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SocketTools ActiveX Edition 8.0
The SocketTools ActiveX Edition is a collection of over twenty controls, designed to simplify the development of Internet applications. Upload and download files, send and receive emails and access web servers with just a few lines of code. SocketTools supports all of the major Internet protocols, includes both 32-bit and 64-bit ActiveX controls, support for IPv6 and secure connections using SSL/TLS and SSH. Free, unlimited technical support.
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The SocketTools Library Edition is a collection of over twenty dynamic link libraries (DLLs) that provide a comprehensive API for all of the major Internet protocols. Provides function declarations for C/C++, Delphi, Visual Basic and several other languages, supports both 32-bit and 64-bit platforms, IPv6 networks and secure connections using SSL/TLS and SSH. Includes documentation, examples and free, unlimited technical support.
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Jellyfish in a cap with a propeller wants to destroy the world in connection with the trauma received in childhood. To do this, you must collect all the flying drones at 100 seconds, destroying enemies in its path. However, the destruction of the planet affect the entire galaxy.
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LAN messengers provide simple, secure network connection within your local network, enabling employees to chat, send files and collaborate easily and securely. RealPopup LAN messenger offers you a winpopup replacer that's simplicity itself to install and use. Your employees don't need to be connected to the Internet, so LAN chat becomes secure and distraction-free, and you can set up user groups to ensure messages reach only the right people.
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SQLite Data Access Components (LiteDAC) is a wide set of components for fast direct access to SQLite from Delphi, C++Builder, Lazarus (and Free Pascal) for 32-bit and 64-bit Windows, Mac OS X, iOS, Android, Linux and FreeBSD platforms. LiteDAC provides both possibility of connection from Delphi to SQLite by means of native SQLite client library and direct access to SQLite by static linking of the SQLite client library into an application.
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Spia Connect 220.127.116.11
The Spia Connect is a program whose aim is to connect to remote computers
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ABTO Software HTML5 SIP Client 1
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TV Player Classic is a program for viewing streaming online internet TV channels and Sat TV. This software allows you to watch 1200+ live television channels from 100+ countries and 400 paid channels for free. There is no need for a TV Tuner card because all the channels are streamed through your Internet connection. Software comes with automatic TV station updates so it will never be out of date.
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All In One VPN Client for windows is an easy to use application developed by ibVPN that will bring all your VPN servers from the moment you have logged in. You just download it, turn it on and login to your account. Once you are logged in into the application you can easily: - Select a server and connect to the specific server - Unlimited switches between severs - Ulimited bandwith - Select a specific protocol: Open VPN, PPTP, L2TP, SSTP More features available: - Check server load - Launch on System Startup - Automatically login on application startup - Auto reconnect - Kill Switch option - DNS option added Advantages of having a ibVPN account: - VPN servers from US, UK, Canada, Germany, Ireland, Netherlands, France, Switzerland, Luxembourg, Romania, Sweden, Russia, Hong Kong , Spain, Italy, Panama, Turkey, Australia, Egypt, Finland, New Zealand, Singapore, Japan, Poland, India, Austria, Czech, Hungary, Iceland, Norway, Bulgaria, Saudi Arabia - Access Hulu, BBC Iplayer, Pandora, Zattoo ...
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Total coins will be 165,888,000. 12 second block target Difficulty retargets once every hour Each block will have 32 coins, will be halved every year (or 2,592,000 blocks). 4 confirmations per transaction. Ports: connection 9526, RPC 9527
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dbForge Fusion for Oracle (formerly known as OraDeveloper Tools) is a useful Visual Studio plugin designed to enhance productivity of Oracle database development and simplify data management. The tool provides an easy way to manage Oracle connections. Full integration of dbForge Fusion for Oracle with Microsoft Visual Studio allows developers to explore existing databases and design complex SQL queries.
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HS FTP is a C/C++ library which implements the client side of the File Transfer Protocol over TCP socket layer according to RFC 959. The library allows a user application to connect to remote FTP servers, traverse server directory structure and send and receive files. The HS FTP protocol module supports passive mode data connections, user / password authentication and a number of commonly used FTP commands
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Free WiFi Router 4.3.8
Free desktop application to turn your laptop into a virtual WiFi router using the wireless adapter for philanthropic or economic purposes. You can hare your connection with friends and devices like DSL, Cable, Bluetooth, Mobile Broadband Card, Dial-Up, etc. over virtual WiFi router. It enables you to use your cellphone to connect this virtual hotspot to surf the internet to cut your monthly data usage and saves money to buy wireless router.
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PCBooster Free Wi-Fi Hotspot Creator is an application that can create a Wi-Fi hotspot on your laptop to generate the Wi-Fi signals, making it a Wi-Fi router to share the network connections you have with other Wi-Fi-enabled computers or devices like, iPad, iPhone, Android phones, etc., and of course you can customize SSID and password to keep the freeloaders out.
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PCTuneUp Free WiFi Hotspot Creator makes it possible to instantly turn your laptop into a WiFi router and share your broadband connection to those users who have mobile devices, laptops, tablet pc, or any WiFi enabled devices that can connect to the internet. To safeguard your wireless hotspot, the free WiFi router allows you to set the hotspot ID (SSID) & password so that only the people with the password can access your WiFi router.
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Jockstrip: The world as we know it.
Mayor tries to get quadricycles off street
Loyalty meets economy at Harley-Davidson
Babies left at mortuary for two years
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Fat map being created in Britain
British 'superbug' deaths increase
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Eliza, Midnight, Unice and Shaolin had to save their planet, Dynasty. They were captured by the Evil Madman, Mr Machiny and his son, Cranger Crimson. Then they met the fifith hero, Shirlene, who has a dark secret. Will they be able to save Dynasty? Will Shirlene reveal her secret? Find it out in the story, Dynasty, Land of Good and Evil.
This app bundles an e-Book reader which enables you to read the most cherished books of the world. You can easily navigate between different chapters and other sections of an e-Book. Fully navigable, the app represents the e-Book's text in Standard English. You can read your favorite e-Books anytime you find yourself free with the help of this app.
Amberitans were the most powerful dynasty of their time. They had many allies and quite few enemies as well. Their most powerful enemy was a dark wizard and he was feeling very uncomfortable about the power of Amberitans. Because of this very reason he put a curse on the dynasty. As a result of this curse, twin heirs of the dynasty has been transported to different dimensions. Now they have to find a way to return home and punish the dark wizard.


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Click Here for Articles About Gary Clark Jr.
Gary Clark Jr. Selected VH1's 'You Oughta Know' Artist for November
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September 16, 2014
|Related: VH1
VH1 has announced that it has selected rock and soul phenomenon Gary Clark Jr. as its official "You Oughta Know" Artist for the month of November. Beginning today, the channel has put the video for the singer, songwriter, and guitarist's new single"Ain't Messin 'Round" into Gung Ho Rotation, the highest rotation on the channel, given to only one artist at a time. Watch the video here.
Launched in 2004, VH1's "You Oughta Know" franchise introduces promising new artists on the rise to VH1's base of music lovers. Many "You Oughta Know" artists have gone on to win industry awards and accolades including "Best New Artist" Grammy Awards and nominations. This highly acclaimed franchise has helped break artists such as Adele, Amy Winehouse, Bruno Mars, Colbie Caillat, Corinne Bailey Rae, Grace Potter and The Nocturnals, Foster The People, James Blunt, Mumford & Sons, Sara Bareilles, Regina Spektor, The Fray and many, many others.
"Ain't Messin 'Round" continues to gain traction at radio and video outlets. Rolling Stone said of the video: "Gary Clark Jr.'s bold mix of blues, soul and funk demands fun footwork and in his new video, the Austin singer-guitarist makes it clear that he "Ain't Messin 'Round." Strutting in a brown fedora and matching corduroy blazer, the smoothly styled Clark Jr. makes a good time his priority, lighting up the room with colorful fractal imagery and a searing-hot guitar solo. 'Give it up now/ Play it cool,' he croons. Easy for him to say."
Clark is riding high with the No. 6 debut of his Warner Bros. Records debut Blak And Blu. Every date on his upcoming domestic tour has sold out, including three shows at the Bowery Ballroom in New York City and three shows at the Troubadour in Los Angeles within an hour of tickets going on sale. (Click here for dates.)
Blak and Blu has received across-the-board critical acclaim since its release on October 22nd, while"Ain't Messin 'Round," is gaining fast traction. The New York Times calls Clark "a guitarist of deep magnetism and tremendous feel," while Spin declares "There truly is nobody else like him around."
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- FOX News Channel to Present Two-Part Documentary THE MAN WHO KILLED USAMA BIN LADEN, 11/11


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The Feature Film Project, presented by the MANHATTAN SHORT Film Festival is perfect for anyone who would like to screen and market their feature film through an already established cinema network across the USA.
Between March 5 and 8. 2015, one feature film will debut in cinemas across the United States in the 3rd Annual Feature Film Project. Audiences at each venue will be asked if this film should return to this cinema for a theatrical release in 2015. If the majority vote "yes" then, if the producers choose, the film will return to that cinema for a series of screenings that year.
The Feature Film will be chosen by a panel of Owners/Programers from some of the United States leading Art House Cinemas.
Register your film for the 3rd Annual Feature Film Project
A list of cinemas that take part in MANHATTAN SHORT events each year
Theatrical release financial information:
Cinemas will retain 50%, Filmmaker/Producers receive 25%, MANHATTAN SHORT will receive 25%.
MANHATTAN SHORT will cover the costs of DCP, trailers, posters and shipping.
Filmmakers/Producers retain 100% of all digital downloads, VOD, DVD and cable TV rights. The Project is about getting a film into cinemas and letting the public discover it!
About MANHATTAN SHORT: Each year over 100,000 people attend the MANHATTAN SHORT, the world's first global film festival. With over 300 venues around the world, the same organization has come together to introduce the Feature Film Project.
We have the cinemas, we have the audience... the question is, do you have the film?


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ORTHOPAEDICS :: Congenital and Hereditary Disorders
What is clubfoot?
Clubfoot, also known as talipes equinovarus, is a congenital (present at birth) foot deformity. It affects the bones, muscles, tendons, and blood vessels and can affect one or both feet. The foot is usually short and broad in appearance and the heel points downward while the front half of the foot (forefoot) turns inward. The heel cord (Achilles tendon) is tight. The heel can appear narrow and the muscles in the calf are smaller compared to a normal lower leg.
It occurs in about one in every 1,000 live births and affects boys twice as often as girls. About half of clubfoot cases affect both feet.
What causes clubfoot?
Clubfoot is considered a "multifactorial trait." Multifactorial inheritance means there are many factors involved in causing a birth defect. The factors are usually both genetic and environmental.
Often one gender (either male or female) is affected more frequently than the other in multifactorial traits. There appears to be a different "threshold of expression," which means that one gender is more likely to show the problem than the other gender. For example, clubfoot is twice as common in males as it is in females. Once a child has been born with clubfoot, the chance for it to happen again in a male or female child is about 4 percent overall. In other words, there is a 96 percent chance that another child would not be born with clubfoot.
What are the risk factors for clubfoot?
Risk factors may include:
Babies born with clubfoot may also be at increased risk of having an associated hip condition, known as developmental dysplasia of the hip (DDH). DDH is a condition of the hip joint in which the top of the thigh bone (femur) slips in and out of its socket because the socket is too shallow to keep the joint intact.
How is clubfoot diagnosed?
Your child's physician makes the diagnosis of clubfoot at birth with a physical examination. During the examination, your child's physician obtains a complete prenatal and birth history of the child and asks if other family members are known to have clubfoot. If the diagnosis of clubfoot is made in an older infant or child, your child's physician will also ask about developmental milestones since clubfoot can be associated with other neuromuscular disorders. Developmental delays may require further medical follow up to evaluate for underlying problems.
Diagnostic procedures of the foot may include:
The affected foot may be flexible, known as a "positional clubfoot." This flexible type of clubfoot is caused by the baby's position in the uterus. Positional clubfoot can easily be positioned into a neutral (not curved) position by hand. A true clubfoot is stiff, or rigid, and very hard to manipulate.
The symptoms of clubfoot may resemble other medical conditions of the foot. Always consult your child's physician for a diagnosis.
Treatment for clubfoot:
Specific treatment for clubfoot will be determined by your child's physician based on:
The goal of treatment is to straighten the foot so that it can grow and develop normally. Treatment options for infants include:
What are long leg casts?
Long leg casts are applied from the upper thigh to the foot. These casts are used for thigh, knee, or lower leg fractures. They can also be used with knee dislocations or after surgery on the leg or knee area.
What are short leg casts?
A short leg cast is applied to the area below the knee to the foot. This type of leg cast is used for leg fractures and severe ankle sprains/strains or fractures. A short leg cast may also be used to hold the leg or foot muscles and tendon in place after surgery to allow healing.
Cast care instructions:
When to call your child's physician:
Contact your physician if your child develops one or more of the following symptoms:
Long-term outlook for a child with clubfoot:
Most infants with clubfoot can be corrected with serial manipulation and casting. Some infants may require surgery to help correct the position of the foot. Additional surgeries may be necessary since the deformity may come back as the child grows and develops.
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It is important to remember the health information found on this website is for reference only not intended to replace the advice and guidance of your healthcare provider. Always seek the advice of your physician with any questions you may have regarding a medical condition. If you think you may have a medical emergency, call your physician or 911 immediately.
© Children's Hospital of Orange County


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Phyllanthus niruri
|Chanca piedra
|Scientific classification
|P. niruri
|Binomial name
|Phyllanthus niruri
Phyllanthus niruri is a widespread tropical plant commonly found in coastal areas, best known by the common names stonebreaker or seed-under-leaf. It is a relative of the spurges, belonging to the Phyllanthus genus of Family Phyllanthaceae.
Common names for Phyllanthus niruri include Chanca Piedra in Spanish, Bhumyamalaki in Ayurveda, and Quebra-Pedra in Portuguese. The herb is known as Keezha Nelli (கீழாநெல்லி, an abbreviation of கீழ்க்காய்-நெல்லி, meaning 'berry under') in Tamil, Nila Nelli in Kannada,Keezhar Nelli in Malayalam and Nela Usiri in Telugu. It has many other common names in assorted languages, including dukong anak, dukong-dukong anak, amin buah, rami buah, turi hutan, bhuiaonla, and Meniran.
It grows 50 to 70 centimeters tall and bears ascending herbaceous branches. The bark is smooth and light green. It bears numerous pale green flowers which are often flushed with red. The fruits are tiny, smooth capsules containing seeds.
Traditional medicine[edit]
P. niruri is an important plant of Indian Ayurvedic system of medicine which is used for problems of the stomach, genitourinary system, liver, kidney and spleen.[2][3] The plant has also been used in Brazil and Peru as an herbal remedy for kidney stones.[citation needed]
Clinical study[edit]
|This section needs more medical references for verification or relies too heavily on primary sources. (May 2014)
A clinical study with Phyllanthus niruri, indicated that it may reduce the levels of urinary calcium.[4] A subsequent study of 150 patients over a 6-month period indicated that an extract of this herb reduces the incidence of stone formation, and concluded, "Regular self-administration of P. niruri after extracorporeal shock wave lithotripsy for renal stones results in an increased stone-free rate that appears statistically significant for lower caliceal location. Its efficacy and the absolute lack of side effects make this therapy suitable to improve overall outcomes after extracorporeal shock wave lithotripsy for lower pole stones."[5] A more recent rat study found that Phyllanthus niruri has been shown to interfere with many stages of stone formation, reducing crystals aggregation, modifying their structure and composition as well as altering the interaction of the crystals with tubular cells leading to reduced subsequent endocytosis." [6]
Links for other studies: http://www.ncbi.nlm.nih.gov/pubmed/10921385
- ^ "The Plant List: A Working List of All Plant Species". Retrieved June 6, 2014.
- ^ "Keelanelli". Tamilnadu.com. 21 January 2013.
- ^ Patel, Jay Ram; Tripathi, Priyanka; Sharma, Vikas; Chauhan, Nagendra Singh; Dixit, Vinod Kumar (2011). "Phyllanthus amarus: Ethnomedicinal uses, phytochemistry and pharmacology: A review". Journal of Ethnopharmacology 138 (2): 286–313. doi:10.1016/j.jep.2011.09.040. PMID 21982793.
- ^ Nishiura JL, Campos AH, Boim MA, Heilberg IP, Schor N (October 2004). "Phyllanthus niruri normalizes elevated urinary calcium levels in calcium stone forming (CSF) patients". Urological Research 32 (5): 362–6. doi:10.1007/s00240-004-0432-8. PMID 15221244.
- ^ Micali S, Sighinolfi MC, Celia A, De Stefani S, Grande M, Cicero AF, Bianchi G (September 2006). "Can Phyllanthus niruri affect the efficacy of extracorporeal shock wave lithotripsy for renal stones? A randomized, prospective, long-term study.". J Urol. 176 (3): 1020–2. doi:10.1016/j.juro.2006.04.010. PMID 16890682.
- ^ Boim MA, Heilberg IP, Schor N. (December 2010). "Phyllanthus niruri as a promising alternative treatment for nephrolithiasis". Int Braz J Urol. 36 (6): 657–64. doi:10.1590/S1677-55382010000600002. PMID 21176271.
External links[edit]
|Wikimedia Commons has media related to Phyllanthus niruri.
|Wikispecies has information related to: Phyllanthus niruri
- Bhuiaonla (Phyllanthus niruri): A Useful Medicinal Weed
- Medicinal Uses
- Tropical Plant Database
- Calixto JB, Yunes RA, Neto AS, Valle RM, Rae GA (1984). "Antispasmodic effects of an alkaloid extracted from Phyllanthus sellowianus: a comparative study with papaverine". Braz. J. Med. Biol. Res. 17 (3–4): 313–21. PMID 6529614.
|This Phyllanthaceae article is a stub. You can help Wikipedia by expanding it.


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In March, the New York City Housing Authority had a maintenance backlog of about 350,000 pending work orders from residents. Officials held a press conference to announce a goal: get the backlog down to about 100,000 by the end of the year. Given that the agency receives 50,000 new repair requests ... More >>
The absurdly long wait time for basic repairs has seemed to become just another unfortunate but standard inconvenience of living in public housing. Leaking ceilings, broken door locks, dead light sockets. A resident calls to report something in need of fix and winds up at the end of year-or-more lon ... More >>
Here's another nice parting gift for the Bloomberg administration in its waning days: a massive ruling issued late yesterday by a federal judge in New York's Southern District found that the city's emergency management plan discriminates against people with disabilities. The judge, Jesse M. Furman, ... More >>
Two years ago, we told you about Solange Lambert and Cosmo Salerno, a happy couple unhappily living in a place called Surf Manor. Surf Manor is an adult home, a sort of halfway house for mentally ill people, state-funded but privately owned and operated. Soon after arriving at Surf, Solange and Cosm ... More >>
New York still hasn't decided whether it's going to OK medical marijuana, but more developments across the U.S. suggest that it's spreading -- though with some legal blowback from the U.S. courts and feds.
More weed news from the West Coast: A federal court in California just ruled 2-1 that cities can ban medical marijuana dispensaries -- and that doing so doesn't violate the Americans With Disabilities Act. As detailed by the San Francisco Chronicle, San Francisco's Ninth U.S. Circuit Court of Appea ... More >>
As the Empire State Pride Agenda starts to mobilize lobbying efforts in Albany, it has become clear that the group will once again focus on GENDA, the Gender Employment Non-Discrimination Act. This decision, however, has prompted questions about the general direction of the organization, which is ... More >>
New York's Taxi of Tomorrow, said to be a big step up from the Crown Vic fleet circulating the city, might be so yesterday. That's because embattled mayoral candidate/ Comptroller John Liu, who has become very vocal on a variety of issues as his campaign progresses, will not ink the agreement unle ... More >>
If you want to pick a New York neighborhood to stand for snobby elitism it's easy to turn to the Upper East Side. And though that's a broad stereotype, a new controversy is helping to reinforce it. The Times brings us the story of the residents of East 69th Street near Lexington Avenue, who are join ... More >>
Rockland County resident Martin Kessman is suing White Castle under the Americans with Disabilities Act because he was unable to fit into his local establishment's booths. Forbes reports that Kessman, who is 290 lbs., is filing the suit after two separate trips to the Nanuet, New York White C ... More >>
Going to White Castle isn't for everyone.Looking for a bit of food news to make you sad this morning? Have we got the item for you. A White Castle addict in Rockland County is suing his beloved fast-food chain for repeatedly breaking its promise to make the booths in his local branch bigger t ... More >>
Solange Lambert and Cosmo Salerno can't wait to take their love outside the walls of an adult home on Coney Island. But for now, they have to wait.
The U.S. attorney's office in Manhattan is going after five midtown hotels they say are not in compliance with the Americans with Disabilities Act -- that is, they don't accommodate people in wheelchairs. The Ameritania, Moderne, Amsterdam Court, Radio City Suites and the Hotel Carter were named. A ... More >>
Clinton Does the Democratic Primaries
With Republicans in power, equal protection under the laws will continue to diminish
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I am 50 years old, and well over four feet.I started blogging in February, 2006. I chose the pen name "Ur-Spo", as "Ur" suggests something ancient and primordial."Spo" is a funny sounding word I remember from college days. Saying it always made me smile."Ur-Spo" sounds like the start of a joke, or something archetypal and comic. Rather lofty, for someone who wants to just write out dribble.My real name is Michael.I have a long time companion. In my blog, I refer to him as Someone. This is in honor of own of my favorite authors, the late Alice Thomas Ellis.I write about my daily doings and thoughts, and what is on my mind. My blog is my way of scratching an itch to be a writer.As a psychiatrist who is trained in the Jungian school of psychology, I sometimes write about Jungian concepts -or my daily life as a physician.Some ongoing categories you will see here:Randoms ThoughtsNotes from the OfficeCurious Things about the HouseSpo-Reflections on (insert topic here)In my second half of my life I am opening up to new ideas and growth of the Self – but I would like a cup of tea, please.I meet many bright and friendly souls along the way. I thank you for dropping by. It is an honor for me. Please leave a comment if you like something – and to tell me who you are!I hope our time together is something marvelous.
Friday, March 22, 2013
4 comments:
you picked FABULOUS pictures of the guest of honor!ReplyDelete
love you! :)
That's a very good pick-up.ReplyDelete
Excellent choice for a pick=up! Let me tell you something about Dr. Spo, who I had the pleasure (all mine) of meeting in person at this year's Bloggerama. He is even more handsome in person and I think one has to agree he pretty darn well good-looking in his photos. And, he is TALL! I was very surprised at how tall he is, which, to me only added to his sexiness. And the best part of meeting this delightful man, he is just as charming, thoughtful, intelligent and sexy in person as he is in his blog. I sense that Dr. Spo is uncomfortable when I tell him this but I am telling one an all, Dr. Spo is a doll. Handsome, kind, intelligent, thoughtful and funny. I'm still looking for a flaw and have yet to find any in this man. He is a delight as anyone who has met him in person can attest to. I would share a jail cell anytime with MIchael.ReplyDelete
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Atheist teen stands behind her position after school prayer banner taken down Comments
A prayer banner at Cranston High School West in Rhode Island, part of the school since 1963, has been covered after a teenage student there complained that it violated the separation of church and state. Student Jessica Ahlquist is standing her ground, since 2010, she's been receiving online threats and has been targeted by bullies for her convictions. Continue Reading
41 - 46 of 46 Comments
2 years ago
This student and her parents need to have their heads examined. This is what they spend their time on? Maybe they should be concentrating on studying hard for tests and getting into a good college or training program of some sort. The banner has been there since 1963 and what harm has it done other then to annoy this child and her ignorant parents? This is just another case of incompetent parenting. God help those people.
2 years ago
Once again the separation of church and state is misused and misinterpreted,Separation of church and state was meant to keep the govt from endorsing one Christian denomination over another.It is not meant to keep religion out of govt. If this student who is an atheist is offended she should be told simply to ignore it.Afterall,whenever there is an offensive attack against Christianity on television or in the arts are'nt we told to look the other way or to accept it as "freedom of expression"?Secondly..if she believes in nothing..then why is she offended by something that should have no meaning or purpose to her?I guess we could hang a blank piece of paper on the wall for her next to the banner and then she'll be represented as well.This poor girl claims to once be Catholic...I have news for her..she was baptized and her soul permanently marked...her renouncement of God will only land her in hell..I pray that she will one day find God before it's too late.
2 years ago
Of course Mrs. Alhquist has the right to not believe in GOD, but poor Mrs Alhquist. She needs understand that and whoever like her has the same "feelings", also...We, the believers, have the right to leave the banner. Suggestion Mrs.Alhquist, move your head to the other side, you will not see the banner, and I truly pray that our father shown you who you are. Time to wake up Jessica.
2 years ago
Atheist intolerance?
I was wondering whether the student, who, according to the report is an atheist, is displaying the same intolerance in the name of atheism as those who are reportedly threatening her for her convictions. If her opposition is on the grounds of separation of church and state, would it hold ground considering the prayer was written by a student and is not a direct quotation from any scripture?
2 years ago
It is sad to see people of faith so quick to attack this girl who simply pointed out that the law was being broken. Imagine if the 'non-religious' mural (or so the defenders have claimed) had said "Allah the merciful" at the start or "Satan, the dark lord" - would they still be claiming that this mural should remain?
The removal of this banner protects people of ALL faiths from being exposed to views and expressions they may find harmful in the public arena. Rather than taking away the rights of private individuals to their own religious views this decision empowers them, stopping enforced religious views on us all.
As Christians we should be thanking this girl for preserving our rights.
2 years ago
I don't like that they have to remove the prayer. However, I agree they should. What if our children were forced to pledge their allegiance to our Holy and All-Seeing God-President every day at school? I am pretty sure we would all see the issue with that. While I think we must protect the rights of our children to engage in religious activity at school (like Pro-Life clubs or prayer groups) and to speak their opinions (like being able to say they oppose gay marriage or write editorials for the school paper to that effect), I do agree that the public school itself should refrain from any religious activity or position. Otherwise, the schools could end up forcing religious activity that does not happen to be Judeo-Christian.
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Denver • The San Diego Chargers launched their drive to make the playoffs just in time. In their last game, they started too late.
San Diego finished strong in the team's first season under coach Mike McCoy, a former University of Utah quarterback. But a fourth-quarter rally in Sunday's 24-17 loss to Denver in an AFC divisional playoff game could not quite match the Chargers' December performance.
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The biggest problem was an offense that produced only 79 yards and zero points through three quarters. Thanks mostly to quarterback Philip Rivers and receiver Keenan Allen, the Chargers delivered 180 yards and 17 points in the fourth quarter, scoring on all three possessions.
"We got it going pretty good, and they knew it," Rivers said. "If we got it one more time, I believe deep down that we would've tied that thing up. Those are all a bunch of what-ifs."
Denver converted a third-and-17 play to keep the ball and eventually run out the clock. But the Chargers needed to do much more offensively than they did in the first three quarters.
The line could not protect Rivers or open holes for Ryan Matthews, the centerpiece of the Chargers' game plan. Rivers also missed some throws and his receivers dropped a couple of balls, all contributing to the ineffectiveness.
Naturally, coming as close as they did in the end just made the Chargers feel worse. Yet their effort was a credit to McCoy, the former Broncos offensive coordinator who took the San Diego job last January.
"Fight to the bitter end," McCoy said. "That's what we've said all year long."
Chargers safety Eric Weddle, another ex-Ute, will play in the Pro Bowl later this month to conclude his seventh NFL season. Weddle is proud of his team's progress under McCoy, but he hopes nobody's satisfied with advancing through one round of the playoffs.
"Our dreams are shattered, so it's hard to look at the good things we did," Weddle said. "We're extremely disappointed and hurting. You work every day, every hour, every minute for a chance at the ultimate goal, which is the Super Bowl, and to have that goal not attained, it's hard to deal with and it will take a very long time to get over it."
Weddle made three tackles Sunday. He nearly kept Denver's Demaryius Thomas out of the end zone in the first quarter, but a replay upheld Thomas' 2-yard touchdown reception.
Copyright 2014 The Salt Lake Tribune. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.


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The Franchise Pick blog has admitted to pandering and prostitution in connection with blog posting scheme in which it traded good taste for easy Internet traffic. Said FranchisePick.com blogger Sean Kelly "I'm guilty… I guess I got seduced by the … More
The owner of the Grab-N-Go Bikini Hut chain of drive-thru coffee kiosks is allegedly alleging that recent prostitution charges against his beautiful baristas are nothing more than a vendetta waged by the lovelorn police officers of Everett, Washington. Also read: … More
The latest Sexpresso scandal – in which 5 bikinied baristas from Grab-N-Go Espresso in Everett, Washington were charged with prostitution in their little kiosks – has significantly escalated. Escalated my blog traffic, that is. In fact, I didn't know anything … More
Espresso's Gone Wild in Everett Washington. 5 Accused of prostitution at Grab-N-Go Espresso, Everett, WA. The reluctant home of the controversial Sexpresso trade (scantily clad bikinied baristas in drive-thru kiosks) has been rocked by claims that Grab-N-Go Espresso is offering … More


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Seth Wiscombe
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Gift of Pickens is under way, so be sure to order yours for holiday gifts today! Give the Gift of Pickens and support the Shop Historic Pickens initiative! Certificates are good at several locations all over the community and more are added every day!
If you are a merchant interested in participating this year, please contact the PRA today for more information.
Participating Merchants:
- Nestfeathers
- Michael's Restaurant
- Oh Joy!
- Your Home Furniture
- Pace & Reeves
- Burning Brick Tavern
- Main Street Spirits
- Town & Country Florist
- East Main Treasures
- Save-a-Lot
- Stockade 'n Stuff Antiques
- NAPA Auto Parts
- Antiques & Uniques
- Pizza Inn
- GateHouse Restaurant
- Shabby and Chic
GOP Prospective Participant Packet
GOP Prospective Sponsor Packet


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Karnataka CM lauds Kharge for pro-state interim railway budget
Karnataka Chief Minister Siddaramaiah Wednesday lauded union Railway Minister Mallikarjun Kharge for presenting a pro-passenger interim budget with a slew of new trains and projects for his home state.
"The interim railway budget for ensuing fiscal (2014-15) has protected interests of people by sparing them from hike in passenger fares and freight charges. It is a growth-oriented budget for all-round development," Siddaramaiah said here in a statement.
Kharge represents the Gulbarga constituency, situated in the northern region of Karnataka, in the Lok Sabha.
Thanking Kharge for addressing the needs of the people, the chief minister said the proposal for survey of new lines, gauge conversion and doubling of tracks in the state would increase rail density and provide better connectivity for passenger and freight movements.
"Similarly, introduction of four 'Jai Hind' express trains, including three weekly ones between Bangalore and Jaipur, Patna, Katra in Jammu & Kashmir and a bi-weekly to Thiruvananthapuram in Kerala will facilitate greater movement of people across the country," Siddaramaiah said.
Kharge has proposed a survey for laying new lines across the state between Tiptur and Dudda, Challekere and KB Cross via Hiriyur, Bellary and Lingasugur via Siruguppa, Miraj in Maharashtra and Channarayapatna in Hassan district via Bijapur in the northern region of the state.
The railways has commissioned the line between Kadur and Chikmagalur (46 km), two broad gauge lines between Kolar and Chickballapur (85 km) and Hanumangarh and Sriganganagar (64 km) and completed doubling of tracks between Maddur and Mandya (19 km) and Birur and Ajjampur (18 km) across the state during this fiscal (2013-14).
Complimenting Kharge for responding to the long standing demand of the people to operate more intra-state trains, Siddaramaiah said the proposed five new services would meet the growing needs of passengers from other states and en-route.
In his 15-minute presentation, Kharge said of the 50 new express trains, five will run through Karnataka -- from Bangalore to Chennai (daily), Bangalore to Howrah (AC weekly), Hubli to Mumbai (weekly), Gulbarga to Hyderabad (daily) and Mysore to Varanasi (bi-weekly) and a fast passenger between Hubli and Belgaum in the northern region of the state.
The frequency of three express trains from Bidar to Bangalore, Hubli to Vijayawada and Hubli to Secunderabad has been increased to daily from three days in a week.
"Kharge has done a yeomen service to the people of the state though he took over the ministry only eight months ago (June 2013)," Siddaramaiah asserted.
(Posted on 12-02-2014)
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NVDAILY.COM | Reader Recipes
Posted October 29, 2010 | Leave a comment
Broccoli Casserole
4 pkgs. frozen chopped broccoli
Prepare frozen broccoli according to directions. Melt together cheese and 1/2 of the butter. Mix drained broccoli with melted cheese mixture. Spread mixture in a baking dish. Sauté crushed Ritz crackers with remaining butter. Spread crackers on top of broccoli mixture. Bake at 350º in oven for 15 minutes.
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Where your support goes In your parkHyde Park The Regent's Park St. James's Park Richmond Park Kensington Gardens Greenwich Park Bushy Park The Green Park Where your support goes
10 October 2014
On your marks, get set... go!
This year's Royal Parks Foundation Half Marathon on Sunday 12 October looks sets to be bigger and better than before. More than 16,000 runners will run this stunning 13.1 mile autumnal route dubbed the most beautiful run!
25 September 2014
London Month of the Dead
This October, experience intriguing talks and curious workshops to inform and entertain on the subject of death and London cemeteries - you'll leave feeling more alive than ever and 20% of all tickets sales help restore Bromton Cemetery too!
20 October 2014
Squirrel Robert Eriksson 'cracks' his 50km challenge!
Super squirrel Robert Eriksson not only took on the challenge of 'conkering' the Royal Parks Foundation Ultra Marathon as a member of Team Squirrel, but he did so on his 40th birthday! Find out why...
26 September 2014
Holly gets ready to 'conker' the race!
With just 2 weeks until the Royal Parks Foundation's Half Marathon, Super Squirrel Holly Vitow talks about why she chose to join Team Squirrel and raise funds for the Royal Parks Foundation.
Over to you Survey
If you really were a squirrel?
Runners in Team Squirrel are busy training for the Half Marathon on 12 October. It got us wondering how would a real squirrel train for a run?


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05 Aug
BYU has 'epic lip sync battle' to start football season
This looks fun.
This looks fun.
The Washington Nationals star is a virtuoso on the base paths.
Chicago Bears wide receiver Brandon Marshall stopped by NFL.com's Around The League podcast Tuesday and (…)
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Expert Filmmaker Builds Online Community
Pioneering filmmaker Ryan Connolly shares his passion for Adobe's pro video software.
After graduating from film school, Ryan Connolly started out in a fairly typical fashion: creating music videos and commercials for local clients. He then went on to run the video studio at PC game company Alienware. But rather than continue following the path of most aspiring filmmakers, Connolly came up with the idea to create Film Riot, an online show that would let him share how-to filmmaking tips, get feedback on his work, and ultimately build an audience and a community. His renegade style has earned him a loyal online following and his company Triune Films continues to produce weekly online video content as well as short films and other film projects.
Adobe: What makes you an industry rule breaker?
Connolly: My success with Film Riot lets me be my own boss and do less client work. Not that client work is bad, but at Triune Films we want to be a group of friends having fun, doing what we want to do. We've been fortunate enough to achieve that. We don't have a typical day or week; it really depends on what we're working on at the time. If things get too normal I get completely disinterested. That's why Film Riot isn't the same thing each time.
Adobe: Your name is associated with Triune Film and Film Riot. Can you tell us how they're related?
Connolly: Triune Films is the parent company that produces Film Riot, along with our other programs and projects. Film Riot is an online training ground for how to make great effects, learn best practices for editing, and we also do video challenges and give out prizes to winners. For me, the big thing with Film Riot is that we've built an amazing community; it's not mandatory, but it has become part of our DNA to be kind, helpful, and supportive of each other in our creative efforts—versus critical. We've also built a loyal following on social networks: Twitter, YouTube, and Facebook.
Adobe: Are there other aspects to the business?
Connolly: Yes, we've built a brand that caters to indie filmmakers, who are a passionate bunch. We sell T-shirts, color preset packs for Adobe After Effects, sound effects packs—all kinds of things that our audience wants. We've also started a weekly YouTube show called Variant that focuses entirely on comics.
Adobe: Which software have you chosen to use over the years?
Connolly: After Effects has always been our go-to for visual effects. For editing, I started using Adobe Premiere Pro right off, and then switched to Final Cut Pro when I went to film school. When Apple introduced Final Cut Pro X that was the end of that.
I'm now back on Premiere Pro CC and its integration with all the Adobe software is amazing. It saves me hours every week because I'm not spending time rendering out sequences and trying to put them back in the timeline and fuss with them. The first time I saw Dynamic Link, I was amazed. If an edit to an effect is required, I just Dynamic Link the change from After Effects CC and have it flow to Premiere Pro CC automatically. The integration among all the Adobe software programs just seems to get better and better.
Adobe: Now that you have Adobe Creative Cloud, which applications do you use most?
Connolly: My main four are Premiere Pro CC, After Effects CC, Audition CC, and Photoshop CC. Every now and again I use SpeedGrade CC for color correction and I've also started using Story Plus CC for collaborative scriptwriting, which I first tried because it was available to me through Creative Cloud; it's the best collaborative scriptwriting software on the market, in my opinion. My designers also use Illustrator CC for title designs and so forth. I have to say, once I got Creative Cloud, I downloaded all kinds of software and kept thinking, "Wow, I can have this, too?" The choices were exciting.
Adobe: How big is your team and what volumes of content do you produce?
Connolly: Today, we have four full-time and two part-time employees. Two of us are editors and we have one VFX expert. The others are focused more on logistics such as shipping, customer service, and social networking. I'm the only all-around filmmaker. I focus on writing, producing, and editing—tossing the heavier visual effects stuff to our VFX artist. In terms of volume, we produce a lot of content between our weekly shows and other projects. We're doing about three online episodes per week in addition to short films and miniseries-type work. We recently created a short film called Proximity. There's always a ton going on.
Adobe: How can your team keep up?
Connolly: A lot of it has to do with Creative Cloud. It's so important to have everyone on the same software versions and be able to bounce everything back and forth on Macs or PCs. There are fewer kinks and version control issues in the workflow and that makes it easier for our small team to stay incredibly productive.
Adobe: How has your audience grown?
Connolly: We're always looking at our Twitter, Facebook, and YouTube numbers. When the numbers get stagnant, we know we need to switch gears and amp things up. We experienced gradual growth for many years, but over the past year-and-a-half our growth has accelerated. During that time we doubled what initially took us three or four years to grow. We now have 441,000 YouTube subscribers and more than 66 million views of our Film Riot videos.
Adobe: What's next for you?
Connolly: We plan to get into more new media and online shows as well as publishing comic books. We'll continue to create short films, but we really want to move into creating full-length feature films. For now, one of the things I find most exciting is to have the opportunity to be somewhat of an online presence. It has been exciting to build a community that is friendly, collaborative, and constructive for creative indie filmmakers.
Watch Adobe & The Frog, Ryan's recent video produced in conjunction with Adobe.
Learn more about the video apps and services in Adobe Creative Cloud.
Download a free trial of Adobe Creative Cloud.
Devin Super Tramp Achieves Extreme YouTube Success
A brilliant emerging filmmaker uses Adobe Creative Cloud to edit weekly videos for the popular online channel
Extreme sports videos are a hit on YouTube, but few think about the behind the scenes work that it takes to capture these daring events on film and share them with the world. Devin Graham, aka Devin Super Tramp on YouTube, knows firsthand. To stay one step ahead of extreme sports enthusiasts, he has paddled for hours through waves with camera gear in a dry bag, hiked through jungles, and braved extreme temperatures to capture shots that may last only a few seconds. The result? Millions of viewers, 1.8 million subscribers and plenty of high-profile endorsements. For Graham, living on the edge is an everyday part of life, one he tackles with joy, enthusiasm, and the video tools in Adobe Creative Cloud.
Adobe: Tell us more about your background.
Graham: Since I was a little boy, I always wanted to make movies. I created LEGO movies, music videos with siblings, and snowboarding videos with friends. I bought cheap cameras and ultimately broke them. Making movies always made sense to me. I started editing with Pinnacle Studio software in high school, but quickly switched to Premiere Pro.
After high school I went to Brigham Young University (BYU) for filmmaking and learned Final Cut Pro and Avid. I thought that I wanted to do big Hollywood productions for the entire world to see. During my time at BYU I had the opportunity to go to Hawaii to work on a couple of projects. That's when I learned about YouTube and realized I could have a bigger voice online, creating content that I wanted to create without a producer or studio dictating what I could and couldn't do. I started making YouTube videos and right away they went viral. Recognizing the opportunity that was in front of me, I dropped out of film school to pursue a YouTube career.
Adobe: How do you explain the success of your YouTube channel?
Graham: A lot of people think I just go out and have fun, and I do, but it's also a lot of hard work. I made a video, Fighting for your passion—Inside look at what I do for a living because I'm asked about it so often. As I say in the video, I want to get the shots that no one else will get, and there's usually a crazy story that goes along with each one.
As soon as my videos started going viral, advertisers contacted me and wanted to get involved. I've recently done work with Ford and Mountain Dew—which has been really fun and I've been grateful for the opportunity to work on these projects. A few months ago Universal Studios invited me to fly out and use their backlot for a shoot. Again, I know it sounds glamorous, but there are a lot of other shoots where we're sleeping in tents, getting up before dawn, and hiking for miles to try to capture a four-second shot.
It's all worth it, though. I love knowing that when I post a video it goes out to hundreds of thousands of fans. Those are ultimately the people who determine my success.
Adobe: Why do you call yourself Devin Super Tramp?
Graham: Super Tramp comes from the book and movie Into the Wild, about Christopher McCandless. He abandons his possessions, gives his entire savings to charity, hitchhikes to Alaska to live in the wilderness, and changes his name to Alexander Super Tramp. It's a story about how he went out and pursued his dreams, much like I'm doing. In the end, he realizes he should have shared his joy and adventures with the world. I'm taking that next step, learning from his mistakes, and sharing my experiences. It's been awesome because I've gotten email from fans around the world telling me how I've touched their lives, which is incredibly meaningful.
Adobe: How do you come up with the ideas for your videos?
Graham: I want to create content that people want to see and I want to do projects that interest me. People love the extreme sports videos, but I've also tried to branch out and build my audience in other ways by looking at what's popular and trendy. For instance, I created the video Assassin's Creed Meets Parkour in Real Life and timed it with the release of the Assassin's Creed video game. Because it focused on a popular, timely topic it got more than 30 million views. I also look at Facebook and Instagram to see what people like. A friend's picture on Facebook, of a puppy in a package at Christmas, had an amazing number of likes. I decided to do a video called Puppy Christmas that was very successful; it was even showcased on Good Morning America.
Adobe: Tell us more about your workflow and your transition from Final Cut to Adobe Premiere Pro CC.
Graham: I had been using Final Cut Pro for years, because that was the editing software taught at BYU. I knew all the shortcuts and was familiar with Final Cut, but the workflow was painful. I spent so much time converting file formats before I could even start editing, and the multiple resulting files consumed tons of storage. I knew I needed to move back to Premiere Pro, but honestly, I was dreading the switch. When I opened Premiere Pro I realized I could use the same keyboard shortcuts that I did in Final Cut Pro. It took one or two days to get familiar with the software again, and it's been great ever since.
I shoot on a Canon 5D Mark III and Mark II, Canon Cinema 1DC, as well as a GoPro Hero3, iPhone, Epic, and Phantom cameras. When I finish shooting I put everything on a hard drive, label it, open Premiere Pro, and start editing on my laptop—it's that simple. I often edit when I'm on airplanes, in airports, or in hotel rooms and Creative Cloud gives me the flexibility to work from anywhere. I keep my editing process as simple as possible, using Warp Stabilizer to smooth out shots and the Lumetri Deep Color Engine to apply SpeedGrade looks from within Premiere Pro, then Premiere Pro allows me to easily optimize and export files for YouTube.
Adobe: Did you transition to new hardware as well?
Graham: For years, I've been an Apple user however I was open to new hardware that could perform faster. Recently, I stepped into an HP Z820 system and found it performs faster than my current MacBook Pro Retina. Additionally, it handles my 4K files without issue which allows me to work with my files in real time, so my workflow is certainly faster. And I need that.
Adobe: What does your use of Adobe Creative Cloud mean to you from a professional standpoint?
Graham: I put out a video every week, and I usually try to stay ten to fifteen videos ahead of schedule. I typically have a lot of footage already shot that is ready to edit. Premiere Pro helps me work a lot more efficiently than I could before. I use Photoshop CC to tune up still photos and upload them to Facebook, Twitter, and Instagram for promotional purposes. I also use After Effects CC on occasion for creating VFX, and Illustrator CC for vector graphics.
Adobe: What do your film school friends think of your success?
Graham: When I decided to go this route my film friends didn't really think anything would come of it. Since then, about half of them have started their own YouTube channels. BYU also brought me back to teach a semester on social media and how to launch a film career. The biggest lesson I tried to impart was that it's not easy, that you have to go the extra mile to capture that special shot. For me, that will always be what's next: I was born to be a filmmaker who gets the shots others won't have the ambition or drive to get.
Rope Swing Zipline—NFL Stadium
Zipline Rope Swing Behind the Scenes
Wheelchair Freestyle—Wheelz—Gnarly!
Watch more on YouTube
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Don't Fast Forward
Commercial television editor delivers stunning spots using an Adobe Creative Cloud workflow
Our friend Adam Pertofsky at Rock Paper Scissors has been busy these last few months. Since we last spoke with him, he's completed the third part of the Captain Morgan series of commercials and cut three additional spots, one of which aired during the Super Bowl. We took a few minutes to catch up with him on his recent projects and use of Adobe Creative Cloud:
Adobe: Tell us about the Super Bowl commercial you worked on.
Pertofsky: It is the 60-second "Going All The Way" Coca-Cola spot that aired during the second half of the game. We worked on it with Wieden+Kennedy. I did all of the editing in Premiere Pro CC, as well as some color correction for the client presentation. It is a really sweet, classic spot that a lot of people will be moved by and enjoy.
Adobe: What other projects have you worked on?
Pertofsky: I cut a simple, funny commercial for Chevy that will air during the Winter Games. It was an easy process of working in Premiere Pro to do cuts and throw in some graphics using the Luma Key. I also used the title tool in Premiere Pro to set up a string of options for the creative director to look at and it was amazing and super simple.
Adobe: Did you use any other Adobe tools on this project?
Pertofsky: I've been using a lot of Adobe Media Encoder, which I find really fast and terrific. Recently, I was at my daughter's volleyball practice and I needed to do some unexpected cut downs for the Chevy spot. I jumped into the back of my car, set up the project, did the cut downs, threw them into Media Encoder and was able to upload them using my phone.
Adobe: What's the biggest project you've worked on recently?
Pertofsky: I cut a four-and-a-half minute commercial for Samsung with R/GA San Francisco. In the spot, aliens take over the earth and challenge the world to a game of football (soccer). It is a massive spot with a lot of variations and the version I worked on ties everything together. I used a lot of tools within Premiere Pro and a lot of After Effects CC, which was terrific. Reframing things and putting them in the right position before sending everything to the post house for final finishing was so easy and fast in Premiere Pro.
Adobe: How do you feel about the Captain Morgan series you completed?
Pertofsky: The last Captain Morgan spot came out great and I'm really proud of it. The project involved heavy use of After Effects and Premiere Pro. I love knowing that when I have a big effects gig going I have powerful programs that I can work with to make the offline presentation look good. For the Captain Morgan spot I used After Effects to create a garbage matte around an object that let me move things around easily and quickly, which was a huge help. Moving elements around and reframing is much easier and faster thanks to Dynamic Link; I can line everything up in Premiere Pro, quickly jump into After Effects, and then easily go back and open the project in Premiere Pro again with all of the moves applied.
Adobe: Now that you've been working with Adobe Premiere Pro CC for a while, have you made any new discoveries?
Pertofsky: One of the tools that works great in Premiere Pro is mixing on the fly. I can set it up, mix the spot, and it leaves keyframes behind that I can manipulate further later. A lot of times as I'm showing a rough cut to a client I'm actually mixing it in Premiere Pro at the same time. Then when they ask to watch it again, I'm just fixing the mix and it speeds up the whole process. This is also useful because clients don't have the appetite to look at rough cuts, they want to see it as close to finished as possible without paying for it to be finished. We have to do as much as possible in the cutting room to make it look good. All of the LUTs that are in Premiere Pro are terrific for doing quick color changes.
Adobe: Are there any other tools that help speed your workflow?
Pertofsky: I have an NVIDIA Quadro K5000 and it makes me completely forget about rendering. With everything going in and out of After Effects and adding effects in Premiere Pro, it never slows me down.
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Hearst Television covers The Winter Games
A remote team uses laptops equipped with Adobe Premiere Pro CC to edit and package athlete stories
Since the beginning of the Winter Games, Hearst Television has been on site in Sochi delivering general coverage, as well as profiles of individual Team USA athletes. Hearst relies on a tapeless workflow and reporters in the newsroom and out in the field use Premiere Pro, part of Adobe Creative Cloud, to assemble and edit their stories.
The broadcaster moved its news operations to a file-based pipeline four years ago. As part of the transition, it partnered with Adobe for its editing platform combined with a Bitcentral production system.
"We brought people from the stations into the transition process very early, so it worked out well and they were really pleased with it," says Joe Addalia, director of technology projects for Hearst Television. "In our creative services group the team immediately wrapped their arms around the Adobe workflow; when the creative people start saying how much they love Adobe tools the news people hear them and start becoming champions too."
Today, 19 of the 25 Hearst stations that produce news use Premiere Pro for day-to-day cutting of news stories. In the field crews are equipped with HP or Dell laptops running Premiere Pro and sometimes Prelude.
This month, the remote workflow is being put to the test: A team of eight people, including a mix of photojournalists, reporters, producers, and a technical lead are working on-site in Sochi putting together human interest stories about athletes who live in the communities where Hearst broadcasts. The team is covering U.S. athletes in their local markets, with additional material delivered to Hearst's ten NBC affiliates.
"It's my job to make sure everyone's laptop does what it is supposed to do in a foreign environment," says Larry Vancini, Hearst's technical lead on the project. "Once the crews and teams acquire the news and create a package, I get the finished packages back to the stations and handle any necessary embargoing. If something is shot only for NBC, and only for Louisville, the correct metadata must be present when that package is uploaded."
Vancini uses Media Encoder to output the proper file formats, including presets he has created for standard definition and high definition H.264. Of the nineteen stations that have Premiere Pro, seventeen of them also use Bitcentral as their production system. Metadata is entered within Bitcentral whenever content is uploaded. Once the material is ready, the network of Bitcentral stations are alerted that the content is available and the remaining stations have access to it via a web browser.
In order to handle the amount of content it's tasked with creating in Sochi, the Hearst team pre-writes most stories—which helps the team organize their time and gives them the ability to jump on stories that develop in the moment. Reporters may use previously shot content of local athletes and combine it with fresh Sochi footage. Producers laying out the plans have a seven hour time difference in their favor so they can work a day ahead and get direct feedback from the stations, when necessary.
While reporters don't have the luxury of working a story right until the moment it goes to air, in Sochi only one news package each day is date- and time-sensitive, all other stories can be completed and uploaded a day ahead of time, so the stations have plenty of time to bring them to air. Despite distance and bandwidth constraints, the team is excited to be working on site at The Games and delivering high-quality content back to local stations hungry for coverage.
"We've dabbled with the system since the election and also used it for localized coverage of the Zimmerman trial," says Vancini. "In that case we were in the same time zone and all content was edited locally with Premiere Pro and encoded using Media Encoder. We pushed the files back on a high speed pipe and it worked flawlessly. We've taken this model and applied it to our Sochi workflow and it's going well."
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Art directors are becoming animators. Print designers are becoming web designers. Illustrators are also photographers and editors who also shoot film. They are the New Creatives, and we are celebrating their work.
With the Creative Cloud our product teams have removed the barriers to creative expression: Designers can build parallax HTML5 experiences. Illustrators are making EPUBs. Photographers are using their cameras and Adobe technology to become filmmakers. And coders have the tools to make beautiful design.
It's an amazing and interesting time in our industry; people have the ability to self-express, in any discipline, without boundaries. I Am The New Creative promotes the amazing work our community is producing and marks this moment in time as a movement and a celebration of creativity.
One of the most incredible aspects of this program has been watching creative professionals merge their mediums and their portraits to produce "New Creatives" versions of themselves.
There's something magical about the compositions. As a designer there's always a part of me in my work, but to personalize my work in this way, to make my work more representative of me, presents an alternative perspective. All of the artists we're working with are enjoying this experience and are appreciative of our desire to promote their amazing creative output.
Our new site highlights the New Creatives, their disciplines, their work, and their stories.
Visitors to the site can join us and become New Creatives (submissions are made through Behance and curated by our team); we'll be choosing a number of artists and celebrating them and their work throughout our social properties and on Adobe.com during the coming year.
Be sure to check out the work of the New Creatives, get inspired, and join us.
Graphic Designer / Executive Creative Director / Maker of things
December 2013 Brings New Creative Cloud Pro Video Releases
Creative Cloud is always evolving and ongoing updates are one of the most popular benefits for users. In a fast-changing industry, Creative Cloud members always have the latest versions of the pro video tools as soon as they are available, including feature enhancements and optimized performance.
This morning updates for Adobe Premiere Pro CC, SpeedGrade CC, Prelude CC, and Adobe Media Encoder CC will begin rolling out. The new video updates will become available to Creative Cloud members over the next 24 hours. A new After Effects CC update will follow soon.
Adobe Premiere Pro
Adobe Premiere Pro CC has seen four new releases in this year (June , July , October, and now, December) – all within the 6 months since the CC version was announced. Guided by user requests, the Adobe Premiere Pro CC December 2013 release adds Open CL performance enhancements, media management improvements like multiple Media Browser tabs, new editing enhancements for even greater workflow efficiency, and delivers more intuitive voiceover recording.
"Adobe is committed to delivering the best professional NLE in the industry," said Al Mooney, senior product manager for Adobe Premiere Pro. "Video pros need tools that keep up with ongoing developments in film and broadcast. That's exactly what Creative Cloud gives them."
After Effects
After Effects CC, the leading motion graphics and visual effects application, is evolving faster than ever with Creative Cloud. "Our team turned around this release in a matter of weeks based on direct feedback from our users," said Steve Forde, senior product manager for After Effects. "With regular Creative Cloud updates, we're able to continually evolve and enhance our feature set. Your tools just keep getting better."
The After Effects CC December 2013 release will offer customizable output of file name and path templates, improved snapping behavior, enhanced scripting options, and the ability to migrate user settings when updating to newer versions.
More updates for video pros
Creative Cloud offers video pros an integrated workflow across the video production applications. The December 2013 releases also includes updates to SpeedGrade CC , Prelude CC, Adobe Media Encoder CC, and Adobe Anywhere for video. Along with performance enhancements, SpeedGrade also offers expanded camera format support in Direct Link mode. Prelude CC has added support for the latest Adobe Anywhere protocols. Adobe Media Encoder now includes Sony XAVC format support, and Adobe Anywhere introduces performance improvements and diagnostic tools for monitoring system status.
Creative Cloud: one million strong and growing
There are already over one million Creative Cloud members with more joining every day. Already a Creative Cloud member? Launch the Creative Cloud application to get started using these great new features. The new updates will be available there within 24 hours.
Not yet a Creative Cloud member? Sign up for a free membership and get access to 30-day trials of every Adobe creative desktop application, including the latest versions of all the video tools.
Want to learn a new creative app? Both free and paid members also have access to cool new training videos, including sample work files, in Creative Cloud Learn to help you get up and running fast.
Delivering on the Creative Cloud Promise of Continued Innovation – NEW Premiere Pro features available NOW
One of the best things about Creative Cloud is that the product teams are able to develop and release features in cadence with the demands of the rapidly growing and evolving creative industries. The Premiere Pro CC July 2013 update, available now, is the first example of that, and the Premiere Pro team is thrilled to be able to give the video community multiple new editing features so soon after the first CC release – less than a month after we shipped CC. These features are focused in the areas of timeline editing, viewing, navigation and media management, and are direct responses to customer feedback we've been closely listening to. The release also includes a number of bug fixes, including a documented critical bug with multicam workflows, and is recommended for all users.
For all the details on the July 10th release of Premiere Pro CC visit: http://adobe.ly/13Kqfyr
Learn the Ins and Outs of Premiere Pro CC: Premium Beat Shares 10 Time Saving Tips
Get ready – the next generation of video production software is almost here. Later this month all you video pros will be able to get your hands on Premiere Pro CC. But why wait until then to learn the ins and outs? The Beat blog (@premiumbeat) shares tips that will save you time and get you up to speed quickly with the changes and new features in Premiere Pro CC.
Note: the tips and images below were taken directly from The Beat blog.
Assembly Workspace
Premiere Pro CC adds the new Assembly Workspace. This is a workspace layout that has a large Project area with the Program & Source Monitors sharing space. This is a handy workspace if you like to use Premiere Pro's Hover Scrub, then set In & Out and use shortcuts to quickly Insert or Overwrite edit.
As the name suggests, this workspace is designed for quickly creating a rough cut in Premiere Pro.
Improved Multicam
In Premiere Pro CC you can mix different media, frame rate and sample rates. You have the new option of "sync to audio" which is handy if you have audio from a separate audio recorder that you want to sync to video clips.
Add Edit & Duplicate Frames
You can access settings for "Show Through Edits" & "Show Duplicate Frame Markers" from the Timeline Display Settings in the Sequence.
Now you can choose to see through edits and duplicate frames when you have used part of a clip
Write Keyframes in Audio Clip Mixer
Premiere Pro CC adds a Clip Audio Mixer to make working with clip audio easier. They also add the ability to record audio keyframes by selecting the "write keyframes" button. Click the button and then move the Fader to record keyframes while the clip is playing. There is a Preference for thinning out keyframes so you can then modify them as needed.
We've just outlined a few tips here. Be sure to visit the blog post and study up on the other six tips provided. Also, don't forget to check out the Premiere Pro CC dedicated video playlist we put together on Adobe TV. As always, be sure to follow Creative Cloud on Facebook and Twitter.
Academy Award Winner Rob Legato On Inspiration, Film & Tools
At this year's Adobe MAX conference, Academy award-winning Visual Effects Supervisor Rob Legato excited the audience by sharing a glimpse behind the scenes of work he's done on major blockbuster films such as Apollo 13, Titanic, Aviator and Hugo. He reveals his secrets behind visual effects, his inspirations, and creative process.
Known for creating visual effects so good the audience doesn't realize that they are effects, Legato aims to transport the movie-goer into another time and place. His ideation process is surprisingly simple, as he looks to the past for inspiration. His talent, coupled with the use of creative tools for video professionals from Adobe, help Legato execute beautiful and memorable scenes in modern-day film.
For more, you can view his entire talk on Adobe TV or below:
We'll be focusing on all-things video production for the remainder of this week. Be sure to check us out on Facebook and Twitter for more inspirational stories, creative work and product news and tutorials.
Creative Cloud and CS6 Ask a Pro Launch Week Recap
We had great Ask a Pro sessions with our Evangelists last week. Each day we learned more about the Creative Cloud and Creative Suite 6 offerings for the design, web, photo and video communities.
If you happened to miss any of the sessions, not to worry! Below are recordings of each for your viewing pleasure! Once you've had a chance to check out the sessions, be sure to let us know what CS6 and/or Creative Cloud features you're most looking forward to working with below in the comments, or on Facebook and Twitter. (more…)


text: At 10:35 PM 9/14/2007, you wrote: >Just as an aside, maternal motality is on the increase in the US for the 1st >time in years, possibly due to a combination of increased maternal obesity >and older women becoming mothers. The high rate of Caesarean sections come into play here too- we don't think of it as such, but a section is major abdominal surgery, with all of the attendant risks. More risk, perhaps, because the insurance companies push for early discharge for the mothers, who then get to go home and cope with post-op while caring for a newborn (and sometimes other children). Last study I read indicated that the post-op infection rate has done up, as well as blood loss issues. 'Lainie ___________________________________________________________________________ "It is our choices Harry, that show what we truly are, far more than our abilities." -Albus Dumbledore


text:
Forums MaxMSP
Bugreport: buffer~: importing sound track with modified start time
Viewing 1 post (of 1 total)
Hi all,
I have a quicktime movie with 1 sound track that has a start time other than 0.
When buffer~ imports this sound track, it does account for the uncommon length (the track is shorter than the entire movie, seeing that the track has an offset) but it -doesn't- account for the start time.
Steps to reproduce:
Here is an example of such a quicktime movie:
Open it in quicktime and press Cmd+J to see that there is only one sound track in this movie, which has a start time of about 8 seconds and a length of (accordingly) the duration of the entire movie (about 22 seconds) minus the start time, which amounts to 14 seconds.
Now try to import this movie in buffer~:
#P message 24 39 72 196617 import 0 -1 2;
#P newex 24 60 44 196617 buffer~;
#P connect 1 0 0 0;
After importing, doubleclick the buffer and you'll see that the buffer did import 14 seconds of audio data, -but- started reading from time 0 instead of the start time.
Please let me know if you can confrim this.
Max 4.6.3, Mac OS 10.4.10
C74 RSS Feed | © Copyright Cycling '74


text:
Injured Pittsburgh Penguins' forward Marcel Goc, who has been out since Mar. 27 with a foot ailment, reportedly skated before the team's practice on Wednesday, but is not expected to perform in round-one of the playoffs – according to Rob Rossi of the Pittsburgh Tribune-Review.
Clarification: Goc (foot) tried on his skates Tuesday. Skated on Wednesday. Still not expected for Round 1 #pens
— Rob Rossi (@RobRossi_Trib) April 16, 2014
As said above, Goc attempted to lace 'em up on Tuesday, however, was unable to do so. And that right there tells us that Goc is still feeling significant pain.
There hasn't been much information regarding Goc's status of late, and now his arrival in the second-round – should Pittsburgh advance – is questionable.
Goc has missed the last nine games.
In 12 contests for Pittsburgh this season, Goc has garnered two assists.
Forwards Evgeni Malkin (foot) and Joe Vitale (mid-body) both reportedly practiced again – per the Pens' Twitter handle – and although nothing's confirmed, they're each expected to be penciled into tonight's lineup.
Head coach Dan Bylsma relayed to the media that the lineup is a game-time decision.
Good morning from #Pens skate! All expected players present, including Evgeni Malkin & Joe Vitale.
— Pittsburgh Penguins (@penguins) April 16, 2014
Coach Bylsma: "Our lineup will be game time. Starting in goal for us will be Marc-Andre Fleury."
— Pittsburgh Penguins (@penguins) April 16, 2014
Tonight's Game 1 against the Columbus Blue Jackets can be seen on the NBC Sports Network, and is set to start at 7:30 p.m.
Tags: Pittsburgh Penguins