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Covercraft Sunbrella Car Cover C11490D1
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Happy Harvest
The month of November finds us getting ready for the holiday season-and that can be stressful! Dont forget we can cater your upcoming office party and have the dessert to put the finishing touch on your Thanksgiving dinner. Our fall flavors are still around and available in pints, quarts or half gallons to go! Apple dumplings are another great dessert idea for your Thanksgiving dinner guests or a great way to warm up on those cool November evenings! Give the gift of good taste to family and friends-our gift cards are available in any denomination.
What is your Favorite Flavor?Click below to sign up for our program and we'll text or email you when your favorite is made!!corneliusbrusters favorite flavor
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Stop by to pick up a ice cream pie or cake at anytime. For special ice cream flavors call and order a cake made with your favorite flavors. You may select two ice cream flavors in your pie or cake!Concession Sales Well sell ice cream at your event from our trailer or cart and youll get 20% of the proceeds. (Minimum attendance requirements apply.)Pie Fundraiser Pre-sell our delicious pies for $15.00 and receive $5.00 for each pie sold. Well deliver on a specified day or pies can be picked up at the store. This makes a great holiday fundraiser.Scooper Nights Invite your organization to our store on a designated night for a 2 hour period and youll get 20% of the proceeds. You can set up tables or displays to promote special events or programs.Fundraising Booklets Sell our coupon books for $12.00 and receive $6.00 per book sold.Italian Ice Day Pre-sell cups of our Italian Ice to your students for delivery on a specified day for $2.00 a cup and receive $1.00 per cup sold.Call or email at:email@example.com


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Fort Wayne, IN, 46825-0468
School Overview
|Religious Affiliation
|Roman Catholic
|Grades Offered
|Grades 9 - 12
|Year Founded
|Blue Ribbon School - Selected in 2004
Student Body
|Total Students
|1035 students
|Student Body Type
|Students by Grade
Academics and Faculty
|Total Classroom Teachers
|58 teachers
|Student : Teacher Ratio
National avg.: 13:1
|% Faculty w/Advanced Degree
|Average Class Size
|27 students
|Number of AP Courses
|8 courses
|Advanced Courses
|Calculus, Chemistry, Literature and Language, Statistics, US History, Biology,
|Average SAT score
|Average ACT score
Finances and Admission
|Admission Deadline
|None / Rolling
|Yearly Tuition Cost
|Tuition Notes
|Tuition and fees vary from year to year. Please visit our website for current information, www.bishopdwenger.com.
|% on Financial Aid
|Total Sports Offered
|20 sports
|Baseball, Basketball, Bowling, Cheering, Cross Country, Dance, Diving, Football, Golf, Gymnastics, Ice Hockey, Paddle Tennis, Rugby, Soccer, Softball, Swimming, Tennis, Track and Field, Volleyball, WrestlingBaseball, Basketball,
Bowling, Cheering,
Cross Country, Dance,
Diving, Football,
Golf, Gymnastics,
Ice Hockey, Paddle Tennis,
Rugby, Soccer,
Softball, Swimming,
Tennis, Track and Field,
Volleyball, Wrestling,
|Total ExtracurricularsTotal Extra-curric.
|43 extracurriculars
|ACTS Ministry, Academic Super Bowl, Adventure Club, Art Club, BD Ambassadors, Cheerleading, Dance Team (Hip Hop), Dart Club, Euell Wilson Tutors, FBLA, French Club, Habitat for Humanity, Jazz Band, Key Club, Knowledge Master, Latin Club, Liturgical Choir and Ensemble, Marching Band, NHS, Newspaper, Peer Mediators, Peer Tutors, Pep Band, Robotics Club, Rosa Mystica, Rosary Club, SADD, Saints Alive! Student Volunteers, Saints for Life, Scrabble Club, Show Choirs (3), Social Justice Club, Spanish Club, Speech Team, Spell Bowl, Spirit Club, Spiritual Book Club, Student Council, Table Tennis Club, Theater, Winter Color Guard, Winter Percussion, Yearbook ACTS Ministry, Adventure Club, Art Club, BD Ambassadors, Cheerleading, Dart Club, FBLA, French Club, Jazz Band, Key Club, Latin Club, Marching Band, NHS, Newspaper, Peer Mediators, Peer Tutors, Pep Band, Robotics Club, Rosa Mystica, Rosary Club, SADD, Scrabble Club, Spanish Club, Speech Team, Spell Bowl, Spirit Club, Theater, Yearbook, Academic Super Bowl,
Dance Team (Hip Hop),
Euell Wilson Tutors,
Habitat for Humanity,
Knowledge Master,
Liturgical Choir and Ensemble,
Saints Alive! Student Volunteers,
Saints for Life,
Show Choirs (3),
Social Justice Club,
Spiritual Book Club,
Student Council,
Table Tennis Club,
Winter Color Guard,
Winter Percussion,
School Notes:
- 97% attendance rate
- Over 100 course offerings including many honors and AP courses and two dual credit classes
- Outstanding Resource Room
- Faculty and staff who go above and beyond
- 97% of graduates go on to college or technical school
- Four National Merit Semi-Finalists and seven Commended Students
- Over $9.6M in scholarships offered to the Class of 2012
- Masses, retreats, and an open chapel
- 20 IHSAA sports, 4 club sports, and 45 clubs and service/spiritual organizations
- State-ranked academic teams
- New fine arts and academic wings, as well as a new guidance complex
- Required community service hours and religious education classes
- Tech prep classes offered through Anthis Career Center
Profile last updated: 09/02/2014
Nearby Schools:
- School Location Miles Students Grades
Fort WayneKeystone Schools
Po Box 11120 1800 Laverne Avenue
Fort Wayne, IN, 46855
(260)424-45230.3 mi | n/a students | Gr. 8-9
Fort WayneAscension Lutheran School
8811 Saint Joe Rd
Fort Wayne, IN, 46835
(260)486-2226(Lutheran Church -- Missouri Synod)1.2 mi | 100 students | Gr. PK-8
Fort WayneConcordia Lutheran High School
1601 Saint Joe River Dr
Fort Wayne, IN, 46805
(260)483-1102(Lutheran Church -- Missouri Synod)1.6 mi | 681 students | Gr. 9-12
Fort WayneCornerstone Daycare Learning Center
1400 W Washington Center Rd
Fort Wayne, IN, 46825
(260)489-3737Daycare / Preschool (Pentecostal)1.8 mi | 10 students | Gr. PK-KG
Fort WayneHoly Cross Lutheran School
3425 Crescent Ave
Fort Wayne, IN, 46805
(260)483-3173(Lutheran Church -- Missouri Synod)1.8 mi | 387 students | Gr. PK-8


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Calling for Female Travel partner
Hi, I'm a consultant aged 34. I live alone and haven't made any holiday plans this year. Now that the year is going to end I'm thinking of 2 short holidays. First one is planned for November last week and next in December last week. I'm planning to


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Try some new punches out and make some cards to celebrate World Card Making Day! Read more »
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Add personality to your drinkware with this DIY coffee mug.
The AdvantEdge™ Punch System features slide-and-lock technology that makes punching perfectly aligned borders easier than ever.
Looking for a different way to gift wrap your presents this year? Try using brown paper instead of expensive wrapping paper. It is easily available and SO eco friendly. In this project I used tons of lace to decorate my packages. You can easily find lace at garage sales and by combining lace and brown paper you get a very romantic gift wrapping option.
Here are a few simple ideas for you try:
Ruffle a long length of lace and wrap it around your brown paper wrapped gift. Add a bow or tag if desired.
Are you bringing cookies as a hostess gift? Try packaging them in a brown bag and add a lace bow on top.
To create a slit for the lace to pass through, I used a border punch, which adds such beauty to the bag. You can use any border punch you have in your stash, just center the bag on the punch (as seen in photo above), and punch once in the center.
Decorate a jewelry box by simply tying a lace around it and adding a few scrap lace ties to make a bow. Add a punched out scallop as a tag if desired.
A quick idea to make an envelope, fold some Kraft cardstock and add a scalloped edge using a paper edger. Close shut using lace, and add a lace flower.
To make flower, punch out a circle from Kraft circle. Fold lace in half width-wise, and stitch around the circle.
Sign up today for project inspiration, tips, techniques and product specials.
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|Teneo Apparthotel Bordeaux Begles 103 256 Avenue Du Marechal Leclerc, Bègles
Score from 309 reviews: GoodThis residence is just 2 miles from central Bordeaux. It has air-conditioned rooms and free on-site parking. Internet access is available. More…
$73 Average price per night
|Hôtel Wilson, Bègles 3, rue Marcel Sembat, Bègles
Score from 173 reviews: Very goodLocated in Bègles, Hotel Wilson is close to tramway and bus transportation services that offer direct access to the center of Bordeaux and the SNCF train station. More…
$73 Average price per night
|Clos des Boulevards 369 Boulevard Jean Jacques Bosc , Bordeaux Sud , Bordeaux
Score from 50 reviews: GoodClos des Boulevards is set just a 3-minute walk from Terres Neuves Tram Stop in Bordeaux and a 5-minute tram ride from Saint-Jean Train Station. More…
$218 Average price per night
|Hotel Altica Floirac Rue De La Gabarre, Floirac
Score from 222 reviews: GoodHotel Altica Floirac is an budget hotel located just outside Bordeaux in Floirac. It offers affordable accommodations with satellite TV and free Wi-Fi internet access. More…
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|Le Saint James 3 place Camille Hostein, Bouliac
Score from 33 reviews: Very goodNestled in an exceptional setting overlooking Bordeaux and the river, Le Saint-James is an invitation to enjoy the quietness of the vineyards and the park. More…
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|La Halte Montaigne 27 Rue Pelleport, Bordeaux Sud , Bordeaux
Score from 66 reviews: WonderfulLocated in Bordeaux, La Halte Montaigne offers B&B accommodation, just 500 metres from Bordeaux St-Jean Train Station. More…
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|Chez James et Sidonie 9, Rue Catulle Mendes, Nansouty Saint-Genes, Bordeaux
Score from 27 reviews: WonderfulChez James et Sidonie is a B&B located in Bordeaux and set in a wooden family house offering a garden and a terrace with outdoor furniture. Free Wi-Fi access is available throughout the property. More…
|Hotel Regina 34 rue Charles Domercq, Bordeaux Sud , Bordeaux
Score from 142 reviews: GoodHotel Regina is located in Bordeaux opposite to St Jean Train Station, as well as Tram C, taxi and airport shuttle stops. It offers a terrace, a common room with a TV, a shared computer and... More…
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In this section our policy experts give their views on the latest news and developments in the banking industry
The BBA and the Fédération Bancaire Française have written to the European Commission to call for a fresh look at proposals on the structural reform of banks. The BBA's Paul Chisnall sets out why the case for reform should be re-examined under the EU's Better Regulation regime.Read more
Written by Paul Chisnall, Executive Director, Financial Policy & Operations
Face painters, handcrafted gin makers and ladies who camp in the wild were just some of the entrepreneurs that came together for the Mentorsme Awards in London on 18 November. The BBA's Emily Hoquee went to find out more.Read more
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The Bank of England has recommended that the Treasury flex new powers granted to it to direct the Prudential Regulation Authority to set leverage ratio requirements. The BBA's Emily Hoquee examines how this could enhance the safety of the UK banking industry.Read more
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Paul Chisnall assesses this week's TSC report on the progress of banking reform and the statement by former members of the Parliamentary Commission on Banking Standards.Read more
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The BBA's Melanie Worthy explains why today's FCA review of the way banks and other companies handle complaints is getting better – and has important advice on how to further improve these systems.Read more
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On 1 January Latvia will take over the Presidency of the Council of the European Union for the first time. The BBA's Ashley Dorrington travelled to Riga to find out more about the Latvian presidency's priorities.Read more
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The Financial Stability Board has revealed its plans to end 'Too Big to Fail'. The BBA's Adam Cull examines what the proposals mean for the 30 Global Significantly Important Banks (G-SIBs).Read more
Written by Adam Cull, the BBA's Senior Director (Financial Policy and Operations)
European Parliamentary work kicked off this week on one of the major pieces of new legislation to be completed in this new mandate. The Liikanen report, the Barnier proposal or now simply BSR for Banking Structural Reform – to add a new acronym to the list – was discussed for the first time in the Parliament's Economic and Monetary Affairs Committee (ECON) on Tuesday.Read more
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The British Business Bank became fully operational on 1 November. The BBA's Rob Watts welcomes this moment and explains how it could make a real difference to businesses.Read more
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In some of his first public comments on the Federal IT Procurement Reform Act federal CIO Steve VanRoekel said that while he was "applauding the House Oversight committee" for taking up IT reform, he thought the version that was passed by the House "has a couple of limitations."
VanRoekel noted that FITARA doesn't include the Department of Defense, which is responsible for about half the federal government's $81 billion IT budget. "A proposed bill that exempts them creates a limiting factor for me," VanRoekel said.
VanRoekel didn't directly address whether President Obama would sign the bill, which passed the House as part of the fiscal 2014 Defense authorization measure. FITARA has yet to be introduced in the Senate. The comments were aired Aug. 5 on the debut episode of "Government Matters," a new Sunday morning public affairs program focusing on IT, defense, and government management on WJLA in Washington, D.C.
FITARA's key co-sponsor, Rep. Darrell Issa (R-Calif.), chairman of the House Oversight and Government Reform committee, praised the bill on a separate segment of the program. Issa said FITARA, which would give budget authority over IT to department level CIOs, would empower CIOs in their dealing with Congress, particularly when it comes to reprogramming funds. "It would be very good to have CIOs at the table saying, 'this is the reprogramming authority I need, why I need it, and what it's for.' And be accountable," Issa said. He also thinks it's important to legislate CIO authority, rather than rely on guidance from the Office of Management and Budget. "Congress has a role, and the role is we pass a law [and] it outlives any OMB director," Issa said.
About the Author
Adam Mazmanian is a staff writer covering Congress, the FCC and other key agencies. Connect with him on Twitter: @thisismaz.
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GSA's administrator talks with FCW about short-term hiring, long-term planning and Robert Frost.
Without a future vision and an appetite for risk, reforms lead down a rabbit hole. There is a better way.
VA's top tech official says he is balancing risks while trying to keep the department's online services open for business.
After five years on the job, the founding director of the Office of Government Information Services believes that a deeper understanding and acceptance of FOIA is seeping into the federal government.
The September attack, made public Nov. 10, potentially puts customer and employee personal information at risk, including addresses, Social Security numbers and emails.
The General Services Administration's Matthew Goodrich predicts more agency-driven authorizations and previews a new two-year road map.
Archie Mackie became product director of enterprise computing at the Army PEO EIS in June. In a Nov. 7 interview with FCW, he explained why the Army is cautious but hopeful in its adoption of the cloud.
While IT procurement and design are already quite centralized under the Office of Information and Technology, sources tell FCW that telemedicine IT and app development at the Veterans Health Administration will be rolled up under the OI&T as well.
Steve Kelman argues that the best place to improve federal procurements is at the beginning.
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Art business
November 25, 2014 § Leave a comment
If the hypermodern age of capitalism, which is the world for nearly three decades, is the planetarization and financialisation, deregulation and outgrowth of its operations, is also the one that is marked by another kind of inflation aesthetics inflation. Not only are the megacities, objects, information, financial transactions that are involved in a hyperbolic climbing, but the very aesthetic field. Here are the worlds of art involved in turn in hyper networks, contemporary capitalism that incorporates in large scale the logical of style and dream, seduction and fun in the different sectors of the consumer universe. If there is a bubble, there is another kind of bubble whose extreme inflated do not know, however, not crisis or crash, with the notable exception of the limited field of contemporary art market, the speculative bubble, as we have seen, could explode in different moments, we live the time of the aesthetic boom sustained by hyper capitalism.
With the hypermodern times call up a new aesthetic period, a society over-aestheticized, an empire where the sun of the art never set. The imperatives of style, beauty, the show business gained such importance in consumer markets, turned so the design of objects and services forms of communication, distribution and consumption that it is difficult not to recognize the advent of a true way of aesthetic productions arriving now to maturity. We call this new state of liberal trade economy: capitalism artistic or creative capitalism, transaesthetic.
At the time of financialization of the economy and its social, ecological and human damage, the very idea of an artistic capitalism may seem radically shocking. However, this is the new world face that by blurring the boundaries and the old dichotomies, transforms the relationship of the economy with art as Warhol transformed the relationship of artistic creation with the market, defending an art business. After the modern era of radical disjunctions, we have the hypermodern age of conjunctions, deregulation and hybridizations, where the artistic capitalism is a particularly emblematic figure.
The importance of market logic in the art world is not new, but of course, at the time of globalization, is a new level that is reached, as evidenced particularly the growth of investments of art collectors and the vertiginous increases of the artworks prices. The art appears increasingly as a commodity among others, as a type of investment which is expected high returns. The romantic age of the art gave way to a world where the cost of the works is more important and mediated than the aesthetic value: now is the trade price and the international market which consecrate the artist and the artwork. We are currently in the time of the "art business" which sees the triumph of speculative operations, marketing and communication. If capitalism incorporated the aesthetic dimension, it is increasingly channeled or orchestrated by financial and trade mechanisms. Hence the feeling often shared that the more artistic capitalism reigns, there will be less art and more market will be.
Art for the Market
November 18, 2014 § Leave a comment
A fourth phase of aesthetization of the world is established, remodeled in essence, logical marketing and extreme individualization. The modernist culture, dominated by a subversive logic in war against the bourgeois world, follows a new universe in which the vanguards are integrated in the economic order, accepted, wanted, supported by official institutions. With the triumph of artistic capitalism, aesthetic phenomena no longer be returning to the small peripheral worlds and universes built on marginal production, marketing and communication material goods, are huge markets shaped by international economic giants.
At the time aesthetization of consumer markets, capitalism multiplies the artistic styles, trends, shows, places of art, continuously launches new fashions in all sectors and creates large-scale dream, imagination, emotions; artialize the domain of everyday life at the same time that contemporary art, for its part, is committed to a broad desdefinition process. A desdefinition art, however, involves a novel form of aesthetic experience. It is a world of superabundance or aesthetic inflation that combines our eyes: one transaesthetic world, a kind of hiperart where art infiltrates in the industries in all the interstices of trade and ordinary life. The mastery of style and emotion spent the hyper regime: this does not mean perfect and finished beauty, but generalization of aesthetic strategies for commercial purposes in all sectors of consumer industries.
A hiperart also as no longer symbolizes a cosmos or expresses transcendent narratives, it is not the language of a social class, but works as a marketing strategy, valuation distracting, seductive games ever renovated to capture the hedonistic desires of the new consumer and increase the turnover of brands. We are currently in the strategic and commercial state of the aesthetization of the world, in transaesthetic age.
Increasingly, cultural or creative industries operate in hyperbolic mode with movies with huge budgets, creative advertising campaigns, television shows diversified television broadcasting programs that blend the classical and the music-hall, architectures, sculptures of great effects, video clips delirious, gigantic amusement parks, pop concerts with "extreme" scenarios. Nothing escapes the image and fun network and everything is spectacular intersects with the commercial imperative: the artistic capitalism created a fertile transaesthetic empire where they mix design and star system, creation and entertainment, culture and show business, art and communication, and cutting edge fashion. A communication and commercial hyperculture seeing degrade the classical oppositions of the famous "society of spectacle": creative transaesthetic capitalism does not work with the separation, with the division, but with the cross, with the plot of areas and genres. The ancient kingdom of the show disappeared, was replaced by hiperspectacle which consecrates democratic culture and shopping fun.
Commercial strategies of transaesthetic creative capitalism no longer save any sphere. Common objects are invaded by the style and the look, many of them become fashion accessories. Designers, visual artists, fashion designers are invited to redesign the look of industrial commodities and the temples of consumption. Fashion brands from the general public copy the codes of luxury. Shops, hotels, bars and restaurants invest in your images, the decor, the customization of their spaces. The heritage is rehabilitated and staged in the manner of screenplays. Urban scenarios are retouched, staged, "disneyfied" with the intent of tourism consumption. Advertising wants to be creative and fashion shows seem performances. The Architectures images flourish, value in themselves, by their attraction for its spectacular size and function as promotional vector in competitive markets for cultural tourism.
The terms used to designate the occupations and economic activities also have the mark of aesthetic ambition, gardeners have become landscapers, hairdressers hair designers, florists floral artists, cooks culinary creators, jewelers jewelers artists, tailors artistic directors, car manufacturers "car creators". Frank Gehry is celebrated everywhere as the artist architect. Even some business men are described as "visionary artists" (Steve Jobs). While economic competition are unleashed, capitalism works to build and disseminate an artistic image of his actors to artialize economic activities. The art became a mean of legitimizing brands and companies of capitalism.
The extraordinary extent of transaesthetic logic is also seen in geographical terms. We are in the time of globalized capitalism to impel a stylization of mass consumption that is no longer confined to the West. In the five continents are working creative industries, creating products with style, fashion, entertainment, culture of globalized masses.
But the process of aesthetization hypermodern overflows in much the spheres of production, consumption conquered, aspirations, ways of life, the relationship with the body, the view of the world. The taste for fashion, the performances, the music, tourism, heritage, for cosmetics, for home decor became widespread in all strata of society. The artistic capitalism spurred the realm of the aesthetic towards hyper overabundant consumption of some styles, but more broadly, in the etymological sense of the word, of the Greeks, of sensations and sensitive experiences.
Capitalism has led not so much a process of impoverishment or delinquency of aesthetic existence but the democratization of mass of a homo aestheticus of an unprecedented kind. The transaesthetic individual is reflective, eclectic and nomadic: less conformist and more demanding than in the past, appears at the same time as a consumption "junkie", obsessed with disposable expediency, the easy entertainment.
At aesthetization of the economic world answers an anesthetization of the ideal life, an aesthetic attitude toward life. Nobody wants to live and to sacrifice for principles and outdoor goods to himself, but if you invent it yourself, create your own rules to a better life, immense, rich in emotions and shows.
Art for the art
November 12, 2014 § Leave a comment
The third great historical moment that organizes the relationship between art and society reflects the modern age in the West. Finding its fullness to give birth in the eighteenth and nineteenth centuries, coincides with the development of a more complex artistic sphere, more differentiated, freeing themselves of the old nobility and religious powers. While the artists gradually emancipated from the tutelage of the Church, the aristocracy, then the bourgeois order, art imposes itself as a system of high degree of autonomy in their own instances of selection and consecration (academies, salons, theaters , museums, dealers, collectors, publishers, critics, magazines), its laws, values, and principles of its own legitimacy. As the field of art becomes autonomous, the artists claim aloud a creative freedom to works that are accountable only to themselves and stop bowing to requests that come from "outside". Social emancipation of artists very concerning to the extent that it is accompanied by a dependency of a new genus, economic dependence on market forces.
But while art itself evidence its proud sovereignty in contempt for money and hatred for the bourgeois world, constitutes "commercial art" that, for profit, for the immediate and temporary success, tends to become an economic world as others to adapt to public demand and to offer products "without risk", the rapid obsolescence. It opposes these two universes of art: its aesthetic, its public, as well as their relationship with the "economy". The modern age is organized in radical opposition between art and business, culture and industry, art and fun, pure and impure, authentic and kitsch, art elite and mass culture, avant-garde and institutions. A system of two antagonistic modes of production, circulation and consecration, which developed essentially within the strict limits of the western world.
This historic social setting brings a general overturn of values, invested art with a higher mission than ever. In the late eighteenth century, Schiller says it's for aesthetic and practical education of the arts that humanity can move towards freedom, to reason and to the Well. And for the German Romantics, the beautiful, the access road to the Absolute, is set, with art, at the summit of the hierarchy of values. The modern age is the framework in which it has made an exceptional sacralization of poetry and art, only known to be able to express the most fundamental truths of life and the world. While following the Kantian criticism, philosophy should renounce the absolute revelation and science should concentrate on enunciating the laws of the phenomenal appearance of things, you assign to art the power to know and contemplate the very essence of the world. Now, art is placed above society, tracing a new secular spiritual power. Not an area designed to give consent, but it reveals the ultimate truths that elude science and philosophy: an access to the Absolute, while a new instrument of salvation. The poet enters into competition with the priest and takes its place with regard to the ultimate revelation being: the secularization of the world was the springboard of modern religious art.
It must be added, however, that the sacralization of art held by the romanticism and symbolism was then fought fiercely for several avant-garde movements such as Constructivism, Dadaism and Surrealism.
Sacralization of art that illustrates so well in the invention and development of the institution of the museums. By extracting the works of their original cultural context, while cutting its traditional and religious use by not limiting them to private use and personal collection, but offering them to the gaze of all, the museum stages its specifically aesthetic value universal and timeless; becomes practical or cultural objects to be admired aesthetic objects, contemplated by themselves, by their beauty that defies time. Place of aesthetic revelation destined to make known unique, irreplaceable, inalienable works, the museum has a responsibility to make them immortal.
While desecrates cultural objects, endows them, on the other hand, an almost religious status, the masterpieces should be isolated, protected, restored, and testimonies of the creative genius of mankind. Worship space devoted to the spiritual elevation of the democratic public, the museum is marked by rites, ceremony, for a certain sacred environment (silence, recollection, contemplation), imposes itself as a secular temple of art.
Sacralization of the museum at the same time sparked the ire of avant-garde currents denouncing the symbolic institution of excellence of ancient art to destroy: "We want to demolish museums, libraries (…). Cemeteries Museums!…" (Filippo Tommaso Marinetti's" Futurist Manifesto "in Le Figaro, 1909).
The art supposedly provides the ecstasy of the infinitely large and the infinitely beautiful, does contemplate perfection, in other words, opens the door to experience the absolute, something beyond the ordinary life. Became the place itself and the ideal way of life once reserved for religion. Nothing is higher, more precious, more sublime than art, which allows, thanks to the splendor that produces, endured the ugliness of the world and the mediocrity of existence. The aesthetics replaced religion and ethics: life is only worth by beauty, many artists argue the necessity of sacrificing material life, politics and family life to the artistic vocation: it is for them to live for art, consecrate their existence to his greatness.
To assert its autonomy modern artists rebel against the conventions, constantly invest in new objects, appropriating itself of all elements of the real for purely aesthetic purposes. Enforces the right of all styling, all transmuted into art, are mediocre, the trivial, the unworthy, the machines, the resulting collages of chance, the urban space of democratic equality was made possible affirmation of equal dignity aesthetics of all subjects, the sovereign freedom of artists to qualify as art everything you create and expose. Given the absolute sovereignty of the artist there is no reality that can't be transformed into work and aesthetic perceptions. After Apollinaire and Marinetti, the Surrealists launch the motto "Poetry is everywhere." By breaking with all heterogeneous function of art, to assert themselves in transgression of codes and established hierarchies, modern art set in motion a dynamic of aesthetization boundless world, any object could be treated in an aesthetic point of view, be attached, absorbed in the sphere of art only by decision of the artist.
But the ambition of modern artists was far beyond the horizon purely artistic. With the avant-garde born new utopias of art, taking this as the ultimate goal being a vector of transformation of living conditions and mentalities, a political force in the service of the new society and the "new man". As opposed to art for art and symbolism, Breton declares that it is "a mistake to consider art as an end" and Tatline proclaims: "The art is dead! Live art machine "by refusing the autonomy of art, not recognizing any value to the decorative aesthetic "bourgeois", constructivists declare the glory of the technique and the primacy of the material and social values on aesthetic values. The beautiful functional should eliminate the beautiful decorative and utilitarian buildings (homes, clothing, furniture, objects …) to substitute the ornamental luxury, synonymous with decaying waste. Art should no longer be separated from society and just an enjoyable hobby for the wealthy: the aesthetics of the engineer should be able to reset a "complete design" completeness of the everyday environment of men. No longer the beautification projects of the living, but "the machine to inhabit" (Le Corbusier), responding to the practical needs of men and at minimal cost. The modern era sees well be argued, on the one hand, the "religion" of art, on the other, a process of desaesthetization produced very particularly for architecture and urbanism, condemning artificial ornaments and beautification of the building, advocating geometric constructions completely stripped, replacing the harmonious composition of classical gardens by "green spaces".
At the same time, in various streams a new interest in so-called minor arts arises. While multiply the criticisms leveled at modern industry – accused of spreading ugliness and uniformity – the flower beautification projects of the everyday life of all classes, the desire to introduce art everywhere and in all things by diffusion of the decorative arts. From Ruskin to Art Nouveau, William Morris to the Arts & Crafts movement, and then to the Bauhaus, modernist currents abound who denounced "the egoistic conception of life as an artist" (Van de Velde), the pernicious distinction between "Great Art" and "minor arts", advocating the equal dignity of all forms of art, a useful and democratic art sustained by the rehabilitation of the applied arts, industrial arts, arts of decoration and construction. No longer want pictures and statues reserved to a high social class, but an art that invests in furniture, the wallpaper, the tapestries, the kitchenware, textiles, architectural facades, on posters. With the democratic era, the art takes on mission to save society, regenerate the quality of the home and the happiness of the people, "change the lives" of all days: the Modern Style was baptized by Giovanni Beltrami as "socialism della Belleza".
The very aesthetics of the modern age followed, so the two main roads. On the one hand, the radical aesthetics of pure art, art for art's sake, freed from all works of utilitarian purposes, having no other purpose than themselves. On the other, precisely the opposite, the project of a revolutionary art "for the people", a useful art that makes itself felt in the smallest details of everyday-oriented and well-being of most life.
Indeed, the industrial and commercial world was the primary craftsman of modern aesthetization of the world and its democratic expansion.
Art for the princes
November 11, 2014 § Leave a comment
Heir of classical antiquity, the exceptional importance of this period in art history, his works are a model of aesthetic perfection of the Renaissance to the present day. Are imposed the principles of harmony, balance the proportions, symmetry, a fair measure. The process of aesthetization is no longer separate of the purification of forms, the desire for a balanced and idealized beauty, synonymous with elegance and grace. Art does not imitate nature, she must sublimate it, transfiguring it by expressing the beauty ideal, harmonious perfection that is the cosmos itself.
The humanism of the Renaissance rehabilitates and expressly claimed, in the late Middle Ages comes a second stage that extends into the XVIII century. Is the premise of aesthetic modernity with the appearance of status separate from the artist craftsman, with the idea of the creative power of the artist-genius signing their works, with the unification of the arts in particular unitary concept of art in its modern sense, applying to all the fine arts, with works designed to please a lucky and educated public and not simply already communicating religious teachings and to meet the requirements of the dignitaries of the Church. The aesthetic dimension of art itself becomes important, the artist must endeavor to eliminate any imperfections and find images that are consistent with what is more beautiful, more harmonious in nature. With the gradual emancipation of artists in relation to corporations, they will benefit, through its contracts with sponsors, a margin of initiative until then unknown: the adventure of empowering the artistic and aesthetic mastery is underway.
This secular moment is contemporary of the life in the court, the appearance of fashion and elegance of their games, the treaties of "manners" but also an architecture that offers the very picture of refinement and grace, aesthetic urbanism inspiration, gardens with terraces that appear to paintings, sculptures, ponds, fountains, broad perspectives, designed to enchant and amaze the eye. Not only just commoditas, but the grace of harmonious forms, aesthetic pleasure, the venustas (Alberti), in pleasant, beautiful cities, "a pleasant appearance and pleasant stay" (Francesco di Giorgio Martini). Artists are requested and invited to the European courts to create magnificent scenery, decorate the inside of castles and planning parks. Churches wanting to seduce and attract the faithful offer, with the Baroque period, a lush theatrical spectacle with overloaded facades of sculptures, structures that disappear under the trimmings, optical effects, games of shadow and light, canopies, tabernacles, pulpits, wards, chalices, ciboria abundantly decorated, opens a whole exuberant art to create a grand spectacle, enhance the beauty and splendor of decoration ornaments. Monarchs, princes, the aristocratic classes throw themselves into large intended to make their cities and their finest residences, send build castles marked by elegance of style, build palaces, sumptuous villas, framed by huge parks full of statues and entrusted to the best architects. Remodel cities according to an aesthetic point of view, creating buildings consist of aligned harmonious facades, streets that offer great effects prospects squares beautification of cities has become a very important political goal. It must be an "urban art", a theatrical staging of city and nature, ennobling the inhabited environment and increasing the prestige, the greatness, the glory of kings and princes.
From the Renaissance, the art, the beauty, the aesthetic values acquired a value, a dignity, new social importance, which is witnessed by urban planning, the architecture, gardens, furniture, works of glass and faience in the nude painting and sculpture, the ideals of harmony and proportion. Taste for art and willingness to styling the framework of life that functions as a means of social assertiveness, way to mark the status and prestige of the larger more powerful. The aristocratic aesthetization, throughout this cycle, the intense process of aesthetization (elegance, refinement, grace of forms) in place in the upper echelons of society is not driven by social logic, political strategies of dramatization of power, the imperative of social representation and the primacy of competition for status and prestige of the constituent holistic society in which the importance of the relation of men overcomes the relation of men to things.
Art for the gods
November 5, 2014 § Leave a comment
For thousands of years, the arts into force in so-called primitive societies were not in fact created with an aesthetic intent and given a purely aesthetic "disinterested" and free, but with an essentially ritual purpose of consumption. In these cultures, what is intended with the style can't be separated from, magic, sexual and religious organization of the clan. Inserted in collective systems that give them meaning, aesthetic forms of phenomena are not separate and autonomous functioning: the social and religious structure that everywhere dictates the agenda of artistic forms. Are societies in which the aesthetic conventions, social and religious organization are structurally related and undifferentiated. By translating the organization of the cosmos, to illustrate the myths expressing the tribe, clan, sex, pacing the important moments of social life, the masks, the headdresses, the paintings of the face and body, the sculptures, the dances have first a function and a ritual and religious value.
Because art has no separate existence, informs the whole of life: pray, work, exchange, fight, all these activities involve aesthetic dimensions that are anything but trivial or peripheral, since they are necessary to the success of various social and individual operations. The birth, death, rites of passage, hunting, marriage, war give way, everywhere, a artialization work done by dances, chants, fetishes, props, ritual narratives strictly differentiated according to age and sex. Artialization in ways that are not intended to be admired for their beauty, but to give practical powers: cure diseases, to oppose the negative spirits, make it rain, make alliances with the dead. Many of these ritual objects are not manufactured to be preserved: throw us off, destroyed after use and then repainted before each ceremony. Nothing of professional distinguished artists, nothing of works of art, "disinterested" or even often terms like "art", "aesthetic", "beauty". And yet, as Mauss stressed "the importance of the aesthetic phenomenon in all societies that preceded us is considerable."
Similar control over the entire collective aesthetic forms certainly not excluded, in either circumstance, some freedom of establishment or individual expressiveness. But are limited and specific phenomena, as well as aesthetic practices, these societies, are basically required by their cultural and social functions and are accompanied by extremely strict rules. Everywhere, the arts are implemented in compliance with draconian rules and fidelity to tradition. They don't intent to innovate and invent new codes, but obey the canons received from ancestors or gods. It is a ritual artialization, traditional, religious, which marked the longest period in the history of the styles: a pre-reflective artialization without essentially artistic values, no specific and autonomous aesthetic intent system.
Artistic capitalism
November 5, 2014 § Leave a comment
Artistic or creative capitalism transestetic, which is characterized by the growing importance of sensitivity and design process for a systematic work of stylization of goods and commercial places, the widespread integration of art, the look and affect in the consumer markets universe, create a chaotic economic world landscape stylizing the universe everyday.
With the artistic capitalism combines a novel form of economy, society and art in history. There is no society that does not involve, in one way or another, work in styling or "artialization" of the world, what distinguishes a time or a society, to make the humanization and socialization of the senses and tastes.
This anthropological and trans-historical dimension of aesthetic activity always appears in different forms and extremely social structures. To highlight what is specific stylization of the hypermodern world, Gilles Lipovetsky and Jean Serroy, adopted a panoramic view, the view over the long term, outlining the extreme constitutive logic of the great historic models of the relationship between art and the social. In this regard, we highlight four great "pure" models who organized, throughout history, the timeless styling process in the world: the ritual artialization, the aristocratic aestheticization, the modern world and the aestheticization transestétic age.
The Aesthetic Capitalism in the Age of Globalization
October 30, 2014 § Leave a comment
Acknowledge the contribution of the artistic capitalism as well as its failures is the goal of this book of Gilles Lipovetsky and Jean Serroy.
The purpose of this book is theoretical, opens, however, a large approximation of the empirical facts related to the aesthetic market space. Instead of arresting a purely conceptual or theoretical reading-engage deliberately to support the thesis advanced through descriptive analysis of multiple areas of hypermodern aesthetic. Insofar as the order of the artistic capitalism infiltrates in all sectors related to consumer world, it would be necessary to show the coherence of the system and its operation focusing as close as possible the diversity of creative and imaginative, and organizational realities individual. Hence the intersections between macroscopic and microscopic, the "abstract" and "concrete", theoretical and descriptive, but also between long-term and contemporary.
Favoring only the profitability and the kingdom of money, capitalism emerges as a juggernaut that respects no tradition or worship any higher principle, whether ethical, cultural or ecological. System driven by an imperative of profit, has no other aim than itself, the liberal economy presents a nihilistic aspect whose consequences are not only unemployment and job insecurity, social inequality and human dramas, but also the disappearance of harmonious life forms, the fading charm and pleasure of social life. Wealth of the world, impoverished existence; triumph of capital, liquidation of manners; great power of finance, proletarianization of lifestyles.
Capitalism thus appears as a system incompatible with a worthy aesthetic life of that name, with the harmony, with beauty, with a good life.


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How U.S. Arms and Technology Were Transferred to IraqSubmitted by go213mph on Tue, 03/19/2013 - 21:55
Transcript of Ted Koppel - ABC NEWS Nightline Show # 2690 - Air Date: September 13, 1991 - This is disgustingly interesting to read in 2013. And for the record, I just happened to bounce to the location of this article while I was researching some stuff about Israel. I don't have any interest in Johnathan Pollard.
TED KOPPEL: [voice-over] February 1991. A U.S. Stealth fighter-bomber takes off from Saudi Arabia for a bombing run over Baghdad, to destroy a bomb factory built with American technology.
PRESIDENT GEORGE BUSH (SR.): We're dealing with Hitler revisited, and that must not stand.
KOPPEL: [voice-over] Tonight, an examination of how the Reagan and Bush administrations privatized foreign policy, circumvented the will of Congress and permitted the illegal transfer of arms and technology to Iraq.
ANNOUNCER: This is ABC News Nightline Investigation. Reporting from Washington, Ted Koppel.
KOPPEL: For months now, we've been producing and broadcasting a series of reports setting forth how Iraq, during much of the 1980's and into the '90s, was able acquire sophisticated U.S. technology, intelligence material, ingredients for chemical weapons, indeed, entire weapon-producing plants, with the knowledge, acquiescence and sometimes even the assistance of the U.S. Government. Sometimes, I should add, in violation of U.S. law. With one notable exception, we continue to stand by everything we have reported to you, but that exception has to do with a man who is facing confirmation hearings that begin next Monday. Robert Gates is the man nominated to become the next director of Central Intelligence, and simple fairness requires that we address again and in a prominent fashion, at the beginning of this broadcast, a charge that we made against Mr. Gates back in July, namely, that he was deeply involved as deputy director of the CIA in a major covert operation that funneled weapons and technology to Iraq.
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This has always been the case
We just see it now because we are educated and see what is going on. My mom recalls years ago in W.Va. on election day seeing boxes of money, cigarettes, and liquor used by her in laws to buy votes (they were active in Democratic county politics). There has always been fraud, cheating. This is what the political class EXCELS at, this is what politics IS.
Time to start thinking beyond politics and political leaders. When they won't even allow the tiny concession of adhering to the constitution, which is itself anti-liberty, they are telling us that we are now in the uncharted territory of lawlessness. We are seeing that the worst has risen to the top, now the Supreme Law of the Land is Might Makes Right.
This will not change until the people who help the political class keep the strong arm on us wake up. The rank and file military need to wake up and see that the "freedoms" they are "protecting" blowing up kids in the Middle East are being stripped away back home, the pilots who are spraying poisons over their own country need to see that they are helping hurt their countrymen, the cops who are doing random check points, the TSA goons who are molesting people, the bureaucrats who are bullying people need to see that they are nothing but useful idiots to the Powers that be.
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Article Last Updated: Thursday, February 13, 2014 4:52pm
Sam Green/Cortez Journal
Emmett Marquez looks up to David McNeal while Stephanie Marquez, right, teaches sign language for Laura McNeil and Katrina Amorelli. On the first and third Thursday of the month, Hallie Hallberg and Marquez teach a baby signs and nursery rhymes class at 10 a.m. in the Mancos Public Library.
Katrina Amorelli helps Gavin McNeil learn sign language at the baby signs and nursery rhymes class.
Laura McNeil helps her son, David, as the two of them learn sign language.
By By Wendy Watkins
By by Wendy Watkins
Email announcements to firstname.lastname@example.com and include "Community Calendar" in the subject field. Items submitted less than two weeks in advance will be less likely to be published. Entries and the calendar may be edited for length and content.Thursday, Nov. 20Mancos Public Library hosts a free preview of "Evolution of a Criminal," at 6 p.m., 211 West First Street, Mancos, followed by...


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- Oct 10
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Mr Alan Matchet sent me a letter saying that if my account is overpaid, they will at my request refund this amount to me. Turns out now he can not write me a cheque for more than $500. If you have an issue and wish ti take it up with him, call him on (02) 8225 1000 and ask for Mr Matchet, Head of Cards. Still waiting for him to call me back. Add comment


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i love zombie games and action games my fav is project zombiod
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Bikerumor Bike Shop Video Challenge: Ride On Bikes – Columbus, GA
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According to Zipp, it was the need for better braking in cyclocross that inspired the creation of their…
Erik Noren is a creative genius. Spend 15 minutes with him, and you will see and hear the…
Ask most serious cross racers what equipment they're running and disc brakes are becoming much more prevalent. But…
In early 2012 when disc brakes were really coming on strong for road and cross, TRP was working…
Bikerumor Bike Shop Video Challenge entry from Ride On Bikes out of Columbus, GA.
it's embarrassing! what outfit! what cockpit setup! not cool! exclamation mark!
Don't be a hater . .. . makes me want to get on plane to GA.
Can someone please explain his choice of attire? I'm all for aero and staying warm, but this is just confusing.
And they left the shipping sticker on. Wow.
Badass vid…makes me want to get out and ride…on bikes
Nice tall flanges on those hubs, what are they?
What in the hell is he wearing? It looks like he left his jersey at home and rode with his bibs on only. Awful!
to be fair the other shop in Columbus did this to compete.
called it "Epic" the only thing epic about it is the fact they FILMED a guy on TV and that they got the address wrong in the end. "Across for airport"
dude…if it's cold enough to wear a hat and some weird chinstrap thing i've never seen and gloves then it is cold enough to wear a jersey with sleeves….or even better a long sleeve jersey.
lmao @ that other vid. Although the attire in the original vid is questionable it is still a good spot. I liked it!
Looks like he is riding to a S&M Convension. What an outfit.
i thought it was pretty cool. nice orbea by the way.
Those hubs are Chris King BTW. Hand-built by Byron at Ride On Bikes!
As to the video, meh. As to the riding kit, like Luke said.
Who IS that masked man?
"Some say you're a triathlete, stop pissing on your bike."


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Dr. William M. Gaines, MD
Internal Medicine, Reliant Medical Group
- 35 Millbury St
Auburn, MA 01501
- 1 Office Location
- (508) 721-1172
Dr. William M. Gaines has been practicing medicine for 31 years. Dr. Gaines graduated from the Cornell University Weill Medical College in 1983. He practices medicine in Auburn, MA and specializes in Internal Medicine. Dr. Gaines is affiliated with Saint Vincent Hospital.
Gender: Male
Years in Practice: 31 Years
Languages Spoken: English
Medical School: Cornell University Weill Medical College
Graduation Date: 1983
Hospital Affiliations: Saint Vincent Hospital
Specialties: Internal Medicine


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Tuesday - Sunday 10am - 5pm, Bank Holiday Mondays 10am - 5pm. Free entry
136 Kingsland Road, London, E2 8EA Tel: 020 7739 9893
Find your festive spirit with our authentic displays of Christmas over the past 400 years
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Browse objects from our collections up close and in great detail
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Concern is mounting about the effects of phone use and texting while driving.
October 24, 2014
Searching for answers on distraction
A new study by IIHS and Virginia Tech helps clarify the risk of cellphone use behind the wheel and offers insight into other distracting behaviors that drivers engage in.
The self-correcting nature of science
IIHS and HLDI President Adrian Lund describes how our understanding of the problem of distracted driving is evolving.
Cellphones aren't the only distractions
Cellphones have become synonymous with distracted driving, but driver distraction was an issue long before they came along.
Bans reduce phone use but not crashes
Even with strong enforcement, bans on handheld phone use and texting aren't reducing crashes reported to insurers, a new HLDI analysis shows.
December 2, 2010
Drivers admit to risky habits in survey
Drivers sat texting while driving, speeding and running red lights are dangerous but admit to doing them anyway.
September 28, 2010
Texting bans don't cut crashes
A HLDI study of insurance claims finds that outlawing texting by drivers hasn't cut crashes.
February 27, 2010
Cellphone use, crash rates don't match
Phone use by drivers is up, but crashes aren't. More research is needed to figure out why this risky practice hasn't affected crash rates.
Driver phone use is widespread
An Institute survey finds that large numbers of drivers talk on the phone and text even in challenging driving conditions.
Cellphone bans don't reduce crashes
Collision claims don't decrease after states enact driver cellphone bans, a new HLDI study finds.
Technology can be distracting, but some forms can help prevent distraction.
October 13, 2009
Effects of cellphone bans vary
Cellphone bans can have lasting effects on driver behavior, new research shows, but the safety impact isn't clear.
March 22, 1997
Cellular phones quadruple crash risk when in use
June 3, 1995
Risky drivers are different, have more violations on their records
©1996-2014, Insurance Institute for Highway Safety, Highway Loss Data Institute | www.iihs.org
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DISTRICT 2 CLASS AA FOOTBALL: Dunmore cruises into PIAAs
DUNMORE — It could have gone south quickly.
Northwest Area's Nick Long intercepted a pass on the third play of the game and the underdog Rangers were knocking on Dunmore's door in the opening moments of Friday's
District 2 Class AA title game.
That's when the Bucks' defense — overlooked with 1,000-yard rushers Colin Holmes and Sal Marchese often dominating games — flexed its muscle.
Linebacker Justin Rogan led a charge to stuff Northwest's Austin Mazonkey on fourth-and-2 at the Dunmore 10, and the Rangers' second possession ended in even more dramatic fashion as Tyler Lasher picked off a pass and returned it 61 yards for a touchdown.
Those two plays reversed Northwest's early momentum and Dunmore coasted to a 35-0 win and its seventh district championship.
"High school football is all momentum and we had it there in the beginning," Northwest coach Carl Majer said. "Unfortunately, when you don't capitalize when you're down at the
5-yard line, things go bad."
Lasher made sure they went from bad to worse as he picked off a pass and raced down the sideline
for a 7-0 lead at the 5-minute mark of the first.
"I couldn't believe it," Lasher said. "The entire play felt like slow motion. It went right to me, almost like I was the receiver, and I took off with it. It was a big play, big momentum shift. They were getting some confidence and that kept them down.
"I don't want to give myself all the credit. The coaches prepared me. They drilled into my head that they did a little stop-and-go and keep an eye on that. And all the other guys were covered, too, so you have to give credit to the other defensive players."
There was plenty of that to share for Dunmore's defense, with Joey Waters making a tackle for a 4-yard loss and Tim Drewes coming up with an 11-yard sack on third down of the Rangers' next possession.
"My mom wasn't feeling good today and she couldn't come to the game, so I was playing really hard for her," said Drewes, who got a free run on quarterback Logan Womelsdorf on third-and-11. "My eyes lit up and I was like, I better go make the play.
"Tyler made a great play and then I made that big sack and then someone else made a big play. We're a team. We love each other."
Dunmore's defense yielded just 17 rushing yards and came up with four sacks and numerous hurries of Womelsdorf.
"Our defense does a great job getting to the ball," Waters said. "Everybody is in great shape. Everybody works hard.
"I think the whole team deserved to see a zero on the scoreboard tonight."
Northwest rolled the dice on fourth-and-22 and had Long wide open, but Marcus Welliver's pass went off his fingertips.
"We practiced all week long on the fake punt because they don't cover the guy, and it's off Ryan's fingers," Majer said. "A lot of coulda, woulda, shoulda."
And too much of Dunmore's offensive and defensive lines after that. The Bucks dominated the trenches, amassing a lopsided 316-17 edge in rushing.
"That's a good offensive line and they do a great job blocking, and we have some strong runners," Dunmore coach Jack Henzes said. "A lot of credit goes to our second unit. They really prepared our kids well the second part of the season, especially the last couple weeks."
Holmes took advantage of that dominance, following quarterback Eric DeLuccie's first-quarter sneak for a score with TD runs of 22 and 63 yards, part of a 177-yard effort.
"They just wore them down," Holmes said. "They outconditioned them. Just pounded them. They really put a beating on them.
"They just demolished them. That's what it was. There was open green all the time. It was easy doing my job."
Kyle Lasher added the final score on a 9-yard run as Dunmore won its 11th straight to move on to the state playoffs against Northwestern Lehigh, a 28-26 winner over North Schuylkill in the District 11 title game. Those teams will meet Friday at 7 at Valley View High School.
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DISTRICT 2 CLASS A FOOTBALL: Old Forge rolls Susquehanna
OLD FORGE — For the past 11 weeks, Old Forge has ridden the strength of its tenacious defense to once again find itself playing for a District 2 championship.
Week 12 proved to be no different.
The Blue Devils forced three turnovers and pitched their seventh shutout of the season, a dominant 30-0 victory over Susquehanna for their second consecutive District 2 Class A title.
It's the third district title in four years for Old Forge, and it's the first time in school history it has a 12-0 record.
Old Forge advances to the first round of the PIAA playoffs next Friday and will face District 4 champion South Williamsport, which rolled North Penn, 54-14.
"It feels awesome," said junior Joey Gutowski, who finished with 89 total yards, two touchdowns and an interception. "That's what Old Forge football is, we rely on our defense and our offense just puts up points. (But) really, our defense is the main part of our team and we really count on that.
"It just feels great."
The Blue Devils allowed 181 total yards, 110 of which came in the fourth quarter with the game well out of reach.
Gutowski quickly set the stage for Old Forge to grab an early lead. After the defense forced a three-and-out on the game's opening possession, he fielded a punt at the Blue Devils 35 and returned it 45 yards to the Sabers 20.
A 17-yard run by Cooper Califano set Old Forge up with a first-and-goal. Twoplays later from the 1, Califano took a handoff to the left side and dove for the goal line. But the ball was punched out and ricocheted into the end zone to sophomore right tackle Dylan Wilcox, who caught it before falling to the ground to give the Blue Devils a 7-0 lead.
"I actually had a gut feeling that something was going to happen and I just kept my head on swivel," Wilcox said. "It was unreal when I caught the ball. I was laying on the ball looking for the official's call. I stood up and was asking all my teammates if I scored because I didn't realize I was in the end zone when I fell.
"It was just a great moment."
The Blue Devils defense continued to dominate the line of scrimmage, forcing Susquehanna (7-5) to go three-and-out on its next four possessions, all resulting in punts, the last of which was partially blocked to set Old Forge up with the ball on the Sabers 27.
Three plays later, Gutowski went to the air for the first time, faking a handoff before finding tight end Armando Sallavanti over the middle for a 27-yard touchdown pass.
Lining up for the extra point, kicker A.J. Cantarella took a direct snap and connected with Sallavanti in the left flats to give Old Forge a 15-0 lead.
"We took a shot toward the end zone," Gutowski said. "It was a decent pass but Armando really made a great play on it. It was the biggest motivation for us, going into halftime with a two-touchdown lead."
Susquehanna finally picked up its first first down of the game on the next play, thanks to an Old Forge personal foul. Three plays later, though, Gutowski intercepted quarterback Austin White.
Both teams exchanged three-and-outs to start the second half and the Blue Devils started their second drive on Susquehanna's 46.
Old Forge then stuck to the ground game, moving the ball to the 23 before facing a fourth-and-9 and going back to the air.
Gutowski hit a wide open Cantarella over the middle for a 20-yard gain. Two plays later, Califano, who finished with 74 yards rushing, scored from two yards out to give Old Forge a commanding 22-0 lead.
The Sabers finally got a big play on the next drive, as White hit Brett Hepler for a 40-yard gain deep into Blue Devil territory. But on fourth down, linebacker Bobby Rinaldi came off the edge unblocked and sacked White to end the drive.
Rinaldi came through again on the first play of Susquehanna's next drive, recovering a fumble on the Sabers 27.
"Defense, we just play it differently here at Old Forge," Rinaldi said. "Defense wins championships, that's our motto. We just go out and play hard."
Following Rinaldi's fumble recovery, Gutowski moved out to wide receiver — the position he played during last season's run to the PIAA final — and capped the scoring, hauling in a 27-yard touchdown from Paul Cariati.
"We practice that during the week," Gutowski said. "It just felt great to get back out there (to receiver) and make a play."
Susquehanna tried to break the shutout, driving into Old Forge territory on the game's final possession but to no avail.
"I give the kids all the credit in the world for being in this position," coach Mike Schuback said. "At the end of the day, I'd like to believe that they worked harder and got more mature as the weeks went on. They stuck with it.
"I love our kids."
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Try this funky twist on a ballet bun. Spritz roots with a texturizing spray and rub your scalp with your fingers to add volume. Using your fingers, pull hair back into a pony and secure it at your crown, then back-brush your pony until it's pouffy. Grab the ends, then roll them up toward the elastic until you have a loop the size of a tennis ball and pin it to your head. If you're feeling especially girly, throw a ribbon around the base. Now pulse!
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