lent visibility and credibility to their efforts.
As Brigid O'Farrell documents in her book, She Was One of Us: Eleanor Roosevelt and the American Worker, Eleanor not only supported organizing efforts; she joined a union herself. In 1936, she proudly and publicly became a member of the American Newspaper Guild at a time when workers were being beaten, and some killed, for participating in organizing drives, strikes, and sit-down protests.
As first lady, Roosevelt donated the proceeds from her radio broadcasts to the Womens Trade Union League and promoted the WTUL in her columns and speeches. She invited women and union activists, including Schneiderman, to the White House and Hyde Park, seating them next to FDR so he could hear their concerns. As Schneiderman recalled in her autobiography, Eleanor overcame the trappings of privilege to become "a born trade unionist."
She pushed to give women a larger voice in the Democratic Party and urged FDR to appoint women (including Perkins, the first female Cabinet member) to key positions in government. And soon after becoming first lady, she began holding her own press conferences for women reporters only—in part to help preserve their jobs during the Depression.
An early friend of the Civil Rights movement
Eleanor was much bolder than FDR in opposing racism, segregation, and lynching. She became a close friend of Walter White, head of the National Association for the Advancement of Colored People (NAACP), serving as his advocate within the White House, and she made a point of publicly joining the civil rights organization. When she urged FDR to support federal legislation to end lynching, he refused to support the bill, worried that southern white voters—almost all of them Democrats—would abandon the party. Eleanor supported and occasionally visited the Highlander Folk School, a controversial left-wing training center for civil rights activists in rural Tennessee.
The American people found Eleanor approachable, even as she was ridiculed in the press as being both dowdy and a publicity hound.
In November 1938, a racially mixed crowd of 1,500 people packed into the city auditorium in Birmingham, Ala., to kick off the four-day Southern Conference on Human Welfare. The gathering was organized to address the South's social problems, including poverty, poor education, and the infamous poll tax that prevented black citizens from voting.
The next morning the auditorium was surrounded by police. Police Commissioner Bull Connor ordered the integrated crowd to separate according to race or face arrest. The crowd obeyed, with black people sitting on one side, and white people on the other. Eleanor arrived later, accompanied by African American educator Mary McLeod Bethune and Aubrey Williams, head of the New Deal's National Youth Administration. Eleanor sized up the situation and sat down on the side with the African Americans. One of the policemen tapped her on the shoulder and told her to move. Instead, she calmly moved her chair between the white and black sections, and there she remained.
Her husband avoided such direct support for civil rights. But sometimes Eleanor brought him over to her side. In 1939, she resigned in protest from the Daughters of the American Revolution after it refused to rent its Constitution Hall to black opera singer Marian Anderson, who had previously sung at the White House. Instead, Eleanor worked behind the scenes to arrange for Anderson to sing to 75,000 people at the Lincoln Memorial. In 1940, she persuaded FDR to meet with the NAACP's Walter White and labor and civil rights activist A. Philip Randolph, who were threatening to hold a mass march on Washington to protest the exclusion of African Americans from key defense industry jobs as the nation was preparing for war. After two meetings, FDR agreed to issue an executive order against racial discrimination in defense employment, if the civil rights leaders would cancel their proposed march. He did, and they kept their promise.
Eleanor developed a strong voice as a public speaker and prolific writer of magazine articles and books. Her syndicated column, "My Day," about her life in the White House, appeared six times a week in some 180 papers around the country. She also lectured widely and spoke frequently on the radio. Through her column and radio broadcasts, she described the desperate conditions and human suffering she saw during her travels, but she also gave voice to the activists fighting for change and the people helped by the New Deal's relief programs.
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I have a 30-year-old patient who had a kidney transplant 2 years ago. She is now planning a pregnancy. She has been treated with tacrolimus since her transplant. Will it be safe for the fetus if she continues to take it during the pregnancy or should she switch to a different antirejection medication?
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- Safety of the newer class of opioid antagonists in pregnancy
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- Using nitrofurantoin while breastfeeding a newborn
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- Bias against the null hypothesis - Scaring pregnant women about drugs in pregnancy
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Moderator: Mod Squad
Mir@k wrote:I don't know what kind of exit bags that crazy nigga bear is talking about.
An exit bag as i know it is a gas mask or bag connected via tube to a small tank of helium.
You slightly open the helium tank while you are wearing the mask. Your lungs supposedly don't recognize the difference between oxigen and helium so you pass out after 1 or two minutes and die by asphixia shortly after, without you noticing.
What if you die right after shitting?Riz wrote:everyone shits themselves when they die.
I wish, my friend. I'll probably die like several members of the last 4 generations of my family. Cancer.Zelosse wrote:Why can't Hiryu die from being smothered with breasts?
Riz wrote:so remember
at any given time
you're always full of shit
Best thread ever.Tuor wrote:This thread is so much fun
Mir@k wrote:idk most people here die at home with their family
i want the same
Return to Central Compton Botanical Gardens
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Associated Press
PARIS (AP) -- France legalized gay marriage on Tuesday after a wrenching national debate that exposed deep conservatism in the nation's heartland and triggered huge demonstrations that tapped into intense discontent with the Socialist government. Within hours, fiery clashes broke out between protesters and riot police.
Legions of officers stayed late into the night, and a protest against the measure turned violent near the Invalides complex of museums and monuments. Protesters threw glass bottles, cans and metal bars at police, who responded with tear gas.
It was an issue that galvanized the country's faltering right, which had been decimated by infighting and their election loss to President Francois Hollande. France is the 14th country to legalize gay marriage nationwide --and the most populous.
The measure passed easily in the Socialist-majority Assembly, 331-225, just after the president of the legislative body expelled a disruptive protester in pink, the color adopted by French opponents of gay marriage.
Justice Minister Christiane Taubira told lawmakers that the first weddings could be as soon as June.
"We believe that the first weddings will be beautiful and that they'll bring a breeze of joy, and that those who are opposed to them today will surely be confounded when they are overcome with the happiness of the newlyweds and the families," she said.
Earlier in the day, there appeared to be more police than protesters outside the Parliament building on Paris' Left Bank, but that calculation soon shifted as night fell and thousands gathered to protest the bill. The protest dwindled to a few stalwarts shortly before midnight, when the violence began among a few hundred demonstrators including some who carried signs saying "Socialist dictatorship."
Claire Baron, 41, a mother of two, said that she "will oppose the bill until the end."
"I'll keep going to the protests, I don't give in. The bill is not effective yet, the president of the Republic must listen to our voices. We are here to defend family values. Children need a mom and a dad," Baron said.
In recent weeks, violent attacks against gay couples have spiked and some legislators have received threats -- including Claude Bartelone, the Assembly president, who got a gunpowder-filled envelope on Monday.
One of the biggest protests against same-sex marriage drew together hundreds of thousands of people bused in from the French provinces -- conservative activists, schoolchildren with their parents, retirees, priests and others. That demonstration ended in blasts of tear gas, as right-wing rabble-rousers, some in masks and hoods, led the charge against police, damaging cars along the Champs-Elysees avenue and making a break for the presidential palace.
Following the vote members of the gay and lesbian community flocked to a square in central Paris, just behind City Hall, to celebrate the vote.
"I feel immense joy, gigantic joy," said 39-year old Sylvain Rouzel. "At last, everyone has the same rights. This is huge! France was lagging behind. We had to wait 14 years after the civil union to finally obtain the right to get married, with equal rights for everyone. I feel great!"
Paris' openly gay mayor, Bertrand Delanoe, was among the crowd of hundreds gathered for the street celebration in the Marais, the city's historic gay neighborhood.
When Hollande promised to legalize gay marriage, it was seen as relatively uncontroversial. The issue has become a touchstone as his popularity has sunk to unprecedented lows, largely over France's ailing economy.
"The opposition is in a weakened position, but they know which buttons to press in order to get a reaction in society, in a country as liberal as France, where nobody thought it was an issue," said Hossein Alizadeh, a coordinator with the U.S.-based International Gay and Lesbian Human Rights Commission who has followed the issue.
But the most visible face in the fight against gay marriage -- a former comedienne who goes by the name of Frigide Barjot -- said the movement named "A Protest for Everyone" will continue beyond the law's passage and possibly field candidates in 2014 municipal elections. She said anyone involved in protest violence would be marginalized, but blamed the government for its failure to listen.
"The violence comes from the way in which this was imposed," Barjot told France Info radio.
French conservatives, demoralized and divided by the election loss of standard-bearer Nicolas Sarkozy, found common cause in opposing same-sex marriage. Hoping to keep the issue alive, the conservative UMP party planned to challenge the law in the Constitutional Council.
"The controversy that we've seen has been a stoked and manipulated controversy that's really kind of a last-ditch attempt to block the tide of history," said Evan Wolfson, president of the American activist group Freedom to Marry, which he said worked with the French on the bill. "I don't think it spoke to a deep or wide opposition among the French people."


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Bosnia | 'Joyful fandom' & the flares of Sarajevo (w/ podcast)
Sarajevo, Bosnia-Herzegovina, Dec 10 | Özgür Dirim Özkan, in fieldwork among supporters' groups in Sarajevo since Feb 07 and on the Bosnian Football Culture website, has examined football as but a small part of a society that, in the Western frame, implies little but ethnic-riven conflict and a constellation of indecipherable place names. With 28-minute podcast.
Global Game Podcast, 4 Dec 07 (Bosnia) [ 28:04 ] Play Now | Play in Popup | Download


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Hotels near Floridita
London > Hotels > Luxury Chain Hotel from £220 26% off
4 Richmond Mews, W1D 3DH | 1 minute walk from Floridita
A wonderful thing about Soho is that in spite of the mad chaos that carries on all night in this unique and thrilling part of London, More
London > Hotels > Mid-Range Chain Hotel 45 Dean Street, W1D 4QB | 2 minutes walk from Floridita
Formed in 1985, The Groucho Club is a private members club that's open to men and women. With accommodation available to its members, there are 20 More
London > Hotels > Mid-Range Chain Hotel from £141 42% off
6 Frith Street, W1D 3JA | 2 minutes walk from Floridita
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Hotels near Floridita
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No 5 Maddox Street London
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The Groucho Club ( 2 minutes)
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The Courthouse Hotel ( 5 minutes)
Thistle Piccadilly Hotel London ( 5 minutes)
The London EDITION ( 5 minutes)
Cafe Royal Hotel ( 6 minutes)
Radisson Blu Edwardian Mercer Street ( 6 minutes)
Sanderson, A Morgans Hotel ( 6 minutes)
Radisson Blu Edwardian Hampshire Hotel ( 6 minutes)
Le Meridien Piccadilly ( 6 minutes)
No 5 Maddox Street London ( 6 minutes)
Charlotte Street Hotel ( 6 minutes)
Thistle Trafalgar Square, The Royal Trafalgar ( 7 minutes)
The Rathbone Hotel London ( 7 minutes)
myhotel Bloomsbury London ( 7 minutes)
Radisson Blu Edwardian Bloomsbury Street Hotel ( 7 minutes)
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adidas Celtics Stacked Snap Hat
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