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Education Programs Manager and Assistant to the Artistic Director
Doug Fullington was named Education Programs Manager of Pacific Northwest Ballet in 2005 and Assistant to Artistic Director Peter Boal in 2006. He is responsible for developing PNB's audience education programs and overseeing the Company's Outreach programs. Mr. Fullington is also on the consulting staff of Pacific Northwest Ballet School as dance historian. He has been with the PNB since 1995, working first as a pianist for Pacific Northwest Ballet School (1995–1997), then as Executive Assistant to Artistic Directors Kent Stowell and Francia Russell (1997–2000) and also as Lecturer (2001–2005). As a dance historian, Mr. Fullington is a fluent reader of Stepanov notation, a classical ballet notation system developed in Russia and used in the Imperial Theatres, St. Petersburg, between about 1985 and 1915. In 2000, he contributed reconstructed dances to the Bolshoi Ballet's revival of Marius Petipa's The Daughter of Pharaoh, and in 2004, he reconstructed Petipa's Le jardin animé for Pacific Northwest Ballet School. He mostly recently reconstructed 25 dances from Petipa's Le Corsaire for the Bavarian State Ballet. His writings on the Stepanov notations have been published in Ballet Alert!, Ballet Review, Dance View and Dancing Times. In 2000, he was named a principal researcher for The George Balanchine Foundation's "Popular Balanchine" project. Mr. Fullington is also a professional musician. In 1993, he founded the Tudor Choir, a professional vocal ensemble based in Seattle which he continues to direct. Doug can be reached at 206.441.2445 or firstname.lastname@example.com.
Manager, Community Education Programs
PNB Teaching Artist
Kayti Bouljon joined Pacific Northwest Ballet in 2004 and has led the PNB Community Education Programs since 2007. In her role she works extensively in the classroom, leads professional development workshops for teachers and teaching artists, creates lesson plans for schools and teachers, and oversees partnerships with area arts organizations. In addition to her work at PNB, she is a faculty member for the Teaching Artist Training Lab in partnership with Seattle Repertory Theatre and ArtsWa, has done consulting work for Arts Corps and Seattle Public Schools, teaches workshops for Seattle University and the University of Washington Masters in Teaching programs, and is an adjunct faculty member at Cornish College of the Arts. Since 2009, Kayti has served on the board of Dance Educators Association of Washington and is a liaison for the National Dance Education Organization. She holds a B.A. in Dance and a B.A. in Public Health from the University of Washington and is a PNB School Faculty Member. She can be reached at 206.441.2432 or email@example.com.
Coordinator, Community Education Programs
PNB Teaching Artist
Shannon Barnes has worked with Pacific Northwest Ballet's Community Education Programs since 2002. Her work with PNB includes curriculum development, program assessment and evaluation, coordinating REACH Student Dance Group, and teaching extensively in schools. Shannon is committed to making dance accessible to a broad range of people. In addition to her work at PNB, Shannon's experience includes creating inclusive dance opportunities for people with and without disabilities, an internship with Candoco- a London-based inclusive dance company, and working as a dance specialist in primary schools in Bath, England. Shannon served on the Board of the Dance Educators Association of Washington for five years and is adjunct faculty at Cornish College of the Arts and a guest instructor for Seattle University. Shannon earned a B.A. in Dance and Psychology from the University of Washington and a Post-Graduate Certificate in Dance in Community from Laban, London. Shannon may be reached at 206.441.9411 x4229 or firstname.lastname@example.com.
Assistant, PNB Community Education Programs
PNB Teaching Artist
Ana Maria Campoy joined Pacific Northwest Ballet in September 2011. As Community Education Programs Assistant, she provides administrative support, communication, and advocacy for and among students, teaching artists, classroom teachers, and the community. She graduated from California State University Fullerton with a BA in Theatre Arts and a BA in English in 2010. She moved to Seattle in fall 2010 to participate in Seattle Repertory Theatre's Professional Arts Training Program as the Education Intern; she continues her work as a freelance teaching artist with SRT's Education Department. She has been fortunate to work on various bilingual productions and teaching artist residencies, allowing her to perform and teach in her first language, Spanish. She is a passionate and proud advocate of the performing arts, believing that performance provides communities a voice and individuals self-exploration. She continues to perform and work as a teaching artist locally. She can be reached at firstname.lastname@example.com or at 206.441.2415.
Ann Marie Caldwell. Photo by Chris Bennion.
Ann Marie Caldwell is passionate about teaching the arts to students. This is her eighth year as a teaching artist, with experience in teaching movement, drama, and visual art. Ann Marie graduated from University of Puget Sound with a degree in theatre before completing the Teaching Artist Apprenticeship at Seattle Children's Theatre. She has continued her training with the Creative Dance Center and was a participant in the 2011-12 Washington State Arts Commission-sponsored Teaching Artist Training Lab. Ann Marie is delighted to have joined PNB in 2011.
Ellen Cooper was born in Olympia, WA where she began her dance training in ballet, jazz and theatre dance. She received a BFA in Dance, Magna Cum Laude, from Cornish College of the Arts in 2012. Ellen has also studied with The Mark Morris Dance Group and on scholarship with The Joffrey Ballet School. She started working with Pacific Northwest Ballet's Community Education Programs as in intern in 2012. Now a teaching artist, Ellen loves working with students of all ages and abilities. Ellen also teaches at Creative Dance Center and several local dance studios. In addition to teaching, Ellen performs with Khambatta Dance Company and 127th St. Dance Company.
Adriana Hernandez joined Pacific Northwest Ballet in September 2013 as the Community Education Programs Intern and was promoted to Teaching Artist apprentice in 2014. She is originally from San Diego California and grew up in Tijuana, Mexico. She graduated from Cornish College of the Arts with a BFA in Dance in 2013 where she found a deep interest in Movement Analysis and Movement Therapy. Her choreographic work has been presented at Cornish College of the Arts, and Southwestern Community College where she also received the Outstanding Dancer/Choreographer Scholarship Award. She continues to research and experiment with movement through choreography and teaching.
Lauren Kirchnerbegan her dance education at the Center for Dance in Issaquah/Preston where she trained in ballet, jazz, and musical theatre. At Connecticut College, she minored in dance and received her BA in Sociology-based human relations in 2009. While at Connecticut College she studied modern dance and ballet, was an active member of the dance club, and captained the school dance team, studying with artists such as David Dorfman, Heidi Henderson, Robyne Watkin, Lisa Race and JT Jenkins. Ms. Kirchner also spent a semester abroad in Sydney, Australia studying dance and sociology at the University of New South Wales, working with Australian choreographer Sue Healy. She has worked as an intern and instructor for Pacific Northwest Ballet's Community Education Programs since 2008.
Rochelle Rapaszkybegan her dance training at the age of seven in her hometown of Fallbrook, CA and continued at Ballet Society of North County, under the tutelage of Jacqueline Hepner-Thurston. She received her BFA in Dance from Cornish College of the Arts in Seattle in 2007 and thoroughly enjoys the fine arts of teaching, choreographing, and making dance accessible to the community. Rochelle holds awards from San Diego Dance Alliance, as well as Cornish College of the Arts. She has attended teacher training workshops with foundations such as TAT Lab, Arts Time, VSA Arts Institute, and Creative Dance Center of Washington. Rochelle joined Pacific Northwest Ballet in 2008. In addition to her work with PNB, Rochelle has been Lead Instructor at Maple Valley School of Ballet since 2007, and Resident Choreographer of Seattle-based 127th St. Dance Company since its inception in 2010.
Suzanne Singla trained with Columbia Dance Ensemble in Vancouver, Oregon Ballet Theatre School and Alvin Ailey American Dance Center, where she received a Certificate of Dance. She performed with dance ensembles in Oregon, New York and South Africa. Her teaching credits include faculty positions at Connecticut Dance Theatre, School at Steps, and Ballet Hispanico. Ms. Singla joined the PNBS faculty in 2004 and served as Children's Division Coordinator from 2005–2009. She recently completed her training in STOTT Pilates.
Becca Baggenstoss teaches and performs a variety of percussion styles. Native of Arkansas, she received a bachelor of music education from Oklahoma State University and a masters in percussion performance from the University of New Mexico. She arrived on the Seattle scene in 2009 and already has a variety of gigs from principle percussionist with the Lake Union Civic Orchestra, to performing with the Blue Thunder Drumline, the Seattle Percussion Collective, Pacific Northwest Ballet, Chaotic Noise Marching Corps, Concert Imaginaire, and Super Geek League. She also teaches the Franklin High School drumline and teaches privately at the Seattle Drum School and various after school music programs.
Jeremy Jones was raised in Denver, Colorado, and studied music and computer science at Duke University in North Carolina where he received the Lionel Hampton Scholarship for Jazz Studies. After graduating from Duke in 2002, Jeremy moved to Seattle and worked four years full-time at Microsoft while integrating into the diverse music scene of the northwest. He was selected to Betty Carter's Jazz Ahead at the Kennedy Center in Washington DC, an international residency program for young emerging jazz composers, in 2003 and 2005. He released an album of his original compositions entitled Awakening to Life with his group Jeremy Jones Xtet featuring Thomas Marriott in 2008. Jeremy plays in the dynamic Seattle-based trio The Teaching along with Josh Rawlings and Evan Flory-Barnes. The Teaching has released three albums (including Live at Dazzle on the Dazzle Recordings Label) and a DVD (Live at the Triple Door). The group won the Earshot Jazz Golden Ear Award for Best Northwest Acoustic Jazz Ensemble in 2009 and Band of Year by the Inside/Out Awards in 2010. Jeremy received a Grammy Nomination in 2014 for playing drums on Macklemore & Ryan Lewis' album The Heist which was nominated for Album of the Year. Jeremy has also performed or recorded with Billy Taylor, Winard Harper, The Coats, Chevy Chase, Choklate, Reservoir Cats, Upbeat, Seattle Percussion Trio, and Jazz for Peace. In addition to performing and recording in the Pacific Northwest, Jeremy often performs in his home state of Colorado, and has toured nationally and internationally including Italy and Peru. He is passionate about education and has given many workshops and performances at schools including teaching at the Jazz in July program at the University of Massachusetts, and giving original workshops entitled Unleash Your Creativity in Seattle and Denver. Jeremy was certified as a hatha yoga teacher in 2007 and continues to teach part-time.
Adam Kessler is a dedicated drummer, percussionist, and educator. While playing and touring the globe with the Roosevelt High School Jazz Band, Adam felt the power that music has to bring people together. In 2006 he received a BA in Music from Cornish College of the Arts. While there he gained valuable experience through the study of jazz, Brazilian, electronic, middle eastern, and gamelan music, as well as musicianship and composition training under the private direction of multi-instrumentalist Denney Goodhew. Adam performs regularly in Seattle, teaches privately as well as ensemble classes, and has been an accompanist for Pacific Northwest Ballet's education programs since 2006.


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Return to story
Falmouth Rescue Squad and Fire Department (Company 1) members work with equipment that was given away.
By CATHY DYSON
For the second time in two years, volunteer fire and rescue members from the Fredericksburg area are reaching out to their brothers and sisters in Alabama.
The Colonial Beach Volunteer Rescue Squad is donating
Colonial Beach recently bought a light-duty rescue truck from the Ladysmith Volunteer Rescue Squad in Caroline County. Colonial Beach rescuers don't handle extrication duties; the Colonial Beach Volunteer Fire Department does.
So Rescue Chief Wesley Melson decided to sell the tools, which were barely used.
Then he got a call from Billy Sullivan of the Port Royal Volunteer Fire Department. Sullivan had arranged the donation of a van-style ambulance to the Nicol department in January 2011.
He wondered if Colonial Beach would like to donate the Hurst extrication tools, which include rams, chains and other items needed for light-duty rescue, to the Nicol department.
"The membership just overwhelmingly supported it," Melson said about the plan. "It's just great being able to help out another department."
Sullivan was at the Port Royal station in 2011 when Nicol chief Gaston Wilson stopped by, on his way to visit relatives in Colonial Beach.
A bond formed between the two men as they shared stories about fire calls and funding problems. Sullivan not only suggested the donation of the ambulance, along with several sets of turnout gear, but he also drove 12 hours to deliver it.
While in Alabama, Sullivan and fellow Port Royal volunteer Wayland Carter rode in the Tuscaloosa Christmas parade on a Nicol fire engine.
Nicol Chief Wilson and his wife, Kathy, were on their way to visit her cousin, Alberta Parkinson, when they first met Sullivan. Parkinson's late husband, Walter, was a charter member of the Colonial Beach Volunteer Fire Department.
Chief Wilson is grateful for the generosity of his newfound friends.
"They've just been a godsend to us, especially Billy Sullivan," Wilson said. "We're blessed by having good friends up there. We don't have the money--we operate on less than $10,000 a year--and we wouldn't have equipment if they hadn't given it to us."
Nicol plans to share the extrication tools with the nearby Wiley Volunteer Fire Department, which is in "worse shape than we are," Wilson said.
Wiley is about 15 miles from Tuscaloosa and has two coal mines and gas wells, as well as log trucks that are part of the timber industry. After explosions in the mines or wrecks with these big vehicles, people are trapped, and extrication tools are needed, Wilson said.
Sullivan had some members from Falmouth Volunteer Fire Department test the tools this week, and he said they worked perfectly. The firefighters used the system on a car donated by Sullivan's Towing and Recovery in Stafford County.
Sullivan and the Colonial Beach squad are looking for financial help to deliver the tools to Alabama. Melson estimates the gas and hotels will cost about $1,200.
Donations can be sent to the Colonial Beach Volunteer Rescue Squad, 225 Dennison St., Colonial Beach, Va., 22443. Attn: Pat FitzGerald.
Bill Schumm, who posts items about fire and rescue departments on his website, firegeezer.com, said the story should be an inspiration to others. Often, departments donates old pumpers and used running gear to Central and South America.
"Let this story be a reminder to you that we have many fire departments right here in the USA that need our help, too," Schumm wrote. "Keep them on your list."
Cathy Dyson: 540/374-5425
Email: email@example.com
"The four-wheel drive capability will be so helpful during floods or heavy snow," said Police Chief Kenneth Blevins Sr. "This is another example of different local agencies working together to make things better for the community."
The police department's new mobile assistance unit is a 1996 Ford E350.
Shown here are (from left) CBPD Officer Edward Moss, CBPD Chief Kenneth Blevins Sr., Colonial Beach Volunteer Rescue Squad's Rescue Chief Wesley Melson and CBPD Lt. Kenneth Blevins Jr.


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|Re: Need name for this puppy!
|Becki (Authenticated as dreadfulxsorry)
|October 8, 2012 at 12:49:12 PM
|Reply to:
|Need name for this puppy! by Rina Henderson
I like Teddy, Midas, Cooper and Tucker.
Finley came to mind. Since he was of an 'Olympic litter,' old Greek god and hero names immediately came to mind. Hero, Apollo, Zeus, Orion, Adonis, Philander (meaning "friend of man" with the nickname "Phil" or "Andy")
"Fairy tales are more than true; not because they tell us that dragons exist, but because they tell us that dragons can be beaten."
― G.K. Chesterton
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Sights and Sounds from Today's PracticePosted by on January 21, 2011 – 2:28 pm
Nick Gallo will provide some of the sights and sounds of practice every day through the end of the season at which there is media availability. From today's 30-minute media window.
■ As the week has progressed, the mood among the players has changed only a little, but there was a noticeable pep in the Green& White's step at today's practice in the Atlantic Health Jets Training Center fieldhouse. During stretches, safety Brodney Pool was laughing with secondary coach Dennis Thurman, and cornerbacks Darrelle Revis and Drew Coleman were also exchanging some chuckles.
■ When the whistle blew to start the individual drills, many of the Jets burst into sprints to get to their position coaches, even including 16th-year FB Tony Richardson. During those drills, Pool and close friend and fellow S Eric Smith guarded each other tightly as Thurman threw passes down the sideline. The running backs were practicing a foot quickness drill and catching passes out of the backfield.
■ On the other side of the field, the defensive linemen were having some fun. Trevor Pryce and Shaun Ellis, the elder statesmen, were throwing over-the-shoulder passes to other D-linemen, and head coach Rex Ryan even got in on the action for a rep or two. Close by, Revis was practicing his left-handed passing as he tossed balls back to Thurman. Needless to say, Steve Young would not have been proud of the throwing form and it brought laughs from his teammates in the secondary.
■ The energetic, fun mood was pervasive as QB Mark Sanchez was seen chasing RB Shonn Greene playfully after the latter received a pass from RBs coach Anthony Lynn. Soon, however, the intensity picked up. OL coach Bill Callahan worked with his beasts in the trenches and QBs coach Matt Cavanaugh was directing Sanchez on his footwork and moving his body efficiently and quickly in the pocket.
■ While the offense began to work on its game plan, the defense continued to work on fundamentals. Thurman threw passes down the sideline to his cornerbacks and safeties so that they had to tap their toes down before going out of bounds. The inside linebackers were working with coach Bob Sutton as they simulated different route combinations and how they wanted to cover them.
■ The offense then began to use a scout team to simulate different Pittsburgh Steelers players and defensive alignments while they implemented a variety of playcalls. Some of the D-linemen and OLBs continued to separately work on getting a jump off the snap of the ball and shedding blockers while the DBs were also working on a host of coverages.
Partial Practice Playlist
■ "Green and White" by TwonDon (remake of "Black and Yellow" by Pittsburgh's Wiz Khalifa)
■ "Dark Fantasy" by Kanye West
■ "Renegade" by Styx (plus crowd noise)
■ "Till I Collapse" by Eminem (plus crowd noise)
Posted in Nick Gallo | 5 Comments »
5 Responses
to "Sights and Sounds from Today's Practice"
By scjoe on Jan 21, 2011 | Reply
Put all the final touches on guys, and remember, just like last week, play hard, play fair, play with pride, play with passion, play for 60 minutes. PLAY LIKE A JET!
By scjoe on Jan 21, 2011 | Reply
For any old NY Giant fans out there, like myself (baseball) watch the NY Times video on their website, about Willie Mays stick ball games in Harlem in the early 50s. It simply can not be missed. Willie, along with JOE Willie, are by far my two hero's!
By CNY51yearJETSfan on Jan 21, 2011 | Reply
In watching ESPN earlier today……bart better rev it up again…..Jets are still getting NO RESPECT!!!
By carl on Jan 21, 2011 | Reply
Hey Nick, hows Trevor Pryce lookin in practice? I think he could be a big factor!! Go Jets!!!!
By SuperPinkster on Jan 21, 2011 | Reply
I said it before and I'll say it again. I am so proud of this team and all they have accomplished. I look forward to them beating the Steelers and moving on to the Super Bowl. I have followed other teams in the past that ultimately won championships and they all had one thing in common. They KNEW that, no matter who they played against, if they played their best they would win. That is exactly the same attitude I am seeing in the Jets.
Jets win and advance. It doesn't even matter to try to guess a score.


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