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Question For The Guys Please
Find a Conversation
|Wed, 10-29-2008 - 10:54am
Hi All!
I am beginning to look for a surprise xmas gift for dh. Have any of you men ever used the "Rude Boy" prostate massager? The reviews look pretty good. I gave him two Aneros and he absolutely loves them! But the Rude Boy looks a little more interesting. Input greatly appreciated!
Thanks All,
|Fri, 10-31-2008 - 8:24pm
My BF and I have the Rude Boy - he much prefers the Aneros over it. We only tried it a couple of times, but he says that it hurts because of the shape and the firmness of the material. I know the Aneros is hard plastic, but the shape makes a lot more sense for something that stays inside. He has also said that he doesn't like riding it - which may be more of the issue.
I always say there is a 50/50 chance that you'll love or hate any new toy, so you may as well try it out! Sorry that I don't have much more to say about it, but good luck with your toy shopping!
|Sat, 11-01-2008 - 5:20am
I enjoy Anal T, Anal E-Z Bend, Spectragels Vibrating Anal Tool and Vibrating Anal Twister Strap On. The last one can be used either as an anal toy or as a strap on. DW uses one of these on me while she gives me a BJ. Really intensifies ny orgasms.
Another thing you might want to consider is strap on sex. We love it. It is so erotic to see her wearing the strap on. She loves it too and talks dirty about her penis and what she is doing to me.
Our favorite strap on is Bend Over Beginner Kit. It has a harness, two silicone dildos and a vibrator that fits in the harness to stimulate her clitoris. She either gives me a BJ or HJ while she does me. We usually cum together.
We also use Vibrating Anal Twister Strap On. We also enjoy Feeldoe strapless strap on.
Prostate massage is so hot!
Edited 11/2/2008 4:15 am ET by oldkinky


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Kya chocklate khate samay aap apna muh chocklate se saan lete hai?
Tags: aap apna, khate samay, kya chocklate
Asked by laiba sna, 13 Dec '12 05:07 pm
Earn 10 points for answering
Answers (11)
Nahi jee ... yeah advertisement me he hota hai.... haan birthday me chocklate cake khilate waqt jaroor birthday boy ke muh me cake saan dete hai :)Answered by Prasoon Sinha, 13 Dec '12 05:19 pm
Na,na,,, mein kisi Ad. mein kaam naheen karta. Ad. wala kaam bina munh saane hi kar leata hoon.Answered by INDER VIG, 13 Dec '12 05:46 pm
Jab main chotaAnswered by urfi rizvi, 13 Dec '12 05:46 pm
No way !Answered by Nauty, 13 Dec '12 05:16 pm
Add ko hakiqat life mein kyu late hein. aisa kabhi hoga hi nehin.Answered by tapas kumar, 13 Dec '12 05:14 pm
Very bad!Answered by Goldy, 13 Dec '12 05:10 pm
Thats weird, actualyyAnswered by Preety Preet, 13 Dec '12 05:09 pm
Never......and its the worst advertisement of chocolates ever...Answered by payal, 13 Dec '12 05:09 pm
No. I eat dry, cold chocholate.Answered by sankaran iyer, 13 Dec '12 05:09 pm
Mujhe to ultii aa jaati hai wo advertisement dekh kar, to phir main iss tarah se khaa kaise sakta huAnswered by Psycho, 13 Dec '12 05:08 pm

subset: commoncrawl


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Vintage Mr. ED Talking Hand Puppet NICE!
Vintage Mr. ED Talking Hand Puppet NICE!
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Sold Date: 08/19/2008
Channel: Online Auction
Source: eBay
This is a GREAT Vintage Mr. ED Hand Puppet made by Mattel in 1962, it has attached tag it's in excellent condition, hair, fur, yarn main, plastic and face paint all fantastic, the only flaw is the the pull sting still pulls out and goes in but too fast, so you can't make out what ED is saying. I hear t are some collectors that can fix this condition? A Very Nice piece of TV memorabelia! From a smoke free home!
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Price range
I am trying to figure out costs for the dresses. What was ur cost and what was the cost of ur inspiration. My wedding is july 2012 I know i have time, i hope. But being that dress #1 i bought doesnt fit at all I am trying to save money on another dress.
Posted on January 22, 2011 at 11:57 pm


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Cairns & Bro Leather Helmets
Cairns & Bro Leather Helmets
In this catalog I present my collection of Cairns & Bro leather helmets. Nearly all of my helmets are ex working helmets which is the way I like them.
Click on the helmet to view a larger picture
New Yorker
Description: This New Yorker is from the late 1930's early 1940's. Has a felt liner and New York Disc with 3 holes. The front indicates that it is from Wayne Twp., In, and is a work of art with the letters cut out and the number painted on. The felt liner and style of the front would indicate that it is more 1930's than the 40's.
5a New Yorker
Description: This 5A New Yorker is from the Pequannock FD and has a Clifton NJ disc in the crown indicating manufacture in the 1947-56 period. The Helmet front indicates that it is from Engine Co #2 .
New Yorker
Description: This is a 1907 Cairns & Bro New Yorker. This ventilated helmet has never been used and is in mint condition. It is descibed as a "Reenforced Service Helmet", patented July 22nd 1902. It has a paper sticker in the crown indicating that it was sold by A.E. Long of Portland, Oregon, USA.
430 Warbaby
Description: The 430 Warbaby first released in 1937. This helmet came from the San Bruno Fire Department in California. It also spent a number of years in the Captain Jack Henry's "International Fire Museum Collection". Check out my History Page for more details on this model helmet.
500H/505M Solid Top
Description: This 500H/505M Solid Top with dropped brim was made in 1941 as part of a US Army contract. The helmet has a contract stencil inside the leather band. It has a New York disc with 3 holes in side the crown.
650 Seamless
Description: 650 Seamless with regulation brim. The difference between this model and the model # 600/605 is the lack of reinforced leather on the crown as can be seen on the model #500/505. It has a Clifton NJ disc (no letter) indicating DOM 1947-56 period. I haven't seen any info on this model yet. The helmet front is from the Delaware City FD and is not the original front.
5a Volunteer
Description: This is 5a Volunteer from the Capt. Jack Henry Collection. It was donated to the collection by the "Embajada De Colombia" in 1957. Senor Edmundo de H. Castello, First Secretary appears to have organised the donation from the Bogoto Bombero. It has never been used in service and has a Clifton New Jersey Disk with no letter.
MODEL #32 Improved Roman Helmet 1890's
Description: This model appeared in the 1890 Cairns & Bro Catalog # 18 as the Model #32, Improved Roman Helmet. Inside the crown show where the paper label once appeared and still has the cloth liner. This model would have been very light to wear and was apparently very popular with the Sth American FD's as later catalogs would attest.
Product Name


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E-mail this story
Motley scores 31 in Woodside's season-ending loss to Lake Taylor
NORFOLK — Woodside's girls had their top three players miss shots under the basket in the last 10 seconds of their Eastern Region semifinal against Lake Taylor. The misses resulted in a 52-51 season-ending loss on Sunday, even though the Wolverines led most of the game at Scope.
By Olivia Lewis, firstname.lastname@example.com | 757-247-7422
February 24, 2013


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Telstra shed fried in fire
A bushfire on Kangaroo Island in South Australia has destroyed a Telstra street-side exchange. While the South Australian Country Fire Service says the fire has now been contained, the 70-hectare fire burned through grass and scrub, causing extensive smoke and fire damage to this exchange building: The Cygnet River Exchange, …
that s a big shed for Telstra
many of these around country lanes in not so remote locations. Usually more solidly constructed though At least they have a telstra shed meaning the possibility of communications.BTW, where is Paris ? Has she grown up ?
People hate on Telstra
Why? It might be a PITA that this thing comes from Sydney but can you see your favourite carrier/ISP being able to do the same? Could they recover as well from a disaster such as Warrnambool?
Re: People hate on Telstra
Yeah in a country some several parsecs long and wide, they keep them handy in a place that is as remote to all other exchanges as they can be.
And while it's a trailer mounted module, I doubt that they will ever go to the effort of airlifting any of them, to places that have the roads cut by flooding etc..
So 4 days 24/7 driving to the far north west..... and when we get to about half way there, we can stop and then camp by the side of a flooded river for 6 weeks...
And while the customers try to ring us every day for the while 7 or 8 weeks, we of course (Telstra) will have no record of their calls - because the phones are not working! "Perfect!"
In the meantime, we will charge them line AND phone rental, and when they want to dispute the bill we will say, "While the contract does say we are responsible for the lines from your house to the exchange, it says nothing about there not being an exchange, or even one that does not work - so all you customers owe us $2797 in call out fees."
Yeah Fuck Telstra.
Re: People hate on Telstra
If Karma exists Telstra's techs will find out one of Sealink's dirty little secrets namely that you can't just roll up to Cape Jervis and buy a ticket, they have to be pre-booked.
Logistics? Monopolies? Yeah we've heard of them...
How loudly does the mobile exchange purrrrrrrrrrrrrr whist running?
not just pussys
they also have COW's (Cell on Wheels) - a mobile cell station for additional mobile capacity at events, or to cover for disasters/damage like this.
Not just the exchange
The shed was also the Kangaroo Island:
- Mechanics Hall,
- Country Women's Assoc,
- Tax office,
- Post Office Agency, and
- Wild Life Rescue Centre (weekends only).
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Tag Archives: social media week 2011
Social Media Week Winner
Posted on 07. Oct, 2011 by Danielle Reed.
Congratulations to Emily Underwood Our 'What's Next… in Blogging' Competition Winner Emily has won herself a fabulous bottle of champagne after liking our Facebook page and entering our competition during Social Media Week. Keep an eye on the bigmouthmedia Facebook page for future competitions and check out our events page for upcoming events.
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Social Media Week | What's next… in blogging
Posted on 28. Sep, 2011 by Danielle Reed.
Last week saw Glasgow host Social Media Week 2011 and what a week it was. Glasgow was the largest event of all the 12 cities and the largest single social media gathering ever held outside of the USA. Bigmouthmedia held their Social Media Week event, What's next… in blogging, at the trendy Blythswood Square Hotel. [...]
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Business blogs, how personal is too personal? … #smwbmm
Posted on 26. Sep, 2011 by lynseysutherland.
Social Media Week 2011 is raising the profile of all things social, but when can your business blog become more or a hindrance than a help? There's such a thing as TMI for business, as some brands are sure to learn at their peril.
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Why your blog's not working … #SMWbmm
Posted on 22. Sep, 2011 by Natalie Hamilton.
It's Social Media Week 2011 and the web's literati are talking blogging. Blogging badly? Don't Panic. Read on and find out why your blog's not working … and how to fix it.
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Blogging: why call in the professionals?… #SMWbmm
Posted on 21. Sep, 2011 by Natalie Hamilton.
It's Social Media Week 2011 and the spotlight's firmly on blogging. If you're not blogging already, you should be. And even if you do have a business blog, you really should be blogging with the professionals. Why? Read on and find out.
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Optimising your blog for social sharing, made easy … #SMWbmm
Posted on 20. Sep, 2011 by Natalie Hamilton.
It's Social Media Week 2011 – and spotlight is on blogging. You might know your hashtags from your status updates, but don't forget to optimise your blog for social sharing. Read on and find out how to make comments, social platforms and those all-important plug-ins work for your blog.
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How the Fortune 100 blog… #SMWbmm
Posted on 19. Sep, 2011 by Natalie Hamilton.
It's Social Media Week 2011 this week (19 to 23 September!) and our event is all about "What's next in blogging". Along with our event, we'll publish a post each day on the looking at various aspects and considerations of blogging – from corporate functions to best practice. If you're not sold on blogging, it's [...]


text: Dancing March 19, 2001 Issue Growing Up Mark Morris's twentieth-anniversary season. Table of Contents One day last month, Barry Alterman, the general director of the Mark Morris Dance Group, took me through the big, white, six-million-dollar building that the company has built for itself, with city, private, and institutional donations, across the street from the Brooklyn Academy of Music. He showed me the vast, pillared space that takes up most of the first and second floors. He hopes this will house a music club or restaurant, which will help the company pay its bills and help the rest of us find a bite to eat after BAM shows, something that has not been easy to do in the past. We saw the third floor, with offices, showers, and dressing rooms. ("That's where the dancers will open their fan mail," Alterman said, "just like the Yankees.") Then he took me to the fourth and fifth floors, with the rehearsal studios: a big one, about the size of BAM's stage, where the company often performs, and also a medium and a little one. The studios will be used both for rehearsals and for the company's new school. They will also provide performance space for Morris's smaller, weirder works, pieces that can't fill a regular theatre. At the time of our tour, the building was still far from finished—workmen were banging and making sparks as we passed through—but Alterman was already in love with it. He caressed the unpainted walls. He invited me to admire each phone jack. Having taken me through the fifth floor, he guided me down the staircase and gave me a tour of the other floors all over again. The exterior walls, he told me, have translucent panelling: "At night, people will drive down Flatbush Avenue, and there we'll be—gleaming!" The gleam is extra. The important thing is the facilities. For twenty years, the Mark Morris Dance Group, like almost all other modern-dance companies in the arts-unfriendly United States, has been operating out of rented studios, with no showers, not to speak of dressing rooms. The company's offices, too, were rented, and crowded, with boxes of wrinkled costumes piled up next to the desks. (Morris himself had no office. He operated off his dinner table.) The M.M.D.G. has long been one of the most esteemed dance troupes in this country and abroad, but it lived like a band of itinerant players. Now, as the new building attests—and as the three-week, five-program, twentieth-anniversary season that the company opened last week at BAM demonstrates even more clearly—it is an institution. Morris was the most controversial choreographer of the nineteen-eighties. Many people loved him immediately. And many people loathed him, partly because he was a young smart-aleck (there were many who-does-he-think-he-is reviews), but largely, I think, because his work was such a mixed business. On the one hand, he was an eighties personality: ironic, outrageous, heavy into "styles." On the other hand, he was earnest, humanistic, a child of the Great Tradition. Having seen the latter kind of work—dancers in massed choruses, inquiring about the state of their souls ("Gloria," "Stabat Mater")—people didn't understand how he could also do the former kind of work, perform in his underpants, with a paper bag over his head, to parlor songs ("The Vacant Chair"). They thought he was pulling their leg. Then, in 1988, came a transition. The Morris troupe moved to Brussels, as the resident dance company of the Belgian royal opera house, and stayed three years, during which time it was consistently vilified by the European critics. Morris was a no-talent, they said; the dancers were fat. Morris responded by going back to his Brussels studio and making better work than ever before. From his Belgian years came the now acclaimed "Dido and Aeneas," "The Hard Nut," and "L'Allegro, il Penseroso ed il Moderato." ("L'Allegro" will be given at the end of the BAM season. It is also the subject of a new book, "Mark Morris' 'L'Allegro, il Penseroso ed il Moderato,' " edited by Jeffrey Escoffier and Matthew Lore.) For this brave soldiering Morris won a MacArthur fellowship, together with the admiration of many of his former detractors in America. When the company came home, in 1991, he was no longer seen as the bad boy of modern dance. He was a master. Some people have told me that they miss his old, pre-master period. They liked him naughty. They liked the way that some of his dancers couldn't really dance. It seemed to them sincere. (In Belgium, the company became much more polished.) Others miss the Belgian period, when he was so embattled, and say that since then he hasn't made anything as monumental as "Dido" or "L'Allegro." Pain made him gain, they think. Such complaining is to be expected in the case of artists whose fans feel they own them, by virtue of early devotion. It is also routine with artists who, once counterculture, have been absorbed into the culture. Morris has changed, it is true. The paper bags are gone. (Also, for the most part, the sex-role challenges: the women lifting the men, and so forth.) But such things fall away as young artists grow up and move deeper into their medium. Morris is now forty-four; he has other things to do besides shake his finger at the audience. And the works he has made since returning from Europe—"Grand Duo," "Beautiful Day," "Bedtime," "Lucky Charms," "The Office," "The Argument"—show the same force of imagination as the Belgian works. They are simply not as grand-scaled—no sets, and usually no big orchestras or choruses—because in America Morris lacks the one thing Belgium gave him besides grief: money, the kind of budget Europe accords its artists. And the story he is telling is the same. First, there are the mixed emotions. In Morris's work, the world is beautiful, and also a nightmare. And the nightmare is not just frightening; it is funny. Second, the work is imbued with classical values, which act as a kind of binder for those mixed feelings. Like Handel or Mozart, Morris favors a firm, harmonious structure; if he didn't, I don't know how we would navigate the dark waters of his work. Third—and this, too, is classical—he shows us nature. Morris does not specify; he generalizes. His work is not about some small, recently discovered, postmodern department of our sensibilities. It is about human experience. He boldly says as much. These are the qualities that have endeared him to his audience: people feel they are being told about their lives. And there is something more: symbol. When Morris was young, many people likened him to Balanchine. In a way, it was silly to compare this loud, hairy boy to the great, dead Russian master. But in fact the two men had important habits in common; for example, their reliance on music, their practice of making the dance rise out of the score, and also—a trait inseparable from the other—their positing of dance itself as a sufficient mode of communication. Morris has made narrative works (so did Balanchine), but storytelling is not his normal mode. His specialty, like Balanchine's, is to create an image, to music, that will flower in the mind, like music, into complex emotional truth. Morris sometimes moonlights for classical-ballet companies, and last month San Francisco Ballet presented a new work by him, "A Garden," set to Richard Strauss's "Tanzsuite," an orchestral adaptation of harpsichord pieces by François Couperin, the court musician to Louis XIV. "A Garden" is strange, because it combines the soft, rounded shapes of ballet with something like automatism. Repeatedly, as the dancers are doing their pavanes or sarabandes, they will freeze in place, or do stiff, squatty little pliés, or stare at their shovelled hands, as if they were jointed dolls. What does this mean? Well, it could have something to do with the formality of ballet as seen by a modern-dance man, or the courtliness of Couperin as seen by Richard Strauss, or the tinkliness of a harpsichord compared with an orchestra. But by the time we get to the pas de deux, for Damian Smith and Joanna Berman, such thoughts seem trivial. When we first see the two dancers, they are standing crumpled over, he on top of her, in a sort of blob. Then they rear back. Smith lays a big, splayed hand on Berman's solar plexus and lifts her into the air, against his chest. Her legs unfold, then her arms. What was chaos becomes design, relationship. Their intimacy is no sooner established than it is checked. They do a parallel dance; they keep their distance; we're back at court. Again and again, however, the formality is breached, and at the end the opening lift is reprised, only this time, more hair-raisingly, Smith picks Berman up—big hand again, total capture—from the stomach. Watching this, you no longer think about what Couperin means to Strauss. The dance has become something larger, something about the space we place between ourselves and others, and the violence and satisfaction of crossing it. "A Garden" is not perfect. It doesn't have an ending. (This sometimes happens with Morris, as if he felt he had already told us too much. Or maybe he just gets lazy.) After the pas de deux, there's a brief group number, in which Berman and Smith dance with different partners—how could they?—and then the lights go out. But you can't have everything. This is the most serious ballet Morris has ever made—indeed, that anyone has made in the last decade. And what a boon his sensitivity to music is here. As Berman and Smith fight their way out of distance, Strauss's violins loft them, predict their union. We sit and watch, drop-jawed. In the past, Morris's ballets, though always interesting, were his least confiding works. They were full of resistance: Morris showing you that, yes, he knew about ballet, he was trained in ballet, but he was damned if he was going to let ballet boss him around. Now, it seems, he is past that and, the automatisms notwithstanding, willing to let a ballet be a ballet, with all those steps. "A Garden" is full of sparkling combinations, which seem to breathe the pleasure he took in creating them. (And his love of the San Francisco dancers. This is his fourth piece for them.) There is a fast, dainty solo for the excellent Tina LeBlanc that looks like a toy made for a princess, by Fabergé. But the proof of Morris's relaxation in this piece is his willingness to follow the ballet convention of supplying a central pas de deux, one that distills the meaning of the work. Classical dancers are bred for such pas de deux, but, in nine prior works for classical companies, he had never given them one. Now he has. Morris is the most exciting modern-dance choreographer in the country. Could he become our most exciting ballet choreographer as well? It seems too much. Yet several nights a week I go to the ballet and see something bad or not so bad. The people in the audience clap a little bit, to thank the dancers; then they grab their coats and race for the cabs. After "A Garden" they clapped for a long time, as if to keep the show from ending. Then they sat back in their seats, absorbing it. ♦ You Might Like Jigsaw Puzzle Strongbox Submissions Goings On App About Us Caption Contest The New Yorker Festival ✕ The New Yorker Strongbox Strongbox is a new way for you to share information, messages, and files with our writers and editors and is designed to provide you with a greater degree of anonymity and security than afforded by conventional e-mail. To help protect your anonymity, Strongbox is only accessible using the Tor network (https://www.torproject.org). When using Strongbox, The New Yorker will not record your I.P. address or information about your browser, computer, or operating system, nor will we embed third-party content or deliver cookies to your browser. You can read our full privacy promise here. The New Yorker Strongbox is powered by SecureDrop. 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Posts tagged: 2012 budget
It looks like slow and steady will win the race at tonight's Spokane Valley City Council meeting. There are quite a few things on the agenda, but most are items the council has looked at before. There will be the second reading of an ordinance to amend the 2012 budget and the first reading of proposed ordinances that would chance the city's landscaping regulations and allow businesses to have more signs advertising alcohol.
There is one new item on the agenda that might generate some discussion. There will be a report on the second round of funding recommendations from the Lodging Tax Advisory Committee. There was some consternation earlier when the majority of the committee recommended not giving any funding to Valleyfest and they have made the same recommendation in the second round. Instead they want to give almost all the money available to the Spokane Regional Convention and Visitor's Bureau.
The proposed Spokane Valley Bike and Pedestrian Master Program is up before the Spokane Valley City Council tonight for for its final yes or no vote. The plan has been discussed frequently by the council and edited by council members but still faces some opposition. Public comment will be taken before the vote. If you want to have your say, head to City Hall at 11707 E. Sprague at 6 p.m. for the meeting.
Last week's council meeting lasted until 10:30 p.m. and this week's looks like it might be even longer. There is a ton of items on the agenda, including two public hearings, a final vote on the 2012 property tax levy, the first reading of the proposed 2012 budget, a proposed resolution setting the city's fees, a report on manufactured home zoning and much, much more. The Bike and Pedestrian plan is near the top of the agenda, though, so you won't have to wait around all night to see what happens with that issue.
The city of Spokane Valley will hold a public hearing on its proposed 2012 budget at Tuesday's City Council meeting at 6 p.m. at City Hall, 11707 E. Sprague. If you want to have some input on next year's budget, now is your chance to have your voice heard. The council is also set to vote on allocating funds to outside social service and economic development agencies.
Those of us who gather for tonight's Spokane Valley City Council meeting at 6 p.m. at City Hall are going to be there a while. There's a whopping seven administrative reports, which tend to be lengthy, on the agenda. The council will start off with votes on the first reading of a proposed ordinance to put one-way Sprague on the November ballot and a motion on a road project list to submit for grant funding.
The report topics include preliminary revenues and expenditures for the 2012 budget, road projects that may qualify for a safety grant program, an update on the regional solid waste issue and railroad quiet zones.
So come and join me at 11707 E. Sprague if you feel brave (or have had lots of coffee today).
The Freeman School District board of directors are having a study session tonight to talk about the district's 2012 budget. The meeting starts at 6 p.m. in the District Office conference room at 15001 S. Jackson Road. Since it's a work session there won't be any public comment, but people can still stop by and listen to the discussion.


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Thursday, November 6, 2008
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Deer season fast approaching
"Mississippi is poised to have another tremendous deer harvest," is the word coming from deer biologists across the state. Conditions are ideal for another excellent deer harvest, according to the Mississippi Department of Wildlife, Fisheries, and Parks.
Chad Dacus, deer program coordinator, reports that a robust deer population entered an outstanding spring and summer growing season resulting in deer numbers that should excite this year's hunters. Recent frosts will burn back the browse some but acorns are falling and deer are beginning to move.
"Every day we hear from bow hunters and others that deer activity is picking up," said Dacus. "Many hunters are seeing early activity in food plots which were planted ahead of recent rains. However, acorns will be the principle deer food as long as they are available."
In the next few weeks hunters will be busy sighting in rifles, checking stands and making last minute preparations for Mississippi's gun season which opens for youth hunters in Zone I November 15, and all hunters November 22. Zone I includes all but the coastal and southeastern counties. Consult the Outdoor Digest or visit www.mdwfp.com for exact dates and other information.
"This is a terrific time for new hunters to be introduced to the sport," said Larry Castle, director of wildlife. "Young hunters, being those under 16 years of age, have a full week of deer hunting before the traditional opening day. They may also use modern rifles during the primitive weapon season. In addition they can shoot one buck with any type antlers as part of a three-buck season limit. This applies statewide to private lands and includes most of our WMAs."
Youth hunters must be accompanied by a licensed adult 21 years of age or older. For older newcomers to hunting, an apprentice license will allow them to hunt for a season prior to completing an approved hunter education course.
Hunting license sales have been brisk in the past few days as hunters prepare for the approaching deer season. Point of sale machines at retail outlets remain the most popular method of purchasing licenses but other methods do exist. Licenses may be purchased by calling 1-800-5GO-HUNT or online at www.mdwfp.com. Licenses are valid for 365 days from the date of purchase.
Don't wait, get the clothes ready, sight the rifle in, double check the safety equipment and head to the woods. For information on hunting anywhere in Mississippi call 601-432-2400.
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Hallmark 2007 Lionel® Freedom Train set (3 ornaments)
Hallmark 2007 Lionel® Freedom Train set (3 ornaments)
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Sold Date: 11/16/2007
Channel: Online Auction
Source: eBay
Category: Entertainment
Hallmark 2007 Lionel® Freedom Train Set (3 box set)3 different trains in seperate boxes. All 3 trains NEW in original boxes! Freedom Train Locomotive Keepsake Ornament 12th in the LIONEL® Trains series
Our highly detailed Lionel train Keepsake Ornament celebrates the great American tradition of trains around the Christmas tree. Delight children and kids-at-heart by hanging this perfect replica of the Lionel Freedom Train locomotive on your tree. The exceptional handcrafted details include the original Freedom eagle logo and wheels that really turn. Handcrafted and metal Wheels turn 3 1/2" W. x 1" H.
Lionel® Freedom Train Observation Car Keepsake OrnamentThis tiny Hallmark Keepsake Ornament is an exact replica of Lionel's Freedom Train observation car--the perfect spot to view the passing landscape. Passengers riding in the observation car enjoyed large picture windows for great scenic viewing, as shown on this detailed replica. The wheels turn for added realism, and connectors at each end allow you to join cars together. The observation car ornament is a great companion piece to the other Lionel Freedom Train ornaments. Wheels turn 4" W. x 1" H.
Lionel® Freedom Train Sleeper Keepsake OrnamentCollectors will appreciate the detailing on this Lionel train car replica, a companion piece to the locomotive. All aboard for a comfortable snooze cruise. This Keepsake Ornament lovingly recreates the sleeper car from Lionel's Freedom Train. The wheels turn for added realism, and connectors at each end allow you to join cars together. Wheels turn 4" W. x 1" H.
LIONEL® Licensed by Lionel LLC.Combined Shipping Policy: I'm happy to combined shipping on items if they are on the same invoice, so if you want to wait until you win the 2nd item then I'll send you an updated invoice with all the items you have won and a total combined shipping cost. - It's $5 for the 1 st item and $2 for each additional item -Also I only combined shipping on items that have been won within the same week, then I start a new invoice for the next week
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text: HomeNintendo NewsNew Nintendo E3 2014 Information — Digital Events, Smash Bros Tournament and More! MacKenzie Adams April 29, 2014 Nintendo News In an amusing new video posted on Nintendo's Social Media channels this morning, Nintendo partnered with comedy/gaming troupe Mega 64 to drop some HUGE surprise E3 announcements on us. The video, which has the guys from Mega 64 creating a "Filsamech" in the likeness of the President and CEO of Nintendo of America, Reggie Fils-Amie, to infiltrate the Nintendo headquarters and find out top secret information about E3. In it, we learn quite a few things about the big N's upcoming E3 plans, and boy, there's some good ones in there. First of all, during E3, Nintendo is going to be hosting a Super Smash Brothers Invitational Tournament at the Nokia Theatre in Los Angeles! They didn't specify which version of Smash Bros. it would be, but my money is on the 3DS Version, which will be releasing at the end of the Summer. There could be a chance that it's an early demo of the Wii U version as well, however, so we'll have to wait and see. For those who can't make it to Los Angeles in E3, you're in luck! Nintendo is also going to have Smash Bros playable in Best Buy locations across the US during the E3 festivities as well. Furthermore, fans of Nintendo will also be pleased to hear that some of the Nintendo Treehouse and development team will be live-streaming all throughout E3, showing off games that they've been working on and other events from the E3 show floor. If you're looking for behind-the-scenes goodness and want a closer look into the work that goes into developing and localizing games, this should be awesome news for you. Finally, Nintendo left us with one last, major tease — They'll be holding their a major Live, Digital Event for E3 on June 10, 2014. They've already teased that there's going to be new Games and Announcements revealed (and promised that we won't see Urban Champion 2!), so this should be the big event we've all been waiting for. What do you all think of these announcements? Which announcement are you most excited about? What's on your E3 wishlist? Let us know in the comments! The following two tabs change content below.BioLatest Posts MacKenzie Adams As a lifelong Nintendo fan, MacKenzie is excited to be able to bring you the latest news and reviews in the world of the Big N. When he's not tackling his massive backlog of games or mourning the loss of Nintendo Power, he's likely writing or crushing people at Fantasy Baseball. Latest posts by MacKenzie Adams (see all) Super Smash Bros for Wii U Release Date Officially Announced - October 7, 2014 Game Freak Releases Fancy Pattern Vivillon Event to Celebrate 100 Million GTS Trades - July 11, 2014 Nintendo of America releases official statement on Tomodachi Life same-sex controversy - May 9, 2014 Around the web Pingback: Here's a Look at the Rumored Mario Kart 8 DLC Pack With Expanded Rosters and New Battle Modes • Always Nintendo()


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Welcome to the SCORE Coastal Chapter 285 website
Our Chapter has been operating in the Tri-County area for 40 years. During this time we have helped a vast number of new businesses get started and existing businesses expand; all done free of charge. Our goal is to help entrepreneurs navigate through the process of starting a business and becoming a success. You will receive One-on-One mentoring by an experience counselor who is available to help you from your first meeting until you have opened your business. We provide low cost seminars given by experts in their field that focus on business related subjects and we also have on line resources with templates to help you with your business plan. I encourage anyone who is thinking of starting a business to visit our office and speak to a counselor, it will be time well spent. Our goal is to give you first class service.
Joe Conti, former SCORE Coastal Chairman
SCORE Coastal Chapter 285 is a member of the national SCORE nonprofit association serving the Charleston, SC tri-county metro of Charleston, Dorchester and Berkeley counties.
From a business perspective, we view for-profit and non-profits businesses the same. The accounting and funding might be different but both need the same basic business principles.
So if you are looking to start a Charleston Tri-County business or are already in business and need some additional growth assistance, we can help.
Our Mission
The mission of Charleston SCORE Coastal Chapter is to provide professional management assistance to small businesses through the voluntary service of its members, who freely give of their knowledge, expertise and experience, with the ultimate goal of improving the economy and community which we serve.
Contact us to schedule an appointment.


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Blackface < Dying
Blackface < Dying
Ya know what's weird? The Post hasn't put Sean Delonas' cartoon of Sunday, January 18th online, even though the cartoons that proceeded it and all three subsequent cartoons are available. Maybe it's just a simple oversight, right? I mean, I'm sure it's got nothing to do with how incredibly offensive the panel—a flock of Canadian geese deliberate flying into a jet engine while yelling "Allah akhbar"—itself was: Since when has that kind of offensiveness bothered the paper before?
Ben McGrath's piece on doom scenarists in this week's New Yorker is the best thing that magazine's published since, well, the Tad Friend thing on movie marketing last week. They've had some good stuff is what I'm saying. Anyway, read the article. Depending on where you are you'll temporarily freak out, but it's well worth your time.
Is someone keeping a list of any gaffes – or botched jokes – that Vice President Biden makes?
If so, perhaps the first official entry came this afternoon, when President Obama asked Mr. Biden if he would give members of his senior staff the oath of office. For a moment, it seemed as though the vice president thought the swearing-in included him.
"Am I doing this again?" Mr. Biden asked.
"Senior staff," Mr. Obama replied.
"My memory is not as good as Justice Roberts," Mr. Biden said, referring to the Chief Justice's flubbed lines during the presidential swearing-in ceremony on Tuesday.
Several staff members in the room laughed. The president did not.
"Classical Arabic writers are generally not prudish, which posed a problem to Victorian and other translators. Lane's solution was to omit bawdy tales altogether, while Burton revived old words or coined new ones for his purposes. Lyons occasionally resorts to another kind of prudishness, for instance when, shrinking from the correct, demotic English translation of hir, he uses the Latinate 'vagina' in the tale of the Porter and the Three Ladies. This tale contains a passage on the naming of parts; the ladies are said to refer to the porter's zubb or air: Lyons resorts to transliteration instead of translation. Some readers will be delighted to learn some naughty Arabic, but surely English has a profusion of equally vulgar words for the sexual organs. It should be stressed, however, that obscenities, Arabic equivalents of English four-letter words, are few and far between in the original, where sexual intercourse is often simply expressed as "lying with" or more elaborately by means of metaphors martial ('storming the fortress') or religious ('circumambulating the Kaaba', 'putting the imam into the prayer niche'), with the mildly shocking profanity that was common in pre-modern Arabic."
Former French President Chirac hospitalised after mauling by his clinically depressed poodle
That's gotta be how Bush just felt when Obama told the world that America is ready to lead once more.
This whole thing is kind of like … The Matrix! Hahaha, kidding. But it is like one of those dispatches from the survivors of some horrible, civilization-destroying catastrophes you see in sci-fi movies, except the civilization was a PLANET OF RETARDS.
On the 9th, Boxxy delivered. She addressed 'recent events', said she was in fact free of drugs and personality disorders, and proved it actually was her posting her photos on /b/. Whilst /b/tards were scrambling to find her identity and spamming her accounts, she was there, watching.
The manic interest in this new video created chaos on /b/, with the majority of new threads devoted to Boxxy and her new video. This interest generated over 70,000 views within 12 hours, pushing the video onto the first page for most viewed of the day on Youtube. A day later, and the video had reached #1 with over 300,000 views, accompanied by hundreds of new subscribers every hour. It is obvious that most of these viewers would have no idea what Boxxy was talking about in her video.
/b/ was now at war. The slew of Boxxy threads were under attack, quickly filled with 'DIE IN A FIRE' repeated to the line maximum and posted 10 times in a row. Increasing numbers threw in the towel and declared they weren't visiting /b/ for a week, a month, or ever again. Identical chaos was occurring at 7chan, with the /b/ first page 100% filled with Boxxy at some points. On the 10th, with Boxxy now approaching 400,000 views and 10,000 subscribers, Operation Clampdown was declared. If Moot did not ban the users spamming boxxy threads on the 4chan /b/, the site would be brought down via a DDOS.
The Israeli theory of what it tried to do here is summed up in a Hebrew phrase heard across Israel and throughout the military in the past weeks: "baal habayit hishtageya," or "the boss has lost it." It evokes the image of a madman who cannot be controlled.
"This phrase means that if our civilians are attacked by you, we are not going to respond in proportion but will use all means we have to cause you such damage that you will think twice in the future," said Giora Eiland, a former national security adviser.
It is a calculated rage. The phrase comes from business and refers to a decision by a shop owner to cut prices so drastically that he appears crazy to the consumer even though he knows he has actually made a shrewd business decision.
I guess the lesson here is never bet against Will Leitch. On the plus side, I can't wait until everyone starts to call Daulerio "Cookie Puss."
"At Tuesday's meeting Mr Brown tried to head off a damaging debate, only to be thwarted by Geoff Hoon, the Transport Secretary and a strong supporter of the third runway, who said all sides would have their say.
On this cue, Mr Miliband and Hilary Benn, the Environment Secretary, spelt out their concerns over the project with Mr Benn causing consternation by claiming most young people were against it.
Others raising objections included Baroness Royall, the leader of the House of Lords, Harriet Harman, the deputy Labour leader and John Denham, the Skills Secretary.
David Miliband, the Foreign Secretary and Douglas Alexander, the International Development Secretary, were not present at the meeting but sent 'messages of support' to the opponents' side, according to government sources.
At one point an unnamed minister, expressing concerns over the runway, said: 'I realise the point I am making is irrational.'
There was then, sources said, an 'audible thump' as Lord Mandelson, an enthusiastic supporter of the project, banged his head on the polished wood of the large, oval table."
It would be fairly easy for Port Authority workers to round up and net geese in June and July, when they're molting and unable to fly, Garber said.
Once they're caught, they could be taken to a new habitat far from the city - or killed for their meat, which could be donated to homeless shelters, he added.
"If you keep on doing that, you will get the whole breeding population," said Garber. "In a short period of time, you will have fewer breeding birds."
If that's not feasible, Garber said, he sees nothing wrong with shooting them, poking holes in their eggs, shaking their eggs so the embryos are destroyed, wrecking their nests, or taking any number of other measures to eradicate the pesky and dangerous geese.
"There are lots of ways," he said. "You can throw rocks at them. You can hit them with sticks.
"These are things that people don't like. But, we are talking about geese."
POINT: "By the new millennium, a vagina—which, by the way, used to have a pretty high 'exchange value,' as Marxist economists would say—wasn't enough; it barely registered on the thrill scale."
[Give a quick look around before you click on the second one.]
Pinnacle Grill Recognized by Porthole Magazine as Best Alternative Restaurant in the Cruise Industry
For Thai teenagers, Japan and Korea emanate all that is hip: candy-colored sneakers, saccharine-sweet pop bands, hair spiked in impossible directions.
Now, in Bangkok's after-school hangouts, a new trend has emerged. Thanks to imported cosmetic contact lenses, girls' irises look cartoonishly huge.
Elizabeth Wurtzel weighs in on the whole Gaza thing. Finally.
Lord knows it's not the first blush of youth or anything, but are we really considering 46 to be middle-aged now? Sweet Christ, I'd better come up with something soon or else I'm gonna be the geriatric who, twenty years ago, wrote about his talking cock. Middle age is indeed wasted on the middle aged.
A middle-aged man has been arrested in a series of lower Manhattan commercial burglaries that netted him more than $50,000 in cash and merchandise, authorities said yesterday.
Between last June 12 and July 5, Kirk Ruffler, 46, struck six times, mostly at restaurants and bars on Second Avenue or East 7th Street, cops said.
John Mortimer, creator of Rumpole, dies aged 85
The Rumpole stuff is obviously what he's best known for (and deservedly so), but some of his other novels and essays (and the play A Voyage Round My Father) are all also worth your time.
See also: 'Mortimer did more for law than any other modern figure'


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Posts tagged mmv
Posts tagged mmv
This one is for all the children out there needing some miracles and the wonderful people who care for them (ymutate has been blessed recently to meet a few of these people and this one honors them all and my new friend Dori)
Beth Orton
O-o-h Child
"O-o-h Child" is a 1970 single recorded and released by Chicago soul family group the Five Stairsteps, who released it on the Buddah label. Written by Stan Vincent and included on the band's The Stairsteps album from 1970, it has become the Stairsteps' signature song and has inspired more than twenty covers since its release. The lyrics tell young children that "things are gonna get easier" in times of strife. The song's uplifting message helped the song to become popular among pop and rhythm and blues audiences when it was released. This was the Stairsteps' only single to reach the top ten on the Billboard Hot 100 peaking at number eight on that chart while peaking at number fourteen on the R&B chart. It would be their last R&B top 40 (they had several top 40 R&B hits in the 1960s) until 1976's "From Us to You". The song is ranked #392 on the Rolling Stone magazine's list of The 500 Greatest Songs of All Time.
Here is the original version by The Five Stairsteps on Soultrain.
Laura Nyro also covered the song and in recognition of her recent induction into the Rock and Roll Hall of Fame, here is a mix of her doing I'm So Proud, Dedicated to The One I Love, La La Means I Love You, Up on The Roof, It's Gonna Take A Miracle, and Aint No Mountain High Enough
Talking Heads
from the Jonathan Demme film Stop Making Sense
Tuple (Rachael Elliott & Lynn Hileman) performs Chiel Meijering's Nocturnal Residents for two bassoons
Satoko Fujii — piano, melodica
Carla Kihlstedt — violin, voice
Satoko Fujii (Fujii Satoko, born 1958) is a Japanese avant-garde jazz pianist and composer. Fujii started playing the piano at age 4, receiving classical training until she was 20, when she became interested in improvisation and jazz. She came to the United States in 1985, graduating from the Berklee College of Music in Boston in 1987, returning to the US in 1993, achieving a graduate diploma in Jazz Performance from the New England Conservatory of Music in 1996. She returned to Japan with her new husband, trumpeter Natsuki Tamura, leader of Gato Libre. She leads various big bands in Japan, such as Ma-do and Orchestra Tokyo.
Carla Kihlstedt is an American violinist, vocalist, and multi-instrumentalist from Lancaster, Pennsylvania currently living in Oakland, California. She is a founding member of Tin Hat Trio (now renamed Tin Hat), Sleepytime Gorilla Museum, The Book of Knots and Causing a Tiger. Other musical projects include 2 Foot Yard, Charming Hostess and Carla Kihlstedt & Satoko Fujii. She has also worked occasionally on projects with Tom Waits and Fred Frith, and recorded numerous albums as a guest or session musician. Kihlstedt has studied at the Peabody Conservatory of Music, San Francisco Conservatory of Music, and Oberlin Conservatory of Music.
nice fusion from Norwegian trumpeter
Nils Petter Molvaer
live at Jazz Baltica, 1998
Here is a video of the entire Jazz Baltica concert performance of Khmer
Tracks: Ligotage - Platonic Tears - Tragaman - Khmer
Nils Petter Molvaer - trumpet
Eivind Aarseth - guitar
Audun Erlien - bass
Rune Arnesend - turntables
DJ Strangefruit - drums
Wetle Holte - drums
Nils Petter Molvær also known as NPM (born September 18, 1960) is a Norwegian jazz trumpeter, composer, and producer. Molvær is considered a pioneer in fusing jazz and electronic music, showcased on his best-selling album Khmer, released by the German record label ECM in October 1997 in Europe and early 1998 in North America.
Crowded House
Don't Dream It's Over
from the 1996 Farewell Tour
(Source: ymutate)
Bob Dylan
on The Johnny Cash Show, January 5, 1969
1. I Threw It All Away
2. Living The Blues
3. Girl From The North Country (with Johnny Cash)
The Who
My Generation
Tanglewood 1970
more from this great concert (here is a link to a description of the event)
Young Man Blues I Can't Explain I Don't Even Know Myself
We're Not Gonna Take It Amazing Journey/Sparks Heaven and Hell Overture
Pinball Wizard Do You Think It's Alright/Fiddle About Eyesight To The Blind
Go To The Mirror/Smash The Mirror Miracle Cure/I'm Free
Tommy's Holiday Camp Tommy Can You Hear Me/There's A Doctor 1921
Christmas The Acid Queen Water
ymutate wonders why his phone keeps ringing yet when he answers nobody is there, do you think he is
Black Sabbath
more from this concert
Black Sabbath Iron Man War Pigs
L'Olympia, Paris France , December 20,1970. Full Concert
Setlist: 1.Introduction 00:00 2.Paranoid 01:51 3.Hand Of Doom 05:00 4.Rat Salad 11:52 5.Iron Man 13:15 6.Black Sabbath 19:40 7.Intermission 29:19 8.N.I.B. 31:13 9.Behind The Wall Of Sleep 36:45 10.War Pigs 42:40 11.Fairies Wear Boots 51:00
(Source: ymutate)
The Byrds
This Wheels' On Fire (1968)
other versions
Siouxsie and the Banshees The Band Bob Dylan Mountain
bonus The Band and Friends "I Shall Be Released"
"This Wheel's on Fire" is a song written by Bob Dylan and Rick Danko. It was originally recorded by Dylan and The Band during their legendary 1967 sessions, portions of which (including this song) comprised the 1975 album, The Basement Tapes. The Band's own version appeared on their 1968 album, Music From Big Pink. The Byrds released a recording of "This Wheel's on Fire" on their 1969 album, Dr. Byrds & Mr. Hyde, and live versions of the song are also included on The Byrds' Live at the Fillmore - February 1969 album and the expanded CD reissue of their (Untitled) album. In 1987, the song was covered by the British rock band Siouxsie and the Banshees for their all-covers album, Through the Looking Glass. Released as the first single from that album, the Banshees' version climbed to #14 on the UK singles chart.


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HERSHEY, PA – Garrett Mitchell scores his second goal of the game (Tim Stough – Sweetest Hockey on Earth)
A night after being ruffed up in Syracuse, New York, the Hershey Bears returned home looking to snap a three-game win-less streak against the Wilkes-Barre/Scranton Penguins. Ryan Potulny, returning from injury played his first game at Giant Center since the home opener on October 20. Potulny failed to tally a point in front of his home town crowd, but the Bears beat the Penguins for the third consecutive game, 4-1.
At the 12:19 mark Garrett Mitchell was tripped on a shorthanded breakaway and was rewarded a penalty shot by referee Geoff Miller. Mitchell all alone fired a wrist shot that beat Brad Thiessen to the top shelf, giving the Bears a 1-0 lead. Similar to the first six weeks of the season, the Bears were able to generate offensive zone pressure while even-strength, but continued to struggle getting shots on net.
After 20 minutes Hershey led 1-0, but only generated five shots on net.
Hungry for the equalizer, at the 8:10 mark of the second frame former Norfolk Admiral Trevor Smith tallied on Braden Holtby. Smith received a crisp, cross-ice feed from Beau Bennett, which was slam dunked into the net moments later.
But with 4:31 left in the middle period, Garrett Mitchell scored his second goal of the night, giving the Bears a 2-1 lead. He backhanded a shot that sneaked underneath the cross-bar, and reviewed as a goal.
The Bears combined momentum following Mitchell's goal, plus a late power play to find a third goal with four-tenths of a second remaining in the second period. With Thiessen down, Tomas Kundratek picked up a loose puck and fired it into the net with under a second left on the clock to give the Bears a 3-1 lead after 40 minutes.
Hershey showed threat to tally a fourth goal in the final period, but were denied by Brad Thiessen the rest of the way. Boyd Kane hit the empty net with 30 seconds left to seal a 4-1 win for Hershey over Wilkes-Barre.
Post game video
More photos from tonight's game
Jon DiSalvatore plays the puck behind the net
Jeff Taffe drops the mitts with Bobby Farnham
Tomas Kundratek celebrates his goal


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Americans Under 30 the Most Cynical Bunch Ever
By Jim Schutze
13 of the Best Female-Fronted Bands in DFW
By Rachel Watts
Your Baseball Season Guide to Pre- and Post-Game Eats...
By Lauren Drewes Daniels
The Bizarre Life and Troubling Death of DarkSide
By Anna Merlan
The Ten Most Badass Band Names in DFW
By Lee Escobedo
The Cheap Bastard Guide to Dallas
By Alice Laussade
Patio Drunk: Ten Of Dallas' Best Patios
By Scott Reitz
Combine the sex howls and cabaret androgyny of glam rock with the urgency of punk, then throw in some lose-five-pounds-in-one-song ass-shakin' and you have Celebration. Sean Antanaitis serves as resident monkey-boy, playing just about every instrument (including his own creation, the guitorgan) save drums and wife Katrina Ford's inimitable voice. On Celebration's self-titled album, TV on the Radio (yes, all of them) makes contributions and forge a partnership that undoubtedly transfers naturally to the Tea Room's modest stage for a song or two...or, at least, we can only hope. The combination of Ford's occasionally mannish but always agile vocals exploring innovative melodies combined with TVOTR singer Tunde Adebimpe's distinct tone provides such a rich texture on two of the album's sultrier tracks, they'd be crazy not to explore it onstage.


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text:
(via thewritingcafe)
Sometimes I worry that I'm not doing the best thing for myself. … That's not enough.
Today, I'll re-evaluate what's true.
Re-construct the past,
But immerse myself in the present.
Nothing will kill me,
But my own free-will.
Everything has a beginning. As well as an end. The dreams don't end. The abstract does not share the same rules as the concrete.
You dream; you create, but what more is left? You cherish what you claim is worthy, but don't think of that which is truly worth reclaiming.
Your beauty defeats me. It triggers the heat inside that crashes and burns the best of my being. What kind of effect is this? I'll leave u to guess. Don't distress. Remember the truth in my words. Nothing is real. Nothing is frame. Nothing is carefree as much as your world. That beauty creates insanity. Translates into mesh… the best of the best.
You dream and create. Fantasize is ablaze. The dream of the dream… These dreams are not flawed. We say we don't know. We say this is true. Not always, it's not. We think we're not real. We think this is fame. We aim for the claim. No way do we know; do we?
My words traumatize my soul.


text:
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text:
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- Category: TV
- Created on Thursday, 24 January 2013 22:50
- Written by Banye Augustine
Museba is the newest Cameroonian sweetheart.Aside from her outstanding musical talent, Museba's sex appeal cannot go unnoticed.She has seduced Africa and is solocited by the biggest shows and events all over the continent. She was recently invited to party alongside POEPLE MAGAZINE's most sexy woman in the planet,Kim Kardarshian in Abidjan in a night which saw the sexiest poeple from around the continent and beyond. she is undoubtedly Cameroon's most sexy woman of the moment.
Andy Allo
Andy Allo is another cameroonian sexy girl making waves overseas. 2012 was a very fruitful year for the singer. Her album Superconductor was released on 20 November 2012, and the album went straight to #1 on Amazon's Soul and R&B charts in the US, UK and France."Superconductor" features other notable musicians, including Maceo Parker and Trombone Shorty.She has also featured on several countdowns of sexy women in Europe. she is also the the most succesful soul singer from camer and was most sexy cameroonain of 2012 by several magazine countdowns.
Fast Rising Pop Starlet DENCIA who came into the limelite with her hit single "BeriBeri" has officially dropped her 2nd single titled "SUPERGIRL". Supergirl, a charismatic pop love song has Dencia showing a softer side of her where she defines herslf as a diva who is simply looking for a man who will treat her right. In the chorus Dencia states "You know that I'm a diva, love me and I'll love you back, its gotta be 50/50, if you wanna be with me" Dencia has been featured as one of Maxim's "Hometown Hotties," and has appeared in music videos for Quincy Jones' "Soul Bossa Nostra" featuring Ludacris among others, Baby Bash's "Fantasy Girl," N*E*R*D's "Hot-n-Fun," featuring Nelly Furtado, and Jeremih's "Down on Me" featuring 50 Cent.
Naomi Achu
Naomi Achu,US-based Hip Hop singer from Bamenda,Cameroon.Naomi is the first female rapper from the city of Bamenda,the most talented and successful female rapper in Cameroon.The music video for "Alhadji" was nominated Best Blues/Pop by the WMIFF in based in the DMV area of the United States and was #1 on Afrotainment Channel's top 10 music videos for several weeks
Sandra Nkaké
Franco-Cameroonian Actress and Singer,Sandra Nkaké made my list.She was born in Yaoundé on November 15, 1973. Her mother frequently flew back and forth between Cameroon and Europe. Before she was walking she was flying, and before she was talking she heard both French and English.Soul and Jazz Diva's intentions was to become an English teacher but then stage, film and television began to offer an alternative, music came later but you would not know it when watching her perform or by listening to her.She has featured on several magazine covers in France and has had seven singles on the french HIT 100
Charlotte Dipanda
she is no sex symbol.....she is actually more famous for her singing talent but take nothing away from the legendary cameroon music diva. she traded on social media,tv,radio and other media platforms in cameroon like never before collaborating and securing some of the greatest deals in cameroon music so far.Cameroonian afro-pop diva and "Coucou" hit-maker has the sweet charm and vocal prowess to grab your attention.
You name it and she does it when it comes to the music industry.An actress, writer, producer and overall business woman but also very sexy and bautifull.Sahndra already owns her own production company "African Pictures International" an indie production house dedicated to telling stories about Africa from a new point of view. She is also the writer and lead actress of the blockbuster "YEFON", a movie inspired by true events starring Isaiah Washington, Adriana Barazza, Jimmy Jean Louis, Hakeem Kae- Kazim, Leleti Khumalo, Uti Nwachukwu and many others.
Lady Ponce
This list couldnt be complete without the bukutsi queen who has be on that throne for years now and still keeps it as hot and sexy as ever.If she is not recording an album or releasing it she is rocking the biggiest stages of africa and Europe.Last yr was also a busy one for the artist as she currently holds the record for the biggest revenue in endorsements in cameroon. Charlotte Dipanda and Bikutsi waist – winding goddess Lady Ponce have both been nominated in the Best female Central African artist category for their tracks "Coucou" and "Secouer secouer" respectively at the last year kora awards.
Fast-rising Cameroonian songstress and actress Franchika gets you gaga with her lovely looks and beguiling smile . As her music gets more phenomenal, so does her appearance. She is currently the new voice behind MacDonalds.Her brand new single "Kiss" has been unveiled officially by MacDonald's for you to savour the taste of the talented Cameroonian songstress.
And to round up this list is no one else but the Cameroonian model, singer, dancer, rapper and vixen is so alluring that she caught the eye of UK-based soccer star Aaron Lennon. Her smooth ,luscious body and charming face scores a plus for her and put her in a position on this prestigious list of the finiest, sexiest people from Cameroon in the entertianment industry.
And that was our top ten most beautifull cameroonian women in the entertianment industry but dont forget you can always have you own point of view dont forget the leave it below and let the discusion go on.Tune in next week for another Xclusive and interesting countdown.
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Katy Perry, Hillary Clinton and Mike Trivisonno on twitter.
Jacob Appelbaum said "Your question makes no sense; I am funded by the Tor Project, who is funded by several corp/govt and persons".Callisthenes replied "why don't you start your next speech with that. "I'm Jacob & I'm a subcontractor for the U.S. govt."
@ggreenwald said "Has Snowden condemned the earthquake in LA yet?"
(Source: cultureshift, via suchtango)
Tea Party's Sonnie Johnson: "We MUST Stop Killing Ourselves!" - 2nd Hannity Special - 6-21-13 (by RightSightings)
(Barack Obama and close friend – Mike Ramos.)
(via Michelle Not Around While Obama "Parties With The Boys" - The Ulsterman Report)
Caerlaverock castle, Scotland.
Caerlaverock castle, Scotland.
(via xlheads)
(via MARIO CART. | Flickr - Photo Sharing!)
Charles Ramsey interview remix: Crazy Taiwanese animation style! (by NMAWorldEdition)


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Audiences at the first 11-day Cape Town Fringe Festival exceeded expectations with 18,569 people attending 486 performances across 92 productions.
By Debbie Hathway 13 Oct 2014 10:54
Vocal reactions to Cape Town City Ballet's Spring & Fall triple bill, featuring three of Hamburg Ballet director John Neumeier's esteemed works, ranged from speechless to effusive.
By Debbie Hathway 2 Oct 2014 10:07
Hamburg Ballet stars Alexander (Sascha) Riabko and Silvia Azzoni have arrived in the Mother City for final rehearsals ahead of Cape Town City Ballet's presentation of Spring & Fall.
By Debbie Hathway 23 Sep 2014 14:49
Cape Town's dance fraternity turned out in force to support Dance Garage's Rust Coloured Skirt fundraiser at the Artscape Theatre on 20 July.
By Debbie Hathway 23 Jul 2014 13:48
One of the fascinating and most important aspects in a dance production is the casting. Unexpected partnerships can shine a light on a dancer who may have been overlooked previously, while new choreographic commissions create opportunities for company members to strut their stuff artistically and theatrically.
By Debbie Hathway 22 Jul 2014 11:50
Dancers in and around Cape Town with spare time this week should grab the opportunity to work with some top contemporary dance teachers offering free workshops at Jazzart Dance Theatre's studio at the Artscape Theatre Centre.
By Debbie Hathway 16 Jul 2014 09:00
National Arts Festival artistic director Ismail Mahomed's invitation to the Grand Théâtre de Genève (Geneva Ballet) to perform in Grahamstown in early July this year brought the company to Cape Town afterwards and has put the wheels in motion for a tour to Bloemfontein, Durban and Johannesburg in 2015.
By Debbie Hathway 14 Jul 2014 10:56
An unexpected invitation from Ismail Mahomed, artistic director of the National Arts Festival, to Philippe Cohen for the Grand Théâtre de Genève (Geneva Ballet) to perform in Grahamstown this year has set a range of events in motion.
By Debbie Hathway 1 Jul 2014 10:18
Cape Town City Ballet presents Ballet Beautiful at the Artscape Theatre from 4 July, 2014. Debbie Hathway chats to Yarisha Singh about her new commission.
By Debbie Hathway 27 Jun 2014 11:32
Cape Town City Ballet (CTCB) opens its Swan Lake season on Saturday with Laura Bösenberg in the dual roles of Odette/Odile and Thomas Thorne as Prince Siegfried.
By Debbie Hathway 1 Apr 2014 11:21
A small group of family, friends and colleagues recently gathered in Cape Town to witness the award of the Order of Isabella the Catholic to Carolyn Holden, the former artistic director of La Rosa Spanish Dance Theatre who passed away suddenly on 4 April, 2013.
By Debbie Hathway 6 Mar 2014 10:31
The fourth South African International Ballet Competition (SAIBC), supported by the National Lottery Distribution Trust Fund (NLDTF), is over, leaving participants well pleased with the outcomes.
By Debbie Hathway 25 Feb 2014 11:07
Scores of salsa dancers, DJs and instructors are flying in to Cape Town from around the world to attend the first Mzansi Cape Town Salsa Festival.
By Debbie Hathway 28 Oct 2013 14:25
Introdans artistic director Roel Voorintholt promised entertainment value for the company's new season launched in Durban last week, and they delivered. As for technical excellence, precision and performance quality - that's a given.
By Debbie Hathway 12 Sep 2013 10:48
"Be strong." Those were the words that echoed around the media office at the National Arts Festival in Grahamstown. Even to the uninitiated it was clear that great physical and mental reserves would be required to do justice to the plethora of artistic endeavours on the programme, but many succumbed to the bitter cold and accompanying seasonal flu virus.
By Debbie Hathway 23 Jul 2013 11:55
Dance, Religion and Spirituality is the theme of the UCT School of Dance's seventh international dance conference entitled Confluences, which runs on campus from 11-13 July 2013.
By Debbie Hathway 9 Jul 2013 10:33
Part of the joy in doing something you are passionate about is the people you meet along the way. Some interviews feel like conversations with friends when you share common ground. Duane Alexander is one of those.
By Debbie Hathway 26 Jun 2013 10:25
The promise of performances by Russian ballet companies on South African stages has long been a box office attraction, much to the chagrin of local dance groups who struggle to fill houses at lower ticket prices.
By Debbie Hathway 18 Jun 2013 09:27
After three months as a pole dancing student, you'll know enough to be able to perform a few basic moves competently in front of an audience. If you want to make it on the world pole sport stage, it'll take years of training, practice, discipline and commitment to be a worthy competitor.
By Debbie Hathway 14 Jun 2013 11:42
"Stunned". "Bereft". "Perspective". These are some of the reactions to the tragic news of Carolyn Holden's untimely demise that most stand out for me.
By Debbie Hathway 15 Apr 2013 11:33


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Marvel Makes Things Right With Jim Starlin By Finally Giving Him Free Movie Ticket
- Written by Jude Terror on Thursday, June 26 2014 and posted in News with Benefits
Jim Starlin and Marvel Comics have always had a rocky relationship. The pair have never seen quite eye to eye. Starlin would like to keep writing The Infinity Gauntlet over and over again every couple of years, while Marvel would prefer to have different writers, like Jonathan Hickman, write The Infinity Gauntlet over and over again every couple of years. They're close, and yet so far apart on this issue.
However, the most recent tiff between Marvel and Starlin began back in May of 2012, with the release of The Avengers, which featured Starlin's character, Thanos, in a post-credits scene. Starlin was pissed, you see, because Marvel didn't give him a free ticket to see the movie. We reported on his statements at the time:
It's nice to see my work recognized as being worth something beyond the printed page, and it was very cool seeing Thanos up on the big screen. But this is the second film that had something I created for Marvel in it - the Infinity Gauntlet in Thor being the other - and both films I had to pay for my own ticket to see them. Financial compensation to the creators of these characters doesn't appear to be part of the equation.
And though Starlin has worked for Marvel repeatedly over the last two years, there have been a few bumps in the road. Most recently, tempers flared when Starlin was told he could no longer use Adam Warlock and Thanos in stories. I mean, how the fuck's a Jim Starlin gonna write the god damn Infinity Gauntlet Part 57 if he can't use motherfucking Adam Warlock or Thanos? From our report:
Just finished penciling and scripting my four-issue story arc (#7-10) for the Savage Hulk Series. Not sure what I'm going to do now, seeing as how I can't do any further Thanos/Adam Warlock stories, as was the plan.
This time, after I brought Adam Warlock back from the dead in the Infinity Revelation, someone at Marvel anonymously put a corporation-wide-no-use restriction on the character, effectively putting the brakes on the on-going plans I had for him and the Titan.
This caused portly Marvel Senior Vice President of Twinkies Tom Brevoort to condescendingly blast Starlin and bloggers for talking out of turn:
This is all really about something else, something much smaller that Jim probably shouldn't even have taken public on his Facebook page. But he did, so there you go. But it's grown and changed and become so exaggerated as the information passes from one "well-respected comics blogger" to another that it bears no resemblance to the truth.
But in the end, it looks like Starlin and Marvel have worked things out, and Starlin can go back to writing the Infinity Gauntlet over and over. How did they do it? Marvel finally bought him that goddamn movie ticket, that's how. From Starlin's facebook page:
Marvel and I have settled our differences on Adam Warlock and he will be appearing, along with Thanos and other characters, in all three of the graphic novels I am doing with Marvel.
I know I've done a bit of Marvel-bashing on this page in the past. But times change. David Bogart has arranged for Marvel fly Sonny and I out to LA for the premiere of the Guardians of the Galaxy movie. How can you stay mad at a company that does that? This is going to be very cool and I will post pics! See you at the movies!
Isn't that nice? Be sure to check back here at The Outhouse in August when Guardians of the Galaxy hits theaters and we learn that Marvel refused to buy Starlin a box of Sour Patch Kids at the theater, kicking this whole cycle off all over again.
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About the Author - Jude Terror
Jude Terror is the Webmaster Supreme of The Outhouse and a sarcastic ace reporter dedicated to delivering irreverent comics and entertainment news to The Outhouse's dozens of loyal readers. Driven by a quest for vengeance, Jude Terror taught himself to program and joined The Outhouse. He instantly began working toward his goal of forcing the internet comics community to take itself less seriously and failing miserably. Ironically, our webmaster, whose website skills know no end, has very little understanding of social networks or how they work. Regardless, you can find him on Twitter, Facebook, and Tumblr, but would probably have the most luck just emailing him.
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