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*Platinum, palladium traders sued by jewelry maker. NEW YORK, Nov 25- Goldman Sachs Group Inc, Germany's BASF SE and two other big platinum and palladium dealers have been sued in the United States in what the plaintiff's law firm called the first nationwide class action over alleged price-fixing of the metals. In a complaint filed on Tuesday in the U.S. District...» Read More
Jimmy Choo, the luxury shoemaker, has raised 140p per share in an IPO on the London Stock Exchange valuing it at £545.6 million ($877 million).
Philippa Malmgren, founder of DRPM Group, says investors are still concerned about the luxury slowdown in China as Jimmy Choo - known for its high-end shoes - sets its IPO price at 140 pence ($2.25) a share.
*COO Mark Light to succeed Michael Barnes from Oct. 31. Oct 14- Signet Jewelers Ltd said Chief Executive Michael Barnes resigned to be closer to his family, becoming the second top executive in three months to leave as the company digests its acquisition of Zale Corp, its largest deal so far. The parent of Kay Jewelers said Chief Operating Officer Mark Light would...
Oct 14- UK- based Signet Jewelers Ltd said Chief Executive Michael Barnes resigned to be closer to his family in the United States, becoming the second top executive in three months to leave for the same reason. The parent of Kay Jewelers said Chief Operating Officer Mark Light would succeed Barnes, effective Oct. 31. The deal, which closed in May, combined the two...
Oct 14- Signet Jewelers Ltd, the largest U.S. specialty jeweler, said Chief Executive Michael Barnes had resigned, effective Oct. 31.
Jean-Marc Lieberherr, Managing Director of Rio Tinto Diamonds, introduces the firm's extremely rare red and pink diamonds, which will be featured at its exclusive annual sale in Hong Kong.
LeBron James may be one of the biggest names on the basketball court, but his shoe sales still can't touch No. 23.
Patrick Armstrong, CIO of Plurimi Investment Managers, says a weaker euro will help luxury goods companies' earnings.
Italy's Luxottica overhauled its top management structure on Monday after Chief Executive Andrea Guerra left due to rifts with Chairman Leonardo Del Vecchio.
Michael Barnes, Signet Jewelers CEO, discusses what's driving sales growth and reveals what categories are leading the way.
Tiffany delivered earnings that surpassed analysts' expectations on Wednesday, and the retailer raised its full-year outlook.
Aug 27- Upscale jeweler Tiffany& Co raised its full-year profit forecast for a second time following a better-than-expected quarterly profit, driven by strong sales in the Americas and Asia-Pacific regions. Same-store sales in the Asia Pacific region grew 7 percent, driven by strong demand in Greater China and Australia.
Insight to luxury brand Ralph Lauren's new high-tech shirt, with David Lauren, Ralph Lauren executive vice president of global advertising and marketing.
Jon Cox, head of European consumer equities at Kepler Cheuvreux, says the threat to luxury timepieces from smartwatches is "overdone" and stabilization in China will see luxury stocks rally.
Jon Cox, head of European consumer equities at Kepler Cheuvreux, says there are "serious signs" of a slowdown in spending by Russians on luxury goods.
Tailors on London's famous Savile Row - where suits sell in excess of $6000 - are now looking to take their luxury offerings to China where consumers are looking for the perfect suit.
Swiss watch exports to China saw a bumper 49 percent rise in July from the same time last year, industry figures show, a remarkable return to growth.
Italian designer Roberto Cavalli is in talks to sell a majority stake in his eponymous fashion house to VTB Capital.
CNBC's Courtney Reagan reports the death of denim is going beyond teenagers.
Coach reported better-than-expected revenue, helped by a 7 percent rise in sales of its clothes, shoes, and handbags in international markets.


text:
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subset: commoncrawl


text:
Loma Pelada
Loma Pelada is a 10,456 ft / 3,187 m mountain peak near Güéjar-Sierra, Andalusia, Spain. Based on peakery data, it ranks as the 8th highest mountain in Andalusia and the 14th highest mountain in Spain. The nearest peaks are Puntal de la Caldera, Pico de Mulhacen, Juego de Bolos, Crestones Río Seco, Puntal de Siete Lagunas, and Peñon del Globo. See the Loma Pelada map, 3D fly around, and the Loma Pelada photos to get a better sense of the mountain.
Photos provided by Panoramio are under the copyright of their owners.
Loma Pelada SUMMIT LOG claim the peakery first ascent!
No one has reported climbing or hiking to Loma Pelada summit on peakery. If you've climbed this peak be the first to report it! Share your summit log entry and add Loma Pelada pictures from your climb below. Include the names of the routes or trails you took to the summit and back.
SNAPSHOTedit info
10,456 ft / 3,187 m
ProminenceHeight Rank Range Location
Summited by
3d Fly AroundShow Bigger »
Nearest peaks see on map »
- Puntal de la Caldera 10,583 ft / 3,226 m 1 mi / 1 km away
- Pico de Mulhacen 11,424 ft / 3,482 m 1 mi / 1 km away
- Juego de Bolos 3,018 ft / 920 m 1 mi / 1 km away
- Crestones Río Seco 10,492 ft / 3,198 m 1 mi / 2 km away
- Puntal de Siete Lagunas 10,666 ft / 3,251 m 1 mi / 2 km away
- Peñon del Globo 10,705 ft / 3,263 m 2 mi / 3 km away


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- Northern Illinois to get $8.3 million for state construction projects
- Tree-lighting festival kicks off holiday season in Machesney Park
- Roscoe Boy Scout Troop's tree stand at new location
- Tips for selecting safe toys for kids this holiday season
- Prayer service for World AIDS Day Nov. 30
- Food Bank joins national #GivingTuesday movement
- Lee Hamilton: What lies ahead for Congress
- Rockford Public Schools faces $8.8 deficit, board OKs flat tax, HR chief
- Literary Hook: A holiday tradition: 'This Thanksgiving, Remember'
- Cold snap does not negate global warming
Scripts due Dec. 3 for The Rockford Follies (Not Totally Legal)
From press release
Rockford Dance Company (RDC) has issued a call for scripts for its upcoming fund-raiser The Rockford Follies (Not Totally Legal), which will be produced at the Coronado Theatre Feb. 26, 2011. Script submission deadline is Dec. 3.
Building upon the concept of the popular and successful Legal Follies, produced by Prairie State Legal Services for more than a decade, RDC will open writing and casting beyond the legal community. This will become a true community event since community volunteers will be writing, singing, dancing and acting in this endeavor.
RDC is asking writers to submit their scripts regarding local or national politics online at rockforddancecompany.com. Submission includes a one-page application form. Applications are also available in the RDC offices at the Riverfront Museum Park.
A writing committee is being assembled and led by Connie Kuntz. This committee will review and choose the winning scripts. Writers will be contacted and will be asked what kind of involvement they want in preparing for the production. A writer could claim the right to cast and rehearse the scene themselves, or do nothing at all.
Auditions will be at 10 a.m., Jan. 15, 2011, in Kresge Hall at Riverfront Museum Park. Everyone is invited to the casting call. Singers, actors and dancers are needed for the show.
On stage leading the cast in comical spoofs featuring edgy political satire and community humor will be the co-masters of ceremonies, Paul Logli, president and CEO of the United Way of Rock River Valley, and Ian Linnabary, an attorney with Reno & Zahm, LLP. Joining Logli and Linnabary are local celebrities Mimi Murphy, Doug Mark, Steve Vrtol, Linda Abronski, Dave Syverson, Rosemary Collins, Judy Emerson, Anne O'Keefe, John Beck, Tim Dimke and Steve Larsen, among others.
For info, visit rockforddancecompany.com or call (815) 963-3341.
From the Nov. 24-30, 2010 issue


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Category: Research
Henry IX restored
September 19 2012
Picture: National Portrait Gallery
I'm delighted to report that the National Portrait Gallery has finally agreed to re-identify its portrait of Prince Henry Benedict Stuart, Cardinal York (or Henry IX as he is known to Jacobites). As I mentioned recently, the portrait had long been called a portrait of Prince Henry, but was then debunked some years ago. This means that, following my 2008 article in the British Art Journal, I've been able to re-identify portraits of Henry in both the London NPG and the Scottish NPG. The latter portrait, a fine pastel by La Tour, was being displayed as Henry's brother, Charles, and had appeared on countless posters, tea towels and book covers. (Sorry for the boast, but I'm rather proud the research). Now I just need to persuade the NPG that their portrait is actually by Mengs, not just 'circle of Mengs'. But this may take another five years...
More on the Degas
September 17 2012
Picture: BBC
We had a 20% audience share last night for the first episode of 'Fake or Fortune?', with 3.8m viewers. The grand fromages at the BBC are pleased with the figures, which are high for an arts programme. We hope to do better next Sunday, when we're back at our usual 7pm slot. If you saw it, thanks for tuning in. Next week's programme should be even better, with not one but three paintings up for inspection.
The critical feedback so far has been encouraging, with the Telegraph being very kind:
It's hard to imagine a more artfully crafted – if you'll pardon the pun – piece of Sunday night factual telly than the return of Fake or Fortune?
Meanwhile, over on Twitter the programme has its very own troll, and a famous one too. The critic and arts presenter Waldemar Januszczak (of whose programmes and writing I'm a great fan) really doesn't like the show. He dismissed the Degas as 'dodgy' and a wrong 'un before he'd even seen the evidence in the programme, on the basis of a short clip on the news. That's an impressive display of connoisseurship, don't you think? One might have thought there'd be a certain solidarity among arts TV makers, especially those that share commissioning editors...
Still, the main thing for me was that we were able to showcase some quite complicated art historical investigations to the broadest possible audience. Normally, terms like 'connoisseurship', 'provenance research' and 'pigment analysis' are banished to BBC2, BBC4 or even the radio. Sadly, there was quite a lot of research we weren't able to squeeze in. Untangling the provenance of the two versions of Blue Dancer was highly complicated, and made our brains hurt. But a saving grace was that the sizes were listed, and of course matched up.
Another unbroadcast but key part of the research we presented to the Degas catalogue compilers focused on our theory that Patrick Rice's picture was a study for the one in Hamburg. The alleged weaknesses in Patrick's picture are all forgiveable if one accepts that it was no more than a preparatory effort for the finished picture in Hamburg. Patrick's picture had to be judged not against the many famous, finished Degas' we are familiar with from books and museums, but against his sketches and studies, which are far less known, and hardly ever reproduced (in some cases only in poor black and white photos in the catalogie raisonne). And the best proof that Patrick's picture was indeed a study came in the discovery of two important pentimenti, or changes, in the painting. The first was that Degas had changed the position of the right hand double bass head - it was originally substantially further to the right. He had also painted the dress of the dancer before he then moved the double bass head over to the left. Such movements rule out any suggestion that Patrick's picture was a straightforward copy of the one in Hamburg.
A few Tweeters, including Waldemar, are still convinced that the picture is a fake. Let us consider, then, the probability that we are dealing with a faker. If so, we have to have a pre-war faker who was able not only to pre-empt pigment analysis techniques not yet invented, but, even more specifically, to find and use the unusual pigments that Degas favoured. How did this faker, before 1945, know how to do this? How did they have access to the Goupil stock books to find the missing provenance of another version of the Hamburg picture, and get the right size? Why did they bother to introduce pentimenti? Not even Han van Meegeren, the famous forger of Vermeer, went to such lengths.
Finally, some readers have suggested, in light of our debates here at AHN on connoisseurship, that the scientific tests and documentary research we carried out on the picture mean that the judgement of connoisseurs, who had previously rejected the picture, are redundant, and thus is connoisseurship itself. I would argue instead that our programme merely highlighted what happens when connoisseurship goes wrong. As I've said before, there are good connoisseurs and bad connoisseurs - but the latter does not mean we should condemn the practice of connoisseurship itself. If a doctor misdiagnoses you, do you question medical science itself, or do you get a second opinion?
And in any case, scientific testing and provenance research must all form part of any connoisseurial analysis these days, if necessary. For what it's worth, I was at first very sceptical of the picture, but then my expertise in Degas is very limited indeed. I run out of steam after about 1830. It was only after looking away from the image I had in my mind of Degas' work - that is, the well-known museum, book, and poster examples - and started to focus on his lesser known (and frankly lesser) works such as studies and sketches, that I began to see comparisons that could be made. The most valuable aspect of the whole exercise, for me, was endless close looking at as many Degas' as I could find. I mean real, get the binoculars out and look like a nutter close looking. For it is the art of close looking, so rarely taught and encouraged among art historians these days, that any aspiring connoisseur needs to learn. If it means getting told off for leaning over ropes in galleries, so be it. But, armchair connoisseurs please note, it's more useful than making judgements from the telly.
Update: an interesting response from a reader, posted above.
Van Dyck and Tapestry
September 7 2012
Picture: Tate/Lord Sackville/National Trust
Regular readers will know that I'm slightly obsessed with Van Dyck. So allow me to recommend a fascinating article online at Tate by Simon Turner which looks at Van Dyck's relationship with the Mortlake tapestry workshop. Turner builds on the theory that Van Dyck may have first been invited to England, in 1620, specifically to design tapestries, an intriguing idea which has some merit, especially when one sees the fluidity of handling and composition of The Continence of Scipio [Christ Church Picture Gallery, Oxford], one of few pictures we now were painted during Van Dyck's first brief stay in England. The article also reproduces a tapestry [above] featuring Van Dyck's Self-Portrait with Endymion Porter [Prado] in what was most likely its original frame (the one around it now is later, and entirely lacking in oomph). A similar frame is still to be found around Van Dyck's last Self-Portrait.
Berger Prize winner
August 10 2012
Picture: Yale Books
Congratulations to Terry Friedman, who has won the annual £5,000 Berger Prize for British Art History with his book 'The Eighteenth Century Church in Britain'. You can buy a copy of hte book - described as 'quite simply definitive' - here.
A hair to prove a Van Gogh?
August 9 2012
Picture: Telegraph
A hair found on a disputed Van Gogh is going to be DNA tested to see if it is Van Gogh's. From The Telegraph:
In a bid to settle one of the mysteries of the art world, the three inch long, red hair was lifted from "Still Life with Peonies" and DNA samples taken from it will be compared with those from Van Gogh's living relatives.
If confirmed a Van Gogh, the painting could fetch a value of £39 million and make Cologne art collector Markus Roubrocks, its owner, a multi millionaire.
The bright painting of a vase of multicoloured peonies resting on a wooden floor was discovered in a Belgian attic in 1977, and since then debate has raged in the art world whether it is the work of the Dutch master.
Mr Roubrocks, who inherited the painting from his father, has always argued it is an original Van Gogh dating from the spring of 1889 just a year before the artist took his own life. Two independent art experts who examined the picture independently backed his claim, but the Van Gogh Museum in Amsterdam contests this, saying the brush strokes are inconsistent with Van Gogh's style, and therefore the painting is nothing more than an expert piece of forgery.
Pity the article doesn't tell us what type of hair it is. Attribution by pube - now that's a story.
'for a licle picture of 12 artichoks.... £00-02-00'
August 6 2012
Many fascinating new documents have gone online at 'The Art World in Britain 1660-1735', including a list of picture payments from the 3rd Earl of Leicester (who bought a still-life of artichokes for 2 shillings), and a spirited letter from Godfrey Kneller to a client who seems not to have liked one of his paintings.
Splendid - free access to JSTOR...
July 25 2012
Picture: JSTOR
...or more importantly, to back issues of The Burlington Magazine - with JSTOR's new 'Register & Read' service for 'individual scholars and researchers'. To find out if you qualify, read more here.
Free money to look at portraits!
July 24 2012
The Understanding British Portraits Subject Specialist Network is offering four £500 bursaries for people wanting to study portraiture. You can apply here on their website. But before you get too excited, here's the inevitable bureaucratic stuff you have to get your head round first:
Applications should take the form of a concise outline (max. 500 words) of the proposed project, including:
- A description of the project and clear objectives
- Proposed activities involved in the project
- Specific partners expected to be involved in the research (e.g. local libraries, private collections, auction houses, museums, etc.)
- If the proposed bursary project is one element of a larger project, please demonstrate how it will relate to and contribute to the defined outcomes of the latter project.
- Desired outcomes of the proposed project
- Target audience
- CPD benefits
- Timescale of research (all projects must be completed by 22 March 2013)
- Estimated use of funds
- How the outcomes of the bursary will be disseminated among professional colleagues within the applicant's organisation or region.
- Applications must be accompanied by a brief nomination from line managers.
I wonder if the costs of administering this laudable scheme are greater than the money given out? The site states that all applications will be read by the Understanding British Portraits Steering Group. This is comprised of The National Portrait Gallery, the National Trust, the Oxford Dictionary of National Biography, and Tyne & Wear Archives & Museums. That's a lot of people.
Axe falls on the Institut Neerlandais
July 23 2012
Video: TEFAF
The Dutch government has decided to stop funding the Institut Neerlandais in Paris. The IN, which promotes Dutch culture abroad, is closely involved with the Fondation Custodia in Paris, one of the best known art historical research centres in the world and home to the Frits Lugt collection. Fortunately, La Tribune de l'Art tells us that the Fondation will not be too badly affected by the cuts.
The above video is a brief overview of the Fondation Custodia from its director Ger Luijten. If your French is good enough, you can find details of the petition to stop the threat to the Institut here.
Caravaggio discovery - too good to be true?
July 12 2012
Picture: Biblioteca Marucelliana, Florence
There's an excellent article by Michael Day in The Independent on the Caravaggio 'discovery'. Either the wheels are falling off the discovery story, or there's an academic bitch-fight of epic proportions going on:
Unfortunately, an email dated 11 May last year has now surfaced in which the pair [of art historians who made the discovery] appear to be requesting electronic copies of the works. Neither are there any official records of them having viewed the works in person, according to Francesca Rossi, the official in charge of access to the castle's art and antiquities. She told Corriere della Sera newspaper: "I've never seen them here. They've never had access to the collection, they studied the images exclusively from the computer disc."
Reports yesterday suggest the disc sent from Milan to Brescia contained over 1,700 jpeg images – at low resolution. And in a very Italian twist, authorities in Milan have also announced an internal inquiry to establish if unwarranted collusion and even corruption was involved.
Mr Bernardelli disputed the claims of the Milan officials. "We saw the collection various times, even if these were outside normal hours, accompanied by different people," he said.
Other art experts have taken issue with the pair's conclusions. One critic, Professor Philippe Daverio, said that identification of a Caravaggio's organic and ever-evolving work could not be made by looking for the presence of key "designs". "Design doesn't exist in the character of Caravaggio," he said. "And design wasn't needed in his painting. These sketches can't really be compared to anything."
Another critic, Francesca Cappelletti, who helped to establish that The Taking of Christ was painted by Caravaggio, was blunter: "To me, these pictures still seem like typical works of Peterzano." Another critic, Tomaso Montanari, said sarcastically the claim was akin to taking 100 drawings by Verrocchio (Leonardo da Vinci's master) and attributing them to the creator of the Mona Lisa.
More on the Caravaggio discovery
July 6 2012
Picture: La Stampa No photo after a cross email from ANSA.
As you might expect, the Caravaggio 'discovery' story has gone round the world in a flash. Briefly, a team of Italian art historians claim to have found the works in the (publicly held) archive in Milan of Simone Peterzano, who employed Caravaggio as an apprentice between 1584-1588. From The Guardian;
"We always felt it was impossible that Caravaggio left no record, no studies in the workshop of a painter as famous as his mentor," Maurizio Bernardelli Curuz Guerrieri, artistic director for the Brescia Museum Foundation, told Italian news agency Ansa.
There is very little evidence to go on so far. It seems most of the works are drawings; of the 100 sketches newly attributed to Caravaggio, 83 are apparently repetitions of faces or poses from his known paintings. So the possibility is there that this is a cache of optimistically attributed studies done after the paintings. It's perhaps curious that some of the drawings published so far relate to works painted by Caravaggio long after he left Peterzano's employ, like the 1601 above drawing for the Supper at Emmaus [National Gallery].
The discoverer's e-book is already available to buy, so there's no doubt about the value of the publicity. Over at La Stampa there are some photos, which aren't clear enough to begin to make an opinion. In The Mail is a report with the sceptical view of other researchers.
More as I get it.
Update: more images here.
Update II - an email comes in:
Dear Sir, we verify on your website the publication of 2 images under ANSA copyright mistakenly attributed to La Stampa.
Please remove immediately and get in touch with our commercial department to clear the rights and pay the usage on your website.
Rubens or Van Dyck?
July 2 2012
Picture: Rubenshuis
There was a curious story in the Sunday Times yesterday (paywall) about the above portrait of Van Dyck, owned by the Rubenshuis. Apparently, a new type of x-ray has persuaded some scholars to change the attribution to Van Dyck; thus it is a self-portrait. The story was a little garbled, and the full research has not been published yet. But the gist was that the x-rays revealed a picture beneath the portrait which was close to the type of thing painted by Van Dyck at that time. Thus the portrait on top was more likely to be by Van Dyck.
The attribution of the painting has gone back and forth between Rubens and Van Dyck over the years. Personally, I always leaned towards Rubens, but not with great certainty. Early Van Dyck is fiendishly difficult, not least because he was a master of assimilation. Laughably, the self-appointed Van Dyck 'scholar' Erik Larsen once suggested, in his Van Dyck 'catalogue raisonne' that the picture did not only not show Van Dyck, but that it was by George Jamesone.
So I hesitate to pronounce on the evidence published so far. But this is a blog, and on blogs you're allowed to be a little cavalier. So for me, the x-ray theory sounds a trifle odd. This is mainly because even snazzy new x-rays don't let you determine what a painting beneath a painting looks like to the extent that you can make an attribution. In this instance the attribution is made more difficult by the obvious fact that Van Dyck was then working in Rubens studio. Furthermore, the composition doesn't strike me as a self-portrait. It is very different to Van Dyck's own undisputed early self-portrait in Vienna.
Finally, I am increasingly wary of what appears to be almost a new fashion amongst some Rubens scholars to take work from the period of Rubens' career when Van Dyck was working for him, and give it instead to Van Dyck. Such decisions often happen despite the opinion of previous Van Dyck scholars that the work in question was not by Van Dyck.
So I look forward to seeing all the new evidence, but for now I stick with the opinion of many Van Dyck scholars that it is the work not of their man, but Rubens.
Update - a reader writes:
I wish my George Jamesone portraits were nearly as good as the Rubens/Van Dyck portrait in today's blog. Jameson's work is now for the first time in years well illustrated by his room in the Scottish National Portrait Gallery, those pictures vary in condition and quality, and it is great to see them on display,but are still of course a bit provincial by comparison.
At the Prado's Raphael conference
June 29 2012
Picture: 3PP
Three Pipe Problem reports on all you need to know from the Prado's Raphael conference here. I was pleased to learn that Sir Timothy Clifford (above, grey suit) presented the most amusing primary source of day 1:
'Raphael will do as he likes and not as he is told'
Did you know...
June 28 2012
...that if you want to order a high-res image of a painting from the Louvre purely for research purposes, they'll charge you EUR175. As we say over on Twitter, #incroyable
Want to find a Raphael?
June 20 2012
Picture: National Gallery
The National Gallery has a new micro-site to show you how.
New Kenneth Clark biography
June 18 2012
Picture: Sotheby's
Delighted to read in The Art Newspaper that a new biography of Kenneth Clark is being written. Clark, most famous for his epic television series, Civilisation, is one of my heroes (despite the fact that it contains not one mention of my other hero, Van Dyck). The biography, by Sotheby's UK Chairman James Stourton, will be Clark's first. More details here.
Update - a reader writes:
Surprised to see YOU make a mistake in your blog today.
The Sotheby's/publisher bumph may be claiming the biography of Lord Clark is the first, but actually Meryle Secrest published 'Kenneth Clark: A Biography' in September 1983 in hardback.
Another reader writes:
An example of how Clark remains under appreciated: last week I attended the Warburg Institute's very important conference on Aby Warburg and Walter Benjamin, which was a great success, but where Clark's name was not mentioned once in spite of the fact that he was one of the first English art historians to popularize Warburg's methods in this country (notably in the book on the nude).
Imagining Jane Austen
June 11 2012
Picture: Mail
There was a flurry of news about the Rice portrait of 'Jane Austen' this weekend. The portrait has long been claimed as Jane Austen thanks to its apparent provenance. But more recently the identity has been questioned, most notably by the National Portrait Gallery in London, and not least on grounds of date. It is thought to have been painted too late to show Jane as a girl. Jane was bown in 1775, but the portrait, stylistically and in the fashion represented, seems to date from the early 19th Century.
The family who own the picture have been on a long quest to prove that it does indeed show Jane. Their latest evidence that it is her, which hit the headlines this weekend, is based on a series of inscriptions found on old photographs of the painting. These prove, say the owners, that the portrait was by Ozias Humphry - an attribution which is important since it would push the date back to when Jane was a girl. The story goes that these highly important inscriptions have since been removed by over-zealous restorers. See more details in The Guardian here, and the background on the dedicated Rice portrait site here.
The Daily Mail concluded their report on the new evidence:
If the portrait is confirmed as being Austen, it may be an embarrassment to the National Portrait Gallery, which granted the picture a licence for sale abroad on the basis that it could not be the writer.
The gallery chose not to comment.
The NPG need not fear embarrassment, however. I applaud the owner's attempts to prove their painting is Jane. But I'm afraid these apparent inscriptions in old photos of the painting, which I have been shown, are (to me at least) not compelling. Nor is this the first time apparently conclusive 'writing' on the painting, seen in questionably interpreted and magnified old photographs, has been claimed. For the best critique of the painting's identity, read former NPG chief curator Jacob Simon's brief note here. In particular, he deals with the question of the apparent inscriptions written on the painting:
The [Rice Portrait] website claims that the portrait is signed several times in monogram, inscribed JANE and dated 1788 but, from my lengthy experience of examining British portraits, these apppear to be purely incidental and meaningless markings. They were not noted by Thomas Harding Newman, owner of the portrait in 1880, who attributed it to Zoffany. They do not appear in photographs taken by Emery Walker in about 1910, despite claims to the contrary on the website. They were not apparent to the professional painting conservator who examined the portrait with others at Henry Rice's request before cleaning it in 1985. They were not apparent to Christie's experienced cataloguing staff in 2007 when the portrait was put up for sale in New York, despite an earlier report of initials on the portrait.
New data online at 'The Art World in Britain 1660-1735'
May 31 2012
Picture: University of York
A range of new sources has been added to the inestimably valuable online art history project run by the University of York's art history department. The Art World in Britain 1660-1735 (edited by Dr Richard Stephens) has now reached 1.5m words of data, with the addition of the following:
Indexes of 'People' and 'Places': 2,600 names have been added to the index of people, comprising apprenticeship records of the Painter Stainers Company, based on the work of Cliff Webb. Several hundred other names have been added, of artists, house painters and others across Britain, using information from their wills. 100 addresses of colourmen and others have been added to the 'places' index, using data from Sun Insurance records. Miscellaneous other names and locations have also been added, of people and places mentioned in full-text sources published today.
Diaries, Memoir and Travel : Extracts from the diary of Dudley Ryder, 1715-16, including his long and revealing account of meeting with Sir James Thornhill as he worked on the St Paul's cupola. Extracts from the diaries of Viscount Percival, 1st Earl of Egmont, 1729-46.
Trade Organisations, Employment, Training : Records of the Virtuosi of St Luke, 1697-circa 1743
Wills: Lists of 700 wills of painters and related trades. Abstracts of 30 wills of painters and art dealers, including: Peter Roestraten, Remigius van Leemputt, Leonard Knyff, Thomas Highmore, Edward Davis, Parry Walton, Frederick Sonnius and Thomas Streeter.
Sale Catalogues: 6 sale catalogues from March 1691, generously contributed by Peter Moore, a PhD candidate of the University of York, who is attached to the 'Court, Country, City' project
Bills, Accounts and Receipts: Extracts from the Chirk Castle accounts, 1675-1721. Bill and receipt for frames made for Jacob Tonson by Gerrard Howard, 1733-4. Receipt from John Michael Wright to Sir Walter Bagot, 9 December 1675. Bill for pictures painted for Sir Walter Bagot by John Michael Wright, c.1676. Bill and receipt from Christopher Cock for the Duchess of Marlborough's purchases at the Kneller sale, 28 April 1726.
Inventories and Lists: A list of recipients of mourning rings at the funeral of Sir Godfrey Kneller. Probate inventory of Edward Cooper, London's leading printseller of the late 17th and early 18th centuries. 'A Note of Pictures' belonging to Viscount Fauconberg, 1684-93.
Correspondence: Petition of Jean Rambourt, circa 1670-85.
I like the idea of art dealers calling themselves 'The Virtuosi of St Luke' - something we ought to resurrect.
New Director at the Paul Mellon Centre
May 31 2012
Picture: York.ac.uk
Congratulations to Professor Mark Hallett, who has been appointed Director of the Paul Mellon Centre in London. The Centre is the pre-eminent supporter of academic art historical publications in Britain. Prof. Hallett takes over from Prof. Brian Allen. More details here.
Raphael Conference at the Prado
May 28 2012
Picture: Louvre
This looks like fun - a two day conference (26 & 27 June) on Raphael to coincide with the Prado's new 'Late Raphael' exhibition (opens 12 June). Speakers include Sir Timothy Clifford, Miguel Falomir, Charles Dempsey, David Franklin, Linda Wolk-Simon, Lorraine Karafel, and Carmen C. Bambach. Details here. If you can't make it, don't worry - Raphael blogger extraordinaire Three Pipe Problem will be covering the proceedings.
Update: here's 3PP's more detailed report on the conference.


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Featured news
April brings spam and virus deluge
This year, April showers brought spam. E-mail security vendor FrontBridge Technologies Inc. today said spam and virus totals for the month of April peaked at 94% of total inbound E-mail and averaged 86%. The company also noted an increase in viruses carried by E-mail. It claims to have blocked 45 million instances of the Sober.S worm in a single day.
By Thomas Claburn at InformationWeek.
[ Read more ]


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Excellent! I'm glad it worked out for you. It's nice when things work according to plan, huh?
Thanks, I was just quite annoyed with all the assumptions is all.
That'd be slick. When I get back tonight I'll write something up on the boards.
Maybe one of these upcomming sundays, like the 13th?
Definitely... I know of a few really good drives... And of course, hwy 6 is always a good one.
What's going on man?
Registered User


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Retired longtime TV News Producer,now writing memoir of priestly studies. Single (sadly)


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A Randomized Controlled Trial of Prostatak as Adjuvant to Up-Front Radiation Therapy for Localized Prostate Cancer
Protocol Number:
Phase III
Theodore DeWeese
The overall objective for this study is to determine if adjuvant therapy with an adenoviral vector (ProstAtak) improves the clinical outcome of radiation therapy for newly diagnosed prostate cancer. Primary: disease free survival Secondary: PSA nadir, freedom from biochemical failure, prostate cancer specific survival, overall survival, quality of life assessment, immune stimulation.
* histologically confirmed adenocarcinoma of the prostate *has to meet at least one of the three intermediate risk criteria OR only one single high risk factor *must be planning and medically able to undergo standard prostate-only external beam radiation therapy and able to tolerate multiple transrectal ultrasound guided injections *18 years or age or older *ECOG 0-2 *must agree to have prostate biopsy two years after end of RT *Laboratory criteria must be met
Patients will be randomzied to test or control at a 2:1 ratio. Patients on the Test arms will receive three courses of ProstAtak each consisiting of AdV-tk injection + oral valacyclovir. Patients in the Control Arm will receive corresponding courses of placebo injection + oral valacyclovir. AdV-tk or placebo injection will be delivered to the prostate via TRUS-guided injection as follows: 1. 1st injection is at least 15 days and not more than 8 weeks before starting radiation. 2. 2nd injection is 0-3 days before initiation of radiation therapy and at least 15 days after injection #1. 3. 3rd injection is 15-22 days after injection #2. The produg, valacyclovir, will be administed at a fixed dose for 14 days after each AdV-tk or placebo injection starting the day after the injection.
Last Update


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Lee the dad with a happy baby - wales


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I've used the chefchris method, (no oxyclean) with no problems.
Primary 1: Empty
Primary 2: Empty
Keg 1: Empty
Keg 2: Drinking Ed Wort's Apfelwein 3.5.10
Keg 3: Empty
Keg 4: Empty
Keg 5: Empty
Found the post. Are you doing this and then storing or just before you reuse it? If just before you reuse it, do you clean it the "regular" way first?
If I could find a free compact fridge that holds two kegs somewhere, I bet I could talk my wife into buying the rest of the kegging equipment... If anyone sees or hears anything, please let me know!
For now, I am enjoying figuring out what parts I need to rebuild my four different types of kegs - one corny with skinny posts, one corny with fat posts, one champion corny and a Firestone VI.
Woot! Might be getting a 2.5 gallon corny for $5 here shortly.
I need to start saving my oxy and my starsan then! No more cleaning and sanitizing kegs!
also, how often should I clean the lines on my sweet masterpiece? I was thinking maybe once a month?


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Coming Home From My Western Ski Vacation
No problem on that concern. And if you skied this past Saturday at Mount Snow, you would know why. Mount Snow got a great dump just before the weekend. Saturday was definitely chilly, but the sun was shining all day and the snow was p-e-r-f-e-c-t. It was as though we just jumped right back into winter conditions, which I love. And what a treat to get those kind of conditions the last weekend of March. I think that you have to be a real skier or rider to understand the last sentence. But, if you are reading this blog all the way to this point, there is a good chance you are. And by the way, I am glad that you are.
With all this snow, spring skiing here in New England is going to be outstanding, as soon as Mother Nature decides that it is time to have spring skiing.
Please Note: This article was accurate at the time of publication. When planning a trip, please confirm details by directly contacting any company or establishment you intend to visit.


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Be prepared for a NEW HORROR from the demented minds that brought you Bloody Cuts. Check out the official website NOW before the darkness get's you.
'The Outer Darkness' will be produced and directed by Ben Franklin and Anthony Melton, is written by Joel Morgan and will once again see Jonny Franklin as director of photography. The team will be periodically updating you with exclusive behind-the-scenes footage, blog posts and images as 'The Outer Darkness' comes to life in collaboration with Kessler University.
Over the next few months a series of episodes of "The Outer Darkness: From Script to Scream" will be released for free by Kessler on the Kessler University website, with the short film itself also coming very, very soon.
So keep your eyes and face peeled for news, updates and exclusive content on the official Kessler University website as the creators of Bloody Cuts reveal morbidly fresh and horrifying short tales of terror – be sure to follow 'The Outer Darkness' on Twitter as @faithindarkness and their Facebook page.
What lurks in 'The Outer Darkness'? Keep following us to find out…
We are offering up this limited edition A2 Suckablood poster as a last chance to pick up some Bloody Cuts merchandise.
Visit the Ebay page to buy yours today, now, right now, momentarily and for all of time…
This signed piece of exclusive memorabilia was printed just before Christmas 2012 and was scrawled upon in a nefarious manner by most of the cast and crew of the eight episodes in the Bloody Cuts series.
There are 4 of these left in existence and we're letting them go today. Last chance to own some rare Bloody Cuts swag!!!
As an added bonus we are offering the buyer a chance to have their name added to the 'Contributors' page of the Bloody Cuts website, and whilst we're not making any more episodes the BC site has no intention of shifting off of this mortal coil anytime soon.
Bloody Cuts producers Anthony Melton and Ben Franklin recently got involved with the National Film and Television School (NFTS) in the UK, helping students on their Digital FX course to make a special effects driven short film.
Here's the final result, a little piece called "Escape Zero" that Ben and Anthony took directing duties on. The film was also made with Millennium FX on awesome SFX duties as ever!
We hope you find it a fun pulpy and quite gory love letter to Sci-Fi and Alien flicks…
You know those announcements that announce something you already knew? Yeah? This is one of those! Hey, it's important to Bloody Cuts, so… yeah. Get over it.
We have finally put DARE on the official Bloody Cuts website, complete with full cast and crew details and the awesome Behind The Scenes, which delves into the messy, dirty, dead-birdy madness that was creating our example short for the first ever Bloody Cuts Film Challenge.
Want to know how we made Dare? Check out of the Behind the Scenes! It's genuinely quite informative.
Huge congratulations to David F. Sandberg and his team for smashing the 1 million mark on Vimeo with their excellent horror short 'Lights Out', which was applauded with the Best Director award in the Bloody Cuts Horror Challenge.
It's awesome that the film is getting so much well deserved recognition, hurrah, whoop whoop and well done.
If you like what you see and still have the nerve for more, then please stop by www.bchorrorchallenge.co.uk and check out the rest of the finalists and award winners… and if you haven't yet opened the Bloody Cuts crypt of fiendish delight, then click your boney fingers right here…. IF YOU DARE….
Lights Out – Who's There Film Challenge (2013) from David F. Sandberg on Vimeo.
Title: Play Time
Written / Directed by: Ryan Thompson
Location: England
OVER $9500 in prizes (Full details here)
Title: A…
Written / Directed by: Peter Czikrai
Location: Slovakia
OVER $1600 in prizes (Full details here)
Title: Invectum
Written / Directed by: Adam-Gabriel Belley-Côté and Francis Fortin
Location: Canada
OVER $600 in prizes (Full details here)
Chosen from over 280 entries, these awards represent the individual achievements of filmmakers, as voted for by our individual judges chosen specifically for each category.
Please note: these awards were chosen by the awards judges, without them knowing the result of the 'Top 6' shorts or the other awards.
Best Acting
Lisa Sumiyoshi
Prize: The generous folks over at ShootingPeople.org are giving away a 1 year membership to their invaluable network for independent filmmakers as a prize to the winner of this award (UK only).
Best Cinematography
Gerald Schank
Prize: The generous folks over at ShootingPeople.org are giving away a 1 year membership to their invaluable network for independent filmmakers as a prize to the winner of this award (UK only).
Best Director
David Sandberg
Lights Out
PRIZE: 1 year subscription to Celtx Edge
Best Editing
Andrew Hoffman
PRIZE: a copy of Final Cut Pro X Video Training from Ripple Training
Best Effects
Jennifer Dionne, Rémy Couture & Sébastien Montpetit
PRIZE: As an extra special prize, Rampant Design Tools have given us a copy of their "MonsterFX Undead" visual effects creature kit, to go to the winner of this award
Best Grading
Ryan Thompson
Play Time
PRIZE: Flanders Scientific are going to award the winner of this award with a magnificent CM171 17" Professional Grading Monitor.
Best Sound
Ryan Thompson
Play Time
PRIZE: an amazing bundle of Horror SFX packs from the fantastic sound library at SamplerBanks.com
Best Writing
Alistair Quak
Post It
Prize: 1 year subscription to Celtx Edge
Congratulations to the winners and to ALL the filmmakers who created so many amazing short films. The judges – all of them – were blown away by the range, quality, depth, talent and originality on display.
Following this Blog post, over the next couple of weeks our judges will be revealing why they chose the winners of each award, chatting about the 'runners up' and honourable mentions, alongside defining what makes a good 'script' or 'edit' etc…, giving an insight into the award judging process.
The winners will be contacted within the next week regarding delivery of prizes etc… but feel free to contact us if you're one of the prize winners and let us know delivery addresses etc…
Once again, a MASSIVE thank you to every single person who entered a short film into the Bloody Cuts Film Challenge 2013. You are the future of Horror.
We hope you've been as inspired as we have.
A number of Who's There Challenge filmmakers have contacted us recently, rightfully questioning one of the most-flouted Term & Conditions, which is the following:
"18. All submissions must have the 5 second TITLE CARD at the beginning of the short. This is downloadable from the competition website. This Title Card cannot be altered, tampered with or displayed with any sound; doing so would lead to immediate disqualification."
It is the "displayed with any sound" section that has caused some confusion and frustration.
A number of entries were submitted with sound under the Title Card, but we realized this confusion was undoubtedly caused by our example film "Dare", which also features sound under the Title Card.
This was an error on our part, and we apologise for the confusion.
It was only after we received all entries that we noticed this rule wasn't 100% adhered to on some occasions, so there was little we could do about correcting or amending the Terms & Conditions (posthumously, so to speak…) and certainly didn't want to automatically disqualify a number of entries because of this.
However, we can confirm that having sound under the Title Card has not negatively or positively impacted our overall judging decisions in ANY WAY.
All entries with or without sound under the Title Card shall be considered for the Final 6, but rest assured that the additional five seconds of additional sound (I'm sure you'll agree) hasn't vastly improved or ruined any entries chances in any way.
We hope this clears up any issues / questions / queries etc… in regards to this, and apologies for creating any confusion over the rules.
…onto the Final 6.
The Final 6 shorts will be revealed on Sunday 27th January at 6pm GMT!
Be ready.
The films have been watched. The votes have been discussed. The films have been re-watched. The judges argued. Table-slapped. Yelled. Had a fight.
There was crying. Hair-pulling. Cup bending. Exasperated fist-shaking. Anthony bit someone's nose. Ben disowned his brother. Jonny didn't care. Dave lost his fake hand somewhere in the melee.
This was – in all seriousness – the toughest decision we've had to make, in our lives. Ever.
The selection of talent out there was outstanding. The films, fantastic.
We judged the shorts on a HUGE amount of factors, from writing, directing, cinematography to grading, acting, SFX and theme.
But the Top 50 has been decided. And it cannot be un-decided.
Over 280 entries whittled down to 50. That's over 230 groups of filmmakers – hardworking, talented people – that we're leaving disappointed and saddened (and maybe a little angry?).
Rest assured, your work was watched and considered and appreciated. The hard work is there on the screen, on all the entries.
We wish everyone could win, but then that'd be a pretty lame competition…
999 – Submitted by: Stephem Oxborrow
A… – Submitted by: Peter Czikrai
Abominio – Submitted by: Lorenzo Fassina
Archive 361 – Submitted by: Desislav Angelov
Behind Closed Doors – Submitted by: Stanislava Beuvich
Behind The Door – Submitted by: Baylea Hart
Book vs an Antiquarian – Submitted by: Stanislava Beuvich
The Burner – Submitted by: Colin Watts
Chestwyrm – Submitted by: Gary Rogers
Cut – Submitted by: Peter Lemper
D.S. – Submitted by: Federico Sfascia
Departure – Submitted by: John Lipartito
Devil Woods – Submitted by: Yvette Solis
Dispossessed – Submitted by: Andrew Hoffman
The Divide – Submitted by: Imanuel Thallinger
Don't Look At Me – Submitted by: Ash Beheshti
Emerentia – Submitted by: Shams Abou El Enein
Fear, INC – Submitted by: Vincent Masciale
Free – Submitted by: Derek King
Frostbite – Submitted by: Josh Thays
GhostFace – Submitted by: Luka Belle
Harvest – Submitted by: Craig-James Craig-James
Headshot – Submitted by: Ryan Wolfe
Hypnosis – Submitted by: Wyatt Irmen
Invectum – Submitted by: Adam-Gabriel Belley
Juice – Submitted by: Midian Crosby
Lights Out – Submitted by: David Sandberg
The Lost Ones – Submitted by: Marko Grujic
Love Me Again! – Submitted by: Abdullah Jassin Kadiri
Malware – Submitted by: Sachan Nathan
The Monster – Submitted by: Sebastian Khayat
Open House – Submitted by: Richard Northwood
Play Dead with Me – Submitted by: Chaz Schoenbeck
Play Time – Submitted by: Ryan Thompson
Possessed Forklift of Death – Submitted by: Levi Caleb Smith
Post It – Submitted by: Alistair Quak
Pripyat – Submitted by: Chris Lodge
The Psychopath – Submitted by: Chris Stone
Rainy Nights – Submitted by: Richard Greenwood Jr
Rat, The – Submitted by: Andreas Wißkirchen
Roshambo – Submitted by: Dean Q. Mitchell
Samaritan – Submitted by: Brian Lillie
Shackled – Submitted by: Stephen Wise
Sins of the Father – Submitted by: Adam Milicevic
Slasher – Submitted by: Basil Beyah
Stranger – Submitted by: Geoff Stebbins
Suckin Face – Submitted by: Jesse James Hennessy
Who's There? – Submitted by: Gene Blalock
Who's There? – Submitted by: Steven Bray
The Workshop– Submitted by: Asim Chitrakar
6 of those Top 50 films above will be chosen as the TOP 6 finalists and will be judged by our panel of industry experts; Joe Dante, Marcus Dunstan, Patrick Melton, Drew Daywalt, Gale Anne Hurd, Soska Sisters, Sam McCurdy, Ryan Connolly, Neill Gorton and Scott Beggs.
The TOP 6 will be revealed at 6pm GMT on Sunday 26th January 2014.
Before anyone asks – to pre-empt this! – we cannot give individual feedback on shorts that did not (and did) make the Top 50. Due to the volume of entries and the busy behind-the-scenes process we're currently going through, we simply won't have the time to give decent and detailed feedback.
Thank you – once again – to everyone involved and THANK YOU for entering the Who's There Horror Film Challenge 2013. It has been – genuinely – emotional.
Don't Move will continue to terrorize 2014 at the 7th British Shorts Film Festival in Berlin, Germany. Huge thanks to the good folks at "British Shorts" for the selection, we really value the support and exposure.
Here's to hoping 'Don't Move: Ep8 of Bloody Cuts' tears the roof off, and maybe something else n'all…
If your in the area around (17th-20th January 2014), then check out the schedule here to feast on the cinematic treats on show.
To stay updated about the festival's screenings and events check out the official website www.britishshorts.de and the facebook page https://www.facebook.com/BritishShorts.
Poster Art by Marc Schoenbach of Sadist Art
That is the sound of the portcullis slamming closed at Bloody Cuts Towers.
The Who's There Challenge 2013 competition is closed.
No matter how many goats you sacrifice or how much cake you send us, we cannot accept any more entries.
It is over.
How was it? From our point of view it's been absolutely bloody fantastic and awe-inspiring.
We knew there was talent, invention, skill and imagination out there, but this competition has taught us that the world is FULL of amazing filmmakers waiting to be found. Hopefully our little challenge can help them be discovered by the world.
Now the hard part – for us, anyway! – begins as the Bloody Cuts Team have to watch every single entry multiple times and decide (somehow) which 6 are the best!
This will be an impossibly tough task considering the quality on display. There will be debates, arguments, discussions and probably some knife-fights.
Due to the fantastic volume of submissions, we've had to split the entries into two alphabetical groups:
See what we mean? It's going to be a very hard competition to judge.


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View by: Most Popular | Alphabetical A to Z | Map
Longji Rice Terraces
For the farmers who reside in the Longji region of Southern China the soaring rice terraces are simply a way of life. For the thousands of annual visitors who make the two-hour journey from the ... Read more
Li River
The Li River's reputation as the most beautiful in all China rests on a stretch totaling less than a quarter of its length; the 60-odd miles (100 kilometers) starting in Guilin and heading south. ... Read more
Xingping Village
Just up the Li River from Yangshuo sits the tiny ancient fishing village of Xingping. While Yangshuo has a lively international community of Chinese, expatriates and travelers passing through, ... Read more
West Street (Xi Jie)
If the Li and Little Li Rivers are the lifeblood of Yangshuo, West Street (Xi Jie) is the heart. This marble-paved street, the oldest street in Yangshuo County, is lined with boutique shops, Western ... Read more
Baisha Ancient Town
Baisha Ancient Town is well known in the area for being the town of fruits, due to farming so many cumquats and exporting them throughout China. This tiny, oval-shaped Asian citrus fruit closely ... Read more
Big Banyan Tree
The Big Banyan Tree, located less than four miles (6.4 kilometers) outside the town of Yangshuo, is a large, well-preserved banyan tree said to have been planted during China's Jin Dynasty. The ... Read more
Green Lotus Peak (Bilian Feng)
Shanshui Park, located in the southeastern part of Yangshuo along the Li River and just a short walk from West Street, is home to one of the town's most impressive limestone karsts, Green Lotus Peak ... Read more
Little Li River (Yulong River)
The Little Li River (Yulong River) is the largest tributary of the Li River and the most popular for travelers in Yangshuo County, China. The Little Li River starts in northern Yangshuo County near ... Read more
Moon Hill (Yueliang Shan)
Moon Hill (Yueliang Shan) is perhaps the best known and most recognizable of Yangshuo's limestone formations. Named for the moon-shaped hole in the top of the karst, Moon Hill rises over 250 feet ... Read more
Water Caves
The huge limestone mountains, called karsts, jutting out of the landscape around Yangshuo are certainly a vision; but the cave formations hidden within these natural landmarks are equally ... Read more
Yangshuo Park
Yangshuo Park, located in the center of town just across the street from the bus station, is where the locals come to unwind and is arguably the best place to get away from the tourist crowds. ... Read more
Yulong Bridge
The 600-year-old Yulong Bridge, also known as the Dragon Bridge, is located in the north of Yangshuo in an area surrounded by the hundreds of tall karst peaks, rural mudbrick villages, rice paddies ... Read more


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Russell Brown has been charged with first-degree murder in addition to aggravated arson in connection with the New Year's Day hotel fire and suspected homicide at a Days Inn, according to the Cleveland Police Department.
Brown, 36, was arrested at 12:04 a.m. today at the home of his uncle, a retired Bradley County deputy, according to city police spokeswoman Evie West.
The suspect is being held at the Bradley County Justice Center without bond, she said.
West said Brown and the victim, Harold Lee Montgomery, 39, had known each other since childhood and since the mid-1990s had conducted a sexual relationship.
"Apparently that's what happened on Dec. 31," she said. They checked in for a room and got into an argument, West said.
Police said Brown stabbed Montgomery in the neck and upper torso multiple times with a sharp object like a knife.
Brown told police he threw the weapon in a large body of water, West said. She wasn't allowed to give the specific location, but said it had not been retrieved by police.
Montgomery was found in Room 117 by Cleveland firefighters responding to a fire call at the Days Inn, 2550 Georgetown Road.
Firefighters tried to save him but he died at the scene, said West.
Police believe Brown slashed the victim, set the room afire and fled in Montgomery's car, a black Volkswagen Cabriolet with a white top.
Perla Trevizo joined the Chattanooga Times Free Press in 2007 and covers immigration/diversity issues and higher education. She holds a master's degree in newswire journalism from Universidad Rey Juan Carlos in Madrid, Spain, and a bachelor's degree in political science from the University of Texas. In 2011 she participated in the Bringing Home the World international reporting fellowship program sponsored by the International Center for Journalists, producing a series on Guatemalan immigrants for which she ...


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Challenge level:
Can you shunt the trucks so that the Cattle truck and the Sheep
truck change places and the Engine is back on the main line?
What is the best way to shunt these carriages so that each train
can continue its journey?
10 space travellers are waiting to board their spaceships. There
are two rows of seats in the waiting room. Using the rules, where
are they all sitting? Can you find all the possible ways?
If you split the square into these two pieces, it is possible to fit the pieces together again to make a new shape. How many new shapes can you make?
This problem focuses on Dienes' Logiblocs. What is the same and
what is different about these pairs of shapes? Can you describe the
shapes in the picture?
Take a rectangle of paper and fold it in half, and half again, to
make four smaller rectangles. How many different ways can you fold
it up?
A magician took a suit of thirteen cards and held them in his hand
face down. Every card he revealed had the same value as the one he
had just finished spelling. How did this work?
Swap the stars with the moons, using only knights' moves (as on a
chess board). What is the smallest number of moves possible?
Use the clues to colour each square.
Can you work out how to balance this equaliser? You can put more
than one weight on a hook.
Arrange 9 red cubes, 9 blue cubes and 9 yellow cubes into a large 3 by 3 cube. No row or column of cubes must contain two cubes of the same colour.
Find your way through the grid starting at 2 and following these
operations. What number do you end on?
How many different ways can you find of fitting five hexagons
together? How will you know you have found all the ways?
Using different numbers of sticks, how many different triangles are
you able to make? Can you make any rules about the numbers of
sticks that make the most triangles?
Ben and his mum are planting garlic. Use the interactivity to help
you find out how many cloves of garlic they might have had.
What is the least number of moves you can take to rearrange the
bears so that no bear is next to a bear of the same colour?
Building up a simple Celtic knot. Try the interactivity or download
the cards or have a go on squared paper.
In how many ways can you fit two of these yellow triangles
together? Can you predict the number of ways two blue triangles can
be fitted together?
A dog is looking for a good place to bury his bone. Can you work
out where he started and ended in each case? What possible routes
could he have taken?
Hover your mouse over the counters to see which ones will be
removed. Click to remover them. The winner is the last one to
remove a counter. How you can make sure you win?
An activity making various patterns with 2 x 1 rectangular tiles.
You have 4 red and 5 blue counters. How many ways can they be
placed on a 3 by 3 grid so that all the rows columns and diagonals
have an even number of red counters?
Only one side of a two-slice toaster is working. What is the
quickest way to toast both sides of three slices of bread?
How can you arrange the 5 cubes so that you need the smallest number of Brush Loads of paint to cover them? Try with other numbers of cubes as well.
A tetromino is made up of four squares joined edge to edge. Can
this tetromino, together with 15 copies of itself, be used to cover
an eight by eight chessboard?
Can you cover the camel with these pieces?
Here are some rods that are different colours. How could I make a dark green rod using yellow and white rods?
What is the smallest cuboid that you can put in this box so that
you cannot fit another that's the same into it?
Use the interactivity to help get a feel for this problem and to find out all the possible ways the balls could land.
In a square in which the houses are evenly spaced, numbers 3 and 10
are opposite each other. What is the smallest and what is the
largest possible number of houses in the square?
Take 5 cubes of one colour and 2 of another colour. How many
different ways can you join them if the 5 must touch the table and
the 2 must not touch the table?
How many ways can you find to do up all four buttons on my coat?
How about if I had five buttons? Six ...?
Place the numbers 1 to 8 in the circles so that no consecutive
numbers are joined by a line.
These practical challenges are all about making a 'tray' and covering it with paper.
How many DIFFERENT quadrilaterals can be made by joining the dots
on the 8-point circle?
How many different rhythms can you make by putting two drums on the
How many models can you find which obey these rules?
What is the greatest number of counters you can place on the grid below without four of them lying at the corners of a square?
In this town, houses are built with one room for each person. There
are some families of seven people living in the town. In how many
different ways can they build their houses?
Kate has eight multilink cubes. She has two red ones, two yellow, two green and two blue. She wants to fit them together to make a cube so that each colour shows on each face just once.
Cut four triangles from a square as shown in the picture. How many
different shapes can you make by fitting the four triangles back
Can you put the 25 coloured tiles into the 5 x 5 square so that no
column, no row and no diagonal line have tiles of the same colour
in them?
What happens when you try and fit the triomino pieces into these
two grids?
You cannot choose a selection of ice cream flavours that includes
totally what someone has already chosen. Have a go and find all the
different ways in which seven children can have ice cream.
Investigate the different ways you could split up these rooms so
that you have double the number.
There are seven pots of plants in a greenhouse. They have lost their labels. Perhaps you can help re-label them.
How could you put eight beanbags in the hoops so that there are
four in the blue hoop, five in the red and six in the yellow? Can
you find all the ways of doing this?
Nina must cook some pasta for 15 minutes but she only has a 7-minute sand-timer and an 11-minute sand-timer. How can she use these timers to measure exactly 15 minutes?
Can you put plus signs in so this is true? 1 2 3 4 5 6 7 8 9 = 99
How many ways can you do it?
Place eight queens on an chessboard (an 8 by 8 grid) so that none
can capture any of the others.


text:
Iron River church plans Trunk or Treat for area kids
October 30, 2014 IRON RIVER — Calling all young pirates, princesses and super heroes to come trick or treat in the Grace Covenant Church parking lot on Halloween night from 4 p.m. to 6 p.. more »»
Annual Gallerie of Shoppes Saturday in Green Bay
October 30, 2014 GREEN BAY, Wis. — The 40th snnual Gallerie of Shoppes will be held on Saturday from 9 a.m. to 3 p.m. at the Lambeau Field Atrium in Green Ba. more »»
Milwaukee Symphony to perform youth concert
October 30, 2014 MENOMINEE — The Milwaukee Symphony Orchestra will perform a special Youth Concert for area students on Wednesday, Nov. 5, at 10 a.m. in the Menominee High School gymnasium. more »»
Halloween dance
October 29, 2014 ... more »»
National Novel Writing Month events planned at the library
October 29, 2014 IRON MOUNTAIN — A list of upcoming events have been announced at the Dickinson County Library. Those include: Monday, Nov. 3 Wiggle Worms Storytime, 10 a.m. and 11 a.m. more »»
UPCAP seeks volunteers to conduct balance classes
October 29, 2014 ESCANABA — Chances are you know someone who has fallen or who is afraid of fallin. more »»
Beechwood Post breakfast Nov. 8
October 29, 2014 BEECHWOOD — Amvets Post 436 of Beechwood is hosting its semi-annual breakfast on Saturday, Nov. 8, at the Beechwood Hall from 7 a.m. to 11 a.m. more »»
Dinner on Nov. 1 to support Crystal Theatre
October 29, 2014 CRYSTAL FALLS — A spaghetti and chicken dinner to support The Crystal Theatre will be held Nov. 1. The dinner will take place from 4 p.m. to 7 p.m. more »»
D of I Congress Circle 367 meets Nov. 6 at IC center
October 29, 2014 IRON MOUNTAIN — The Daughters of Isabella, Congress Circle 367 will be meeting on Thursday, Nov. 6, at 1 p.m. at the Immaculate Conception Faith Formation Center with Dorothy Edens as hostess. more »»
Holiday wreath class set Nov. 8
October 29, 2014 EAGLE RIVER, Wis. — With the holidays just around the corner, Trees For Tomorrow in Eagle River is offering an adult wreath-making class on Saturday, Nov. 8. more »»
'Taste of Chocolate' announced
October 29, 2014 NORWAY — "A Taste of Chocolate," the Menghini Memorial Museum's annual fundraiser, will be held at St. Mary Catholic Church hall in Norway on Saturday, Nov. 22, from 11 a.m. to 3 p.m. more »»
Golden K members pick up litter
October 28, 2014 ... more »»
Christian Womens Club meets Nov. 5
October 28, 2014 IRON MOUNTAIN — All ladies are invited to join the Christian Womens Club on Wednesday, Nov. 5, from noon to 1:30 p.m. at Pine Grove Country Club in Iron Mountain. more »»
October 28, 2014 IRON MOUNTAIN - Brianna Martin and Jonathan Lynch were united in marriage on Sept. 12, 2014. A celebration was held at Bartoletti's Supper Club in Aurora. more »»
How to make fall fun last longer
October 28, 2014 By Iris Katers, Jean Hetrick, Cheryl?Anderegg,? Esther Macalady, Tim?Fox Families can make Halloween last a little longer when they do a few activities with fancy gourd. more »»
Silent Sporters to hike Ridge Trail
October 28, 2014 FLORENCE, Wis. — The Silent Sporters will be taking in a hike on Saturday, Nov. 1, at the Ridge Trail in the Chequamegon-Nicolet National Forest between Florence and Tiple. more »»
Fall Festival on Wednesday
October 28, 2014 KINGSFORD — The First Presbyterian Church of Kingsford is holding its 10th annual Fall Festival Wednesday from 5 p.m. to 7 p.m. more »»
Iron River Senior Center plans dinner
October 28, 2014 IRON RIVER — The Iron River Senior Citizen Site Council will hold a complete ham dinner fund-raiser on Sunday, Nov 2, from 11:30 a.m. to 1:30 p.m. at the center. more »»
Caring House fund-raiser Oct. 30
October 28, 2014 IRON MOUNTAIN — The Caring House is holding their spaghetti dinner fund-raiser on Thursday, Oct. 30, at the First Presbyterian Church in Kingsford. The event will be from 5 p.m. to 8 p.m. more »»
Creating Confident Caregivers workshop planned
October 28, 2014 IRON MOUNTAIN — A free Creating Confident Caregivers workshop will be offered starting on Monday, Nov. 3, at Our Saviour's Lutheran Church in Iron Mountain from 10 a.m. until noon. more »»
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Alba, Italy
Frazione S.Rocco Seno D'Elvio 40, 12051 Alba, Italy – Show map
Excellent location – rated 9.2/10! (score from 154 reviews)
Rated by guests after their stay at Cascina Baràc.
Low rates
No booking fees • Save money! Best price guarantee — enter dates to see these prices!
42 properties in Alba
Including hotels, apartments, villas and more.
154 verified reviews
We verify all reviews from guests who have stayed at Cascina Baràc. Find out more.
They speak your language!
Cascina Baràc's staff speaks: French, English
Booking is safe
When you book with us your details are protected by a secure connection.
Grounds, Sun Deck
Cycling, Bicycle Rental
Food & Drink
Bar, Breakfast in the Room
WiFi is available in all areas and is free of charge.
Free private parking is available on site (reservation is not needed).
Baggage Storage, Fax/Photocopying
Facilities for Disabled Guests, Family Rooms, Elevator, Soundproof Rooms, Heating, All Spaces Non-Smoking (public and private), Air Conditioning
French, English
Cancellation and prepayment policies vary according to room type. Please enter the dates of your stay and check what conditions apply to your preferred room.
Children and Extra Beds
All children are welcome.
One child under 3 years stays free of charge when using existing beds.
One child under 3 years is charged EUR 15 per person per night in a crib.
One older child or adult is charged EUR 35 per person per night in an extra bed.
The maximum number of cribs in a room is 1.
Any type of extra bed or crib is upon request and needs to be confirmed by management.
Additional fees are not calculated automatically in the total cost and will have to be paid for separately during your stay.
Pets are not allowed.
Cards accepted at this property
Hover over the cards for more info.
Ideal Alternatives for You
Based on 154 reviews
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Casa Dellatorre is a 5-minute walk from Alba Train Station, and a 1-hour drive from Turin Caselle Airport.
Score from 44 reviews Wonderful
Offering a garden with an outdoor pool and barbecue facilities, Agriturismo Paitin is located in a peaceful area in Alba, a 10-minute drive from the centre.
Score from 54 reviews Wonderful
With a quiet location in the Langhe hills, family-run Le Torri Hotel offers a pretty courtyard and a panoramic garden overlooking the vineyards. It is in Castiglione Falletto, 10 km from Alba.
Score from 123 reviews Wonderful
Surrounded by 10-hectare farmland, Casa Scaparone is an antique country house offering rustic rooms with Langhe hills and countryside views.
Score from 101 reviews Excellent
Great view across the vineyards, good breakfast buffet
Slow Wifi
We stayed in this wonderful little hotel during the truffle season in November. The staff were very friendly and very good at finding the best restaurants for us. I would highly recommend this place as a base to explore the region.
It was a bit too expensive for the level. It is a nice place but quite basic. They don't have a restaurant but the breakfast is OK.
Hotel restaurant is closed this year.
The views, the vineyards, the architecture and the location
Nothing... It was perfect!
My wife and I chose this place to end our stay in Italy for our honeymoon. We chose well. This was an oasis of calm and beauty and only a 5-10 minute drive to Alba and Trieso. The staff was accomodating and friendly, helping us do everything from make resevations to finding a dentist in Alba. Our room/apartment was absolutely beautiful and completely silent and exactly what we wanted. This place would be great for anyone ho simply wants to enjoy the beauty of Piedmont from the vines and not from a hotel in Alba.
The welcome, the beauty of the house and surroundings, the calm, the views.
The fact that we could only stay one night!
Very nice location, beautiful garden with view on the vineyards where you can relax and read a book. We would definitely stay there again.
Everything was OK, we were just surprised to find out that the restaurant was closed (we explicitly chose this place in order to be able to eat where we were staying so to be able to enjoy the wine without worrying about driving). This was probably signposted on their website but not on booking.com and we were notified about the restaurant being closed too late in the process. Also the breakfast was nice but from such a place we would have expected more locally produced stuffs.
Location, breakfast, room views, friendly staff and owners. Excellent place for relaxing holidays!
1. Dream location in quiet beautiful vineyards near famous Barolo, Barbaresco, and Alba. 2. Clean rooms. 3. Excellent breakfast. 4. Excellent attentive staff.
1. Minor - Wi-Fi was a little bit slow.
Location - in the middle of the vineyards.
Location, in the mountain, quiet with beautiful scenery. We have experienced the most beautiful sunset in the mountain area so far.
The fridge makes weird noises in the night and the hotel is not easy to find without a GPS.
The Cascina Baràc is simply amazing. Delicious Breakfast, amazing view over the vines and the stunning nature of Piemont, very kind and helpful staff, clean, cute and a very high standard of room (even WIFI) We will definitely return :)
The only disadvantage is that they are not allowed to serve dinner in the hotel.
Perfect setting amongst the vineyards, great wine available to purchase on site with english speaking staff. Great breakfast in the garden overlooking the vineyards. Good restaurants near by.
It's surrounded by winiers, great breakfast and the host was amazing.
The pillows are not great.
All above expectations. Valentina was awesome so helpful and smiling. Will recommand.
Amazing location, with stunning views. Far from the urban landscape, in the middle of the wine yards. Extremely friendly staff, very accommodating. Elegant decor
Beautiful property set amongst their vineyard. Comfortable rooms, adequate breakfast, great location to Barolo, Barberesco, Alba.
Staff could have been more helpful with giving local advice on what to see or do in the area.
The wonderful host, the beautiful views. You're surrounded by wine fields. A delightful room. Great value, nice breakfast. An altogether very pleasant experience, would certainly visit again.
Niente. E 'stato meraviglioso! Grazie mille..
Ideal location for adventure in the Piemonte vineyards. Lovely outdoor settings.
Room in attic had only one window & was dark.
fantastic place in the wineyards
Excellent location, Great breakfast, Quiet, Friendly staff,
Beautiful Location, friendly staff and very helpfull
Room:we were upgraded in a suite with the same price..clean, cosy, spacious... Breakfast: rich, homemade, plenty of choices Service: friendly and willing to help people
Perfect location just outside Alba. Beautiful surroundings, very friendly staff. We all would come back here.
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Experience the Best! Unspoiled beaches and unparalleled beauty is yours at one of Sanibel's ultimate vacation destinations - 1D3 Sandalfoot.
Beautiful direct Gulf waterfront condo remodeled in fun Sanibel coastal decor. Top floor end unit means more windows, more relaxing, more spectacular views of Gulf waters, beach, and center courtyard. Relax on your private screened lanai while watching the dolphin, manitee, and birds play out front. Let the sound of gentle waves lull you to sleep at night and wake to the fabulous sunrise from the privacy of the master bedroom, lanai or living room. Our tropical paradise is a true retreat, complete with breathtaking views in every direction. Experience the best; there is nothing between you and the beach but nature.
Whether romantic getaway or adventure-filled family vacation, our island home is the perfect setting for making each moment unforgettable. We want you to enjoy our home-away-from-home as much as we do. Just pack your casual clothes; we've thought of everything else!
TripAdvisor Certificate Of Excellence winner
I live in the best of two worlds - when not on Sanibel, I'm in Juneau Alaska.
The staff was so nice and helpful and the condo was very clean, which is a HUGE deal. We really enjoyed staying here and hope to be back!
Located just minutes from the Causeway on the East End near the historic Sanibel lighthouse and fishing pier, 1D3 is 'AAA' approved and top rated. The East end is primarily comprised of upscale homes and condos and is convenient to all the island has to offer - close to golf courses, dining, shopping, Sanibel Marina and J.N. 'Ding' Darling National Wildlife Refuge. Nothing better than low-tide shelling on the beach out front or a morning stroll to the nearby fishing pier!
|Rate Period
|Weekend Night
My Standard Rate
Feb 1 2014 - Feb 1 2015
1 night minimum stay
Payment is usually accepted in the quoted currency (USD) unless the currency and the amount is specifically agreed in advance with the owner / advertiser.
Weekly Rate: $1490 - $2950
05/10/14 thru 12/19/14 .. $1490/week (4 night minimum)
12/20/14 thru 01/02/15 .. $2650/week (Sat to Sat*)
01/03/15 thru 01/23/15 .. $1850/week (4 night minimum)
01/24/15 thru 04/10/15 .. $2950/week (Sat to Sat*)
04/11/15 thru 04/24/15 .. $1850/week (Sat to Sat*)
04/25/15 thru 12/18/15 .. $1490/week (4 night minimum)
12/19/15 thru 01/01/16 .. $2650/week (Sat to Sat*)


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