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User Score
Generally favorable reviews- based on 226 Ratings
User score distribution:
Positive: 185 out of 226
Mixed: 16 out of 226
Negative: 25 out of 226
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Apr 10, 2013Some of the criticism fans have been laying against this album is just ridiculous. If anything, Paramore has blossomed musically with this album, which is easily their best. The sound is so diverse, there's more than just guitars and electronica: there's ukeleles, string sections, harmonicas and even a gospel choir. If that's not ambition I don't know what is. Maybe it's their lyrics, there's many songs that reflect on their troubles with Farros but they're also declaring that they're moving on and willing to try new things. Highlights include Part II, Still into You, Ain't It Fun and Future. After all the drama Paramore's faced over the last three years, they've come out the other side as a multi-dimensional band who's willing to push their own limits, marking their greatest artistic statement.… Collapse
Apr 9, 2013This got an 84 and Riot got a 67? Wow... critics are dumb as hell.
Riot is so much better than this electronic-crap.
Vocals are edited so much on a lot of the songs that it's pure annoying with her voice.
Drums have improved since the last CD though.
Apr 9, 2013Electronic? Or just messed up? Probably both...First of all, the album has too many useless, droning songs. Secondly, the racy Paramore I knew were gone. Not that I am complaining about it, but that Hayley Williams is singing silly boring lyrics. And where is the power pop? Some good songs...but too long and too calm...
Apr 10, 2013There are two types of Paramore fans. There's the ones who took a liking to the band's unique sound I have dubbed "playful aggression." Then there's the fans who are generally oblivious to the music they're listening to, and will religiously listen to anything mainstream media classifies as hip or edgy. In this album it is blatantly apparent that Hayley Williams was NOT the driving force behind Paramore. It was clearly the Farro brothers all along, Josh's song writing and Zac's unbelievably creative drumming.
That being said, if you liked Paramore for their old sound, this album is going to disappoint you like nothing you've ever heard before. They can call this a "step in a new direction" or an "evolution" all you want, but the lyrics take plenty of stabs at the Farro brothers if you listen carefully. You call that a new direction? I call that childish, dwelling on the past and completely unnecessary.
I'm really not sure what album the critics are listening to. I'm willing to bet all of them had their review written based on "Now" and didn't take the time to listen to the entire album. This might go down as one of the most disappointing album releases in this era of music, considering how high they set the bar with Riot. Brand New Eyes was a good follow-up, but this? The only time I will ever listen to this album again is to let others hear how hard a good band can fold when you lose a guitarist and a drummer that were clearly the driving force behind the band.… Expand
Apr 10, 2013Many things i could say about this album, paramore isn't the band we used to know anymore. Now, Part II, and maybe one or two tracks more are worth it, the rest is another thing, another genre, a reincarnation of MJ sometimes.. Riot was a 9, brand new eyes was a 6, Paramore definitely is worst than that...
Apr 9, 2013It's a shame when bands move too far from their original sound and genre. Afterall, it is the reason that we listened to them in the first place. There are a couple of good songs on this album, "Part II", "Ain't it Fun" (only new sound that I liked) and "Still in to you"(hate it's intro though).
The rest however, are a huge let down. I was hoping for the usual racy, fun and energetic punk pop/rock that Paramore are famous for but we unfortunately got simplistic riffs, electronica fillers, pointless lyrics..
I was hoping for some growth and maturity from this band seeing it is their 4th album. Instead it appears we are treated to yet another band who has sold out on it's fans to make themselves more mainstream and appeal to a wider audience.… Expand
Apr 11, 2013VinceOnAPlane summed this album up PERFECTLY. Read his review. I joined this site for the sole purpose of publicly agreeing with him.
No idea what critics are listening to when they review this album, because it stinks beyond belief. I am beyond disappointed with this cd.
They should have changed the name of the band because this isn't paramore. If James and Lars left Metallica and Kirk and Rob started to add dubstep and keep the name Metallica..... this is what paramore's album is equivalent to.
Garbage.… Expand
Apr 30, 2013I've struggled to listen and get into this album. It feels like the band moved backward into the arms of less mature fans. The lyrics strongly resemble an angry and bitter trio. If all the songs are about how you were burned by the previous members, then maybe you haven't exactly moved on. The lyrics are also poor quality, which makes me feel bad because Hayley Williams is so likeable. Your band should grow, your lyrics should get better, and your music. A better move would have not written an entire album around a feud. and gotten creative. This is by far the worst Paramore album yet. Which makes me worry for their future. There are moments when I'm not sure if I accidentally bought a Taylor swift album. Hayley Williams said she didn't want brand new eyes pt. 2 but honestly. That would have been better. They were trying way too hard and it shows. I was really hoping they would really prove themselves..and I guess they did but not how I was hoping,… Expand
May 18, 2013There are two types of bands in this world: Those who evolve and those who change. Paramore's self titled album is a prime example of what happens when a band changes.
Let's be honest here, at least a good portion of fans bought this album expecting to hear the sound which made Paramore great, the fast rifts and in your face attitude. If you haven't gotten the idea from reading thus far, I'll spell it out for you; if you're going into buying it expecting to hear the successor to "Riot!" and "Brand New Eyes" (Nevermind "All We Know Is Falling"), you're going to be sorely sorely disappointed. The first single, "Now", is more or less what one would expect if the band had announced that they were working with Avril Lavigne's producer; glimpses of Paramore's signature pop-punk sound with very poppy overtones. The track itself however isn't all that bad, but would really only be considered filler if it were on any of their previous albums. This bring us to the second single, "Still Into You". "Still Into You" presents a radical departure from anything even remotely close to the old Paramore sound and what seems to have made 95% of Paramore fans fly into a rage. With this one, Paramore evidently wanted to channel their inner Katy Perry from everything from the overall sound to the video in itself in a completely serious manner. In fact, the only way it could sound poppier is if Ms. Perry herself were featured in it. I don't wish to get into a debate on whether or not the Farro brothers' departure from the band are what caused this change or who is/was the true creative force in Paramore, but I will say that just about every song seems to be, or at least contain, a cheap stab at them in one way or another that would make Taylor Swift say "Not bad".
The album is not without it's hidden gems however, as songs like "Anklebiters" and "Part II" present a sound one would expect if this sudden change were instead foreshadowed in their last album, a more balanced pop-punk/power pop combo and are relatively decent tracks. Aside from that, however, most of the songs on the track seem to echo my thoughts on "Now" in having a very pop overtone to them, but are mostly unremarkable. Other songs however are more Indie inclined and contain things from a ukulele and a choir, among other things, but the overall album is still pretty pop sounding. For some reason I can't fathom, this album seems to be being pushed as the quintessential sound of a bands maturity and progress, when it's really anything but.
All in all I'm saddened to say that this blundered experimental album is the only Paramore album that I have had to force myself to listen to in its entirety, and that's only because I was desperately trying to find more than two songs that actually sounded like Paramore to keep myself from relapsing into the deep depression my medication tries so hard to fend off. This album really is a dividing line between fans, as you can only really either love it or hate it. Hardcore fans will cry blood, casual fans will wonder when Kelly Clarkson and Avril Lavigne gave birth to their lovechild and why they're in Paramore now, but new fans will be attracted to it's mainstream radio friendly electro-power pop sound. If you're truly thinking about running out and buying this album, I'd give it a listen in it's entirety on the Web first to make sure that it's your cup of tea unless the place you buy it from has a return policy.
I personally dislike this album very very very very much (I say this to avoid using the word 'hate'), and I really hope that this isn't a permanent change and that Paramore will be back and better than ever next time and that whoever told them that going in this direction was a great idea be hung from a tree and beaten like a piñata.
I'm giving this album a very deserving 4/10.… Expand
Apr 9, 2013I've never been the biggest Paramore fan but have always been a huge fan of their singles but the albums never really appealed to me. Whilst too long this album delivers a number of triumphant tracks and should be listened to anybody with even the slightest interest in hooky guitar tracks and even those up for some variety as Paramore expand their horizons on this release. Shame it's so long, it could easily do with being 3 or 4 songs shorter.… Expand
Apr 22, 2013I was waiting for one of the tracks to kick into the pop-punk awesomeness that was a hallmark of Riot, but it never happened. Not my style at all, but I can see where it can be appealing. I'm sorry to see them move away from a style that made them what they are. Innovation is good, but not at the expense of your identity.
Apr 22, 2013How on earth did this sub par album get such critical acclaim? It's very, very mediocre. As I believe, this album has disappointed quite a few Paramore fans and I'm always wary when critics and fans think very differently. Listen to Last Hope, Proof, Hate To See Your Heart Break and Future for the best of it, but the rest is middle of road mid tempo rock.
Apr 9, 2013Great Album. Waiting for a long time for their new songs. And finally, they delivered best music of their life. And have they changed? They tried to show the variety in their music with this album and we can hope that they know what works for them and make similar music in future albums. My favorite track from the album is 'Still Into You'. Hayley's vocal prowess is a show-off in that track and the music is quite catchy too.… Expand
May 19, 2013I made an account here just to do a review for this album since the vast majority of reviews seem to be little more than "This is Paramore's best album ever and if you don't like it then you're just a closed-minded hater". This is easily Paramore's worst album to date. Not only have they gone so far away from their true sound that they're barely recognizable but the entire album just seems to forced and fake that it's not even funny. Every song sounds like the record producers put a gun to their heads and forced them to make crappy mainstream pop songs. There isn't one song on there that I couldn't imagine a pop star from today also doing. This is not evolution, this is not change for the better, this is not maturing, this just sucks and as a long time fan it hurts to have to say these things. How anybody can give this more than maybe a 5 (And I'm being generous with that one) I don't know. It's better to save your money and listen to it on youtube or just go out and buy another copy of Riot instead. I hope to God that this isn't what their new sound is gonna be. 2/10… Expand
Apr 9, 2013Paramore is back and better than ever! Paramore's self-titled album is utterly brilliant and filled with a diversity of music, in fact this album is actually much, much better than the other albums that Paramore has released. This album would have got a flawless 10 out of 10 rating if some songs were just a little bit better, but that aside, this album is fantastic. There will be some Paramore fans upset with their departure from teen rock, but this album brings a more creativity and experiment sound to their discography, and it's brilliant. I highly recommend this album and I hope for more albums like this in the future.… Expand
Apr 12, 2013This is is their best release to date, in my opinion. It shows maturity, growth, and more feeling. Paramore is hear to stay, folks. It shows that they can do it without the Farros. It showcases Hayley's songwriting skills. It's a great album, worth picking up at the store or for downloading.
Apr 9, 2013Great album. All of the tracks are fun to listen and fluid (including the interludes). Outstanding album, that will break your heart with Still Into You and empowered with Now. If you're a Paramore fan, it's definately worth the buy.
May 20, 2013Over compensation looks to be what went wrong with Paramore's eponymous album. It really seems like Hayley tried way too hard to prove she can be creative without Zac and Josh and it all just came out as sounding like an explosion of overproduced pop and faux-folk/indie. In fact, the Taylor Swift-esque 'diss' lyrics of the majority of songs is a major turn off and the opposite of the supposed 'moving on' message of the album. I can applaud the thought, but not the execution. That said, there is no semblance of maturity or evolution here. Brand New Eyes was more like what a 'mature' and 'evolved' Paramore should sound like. Like one critic here said, evolution should never come at the expense of identity. The only songs I found to be worth anything were Now, Part II, Anklebiters and, as a guilty pleasure, Fast In My Car. For anyone looking for Paramore's old sound, look into the bonus songs Native Tongue and Escape Route that were only released in Japan.… Expand
Apr 11, 2013Overall, its hard to say anything cumulatively negative about the album. Its not perfect no, but its pretty darn close. The lows here would be a highlight on most albums any day of the week. Paramore has shown tremendous growth with each album, from kids on Falling, to teens on Riot!, to young adults on Brand New Eyes, and finally to adults on Paramore. Its amazing to see that from good albums, they make great ones. Buy this album, and the rest of their discography. The next one will be perfect, I can almost guarantee it.… Expand
Apr 11, 2013Paramore has found a new sincere fan now. I gave this album a serious listen (I've heard all of their previous songs) and this record is just pure awesomeness. They have evolved, they have adapted a new style and a rather new sound which doesn't disappoint you at all because it has all the elements of their previous style. The best thing about this album is that some of the songs are really catchy and the band has focused on both lyrics and music which is rare these days. Hayley's ever mesmerizing and powerful vocals are too brilliant in this one and she sounds sweet at the same time. I was worrying whether they would be able to make good music after the departure of Josh and Zac Farro but they have proved that Paramore, as a band, would remain as much cool as it always was.… Expand
May 4, 2013This is easily one of the more talked about & one of the most polarizing albums of 2013 so far, and not without good reason. Between 2/5 band members leaving, this being their first album in 4 years & more importantly showing a significant change in sound, division among fan reception would be inevitable. Fortunately what we've gotten is their most ambitious, mature & diverse album to date, and in my opinion their best, even above Riot!. At 17 tracks and 63 minutes long (19 tracks & 70 minutes if you include the bonus tracks) it's quite easy to make an album of such length feel bogged down or redundant. But Paramore manages to engage the listener throughout the whole length, mainly because of the aforementioned diversity. The band zig-zags from one sound or style or feeling to another between tracks in a way that makes every track notable to some degree, and there's no sign of filler to be found. One interesting recurring element here is a trio of interludes that appear at different points throughout. Basically they're 1-minute pseudo-lo-fi acoustic songs that couldn't have been stretched to a more "full" length. This was a good move, as restricting them to the standard pop structure might've bogged them down a bit. Unquestionably the most controversial song here is the most recent single "Still into You", which people are accusing of being too poppy, and even the ever-overused term "sellout" has been thrown around. And to those claiming this is "meant for the Katy Perry crap tween girl audience" or whatever I have to ask... are you listening to these lyrics? They very clearly detail a long-term & mature relationship. Not exactly "Hey I just met you & this is crazy". Heck, if anything this is a song for old people. But with that defensiveness out of the way, this is a great song. It's an unabashedly bubblegummy power-pop tune with a nice guitar riff, infectious melodies & the aforementioned sweet & sincere message. This album in general seems to center lyrically on moving forward, looking to the future rather than hanging onto the past (like certain "fans" should do...), and being happy in your current situation. They're not exactly angsty teenagers anymore. And they even at times come off very self-aware of how alienating these changes can be to a closed-minded fanbase, especially in tracks like "Grow Up", "Anklebiters" & "Future", where in the former the general message is summed up in the titular line "Some up of have to grow up sometimes If I have to I'm gonna leave you behind" as well as pretty much every line in the first verse. It displays the honest frustration an evolving musician experiences when people whine about them not being exactly the same as they were 7 years ago. But at the same time they manage to appreciate the past at times, like in "Part II" which is a pretty clear sequel to "Let the Flames Begin" from Riot!, and in my opinion surpasses it in quality. The 8-minute monster of a closing track (on the standard edition) Future is easily my favorite track here. The first couple minutes are fairly simple & intimate, comprising of an acoustic guitar, harmonica & Hayley singing about the titular & aforementioned themes of not living in the past. But then slowly but surely it builds into the last 5 minutes, a fantastic instrumental that rides a slow & heavy (for Paramore) groove driven by pounding drums, deep basslines & huge wailing guitar leads. As for other notable tracks, there's the soft & sensitive ballad "Hate to See Your Heart Break", the goofy & kinda funny "(One of Those) Crazy Girls", the keyboard & gospel-tinged "Ain't It Fun" & those looking for "classic" Paramore can find that in bonus tracks "Native Tongue" & "Escape Route", which the band said they purposefully left off because it didn't fit with the stylistic growth of the rest of the album. Overall I was pretty much blown away by this album. It's a fantastic comeback that shows the band at their most creative & uncompromising.
Top 5 tracks: Future, Still into You, Grow Up, Ain't It Fun, Now
Score: 94/100… Expand
May 11, 2013Ya know, i really like Paramore, but this is not their best work. Its good, but not thier best. Also, sorry Paramore i think Tonight Alive is my new favorite Female Vocal band. Jenna McDougal
Apr 12, 2013I am really impressed with the writing and more positive spin on the album as a whole. As an avid listener of all Paramore albums, it can get a little repetitive listening to the "teen raging" songs all the time. This new album feels grown-up while keeping Paramore's signature sounds of alternative rock and Hayley's loud, rebellious singing. The Gospel/Funk song "Ain't It Fun" was impressive to me, I would have never predicted that Hayley William's could sing so well in that style. I do believe that in the past version of this band, the album would have been edited differently and some songs would have been left out in order to create a cohesive, theme-based album, but it's the all-or-nothing musical ambition that makes this album stand out among the previous three albums and emulates their maturity as they grow into serious musicians.… Expand
Apr 13, 2013The release of rock group Paramore's eponymous fourth album is going to be scrutinized even more than usual due to the very public loss of two of the band's founding members, brothers Josh and Zac Farro. The Tennessee band- whose previous hit, "The Only Exception", earned them a Grammy nomination- is now reduced to Hayley Williams on vocals, Taylor York on guitar, and Jeremy Davis on bass. However, the band is one to take a licking and keep on ticking, as proved by their 2009 effort "Brand New Eyes" and this new record.
"Fast In My Car" kicks off the album with a hardcore percussive beat and immediately addresses the behind the scenes drama with lyrics like, "The three of us were initiates/We had to learn how to deal/And when we spotted a second chance/We had to learn how to steal", just to name a few. "Now", the album's first single, is a pure head-banger, while at the same time recalling good old Paramore tracks like "Misery Business".
Williams' fiery vocals are here in spades, but aren't as in-your-face as with their other albums. She gives her fellow bandmates spots to shine, though that's not to say she doesn't pull through- quite the opposite. Her performance on "Paramore" is much more emotionally driven than something like "That's What You Get", or "Brick By Boring Brick": songs that were written and performed as heavy attacks. It's clear that the Farros' departure has affected not only Williams' songwriting, but her drive as well, which is especially clear on songs like "Ain't It Fun", which has Williams sharing the stage with a full-fledged choir, "Hate To See Your Heart Break", a well-earned detour from the rest of the album's intensity, and "Last Hope", which will go down with "All I Wanted" as one of Williams' most intensely personal performances ever.
For hardcore Paramore fans, the band's new direction may take some getting used to, as it did for this reviewer. But "Paramore" takes advantage of this reload, while still giving fans a lot to work with- The album's 17 tracks clock in at a little over an hour. It's the band's best work yet and flat-out, bar none good music. If all this drama makes for an album this good, one wonders what the rest of their career will be like.… Expand
Apr 15, 20131st listen through I didn't quite get it. 2nd listen through found some catchy tunes I liked. Third listen through I realized i could appreciate the new sound. It is different, but at its core it's still hayley and paramore. There some really cool directional twists and turns throughout. In my opinion it could have packed a little bit of a punch with a few less songs. Still a great album, worth the effort to re-listen a few times, chances are you will keep coming back to the album until every song is a favorite. It's a record that focuses a little less on a heavy guitar riff and a little bit more on a bass groove. There's also a lot more experimentation with sound effects, which I dig. This an album that i won't be putting on the backburner any time soon.… Expand
Apr 23, 2013Great album! Paramore albums always seemed rather one-note to me so the diversity here is refreshing. Also, as if it hasn't been said enough around the web, Rubin is a great improvement on drums. The musicianship here is rock solid. Who would have thought that losing their founding members would be what they needed to finally blossom?
Jun 3, 2013This album too a while to grow on me. After listening through it about a dozen times and seeing most of it preformed live i can say this album is better then a lot say it is. Yes it is very different, but this change is like a breath of fresh air. I can't say i love every song on this album hence the rating of 9 but i can say that the songs i do like pull me in and leave me wanting more every time. So before you write this off as a bad album give it a listen and try and see if you can adapt to this new twist on Paramore.… Expand
Oct 13, 2013Paramore might have lost some of their "Paramonsters" during the Farro brothers' controversial split from the Tennessian band and through their transition out of their wishy-washy pop-punk sound. But let's be honest, this has simply strengthened the band's mainstream success as well as their overall personality and sound. Although the self-titled album may not always be as honest as it implies itself to be, it's never short of bold, broadening their sound into territories such as R&B, funk, Motown, and folk, which should earn the band an all new respect from the hipsters in the music. And yet their initial sound is still easy to find and the charm never dies. Hayley Williams' vocals are some of the finest in the industry and the album could very well be considered her own solo debut album. Although lead single "Now" musically lacks the charisma the rest of the album glorifies, it's still an awesome introduction. "Grow Up" and "Ain't It Fun" are obviously an opposition to the Farro brothers' controversial statements on how "manufactured" the band and Williams are, and it comes out more successful than one would think. While 60s inspired songs "Hate to See Your Heart Break" and "One of Those (Crazy Girls)" are warm to the ears, "Still into You" was specifically tailored for top 40 radio and yet it still sounds so fun and natural (the way pop should be). So in general, it may not cling to longtime lovers of their more genuine yet formulaic punk-esque sound, most audiences should find it to be a mature yet charming and young entry into the band's promising career.… Expand
Oct 25, 2013This album is different for sure, but its so diverse and well written that its a fantastic listen, there is a song for anyone, whether you want electro-pop, rock, country, funk, its a step in the right direction for paramore
Apr 10, 2013I think this album is outstanding Every band and artist changes. They music style isn't going to stay the same because of time change The stuff that they previously write was emo and punk. That stuff is hard to write. I love the new power pop, indie rock sound to their music. She still a good song writers I am not disappointed at all. I never been a huge fan of paramore. Halley music and songs not going to sound the same because she's older and she doesn't think like she did two years ago anymore. She's not a teenager anymore. She's 24 years old and I knew that she wouldn't write the same type of songs for this album. I'm about the same age of Haley (one year younger) and three years ago I used to write emo songs and poems but in three years a lot can change. I think everybody how expect the old music should give this album a chance. It's not about you. Most of thier fans how grew up with them and about the same age might understand, but if became a paramore fan over the last five years then you might end up hating this album. I think they should cont. making indie rock music They might change back into that emo pink, depending on what happening in her life.… Expand
May 19, 2013One has learnt to expect not much change from album to album with Paramore. Their pop rock sound with rather heavy and monotone riffs is kind of their trademark. This time there is no much difference. There are no outstanding tracks and the pauses implied in those mellow acoustic banjo-like interludes doesnt seem to give you that feel of a break. All things considered, any Paramore fan should be able to enjoy this album. And i'd like to make to mention one song aside from the rest of the album, which i think is the best: Future. This is like non other i've heard from them before, and it shows change or growth for that matter. It shows that there is kind of an alternative edge to them as well. The last part of it even reminded me of Radiohead. Anyways, the record is worth a listen to any fan, and everyone should give at least the track "Future" a listen.… Expand
May 28, 2013Paramore without the Farro brothers to many, is not Paramore. But this self-titled effort is so good, that you forget they were even in the band. This is definitely their best album. Experimenting with new wave, indietronica synths, power pop sounds, ukuleles, alternative country music, and soul singing styles and gospel choirs, Paramore seems like a self-discovery effort. They truly show how much they've grown and how much the Farro's departure has affected them, but that they've moved on and it's all fine. Starting with Fast In My Car, a rebellious, anxious piece of punky power pop with a fun use of new wave sounds, it's one of the most adventerous tracks. Now has a much more alternative rock, almost hardcore feel with some of te best vocals by Hayley Williams, a spunky, soulful singer with an amazing voice, which shows extensive range. Grow Up is a track with a Caribbean beat and some No Doubt inspired ska rock rhythms and drums, all topped with some new wave, indietronic synths. Perhaps, the most adventurous track is Ain't It Fun, the obvious highlight of the album. That soul in Hayley's voice, the funk rock feel, the sarcasm in its lyrics, the larger-than-life gospel choir, all of that makes Ain't It Fun an instant classic. Part II is another noteworthy track which has great lyrics and resembles some of the band's previous work. Daydreaming is an amazing song that could have also been used for an album opener with its dream pop sound and alt-rock surroundings. Still Into You, another obvious highlight, is Paramore's most blatant, straightforward pop song of their career. Hayley's voice is demanding and effective. She truly makes you feel like she really is into you. On Proof, Hayley sounds tough and like all the proof she really does need is her squeeze. On Hate To See Your Heart Break, a country-esque ballad, Hayley is sweet and vulnerable. (One Of Those) Crazy Girls is a track recalling the most recent alternative country stylings of Best Coast, channeling Taylor Swift for lovelorn, crazy-in-love lyrics. It's an impressive feat. Anklebiters is a track that poses as a marriage of Paramore's older punk sound and their newer, power pop arrangements. A fan favorite, for sure. The interludes offer some diversity to the already vast sounds on Paramore, with the simple use of a ukulele and Hayley's crooning vocal. In all, Paramore is a success story. An album heavily inspired by the departure of the Farros, but also an album of self-discovery and experimentation. Fans looking for the classic Paramore sound will be disappointed, but the open-minded ones who welcome new sounds and don't throw fits at every little sound out of the Paramore norm are the ones who count. Paramore is one of the best albums of the year and a monster achievement for the band.
HIGHLIGHTS: Ain't It Fun, Still Into You, Grow Up, Daydreaming, Fast In My Car, (One Of Those) Crazy Girls, Part II, Proof… Expand
Jun 9, 2013Following the departure of the Farro brothers in late 2010, the rest of Paramore (lead singer Hayley Williams, guitarist Taylor York, and bassist Jeremy Davis) decided to continue the band. But would they retain their signature pop-punk style, given that the departed Farros (guitarist Josh Farro and drummer Zach Farro) had cofounded the band and helped define its sound? The Singles Club in 2011 indicated that they possibly would. However, their fourth studio album, the self-titled Paramore, displays a progression in the band's sound. It's a change that, while not perfect, is refreshing and diverse.
A few songs, such as "Part II" and "Last Hope," are reminiscent of the band's older songs the former could easily have fit on All We Know Is Falling. The rest of the album is different, with new wave and electronic sounds incorporated into the songs. Lead single "Now" is more of a punk-driven track, and would be great if Williams' vocals on it didn't sound like a bad imitation of Gwen Stefani. "Still Into You," the follow-up single, is more of a pop rock song, but it's still a fun, enjoyable track. Other standouts include "Ain't It Fun," which features funk influences and a gospel choir; the aforementioned "Part II" and "Last Hope;" the Riot!-esque "Proof," and the closing track "Future." There are also a few short interlude tracks that I felt were unnecessary and out of place. The drum work on the album is pretty good, thanks to Ilan Rubin (of Nine Inch Nails and Angels & Airwaves fame) filling in behind the kit.
Overall, the album is a solid work, albeit a little disjointed and sometimes too poppy. It reminded me of Blink-182's self-titled album, which also featured a progression in the band's sound and greater musical diversity. For better or worse, Paramore are moving on.… Expand
May 12, 2013After a long wait for the new album it has finally arrived. I was curious to hear the direction Paramore would be heading on their latest effort. While it may not have the impact of their previous work, it still is a decent record. This latest album may be missing some of the alternative rock sound and replaced it with pop-rock. I would rate the music around a b- and the lyrics around a c-, although Hayley's voice and vocal patterns make up for some of the imperfections. It feels very polished and produced almost too much, which seems stale at times. For the fans who are expecting "All We Know Is Falling" or "Riot" type records I think you will be a little disappointed. Those who appreciate an album redefining the idea of what Paramore's music means. This will be an alright record to check out. Personally I feel this album will be worth playing for a month or two but won't be replayed very frequently after. "Fast In My Car", "Now", "Ain't It Fun", and "Still In To You" are the highlights of the album.… Expand
Apr 15, 2013Paramore are reborn.
This album is amazing. Some of it quite different to stuff they've done before, some stuff feels quite familiar. It took me a while to get into the album, but now I have I love almost every song. I love the electronic influences. Hayley has done a great job adapting to the new line up and there are some great lyrics on the album. It's a bittersweet goodbye to the old Paramore, but this album makes me excited for their future.… Expand
Apr 9, 2013I have been waiting so long for this album and boy an i not disappointing. Paramore is back and better then ever. My standout tracks are: Still Into You, Part II and Future.
Apr 13, 2013Paramore is back with new stuff after 4 years without coming out of the box, but many "FANS" are complaining about the new sound, so here's a little message for them: you are not the same person from the day you were born until now. you've changed, you've grown. and so did paramore. if you can't handle it, sorry, but that's how things are. they're better then ever, and let's face it, you wouldn't be satisfied even if they've made a spin-off of riot!. you guys are ridiculous.… Expand
May 13, 2013It really surprised me with this album. When i hear "Now" notice a big change in the sound of them. I honestly never thought I would give the criticism "Universal acclaim" but it was the opposite, so I encourage you to hear this new work. The band has been reduced to three members, but Paramore has shown in this work that do not need a large group to show the world that, despite their bad times, they know how to get ahead.
If you are a true fan of Paramore, obviously I love this job, but if you liked the old style of Paramore, then you will not find this work very good. But, so what? This is a new beginning that leads to a new look and, most importantly, a new sound, really knew innovate.
As a new feature we highlight three interludes, all with the same indie-country sound we had never heard Paramore. In fact, it is a very popular type of music in Tennessee, the place where they come from.
With this album, the Paramore are ready to begin a new chapter in their lives, which is why I consider a good job, not all age groups are willing to take these risks getting, well, good reception.… Expand
Nov 7, 2013Paramore became something totally right, well crafted and between the lines, when everything everyone loved about them was that they were stripped, misfits and bold.
Apr 23, 2013I've been waiting for this album for awhile now, and I'm pretty damn happy. They gave us a bit of the old paramore, some tracks mixed with synth beats, and a bit of folk; I found this to be a very diverse and enjoyable album.
Jul 21, 2014Na minha opinião melhor álbum do Paramore, com músicas geniais, batida perfeitas, tudo pra ser um CD icônico, eles melhoraram muito ao longo do tempo, até chegar a esse som maduro e muito bom.
Apr 9, 2013This album is absolutely PERFECT. One of the best releases of 2013. Paramore is changing from now till then, but what matters the most is that they're still very good. Like VERY VERY good. And this album is no different than their previous critical success. The album kicks off the with awesome intense Fast in my car, the comes the addicting lead single "NOW", Then "Grow Up" and "Daydreaming" which are very impressive. The one I like the most is Moving On, the interlude. All the other songs are very well-done and organized, like "Hate To See Your Heartbreak", "STILL INTO YOU" (which is my favorite on the record), "Ain't It Fun", "ANKLEBITERS", and "PART II". And Hayley's vocals shine through the whole deal!
Even if you're not a Paramore fan, Go out and buy this. It's worth the time and the money. 10/10. GO PARAMORE!… Expand
Apr 9, 2013I've been a huge fan of Paramore since day one, and this album was far from disappointing. In fact, it was inspiring. I was inspired by the growth that the band has demonstrated. This album is better than All We Know Is Falling, RIOT!, and brand new eyes. Basically, this album proves that Paramore is better off without the Farro Brothers.
Admittedly, the opening song is mediocre compared to the rest of the album. Fast In My Car. HOWEVER, the rest of the tracks make up for it. If I had to make one change, I would make Now the opener instead and put Fast In My Car later on.
High Points: Grow Up, Ain't it Fun, Part II, Proof.
Low Points: Fast In My Car (only lyrically).
Not all Paramore fans will like this album, which is fine. They just didn't come in with an open mind.… Expand
Apr 9, 2013In this case, "new" can mean a lot of different things.
In the almost eight years since Paramore released their debut LP, All We Know Is Falling, their sound has been described as emo, pop-punk, rock, post-grunge, alternative, and something called "emo metal", according to Rolling Stone.
After streaming their self-titled fourth album over the course of four nights this week, I have tossed out all of those labels, because these three have managed to redefine who they are and what Paramore's music is all about with one hell of an album.
Anyone who is likely to read this doesn't need a history lesson about what Hayley Williams, Taylor York, and Jeremy Davis have been through over the course of the last 4 or 5 years. Their third album, the incredible brand new eyes, was essentially an autobiographical tale of the band's personal struggles with one another. While it concluded with a sense of hope (see "Looking Up" and "Where the Lines Overlap"), the band as it was constituted was fractured and could not move forward as a cohesive unit. When the dust settled, Hayley, Jeremy, and Taylor picked up the pieces and moved on.
When the threesome surfaced from the studio in late 2011 with four reflective songs that would eventually become their Singles Club, they declared their intention to put the past behind them and focus on the future of Paramore. The band remained open and honest with their fans, keeping us updated and taking us along for the ride as they set out to create their fourth album. They seemed reenergized and, above all else, happy. Guided by producer Justin Meldal-Johnsen, Paramore entered an LA studio last summer determined to make the album they've always wanted to make. What they emerged with is their most ambitious, best-sounding, and universally satisfying body of work to date.
To try to describe Paramore as any one specific sound would be an exercise in futility. It samples from practically every genre of music under the sun, and features an incredibly diverse collection of instrumentation. The powerhouse lead single "Now" is traditional Paramore, as is the intense rockers "Be Alone" and "Part II" (as in, the sequel to 2007's "Let the Flames Begin"). "Last Hope" and "Daydreaming" find the band paying homage to 90's alterative acts with subtle verses and big crescendos. Did you know that before they joined Paramore, Hayley and Jeremy were in a funk band? Listen to "Ain't It Fun," the sure-hit groover that finds Jeremy and Hayley channeling Bootsy Collins and Mariah Carey, respectively, and you'll understand.
Paramore is definitely much more of a pop album than some (less open-minded) fans may care for. But even these "pop" songs ("Fast In My Car," "Still Into You," "Grow Up," and the aforementioned "Ain't It Fun") are too well-crafted and, frankly, too substantive to be lumped in with the countless other Top 40 acts du jour. Whether it was JMJ's influence or Taylor's songwriting ambition, this album features synthesizers…lots of them. But the keyboards manage to bolster the songs listenability without interfering with them, which is impressive considering the band never recorded with them before.
Paramore's most valuable asset, Hayley's voice, has never sounded better. Her face-melting wails are balanced by the album's three ukulele accompanied interludes and the gentle and beautiful "Hate to See Your Heart Break." Lyrically, Hayley has put the band's new outlook in the forefront. The overarching theme of this record is "when happens, pick yourself up and move forward, because there is a lot more life to live."
Paramore's only real misstep, and I feel I may be nitpicking, is the organization of the songs. The interludes, for the most part, are catchy. But the sleepy "Holiday" wedged in between the Blink 182-inspred punk burst of "Anklebiters" and the Riot!/brand new eyes hybrid stomper "Proof" was a letdown. Also, "(One of Those) Crazy Girls," which is a cross between the Ronettes and Weezer, seemed a little out of place toward the end of the record, and may become an afterthought.
Nevertheless, Paramore is a sterling effort that the band and their adoring fans can be proud of. They've been through a lot, especially for a group of twenty-somethings who will undoubtedly continue to evolve and adapt. The end result is a collection of 17 songs that offers something for everyone. It is ambitious and traditional, insouciant and focused, fist-pumping and tender.
A while back, Paramore left us as a troubled quintet seemingly pulling in opposite directions. They have reintroduced themselves as a refreshed, rededicated, and resilient trio of damn good musicians, moving on together, for one another, and for their fans.… Expand
Apr 10, 2013I was a bit scared for this album, but it surprised me! Every track has its different sound. There is something here for everyone. Some of their strongest and most mature music yet. Hayley is growing up!
Apr 11, 2013This Album is pure gold from beginning to end, maybe it changed from what Paramore used to sound but the changed for good and this sounds really cool with new electronic sounds, this is a must have album Paramore put great effort in this and is reflected in their music....
Apr 11, 2013Paramore have never been known to stray too far from the pop punk trend. Their previous efforts were clean cut, yet well produced, albums that deserve the positivity they have gotten. What we get with this new album is something very out of the ordinary for paramore...Experimentation. I think it's very fitting to call this an experimental album. With such variety and risks, it really can't be called anything else. In terms of the songs i was pleased with a majority of what was offered, but also felt it was too long for it's own good. I felt the interludes were redundant and didn't need to be there. Out of the other 14 tracks, ten of them i liked. The ones i just didn't like enough were "proof" "(one of those) crazy girls" and "hate to see your heart break". The rest of the songs ranged from pretty good, to fantastic. The best songs for me were "Future", "Ain't it fun" and "part II". Many fans of paramore will be drastically upset by these changes, and will probably fail to truly appreciate what this album is offering, which is a crying shame.
Due to it's length and few redundant songs, the album just isn't perfect. But when it's good, it shines, and is definitely worth an avid listen, whether you're a fan of their previous work or not, because chances are, there is at least one song on this album that you will love.
Hopefully through the experimentation of this album, Paramore will find a more solid basis on their next album and be able to refine their sound into something truly magical. Overall, i give this album a well deserved 7 out of 10… Expand
Apr 11, 2013This album is the prime example of what happens when a band GROWS UP. The old songs by Paramore were about the hardships of life through a teenager's eyes. Songs like "Misery Business" and "crushcrushcrush" were great, (and dominated the songs played on my iPod in 2007 and 2008) but had little sustenance, and very straight forward lyrics. There was no deeper meanings to the songs that make good songs great. The band actually said that they looked to reinvent themselves as a more mature band with the release of this album. This increased maturity is seen in songs like "Last Hope" and "Part 2." Not only are they written very well, but they are also performed well for a band who only has three actual members.
One thing that people seem to be getting upset about is the change, saying that they don't "sound like Paramore" anymore. Well, you also have to remember that half of the band left, and that they actually stated that they are TRYING to change. I understand that this comparison will be a stretch, but when the Beatles changed from naive love songs to psychedelic masterpieces, what was the outcome? They created some of the most critically acclaimed albums of all time and the band THRIVED from it. So stop expecting the old emo- pop that they grew famous for. Expect songs with deeper meanings, well written melodies, and intense guitar solos.… Expand
Apr 15, 2013Okay so I have always been a huge fan of Paramore so it was pretty likely that I was going to score this highly. All I can say is if you weren't a massive fan of Paramore before this album then I urge you to give it a try. There is still the distinctive sound that we associate with Paramore, however there are lots of great added elements to it. This may not be the loyal "Parawhore's" favourite album or for the people that "only love alt rock" but it's their loss. In my opinion there is something in there for everyone, from the slow "Hate To See Your Heart Break" to the poppy and upbeat "Still Into You" and "Anklebiters" you're bound to love something. This album is brilliant and is only bought down by one point as I don't believe it is the best lyrically. But believe me, Paramore are back, and they're better than ever.… Expand
Apr 21, 2013What this self-titled album ultimately proves is that Paramore doesn't need anyone else. The dramatic split from the Farros and its effects showed in Paramore's singles releases soon after that, but the band has settled into a position most comfortable to them. The album is a Paramore at its core with electronic elements thrown in for good leverage. Tracks such as the spunky-yet-cute pop rocker "Still Into You" and the diva flair of "Ain't It Fun" highlight the band's great knack for writing huge songs, but other tracks, such as the obnoxious lead single "Now" and the drawn-out closer "Futures," miss the mark. Paramore has taken the opportunity to write out their journey since then while taking several jabs at their former bandmates and have made this record the end of their past troubles while making a statement about who they are and what they have to prove from here on out.… Expand
Apr 26, 2013this is the only Paramore album I've been able to listen in its entirety and enjoy, probably it's not gonna change nobody's perspective of music or anything, but you're gonna have a good time listening.
May 17, 2013this is a great album
something paramore crue never done before
its unique and random full of lots of genres
great! i love this album very much and that's they're best album so far
Jul 11, 2013Even being so pop, they know how to make music. An excellent album with excellent songs since the gospel choired 'Ain't it Fun' until the pop ballad '(One of Those) Crazy Girls', passing by the rock of 'Now' and 'Anklebiters'.
Sep 4, 2013Paramore's newest album is missing what made albums like Riot! so great. They experimented with new sounds in this album but most of the time it didn't work because it didn't sound like the Paramore we have come to love over the years. change can be good but in this case it didn't work for a good chunk of the album. After the departure of the 2 primary band members they haven't been the same.
Dec 10, 2013Realistically I would only give this album an 8 but there have been too many people giving it ridiculously low scores.I never much cared for Paramore in the past and really only listened to this because they were playing a festival.There's a lot of good stuff on this album,some stand out cuts and because it's 64 minutes long a little filler but overall a totally solid effort.I like their experimentation,the fact that the songs are diverse,I also like the fact than when it's time to rock hard, rock hard they do.
I believe the professional critical response is correct.For the most part they are not weighing in on what Paramore should sound like but what Paramore has become.If one wishes they had remade their previous albums, get over it, they've left the past behind.
As for the Farro brothers, if they were the prime movers behind Paramore, what are they doing now? They haven't released anything, there is no talk of them releasing anything.I, for one, am very curious if they will ever release anything and if it will be worth releasing.If they're the geniuses, now that they've shucked Hayley,Jeremy and Taylor (those no talent anchors, weighing them down) whatever they release should be a masterwork, right? Maybe We'll find out maybe We won't.
And as mentioned earlier I saw Paramore at the festival and then I saw them 2 more times after that, still not crazy about the old stuff but the new songs were killer live particularly "Ain't It Fun"( the show stopper in My opinion), "Part II" and "Fast In My Car"… Expand
Oct 20, 2013an album with much variety that not only please the fans like me but it also infect people who have not heard the 16 songs strong and innovative.......
Jul 19, 2013Experimentation gone wrong, or a loss of talent? To tell the truth. I have no idea which one it could be. But what I do know is that this is easily Paramore's worst album to date. I do agree though with TheeGoth's review where they say that the album sounds like like they tried too hard to prove that they can be creative without the Farro bros and it just all came out sounding terrible. In fact, Now is the only decent song on there imho. This the only one of Paramore's albums where the critics seem to hold it in high regard (Fore some reason I don't understand) but is being panned by almost all of their fans as the worst. Don't get me wrong, I don't mind when a band changes their sound up a bit, but I do mind when a band all but abandons their sound. Paramore have forged their identity with their power-pop-punk style, so of course they would face a backlash from their most hardcore fans. All I can say is that fans make the band, not the other way around. Paramore would do well to listen to the backlash before it's too late, because really, it's sad when a band with so much talent squander it just making radio friendly music because they have no idea what else to do.… Expand
Jul 23, 2013As a fan I had to say this album is not their best, but is amazing. In this album Paramore explored new things, and this is cool. Even Brand New Eyes and Riot! being better, this album is still good
Nov 7, 2013Everything about this album is perfect. As a fan since 2007, I'm completely satisfied. All of these changes was important for them to grow. They're definitely writing their future as the rock band they were born to be.
Feb 18, 2014Took a long time to enjoy the album, but I got there. Hayley Williams' voice is beyond perfect. The album is a masterpiece! The direction to moving to a more 'pop' genre was absolute genius. Amazing (although it took a while to grow on me).
Dec 9, 2013i can't remember the last time i heard a really good pop-rock album. 'paramore' is just amazing, i don't have words to describe this album, just 'epic'. i think this is the best album of 2013. hayley's voice is so incredible and each song is so amazing and different. i love 'now, 'fast in my car', 'ain't it fun', 'still into you', 'hate to see your heart break', 'one of those crazy girls', 'part 2' and 'proof'… Expand
Jan 27, 2014the first few listens, I believed this album was rather good, although it did perhaps need some subtlety in there to vary certain tracks. But a few listens later, I have officially decided that this is in fact a bold, touching and roaring stadium-tastic 17 track wonder by a band who have done better than ever before with 2 of their members gone.
Mar 21, 2014It may alienate some listeners because of its evolved sound, but trust me, this album is SOOOOO GOOD. Its diversity is sprawling-- sometimes polished, sometimes chaotic, but the overall feel of the album is heavenly. Their lyrics also evolved and sometimes improved, lesser whining but sometimes it also gets a bit off-putting since they sound too angry at times. But anyways, this is my favorite album by Paramore. Some may love it, some may dismiss it, but as what I read from another review: "If you're not having fun at some point in the album, then you're wrong." :)… Expand
Feb 15, 2014From their past bewildered sheets of notes and start-off dilemmas, Paramore's self entitled album shows different variations and astonishing diversions, from that sheer, probable band to a powerful new unleashed cool kids adapting many of the greatest acts in the world of music adding notable twists of ukulele and of course the intoxicating vocal power of Hayley Williams, teaming up with great instrumentalists working their asses off for new genres. Fiercely creating 17 fully-packed compelling, wondrous songs that inevitably will find your taste whatever genre you want to listen. Truly, one of the best albums paramore have ever crafted.… Expand
Apr 15, 2014I cannot believe people criticize this album for it being "pop". As a person who had listened to different generations of pop, no. This is not pop music. I mean, the only pop song I can see is Still Into You! It's like when Arcade Fire gets bashed for doing "new stuff" in Reflektor. Anyhow, this is definitely one of the best albums I have heard this year. Not the best. But most certainly one of the best. The flawless sequencing of the songs and the interludes that soften the mood for a while before the sudden return of pace. The immaculate voice of Hayley Williams, too. I honestly know nothing about this Farro brothers affair and how they broke up, but that doesn't matter. What matters is the music.… Expand
Mar 30, 2014I never thought that Paramore would be able to do an album like this! Its incredible. All the songs are just amazing and Hayley's voice is a therapy! I'm in love with it, one of the best albums of 2013. Ps: "One of those crazy girls" is awesome!!
Aug 30, 2014I'm a fan of Paramore since 2008. I confess that this album isn't best of the band, but this album is amazing, every song... Paramore has always given albums where every song is good, and this is no different. Great lyrics, and catchy beats. Good job, Paramore!
Sep 2, 2014"Paramore" is not so Paramore... New direction and new sound with this one as well. This album is proof that the Farro brothers were the biggest and most important part of the band's writing process since they but mainly Josh composed all the music (this is a fact and is actually documented in Paramore videos and interviews) and Hayley would write lyrics to them. They lost their signature sound and their unique feel. Everyone is trying to defend the band by saying they have evolved etc. No. Don't get me wrong I'm all for evolution bur "Evolve" is one thing and "Change" is another... They've changed not evolved. They evolved from "All We Know Is Falling" to "Riot!". From "Riot!" to "Brand New Eyes". Even from "Brand New Eyes" to "Singles Club". This album is "Change", period. It's just a different band to me and not just because of their music but also because of their image,direction and overall musical approach. And one last thing to everyone praising everything they put out and saying Part II is their best song, LET-THE-FLAMES-BEGIN.… Expand
Oct 15, 2014De fato, é um dos melhores (senão o melhor) álbums do paramore, nunca me surpreendi tanto com paramore em questão de revirada musical, paramore deixou seu lado "adolescente-rock" para virar uma banda alternative mais madura, o álbum é sensacional, destacamos "Now" como uma indireta (bem direta) á industria músical sobre a saída dos Farros e boatos que a banda tinha acabado, o retorno foi impressionante.… Expand
Jun 21, 2013A parade of beige pop numbers that even Taylor Swift would turn down for being too generic. [May 2013, p.86]
May 3, 2013Paramore is both the band's most polished and messiest album, which somehow pays off.


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http://m.youtube.com/watch?v=NqVE9qfg7yI. Have you seen this? What do you think? Fair warning ample use of the f bomb.
http://m.youtube.com/watch?v=NqVE9qfg7yI. Have you seen this? What do you think? Fair warning ample use of the f bomb.
Last edited by SkogKniv; 01-23-2013 at 03:38 PM.
I had a buddy tell me of a very similar experience in Colorado. Although it may seem playful, I think that the coyote was probably trying to protect something, young or possibly a kill.
Yes saw that before,and similar experience happen to me a few years ago,let me tell you i was kinda of freaked out at first but after a while i was laughing to see that coyote act like a dog...Will remember that for the rest of my life,and my father in law too,he almost sh..himself hahaha....
testing you
That coyote is far to familiar with people. Trouble in the making.
Was he trying to be the crocodile hunter ?
Would have never got into my personal space which is anything in pistol range.
he is not acting right. he should be scared of people. he might have rabies or somthing
That mangy cur would have died of lead poisoning around me.
Something witty.
"We don't stop hiking because we grow old, we grow old because we stop hiking."
Finis Mitchell,
Bushclass Intermediate...Lessons 2/11...Electives 1/7...Outings 0/10

subset: commoncrawl


text:
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tarcan wrote:i like the one posted with those army helmets
godless wrote:we all know that girls are great and keeping secrets and never gossip about sh*t to their friends.
vice wrote:Fair 'nough. Don't matter to me.
SCOE wrote:sneaky ass telekenetic ability havin rice eatin foo.
GOSTE wrote:mac is my young graff hoppa haha..
oaktownshine wrote:yuh make yo famiry no proud
SCOE wrote:The asian sensation That's sweeping the nation.
A Rock wrote:Just to put it into perspective, scoe's about elmos height.
XbongwaterX wrote:SCOE wrote:Damn it.. i wanna paint some trains..
you might have to rent a cherry picker to do that
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text:
A growing number of American companies are moving overseas ... on paper, at least.The tactic is called a corporate inversion, but for those who have no idea what that means, perhaps a more apt description would be �shady tax dodge.�
The Delaware Business Weekly Round Up is designed to bring you some quick links to news headlines and press releases from companies based in Delaware and issues impacting business in the State of Delaware. Here's our edition for July 19th,...
It seems like old times in the Arnold family kitchen.The Wonder Years�cast recently�
More hiring expected when business picks up
Something to Talk About
Event from 8 a.m. to noon will feature tours and a drawing for a four-digit Delaware license plate.
- Events Calendar


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"We can actually do something about this, we can raise some awareness … this is actually something we can totally stop, as a community working together."
Battlefords Interval House and FF2 are working together to organize a "Walk a Mile in a Woman's Shoes" event May 27, which is meant as an awareness walk to stop violence against women.
Tammy Ramsay, a manager at FF2, was motivated to organize the day of events when her sister-in-law lost her niece to domestic violence last November. When she began researching domestic violence, she was shocked at its frequency and the degree to which it was under-reported in the media. She learned that women's shelters in Saskatchewan take in approximately 4,000 women each year, and 581 women were killed by their spouses between 2000 and 2009.
She decided to organize an event for awareness and fundraising for the Battlefords Interval House, because of its importance in fighting domestic violence. A safe shelter for women, the Interval House has been open since 1980. It offers safety, protection, transportation and referral services depending on what clients are experiencing. Counselling services are offered every day, and the shelter has a "crisis line" that can be called 24 hours a day. The facility also conducts follow-ups with clients after they leave the facility
Interval House takes in an average of 95 to 115 families every year, including 100 to 230 children. Last year, 87 women and a total of 203 children were turned away because the facility was full. Their crisis line received a total of 431 calls totalling 162 hours.
Interval House receives its funding from the Ministry of Justice, but it does not always receive enough for its numerous services. Furniture, for example, and transportation costs are not covered by provincial funding. For this reason, it has relied on donations to cover the remaining costs of operation. All of the funds collected by the fundraiser will go towards clients in some way.
Ramsay explained that she was "astounded" at the support that she received for the event. The RCMP, for example, attained permission to come to the event in ceremonial serge, and Mayor Ian Hamilton has offered to speak at the event.
"We want to make a better life for the girls that are working here, for our female customers, it doesn't just affect women. If there's a battered wife, children see it. It's a cycle that continues." Ramsay explained.
"We know everybody's schedules are really busy and we just hope that everybody takes a bit of time to grab a burger, come for a walk, and show their support."


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Christmas with The Tallis Scholars
CDGIM202 2CDs for the price of 1
Tallis: Missa Puer natus est nobis & other sacred music
Studio Master: CDA68026 Studio Master FLAC & ALAC downloads available
Tallis: The Tallis Christmas Mass
Studio Master: CDGIM034 Studio Master FLAC & ALAC downloads available
Movement 1: Gloria
Movement 2: Sanctus and Benedictus
Movement 3: Agnus Dei
This is where the looking back ends. Most pre-Reformation Masses were scored for five voices (SATBarB), the exception being Ludford's ravishing Missa Videte miraculum for six voices (SSATTB). Tallis' composition is for seven voices (AATTBarBB) without the once-common high treble part. Using such large forces would have attracted the description 'festal' in the pre-Reformation period but Tallis does not follow other conventions associated with this form. There are no sections for soloists and the Mass movements are not broken up by as many caesuras as one would expect. Not only is there no juxtaposition of solo and full sections but there is no official use of triple time, the piece being in duple metre throughout. Interestingly, Tallis has embraced Archbishop Cranmer's injunction that music should not be 'full of notes, but, as near as may be, for every syllable a note, so that it may be sung distinctly and devoutly'—a feature of the attractive miniature compositions from the reign of Edward VI.
There are three other pieces by Tallis which use seven voices in this configuration—Suscipe quaeso Domine, Loquebantur variis linguis and Miserere nostri—and it has been suggested that this unusual scoring was deliberately chosen to suit performances by Philip's Chapel Royal which seems not to have used high treble voices and was resident in England with the king between 1554 and 1555. The evidence then—a Mass based on a Christmas theme, scored for performance by the English and Spanish Chapels—points to Christmas 1554 as a possible performance time. Academics may also be correct in believing that the choice of the Puer natus cantus firmus was designed to celebrate the fact that Queen Mary was thought to be pregnant at this time. The Missa Puer natus is itself therefore something of a marriage between the English and Spanish Chapels not only in its scoring but also in its sound world which seems to owe something to the Flemish style of writing, especially in the slow-moving harmonies and the use of passing notes in the melodies (most usually upwards towards the key note) which allow the textures to shimmer. It also prominently features what became known as the 'English cadence', a clash of flattened and sharpened leading notes in close proximity. The piece is sonorous and rich, a gorgeous background tapestry for a solemn celebration of the Mass, and has wonderful dramatic effects including the use of antiphony or dialogue between voices ('altissimus' in the Gloria or the 'Osanna' to the Sanctus). It is a shame that Tallis wrote no more in this vein but, perhaps like Mary's short-lived Restoration, it was a piece of the moment not to be repeated.
from notes by Andrew Carwood © 2014


text:
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GEVALIA 15% Kona Blend
Indulge in Gevalia 15% Kona Coffee Blend – a taste that is reminiscent of the Hawaiian Islands. Every cup promises velvety smooth coffee with sweet roasted notes and nutty overtones. Savor this aromatic, full bodied coffee experience – perfect for any occasion!
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- This package contains 16 Gevalia 15% Kona Blend T DISCs
- Each T DISC makes an 8 fl oz cup of coffee
How to Make It
- Place your Medium (11 fl oz) cup on the cup stand.
- Insert the T DISC into the brewer and when the green Auto light comes on, press the button.
- Always wait until the orange Stand-by light displays before removing the T DISC.
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Rated 4.6 out of 5 by 132 reviewers.
Rated 4 out of 5 by Janiro Very Good Cup of Coffee Enjoyed this coffee very much, but I liked the Dark Breakfast Blend better. Just a matter of taste. Definitely worth a try. November 22, 2014
Rated 4 out of 5 by MorbiusX33 A touch of the islands I enjoy Kona coffee and like to purchase it whenever I can since it is the only coffee grown here in the United States (on the Hawaiian islands). I always like to support American workers by purchasing products made in the USA. That's why it's wonderful that Tassimo now offers Kona, albeit in a light 15% blend. If you're not familiar with Kona or have wanted to try it, this is a fine introduction. The Gavalia blend is not too robust, but just right for most palates. 15% Kona is a good breakfast coffee and perfect for just sipping while relaxing. Of course, I truly enjoy most Tassimo Gavalia products, but I do hope Tassimo would look into offering "Mauna Loa," a USA brand coffee grown in Hawaii. I think the brand, which offers several Kona coffees, would make an ideal brand for t-disks, too. Enjoy! November 18, 2014
Rated 5 out of 5 by GoodVintage Cafe Kona, Cha Cha Cha A warn fragrant delicious coffee. I drink French Roast, Italian Roast or Kona coffee every morning, and I think Kona has become my favorite among them. It has an unusually delectable taste. But in truth, they all three are good. November 13, 2014
Rated 5 out of 5 by toj99 Maui Reminder Smooth and delicious! I can close my eyes and remember the islands! November 5, 2014
(5 Questions : 5 Answers)
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1 answer
do you have assorted selection boxes
Age: Over 65
Gender: male
2 years, 2 months ago
London, ON, Canada
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Answer:Tassimo does not have any assorted selection packages at this time. Thank you for the suggestion. We will make sure to pass along the message to the appropriate people.
2 years, 2 months ago
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1 answer
why is the buy 1, get 1 free code not working?
I entered KONA during checkout and it was not applied
2 years, 2 months ago
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Answer:When on Tassimo's home page you need to click on shop now on Kona promotion. Upon check out enter the promotion code to receive your free box.
2 years, 2 months ago
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If I order today for the auto delivery will the price always be $ 5.00?
If I order today for the auto delivery will the cost still be $5.00?
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2 years, 2 months ago
Wisconsin, USA
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Answer:The $5.00 promotion is only good on the first order. All following orders will go to regular pricing.
2 years, 2 months ago
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How to get Kona BOGO when the promo is not on the home page?
I tried to order it from the promo on an email I received. The code wouldn't work. I saw the previous question and answer, went to the home page, where there is not Kona promotion. Now what?
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2 years, 2 months ago
Lawrenceburg, IN, USA
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Answer:Please attempt to use the link from your email again this should work. If you need further assistance contact one of our Tassimo Customer Service Representatives at 1-877-834-7271.
2 years, 2 months ago
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how do you tell the differance between home and pro t disks?
Age: 35-44
Gender: male
1 year, 11 months ago
Channahon, IL, USA
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Answer:They are shaped differently and the bar codes are different. The Pro T Discs will not work in a home brewer and home T Discs will not work in a Pro brewer.
1 year, 11 months ago
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text:
If you're going to be a success, the first thing you need is ambition - plenty of it.
STRISHA COMES from a tiny provincial town but when she first saw the Miss Ukraine competition on television she decided that was where she was going, all the way to the sparkling crown. And she's planning her moves: just 18, Strisha is fifty kilos of energy on a lean frame kept in shape dancing and jogging. She's going to study languages at the University of Kiev.
Strisha is, in a word: cute. She could be from Brazil or Argentina with her dark sultry looks and big liquid eyes, in fact she dances samba and moves like a Latino girl at Mardi Gra just crossing the studio. She's on the move, so keyed up and restless, after that first shoot.
Strisha has a boyfriend who is also 18, but she is not planning to get married just yet. Her modeling career and plans to become Miss Ukraine come first.
|Kracker United Kingdom
Nice pussy.
|chris United States
strisha a truly sensuous woman.Show more please.
|ay Austria
incredibly beautiful lady...some pics reveal a tampon string(?)
|Laurie United Kingdom
Trish A beautiful girl,stunning face,lovely hair and a perfect sylph like figure. The \"string\" maybe why this set was \"lost\".
|Kevin United Kingdom
Strisha. On one of her films a subscriber noticed a 'string'. It was only visible for a few seconds. A 'string' was also visible on a previous photo gallery. I put both of these down to the fact that yes, sure, she had a tampon in for all of the photo shoot but Petter had not airbrushed it out in all of the photos. If this was NOT the case, then I know I'm going to 'open Pandora's Box' by saying that I wouldn't mind seeing the girls with a tampon in. Obviously not the 'Yanna totally spread' shots. Think about it guys, it would show that these women we adore and therefore put on an ivory whatsit are indeed just like our wives/girlfriends/ex's. I know I put my tongue there when my ex was 'on'. I am just chatting about being able to just see the tampon in her pussy. Not any open pussy shots. This comment is just to open the discussion. Please tell me what you think. Kevin.
|ST United Kingdom
The String I welcome the debate Kevin! The glimpse of a tampon does not bother me in the slightest. Obviously I'm not after a whole 'fetish' type of gallery, I'm sure there are specialist websites for that!! But this just reminds me of how real these girls are, not super-sized ego supermodels but real women, with real tits (mostly, there are a few with implants) and pussies that haven't had the inner labia trimmed to look more 'neat'. This site should be viewing for all girls. the variety of difference in the female vagina is a beautiful thing - too many girls grown up believing theirs looks ugly. Beautiful, real females is what Petter Hegre does best. Keep it coming!!!
Shame on you Petter for losing such a beautiful photo shoot. Or did you really - maybe you just wanted to keep them to yourself :).
|wheeler United States
I could be blind... But,I dont see a string!I even clicked on the biggest pic, and looked reeeeeeeeeeeally close!!!! :P anyway...I dont care if there is one!she's a woman...its "that time of the month"...be glad she is still kind enough to share her beauty with us!!!
|Basia Poland
Ehem... woman's comment.. Hi, I just wanted to add to the discussion that for about 2 years I subscribe to this site and I am a woman. I love to see the different kinds of bodies, faces, breasts and labias etc. I am purely heterosexual but... this site reminds me about the beauty of being a woman... the grils here are real, natural, beautiful very sensual. That is the site from which I learn how to be sexy without overdoing it and without being artificial...the beauty of this site I think lays in the fact that Peter loves woman just as they are...and there lots of different kinds of them... and I love the comments of the subscribers of this site - meaning you guys! Basia
|Michael United States
For those of you who appreciate a natural woman - with string - watch Strisha's Table Dance movie. Primitive by today's Hegre videos, yet undeniably charming.
|wheeler United States
Basia... WELL SAID!!!
|Michael Canada
Strisha In my next lifetime I may come back as a chair.
|Tom Canada
more Strisha gorgeous girl, hope she gets over her shyness... :-)
|salvador rios Mexico
the best simply the best pictures in a diferent concept
|ardunbye United Kingdom
Strisha table dance I would simply say WOW but she gets me so tongue tied I keep saying backwards.
|ninafan Korea, Republic of
i love the girl she surely is a stunning little baby, i love her dance and flirting eyes..more nina vids plzzzzzzzzzz
|Ales Galli Russian Federation
gorgeous I love this girl, she's gorgeous !
|BubbaGimp Thailand
Nina Nina... she leaves me absolutely stunned. Terrific! Ukrainian girls are very pretty... I want to move to Ukraine!!!
|Nina fan United States
Exceptional film! This model and this film is one of my favorites! Very sexy and very hot! Thanks!
|Jack Netherlands
Very, very impressive. She´s moving in a very sexy natural way. Thanks Nina.
|Mark United States
A nice looking girl, but why does she appear to have a tampon in for the shoot? See 1:36 & 1:39 in the film and a couple of the stills... Does that turn anyone else off... or am I just a wimp who do not repsect the female cycles... ;-)
|wheeler United States
You have a good eye Mark! I didnt notice it until I read that! Doesnt bother me though! HOT STUFF!!!
|aaa China
firstname.lastname@example.com Good imgs! I like it.
|Baba Korea, Republic of
great films by Hegre is excellent in quality.In my opinion its not an adult movie but Art film .


text:
See our gallery of Louise's most Barbie-tastic looks from over the years!
She's blonde, not very tall, and never less than dressed to the nines – and has more than a few fashion contacts, having worked with designers such as Casette Playa and SISTER by SIBLING in recent seasons. Can you tell who it is yet? Barbie of course! Yep, Mattel's finest will be sponsoring Louise Gray's catwalk show this season – on Monday 17th September at London Fashion Week, which will include three adult looks inspired by Barbie®, as part of her anticipated Spring Summer 2013 collection.
The designer and fellow blonde, Louise Gray, said this; 'my clothes are always about colour and fun – making a bold statement through the way you dress. I wanted to see Barbie® in some separates and layer up her look, giving her a different way to be girly and fun, than how people are used to seeing her.'
It seems that Louise is particularly on a roll at the moment, having recently rolled out her makeup and fashion collection at TOPSHOP, and her cute silk dresses for female jockeys, is now joining the illustrious roll-call of designers to have dressed the fantastic plastic model. The list, from the past 50 years, includes the designers; Alaïa, Burberry, Comme des Garçons, Chanel, Louis Vuitton, Prada, and Roksanda Ilincic and even high heels created for her by Christian Louboutin.
Collaborative looks from the show featuring Barbie® will be sold as part of Louise Gray's Spring/Summer 2013 collection. AND Louise will also be dressing a special one-off Barbie® doll in one of the new season looks she has created for her. We can't tell you how much we SIMPLY CAN'T WAIT for the show!


text:
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How to Make Thanksgiving Kids Crafts that Look Good Too
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Anyone who has little ones in their life can agree that kids' arts and crafts projects are a treasure no matter how it actually looks. Kids can do no wrong, when it comes to crafts, right?
If you're being totally honest, you may have at some point, decided not to put Junior's homemade papier mache turkey in the center of the table for Thanksgiving dinner. That doesn't make you a bad person. Often times kids' crafts are just different than serious, beautiful DIY home décor. You love them both for different reasons.
Here are a few ideas on how to make Thanksgiving kids' crafts that look good too! You never knew Thanksgiving craft centerpieces could be kid-friendly. I advise, from personal experience, that you stay away from the crayon box if you want these crafts to turn out better than expected. While we love the scribbles of a young artist, we can just leave those on the fridge for the time being. Starting out with some colored felts makes the job of "staying in the lines" a non-issue. Colored felt also cuts cleaner than regular construction paper, so half the battle of looking cleanly cut is already won.
Something basic like a Turkey Table Accent is a fun craft to make with kids and yet festive for the holidays. You can set it in the center of the table with pride that you and your child made it together. And it's an easy Thanksgiving craft to make. The method of using a hand as a template for a Thanksgiving turkey is not a new one. In fact, your children have probably already done this craft at school many times over. However, slipping the turkeys together to make a larger, fuller turkey centerpiece may be a new twist on an old craft. Since each person in your family has a different sized hand, make several turkeys and make them represent each family member. Your kids will get a kick out of eating dinner with their little mini-me turkey as the centerpiece. With the soft felt accents that create colorful turkey feathers, this thanksgiving craft project for kids is a keeper.
Turkey Table Accent
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text:
I have had my D5000 for two and a half years with no dust that I've noticed but my D40 that I had before had to be blown off from time to time.
So the dust removal system must work but I have seen posts on other forums by severall people about oil spots on the D7000 sensor. So it looks like cleaning may always be an issue with DSLRs.
I have an old Panasonic bridge camera (my first venture into digital) which I have had for years and very often it's been on sandy beaches and in dusty places with no sign of dust at all and it has a zoom lens.


text:
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Fitness & Wellness Week (06/21/2014) 798.
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|Fri 09/26/2014 7:09 am
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|Thu 07/17/2014 11:42 am
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|Thu 06/26/2014 3:18 pm
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Chapters have been intermittently unavailable for some books on
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|Tue 05/6/2014 3:03 pm
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|Wed 03/26/2014 11:36 am
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|Mon 10/14/2013 4:49 pm
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|Fri 01/25/2013 12:00 am
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text:
Very nice watch winder, good construction quality, nice fit and finish. Very quiet motor, easy operation, works great. 4 settings on controls- off, clockwise, counter clockwise, bi-directional.... even has flashing intermittent light just to let you know its working. Highly satisfied at a good price.
Usually leaves our warehouse in 1-2 business days. *
Items must be returned in new or unused condition and contain all original materials included with the shipment.
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** Most Oversize orders are delivered within 1-4 weeks. Some orders may take 6 weeks to be delivered.


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Happy Holidays! Today through Sunday, Vevo is featuring the Grammy nominated "I'm In I'm Out And I'm Gone: The Making of Get Up!".
Check out the current issue of Vintage Guitar Magazine featuring a 7-page cover spread with Ben!
Bid on Ben's signed Christian Hosoi skateboard to raise money for Tony Hawk Foundation Boards + Bands to build skateparks for kids in low-income communities across the U.S.. This incredible board features Ben's handwritten lyrics to "Pleasure and Pain." Don't miss your chance to pick up a one-of-a-kind collectible and help out a great cause!


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Azul - Mandarin Oriental Miami
Online Reservations
For large parties, Azul may be reserved for the exclusive use of your company for a multi-course dinner. The Azul champagne bar is a great option for a cocktail reception beforehand, with the terrace providing a waterfront outdoor component for guests that would like some fresh air while mingling. Azul is located on the second level and has panoramic views of Biscayne Bay and the Miami skyline, which lights up at night to create a truly memorable venue for your next event.
The raised area of Azul provides a semi-private section for parties that would still like the atmosphere of being in a full restaurant, but be separated from guests not in their party. The section is set on the Biscayne Bay side of the restaurant with panoramic views that include the Key Biscayne bridge.


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Latest update : 2012-10-11
Children of immigrants struggle to find their place
A report published on Wednesday by the French national statistics office INSEE has cast light on the difficulties of children of immigrants in France. Nine out of ten members of this second generation say they do feel French. Yet the report showed that they also have a much tougher time finding work than people whose parents were born in France.