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By Alan Scherstuhl
The Blue Room (La Chambre bleue)
By Alan Scherstuhl
By Stephanie Zacharek
Gone Girl Is Smartly Crafted, Well-Acted, and a Bit Too...
By Stephanie Zacharek
By Aaron Hills
The Subway's the Star in BAM's Transporting Retro
By Melissa Anderson
By Alan Scherstuhl
Terry Gilliam's The Zero Theorem
By Stephanie Zacharek
Russell Crowe narrates—and is reportedly developing a dramatic remake of—this compact history of Australia's notorious Maroubra Beach community, an economically depressed, inner-Sydney suburb so rough and tumble as to make the South Santa Monica of the Dogtown era look like Mister Rogers' Neighborhood. Maroubra also happens to be a breeding ground for expert pro-surfers, many of them—like the film's director, Sunny Abberton—refugees from public housing and broken families. Abberton offers an absorbing overview of the historical clash between surfers and authorities dating back to the British colonial era (when surfers were charged special taxes for their boards) before honing in on the story of his own family, its central role in the formation of the titular surf "tribe," and the 2003 arrest and trial of his younger brother, Jai, in connection with the shooting death of a local underworld figure. Rudimentarily made as documentaries go—and more than a touch self-glorifying at times—Bra Boys is nevertheless intriguing for its insider's perspective of an outsider culture steeped in tradition, male-bonding rituals, and intense localism. That the film refuses to get too specific about the details of Jai's alleged crime is at once frustrating and entirely in keeping with the Bra Boys' tight-lipped, Old West ethos.
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1974 Lincoln Continental Town Car with 460 cid. Owned and maintained by its original owner who recently passed away. This Town Car has never... More
1979 Lincoln Continental Mark V Bill Blass Looking for a big classy Lincoln to cruise the streets? Check out this awesome Bill Blass Mark V... More
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LiveOps is good for those who enjoy talking on the phone and selling.The highest compensation potential is for licensed insurance agents. There are many other types of programs that agents can elect to participate in, and compensation varies by the program. What's attractive about working as a LiveOps Agent is establishing work-life balance.Cons
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Champions League: PSG beats Olympiakos 4-1 - 0 Comments
PIRAEUS, Greece — Thiago Motta headed in two second-half goals as Paris Saint-Germain beat Olympiakos 4-1 in a Champions League Group C match on Tuesday.
Zlatan Ibrahimovic missed a late penalty for the French champions, but set up their first goal in the 19th minute, picking out Maxwell in the area before Edinson Cavani sprinted forward for the tap in.
Vladimir Weiss tore through the PSG defense for the equalizer six minutes later, weaving past three defenders for an impressive solo effort.


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Our award winning range comprises over 1000 wines from every corner of the wine world. Boutique family wine growers sit side by side with exceptional co-operatives and other large scale producers who offer unparalleled value. You can search by country, grape variety, wine style, closure or of course producer name. If you want to search by wine name or product code, simply type it into the search box top right of your screen.
2009 Cappello di Prete, Rosso del Salento, Francesco Candido(6x75cl)
Rich and spicy on the nose, very harmonious. Well structured on the palate, concentrated, round, well balanced with strong but sweet tannins on a pleasantly bitter background.
2009 Pelago, Umani Ronchi(6x75cl)
Impenetrable ruby red colour with purple tints. On the nose there are spicy fragrances of coffee, black pepper, liquorice and tobacco. The palate is fruits of the forest, vanilla and mineral aromas, and strong but developed tannins.
2012 Massale Pinot Noir, Kooyong(6x75cl)
A pretty purplish crimson colour. The nose speaks of bright red fruits - raspberry and cherry, then violet florals, dried meadow herbs and hints of cherry pip, oak and botanical spices. The palate is attractively brambly with a core of red fruits, fresh acidity, fine, graphite-like tannins and a savoury edge which balances the fruit. This wine is approachable when young yet shows potential for further improvement with careful cellaring.
2013 Ou Kalant Cab Sauv, MAN Familiy(6x75cl)
A bold and juicy red wine with red-berry fruit aromas and a touch of oak spice. Classic cabernet cassis and red-currant fruit flavours with silky tannins and long finish.
2011 Maudes Crianza (Tempranillo, Merlot), Lezcano Lacalle(6x75cl)
The wine is a deep cherry colour with prominent legs. The nose bursts full of black fruit, currants and blackberries with a spicy toasty edge. The palate is round and long with firm, silky tannins.
2012 Falcons Perch Pinot Noir, J Lohr(12x75cl)
Aromas of cherry preserves, fresh strawberries violet and crème brulée lead to a rich, soft palate
with fine grained tannins and plenty of fruit. Acidity is clean and fresh which invites a wide
range of food pairings.
2009 The Dead Arm Shiraz, d'Arenberg(6x75cl)
Dark fruit and savoury characters leap from the glass, in particular there is liquorice and blackberry, laced with a hint of char.
Complexity in the shape of iodine and soil like notes follow. The wine is powerful and structured.
There is a plethora of sweet fruit character, plums and mulberries, but not a hint of fatness. Rather the wine is quite compact and focused.
A powerful yet refined expression of Shiraz with balance, complexity and persistence.
2012 Nebbiolo d'Alba DOC, Bricco San Giacomo, Ascheri(6x75cl)
Ruby red colour with garnet reflections. Full bodied bouquet, with a delicate violet scent. Dry on the palate, yet velvety, harmonious and very persistent at the same time. Very well balanced, with distinct class and style.
2012 Brouilly, Louis Tête(6x75cl)
A light, juicy Beaujolais, loaded with ripe fruit character and aromas of crushed strawberries and forest fruits. Deep ruby red in colour, Brouilly releases aromas of red fruits with a slight vegetal trace. It combines roundness with harmony. Well balanced and full-bodied, it possesses remarkable length in the mouth.
2011 Cirò Classico Riserva, Duca San Felice, Librandi(6x75cl)
Beautiful ruby red colour with an evident orange edge to it, and a rich bouquet of spice and liquorice with a hint of tar. Medium bodied and well defined, expressing black fruit flavours alongside well integrated tannin and a dry finish.


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- Publisher: Electronic Arts
- Release Date: Jul 26, 2011
- Also On: PlayStation 3, Xbox 360
User Score
Generally unfavorable reviews- based on 132 Ratings
User score distribution:
Positive: 39 out of 132
Mixed: 20 out of 132
Negative: 73 out of 132
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Jul 29, 2011Well, this is a addition to a bad, lackluster game, another disappointing developer presumption that difficultly is the same as impact and complexity . Another typical Bioware way of subconsciousness marketing. How else to explain that their choices have no consequences , their questions have no answer.
Everything reduced to paying for basic answers,and preventing game resales and ruining it's own lore and story in the progress ,just like the base game compared to DAO. It's just useless content that fails at repairing damage done by the first game.
On the technical side companion AI glitches, waves that look different on the surface but are equally annoying, and overall predictable boss behavior based on difficulty again lacking even basic tactics.
Played better DLC's for the same or even lesser price tag, and those made sense from the player story progression perspective and they did not feel tacked on , to restore the damage done by the first game that will not be repaired. The score is given because there are a few new assets.… Expand
Jul 27, 2011Well, the user reviews are going to get filled with fanboys and trolls giving this 10/10 ratings, so here's a 0/10 for balance. It's actually entirely well earned. Legacy is Bio's shoddy attempt at making peace with their critics. A lot of feedback went into the making of Legacy. Let's name a few of them. 1, if you hated Hawke then you're wrong, here's a three hour long story about why we think Hawke is important! 2, if you hated DA2's **** combat, here's more **** combat. 3, if you hated **** boss fights that went on and on and on, then here's more of that! Enjoy my middle finger, BioWare.… Expand
Aug 1, 2011I was amazed that people would give this crap dlc High SCORES. But reading the reviews i realised its just BIOWARE STAFF and Marketeers.
Stories about making changes and listening to customers complaints are nonsense. They are charging 10 dollars for 1 to 2 hours of gameplay. Story is very thin and pointless. No interesting discussions or choices and no possibility to talk to your Companions. just a repeat of same old same old. The end boss i needed to restart ten times because of glitches in de AI of companions. All in all a lost opportunity and once again a big middlefinger from Bioware/ Laidlaw to their stupid customers. I was really hoping Bioware could set things straight but is not what happened. Avoid at all cost… Expand
Jul 26, 2011Just to equal that **** review of Merrill4Life. Everyone knows that DA2 was far from perfection and this is probably another fanboy. Just to mention Witcher in the review is a proof that it's meant to boost the score of Legacy, nothing more.
Jul 30, 2011After playing through the original game from start to finish, my wife bought this expansion and found it to be a complete waste of money. The final boss fight is extremely frustrating and rather than the difficulty being introduced by skill or fun elements, the final boss fight is difficult because all of your support characters have horrible AI and are constantly eager to die. Terrible design, not fun at all DO NOT PURCHASE.… Expand
Aug 3, 2011After releasing a rushed , **** , disappointing game like DA2, I tried to trust them when they said they were "listening to the fans" to make "what they want" ****
This DLC is pointless, over-priced , simple and not worth wasting your money or BiowarePoints on it.
But I must say that DA2 original game is so **** bad that even this simple "Legacy" crap has a better story. Won't be buying another DA2 DLC unless it is like 100 times better than this one. 10â… Expand
Aug 1, 2011Bioware....just...shame...shame on you. Did everybody from BG and NWN and DAO leave or something? God...I can't believe this horrible horrible presentation...you haven't learned a single thing from the all feedback on DA2? Because...you haven't fixed a single one of those flaws. Thank god you didn't get do Van Buren.
Aug 4, 2011Well I can't believe I'm saying this, but this DLC is actually better than the Core game or any other DA2 DLC. It seems Bioware finally realized what a big mistake they made and started making it right, and this step is clearly the first of it. It has a good story with surprises, companion reactions, and finally a decent combat system. Finally not every fight is like enemies appearing from nowhere but more like Origins and Awakening. Good. -1 for outrageous 10$ price, compared to the Witcher 2 free DLCs.… Expand
Aug 10, 2011I was amused to read about a DA2 DLC. Really? a DLC for the 'fans'? or was it stuff that's already part of the game but chopped to pieces to nickel and dime the fanbois? A DLC for the so called 'game of the decade', smells entirely rotten to it's core. Such a shame a great franchise could be ruined by corporate greed.
Aug 3, 2011I logged in specifically to write a bad review for this. You can't polish a turd and DA2 was a gigantic brown tugboat. Why do developers feel they can cut corners on a game just because the previous installment was successful? Origins was perfect the way it was. They should have just improved the graphics but left everything else alone! Very annoying.
Aug 2, 2011Really Bioware? Is this the best you can do? The storyline is 100% linear and predictable, combat is the same old crap besides one new enemy type added, the puzzles are dumb and/or annoying, the new items fail to be better than the existing ones, and I'm pretty sure the bossfight was specifically made to screw you over due to your party's terrible AI.
Aug 6, 2011Truly disappointed that BioWare can't come up with anything more creative than an unimaginative dungeon crawl. Also very disappointed that the Lead Designer (Mike Laidlaw) skewed the results by rating his own game a 10. If this is your best work, you should be fired.
Sep 14, 2011Another turd by previously-decent BioWare. I wonder if anyone's left there that actually likes RPGs? This is another phoned-in DLC by a company that stopped caring about anything other than $ a long time ago.
Jul 28, 2011there are wayyyy too many butthurt DA Origins fans here who complain about how DA2 was a bad game and how logically this must be worse and etc etc. well DA2 was not a bad game, it's just different from Origins and somehow making a game that's not the exact same as its predecessor makes the game horrible. I admit, DA2 was rushed a bit and the writing was not on par with what Bioware usually creates, but DA2 was still a good game. Legacy helps improve on DA2 with a robust story and a fun and entertaining mission. The style of DA2 is still there, but as i said, there is nothing wrong with it, except to butthurt DA Origins fans. It's not a perfect DLC, but it's a great addition to the game.… Expand
Aug 2, 2011So I'm happy to report that Legacy has - thankfully - avoided the two monumental design errors of its parent game. The DLC features a brand new area to explore outside of Kirkwall. Your adventure brings you to a Grey Warden prison in the Vimmark mountains, an area which turns out to be darkspawn-infested fortress. The dungeons - while not mindblowing - are a refreshing change of pace from exploring the carbon copy cutouts that were Dragon Age 2's map designs. The atmosphere is suitably sinister, and the DLC brings a healthy dose of interesting story content to boot. An ancient darkspawn is breaking free of its chains, and as you delve deeper into the depths of the prison, you uncover startling secrets concerning the nature of this threat. The story is engaging, and some endgame revelations are quite satisfying.
See the full text of the review here: http://boredomsadvocate.blogspot.com/2011/08/review-dragon-age-legacy.html… Expand
Sep 4, 2011It have NOT made a DA2 better game. Simple as that. DA2 was oversimplyfied , overconcentrated on combat , linear , boring game. DA2:Legacy is no diffrent. It does not repair what was wrong about DA2.
Also it does not give you good value of quality content for $ you spend on it.
Unless you for any reason totally fanatically loved DA2 , avoid this DLC and whole DA2 like plague.
Aug 9, 2011This review contains spoilers, click expand to view. It's reasonable ok until the horrible last boss where the companion A.I. makes it a nightmare and a mouse clickfest to continually avoid the fires. Tiresome and pointless. To quote Homer S. in The Hulk cameo : "I.. Hate .. it. SO much!"… Expand
Sep 5, 2011Quite poor despite the new content, you still have the clunky console grade fighting controls that killed this game before DLCs came out. Sorry but you can get the excellent origins series in ultimate edition for about the price of this poor offering.
Jul 28, 2011A great addition to DA2. What i especially like was the multi level nature of the prison you explore in the game. It really gave a good sense of scale and exploration that was lacking in many parts of DA2. I also liked and was pleasantly surprised by the amount of companion dialogue in this DLC. One think I really have not liked about most prior DLC in Origins was that are given new companions that you don't care about or your companion characters are silent. In this pack there is a fair amount of dialogue from companions you have in the actual game. Also good was that there were several side quests in the DLC. Overall a good three to four hour experience.… Expand
Aug 19, 2011I really just can't even say how bad bioware is becoming... Writers that picks up idea from MEYERS
continue DLC'ing the very first day... and button mashing fighting
Bioware is officially dead, i will always remember the good ol' days of Baldur's Gate saga
Aug 14, 2011Why IF All people in the world say that DA2 is ******, they create DLC, this politics is Kill bioware/
Maybe I badly write in English, but If I decide to say about DA2 and this DLC, all I may say very short and concentrate:
very bad DLC like DA2
If we want show that DA2 and politics DLC is bad*, we must don't buy it
Aug 17, 2011lol this game is so **** combat is bad, voice actors are bad, story sucks, its lackluster and disappointing.. I'm not going to bother elaborating on any of my issues or even offer any useful criticisms cuz this game is **** Bioware should just quit, this farce would have never happened at cd projcket!!!!!
Aug 31, 2011To cut a long review short If you loved the first game and its add ons its best that you know in advance that this game just hasnt got the polish or finish that the first dragon age had. Is it a bad game ? No is it as good as the first dragon age / dragon age awakening ? no it isnt My advice is to wait until this game comes down in price then buy it
This game has tainted my opinion of EA and Bioware a bit and i dislike it for feeding my doubts about a company whose products i normally love and cant wait to buy.… Expand
Sep 22, 2011Gods, they broke DA:O even worse! Before I played this, I thought they will make something at least worth money I spend on this! I don't get this, how anyone could put more than 5/10? Beside those trolls from Bio...
Sep 26, 2011Terrible, not worth buying, storyline stupid. Are you serious, the blood of Hawke. Can someone tell me why this character has not been killed off. Hawke is the worst main character.
Jul 29, 2011Have played it twice now and I love it to bits =) I kind of think that you have to play it a few times in order to evaluate it properly. Things I like, that you can play it in all the 3 Acts and that it gives different material for each of them. That is really good for replay purposes.
The dlc has some really good bits with the siblings. Bring along Carver or Bethany for extra value, there are some really sweet bonding moments. Love my FemHawke and her interaction with Carver. The banter with all the companions is wonderful as usual. Isabella and Aveline has some very amusing ones.
The areas are new designs and very pretty. Made me happy to see a bit of open area and some good vistas. Story-wise it's great! I personally like the family-connection and the new lore concerning the blight and the darkspawn. Very interesting to see how that will play out in the future for my FemHawkes. Fighting was great fun and I found the last boss to be very interesting, in a deadly kind of way =) Like I said. Loved this dlc to bits and it would have gotten a 10 from me if my FemHawkes LI had had a little more to say. Sorry but Iam a romantic sap.
Ohh... and I'm not terribly impressed by just giving this dlc a "0" without giving any ingame reasons for why you didn't like it. Of course you don't have to do so, but I have read a few of them and I'm not really sure that they actually played it and that they didn't just go "hate hate hate". Fine, you didn't like something that I liked very much. What in the dlc was it that you didn't like. Do you have anything specific? I loved it, call me a fangirl if you like =) have a good time on the internets.… Expand
Aug 9, 2011I was disappointed with DA 2, but am pleasantly suprised with the Legacy DLC. There was plenty of action, some questions were answered, nice loot, plenty of comic relief what more could you ask for?
Aug 1, 2011Well I"ll just say its interesting for a dragon age expansion. I think they should have had 3 months more time and then they could have made it like Awakening for Origins but still i give a 10!
Oct 15, 2011Dragon Age II : Legacy is a good DLC. Things i like. you can play it in all the 3 acts, you can play with Templar Bethany and Carver or Warden Bethany and Carver too. It also have replay possibilities ( you can choose between two ends) Is interesting for a Dragon Age 2 DLC, and far more better then The exiled prince. I played it in nightmare, and the gameplay time was 5h26 min.
Aug 24, 2013Dragon Age Review 9: An interesting question at the heart of game design is precisely WHO becomes a game director. And how do these precious few manage to 'Rise to the top' of the 'design game'. How do guys like Ken Levine at irrational, Casey Hudson and Mike Laidlaw at Bioware get there. It matters a lot since the director is the boss man of the project. Sigh. I guess it is ajob that is too big and too difficult for mere mortals. With a large modern AAA game there are SO many moving parts that the director needs to be a managerial genius, a rarely-sleeping over achiever, a leader, a person-person, tech-savy, art-savy, cutting edge, savante, literary conneiseur, perfect at time-management not only for himself but for others too, steering a ship of 200 egotistic, self-proclaimed 'creative talents', into a single unified, coherent vision that will please EVERYONE all the time. The game director should have no family, no private life nothing to distract him from his vital mission of perfecting his game hour by hour and day by day from the first rough concept to final publication and beyond. The game director has to make sure everyone does their job perfectly. Leading, soothing, coaxing and whip-cracking all the way. He must inspire fear and respect, talk the talk with 3D artists and programmers who are proud (and sometimes difficult) experts in many fields. He must inspire trust and respect from his employers as well as his team. What can I say, It's a hell of a job. And he must face the music if the sum of a VAST effort somehow fails. Sorry Mike, no doubt you are a good project manager. However on the art side you are weak. A Fantasy Role Playing Game is primarily a labour of WORLD DESIGN. All the parts are subservient to that. Whatever VAST labours have gone into making Dragon Age. Nowhere has there been the needed core focus on Geology, language, architecture, culture and history. Dragon Age has a lot of stores, NPC's and narrative elements. From the Origin's period these were pretty awesome. From the DA2 epoch less so. Far more trivial and teen themed: Yet all of these elements are swimming in limbo if they dont CONNECT meaningfully into an ongoing LIVING fantasy world. You cannot build the city of Denerim for example, or Amaranthine for example and then create a trilogy where the players are unable to go there. Freedom of movement is a basic component of real life. It needs to be a basic component of a fantasy world too. So long as Bioware spends thousands and thousands of prime man-hours building one-off scenarios the effort is largely being wasted. Because the game world, THEDAS does not exist. And adventures in this non-existant 'place' are simple disconnected episodes. Since this is also so OBVIOUS, so simple, so FUNDAMENTAL, so non-controversial and self evident, and has been since 1975, my big question is how poor old over-worked, busy as a bee Mike Laidlaw doesn't get this. How too could Greg and Ray not get this. It is very exciting really, because if all these hoary, 'experts' these 'pros' don't understand the needed framing for a fantasy RPG, it leaves a nice space for a grand game design in the future when someone who DOES get it, finally clicks. And sees that it is not only possible, and possible in a non-MMO format too! The Eureka moment will eventually come. The best then is definitely in the future of game design. The near future if anyone actually listens to me, pierces the rant to its enlightened source.
THE GROT REVIEW CRITERIA: After a long time writing reviews like an anus, think its time to set a few bad habits straight: Stop insulting designers. Show some respect for the design process and getting games in circulation. Hence (1) No Red scores. (2) Game scores as follows: Bad Game 5/10. Poor Game 6/10. Mediocre Game: 7/10. Good Game 8/10. Great game 9/10. Stella Game 10/10. To get 10/10 it must be a game that can be (theoretically) play-able for 1000+ hours. Not only great but near endless fun. Games may be bad or poor but making them should earn respect. Thus even the worst POS will still be a 5/10. 0/10 no longer exists in my vocabulary. Yellow is the new red. For the sake of accountability: you can reply if needed: Orctowngrot: Tim Rawlins: email@example.com… Expand
Apr 11, 2012A surprisingly detailed add-in for this controversially received sequel. New approaches to encounter design and smarter enemies stand out, although story remains a strong feature.
Nov 15, 2011You never know what to expect from Bioware when they create a new DLC. Sometimes they are decent, more often not. Legacy and Mark of the Assassin are pleasant surprises in the continuum. The adventures are well written, Tallis is a compelling new character and the combat is challenging enough. The add-ons are solid work, but not extraordinary by any means. [Nov 2011]
Aug 31, 2011It spawns enemies behind your back, fails to improve lame AI and contains a range of bugs (e.g. enemies hitting you through a closed gate). BioWare failed to convince me that they are capable of learning from their mistakes. [Sept 2011, p.65]


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Kanjirapally legislator Alphons Kannanthanam had a miraculous escape on Saturday after his vehicle, hit by a bus, somersaulted several times on the National Highway-47 at Eramalloor near Aroor here.
Mr. Kannanthanam, who was driving his Scorpio from Thiruvananthapuram to Ernakulam was overtaking a tourist bus at Eramalloor around 11.45 a.m. when the bus suddenly swerved to the right, hitting the Scorpio
in the process. Mr. Kannanthanam, also the lone passenger in his vehicle, lost control of the vehicle, which hit the divider and somersaulted several times before finally coming to a stop on the other side of the road.
Local residents helped Mr. Kannanthanam out of the vehicle, by which time the bus had fled the spot without stopping. The Aroor police, which rushed to the spot, said the legislator amazingly had no injuries and resumed his journey on another vehicle.
The tourist bus, meanwhile, was stopped by the police at Kundanoor near Kochi. Police said it would be taken into custody after the Nedumbassery airport-bound passengers were dropped at the airport.
Keywords: Kanjirapally, Alphons Kannanthanam, accident


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Swinton Park offers events and activities at the hotel throughout the year, for families, garden lovers and foodies to name but a few.
With 200 acres of parkland, woods and gardens, a four acre walled garden, cookery school and spa, the hotel has an excellent range of facilities and diverse range of experiences.
Swinton Park is so much more than just a hotel - luxury accommodation and fine dining are just part of the experience. It is a stately home that is still lived in and every aspect enjoyed by both both guests and non-residents.
Latest News
We are delighted to have received planning approval for our Country Club and Spa, which will include an indoor swimming pool together with full spa and fitness facilities, as well as a 40-seat conservatory restaurant, coffee shop and Swinton Estate shop. Please see our latest press release for more information.
In the meantime, the weather is still perfect for walking, cycling and riding on the Swinton Estate and it's also a great time to enjoy replenishing spa treats and tempting gourmet indulgences at the hotel, such as our Estate Lunch Menu – currently featuring partridge and pheasant - or our inspiring range of seasonal cookery courses.


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Game Questions & Answers (Q&A) service lets you ask questions about video games for game consoles or PC games. So ask your Pokemon Rumble Blast question for 3DS and get answers from real gamers or answer questions and share your insights and experience with the rest of the gaming community.
- Developer: Ambrella
- Publisher: Nintendo
- Genre: Action Beat-'Em-Up
- Release Date: Oct 24, 2011
- ESRB: Everyone 10+
Question & Answers
I need to beat battle royale ex 5 and do team battle ex6
Im on battle royal ex5 but I keep on loosing. my first 3 strongest are giratina at the power at 3015 and knows how to use shadow force which is my 1st. my second is zekrom at power at 2983 and knows how to use fusion bolt and speicial trait is slugger. my last is a chop chop reshairam at power 2982 and knows blue flare.
Answer from: King
U have to have 3 top strongest pokemon be at power over 4000 and it will be easer to beat it
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Need help,defeating mewtwo
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Posted on: 11-08-2014
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How to get pass battle royal ex 5?
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"The paper quality was excellent and I was able to customize the edges of the invites! They looked great online , but they were better in person!"
"Made this card for a baptism. First time ordering on this site. Couldn't be happier!! Product quality is great. To make this card extra special you have to pay extra for the cut but it is well worth it."
"I choose the bracket and Pearl White Shimmer and let me tell you, I love it! I choose standard delivery and it was so fast, I placed my ordered Saturday night and received it Thursday."
"Great for my baby's baptism! Love the design, color and print but I guess the glossy finish would have been great! Overall, it's awesome!love it!"
"These are the most beautiful invitations. I spent the extra money on the bracket design and the shimmer overlay and I couldn't be more happy with it! Designing it was extremely easy. The writing was off center and I couldn't straighten it out but the designers took care of it. This is my first tiny prints order and I will be using them from now on!"


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The World is commemorating one hundred years from the beginning of the First World War. The Czech Republic has not forgotten the conflict, from which emerged the independent state of Czechoslovakia. Memorial and cultural events commemorating the fights, fallen soldiers and Archduke Franz Ferdinand d'Este will take place in many cities throughout Czech Republic and Slovakia.
One of the central themes of commemorative events in the Czech Republic is the fate of the Austro-Hungarian heir of the throne. The life of Franz Ferdinand d ' Este is closely connected with the Chateau Konopiště, which had been rebuilt by him to its current form, and where his family spent most of the time. Konopiště pictures the figure of the crown prince and his wife Žofie Chotek mainly in the season-long exhibition Together in life and in death, containing not only the family photos, but also personal items of both spouses. Commemorations at the castle will be filled in by a mass on June, 28th, commemorating the day when Franz Ferdinand and his wife perished at the hands of an assassin in Serbian Sarajevo. This event has become the immediate pretext for the outbreak of the First World War.
The fight itself, one of the greatest conflicts in the history of war will remind historical military maneuvers which will be held at several places in the Czech Republic. For example, a varied program will be offered by the city of Lanškroun, where on June, 21st the Imperial Orchestra, soldiers in the field will present the arms and the ceremony. But there are also ladies and lovers of fashion will be pleased by military marches in original uniforms and the parades featuring the clothes from the days of the reign of Franz Joseph I., including samples fine lingerie and original swimwear.
On the day of the centenary of the assassination of Franz Ferdinand d ' Este on June 28th, the Memorial Day Event will take place in Brno - Pisárky. In addition to the ceremonial, the visitors will also witness the arrival of the Austrian Archduke to the main train station in Brno, troops in action, field kitchen, fashion salon or the promenade concert of the Imperial military band. On the route between Pisárky and the main train station, there will be historical trams to carry passengers throughout the entire day. Other maneuvers will be seen on June, 14th in Písek, Letovice or Olomouc.
A large space is dedicated to the events of remembrance. On June, 28th, an exhibition of the project Big War will take place at Brno´s Špilberk. Nine Czech historical institutions will cooperate to bring this event to public. This exhibition is devoted to the Sarajevo´s assassination itself, the war conflict and the technological progress in the form of new weapons and military equipment. Conversely, Moravian Museum offers the possibility to get to know the normal life in the war years. Exhibition Home during the Big war will show to visitors the impact of events in the years 1914 to 1918 on the civilian population.
For lovers of naval warfare, the National technical Museum in Prague prepared an exhibition with the name Our sea… Austrian-Hungarian Navy. The exposition is dedicated not only to the military naval technology, but also to the everyday life of sailors and includes period photos. Until September, the capital city and specifically in the Postal Museum will be the host of the exhibition Post during the Big war…I write to you from the battlefront...,. At the same spot on June 12, solemn baptism of the postage stamps "To the Victims of the World War I. " will take place.
People can remember the fallen during many piety events, which will be held this year throughout the Czech Republic. A number of cultural institutions organizes professional conferences and lectures, whose central theme is the First World War and its consequences.
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Exploring Bisexuality
In the LGBT community, bisexuals are still misunderstood by some. There are people that don't believe in bisexuality—to them, you like one or the other, not both. Sadly, there are people within the LGBT community that are just as closed off to the idea of bisexuality. They can be downright cruel to those who claim to love both genders, as if there is something wrong with that, which there isn't.
The Kinsey Scale, developed by Alfred Kinsey, also known as the Heterosexual-Homosexual Rating Scale, places people at various points between completely heterosexual, and completely homosexual—with bisexuality being in the middle. There are also more points on either side, but those three are the major pinpoints. Not all bisexuals are created equal. Two men can be bisexual, but one may favor a particular gender more than the other, while still liking both. Also just as possible is having a man/woman who likes both genders equally—meaning they don't prefer one sex over another.
This leads to the question: why is it so important to place people in cookie-cutter categories? You can't. An example—a man can claim to be entirely heterosexual, yet he occasionally receives blowjobs from a male friend in secret. So, in reality, he is not purely heterosexual; but it also doesn't mean he's gay. This is why the Kinsey Scale is so useful.
Instead of judging someone because you think bisexuality makes no sense—try thinking on the matter. If you are gay, you didn't choose to be that way. And you know you can't change. Why is it so hard to believe that some people are born liking both genders? It's the same situation, only slightly different.
Where would you fall on the Kinsey Scale? Completely Heterosexual? Completely Homosexual? Bisexual? Or what about one of the smaller pinpoints that lay in between the big three? Are you a straight guy that has a girlfriend, but secretly masturbates to gay porn on occasion? Are you gay, but sometimes find yourself in bed with a man and a woman? Nothing in life is quite that simple, and sexual orientation is no exception.


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Rome, Italy
Via Di Porta Pinciana 30, Area Via Veneto, 00187 Rome, Italy – Show map
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4645 properties in Rome
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Hotel Eliseo's staff speaks: Italian
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Food & Drink
Bar, Breakfast in the Room
WiFi is available in all areas and is free of charge.
Private parking is available at a location nearby (reservation is not needed) and charges may apply.
Room Service, 24-Hour Front Desk, Express Check-in/Check-out, Tour Desk, Ticket Service, Baggage Storage, Concierge Service, Private Check-in/Check-out, Fax/Photocopying
Newspapers, Safe, Elevator, Heating, Air Conditioning
Cancellation and prepayment policies vary according to room type. Please enter the dates of your stay and check what conditions apply to your preferred room.
Children and Extra Beds
All children are welcome.
All children under 2 years stay free of charge when using existing beds.
One child under 2 years stays free of charge in a crib.
One older child or adult is charged EUR 50 per person per night in an extra bed.
The maximum number of extra beds/cribs in a room is 1.
Any type of extra bed or crib is upon request and needs to be confirmed by management.
Additional fees are not calculated automatically in the total cost and will have to be paid for separately during your stay.
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The Twentyone is a modern boutique hotel on Via Cola di Rienzo, one of Rome's best shopping streets. Castel Sant'Angelo and the historic center are just a pleasant 10-minute walk away.
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Alexandra is a 3-star superior hotel on Rome's exclusive Via Veneto. Located just 165 ft from Barberini Metro Station, it offers a gazebo restaurant out on this famous street.
Score from 777 reviews Very good
Hotel had a fair amount of charm, breakfast room has a great view and the morning buffet was fairly good. Good recommendation for restaurant two blocks away that was reasonable and frequented by locals.
Room was very small but comfortable enough, big drawback was that the front of the hotel faces a busy road that was very loud. Would have been fine if room faced the back. Staff was friendly but not overly so.
great location and easy access to major sights; amazing view from the restaurant/breakfast area; nice interior decorations and style kind and professional staff.
not sure if this is the best value for money, did not meet the expectations for a 4 star hotel standards. wifi did not work almost at all ( could not even do a basic google search as it would not have enough reception for that). i had to do my check in and could not do it on the wifi - i had to pay extra to use the computer in the lobby. poor breakfast, with only the basics, but great view from the 6th floor. It would be a plus if you knew at least basic Italian :)
Excellent location,a hotel with a soul,you feel as you are at home.Especially the view from the upper floor where the breakfast was served was wonderfull.
Beautiful view across Rome from the breakfast room.
There is a fantastic view from the breakfast room, and the staff were very friendly and welcoming. Just a short walk to the Spanish Steps, some good restaurants and the Metro.
Window didn't quite shut out the noise from the street below.
I loved this Hotel, the staff were wonderful breakfast was great and the views across the city were beautiful. I recommend this Hotel for a stay in Rome T he moment I went into the bedroom I felt at home the room was spotless there ,was a kettle in the room , that I was very pleased to see as I drink a lot of tea and I certainly made a lot of use of it. The Hotel was in a very good area around the corner from the Via Veneto , I certainly will stay in Hotel Eliseo again . as I Visit Rome A Lot. Well done and thank you Hotel Eliseo staff for a wonderful stay.
I have nothing bad to say about this hotel
Good location.
Poor wi-fi
The breakfast, the view from the breakfast room, close to Spanish Steps and Galerie Borghese.
Rooms could do with refreshing. Old bedspread uninviting on first impression.
Lovely view from the breakfast room. Good location
Very noisy when you have a window open (stuffy when it is closed). Small room; only place of suitcase is on the bed.
Hotel and Room very beautiful, comfortable and clean. Good breakfast! GRACIA****
Taxi drivers not honest esp short distance; meter €6.70 starting rate.
Small room
The location is excellent we have stayed here many times and the breakfast room is good as is the breakfast
The first room we were given was not particularly clean and extremely small. We have always had a good room here. We were changed to a far better room on the second day but I have to say the hotel is now in need of some TLC .
Quiet street Good breakfast
Poor wifi Small rooms - need upgrade
Great location, walking distance to all the wonderful places to visit in Rome
Leak from air conditioning Our room overlooked back of hotel with scaffolding Bar closed on a Friday as it was a religious holiday
For a very reasonable price of AU$120 a night we were given a huge room on the top floor with private balcony overlooking the park and Saint Pauls Basilica. Breakfast was also on this floor with magic views.
We could hear the elevator going all night under our room.
- Location and view from the 6th floor during breakfast. - Very helpful and polite staff. - I almost got the same room as in the picture. - rich breakfast - free wifi - I wanted a place what is not so ordinary, but not too expensive at a nice location. For staying and sleeping with breakfast I think it was a good choice.
- Overall it was nice but definitely not a 4 star hotel, so If you have big expectations choose another one. - weak wifi signal (For me worked the best on sitting the toilet.) - dirty room floor - worn furnitures, doors, shower tap... (on photos you can't see) - cheap breakfast ingredients, commodity
Price, location and free wi-fi.
The stay was too short. But I will return!
location was good
6th floor room was on 7th floor, breakfast was poorly refilled (high season)
Good location and a nice view.
We had ants in our room and the staff didn't do anything to change it or attempt to remedy it. When we reported it they just shrugged it off. The room was in disrepair in general, with bowing floorboards and uncomfortable old beds.
personnel not serviable
This hotel is a great location. Right across the street from the park and Villa Borghese. I am a runner so I appreciated being so close to the park. The Wi-Fi worked best in the lobby. It was a quiet hotel.
The shower didn't drain well. The bedding is a little tired.
Okay location.. Decent service..
Bad breakfast spread.. Traveling to attractions is an issue.. Poor customer service
It was too noisy at the mornings The rooms were different and smaller that showed in web site
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Information sharing for orchid enthusiasts!
Members: 186
Latest Activity: Nov 8
Started by Hildegarde Fischer. Last reply by Keryn, USDA Zone 10 Australia Apr 13.
Started by Ashley Kennedy. Last reply by Carol McIntyre/Zn5/WI Jul 3, 2012.
Started by Noelle Kaler. Last reply by JLHowell Aug 11, 2011.
Moved this Cym inside to try and get the spears to grow and open in 3 weeks for the Orchid challenge our club has entered.
They are growing about an inch a day in the warmer conditions, but I will need luck for it to be in full bloom.I think this is tactics by the Shepperton Club, to run the challenge so early. They have a lot earlier season than clubs down south and will have early blooms.
My cymbidiums are just sending up spikes now, which is the last week of Autumn. They have been under trees all summer in pots and flower during our winter. Some flowered last year for six months until the late spring heat burnt them off.
I would move them into semi shade and do not water too much just spray the foliage. Orchids rot really easy they do not like wet roots.They do need some sunshine to flower. Most Orchids flower in winter and spring for me and in zone 9 you would be much the same.
I wish everyone would have their zone and place of garden in ther subtitles..
I am having a hard time with my reed orchids, their out in the sun and I water them 3 time a week. any ideas


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Imagining Equity: Innovating on Traditional Spaces in Media
In my last installment of this blog, I spoke of New Zealand as a "small but important" Pacific country. I had a couple of aspects of that country in mind: the fact that New Zealand is an important destination for Pacific peoples in an era when climate change is disrupting and marginalizing regional cultures, and also because New Zealand is the site of what can be seen as a profound example of cultural recovery as witnessed in what many observers see as an inspiring reemergence and revitalization of Maori language and culture. In this entry (and on my way to returning to my original topic of "Imagining Equity") I'd like to talk about one extraordinary initiative that contributed to this shining beacon of cultural sustainability.
In 1952, various political and cultural visionaries instituted a publication, "Te Ao Hou" ("The New World") [see http://teaohou.natlib.govt.nz/journals/teaohou/index.html]. This new magazine was to be a "marae on paper." Literally the marae is the courtyard in the middle of a Maori village, but figuratively it is the center of culture — the "meeting place," but even more importantly, it is the sacred place where local Maori culture is practiced, implemented, learnt and passed on.
Metaphorically recreating this sacred space in the highly visible and accessible realm of print publication was a brilliant innovation on traditional culture, and an excellent example of what I call "cultural documentation as an instrument of sustainability." Te Ao Hou was a precursor to contemporary language recovery (Kohanga Reo, etc.) and Maori education models (Kura Kaupapa Maori), and paved the way for a host of powerful cultural movements, aimed not only at cultural preservation, but also culture sustenance and health.
The genesis of Te Ao Hou also provides us a model, a terminology, and the beginning of a method for framing and implementing our aspirations — a language to facilitate our imaginings.
The first editor of Te Ao Hou was an anthropologist named Eric Schwimmer. In subsequent years, Schwimmer (who is Quebecois) has gone on to theorize various notions of diversity and cultural "health" that are germane to our discussion of cultural sustainability, and he has coined a useful term, "anthropotechniques," for our efforts.
In a 2003 article, "National Minorities: Will, Desire and Optimal Homeostasis: a Reflection on Biculturalism in New Zealand, Spain, Quebec and Elsewhere" (Anthropologie et Société 27, no. 3 (2003): 155-84), Schwimmer proposes a model of "optimal homeostasis" in which the interests of the nation-state are balanced, or merged with the interests of what he calls "national minorities" and localities. This ongoing process takes place in the ethnographic present. [This article is only available in French — excerpts that follow here are my translation].
He explores "bi-culturalism" as practiced in New Zealand, Spain and Canada and the development of intermediary structures that enable dialogue between factions in contestation for resources, recognition, legitimation, etc. His approach can be seen as a kind of a de-centering of the core in a core-periphery binary.
As I see it, the most salient feature of Schwimmer's analysis for developing our notion of "cultural sustainability" is that his model and the anthropotechniques that he proposes neatly frame some of the tasks at hand — we desire to reconcile diverse identities in a way that enables peoples within a bounded political area (the nation-state) to aspire to a common national identity and, at the same time, retain their separate, intermediate identities and allegiances as national and local minorities — their "ethnicity," as it were.
Schwimmer's approach merges with ours because he acknowledges and emphasizes the agency, the mana (in Maori, "pride," "self respect," "stature," "status," that "certain something," etc. — see Mauss, etc.) of ethnic groups by speaking of them as "nations" or "national minorities." He locates them globally and demonstrates the significance of their active global performance — cultural "value" on a global scale — as a factor in their local/national negotiations: "The position occupied by the dominated nation, even within the nation-state, will be determined by its prestige in the global scheme. Its historic [traditional] values — mobilised, transformed, decolonised — will be appear in each effective advance…" (Schwimmer 2003: 156).
As a practical matter, negotiated coexistence between cultural and political factions is a desirable solution to resolution of differences. However negotiation and legislation are not enough if the various parties are not on a convergent path — "…it remains difficult to establish an 'optimal homeostasis' between populations where there are major (cultural, historic, linguistic, ideologic) differences" (ibid.). So one of the aims of our endeavor is to seek convergent understandings and to build shared symbol sets.
There are also useful ideas here for reconciling tension between grassroots movements and policy oriented approaches. For Schwimmer, "complicity" — i.e., shared ends and overlapping agendas — connotes partnership in a mutually beneficial convergence of fundamental values between the dominant culture, (represented by the state), and those on the "periphery." The structural elements of identity formations — the imposition of categories via laws and geopolitical boundaries matter, but they will not function effectively without the cooperation of people, "For despite legislative instruments, such a system will not function well if there is not a convergence of fundamental values among its members. This convergence isn't given but can be developed gradually if the State succeeds in creating community institutions, perceived by the peripheral nations as favorable to coexistence. In the contrary case, despite all negotiations, the peripheries will find themselves increasingly uncomfortable within their dominant Sates" (ibid.: 157).
What emerges is the sense that negotiated coexistence (and "optimal homeostasis") requires a coming together that, if successful, results in the construction of a new, joint identity — a national identity — which would allow for a "plurality of modes of belonging" (ibid.). Such a national identity accommodates people with different attitudes and cultural orientations to be comfortable — it allows them to wear (and to celebrate) their various individual and corporate identities without excessive conflict, fracture or disjuncture.
So, for my original concern with documentation, and particularly film, as an instrument of cultural sustainability, the construction of this "plurality of modes" in the "group mind" begins with the Imagining of Equity in public discourse. An important part of this "imagining," is an embodied motion — from the realm of the unspoken to the adjacent domain of the performed — witnessed, experienced, and presented in the documentary form. Of course we now have a whole range of challenging new media opportunities for us to build "space" for traditional "places."
In my next entry, I will return to some of the more colorful aspects of my New Zealand experience…
An amazing film about the challenges of cultural sustainability
This comes from the remarkable organization Survival International .
Farmer's Market grants
USDA published a notice of $5 million in grant funds available through the Farmers Market Promotion Program (FMPP) in today's March 1 edition of the Federal Register. NSAC and the Wallace Center developed this program and NSAC championed it in the 2002 Farm Bill.
For more information, go here: http://sustainableagriculture.net/blog/farmers-market-grant-opportunity-announced/
Cultural Sustainability Open House planned for Saturday, March 13, from 2-4 p.m.
Come to our information session on Saturday, March 13, from 2-4 p.m. in Buchner Hall in the Alumnae/i House on campus. Meet faculty and program staff, speak with other prospective students, and get a feeling for our campus.
We hope you will join us for an informal and fun gathering to meet the faculty and staff of Goucher's Masters in Cultural Sustainability program!
WHEN: March 13, 2010, from 2 – 4 p.m.
WHAT: Information session for the Masters' in Cultural Sustainability – light snacks and beverages (and great conversation!)
WHERE: Buchner Hall in the Alumnae/i House on the campus of Goucher College in Towson, MD
Click here for directions to Goucher.
Click here for a campus map.
Alumnae/i House is 1 on the campus map. Parking is available on the main campus parking lot (V – visitor parking). Take the second left past the gatehouse (7 on the campus map).
RSVP now to email@example.com or call 800-697-4646 to let us know you're coming.
We look forward to seeing you on the 13th!
Call for Papers for Special Issue on Culture and Sustainable Communities
Some of you may well be interested in this post on The Green Economy Post:
Culture and Local Governance / Culture et Gouvernance Locale is now accepting manuscript submissions for its 'Culture and Sustainable Communities' special issue to be published in September 2010. Papers are invited across a broad range of theory and practice of cultural sustainability planning within the municipal context. Potential themes include, but are not limited to, case studies of municipalities that incorporate culture within sustainability planning, new strategic approaches and frameworks of incorporating culture within sustainability initiatives, theoretical examinations and adaptation of cultural considerations within the sustainability paradigm, and the interplay between diversity and sustainability in municipal cultural plans.
The submission deadline for this special issue is May 1, 2010.
Unesco ICH job in Paris
Interesting job announcement:
Post title
Assistant Programme Specialist
Organisational unit
Intangible Cultural Heritage Section, Division of Cultural Objects and
Intangible Heritage, Culture Sector
Duty station
Paris, France
Post number
Closing date
3 April 2010
Main responsibilities
Under the authority of the Chief of Section of Intangible Cultural
Heritage and the supervision of the Chief of the Evaluation Unit, the
incumbent will assist in the coordination, development, management and
evaluation of activities and projects related to intangible cultural
heritage ("ICH"), in particular in the framework of the implementation
of the 2003 Convention for the Safeguarding of the Intangible Cultural
By the way, if you are not a member of Publore, you should be.
I hope Jeff Gillenwater will forgive me for quoting a snippet from his groundwork paper from his Intro to Cultural Sustainability course:
The neighborhood's tradition is not defined by the use of specific time appropriate tool sets or materials but by the creative, skillful use of tools and materials within the context of contemporary circumstance, whether that use occurred 150 years ago or yesterday.
This is a pretty brilliant thing to say, I think.
Crafting gentleness
Anthony McCann has been and continues to be an inspiration and an influence in my thinking and practice. I haven't checked out his stuff recently, but was delighted to look at his website Crafting Gentleness. An excerpt from the first page follows, and a whole lot of useful and thought provoking reading awaits if you check it out further!
Sometimes it's hard to believe that we matter, hard to believe that we can do anything about the horrible things that go on in this world, hard to believe that we make a difference.
The crafting gentleness website invites you to consider the practice of gentleness as a possible and powerful politics in your life. Through this website you are invited to consider that you do matter, that you always-already make a difference. Every moment of your life you move within a sea of influences, changes, and consequences. Every moment of your life you make a difference. What's important is to helpfully understand how.
Imagining Equity: Cultural Documentation, Independent Film, and Cultural Sustainability — Introduction
I'm writing in the San Francisco International airport, bleary eyed after 17 hours in transit from Auckland. My brain is bubbling as I reflect on my last four weeks in Aotearoa New Zealand (Aotearoa, usually translated as "land of the long white cloud," is the Maori name for New Zealand) where the quest for Cultural Sustainability is palpable in and among various groups, particularly Maori and other indigenous and displaced peoples, and also for the descendants of the Pacific's British colonists, all of whom are attempting to defend, establish, or discover their "place" in the cultural olio of this small, but important Pacific country.
After more than 20 years of doing cultural documentation as a "contract ethnographer," I am currently entering a new phase of my career. My new thing has to do with moving beyond contracts — with a client, a well-defined set of objectives, a good sense of the resources available to me, and a relatively certain financial outcome, all clearly set out in a scope of work — to the shakier ground of making full-length documentaries as an independent filmmaker/producer.
One aspect of my move into this indeterminate and open-ended (read "money sink") ground is that I am constructing my personal and project goals in a larger arena. When I ask myself what I am "really" trying to accomplish, the answers are not easy to pin down, but they revolve around ideas of promoting diversity and cultural sustainability, and formulating and expressing (i.e., "publishing") a positive vision of cultures in balance — I am "imagining cultural equity."
As a documentarian, I work to accomplish this goal by positively framing my subject matter according to the affective engagement of people with their emic sense of "owned" culture/cultures — I focus on the depth of their feeling for whatever it is that "belongs" to them, and to which they belong in turn. Based on ethnographic (and often self-ethnographic) personal, intracultural renderings, I look to construct a larger, intercultural landscape where a myriad of diverse cultural performances are dynamically displayed on a quasi-ethnological field. This field constitutes a new "world" of sorts. And in this imagined world, "visibility" is based on depth of feeling and engagement, as opposed to brute force or institutional power.
So I'd like to talk a little about some of my recent experiences in New Zealand. One of the objectives of this trip was to begin work on a film that I have been planning for some time. I am exploring the cultural landscape of Aotearoa in order to highlight and construct notions of "New Zealand music" and cultural performance framed on the basis of how New Zealand people feel — about what belongs to them, where they feel the greatest attachment and where they make the greatest (affective) investment of themselves. So I am seeking to film people as they engage in various aspects of cultural performances that are closely associated with the place — performances that "belong" in the broadest and most nuanced sense.
On this trip I filmed a group of transplanted Cook Island musicians "jamming" in a field behind their homes, a Tongan brass band traveling house-to-house and playing impromptu concerts in a post-Christmas tradition, Keneti Muaiava, a New Zealand-born Samoan master dancer, as he rehearsed a group of young men developing new expressions of traditional dances, and Bernard Makoare, a kaiwhakaairo (traditional carver) who is deeply involved in cultural recovery, rediscovery and protection of maoritanga ("things Maori") and particularly the cultural heritage of his tribe, Ngati Whatua.
Each of these performances constitutes "local culture" in that they all have an immediate focus — they are primarily situated in relation to local groups or communities. A question is how do these locally embedded purveyors of culture interact across borders and how do they contribute to more globally imagined ideas of culture and heritage?
The question for me then is, "How do I imagine equity into the equation?" As an ethnographer and a filmmaker, it seems to me somehow that in the motion from local to global or perhaps in the interstices between vernacular culture and "fine art," or maybe in movement from the village to the city (or the university), that cultural inequities creep in.
In future installments of this blog, I will elaborate on some of these performances, particularly as they relate to more macroscopic constructions and narratives of larger "national" (and global) identities. I will talk about some of the participants in Aotearoa/New Zealand's cultural mix and their histories, a subject that I've explored over a period of many years. I will also compare my experiences in New Zealand with analogous encounters and work that I've done in the United States and elsewhere. In the process I hope to show some different perspectives on Cultural Sustainability and what it means in practice.
Harold Anderson
About this blog
Learn more about our program
Goucher's Master of Arts in Cultural Sustainability is a completely unique new program. We teach our students how to work closely with individuals and communities to identify, protect, and enhance their important traditions, their ways of life, their cherished spaces, and their vital relationships to each other and the world.


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Salmon Kulebyaka
- Total Time:
- 1 hr 25 min
- Prep:
- 30 min
- Inactive:
- 15 min
- Cook:
- 40 min
- Yield:
- 2 servings
- Level:
- Intermediate
- 2 ounces butter
- 1 minced onion
- 1 cup cooked long grain rice
- 1/2 cup cooked shiitake mushrooms
- 1 tablespoon chopped dill
- 1 tablespoon lemon juice
- 2 sheets puff pastry
- 1 pound salmon fillet
- 3 chopped hard boiled eggs
- 1 egg, beaten
Preheat oven to 350 degrees F. Melt butter over low heat and saute onion until translucent. Mix in rice, mushrooms, dill, and lemon juice and let cool.
Lay out puff pastry, place rice mixture over half of pastry and place salmon on top. Season with salt and pepper, and cover with eggs. Fold over pastry and seal with beaten egg.
Crimp the edges of the kulebyaka. Brush with egg and poke a couple of holes in the pastry to let out steam. Bake for about 30 minutes until pastry is golden brown. Let cool and serve.
Recipe courtesy Michael Symon
More Recipes and Ideas
Salmon with Lemon, Capers and Rosemary
Recipe courtesy of Giada De Laurentiis
Salmon With Curried Lentils
Recipe courtesy of Food Network Kitchen


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Terror Squad leader Fat Joe recently discussed the advantages DJ Khaled brings to Def Jam South promising his associate will become an "executive of a lifetime."
Joey Crack claimed Khaled would provide energy surpassing that of past Def Jam executives including Kevin Liles.
"No one has ever seen an executive like DJ Khaled," Joe said in an interview. "Everybody in the music business who's an executive has been polished for the job. Khaled comes with the energy that hasn't been seen in this game, ever, from the day that f*cking Lyor Cohen and Russell Simmons opened Def Jam! He's going to put out nothing but hits. And I expect him to be one of the biggest executives in a couple of years, the hip-hop game has ever seen. I guarantee he's going to be an executive of a lifetime. Remember I told you." (Complex)
Showing his executive-like mentality, Khaled recently discussed his role at Def Jam aiming to step aside from his artist Rick Ross' beef with 50 Cent.
"I don't deal with negative energy, it's a waste of my time and my time is valuable," he said in an interview. "I keep negative away and stay positive…At Def Jam, we promote music…We promote hit records. That's what I respect. I'm always going to represent the music; Rick Ross is gonna represent the music. If controversy comes with it, it comes with it." (MTV News)
Khaled was previously called out by 50 who attempted to include him in his rap battle.
"Yo, I got this lil' poem I wrote for DJ Khaled," 50 narrated in a video. "Your car tires got stabbed out, now you know, I know where you be. I just wanna tell you what a psychic told me. I know where your mama house at. Now look, you can see. But I just wanna tell you what a psychic told me. I know where your mama work at, now look at her, asleep. I just wanna tell you what a pyschic told me. I'm not the kinda n*gga you should f*ck with, B. I'm special. I have less compassion than the average human." (This Is 50)
He discussed how he joined forces with Def Jam earlier this year.
"This is what I've always wanted to do, is be an executive and take it to another level," Khaled said in an interview. "L.A. [Reid] just hit me one day. He was like, 'We should bring Khaled onboard. He makes hits, he has relationships.' I got a team of producers and we go in hard. My job is to bring hits to the table and work with new artists and work with established artists. I'm bringing new energy to the game and to the building." (Examiner)
[For more on your favorite rappers from the Big Apple peep SOHH NYC]


text:
'This is horrible. Horrible'
Choosing who to believe
One of the frustrations of the modern information society is the barrage of conflicting opinions put forth on almost any topic, from dieting to world
Missing teen
TAY TWP. - Austin Galbraith-Cox, 15, is missing after last being seen at his Victoria Harbour home on Nov. 22.
'Hugh was a big part of our success'
This year's annual Sir John A. Macdonald dinner will not only toast Canada's first prime minister, but his grandson Hugh Gainsford as well.
OPINION: Abuse of power strong
Abuse of power is at the center of the battle for Burnaby Mountain and Canada as we know it. Harper's authoritarian government, and the corrupting inf
A voting initiative worth getting behind
For the past two-and-half years, a motley group of politicos – representatives from the Liberals, New Democratic Party and the Green party – have been
Fire destroys Severn home
SEVERN TWP. - Three Westshore Crescent residents escaped a fire which caused $350,000 in damage to a house here late Thursday.
'Monster' mom appealing conviction
TORONTO - Days before she feared she'd lose her kids to the ex-husband she despised, Elaine Campione told her angelic daughters to blow bubbles in the
Suspected foot licker surrenders
A suspected Barrie-area foot licker and footwear thief surrendered to York Regional Police on Wednesday.
Curling leagues draw laughter
Every Tuesday evening, a small but enthusiastic group of men curl in the men's league of the Orillia Curling Club.
A century of memories
Bev Hewitt remembers a farmer operating a horse-drawn mower cutting the long grass sprouting along the fairways where golf balls went to die.
Fogarty burns T'birds
The Patrick Fogarty Flames and Twin Lakes Thunderbirds kicked off their girls high school hockey season on Thursday.
Knights fall short in bowl game
The St. Joan of Arc Knights are a very good football team, but the senior squad wasn't able to match the magic from a year ago.


text:
Secondary menu
In association with HP
Tough-tackling Zambian defender and Newcastle midfielder are both wanted at the Emirates
Manager wields the axe, but could still lose his job with Patrick Vieira tipped to take over
Good riddance to one Brazilian as another heads in, and will Arsenal join Eriksen chase?
Injury scuppered Traore deal in January – but Wenger still wants the Burkina Faso forward
The former team mates made the mistake of walking to the Emirates on Sunday
The City boss tore into senior players, who are losing patience with his management style
No one is more frustrated by empty trophy cabinet than Arsene – but there's no lack of ambition
Five goals, eight bookings and a sending off as Man City overcome Chelsea in Community Shield
French steeplechaser filmed shoving 14-year-old girl in suit after winning gold in Euro Championships
Former England coach gets his own back for Wayne Rooney's 'lost in translation' remark
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