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Studio Notes April 3, 2014: Rip Up and Cut Down I am learning something from taking pictures of the work with my iPhone. I photograph parts of my pieces and always like the details better than the whole thing. But it seems like the process requires making a bunch of stuff and then trying to simplify simplify and then simplify some more. Lately, I have been working on some biggish pieces (big for me), @ 24"x28" but find that I have to rip them up and cut them down. I constantly show people how they have made several collages in one and that there is too much going on. Hence, I make a big emphasis on making a really strong background and often people will say: y'a know I think this is finished. Because they have made a lovely space (all prepared like a garden plot ready for planting). It is visually more pleasing to have an underworked piece than an overworked one. Many of us feel that the main story is still missing (even with that gorgeous background) and that there just isn't enough. So how to fill up and whittle down? How to have breath and space yet a piece strong enough to work? Add onto this predicament another layer: the work that I personally want to do, that I dream of and chase speaks of something doubtful and sure, strong yet tentative, delicate but solid. I began making art and writing as a way to quietly and discreetly fit into my world. When I try to work big and boldly it usually crashes and burns. I might have to find my strength in the small, the delicate and the private places. I began earnestly expressing myself writing as a teenager and even now my artwork instinctively stays on the same scale as books. There is always this funny predicament: how to avoid clutter and overkill and how to get simplicity and strength. And how to be brave and expressive and feel safe enough to even do it.
Tags: fine art studio art collage collage art mixed media painterly whimsical bohemian ethereal etsy art for sale wall art colorful acrylic painting watercolor watercolour pastel colours soft feminine abstract art modern art contemporary art artists on tumblr pastel colors pastel
With refreshments and performance on Saturday by my amazing and wonderful brother, John Sheldon. I hope to see you there!
(Source: alexandrasheldon)
Tags: boston cambridge ma cambridge artists boston artists boston events fine art events art events art sale collage art collage contemporary art ethereal wall art whimsical bohemian floral pastel pastels watercolor mixed media handmade etsy unique art gifts art for sale red guitar performance free performance concert
Untitled, mixed media on paper
by Alexandra Sheldon
Tags: pastel pastels pastel colors soft tones wall art deviant art etsy watercolor watercolours abstract art surreal surreal art whimsical ethereal bohemian gypsy anthro boho boho style artists of tumblr fine art art for sale art sale oil painting mixed media canvas acrylic painting mint calming peaceful
Tags: collage collage art deviant art boston boston artists artists of tumblr etsy feminine floral turquoise sea dreamy whimsical ethereal bohemian boho anthro abstract art inspiration colourful art wall art art for sale art sale modern art contemporary art acrylic painting oil painting drawing illustration fine art
Red Grape Leaves
Tags: grape leaves leaves red vine organic natural collage painting drawing illustration design abstract abstract art modern art contemporary art fine art boho prints bohemian boho chic handmade whimsical ethereal minimalism boston boston artists arts and crafts feminine minimal
Mixed media collage by Alexandra Sheldon
Tags: art arts crafts etsy handmade mixed media arts and crafts modern art contemporary art fine arts watercolor watercolour boho bohemian floral boho chic oil painting acrylic acrylic painting mysterious ethereal whimsical texture dreamy feminine natural organic
Products made from mixed media collage by Alexandra Sheldon
Tags: floral whimsical ethereal etsy unique unique art art for sale modern art contemporary art shabby chic boho bohemian boho chic gifts abstract art boston boston artists decor pattern textile hippie gypsy leaves colorful colourful watercolor watercolour oil painting mixed media handmade
Crystal Strands
Tags: art arte design illustration modern art contemporary art abstract art collage watercolor watercolour painting drawing crystal pastel mint feminine shabby chic boho boho chic bohemian unique unique art creative boston boston artists etsy wall art art for sale print paper
Mixed media collages by Alexandra Sheldon
Tags: art arts arte crafts mixed media collage collage art paper cut paper painting drawing vintage shabby chic bohemian boho chic watercolor watercolour oil painting acrylic painting for sale art for sale hippie gypsy unique creative unique art boston cambridge ma boston artists putple
Tags: collage mixed media handmade hand made etsy arts and crafts boston boston artists cambridge ma fine art modern art contemporary art creative unique boho boho chic bohemian hippie trendy wall art for sale gifts abstract abstract art watercolor pastel watercolour whimsical ethereal
cards and cases using collages by Alexandra Sheldon
Tags: collage collage art mixed media handmade hand made etsy arts arts and crafts watercolor watercolour colorful colourful shabby chic boho bohemian boho chic fine art modern art contemporary art gypsy for sale unique unique art creative gifts boston artists society 6 assemblage abstract art
Forestmixed media collage by Alexandra Sheldon
Tags: abstract art collage collage art cut paper assemblage contemporary art modern art etsy crafts artwork bohemian boho retro vintage pastel painting drawing design textile pattern whimsical ethereal nature studio art boston artists cambridge ma leaves acrylic painting oil painting artists on tumblr
mixed media collage by Alexandra Sheldon
Tags: colorful colourful colorful art boston artists cambridge cambridge ma vibrant colors bohemian boho retro wall art unique art collage modern art contemporary art yellow bright bright colors rainbow creative illustration pastel watercolor etsy society 6 gifts art for sale abstract art whimsical ethereal
Tags: pastel soft colors pink baby girl collage mixed media handmade unique unique art artists on tumblr soft pink boho bohemian feminine girly cut paper fine art contemporary art vintage retro modern art abstract art assemblage art for sale boston artists cambridge ma shapes nature sweet childrens art
Lemon Vessel
Tags: lemon abstract art mixed media boho bohemian floral whimsical vintage nature ethereal fine art painting drawing crafts unique collage assemblage collage art illustration vessel artwork wall art art for sale cambridge ma handmade feminine painterly pastel watercolor watercolour
Boston based artist specializing in painterly collage. All collages are handmade with mixed media. Work is available for purchase. Contact info available at
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Lakers Lock in Bynum for Four Years
|10.30.08 at 1:55 pm ET
For all those who said the Los Angeles Lakers would have beat the Boston Celtics in the NBA Finals with Andrew Bynum, they will have four more years to make up for it.
Today Bynum agreed in principle to a four-year contract extension worth around $58 million. According to the Los Angeles Times, he will earn $42 million in the first three years. The fourth year is reported to be a team option worth $16 million.
Bynum, who turned 21 this week, is currently making just over $2 million this season. The contract is based on potential despite the fact that he started less than 80 games in his first three seasons. He missed the entire 2008 playoffs with knee injuries.
The Celtics and Lakers will meet again on Christmas Day in Los Angeles.

subset: commoncrawl


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How To Make A French Charcuterie Platter
Mar 16, 2012 12:01 pm
The art of the famed French spread, starring pork!
Here's the fourth and final part of Around the World in Four Spreads. So far we've given you the Italian antipasti, the Mediterranean mezze and the Korean Banchan. Now it's time to tackle the classic French charcuterie platter.
One of the great things about the French charcuterie platter is its simplicity. Take various types of cured meats, pâté, bread, cheese, cornichons, baguette and mustard — really good Dijon — and you've got yourself a spread. Add a bottle of wine (French of course, maybe a nice burgundy) and it could even be a meal. But remember, the point of this whole exercise has been one thing: sharing is better!
More about:
Food Republic Newsletter
Introducing the No. 7 Vans Classic Slip-On
Vietnamese noodle soup, it's what's for breakfast
Calf brain cream, whole alligator, meat ice cream
Sean Brock's cheeseburger recipe is on the money
Britain stops rinsing raw chicken. We should, too.
Two liters of French 75? Yes please.
Stop everything and start deep-frying scallions
Meet notNeutral, innovators of coffee drinkware
Irish capital is awash in Guinness and fiddle tunes
Breweries use modern packaging to simply make noise


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Cable vs. Satellite
Compare the differences and get the right service for you.Compare Now
Are bundles bogus?
Nope, they can save youSee How
a bundle of cash.
See the provider map.
You want cable, you need cable, but who is your cable provider?View Now
It's easy to get cable. Call 1-866-921-5828
Why Cable TV in Sunderland, MD
If you are considering cable TV in Sunderland, check out a few of the reasons the CableTV.com team enjoys it. There are hundreds of HD channels, that look great no matter the weather, unlike satellite. It provides On Demand entertainment as well as movies, TV shows, and local programming. Cable TV is a better value because there is less equipment to buy or rent, and installation is easier. Most providers offer free DVRs and Internet bundles, which save their customers an estimated $400 every year. Plus cable is:
Cable TV offersmore HD choices
Snow may mess up satellite, but itdoesn't faze cable
Cable can beinstalled virtually anywhere
TV Trends in Sunderland
If you thirst for cable TV knowledge, we can help. CableTV.com has cold-filtered cable data on tap and ready for consumption. Try this (it's on the house): almost everyone, or 97% of Americans, watches television as it is aired and roughly 33% of those TV viewers have at least four televisions in their homes. Upwards of 50% of people also stream video content online. Among those with cable TV, almost three-fourths bundle their service with high-speed Internet. Cable's ubiquitous national presence also helps explain how DVRs account for about 7% of America's total TV viewing.
All those stats mean that if you don't own at least one TV for every room in your house, chances are your neighbor to the left or right of you does. It also means that almost everyone you meet today will watch a TV tonight, and 57% of them will use either their DVR or their Internet to do so.
About Sunderland Cable Internet
Cable providers have so much more to offer than TV. That is why so many Sunderland residents bundle cable services. Cable Internet is faster than most DSL services, providing downstream speeds 25%-100% faster than the national average. People who choose cable bundles also save money, roughly $400 every year they bundle TV and Internet. Both are very good explanations why cable Internet subscribers represent 32% of households, and how broadband penetration in Maryland grew to 74% by 2010. Enter your zip code to find out more about cable Internet, bundles and providers in Sunderland.
It's easy to get cable, Call 1-866-921-5828
Which Actors Are From Sunderland
William Petersen ranks eighth in popularity on TV.com but is number one for many residents of Sunderland, MD. He is loved for his role as Gil Grissom in "CSI: Crime Scene Investigation" where he also presides as an executive producer. He is involved with the Steppenwolf Theatre and has also performed with them. He received a Hollywood star on the Hollywood Walk of Fame in 2003. His first movie role was in "To Live and Die in L.A." Tune in to cable TV to see William in action.
Find Cable TV in Sunderland
Hopefully the above info shows you that we know television like Barney knows women. That's why we can match you with the best cable option, which isn't as cocky as it may seem. Because of local licensing regulations, there is usually only one cable provider in a region. Give us a call and let us help you discover which provider that is.


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Posts Tagged 'Xeno'
Fanatical Five: Top 5 Ugliest Video Game Bosses of All-Time
When creating a video game, character design is very important. It's what separates Solid Snake from the Earth Defense Force chumps. Sometimes, however, a character isn't intended to make the player freeze in awe; sometimes, it's to make us cringe. Whether it be out of fear, out of disgust, or out of agony, they […]


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text: "Patrick Bureau (SCA: Patric de Long Coeur)" wrote: > > Great tatoos... now the enquiring minds of their majestie's subjects > are going to try to have to figure out WHERE the tatoos have been placed. > ... sounds like a contest in the making if you ask me :))) > > Lord Patric de Long Ceur.. > > ============================================================================ > Go to http://lists.ansteorra.org/lists.html to perform mailing list tasks. Well, assuming the photo is reproduced correctly, His Majesty's tatto is on the outside of his right upper arm. Her majesty's is more problematic, as there aren't nearly as many clues in the photo, the three long strands of hair visible suggest that it is located on the uppermost torso, shoulders or upper arms. David Gallowglass _____NetZero Free Internet Access and Email______ http://www.netzero.net/download/index.html ============================================================================ Go to http://lists.ansteorra.org/lists.html to perform mailing list tasks.


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Welcome to Les Folies
Les Folies features fresh seafood daily, with recipes from various regions of France, such as Paris, Lyon, Gascony, Britany, Provence and Alsace.
Les Folies has the largest Raw Bar in the Washington/ Baltimore Area (4 to 6 varieties of oysters from the east, west and the Gulf, Langoustines, clams, Taylor Bay Scallops, Maryland Crabs, Fresh Stone Crab Claws, Lobsters and Perrywinkles). Our prices are reasonable and the Wine List is unpretentious but well selected!
Having a Party?
Let us host your next birthday, anniversary or work event! For off-site catering, please contact Alain Matrat, Catering Manager at 410.573.0970.


text: Print article Send a Tip Finally: Pelosi Condemns 'Filthy Filner' by Elizabeth Sheld 25 Jul 2013 post a comment Today, finally, Rep. Nancy Pelosi issued a condemnation of San Diego Mayor Bob "Filthy" Filner along with NYC Mayoral candidate and former Congressman Anthony Weiner. "The conduct of some of these people that we're talking about here is reprehensible," Pelosi, D-Calif., said of her former House Democratic colleagues. "It is so disrespectful of women, and what's really stunning about it is they don't even realize it. You know, they don't have a clue."If they're clueless, get a clue," she continued. "If they need therapy, do it in private." Previously Pelosi stated she didn't want to be identified as Filner's "former colleague" but then added "I'm not here to make any judgments" about the Mayor. Three women have come forward with specific allegations of sexual harassment against Filner.


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Chipper manufacturer's expanded website features include real-time social media updates and interactivity.
Bandit Industries, Remus, Michigan, has updated it website to include a new blog and features feeds from the company's Facebook and Twitter accounts. Bandit's website, www.banditchippers.com, now offers visitors the ability to see live social media updates, as well as to interact directly with the company. The chipper manufacturer says the website improvements will help Bandit to maintain relationships with customers and to provide them with real-time company updates.
"Since Bandit started, we've been proud of the close relationships built and maintained with our customers," says Christopher Smith, marketing and communications director for Bandit Industries. "In our early years, customer feedback helped to guide our product line, and that has never changed. We still work closely with customers to not just build better equipment, but build the custom equipment they ask for. Social media is a great way to foster relationships even further, and that's exactly why we are proud to take this next step forward."
Bandit's new live blog will be updated regularly with content that readers can comment on, the company says. Blog topics will vary, ranging from equipment tips, community events and sponsorships such as NASCAR, to a look inside Bandit machines and the people who make and buy them.
Along with live feeds from Facebook and Twitter, Bandit has expanded its presence on LinkedIn with articles of business interest as well as a Pinterest page.
In addition to access to Bandit's social media pages, the company offers a new video series on YouTube titled, "Two-Minute Demo" that allows viewers to watch Bandit machines in action.
"Since the very first chipper, Bandit has engaged customers in a discussion about the machines they use in the industries they love," said Smith. "Social media is a great way to broaden that conversation to share more ideas and include more points of view. For a worldwide company that thrives on the words and wishes of its customers, these types of communication tools are simply extensions of who we are. Bandit and its employees are excited to broaden that level of communication to its fullest."
Harvest Power raises $20 million in new financing http://dlvr.it/7Mrx6X Thursday, October 30, 2014 05:00:06 PM
Settlement reached over Detroit WTE plant odors Wednesday, October 29, 2014 04:00:26 AM
Sunshine Gas Producers starts up landfill-gas-to-electricity plant Monday, October 27, 2014 06:07:37 AM
AECOM Technology awarded contract for New York City biogas project Friday, October 24, 2014 09:48:10 AM
This video about the #REW14 Conference says it all! http://ow.ly/D7OQe Wednesday, October 22, 2014 02:56:04 PM
Join us in November Tuesday, October 21, 2014 05:21:21 PM
Amazing speaker lineup at #REW14 http://ow.ly/D42F3 Tuesday, October 21, 2014 11:31:35 AM
The Sept/Oct issue of Renewable Energy from Waste is now available. Read the San... Monday, October 20, 2014 05:54:16 PM
Wastecon 2014: Zero waste to landfill takes more than recycling http://dlvr.it/7... Monday, October 20, 2014 11:57:38 AM
Oklahoma MRF receives sustainability stewardship award http://dlvr.it/7GGTGy Monday, October 20, 2014 09:54:08 AM
Athens Services opens mixed-waste MRF in Southern California http://dlvr.it/7Dz313 Friday, October 17, 2014 03:10:46 PM
Global Clean Energy secures contract with Liberty Tire Recycling Friday, October 17, 2014 03:10:39 PM
Only one month until the Renewable Energy from Waste Conference! Have you regist... Friday, October 17, 2014 11:25:23 AM
Westinghouse Plasma selected for China gasification project Friday, October 10, 2014 04:20:37 PM
DOE hosts Waste-to-Energy Roadmapping Workshop Friday, October 10, 2014 12:41:39 PM
Poll shows two-thirds of Canadians support energy-from-waste Friday, October 10, 2014 12:16:06 AM
ACC study shows plastics to oil could be a $9 billion industry Thursday, October 09, 2014 12:02:08 AM
UK plastics-to-oil company receives funding Wednesday, October 08, 2014 11:37:09 AM
GBB adds to staff Monday, October 06, 2014 04:43:05 PM
BHS launches new website Monday, October 06, 2014 02:00:08 PM
South San Francisco Scavenger Co. turns food scraps into fuel http://dlvr.it/75QfHx Friday, October 03, 2014 09:41:26 AM
Orbis upgrades its container for kitchen organics Thursday, October 02, 2014 03:15:09 PM
CRRA honors Monterey Regional Waste Management District's AD system Wednesday, October 01, 2014 05:50:35 PM
Dresser-Rand demonstrates new waste heat recovery system http://dlvr.it/74VG9H Wednesday, October 01, 2014 05:18:07 PM
ReEnergy Black River to provide biomass power to Fort Drum Tuesday, September 30, 2014 05:46:24 PM
5811 Canal Road
Valley View, OH 44125 USA


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Picture this...
Healthy Chipotle Chicken Sweet Potato Skins | halfbakedharvest.com
Healthy Chipotle Chicken Sweet Potato Skins - Half Baked Harvest
Great tips in this lilblueboo article about creating a yearly photo book for your family. Too many of us have all these digital images stuck on our computers. Many of us do not even back them up regularly. Scrapbooking is time-consuming and can be quite expensive. Making one book for the family seems doable. ~ Michelle McLeod
Creative Yearly Photo Book Ideas via lilblueboo.com
10 Tips for Photographing Large Groups. #Holiday Photo Tips by iHeartFaces.com #GiftsThatDo
HOW TO MAKE SPARKLER MESSAGES *Use a tripod *Set camera mode to M (manual) *Set f/stop to f5.6 *Set shutter speed to 4" (4 seconds) or slower (make the shutter speed faster for more defined words) *Set white balance to Tungsten *Make sure everyone writes their letters backwards!
cute idea for wedding party photo.
Oversized family photos in black and white! Love!
Family Portrait Ideas- posing and metering. Have to remember this one its one of the best ive read!!!! ♥
Gallery Wall. No reason to drill holes in the wall; so easy to move frames around and change the pictures ♥
Cute! "I love this idea... in fact...I thought of it myself three weeks ago when I had too many pictures to hand all of my family in my tiny apartment. I have a strip of wall that is 12" wide between two doors that is just between the living-room and kitchen.. I already have 3 frames and 8x10's, and am buying them every other week until i have all 6 of them up there!"
floor to ceiling frame
need to remember this website when i've got picture to hang
Mark a horizontal midline on the wall, and hang all pictures above or below it... I really like this!
Exposure – As I mentioned before you wanna make sure you have your camera set on Spot Metering and you will have to set your exposure based on your subject's face. Yes the background will be blown out a bit but we don't have to worry about that. Our focus is on the subject and that's all we have to worry about.
portrait editing in photoshop
Everything from choosing your props, poses, and clothes...all the way to tips for looking good and getting your kids to cooperate.


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Dispute Ends With North Texas Hotel Paying Employees $102K
More than 100 employees at the DoubleTree Hotel in Richardson will be receiving back wages as a result of an investigation by the U.S. Department of Labor.
New Hotel Near Cowboys Stadium?
CBS-11 News has learned a major chain has expressed an interest in building a hotel in Arlington near Cowboys Stadium and Rangers Ballpark.
Best Hotels In DFW On A Budget
Hotel prices can make or break a vacation budget. The solution may be in leaving the chain gang of standard hotels and staying in DFW's best budget hotels.
Downtown Dallas Omni Dealing With Some Unwanted Guests
It was Tuesday evening, a visit to the Owner's Box Sports Bar and Grill inside the Omni Hotel in downtown Dallas uncovered a nagging nuisance for customers and guests.
Convention Center Hotel Turning Profit Ahead Of Expectations
After years of controversy and debate, there's good news coming out tonight about the new Dallas convention center hotel, it's doing much better financially than first predicted.
Charitable Homeless Holiday Tradition Coming To An End
A seven-year tradition that helps homeless North Texans at Christmastime is coming to an end.
Super Bowl Roommate Draft
This biggest hitch so far is the room assignments. Who is going to bunk with who? You can only imagine the conflicts going on behind the scenes.
Texas Hotels Offer Free Christmas Eve Rooms
Hotels across Texas are participating in a program that provides free rooms on Christmas Eve for those who have friends or family in a hospital, nursing home or treatment center over the holidays.
'Resort' At DFW Airport Caters To Humans & Animals
A business is opening at Dallas/Fort Worth International Airport that offers North Texans the opportunity to eliminate two of the most stressful things about traveling — boarding pets and finding a place to park.
Autopsy Of Surfer Who Died At DFW Hotel Delayed, Again
The release of surfing champion Andy Irons' autopsy report is again being delayed. A Tarrant County District Judge has approved a 30-day extension of a temporary injunction preventing the report's release at the request of Irons' widow.
Vacancy Sign Still Lit Up For Super Bowl Week
As Super Bowl XLV approaches, hotel rooms might become harder to find. But there hasn't been a rush for reservations yet.
Hotels Work To Ban Bed Bugs From Super Weekend
A guest of the Sheraton Hotel in downtown Dallas brought two bed bugs to the hotel today. They were not part of an infestation, but rather a demonstration for the hotel industry.


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Over the last few months, the Kings franchise has been completely turned upside down. A new ownership group has come in and added a head coach and GM, giving the downtrodden franchise a totally new look. It may be new for Sacramento, but you only have to go 80 miles west on I-80 to find the blueprints for this franchise reconstruction.
With the three key names in the new-look Kings organization all coming from Golden State, the Kings are looking more and more like the Warriors 2.0. They need to overhaul the roster and swap the numbers in the win and loss columns in order to truly return the franchise to glory, but Vivek Ranadive is using the Warriors as a model for his organization.
Until recently, Ranadive, a Silicon Valley technology billionaire, was a minority owner of the Warriors. Ranadive had his eye on former Warriors lead assistant, Michael Malone, for years as "his guy" if he ever got his own team and the new Kings owner didn't hesitate to bring Malone on board. Then, yesterday, the Kings introduced another former Warrior as GM.
Ranadive flipped the traditional order of hirings by solidifying the head coaching spot before addressing the GM, but now, following the hiring of Pete D'Allesandro, those two roles are officially filled. D'Allesandro, who served as assistant GM in Denver the last three years, got his start in the Warriors front office and helped put together the "We Believe" team that upset the top-seeded Mavericks back in 2007.
There are also reports that Ranadive has offered Chris Mullin, who has served as the Warriors VP of Basketball Operation and hired D'Allesandro in 2004, a consulting gig with the team. The lead owner, the GM, and the head coach are all new to these positions, so Mullin would bring some veteran leadership to this team of rookies and give the Kings a quadfecta of former Warriors in high profile positions.
The Ranadive-led ownership group is made up of tech leaders and other business tycoons that have openly talked about pushing the envelope as owners of the Kings. In D'Allesandro's introductory press conference, the new GM talked about using advanced stats more effectively and Ranadive referred to advanced stats and data as the team's "secret sauce", not wanting to reveal too many details of his high tech plans for success.
The Warriors have been one of several teams to adopt advanced metrics as a foundational philosophy and the results have been excellent. Ranadive, the head of Tibco Software, wrote the book on using information quickly to make the user experience better and he wants to use this philosophy with the Kings, optimizing the fan experience as well as the on-court production.
The Kings clearly want to build a state of the art and technologically superior organization, just like what we're witnessing with the Golden State Warriors. He is hiring people that know the ins and outs of the Warriors organization in order to try to replicate that success, now they just need to find their own Steph Curry and they'll be on the right track.
Sacramento has brought in Golden State Warriors people in an attempt to replicate their success
The Sacramento Kings transformation is taking on a familiar shape
6/18/13 in NBA | droth | 127 respect


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From cucumbers and eggplants, to basil and mint, the garden tells a story of sustainability at Blog Cabin 2014.
More in Blog Cabin
Eric Perry © 2014, DIY Network/Scripps Networks, LLC. All Rights Reserved.
Just outside the front door, an assortment of produce is found growing in a custom-built raised bed garden. This is the first time ever that Blog Cabin has incorporated a garden into the design.
We sent a note to our support staff about the glitch you just experienced. Please click the button below to reload your content.
Tour the home via this Flash-based floor plan.
Don't have Flash? Explore spaces via beautiful sideshows.Visit Photo Gallery Central
Tool expert Chris Grundy highlights the transformation from beginning to end.
Licensed contractor Jason Cameron turns once-hated rooms into dream spaces.
Interior designer Alison Victoria surprises shoppers and creates fabulous new kitchens.
Licensed contractor Matt Muenster shares amazing bathroom design tips.
Interior designer Anitra Mecadon creates over-the-top rec-room sanctuaries.
Professional landscaper Chris Lambton transforms neglected backyards into party pads.
Licensed contractors Jake and Joel Moss transform backyards in 48 hours.
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Jetsons: The Movie (1990) is an animated film based on the cartoon series of the same name, where George Jetson becomes vice president of Spacely Sprockets and oversees the work at Spacely's Orbiting Ore Asteroid. It was directed by Iwao Takamoto (although officially billed "Produced and Directed by Bill Hanna & Joe Barbera"), produced by Hanna-Barbera Productions, and released to theaters by Universal Pictures.
No links available


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Apps Ready For Official Release, Post Here
John T. Haller Homepage) - February 29, 2008 - 5:24pm
If you've created an app that is currently posted as a Development Test and the following apply:
... then please post a note in this thread. Please note that this is for the actual authors/packagers only. Please don't nominate someone else's app for inclusion. Developers/packagers, you can list up to 10 apps in a single post, but please don't continuously add new apps to one of the top 10 comments and please don't remove apps once they are crossed out. Once a post is within the top 10, we will whittle it down and then move on to the next post.
Here are the Development Test guidelines:
Posts will be removed as the apps are released.
Apps that are not in PortableApps.com Format and ready for official release on PortableApps.com will be removed from this thread.
Java and .Net apps delayed
We won't be releasing Java or .NET apps just yet. Java we're waiting on licensing finalization with Oracle and will shortly have the only fully legal portable Java implementation which we'll work apps from. .NET apps are awaiting the new app directory which will have a special section for apps requiring .NET which will be hidden by default and include information on why it won't work on most public PCs (which are XP and have no .NET installed at all).
Note: This topic was originally retired but has been revived and we've been having developers pickup and revise some older apps that never made it to release. We're working on the newer postings quicker, but the old ones are getting picked off one by one as well.
( categories:
My apps ready for release
Pyromaniac's Apps
scriptdaemon's Apps
gluxon's Apps
Siggys waste bandwidth... that's why I have one.
Lazarus Portable is Ready
MyContacts Portable 3.0.3 (Freeware, publisher submitted)
Win2App Portable ready for release
Win2App Portable (mod note: Publisher submission)
darksabre76's Apps
MiKTeX plugin
CODYQX4's Apps
Previously known as kAlug.
winterblood's apps
It's not a bug, its a feature.
My apps ready for release
R Portable (Released)
Simple Shop Portable
Simple Shop Portable 184.108.40.2061 (Freeware, publisher submitted - free licenses give)
darksabre76's Apps, cont.
Alloy Analyzer (Java)
Digicamsoft's App
NWC Viewer Portable 2.51
NWC Viewer Portable 2.51 - if you are interested in this, it is ready for release
BirdFont, ready for release
BirdFont, freeware (upstream submission).
scriptdaemon's Apps (cont)


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Oak Forest, ILUSA
Hometown: Chicago
October 20, 2010
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Hi: My name is Moriel and I am a long time vegan and green advocate.
Welcome to ChicagoVeg, Moriel!
Moriel, welcome to the group.
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Rolex Rankings #19
Rolex Rankings #2
Who will win in 2014?
Will Suzann Pettersen defend her title?
Ernst's victory another big step in her career
The Social Scene for October, 2014
Thompson shot a record second round at this event with a 64. The round put her in a tie for the lead with Se Ri Pak.


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Advanced Search
The National Science Teachers Association has opened its 2014 Teacher Awards Program, with 20 different awards for more than 50 teachers at stake.
Airwolf 3D has started shipping a new entry-level 3D printer that comes in around $2,300 and boasts a build envelope of 1,100 cubic inches.
Brigham Young University will host its first engineering and technology camp focused on computer chips, dubbed Chip Camp, next week.
After participating in a two-week coding and design camp, 16 high school students from across New York recently debuted their own mobile apps as part of a two week summer camp designed to foster coding and design skills.
Beginning August 16, every classroom in South Carolina will be able to view the rings of Saturn or the Orion Nebula via a vintage telescope at the South Carolina State Museum in Columbia, SC.
A new STEM-focused curriculum for young learners, concentrating on both science and math, is coming to the cloud.
Verizon kicked off its third annual Innovative App Challenge on Monday. The program challenges teams of middle and high school students to conceptualize and create mobile apps that solve problems in their schools and communities.
Hoping to encourage more girls to become interested in careers in cybersecurity and related IT fields, the Air Force Association is conducting a pilot CyberCamp for female high school students this week at Texas Woman's University in Denton, TX.
Cincinnati area teachers are getting a heavy dose of STEM to pump up their math and science teaching methods in a multi-year program run by a cross-disciplinary team at the University of Cincinnati.
Virginia's Fairfax County Public Schools has been awarded a CyberPatriot Center of Excellence Award from the Air Force Association.
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Grand Central turns 100
Grand Central Terminal in Manhattan celebrates its 100th anniversary Feb. 1. Here are some iconic images of the world's biggest train terminal. (Jan. 31, 2013)
High school homecoming celebrations across LI LI's cheerleading and kickline teams Suffolk's high school homecoming kings and queens Mr. and Miss West Islip competition LI notable deaths LI people on the move! Promotions, new jobs Guess who: LI celebrity yearbook pictures St. John the Baptist vs. St. Anthony's Smithtown East vs. Northport Nassau's high school homecoming kings, queens 10 big sales this weekend Your pet photos: Adorable dogs, cats and more


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On Sale Chocolate and Coral Fish Scale Duvet Cover - Twin
Limited quantities available at this price. Please call 877-214-6875 during normal business hours to confirm availability. This is a final sale item and cannot be returned.Add a chic touch to your child's room with the Chocolate and Coral Fish Scale Duvet Cover from Jonathan Adler. The duvet cover features one of Jonathan Adler's signature patterns. Be right on trend with this popular print inspired by the year of the dragon! This duvet is available in twin at this price. 400 thread count. Button closure. Made of 100% cotton.
Born in a farm town in New Jersey, Jonathan Adler spent his childhood making pots in his family's basement. From his first Chanel-inspired, quilted line of pottery in 1989, to furniture and interior design in 2002, to fun modern prints today, he has impressed the design world with his distinct sense of geometric style. Jonathan Adler is known for bold prints and bright splashes of color - perfect for decorating your child's room! Jonathan Adler has expanded his collections and offers unique home, gift and accessory products that are sure to be noticed. Bring the bright colors and fun prints into your home with Jonathan Adler collection!
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Cottages and Vegetables: Leaving the Christian Art Ghetto
- Friday, July 06, 2012
When I say the words "Christian art," most of you probably think of a tranquil cottage, windows alight and chimney smoking, with a snippet of a Psalm scrawled on the frame. Or you may just recall novels oozing with stilted dialogue about Jesus in every chapter. This stuff can't really compete with what the world offers, you might say, but that's okay, because it's "Christian."
But what if these things radically miss the mark of true Christian art? What if our art should be the envy of the world?
Yesterday Eric Metaxas talked about the recent successful campaign to remove the film The Blind Side from a major Christian bookstore chain because it realistically depicted inner-city life.
This is a case study in something I talk about at Summit frequently: As Christians, we too often dismiss good art and accept mediocre substitutes just because they're labeled Christian. We've created for ourselves a kind of "artistic ghetto," and are willing to preserve it even at the cost of quality.
In many ways, "Christian art" has become a synonym for anything that's charming, quaint, or makes us feel good. It often portrays a one-sided world where evil doesn't exist and only "positive" and "uplifting" messages are allowed.
You may be thinking by now of the late Christian painter Thomas Kinkade. Whatever you think of his work, too few of us are asking, "What makes his paintings uniquely 'Christian'?" Daniel Siedell at Patheos.com argues that Kinkade's work is what happens when we reduce the meaning of "Christian" to "a world in which all we need is home and hearth, a weekend retreat, [and] a cozy night with the family to put us right with God." But that's not the world we actually live in, which is described in Scripture as being desperately broken and in need of redemption and hope.
In fact, says one hugely influential Christian filmmaker, even though we insist on calling our art "Christian," we've watered down its core message to a kind of facile moralism that says "behave and be nice," but nothing more.
Phil Vischer, the creator of Big Ideas Productions' Veggie Tales, lost ownership of his company after it went bankrupt in 2003. In a recent interview with WORLD magazine, Phil says he regrets the direction he took his famous children's show: "I had spent 10 years trying to convince kids to behave Christianly without actually teaching them Christianity," he said. "You can say, 'Hey kids, be more forgiving because the Bible says so.' But that isn't Christianity."
In his book Bad Religion, Ross Douthat quotes Cardinal Joseph Ratzinger (now Pope Benedict): "The only really effective apologia for Christianity comes down to two arguments: namely, the saints the church has produced and the art which has grown in her womb." Reflecting on Ratzinger's words, Douthat added, "Today, we have too few of both."
So how do we reclaim Christianity's place in the world of art? How do we move beyond naïve idealism and begin making excellent art that serves its real purpose of paraphrasing reality as it really is?
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Cove concerts ready to roll
The Solana Beach Community Foundation and the Belly Up Tavern have announced the lineup of Thursday evening concerts at Fletcher Cove Park, 140 S. Sierra Ave.
Concerts run from 6 to 7:45 p.m. and beach chairs, blankets and picnics are welcome. Organizers to not allow pets, alcohol, tobacco or barbecue grills on the premises.
The lineup: July 8 – The Smart Brothers; July 15 – Michael Tiernan; July 22 – Alyssa Jacey; July 29 – Josh Damigo; Aug. 5 – Joanie Mendenhall; Aug. 12 – Jasmine Commerce and Aug. 19 – Alex Woodard.
For more details, visit www.cityofsolanabeach.org or call (858) 720-2453.
Related posts:
- Concerts at the Cove kick off
- Summer concerts kick off
- Concerts are a draw for families
- The beat goes on: Concerts at the Cove continue
- Fiesta Del Sol 2010 concerts chosen
Short URL: http://www.delmartimes.net/?p=2861


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by Mario Fraioli
The Olympic bronze medalist is ready to rock in San Jose this weekend.
by Mario Fraioli, Published Jul. 27, 2011, Updated Mar. 15, 2012 at 5:10 PM UTC
Check out a random collection of cool shots from the world of running!
by Mario Fraioli, Published Feb. 21, 2011
Olympic bronze medalist welcomes Piper Bloom into the world.
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these pants are great; the fabric is very light, which makes them ideal for summer; they are dressy - with the right blouse and the right shoes I feel so elegant in them; I don't quite agree with the pockets, they are too small to be practical, and they don't help the style – but other than that I am very happy with them; and I like that they are not too long – like other pants this style that touch the ground if I don't wear high heels; I'm 5 feet 9 and these pants are the perfect length for me; true to size, too; I have the black, and I will also get the dark blue; the price is more than reasonable
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Famous quotes by Sally Forth, Jan. 28, 1991:Sort:PopularA - Z
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shade club bar interior design
Romanian architects SquareONE has designed Interior Design for Shade Club in Bucharest, Romania.
From the Designer :
Interior design for this club in the basement of residential buildings in downtown Bucharest. Since the 90′s there are many clubs there are a few of which are very successful. Some quiet scandal. The last years before closing, the location was identical to smuggle some of the world Romania. So, have a bad name. After a period of almost 5 years the location was rented by two people who hire us to perform an eclectic glamorous club.
Because space is very small, segmented, and with a dark past, and the new owners want at least an elegant, objective style, I think the concept of mystery with a touch of humor. A haunted house animated by the EGO of a little dog. The spectrum is everywhere. Furniture is depicted on the walls of the 2D picture. But the shape extruded in a continuous form of space and volume through the club (see Bar Classic and Classic DJ booth. Because the structure was so dense, and the club is divided into 3 different rooms, we decided to create different designs and graphic patterns that connect the space.
The lights
This black and white design. I usually use light colors for my design. This is the case here: tube RGB spectral system that runs on the perimeter. This is mainly indirect light. The same system used on the first bar as well.
The spaces
Funny, when we start preparations was 7-8 layers of different materials are applied on the wall, you can see the entire history of the site in the last 15 years. That got me thinking about the past.
The first chamber is the largest and has the highest density of structural pillars. So the first line we discuss in the mirror and lamp cover 3quarters applied to two sides of each pillar.
The second room is the one that runs circles around the third. To be more precise, the third space is a central lounge box concrete.
Given a second circular chamber, we went to an organic design with baroque decoration, structural pillar (only one line in this space) is still covered by the skin of Corian.
The third room is a small room, sufficiently isolated from the rest. Design essentially a sofa lounge, with a shape and membrane helicoidally ellipsoid lights in the ceiling made of an elastic membrane that diffuses light.
The Classic Bar
This is part of the classic table is extruded through the space. There is a virtual part that cuts the volume and leave the surface of a white glow with 2D images of different objects (lamps, desk furniture generally) ideea is to describe the house interior photos that cuts the volume and leave an impression.
Because there are so many mirrors did not need to encourage the presence of the former person in space (the haunt), but working on the design of the bar I felt like entering a character into a scene, or advice of more than a big EGO (therorethically it is a good way to underline social impacts such as public space. vast majority of regular clients have oversized EGO's). Chiwawa light spectrum is the irony.
All photo credit and copyright: SquareONE
[Via - Archdaily]
shade club interior decorating ideas
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Generally, six Authority meetings are held each year. This was the third meeting for 2014.
The following is the public record of the June 2014 meeting.
The sixth National Capital Authority Public Forum was held on Thursday 3 April 2014. Fifty-four people attended the public forum and a further 35 watched via the live webstream.
The Audio recording and transcript are available. Thank you to everyone who participated.
The National Capital Authority Annual Report 2012-2013 is now available online.
On 8 May 2012, former Minister for Regional Australia, Simon Crean, announced the National Capital Authority would receive $11.9 million as part of the 2012-13 Budget in response to the 2011 independent review completed by Dr Allan Hawke AC.
In 2011, the roles and responsibilities of the National Capital Authority (NCA) were comprehensively reviewed. Canberra a Capital Place: Report of the Independent Review of the National Capital Authority detailed the review findings marking 25 recommendations aimed at clarifying the NCA's role. Of these, 11 focussed on improving the sharing of planning responsibilities in the ACT. The NCA is implementing the Australian Government's response to this review.


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Weird… Never knew that Mega Man: The Power Fighters featured Mega Man X.
(I must have missed taking a picture of it it, but I did see Mega Man Legends Roll alongside X on the splash screen…)
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Crazy stuff. I know.
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titanic, was, real, no, way, transformers, michael, bay, autobots, explode, final, clip, x, stupid, people,
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ICET Results 2014 will be declared soon on official website. Students can read the following containt for ore detail information.
ICET Results 2014:- Integrated Common Entrance Test is an entrance exam for taking the admission into the MBA and MCA programs with Full time, Part time , evening and distance mode. Andhra Pradesh department of higher education conduct the seven entrance exam.
Andhra Pradesh Deputy Minister Mr. Damodar Rajanarasimha announced the notification for all seven entrance exams. The Integrated Common Entrance Test (ICET) exam conduct by the Kakatiya University, Warangal.
ICET Results 2014 Declared, check here :-
Integrated Common Entrance Test is going to be held on 23rd May 2014. The ICET Result will be declared after one month. The first phase of the ECET counseling starts from 20th to 26th June 2014. Second and Final Counseling Starts from 5th to 8th July 2014. . And the class will be started from 1st August 2014 and The admission process will be closed on 14th August 2014. All the information will be available on the official website at apecet.org. All students who appeared in ICET entrance exam now they can check ICET Results 2014 here by their hall ticket number.
Check ICET 2014 Result Link1 | Link2 | Link3
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Booze-Infused Thanksgiving: Cook a Turkey with Whiskey
Yeah, it's as slurred and disastrous as it sounds
Today on The Daily Meal
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Thanks to Chicagoist for pointing out this mid-day funny. Now, onto the instructions.
Step 1: Watch this video.
Step 2: Count how many times the (oddly Will Ferrell-sounding narrator) mixes up "turkey" and "whiskey."
Step 3: Ponder exactly how to "ponder a meat thermometer."
Step 4: Bless the world for showing us just how much fun drunken Thanksgiving cooking can be.
Step 5: Put down the whiskey bottle and learn how to make an actual turkey.
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Church Apparels
Baptismal ceremony would have to one of the most significant occasions that a person can witness to and be a part of. There is no doubt to the formality of the event and the numerous implications that it holds. Like any other occasions that a person could attend to, there are required wardrobes or clothing that one is expected to wear. For example, graduation ceremonies would imply that students and professors should come to the program wearing their academic regalia. Confirmation ceremony would mean having to take part to the occasion wearing the appropriate confirmation robes. When it comes to baptismal ceremony, baptism robes are the ones that are suited to be worn by people who take part to such solemn event.
Baptismal robes generally come in one standard design and come in a white shade color. During the occasion, individuals who engage into the sacrament of baptism wear their robes and submit themselves to the holy practice. In most circumstances, people would choose to wear formal clothing beneath their baptism robes. For the ladies, they would wear Sunday dresses or formal tops and pair it with skirts or formal trousers. The gentlemen on the other hand, would usually opt for a shirt and tie combination and pairing it with dark colored formal slacks. These clothing may not be clearly seen during the ceremony, but a good fitting under clothing can make a big difference. Nothing is worse than having to deal with the discomfort of one's clothing during the solemn event.
When procuring for baptism robes people can look for them in several places. The most common places to look and buy baptism robes are in retail shops, tailoring shops and online stores. These business establishments provide their customers with a wide range of robes for baptism. Their products vary as to the type of materials or fabric that is used. During this day and age, advance technology has been a helpful tool in making people's lives easier. Online shopping has been one of the popular means of getting hold of needed items. Online shops come in many different types and their products come in many diverse groups. There are those that specialize in manufacturing children's clothes, academic regalia, party items and many more. Considering the sea of online shops, one just needs to look for a good shop that provides good quality products and excellent services. Taking into account that there are also bogus sellers out there, a person needs to verify the legality of the business and how reliable it really is to avoid scams.
Looking for baptism robes for sale may not be a difficult task to engage to, in view of the fact that there are many ways to look and acquire them. One just needs to remind itself of the precautions when getting its robes. One should understand that every detail is essential and that this information is clearly articulated to the dealers. A person should know the right size of the robe that he or she is getting, also the specific measurements as to the lengths, hems, and the type of fabrics used as well as the desired date of arrival of the item so that these complications can be avoided.


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London Bridge was dismantled, and each stone was numbered and shipped 10,000 miles to Long Beach, CA, and then trucked to Lake Havasu City. Reconstruction began on September 23, 1968, with a ceremony including the Lord Mayor of London, who laid the cornerstone. Today, the London Bridge is one of America's most unique tourist attractions. To learn more, check out golakehavasu.com.
Each year at the festival, see copious hot air balloons floating into the Havasu sky with the bright colors of the rainbow. In addition to hot air balloons, the Lake Havasu Balloon Festival showcases food vendors, art exhibits, an antique car show, sky divers, and carnival rides. With so many fun activities and spectacular sites, you can't miss this Havasu area attraction! Make your room reservation at the Nautical Beachfront Resort today! For more details on the Lake Havasu Balloon Festival, visit www.havasuballoonfest.com.
Relics & Rods
The 35th Annual "Run to the Sun" is open to 1972 and older cars or trucks takes place in October. As the official host of this event, the Nautical Beachfront Resort will host this show on our 18-hole Lake Havasu golf course, the Island Executive Golf Course, adjacent to the Nautical Beachfront Resort. Make your room reservations early before we sell out! For more details on the Relics and Rods event, visit www.relicsandrods.com.
Any Time of Year
No matter what time of year you decide to visit beautiful Lake Havasu and the Nautical Beachfront Resort, there is bound to be something exciting going on in the area. To check a list of events during your stay visit www.golakehavasu.com.
Lake Havasu City is located in western Arizona residing in the Chemehuevi Valley along the Colorado River, west of the Mohave Mountains. Lake Havasu is named after the Mohave Indian word meaning "blue water." Today, the Chemehuevi also occupy a reservation on the western shores of Lake Havasu known by most as the Chemehuevi Landing and Havasu Landing Resort Casino. Enough can't be said about this remarkable dream for a city in the Arizona desert and the creation of the Nautical Beachfront Resort. Today, Lake Havasu City is a vibrant, prosperous community that continues to attract guests to the Nautical Beachfront Resort from all over the country and world.


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"As a cinematographer, it's my job to create a visual dialog to help the audience navigate through a story and experience it emotionally. I accomplish this by creating images inspired by personal experiences. My hope is that the viewer will feel the same powerful, emotional connection to the images that I felt during the personal experience, which inspired me. Having the tools, knowledge and instincts to create the images that I'm inspired by is where the craft leaves off and the art can begin."
Steven Silver has earned four consecutive Emmy® nominations for Two and a Half Men. He took top honors in 2007. A short list of his other cinematography credits includes Dharma & Greg, Titus, Still Standing and How I Met Your Mother.
[All these films were shot on Kodak motion picture film.]
QUESTION: Where were you born and raised?
SILVER: I was born in Illinois, but raised in California, as were my older and younger brothers. My father was a doctor in the Air Force and stationed at a base in Rantoul, Illinois, when I was born. We came to California when I was about 6 months old, so my only memories of Illinois as a child come from photographs. I have pictures of us in the snow with my mother holding me. They are great memories.
QUESTION: Was your father in the Air Force while you were growing up?
SILVER: No, he went into private practice as a radiologist. He had planned to be an orthopedic surgeon, but was stricken with polio, which rendered him too weak to stand for long periods.
QUESTION: Where did you live in California?
SILVER: I grew up in Van Nuys in the San Fernando Valley on the edge of Los Angeles. I went to Van Nuys Junior High School and Van Nuys High School.
QUESTION: What were your plans for the future?
SILVER: I wasn't crazy about school, so I tried working in a variety of different businesses. I wanted to be self-reliant. By chance, I got into the swimming pool construction business. I remodeled close to 300 swimming pools between the ages of 19 and 22.
QUESTION: How did that happen?
SILVER: It was accidental, but it came easy to me. What happened was my mother decided that I wasn't as scholastically inclined as my brothers, and should work with her brother who was in the business of cleaning swimming pools. My mother thought that was a good profession for me. I spent a summer learning how to clean swimming pools and servicing the gear. I thought that was going to be my career path. When I was just a couple weeks into doing that work, some people needed a swimming pool remodeled. I hired someone to do the plastering work. After we finished that job, he decided to hire me as a superintendent for his plastering company. I invested in buying some tiling equipment and ran some ads in the Yellow Pages.
QUESTION: How did you get from remodeling swimming pools into filmmaking?
SILVER: I just decided that I couldn't remodel one more swimming pool, because the work doesn't mean anything to me on a personal level. One day, I was about 23 years old, I happened to see a movie crew at work. They were wearing short pants, Hawaiian shirts and flip flops. I remember thinking, these guys are having fun. I was attracted to the lifestyle.
QUESTION: How did you happen to see a movie crew?
SILVER: They pulled up on the street where I lived and went to work. Just like any tourist, I was fascinated and watched to see what they were doing.
QUESTION: Were you a movie hobbyist at that time in your life?
SILVER: My father was working as a radiologist when I was a kid. Kodak was a vendor of the film he used. They gave him a Super 8 camera, film and mailers for free processing services. I started shooting home movies when I was around 12 years old.
QUESTION: What types of films did you make?
SILVER: Mostly it was films of us doing things like diving into the pool at the local park and swimming. We became very passionate about making those films. We couldn't wait until we were sent the dailies. After I got into the business, I remembered how much making and watching those old films meant to me as a kid, especially when I looked at them again. We had a fairly sophisticated little camera with a zoom lens and an automatic F-stop. It didn't require any technical knowledge … just an instinct for composing people in the frame. Using the stop-motion capability we would film shots of one of us jumping in the air. We learned how to make it look like the actor was floating in the air. Then, we would shoot at 48 frames a second to extend time for a person/dummy falling off a tall building. We taught ourselves how to tell little stories with moving images. Looking back at them today, they are hysterical. They are great memories of what life was like growing up. I was the cinematographer and my brothers and friends were the actors.
QUESTION: Were you a movie fan?
SILVER: Not until I discovered Humphrey Bogart's old crime movies written by Raymond Chandler. I got into watching murder mysteries on videocassettes, and then I had to see everything that Bogart had ever done. I also discovered black-and-white film noir cinematography on videocassettes. When Apocalypse Now came out I began to appreciate what it was like to experience a film in a cinema though new eyes.
QUESTION: Was Apocalypse Now a seminal movie-going experience for you?
SILVER: Apocalypse Now and The Deer Hunter both made deep impressions. It was a time when it seemed like one great movie after another was coming out. I felt that was something I wanted to do. That didn't seem impossible to me. I never took to the world of science and mathematics in school, but the world of T-stops, film exposure and footcandles was a language that felt natural to me. Everything clicked and made sense.
QUESTION: How did you get started?
SILVER: I had bought a house in Los Angeles and was rooming with a guy whose girlfriend was taking a film appreciation class at Valley College in the San Fernando Valley. I built swimming pools half of the year, and then I would travel for the other half of the year. I had just come back from a trip where I traveled from Europe through Turkey, Iran, Pakistan, Afghanistan and India. When I came back from that trip, I decided to sell the house, because I couldn't handle being in the swimming pool business in Los Angeles any more. My friend's girlfriend convinced me to take this film appreciation class at Valley College while I was fixing up my house to sell. As soon as I took that class I got hooked on the idea of a career in cinema, and started taking all the classes that they offered.
QUESTION: Was it all film appreciation, or did you get to make films, too?
SILVER: One of the interesting assignments was to make a series of shots on Super 8 film and put them together to create a story. We were working against the odds. The light meters didn't work and the lenses really never found a perfect focus, but when I finally got to project my film on a big screen in front of a class, it was a fabulous experience discovering that I could move a group with my images.
QUESTION: How did you get to the point of making a living in the film industry?
SILVER: I needed a job while I was going to school, so I knocked on doors at places that rented cameras, editing equipment, and did special effects work. I got five job offers on my first day. As it turns out, if you tell the proprietor you'll do just about anything to break into the business, including take minimum wage, you will get their attention. After all, they are running a business. I ended up working for a camera rental house. I started out sweeping floors and making deliveries to the airport. I was paid $5.50 an hour for about a year and a half before I became a technician. My job became prepping equipment for rentals.
QUESTION: Did you get to meet cinematographers in that role?
SILVER: I did. I got to meet Bob Primes (ASC), who was shooting the background plates and stop motion shots of clouds for Rumble Fish. I loved that movie. It was really inspirational for me getting to meet and talk with a cinematographer. That reinforced for me that I wanted to make cinematography my career.
QUESTION: What was the next step that you took on that career path?
SILVER: I was hired by The Howard Anderson Company. The Anderson family pioneered visual effects during the silent film era in the 1920s. The company was being run by Howard Anderson, Jr. when I was hired. His son, Howard Anderson III was doing second unit work on several TV programs, including The Dukes of Hazzard.
QUESTION: How long did you do that?
SILVER: I worked with the Howard Anderson Company for two years. I learned a lot by watching and listening to him and to the other cinematographers and their crews. I got to know Jack Green (ASC), who was a camera operator at that time. I wasn't just learning how to expose film. I was learning how everyone worked together to create films.
QUESTION: That's interesting, but what does work together mean in this context?
SILVER: What it means is asking the right questions and really listening to the answers. They weren't just recording perfectly exposed images. They were evoking the emotions that were envisioned in the script. Jack understood where the clips they were shooting were going to land within the story. I think that's when I learned that it's those little moments, one at a time, which determine whether a film is going to work or not.
QUESTION: Do you have any other memories to share about that experience?
SILVER: That job with Howard Anderson got me the hours and experience I needed to become a member of the camera Guild. That was a really important stepping stone in my career.
QUESTION: What year was that?
SILVER: That was around 1985.
QUESTION: What were the next steps on your career path?
SILVER: There was kind of a trend at that time away from the action-adventure shows that the Howard Anderson Company was doing. I was an assistant cameraman on a movie called Kansas with David Eggby, a talented cinematographer who was very generous about sharing his vast knowledge with everyone on the crew. David spoke about when to move the camera and when not to move it; how to choose the film stocks for different situations. He taught me about screen direction so well I've never been stumped by any director. I owe a lot to David Eggby.
QUESTION: What were some other projects during that formative stage of your career?
SILVER: I did some interesting work as an assistant with John Hora (ASC) on Michael Jackson's Moonwalk film and on some television films. When a friend moved up from assistant cameraman to camera operator on My Sister Sam, he got me onboard as an assistant cameraman. The cinematographer was Meredith Nicholson (ASC). It was my first sitcom experience. I was used to a very serious atmosphere on dramatic films. I thought I'd died and went to heaven. Everybody was laughing and having fun. I quickly discovered that I loved working on comedies.
QUESTION: What was it like shooting in front of a live audience?
SILVER: It was exciting but very intimidating having to pull perfect focus on every shot with a live audience staring at me.
QUESTION: Were the actors spontaneous or did they follow the script all the time?
SILVER: They were absolutely spontaneous. Robin Williams would come on and start doing his thing. All of a sudden we were following his character into areas of the set where we hadn't intended to shoot. There was no video assist in those days.
QUESTION: Do you have any other memories to share?
SILVER: Some people have the impression that the stories just kind of happen in front of the cameras. I remember thinking that this is a place where I could put my signature on the stories I was helping to tell. I felt that the lighting and cinematography for situation comedies shouldn't be mundane with bright, flat lighting and laugh tracks that insult the public's intelligence. We do dramatic lighting because there is drama in comedy and comedy in drama. The producers I work for don't add laugh tracks. If the audiences don't laugh, they rewrite because otherwise it feels fake.
QUESTION: When and how did you move up from first assistant to operator?
SILVER: I worked on nine episodes of My Sister Sam, and then I was an assistant on the pilot episode of Murphy Brown in 1990. That summer, I was the camera operator on a low-budget film called Zapped Again. Gil Hubbs (ASC), the Murphy Brown cinematographer, moved me up to camera operator at the beginning of the second season. I worked with him as a camera operator for eight years on that show. It was like being paid to go to school. I watched and listened and learned the possibilities and limitations of cinematography for situation comedies. I also learned how to break through those limitations in order to create looks that might have been too moody in those days but are well received by today's sophisticated audiences.
QUESTION: Give us an example of a memorable Murphy Brown day at work.
SILVER: I was operating the fourth camera on an episode of Murphy Brown. Candice Bergen, playing Murphy Brown, was going to testify at a Senate hearing committee. The other three camera operators had specific assignments. There was a moment when she was coming out into the meeting getting ready to give her speech to the grand jury. I laid back and we got a single of her framed by the backs of heads of all those people in the hearing room. I pulled back and revealed the room slowly. They actually edited some of the script in order to use this shot which told the story without words. That's just one example of thinking outside the box.
QUESTION: What did you do when you weren't working on Murphy Brown?
SILVER: During hiatus, I operated on other films, commercials and music videos. I bought a Super 8 camera, which I used on some music videos. I just loved that Super 8 look. In fact, I still have and play with that camera. I got to work with Bob Giraldi, whom is a great commercial producer/director, on interesting projects featuring everyone from Michael Jackson to Paul McCartney and the tennis star Jimmy Connors.
QUESTION: Do you think music videos influence narrative filmmaking?
SILVER: I think there was a time when that happened, because the youth of America was fascinated by music videos, and everybody wanted to take advantage of that. I am more likely to revert to the visual styles of classic movies and paintings when I light. I try to think what the best way to tell a story is. I'll look at old movies that evoked emotional responses and try to figure out what they did and why it worked. There are always new techniques, but the question is do they do a better job of telling the story?
QUESTION: How did you get a chance to start shooting films and TV programs?
SILVER: I was working as a camera operator on Caroline in the City when the executive producer, Dotti Dartland, who is now Dotti Zicklin, asked me to shoot the pilot for Dharma & Greg. I had no idea that it was going to be such a big success. I told both cinematographers I was working with that I was leaving their shows and that I was going to take a crack at Dharma & Greg. As it turned out, it ended up running for five years.
QUESTION: Tell us about that program.
SILVER: Dharma & Greg was filmed on two big stages at Fox on sets that were built to the max. It featured Jenna Elfman as Dharma and Thomas Gibson as Greg. They are beautiful people, which made my job so much easier. It's not like you are painting on a blank canvas. It begins with the people in front of the lens, especially when you are running four cameras.
QUESTION: Keep that thought in mind, and let's fast forward to one of your current shows, Two and a Half Men. You are now in your sixth season with more than 100 episodes in the can. That's the equivalent in minutes of shooting 20 movies. It's a Warner Bros. series which airs on CBS-TV and gets great ratings. You have earned four consecutive Emmy® nominations from your peers and took top honors in 2007.
SILVER: The series features Charlie Sheen as a care-free bachelor who drives a trendy sports car and lives in a beach house in Malibu. His lifestyle changes when his brother Alan moves in with his 10-year-old son Jake. I have lived in Malibu for the past 25 years, so I had a sense of the place. Malibu is like a character in the story, because it tells us about Charlie Harper's (the character portrayed by Sheen) lifestyle. The sets for the house were built on stage 26 on the Warner Bros. lot. I took an 8-by-10 still photo of the beach, ocean and beautiful blue sky in Malibu that was blown up to make a 70-foot long transparent backdrop that is used outside the windows of the house to establish a sense of place, and also to motivate lighting and colors in daylight scenes. Charlie is a bachelor who has a different girlfriend every week and the girls are always supposed to be spectacular looking.
QUESTION: This is a situation comedy, filmed with multiple cameras, but it is also a drama that plays out on people's faces, including Charlie's beautiful women. How do you approach lighting and filming faces on a sitcom?
SILVER: There is a different actress playing a new girlfriend every week who requires distinctive lighting. Factor in that this is a multi-camera sitcom, and it becomes very tricky. We use a dimmer board for on-air adjustments if needed and keep the lighting looking as organic as possible.
QUESTION: Please give us an example of how.
SILVER: The audience sees our characters through the eyes of the lenses of four (Panavision Gold) cameras. The light has to be right for the place, time and mood of every shot in each scene. Characters are moving around the set in different types of light depending on the time of day and we are covering them from four angles. Sometimes at the right moment we'll make someone's eyes glow and hit them with a hot backlight which is a traditional way of making a woman look beautiful, but it's not right for everyone. You have to look at your subject, know the story and decide how you want the audience to see them through their eyes. Do you want them to feel the heart palpitations that Charlie's character is feeling as he looks at her? Until you make those decisions, you're not doing your job. Lighting the women is a big part of the job.
QUESTION: Is it experience or instinct, knowing how to use the paint on your palette, working with the cast, directors and crew?
SILVER: The script is your map to guiding you to the right image for the right moment. Get to know the actors, how they walk, talk, their eyes and body language. We have a new leading lady character every week. When I meet her for the first time, I look into her eyes and decide how to light her. Then, we have a conversation. I ask her how she likes to be filmed. Then, I try to make her feel comfortable, and let her know that I'm her new best friend. It is important in any photography that the subjects are at ease with you. If they don't trust you it is almost impossible to do your best work. Some performers instinctively know how to find their light. They say show me where my light is and I'll be in it. Others turn away from their key light without realizing that's what they are doing. When that happens, you have to make adjustments like keeping them out of really strong light, and choosing moments to bring the right light straight into their eyes while keeping their face tones looking smooth. There are other variables, including the color of their hair, their physiques and what features I'm trying to enhance for that scene.
QUESTION: So, one of the weapons in your arsenal is establishing rapport and trust?
SILVER: That's right, and you have to establish that trust immediately, because we have got very little time with them. When we are setting up lighting with their stand-ins, some of the actors and actresses will come in and look at the monitors. If their stand-in looks fantastic that gives them confidence that if they hit the same marks they'll look terrific too.
QUESTION: Charlie Sheen, your male lead is a genuine movie star.
SILVER: I feel lucky to be working with Charlie Sheen, and also with Jon Cryer and Angus Jones who play his brother and the 10-year-old nephew. They are all talented professionals who understand and appreciate what everyone else does. You never hear a complaint. They show up with smiles on their faces. Those attitudes come through on film.
QUESTION: Are you working with different directors every week?
SILVER: All the time. I believe I've worked with every comedy director in the business.
QUESTION: Do you always cover scenes with four cameras?
SILVER: There are times when we have seven or eight cameras depending on the director. Gary Halvorson, whom I have worked with a lot, believes more cameras are better for the kinds of coverage we have to do, but I feel there are times when fewer cameras would be better. We have shot dramatic scenes with one camera. Certain moments shouldn't be compromised in my opinion.
QUESTION: It sounds like shooting this situation comedy is a collaborative process.
SILVER: There was a time when people at the networks thought that comedies should be shot in bright fill light. They have become much more sophisticated. Everybody contributes with their attitude as well as their performances. Each operator has a specific assignment, covering one or all of the characters from different angles. Sometimes we are hiding cameras outside windows, in doorways and other places. Our executive producer, Chuck Lorre, loves to write low light level comedies. Or at least that is how I envision these scripts. I find myself working at four footcandles a lot of the time, and crashing in big lights at 300 footcandles at other times. In other words, we use the entire range of latitude that film has to offer in order to capture the emotional content of story. It is very hard to do that with four cameras, because a strong backlight that we created for one camera can end up being the front light for the camera on the opposite end of the stage.
QUESTION: How do you do that?
SILVER: There is no formula in a text book. It depends on the scene. In general, instead, of using one light, we are using several, though it looks like the motivation comes from a single source. Maybe we have two people looking directly at each other with a window behind them. We give each character strong three-quarter backlight that looks like it is coming from the window, even when we are shooting from two completely different angles. We take a lot of artistic license. If I just bang a light through the window, the glass is going to cut the light so much that we wouldn't get the effect that we need for four cameras. We get around that by lighting from above the window, so you can cover the shot from different angles and look consistent. This is obviously, a very different approach than lighting a single camera show.
QUESTION: Is every episode shot entirely on the sets at the studio?
SILVER: There are occasional scenes filmed on location. For instance, last season there was an episode where Charlie's brother Alan is suffering from insomnia. We shot a night scene with him jogging on the beach at Malibu. He is mistaken for a burglar. We lit about a quarter mile stretch of the beach showing the police surrounding him. A helicopter hits him with a spotlight.
QUESTION: You won an Emmy for that episode. When you are shooting on sets at the studio, are you typically in the video village or by the camera with the actors?
SILVER: That's a good question. I'm in the video village while we are setting up shots with the director and stand-ins. When the actors come on the set for a rehearsal, I'm usually in between the B and C cameras. The A and X cameras are at the edges of the set. That way, I can see how the lights are playing on the actors in the masters. Then when we shoot I stand near A or X cameras so I can view how the close-ups are working. I light by eye. One of the things I bring to the table is light placement. Usually, I can set a light without a lot of changes unless the blocking changes. With the lights projected from so far away and the actors at times so close to one another there is always a constant management of lighting during the production week until the scenes are shot.
QUESTION: Is that intuitive or something you learn, or a combination of both?
SILVER: I think it's intuitive. I learned by watching people who are really good at it, but you have to understand that no two people light the same scene the same way.
QUESTION: Are you composing in 4:3 or 16:9 aspect ratio?
SILVER: We have a combination 4:3/16:9 ground glass on the lenses, which can be extremely challenging for the operators. We are composing for 16:9, because that is the way of the future, but presently none of the action can play outside of the 4:3 frame, because networks in different markets are still transmitting in 4:3. It is obvious that the way of the future for Two and a Half Men in syndication is eventually going to be 16:9 everywhere.
QUESTION: What film stocks do you have on your palette?
SILVER: I'm using three-perf (KODAK VISION 500T) 5279 and (KODAK VISION2 HD Color Scan Film) 5299 (color negative) … mainly 5299. Both are 500-speed negatives balanced for tungsten light. My colorist pushed me to into trying 5299, which is designed for scanning in HD format. The 5299 stock is very fine grain, and it allows us to record details deep in the darkest shadows. We can also choose to crush the blacks if a scene calls for truly rich, dark tones. That range gives us flexibility for painting pictures in telecine.
QUESTION: Why are you using three-perf film?
SILVER: It reduces our costs and increases our run time by 25 percent without compromising image quality, because you only use three quarters of the frame on TV.
QUESTION: Who is your telecine timer?
SILVER: His name is Tony D'Amore at Technicolor in Los Angeles. He was doing dailies when we first started working together. We have become friends as well as collaborators. We have a constant dialogue. We are always talking about how dark or bright should this scene be, and what about the texture? The latitude of today's films allows us to create more nuanced looks. It's a collaboration with a lot of other people, including the editor who picks the shots, and the producers who trust us and understand what we are doing and why.
QUESTION: How do you time the shows with your shooting schedule?
SILVER: Most weeks I leave Tony verbal messages by phone about my intentions. Then, I look at the assembled video master and give him notes for fine tuning it. When I see the final, color corrected master, if I'm not totally satisfied I write a note asking for refinements before the show airs. Recently, we had some programs where we shot on a Friday and it aired on the following Monday. In those situations, I went into eight-hour timing sessions in-between two shows. In one case, it was 11 ½ hours, from about 10 a.m. until about 9:30 at night on a particular show that was very important to me.
QUESTION: Do you develop a visual vocabulary for communicating with the colorist, so he can visualize exactly what you mean when you say darker or brighter?
SILVER: Absolutely. That is what is so great about having a colorist who is dedicated to your program. You have got to teach him to see things your way, because no two human beings see things exactly the same way. That is true of any form of artistic expression when others are involved, whether you are a writer, a painter, a photographer or a cinematographer.
QUESTION: Do you think that the stories we see on television, comedies and drama, are pure entertainment or do they affect how we see and think about the world?
SILVER: I think it can be both, depending on the vision of the writers and the ability of the cast, directors, cinematographers and crews to make it happen. In Two and a Half Men our goal is to take the audience on a ride through Charlie Sheen's world.
QUESTION: What are some of the lessons you have learned about cinematography and visual storytelling?
SILVER: I have learned more about cinematography and visual storytelling from watching my 2 year old jump through a sprinkler on a hot sunny day or seeing him kick a ball down the beach on a foggy morning than I have from any of the classes or seminars that I have attended throughout my career. In saying that, I do not mean to discount the necessity of a formal education. In fact, it's quite the contrary. Having the tools and knowledge to create the images that I'm inspired by is where the craft leaves off and the art begins. The trick for me is to try to recreate images from my personal experiences to use as a visual storytelling tool. As the cinematographer, my objective is to translate my own emotions into a visual vocabulary in order to navigate the audience through the story. My hope is that the viewers will feel the same emotional connection to the images that I intended when creating them in the first place. This is for me my greatest desire and at the same time my greatest challenge. As a cinematographer I try to assign moods and emotions to every scene in order to create images that will support the story. My fill light level is one way I render moods, and camera movement may be the tool I turn to to evoke emotions. I approach each day's work with pre-visualized intentions. I use a variety of film stocks depending on the latitude and grain structure to further support the mood and emotion. Contrast and color saturation is another line of defense in the fight to communicate and express and support my intention.
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Find records of Eric Bascombe
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Eric J Bascombe (1943 - 2005) was born on July 20, 1943. He was born into the Bascombe family.
There are no known spouses or children on record for Eric. Eric died on May 25, 2005 at age 61.
Eric J Bascombe's last known residence is at Paterson, Passaic County, New Jersey.
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Possible Relatives
- Celesta Bascombe
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- Rose M Bascombe
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- Ira Eileen Bascombe
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- Cyril F Bascombe
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- Ellen Bascombe
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- Evan F Bascombe
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- Bonnie Bascombe
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- Ann Bascombe
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- Eva R Bascombe
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- Hubert J Bascombe
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- Hubert W Bascombe
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- Harold T Bascombe
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- Christine Bascombe
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This family- (and budget-) friendly package from ValuSoft contains home computer versions of the title's three popular tabletop games. Players throw the dice for key combos in Yahtzee, race around the board in Parcheesi, and move their marbles to stardom in Aggravation. ~ All Game Guide
Windows ME/2000/XP
Pentium III 700MHz Processor
700MB Hard Disk Space
16MB Video Card
DirectX 9.0
DirectX compatible Sound Card
8X CD-ROM Drive
800x600 at 16-bit Display
Internet Connection (optional) ~ Keith Adams, All Game Guide
|Number of CDs
|Legal Copyright/Trademark Line
|©2006 Hasbro
|Included in Package
|24-page Instruction Manual
|Company Website URL
|Feature 1
|Play alone or challenge friends and family members to an all-night "Game-a-thon"
|Feature 2
|Role the dice, chase animal pawns, or aggravate your whole family
|Feature 3
|Select from three such games as Yahtzee, Parcheesi, and Aggravation


text:
Surviving Outsourcing?
kdawson posted more than 6 years ago | from the frying-pans-and-fires dept.234
An anonymous reader writes "As some of you may know, HP is negotiating with DPWN, parent company of DHL, to take on outsourced parts of DPWN's global IT Services business unit. As a worker in that business unit, I and my colleagues are part of what HP is negotiating for. I moved into my current position fresh out of university and so far haven't experienced corporate shake-ups or outsourcing initiatives. I enjoy my work and the opportunities that go with it, which is why this announcement was so distressing to me at first. Then I began hearing about the opportunities HP has internally. If you've been through a similar experience, what advice would you give for someone being outsourced? Should I 'ride the wave' and join the new company and culture, or dust off the old CV/resume?"


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Script to create an ad-hoc network to sync iPhone | 13 comments | Create New Account
The following comments are owned by whoever posted them. This site is not responsible for what they say.
Script to create an ad-hoc network to sync iPhone
Due to the lack of an equivalent to Palm's sync conduits, many iPhone applications are syncing to your computer over a local wireless networkUm, feel free to call me stupid or perhaps just uninformed, but I'm a tad confused here. The iPhone won't sync to a Mac [or a PC] wirelessly (this is something we've been asking for, over BT preferably, or over wifi as an option). It syncs over the cable only (unless you're using MobileMe for contacts, calendar, etc, but everything else (music, photos, etc.) still go over the cable. So the script looks great for setting up a quick ad-hoc network. But what does this have to do with Palm's sync conduits and "iPhone applications syncing to your computer"??? The only application of this that I can see is to share your Mac's wired connection over Airport for your iPhone to get a WiFi connection...
Script to create an ad-hoc network to sync iPhone
No name calling, but there are a few 3rd party applications that sync over a WiFi connection between the iPhone and a Mac, two that come to mind are 1Password and VoiceNotes. Although I think in the case of 1Password, it uses its own encryption anyway.
Script to create an ad-hoc network to sync iPhone
Okay, that part makes sense. I have SplashID and it requires a wireless network to sync as well. I guess the author could have phrased things just slightly better. :)
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am i the only one who gets upset when chris uses the damn autotune mic that fucks up his voice? it's like tpain 2.0 omfg i swear if i ever go to his concert and he uses it i'm going up onto the stage and taking it away from him
OMFG YES !!!!!! Gets on my nerves.
I had a feeling I knew where Ana and Sasha went, but I didn't want to blurt it out to Jasper and have him take that shit literal. Knowing him and how crazy he was thinking right now, he would drive down there. Not that I was against getting our girls back, but they left us. I know…
It really bothers me that when she was with Matt Kemp /Drake Rih had this banging thick body and all (Red hair / brown curly hair period) ,like she was BAD AS FUCK ,but now that she is with chris she is all skinny with nothing …She still beautiful but I hope that she gonna do something about it lol…I can't help it when I see old pictures I think about that !
I agree.
i turned a black and white picture into color ^.^
lol gotta love them
Lmao i miss these moments
"Call me jungle cause i'm always rolling with Tyga" lmfao.
LOL they're stupid.
Belly button tatted up/you know meh! Tatted like a mexi got damn I think im sexy !


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(Source: theburnthatkeepseverything, via or1gins)
It's pathetic how much I like you after these years. We have never been together and you have never liked me, but we use to be the three of us. Then I moved & I hate it and I miss being able to see his face and her face everyday & play together. But for some odd reason, I cannot get you off my mind. We have a lot in common that you don't notice. People use to say we argue all the time like an old married couple and in advisory when we don't agree about something we just bicker. We don't get mad at each other but we go back and forth and I just like to be able to get a single hi from you every other day and I just really miss talking to you everyday and I miss talking to her everyday too. I wish I was pretty enough for you. I wish I was good enough for you.
I wish someone would realize sometime that sometimes I just need someone to talk to. I don't want you to give me advice but I want someone who's there that's willing to listen & tell me it'll be okay.
I'm only a junior, but I'm afraid of senior year coming because, even though I barely talk to my two childhood best friends, I'm going to miss seeing one that's already a senior in the halls. The other one is in my advisory but what happens after advisory when were not in high school anymore? It scares me that I'm never going to see them anymore.


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my acela…
Thank you God for grace.
For life.
and for thursdays (wow I used caps a lot in this list)
Timestamp: 20:31 9/29/2011
A whole bunch of dicks, gifs, and other visual stimulants to send my groin into epileptic shock. And I've yet to contribute….
(i so didn't just say that did i…)
have you ever ejaculated bliss to the sound
of a good song
and had the residual smell, crust into your mental?
there's a song that serves as the soundtrack
and it makes me create
and make
secrets of opaque
friends and dates
paperized my soul til it was fake
and i'm left with
this song in my head
i let the metronome
repetitious phone bone
dumb my dignity down to a drone
and let that become my definition
it was my responsibility
to make sure
what i did in the dark to stay solely in the dark
i liked it
play me in the morning
play me in the now
play me in your soundtrack
play me until this sound…
change - is not an option
YO! hump day …
that slug from this morning was even covered in flies.
bet it won't shake that ass in my face again .
i like you black.
i like you so dark
you resemble art
Erebus conceives with Aether
whatever chalk makes up the
and then they accent sketch you
lunar beauty marks
so black from cycling blues
the misunderstood, misunderstand
you as a lunatic
but the god of the air knew what
he was up to when he chalk
your skin
and washed you up with the