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The Wytches to play a host of instores the week Annabel Dream Reader drops
*Update: the band are also confirmed to play an album release show at New Slang at McClusky's in Kingston on Thursday 21st August (event/info here), as well as an all ages instore at Banquet Records earlier that day (event/info here).
With the release of their eagerly anticipated debut album Annabel Dream Reader fast approaching (25th August), The Wytches have announced a host of free instore gigs the week the record drops. The dates are as follows: be there if you can!
•Thurs 21st Aug: Banquet Records, Kingston INFO/EVENT
• Thurs 21st Aug: New Slang, Mccluskys, Kingston INFO/EVENT
• Tues 26th Aug: Rise, Bristol INFO/ EVENT
• Weds 27th Aug: Rough Trade East, London INFO/ EVENT
• Thurs 28th Aug: Resident, Brighton
• Sat 30th Aug: Drift Records, Totnes INFO/EVENT
Pre-order Annabel Dream Reader
Just a reminder that the cut-off date for SIGNED copies from the Heavenly emporium is Friday 15th August. Plus check out these tasty album/tshirt bundles over on Record Store!
"The band's debut album sounds how Jack White would if he were as goth as he looks, or like the PIXIES' Black Francis on one of his more manic days, or, even, like how The Horrors used to, when they were at their most primal… It's an impressive first LP"
Loud and Quiet Magazine
"Impressive debut from Brighton three-piece…there's bags of melodic nous just below the surface"
Uncut Magazine
"Spend some time with 'Annabel Dream Reader' and you'll begin to feel like you're listening to an album with your head submerged in a pool of mercury: it's heavy; wavy; you'll feel very high and a little sick"
Crack Magazine
WATCH: Temples make their US TV debut on The Tonight Show Starring Jimmy Fallon
Exciting news! Temples made their US network TV debut last night, turning in a stunning performance of their single 'Shelter Song' live on The Tonight Show Starring Jimmy Fallon. You can watch back the performance below and find remaining copies of the single's limited 12″ remix release in our shop over here.
The band are in Chicago tonight for a sold out show at Subterranean, and head to Lollapalooza tomorrow where they play the Main Stage/Bud Light Stage. Find all upcoming Temples dates here.
TOY announce a one off intimate show at London's Lexington on 1st August
Following on from the success of their critically acclaimed second album 'Join The Dots' and their celebratory Shepheard's Bush Empire show back in April, TOY are treating fans to an intimate performance at London's Lexington next Friday, August 1st.
Fresh from the dark depths of their spellbinding Crows Nest slot at this year's Glastonbury festival, the five piece will be sure to bring the magic to this one off performance.
The band will be playing tracks from recent album 'Join The Dots' and their sensational self-titled debut. They also promise a few surprises!
Joining them on the bill are Astral Pattern as well as unique performances from Grimm Grimm and Le Volume Courbe.
Julian Hand who recently produced the brilliantly trippy video for latest single 'As We Turn' will be joining Young Husband and Psych Milligan who will be spinning tunes between throughout the night.
Ticket are £10 and will be snapped up quickly, don't miss out.
WATCH: Mark Lanegan Band live in session for KEXP
After the exciting announcement that Mark Lanegan Band has not one but, TWO releases coming soon, you can watch the band perform an exclusive live session for KEXP below.
The session features a new song 'I Am The Wolf' taken from his forthcoming LP 'Phantom Radio.'
There will be more news on how to pre-order the album soon. Due out in the Autumn, you can read about the records formation here.
If you can't wait that long, get your hands on a copy of the new EP, titled 'No Bells On Sunday.' The EP features the killer new single 'Sad Lover.' It will be released on limited vinyl on August 25th, with pre-orders already available, be quick!
Plus you can watch the Steve Gullick produced video for 'Sad Lover' here.
Announcing our new signings, Kid Wave! Watch the video to 'All I Want' here
Fresh from our news last month of new LA signing Fever The Ghost, we're thrilled to bring you details of another brilliant new band to Heavenly, going by the name of Kid Wave, whose infectious slacker indie pop has been in heavy rotation on the Heavenly speakers these last few months (and yours soon, we hope!)
The band release their Rory Atwell produced debut single 'All I Want' on Monday 8th September, which also features the B-side 'Young Blood'. The track is accompanied by a dreamy, summery video directed by Steve Glashier which you can watch below, and features the band playing a skate bowl in Brighton.
The band are set to play with Childhood in London in August and on their October tour, as well as our stage at On Blackheath festival in September. Make sure you catch a show!
"Backed by ollies and enough dungarees to merit this whole thing one grand tribute to denim, this first clip is a lock-flowing, head-banging and irresistibly easeful introduction. " DIY
"London's newest exponents of youthful, sun-drenched guitar lilts… the sound of their new track 'All I Want' is like falling in love on the first day of your summer holiday when the possibilities seem endless." Noisey
13th: London, Oslo (with Childhood)
14th: London, On Blackheath Festival
3rd: Sheffield, Leadmill (with Childhood)
4th: Manchester, Deaf Institute (with Childhood)
7th: Southampton, Joiners (with Childhood)
8th: Brighton, Audio (with Childhood)
9th: Birmingham, Hare & Hounds (with Childhood)
The Wytches announce new single 'Burn Out The Bruise' — listen here
Countdown to The Wytches debut album keeping you restless? Here's something to satisfy that craving for now — the band have unveiled their new single, the darkly hypnotic 'Burn Out The Bruise', out on 1st September on limited 7″ vinyl (keep eyes peeled for preorder details).
Time to crank up the volume…
2 — Y Not Festival, Derbyshire
10 — Beacons Festival, Yorkshire
16 – Oslo, London (with The Growlers)
17 – The Fleece, Bristol (with The Growlers)
18 – Kazimier, Liverpool (with The Growlers)
19 – Concorde 2, Brighton (with The Growlers)
22 – Leeds Festival
24 – Reading Festival
27 – Rough Trade East In-Store
29 — End of the Road Festival, Dorset
31 — Bingley Music Live, Yorkshire
7 – Bestival, Isle of Wight
14 – On Blackheath Festival, London
"They're equal parts sordid, spiteful and slightly damaged" (NME)
"The Wytches inject their misery with a little "Miserlou" and ride an ocean wave awash with oil spills and blackened birds." (Pitchfork)
"'Annabel Dream Reader' is heavy, wavy; you'll feel very high and a little sick." (Crack Magazine)
The Wytches have announced details of their new single. 'Burn Out The Bruise' will be released through Heavenly Recordings on 1st September.
Available on limited 7" and download, it also features the b-side 'Darker'. The new single was recorded at Toe Rag studios and co-produced by Kristian Bell and Bill Ryder-Jones.
'Burn Out The Bruise' is taken from their forthcoming debut album 'Annabel Dream Reader' which will be released on 25th August.
Listen to 'Burn Out The Bruise' here –
Following The Wytches debut US performance at SXSW in March, the band have made their return to the US this month to support both METZ and Cloud Nothings on an extensive tour. The band return to the UK in August for a string of dates with The Growlers and various festivals including Beacons, Reading and Leeds and End Of The Road.
Formed in Brighton in 2011, The Wytches have released four highly acclaimed singles: Beehive Queen and Robe For Juda, both released through Hate Hate Hate Records and sold-out picking up multiple plays at radio in the process. This was followed by Gravedweller, the first single released through their new label Heavenly Recordings and their most recent single Wire Frame Mattress.
The Wytches are: Kristian Bell (vocals / guitar / organ), Dan Rumsey (bassist) and Gianni Honey (drums).
For further information please contact:
Natalie Quesnel (print and online)
Carl Delahunty (regional)
Big Mouth Publicity 020 3189 4606
WATCH: Mark Lanegan Band new video PLUS EP and album announcement
We are very excited to bring you news of not one, but TWO new Mark Lanegan Band releases. First up is five track EP 'No Bells On Sunday', available on limited vinyl on 25th August. That's followed up by a full studio album, 'Phantom Radio', out on Heavenly in the Autumn.
The first track to be released from the EP is killer tune 'Sad Lover', the video of which was made by Steve Gullick and can be viewed below:
More info
As he approaches his 50th birthday Mark Lanegan has assembled one of the most extraordinary bodies of work in modern music. Phantom Radio will be the ninth bearing his own name and third with his band, but combine it with the collaborative albums he's made, be it with Isobel Campbell, or Duke Garwood, or as 50 per cent of the Gutter Twins, or his legendary first band the Screaming Trees, then the total is nearer 20. Then there's his guest spots with Queens Of The Stone Age and his many collaborations as the singer on records by the varied likes of UNKLE, Martina-Topley Bird, Moby, Soulsavers and Melissa Auf der Maur. In total, Mark Lanegan has made close to 50 records.
Lanegan's solo debut was 'The Winding Sheet' in 1990 but it would be the masterful follow-up, 'Whiskey For The Holy Ghost' that confirmed his credentials as a truly unique artist. 'Bubblegum' in 2004 saw Lanegan emerge from the wreckage of the Screaming Trees to create a new version of the blues: part-acoustic, part-electro-rooted contexts mostly produced by Alain Johannes, with a floating cast of helpers, some illustrious (Josh Homme; PJ Harvey) others not. Seven years of collaboration followed before Mark Lanegan Band delivered the towering 'Blues Funeral', its Krautrock curlicues adding new textures to his molasses-thick doom canvas.
And now 'Phantom Radio' builds on the same foundations: produced by Alain Johannes, and that voice intoning deep truths hewn from the bleakest realm. "I saw the feet of pilgrims bleeding," Mark sings on Judgement Time. "I saw whole cities drowning, I saw whole armies dying." You believe every word; no other living singer's voice feels so charged with Biblical portent.
Which is all part of the craft, because Mark Lanegan is not as black as he's been painted. His chief compositional tool on 'Phantom Radio' was his phone – specifically an app called Funk Box. "I didn't bother to hook up my 909 and 808 this time," he says, "because the app had 'em. I'd write drum parts with it then add music with the synthesizer or the guitar."
'Phantom Radio' grew organically from these synthetic roots, taking in Mark's ongoing love of Krautrock and also an '80s new wave show on Sirius satellite radio, his favoured aural companion as he drives around Los Angeles. "They have a few good shows but the '80s one in particular I like," he says. "That's the music that was happening when I started making music. And although the Trees drew on Nuggets psychedelia, 13th Floor Elevators and Love, we were actually listening to Echo And The Bunnymen, Rain Parade, the Gun Club. A lot of British post-punk. We loved that stuff. I just waited until I was in my late forties before I started ripping it off."
The album title stems from a lyric in Smokestack Magic, which features on the EP, No Bells On Sunday, that will precede the album's release – five songs written during the same period but which were, in Mark's judgment "too goofy" to fit with the rest. "I'm less apt to throw away a song that might be a little weird nowadays. I can make it work with whatever I've got going."
Phantom Radio will be released in the Autumn on Flooded Soil / Heavenly Recordings. The album artwork, tracklisting and more information on the record will be revealed in a few weeks. Following the vinyl-only release of No Bells On Sunday on 25th August the EP will become available digitally and on CD as part of a Deluxe edition on album release date.
Temples track 'Keep In The Dark' featured in the latest Strongbow Cider TV ad
Another great week for Temples: their homemade video for debut single 'Shelter Song' has just hit over a million views on Youtube (yes a MILLION!), and now 'Keep In The Dark' has been chosen as the soundtrack of Strongbow Cider's latest TV ad. The promo, created by St Luke's debuts on ITV tonight, during Brazil's 2014 Fifa World Cup match against Colombia, or if you can't wait until then you can watch it below.
James Edward Bagshaw / The Saint Laurent Music Project
In other news, we're excited to say that James is one of the main subjects of YSL creative director Hedi Slimane's upcoming book, 'Sonic', published by Xavier Barral in September 2014. Keep an eye on the brand's facebook page here for further updates.
The Voyeurs announced as support on Fat White Family's European tour
***UPDATE: Unfortunately, the Fat White European dates have been postponed but the UK dates are going ahead
Charlie Boyer & The Voyeurs aka The Voyeurs will be heading out on the road in September supporting those fine young fellows Fat Whites aka Fat White Family for a month long tear-up across Europe. Tickets are now on sale and we strongly suggest you get in quick, as these shows will be unforgettable!
New Heavenly clubnight alert: 'The Deep Hum At The Heart Of It All'
We're excited to have a brand new Wednesday night starting next week at The Social. In association with our friends at Clockwork, we present 'The Deep Hum at the Heart of it All', a special three month festival of events every Wednesday between July and September – in the heart of London's Fitzrovia.
We kick the night off next week with a fledgling Heavenly signing by the name of Kid Wave who will be burning their infectious slacker indie pop brightly in the basement. Support comes from PINK FILM.
Check out July's listings below — we have a few surprise guests in the mix who we can announce a little closer to the time, so stay tuned!
Bunkered down in the very centre of the city, absorbed in a basement of concrete, The Deep Hum will resonate every week with the emerging sounds of some of the best psych and fuzzed up bands around. With special guest DJs spinning everything from vintage to brand new garage, rock n roll and kosmische sounds for the dance floor.
The Deep Hum takes place at The Social from 7pm-1am every Wednesday night
Free entry before 9pm / £5 afterwards
Live music between 8pm and 10pm with guest DJs until 1am
NUS and membership drinks offers all night
The Social
5 Little Portland St
London W1W 7JD


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Besides sporting one of the best band names in recent memory, Dale Earnhardt Jr. Jr. also makes wildly endearing, monstrously melodic Indie/Electro Pop. Detroit's Daniel Zott and Joshua Epstein started the project in 2009 as a home-recording venture, but a pair of EP releases the following year drew widespread attention, leading to a deal with Warner Bros. Records. The band released its debut full-length, It's a Corporate World, in 2011 and followed it up last year with the acclaimed The Speed of Things. Paste named that album's single, "Run," one of the best songs of 2013 and also called them one of the Top 25 live acts around.
At the start of fall, the band released a new single, "James Dean," a great slice of chilled-out, slow-jam Pop.
DEJJ plays Oakley's 20th Century Theater tonight at 8 p.m. Tickets are $15.
• Chicago Indie Rock foursome Empires, a 2014's MidPoint Music Festival favorite, return to Cincy tonight for a 10 p.m. show at The Drinkery in Over-the-Rhine. Great Cincinnati band Pop Goes the Evil opens.
Here's Ben Walpole's preview from CityBeat's official MPMF guide:
Empires enters MPMF 2014 building something close to its namesake this summer. It started with strong showings at Bonnaroo and the Hangout Music Festival, continued with a June appearance on a little program called the Late Show With David Letterman, followed by a well-received four-song EP – all building toward the band's major-label debut, Orphan, released this week on Chop Shop/Island Records. The album was produced by John Congleton, who has worked with St. Vincent, The Black Angels and Explosions In The Sky, among others.
You'll Dig It If You Dig: A more up-tempo The National; an artsier The Killers; a less dramatic The Horrors.
Here is the video for "How Does It Feel" from Empires' most recent release, Orphan.
• Stellar Cincinnati singer/songwriter Kim Taylor (read CityBeat's 2013 profile of Taylor here) headlines MOTR Pub in Over-the-Rhine tonight. Joining Taylor is Boston Indie/Americana Pop band The Grownup Noise. The band opens the free show at 10 p.m.
The Grownup Noise debuted in 2007 with its inaugural release, a widely acclaimed self-titled full-length. The band recently returned with its three-years-in-the-making third LP, The Problem with Living in the Moment, which came out late last month.
The Boston Herald has this to say about the new release:
Calling the Grownup Noise's new work — "The Problem With Living in the Moment" — "an album" seems like a slight. Declaring the folk/rock blend a symphony is overkill, but the 11 tracks have such a orchestral sweep — swelling strings, rippling piano lines, a harmony of percussion arranged with meticulous detail. Let's call it a suite. That seems to fit.
• "Foot-Stompin' " Country-tinged Rock duo Sundy Best, which originated in tiny Prestonburg, Ky., (and is now based in Lexington) plays Newport's Southgate House Revival tonight. Showtime is 9 p.m. and tickets are $15.
The band's bio describes its sound as "music that re-imagines timeless classic rock of the '70s and '80s – think the Eagles and the smart, whiskey-voiced lyrics of Tom Petty and Bob Seger." Along with critical acclaim from outlets like Rolling Stone and The New York Times, the band has found success on the road and satellite radio. and has even scored buzz via attention from the CMT television network. The duo is gearing up for the Dec. 2 release of its latest album, Salvation City.
Here's Sundy Best's video for "Lotta Love," a track from the album Bring Up the Sun.
For more live music events in Greater Cincinnati tonight, click here.
Modern Blues/Rock guitar hero Joe Bonamassa might not be a household name, but he has a gigantic fan base. Tonight, many of those fans will fill Music Hall to watch the six-string superstar do his thang. I just drove by Music Hall and he has multiple trucks and busses parked around back, one adorned with the motto, "Always on the Road," a reference to how he has built such a big following.
Bonamassa does make records, though. His most recent is Different Shades of Blues. Here's what CityBeat's Brian Baker had to say about the LP in his preview of the show (click here for the full preview):
Bonamassa's latest album, Different Shades of Blue, is a full-tilt electric experience, kicking off with a brief taste of Jimi Hendrix's "Hey Baby (New Rising Sun)" — Bonamassa was peeling off Hendrix licks when he was 7 — and roaring into incendiary originals like the scalding "Oh Beautiful," the funky "Love Ain't a Love Song," the relentless "Never Give All Your Heart" and the sinewy title track.
Tonight's show starts at 8 p.m. Ticket prices range from $79-$125.
• Danish Dance Pop trio New Politics headlines a triple bill of up-and-coming bands playing Bogart's tonight. The group joins fellow on-the-verge acts Bad Suns and SomeKindaWonderful for the show.
New Politics were in town this past summer to play the Bunbury Music Festival, alongside tourmates Paramore and Fall Out Boy. This fall the group teased new material with the release of the single "Everywhere I Go (Kings and Queens)." The group's next album, Vikings, is slated for release next year.
Click here for CityBeat's full preview of the show.
• Reggae crossover star Shaggy plays the Thompson House in Newport tonight. Local band Elementree Livity Project and veteran Columbus, Ohio, squad The Ark Band open the 7 p.m. show. Tickets are $17.
Shaggy became a superstar in the '90s/early '00s with hits like "Boombastic," "Angel" and "It Wasn't Me," a huge smash (you can still hear it on Pop radio to this day) from his six-times Platinum album, Hot Shot, from 2000. Shaggy has continued to release music and tour the world. Last year, Shaggy released Out of Many, One Music, an all-Reggae album that was produced by the legendary duo Sly Dunbar and Robbie Shakespeare.
Click here for more live music options tonight in Greater Cincinnati.
Sonic adventurer Nils Frahm performs tonight at the Contemporary Arts Center. Doors open at 7 p.m. and tickets are $20.
The German-born composer is touring behind his most recent album, 2013's Spaces, which was compiled from footage from various performances over the previous two years. His live presentation is something to behold, as Jason Gargano writes in his CityBeat preview of the show:
Nils Frahm's live performances are kind of hard to believe. He sits alone on stage, surrounded by multiple pianos and a few other gadgets. He moves back and forth between instruments, slowly building and altering the music as it unfolds, all of which is done without the use of loops or playbacks. It's an impressive achievement, as Frahm's sonic output is a whirl of intricately layered yet never fussy arrangements that bring to mind a meld of Steve Reich and Keith Jarrett.
Opening the show is Brooklyn's Dawn of Midi, an Avant Garde trio that combines elements of Jazz, Krautrock, Electronica and experimental Rock music and has also been drawing fawning critical raves. Radiolab host Jad Abumrad said of them, "I've seriously never seen anything like these guys."
Should be a fascinating night of music.
Click here for more live music options tonight in Greater Cincinnati.
Chris Forsyth & The Solar Motel Band bring their tour behind their debut studio album, the recently released Intensity Ghost, to The Comet in Northside tonight. Heart of Palm and Public Housing open the free 10 p.m. show.
Forsyth, who co-founded the experimental group peeesseye in New York around the turn of the century, is an acclaimed guitarist known for his exploratory approach and compelling skills. He fell in love with the music of Television in high school and ultimately ended up taking lessons from that legendary band's Richard Lloyd.
You can hear the influence of Television particularly in his work with Solar Motel Band (which was formed based on the guitarist's acclaimed Solar Motel album from last year). Many critics have described Forsyth's most recent all-instrumental music as a cross between Television and The Grateful Dead; Forsyth (now based in Philly) discovered the Dead while immersed in the New York experimental music scene and was immediately drawn to it, so it's a fair comparison. Overall, it's very engaging, hypnotic stuff.
• Tonight and tomorrow sees the return of Ironfest, a huge two-night benefit concert in honor of late local music supporter and musician Iron Mike Davidson. This marks the fifth edition of the event since Davidson passed away in 2010.
Ironfest V, which continues to raise funds for Davidson's family, takes over Newport's Southgate House Revival both nights with a lineup stacked with local talent largely (but not entirely) from the worlds of Punk and Hard Rock. Friday's lineup includes Mad Anthony, Martin Luther and the Kings, Kill City, Vampire Weekend at Bernie's, Sweet Ray Laurel, Valley of the Sun, Lockland Brakes, Lohed, Subsets, Mala in Se, Black Signal and many more. Saturday at Ironfest, catch The Dopamines, Moonbow, Mudpies, We are Hex, Honeyspiders, Oxboard Drain, 500 Miles to Memphis, The Blue Rock Boys, Draculas, Ethicist, Cadaver Dogs and several others.
Click here for the full lineups.
Tickets each night are $5 in advance (available at ticketfly.com) or $10 at the door. Showtime is 7 p.m. both nights.
• Tuvan throat singing string band Huun Huur Tu performs Saturday night at Parrish Auditorium on the Hamilton campus of Miami University.
Derek Halsey explains the unique music in his preview of the show for this week's CityBeat (read the full preview here).
Tuvan throat singing describes the wild-sounding songs created by musicians in the southern Siberian and Mongolian Steppe region of Central Asia who, for want of a better explanation, use their throats as if they were a didgeridoo.
Not only does it sound cool — creating multiple notes at the same time using nothing but the human voice — but historically it was a way for humans to communicate over the vast plains in that part of the world, with different styles being created to represent different tribes.
Saturday's show starts at 7:30 p.m. Tickets are $25 (there are discount for seniors, students and "youth") and can be purchased in advance here.
• Cincinnati Blues crew The Whiskey Shambles host a release show at Over-the-Rhine's The Drinkery in honor of their debut album, Loose Change for a Broken Man. The show is a benefit for the Save the Animals Foundation (where drummer Aaron Tyree volunteers). A $5 donation is requested at the door but you can be a jerk and not pay it; it's technically a free show. JetLab opens things up at 9 p.m. and members of local choirs MUSE and Young Professionals Choral Collective are slated to make guest appearances with the Shambles.
CityBeat's Brian Baker spoke with the band about their origins and the new release for this week's issue. Brian describes the album and band's sound like this:
While Loose Change exudes a contemporary vibe, the album bears the diverse hallmarks of the best '70s Blues Rock albums. Like Led Zeppelin, Cream and Free before them, The Whiskey Shambles channels first generation Blues subsets like Delta, Piedmont and Hill Country, combined with the members' unique individual experiences to conjure an edgy, atmospheric vision of 21st century Blues.
• One of Cincinnati's best bands, The Hiders, celebrate the release of their amazing new album Totem Saturday at Northside Tavern. The show is free. Singer/songwriter Ali Edwards (former bandmate of The Hiders' frontman Billy Alletzhauser in Ruby Vileos) opens at 10 p.m.
Click here for a full review of the great Totem. You can sample a few tracks here at The Hiders' official site (click the "Melody" tab, then choose "Totem").
• Unique Cincinnati Americana group The Tadcasters have released a new EP and on Saturday they're playing Stanley's Pub in celebration. The show features two other Roots acts that have recently issued new material — La Grange, Texas, Folk/Rock/Roots act The Youngest (supporting the new album Feral Road) and Oliver Oak, an Indie Folk sextet from Columbus, Ohio (supporting its new Sleepless Wilds release). Showtime is 9 p.m. and there's a small cover charge at the door.
Here is "Chaingang" from The Tadcaster's excellent new five-song EP:
• Sunday at the Southgate House Revival, friends of veteran local musician David Rhodes Brown are throwing a party in honor of his remarkable 50 years of playing music in the area. The multi-instrumentalist/singer/songwriter has been a part of numerous local acts in his half-century of service, coming into regional notoriety in the early '80s with his long-running Rockabilly/Roots band The Warsaw Falcons (who will reunite and close out Sunday's event) and going on to play with notable Greater Cincinnati groups like The StarDevils, Magnolia Mountain and numerous others. In 2010, Brown released his guest-laden solo album Browngrass & Wildflowers, and he's played lap steel guitar with the popular Punk Pop/Roots Rock band 500 Miles to Memphis for the past several years.
Many of Brown's friends and current/former bandmates will perform some of his songs at the event, including Ryan Mallot, Mark Utley, Wilder, Todd Lipscomb, Gregory Burton, Elle Crash and Pike 27. More friends and bandmates (including CityBeat's own Brian Baker and should-be Hamilton Country Commissioner Jim Tarbell) will also give Brown the "roast" treatment at the party.
Showtime is 7 p.m. and admission is just $5.
Click here for more live music options this weekend and feel free to plug other shows in the comments.
In honor of CityBeat's 20th anniversary, music editor Mike Breen and music section contributor Brian Baker (both of whom have been with the paper since the first issue) did an e-chat to discuss their experiences writing about music for the past two decades, from interview horror stories to the joys of covering Cincinnati musicians.
Mike Breen: So 20 years. We were both working (or, rather, volunteering) at Everybody's News when we found out EN's editor John Fox was leaving to start a new paper. I remember when he first told me, when it was still hush hush, and asked me to come aboard as the music editor while I was still in college. He pulled me aside as we were leaving the EN building after a day of work, told me (in hushed tones) about his plans and said he'd like me to be the music editor. I was excited because I believed in John's broader vision — providing a liberal/progressive voice for the city, celebrating the arts and striving to create quality journalism — but also because I was going to finally be paid for my work. Do you remember when you first heard word about CityBeat's formation?
Brian Baker: Vividly. After John left EN, no one paid the slightest attention to me. I don't think they ran a single review of mine after his departure. At some point that following summer, John James, who'd been doing the Positively Yeah Yeah Yeah column, called me at my design day job and said John Fox wanted to have lunch to talk about something he's got planned. So the three of us met at this little seafood place on Reading Road and John (Fox) laid out the blueprint he had in mind for CityBeat. It sounded like a great idea, and my reaction was the same as yours. A byline and a check? Pinch me, I'm dreaming.
But John offered a single caveat, and it would have rather lasting implications. He said, "I can't use you as a reviewer, I need you as a feature writer. Can you do that?" I said yes, and that really changed everything regarding my writing career. In a very tangible sense, everything that's happened to me over the past 20 years is due to John's insistence that I write features, and I owe him a great debt because of that one simple clause in our contract.
MB: I remember months before the first issue of CityBeat I spent days putting together request letters to mail out to hundreds of record labels asking to be added to their mailing lists. Which is funny to think of now — we weren't using email and, as opposed to receiving most review copies these days as downloads, we started getting dozens of CDs (and even cassettes at that point) a week. It's crazy to me to think about doing research for reviews and stories in the very earliest days of CityBeat; I had a handful of "encyclopedias of music" books, but mostly we had to just rely on those press kit folders, which usually had a press release, a bio and then a stack of stapled-together photocopied reviews and interviews from other outlets. Now you can literally press a button and see every review and feature story ever written about an artist. It's certainly easier now to be lazy.
What do you think has changed the most about writing about music over the past 20 years?
BB: No question that the internet has made the research part of our jobs a whole lot easier. And today's connectivity makes it almost (although not quite entirely) impossible for publicists to duck our requests for material and interviews. But remember tearsheets? Sending physical proof of my features and reviews to labels and publicists used to be enormously time-consuming, especially after I started picking up outlets other than CityBeat. Now it's like everything else: email a link.
Here's the thing about the new research paradigm. Back when my daughter was in 4th grade, her class and one other were doing a project on newspapers, where they split into groups, had editors and writers and each made their own version of a newspaper. Isabelle's teacher asked if I would be interested in talking to both classes about working on a real newspaper, which I happily agreed to do. The one point that I really tried to hammer home to the young journalistic minds in the group is that the internet has no editor, and you have to be incredibly careful with pulling what you think are facts from websites that may actually be offering little more than glorified opinions. In some ways, the internet has made everything incredibly easy, and in other ways, it has added in almost arcane levels of complexity that never existed before.
As I am often fond of pointing out, computers didn't make everything better, they made everything different.
MB: We'll move on from computer-related stuff after this, but I want to vent about internet trolls so just humor me for a sec (haha). As I'm often fond of pointing out, the best thing about the internet is that everyone has a voice. And the worst thing about the internet is that everyone has a voice.
In the earliest days, we had one computer in CityBeat's office that had web access, so people had to share time. My earliest memory of interacting with a "reader" online was when some asshole kid sent me this scathing note about something I'd written about Goth or Industrial music. He was a dick to me, so I was a dick right back (some things never change!). He threatened to "tell my boss" the mean things I said to him, which may have been the first time I did a computer-related "LOL." It's weird to think of now, in a time when online trolls are just par for the course. It's probably the thing I hate most about the job, and it was evident in my very first experience communicating with someone online about something I'd written. (I should give credit to my first "troll," singer/songwriter/funnyman David Enright, who, since the internet was still developing and Facebook was many years away from giving voice to everyone's vitriol, made hand-written fliers eviscerating me, CityBeat and CityBeat's music section for being lame. He stapled them onto telephone poles all over the Clifton area. I wish I'd saved one.)
We'd always talk about how we sort of wrote in a vacuum — we'd write stuff, throw it out there and assume people were reading it, but, outside of the rare "letter to the editor" or meeting people in the flesh, we had no idea how people were reacting to the content. Now we can kind of see in real time what people are reading (online) and get instant feedback if it hits the wrong or right chord. But people seem to mostly respond only when something pisses them off, which is fine, but it's almost always rude and insulting, which is maddening.
Anyway, you (wisely) stay off of social media, and I imagine you are spared a lot of this more annoying feedback. But over the years, what have your communications with both subjects and readers been like? Are they only mean to me or do you get some of that too? (For the record, most artists are very cool, even if a review isn't especially glowing, and very few are anything but kind and polite when I meet them in person.)
Also, and this is mostly for my own curiosity really, why do you avoid social media?
BB: I think I've had maybe one or two weird trollish kind of events, and in both cases I tried to reframe my case for the sake of clarification and when that went nowhere, I just surrendered, which I'm guessing is probably the money shot for most of these boners, so you're welcome. The anonymity of the internet has made self-imagined giantkillers out of intellectual/emotional pipsqueaks, and it has become an occupational hazard for those of us who would dare offer an opinion to a great unwashed mass that now has the means to respond from the bliss of their ignorance at the click of a mouse. On the other hand, it has also given us an opportunity to have fascinating conversations with people who actually relish the thrill of debating divergent opinions without having to declare a winner. A fair trade, I suppose.
My experience with the artists that I review and interview has always been, as you noted, very positive. And when I get introduced to people at shows, events, county fairs, beauty pageants and hog calling contests, and they realize I'm "that guy," they're always overwhelmingly nice, typically working up to a comment that goes, in general, "I've always loved your writing," and it's always nice to hear. A woman recently wrote in with some rather lavish praise about my online coverage of MidPoint, and her compliments were were well received by my always conflicted ego, although I was slightly bemused by this admission: "I've not read any previous articles by Mr. Baker..." So thanks for your kind words on my MidPoint reviewage, and if you're so inclined, there's 20 years of this stuff in the archive. Knock yourself out.
As for my social media blackout, I'm neither Amish nor am I a crotchety old duffer who doesn't understand the platforms and just wants these damn kids to stay out of my internet yard. My avoidance of Facebook has become something of a cause celebre; I didn't join because I couldn't see the benefit weighed against the time involved in posting/monitoring/responding, and now I'm one of a dozen people connected to the modern world who is not on Facebook.
At least part of the reason for the rest of it is the electronic array in the Bunker is just a couple of steps above the radio that the Professor made out of two palm fronds and a coconut shell on Gilligan's Island, and my phone is the Flintstones to everyone else's Jetsons. I have, in fact, grown rather weary of swearing at my 10-year-old Motorola flip phone (I know, I know), and I will soon be upgrading to something more befitting the second decade of the new millennium. And when that happens, I will probably be tweeting and whatnot with the rest of humanity. Until then, you kids stay the hell out of my internet yard.
Avi Buffalo plays a free show tonight at MOTR Pub at 10 p.m. Cincinnati's Founding Fathers open.
Avi Buffalo began when Californian teenager Avigdor Zahner-Isenberg began home-recording songs in high school. After completing high school, he had a full band and an offer from esteemed indie label SubPop Records quickly followed. Avi Buffalo's sublime, ethereal Indie Pop wowed critics and fans alike upon the release of the band's self-titled SubPop debut in 2010. There's a sense of wonder, romance and mystery in Zahner-Isenberg songs, something even more evident on the group's highly anticipated sophomore full-length, At Best Cuckold, which was released in early September and drew even higher praise from critics. Fans of The Shins and Grandaddy will appreciate the wispy, beautifully melodic genius of Avi Buffalo's songs, which caress the eardrums as they burrow into the listener's cranium.
• Ellis Ludwig-Leone's Indie Chamber Pop project San Fermin returns to Cincinnati tonight for a show at the new Woodward Theater in Over-the-Rhine. The ensemble performed one of its first shows ever at last year's MidPoint Music Festival in Cincinnati; despite their debut album not being out yet, the concert still sold out.
Check out Jason Gargano's interview with Ludwig-Leone from last week's CityBeat here.
Tonight's show at the Woodward kicks off at 8:30 p.m. with a performance by Mikhael Paskalev. Tickets are $17.
• AltPop singer/songwriter Ingrid Michaelson plays the Taft Theatre tonight. Chris Koza opens the show at 8 p.m. Tickets are $25-$30.
Michelson has built a large fan base and experienced chart success since her self-released debut album, Slow the Rain, came out in the middle of the last decade; her next album, Girls and Boys, was her breakthrough, garnering mainstream attention after various tracks were used on TV shows (most notably, Grey's Anatomy). Despite offers from big corporate labels, Michaelson has remained largely a DIY artist, putting albums out through her own Cabin 24 label (though she now has distribution through the notoriously artist-friendly Mom + Pop Music imprint).
Here is the recently unveiled video for "Afterlife," the second single from this year's Lights Out album. The new LP was her most collaborative yet; written and recorded after bouts with illnesses and other issues that left her in a dark place, Michelson collaborated with a range of producers and fellow songwriters.
Click here for more live music options in Greater Cincinnati tonight.
Last month, several photos featuring the members of Cincinnati's Wussy hanging out at the CBS studios in New York made their way to the band's social media accounts. Turns out the band wasn't just taking a studio tour; they were invited guests!
Wussy filmed an in-studio session and were interviewed for a feature on the band that will appear on CBS This Morning Nov. 29. The date was revealed on this past Saturday's CBS This Morning. It will be the band's network television debut, the latest milestone for Wussy, which has seen its national profile continually rise gradually over the past several years.
CBS This Morning's Saturday edition has been doing weekly musician profiles for a while now on a segment called "Saturday Sessions." The show has featured artists like The Head and the Heart, Trampled by Turtles, Delta Spirit, Gaslight Anthem and Counting Crows in recent months (British musicians Johnny Marr and James play the next two "Saturday Sessions," respectively).
Here are the Cincinnati natives of The National performing a session for the show earlier this year.
The brand new Over-the-Rhine music venue The Woodward Theater had a public open house event this past Friday and now it's time for the venue's first official show. The Woodward — brought to you by the people who run MOTR Pub, which is just across Main Street from the new club — hosts acclaimed Grand Rapids, Mich., ensemble The Soil & the Sun tonight. The progressive, gorgeously ethereal Indie Chamber Folk group is joined by Wisconsin Country/Folk group Count this Penny for the 8 p.m. show. Showtime is 8 p.m. and admission is just $5.
For more CityBeat Woodward coverage, click here and here.
Here is a clip of The Soil & the Sun performing a session for the Audiotree series.
• Eclectic drummer/composer Dylan Ryan brings his Dylan Ryan/Sand project to Northside's The Comet tonight. Ryan's exploratory Jazz Rock trio will be joined by the Dave McDonnell Group of the free, 10 p.m. show. Ryan (now based in L.A.) and McDonnell (now based in Cincinnati) are both members of the "Prog Jazz" ensemble Herculaneum.
Click here for a full preview of tonight's show.
Here's "Tree, Voices, Saturn," a track from Sand's second album, Circa, which was released on Cuneiform Records in late September.
• Diverse New Orleans Rock band The Revivalists perform at Oakley's 20th Century Theater tonight. The show starts at 8 p.m. with special guests Black Cadillacs. Tickets are $17 at the door.
Click here for a preview of The Revivalists' show from CityBeat's Brian Baker.
Here's the official video for "Criminal" from The Revivalists' City of Sound LP, which was reissued by the band's new label home, Wind-Up Records, earlier this year.
• One of the cool things about The Woodward Theater is that when shows there end, there will always be something going on across the street at MOTR Pub, which typically presents shows at 10 p.m. (and never charges a cover). Tonight's a great opportunity to test that out as each venue has a great band performing. SubPop recording artists Jaill play MOTR tonight, after the Soil & the Sun show across the street, with guests Smut.
Formed more than a decade ago in Milwaukee, Wis., Jaill spent their formative years self-recording and releasing a variety of music on their own or for small labels. In 2008, the band put out its debut full-length, There's No Sky (Oh My My) — which was reissued on Burger Records (the label also released a collection of early recordings called Cranes last year) — and caught the attention of SubPop.
The band signed with SubPop for 2010's That's How We Burn and then in 2012 released the magnificent Traps, a great representation of the group's jangly, highly melodic Indie Pop. Pitchfork gave the album a positive review, comparing the band to Violent Femmes and the dB's and describing it as "idiosyncratic pop-rock appealing to geeky outsiders and scene lifers." I'd say it has a far wider appeal than that.
Click here for more live music options in Greater Cincinnati tonight.
One of the few "Alternative Revolution" bands left over from the '90s, Primus, returns to Cincinnati tonight for a special show at the Taft Theatre. The veteran band is still one of the more unique and eccentric groups around that maintains a large fan base. That's singularity might have something to do with their longevity. Primus has never had anything to do with flash-in-the-pan musical fads.
Les Claypool and Co.'s latest is a blissfully oddball addition to an already blissfully oddball discography. Primus and the Chocolate Factory is a creative interpretation of the music from the original Willy Wonka and the Chocolate Factory film. Reviews from previous live shows on Primus' tour for the album say the band opens with a set of Primus hits; the second set focuses on Chocolate Factory, replete with matching stage production.
Check out Charlie Harmon's preview of the show for CityBeat here.
Tickets for tonight's show are $39.50-$45. Showtime is 8 p.m.
• One of Greater Cincinnati's most unique annual music events, the Blues & Boogie Piano Summit, returns for its 15th year this weekend. For the 2014 edition, the showcase of international Boogie Woogie Blues pianists takes place over two nights (Friday and Saturday) at the Southgate House Revival.
The Boogie Piano Summit was founded by Ricky Nye, Cincinnati's top purveyor of Boogie Woogie, a rollicking, highly rhythmic style of Blues piano that was influential in the formation and development of Rock & Roll and various styles of Blues, Jazz and Country music. This year's edition of the Summit is dedicated to the "New Breed of Boogie Woogie," showcasing three players all under the age of 30 (the same lineup performs both nights). The event features Switzerland's Chris Conz, Iowa's Chase Garrett and Germany's Luca Sestak (watch clips from each below).
Click here for more on the show.
Tickets are $30 for a seat or $25 for standing room only. (Save $5 on tomorrow's show by purchasing them in advance here.)
• The Rusty Ball, organized and starring fun, popular local '80s cover group The Rusty Griswolds returns to the Duke Energy Convention Center tomorrow night at 8 p.m.. Tickets range from $75-$175. The show is the Griswolds' annual charitable event, with proceeds going to numerous local charities (the show has generated nearly $2 million for over 300 charities since it began in 2008). Special guest this year is '80s/'90s Pop star Taylor Dayne. Click here for full details.
• Toronto Rock twosome catl. performs a free show Saturday at MOTR Pub. It's a night of duos, as the Canadians are joined by locals Halvsies and Brooklyn's Mark Rogers & Mary Byrne. Showtime is 10 p.m.
Here's a clip for catl.'s bluesy, boogying "Gotta Thing for You" from their album Soon This Will All Be Gone. This spring the band released its fourth album, The Shakin' House.
• Rootsy Nashville rockers The Wild Feathers play Oakley's 20th Century Theater on Sunday. Showtime is 8 p.m. and tickets are $15 in advance or $17 day of show.
The Wild Feathers began at the start of the decade, when guitarist/singer Ricky Young and bassist/singer Joel King decided to put together a band that featured four lead vocalists, each as important as the next. The resulting ensemble, with the addition of guitarists/singers Taylor Burns and Preston Wimberly (Ben Dumas plays drums) clicked instantly. The band signed to Warner Bros. and released its self-titled debut last year. Rolling Stone gave the album a glowing review, saying the LP brings to mind "everyone from the Allman Brothers ("Hard Wind") to the Jayhawks ("Got It Wrong")," and that "the five-piece band fuses the essentials of rock, country, folk and blues into an intriguing new approach."
• Influential British Metal crew Carcass performs Sunday at Covington's Madison Theater. Considered pioneers of Grindcore and melodic Death Metal, the band was also a favorite of British taste-making DJ John Peel. Carcass split up in the '90s but reunited in 2007 for a string of shows, leading up to their entire back catalog being reissued. In 2013, the group released its first album of new music in 16 years, Surgical Steel. Next week the band is releasing a five song EP, Surgical Remission/Surplus Steel, which features tracks recorded during the Surgical Steel sessions.
Here's the lyric video for the EP's "Livestock Marketplace":
Read Brian Baker's preview of the show here.
Carcass headlines the Madison Sunday with fellow Metal giants Obituary and guests Exhumed and Noisem. Showtime is 8 p.m. The show is open to all ages. Tickets are $25.
• The local chapter of the Guitars For Vets nonprofit organization, which provides musical therapy in the form of guitar lessons to military veterans at the local VA Hospital suffering from Posttraumatic Stress Disorder, presents its second annual benefit this Sunday at 1 p.m. at Jim and Jack's on the River (jimandjacks.net). The event is free and features performances by noted local guitarists Sonny Moorman and Dick Buchholz, who will perform with Guitar For Vets students. There will also be a guitar auction and raffle to raise funds for the cause. For more information on Guitars For Vets, visit guitars4vets.org.
Click here for more live music events this weekend in Greater Cincinnati.
Philly rockers Restorations play Newport's Southgate House Revival tonight. Labelmates The Smith Street Band open the show at 8:30 p.m. Tickets are $10 at the door.
Restorations recently released its third album, LP3 (following LP1 and LP2, of course), though the great label, SideOneDummy Records. Rolling Stone said of the new album, "When their trio of guitarists aren't busy auditioning for Ozzy or Springsteen, they summon dynamic, smartly-shaded echo caverns more reminiscent of Sunny Day Real Estate and Modest Mouse – elevating the nicotine-ravaged bloodletting of Jon Loudon, the toughest young old man at the bar, to lip-quiveringly dramatic heights." The band also had a great piece written about them and new album on Grantland; check it out here.
• Blues singer/songwriter/guitarist Tas Cru and his band of Tortured Souls play West Side club Legends tonight. The upstate New York ace has released four well-received albums and has a new one, You Keep the Money, due out soon. Here's the title track from his 2012 full-length, "Tired of Bluesmen Crying."
Local Blues heroes The Sonny Moorman Group open the show at 8 p.m. Admission is $10 at the door.
• New York City-based instrumental trio Consider the Source plays Covington's Madison Theater tonight. The self-descriptions from the band's Facebook — "Sci-Fi, Middle Eastern, Progressive, Psychedelic, Jamband, Funk, Fusion" — give a great sense of the diversity inherent in the band's music. Played with virtuosity and a sense of adventure, the threesome's unique style and entertaining live presence has earned the group a cult following across the country, in Europe and even the Middle East, as well as dates performing with the likes of Jacob Fred Jazz Odyssey, Victor Wooten and Oteil Burbridge. Consider the Source recently released the World War Trio EP (Part 1), which consists of a "six-part composition" titled "Put Another Rock in That Bag." Part 2 will be a double album due for release this winter.
Here's an extended version of Radiohead's "Paranoid Android," a rare full cover from Consider the Source recorded live in the studio.
Consider the Source is joined by local acts Common Center, Elementree Levity Project and Don't Fear the Satellites for tonight's 9 p.m. show. Admission is $10.
Click here for more live music options in Greater Cincinnati tonight.

subset: commoncrawl


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Chiefs LB Belcher signs free agent tender
KANSAS CITY, Mo. (AP)
Chiefs linebacker Jovan Belcher has signed his restricted free agent tender, which was at the second-round level and will pay him $1,972,000 for the 2012 season.
The team announced that Belcher had signed his tender Thursday.
Belcher went undrafted in 2009 out of Maine, but he's become a solid contributor in the middle of the Kansas City defense. He's made 34 starts in 48 games over three seasons.
He also has experience on special teams.
Belcher will compete with Brandon Siler for the middle linebacker spot alongside Pro Bowl selection Derrick Johnson this season. Siler missed last season after tearing his Achilles tendon early in training camp.
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Grim, but maybe true. Maybe we are already living in a version of this distopia where the only way to get ahead, out of the hole and into the light is to sacrifice dignity for full exposure in these convoluted reality games. Worth reading.
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May 31, 2013
Haldex has named Tim Shaw national sales manager for reman components as well as two new directors of trailer sales.
Shaw will be dedicated to the Reman business in order to increase Haldex market share, drive new sales opportunities and increase profitability. He has been with Haldex for 21 years and has held numerous positions, including Customer Service, Technical Service, Territory Manager, and most recently as Reman Product Manager. Shaw reports directly to Ed Meador, SVP North America Sales.
As Haldex continues to improve our focus on key customers within key markets, it has added to sales directors to its Trailer Segment Sales Team.
Scott Malone is director of trailer sales - East. Malone comes to Haldex with more than 25 years of experience in the trailer segment. He was formally with Stemco/Motor Wheel, Talbert Trailers and Fontaine Specialized Trailers.
David Wisdom is director of trailer sales - West. Wisdom has held several positions of increasing responsibility within Haldex since 2004, most recently as product manager.
Both Malone and Wisdom will report to Jeff Barr, VP OEM Sales.
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blueLagoon...99.99% of the time an orthodontist has nothing to do with implants. I think you have your dental specialties confused. Generally an oral surgeon or periodontist. Continue Reading
I have been getting them for 89 cents a pound. Have made a few small batches of applesauce...DELICIOUS! Needs no sweetener. Continue Reading
Target.com then search altuzzara and they all come up...easy! Continue Reading
Looks like I am way off. I was going to guess a 14. Continue Reading
No,we don't. Continue Reading
I think it's so endearingly cute how some are so attentive to their threads..just like a good hostess with excellent manners! Continue Reading
HonnyBrown...for me the OTC med "Stye" wiped it out! I know what a stye feels like just when it is starting so that is when I start using it. Maybe I'm just lucky! Either way,,,I'll continue with it! Hope you find something that works for you! Continue Reading
I have had the best luck with an OTC med called "stye". Nips it i the bud right away for me! Continue Reading
Yippee! Continue Reading
Sounds yummily delicious! ( using my childish descriptive word to see if I get chided for being immature again!) Just have to try this...and you know if Britbrit,BeeBee or LBM...post it it's going to be delicious! Who cares about the over zealous fat patrollers with nothing better in life to do than attempt to ridicule those of us that can indulge once in a while! Adding it to my overflowing list Brit! Thanks! Continue Reading
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Responsible for managing key accounts, introducing best practices to enable clients to better leverage the Orchestro suite. Successful candidates are flexible, resourceful and focused on results. Maintains frequent contact with customers to serve as an ongoing escalation point10/7/2014 Rogers, AR Save This Job
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Account Management NY, NY Apply Now Send Jobvite About CRITEO CRTO Criteo delivers personalized performance advertising at an extensive scale. Measuring return on post-click sales, Criteo makes ROI transparent and easy to measure. Criteo has over 1,000 employees in 17 offices10/14/2014 New York, NY Save This Job
The Business Development team manages key strategic partners of GREE's game studio and evaluates and executes transactions covering distribution, licensing and publishing. Reporting to the Vice President of Business Development, this positionSan Francisco, CA Save This Job
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In Communication system, the system capacity and performance are adversely affected and degraded by interference. Hence, power control plays a prominent role in an interference-limited system, which increases the efficiency by mitigating the adjacent and co-Channel interference in the system. In this paper, primarily power control is said to be used in maintaining the acceptable Carrier to Interference Ratio (CIR) by meeting some Quality of service (QoS) requirements Objective function that is defined as maximum channel capacity in a power constraint scenario. The signals in a radio channel undergo different propagation effects like reflection, refraction, scattering and shadowing. Hence, the distribution of users across subcarrier groups as well as their transmission powers within a given cell has a significant effect on how users and power are accordingly distributed elsewhere in the network to maximize the capacity of the system thereby enhancing its performance
A Smart City is the integration of technology into a strategic approach to sustainability. 21st Century has brought with it a new global trend of "sustainable urban development" and this concept adds new dimensions to urbanization which require a quick need to upgrade existing cities. The concept of a smart city is a relatively new one. Throughout the years, with the significant contribution from various technologies like computer science, information technology, remote sensing, advance multimedia world etc, GIS evolved from traditional geographer's or cartographer's tool for surveying and planning to a rapidly expanding primary technology for understanding our planet and related geospatial opportunities to foster a sustainable world. This paper describes smart city projects in India and thoroughly explores the existing and extended capability of GIS to include modeling and visualization in order that decision makers will be able to
This article discussing about recently launched Google Android platform, and its online application marketplace for Android smart phones. The project examines the paths to success for third-party developers building applications for Android smart phones by comparing them with application development for the Apple iPhone and factors that influencing mobile brand selection while purchasing new mobiles. Research on related topics shows this mobile ecosystem benefits thirdparty developers and those application vendors play a critical role in contributing to the success of Android. In the current scenario most of the youngsters having Android smart phones in their hands, the reason for this development in a short period is usage social media such as face book, twitter and all other applications. Android platforms are simplified the use of social medias and access of it. In this article we can know further about this Android platform and its influence of peer purchase decision
This study was conducted with the aim of investigating how access control would secure customer information in Kenya. This study was guided by the set out objectives: first to determine how data control mechanisms enhance security access, secondly to investigate the security issues on access of customer information and thirdly to develop Secure Data Access Control (SEDAC) model. In achieving these objectives a self administered questionnaire was developed and distributed to randomly selected respondents. The findings of the study were analyzed using SPSS. The Security Data Access Control (SEDAC) model was developed for and recommended for adoption by the end users as a guide to enlighten the novice worker who constitutes a large number of the work force.
Even a small transition delays and little faults create major concern in digital circuits. It Produce greater impact on not only for simple memory but also for most of the memory applications. This paper presents an error-detection method for difference-set cyclic codes with majority logic decoding. Majority logic decodable codes are suitable for memory applications due to their capability to correct a large number of errors. However, they require a large decoding time that impacts memory performance. The proposed fault-detection method significantly reduces memory access time when there is no error in the data read. The technique uses the majority logic decoder itself to detect failures, which makes the area overhead minimal and keeps the extra power consumption low. The proposed method detects the occurrences of single error, double error ,triple error in the received code words obtained from the memory system.
This paper touched the concept of a new system of abstract algebra .Where we relied on a set of semi order, and the stack of elements in the form of a matrix. We proved that this system is a semi-group, after providing the fuzzy system to the system, and access to the algebraic operations determine the significance of any element in the set and reliance on the location element in the set . Identify new methods to resolve the issues of transportation models in Operations Research.
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September 1, 2012
By Dave Hirschman
At last, the long-touted benefits of the ADS-B system are beginning to arrive in general aviation cockpits—and Garmin's new GDL 39 receiver is the first to make us reconsider our earlier advice that pilots should wait until closer to the FAA's 2020 deadline to buy new equipment.
For $800, Garmin's portable ADS-B receiver shows weather and, with some important limitations, aerial traffic—and it does so on Apple iPads, Android tablets, and Garmin portables (696 , 796 and Aera) as well as the G3X (a non-TSO PFD based on the 696). Traffic (but not ADS-B weather) is available on the 396 and 496.
I recently flew with a GDL 39 from Garmin headquarters in Olathe, Kansas, to AOPA's home base in Frederick, Maryland, and the weather and traffic information it displayed on an iPad vastly improved pilot situational awareness during the 815-nm trip. (The GDL 39's picture of weather and traffic also closely aligned with information provided by XM Satellite Weather and TIS displayed on a Garmin 696 in the same cockpit.)
Installing the GDL 39 was a simple matter of placing it in the vacant back seat of a Vans RV–4, raising its antennas to receive ADS-B signals, and pushing the power button. Two LEDs—one green indicating its 4-hour lithium-ion battery was charged, and one blue showing Bluetooth readiness—quickly illuminated. I placed the iPad (running Garmin's Pilot app) on my kneeboard about three feet away from the transceiver, and taxied to New Century Airport's Runway 18 to begin the journey east.
One of the ADS-B system drawbacks was immediately apparent. Unlike XM Satellite Weather, which sends its Nexrad images from above allowing pilots to read them on the ground, ADS-B weather information is distributed via ground stations—so it's seldom visible on cockpit displays until airplanes are flying. On this day, a colorful blob of violent weather was churning across Michigan and northern Ohio just north of my route. The nasty weather showed up immediately and in detail on the XM display, but it didn't appear on the ADS-B display until I was leaving the airport traffic area.
Much has been said and written about comparing the nuances of the XM versus ADS-B weather information. But on this July morning, both agreed that there were wide areas of green and yellow with concentrated, embedded lines of red and purple—and that told me all I needed to know: Stay away.
Pilots can display weather and traffic information from the GDL 39 on their gadget of choice (in this case, an iPad with the Garmin Pilot EFB). The GDL 39 receives weather all the time, but airplanes must send ADS-B Out signals in order to get the full traffic picture.
There are two ADS-B frequencies in the United States (1090 and 978 MHz) and the GDL 39 uses both of them. Airliners show up as white diamonds with the airline code and flight number (DAL FL1020, for example, is Delta Air Lines Flight 1020), as well as altitude (above or below) and an arrow showing relative movement. These aircraft already broadcast ADS-B Out signals on 1090, and the GDL 39 receives their signals directly (air to air).
Traffic closer to my altitude, however, was largely invisible because those airplanes (and mine) carry Mode C or Mode S transponders. Getting a full traffic picture from the GDL 39 requires broadcasting an ADS-B Out signal, and my airplane wasn't doing it. Occasionally, however, when an airliner flew within 15 miles, the GDL 39 in my airplane would "hitchhike" on its signal and display Mode-C traffic by linking to a ground station (ADS-Rebroadcast).
That traffic view offers a tantalizing glimpse of the fuller picture we're all likely to see post-2020. But knowing I was only getting a fragmentary traffic view was almost worse than none at all. And, believe it or not, that's how the brain trust in charge of the ADS-B system wants it.
The FAA goes to a lot of effort to block traffic signals as an "incentive" for all pilots and aircraft owners to "participate" by buying and installing ADS-B Out equipment. As further inducement, the agency is doing away with its Traffic Information System that currently shows traffic in airplanes equipped with Mode S transponders.
ADS-B Out is available from Garmin in the form of GTX 330 ES (ES stands for "extended squitter" transponders) and the new GDL 88s—and a growing number of other avionics manufacturers provide ADS-B Out units, too. But a new GTX 330 ES transponder (which operates on the 1090 band) carries a retail price of $5,995. And a GDL 88 (which uses the WAAS GPS receivers in panel-mounted products such as the GNS430/530/650/750 and uses the 978 band) starts at $3,995.
There's much talk among avionics manufacturers about the promise of future low-cost ADS-B Out equipment now in development. Such welcome possibilities could greatly lower the cost of complying with the FAA's ADS-B Out mandate by the January 1, 2020, deadline. And once our airplanes have an approved ADS-B Out source, adding the benefits of subscription-free weather and traffic through innovative products like the GDL 39 is a no-brainer.
For pilots who receive weather only, the GDL 39 (and others such as Stratus developed by Foreflight and Sporty's) pays for itself in less than two years (XM subscriptions are currently a minimum of $30 a month, excluding fees and hardware). For those whose airplanes are currently equipped with Garmin Mode S transponders, upgrading them to ADS-B Out costs about $1,200 (and allows the GDL 39 to provide a full traffic picture as well as weather).
And for the vast majority of us with Mode C transponders, adding ADS-B Out remains costly—but hopefully less so in the near future. And the benefits of subscription-free weather and traffic take away at least some of the sting from the ADS-B mandate.
Email firstname.lastname@example.com
AOPA Pilot Senior Editor Dave Hirschman joined AOPA in 2008. He has an airline transport pilot certificate and instrument and multiengine flight instructor certificates. Dave flies vintage, historical, and Experimental airplanes and specializes in tailwheel and aerobatic instruction.
New Aircraft,
Portable GPS,
The FAA encourages pilots to do a number of things in order to increase safety, but does not require them. Check out these three actions that are recommended.
Among the very first lessons a pilot learns is that a control yoke is not a steering wheel. Research underway in Europe could change that.
Your CFII usually follows up route-planning drilling with a review of appropriate regulations, and today's selection is 14 CFR 91.185, "IFR Operations: Two-way radio communications failure."


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Posted August 14, 2011
A man who chose to defend his country as a Navy SEAL discovers that fate has in store for him an even higher calling. In the Traiteur's Ring, Jeffrey Wilson weaves a masterful tale of Ben Morvant, a Special Forces operator from Louisiana whose Cajun ancestry carries with it both a mysterious gift and a dark secret from his past. It is only on a covert mission in the art of al Qaeda controlled Africa that Ben comes to learn the true power that resides within him and the higher calling that he must answer.
The Traiteur's Ring is a unique blend of several different genres. It manages to meld elements of action-adventures, military thrillers, and mystic horror into one coherent and entertaining plot that envelops the reader. We care not only about Ben, but also his wife back home, the team of SEALS that are his brothers, and the innocent people they seek to protect. And Wilson's background in the military shines through on every page; we believe in Ben's gift because we believe in Ben.
The Traiteur's Ring is a truly unique story in a genre that so seldom produces uniqueness. I recommend it highly, my only caveat being that there are some genre fans who may find the depth of character development to be simply too detailed. But if you are the type of reader who wants characters that are complex and developed, with back stories and real lives beyond the glimpses we see in the pages, then Wilson has crafted the perfect book for you.
3 out of 3 people found this review helpful.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted August 15, 2011
This novel is part thriller, military study, horror, and a small dose of love story(although the latter is not the focus). There is nothing like it. The scenes with the SEAL team taking out Al Qaeda in Africa are riveting and it is obvious that the Author has been up close and personal. The bond between the members of the SEAL team just felt so real. The emotional roller coaster that this novel takes you on is amazing, and it certainly reminds me of Stephen King in Dr Wilson's depth of character development. You will feel like you've known them your whole life. A perfect read in every way.
2 out of 2 people found this review helpful.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted September 15, 2011
The Traiteur's Ring
By: Jeffrey Wilson
Published September 9, 2011 by JournalStone
Available Format: Paperback, ebook
My Rating: ?????
Ben Morvant is a member of the Viper Team of the United States Navy SEALs-a strong, brave soldier with an admirable sense of justice and morality. He's also a Traiteur or spiritual healer. He has worked very hard to distance himself from his painful and confusing past in every possible way. When he is confronted with all sorts of demons on the battlefield, he finds he must finally face his past and the truth about who and what he really is once and for all.
I was truly impressed with this book! I don't read a lot of military type stories with war and blood and guts. Since the main character is a Navy SEAL, and they are out in the field for a good bit of this book, there is naturally war and blood and guts. I found myself genuinely interested in the story, even the military parts (I even looked up a few terms!), which says a lot for Wilson's stimulating writing style.
I hate to sound like a big prude, but I'll admit at some point (maybe when there was a certain "splat") I got a little bored with all the sex between Ben and Christy. I mean, I get it, but I don't necessarily want to keep hearing about it. If I wasn't proofing, I might have just skimmed through those parts completely.
Ben is an amazing protagonist. He is young, a Navy SEAL (which means his body is taken care of, right?), sweet and sensitive, thoughtful, strong, and some kind of magical healer/warrior! How in the world did a male author make up such a perfect guy?!?!? I love my husband, but man, I certainly was jealous of Christy for a while!
My favorite part of Traiteur's Ring: it evoked almost every emotion possible. The easy, playful banter between Ben and his fellow team members had me laughing quite often. His relationship with Jewel and Christy made me feel those warm fuzzies. I loathed the terrorists and the destruction they caused. I cried, honestly, at least three different times in the story (don't want to spoil anything, though!). And, the action and suspense had me hanging on the edge of my seat.
Not every girl out there will be able to appreciate this story as much as I have, but it really has something for everyone. Jeffrey did an amazing job. He is a wonderful storyteller. I think if you decide to try this one out, you will not be disappointed!
1 out of 1 people found this review helpful.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted September 25, 2011
This book has a very unusual theme with excellent interaction of characters. Ben Morvant was brought up in the backwoods of Louisiana with his traituer grandmother who had some kind of mystical power. His memories of his time there haunt him into adulthood especially the vision of his grandmother covered in blood after killing what his mind recalls as a deer.
When he becomes a navy seal and is deployed to Africa he encounters a village of jungle people for whom Ben seems to have an affinity and a common ancestry. When Al Queda fighters slaughter most of the villagers the elder implores Ben to use his powers as a 'rougarou' to save the living jungle from the dark one who is working through the terrorists and ultimately make the world a safer place for everyone.
A very unique subject which keeps the attention but I thought a very abrupt ending . A hint of the rougarous power being passed to Ben's son and no mention of the startling acts performed by Ben in the jungle by his team mates just leaves you wanting more.
Posted September 7, 2011
This is a gruesomely explicit novel about Ben Morvant, one of five members of the Navy Seals "Viper Team", their journeys to East Africa and their assignments to enter these villages too capture Al Qaeda soldiers for interrogation. Ben is a Seer encompassing the Ashe within, helping him with being the Traiteur, but has consent nightmares of the events that the Rougarou exhibit while performing their assignments. The healing powers that Ben processes is too extremely unrealistic, somewhat like the scene in the "Green Mile", but the comradery between the "Viper Team" members, is absorlute love for each other, the "band of brothers" and their bonding togetherness.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted August 14, 2011
No text was provided for this review.
Posted March 8, 2012
No text was provided for this review.


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Experience a Growing Beer Scene in Western Massachusetts
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Locals adore it here. Guests daydream about us. Why all the love? Hampshire County is just one of those pockets on the planet where you can be yourself -- any side, any shade, any shape.
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The Fairfield Inn & Suites, Northampton's newest, state-of-the-art hotel, opens August 2014.
Learn more about Hampshire County's LGBT community — The Out Side of Massachusetts.
Discover Hampshire County's rich history as a renowned center of higher education.
We've got great neighbors – the kind that would lend us a cup of sugar if we ran out. Berkshire County is to our west; Franklin County is just above us; the Mohawk Trail is to our northwest; and Hampden County is to the south. Show them some love when you visit Western Massachusetts. And say hello from us.
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- Freeport murder suspect Damon Dixson taken into custody in Rockford
- Local gas station employee arrested for selling liquor to minor
- Renewable Fuel Standard delay 'a mixed blessing,' Bustos says
- Rockford delegation presents inaugural 'Rockford Award' to Norwegian Air
- Education in Illinois making slow progress, according to report
- Illinois GOP Congressional delegation: Obama's immigration plan undermines rule of law
- Suspect, 17, charged in Halloween hit-and-run in Roscoe
- Saint Anthony College of Nursing president to retire
- Man found guilty in deadly August 2013 crash at Mulford and Garrett Lane
- 'The Price is Right Live!' at Coronado March 1; tickets on sale Nov. 21
J.L. Clark to host employee donation drive for Goodwill
From press release
Goodwill Industries of Northern Illinois is teaming up with J.L. Clark employees from Jan. 24-Feb. 7 to collect clothing and other gently-used items. Revenue from the sale of these items will help fund Goodwill's mission of providing jobs, training, and placement services for people with barriers in the community. The donations also reflect J.L. Clark's commitment to helping keep the community green. Donations to Goodwill are recycled and repurposed instead of going straight to the area's landfills.
"Goodwill is thrilled to have J.L. Clark participate in the donation drive," said Goodwill President Samuel Schmitz. "The J.L. Clark employee donations will help provide individuals with the opportunity to experience the dignity to work through Goodwill's employment programs."
If your company is interested in hosting a Goodwill Corporate Donation Drive, contact Shannon Halverson at (815) 987-6237.


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|whitfields ointment and PEP
Apr 8, 2012
Would using whitfields ointment (benzoic acid and salicyclic acid) as a topical ointment for rash, be absorbed through the skin into the blood and reduce effectiveness of PEP (aspen lamzid)?
| Response from Dr. Young
Thanks for posting.
Drug interactions can affect HIV medications. So, it's good to make sure of this possibility before mixing medications and supplements (especially if there's no benefit to the supplement). A good place to start is the HIV-Druginteractions website.
To your question, the answer's no. In general topical medications don't interact with HIV meds.
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In the closing days of World War II, an army psychiatrist attempts to treat his troubled patients while battling the military bureaucracy.
Psych-ward orderly Laibowitz (Tony Curtis) trying to control gone-bonkers Colonel Bliss (Eddie Albert) when Gregory Peck (title character) arrives with nurse Corum (Angie Dickinson), in Captain Newman, M.D., 1963.
A World War II Army psychiatrist (Gregory Peck) tries to help his battle-shocked patients in Captain Newman, M.D. (1964).
Gregory Peck (title character) discussing a patient with Larrabee (Robert F. Simon) at the mess hall, then getting in a spat with nurse Corum (Angie Dickinson) over staff, in Captain Newman, M.D., 1963.
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BBB Business Review
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Douglas Foundation Repair, LLC
Phone: (512) 291-0709 Fax: (512) 291-0709 View Additional Phone Numbers 12510 Edwards Hollow Run, Austin, TX 78739 http://www.levelmyfoundation.com View Additional Web Addresses
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BBB has determined that Douglas Foundation Repair, LLC meets BBB accreditation standards, which include a commitment to make a good faith effort to resolve any consumer complaints. BBB Accredited Businesses pay a fee for accreditation review/monitoring and for support of BBB services to the public.
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Factors that raised the rating for Douglas Foundation Repair, LLC include:
- Length of time business has been operating.
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Additional Informationtop
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Limited Liability Company (LLC)
Business ManagementMr. Douglas Plauche, Owner Mr. Tim Kiesler, Marketing Manager
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Foundation Contractors Foundation Repair & House Leveling Concrete Repair/Leveling Drainage Contractors