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Teenage girl...and assassin nun? Meet Annith in Mortal Heart
Mortal Heart—the third and final chapter in the His Fair Assassin trilogy—follows a trio of teen girls trained in the dark arts of spying and murder. CLICK HERE to catch up on the first two books...and get a sneak peek at the gripping conclusion in Mortal Heart.


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Editing of Bulbapedia is currently restricted. Please see this message for more details.
Pokémon Omega Ruby and Alpha Sapphire have arrived!
Check BNN and Bulbanews for up-to-date Pokémon news and discuss it on the forums or in our IRC channel.
Talk:Teacher (DP121)
From Bulbapedia, the community-driven Pokémon encyclopedia.
Here's a picture of her. *tc26* 05:12, 3 April 2009 (UTC)
- Nice pic, as always. Was she unnamed in the episode? ►Ҝəυzø8 05:16, 3 April 2009 (UTC)
- Thanks! No clue though. *tc26* 05:24, 3 April 2009 (UTC)
- On Pokeani, she's listed as 保母 Kindergarten Teacher. And she's voiced by Satsuki Yukino. Damn... When's Tomoko Kawakami coming back? --ケンジのガール 05:41, 3 April 2009 (UTC)
- Thanks! No clue though. *tc26* 05:24, 3 April 2009 (UTC)
English voice actor
We need her English voice actor. MetalMetroid997 16:14, 27 August 2009 (UTC)
- Well, you could try loading the credits in the episode's upload on Cartoon Network Video. Try looking under the "Shows" tab, followed by the show's banner; after the traditional Monday updates, the two most recent dub episodes are found under that banner. To make things even faster, there's a down arrow on each entry; pull that down to see an episode summary and a visual chapter list. The credits are chapter 5.
- As for this character's voice, I suspect it's Rebecca Soler from what I've seen in said CN Video credits, but I'm not 100% positive...--Shiningpikablu252 16:35, 27 August 2009 (UTC)


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Not such a big deal, probably about 2 mins of scripting, but for people like me with OCD, it bugs the shiz out of me... so here it is.
After you have logged in and are in the client. If you re-launch (by mistake) a"League Of Legends" logo stays on the middle of the screen. It Overlays everything.
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It seems I once again have to wander into unknown territory and take the risk of getting an axe thrown towards me whilst defending my ever so crappy musical taste. This time, Against is the album in question. Many consider this, amongst a few other albums from the band around this point in time, to be the ultimate nadir of Sepultura's very diverse discography. And you know, there's definitely been a point where I would have agreed with this. And to be honest I was actually pretty shocked that Against turned out to be my favorite Sepultura album bar none. Not even the legendary Arise manages to match the enjoyment I get from this album. If giving Dead In My Arms a near-Godlike score didn't quite cut it, then I must have blown my credibility to shit by now, right?
What makes Against so good then? Well, the thing that primarily speaks the right way to me is the completely unique approach of the material present on this album. Calling this album generic or repetitive means you don't really know a lot about music. And I'm not even saying that as a fan, I'm saying that as an honest metalhead, have you ever heard something that sounds even remotely close to this album? I'd say Nation comes close, but unlike Against, that album does nothing that this album didn't do before it. Against has a vibe that completely grabs me, and that's saying quite a bit since this album, in terms of musical value, has very little to go for.
Against probably isn't even a metal album. I think the amount of actual metal riffs on this album don't even reach double digits. Instead, Against sounds like some alternative groove/nu metal album in the vein of...well...nothing. There's some hardcore present here, there's indeed groove, a bit of nu metal, a bit of thrash, but I actually feel the alternative side of metal covers the biggest chunk of the material on this album. I mean, this album often fools you into thinking it's playing one of the aforementioned genres, but then it suddenly changes into something wholly different. There are just loads and loads of elements present on this album you're not likely to hear a lot. Apart from the tribal influences left over from Roots, there's also spoken word, some noisy interludes and then some really weird passages that are almost impossible to classify.
It's the atmosphere that does it for these songs, though. The funny thing about the atmosphere on this album is, that there's actually little present. There are some parts that are a bit harsher on the ears than others, but most of the album has a very bleak sound. But like I said there are some exceptions, songs like "Choke", "Old Earth", "Floaters in Mud", "Tribus" and "F.O.E." are a bit harsher to listen to than the other songs, these songs either have a very heavy guitar emphasis, a different or unusual approach than other songs, or in the case of the latter, a wall of distortion that slowly builds up to the point of "jesus my ears" right before it kicks into "Reza", one of the faster songs on the album.
This album is highly dynamic; there isn't a single song that sounds like another. Songs all have different tempos, completely different structures and a completely unique feeling to them. You have hardcore thrashers like "Against", "Reza", "Drowned Out" and "Hatred Aside". Almost doom-like passages within songs like "Rumors", "Floaters In Mud" and "Common Bonds", and then some more traditional songs like, well the songs that I didn't name so far. I realize that this is me trying to make a pizza from a bread crumb, but I feel this is the best way to describe the variety in the songs. Most are indeed pretty traditional, but it's the little things within the songs that set them apart from others.
The instrumentation on this album is almost uniformly simple. Like I said the number of actual metal riffs on this album is minimal, the drumming is incredibly simple yet very effective, and the bass has a muddy sound derived from nu metal. This album is actually pretty heavy at times, in terms of thickness, mind you. In terms of instrumental intensity or energy it's severely limiting itself, but that's completely excusable since the genres played on this album don't call for much more anyway. There are some parts where some instruments appear to be a little more thick or filthy than usual ("Old Earth", "Hatred Aside") and that too adds to the variety of this album's material. The overall sound of this album is comparable to Roots, albeit less distorted, not as thick and more random in its execution.
Derrick Green is one of the primary reasons people dislike his still-going career with Sepultura, his style is one you have to 'get'. He often takes on a very weird and somewhat forceful approach that really requires some getting used to. Oftentimes he'll use spoken word, some really weird, often hoarse shouts and grunts, and I really get the impression he just did whatever the hell he could come up with, because a lot of styles he uses on this album are often found completely out-of-place on other albums, but they work here. I admittedly don't really care for the lyrics, all I can really say for them is that they're definitely a step up compared to the teen-angst lyrics present on Roots, and instead seems to focus on something a little more mysterious and obscure, rather than rambling about how much the world sucks and you decide to make music telling people to do something about it.
Against is a case of an album winning where it was basically meant to lose. It's a masterpiece of alternative metal and one of the better non-metal albums I've heard. It's also my favorite Sepultura album ever, and I feel only a couple of albums come close to this. I enjoy this every time I listen to it, it makes me wonder how the hell they made it work out so good, because there's so little musical value present to defend themselves with, but Sepultura have somehow done it, and Against is the result.
(Disclaimer: I realize this is a very personal and somewhat mouthy review, but for an album that's so anti-metal and simple-yet-effective as this, I feel I really had to use my own thoughts primarily because it's basically impossible to defend this album on a musical basis, and every word saying how "brilliantly technical", "intricate" or "complex" this album is would be downright retarded.)
Sepultura took an undeniably large blow when one of its founding members, Max Cavalera, decided to leave the band, following a great deal of personal differences with the other members. His departure came at the band's height of popularity and shocked the heavy metal community. However, Andreas Kisser, Paulo Jr. and Igor Cavalera all vowed to carry on with the band, and found a replacement in the American Derrick Green. They quickly returned to the studio with a large amount of material and released Against to the public. However, it failed to leave the lasting impact that the last Max-fronted album, Roots, had on listeners. Although the music itself should not be seen as a failure, there are a few possible identifiable reasons why the album's reception was perhaps not what the band had hoped.
Musically, the album continues the tribal-infested groove metal direction that the band had been heading towards since 1993's Chaos A.D. without adding too much in the way of new, but not sounding dull or recycled either. It manages to combine all the atmospheric and the heavy elements of past albums. However, it clearly showcases the band struggling to maintain their identity as a band following the departure of Max. There are some standard Sepultura rockers here, particularly during the first half of the album such as "Choke" which combines a nu-metal-esque rhythm with progressive eerie tribal elements to create a menacing anthem that has become a Green-era fan-favourite, "Rumors" which sets a hostile mood complete with a slower paced pounding beat and the echoed screams of Green, and "Boycott", which starts off as a faster track featuring a chanting chorus before descending into a slow rhythm with screaming guitars.
However, there are also several shorter tracks that seem to outweigh the full-length songs, including tribal instrumental pieces, such as "Tribus", which focuses on the percussion but with an extra layer of haunting, eerie guitars, or heavy hardcore punk-influenced tracks such as "Against", which kicks off the album with a quick, full band assault with lyrics presenting a cynical view of the world ("The more I see, the more I hate, the more I learn, the more I fake") and "Drowned Out", which contains some rapid fire vocal delivery set to simple but effective fast guitar riffs and hard-hitting drums. These tracks are not necessarily poor, of course, but it leaves you feeling like the band didn't put as enough focus on making proper, fully-fledged songs as they maybe could have, but rather quickly recorded any ideas that came to mind without really giving themselves the time to explore some of them fully.
New vocalist Derrick Green does show that he is a competent vocalist. He growls and screams with just as much fury as Max did during his tenure with the band. He even shows off melody in his voice on several tracks, such as "Old Earth", which features quiet verses that allow listeners to focus on his voice fully. I think he did a very good job with the songs that were written for this album seeing as many of the songs were written by the rest of the band before he officially joined. He certainly puts his own stamp on the Sepultura sound; it's actually fairly difficult to imagine Max performing on any of these songs.
Production wise - there's nothing much wrong with this album. The drums sound just as hard hitting as they should and all the tribal elements are clearly audible in the mix. The guitars crunch and wail, though I do think the bass should have been a little more audible, although when we do hear it clearly (such as in "Rumors") they pack just as much of a punch as the guitars do.
Overall, Against is certainly not a bad album. However, I can see why some people may not have seen it as enough of a bounce-back from Max's departure for the band to be able to carry on their success, instead suffering declining sales with each new release. The album is patchy at times, some songs being very strong efforts that are up there with the best of Max Cavalera-led Sepultura, others somewhat forgettable. Perhaps if their first venture with Derrick was able to gel into a more of a cohesive, consistent effort, listeners would have been more receptive of the album, and the band's popularity may have lasted longer. However, there is still much to be enjoyed here, and it's a good starting point for listeners who want to experience Sepultura with Derrick Green.
"Waa, we want Max! Waaa!"
I knew nothing about Sepultura before purchasing Against. All I knew was that they were a metal band based out of Brazil, and had just parted ways with their overrated frontman - Max Cavalera. Before I begin to give my input on Against, I must say that by this time, I've listened to just about every single Sepultura album. Captivated by the praise that "true" Sepultura fans (yeah... right!) have given their messiah Max, one couldn't help but to give Max-era albums a try! Whether it be generic thrash (Arise), generic groove metal (Chaos AD) or just plain shit (Roots) it is quite apparent that Max lovers will purposely neglect anything without their golden boy, even if that means the band releases the album that single-handedly describes who they are.
When I say this album single-handedly describes who Sepultura is, I say it because the album amalgamates everything they had done previously and it incorporates elements that had yet to be done. But this time around, the album actually finds a way to keep the listener interested until the end. The music describes where they come from, and when I say that I mean I find myself somewhere in the Amazon rainforest or in some crazed favela. The drumming is what truly carries this album, and I don't necessarily just mean Igor Cavalera, it's all the other percussion that is involved that bears the band's signature South American/tribal sound (Floaters in Mud, Tribus, Unconscious, etc). The guitars vary like no other on this record, on songs such as Against and Hatred Aside, there is a very raw and thrash-like feel to the sound. During Old Earth, the sound is very heavy and simple paving way for the drumming to shine.
Of course the biggest question mark surrounding this album was none other than Derrick Green. In my opinion, his presence is really what carries the songs. His style is very unique, there are moments in which he displays a very atmospheric and mysterious vocal performance (on songs such as Old Earth and Unconscious). There are also times when he has a very hardcore and/or Fear Factory-styled screams (Boycott, Common Bonds).
Against is Sepultura's greatest accomplishment creativity-wise. Sadly all the fans that had a hard-on crush for Max Cavalera dispersed c. this time period and began listening to his new project featuring Limp Bizkit, Soulfly. In short, Against is unique, different, and underrated.
'Against' is the first Sepultura record without Max Cavalera. New vocalist Derrick Green had too big boots to fill up, because with his great raspy voice and big character, Max also took his guitar playing with him when he left. Max formed Soulfly, but I have to admit I've heard a few songs only and they didn't convince me (Soulfly already have three albums out).
On 'Chaos A.D.' the band took a few steps away from thrash metal. The trend continued with 'Roots' and now with this one. What Sepultura have lost are the riffs. The music is very rhythmic. Over the heavy rhythm section, guitars are just "wanked" on and on. I mean Andreas Kisser seems to like more of the weird and tortured sounds his guitar make than a good, memorable riff. The most memorable parts seem to come from the rhythm section altogether. The songs vary from punky ones to, well "jungle-ish" ones and then Korn-ish "mud". There are a lot of guests on this album, most notably Jason Newsted, Gordo of Ratos De Porão and Japanese KODO drummers. I have to admit flutes and stuff are used well to create South American atmospheres. I just wonder why the band has now taken these Japanese influences. I don't mean they're bad, but has the band run out of fresh ideas?
Mr. Green doesn't sound as pissed off as his predecessor, nor does he possess same level of charisma. He does his job okay, but my memories just disturb the whole listening session, whether it's the music or the vocals. And while the music is partly very angry, it is just not same it used to be. The sound is organic and very heavy. This helps to some extent, but of course its the music that should rule, eh?!
It's truly a sad direction the band have decided to move to. Gone are the true metal spirit and the ability make a great song. No matter how hard I try to like this album, only a few of the songs seem to be something more than just uninteresting and bland. Easily the worst album by Sepultura to date. And what I've heard of Soulfly, it's not a million miles away from this... The split destroyed this great band. I just wonder how many new fans of the band, who have bought this first, like the older classic records (which for me are 'Beneath the Remains', 'Arise' and 'Chaos A.D.')?!
(originally written for ArchaicMetallurgy.com in 2002)
Sepultura with Derrick Green sucks so hard. Their talent in playing instruments means nothing if the music can't overcome the worst blend of styles. Roots was the drop-off of the band's legacy, so Sepultura tries to top it by heading directly into groove "metal" territories. Against is the first output of unresponsive, sterile music attempting to solidify the direction of Roots. It is, however, a more respectable take on that style (in that not as many riffs or parts in songs suck).
Overall, Against is a very, very bad album. Sepultura's urge for primal, caveman aggression mixed with the lamest rock tendencies is one of the worst concepts for marketable music. The same spastic rage, socio-angst lyrics, groovy rhythms, and bass-heavy sound screams tough-guy posturing. This is Hatebreed-style hardcore merging with Fear Factory's tendency to cross into nu-metal territories at the closest. Riffs have the same downtuned simplicity every time and for every song that contain them. Green and his hardcore barking / callous singing style fits these rock songs perfectly. Both are unmelodic, both go for sleek presentation, they benefit from the album's glossy production, and both attempt to tap into the overly loud wailing of coarse guitar distortion, playful riffs, massive bass layering, and fat drums that try to act like an artillery battery.
Variation is not a strong point for Against, and the "tribal" aspects and songs don't help this drawback because of the band's mishandling. Roots had this same issue where it tried to be experimental with the music, and this album does the same. Songs have industrial and tribal elements going in and out ("Unconscious" seems to be the only realistic blend), as well as weird breaks here and there to create dissonance and chaos. This doesn't work when such ideas are thrown in without properly writing around these ideas. Not only that, but the predominant musical genre itself is so shitty and uninspired to begin with that it makes it impossible to create anything catchy or impressive out of it.
Instead of trying to break out of an identity crisis, the band further solidifies itself into one. More well-produced, bass-laden rock songs too inexcusable to sit through. They test the patience of the listener by veering off track and pummeling the same boring formula into the ground. Sitting through one song is a headache, but to subject oneself to the whole package is lunacy. This repetitive trash is beneath the term music and belongs in a void where no one will ever hear it.
This album gets ALOT of undue flack from the metal community. It seems that this album along with Roots tends to be the whipping boys of Sepultura's career(Roots deserves it though, but I digress). Let's give a little history lesson on how Sepultura came to unleash Against. 1996 through 1998 was a turbulent time for the thrashers from Brazil; Max Cavalera got his way and they let loose the steaming pile that was Roots, then Sepultura got tired of Max always getting his way due to his wife being their manager, so they decided to sever ties with her as their manager but were willing to work with Max and his wife as his manager. Well, Max, took this personally and bailed, talked a shit load of crap about the band, formed a new ungodly abomination that is Soulfly, and pronounced Sepultura dead. Well contrary to King Max's decree, the band picked up the pieces and decided to continue with a new singer. Many sent in their demos, doing their best Roots era Max impersonation, and Sepultura decided that they didn't want to go in that direction. Enter Derrick Green, the man who would replace Max. Time to hit the studio.
Now with that outta the way, we get to the album; Against. And what we have here is an album born out of sheer anger and frustration. Fans had begun to write Sepultura off, and began to embrace Soufly. Max slammed his former band mates any chance he got publicly. Soulfly had sections of songs that were directed right at Sepultura, so they decided to answer back, but in a different direction. One they had explored with Chaos A.D., groove meets hardcore, with surprising results.
Against opens with it's title track, starting with some ambiet sounds before ripping into a vicious drum pattern. Then the guitar kicks in, and what we hear is vastly different from what we last heard for the boys from Brazil. Gone are the meandering, plodding, downtuned single note riffs, in their place intense, crossover punk/thrash styled aggression. Gone are the horrible nu metal styled broken english grunts Max so lovingly perfected on Roots, in their place Derrick Green's massive roar of voice. After plowing you down with the one minute and some change opener, comes Choke. If the song Against is a bit off putting at first, Choke brings you back to the Chaos A.D. styled comfort zone. Heavy, groovy, with a touch of thrashiness, Choke hits you harder then a ton of bricks, and sets you in for the new album. Heavy, thick, aggressive, and just plain pissed off plays through out the whole album. Most of which is quite enjoyable and very headbang and mosh worthy, especially my personal favorite on the entire album, Common Bonds. This song hits you hard over the the head with heaviness, and showcases Green's vocal range, something Sepultura never(and probably couldn't) explored with Max.
You may be asking yourself, "If you got so much prais for the album, why only give 80%?" Well, here's your answer, while Against is filled with some great moments, there is also some boing filler bits as well. Tribus is boring, and is played at full length at the end of the album. F.O.E. and Unconscious are forgettable, Reza is cool for about thirty seconds, then gets irritating, and Hatred Aside is just all over the place and inconsistent.
All in all, Against catches way too much flack. Alot of people want to compare this to classic Sep, like BTR or Arise, and you just can't. Against has more in common with Chaos A.D. than their early albums, but even then it's an entirely different animal all together. It's a pissed off, aggression fest, worthy of a listen with open ears. Highly recommended.
Stand out songs: Against, Choke, Rumors, Old Earth, Common Bonds.
Looking at the reviews of this album, I see a lot of hate for this album, with that dreaded word "Mallcore" being banded about a lot. What the hell is "mallcore"? From what I can see, it's one of the stupidest fucking genre names I have ever heard in my life. Seriously, what the fuck? Anything that Roadrunner seems to have put out IMMEDIATELY constitutes "Mallcore", so I suppose I'll add Deicide and Obituary to that list then? It seems to be that if your album wasn't out in 1986 and entitled "Pleasure To Kill", you'll probably be a "mallcore" band. Maybe if all you uber-metal-l33tists took your head out your arse or even your Sarcofago vinyl bootleg collection, you'd notice that it is one of the worst terms ever devised to describe something.
But I digress from my main goal, to review this album. "Against" was seen as the birth of a new age for Sepultura, eschewing in Derrick Green as a replacement for Max Cavalera, and instantly stepping into his shadow. However, it also saw a stylistic change for Sepultura yet again. Andreas Kisser had taken Sepultura in a more hardcore-styled direction, faster, shorter and to the point. It was a million miles from the proto-Black metal of Morbid Visions or the Death/Thrash of Arise and Beneath The Remains. It took the groove base of Chaos A.D. and fiddled with it, adding some Hardcore style stuff here and there, as well as bringing in the Tribal elements of Roots again, although with a more Oriental slant this time as well.
The result? Better than I expected anyway. I expected a below-par offering of the same songs recycled over and over again, but there is a great deal of variation, with the tribal bits adding a great deal of flair to the whole thing. Saying that, this is what you'd expect from a Derrick Green-era Seps album really. Against was the carving out of a niche style for Sepultura, this is where they made a statement and outlined what this new Sepultura was and the following albums built on this base.
The problem was that they never really capitalised on the promise of this album. By the time of Nation, most of the tribal elements had been scrapped, with only the odd flourish here and there. Not only this, but the individual performances here are some of their best. Especially Derrick Green's. Seriously, what the hell happened? Green's performance on this album is AMAZING. The Vocals are all over the place, Napalm Death style screeches, Downright EVIL growls and stellar clean vocals, although not the best ever, they fit perfectly and his dulcit, low evil voice is fucking fantastic nonethless. There's so much variation it's unbelievable, but by Nation it was all gone. He had found his comfort zone and was sticking to it, with a slightly monotone shouty voice (Which does appear on here as well quite a lot, but along with the variation works better) that begins to grate after a while. The vocals do not grate on this at all. I love them. One of the best performances I've heard on an album for a long time.
Igor Cavalera's drumming is a benchmark on here and shows off his flair undoubtedly. He mixes the groove of Chaos A.D. with the blast of Arise/Beneath perfectly, as well as adding lots of Tribal beats and fills and bringing into reign the band and adding the sensibility of future albums. Paolo does a great job on bass, although is overshadowed a bit by the appearance of Jason Newsted here methinks. Andreas Kisser is fantastic, the riffs he peels off are excellent, and it's a long while before he starts having to mine deeper in his Sepultura riff bank to find anything good.
The songs themselves vary from not bad/average Seps to really fucking top class. The opening one-two of Against and Choke is inspired and you'll be wanting a breather after them! Luckily, Rumors give us this respite, being average and not very exciting at all. Next up, Old Earth provides one of the highlights of the album by far. One of the best Green-era Seps songs ever to be honest, I love it. Floaters In Mud I could live without to be honest, it's quite boring and that title is cringe-worthy. Is that the best title they could come up with? It makes me think of a blocked toilet pan every time I hear it!
Boycott is a bit better but nothing to write home about really, enjoyable but not memorable. Tribus is an enjoyable instrumental which I thought was quite interesting (And an odd choice to be released as a single, which Sepultura did), but Common Bonds was your typical slower, groovy Seps song and quite disappointing, although the way it segues in from Tribus was fantastic I loved it. F.O.E. was interesting but forgettable.
Then we come to Reza. An outstanding song, one of the best Sepultura have written and possibly the best of the Green era! Imagine the first 4 albums distillied into a strong hateful brew and then injected with 100% pure Napalm Death. This is bordering on Grind, honestly. I fucking love it, and I wish they'd play this live. Perhaps they should've got Joao Gordo to be pernament vocalist instead of Green!
Unconscious is another filler song, and a good comedown from Reza. Kamaitachi is great, although not something you could whistle down the street. Having the Japanese percussive band KODO guest on this song is inspired although it feels like the Metal elements were added for the sake of it, out of more need than want. This could've been perfect if there was no actual Sepultura on it, oddly. Drowned Out is good but suffers like Unconscious and the rest before it, in that it's not very memorable. Hatred Aside however is VERY memorable. A collaboration with Jason Newsted (Definitely a collaboration, not a guest appearance, he has co-writing credits for both Music and Lyrics as well as singing and playing bass/guitar on the track). A great thrash tune, echoing Beneath The Remains and Arise, (Surprising when you consider Newsted's day job at the time was Load/Reload-era Metallica) this song SLAYS. After Reza, this is my favourite song on the album.
The album closes with T3rcermillenium, a Canyon Jam for Green-era Sepultura. It incorporates lots of odd tribal instruments and was, mostly, recorded in one take live. I think the whole "one take" thing is extremely interesting as is the tribal instruments and the general Jam nature of the song. I wish Sepultura would do an EP or something, consisting of songs and Jams like this or Kaiowas or even Jasco/Itsari, a "mellowed out" EP. Although nowhere near as good as Canyon Jam, Kaiowas or Itsari, it is a great song and a welcome addition.
In conclusion, this is a fantastic album, and I can't see where all the hate is coming from. The only thing I can think of is the fact that it's not Max and the stylistic change (This is so far removed from early Seps, it's unbelievable). The hate seems to come from fans who seem to believe that Sepultura should have just continued to churn out copies of Beneath The Remains/Arise up till the Modern day, but to be honest, Chaos A.D. and Roots are just as good and even a bit better than the 2 albums mentioned above and this new style is actually good, when you give it a chance.
The other problem is that, because of Sepultura having 6 consecutive masterpieces, this had a LOT to live up to. Before even singing a note, Derrick was already firmly in the shadow of Max. If this wasn't better than all 6 albums combined, he would be hounded, no matter how good it actually was. The split had also left a rift with the fans and 2 sides formed, the Max side (Heralding the birth of Soulfly) and the Seps side.
In the end, Max looks to have won out via record sales and tours and Green became overlooked, which is a shame, as Sepultura today are actually really good, on album and onstage. When I went to see them in 2006, they blew me away, but I know that a Soulfly/Cavalera Conspiracy show would've been better.
But regardless of the disadvantages, the only other problem is that it's the jack of all trades. You can't really think of anything that it's better than. It's nowhere near as good as any of "the Max 6". You can't even say it's better than it's arch-rival, the Soulfly debut, as I still hold that in a higher regard. In fact, you can't even say it's the best Green-era album, as Nation takes that title for me. Against is a bit non-descript, and I loved the whole "nation concept" of Nation as well as it still having a better set of songs, as well as the fact that Green actually got to write a bit more. I would be willing to bet that Kisser, as the main songwriter, had written most of this stuff with Igor before they even picked Green as the vocalist. Nation was written as a more consciencous effort from Cavalera, Kisser AND Green and flows much better.
It seems that this album will be always be seen as second best to everything else by the Cavaleras and Kisser, which is a shame.
Now with the depature of Igor, and the subsequent setting up of the Cavalera Conspiracy, It seems that this Sepultura is consigned to the history books as a footnote. With the promise of a new album based around "A Clockwork Orange", it seems there is 2 ways for Sepultura to go. They can go down the route of Black Sabbath and descend into farce with a revolving cast of drummers and an underappreciating fanbase yearning for the days of old, as Kisser and co. churn out album after album, and tour after tour to a dwindling fanbase, or they could throw their fans a nostalgic bone and reunite the Max-era line-up, undermining and diminishing the 10 years of Derrick Green. Personally, I would be happy if they didn't reunite. Why? Because then we'd be getting Sepultura albums which are still quite good AS WELL as Cavalera Conspiracy albums and Soulfly albums. To be honest, if a Seps reunion means abolishing Soulfly and Cavalera Conspiracy, I'll say No thanks.
What will actually happen though? Only time will tell.
You know, I love it when trends collide with trends...it helps expose the ironic hypocrisy so many people claim not to follow but do so sub-consciously. Case in point: this obsession with the term "mallcore".
Now, just so you know, I'm against pretty much ANY kind of popular music based mostly on the fact that it's NOT music (pop punk, emo, alt rock, goth rock, pussy pop, etc.), though the fact that so many idiots blindly follow such meanderings doesn't forgive the situation. This becomes the original trend; "you gotta do what we do, follow what we follow, or you're a freak and we hate you!" Such self-defeating mindsets do nothing but make you out to be the weaker person, the parasite spreading your pitiful plague on other weak people who wish only to be accepted and live an artificial life devoid of ANY sense of free thought and individuality.
However...along comes the people who decry their lifestyle and musical tastes, and sometimes even go so far as to denounce and hate certain musical groups for changing their style and supposedly "selling out" and becoming, as they call it, "mallcore". These groups and albums are hated because the band chose to do something different and to NOT listen to the wishy-washy fans demanding they re-record their best album time and time again or they'll denounce the band's existence, as though THEIR opinions are what mattered, despite the fact that the die-hards enjoy the band's music for what it is, rather than what it should be, and at times speak the loudest. These fickle so-called "metal-heads" have their own lifestyle the newbies and trend-whores must follow: "you gotta do what we do, follow what we follow, or you're a freak and we hate you!".
"Do what thou wilt, shalt be the whole of the law" then becomes "Do as we say, not as we do", exposing the hypocritical poison.
Ironic that the trend-haters become the very thing they despise at the end of the day, isn't it? I personally think so.
But I'm once again getting ahead of myself...I'm here to review an album, after all. So apologies to everyone for the time I've supposedly wasted. Here we are, then...SEPULTURA's first album sans Max "I love God" Cavalera quit to display his masterbatory brand of heavenly worship via simplistic nu metal noise romps in SOULFLY, and left Andreas Kisser as the sole riff-smith and main creative force for "Against". In my humble opinion, this album isn't as bad as SO MANY PEOPLE claim it to be...if you took the album at face value and not "the album SEPULTURA was SUPPOSED to release!" it's not that horrible. I don't find it mind-blowingly awesome by any means, but I've heard worse. The entire album teems with a sense of anger and rage that was absent in the band's nu metal wanderings in "Roots", and a sense of revenge seems apparently dominant, as seen best on tracks such as the title track, "Old Earth", and "Choke". Andreas does his job well, and though his hardcore riff stylings aren't always in best form, it's angrier and more digestable than most hardcore music out there. However, the over-all compositions come off as lacking, obviously only half an old SEPULTURA song. Igor's drumwork is as top-notch as ever, infusing thrash skin-beats and the now traditional tribal percussion work in a nice, palpable mix. In the vocal seat is one Derrick Green, who, I know, ISN'T Max, but his roaring vocals seem the fit the musical scheme of things rather nicely (I have yet to see him sing older songs, so I can't comment THAT much about him). The production is clean and clear, giving the guitars a sharp, razor-like approach, and the percussion powerful blasts.
In the end..."Against" is NOT a perfect SEPULTURA album, but it's not the end-all-be-all of this supposed "mallcore" scene, as there are FAR worse albums and bands out there to devote all that hate to. Remember, my metal brothers and sister...Emo is still alive and active...
For first Sepultura studio album since a chaotic system of changes this could have been much worse, but on a musical level aside from these recent disasters it could also have been a lot better.
This CD is a sloppy affair albeit bearing some key moments of brutality that only Sepultura can bring forth. The hammering strains of the title track, the grunting "Choke", the good refrain of "Old Earth" and the catchy refrain of "Rumors" all worthy of a second listen. The production is clear and crisp, the instrumentals make for a great mood leaving the rest to be "ok" metal-slop that bears little in the way of hooks or memorable riffs. (It's angry and brutal in most spots, but hardly life changing.)
Oh yeah, the fact that this is the first album without founding memeber Max Cavalera on vocals/second guitar is also to note. Our new frontman has a bigger range and a voice with more diverse qaulities than Max but lacks Max's intensity and aggression. He is "brutal", but he is hardly amazing or so unique. He is a sheer case that sometimes "range" cannot replace personality - though he does as good a job as any replacement of such an important member could be.
Max is out, the new guy is in and nobody really cared. Record after record would see the once popular act losing considerable amount of respect, sales and attention over the years. The music with Max may have been on a quick decline, but this is nearing the bottom of the total affect that Sepultura could have produced.
Without Max they have no hope of commercial success, one wonders though, that even with Max that the artistic goals might also be a struggle to reach despite his island-core-metal-hybrid having a least some sort of hook or direction.
Both Max and Sepultura would find themselves in an artistic mess at this juncture...sadly...only one could keep the fans and while this record sold well on curiosity the end result was a band in free fall. A fall that continues to this very day.
All I have to say is, What the fuck? This is the almighty thrash band Sepultura? Fuck no, it can not be. First off let me warn everyone, this is not a pretty album, or a pretty reivew. This isn't even fucking metal, it is sloppy ass riffs, barely any soloing, and a mix of fast chaotic growling vocals that doesn't even match the other instruments.
I am gonna do a indepth (but brief) review of the first couple songs, then an overall view. This is to help the viewer stay away from this mallcore infested boobytrap!
First song up Against- Its only a minute some, no big deal. Starts off with a cool drum fill, but then goes into a shitty riff that sounds to much like pop-punk. It's forty seconds in the song and the singing comes in, choppy and inconsistent. The riffs are way to simple, straight punk like eight notes, with a squealing guitar sound. Are my ears bleeding?
Choke- Wow, this is way to much mallcore for me. The drumming is totally off from the bass beat, no consistency. The vocals are over stressed, the singer is definetly trying to hard. Try singing instead of screaming till your face turns red! Then there is about a minute of weird techno sound, don't know what that is about!?!?
Rumors- Drums are ultra fast in the beginning, kudos to them. But then the song slows down, tremendously. Whispering vocals? Then screaming till your face turns red. Come on this is straight out Mallcore. This song reminds me a lot of a Nine Inch Nails song! So if you dig NIN then you might like this!
Old Earth- This song takes about a minute of pure guitar noise with no signfigance. The drums are cool, nice double beat. But the fading in and out vocal sound is really crappy, and done really bad. Then it carries on the slow, fast type speed. Then towards the end they have this guy singing and this guy talking and the drummer is just hitting his cymbals. Yeah, that's annoying!
Floaters In Mud- Starts off with what appears to be a chime of some sort. Then that deep bass tone, found in nu metal. Then a minute later it carries on the crappy pace of slow then fast. Once again the singer trys to fucking hard. He is aiming for quality, but in return gets a pile of rat shit. This song also has some techno (remix if you will) sounds at the end that are totally bizare. It's like Godsmake made love to Nine Inch Nails.
My overall analysis is crap, and more crap. I like metal, not mallcore. Old Sepultura was pure thrashing bang your fucking head untill your spinal cord breaks. Your bobble doll on your dashboard of your car won't even move if you play this stuff. If you like mallcore then by all means procede with this album...But do not call this thrash metal!!! To go further here are some more songs to prove my case. The song Reza starts off with a drum beat and then a weird guitar sound. Then drum beat, then weird sound, etc. What comes next? A crappy muffled growled vocal. To take it further, they fucking talk in the song! I recommend this to mallcore fans. No metal head should ever have to suffer listening to this shit!


text: Muppets From Space Songs Edit History Talk0 27,406pages on this wiki Category page Brick House I'm Going to Go Back There Someday Celebration Get Up Offa That Thing Flashlight (Spaceflight) It's Your Thing The Gambler (song) Dazz The following 12 pages are in this category, out of 12 total. B Brick HouseC CelebrationD DazzF Flashlight (Spaceflight) G The Gambler (song) Get Up Offa That Thing GetawayI I'm Going to Go Back There Someday I cont. It's Your ThingO Outa-SpaceS Shining Star Survival Retrieved from "http://muppet.wikia.com/wiki/Category:Muppets_From_Space_Songs?oldid=178650" Categories: Muppets From Space Songs


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Scottish for "Suck my cock"
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Cisco Catalyst 3560-48PS Ethernet Switch - 48 x 10/100Base-TX - WS-C3560-48PS-S
The Cisco Catalyst 3560 Series switches is a line of fixed configuration, enterprise-class, IEEE 802.3af and Cisco prestandard Power over Ethernet (PoE) switches in Fast Ethernet configurations that provide availability, security, and quality of service (QoS) to enhance network operations. The Catalyst 3560 is an ideal access layer switch for small enterprise wiring closets or branch office environments that are using their LAN infrastructure for the deployment of new products and applications such as IP telephones, wireless access points, video surveillance, building management systems, and remote video kiosks. Customers can deploy network-wide intelligent services, such as advanced QoS, rate limiting, access control lists, multicast management, and high-performance IP routing-while maintaining the simplicity of traditional LAN switching. Embedded in the Catalyst 3560 is the Cisco Cluster Management Suite (CMS) Software, which allows users to simultaneously configure and troubleshoot multiple Cisco Catalyst desktop switches using a standard Web browser. Cisco CMS Software provides configuration wizards that greatly simply the implementation of converged networks and intelligent network services.
View all buying options for Cisco Catalyst 3560-48PS Ethernet Switch - 48 x 10/100Base-TX
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Marketplace Guarantee ClaimBuyers should receive Marketplace items in the condition that they were listed. We ask buyers to first contact the seller to give them a chance to address any issues. If the seller does not respond or if the issue is not addressed to the customer's satisfaction buyers can rely on our Rakuten.com Marketplace Guarantee Claim which, covers the first $750 of every purchase... read more
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Expedited Shipping: 2 to 6 business days


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Maori Art Market/News/Blog/Newsletter subscription/Member Login
Toi Maori Market is looking for MORE volunteers!
The Toi Maori Art Market needs you! The Toi Maori Art Market is coming, and we need some more amazing volunteers to help us out. It's a fantastic way to engage with the artists and get that much deeper into the beautiful work that'll be there. Here's the nitty...... View details »
Toi Māori Aotearoa Annual General Meeting 2014
Toi Maori Aotearoa Group and Toi Maori Limited Group Annual General Meetings 2014 We are happy to announce the three trustees appointed were: · Waana Morrell-Davis – reelected...... View details »
Toi Māori Art Market Volunteers 2014
Volunteers are needed for this years Toi Maori Art Market. The event will run from the 13th - 16th of November at the TSB Arena in Wellington. We require enthusiastic and friendly people who are interested in being part of an iconic contemporary Maori art event. Volunteers...... View details »
PAO PAO PAO 2014 new approach has been done in 3 steps: PAO Te Kune | the conception. This is the nurturing process with our young emerging Māori Artists. In this process 8 young māori songwriters between the ages of 15-21 have been selected from...... View details »
Waka Celebrations for Waitangi 2014
Toi Māori Media Release Friday 31 January 2014 For Immediate Release Waka Celebrations for Waitangi 2014 After successfully hosting the Kōkiri Pūtahi Gathering by the Te Atinga (Contemporary Maori Visual Arts) Committee of Toi Māori and Te...... View details »
Uku Rere Nga Kaihanga Uku & Beyond
In July, UKU RERE exhibition was proudly presented by Pataka Art+Museum and now touring in partnership with Toi Māori, showing ceramics by the five principal members of Nga Kaihanga Uku. This exhibition is currently touring throughout Aotearoa. Participating...... View details »
Maori Arts Internship Programme | Host Organisations
Maori Arts Internship Programme 2014 "Developing future leaders within the Maori arts infrastructure"Toi Maori Aotearoa, with support from Creative New Zealand are pleased to running the Maori Arts Internship (MAI) Programme in 2014.The MAI Programme aims to develop future...... View details »
Maori Arts Internships | Applications Now Closed!
MĀORI ARTS INTERNSHIP PROGRAMME 2014 "Developing future leaders within Maori arts infrastructure" Toi Māori would like to thank each applicant and host organisation who applied to take part in our programme. The programme aims to develop...... View details »
New Weavers Committee Members
The Weavers National Hui took place last weekend, and was a resounding success. Nearly 200 weavers attended the Hui, which was held in Kawerau, Bay of Plenty. The National Hui is held biennially to provide their members with an opportunity to network and...... View details »
Two traditional waka representatives join Northwest Coast Tribes of the USA and Canada to participate in the Annual Tribal Canoe Journeys
Left: Taituha Mamaku. Captaining Waka Teetee Kura Hinemoana (above). Leader;Mataatua Toroa Waka Taua. Right: Anaru Irwin on Waikato River training for QueensDiamond Jubilee River Pageant, London 2012 Taituha Mamaku and Anaru Irwin have been selected as Leaders to...... View details »
Weaver to complete residency at Evergreen State and speak at the PAA Conference in Vancouver.
From left to right: Ruth Nicholas, Toni Sadlier & Christina Wirihana outside the Longhouse Education and Cultural Centre, Evergreen State College in August 2012. Christina Wirihana will travel to Washington State, USA in July to take part in a residency at Evergreen State...... View details »
Te Hono ki Aotearoa | Documentary
DVDS are now available! Please contact Jan Bieringa - firstname.lastname@example.com ... View details »
Te Hono Ki Aotearoa on the Thames
Te Hono Ki Aotearoa, the waka taua based in the Netherlands, will be on London's famous River Thames for the Queen's Diamond Jubilee. Toi Maori has put together a team fit for the job to go over to London. They have been prepping and practising for months. The team will...... View details »
Pacific Rim Exhibition, Oregan - Photo Compilation
Colleen Urlich, Manos Nathan and Gabrielle Belz are in Oregon for the Pacific Rim exhibition. This project is to maintain relationship with the Pacific Rim artists and to further develop relationships within Oregon, Portland. Taking Maori Art to the...... View details »
Artist Residency - de Young Museum, San Francisco
Artist Residency - de Young Museum, San Francisco The de Young Museum in San Francisco has been delighted to host one of Aotearoa's weavers, Glenda Hape, as a part of their Artist in Residency programme. The residency, Glenda Joyce Hape:...... View details »
Tatou tatou e 2
"Tatou tatou e 2" 'Tātou tātou e' is a collective of kaiwaiata from Aotearoa NZ and we're back with Volume 2! This time we infuse flavours of Reggae, World vibes, Urban beats and R&B as well as adding a dash of new kaiwaiata and...... View details »
New Cloak Book to be launched at the Weavers National Hui
Treasured traditions on show in beautiful new book A major new publication from Te Papa Press opens the storeroom doors of the Māori collections held in our national museum, home to the largest collection of kākahu in the...... View details »
Leiden Waka Shelter set for Ceremonial Opening on 11 August 2011
After the highly successful waka taua paddle up the Thames River in London by Toi Maori, Njord Royal Rowing club and Ngati Ranana members and an epic Canoe Journey paddle to Swinomish territory in the Puget Sound USA by Toi Maori members, another exciting project is about...... View details »
Waka Taua on the Thames River for City of London Festival
Toi Maoris' waka taua Te Hono ki Aotearoa based at the Museum Volkenkunde in Leiden, Holland was paddled down the Thames River in London on July 2nd as a part of the City of London Festival with the support of the Ministry of Culture and...... View details »


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ELF Industrial designed this massage bar mold just for us! This kit is a great way to make a quick gift for any occasion, and is perfect for the beginner soapmaker.
This kit includes:
This kit is a little different than our other kits in that you can remove or get extra of each item in your shopping cart (and the price will adjust accordingly) before you check out. So you can just get what you need. Also please note that there are no printed instructions included with this kit, learn how to make this soap on the Soap Queen Blog here
"Thank you for your prompt response. Bramble Berry has the best customer service of any company I know of. Pass the word!" -Rene
I have enjoyed seeing Josie's beautiful soap on the Bramble Berry Facebook page for some time. Right away, Josie showed immense talent and an eye for design. Josie began selling her […]
The post From Online to In-Store: Josie's Beauty Boutique appeared first on Soap Queen.


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This store is great. I made my first order on Monday at about 6pm and recieve an email the next day that it was shipped. I received the order on...Read More ->
MJM Magic never fails to please me. I used to shop around before I made a purchase but there's no need to do that anymore. Here are a few reasons why...Read More ->


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GreatSchools Rating
Teacher quality
Principal leadership
Parent involvement
We also moved to the area about 2 years ago and my experience was completely different from the last parent. My two kids have receive a great education, personalize attention, their grades have improve dramatically and they love their teachers and friends. We receive constant communication and feedback from our kids teachers and we are very please with our kids improvements and testing results.
I can agree with this parent. I have first hand account that this does happen where kids get beaten up and teachers are not focused on teaching rather they focus on the troublemakers. This school is low on all levels of testing scores and no parent involvement really shows. The school needs to work a lot on cleaning itself up.
We moved to this area about 2 years ago and during that time, my son has been picked on, threatened, and been made to feel inferior by the other students in his classes. The children are evidently a product of their up-bringing and I must say, the parents are lacking in social skills. My husband and I have decided to move based solely on the fact I do not want my son to attend this school any longer.
Community ratings and reviews do not represent the views of GreatSchools nor does GreatSchools check their accuracy or verify the reviewers' identities. Use your discretion when evaluating these reviews.
The Community Rating is the school's average rating from its community members (e.g., parents, students, and school staff). The highest possible rating is five stars; the lowest is one star.
17346 Warwick Blvd
Newport News, VA 23603
Phone: (757) 888-3320
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So, I'm living in a third world country with minimal access to brewing equipment and ingredients. Recently, a friend flying in from the west was able to bring me a few kilos worth of equipment so that I could begin to try to brew my own batches - obviously, a hydrometer was at the top of my wish list, so I ordered a nice one, had it mailed to him prior to departure, and it miraculously survived the cross-oceanic voyage in his checked luggage.
It lasted precisely one sample. Ensuring that my yeast starter solution was a solid 1.040 prior to pitching, the hydrometer slipped through the sample tube when the bottom stopper unexpectedly decided it no longer cared to perform its function. Tile floor - 1; Hydrometer - 0.
The worst part isn't even that I won't be able to get another one for weeks/months. The worst part is that - on the way down - it decided to strike squarely on the top of my (bare) left foot, shattering and leaving a piece of glass embedded right in my foot. So maybe it should be Hydrometer - 1; Left Foot - 0. Either way, I was so upset I didn't even notice I was bleeding for about ten minutes.
So now I have a yeast starter that I guess should be around 1.040 and some already crushed grain that my buddy brought with him that I have to use this weekend (or it'll be bad by the time a new hydrometer gets here) and no way to measure the resulting wort/beer.
Had to rant - thanks for listening.
Sorry to hear. My condolences to you. Brew life in the 3rd world is tough enough and then some stupid stopper fails its duty. Lesson learned too late.
Use a real hydrometer jar, which has a foot, or a tall (glass) graduate or (ungraduated) cylinder, as used in chem labs to store pipettes under sanitizer, etc.
You still got to be careful. When dropping a hydrometer into any vessel it will torpedo down to the bottom and if it strikes, self destruct. Drying with thick towels or clumsy hands snaps it. Shaking it, to remove clinging water will break it too. Laying it on a countertop or towel is a certain invitation for another early demise. Anyone else touching it, kills it. List goes on.
Order 3 of them next time.


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|SPRINGFIELD The Springfield Country Club will once again host the Rays of Hope Golf Classic scheduled for June 30. The proceeds of the event will go to Rays of Hope, an organization that partners with Baystate Regional Cancer Program's Comprehensive Breast Center.
The Classic has raised over $73,000 in the past three years in support of the center, whose mission is to promote the understanding of breast diseases and coordinate care for women after a diagnosis has been made. Many of the committee members of the Classic are survivors and are committed in their efforts to find a cure.
The day promises to be filled with fabulous golf and surroundings conducive to supporting a cause that has affected so many of our mothers, spouses, sisters, relatives, friends and coworkers.
This year's honoree is Susan Van Stone, former General Manager of WMAS Radio. She has been a longtime supporter of Rays of Hope, most recently as the 2007 chair for the walk. She has been a participant, a prize donor and media sponsor as well as a three-year breast cancer survivor.
Sponsors for the tournament are needed and more information may be obtained from co-chairs Ann Boyajian at email@example.com or 348-8350 or Nancy Flynn at 244-4018.
|Wilbraham Friends Annual Art Exhibit
|Somers Congregational Church Annual Christmas Bazaar
|Somers Congregational Church Annual Christmas Bazaar
|New Event
|Denist Partner
|Fresh Organic Veggies Available in Bulk from Red Fire Farm!
|Fresh Organic Veggies Available in Bulk from Red Fire Farm!
|New Event
|"Praying Again for the First Time" Mini-Retreats with Virginia Collins-English
|Denist Partner
|Free Program for Veterans
|Open Mic & Jam at the 410


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OW Tanker, a unit of bankrupt OW Bunker and owner of its marine fuel supply ships, has been taken over by a newly-created company, the fleet manager told Reuters on Wednesday.
A Creative Combination for Financing Inland Waterways Infrastructure
Earlier this year, the U.S. maritime industry in general, and the inland waterways industry in particular,
It isn't always about the rate.
In a robust boatbuilding market – like the one we see now – even the most successful, financially stable operators need to borrow.
Diana Containerships Inc. announced direct continuation of time charter agreements for m/v Cap Domingo and m/v Cap Doukato
Diana Containerships Inc., a global
The CMA CGM Group has acquired the German shipping company Oldenburg-Portugiesische Dampfschiffs-Rhederei GmbH & Co. KG (OPDR), CMA CGM founder, chairman and CEO Jacques R.
Matson, Inc., a U.S. carrier in the Pacific, announced that Matson Navigation Company, Inc. (Matson) will raise its rates for the company's Hawaii service by $225


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- Call of Duty: Advanced Warfare Exo Zombies Trailer
- Steam Sale Folks, Get Your Poor Suffering Wallets Ready
- Ubisoft's 300 Fixes for Assassin's Creed Unity
- Tales from the Borderlands Launch Trailer
- Mornin '14
- Far Cry 4 Death By Elephant Week Video
- Far Cry 4 Patched for PC
- Destiny The Dark Below Trailer
- Telltale's Tales from the Borderlands Hits Steam
- Total War: Attila Trailer, Release Date
- Mornin '14
- Tales from the Borderlands
Launch Trailer
- Call of Duty: Advanced Warfare
Exo Zombies Trailer
- Total War: Attila
- Destiny
The Dark Below Trailer
- Far Cry 4
Death By Elephant Week Trailer
- Batman: Arkham Knight
Ace Chemicals Infiltration Trailer: Part 1
- Conflicks: Revolutionary Space Battles
- Far Cry 3
Patch 1.05
- Assassin's Creed 3
Patch v1.02 to v1.03
- Far Cry 3
Patch 1.04
- Far Cry 3
Patch 1.02
- Ghost Recon: Future Soldier
Patch 1.4 to 1.5
- Max Payne 3
Patch v188.8.131.52
- Max Payne 3
Patch v188.8.131.52
DriveClub- Playstation 4
DriveClub is a team-based racing game from the guys who brought you Motorstorm.
publisher: Evolution Studios
developer: Sony Computer Entertainment
genre: Racing
|ESRB rating: RP
release date: 2014
All About DriveClub on ActionTrip »
28 screenshot(s)DriveClub Screenshots
2 video(s)DriveClub Videos
Gamescom 2013 Trailer
Aug 22, 13
Aug 22, 13
18 news item(s)DriveClub News
Oct 20, 2014In The UK, None Shall Pass... But FIFA
It's nothing we don't already know, but FIFA 15 has been selling more than any other game in the UK last week. It's in the top of the sales chart, just above Bethesda's recently... » MORE
Oct 17, 2014Project CARS Delayed
Bandai Namco has announced that they are delaying racing game Project CARS to March 20, 2015. Ian Bell, the Head of Studio for developer Slightly Mad Studios, provided the following explanation in a... » MORE
Oct 08, 2014PlayStation Plus Version of Driveclub Delayed
Driveclub, a PlayStation exclusive racing game, released this week and has a special PlayStation Plus Edition that is free for PS+ members. The only problem is that the PS+ version isn't out yet.... » MORE
Aug 13, 2014Forza Horizon 2 Gamescom Trailer
Did you forget that 2014 was the year of the racing games? Driveclub. The Crew. Forza Horizon 2. Pick your driving poison. Today it's for Forza Horizon 2, simply because we have a new trailer for... » MORE
Jul 15, 2014Retail Version of The Wolf Among Us Releasing this Year
Missed Telltale's episodic adventure of The Wolf Among Us, based on the Fable comics? I suppose you could still download it, or you could just wait until Telltale packages the whole first season... » MORE
May 27, 2014The Evil Within Delayed to October
Because nothing else is releasing in October (other than Dragon Age: Inquisition, Alien: Isolation, Driveclub, Evolve, and Batman: Arkham Knight), Bethesda has postponed The Evil Within from August... » MORE
Mar 04, 2014PS4 Global Sales Reach 6 Million
The next-gen PlayStation 4 console has shifted over 6.0 million units worldwide, as officially confirmed by Sony Computer Entertainment. According to Sony, 370,000 units sold in Japan were also... » MORE
Jan 30, 2014Sony Says The Order 1886 'Coming Later in the Year'
Sony UK Managing Director Fergal Gara said that The Order 1886 is "coming later this year" during this morning's Vita Slim announcement for the UK.His direct quote:Things kick off again... » MORE
Oct 18, 2013DriveClub Release Pushed to 2014
And that's officially another PS4-exclusive that's pushed into the 2014 calendar. Yep, this time it's DriveClub. Initially, MotorStorm dev. Evolution Studios planned to release the game... » MORE
Sep 11, 2013PS4 Launch Titles
Dear readers, while this is not exactly fresh news, I just thought it would be a good idea to go through confirmed launch titles for PS4, which is scheduled to go on sale on November 15 for the price... » MORE
Aug 22, 2013DriveClub Gamescom 2013 Trailer
Strap your seatbelts on and let's race. Well, on the PS4 anyway... when it arrived in November. Check out the Gamescom 2013 trailer for the PS4-exclusive racer DriveClub:VIDEO: 777845.mp4 » MORE
Jun 28, 2013PS Plus Offered Almost $2000 in Free Games this Last Year
Who doesn't like free stuff?As originally reported by GameRevolution, Sony has released an image that represents just how great of value its PS Plus service has become. In the image are all games... » MORE
Jun 10, 2013PlayStation 4 Priced at $399, Pre-order Now
After the Xbox One's poorly received $499 price tag was announced, gamers couldn't help but wonder if Sony would follow with a high price announcement of its own. Thankfully, it... » MORE
Jun 07, 2013Insane List of Rumored E3 2013 Games
There is NOTHING like the E3 rumor mill. This year's has been probably one of the most insane we've seen in a long time due to the new consoles, and therefore, new games for said consoles.... » MORE
May 17, 2013Driveclub PS4 Screenshots
Check out these nice images from the PS4-only racer, Driveclub: click to view full gallery click to view full gallery Don't forget to have a look at the teaser trailer... » MORE
Apr 25, 2013PS4 to Have Strongest Launch Library in Sony History, Says Lead Architect
Sony is ready to rock, are you?Mark Cerny, PS4 lead architect, shared with Gamasutra that the PS4's developer-friendly hardware has had a very positive impact on the launch library. He said:The... » MORE
Feb 21, 2013New PS4-Exclusive Racer DriveClub Uncovered
Evolution Studios, the creators of the PS3-only racer MotorStorm, has announced a new racing game -- called DriveClub -- currently in the making for the PS4.VIDEO: 671789.mp4Hm, definitely appears to... » MORE
Feb 21, 2013List of PlayStation 4 Games Announced So Far
Sony has announced the first wave of games that are going to be released on their nexg-generation console, the PlayStation 4. Check it out: Deep Down - Capcom Destiny - Bungie Diablo 3 - Blizzard... » MORE
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Peggy Battin: Choosing the Least Worst Death
Philosopher and bioethicist Peggy Battin talks on TEDMED about the life and death of her husband Brooke Hopkins, a distinguished Humanities professor.
Christie Toth Radio Feature
New Humanities faculty member Christie Toth was featured on Higher Education Talk Radio today to talk about the CCCC.
Molly Melching on RadioWest
Molly Melching, founder and executive director of Tostan, joined RadioWest today to discuss the crucial role of empathy in effecting change.
Reimagine Western Landscapes Symposium
The Reimagine Symposium ended this week at the University of Utah Taft-Nicholson Center. The Symposium combined literary passion, expertise, community insights and the...
L2TReC Wins Prestigious Language Flagship Proficiency Assessment Grant
Congratulations to the Second Language Teaching and Research Center (L2TReC), which recently was awarded a very prestigious and competitive Language Flagship Proficiency Assessment grant.
Friends and Alumni
E. Gordon Gee
"Gee has held more university presidencies than any other American. Prior to his resumption of the presidency of Ohio State on October 1, 2007, Gee was chancellor of Vanderbilt University from 2000 to 2007 and president of Brown University from 1997 to 2000, of the University of Colorado at Boulder from 1985 to 1990, and of West Virginia University from 1981 to 1985."
Read more...
Where Has Your Humanities Degree Taken You?
We'd love to hear your story! Sign up as a Humanities mentor – Share your story, and inspire our current Students