text:
AUTHORS INCLUDED (alphabetical listing)
Kathy Acker (USA)
"Grandmother to the Brat Pack" (on Acker's Literal Madness and Florida), by Douglas Messerli
James Agee (USA)
"The Silent Stars Go By" (on James Agee's A Death in the Family), by Douglas Messerli
"Invention Serves Remembrance" (on Agee's A Death in the Family: A Restoration of the Author's Text), by Douglas Messerli
César Aira (Argentina)
"The Last Innocent Moment" (on Aira's An Episode in the Live of a Landscape Painter), by Douglas Messerli
"Attending the Dead" (on Aira's Ghosts), by Douglas Messerli
"A Gap in the Wall" (on Aira's How I Became a Nun), by Douglas Messerli
"The Elements of Fiction" (on Aira's The Seamstress and the Wind), by Douglas Messerli
Eliseo Alberto (Cuba/USA)
"Responsible Parties" (on Alberto's Caracol Beach), by Douglas Messerli
Tereza Albues (Brazil/lived USA)
"A Bouquet of Tongues"
João Almino (Brazil)
from The Five Seasons of Love
Jorge Amado (Brazil)
"Julio Jurentio and Ilya Ehrenburg"
Eleanor Antin (USA)
from Conversations with Stalin
"The Third Act" from An Artist's Life by Eleanora Antinova
Review of Antin's Conversations with Stalin, by J. Hoberman
Reinaldo Arenas (Cuba)
Review of Reinaldo Arenas' The Color of Summer, or, The New Garden of Earthly Delights), by Lee Siegel
Ascher/Straus (USA)
from Hank Forest's Party
John Ashbery and James Schuyler (USA)
"Life in Duluth" (on John Ashbery and his Schuyler's A Nest of Ninnies) by Douglas Messerli
Margaret Atwood (Canada)
Review of Margaret Atwood's The Blind Assassin by Merle Rubin
Paul Auster (USA)
"Beyond" (on Auster's Oracle Night), by Douglas Messerli
Gerbrand Bakker (Netherlands)
"Being Alone" (on Bakker's The Twin), by Douglas Messerli
Russell Banks (USA)
Review of Russell Banks' The Angel on the Roof by Paul Binding
"Something to Be Touched" (on Banks' Lost Memory of Skin) by Douglas Messerli
Djuna Barnes (USA)
"Abandonment, Involvement, and Surrender" (on Djuna Barnes' Ryder), by Douglas Messerli
Dennis Barone (USA)
"Precise Imprecision" (on Barone's Precise Machine), by Douglas Messerli
Frederick Barthleme (USA)
Review of Frederick Barthelme's The Law of Averages: New and Selected Stories by Will Blythe
Charles Baxter (USA)
Review of Charles Baxter's The Feast of Love by Joseph Clark
Marcel Béalu (France)
Jurek Becker (Germany)
Review of Becker's Die Boxer, by Klaus Phillips
Samuel Beckett (Ireland/France)
"Moving Forward by Standing Still" (on Mercier and Camier), by Douglas Messerli
Beckett reading from his fiction Watt
Mario Benedetti (Uruguay)
"Holding In, Holding On" (on Benedetti's The Truce), by Douglas Messerli
Thomas Bernhard (Austria)
"Falling Trees" (on Woodcutters), by Douglas Messerli
Mohammed El-Bisatie (Egypt)
"The Voice in the Chest" (on El-Bisatie's Clamor of the Lake), by Douglas Messerli
Bjarni Bjarnason (Iceland)
Review of Bjarnason's Borgin bak við orðin, by Kirsten Wolf
Jens Bjørneboe (Norway)
"Between Fire and Ice" (on Bjørneboe's Powderhouse)
Adolfo Bioy Casares (Argentina)
"On Adolfo Bioy Casares" by Suzanne Jill Levine
Juan Bonilla (Spain)
"The Shrew Mice"
Jorge Luis Borges (Argentina)
"Borges Walker Wessells" (Wendy Walker and Henry Wessells in conversation on Borges)
Elizabeth Bowen (England)
"Caught in the Whirl" (on Bowen's Eva Trout) by Douglas Messerli)
Jane Bowles (USA)
"Prophets of the Ordinary"(on Bowles' Two Serious Ladies) by Douglas Messerli
Lee Breuer (USA)
"Porco Morto"
"Barnyard Philosophers" (on Breuer's Pataphysics Penyeach: Summa Dramatica and Porco Morto), by Douglas Messerli
Christine Brooke-Rose (England)
Review of Brooke-Rose's Next, by Brian McHale
Laynie Browe (USA)
from The Ivory Tower
Jeremy P. Busnell (USA)
"Bird Talk"
Olivier Cadiot (France)
"The Perfect Servant" (on Cadiot's Colonel Zoo), by Douglas Messerli
Italo Calvino (Italy)
Bibliography of Fiction
Review of Calvino's The Path to the Spider's Nests by David Ian Paddy
Veza Canetti (Germany)
Review of Veza Canneti's Yellow Street, by Harry Zohn
Finn Carling (Norway)
Review of Finn Carling's Gepardene by Tanya Thresher
Louis-Ferdinand Céline (France)
Review of Céline's Fable for Another Time, by Brian Evenson
Inger Christensen (Denmark)
"Pictures Resembling Creatures" (on Christensen's Azorno), by Douglas Messerli
Hugo Claus (Belgium/writes in Dutch)
"Rickabone's Fault" (on Claus' Desire and The Swordfish), by Douglas Messerli
"The Scream" (on Claus' Wonder), by Douglas Messerli
Ivy Compton-Burnett (England)
"The Man Who Would Not Die" (on Compton-Burnett's Manservant and Maidservant) by Douglas Messerli
Short Review of Compton-Burnett's The Present and the Past by Douglas Messerli
Gabrielle Contardi (Italy)
Review of Contardi's Navi di carta, by Francesco Guardiani
Robert Coover (USA)
Review of Robert Coover's Gerald's Party by Geoffrey Green
Julio Cortázar (Argentina)
Review of Julio Cortázar's Final Exam, by Gregory Howard
Domício Coutinho (Brazil/lives USA)
from Duke, the Dog Priest
"To the Dogs" (on Coutinho's Duke, the Dog Priest), by Douglas Messerli
Alexis Curvers (Belgium/writes in French)
Short Review of Alexis Curvers' Tempo di Roma by Douglas Messerli
Guy Davenport (USA)
"Writers from the Diaspora of Truth" (on Davenport's The Jules Verne Steam Balloon, by Douglas Messerli
Lydia Davis (USA)
"The Beginning of the Story" (on a reading by Lydia Davis) by Douglas Messerli
Denyse Delcourt (Canada/writes in French)
Gabrielle of the Spirits (on Delcourt's Gabrielle and the Long Sleep into Mourning), by Douglas Messerli
Miguel Delibes (Spain)
from The Holy Innocents
Don DeLillo (USA)
"Hiding Out" (on DeLillo's The Body Artist), by Douglas Messerli
Nigel Dennis (England)
"Transformations" (on Nigel Dennis' Cards of Identity), by Douglas Messerli
Review of Dennis' Cards of identity, by Jessica Winter
Mohammed Dib (Algeria/France)
"A Quiet Man in the Vast and Chattering Desert" (on several books by Dib), by Douglas Messerli
Isak Dinesen (Denmark)
"Lies in a World of Lies" (on Dinesen's Ehrengard), by Douglas Messerli
Michael Disend (USA)
"Rider of the Jade Horse"
Heimito von Doderer (Austria)
"The Walls Come Tumbling Down" (on von Doderer's Divertimenti and Variations), by Douglas Messerli
Jose Donoso (Chile)
"Bodies That Howl and Insult and Grope" (on Donoso's Hell Has No Limits), by Douglas Messerli
Maria de Eça de Queirós (Portugal)
"The Dreamer and the Critic" (on Eça de Queirós' Correspondencia
de Fradique Mendes) by Douglas Messerli
Jean Echenoz (France)
Review of Jean Echenoz' Big Blonds, by Susan Ireland
Ken Edwards (England)
"Us and Them"
Herbert Eisenreich (Austria)
Review of Eisenreich's Die blaue Disel der Romantik, by Thomas H. Falk
Sam Eisenstein (USA)
Review of Sam Eisenstein's Cosmic Cow and Nudibranchia by Joseph Dewey
Willem Elsschot (Belgium/writes in Dutch)
"Cartoon in the Mirror" (on Elsschot's Will-o'-the-Wisp), by Douglas Messerli
Per Olav Enquist (Sweden)
"The Black Flame: Truth in a World of Lies" (on The Royal Physician's Visit), by Douglas Messerli
Jenny Erpenbeck (b. East Germany/Germany)
"Hunger and Thirst" (on Erpenbeck's The Old Child and Other Stories), by Douglas Messerli
Review of Erpenbeck's Visitation, by Christian House
Brian Evenson (USA)
"The Torn Curtain" (on Evenson's The Open Curtain), by Douglas Messerli
William Faulkner (USA)
"Rereading Faulkner" (on Faulkner's The Sound and the Fury), by Douglas Messerli
"The Dreadful Hollow" (on Faulkner's As I Lay Dying), by Douglas Messerli
Raymond Federman (b. France/USA)
"Reflections on Ways to Improve Death"
Review of Federman's Take It or Leave It and The Twofold Vibration by Matthew Roberson
Returning to the Closet (on Federman's Smiles on Washington Square and The Twofold Vibration), by Douglas Messerli
Ronald Firbank (England)
"Firbank as Poet" (on Firbank's Valmouth), by Douglas Messerli
Daniela Fischerová (Czech Republic)
"The Emperor Is an Emperor Is an Emperor" (on Fischerová Fingers Pointing Somewhere Else), by Douglas Messerli
Thomas Frick (USA)
Review of The Iron Boys by Douglas Messerli
Jean Frémon (France)
from The Botanical Garden
Fremon's Island of the Dead
Serge Gainsbourg (France)
Review of Gainsbourg's Evguénie Sokolov, by Perry Friedman
Gao Xingjian (China)
Review of Gao's Soul Mountain by Jonathan Levi
Liliane Giraudon (France)
Review of Liliane Giraudon's Fur by Carolyn Kuebler
Witold Gombrowicz (Poland)
"The Serving Class" (on Gombrowicz's Ferdydurke, Bacacay, and Cosmos), by Douglas Messerli
Jaimy Gordon (USA)
"Horse Sense" (on Gordon's Lord of Misrule) by Douglas Messerli
Juan Goytisolo (b. Spain/lives Morocco)
"Truth-telling in a World of Lies" (on Goytisolo's The Garden of Secrets), by Douglas Messerli
Julien Gracq (France)
Review of Julien Gracq's La forme d'une ville by John Taylor
"The Intrusion" (on Gracq's The Castle of Argol) by Douglas Messerli
"Circling Forward" (on Gracq's The Peninsula) by Douglas Messerli
"How Things Are" (on Gracq's King Cophetua), by Douglas Messerli
Günter Grass (Germany)
Review of Günter Grass' Two Far Afield by Thomas McGonigle
Henry Green (England)
"So and So" (on Green's Party Going), by Douglas Messerli
Mohsin Hamid (Pakistan)
Review of Mohsin Hamid's Moth Smoke by Umber Khairi
Knut Hamsun (Norway)
"Testing His Creations" (on Hamsun's The Women at the Pump), by Douglas Messerli
Jeff Harrison (USA)
"Two Tales"
Marianne Hauser (b. Germany[Alsace]/USA)
"A War Against Death" (on the works of Marianne Hauser), by Douglas Messerli
[works discussed include Dark Dominion, The Choir Invisible, Prince Ishmael, A Lesson in Music, The Talking Room, The Memoirs of the Late Mr. Ashley, Me & My Mom, Shootout with Father, and The Collected Short Fiction]
John Hawkes (USA)
"Life Force" (on Hawkes' The Beetle Leg), by Douglas Messerli
Franz Hellens (Belgium/writes in French)
"Leaving Elsinore" (on Hellens' Memoirs of Elsinore), by Douglas Messerli
Gustaw Herling (Poland)
"Against Common Sense" (on Herling's The Noonday Cemetery), by Douglas Messerli
Sigurd Hoel (Norway)
"The Idiot"
Yoel Hoffmann (b. Romania / Israel)
Review of Yoel Hoffmann's Bernhard, by Allen Hibbard
"The Thing Itself and Not" (on Hoffmann's The Heart Is Katmandu), by Douglas Messerli
Review of Hoffmann's The Shunra and the Schmetterling, by Leslie Cohen
Spencer Holst (USA)
Review of Holst's Brilliant Sentences by Karen Donovan
Alois Hotschnig (Austria)
"Not at Home" (on Alois Hotschnig's Die Kinder beruhigte das nicht), by Douglas Messerli
Roy Jacobsen (Norway)
"The New Window"
Arthur Japin (Netherlands)
Review of Japin's The Two Hearts of Kwasi Boachi by Michael Pye
James Joyce (Ireland)
Joyce reading from Finnegans Wake
Ismail Kadare (Albania)
Review of Kadare's Elegy for Kosovo by Maria Margaronis
Review of Kadaré's Clair de lune by Robert Elsie
Richard Kalich (USA)
Review of Kalich's Penthouse F by Christopher Leise
Daniel Kehlmann (Germany)
"The Last Innocent Moment" (on Kehlmann's Measuring the World) by Douglas Messerli
Danill Kharms (USSR)
"The King, the Outlaw, and the Blacksmith"
"First of All and Second of All"
Karl O. Knausgaard (Norway)
"Extinguishing the Fire" (on Knausgaard's A Time for Everything), by Douglas Messerli
Tadeusz Konwicki (Poland)
Review of Konwicki's Bohin Manor, by Brooke K. Horvath
Kosztolányi (Hungary)
"The Writer's Other Self" (on Kosztolányi's Kornél Esti) by Douglas Messerli
Laszlo Krasnahorkai (Hungary)
"The Frightened Rabbit Flattens Against the Grass" (on Krasnahorkai's The Melancholy of Resistance), by Douglas Messerli
"To Begin Is to Never End" (on Krasnahorkai's War & War), by Douglas Messerli
Sigizmund Krzhizhanovsky (USSR)
"Forgetting to Notice" (on Krzhizhanovsky's Memories of the Future), by Douglas Messerli
Milan Kundera (Czech Republic)
Review of Milan Kundera's The Farewell Waltz by Paul Maliszewski
Tom La Farge (USA)
"On The noulipian Analects"
"Language Writhing Machines" (on La Farge's 13 Writhing Machines, vols. 1 and 2), by
Douglas Messerli
"Sir Echo" (on La Farge's 13 Writhing Machines, vol. 3), by Douglas Messerli
Carment Laforet (Spain)
"Nothing Left Behind" (on Laforet's Nada), by Douglas Messerli
Stansław Lem (Poland)
Review of Lem's The Investigation, by Tom J. Lewis
Alexander Lernet-Holenia (Austria)
Commentary on Lernet-Holenia's Beide Sizilien, by Robert von Dassanowsky
Stacey Levine (USA)
"The Water"
"Frictions of Desperate Serverity" (on Levine's The Girl with Brown Fur), by Douglas Messerli
Wyndham Lewis (England)
"Murdering to Create" (on Lewis' The Roaring Queen), by Douglas Messerli
Halldór Laxness (Iceland)
The Voice of a Country (on Laxness' The Fish Can Sing), by Douglas Messerli
José Lezama Lima (Cuba)
Review of José Lezama Lima's Paradiso by David Auerbach
Jonas Lie (Norway)
"How to Destroy Your Children" (On Lie's Niobe), by Douglas Messerli
Eugene Lim (USA)
from Strange Twins
Osman Lins (Brazil)
Osman Lin's book Nine, Novena
Øystein Lønn (Norway)
"The Calf in the Sea"
Maria Machado de Assis (Portugal)
"To the Dogs" (on Machado de Assis' Philosopher or Dog?), by Douglas Messerli
Colin MacInnes (England)
Review of The London Novels by Douglas Messerli [link]
Amin Maalouf (Lebanon)
Review of Amin Maalouf's The Gardens of Light by Jamal En-nehas
Thomas Mann (Germany)
"The Will to Happiness"
Javier Marías (Spain)
"Coincidence and Contradiction" (on Javier Marias' When I Was Mortal) by Douglas
"The Time That Has Yet to Exist" (on Javier Marias' Dark Back of Time) by Douglas
F. T. Marinetti (Italy)
"Metaphorphosis" (on Marinetti's The Untameables), by Douglas Messerli
Carmen Martín Gaite (Spain)
Review of Martín Gaite's Behind the Curtains, by Brooke K. Horvath
Xavier de Maistre (France)
"Parenthetical Digression"
Harry Mathews (USA/lives France)
"Our Wonderful Lives" (on Mathews' My Life in CIA and The Journalist, by Douglas Messerli
David Matlin (USA)
"Moths Will Suck First"
Friederike Mayröcker (Austria)
Review of Friederike Mayröcker's Fast ein Frühling des Markus by M. Goth
Review of Mayröcker's Brütt oder Die seufzenden Gärten, by Susan Cocalis
Cormac McCarthy (USA)
Review of McCarthy's Cities of the Plain by Brian Evenson
"The Ultimate Road Trip" (on Cormac McCarthy's The Road), by Douglas Messerli
Douglas Messerli (USA)
Introductory Statement
from Twelve Tyrants Between Acts: Eighty Tiny Tales
Ivo Michiels (Belgium)
"The Cry" (on Michiels' Book Alpha and Orchis Militaris)
Ivo Michiels Book Alfa and Orchis Militaris, Vol. 1 of The Alpha Cycle $5.00
Christopher Middleton (England/lives USA)
"The Weathervane Oiler"
Christopher Middleton's book and ON NET editon of Deptictions of Blaff
Mo Yan (China)
Review of Mo Yan's The Republic of Wine by Jeffrey C. Kinkley
Félix Morisseau-Leroy (Haiti/writes in Creole)
"Eminans, a story for singing"
Kajii Motojirō (Japan)
"Underneath the Cherry Trees"
Harry Mulisch (Netherlands)
"Voices from the Dead" (on Mulisch's Siegfried), by Douglas Messerli
Murakami Haruki (Japan)
Review of Murakami Haruki's Norwegian Wood by Kim Hjelmgaard
"The Lone Wolf" by Ben Naperstek
Péter Nádas (Hungary)
Review of Nádas' A Book of Memories, by Irving Malin
Martin Nakell (USA)
"Five Works from Stories from the City Beneath the City"
"Everything But Life Itself" (on Nakell's Settlement), by Douglas Messerli
Richard Bruce Nugent (USA)
"Between Heaven and Hell" (on Nugent's Gentleman Jigger), by Douglas Messerli
Joyce Carol Oates (USA)
Review of Joyce Carol Oates' Blonde by Mary Gaitskill
Flannery O'Connor (USA)
"Strange Bird" (on Brad Gooch's Flannery: A Life of Flannery O'Connor and
O'Connor's fictions), by Douglas Messerli
Oë Kenzaburo (Japan)
Community of Thought (on Oë Kenzaburo's A Personal Matter), by Douglas Messerli
Toby Olson (USA)
"Possibilities of Coincidence" (on Olson's Write Letter to Billy and Dorrit in Lesbos), by Douglas Messerli
"Lockup""The Poetics of In and Out" (on Olson's The Bitter Half), by Douglas Messerli
"Talking to the Dead" (on Olson's Tampico), by Douglas Messerli
Orhan Pamuk (Turkey)
"The Smell of Death" (on Pamuk's My Name Is Red), by Douglas Messerli
Viktor Pelevin (USSR/Russia)
Review of Pelevin's Buddha's Little Finger by Keith Gessen
Benjamin Péret (France)
"The Four Elements"
Christina Peri Rossi (Uruguay)
"The Calvacade"
Fernando Pessoa (Portugal)
Review of Pessoa's The Book of Disquiet, by Phillip Landon
Dennis Phillips (USA)
from Hope
Antonio José Ponte (Cuba)
"Leaving the Door Open" on Antonio José Ponte's In the Cold of the Malecón and Other Stories), by Douglas Messerli
Jacques Poulin (Canada/writes in French)
"Transport of Love" (on Poulin's Translation Is a Love Affair), by Douglas Messerli
Anthony Powell (England)
"International Relationships" (on Powell's Venusberg) by Douglas Messerli
Richard Powers (USA)
Review of Richard Powers' Plowing the Dark by Charles B. Harris
Reynolds Price (USA)
"An Attack of the Heart" (on Price's The Tongues of Angels), by Douglas Messerli
José Manuel Prieto Gonzalez (Cuba)
Review of Prieto Gonzalez' Nocturnal Butterflies of the Russian Empire, by Nicholas Birns
Soledad Puértolas (Spain)
Review of Puértolas' Bordeaux, by Kay Pritchett
James Purdy (USA)
Review of James Purdy's Gertrude of Stony Island Avenue by Brian Evenson
Marie Redonnet (France)
"Ist and Irt"
Ishmael Reed (USA)
Brief Commentary on Ishmael Reed's The Free-Lance Pallbearers by Elizabeth MacKienan
Brief Commentary and Selections on and from Reed's Mumbo Jumbo by Dennis Cooper
Review of Reed's Cab Calloway Stands in for the Moon by Michael Boccia
Kathrin Röggla (Austria)
Peter Rosei (Austria)
"The Blur" (on Rosei's Metropolis Vienna), by Douglas Messerli
Gerhard Roth (Austria)
"Two Fragmentary Fictions" (on Roth's The Will to Sickness) by Douglas Messerli
Joseph Roth (Austria)
"Secret Lives" (on Collected Shorter Fiction of Joseph Roth), by Douglas Messerli
"Pomp and Circumstance" (on The Radetzky March), by Douglas Messerli
Philip Roth (USA)
Review of Philip Roth's The Human Stain by Igor Webb
Helga Ruebsamen (Netherlands)
Review of Helga Ruebsamen's The Song and the Truth by Claire Messud
Aksel Sandemose (Norway)
"The Melancholiacs and the Missing Bucket" (on Sandemose's The Werewolf), by Douglas Messerli
José Saramago (Portugal)
Bibliography of Fictions
Review of Saramago's Blindness, by Philip Landon
"A Vision of Uncertainty" (on Saramago's The Cave), by Douglas Messerli
Review of Saramago's The History of the Siege of Lisbon, by Mary Sarko
Review of Saramago's All the Names by Richard Eder
"Trying to Pass" (on Saramago's The Elephant's Journey), by Douglas Messerli
Alberto Savinio (Italy)
Hans Scherfig (Denmark)
Review of Scherfig's Stolen Spring, by Brooke K. Horvath
Cathleen Schine (USA)
"Doggone" (on Schine's The New Yorkers), by Douglas Messerli
Ingo Schulze (b. DDR/Germany)
Review of Ingo Schulze's Simple Stories by Peter Rollberg
W. C. Sebald (Germany/lived England)
Review of W. G. Sebald's Vertigo by Joyce Hackett
"At Odds" (on Sebald's Vertigo), by Douglas Messerli
Ana Maria Shua (Argentina)
"Four Microfictions"
Eva Sjödin (Sweden)
"Two Fragmentary Fictions" (on Sjödin's Inner China) by Douglas Messerli
Josef Skvorecky (Czechloslavakia / now Czech Republic)
Review of Skvonecky's The End of Lieutenant Bouvksa, by Brooke Horvath
Gilbert Sorrentino (USA)
"Writers from the Diaspora of Truth" (on Sorrentino's Rose Theatre), by Douglas Messerli
"The Novel Against Itself" (on Sorrentino's Aberration of Starlight and Mulligan Stew), by Douglas Messerli
"Seeing Red" (on Sorrentino's Red the Fiend), by Douglas Messerli
"Runaway Moon, or The Duchess of Flight" (on Sorrentino's The Moon in Its Flight), by Douglas Messerli
Saša Stanišić (b. Bosnia-Herzegovina/Germany)
"When You Can't Cut Fog" (on Stanišić How the Soldier Repairs the Gramaphone) by Douglas Messerli
Gertrude Stein (USA)
"Thirteen Ways of Looking at a Stone" (on Janet Malcolm's Two Lives: Gertrude and Alice), by Douglas Messerli
"Distribution and Equilibration in Stein's Three Lives" by Douglas Messerli
"A Fiction Requiring History and Faith" (on Stein's Mrs. Reynolds) by Douglas Messerli
"No Real but Really There" (on Stein's Paris France) by Douglas Messerli
"Tender Buttons as Narrative Fiction" by Douglas Messerli
"Out of Order" (on Stein's The Autobiography of Alice B. Toklas), by Douglas Messerli
Robert Steiner (USA)
Review of Steiner's Bathers, by Jack Charters
Panos Spiliotopoulos (Greece)
"The Castaway"
August Strindberg (Sweden)
"Selling Out" (on Strindberg's The Red Room), by Douglas Messerli
Antonio Tabucchi (Italy)
Review of Antonio Tabucchi's The Missing Head of Damasceno Monteiro by Thomas Hove
Inagaki Taruho (Japan)
from One Thousand One-Second Stories
Nivaria Tejera (b. Cuba/Canary Islands)
"Looking Down" (on Tejera's The Ravine), by Douglas Messerli
Jáchym Topol (Czech Republic)
Review of Jáchym Topol's City Sister Silver by Jaroslaw Anders
Esther Tusquets (Spain)
Review of Tusquets' Never to Return, by Brian Evenson
Jane Unrue (USA)
"A New Way of Seeing" (on Unrue's The House)
John Updike (USA)
"Before the Curtain Rises" (on Updike's Gertrude and Claudius), by Douglas Messerli
Urmuz (Romania)
"Ismail and Turnavitu"
"Algazy and Grummer"
Miklós Vámos (Hungary)
"Fallen Stars" (on Vámos' The Book of the Fathers), by Douglas Messerli
Luis Fernando Verissimo (Brazil)
"Easting Oneself to Death" (on Verissimo's The Club of Angels) by Douglas Messerli
William T. Vollmann (USA)
Review of Vollmann's Butterfly Stories, by Steven Moore
Antoine Volodine (France)
Review of Volodine's Naming the Jungle, by Jack Byrne
Wendy Walker (USA)
from The City under the Bed
"Sexual Stealing" (on the Gothic Novel)
"Borges Walker Wessells" (Wendy Walker and Henry Wessells in coversation of Jorge Luis
"The Forgotten Dream" (on Walker's The Secret Service), by Douglas Messerli
"Burning Blue" (on Walker's Blue Fire), by Douglas Messerli
Robert Walser (Switzerland)
Review of Robert Walser's The Robber by Stephen Clair
Mac Wellman (USA)
from Linda Perdido
Eudora Welty (USA)
"Conversations with Nature" (on Welty's The Optimist's Daughter), by Douglas Messerli
"A Solid Wall of Too Much Love " (on Welty's Delta Wedding), by Douglas Messerli
"The Encounter between History and Myth in Welty's The Golden Apples," by Douglas Messerli
"A Battle with Both Sides Using the Same Tactics" (on Welty's Losing Battles), by Douglas Messerli
"When Language Doesn't Mean" (on Welty's The Ponder Heart) by Douglas Messerli
Nathanael West (USA)
"Looking for Love" (on West's Miss Lonelyhearts), by Douglas Messerli
Dallas Wiebe (USA)
Brief Commentary on Dallas Wiebe's Going to the Mountains by Elizabeth MacKiernan
Oscar Wilde (USA)
"The Hidden Self" (on Wilde's The Picture of Dorian Gray), by Douglas Messerli
Virginia Woolf (England)
Woolf's recorded voice
Unica Zürn (Germany)
"A Real Doll" (on Unica Zürn's Dark Spring), by Douglas Messerli
This online magazine publishes fiction (new and old), essays, reviews, interviews, and commentaries on both international and US fiction writers. New manuscripts can be sent to Douglas Messerli, editor, Green Integer 6210 Wilshire Boulevard, Suite 211, Los Angeles, CA 90048 or by email to firstname.lastname@example.com
Friday, September 19, 2014
Table of Contents
Posted by greenintegerblog at 8:19 AM No comments:
Douglas Messerli | "Two Fragmentary Fictions" (on Gerhard Roth and Eva Sjödin)
two fragmentary fictions
How did Kalb endure the inconclusive events in his brain? The word-fragments
that were caught incessantly by his ear, his absorption of idiosyncratic time, bits
of incidents, snippets of events? What made him suffer through this uninterrupted
series of fragments? What made him experience these agonizing circumstances as
—Gerhard Roth, The Will to Sickness
Gerhard Roth Die Wille zur Krankheit (Frankfurt am Main: Suhrkamp, 1973). Translated by
from the German by Tristram Wolff as The Will to Sickness (Providence, Rhode Island:
Burning Deck, 2006).
Eva Sjödin Det inre av Kina (Stockholm: Norstedts Förlag, 2002). Translated from the Swedish
by Jennifer Hayashida as Inner China (Brooklyn: Litmus Press, 2005)
Made up of 99 paragraphs and a short section of 34 "notes," The Will to Sickness tells the story—if you can describe this as a "story"—of a man named Kalb who wanders about an unnamed city encountering various visual and visceral sensations that, in their ability to set off a series of reactions in his brain, are ultimately painful, and lead to his recognition that he is undergoing the "symptoms" of some strange sickness. The astute reader recognizes the "symptoms" quite easily as those of a man of the edge of despair, a man whose connection with others is limited primarily to unsatisfactory meetings with prostitutes, waitresses, barkeeps and others he accidentally encounters on the streets, in restaurants and offices.
The financially and emotionally impoverished Kalb spends most of his time alone in his room or simply wandering, like the hero of Hamsun's Hunger, following various individuals and, occasionally, even attempting some vague sort of communication with them—all to no avail. Kalb's most daring interchanges include an occasion in a restaurant where he approaches a man at another table, asking for his glass; when the puzzled man nonetheless reaches for it, Kalb "boxes he ears" and is dragged to the door by the waiter. In another restaurant a middle-aged woman nods to him, and as Kalb sits down at her table she puts her hand upon his knee. Later, while drinking cognac on a sofa, the two suddenly undress each other and engage in sex.
By this time in Roth's surrealist-like tale, however, we recognize that what seems to be happening may in fact be a hallucination, for as the narrator has told us, "Kalb hallucinates reality." By the end of this short fiction, what we formerly thought might be a mimetic description has slipped into utter fantasy:
Through the telescope of his isolation he examined the image of the street.
Today's dream came in green and red. The elderly lady hauled a jug of milk
along the sidewalk, overtook and tread upon her own shadow, which ac-
companied her anew immediately thereafter, on the other side of her body.
Two flies buzzed about angrily. He engaged them in psychic congress….
Combined with Roth's medical-like examination of Kalb's surroundings and the author's inclusion in the text of various scientific terms, The Will to Sickness presents, in fact, a dream-like reality that may suggest a complex subtext, but also self-mockingly recognizes itself to be the delusions of a fláneur, an aimless intellectual trifler.
Accordingly, any great significance we seek in these 99 paragraphs, given its completely fragmentary structure, is of our own making. But that is exactly why this fiction is so compelling. For we cannot help ourselves: it is almost impossible not to attempt to connect the pieces with which one is presented and discern a significance in their whole. Of course, that is exactly what we do in every day of our living experiences; we make meaning often where there is none. Is that a sickness? Yes, the symptoms are clear; as with Kalb "the physiognomy of objects [touch] us" just as the safe societally-condoned distances at which we remove ourselves from others equally draws us toward them, for it is only through our connection with the world and one another than we can comprehend who, what and where we are. Man not only desires meaning, he demands it, must have it in order to survive. It is a grand sickness, and living life is to accept that one is willingly infected with the disease.
Swedish author Eva Sjödin's Inner China may at first appear to be a short narrative poem. The publishers, however, describe it as a "tale," and I am inclined, despite the work's obvious poetic aspirations, to agree with them. Like Austrian-born Roth's The Will to Sickness, Sjödin's work is a fragmentary fiction. The two works are similar in other ways as well. As in Roth's work, Inner China is a story of sickness, different kinds of sickness. The central narrator is a young girl whose sister Edith is obviously retarded. The mother, evidently, is a alcoholic (or suffering some other drug or drugs) who spends most of her life in bed, coming only to life when she can bed a passing lover. Forced to be the caretaker of her sister, the young narrator creates a world outside of the home—in the forest, fields, deer and other habitats around their troubled house—a world apart from the emptiness within her supposed domicile. Creating a fantastical world of lost children amid dangers of kidnap and death, the young girl "plays" the game of Tehseng and Laiseng, two imaginary Chinese children subject to various rules and regulations of her creative imagination.
Like Kalb, these two explore a world of visual and physical sensuality as among the rocks and fir trees they eat dirt, dog biscuits, worms and other debris. Although the two are never sexually accosted, they are approached by a man and sense sexual danger everywhere in the rural world they inhabit. Neighboring children mock Edith, and in one instance, as they attend a village festival, an old woman appears to attempt to lure Edith away, but just in time her protector-sister steers her in another direction, warning her never to trust anyone in the town.
Ultimately, welfare workers, recognizing that the often sick child is not being properly cared for, take her from the home. Almost at the same moment, the young girl's dog grows ill, and she if forced to carry it to the village veterinarian, who recognizing it is beyond saving, mercifully kills it. The girl takes the body home, forcing her unwilling mother out of bed to watch her bury it.
The fiction ends with the young girl caring for her own now child-like mother almost as she has previously had to care for Edith, forcing a bit of porridge into her Mother's mouth while the older woman whimpers: "I-do-not-want-to-I-do-not-want-to." She too has become another being who the young girl must take into her the unknown terrain of "inner china."
I should qualify my statements above, however, by saying that this summary represents my reading. Others will take these same poetically fragmentary paragraphs and weave the tale together in another pattern, willing these evocative germs of meaning into another kind of "sickness unto death."
Los Angeles, January 21, 2008
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Saturday, September 6, 2014
Eleanor Antin | "The Third Act," Chapter 7 of An Artist's Life by Eleanora Antinova
The following selection is from a new work by artist Eleanor Antin from the An Artist's Life by Eleanora Antinova . Some of these pieces were published decades ago, others are currently being written. "The Third Act" represents one of the most recently written pieces in the book.
Chapter 7
"The Third Act"
By Eleanor Antin
I danced with Diagheliv for 10 years. Where did they go, those years? Here. In my head. They are all in my head. And when I'm gone – phsaw… They were my family. Sergei Pavlovitch was our father. We were sisters, brothers. We slept four to a bed. It was cheaper. Two bargained for the room while the others sneaked up the back stairs. And took the best places. You should remember the friends who share your bed. But the nights blend into one night. Sometimes I can't remember any night…I'm ashamed to confess this – I hope you won't misunderstand – I can't help it – to this day – I am partial to Russians. I feel friendly to them. Maybe not friendly, but familiar. A Russian is a Russian, even a bad one. I remember St. Petersberg better than London or Paris and I was never even there. By my time, most of the Russian girls hadn't been there either. Paris rats. The last they saw of Mother Russia was racing through the ice fields of Finland on a sled. But there is no St. Petersberg anymore. What's the new name? A ridiculous name, very likely. I always get it mixed up with Moscow but it isn't. Moscow was always there. Stanislavsky was from Moscow. Chaliapin, too, I think. Leningrad. That's the new name. A stupid name. Tanks, not white nights. Am I a snob? It's hard to live with Russians and not be a snob. Even Lenin was part of the family. There's no getting around it. A Russian is a Russian.
I knew the girl he lived with in Paris. She found him in a café. He was starving. She took him in and fed him like a stray cat. They say she was very beautiful, one of the famous artists' models. All the girls in those days were from Martinique, Jamaica, Haiti. She was from Martinique. I was the little girl from America. They felt sorry for me. They looked at me like I was a savage. But that was later. I came later. By the time I knew her, she was over the hill. Absinthe. Syphilis. People didn't know about health then. Later, when Lenin made a name for himself, they wrote to him for help, but he wouldn't answer their letters. They say he had a hard heart. But why should he remember those days? What was there to remember? That he was poor and wretched? Now he was an important person. He lived in Kschessinska's palace and made revolutions. I think Kschessinska was secretly proud that he chose her palace. They made the revolution from that palace. And it was only a little palace, new, not very important. So look at Eiffel. That was only a tower.
Indeed, she was a great ballerina, Mathilde Kschessinska, but narrow in her outlook. A terrible snob. We were all terrible snobs. Not a penny in our pockets but we sailed through the doors of the Ritz as if we owned the place. We did. Kschessinska's Grand Dukes were the doormen. Grand Duke Andrei formally pinched our bottoms. It was an honor. Wasn't he the Tsar's brother? "Go little flowers," he would say. "There are two counts from Alsace. They are old and ugly but their pockets burn with gold." Our stomachs rumbled. We lived on piroschkas and café au lait. Dounia adjusted the veil of her red hat. That afternoon we lunched on oysters and frog's legs and escargot and salmon roe and wines from the private cellars. Everything fell before Dounia's delicious red hat. It had a spirit, that hat. And why not? It came from a corpse.
Though she wasn't always a corpse – the tall skinny lady who crept close to the walls of the pension and never smiled. "Opium!" Dounia announced. "She is rich but will not last long." Dounia had spies everywhere. She gave the maid some extra francs. When the poor lady died in her sleep, the maid knocked on our door. Later Dounia showed up with a red hat. A Chanel dress. Silk underthings. She gave me a pink chemise. She was furious. "That whore Katya. We fought over every piece. What does a slut like her need with a Paul Poiret dress." We were shocked. A Paul Poiret dress! What couldn't we conquer with a Paul Poiret dress?
For who knew how the day would end. Fortune came and went. There was no reason. No cause and effect. Things happened. Fortune came or it didn't. By not coming, it didn't. So much of the time, it didn't… I never did what I should do. I always did what I wanted to do. In the end that's what I did. What I wanted to do. And the dances I made. I made the ones I wanted to make… Did it matter? I don't know. In the end it's all the same, isn't it? Gone every one, except here in my head. Was that what it was all for? For some pictures in my head? A couple of phrases, an embarrassment or two? Yes, I still cringe when I remember some of the things I said and did…I'm so ashamed… In life things come out wrong…as in the theatre – events cross, mix up, mask, pretend – like life… But it all works out in the third act. There was a ballet I wanted to do, nobody would produce it. If there is nobody to produce it, there is nobody to dance it. I called this ballet "Act 3" All ensembles. No solos. The corps de ballet working in perfect harmony… I loved third acts… You are happy in the third act… I never even got to the third act……
Europe was decadent. I came home to find my roots. The intelligentsia was in a ferment. They were searching for an American idiom. A new culture was at hand. We had high hopes…but it was not meant to be. The Great Depression. Those were terrible times.
Theatres were closing left and right. Bookings were very hard to come by. People were on breadlines. Jumping out of windows. I worked up some lighter numbers. I had to eat. I heard the Ballets Russes was starting up again in Paris under the Count de Basil. I had hopes. There was talk. But it was a new generation. The baby ballerinas were in demand. Still things were looking up. I did a number in the Greenwich Village Follies which was well received. The young Martha Graham was on the bill. A couple of shows. A safari number with an elephant. He was dropped in New Haven.
America was a Corsica. What did she know of the dance? So many unemployed dancers. Though I was fortunate. The American girls were all running off to have babies. But after 10, 12 years of training, a Russian girl does not run off to have babies without a good return on her investment. That was how I met Orlando. In Madame Albierti's studio where I taught the beginning classes in exchange for attending the advanced classes. His last girl…pfft…off to have babies. "I have lost 3 in one year," he wept. "I am a doomed man." I had been living off of a snappy little diamond but the proceeds were running out. "I have no babies," I said. "They all say that," he shouted. "It is a plot to kill me before my time." I looked at him closely. This man was no spring chicken despite his powdered face and darkened hair. "I do not know of what time you are speaking," I said. "But I have no use for midgets." We went on that night. It may not have been Swan Lake but it was an honest job. The theatre had a real dressing room. And the manager did not run off with the money.
We took to the road. Did a lot of touring over the next couple of years. They were very lonely those tours. For years I lived in trains and hotel rooms. I was always cold. I used to wear a coat even in June. And after spending so many years with Russians, Americans said I talked funny. "I am from Azerbaijan, Bessarabia, Kazmestan, Shirvan, Karabagh," I said. "Take your pick." It was safe to say the name of a rug. They were less worried about my dark skin, which wasn't exotic here like it was in Paris.
At first we danced acrobatic ballroom numbers. It was the vaudeville circuit, after all. But maybe we should try something classier. Perhaps dance for a better element. Orlando had ballet training. We worked up some interesting numbers. Audiences seemed to like them. We would try them out on the road, then hit L.A., New York. We dreamed of the big time again.
For a while, I had a friend who was like a daughter to me. A little soprano with a sweet voice. She sang old mountain songs about her home in Tennessee. Later, I told her about Paris and the Russian dancers. The dear little soprano hugged me. "How lucky you are, Eleanora." Her nasty husband sneered. He was a pirate, that one. Kept pinching me under my coat. But maybe he was right. Maybe it was a fairy tale. The snow was falling all around us. It fell in my heart, my soul. In the morning it stopped. A white blanket covered the windows. We heard the whistle. We kissed. Promised to look each other up. We knew we wouldn't. But it warmed the heart to say it. The camaraderie of the road. The family of artists. And who could tell? The next week you could hit it big. We had some good club gigs. A show here and there. A couple of films. We started a school but nobody came. I still dreamed. A letter would come. A phone call. "Eleanora, return to us. We are starting a new ballet company." But everywhere there are spies. Toumanova's mother spies in Los Angeles. Slavenska's sister in Houston. They will say terrible things about me. They are not to be trusted. I have danced with the Russian Ballet. I know what's what. There will be no letter.
The hotels are such nasty places. Evil smelling closets. Often there is no window. It is the custom here to give the show people the first floor rooms. They are over the kitchen. We are always awakened before the sun rises. We are lower than the salesman on the second or third floor. He appears for breakfast smiling, rested, hungry. He rubs his hands with vigor. Let the day begin. He will sell many bibles today. We look at him. Our eyes are red. Our hair is wild. How ugly we look. "The hotel is empty," I protest. "There are only three salesmen in the dining room. Give us rooms upstairs. We must sleep." Is there a species lower than the hotel clerk? "This is a fancy establishment," he shouts. "Every room is spoken for." He jumps up and down. He is indignant. "We don't want your kind here." Rita, our strong lady, comes to my aid. "Leave her alone, you two-bit jerk." She makes a fist at him. The muscles ripple up her arms. The clerk is respectful. He drops back. "That is how they treat us," she says. "Stinking cowards!"
At night, after the last show, I come back to the hotel. My trunk waits at the door.
"You are mistaken, "I say. "I am not leaving till the end of the week."
He is jumping up and down again. "Your room is rented."
"You are very nervous for one so young," I advise him. "You will get apoplexy. You will die of a stroke."
"'You people always cause trouble," he says.
"I do not want to cause trouble," I say. "I am tired. I want to sleep."
He pounds the bell on the counter. Two men come out of the back office, One is chewing on a greasy turkey leg. They are old but there are two of them.
"Call the sheriff. One more colored down there cain't make no difference."
My companions are not robust. Even my friend Rita, the strong lady, turns away. After holding up 500 pounds of chairs and wriggling bodies over her head 4 times a day, her muscles are weary. Her soul droops. She does not want to be noticed. She wants to sleep.
Greasy fingers reach for me. "I am an American citizen. I have done nothing."
"Yeah, well," he sneers. "I thought you was a princess from India. This is a free country. We got no princesses here."
I turn away. I'm bored with the whole business. I'm not even angry anymore. Just tired.
But the bastard won't let up.
"You aint nothin' but a dirty nigga, aint ya. Comin' in here tellin' lies. False pretenses, that's what it is. False pretenses."
"Yeah," the senile one grunts, waving his turkey leg in the air. "False pretenses. That's a crime, surely."
'Go to hell, " I say, while Rita hoists my trunk onto her shoulders and walks me back to the theatre. "I'm sorry," she says. Her eyes avoid mine. We kiss and she goes back to the hotel. The old super lets me into my miniscule dressing room. I make a place for myself on the floor and wrap myself in my old fur coat. I am comforted, But first I take some crumbs from my pocket and place them neatly on the floor in the shape of a heart.
A little boy, an acrobat, used to perform here. They say he was tops. His father had big plans. He wouldn't let him eat. "Later you can eat," he would say. "When you are a star in the big time." He wasted away. But he was beautiful. He flew through the air like a glittering bird. He tried to hold on until the big time. He dreamed of chocolates and lollypops. But he grew weaker. The show people slipped food to him when his father wasn't looking. It only made him sadder. "I must become a star first," he would say. "Then I will eat and eat and eat." On Christmas Eve there was a party. The little acrobat sat up on the ropes. The smell of chocolate maddened him. His friend, Dainty June, waved a chocolate angel. "Finish up honey. Its Christmas." With a cry of pain the little acrobat offered her his shaking hands. The old super is a hundred years old. He saw him fall. He just broke, he said. They could hear him crack. And to this day you must leave food for his ghost or he will keep you up crying into the night.
But vaudeville is dying. Old timers work for $10. a day. My friend Rita, the Strong Lady, tears telephone books in half. It goes over big with the yokels. But this is a 4-a-day house. She must tear up four telephone books a day. A book costs 50 cents. That's $4 a day. $14 a week. "I have to steal them", she confesses. "I am so ashamed." She even saves the nails she bends. She just bends them back before the next show. These are terrible times. I must get out of this business. I am looking into the nightclubs. They are patronized by gangsters. Gangsters can be very generous. I know a singer in Chicago who did very well with a gangster. A handsome fellow with satin lapels and Derby hats. They put on the dog together. When the bookies shot him, she wore white fox to the funeral. She looked stunning. Now she has a new gangster. Not so handsome perhaps, but generous. There is no shortage of them, it seems. I am not so snobbish as I was. One gets older. There are setbacks. A girl must look out for herself.
Time is irresistible. In Seattle, I remember a singer, Sylvia Froos. "The Little Princess of Song." When she skipped out on stage shaking her Shirley Temple curls, the band played "My Heart belongs to Daddy." Once she was a class act in the big time. And she still dresses like one – pink frocks, petticoats – long white gloves with rhinestones. Once I saw her without gloves. When she saw me she hid her hands behind her back. But I saw how wrinkled those hands were. Like an old woman's. She cries in her dressing room. Drinks.
Life is short. Memory is longer. I think sometimes of "Before the Revolution", my most famous, perhaps my least understood work. It was the only ballet that was mine all the way. It was produced during what turned out to be our final season, since Diaghilev died soon after in Venice. He always knew he would die on the water and he did though I don't believe he ever dreamed it would be Venice. He loved it so much. Maybe that should have been a clue. They say all men kill the thing they love. But maybe its the other way around.
We were at a real low point that spring and money was scarce. Besides the old man seemed to lose all interest in the company. Perhaps it was his way of saying goodby. So I had little trouble convincing them to let me dance the role of the white queen.
Marie Antoinette was the first, and as it turned out, the only role I ever danced that fit my own skin. She was my balletic swan song. The White Queen dancing through the empty streets of peasant villages and dairy farms was the spirit of ballet…as the flightless white swans gliding swiftly over the little pond in the Bois de Bologne was its soul. She neither touched history nor was touched by it. The revolution erupts in her dream and kills everybody with a fountain pen. Like ballet she had the innocence of childhood…and its cunning. Her dance was as lovely and futile as swans on the royal pond. …I wonder if there are still swans in Paris….My friends are gone, of course. They're all dead except for the ones who are still dying. Pascin too died a long time ago though he was still a young man. How generous he had been, how kind. But he painted in an unfashionable manner. Later he killed himself. Art is not generous to her children. A young man asked me recently how one knows that a work of art will last. Nothing lasts! All those years I worked and dreamed. Some mornings I woke up famous. I don't think I ever woke up feeling understood…Sometimes I wake up in the dead of night and can't remember where I am….
Copyright ©2014 by Eleanor Antin.
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Today's Star Phoenix
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Location: Portland, OR
Date Posted: 08/08/2014
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Caroling Solo
How To Spend The Holidays Alone
4. Honor that this is your first holiday alone.
Don't rely on others to rescue you. Losing a partner can feel like losing the chance to have a happy ending, but it can also be a necessary reminder that you are responsible for your own happiness, and always have been. Waiting for someone else to brighten your holiday season (read: rescue you) will only leave you feeling disappointed and unfulfilled. You have the power and choice to make the holiday a positive or negative experience. Which will it be?
5. Take this opportunity for introspection and rest.
Without downtime to process your feelings, you may find your emotions around the breakup bubbling up at inconvenient times, such as the middle of a family party. Rather than viewing your upcoming time off as a void to be filled, you might see it as a needed oasis, during which you can write in your journal, have long phone calls with friends and family, and catch up on exercise or sleep as your body needs. By the time Dec. 31 comes around, you may be more ready to greet the New Year than you have been in a long time.


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THE world's oldest dog died today after developing stomach cancer, his owners said.
A STADIUM which will feature in the 2014 Commonwealth Games was given a royal seal of approval today after an £18million makeover.
FORMER Aberdeen boss Jimmy Calderwood has been confirmed as the new manager of Kilmarnock.
TOTTENHAM manager Harry Redknapp was accused of a £40,000 tax evasion today.
DUNFERMLINE have been sensationally booted out of the Scottish Cup after they blundered by fielding a banned player as a substitute in their 7-1 rout of Stenhousemuir.
FORMER Aberdeen defender Russell Anderson has had his contract at Sunderland terminated by mutual consent.
JIMMY CALDERWOOD is set to be unveiled as the new manager of Kilmarnock.
JUSTICE secretary Kenny MacAskill has insisted a medical report on the life expectancy of the Lockerbie bomber was accurate.
A BBC reporter has been sacked after he acted as a spokesman for the Hells Angels.
GANGLAND godfather Arthur Thompson was considered a "consummate villain" by prison authorities who never expected him to leave his criminal past behind, official files revealed today.
TEMPERS flared in the Celebrity Big Brother house after Lady Sovereign took a tin of corned beef from the contestants' meagre food rations.
THE Scottish Government will find "many ways" to respond to the "extraordinary" devastation caused by the earthquake in Haiti, First Minister Alex Salmond pledged today.
A LOLLIPOP lady was knocked down and killed this morning by a lorry in front of screaming schoolchildren in Glasgow.
NEW tenants will no longer have the right to buy their council or housing association homes, under Scottish Government proposals unveiled today.
RANGERS supporters chief David Edgar has demanded that Lloyds Banking Group name their price for the cash-strapped SPL leaders.
A FUND set up in the aftermath of a North Sea helicopter crash is to pay for a permanent memorial for the 16 men who died, it was announced today.
A VALUABLE painting may have been stolen during a high profile New Year's Day event, police said today.
A SCOTTISH family firm has won an £85million contract to transport parts to make up the UK's biggest aircraft carriers, the Ministry of Defence announced today.
IRVINE took on a carnival atmosphere as all roads led to Edinburgh for Meadow's historic Scottish Cup clash with Hibs.
FALKIRK look set to complete the signing of Enoch Showunmi after the striker was released by Leeds.
POLICE have warned motorists to take extra care as snow returns to the region.
ALL the latest transfer news from Scotland and around the UK.
A TWO-vehicle crash on the 'Meikleour straight' of the A93 Perth road claimed the life of 17-year-old Storm Andrews.
A BRIDGE of Cally woman who drove with more than twice the legal alcohol limit was fined £400 and banned for six years at the Sheriff Court.
THE recent big freeze thawed out partly over the weekend around Blairgowrie and Rattray but more snow is forecast for some areas.
A MOTION has been lodged in the Scottish Parliament praising the work of charity Special Treats in Rattray.
THE East Perthshire public are to be consulted over a new Perth and Kinross Waste Management Plan for the next 15 years.
BLAIRGOWRIE and East Perthshire, like the rest of Scotland, is in the grip of the coldest winter for probably 50 years.
A BLAIRGOWRIE fruit farmer has been shortlisted for a prestigious award by a nationwide magazine.
BLOOD donors have been urged to come forward after the cold weather across Scotland has prevented supplies being adequately replenished.
CHILDREN from across East Perthshire have been praised for playing a major role in a wildlife crime project.
THE official Grand Match might not have gone ahead but red tape didn't stop curlers enjoying another outdoor bonspiel at frozen Stormont Loch.
TWENTY-FOUR posties and friends from the Blairgowrie Sorting Office took part in a sponsored climb of Schiehallion.
A ST MIRREN fan who suffered a suspected heart attack on the way to see his beloved Buddies in action is to be buried in the jersey worn by his favourite player on the day he died.
RENFREWSHIRE Council has been chosen to lead a project to improve child care services.
THE Paisley Daily Express is one of the best performing daily newspapers in the United Kingdom.
A CAMPAIGNING MSP is urging fellow politicians to back his bid to save local newspapers – and jobs.
IT'S more than 200 years since the 'Birdman of Paisley' published his first book, but his popularity has yet to wane.
FORMER Scotland star Allan Johnston last night admitted he will have to conjure up some midfield 'magic' if he is to earn an extended run in the St Mirren first team.
BUDDIES boss Gus MacPherson hailed the professionalism of his first team squad yesterday after they beat the big freeze to kick-start 2010 in red-hot form.
AN excited schoolboy proved to be a big hit when he got the chance to perform on stage with chart-topper Paolo Nutini at a prestigious awards bash.
TRIBUTES were paid yesterday to a local authority boss who died at the age of 50.
RENFREWSHIRE will have to play a preliminary round in the 2010 Scottish Bowling Inter County Top 10 competition.
A TEAM of big-hearted 'Bobbies' got on their bikes to raise cash for brave veterans.
PLAYERS at the Renfrewshire County Golf A team will have to revise their strategy if they are to successfully defend the Scottish Area Team Championship trophy they won so convincingly last year.
ALISON Rodger was in fine early season form at the Loughborough Open meeting.
BUDDIES can clear a space in their house by recycling a host of unwanted electronic goods, and a leading cancer charity will benefit.
YOUTH football in Paisley and Renfrewshire has been highlighted once again after seven youngsters were selected for the Scottish Youth Football Association West Region Under-16s squad.
THE big freeze may have wiped out the first scheduled rugby matches of 2010, but Paisley Rugby Club's dedicated squad nevertheless braved the elements to get in some training.
BURGLARS have raked in thousands of pounds following a fresh new year wave of break-ins at family homes in the Paisley area.
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Bahama Breeze is known for, delicious seafood, distinctive chicken dishes and flame-grilled steaks, accompanied by refreshing, handcrafted tropical drinks.
If you were to trace the origin of one of Jamba Juice?s freshly squeezed juices, it wouldn?t take long before you ended up face to face with its most important supplier: Mother Nature. Whole fruits and vegetables from her gardens, groves, and orchards fill Jamba Juice's stores: kale, apples, pineapple, carrots, beets, and other produce. Although it?s serious about filling cups with wholesome, natural ingredients, the company is a little more playful when it comes to the palate.
Sure, there are classic juices on the juice menu. Purely Carrot, for instance, which is as elemental and straightforward as it sounds. But there?s also the Tropical Greens, which combines apple juice and pineapple with super greens and chia seeds. And there?s Kale Orange Power, loaded with kale, bananas, and orange juice?all of which are packed with a serious helping of vitamins and manganese. Regardless of which flavor you choose, each 12-ounce juice packs in at least 1.5 servings of fruits and veggies, making it a convenient way to restore energy and get nutrition on the go. The same commitment to simplifying healthy eating can be found throughout the Jamba Juice menu, from its Fruit and Veggie smoothies to its Artisan Flatbreads.
In addition to providing healthy options to customers, Jamba Juice sponsors Team Up for a Healthy America. The initiative is focused on improving childhood nutrition and fitness by encouraging fans to join the Team Up community of celebrities, athletes and other leaders committed to helping the nation stay fit?which you can do by visiting the main Jamba Juice website.
With over 500 stores serving the full freshly squeezed juice menu, Jamba Juice is the perfect way to blend in the good.
"Keep it simple." At Pure Parsippany, that isn't just sage advice?it's a philosophy. As the restaurant's name might suggest, the approach to food here isn't a complicated, muddled process; instead, it's built upon fresh ingredients and unaltered flavors.
Executive chef Michael Schmitt captains the kitchen, where he and his team craft a menu of upscale American- and Asian-inspired cuisine. Their spread includes familiar favorites such as filet mignon, pan-roasted pork chops, and miso-glased Chilean sea bass in addition to an ample selection of sushi rolls. Visitors dig into these hearty entrees in Pure's elegant, spacious dining room, where gold chandeliers shine light across cream-colored booths and chairs, dark hardwood floors, and exposed brick facades. At one end of the restaurant, bartenders mix more than a dozen signature cocktails at a large, square-shaped bar for guests to enjoy as a nightcap or a resting place for the loose olive skewers in their pockets.
They say you can't be all things to all people, but that apparently hasn't stopped Red Stone Tavern from trying. For starters, there's the decor: an aesthetic compromise that incorporates rustic building materials with a sleekness that feels decidedly modern. A walk through the restaurant reveals an expansive dining room with high ceilings and plenty of space, but it's partitioned in such a way as to make every meal an intimate experience.
Above all, however, people from all corners of Jersey flock to Red Stone Tavern for the food. Equal parts upscale and casual, the menu features hearty dishes of pasta and seafood alongside handmade pizzas topped with arugula, pesto, and balsamic glaze. Despite all this diversity, many guests stick to the grilled offerings. It's hard to blame them, as the choices include a 12-ounce sirloin steak, a zesty lime chicken breast, and a rack of St. Louis ribs signed by the chef in tangy barbecue sauce.
Tropical Juice Bar's menu places the emphasis on healthy, nonprocessed foods, but never at the expense of flavor. Dishes such the Cuban sandwich and the mofongo with garlicky plantains and fried pork skin showcase the essence of the tropics. Ditto on the empanadas, their crispy shells concealing pockets of chicken, beef, or cheese that bulge like the eyes of a surprised cartoon character. And then there are the drinks?juices and smoothies made from 100% freshly squeezed fruits, including passion fruit, tamarind, and orange.
At Thirst Lounge, glasses of draft beer and wine complement a menu of American pub food and Latin American favorites. Dishes range from beef sliders to mofongo, a Costa Rican specialty featuring fried plantains. Cubano sandwiches and buffalo wings pair particularly well with a pint of beer, whereas pepperoni or barbecue-chicken pizzas make for good coasters for the glass.


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In this case the TCC considered issues of limitation as well as qualifications/caveats to tenders in public procurement
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One of the big reasons the Browns went out and got a guy like Donte Whitner was to be a veteran presence as well as an experienced, talented safety. Part of that job is having proper perspective in the locker room and on the heels of Greg Little's immature revenge fantasies, Whitner proved once again
New Bills ownership could look to Mike Holmgren?
Another week and another rumor involving Mike Holmgren's involvement in an NFL franchise. The Buffalo Bills were recently sold, and we know how that drill goes as we saw it all too closely with Joe Banner at Jimmy Haslam's side. A lot of the rumor mill surrounding Joe Banner's dismissal has it that Jimmy Haslam
Michigan's Miscue, Brendan Haywood, and a sea of loud uniforms: While We're Waiting…
Not only are the Michigan Wolverines hot garbage on the field, they're now in the midst of a concussion scandal.
2014 NFL Draft: Thoughts after the first round
I have a lot of random thoughts after the first round of the 2014 NFL Draft, so here goes… "Johnny Manziel is a good draft pick regardless of how it works out if for no other reason than because of the rookie wage scale. In talking about this draft before it happened, there was a lot of
Several draft day trade scenarios popping up for the Cleveland Browns
Sure, the Cleveland Browns have the fourth-overall pick in 2014 NFL Draft, but would it surprise anyone if that orange helmet disappears from the corner of the television without a pick having been made? While fans of the Orange and Brown debate the merits of playmakers versus offensive linemen, there's a considerable chance that the
Bills owner Ralph Wilson Jr dead at age 95
One of the two men who had the courage, cognition and cachet to vote against Art Modell's proposed move to Baltimore is no longer with us. Buffalo Bills founder, owner and stadium namesake Ralph Wilson, Jr., has died, team president Russ Brandon announced Tuesday at the NFL meetings. He was 95. Wilson is credited with initiating talks
Bills edge Browns to "win" honor of being "NFL's Most Tortured Fan Base"
Will Leitch from Sports On Earth gave the NBA title to the Cleveland Cavaliers, but unfortunately (or fortunately?) the Cleveland Browns weren't able to carry the belt in the NFL. That honor belongs to the Buffalo Bills. In June, Leitch promises to do the same thing in baseball, where I truly expect the Indians to
NFL News: Bills hire Jim Schwartz as Mike Pettine's replacement
Buffalo fans had been nervous after the departure of their defensive coordinator Mike Pettine. Yesterday, the Bills acted quickly to fill the vacancy in hiring former Detroit Lions head coach Jim Schwartz. Schwartz, only 47, had been previously rumored as a possible defensive coordinator candidate in Cleveland. He was a disappointing 29-51 in five seasons
Reports: Pettine's second interview complete, no offer yet
We've heard a lot of noise out there in the Twittersphere tonight from Cleveland, Buffalo, and league-wide sources about Bills defensive coordinator Mike Pettine and the Cleveland Browns following his second interview with the team, which according to WKYC's Jim Donovan lasted about five hours. According to multiple sources, while it appears that things are
Bills defensive coordinator Mike Pettine to interview in Cleveland
Buffalo Bills defensive coordinator Mike Pettine is the latest interview candidate for the Cleveland Browns head coaching vacancy. FOX Sports' Jay Glazer first reported the news Wednesday night around 6:30 p.m. His follow-up tweet shared that the interview is scheduled for Thursday. Pettine, 47, will become the seventh interviewed candidate in the search for the
NFL hands out multiple fines for Browns-Bills game
The NFL has handed out multiple fines for last Thursday night's game between the Cleveland Browns and Buffalo Bills, none of which involve quarterbacks Brian Hoyer and EJ Manuel who were forced to leave the game with knee injuries following hits from opposing defenders. #NFL fined #Bills RB Fred Jackson $7,875. Was called for unsportsmanlike
Browns safety T.J. Ward: 'We're a reflection of Coach Chud'
"Our attitude is we're happy that things are going the way they are, but we're in no way settling into what we're doing right now. We'll continue to work hard. We have that drive for greatness, that drive for betterment every week. We have a group of hard workers, determined, persistent players, and I think
NFL News: Bills center takes offense to Browns' post-injury reactions
"The hit was fine. What ticked me off was the way they acted afterwards. I hope our defense never acts like that when they injure an opposing quarterback because, you know, you've got to show some class in that situation. There's a few guys over there that obviously didn't." — Buffalo Bills center Eric Wood,
Cleveland Browns beat Bills 37-24 despite losing Brian Hoyer
I stayed positive after the Cleveland Indians lost their playoff game yesterday. I didn't put any dire consequence on the results of the Browns game specifically due to the outcome of the previous night's Tribe game. Many of you – including our own TD – were certainly feeling it the crush of pressure on the
Dear Browns, I have a favor to ask…..
Dear Rob Chudzinski, Ray Horton, Norv Turner, Chris Tabor, and all Cleveland Browns players: I am a lifelong season ticket holder who goes to every home game. I watch all road games (other than my boycott job two weeks ago). I wear your gear. My kids wear your gear. No matter what has happened since
Contest time! Win a pair of Browns tickets!!
The preseason is behind us, and the Cleveland Browns are ready (hopefully) for the regular season. To get you ready for the season we are giving away a pair of tickets to the October 3rd game against the Buffalo Bills! To enter, leave a comment on this post answering the question of the day. Make
NFL News: Browns' receiver David Nelson cleared to play
It doesn't take much reading between the lines to see the excitement on David Nelson's twitter as he's apparently been cleared to play football. The former Florida Gator and Buffalo Bill was out almost all of last season after tearing a knee ligament in early September. <——— CLEARED!!! — David Nelson (@DavidNelson86) July 26, 2013
The Browns, analytics, and finding market inefficiencies as an organization
Yesterday, I wrote about how I thought that the analytics revolution in Berea would be subtle. Today, I'm going to suggest some practical ways that analytics could be used inside the building to help the Browns. More often than not, it will be supplemental reports to help increase confidence levels in decision-making processes in an
Browns contribute to Deadspin naming Erie PA the NFL's most tortured TV market
Many of our friends down in Columbus know what it's like to not know exactly which games will be on TV every week. I'm sure it's a pain in the neck, but know that it could be worse. Apparently being caught between the Bills, Browns, Steelers, Eagles and Lions in varied proportions has made Erie
Reports: Browns rebooting head coach search without Chip Kelly
What a difference two days and a lunch running into dinner makes. The Browns' contingency has left Arizona where they interviewed Chip Kelly on Friday among many others this week. According to various reports, including ESPN's Chris Mortensen, they are heading back to Cleveland to regroup and continue the coaching search with Kelly's name crossed


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Supporting the mindful use of yoga therapy to aid recovery and promote resilience among veterans, their families, and their communities.
I have been practicing yoga for over a year and it has changed my life!!
Save the Date!
We warmly invite you to honor our nation's veterans by taking a donation-based benefit yoga class at a location near you during Veterans Week, November 9-15, 2014, as part of a National Yoga Event to Help Support our Warriors through Veterans Yoga Project. All proceeds from each of the more than 80 classes across 18 states will benefit Veterans Yoga Project.


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You've been hearing a lot about the new rules of search engine optimization. Google has taken away search ranking data, inbound organic click-through data, and is, in many cases, even removing more and more of the search engine results page (SERP) real estate dedicated to organic search results!
Through it all, Google has been clear – your route to good search engine placement is the development of original, uniquely valuable content.
Although very good advice, it's not the entire story. A search ranking isn't just a result of the content on a page. It's the result of a large number of different signals including inbound links from other sites, links on social media, and a host of technical indications of both quality and topical relevance.


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TOWIE exclusive: the female stars reveal the secrets of their success
Related galleries
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The stars of TOWIE were out in force at the weekend to celebrate as Carol Wright and Mark Wright Senior renewed their wedding vows. As the sun shone...
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TOWIE's cast members, old and new, may share a love for spray-on tans, summer workouts and fun nights out, but the group of Essex...
Lucy Mecklenburgh 'taking a break' from TOWIE
TOWIE star Lucy Mecklenburgh was reported to have quit the hit reality TV show, but HELLO! Online can reveal that she may not be leaving the series...
TOWIE exclusive: the female stars reveal the secrets of their success


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Upgrades coming to make Buffalo Bayou more enjoyable
Published On: May 15 2013 05:35:03 PM CDT
A multi-million dollar effort is underway to make the Buffalo Bayou more enjoyable for people who live, work and play near downtown Houston.
Houston's Hotel ICON has teamed up with the Buffalo Bayou Partnership to showcase the Buffalo Bayou's natural resources.
From kayaking and boating, to biking and hiking, more than $48 million has been raised to make the Buffalo Bayou a world-class attraction. Funds will also go towards developing trails, cafes and a new bike-share program.
To learn more about the Buffalo Bayou project, click here.
The views expressed are not those of this company or its affiliated companies. Please note by clicking on "Post" you acknowledge that you have read the Terms Of Service and the comment you are posting is in compliance with such terms.blog comments powered by Disqus


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For Sale: Nikon N90s Body with MB-10 vertical grip and MF-26 Data back and op/tech camera strap. Also come with NC-100 ni-cad battery charger and battery and MS-11 tray to use lithium batteries in the vertical grip. I bought this camera from a professional photographer about three years ago... it was still in the bag from the factory reconditioning. I have shot probably 100 rolls of film through it and have never had a problem. The vertical grip and data back were bought new at the time I bought the camera. there are two little spots where the rubber is delaminating from the back (like they all did). I'm thinking that I would like to have $750 USD for this package... I'm in the atlanta area, but can travel cheaply if you would like to meet at a major airport.Thank youDavid
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What do you eat when dining at Whole Foods?
What's good seems to vary a lot by location. In North Carolina we get fresh fruit and bbq.
It does vary from location to location,but one thing i got recently which was excellent in their sushi area: rice bowl with eel, egg, edamame and veggies. It was excellent.
Some locations have great roasted teriyaki chicken, roasted brussels sprouts, roasted sweet potato/root veggies. Kale/seaweed salad. One location I used to go to had great breakfast item of poached egg over spinach on an english muffin. The spinach had a nice lemony flavor. Yum.
That said, you can't count on these things being at all locations, and if so, sometimes they aren't cooked as well as others. If only we could know when the chefs who cook with care are turning out the good stuff! :-)
The hot food bar is hit-or-miss. I do like their vegetarian Indian dishes, particularly with marsala. I find the Mexican food to be pretty bland. Their pizza, thin and greasy, hits the spot.
I've had mixed results eating at Whole Foods. But I think if you are eating carb laden foods, you might do better. I have eaten and like the whole smoked chicken.
Generally speaking, I find WF prepared foods to look a lot better than they taste. A lot of them use way too much oil IMHO.
I get something to eat there almost every time I go. Probably 90% of the time, this is a box of their prepared sushi - usually salmon and avocado. The problem is, when I get it out of the case, I can tell that it has usually been there too long (the rice is the giveaway). They aren't as nice about preparing to order as they used to be. When I have time, I scour the case for something I like that isn't there and request that... or if I see them making sushi behind the counter, I wait until they put it in the case, then I come along after and buy something that was just put there - no matter what it is -- or just ask them to hand me one of what they are making.
Unfortunately, if I eat something there, it is usually an indulgent slice of pizza. That stuff must be 1000 calories a slice, at least, if not more. At least at my store the slices are huge and are super greasy.
I am not attracted to their hot bar at all. Once or twice I have gotten salad fixings there to take to work, but it is expensive for stuff like chickpeas, which are heavy. But the quality was fine. I always stay away from things like macaroni salad and other prepared foods... it doesn't matter where I am.
I've eaten a kale dish from one of the food bars that was quite decent. But the fried chicken I got in NM was not good at all. It is hard to find food at WF if you are not eating carbs. I've mentioned the whole smoked chickens before--the only whole cooked chicken I'll buy. I noticed yesterday that you can buy "single serve": pieces of various cheeses. I bought a raw milk Emmental that I enjoyed. The single servings look to be about 2 1/2 to 3 oz. each. I might be estimating these on the small side, though.
At any rate, you could easily add one of these to your lunch or dinner. I regard it as a good way to try different cheeses myself, without tempting Mr. Sueatmo who isn't supposed to be eating full fat cheese.
I accidentally left the last 2 oz of a very nice buttery tasting Irish cheese out on the cutting board, and he grabbed it up and ate it. I didn't tell him it was full fat cheese, but I asked him how he liked it. "Cheese is cheese" he said!
re: invinotheresverde
When we travel, we usually stop by a WF. We grab the whole BBQ chicken and the large size clam chowder to share. Their soups are usually very good. Same with the bbq chicken - we tried the lime cilantro chicken and it was very good.
re: invinotheresverde
The last time I hit the WF salad bar, there were four different tofu concoctions available. I tried the cajun one (or whatever it was called) and it was good.
I usually just get snacks there. The pizza is pretty good. I like their scones. The local gulf shrimp and cocktail sauce is awesome!


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Irish Internet Radio and TV from Dublin, Ireland.
This is a Garth Brooks song featured by my son Johnny Cunningham and also a short interview with a busker who just arrived in Nanaimo from Ontario
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Looking for a Used Accord in your area?
CarGurus has 68,744 nationwide Accord listings starting at $500.
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1980 Honda Accord Overview
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Still in its first generation even after four years, the 1980 Honda Accord offered little difference from the original year of production.
Now in both a hatchback/coupe and sedan model, the only real changes this year consisted of upgrading to a manual three, rather than two speed automatic transmission, and a few cosmetic changes.
A few are still on the road, and several have enjoyed complete rebuilding and restoration by auto enthusiasts, but because of the really minor changes from the year before, the '80 Accord really has nothing else to remark on.
What's your take on the 1980 Honda Accord?
Honda Accord Questions
I Have A 1980 Honda Accord Start And Runs Great With Or With Out Ac, Wipers...
1980 Accord Headlights Stopped Working
I drive a 1980 Accord Sedan. Today, without warning, the headlights stopped working. The beam was not working as well. Weirdly howevver, flicking the beam still works, so bulbs, fuses etc seem to be f...
Value Of A 1980 Honda Hatchback
I have a chance to purchase a 1980 Honda hatchback with 52,000 miles on it for $4000. It is in pristine shape, is the price right?
Is There A Market For A 1980 4-door Honda Accord?
Dpn't know how to get rid of it. Is in good condition. Body is good, but front seats need to be reupholstered. 90,000+ miles. Good for donation only?
How Do I Get Access To The Odometer Cable To Grease It?
The odometer cable makes a lot of noise when the car is cold and when it is moving. No noise from this area other-wise. I assume it is the odometer cable. I found the cable, but don't know how to g...


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Cars > Forums > New Members > cheap dre beats headphones these doctors That's a
Forum: New Members
- Topic: cheap dre beats headphones these doctors That's a
- Started by erlingqiling Oct 15, 2012 at 4:22 am
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Topic: cheap dre beats headphones these doctors That's a
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Serial Numbers
Problem DescriptionThe Oscillator shows signs of a possibility of failure when operating at extreme temperature conditions of -10C ambient and below.
BackgroundFailures have only been seen in the Lab at extreme temperature conditions of -10C ambient and below.
There have been no reported field failures.
Problem Symptoms
Traffic loss, out of frame (OOF) and severe bit errors.
Switching Matrix Failure Alarm, reported by both line card and XCVT.
Interconnect Equipment Failure Alarm (reported by line cards) against the bus associated with the XCVT with suspect oscillator. For example working or protect.
There is no workaround or solution for the field.
Return the board for replacement.
How To Identify Hardware Levels
If the board was put into service:
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If you are using TL1 commands.
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Ministry of Agriculture in Uzbekistan not paying creditors
According to the farm equipment suppliers – such enterprises as Taminotchi-xizmatchi, Minitec Invest Leasing, Chirchikselmash as well as others – the ministry has been defaulting on its debts for more than ten years.
This is when companies started to supply farm equipment bought from abroad to its commercial base Keles, a monopoly controlled by the Ministry of Agriculture.
The base used to pay a 15 percent advance but would then delay paying the rest of its debt claiming that the farmers to whom it then re-sold the equipment to were unable to pay their debts.
Equipment suppliers would have liked to have discontinued their relationship with the ministry but that is easier said than done in a country like Uzbekistan.
Who spends the money from cotton in Uzbekistan? 29.10.14
Bureau of Statistics in Uzbekistan has not discovered any migrants working abroad 19.09.14
Where is Angren's coal? 15.08.14
Russian sanctions on Western food: An opportunity for Uzbekistan 08.08.14
Economists: Uzbek per capita GDP could be more than 20 thousand USD 31.07.14
Drought is destroying wheat fields in southern Uzbekistan 24.06.14
During harvest time villages have a severe shortage of farm equipment and spare parts.
And at that time authorities are only concerned with fulfilling their harvest supply quotas and pressure companies to supply the equipment.
It is unclear why – either the famers were unable to pay for the equipment or some sort of corruption took place – but the Keles base was deemed bankrupt in late 2009.
Since the Ministry of Agriculture was the founder of the base it is responsible for its debts.
The Cabinet of Ministers adopted a special decision in 2010, in which it ordered the Ministry of Agriculture's agencies to pay Keles' debts to Azerbaijan's Plastik company.
In order to settle with domestic companies the Ministry of Agriculture signed an agreement at the Tashkent administrative court in December 2011 guaranteeing a schedule of repayments, which was supposed to be completed by October 31, 2012.
Were Uzbek suppliers swindled?
"We understood only too late that we were swindled," say the suppliers.
However, all of the assets on the base have disappeared and the the base itself is now covered by wild weeds.
The scheduled re-payment plan remains as it was on the day of the ruling – not a single som has been paid out.
The bureaucrats' unwillingness to pay was so obvious that even the Retail and Industrial Chamber acting on the behalf of the Taminotchi-xizmatchi farm equipment company filed a lawsuit with the Tashkent city administrative court.
On May 13, 2013 the court made a decision ordering the ministry to pay the company 850 million soms. For some inexplicable reason the same court reversed its decision on October 9 of the same year.
Taminotchi-xizmatchi has filed a complaint to the appellate of the High Administrative court but does not have a strong expectation that the case will be resolved in its favor.
850 million soms which Keles base owes us is a huge sum for our small enterprise.
The Cabinet of Ministers does not give a d%$& about local companies
In the meantime, the Ministry of Agriculture's blatant refusal to settle its debts is wreaking havoc on these companies bottom-line.
The "850 million soms which Keles base owes us is a huge sum for our small enterprise," Abdijalil Abdaliov, director general of Taminotchi-xizmatchi, told Uznews.net. According to him, instead of raising the employees' salaries, awarding them bonuses, and being able to support social causes, the enterprise is forced to downsize on everything and is teetering on the brink of bankruptcy.
Most other companies swindled by the Keles base find themselves in a similar situation.


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Bad Boy Records CEO Diddy is rapidly building his television empire and has reportedly locked-in Kylie Jenner, Lil Twist and more for his Revolt TV music network.
According to reports, Puffy is most concerned with securing young talent for his growing brand.
Kylie Jenner, Lil Twist, and Diddy's son, Christian are already rich and famous … but they're set to become even richer –and famous-er — thanks to Diddy's new television network. Here's the plan. Kylie, Twist and Christian will become the centerpiece of the 24-hour music channel, called Revolt — it's kind of old school MTV. They'll do promos, appear on the various shows and build up hype with social media. We're told Diddy is also eying one of Quincy Jones' kids. Diddy is actually copying what Oprah did with OWN, although that was kind of a pain in the ass for her. So the rich get richer, and the famous get … famous-er. (TMZ)
Geared toward all-music everything, Diddy recently said he wants to take a gradual pace at growing the Revolt line when it launches October 21.
"In the first 24 months we want you to turn on the channel from whatever device or site — Instagram, Twitter, Tumblr — and get the best music the world has to offer and real-time news and interviews. I am a marathon runner. I ran the New York City marathon and almost died. I tried to run like a two-minute mile early on in the race. I was crazy enough to think I could win. After seven miles I thought I would die, but I slowed down my pace and kept going. The first couple of miles with Revolt we want to run at a nice pace. The programming will be music, music, music. In 20 years we haven't had the right kind of curated music done in the right way. It will be news shows where we ask the tough questions that when artists are on they know they have made it. It could be festivals or sponsoring a nightclub event. When you turn to this network I want you to know you will see music content and high journalistic standards." (Ad Age)
Puff also said he believed Revolt TV could blow up to the point of being a renowned network like ESPN or even Fox News.
"We aspire to be the ESPN, CNN of music, Fox News if you are a Republican — we want to be taken seriously. We want people to have fun, but want them to take us seriously. ESPN has different genres of sports — football, basketball, track and field, the major league World Series and the little league World Series; they ask the hard questions; they give you quick clips with things like the top 10 plays of the day; news that's thought provoking and evocative. We want to be the ESPN of music." (Ad Age)
Over the summer, Puff managed to have a new partnership become finalized for Revolt TV and Time Warner Cable customers.
Together with previously announced distribution, this will make Revolt one of the largest launches in cable TV history when it goes live this fall. Revolt TV will be available to Time Warner Cable customers when it launches in the fall. This broad reach is especially significant for Revolt TV in gaining early traction in major urban markets across the United States. Envisioned as a maverick television channel with an emphasis on music programming, live content and a robust social media component, Revolt TV is scheduled to launch in Fall 2013. (Revolt TV News)
Last year, Puffy talked about the network aiming to have a fearless approach to what airs.
"I started my own new network. It's called Revolt and it will be the number one name in music," Diddy said in an interview. "We will play what the others are afraid to play. We're bringing the soul back to music. So everybody check that." ("The Today Show")
Diddy officially announced his television takeover last year.
"The revolution will be televised. Today is a very, very big day. I am here to announce my new cable network, Revolt. I'd first like to say thank-you to Comcast, the Comcast Diversity Council and NBC for recognizing the importance of minority ownership in cable television," Diddy said in a video. "When I was growing up, I used to watch television all the time and wonder, 'Why don't those people look like me?' … So thank-you to Comcast, my hat goes off to you for being the first to step up and I would also like to encourage and invite Time Warner, DirectTV, Cable Vision and all the other distributors to come and get down with the get down because Revolt TV is bringing that revolution that television needs." (P Twitty TV)
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Introducing Sir Lies A Lot...
The only thing more more epic then his adventures were
the lies he told about having them.
Sir Lies A lot
by Ian Byers
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