text:
New concept shows off Hyundai design
Updated On: Jan 14 2013 06:26:49 PM EST
In what Hyundai says is purely a design exercise, the company showed off its HCD-14 Genesis concept Monday at the 2013 North American International Auto Show in Detroit.
With its massive grille, short greenhouse and rear-hinged rear doors, Hyundai says the HCD-14 Genesis is more about conceptual design than practical production.
Among the futuristic features is an eye-tracking and 3-D hand gesture system that lets the driver control several of the car's functions simply by looking or pointing at them. Hyundai says systems like this can make future cars safer, since they help to keep the driver's eyes on the road.
Propelling the car is handled by something a little more conventional: It uses Hyundai's powerful 5-liter V-8 engine connected to an eight-speed transmission.
While it shares the name Genesis, Hyundai is quick to point out that this car is not a direct preview of the next Genesis sedan -- that car is expected to be revealed next year.
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Nerd bells are ringing. Ian McKellen's latest geek dream role will be as officiant at buddy Patrick Stewart's wedding.
The epic finale in Peter Jackson's "Hobbit" movie trilogy is coming to theaters worldwide in December. Prepare yourself for the action-packed adventure by watching the final trailer for "The Battle of the Five Armies."
A game currently seeking funding on Kickstarter aims to make coding fun and exciting by using it to cast environment-changing spells in an open sandbox world.
Wendy McKee wanted people to adopt her kittens, so she dressed them up as Princess Leia, the Doctor, Frodo, Gandalf, and Jon Snow to make geeky human hearts go pitter-patter.
When Sir Patrick Stewart couldn't be found to help director Brett Lotriet Best pop the question to his boyfriend, a fan of Captain Picard, Stewart's pal Sir Ian McKellen stepped in.
A five-disc release of Peter Jackson's latest clocks in at three hours long, just in time for the third and final film.
Debuting at Comic-Con, the new trailer for "The Hobbit: The Battle of the Five Armies" shows orcs, dwarves, elves, humans, and of course the dragon getting ready for a grand conflict.
A new YouTube video shows just what happens when the crews from Hogwarts and Forks, Wash. meet up in the forest.
To celebrate the launch of the Minecraft Combat and Construction handbooks, come with us on an epic journey into some of the stunning creations built by pick'n'block masters Fyre UK.
Nokia's Android-powered X mobile has been rooted, giving it full access to the Google Play store and Google Now.

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New Braunfels Herald-Zeitung (Newspaper) - December 3, 1991, New Braunfels, Texas Records Page 4 New Texas December 1991 I TUESDAY C 1991 TV Llstina Ft ti DECEMBER 3II The gift of food K8AT D 0 KIRN KAN CD HBO CD DISC A4E ENCORE IB LIFE OB CNBC HZ SHOW 9 AMC ESPN TNT 91 USA HSE O DISN C9 MAX a NICK 02 TBS TNN 31 HAM a WON KTBC KVUE KXAN KBVO 7PM Full House a Home Improve Billy Graham 0 Rescue 911 0 NewsHour 8PM Roseanne 0 Coach n 9PM Homefront n Pearl Pt 1 of 4 1978 MOV Star Trak V TIM Flnit Frmttor 1989 Great Moments With Natures Filmmakers MOV Midnight Run 1988 Memories of Midnight Pt 2 of 2 1991 La Marquesa de Santos JAI Filo de la Muerte MOV Ntxt ol Kin 1989 Terra X Smithsonian Biography Crimtwivd 1985 Law Invention IBeyond Aaron Copland A Self Portrait WKRP Can Be Told Love Connect Brigada Especial Play by Play Yellowstone Park Playwrights MOV StnnMlovt or How I Lnrnml to Slop Worrying MOV Wlldflomr 1991 Real Story MOV Look Talking 1989 Super Steal Deal Smart Money 10PM News News 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ROCK SelfImprovement Guide Steal Deal Smart Money Runaway Train Dark Comer 1946 Hair 1979 Flying LtathtniMkt SportsCenter IWorld Cup Skiing College Swimming and PAC10 Championships T Snowboardlng Fart Company Aretha Franklin IMOV EMi Trials the Way II la MOV Predator 2 1990 Ed MOV Bon Hur 1959 MacNally Rin Tin Tin Church Witness Memories of Midnight Pt 2 of Rescue 911 0 Full House n Improve In the Heat of the Night n Nashville Now 0 Father Dowling Mysteries 0 1991 Chase 700 Club With Pat Robertson News MOV Slar Trok V The Final Frontier 1989 Roseanne o I Coach n j Homefront n Pearl Pt 1 of 4 1978 MOV King ol Comady 1983 jstar Trek Next MacNally Bordertown Night Court o News News News Night Court Church Looney Tunes IPoble Gillis Impulse 1990 Patty Duke Donna Reed National Geographic Explorer Nashville Now 0 MOV Redhead and ttn Cowboy 1950 Paid Program Chase Koiak Cheers Married JMemorles of Midnight Pt 1 of 2 Urban Angel 0 Nlghtllne Tonight Show 0 Arsenio Hall 0 CNN News Letterman Can Be Told CNN News 1991 Night Games News Costas Hogan Heroes Zeta lota Chapter of Beta Sigma Phi donated food to the Food Bank last From left is Gladys president of the food Roberta service chairman and Christine vice presi dent of the Photo by Karla Wenzel JOIN ME Horoscope TEXAS MEDKIHE CARESAMMJTA DtUC FREE TEXAS IM DRUG By Stella Wilder Born you possess one of the most vivid and colorful personalities within the Certainly within your own sign you are one who can really stake the greatest claim to fame and fortune in your You will no doubt have been blessed from an early age with good luck and the kind of foresight others only wish for and the results will win you admir ers from the You are and your views are welldeveloped you also possess more than your share of common It is not likely you will please all of the people all of the time in you must get used to displeasing many of the people closeto youiCYou have a To see what is in store for you to find your birthday and read the corresponding your birthday star be your daily 4 SAGITTARIUS 21 You must pay attention to all the news that comes your way Make small adjustments to your day when CAPRICORN 19 You must try to be more compassion There will soon come a time when you are in need of someone to lean too AQUARIUS 18 That hard exterior is just a In you are unusually sensitive at this time vulnerability PISCES 20 In habit of saying precisely what you Refaction with others must not be un and you stick to your guns no Be sure you realize just matter what kind of hardship you may how you affect those around Alto born on this date are Gen eral George Union com mandar in tha Civil War Andy Wil ARIES March 21April 19 You may be eager to be on the move reaching your destination may require an early TAURUS April 20May 20 Dont let your sense of humor fail you youll need it to get through at least two tight spots late in the GEMINI May 21June 20 You may be preoccupied with one or two odd topics or events You neednt explain to CANCER June 21July 22 Watch your Keep your eyes on others as you experiment with some thing Let others show you the way at LEO July 22 That which has lain beneath the surface un heeded for so long is likely to emerge and demand immediate attention VIRGO 22 Some things are not for and today youll add at least one more thing to your personal list of things to LIBRA 22 Its time to take yourself more Police Blotter New Braunfels Police Department blotter from 7 Wednesday to 7 Monday unfounded and no reports not Wednesday morning Meet with 100 block Officer Credit card 100 block Officer Found 2700 block Officer Misdemeanor suspicious 100 block Officer Wednesday afternoon Criminal Valley Officer Criminal Accident with properly 100 block Officer Meet with terroristic Officer Terroristic Main Officer Theft 100 block Officer Misdemeanor 100 block Officer Accident with property Interstate 35 North at Officer Wednesday evening Bugle Officer Seguin at Officer Follow up bodily 1100 block Officer Accident with property 100 block Interstate Officer Bodily 100 block Officer Thursday morning Family 400 block Officer Burglary of motor 300 block Officer Accident with property North Officer Burglary of motor Edelweiss Officer Burglary of motor vehi Edelweiss Officer 100 block Live Officer Accident with property Texas 46 Officer Michael and run Tex as Officer Michael Thursday afternoon 800 block Officer Burglary of Executive Officer Misdemeanor vehicle Officer Michael Accident with property 900 block Texas Officer Thursday evening Unauthorized use of motor 200 block San Officer 3500 block Interstate Officer Friday morning 100 block Mor Officer Misdemeanor boat Officer INSTANT HEAT Take advantage of the efficiencies of your natural gas and enjoy the golden flame of a real crackling wood fire without any of the P MAJCO BurningEMBERS Gas Logs TM SAVE SHOWROOM OPEN MONFRI10AM 5PM SAT 10AM Pofflsh Company J Inc 9809595 26995 Highway 281 San Antonio Youre for the big time so plan on taking that big SCORPIO 21 You may not be able to put your finger on precisely what it but the desire for a certain something is For your personal lucky numbers and future call each minute TouchTone phones Dial J CASH FOR Real Estate Mortgages Full or partial First second Closing within 48 Brokers protected and referrals Mortgage Moneytree j 15123449821 United States 3280 Brochure They Know If Youve Been Bad Or Stores are getting Wise to shoplifters and theyre installing sophisticated methods of detec tion so that people who steal dont go about like prosecute shoplif ters to the full extent of the That can result in a stiff fine and a jail It will also mean a blot on your record to follow you And shoppers are getting through job Theyre no longer remaining loan applications and college en silent when they see someone trance because they know that stores raise prices to absorb finan cial loss from And thats only part of Once youre store owners are ready to do something When you think about shoplifting Just isnt worth So think about then dont do HeraldZeitung
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By Donald Kaul There's been a lot of bad news lately — wars, revolutions, earthquakes, floods, famines. It's getting so you need a drink before you're ready to face the evening news. Which is why when something cheerful happens, I take time to savor it. Like, for example, Dominique Strauss-Kahn's arrest. The highest-ranking International Monetary …
Tag Archive: Robert Reidt
May 24 2011
Some good news, at last
May 24, 2011
Permanent link to this article: http://www.easttexasreview.com/some-good-news-at-last/
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Days Inn Campton
Days Inn Campton in Campton
Days Inn Campton
Hotel Guest Rating: 6.1/10
1513 Daniel Webster Highway/Us Rt 3
Campton, NH 03223
Welcome to the Days Inn Campton
Free Wi-Fi, breakfast on the house and an indoor pool near Flume Gorge make the Days Inn Campton a prime pick.
Hotel Features
All 100 rooms on two floors offer premium cable channels and desks; microwaves and refrigerators are available upon request. Linger over the morning paper at the free continental breakfast and check e-mail with complimentary Wi-Fi. Get some R&R by the indoor pool, hot tub and sauna and then wash your duds at the guest laundry. Parking is free and pets are welcome for an added fee.
Hotel Location
Located off I-93, the Days Inn is 20 miles south of Lincoln. You're 10 minutes from the Owl's Nest Resort & Golf Club and 25 minutes from the ski slopes in Waterville Valley. Polar Caves Park is 15 minutes west in Rumney and Newfound Lake's Charles L. Bean Sanctuary is 20 minutes south. Lincoln attractions including Flume Gorge and Whale's Tale Waterpark are 20 minutes north. Cruise a half-hour south to check out Lake Winnipesaukee and Meredith. Portland International Jetport is 95 miles east and Burlington International Airport is 115 miles west.
Guest Favorites
"Conveniently located right off highway," this Days Inn boasts a "nice, large pool," "pleasant staff" and a "good free breakfast," say Priceline guests.
Days Inn Campton Amenities
- Adjoining rooms
- Air conditioning
- Alarm clock
- Banquet facilities
- Barbeque grills
- Bus parking
- Coffee/Tea maker
- Complimentary continental breakfast
- Complimentary in-room coffee or tea
- Cribs
- Free newspaper
- High speed internet access
- High speed internet connection
- Ice machine
- Indoor pool
- Ironing board
- Jacuzzi
- Meeting rooms
- Non-smoking rooms (generic)
- Pets allowed
- Recreational vehicle parking
- Rollaway bed
- Sauna
- Steam bath
- Vending machines
Hotel Information
You must show a valid photo ID and credit card upon check-in. Please note that all special requests cannot be guaranteed and are subject to availability upon check-in. Additional charges may apply.Please note that the pool, sauna and hot tub are currently closed due to renovations. Guests are required to show a photo identification and credit card upon check-in. Please note that all Special Requests are subject to availability and additional charges may apply.
Hotel Guest Reviews of the Days Inn CamptonOur hotel ratings and reviews are from real hotel guests. Priceline.com ensures that its reviews are guests-only by proactively sending hotel surveys to customers after they've completed their hotel stays. In the post-stay surveys, priceline.com hotel customers are asked a number of questions about their stay and the hotel. On a scale of 1-10 with 10 being the best, the survey asks guests to rate their overall experience and specifically rate the hotel's cleanliness, staff and location. Priceline.com does not allow site visitors to post unsolicited hotel reviews.
November 10, 2014
Solo Traveler
This guest did not leave comments about this hotel.
October 14, 2014
Group Traveler
This guest did not leave comments about this hotel.
August 26, 2014
breakfast was as advertised- fresh fruit, somewhat healthy (or at least LESS processed) options could be found
August 19, 2014
Solo Traveler
This guest did not leave comments about this hotel.
August 5, 2014
October 10, 2013
October 4, 2013
August 16, 2013
Solo Traveler
August 16, 2013
Family Traveling with Young Children
August 15, 2013
Family Traveling with Young Children
(1 - 10 of 18 reviews)


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Dishonored is FPS/RPG
Diablo 3 is Isometric/RPG
Which game is better ?
d3 is not a RPG,
Dishonored just released and almost no one has played it
and you're comparing two completely different games based around different aspects of game play in genres that are nothing alike.
That being said i'm pretty sure you'd have more fun on dishonored
BreakingBack #1472
Time to go play Dishonored and XCOM, hopefully when I'm done with them 1.0.5 would be release on live and PTR would be starting 1.0.6.
I didnt even know about Dishonored till I accidently clicked a trailer about it , After watching a few reviews etc I quickly pre ordered it last night .
PowerCosmic #1489
Dishonored is Thief in spirit
Never played Thief, but just downloaded Dishonored.
Kind of on the fence so far, but then again most games nowadays leave a fowl taste in my mouth... maybe I'm just getting too old for games, or maybe I'm still waiting for that "ohemgee" moment just before I become completely immersed, kinda like how wow was in Vanilla and BC.
JohnnyZeWolf #1953
I'd say, XCOM is better than Torchlight II. :P
Never played Thief, but just downloaded Dishonored.
Dishonored is quite good but it definately reminds me of games like thief which are stealthy based FPS type games .
The cool thing about dishonored is the magic system which allows you to set up some amazing combos .
Unfortunately its easier to murder everyone than to avoid combat .
Just got dishonored last night... LOVE IT. Doesn't really compare to D3 though... different type of game entirely, but here is how I see the two games:
The gameplay in dishonored feels tense. Lots of sneaking around, eavesdropping, stealth murder, and careful planning. You are always on the verge of being caught/seen which creates a good amount of excitement and suspense. Its a very cerebral and tactical experience and a great game to play alone with the lights off.
Playing D3 is long periods of boredom punctuated by moments of frustration and the rare euphoria of finding a decent item. Much funner with friends so you can joke about how bad the drops are.
Dishonored is FPS/RPG
Trying to compare apples and oranges makes you look like a retard.
two completely different games.. it's like saying GTA is better than Final Fantasy
Edited by Orion#1762 on 10/12/2012 10:07 PM PDT
Both games are boring.
If either one wins the GotY award, I might record myself crying for 3 hours on YouTube.
Edited by menacefox#1681 on 10/12/2012 11:05 PM PDT
MarkXKiller #6473
I'd say, XCOM is better than Torchlight II. :P
No Man... XCOM is somewhat Strategy and RPG too... somewhat related.
graphics wise you could compare it to D3's engine as well just that it's turn-based. (It's running on Unreal engine)
It is awesome. I would defend XCOM all the way due to its brilliance. Way too little innovative strategy rpg games out there.
Edited by MarkXKiller#6473 on 10/18/2012 8:25 PM PDT
actually youre wrong there arealmost no rpg elements (aside from a few "skins" and the ability to name a character) and it isn't a loot based ARPG like TL2 so the two games don't even belong in the same group. A better comparison would be Final Fantasy tactics and X-Com.. and FFT is a much better game
Edited by Orion#1762 on 10/23/2012 1:22 AM PDT
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text: From Wikipedia, the free encyclopedia Recorder Recorder instrument for teaching music and its appeal to amateur players. Today, it is often thought of as a child's instrument, but there are many excellent virtuosic players who can demonstrate the instrument's full potential as a solo instrument.[3] The sound of the recorder is remarkably clear and sweet, partly because of the lack of upper harmonics and predominance of odd harmonics in the sound.[4] Musical Instruments Woodwinds • Piccolo • Flute • Oboe • Cor anglais • Clarinet • Saxophone • Bassoon • Contrabassoon • Bagpipes • Recorder Brass Percussion String instruments Keyboards Various recorders The recorder is a woodwind musical instrument of the family known as fipple flutes or internal duct flutes — whistle-like instruments which include the tin whistle and ocarina. The recorder is end-blown and the mouth of the instrument is constricted by a wooden plug, known as a block or fipple.[1] It is distinguished from other members of the family by having holes for seven fingers (the lower one or two often doubled to facilitate the production of semitones) and one for the thumb of the uppermost hand. The bore of the recorder is tapered slightly, being widest at the mouthpiece end of it (Baroque recorders) and narrowest at the top, flared almost like a trumpet at the bottom (Renaissance instruments). The recorder was popular from medieval times but declined in the 18th century in favour of orchestral woodwind instruments, such as the flute, oboe, and clarinet. During its heyday, the recorder was traditionally associated with birds, shepherds, miraculous events, funerals, marriages and amorous scenes. Images of recorders can be found in literature and artwork associated with all these. Purcell, Bach, Telemann and Vivaldi used the recorder to suggest shepherds and birds, and the pattern continued into the 20th century.[2] The recorder was revived in the 20th century, partly in the pursuit of historically informed performance of early music, but also because of its suitability as a simple The name of the instrument The instrument has been known, in English, as a recorder, at least since the 14th century. Grove's Dictionary reports that the earliest use of the word 'recorder' was in the household of the Earl of Derby in 1388: fistula nomine Recordour. The name originates from the use of the word record, one meaning of which is "to practise a piece of music". Up to the 18th century, the instrument was called Flauto (flute) in Italian, the language used in writing music, whereas the instrument we today call the flute was called 'Flauto traverso'. This has led to some pieces of music occasionally being mistakenly performed on transverse flute rather than on recorder. Today, the recorder is known as flauto dolce in Italian (sweet flute), with equivalents in other languages. In Spanish the name 1 From Wikipedia, the free encyclopedia flauta is ambiguous, as it can mean both the flauta travesera, the flauta dulce (recorder) or other types. garklein Recorder sopranino How the instrument is played soprano (descant) Listen to it alto (treble) tenor Cross-section of the head of a recorder The recorder is held outwards from the player's lips (rather than to the side, like the "transverse" flute). The player's breath is compressed into a linear airstream by a channel cut into the wooden "block" or fipple (A), in the mouthpiece of the instrument, so as to travel along this channeled duct (B) called the "windway". Exiting from the windway, the breath is directed against a hard edge (C), called the "labium" or "ramp", which causes the column of air within the resonator tube to oscillate at the desired frequency, determined by the bore length or open tone hole used. The length of the air column (and the pitch of the note produced) is modified by finger holes in the front and thumb hole at the back of the instrument. bass (bass in F) great bass (bass in C) contra bass subcontra bass sub-subcontrabass (octocontrabass) Types of recorder Recorders are made in a variety of sizes. They are most often tuned in C or F, meaning that their lowest note possible is a C or an F. However, instruments in D, B flat, G, and E flat were not uncommon historically and are still found today, especially the tenor recorder in D, which is called a "voice-flute." Refer to the table to see the entire recorder family in C and F. The recorder most often used for solo music is the treble recorder (known as alto in the USA), and when the recorder is specified without further qualification, it is this size that is meant. The descant (known as the soprano in the USA) also has an important repertoire of solo music (not just school music) and there is a little for tenor and bass recorders. Classroom instructors most commonly use the descant. The largest recorders, larger than the bass recorder, are less often used, since they are expensive and their sizes (the contrabass in F is about 2 meters tall) A picture of the top of an alto (treble) reThe bottom ofhardsame recorder with make them the to handle. An experimental corder with the main parts of the recorder annotations. has also been produced which 'piccolino' illustrated. plays a fourth above the garklein. Although it might be considered that the garklein is already too small for adult-sized fingers to play easily and that the even smaller piccolino was simply not practical, the fact that RECORDER FAMILY the holes for each finger are side by side and Instruments Range Instruments in Range not in a linear sequence make it quite posin C F sible to play.[5] 2 From Wikipedia, the free encyclopedia For recorder ensemble playing, the descant/soprano, treble/alto, tenor and bass are most common - many players can play all four sizes. Great basses and contrabasses are always welcome but are more expensive. The sopranino does not blend as well and is used primarily in recorder orchestras and for concerto playing. The larger recorders have great enough distances between the finger holes that most people's hands can not reach them all. So, instruments larger than the alto (and sometimes alto recorders, as well) have keys to enable the player to cover the holes or to provide better tonal response. In addition, the largest recorders are so long that the player cannot simultaneously reach the finger holes with the hands and reach the mouthpiece with the lips. So, instruments larger than the bass (and some bass recorders too) may use a bocal or crook, a thin metal tube, to conduct the player's breath to the windway, or they may be constructed in sections that fold the recorder into a shape that brings the windway back into place. Today, high-quality recorders are made from a range of hardwoods: maple, pear wood, rosewood, grenadilla, or boxwood with a block of red cedar wood.[6] Plastic recorders are produced in large quantities. Plastics are cheaper and require less maintenance and quality plastic recorders are equal to or better than lower-end wooden instruments. Beginners' instruments, the sort usually found in children's ensembles, are plastic and can be purchased quite cheaply. Most modern recorders are based on instruments from the Baroque period, although some specialist makers produce replicas of the earlier Renaissance style of instrument. These latter instruments have a wider, less tapered bore and typically possess a less reedy, more blending tone more suited to consort playing. In the early part of the twentieth century, Peter Harlan developed a recorder which allowed for apparently simpler fingering. This is German fingering. A recorder designed for German fingering has a hole five smaller than hole four, baroque and neo-baroque recorders have hole four smaller than hole five. The immediate difference in fingering is for 'F' and 'B♭', on a neo-baroque instrument these must be fingered 0 123 4-67. With German fingering this becomes 0 123 4---. Unfortunately this causes many other chromatic notes to be too badly out of tune to be Recorder A recorder with German fingering. The fifth hole from the top is smaller than in a comparable instrument with English or Baroque fingering usable;[7] and consequently they can play only a single diatonic scale[8] German fingering became popular in Europe, especially Germany, in the 1930s, but rapidly became obsolete in the 1950s as the recorder began to be treated more seriously and the limitations of German fingering became more 3 From Wikipedia, the free encyclopedia widely appreciated.[9] Many recorder makers continue to produce German fingered instruments today. Some newer designs of recorder are now being produced. Larger recorders built like organ pipes with square cross sections are cheaper than the normal designs if, perhaps, not so elegant.[10] Another area is the development of instruments with a greater dynamic range and more powerful bottom notes. These modern designs make it easier to be heard when playing concerto. Finally, recorders with a downward extension of a semitone are becoming available; such instruments can play a full three octaves in tune. The tenor is especially popular, since its range becomes that of the modern flute; Frans Brüggen has publicly performed such flute works as Density 21.5 by Edgar Varèse on an extended tenor recorder. Recorder sopranino and soprano sound one octave above written pitch. Alto and tenor sizes do not transpose at all, while the bass and great bass sound one octave above written (bass clef) pitch. Contrabass and subcontrabass are non-transposing while the octocontrabass sounds one octave below written pitch. Sizes from garklein down through tenor are notated in the treble clef while the bass size and lower usually read the bass clef. Professionals can usually read C-clefs and often perform from original notation. Alternative notations which are only occasionally used: 1. Bass recorder in F may be written in treble clef at real pitch, so that the low F is written a fifth below middle C with three ledger lines. 2. Bass recorder in F may be written in treble clef an octave above real pitch (i.e. sound an octave below written pitch), so that its fingerings are completely octaveidentical to the alto in F. 3. Great bass recorder in C may be written in treble clef. If so, it would probably be written up an octave to match the fingering régime of the tenor in C. 4. Tenor recorder in C may be written in bass clef one octave below real pitch in order to read choral parts for tenor voice. 5. Alto recorder in F may be written down an octave to read alto vocal parts. 6. All recorders may be transposed by both octave and key so that the lowest note is always written as middle C below the treble clef. In this system, only the tenor is non-transposing while all other parts would transpose up or down in fourths, fifths and octaves as appropriate. 7. Urtext editions of baroque music may preserve the baroque practice of writing treble(alto) recorder parts in the Violin clef (G clef on the bottom line of the stave). From the player's point of view, this is equivalent to using bass(et) recorder fingerings on the treble(alto) recorder. As a rule of thumb, recorders sound one octave above the human voice after which they are named (soprano recorder is an octave above soprano voice, alto an octave above alto voice, etc.) The recorder's mellow tone and limited harmonics allows for the seemingly deeper sound.[14] Standard pitch Recorders are most commonly pitched at A=440Hz. However, among serious amateurs and professionals, two other standard pitches are commonly found. For baroque instruments, A=415Hz is the de facto standard, while renaissance instruments are often pitched at A=466Hz. Both tunings are a compromise between historical accuracy and practicality. For instance, the Stanesby Sr alto, copied by many contemporary makers is based on A=403Hz; some makers indeed offer an instrument at that pitch.[11] Some recorder makers offer 3-piece instruments with two middle sections, accommodating two tuning systems.[12] The 415 pitch has the advantage that it is an exact semitone lower than 440Hz; there are harpsichords that can shift their keyboard in a matter of minutes.[13] The A=392Hz pitch, is similarly another semitone lower. Sheet music notation Sheet music for recorder is nearly always notated in 'concert key,' meaning that a written "C" in the score actually sounds as a "C." This implies that the player must learn two different sets of similar fingerings, one for the C recorders and another for the F recorders. However, many sizes of recorder do transpose at the octave. The garklein sounds two octaves above the written pitch; the 4 From Wikipedia, the free encyclopedia Recorder Recorder fingering Note First Octave Second Octave Hole Hole Hole Hole Hole 0 1 2 3 4 X O O O / / / / / / / / O X O O X X X X X X X X X X X X X X X X X X X X O O O X X X X X O O O O O O O X X X O O X O X X Tuned³ Tuned Hole Hole Hole Hole Hole Hole Hole Hole in F in C 0 1 2 3 4 5 6 7 F F♯ G A♭ A B♭ B C C♯ D E♭ E C C♯ D E♭ E F F♯ G G♯ A B♭ B X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X O O X X X X X X X X O O X O X X X X X X O O X O X O X X X X X O X O X O O O X X X / O X X O / O O O X / O O O X O O O O O O RECORDER FINGERINGS (BAROQUE): LOWEST NOTE THROUGH THE NO Note 1: The bell must be stopped to play this note. Note 2: Individual recorders may need this hole to be closed (X), half closed(/), or open (O) to play the note in tune. Note 3: See the section Types of recorder concerning recorders tuned in C or in F. HOW THE FINGERS AND HOLES ARE NUMBERED The Fingers The Holes The range of a modern recorder is usually taken to be about two octaves except in virtuoso pieces. See the table above for fingerings of notes in the nominal recorder range of 2 octaves and 1 whole tone. Notes above this range are more difficult to play, and the exact fingerings vary from instrument to instrument, so it is impractical to put them into the table here.[15] The numbers at the top correspond to the fingers and the holes on the recorder, according to the pictures. In the table, "X" signifies a closed hole, "O" signifies an open hole, and "/" signifies a half-closed hole. The note two octaves and one semitone above the lowest note (C# for soprano, tenor and great bass instruments; F# for sopranino, alto and bass instruments) is difficult to play on most recorders. These notes are best played by covering the end of the instrument (the "bell"); players typically use their upper leg to accomplish this. Some recorder 5 From Wikipedia, the free encyclopedia makers added a special bell key for this note — newer recorder designs with longer bores also solve this problem and extend the range even further. The note is only occasionally found in pre-20th-century music, but it has become standard in modern music. The lowest chromatic scale degrees — a semitone and a minor third above the lowest note — are played by covering only a part of a hole, a technique known as "half-holing." Most modern instruments are constructed with double holes or keys to facilitate the playing of these notes; such double holes are occasionally found on baroque instruments, where even the hole for the third finger of the left hand can be doubled. Other chromatic scale degrees are played by so-called "fork" fingerings, uncovering one hole and covering one or more of the ones below it. Fork fingerings have a different tonal character from the diatonic notes, giving the recorder a somewhat uneven sound. Budget tenor/ bass recorders might have a single key for low C/F but not low C#/F#, making this note virtually impossible to play. Double low keys allowing both C/F and C#/F# are more or less standard today. Most of the notes in the second octave and above are produced by partially closing the thumbhole on the back of the recorder, a technique known as "pinching". The placement of the thumb is crucial to the intonation and stability of these notes, and varies as the notes increase in pitch, making the boring of a double hole for the thumb unviable. To play the notes in the second octave, the player must tongue somewhat harder in order to excite the second and third harmonics of the instrument. A skilled player can, with a good recorder, play chromatically over two octaves and a fifth. Use of notes in the 3rd octave is becoming more common in modern compositions; several of these notes require closure of the bell or shading of the window area (ie holding the palm of the hand above the window, partially restricting the air emerging from it). In the hands of a competent player, these upper notes are not especially loud or shrill.[16] The renaissance recorder had a range of two octaves and a sixth [17], though writers on woodwind instruments in general from that period, e.g. Praetorius, often give shorter ranges. This might reflect a distinction between skilled and unskilled players in the renaissance or the differences in instruments Recorder made in one region versus another or over time. Modern reproductions of renaissance instruments, especially those from middle of the last century, often have a range as little as one and a half octaves[18] but more recent makers now produce reproduction renaissance instruments with the full range and Ganassi's fingerings. Consequently many publishers of recorder music refer to 'music for Ganassi recorder', or a similar phrase, when they mean recorder music with a range greater than two octaves and a tone. Changes in dynamics are not easy to achieve on the recorder if the player is accustomed to other wind instruments. If the player blows harder to play louder, or more softly to play softer, the pitch changes and the note goes out of tune, and unlike the transverse flute, the player cannot change the position of the mouth in relation to the labium in order to compensate. Consequently pitch is controlled largely by the breath, and dynamics are controlled largely by the fingers; for example by resting the fingers lightly on the holes breath leaks around them, lifting the pitch; and the resulting instinctive change in breath pressure to bring the pitch back also drops the volume. Advanced players use alternative fingerings to enable changes in dynamics.[19]. The recorder is notable for its sensitivity to articulation; in addition to its obvious use for artistic effect skilled players can also use this sensitivity to suggest changes in volume.[20] History Early recorders Internal duct-flutes have a long history: an example of an Iron Age specimen, made from a sheep bone, exists in Leeds City Museum.[21] The true recorders are distinguished from other internal duct flutes by having eight finger holes (in use - see below); seven on the front of the instrument and one, for the upper hand thumb, on the back, and having a slightly tapered bore, with its widest end at the mouthpiece. It is thought that these instruments evolved in the 14th century, but an earlier origin is a matter of some debate, based on the depiction of various whistles in medieval paintings. To this day whistles -as used in Irish folk music- have six holes. The original design of the transverse flute (and its 6 From Wikipedia, the free encyclopedia fingering) was based on the same six holes, but it was later much altered by Theobald Böhm. One of the earliest surviving instruments was discovered in a castle moat in Dordrecht, the Netherlands in 1940, and has been dated to the 14th century. It is largely intact, though not playable. A second more or less intact 14th century recorder was found in a latrine in northern Germany (in Göttingen): other 14th-century examples survive from Esslingen (Germany) and Tartu (Estonia). There is a fragment of a possible 14th-15thcentury bone recorder in Rhodes (Greece); and there is an intact 15th-century example from Elblag (Poland). [2] The earliest recorders were designed to be played either right-handed (with the right hand lowermost) or left-handed (with the left hand lowermost). The holes were all in a line except for the lowest hole, for the lower hand little finger. This last hole was offset from the center line, and drilled twice, once on each side. The player would fill in the hole they didn't want to use with wax. It is this doubled hole (not to be confused with the later double holes for semitones) which accounts for the early French name flute à neuf trous In later years, the right-hand style of playing was settled on as standard and the second hole disappeared. Recorder exclusive domain of nobility and clergy. The advent of the printing press made it available to the more affluent commoners as well. The popularity of the instrument also reached the courts however. For example, at Henry VIII's death in 1547, an inventory of his possessions included 76 recorders.[22] There are also numerous references to the instrument in contemporary literature (eg Shakespeare[23] and Milton[24]).[25] During the Renaissance musical instruments were principally used in dance music and as accompaniment for voices. There are many vocal works with non-texted lines, which possibly were written for instruments. In addition, some vocal music was easily playable with instruments, chansons, for example. Nevertheless, composers also produced more and more works exclusively for instruments, often based on dance music. (e.g. the Lachrimae Pavans by John Dowland). Often they did not specify the instruments to use although some, such as Anthony Holborne, indicated that their music was suitable for the recorder.[26] However, even when the composer specified, for instance, viols, the music could successfully be played on recorders. A taste for ensembles of like instruments developed in this era, and so arose "consorts" (groups of musicians playing the same type of instrument) and the families of instruments of various sizes. The diversity of sizes in an instrument family allowed the consort to play music with a very large pitch range. Some of the well known Renaissance composers who wrote instrumental music, or whose vocal music plays well on recorders, were:[27] • Guillaume Dufay • Johannes Ockeghem • Josquin des Prez • Heinrich Isaac • Ludwig Senfl • Orlando di Lasso • William Byrd • John Dowland • Anthony Holborne Polyphony was the dominant music style of the Renaissance, but composers also began to write chordal pieces. The Medieval custom of juxtaposing 2 or 3 different melodies coexisted with "imitative polyphony". Imitative polyphony uses only one melodic line, but breaks it in pieces and divides it among the different parts. One part plays the melody, then the other parts play it in their turns. The Renaissance recorders The Renaissance The recorder achieved great popularity in the 16th and 17th centuries. This development was linked to the fact that art music (as opposed to folk music) was no longer the 7 From Wikipedia, the free encyclopedia Recorder instrument, but this makes them more responsive.[28] Many reproduction instruments, especially from the middle of the last century, can only be played reliably over a range of an octave and a sixth; but more and more makers are producing recorders capable of the full range that Ganassi[29] reports, and with his fingerings in tune throughout. When modern music is written for 'Ganassi recorders' it is this type of recorder which is intended. Baroque recorders Several changes in the construction of recorders took place in the seventeenth century, resulting in the type of instrument generally referred to as Baroque recorders, as opposed to the earlier Renaissance recorders. These innovations allowed baroque recorders to possess a tone which was regarded as "sweeter" than that of the earlier instruments,[30] at the expense of a reduction in volume, particularly in the lowest notes, and a slightly reduced range. In the 18th century, rather confusingly, the instrument was normally referred to simply as Flute (Flauto) — the transverse form was separately referred to as Traverso. In the 4th Brandenburg Concerto in G major, J.S. Bach calls for two flauti d'echo. The musicologist Thurston Dart mistakenly suggested that it was intended for flageolets at a higher pitch, and in a recording under Neville Marriner using Dart's editions it was played an octave higher than usual on sopranino recorders. An argument can be made that the instruments Bach identified as flauti d'echo were echo flutes, an example of which survives in Leipzig to this day. It consisted of two recorders in f' connected together by leather flanges: one instrument was voiced to play softly, the other loudly. Vivaldi wrote three concertos for the flautino and required the same instrument in his opera orchestra. In modern performance, the flautino was initially thought to be the piccolo. It is now generally accepted, however, that the instrument intended was some variant of the sopranino recorder.[31] Tenor Recorder in C, end of 16th century, possibly Germany. The Crosby Brown Collection of Musical Instruments, 1889 (89.4.3133), The Metropolitan Museum of Art. music of this epoch was characterized by complex improvised ornamentation. Many instruments survive from this period, including an incomplete set of recorders in Nuremberg which date from the 16th century and are still partially playable. Similar to the Medieval recorders, and unlike the Baroque style recorders typically used today, Renaissance recorders have a wide, more or less cylindrical bore. They have powerful low notes (much more so than the Baroque recorders). The wide bore means that a greater quantity of air is required to play the The decline of the recorder The instrument went into decline after the 18th century, being used for about the last time as an otherworldly sound by Gluck in his opera Orfeo ed Euridice. Many reasons have 8 From Wikipedia, the free encyclopedia Recorder Alto Recorder by I.B. Gahn, Nürenberg, Germany, ca. 1700. Made of ivory. The Crosby Brown Collection of Musical Instruments, 1889 (89.4.909). The Metropolitan Museum of Art. been put forward for this decline. For example the main instrumental innovators of the time (such as the Hotteterre family) chose to concentrate their technological improvements on the flute, rather than the recorder.[32] Also, the fixed relationship of the windway to the labium limits the range of dynamics and expression of the recorder, when compared with the transverse flute.[33] Other possible reasons include an apparent lack of sufficient professional players; a lack of appreciation of the true nature of the recorder by composers; the high pitch of the instrument; the problems (for makers and players) of utilising the full chromatic range; and a perceived "bad reputation" of the instrument based on all these factors.[34] By the Romantic era, the recorder had been almost entirely superseded by the flute and clarinet. One variant of the recorder survived into the 19th Century concert halls, however: the keyed recorder known as the csakan or flute douce. The art of recorder making never completely died, though. Berchtesgaden Fleitl continue to be made to this day by Bernhard Oeggle, whose great-grandfather Georg learned his craft from Paul Walch (ca 1862-1873), the last of three generations of the Walch family of recorder makers. [35] Similarly, the careers of the Schlosser family of woodwind makers from the towns of Oberzwota and Zwota can be traced over five generations. Their founder was Johan Gabriel Sr who was active in the early 19th century; Rüdinger, who seems to have been the last maker, died in 2005. Henirich Oskar (1875-1947) made instruments sold by the firm of Moeck in Celle and helped to design their Tuju series of recorders. [36] Modern revival The recorder was revived around the turn of the 20th century by early music enthusiasts, but used almost exclusively for this purpose. It was considered a mainly historical instrument. Even in the early 20th century it was uncommon enough that Stravinsky thought it to be a kind of clarinet, which is not 9 From Wikipedia, the free encyclopedia surprising since the early clarinet was, in a sense, derived from the recorder, at least in its outward appearance. The eventual success of the recorder in the modern era is often attributed to Arnold Dolmetsch in the UK and various German scholar/performers. Whilst he was responsible for broadening interest beyond that of the early music specialist in the UK, Dolmetsch was far from being solely responsible for the recorder's revival. On the Continent his efforts were preceded by those of musicians at the Brussels Conservatoire (where Dolmetsch received his training), and by the performances of the Bogenhauser Künstlerkapelle (Bogenhausen Artists' Band) based in Germany. Over the period from 1890-1939 the Bogenhausers played music of all ages, including arrangements of classical and romantic music. Also in Germany, the work of Willibald Gurlitt, Werner Danckerts and Gustav Scheck proceeded quite independently of the Dolmetsches.[37]. Thus the revival, far from being the work of one man, was the result of several strands coming and working together. Among the influential virtuosos who figure in the revival of the recorder as a serious concert instrument in the latter part of the twentieth century are Frans Brüggen, Roger Cotte, Hans-Martin Linde, Bernard Kranis, and David Munrow. Brüggen recorded most of the landmarks of the historical repertoire and commissioned a substantial number of new works for the recorder. Munrow's 1975 double album The Art of the Recorder remains as an important anthology of recorder music through the ages. Carl Dolmetsch, the son of Arnold Dolmetsch, became one of the first virtuoso recorder players in the 1920s; but more importantly he began to commission recorder works from leading composers of his day, especially for performance at the Haslemere festival which his father ran. Initially as a result of this, and later as a result of the development of a Dutch school of recorder playing led by Kees Otten, the recorder was introduced to serious musicians as a virtuoso solo instrument both in Britain and in northern Europe, and consequently modern composers of great stature have written for the recorder, including Paul Hindemith, Luciano Berio, John Tavener, Michael Tippett, Benjamin Britten, Leonard Bernstein, Gordon Jacob, Steven Stucky and Edmund Rubbra. Recorder It is also occasionally used in popular music, including that of groups such as the Beatles,[38] the Rolling Stones,[39] Led Zeppelin,[40] Jimi Hendrix[41] and Siouxsie & The Banshees[42] Some modern music calls for the recorder to produce unusual noises, rhythms and effects, by such techniques as fluttertonguing and overblowing to produce multiphonics. David Murphy's 2002 composition Bavardage is an example, as is Hans Martin Linde's Music for a Bird. Among late 20th-century recorder ensembles, the trio Sour Cream (led by Frans Brüggen), the Flanders Recorder Quartet and the Amsterdam Loeki Stardust Quartet have programmed remarkable mixtures of historical and contemporary repertoire. Use in schools A plastic recorder In the mid 20th century, manufacturers were able to make recorders out of bakelite and more modern plastics which made them cheap and quick to produce. Because of this, recorders became very popular in schools, as they are one of the cheapest instruments to buy in bulk.[43] They are also relatively easy to play at a basic level as they are pre-tuned. It is, however, incorrect to assume that mastery is similarly easy—like other instruments, the recorder requires significant study to play at an advanced level. The success of the recorder in schools is partly responsible for its poor reputation as a "child's instrument". Although the recorder is ready-tuned, it is very easy to warp the pitch by over or under blowing, which often results in an unpleasant sound from beginners. Although it is usually associated with younger school children, some middle and high schools use them during music courses such as music theory. 10 From Wikipedia, the free encyclopedia Recorder Blezinger, Boudreau, Grinter, Ehlert.[45] Netsch, Coomber, Early music re-enactment Another area where the recorder has gained popularity is history re-enactment. Since the recorder is a very old instrument, it is extremely suitable in playing Medieval and Baroque music. It is easy to carry and has reasonably loud sound, and can be played both indoors and outdoors. Since many history re-enactors have learned to play recorder already in school, it can be easily adapted in early music, often in combination with other woodwnd instruments, such as shawm. Recorder ensembles (From top to bottom) Bass, tenor, alto, soprano and sopranino recorders The recorder is a very social instrument. Many amateurs enjoy playing in large groups or in one-to-a-part chamber groups, and there is a wide variety of music for such groupings including many modern works. Groups of different sized instruments help to compensate for the limited note range of the individual instruments. Four part arrangements with a soprano, alto, tenor and bass part played on the corresponding recorders are common, although more complex arrangements with multiple parts for each instrument and parts for lower and higher instruments may also be regularly encountered. One of the more interesting developments in recorder playing over the last 30 years has been the development of recorder orchestras. They can have 60 or more players and use up to nine sizes of instrument. In addition to arrangements, many new pieces of music, including symphonies, have been written for these ensembles. There are recorder orchestras in Germany, Holland, Japan, the United States, Canada, the UK and several other countries.[46] Makers The evolution of the Renaissance recorder into the Baroque instrument is generally attributed to the Hotteterre family, in France. They developed the ideas of a more tapered bore, bringing the finger-holes of the lowermost hand closer together, allowing greater range, and enabling the construction of instruments in several jointed sections. The last innovation allowed more accurate shaping of each section and also offered the player minor tuning adjustments, by slightly pulling out one of the sections to lengthen the instrument. The French innovations were taken to London by Pierre Bressan, a set of whose instruments survive in the Grosvenor Museum, Chester, as do other examples in various American, European and Japanese museums and private collections. Bressan's contemporary, Thomas Stanesby, was born in Derbyshire but became an instrument maker in London. He and his son (Thomas Stanesby junior) were the other important British-based recorder-makers of the early eighteenth century. In continental Europe, the Denner family of Nuremberg were the most celebrated makers of this period. Many modern recorders are based on the dimensions and construction of surviving instruments produced by Bressan, the Stanesbys or the Denner family.[44] Well-known larger contemporary makers of recorders include Angel (South Korea), Aulos (Japan), Moeck (Germany), Dolmetsch (England), Mollenhauer (Germany), Fehr, Huber, Küng (Switzerland) and Yamaha (Japan). Smaller workshops include names such as Takeyama, Von Huene, Rohmer, Adrian Brown, Prescott, Marvin, Cranmore, Amman, Beaudin, References [1] Grove Music Online recommends that use of the word fipple should be abandoned because its meaning is confused. However, other sources (eg the Oxford Dictionary of Music) continue to use it. [2] ^ The Recorder Homepage, maintained by Nicholas S. Lander, includes a comprehensive survey of historical instruments [3] For example, Eve O'Kelly describes how Frans Brüggen "achieved worldwide recognition as a recorder virtuoso" in her 11 From Wikipedia, the free encyclopedia book The Recorder Today, Cambridge University Press, 1990. ISBN 0-521-36681-X. p.62 [4] Jean Marc Bonard, "The Physicist's Guide to the Orchestra", 2001, Eur. J. Phys. 22 89-101 [5] Hampshire Recorder Sinfonia guide to the recorder family [6] Trevor Robinson, The Amateur Wind Instrument Maker, University of Massachusetts Press, 1981. ISBN 0-87023-312-2. See chapter 2, "Wooden instruments, materials and methods" [7] A Rowland-Jones, Recorder Technique ISBN 0-907908-75-6 [8] Recorder fingerings [9] Edgar Hunt, The Recorder And Its Music [10] Dolmetsch "Millennium" square section recorders [11] Jacqueline Sorel, Baroque Alto Recorder after Stanesby, Sr http://www.sorelrecorders.nl/models/m05stanesbyE.html [12] Jacqueline Sorel: Renaissance Recorders after Ganassi: http://www.sorelrecorders.nl/models/m01ganassiE.html [13] David Jacques Way: Harpsichord Pitch and Transposition http://zhi.net/ technical/pitch.shtml [14] www.tapiasgold.com [15] Kenneth Wollitz, The Recorder Book, Knopf, 1984. ISBN 0-394-47973-4. See Chapter 1, "Technique" [16] Recorder fingering charts [17] Ganassi, Opera intitula Fontegara, available in many modern facsimile editions [18] Recorder fingerings [19] Walter van Hauwe, The Modern Recorder Player, Volume III, Schott, 1992. ISBN 0-946535-19-1. See Chapter 3, "Alternative Fingerings" [20] A Rowland-Jones, Playing Recorder Sonatas Clarendon Press ISBN 0-19-879001-5 [21] Oxford Companion to Music. See section 1 of "Recorder Family" article [22] Oxford Companion to Music. see section 2 of the article on "Recorder Family" [23] Hamlet, Act III scene ii, Hamlet: "Ah, ha! Come, some music! Come, the recorders!" [24] Paradise Lost, Book I: "Anon they move/ in perfect phalanx to the Dorian mood/ flutes and soft recorders" [25] For an extensive database of literary references to the recorder see here Recorder [26] Anthony Holborne, Pavans, Galliards, Almains and other short Aeirs, both grave and light, in five parts, for Viols, Violins, recorders or other Musicall Winde Instruments, published in 1599 [27] Kenneth Wollitz, The Recorder Book, Knopf, 1984. ISBN 0-394-47973-4. See Chapter 8, "Repertory of the Recorder" by Colin C. Sterne. [28] Trevor Robinson, The Amateur Wind Instrument Maker, University of Massachusetts Press, 1981. ISBN 0-87023-312-2. See chapter 4, which includes a description of the construction and sound of Renaissance recorders. [29] Ganassi, Opera intitula Fontegara, available in many modern facsimile editions [30] Jonathan Wainwright and Peter Holman, From Renaissance To Baroque: Change in Instruments and Instrumental Music in the Seventeenth Century, Ashgate Publishing, Ltd, 2005. ISBN 0-7546-0403-9 [31] Eleanor Selfridge-Field, Vivaldi's esoteric instruments, Early Music 6 (1978), 332-339. (RV443 and RV444 have a compass c' - f''', while perplexingly RV445 has lowest note e.) [32] Eve E. O'Kelly, The Recorder Today, Cambridge University Press, 1990. ISBN 0-521-36681-X. p.31 [33] Donald Murray et al. Musical Instruments: History, Technology, and Performance of Instruments of Western Music, Oxford University Press, 2004. ISBN 0198165048. p.122 [34] Waitzman, Daniel: The Decline of the Recorder in the 18th Century. Published in American Recorder 8 no. 2 (Spring 1967). pp.47-51 [35] MacMillan, D. (2007). The Recorder 1800-1905. Recorder Magazine 27(4): 126-131. [36] Tarasov, N. (2005). Bahn fre! Kreative Blocckonstruktionen in 19 Jahrhundert. Windkanal 4: 14-17.) [37] Eve E. O'Kelly, The Recorder Today, Cambridge University Press, 1990. ISBN 0-521-36681-X. Chapter 1: The Revival [38] For example, in Fool on the Hill, according to and it is also used by Dido. The Recorder Home Page maintained by Nicholas S. Lander [39] see, for example, Wikipedia article on Ruby Tuesday (song) 12 From Wikipedia, the free encyclopedia [40] See, for example, Wikipedia article on Stairway to Heaven [41] For example, in the song If 6 Was 9, according to The Recorder Home Page maintained by Nicholas S. Lander [42] For example in the song Green Fingers, according to | Discogs.com's page on the album A Kiss in the Dreamhouse [43] Margo Hall, Teaching Kids Recorder, iUniverse, 2005. ISBN 0-595-36743-7 [44] Information about makers is summarised from sleeve notes of David Munrow's The art of the Recorder, 1975, written by Edgar Hunt, then Head of Renaissance and Baroque music at Trinity College of Music, London [45] A comprehensive database of current recorder makers worldwide is available here. [46] See, for example, Dutch Recorder Orchestra Praetorius, Recorder Orchestras in Japan, Mid-Peninsula Recorder Orchestra, Scottish Recorder Orchestra and SRP National Youth Recorder Orchestra Recorder • Literary and Theatrical References - a database with details of 383 literary and theatrical references to the recorder • Recorder Societies - a database with details of 271 societies devoted to the recorder worldwide Resources at The Metropolitan Museum of Art • The Development of the Recorder, Heilbrunn Timeline of Art History • Alto Recorder by Johann Benedikt Gahn, ca. 1700, Nuremberg • Alto Recorder by Johann Wilhelm Oberlender the Elder, mid-18th century, Nuremberg • Alto Recorder by Thomas Stanesby, Jr., mid-18th century, London • Soprano Recorder by Thomas Boekhout, ca. 1700, Amsterdam • Tenor Recorder, end of 16th century, possibly Germany Recorder solos at the International Music Score Library Project - 12 collections totaling 1000 free downloadable recorder solos with historical notes The Recorder Player's Page - a web site with various utilities, articles and free recorder sheet music Stichting Blokfluit - two very comprehensive catalogues with the original titles from ±1550 till today. Recorder Fingerings - recorder fingering charts and trill charts. Dolmetsch method - a free and comprehensive but still in progress online recorder method. American Recorder Society - ARS homepage Society of Recorder Players - nationwide organisation of recorder groups in the United Kingdom http://www.ancientinstruments.co.uk Reconstructed bone flutes: sound sample and playing instructions How the recorder works How to Play The Descant, Treble, Tenor and Bass Recorders complete tutorial book • • External links • http://www.recorderhomepage.net/ Recorder Home Page: a comprehensive website devoted to the recorder. • Instrument of Torture or Instrument of Music? - an extensive overview of the recorder. • Original Instruments, Makers and Collections - comprehensive databases with details of 1,337 historical recorders, 345 makers and 246 instrument collections. • Recorder Makers - a comprehensive database of 268 current recorder makers, with contact details and notes on their instruments • Recorder Technique - a guide to sources of information on recorder technique • Recorder Iconography - an extensive descriptive catalogue of over 4,000 artworks depicting the recorder • Recorded Recorders - an extensive database of over 8,600 recordings featuring the recorder • • • • • • • • • Retrieved from "http://en.wikipedia.org/wiki/Recorder" Categories: Flutes, Baroque instruments, Fipple flutes, Recorder players 13 From Wikipedia, the free encyclopedia Recorder This page was last modified on 21 May 2009, at 16:48 (UTC). All text is available under the terms of the GNU Free Documentation License. (See Copyrights for details.) Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a U.S. registered 501(c)(3) taxdeductible nonprofit charity. Privacy policy About Wikipedia Disclaimers 14


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Event Coordinator Jobs in Albuquerque, New Mexico
103 Albuquerque, NM Event Coordinator jobs found on Monster.Jobs 1 to 20 of 103
Events and Promotions Coordinator - Accelerated Start Date Events & Promotions Coordinator APPLY NOW SEEKING FULL TIME ACCELERATED START DATE MUST BE ABLE TO START ASAP OR WITHIN 2 WEEKS Are you ready to join a company that's innovative, fun, and motivated? As part of our continued growth and expansion, TDP is looking for talented professionals to join our team. We strive for excellence in th...
Under the general direction of the Student Union Building Event Technician Student Manager, perform the timely and accurate daily set-up of catering and meeting spaces. DUTIES AND RESPONSIBILITIES: 1. Responsible for set-up or breakdown of specific spaces. - Room set-ups are completed according to the reservation specifications on the Equipment Service Order Sheet. - Provide clients with the f...
John Q. Hammons Hotels & Resorts Albuquerque, NM, 87102
Job Purpose: Generation of top line catering revenue for the hotel by maximizing all revenue potential and up-selling additional events/amenities, whenever possible, to build additional revenues. Job Responsibilities: Handle and follow up on inquiries for small meetings/events with or without guestrooms. Follow up on leads by qualifying the customer's needs and dates for the event to determine ...
Retail Business Development Albuquerque, NM, 87102
Work with a thriving, fast growing enterprise! Retail Business Development (RBD) is a cutting-edge, leading provider of retail staffing and consulting services to some of the nation's leading brands in the wireless, consumer electronics, and retail industries. We train and cultivate Sales Consultants to represent leading wireless companies in stores across the U.S. Position Summary This is an ex...
At REI we offer an enviable work environment that Fortune Magazine has recognized on the "100 Best Places to Work" list since the award's inception – 16 years in a row! Sure, we work hard, but it's balanced with time off to play—a strategy that works for us as we continue to grow and thrive. Want to enjoy a workplace where you can be yourself, be heard and be respected while having a job that chal...
Communications Coordinator- Hiring Now! PURPOSE: Marketing and communications for Event Marketing company Paid Training-Travel Opportunities-Management MAJOR RESPONSIBILITY AREAS -Implementation of marketing plans, including product positioning, campaign strategies, and market strategy insights. -Discovery of strategic business opportunities through cross function collaboration with sales, HR...
All applicants are encouraged to apply for this vacancy. This position is intended as an internal promotion opportunity. Therefore, regular status UNM employees will be given first consideration. After reviewing applications from UNM employees, the hiring officer may elect to review the entire applicant pool. In order to be considered for Career Advancement, UNM employees must meet the following ...
This is an off-campus work study position with La Plazita Institute located at 831 Isleta Blvd. SW. This position requires a work study award. "TMAC/WC" YOUTH OUTREACH COORDINATOR & FACILITATOR Facilitate, lead and coordinate all aspects of the Teens Making a Change "TMAC" and Warrior Circle Programs held at La Plazita Institute, Youth Services Center and Atrisco Heritage Academy High School. Th...
This is an off-campus work study position with La Plazita Institute located at 831 Isleta Blvd. SW. This position requires a work study award. "SMAC" YOUTH OUTREACH COORDINATOR & FACILITATOR Facilitate, lead and coordinate all aspects of the Sisters Making a Change "SMAC" Program. This is a weekly healing circle/youth leadership/life skills/educational session open to youth and women. YOC needs ...
The UNM Cancer Center (UNMCC) is the Official Cancer Center of New Mexico and the only National Cancer Institute-designated cancer center in the state. One of just 67 NCI-designated cancer centers nationwide, the UNM Cancer Center is recognized for its scientific excellence, contributions to cancer research and delivery of medical advances to patients and their families. Annual federal and private...
We are looking for a Staffing Consultant at Fidelity Investments in Albuquerque, NM Summary The Staffing Consultant uses effective marketing and sales approaches to identify key markets, source and hire internal/external candidates with the required skills and competencies to meet business unit objectives. Incumbent maintains relationships with business units with the objective of creating stron...
Heritage seeks a dynamic person for the position of Clinical Manager for our Home Care Division in Albuquerque, New Mexico. Ideal candidate should possess strong leadership & people skills & previous Home Healthcare experience is preferred. POSITION SUMMARY: Plans, coordinates, manages and evaluates the activities of a professional clinical team to ensure the delivery of quality assured, cost ef...
Position/Functional Title:USAF DMOC Operational Military Analyst, Subject Matter Expert PRIMARY FUNCTION(S) The selected candidate will assist in the planning, developing and execution of Virtual Flag Exercises and other related events. The candidate will provide real world experience and associated recommendations for developing a warfighter focused training environment that supports Ready Airc...
DIRECTV ACCOUNT REPREPRESENTATIVE WANTED-FULL PAID TRAINING RETAIL MARKETING AND PROMOTIONS ENTRY LEVEL MARKETING / ADVERTISING Earn top dollar while representing market leading DIRECTV inside two of the world's largest retailers. Talk sports, movies, and entertainment while promoting DIRECTV's new products and services and helping DIRECTV acquire new customers. We offer a guaranteed hourly pa...
Regional Director Job Posting: The Rocky Mountain Elk Foundation, (www.rmef.org) a non-profit wildlife habitat conservation organization seeks a performance motivated team player with strong interpersonal skills to engage and manage volunteer activities, event fundraising and major gift fundraising in New Mexico. BS/equivalent degree and 5 years of experience in business, marketing, and fundrais...
Description : The candidate will be part of the Command and Control Technical Support Contract (C2TSC) team that provides Virtual Flag Exercise support to the Distributed Mission Operations Center, 705 Combat Training Squadron, at Kirtland AFB, NM. The candidate will provide Subject Matter Expertise for Live, Virtual and Constructive (LVC) exercise planning, development and execution within the ...
Exercise/Virtual Flag Simulator (DMOC) (Job Number:406832) Description: The candidate will be part of the Command and Control Technical Support Contract (C2TSC) team that provides Virtual Flag Exercise support to the Distributed Mission Operations Center, 705 Combat Training Squadron, at Kirtland AFB, NM. The candidate will provide Subject Matter Expertise for Live, Virtual and Constructive (LVC...
Description : SAIC is actively seeking an enthusiastic, goal-oriented candidate that is self-starting and requires minimal supervision for Modeling and Simulation Systems Engineering to provide expert technical, operational, and analytical support to sustain the current training missions of the 705th Combat Training Squadron (705 CTS) through the Distributed Mission Operations Center (DMOC). Pri...
Exercise/Virtual Flag Simulator (DMOC) (Job Number:406832) Description: The candidate will be part of the Command and Control Technical Support Contract (C2TSC) team that provides Virtual Flag Exercise support to the Distributed Mission Operations Center, 705 Combat Training Squadron, at Kirtland AFB, NM. The candidate will provide Subject Matter Expertise for Live, Virtual and Constructive (LVC...
Sandia Resort Casino Albuquerque, NM, 87102
Position Summary Responsible for planning, developing, coordinating, and implementing marketing strategies and activities for the Casino and Resort. Responsible for the Marketing, Players Club, Promotions, Advertising, Media Buying, Graphic Arts and Player Development. Supervision Exercised Reports to the General Manager, Gaming Operations Supervises all areas of Marketing Department including...
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Concert Promoter
$3,600.00 - $34,000.00
Typical Salary for Concert Promoter in Albuquerque
(6 Respondents)
Source: Monster.com Careerbenchmarking Tool
Education / Training
Some College Coursework Completed
High School
(5 Respondents)
Source: Monster.com Careerbenchmarking Tool
Concert Promoter
Generates concert revenues and profits by developing and implementing concert concept; hiring talent and support staff; managing finances.
Rate of Growth
12.00 %
Size of Industry in 2006:
Source: Bureau of Labor Statistics, May 2006
Related Skills
Advertising Development Skills
Advertising Plan
Building Relationships
Client Relationships
Related Duties
Develops financial resources by projecting income and expenses; identifying, contacting, and securing funding; completing negotiations and contracts.
Maintains quality results by establishing and enforcing concert standards.
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To Denise Butler
Iwould be delighted to share research with you on this family. I have the only family
picture of Albert DeLange and Wihelmina Copper with all eight children in it. The
old home place burned to the ground and the only picture left was this one my grandfather
had. It was not discovered until the death of my grandfather. Most people did not know
about William Henry because he died at the age of 27. He just was not talked about. He is burried in Fort Scott Cemetary beside his father Ablert. I need an e mail address from
you or land address so I can contact direct.
Do you have anything on John "Adam" DeLange
father of Albert? Looking forward to hearing from you.
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More Articles for heavy-duty equipment
7 Tips for Successfully Jump-Starting Heavy-Duty Vehicles
As the mercury drops, it is a good to review some best practices when it comes to jump starting heavy-duty vehicles. This is a topic that keeps our Tech Service lines buzzing at this time of year.
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FaltyDL Shares μ-ziq Remix of "Rolling" from ///I\II\\\\ EP
The Planet Mu boss Mike Paradinas aka μ-ziq contributes to the unpronounceable ///I\II\\\\ EP with his surging edit of Rolling; stream via FACT, or below.Read More
Drew Lustman aka FaltyDL was born and grew up in New Haven, Connecticut. These days he lives in Brooklyn, New York. Releasing music for Planet Mu, Ramp, Rush Hour, 50 Weapons, Hemlock, Swamp81, his own Blueberry Records imprint and, of course, Ninja Tune, he has recorded three albums (Love Is A Liability, You Stand Uncertain and Hardcourage) and will share his fourth LP In The Wild on 11th August 2014. He has also toured with James Blake; opened for Radiohead; and remixed for the likes of Seun Kuti, Photek, The xx and Disclosure.
"RT @ninjatune: Sneak peek at @FaltyDL's new ///I\II\\\\ EP ft. @MikeParadinas @Stewbrrd out on Monday http://t.co/Pj1sbRS3lC http://t.co/25…"Sat Nov 22 14:23:49 2014
"@Groove_Mag @Ashes57 Gracias!"Thu Nov 20 17:58:31 2014
"@Groove_Mag photo credit to @Ashes57 please :)"Thu Nov 20 17:29:35 2014
"RT @Groove_Mag: Meine Stadt: @FaltyDL stellt stellt New York und seine Nachbarschaft in #Williamsburg vor. http://t.co/sio3DwQ6xY http://t.…"Thu Nov 20 17:28:29 2014
"Maybe if i got my grandmother to start smoking pot, she'd stop calling me a fucking bastard. Maybe."Thu Nov 20 17:15:03 2014


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Bentley Bratcher & Associates
Bentley Bratcher & Associates Jobs & Careers in London, England
6 Month FTC (Mat Cover) PA to Investment Director & Team - Up to £31K pro rata
Bentley Associates – London, England
Our client is a hugely successful private client investment management company, based in Central London. They are looking to recruit, initially… Glassdoor
Typist - Harley Street Practise
Bentley Associates – Greater London
You must be available from Monday 10th to Friday 14th November. ONLY CANDIDATES WITH PRACTISE MANAGER OR MEDITEC SYSTEMS EXPERIENCE WILL BE… Glassdoor
Temporary receptionist required for property developers
Bentley Associates – Kings Cross, England
You will work alongside another receptionist covering either 8am 6pm or 10am 7pm. This role will pay £10 per hour. We regret that we cannot… Glassdoor
Bentley Bratcher & Associates Reviews
"A firm dedicated to superior client service, employee development, and community service "
- Comp & Benefits
- Work/Life Balance
- Senior Management
- Culture & Values
- Career Opportunities
I have been working at Bentley Bratcher & Associates (more than an year)Pros
Opportunities to have exposure and learn about the services BB&A provides. The mentality of the management promotes exposure and development in tax, audit, business development, business services. For those interested in broad exposure within the accounting/finance field, this is the place to be.
Our clients are our first priority. Learning that serving our clients is a privilege.
Free snacks, meals (during busy season), great annual Christmas party, outlandish gifts for all employees.
Receptivity of management regarding work schedule flexibility on an individual basis as well as by departmentsCons
A firm in transition experiencing some growing pains. (firm values still in development, excessive turnover in some areas, and improved clarity in terms of roles and responsibilities)
Policies in dire need of review and updating.Advice to ManagementAdvice
Stay the current course
Continue to clarify and communicate with employees
Address the "Cons" aboveRecommendsPositive OutlookApproves of CEO


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The Beacon
Blog Tags: Omega 3 Fatty Acid
Video: Mercury from Source to Seafood
The health benefits of seafood are well-documented, but some people avoid eating it after hearing reports of high mercury levels. This video might help make things a little clearer.
Produced by the Dartmouth Toxic Metals Superfund Research Program, the video explains how mercury gets into water and then into the fish that we eat. Burning coal releases mercury into the air and increases its concentrations in our waterways. Depending on where in the food chain a fish is, it could have low levels of mercury or high levels that could be unhealthy.
Eating seafood has many health benefits—it has important Omega 3 fatty acids and is low in the saturated fats you find in other animal proteins, especially red meat. Many fish are safe and healthy to eat. While shark, swordfish, king mackerel, tilefish, and tuna have higher mercury levels, there are plenty of other options that are safe to eat. You can find responsible and healthy seafood choices in our Sustainable Seafood Guide.
Check out the video, which also features Oceana senior scientist Kim Warner, to learn more about how mercury builds up in the environment and how to stay healthy while including seafood in your diet.
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- Video: Watch the Incredible Migration of Thousands of Giant Spider Crabs in Australia Posted Mon, November 24, 2014


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