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Nice anthology of pomes from some modern days heads/musicians, the highlight of which is Christina Carter's wonderful "Center Of Exits". Also features work by Michael Anderson, Michelle Angelini, James Barrett, James Blackshaw, Julie Cook, Michael Donnelly (Brothers Of The Occult Sisterhood et al), Sid Fallon, Spencer Grady, Denton Harris, Denton Harris, Robert Horton, Paganini Jones, Eden Hemming Rose, Brad Rose, Mainon Alexandra Schwartz, Indigo Tempesta, Kade L. Twist and Keith Wood (Hush Arbors). Hand-numbered edition of 120 copies. Each book hand-bound with cloth tape and a hard cover with a design by Keith Wood.
Massive tribute set of cover versions and punk extrapolations based around the phenomenal body of work birthed by Mr Jojo Hiroshige aka Alchemy label boss and Hijokaidan mainman. Features a totally disobedient Beefheart-style rave-up from the Oshiri PenPenz, microphone-gobbling action from Masonna (first new recording in years), great psych/pop stylings from Doodles, monstrously deformed guitar/noise from Solmania, GaramonKakinoki +AOL and a whole bunch of other punk Kansai Industrialists. Think of it as a particularly focussed Night Gallery instalment. Highly recommended.
The Fag Tapes cultus staggers mindlessly on with a classy Roger Corman-style exploito compilation of supremely degraded live filth from a bucket full of contemporary actionists: Luasa Raelon (stars of that great Hive Mind collab), Odd Clouds, Taliban, Fe-Mail and the always killing Charlie Draheim. Comes with a blob of goo on the inside fer a change, so yr collection has a better chance of staying intact. Highly recommended as ever. Edition of 77 copies.
Totally sick: celebrating Alchemy Records' 20th anniversary - and Japanese noise/rock legends Hijokaidan's 25th - major label bozos Imperial have stepped into the gulf with a series of definitive birthday sets. Alchemism is a massive two-disc overview of the activities of this consistently dazzling underground label complete with a fold-out sleeve that has colour cover shots of all the action, especially noteable for the lovingly executed Modern Lovers and Ash Ra take-offs from Ultra Bide and Christine 23 Onna. All tracks previously released except for exclusives from Tongue favourites Oshiri-PenPenz and Doodles. Also includes: Jojo Hiroshige, Ultra Bide, SS, Inu, Hoburakin, Idiot O'Clock, Sekiri, The Genbaku Onanies, The Continental Kids, Danse Macabre, Sob Kaidan, Genbaku Kaidan, Subvert Blaze, Sperma, Hanadensha, Garadama, Angel'In Heavy Syrup, Auschwitz, Tatsuya Kitajima, Tsumetai Iki No Mama, Miki Sawaguchi, Masonna, Merzbow, Incapacitants, Solmania, Hijokaidan, Seiichi Yamamoto, Omoide Hatoba, Totsuzen Dan-Ball, Christine 23 Onna and Chouzu. Highly recommended, naturally.
Excellent compilation of contemporary dissident European electronic/synth/Industrial/new wave sounds from this synth-focussed label. The follow-up to their epochal Electronic Renaissance LP, this one bundles a bunch of current Euro-heads with a serious jones for the early Industrial sounds of DAF/Absolute Body Control/S.P.K./Throbbing Gristle/Kraftwerk along with touches of Suicide, Public Image Limited, Minimal Man et al. There isn't a duff track on the album but some of the highlights include Agent Side Grinder's evocative/magickal "There Is A Sound That Always Goes Out" that mirrors Coil's work circa "The New Backwards"/later-TG, the amazing Vincent K's "White Sheet Glory" that crosses Billy Synth-style keyboards with an amphetamine motorik appeal and throat-shredding vocals that make it sound like the most manic La Dusseldorf track of your life and the midnight stylings of Adolf Filter's beautiful Harmonia/DAF/Kraftwerk-esque "Inner Walls" cut up with the kinda fractured loner vocal that could almost be Peter Jeffries. Other artists featured include Dolina, Nosztalgia Direktiva, Codes, Le Triangle De L'Androgyne, the fantastically named Pierre Normal and Yseult Descieux. A great way in to the current underground Euro synth scene – which seems to have the same relation to its source material as the 80s garage explosion had to Nuggets et al – and an excellent companion piece to Poutre Apparent's historical survey of the French new wave scene. The set comes in a handsome gatefold sleeve with a bonus 7" and is highly recommended.
Just got our hands on a still-sealed/unplayed crate full of these legendary, long out-of-print sides privately pressed by Peter and Patricia Harleman and Klyd and Linda Watkins 1969-1977 in order to document their wild experiments with vocal form. Across the space of these beautiful looking LPs, the two couples navigate the same kind of formless, disembodied zone that defined Jandek's unaccompanied vocal trilogy while touching on poles as temporally and spatially diverse as the associative poetry of Matthew Valentine, Jack Kerouac and Charles Olson, the wowing use of heavy delay/reverb associated with contemporary heads like The Skaters and Excepter, the slum-prose of The Fugs, Patti Smith and Lisa Suckdog and the sound poetry experiments of Henri Chopin, Bernard Heidsieck, Bob Cobbing, Brion Gysin and others associated with the legendary Revue Ou. That this was going on in almost complete seclusion somewhere in American throughout the 70s is nothing short of mind-boggling. Recently there's been a comparative upsurge in interest in the work of the Watkins and the Harlemans, with rumours of reissues and box sets, but the LPs (all of which were originally pressed in runs of 1000, except Volume 1, of which only 500 were made) remain almost-impossible to source. It was back in 2000 that their influence first began to percolate into the underground, with Christina Carter of Charalambides uncovering a copy of Number Four in Austin's Sound Exchange. After having her ears blown she shared her find with Heather Leigh Murray who made contact with Klyd Watkins, who by that time was living in Nashville. After establishing common aesthetic ground the pair agreed to work together, leading to a brain-storming Charalambides show that took place in Nashville in 2001 featuring the trio of Tom Carter, Christina Carter and Heather Leigh Murray performing with Klyd Watkins on "Listen The Night" a Poetry Out Loud piece originally recorded back in 1971 for the Number Five LP. The initial seeds for the Poetry Out Loud project were sown back in 1963, when Peter Harleman, then based in St. Louis, arrived in Nashville in a trip to visit his mother. Calling into Zibart's bookstore in search of paperbacks by Leroi Jones he got talking to the clerk, who happened to be Klyd Watkins. Klyd was excited to make contact with another soul that shared his passion for contemporary small-press poetry and immediately invited Peter back to his apartment to meet his wife Linda. Over the next few years the poets continued their friendship via the mail, swapping new works, journals and criticism and in 1965 Peter met and married another young poet, Patricia "Bebe" McGary. In 1965 the Watkins were living in rural Indiana, where Klyd taught high school English, while the Harlemans were based in St. Louis. During a visit to St Louis, Klyd and Peter had a conceptual bust-up over the relative merits and creative applicability of poet Charles Olson's concept of projective verse (something that Klyd, like many thinkers of the time, was immersed in) and Marshall McLuhan's concept of medium=message, an insight championed by Peter. Klyd recalled the conversation in a recent history of Poetry Out Loud: "Walking the streets of Saint Louis they had a heated argument, with Klyd championing Olson's formula for using the typewriter to capture the breath of impassioned speech as the most exciting mode of creating poetry, while Peter pointed out that another machine, the tape recorder, captured the human tongue far more directly. The harder Klyd argued for keeping poetry on the page, the more excited he became about being wrong. By the time the Watkins drove back to Indiana an alliance was formed to make poetry out loud." The first Poetry Out Loud album was the result of four years of experimentation, with the couples working slowly towards abandoning text altogether in favour of the gush of pure intuitively-sourced sound. Recording sessions combining simultaneous musical and poetic improvisation birthed what they came to describe as "The Nashville Sound," a laminal assemblage of spoken word and song. The technology also advanced, with the players moving from a $30 deck to a $150 home recorder while working on the first LP and they briefly welcomed another couple into the fold, Toby and Ginny Tate. By 1970, the Watkins had moved to Kentucky and the Kentucky landscape was to have a huge influence on the rest of the POL series. But with the Harlemans now living in Kansas and the Tates in Atlanta, recording session were few and far between. By the time of Number Two, the Harlemans were heavily involved in the exploration of American Indian poetry, immediately apparent on tracks like "I Am The Crow." From Number Two to Number Five the Watkins and the Harlemans contributed roughly half of every issue each, while welcoming occasional guests like Tony Cowan or legendary French sound-poet Bernard Heidsieck and his wife Francois Janicot (Number Three, Number Four, Number Five, Number Seven and Number Eight), a relationship that helped them maintain an umbilical connection to some kind of formal tradition. By the time of Volume Five the performers had once more upgraded their equipment and had also begun to record tracks "live" at various venues with a string of cuts taken from performances in bars, coffee houses, colleges and rock venues. By this point POL had a few hundred subscribers who bought the LP through the mail and they were even reviewed in Rolling Stone. In 1972 the Watkins visited the Harlemans in New Jersey, providing an opportunity for the extended quartet recordings that make up much of Number Six. The Watkins had never seen the ocean before, an experience that inspired Number Six's massive "Ocean." Number Seven would be the last volume to feature all four performers vibrating together, with the Harlemans producing Number Eight and Nine alone and Number Ten being recorded in St. Louis in 1976-77 with Klyd working with the Harlemans as a trio. Nonetheless, it was a beautiful end to a remarkable adventure initiated by a group of artists who took the revolutionary edicts of radical 1960s poetry straight to their hearts. "These days we hear now and then of new fans who have continued to find Poetry Out Loud through the used record bins," Klyd reports. "Thirty years later, the world has not entirely forgotten Poetry Out Loud, just as it never entirely heard of it in the first place."
1975. Another solo set from the Harlemans. Notes by Robert Palmer (Rolling Stone/Downbeat et al): "With this ninth volume of their "magazine" of oral poetry, the Harlemans penetrate more deeply into the resonances of speaking, chanting, and singing voices, and into themselves. Connections with the "ritual of the irrational," the cultivation of states of disassociation or trance. were present in their earlier work, but here, in the sound pieces "Trance," "Fear For My Body," and "I Give My Body To The Drum," they are explicit. Using the narrow melodic range, chant-like insistence, drum and metallophone accompaniment, and out-of-body flight images so central to shamanist tradition, the Harlemans confront a "new" use of oral poetry which is, of course, an old use also. The recitation of written texts of written texts – the "modern" way – has been superseded by the creation of poetry in sound and, in these new compositions, by the deliberate use of some of the effects tape makes possible with the idea of affecting the listener quite directly. All poetry, all art in fact, aims at a similar ordering of "thought, feeling, and apparent sensory impressions" (in the words of William S. Burroughs), but certain music, dance and other art attempts to actually trigger and control various psychological experiences. The ritual of the Central Asian shaman is an example. It is the shaman's task to pass into a trance state and report back to his community of the spirit world. In order to achieve his altered state of consciousness he resorts primarily to various organized sounds. He chant/sings, using a restricted melodic range in a repetitive pattern, a process which helps create a trance state because of the nature of hearing. The basilar membrane, a structure in the inner ear where soundwave vibrations are translated into neural impulses, is pitch sensitive and pitch discriminatory. That is, various areas of the membrane respond to various specific pitches by sending electrical "charges" along specific nerve pathways to the brain. When these areas of the membrane are "massaged" regularly and in sequence, as in strictly modal music or in much chant, the repetition sets up a hypnotic pattern of impulses. The shaman accompanies his voice with a drum and some sort of metal instrument, both of which produce the kind of sound physicists refer to as "steep fronted," that is a "noise" sound with tightly packed overtones. In addition, drum sounds have an extremely rapid decay time. Such sounds, with their welter of enharmonic pitches, stimulate most of the surface of the basilar membrane, thus ensuring the transmission of as many simultaneous neural impulses as possible to as much of the brain as possible. And the neurons are able to rest between firings because of the rapid decay time of the sounds, thus insuring continuing peak effects for the sound and allowing changed or other sung material to periodically resume its own hypnotic pattern. In other words, the shaman's basic equipment – voice, drum, rattle – is actually a sophisticated tool for self-induced hypnosis, or trance. This self-programmed, inner-directed cultivation of dissociation, which is at the heart of magico-religious traditions the world over, is contrasted on the present recording with involuntary disassociation from each other and from the wellsprings of their own thought and actions. The first kind, practiced as a rite, puts one in touch with worlds within. The second, accepted by many as the price of living, is the source of much unhappiness and pain. Thus the narrator in "Take A Sip Of Me" casts herself in the extreme role of a disembodied cup of coffee in order to reach out to another person: "I won't burn you," she is forced to add to her invitation. Thus the quintessential evocation of mortal fear, "Fear For My Body," which in its more morbid manifestations bespeaks a dissociation bordering on the pathological. "I Forgot Your Name" is a somewhat lighter treatment of disassociation; as a vision of the widening gulf between the sexes it is a little reminiscent of a Rolling Stones put-down song, with echoes of Elvis in the delivery. The musical comparisons are apt ones, because with this album the Harlemans move closer to music, just as music is moving closer to the inflections of the voice. In "Curing," which Peter proposed as an antidote to the malady of separation, Patricia's opening whines sound like an electronic synthesizer, until one recalls that the synthesizer was originally designed to give computers a "voice" and is thus an imitation of the Real Thing. And while "Trance" has the proscribed melodic vocabulary of the chant, "I Give My Body To The Drum" makes use of that most musical of devices, the well-timed modulation. But this use of music, and again it is a very old one, has to do with the creation of magical effects for the purpose of achieving magical results. In his The Wellsprings of Music Curt Sachs wrote that "Everything that sounds, be it in the cruder form of frightening noise or the organised patterns of music, bears the brunt of mankind's eternal strife against the hostile forces that threaten his life and welfare; and, just as well, nothing better than sound can summon the powers of luck and prosperity . . . Even language stresses unity of singing and magics as the Latin word incantation, 'magic formula,' derived from cantare, and the English charm, from carmen. Whenever singing is an act of ecstasy and depersonalization, it moves away from ordinary human expression. The voice is often remote from being as 'natural' as we believe our own execution to be. It is coloured by pulsating, yodelling, ventriloquizing, or bleating. One screams, yells, squeaks, mumbles, and nasals." Sachs sentences on the origins of music are strikingly descriptive of what the Harlemans are up to They've been pioneering in this area of speech / music / magic with each successive album, and with # 9 they've done it again."
All proceeds from the sale of this release will go to Tom Carter. Read more about the appeal here: http://www.volcanictongue.com/tomcarterappeal
Follow-up to the first volume of this on-going series that joins the dots between an earlier generation of American Primitive guitarists and contemporary intuitive sound-as-thought players. Once again Jack Rose is featured (with an absolutely gorgeous 6 string re-think of "Cross The North Fork 2") but every other player puts in a first-time appearance on this volume. The inclusion of Christina Carter is a particularly inspired move and one that speaks of the liberated range of the series in general and her track is a beauty, a stubby acoustic guitar miniature. Nice cover snap too. Other tracks include a particularly mesmeric recording from UK guitarist James Blackshaw and contributions from Peter Lang, Jesse Sparhawk, Michael Chapman, Sean Smith, Fred Gerlach, Billy Faier, Sharron Kraus, Robbie Basho and...uh...Jose Gonzalez. Another rich, far-sighted assortment from this great label.
Follow-up to the great Time And Relative Dimensions In Space compilation with a two CD set once again dedicated to long-form drone works. Exclusive tracks from Birds Of Delay, Bruce Russell, Son Of Earth, The Opera Glove Sinks In The Sea, White/Light, Keenan Lawler, Bird Show/Lichens, Of…Ohv, The Zoo Wheel and The Gray Field Recordings.
Three-way split of extended live sets for this volume of Heath Moerland's (Sick Llama) compilation series, with jams from New Pledegemaster, Steve Kenney (Demons) and Slither all drawn from their recent tour. Hand-numbered edition of 50 copies.
This legendary run of live comps compiled by Heath Moerland of Sick Llama/Fag Tapes just keeps on keeping on. Hard to think of another cassette series that so perfectly expresses the mode of the underground circa now. This one features wild, murky jams from Sick Llama, Slither, New Pledgemaster, Cotton Museum and Steve Kenney (Demons). Hand-numbered edition of 50 copies.
Fantastic compilation of all unreleased tracks from this great NJ label. Exclusive jams from Julian Lynch, Pill Wonder, Ducktails, Fluffy Lumbers, Big Troubles, Andrew Cedermark, Frat Dad , Dana Jewell, Air Waves, Family Portrait, Alex Bleeker, Mountain Man, Real Estate, Rainbow Bridge and Liam the Younger.
Compilation featuring unreleased tracks from Connelly & The Machines, Body Morph, Hive Mind, Dog Lady and Drainolith: "So the other day, me and my lab buddy supreme Scott were knee f'in deep in trying to find out if a huge craggly motor was delta or wye three phase connected, and needless to say, was NOT having luck. It was a one of them RAW bologna built motors that has wire numbers, but its pointless cause its all on its own weirdo system. Whatever. So as usual, we shot the shit. "What's up this weekend man?" "Not much, got a killer afternoon gig at the spot on Sunday...." "What's a gig?" "Ah.... I'm having some of my weirdo friends over to make ah.... music...." "You make music?" "Sure" "Would you ever play a 'gig' for the troops?" "We should get black to that motor...I think I know the lead wires now..." "Well, I can't come over, I gotta fix my tires on my hunting jeep, but you know what would rule Olson?" "What's that?" "If you would press that jammer on wax, mix all the tracks together into one inzane mess and sent it to Smith out west to press...." "Man, you might be on to something" "Make it one long one-sider with a lock groove, I mean shit...that's how I remember gigs anyway.... and just use a flyer for the cover!!!" "My man!!!" So I took Scott's advice. Took the killer matinee jam, got out the scalpel, mixed everything together seamless inzane style, book ended it with an EVIL Hive Mind loop and boosh!!!! Pressed gig memory!!!! So it's just like a gig, except you don't have KNOX MITCHELL's dad dropping you off or Collino spilling brews everywhere or your secret recipe INZANE CHILLI remains burning up in the bottoms of an empty crock pot. Oddly, not a peep of crew-audience noise to be found. Dog Lady played acoustic string scrape, Dan Body jammed reed universe from the uneven side (and then BLASTED Disclose and Firmeza 10 in the jamm room), Drainolith is my main man Alex K from Montreal and kept it uber real with amazing synth scramble, live from yep, THE BASEMENT. Greh said he did a cover of THE SHINING but I've never seen that mini-series. Dead Machines and Connelly jammed magical pixie flutes, infected metal scrape and vocals from an eerie afternoon lagoon. Like an endless gig, ...you gotta SIT THRU THE WHOLE THING...in one inzane memory blurr surpreme.... Record ends with an EVIL Hive Mind lock groover, endless...party. ... forever.... Was a blast, more of this style to come. And BYOB!!! There are three party stores right in the hood, duh!!! 2pm SHARP!!!> Edition of 100 in handmade recycled sleeves, numbered." – John Olson.
Irresistible compilation CD from the reactivated Alchemy Records, an all-female psych set curated by Jojo Hiroshige of Hijokaidan. Features fragile, breathless song stylings from a bunch of upcoming femmes including Akiko Hodaka (formerly of Maher Shalal Hash Baz), Mai Mishio of Uzumibi, Hirachin of Oninko! and Totsuzen Danboru, Shiho of Ten-No.5 and Yuka Fujita of the excellent Chozu. "Produced by Jojo Hiroshige of Hijokaidan (The King Of Noise), the godfather of Japanese noise music and the owner of Alchemy Records. He realized the strength, fragileness, delicateness and other elements that only women could have are the keyword for this decade. This album contains 11 tunes from emerging female musicians that Hiroshige picked out from the Japanese underground music scene." – Alchemy.
Edition of 500 copies compilation LP with exclusive tracks from Akron/Family, Joanne Robertson & Matthew Ashworth, Wand, Natural Snow Buildings, Married In Berdichev, Moon Duo, The See See and Seadog. Comes with a full colour zine featuring artwork by Jake Blanchard, Pete Fowler, Andrew Rae, Will Sweeney, Sarah King, Olange Gularte, James Trimmer/Mirt and Mat Pringle.
Still one of the wildest of the legendary Bloodstains comps, with a round-up of classic disobedient wastoid DIY from Sweden, inclduing classic sides like Kriminella Gitarrer's "Sylvias Unge", Rude Kids' amazing "Raggare Is A Bunch Of Motherfuckers", Watabout, Bugs, Glo, Usch, Brulbajz, Mizz Nobody, Butter Utter, Vicious Visions, Liket Lever, Blodarna...
Vinyl edition of this excellent tribute to the American Primitive genius of the late Robbie Basho from a bunch of players with a deep connection to the source including Glenn Jones, Steffen Basho-Junghans, Helena Espvall (Ghost/Espers), Meg Baird (Espers), Arborea, Fern Knight, Cian Nugent and Rahim AlHaj. Buncha female vocal tracks are particularly choice here, highlighting Basho's gift as a highly idiosyncratic singer as well as a visionary instrumentalist. Dedicated to the memory of Jack Rose. 180g vinyl, edition of 300 copies.
Fabulous follow-up to the same label's Ongaku 70, this set takes in a buncha obscurities from the Japanese underground of the 1980s, all of which would contribute to the momentum that gave birth to the scene's explosion in the 1990s. Alongside stuff that some heads might know - Phew of Aunt Sally's "Urahara" from 1980, schizophrenic Pinakotheca recordings artists Tako, the mutant techno of Riuichi Sakamoto's "Riot In Lagos" – there's a ton of alien tongue, ranging from EP-4's thudding tape-damaged Industrial punk through Lizard's acid-damaged prog-pop, Portray Heads' transplanted Trans-Europe Express, Gunjogacrayon's usurping of James Chance & The Contortions and prefiguring of The Boredoms, the amazingly titled Daisuck & Prostitute's blunt punk/funk, Shinobu's psychedelic cold wave and Pta's epic unclassifiable Josef K-play-Can-play-"Rapture" 1982 8 minute masterpiece "Woo-Guy After Dark". Another phenomenal set that is sure to blindside anyone who considers themselves an expert on this endlessly inventive scene. On pink/white splattered vinyl. Recommended!
Necessary compilation of one of the most revered and whispered-about Japanese underground labels, Vanity Records. Vanity were briefly active in the late 70s and early 80s. Run by Agi Yuzuru, who also edited Rock Magazine, the label released 10 LPs, 3 singles, a double compilation, a bunch of cassettes and even a few flexi discs that came free with issues of the zine. Vanity offers a uniquely twisted vantage point on a creatively accelerated period, translating what was happening in the punk and No Wave scene in New York as well as the UK and European Industrial explosion via the Japanese aesthetic of Further. One of their most highly regarded releases was Tolerance's 1981 LP Divin, a long-term VT touchstone, a group that combined minimal Industrial electronics with primitive techno and the sound of the Japanese grid for the perfect nocturnal soundtrack. They're represented here with the classic TG whipcrack sound of "Sacrifice". Groups like Sympathy Nervous have a classic cracked middle-European new wave/synth deadpan quality but with drum machine and keys that come over like a home-recorded "Diamonds, Fur Coat, Champagne". Dada's amazing 1978 recording "Yuuen Inraku Gaki" combines wailing Far Out-meets-Fripp lead guitar over martial percussion and choirs of Popol Vuh-styled synth, directly connecting the new wave with earlier psych experiments. This one is up there with that phenomenal Onna 7" that came out on Holy Mountain: Julian Cope definitely needs to pick up on these guys. Mad Tea Party have a great stumpy idiot-avant appeal that anyone who digs Gasaneta/Guys N Dolls circuit will pretty much swoon. Phew's punk group Aunt Sally are represented with a self-titled track from 1979. Also features wild tracks from RNA Organism, BGM, Arbeit, Morio Agata, Normal Brain, Perfect Mother and Kiiro Radical. A secret history of yet another side of one of the most fertile experimental music scenes in the world. On white/pink spattered vinyl. Highly recommended.
Ass-blasting double LP compilation of wild Dutch punk, still some of the crudest ever spat to wax. Amazing tracks from Ivy Green ("I'm Sure We're Gonna Make It"), Helmettes, Panic ("Requiem For Martin Heidegger"), Flyin' Spiderz, Speedtwins, Paul Tornado, Suzannes, Tits, Mollesters, Filth, God's Heart Attack, Mecano Ltd, Subway, Mort Subite, The Brommers, Shith, Coitus Int. Vopo's, The Ex, Nixe, Rondos, Nitwitz, Trockener Kecks and Frites Modern. Excellent sleeve notes too.
Hard to believe that this is the 200th release for the consistently greatest contemporary underground label in the world but what better way to celebrate than a new instalment of their legendary Tokyo Flashback series that documents the state of Tokyo's psychedelic underground circa now. A few artists will be familiar to the VT hardcore - ex-Overhang Party mainman Rinji Fukuoka's Majutsu No Niwa's classic take on garage psych, Reizen's amazing flat-lined guitar tectonics – but the bulk of the material makes an even deeper past through subterranean Tokyo. The ass-flatteningly great Soldier Garage explode into life with the kind of cacophonic guitar noise of early-Fushitsusha before floating all the way out on Suishou No Fune-styled acid balladry while Mamushi stagger all over blues and Neil Young-styled collapsing universe dynamics with alla the staggering high-wire drama of prime Kousokuya. Oser walk the line between Borbetomagus/Demo Moe-styled freakout and lurid Incapacitants-inspired noise mash-ups and Metaphoric use two treated electric guitars to generate the kind of eternal music of the Fripp/Eno collaborations. Demons describe Kaoru Abe, Rotten Telepathies and High Rise as being "like a Led Zeppelin to us" and come over like Oshiri Penpenz play Mark Fry. Netanoyoi play blown-out punk with an aggressive angularity and an almost Org-like naivety while the righteously-named Heavy Metal Glue feature members of White Heaven, Marble Sheep and Church Of Misery and play supremely crude psychedelic rock with thudding riffing and Kraut hypnotics applied to doomy 70s metal bombast and gasoline-huffing blues. The whole set comes with a booklet featuring pics and liners and it makes for one of the best instalments of this vital compilation series in an age. Highly recommended!
Limited benefit CD-R arranged by the Hebden Bridge squad in less than 24 hours after Charalambides were forced to cancel their show there due to Tom Carter's sudden illness, all proceeds going directly to Tom: tracks from Ashtray Navigations, Neil Campbell, Spider Stacey, Dylan Nyoukis, Bridget Hayden, Astral Social Club, Rick Tomlinson, Konntinent, High Aura'd, Listening Mirror, Will Bolton, Isnaj Dui, Kyle Bobby Dunn, The Failed NASA Experiment and Caught In The Wake Forever.
Staggering box set that gathers the first five volumes of the epoch-defining Rubble collection, originally issued by Bam Caruso in the 1980s that best articulated the freakbeat/psych sound of the UK underground in the mid-to-the-late 60s: Rubble was the UK's answer to Pebbles and while they were pre-dated by comps like Chocolate Soup For Diabetics, they pretty much set the standard for the presentation of obscure F/X saturated pop psych, amplifier crunching freakbeat and dopey tea-sipping and budgie-baiting lysergic fop. I've long been of the opinion that the influence of The Beatles has been one of the most baneful in rock/pop history but it's possible to make the argument that the influence their more experimental pop sides had – specifically Rubber Soul and Revolver, w/a nod to Sgt Peppers and the early Pink Floyd – on the UK underground was not without merit. Rubble consists, basically, of groups trying to ape, cash-in or exceed The Beatles' most dosed sides and in their determination to go beyond "Tomorrow Never Knows" these groups were responsible for some of the most inspired, moving, beautifully stupe pop/rock music of that or any age. I guess it's more Beatles' concepts of 'songcraft' that tend to function as their inheritance rather than their more 'experimental' tendencies, and it could be argued that the British psych explosion is the sole legacy of their more advanced explorations of the potential for F/X augmented rock/pop settings to massage your brain as dramatically as any psychoactive substance. Regardless, there were so many amazing sides released in the second half of the 1960s in the UK that it more than matches the parallel garage explosion in the USA. This massively heavyweight box set bundles the first five volumes of Rubble - The Psychedelic Snarl, Popsike Pipedreams, Nightmares In Wonderland, The 49 Minute Technicolour Dream and The Electric Crayon Set – all with reproductions of their original sleeves and with a full-size booklet with detailed notes, ephemera and rare photos. The track listing is dazzling, a virtual who's-who of Floral Albion, with sides from Kaleidoscope, Wimple Winch, The Misunderstood, The Pretty Things, Tomorrow, The Koobas, Jason Crest, The Attack, The Flies, The Open Mind, Caleb and many, many more. Listened to in one sitting, the early Rubble sides sum up the utopian pop project of UK psych, a distant neverland that both exaggerates and parodies Englishness and that in many ways feels like the first pop stirrings of England's eternal hidden reverse. I feel like I have somehow internalised all of this music so completely that my own biography is somehow tied up in it, even as I missed out on it first time around. But really, this is the motherlode, one of the greatest repositories of psychedelic excess, all in the one place. Highest possible recommendation!
Edition of only 50 copies hand-cut lathe with insert and download documenting some insane pipe and drum music recorded live in the field by Anthony Milton: incredible degree of out of body hyperventilating going on here, with crude pipe stylings huffing all the way to unconsciousness while drums batter our ritual tattoos and wild get-down stylings. A side was recorded at a 36 hour non-stop street fiesta in the village of Sorata in the High Andes while the flip was at an overnight bacchal in a bamboo hut in the village of San Miguel del Bala in the Amazon basin. Line this one up to next to an Albert Ayler boot and your favourite Vibracathedral Orchestra CD-R for maximal brain rearrangement.
Unlikely round-up of pre-rock/roll 78s from the other side of the world that anticipate or osmose contemporary rocking moves while mutating them well beyond the remit: this is a highly addictive collection of high energy world music that runs the gamut of re-orientalised country orientalisms, jump jazz, samisen boogie woogie, early Egyptian and Indian rock n roll, organ-stomping cumbia and hillbilly boogie. Beautifully presented too, in a cool tip-on sleeve with the kind of graphics you might wanna frame. Love this. Recommended.
Massive side of lost Americana dedicated to the high lonesome sound of sufferin ballads, brokedown blues and melancholy paeans to the pull of oblivion that has a heady Harry Smith/Anthology feel that's down to the inspired associate logic with which its compiled: stellar tracks from Arthur Smith Trio, B.F. Shelton, The Carter Family (their classic, lugubrious "Will You Miss Me When I'm Gone?"), John Hurt, Emry Arthur, Jimmie Tarlton, Shortbuckle Roar & Family, Clarence Ashley, The Cackle Sisters, Buell Kazee, Moses Mason and Bascom Lamar Lunsford. A fantastic set and a timely reminder of the weird lunar appeal of the most lonesome American folk music. Highly recommended.
Second instalment of this fascinating series that collects 'stray' short tracks from the GRM Vaults: this one concentrates on early pre-1976 works from four composers who went on to blaze singular trails. Denis Smalley is probably best known for his amazing 1979 recording The Pulses Of Time and he is represented here by 1974's "Pentes" a beautiful piece of widescreen drone based around the sound of the Northumbrian Pipes. Dominique Guiot's 1974 recording "L'oiseau de Paradis" presents a series of dramatic soundscapes scored as if they were a screenplay, Pierre Boeswillwald's 1971 "Nuisances" is an eerie noise/drone work that uses 'pollutants' or 'nuisances' while Rodolfo Caesar's "Les Deux Saisons" from 1975-76 is an improvisation using glass organ and a frequency modulation device.
Third volume in this on-going series that documents various stages of evolution of the Japanese underground: following the 70s and 80s the 90s set is the real gravy and represents the decade that was the most creatively accelerated in terms of underground activity. Cream of the crop here is an amazing studio recording from the classic trio Fushitsusha line-up, "Magic V", with Haino on electric guitar and vocals, Yasushi Ozawa on electric bass and Jun Kosugi on drums recorded during the sessions for their 1993 album for John Zorn's Avant label, Allegorical Misunderstanding. Haino's vocal are particularly potent, moving from a high lamenting style to aggressive epiglottal action while the group work the kind of complex rock rhythm equations that would come to define their current incarnation. But that's not all. There's a classic "Moungod" live ritual from Masaki Batoh's Ghost, from their classic self-titled 1997 debut, "Moungod Te Deum" and Hoppy Kamiyama's legendary God Mountain label is represented by Demi Semi Quaver's "A*merika". We also get a great goof of a track from 'noise' legends The Gerogerigegege and tracks from Phew, composer/trumpeter Jun Miyake, Ryuichi Sakamoto, E*trance, weirdo J-pop from Takako Minekawa and of course no 90s overview would be complete without a track from legendary guitarist/songwriter and Org recording artist Idiot O'Clock. A great and wide-ranging overview of the creative tumult of underground music in Japan in the 1990s. Recommended.
Very limited reissue of this legendary Broken Flag compilation originally released on cassette in 1983: this reissue was originally intended to coincide with the Never Say When Broken Flag event that took place in London in May of 2012 but it's only now seeing the light of day. This is one of the most radical and profoundly a-musical documents of Broken Flag's uniquely primitive and ferociously raw DIY aesthetic. It features exclusive tracks from Ramleh, The New Blockaders, Sir Ashleigh Grove, Vortex Campaign, Citipati and Depilate Corps. The Sir Ashleigh Grove track (a New Blockaders 'satellite') is particularly astounding, a long two/three note track of scouring minimalist debris and fucked-up martial beatbox that sounds like buckled metal played by Sun Ra. The New Blockaders track is a beautiful example of their ferocious early DIY electro-acoustic style with that shed at the bottom of the garden appeal that makes the early recordings so unique while working in the same area as Ferial Confine. The Ramleh track is a totally hysterical and barely comprehensible live 'power electronics' assault while Depilate Corps turn in an eerie feedback choral that's heady with implied threat. A phenomenal set, one of the best early Industrial/noise compilations and a solid spin from start to finish, highly recommended!
Much-anticipated fourth volume of this mind-numbingly amazing collection of "fuzzed-up boot-stomping continental low-life heaviness 1969-1975" in an edition of only 300 copies: this one is focussed on European levels of caveman ugh, pre-metal, pluke-popping glam and proto-punk brain donation with a choice run of ridiculously OTT hysterics. Silence are to Led Zeppelin what Blue Cheer were to The Jimi Hendrix Experience, favouring volume over technique across two amazing power-grunting sides. Germany's Propeller sing the praises of an "Apache Woman" while Belgium's Angie make for one of the most confusing wimpy power ballads in the form of "Streetlight Fight". Mothers Of Track drop the classic "Motorcycle Rock" while Good Time Joe turn up the Stones/Dolls swagger with "Slipstream". Also killer tracks from no counts like Mushroom, Corporation, After Shave (!), Blackbirds 2000, Tiger, Tykes, Maternal Joy and the mind-blowing closing track from Germany's Cindy & Bert that immortalises the Hound Of The Baskervilles to the tune of Black Sabbath's "Paranoid". Too fucking much! Another amazing, life-affirming volume from one of the most insanely enjoyable of modern underground compilations. Immediately sold out at source, highly recommended!
Jaw-dropping collection of 'outsider' old time rural jams curated by Frank Fairfield: painstakingly re-mastered from original 78s this is an ass-whooping collection of alien and otherworldly fiddling, singing and haunting with a focus on Anglo-American down-home music. The focus on this particular point of transmission in the hands of outsiders who were receiving it in a bunch of different tongues means that you can hear the way that original English folk styles were warped by the very landscape they were transported to, opening out into endless speedy drones and high eerie string works, fusing the melancholy and celebratory aspects of English folk into a uniquely driving hybrid that feels like its lighting out, in faith and fear, into the promised scale of America itself. The music is epic and personal, mythic and hands-on crude and with an atmosphere that feels like a goddamn time machine. Amazing rarely heard tracks from Bob Skiles Four Old Timers, Willard Hodgin, Fred Shriver, Mustard and Gravy, Tweedy Brothers, Happy Hayseeds, Lemuel Turner, John Batzell, Homer Davenport, Lewis Brothers, Ernest Rogers, McLaughlin's Old Time Melody Makers, Alphus McFadyen and South Georgia Highballers. Highly recommended.
Latest instalment in Tompkins Square's great Long Gone series focuses on some of the rarest and most forlorn music from South-West Louisiana: plenty of power crying and lonesome string shuffles here, with a raft of 78s that have never been compiled or even heard outside of a band of believers. A bunch of magisterial musical stylists, including all of Percy Babineaux & Bixy Guidry's 1929 recordings and most of Angelas Le Jeune's 1929-1930 recordings with Denus McGee & Ernest Fruge alongside the newly 'discovered' 78 of Blind Uncle Gaspard & Delma Lachney. Loving the last few Tompkins compilations and this is another solid sender.
ONE OF VOLCANIC TONGUE'S RECORDS OF THE YEAR 2013!Fifth and final volume of this ridiculously entertaining series, this time with "13 slices of slimy colonial grillfat and mindless Aussie boogie excursions" in an edition of only 300 copies: this is the long-time coming Australian volume of nada brain cell cock-rocking thug, proto-metal and junked-out glam and it just might be the stoopidest instalment yet, which makes sense as in many ways Australia is the spiritual home of Bonehead. Highlights include Toxic's ultra-fucked proto-punk "First Time" with production that comes over like The Prats mixing Raw Power, Head's street-fighting/street-sleeping anthem "Hobo", The Ash Band's failed fag end masterpiece "Let's Go", Fat Daddy's "Fat Funky Rock 'N' Roll", which does exactly what it says on the tin, King Harvest's sledgehammer assault on "Jumping Jack Flash", Geeza's amazing Bon Scott sleaze celebration "Sydney City Ladies" and more from Twister, Francis Butler's Sixty-Niners, Chook (!?), Sparkle, U Turn, Bullet and Macarthur. A suitably outrageous swansong for this sainted series. Edition of only 300 copies, already sold out at source, highly recommended!
Wild, aces-up collection of primo French 'paink' from the glory years of 75-82: continental punk is notable for its total excess, its taking punk way the hell at its word and its breaking out and freaking with it and as such it's a lot more a-formally spuzzy than its often tepid UK counterpart. If you still have your doubts then live through this: Gasoline's "Killer Man" exists somewhere downwind of a Bonehead Black Flag while Guilty Razors "I Don't Wanna Be Rich" is pure low-slung snot and tinny amphetamine appeal. Dogs' "Nineteen" has a classy Detroit swagger to it while the genius Soggy don't need more than two chords while they're "Waiting For The War". Strychnine's "Ex BX" is a breakneck account of total Euro wasterism complete with the kinda 'squeal' that would keep John Fothergill happy. No duffers here, with more killers by Les Nouveaux Riches, Electrochoc, Sexe a Pile, Marie France, Ruth Elyeri, Les Olivensteins, Coronados, Warm Gun and Gloires Locales. Recommended!
Four-way split CD co-released with Smokers Gifts and Absurd by Phil Todd of Ashtray Navigations, with an eye on the contemporary DIY psychedelic underground in Yorkshire: mind-phasing guitar/sequencer jams that would dissolve Heldon in Folke Rabe's What from Shemboid, crude DIY electronics and eviscerated synth pop glossolalia from Phil Todd's Moral Holiday, cro-magnon synth/fuzz grunt from Foldhead aka ex-Smell & Quim member and Astral Social Club collaborator Paul Walsh and Joe Meek jams solo oscillator visions from Mel of Ashtray Navigations et al in her Ocelocelot guise. Looks like the north of England remain ground zero for blunt electro threat. Edition of 200 copies in circular die-cut covers.
Necessary reissue of this massive ground zero compilation covering the best of the Japanese 'group sounds' 1960s garage band explosion: this is a killer glimpse of the speed at which the Japanese underground evolved, with tracks from key first generation groups that featured players that went on to join the ranks of the likes of Flower Travellin' Band, Speed, Glue & Shinki, Les Rallizes Denudes and Foodbrain. Killer tracks by The Golden Cups, The Dynamites, Outcast, The Carnabeats, The Tempters, The Beavers (Japan's Zombies!), The Bunnys, The Mops' classic "I'm Just A Mop", The Spiders, D'Swooners, Zoo Nee Voo, Fingers, Outcast and The Bunnys. Comes with a large booklet with liners and snaps. Recommended!
CD debut for this killer series of pre-psych/prog garage band excess from the Japanese underground 1966-69: delirious selection here, with OTT tracks from legendary groups like The Beavers, The Carnabeats, The Spiders, The Voltage, The Mops, D'Swooners, The Bunnys, The Golden Cups and The Savage. Recommended. All tracks exclusive to this volume.
CD debut for this killer series of pre-psych/prog garage band excess from the Japanese underground 1966-69: delirious selection here, with OTT tracks from legendary groups like The Spiders, The Voltage, The Mops, The Golden Cups, The Sharp Five, The Sharp Hawks and The Jaguars. All tracks exclusive to this volume. Recommended.
CD debut for this killer series of pre-psych/prog garage band excess from the Japanese underground 1966-69: delirious selection here, with OTT tracks from legendary groups like The Beavers, The Carnabeats, The Spiders, The Mops, D'Swooners, The Golden Cups and The Jaguars. All tracks exclusive to this volume. Recommended.
Astounding collection of unknown teenage post-Zeppelin/Sabbath occult metal from 1970s USA: this is such a great package, with classy teenage Dungeons & Dragons style graffiti on lined notebook paper for artwork and specially re-visioned metal school-room style 'logos' drawn by Robert Soden: if you dug Medusa's amazing First Step Beyond LP out of Chicago in the 1970s then this shit is the next level, with OTT doom metal epics married to classic fighting fantasy, sword and sorcery lyrics as well as dedications to Lucifer, lakes of fire, pagan hostilities and necromancy. The level of Bonehead RPG-isms is almost overwhelming as bands like Air, Wrath, Stonehenge, Triton Warrior, Junction, Stone Axe, Wizard, Stoned Mace, Arrogance, Sonaura, Dark Star, Inside, Space Rock (!), Medusa, Gorgon Medusa and Hellstorm conduct proto-punk séances in the name of the dungeon master. If you're a fan of thud and you like it all wrapped up with a teenage metal warrior ethos w/doofy nods to the occult then you're in the right place. This is the sound of the true teenage wasteland. Beautifully packaged with heavy vinyl, chunky gatefold sleeve and a massive booklet with great liners and pics, very highly recommended.
Everyone knows that Belgian punk took the movement way the fuck at its word and pushed the form into excessive new zones of teenage ugh, so this sainted compilation is as necessary as The Kids' debut LP in terms of explicating the power of the pluke in central Europe in the late 70s. The track listing is choice and brings together some of the most revered slabs of crude ever vomited onto vinyl. The amazing Mad Virgins are here with their jaw-dropping "Fuck And Suck" and "I Am A Computer" as well as Phallus Band's insane "J'ai Perdue Mon Phallus" and "Les Sadiques". X-Pulsion's amazing "Heaven Only Knows" goes up against Chainsaw's ripping "What Goes On" and we get hyped-up hormonal madness from Thrills, Streets, The Actors, The Passengers and more. A high energy no-technique blast from Bloody Belgium, highly recommended!
Latest instalment of this always-thrilling collection of stray avant electro-acoustic works from the GRM archive: this volume gathers a buncha great and previously unknown pre-1980 composers from diverse locations and backgrounds, Charles Clapaud, Janez Maticic, Servio Tulio Marin and Eugeniusz Rudnik. Charles Clapaud « Ruptures » (1978): The idea of the break (rupture) as a disruptive phenomenon should be integrated into discourses and perceived musically: to break the silence, a matter, shapes, plans... In this musical piece, two main parts can clearly be identified: In the first part, the chaotic activity of the sound material (crumbled, fragmented, discontinuous forms) blossoms into a static burst. A sustained deep tone settles within a sort of "Cadence" and highlights a solo sequence of discontinuous sound "lines". The entire sound spectrum then erupts, abruptly interrupted by three loud blasts. In the second part, the fragmented form unfolds as a whole initial sequence, followed by a second one where other forms overlap in a kind of sound collage that induce emergence phenomena. The piece ends as a sharp break.(C.C.) Janez Matičič « Hypnos (extrait de Trois Visions) » (1975) This non-progressive piece is composed of several sequences, each introducing an additional element and ending with a twist. A quiet swaying from one framework to the next constantly defines the sound quality of the piece, just like blurry visions tantalize the dreamer one after another. (J.M:) Servio Tulio Marin « Impresiones Fugitivas » (1976) This piece is based on the process of sound as a solid material. The shape and height of a concrete, granular texture (very similar to white noise) are being transformed. Whilst still unfolding, this process is being interrupted at several stages by various interfering elements with opposite natures. This gives rise to a complex dialogue between distinct materials, like a counterpoint expressed through sound spatialization. (S.T.M.) Eugeniusz Rudnik « Moulin Diabolique » (1979) The work consists of six sequences which all possess a dramatic, musical and architectonic sense independent from the context. Their position in the composition as a whole -- apart from sequences 2 and 6 -- is not derived from any absolute necessity. The basic material of this work consists of military orders given in different languages and of the sounds (voices) of a human group (soldiers). These – assuming the order implies a constraint – can either be the single answer to such a constraint or they can accompany it. Through editing, the sense of military discipline was removed from the ordering sentences, thus enhancing the grotesque and terrible content of the order itself. [ ... ] The possibility of identifying the sound sources (speech = order with its semantic, semiotic and associated values), the formal structure of the composition is to remind the listener of the constant presence by his side of the Evil Mill (Moulin Diabolique) of war. A mill that has been turning on and on for thousands of years – and for how much longer? I dedicated this work to my daughter Kamila Maria . (E.R.). Recommended, as ever.
Excellent new compilation from the people who brought us the recent Isengrind cassette that surveys the sounds of the new psychedelic music coming out of South America: this is blast from out of nowhere, with a bunch of groups, working in relative isolation but channelling the ghosts of precursors like the sainted Traffic Sound and Los Parajos via contemporary technology and DIY garage band formulas. Much of the music seems to connect at a tangent with the experiments of James Ferraro, Spencer Clark and Jan Anderzen, with small instruments, druggy/dubbed beats, extended cultic nod-out jams and an overall nocturnal 3am vibe but there's also a heady bedroom Krautrock vibe, with an endless, open space feel and the kinda fidelity that makes it feel like it is being broadcast via massed third eyes. Groups featured: False Sir Nicholas, Efrain Rozas, Tomas Tello, Titanik, Panchasila, Los Siquicos Litoralenos, Chico Tropico, Diego Bodego, O+YN and Brayan.
Incredible new very limited proto-Tokyo Flashback scale compilation that attempts to take the temperature of the New Zealand underground circa now, complete with original artwork by Campbell Kneale: this one subverts and bolsters the NZ destructo rock/home-bled concrete tape work tradition, marrying tracks from heavyweights like Bruce Russell and Peter Wright, Campbell Kneale's Our Love Will Destroy The World and Antony Milton alongside major new voices that range from obliterated almost Omit-scale homemade electronics, evacuate beats and splintered vocals through roaring drone and end of the world soundings courtesy of killer new breed voices like Mischancerie, ETRC aka Shannon Reed, i.ryoko, Oona Verse and Noel Meek. Highly recommended.
Classy looking underground comp of some of the best and most psychedelic of the heroic era of Turkish psych/funk/jazz and weirdo: taking off with classic tracks from the always-amazing Erkin Koray, Bosporus Bridges compiles killer rarities from Emin Findikoglu, Mustafa Ozkent Ve Orkestrasi, Erkut Tackin, Fikret Kizilok, Aksu Orkestrasi, Ferdi Ozbegen, Erol Pekcan, Okay Temiz, Erol Pekcan Orkestrasi and Durul Gence 10. Limited supply!
Original copies of this very rare 1972 poetry LP featuring readings from Allen Ginsberg, Dian DiPrima, Ed Sanders, John Giorno, Carol Berge, Ray Bremser, Ted Berrigan, John Wieners and Jim Silver. Released to coincide with the "Poetry International Festival" in Rotterdam June20-24th 1972. Comes with a thick 15 page staped mimeographed booklet featuirng texts of the performances. A beautiful set, elusive and highly recommended.
Hand-numbered edition of 100 copies set of radical tonal freak from saxophonist Steve Baczkowski: a radical departure for Steve, with a torrential accumulation of fucked turntable tectonics, prepared vinyl, tone arm, bells, implements, flutes, vibratube and that colossal baritone attack. Massive.
Amazing archival unearthing of previously unreleased No Wave/free jazz live blats from this wild free rock group featuring saxophonist Daniel Carter: Dissipated Face was the trio of guitarist Kurt Ralske (later in Ultra Vivid Scene et al), bassist Ben Munves and drummer Stephen Popkin and the music was a mutant strain of hardcore with fast, up-tight rhythms over the kinda free guitar crank that would reconcile Rudolph Grey, Arto Lindsay and Keith Levene. Indeed, there's a weird American hardcore take on Metal Box to some of the music here, colliding with classic No Wave refusal to make for some amazing Demo Moe-style freak. Great songs, with titles like "Rock Is Dead, Shithead", "Streets Of New York" and "Nazi With A New Name" and when Carter comes in on saxophone the effect is like the MC5 eviscerating Jon Landau's goddamn corpse live on stage and straight to bootleg. Comes with cool Raymond Pettibon artwork and liners. Too much, totally great and highly recommended.
Limited edition of 150 copies cassette featuring poet, original Angel Hair founder and Naropa/Jack Kerouac School Of Disembodied Poetics professor Anne Waldman reading and singing with Thurston Moore on guitar, Daniel Carter on saxophone, Ambrose Bye on synth and Devin Brahja Waldman on saxophone: Waldman's poems and readings have a cantorial musicality and an alternately apocalyptic and body Gnostic approach, bringing great ascensions of epiglottal passion to play on shamanic word gambits and visions of Ginsberg-ian cycles of eros, cosmos and thanatos. Carter sounds alternately haunted and inspired, playing in a ghostly, lamenting style before the whole group come crashing in, with Thurston playing w/the kind of overamped freestyle that would give the cassette the feel of a live Universal Mutant Repertory Company freak. Comes with a free download. Fantastic.


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24-Carat Gold Plated Dog ID Tags: Does your dog have a soft spot for gold? Or maybe you do? These identification tags will probably be the only ones acceptable for your dog's collar! Each custom engraved tag is made from 24-carat gold plated brass polished to a mirror finish and custom engraved with your choice of text and font
Nickel Plated Dog ID Tags: Nickel plated brass dog ID tags polished to a mirror finish and custom engraved with the text and font of your choice. These tags will shine as bright as your dog's personality!
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to be down with your husband/wife no matter what, through it all the good and the bad.
Thats my ride or die husband 4 life
โดย Fatima 01 เมษายน 2004
Conjunction of the phrases "ride it out" and "die trying". In other words you're down for whatever, even if it kills you.
That is my girl and I'll ride or die with her.
โดย YourDream 27 พฤษภาคม 2005
the people in your life who are there through thick in thin. they'll do what it do to make it through with you. the ones that'll stick it through till the end
we've been through a lot. she's truly my ride or die
โดย JFizzzle 25 กุมภาพันธ์ 2009
Ride or Die - when you love someone so much that your willing to do anything for them, even if it kills you. Just because they mean that much to you. (friends, husband/wife, family]
Your my ride or die. I'm always gonna be here for you.
โดย RiDeOrDiE<33333333333 08 มกราคม 2011
A way of life defined by the abitity to do anything nessary to live, also the willingness to do anything as long as some down ass people are down to do it with you.
"The cops are at the door time to bust throught the garage door with the caddy homie its ride or die."
โดย Zac Dewey 25 สิงหาคม 2007
Someone who is always by your side and will never leave. They have your back no matter what. They would do anything for you and will fight for you. They go through hell and back together.
My best friend is my ride or die girl.
My man is my ride or die.
My man is my ride or die.
โดย Ride Or Die Baby 23 กรกฎาคม 2013
Your either with us or against us, so hop in the damn car.
1)I screamed ride-or-die but now he won't ride with us.
2)That guy is ride-or-die
2)That guy is ride-or-die
โดย quasimodo 14 เมษายน 2003


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Welcome International Customers
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Item#: 783046
With detail and movement that's almost lifelike, these green jade snake earrings create a surprisingly edgy look. Black agate cabochons make up the eyes. Leverback, 14kt yellow gold over sterling silver earrings.
Details Gift
Box Our 100%
5/8 inch
14kt 14KT: Karat (abbreviated kt or K) is a unit that indicates the purity of gold in the metal. 14kt is 58.33% gold. In the United States, 14K yellow gold is most favored and used in jewelry. Gold Over Sterling STERLING SILVER: Also known as "Standard Silver," sterling silver is silver alloyed with other metals to increase the hardness and durability. Generally, sterling is 92.5% silver and 7.5% other metals. Some sterling silver jewelry is plated with 14kt-18kt gold and referred to as "vermeil," or "gold over sterling." Silver
Polished POLISHED: A buffed-out finish used to produce a mirror-like shine.
Lever LEVER: An earring backing with a hook-shaped insert and a hinged leverback to hold it in place.
Hanging Length:
2 1/4 inches
Stones per Earring:
Stone 1:
Agate AGATE: a variety of chalcedony, agate covers a rainbow spectrum of colors from black and gray to brown, pink, blue and yellow. Agate can be textured and exhibit a variegated layered stripe effect, which makes it a wonderful stone for carved cameos and beaded necklaces and bracelets. (Color: Black, Quantity: 4, Shape & Cutting Style: Round Cabochon, CABOCHON: A style of cutting gemstones to achieve a smooth, domed surface with an absence of facets. Size: 2 mm)
Stone 2:
Jade JADE: Available in many nuances of green, plus black, red, brown and white, jade has been treasured for its beauty and strength since prehistoric times. Prized above all other gemstones in ancient China, jade jewelry continues to captivate with a Far East mystique. (Color: Green, Quantity: 2, Shape & Cutting Style: Carved, CARVED: When a gemstone is cut so that the outline or surface takes the form or likeness of a specific image or pattern. Size: 40x16 mm)
All weights and measures are approximate.
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text: If you mist, then moisturize too?it's two steps, says N.Y.C. dermatologist Francesca Fusco. When you just spritz, the water evaporates on the skin, creating dryness. Can't do both steps? Look for a mister with an emollient like glycerin, such as the Body Shop's Vitamin E face mist ($16; at thebodyshop.com).Read MoreLess


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text:
And definitely I would have no problem fucking your ass!!
You DO have a nice ass!
Darn right i would.
Looking good!
Welcome to JUB
Not before playing with your hot nuts........extensively.......
Add me to the list of admirers !
Thanks for the warm welcome.
Sounds like I might have to keep a list of some sorts
Welcome to JUB!
Sir Ron likes your pics...
The Three Musketeers... Bashful, Chrisglass, and Ronboy!
yes.. sweet ass
All asses and cocks are welcum at JUB.
Welsome to JUB. Great looking ass.
who can give as good as they take ?
Your ass is nice , but why waste my time chasing a straight guy , just to fulfill his fantasy , what i dont count ? , except as a cum rag for a straight dude................
Your ass is hot, don't get me wrong, but being a gay guy is more than just asses ya know? Can we see what we have to play with if we like giving reach-arounds?
Nothing wrong with the natural body I wish we could all walk around nAked lol
I'd fuck that ass until you walked bow legged.
I'd certainly fuck you, but I'd more eager to suck that lovely cock.
Nice cock!
a cute ass, sexy cock, and nice feet?
I would definately rim and fuck that ass...
and drain that cock and lick those feet all over!
Great ass dude, niiiice!
Virgin + Vegeta = Virgeta = Hot stuff
Thanks for the nice words everyone
It certainly helps the self-esteem.
Never been flowing over with that
And, "Animal" seems to be experiencing the same effect given "His" current state of "dripping"!
ALL of Your "bits" are definitely HAWT, Dude!
MORE, Please!!
Keep smilin'!!
WISDOM is the Knowledge you've gained ... After you could have used it! _Me
Fuck all wrong with that dick mate..............
Not much to play with? Looks like you got your hands full to me!!!
How the hell did I miss this thread?
Welcome to J U B!
...and I'd fuck you in a heartbeat
You have a nice ass to play with
Ah fuck that's freaking hot. Wish that was my dick in there.
Virgin + Vegeta = Virgeta = Hot stuff
this talk is getting me fucking horny now
^ PROVE it....... .......
Got lost there for a moment but I'm back
^ Not a moment too soon!....... .......


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Showing 1-3 of 3 items found in Arts & Culture
Arts & Culture Grayville
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Ratcliff Inn Museum
1828 Stagecoach Inn -- Abe Lincoln stayed here as he was campaigning. White County artifacts also on display.
CITY: Carmi
Brubeck Theatre at Wabash Valley College
The Brubeck Theatre at Wabash Valley College in Mt. Carmel features many locally produced plays and musicals, as well as traveling professional performers.
CITY: Mount Carmel
Moravian Church & Cemetery
The only Moravian church in the state was built by German settlers in Southern Illinois.
CITY: West Salem
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Here, you can find solutions, ask questions, share your knowledge and experience, get the latest information on new features and enhancements, download the latest releases, get expert tips and techniques, be in touch with the product teams, and much more.
Visit it now »
ActiveRoles Server solves security issues and meets those never-ending compliance requirements by securing and protecting Active Directory simply and efficiently. By delivering automated tools for user and group management and Active Directory delegation, ActiveRoles Server overcomes the native shortcomings of Active Directory, so you can do your job faster. And thanks to its modular architecture, your organization can afford to meet your business requirements today and in the future.
With ActiveRoles Server, you can:
Secure access – Acts as a virtual firewall around Active Directory, enabling you to control access through delegation using a least privilege model. Based on defined administrative policies and associated permissions generates and strictly enforces access rules, eliminating the errors and inconsistencies common with native approaches to AD management. Plus, robust and personalized approval procedures establish an IT process and oversight consistent with business requirements, with responsibility chains that complement the automated management of directory data.
Automate account creation – Automates a wide variety of tasks, including:
ActiveRoles Server also automates the process of reassigning and removing user access rights in AD and AD-joined systems (including user and group de-provisioning) to ensure an efficient and secure administrative process over the user and group lifetimes. When a user's access needs to be changed or removed, updates are made automatically in AD, Exchange, SharePoint, OCS, Lync and Windows, as well as any AD-joined systems such as Unix, Linux and Mac OS X.
Day-to-day directory management – Simplifies management of:
ActiveRoles Server also includes intuitive interfaces for improving day-to-day administration and help desk operations via both an MMC snap-in and a Web interface.
Manage groups and users in a hosted environment – Works in tandem with Quick Connect in a hosted environment where accounts from client AD domain are synchronized with a host AD domain. ActiveRoles Server enables user and group account management from the client domain to the hosted domain, while also synchronizing attributes and passwords.
The solution uses out-of-the-box connectors to synchronize your on-premises AD accounts to cloud-based services such as Salesforce.com, Google Apps, Microsoft Office 365, Lync Online and SharePoint Online.
Consolidate management points through integration – Complements your existing technology and identity and access management strategy. Its Extend All feature simplifies and consolidates management points by ensuring easy integration with many Dell products, including Quick Connect, Identity Manager, Privilege Password Manager, Desktop Virtualization, Authentication Services, Defender, Password Manager, Webthority and ChangeAuditor. ActiveRoles Server also automates and extends the capabilities of PowerShell, ADSI, SPML and customizable Web interfaces.
Quest One ActiveRoles includes the following components:
The tables below outline system requirements for installing and running each of these components.
You can install the Administration Service on a server running any of these operating systems:
You can use any of these SQL Server versions to host the ActiveRoles database:
Microsoft SQL Server 2012 Native Client is required on the computer running the Administration Service. You can install SQL Server 2012 Native Client from the Redistributables page in the ActiveRoles DVD Autorun window.
You can install .NET Framework 4.5 from the Redistributables page in the ActiveRoles DVD Autorun window.
The Administration Service Setup program automatically installs the appropriate version of ActiveRoles Management Shell. Optionally, you can install ActiveRoles Management Shell from the Solutions page in the ActiveRoles DVD Autorun window.
Remote Shell also requires the following:
ActiveRoles retains all features and functions when managing Active Directory on domain controllers running any of these operating systems, any edition, with or without any Service Pack:
ActiveRoles is capable of managing Exchange recipients on any of these Exchange Server editions, with or without any Service Pack:
Note Microsoft Exchange 2000 Server is not supported.
You can install the ActiveRoles console on a computer running any of these operating systems:
You can install the ActiveRoles Web Interface on a Web server running any of these operating systems:
Internet Services
ActiveRoles Web Interface requires Microsoft Internet Information Services (IIS) 7.0 or later.
On Windows Server 2008 or Windows Server 2008 R2, Web Interface requires the "Web Server (IIS)" server role with the following role services:
On Windows Server 2012 or Windows Server 2012 R2, Web Interface requires the "Web Server (IIS)" server role with the following role services:
You can use Server Manager to confirm that the "Web Server (IIS)" server role with the required role services is installed.
Additionally, Internet Information Services (IIS) must be configured to provide "Read/Write" delegation for the following features:
Use "Feature Delegation" in Internet Information Services (IIS) Manager to confirm that these features have delegation set to "Read/Write".
Any of the following Web browsers can be used to access the Web Interface:
A higher version of Firefox, Google Chrome, Safari or Internet Explorer can be made to work as a Web Interface client; however, the Web Interface pages of version 6.9.0 have been tested only against the Web browser versions listed above.
The Web browser should be run on a system with screen resolution of 1024x768 or higher.
You can install the ActiveRoles Collector on a computer running any of these operating systems:
You can use any of these SQL Server versions to host the Collector database:
ActiveRoles Report Pack requires one of the following versions of SQL Server Reporting Services software:
You can install the ActiveRoles Report Pack on a computer running any of these operating systems:
ActiveRoles Report Pack is compatible with:
Add-in for Outlook also requires:
You can install this prerequisite software by selecting the following installation options in the Setup program for the Microsoft Office system:
Learn why AD groups should be the center of access control and governance and explore what it takes to manage them to improve security and business efficiency.
Watch the Webcast »
Maintaining a clean, organized Active Directory is a real challenge. Randy feels your pain and shares scripts, reports and queries you can run against AD and security logs to discover the origin, status and usage of user accounts.
Learn methods to implement a multi-layered approach for limiting the risk of privileged account access.
This webcast reviews Active Directory audits with Randy Franklin Smith and Jonathan Sander.
It's ironic that after working so hard to integrate on-premises applications with Active Directory that you are now moving applications to the cloud and encountering the same identity access control issues all over again. Thankfully many cloud vendors have anticipated this need and offer connection technologies for linking your Active
Are You Getting the Most Out of Your ActiveRoles Server Investment? Learn How ARS Add-ons Save You Time & Reduce Errors ActiveRoles Server add-on manager can help you leverage deployment techniques and samples to save time developing templates, workflows and policies for ARS. By adopting best practice code from your peers and/or Quest experts
Security requires a lot of mundane, repetitive chores and hunting for needles in a haystack. PowerShell is an awesome way to automate those chores and in this webinar I'll help you break into PowerShell and focus on automatic security related tasks with it. And that's where the Free PowerShell Commands for Active Directory come in
Learn about the the workflow and permissions capabilities of ActiveRoles Server - the simple, efficient tool for securing and protecting Active Directory.
Watch the video »
Learn how to delegate Active Directory access using ActiveRoles Server - the simple, efficient tool for securing and protecting Active Directory.
Learn how to create user and group accounts using ActiveRoles Server - the simple, efficient tool for securing and protecting Active Directory.
Manage cloud entitlements directly from Active Directory and control access to folders in Office 365 or box.net, handle access requests and avoid common cloud security issues
Get answers to critical questions such as: Are domains really a security boundary? Is it risky to create a trust relationship to external domains and forests? How do cross-forest transitive trusts work?
Learn how to merge or eliminate domains and forests without compromising security.
Take a tour of ActiveRoles Server
# of Screenshots: 7
Manage your Active Directory objects with a customizable web Interface.
Keep your Active Directory tidy by applying corporate policies to Active Directory objects.
Audit in real time what users did with the access they were granted.
Automate your work with workflows. Use point-and-click workflow designer for that.
Configure ActiveRoles Server and manage your Active Directory objects with a desktop application.
Use the PowerShell module to securely manage user accounts, groups, computer accounts, etc., as well as ActiveRoles Server configuration.
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Thousand Foot Krutch - Smack Down (Slideshow With Lyrics) - Music Videos
Thousand Foot Krutch - Watching Over Me (Slideshow With Lyrics) - @thousand-foot-krutch
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Thousand Foot Krutch - The Part That Hurts The Most (Is Me) - @thousand-foot-krutch
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Thousand Foot Krutch - Outta Control (Slideshow With Lyrics) - @thousand-foot-krutch
00:03:28 1958 views
Embed thousand-foot-krutch 3077 views 2011-06-21T13:35:14 Thousand Foot Krutch - Smack Down (Slideshow With Lyrics) (P) (C) 2011 Tooth & Nail Records. All rights reserved. Unauthorized reproduction is a violation of applicable laws. Manufactured by EMI Christian Music Group,
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How To Decorate A Dining Room With Chic, Bold Colors
Shanan Campanaro of Eskayel shows us how she took her dining room from spare and white to lively and colorful
By Amy Preiser
Before: The Blank Slate
Artist Shanan Campanaro started her pattern-centric design studio, Eskayel, in 2008, and it's since grown to include fabrics, pillows, wallpapers, and more, as well as a fervent fan base.
We visited Campanaro in her Brooklyn home to see how she transformed a simple white space into a whimsical and bold space perfect for cheerful dining.
The first step involves bringing in a rug, the Akimbo by Eskayel (seen in the next slide), to add a subtle touch of color, and make the hardwood floor seem less vast.


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Available in the following areas:
State(s): AK, AZ, CA, CO, CT, DE, IA, ID, IL, IN, KS, KY, MA, MD, ME, MI, MN, MO, MT, NC, ND, NE, NH, NJ, NV, NY, OH, OR, PA, RI, SD, TN, UT, VA, VT, WA, WI, WV, WY, DC
Scotts® Hand-Held Spreaders: 3
Scotts® Broadcast/Rotary Spreaders: 6.75
Scotts® Drop Spreaders: 14*
Scotts® EasyGreenTM: 29
*Make sure the spreader wheel completely overlaps the previous wheel marks with each pass.
Mow your existing lawn short and remove clippings so the seeds can make contact with the soil.
In thin or bare areas, loosen the top layer of soil to help the seedlings take root.
For best results, aerate and dethatch after mowing.
Adjust spreader settings.
Apply around the outer perimeter of your lawn. Then apply in the longest direction.
Water thoroughly after application and then continue to water daily to keep the soil moist for at least 2 weeks or until the seedlings reach 2 inches in height.
Sunny areas may require additional water and shady areas may need less.
Early Spring and Fall conditions are the best times to plant new grass seed. Reseed when daytime temperatures are between 60;°F and 80;°F.
5 - 30
5000 sq. ft.
Specially designed to promote grass seed germination, the first step in seeding success.
Need an answer to a product question? Scotts experts are always available by email and phone in our Help Center.


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We now use Responsive Web Design techniques in our design and development process that enables your website to automatically respond to your customers' user behaviour as well as their preferred user environment.
Reach any customer, anywhere and on any device.
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Designing and developing a quality eCommerce website takes great skill, but creating an eCommerce website that is optimised, user friendly, great looking and produces great conversions takes both skill and significant experience.
We have been developing eCommerce websites for our customers since 2004.
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Every website we build is optimised for Search Engines to give your site the best possible chance of being found by potential customers.
We can also assist you with email marketing, search engine marketing and social media marketing.
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Our Content Management system is designed to be adaptable to meet your specific needs.
No more complex functionality that you will never use. Our CMS is designed with simplicity and ease-of-use as the primary considerations.
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Our range of affordable online booking systems include: Golf Club Members Online Booking, Golf Club Visitors Online Booking and Sports Club Facilities Online Booking.
The primary objectives when we architectured our Online Booking Systems were ease of use and ease of implementation.
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We have implemented our internet-based diary systems in NHS Surgeries, and Conference centres, but the system is not confined to only these industries.
The adaptability of our Diary System makes it very easy to modify the product to your specific requirements.
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Over the past 10 years we have accumulated a wealth of knowledge and expertise in building internet-based software solutions.
If you have a requirement for a specific software solution that is easy to implement and easy to use then please contact us.
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From registering your own domain name through to acquiring a website hosting package tailored to your specific requirements, including your own email addresses, we can manage all of this for you.
Various hosting packages are available through our association with the world's largest website hosting provider.
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Golf Perthshire has launched an exciting new initiative under the banner Heart of Scotland Golf. Scotland is well known as The Home of Golf and Perthshire is well placed right in the heart of the country to capitalise on this with 38 stunning courses, full of character and set amidst spectacular scenery.
Created in December 2013, Golf Perthshire already has 40 members with others looking to join. Membership is open to all Perthshire golf tourism related businesses, including golf courses, accommodation and visitor attractions. The collaboration offers members great benefits from marketing campaigns to business development advice.
One of the first tasks of the new group has been to create an eye-catching brand and new website, which captures the essence of the area and all that it has to offer golfers. Easily accessible with a clean and colourful style, the website contains information not only for those wishing to plan their own experience but also features packages and outstanding value passes.
The website was developed by local Perthshire company, BedfordBeck. To find out more visit www.golfperthshire.com.
Douglas Cleeton, Chairman said, "We are delighted to have reached this stage in such a short time. Golf Perthshire was fortunate to recruit Allan Minto, who has 10 years experience working with the first golf industry collaboration of this type and brings a wealth of knowledge to the project."
The timing for launching the initiative and in particular the website could not be better as Perthshire prepares to host The 2014 Ryder Cup from 23 – 28 September. Golf Perthshire will be promoted to 45,000 spectators and a potential daily TV audience of 500 million people across 183 countries.
Councillor John Kellas said, "Perth and Kinross plays an important role in making Scotland the home of golf. Our scenic golf courses are internationally recognised for their quality and natural beauty and this year we will capture the world's attention when Gleneagles hosts the 2014 Ryder Cup, and the Junior Ryder Cup takes place at Blairgowrie Golf Club. We are delighted to support Golf Perthshire. Together we can maximise the opportunities this year brings, and beyond, to promote our area as a leading golfing destination, and as a great place to visit."
Golf tourism is a key sector for the county currently contributing c£13m to the economy. However, there is great potential to increase this and one of the objectives of Golf Perthshire is to generate more overnight visits. It is anticipated that by 2020 an additional expenditure of £17m can be achieved.
Allan Minto, Golf Project Manager, commented, "Perthshire truly is an amazing golfing destination. In the short period of time since joining Golf Perthshire, I have been travelling throughout the county meeting the businesses. I have been overwhelmed by the warm welcome, the outstanding value and the wonderful locations. No matter which course you play you can't fail to enjoy the experience. This is the beginning of a very exciting initiative which has great potential to deliver a lasting legacy for Perthshire from The Ryder Cup."
Heart of Scotland Golf is being widely marketed, recent activity includes, hosting 8 European golf writers on assignments from leading publications and representation at European Tour Events in Wentworth, England, Cologne, Germany and Malmo, Sweden. Future plans are shaping up with an application to VisitScotland's Growth Fund for match funding to enable delivery of an innovative marketing campaign.
Golf Perthshire is supported by Perth and Kinross Council and Scottish Enterprise and works closely with VisitScotland.


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Williams had another uneventful Saturday and will line-up near the back of the Hungarian grid with Caterham and Marussia...
Pastor Maldonado: "Over the weekend we have been improving quite a lot and the car is more competitive. We didn't get it quite right this afternoon though but the car does feel better so hopefully tomorrow we can make up some positions."
Valtteri Bottas: "Q1 looked alright for us and I was happy with the car balance. I think the other teams had more in reserve than we did for Q2 though, which is why we ended in the position we did today. There are always things you could have done better and I wasn't as happy with the car balance in the Q2, as in Q1 it felt better. In the last race we were close to finishing in the points though, so that is still the goal for tomorrow."
Charles Pic: "FP3 was another good session for me. We made a few changes to the car overnight and those, and the track temperatures on Saturday, worked in our favour. The session went well but on my quickest lap on the softs at in the performance run there were double yellows in turn 11 which meant I had to back off, but I was still relatively happy with how we went into qualy. In Q1 our goal was to finish ahead of Marussia and we've achieved that with both cars, actually with a bigger gap than we've seen for a while, so I'm pleased with how the session went. Our deg levels have been pretty good on the mediums and we've already seen that we can push a couple of cars ahead in race conditions, so, even though the gap to the midfield is there, I'm already looking forward to a strong race tomorrow
Giedo van der Garde: "After having understeer dominate both FP1 and FP2 for me we made a lot of changes to the car overnight and it was immediately better in FP3. We tried another mechanical change on the second run, looking at what we'd be doing on Sunday, but that didn't give us any improvement, so we went back to how we started the session and when we did the performance run the car was performing ok. In quali I wasn't really able to get a clean quick lap on either run so I don't think my final time was really the best I could have had today. Unfortunately I had traffic in sector one on the quick lap on my second run and that definitely cost me a few tenths, but despite that we finished well clear of our nearest rivals and that was the main target today. We've definitely put a bit more time between us and them and I've always gone well here in Hungary and we have the race pace to fight a few cars ahead tomorrow. With a clean start and good strategy I think we can have a decent Sunday.
Jules Bianchi: "We are not where we need to be at this stage of the weekend and I think we face a tough battle in the race tomorrow at a track which is already quite challenging anyway. Even though I made a mistake in the final corner on my quick lap and lost a couple of tenths, it would not have been enough to leapfrog the Caterhams today. We have made some improvements during the weekend for sure, but we needed to find more from the car and we haven't been able to do that. Tomorrow will be a tough experience for the drivers and the Team, so we have to have faith in our strategy to help us find the right reward for our efforts here."
Max Chilton: "It has been quite a tough weekend for us here so far and we have had to fight to get every bit of the extra performance we have found in the car. Unfortunately it is not enough to line up ahead of the Caterhams tomorrow. What I do feel positive about today is my pace relative to my team-mate, especially as we had a mistake that lost me time on my quick lap. My objective has been to try to improve on my qualifying pace and it is nice to see all the hard work paying off there. Although tomorrow will be a challenging race, I'm confident that we can make up some of the ground we have lost with a good strategy and our normally improved race pace."
Any reproduction, publication or redistribution of this material without the written agreement of 365 Media Group is strictly forbidden.


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Socks by Sock Dreams
We offer FREE USPS shipping on all US orders!
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Gloveometry Arm Cozy
Precise printed chevron shapes zig and zag down past your wrist. Hand crafted in Seattle, Washington USA!
The selected size and color is currently out of stock.
All sizes and colors are out of stock.
The selected size and color is currently out of stock.
Sizing Tips
15 inches from end to end, with a comfy place for your thumb about an inch down from the finger end.
Stretch at the arm end maxes out around 14 inches, at the hand end top stretch is about 11 inches. We found these fit up to medium-large size hands just fine.
Fiber Content: 60% Soy, 35% Organic Cotton, 5% Spandex
Machine wash warm delicate cycle, inside out. Line dry.
Label: Una
Is the ink for the geometric design blue or black? It looks blue in the picture.
The printed design used to be blue but is now black. We are working on updating the image. Thanks for asking!
Date published: 2014-04-03
Hello. I'm looking for arm socks for my eldery father who needs protection for his arms. I think this would be a good way to keep his arms warm and protect them. He is very small and thin and they would need to be snug. Do you have anything like this?
The Gloveometry Arm Cozies are not very snug on thin arms. We would recommend the Simone's Sleeves instead. They are made out of a t-shirt like material and work well as a base layer. http://www.sockdreams.com/products/accessories/arm-warmers/simones-sleeves:2775 Another option is the Wooly Knit Mitts. They're made for smaller hands/thinner arms, and they're great for cold weather: http://www.sockdreams.com/products/accessories/arm-warmers/wooly-knit-mitts:11107
Date published: 2014-05-15
You guys are absolutely amazing and I recommend all my friends to you! Never seen better quality thigh highs/tights EVER! TY
~ @SierraKons


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Sauna Relaxation Takes The Edge Off Moving
The hardest part is underway at the RRGH- moving boxes are being unpacked and the Fischbacks are finally getting settled into their beautiful new home. It is both a stressful and exciting time as the family is getting comfortable, unpacking and learning the new ins and outs of their home's eco-friendly appliances and features.
Moving homes ranks up there on the list of most stressful life events, not to mention the added strain of the holiday season. Thankfully, the Fischbacks got to put their sustainable, new, infrared Health Mate Sauna to use in helping alleviate some of the stress and tension that can accompany moving.
Sauna usage dates back many years –the first models were actually pits dug into a slope in the ground. Having come a long way since then, saunas have essentially branched off into two types, conventional saunas and infrared saunas. Conventional saunas are your typical saunas that might have hot coals or other warm objects whereas infrared saunas heat the air by emitting infrared heat.
By utilizing infrared light, the light we perceive as heat, Health Mate Saunas provide tons of health benefits and deep relaxation. The light allows for deep penetration into muscle tissues and internal organs while also removing toxins and waste in the body. Health Mate Sauna users experience weight control, pain relief, improved circulation and immune system, relaxation and overall better skin. Basically, users get to enjoy all of the benefits of sitting in natural sunlight without the harmful UV rays!
Not only do Health Mate Saunas come with health benefits, they're eco-friendly! All of the wood used is red Canadian cedar that has been sustainably harvested and certified by the Forest Stewardship Council, Sustainable Forest Initiative and the Program for the Endorsement of Forest Certification. Health Mate Saunas are the only manufacturer of infrared saunas that boast these certifications and ensure that their products meet the highest standards of sustaining the earth's natural resources.
What more could the environmentally responsible, health conscious person dream of? Being both infrared and eco-friendly, Health Mate Saunas are a perfect alternative to conventional saunas and they are a great way to de-stress right before the chaos that comes with the holidays.


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Caribbean theme pool is ideal for all ages.
Room types for any family, big or small!
Check out some of our photos & video here.
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Ocean City, MD 21842
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Toll free - (800) 213-0088
Fax - (410) 213-2854
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Processing Time - Orders typically ship in 2-5 business days. Transit via UPS Ground can take up to 6 business days. Braided and custom-made products may take 2 to 3 weeks for delivery.
Free Shipping to Contiguous United States - We do not ship to Alaska, Hawaii or the Caribbean Islands at this time.
Oversized items - Orders that ship freight may take up to 2 weeks from shipment date to be delivered. You will be contacted by the trucking company to schedule a delivery appointment.
Shipping to Canada - Orders shipping to Canada will be subject to a 15% shipping surcharge fee. The shipping surcharge does not cover duties, customs, taxes or brokerage fees which may be charged to you by the shipping courier at time of delivery. At this time we are not shipping to Yukon and the Northwest Territories in Canada.
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Amer Rugs Kinara Azumaya Rust Rug
Item #: 266DM0060RU-P Add to Wishlist
Description: The hand-knotted rugs of the Kinara collection began life as highly-prized, hand-twisted, handspun Ghazni wool. Then dyed and passed through a master's hands, culminating in the calming and tranquil designs in this collection.
- Collection: Kinara
- Brand: Amer Rugs
- Material: 100% Hard-Twist Ghazni Wool
- Weave: Hand Knotted
- Styles: Contemporary Rugs
- Origin: India
- Available in the following sizes: 9' x 12'
- Clean & Care: Vacuum regularly as new wool rugs can shed yarn fibers for up to three months. Avoid direct and continuous exposure to sunlight. Do not pull loose ends, clip them with scissors to remove. Clean liquid spills immediately by blotting with cloth or sponge. For hard to remove stains, professional rug cleaning is recommended.
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Fortune 500: America's largest companies
Published On: May 07 2012 10:11:57 AM CDT Updated On: May 07 2013 11:37:30 AM CDT
Find out which U.S. companies are making the most money in this year's Fortune 500 list.
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