text:
Last update: Tuesday 21 October 2014 [656 news items]
Weltrend 3Q13 sales to rise on demand for NFC phone chips and LED driver ICs
Aug 29, 21:20
IC design house Weltrend Semiconductor is expected to see its third-quarter revenues climb to the highest quarterly level for 2013, thanks to growing shipments of its NFC phone chips...
Epistar, Everlight, Lextar expected to land orders from LED lighting vendors
Aug 26, 14:38
Cree has seen better than expected sales performance for its LED light bulbs made using mid-power LED chips and other international LED lighting vendors will adopt mid-power LED chips...
As LED lamp prices continue to plunge in July, LED lighting in emerging markets warms up, says LEDinside
Aug 22, 20:49
In July 2013, global 40W equivalent LED lamp ASP fell 0.6% to US$15.50, with price drops most evident in the US, according to LEDinside. Global ASP for 60W equivalent LED prices dropped...
Cree reports strong growth for fiscal 4Q13
Aug 14, 12:26
Cree has announced revenue of US$375 million for its fourth quarter of fiscal 2013, ended June 30, 2013. This represents a 22% increase compared to revenue of US$306.8 million reported...
Demand for precursors for LED to boom, says research firm
Aug 8, 11:44
Global demand for precursors, a material used in the manufacturing of LEDs, is set to more than double from 2012 to 2016, according to a research firm.
Commercial LED lighting revenues will reach US$25 billion annually by 2021, says Navigant Research
Aug 5, 21:58
According to Navigant Research, revenues from LED lighting products (including lamps and luminaires) in commercial building markets will grow from US$2.7 billion in 2013 to more than...
Everlight poised to lower LED lighting prices without limits, says chairman
Jul 26, 10:48
The largest Taiwan-based LED packaging house Everlight Electronics, face with price-cut competition from international LED lighting vendors, will follow suit without limits, according...
Nichia faces competition for LED packaging from Taiwan-, China-, South Korea-based makers
Jul 23, 14:42
Japan-based Nichia has gained a leading market status in EMC (epoxy molding compound)-based LED chip packaging, but some Taiwan-, China- and South Korea-based LED packagers have been...
As LED lighting demand takes off, Taiwan makers should seek integration, says Formosa Epitaxy chairman
Jul 22, 16:28
The global LED market value recorded a CAGR (compound annual growth rate) of 20-30% during 2010-2012, but most of Taiwan-based LED makers did not see substantial growth in revenues,...
China plans to release LED lighting standards in 2014, say Taiwan makers
Jul 17, 11:01
The China government, in view of fast growing demand for LED lighting in the country, plans to release national standards that LED lighting products must follow in 2014, according...
Taiwan market: Philips launches new-generation LED bulbs
Jul 16, 11:43
Philips has launched new-generation 7W, 8W, 10W and 13W LED light bulbs in the Taiwan market at retail prices of NT$399 (US$13.3), NT$399, NT$499 and NT$599 respectively, according...
China-based LED packagers to expand monthly PLCC capacity by 10 billion chips in 2013
Jul 10, 21:16
Viewing that demand for LED lighting in the China market has been growing fast, many China-based LED packaging houses are expanding or will expand capacity for PLCC (plastic leaded...
Some LED chip makers extend to packaging
Jul 10, 11:11
Some of Taiwan-based LED chip makers have extended to packaging, offering solutions that EMS players can directly turn into lighting products, according to industry sources.
Digitimes Research: Upstream LED firms continue to strive for higher brightness efficiency
Jun 27, 11:54
At 2013 LED Lighting Taiwan, Russia-based upstream sapphire crystal maker Monocrystal showcased 12-inch substrates. The firm aims to produce crystal of over 150kg in 2014 for manufacturing...
Taiwan LED firms enter automotive lighting market
Jun 26, 21:26
LED lighting market is booming but price competition has been causing firms to see shrinking profit margins. Taiwan-based LED firms aim to improve technology and enter the automotive...
Commentary: Taiwan to benefit from common LED lighting standards in Greater China
Jun 25, 15:36
A common set of standards for LED lighting firms in Greater China was announced recently and as the China government plans to expand the LED lighting market, this common set of standards...
China LED firms may restart capacity expansion
Jun 20, 21:41
Indoor LED lighting demand showed strong growth in first-half 2013 causing product shortages, hence some China-based LED firms may restart capacity expansions, according to industry...
Formosa Epitaxy may see 3Q13 revenues grow 20-30% sequentially, says company chairman
Jun 20, 15:21
Frank Chien, chairman of Taiwan-based LED chipmaker Formosa Epitaxy predicts the firm will return to profitability in the third quarter, and quarterly revenues will show sequential...
Lite-On Technology to deal out 2012 cash dividend of NT$2.35
Jun 20, 13:49
Lite-On Technology has reported consolidated revenues of NT$216.05 billion (US$7.2 billion) for 2012 with net profits of NT$7.53 billion, an on-year growth of 4%. The firm plans to...
LED business revenues to exceed NT$20 billion in 2013, says Lite-On Group chairman
Jun 19, 20:55
The Lite-On Group predicts 2013 revenues of its LED business will exceed NT$20 billion (US$671 million) while revenues for automobile electronics will reach NT$10 billion, according...
Taiwan LED Lighting Industry Alliance to propose Taiwan-China common standards for LED lighting
Jun 18, 15:58
The Taiwan LED Lighting Industry Alliance will propose common interface specifications and standards for driver circuits and lighting modules for Taiwan- and China-based LED lighting...
Global output of LED light bulbs to reach 600 million units in 2013, says Epistar chairman
Jun 17, 16:14
According to Biing-Jye Lee, chairman of Taiwan-based LED chipmaker Epistar, global shipments of LED light bulbs in 2013 are likely to reach 600 million units compared to 200 million...
LED lighting, 3D printing to light up Photonics Festival Taiwan 2013
Jun 14, 10:31
The Photonics Festival in Taiwan will be held at Nangang Exhibition Hall in Taipei from June 18-20. The exhibition features 649 firms and 1,502 booths. Bio-medical optics technology,...
Edison Opto 2013 capex to exceed NT$400 million
Jun 13, 20:44
LED lighting demand has been rising and Taiwan-based LED packaging house Edison Opto noted that 2013 capex will reach NT$400-500 million (US$13-16 million).
Panasonic to expand interior lighting business in Asia
Jun 11, 11:57
Japan-based Panasonic has announced a full-scale expansion of its interior lighting business into Asia, as part of the firm's drive to increase overseas sales of such products. Starting...
Genesis Photonics to focus marketing on Match LED in 2013
Jun 11, 11:55
Due to rising competition in the LED lighting market, Taiwan-based LED chipmaker Genesis Photonics has been aggressive in vertical integration from LED chips to system products. The...
Commentary: Rising LED light bulb demand will not ease oversupply
Jun 10, 14:50
Pricing is an important factor in the commercialization of LED lighting. To stimulate demand, LED light bulb firms have been introducing low-price products.
Digitimes Research: Taiwan MOCVD capacity to account for 28% of global total in 2013
Jun 10, 12:18
Global MOCVD equipment capacity is still in oversupply while prices of LED light bulbs continue to fall. Among all global operational MOCVD tools, Taiwan-based makers account for...
Delta to deal out 2012 cash dividend of NT$5.3
Jun 10, 11:25
Taiwan-based green energy firm Delta Electronics held a shareholders meeting on June 7, 2013, during which it decided to deal out 2012 cash dividend of NT$5.3 (US$0.18) per share.
Taiwan LED firms showcase products at Guangzhou International Lighting Exhibition 2013
Jun 10, 11:21
Taiwan-based LED firms such as Lextar, Epistar, Everlight, Genesis Photonics, TSMC Solid State Lighting (SSL), and Edison Opto are currently participating in the Guangzhou International...
Epistar May revenues reach record high
Jun 6, 20:23
LED chipmaker Epistar has reported May revenues of NT$2.223 billion (US$74 million), showing an on-month increase of 15.8% and an on-year increase of 19.42%. The figure was also a...
Digitimes Research: May LED light bulb prices fall in Japan
Jun 6, 15:14
In May, prices of 40W and 60W retrofit LED light bulbs in Japan were on average JPY1,719/unit (US$17.32/unit) and JPY2,350/unit, respectively. May prices of 40W and 60W retrofit LED...
Patent infringement lawsuit with Ledray does not affect operations, says Ledlink
Jun 3, 20:13
Taiwan-based LED optical lens maker Ledlink recently lost a patent infringement lawsuit filed by Taiwan-based LED heatsink maker Ledray, but the firm has stated that the case is not...
LED lighting demand to rise in 2H13, says Epistar
Jun 3, 14:33
Demand for LED backlighting rebounded in the first half of 2013, but firms expect demand to slow down after mid-June because China's energy-saving appliance procurement subsidy program...
Tons aims to hike revenue proportion of own-brand LED lighting
May 30, 13:55
Tons Lightology, which develops commercial LED lighting fixtures for OEM and own-brand sale, aims to increase the proportion of total revenues from own-brand sales from 10% in 2012...
- Taiwan makers in China less interested in additional investment, says TEEMA
- Sony to launch 12-inch tablet in 1Q15, say Taiwan makers
- Intel Global Summit 2014 to focus on IoT, smart wearable devices, say Taiwan makers
- Supply chain estimated to deliver 50 million units of iPhone 6 in 2014
- Taiwan shipments of LCD TVs expected to reach 19.69 million in 2H14
- Winbond appoints ex-Nanya executive as senior VP for product development
- Laibao reaches 80% yields on 5G line; OGS shipments reach 600,000 a month
- AUO to pay US$24 million in antitrust civil litigation
- Taiwan makers 3-5 years ahead of China in LTPS technology, says AUO
- Google to not make additional investments in Himax Display
- Digitimes Research: OLED TV pricing to remain double Ultra HD TV pricing through 2016; China vendors see mixed results in LCD TV sales abroad
- Foxconn will not acquire TPK, says company
- Giga Solar expects to ship 240 tonnes of PV silver pastes in 2014
- Gigastorage to set up PV module factory in Thailand
- Taiwan market: HTC maintains largest market share by sales volume in September
- Taiwan September manufacturing production index down on month, up on year, says MOEA
- Plug-in electric vehicles expected to make up 2.4% of global light-duty vehicle sales by 2023, says Navigant
- Everlight Electronics likely to net NT$500-600 million for 3Q14
- Digitimes Research: Apple turns to focus on price management to save tablet business
- Sony Mobile to amend strategy for releasing flagship models
- Motherboard players and Intel to face challenges over CPU product line management in 2Q15
- SAS reportedly to raise funds for acquisitions
- AUO sets up PV systems totaling 23.4MWp in Taiwan
- Samsung, TSMC Solid State Lighting reportedly to quit LED lighting business, say Taiwan makers
- Delta Electronics donates real-time toxic chemical detecting equipment to EPA
- Releases
- White papers
- Bulletin
- Intel IoT Asia Mark the Arrival of IoT Era
- Industry experts gathers at Intel IoT Asia to unveil the latest market trends
- Conquer Electronics' Innovation - Industrial Micro Fuses
- OSTAR Takes the Lead to Drive Smart Medical Applications
- Chilisin expanding via process capacity to handle surging orders for 0201 high-frequency chip inductors
- AccuTouch Five Wire Resistive Touchscreens
- Getting the Most Out Of Your Next Generation Digital Security Surveillance System
- Embracing the New Generation Intel Atom Family with DDR3 Memory Support
- Got The Message? Ensuring efficient and reliable delivery of content across a mission critical digital signage network
- Emb' Store On-Demand Software Service for Embedded Computing
24-Oct-2014 markets closed
|TSE electronic
|OTC electronic
- Microsoft ditching the Nokia name on smartphones (Oct 22) - BBC News
- Invention of blue LEDs wins physics Nobel (Oct 7) - BBC News
- GT Advanced Technologies Inc and its subsidiaries file for bankruptcy court protection under Chapter 11 - Company release
- China OKs iPhone 6 sale after Apple addresses security concerns - Reuters
- Oracle board appoints Larry Ellison executive chairman and CTO (Sep 18) - Company release
- Sony predicts increased losses due to struggling mobile business (Sep 17) - BBC News
- Scottish independence: Final day of campaigning ahead of vote (Sep 17) - BBC News
- Panasonic launches Lumix camera phone with giant sensor (Sep 16) - BBC News
- Digitimes Research: GTAT woes disrupt sapphire industry
- Digitimes Research: Enterprise segment to benefit, but PC segment to suffer from HP spin-off
- Digitimes Research: MediaTek, Rockchip to join Chromebook market
- Digitimes Research: China 4G smartphone demand fails to surge; CoolPad, Lenovo, Xiaomi unlikely to achieve 2014 targets
- Digitimes Research: Microsoft to release new inexpensive notebook solution; unlikely to receive full support from vendors
Cree investment is good for Taiwan LED development: Q&A with Lextar chairman David Su
US-based Cree will invest US$83 million to take a 13.32% stake in Taiwan-based Lextar Electronics,...
Karbonn looks to in-house handset production in India: Q&A with executive director
Karbonn, the second-largest India-based handset vendor, is looking into in-house production. Digitimes...
Gaining an advantage in emerging markets: Q&A with India-based handset player Micromax
Sales of handsets in the India market reached 61.07 million units in the first quarter of 2014, with...
Quantum dot panel, lighting technology: Q&A with QD Vision
With increasing competition from AMOLED, TFT LCD display manufacturers are beginning to look to quantum...
- Smartphone and tablet industry: The view from Taiwan - May 2012
Taiwan-based companies have a long and successful history of involvement in the supply chain for mobile devices, which for the purposes of this article consist...
- Taiwan motherboard industry overview - May 2012
The year 2011 saw the motherboard industry reverse its trend of declining shipments year-on-year, to post a slight 0.2% growth. This upturn in fortunes was expected...
- Notebook market overview - Jun 2011
The notebook industry in 2010 experienced several major events that significantly changed the industry's ecosystem for the year and the industry is also believed...
- LCD TV overview - Jun 2011
Growth of the global LCD TV market was not as strong as expected in 2010 as the market continued to feel the aftershocks of the economic recession that had hit...
- 2014 global high brightness LED market, trends and shipment forecast
For the global LED lighting market, the market size will reach US$25.82 billion in 2014 or a market penetration rate of 23.4%. This is attributable to exponential shipment growth for light bulbs, tubes, and directional lamps.
- Greater China touch panel shipment forecast through 2015
This Special Report provides forecasts through 2015 for Greater China touch panel shipments with breakdowns based on technology (glass, film, resistive), application (smartphone, NB and tablet) and by firm.
- 2014 global tablet demand forecast
This report analyzes the main players, their strategies and shipments forecasts for 2014, as well as other factors contributing to either growth or decline in various segments within the tablet market, with a particular focus on Apple, Google, Samsung, and Microsoft, along with whitebox vendors.


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College News
MBA Alumna Featured as "Woman to Watch"
Leah George, a 2013 graduate of the St. John Fisher College MBA Program, has been featured in the Democrat and Chronicle's "Woman to Watch" column.
George is the Managing Director, International Trade and Regional Outreach Contractor for the New York State Energy Research and Development Authority's (NYSERDA) Economic Development Growth Extension (EDGE) Program at Greater Rochester Enterprise (GRE). Prior to joining the GRE, she was a reporter for YNN Rochester.
Latest College News Stories
- Donahue Presents at Eastern Region Campus Compact Conference
- Kunsch Elected New MBA Program Director
- Fisher Community Makes Strides Against Breast Cancer
- Rice Recognized for Lecture
- Souza Presents Workshop at International Conference in Italy
- Investment Club Visits Paychex
- Lecture Being Held by Author Chris Lowney
- McKinzie Presents at Mathematical Association Fall Meeting
- Birnie Presents in Bangkok, Thailand
- SWAV Trip Kanatsiohareke Mohawk Community Includes Service, Culture
- College Recognizes 67 Employees for Years of Service
- Family Weekend 2014 Kicks Off on Halloween
- Hetzler Honored Through Film, Exhibit
- Women's Soccer Team Raises $1,500 for Pancreatic Cancer Research
- MacGregor Presents at Statewide Conference

subset: commoncrawl


text:
Edge of Tomorrow (film)
|Edge of Tomorrow
Theatrical release poster
|Directed by
|Doug Liman
|Produced by
|Screenplay by
|Based on
|All You Need Is Kill
by Hiroshi Sakurazaka
|Music by
|Christophe Beck
|Dion Beebe
|Edited by
|Distributed by
|Warner Bros. Pictures
|Release dates
|Running time
|113 minutes[1]
|United States[2]
|$178 million
|Box office
|$369.2 million[3]
Edge of Tomorrow (also marketed with the tagline Live Die Repeat[nb 1]) is a 2014 American science fiction film starring Tom Cruise and Emily Blunt. Doug Liman directed the film based on a screenplay adapted from the Japanese light novel All You Need Is Kill by Hiroshi Sakurazaka. The film takes place in the near future, where an alien race has invaded the Earth and defeated the world's military units. It follows Major William Cage (Cruise), a public relations officer inexperienced in combat, who is deployed into a combat mission against the aliens. Though Cage is killed in minutes, he finds himself starting over in a time loop, repeating the same mission and being killed. Each time, Cage learns to fight the aliens better, and he teams up with Special Forces warrior Rita Vrataski (Blunt) to defeat them.
The production company 3 Arts Productions bought rights to All You Need Is Kill in late 2009, and it sold a spec script to the American studio Warner Bros. Pictures for production. The studio co-produced the film with the Australian production company Village Roadshow. Filming began in late 2012 and took place mainly at Warner Bros. Studios, Leavesden outside London. Trafalgar Square in London was also a filming location for some scenes. Nine companies handled the visual effects.
The film was released in theaters in 28 territories, including the United Kingdom, Brazil, Germany, Spain, India, and Indonesia, on the weekend of May 30, 2014. On the weekend of June 6, 2014, it was released in 36 additional territories, including North America (United States and Canada), Australia, China, and Russia. The film grossed over $369.2 million in theaters worldwide and received largely positive reviews from critics.
- 1 Plot
- 2 Cast
- 3 Production
- 4 Release
- 5 Reception
- 6 Social commentary
- 7 See also
- 8 Notes
- 9 References
- 10 External links
A race of aliens called Mimics has taken over continental Europe. General Brigham (Brendan Gleeson), head of humanity's United Defense Force, orders Major William Cage (Tom Cruise), a public affairs officer and former advertising executive, to cover combat on the beaches of France during the next day's assault on the Mimics. Cage objects to the dangerous assignment and threatens to use his public relations skills to turn the public against Brigham when the casualties start increasing from the invasion. General Brigham has Cage arrested; Cage is knocked out during an ensuing escape attempt. He wakes in handcuffs at a forward operating base at Heathrow Airport and discovers he has been labeled a deserter and put on combat duty for the invasion under the command of Master Sergeant Farell (Bill Paxton).
The invasion is a disaster for the humans. Cage manages to kill a large Mimic but dies as he is sprayed with its acid-like blood. He then wakes up at Heathrow the previous morning. No one believes his story that he knows the invasion will fail. He repeats the loop of dying on the beach and waking at Heathrow until he encounters Sergeant Rita Vrataski (Emily Blunt). She recognizes his ability to anticipate events and tells him to locate her the next time he "wakes up".
Cage finds Vrataski at Heathrow. Together they meet up with Dr. Carter (Noah Taylor), a former government scientist and expert in Mimic biology. Cage learns that the kind of Mimic he killed in his first loop, an "Alpha", resets time when it is killed to give the Mimics an advantage in battle. Cage inherited this ability when he was doused in the Alpha's blood as they both died. Vrataski had this ability in the recent but only successful battle but lost it after receiving a blood transfusion. She tells Cage that they must hunt the Mimics' hive mind, the Omega.
Over innumerable succeeding time loops, Vrataski molds Cage into a far more effective soldier. After becoming discouraged from his continued eventual failures, he travels to London, only to realize the Mimics were planning on overrunning London during the invasion on the beach. He and Vrataski spend several loops learning how to survive the battle on the beach and get inland based on his vision of the Omega hiding within a Bavarian Alps dam. After numerous loops end in Vrataski's death, Cage decides to hunt the Omega alone, abandoning her and the rest of the invasion to doom on the beach. When he arrives at the dam, he discovers that the Omega is not there. He manages to kill himself before an Alpha can steal his blood and prevent him from resetting the day. Back at Heathrow, he tells Vrataski and Carter that his vision was a trick.
Cage and Vrataski adopt a new approach: they infiltrate the Ministry of Defence in search of a prototype built by Carter that will allow Cage to discover the Omega's true location. After several failed loops they obtain the device, which reveals that the Omega is located under the Louvre Pyramid in Paris. They are injured as they flee; Cage is saved by a blood transfusion, but it removes his ability to reset the day.
Vrataski frees Cage and they return to Heathrow, where they convince his squad to help destroy the Omega. The other squad members sacrifice themselves to get Cage and Vrataski beneath the Louvre. Vrataski distracts a waiting Alpha while Cage advances on the Omega. The Alpha kills them both, but not before Cage primes and drops a grenade belt into the Omega's core, destroying it and neutralizing the other Mimics.
Cage's body absorbs the Omega's blood. He wakes up en route to his meeting with Brigham the day before. Brigham announces that Mimic activity has ceased following a power surge in Paris. Cage is never arrested and he goes to Heathrow, where he finds his "J" squad mates, including Farell. None of them recognize him and treat him respectfully as an officer, as he is once again a Major. He again locates Vrataski, who does not recognize him either. Unintimidated by his officer uniform, she curtly asks what he wants, as she had many times before, and he simply smirks and laughs.
- Tom Cruise as Major William Cage
- Emily Blunt as Sergeant Rita Vrataski
- Bill Paxton as Master Sergeant Farell
- Brendan Gleeson as General Brigham
- Kick Gurry as Griff
- Dragomir Mrsic as Kuntz
- Charlotte Riley as Nance
- Jonas Armstrong as Skinner
- Franz Drameh as Ford
- Masayoshi Haneda as Takeda
- Tony Way as Kimmel
- Noah Taylor as Dr. Carter
Tom Cruise, known for performing his own stunts in his films, also did so in Edge of Tomorrow. He and Emily Blunt wore heavy metal suits that depicted their characters' battle suits.[5] Blunt trained three months for her role, "focusing on everything from weights to sprints to yoga, aerial wire work and gymnastics", and studying the Israeli combat system Krav Maga.[6]
Bill Paxton was cast in a supporting role and also wore a battle suit in the film. The actor said he suspected that he was cast in the film because of his well-known role in the 1986 science fiction film Aliens.[7] Edge of Tomorrow was the first time Paxton and Cruise appeared in the same film, despite both men having acted for more than 30 years.[8]
- Doug Liman – director
- Christopher McQuarrie – co-writer
- Jez Butterworth – co-writer
- John-Henry Butterworth – co-writer
- Erwin Stoff – producer
- Tom Lassally – producer
- Jeffrey Silver – producer
- Gregory Jacobs – producer
- Jason Hoffs – producer
- Dion Beebe – cinematographer
- Oliver Scholl – production designer
- Kate Hawley – costume designer
- James Herbert – editor
- Laura Jennings – editor
- Christophe Beck – composer
- Nick Davis – visual effects supervisor
Edge of Tomorrow was co-produced by Warner Bros. and Village Roadshow, with the involvement of production companies 3 Arts Entertainment and Viz Productions, on a budget of $178 million.[9] The film was directed by Doug Liman based on a screenplay adapting the Japanese light novel All You Need Is Kill (2004) by Hiroshi Sakurazaka.
Development and writing[edit]
The novel was published in North America in 2009 by Viz Media, and after drawing the interest of producer Erwin Stoff,[10] his company 3 Arts Entertainment optioned the novel that same year. 3 Arts would have the collaboration of the publisher's filmmaking subsidiary Viz Productions, headed by Jason Hoffs. Viz Media president Hidemi Fukuhara would serve as executive producer.[11][12] Instead of making a pitch to a major studio to purchase the property and proceed with writing and producing a film adaptation, the company decided to develop a spec script to show the studios. Dante Harper wrote the script, and Warner Bros. purchased it in a $3 million deal in April 2010.[11] In the following August, the studio hired Doug Liman to direct the film.[13] Harper's screenplay was listed in the 2010 edition of The Black List, a survey of most-liked unproduced screenplays.[14]
In early 2011, the screenplay was revised to improve the third act, which Warner Bros. found weak. The studio initially approached Brad Pitt to star;[15] it then approached Tom Cruise.[16] The screenplay was revised further by Joby Harold, and the age of the leading role was changed to fit Cruise's. In December 2011, Cruise officially joined the film.[17] In April 2012, Emily Blunt entered negotiations to star opposite Cruise.[18]
Six months before filming started, Liman discarded two-thirds of Harper's original script. Jez Butterworth and John-Henry Butterworth were hired to rewrite the script. Screenwriter Simon Kinberg took over from the Butterworths, and eight weeks before the start of filming, he was replaced by Christopher McQuarrie.[19] McQuarrie was introduced to the project while directing Cruise in Jack Reacher, and while reading the earlier script he "understood very clearly what the premise of the story was and what they were looking for in terms of characters".[20] Even if the scripts that far were darker, Cruise stressed the importance of the story's humor to McQuarrie.[21] The actor even declared that "It's fun coming up with new ways to kill yourself," comparing Cage's violent demises to Wile E. Coyote and The Road Runner.[19] The screenplay did not yet have a satisfactory ending, and despite the producers and studio executives worried about starting filming without a set conclusion, Liman opted to finish the script during principal photography.[19] McQuarrie at one point suggested adding the Mimics figuring out about Cage's attack on Paris and resetting time during his strike, but eventually discarded this twist as "you were so exhausted by the time you got to that point." Eventually the writer considered that focusing on the comedic aspects meant "it needed to end in a way that wasn't harsh", and thus opted to end the plot where it started, on the helicopter bringing Cage to London, fulfilling on how "comedies generally have to go back to the way things were".[21]
Production began at Leavesden Studios near London. Warner Bros. had purchased Leavesden as a permanent studio site after previously renting space there for its production of the Harry Potter films.[22] Though the director initially did not want a beach set built, the production had one built at the studio site.[19] It was intended for battle scenes to be reminiscent of coastal battles during World War II such as the Invasion of Normandy and the Battle of Dunkirk.[23] The Saunton Sands in North Devon were also used for the French beaches,[24] while receiving a digital extension of the sea as there was little visible water and no surf at all.[25]
Principal photography began at Leavesden on October 1, 2012.[26] The Los Angeles Times said on the second day, Liman "demanded a total reshoot of everything filmed on Day 1", which had concerned producers. Filming on the beach set was planned to last two weeks, but the scheduled extended to nearly three months due to what the Los Angeles Times called "the director's self-described 'workshop-y' filming style".[19] Filming also took place in Trafalgar Square in London on November 24, 2012. The square was closed to the public, and tanks were brought in to film some action scenes.[27] A former army base in the village of Barton Stacey in Hampshire, England, was also used as a filming location for two weeks.[28]
Liman said filming took place seven days a week using two crews to film 20 days in addition to what had originally been scheduled. The crew struggled with rainy British weather since the film was supposed to be set in one day and had to maintain the same weather.[29] Though filming concluded by August 2013, actor Jeremy Piven was added to the cast, and extra scenes including him were filmed;[30] ultimately, Piven did not appear in the finished film.[31] Cinematographer Dion Beebe made his first feature film with Liman, with whom he had done some commercials. Beebe's approach was to develop "a world under siege, but not a bleak, dark, post-apocalyptic landscape," averting how many science fiction films use a saturated bleach bypass look. 35mm film was used instead of digital cameras to evoke the World War II footage that provided inspiration for the battle scenes.[32]
Battle suit design[edit]
Production designer Oliver Scholl and his team worked with lead builder Pierre Bohanna to develop concept art for several battle suit options based on contemporary real-world powered exoskeleton initiatives like those supported by DARPA. When director Doug Liman chose a design, the team built an aluminum prototype frame that had pivot points and hinges. Costume designer Kate Hawley contributed a gritty aesthetic design for the color palettes and surface treatments. While the design was meant to be utilitarian, it was also created so the actors could be seen in the suits and also run in them. The team created a foam mock-up of Tom Cruise so the frame could be suited for him. The team handcrafted 70 hard material and 50 soft material battle suits in the course of almost five months. There were three versions of the battle suits: "grunts, dogs, and tanks". The battle suit for Emily Blunt's character had red slash marks sprayed on to reflect a Joan of Arc quality.[33]
The battle suit weighed 85 pounds (39 kg) on average. One of the heavier versions was around 130 pounds (59 kg) due to being equipped with a mock sniper rifle and rocket launcher.[6] Each actor needed four people to help put on the battle suit. Initially, Tom Cruise took 30 minutes to put on the suit and another 30 minutes to remove it. Ultimately, the time was reduced to 30 seconds.[33] The Los Angeles Times said, "Between takes, the actors would be suspended by chains from iron frames to take the weight of the suits off their shoulders."[7]
Visual effects[edit]
Nine companies handled the visual effects for Edge of Tomorrow under visual effects supervisor Nick Davis.[34] Davis worked with the crew of The Third Floor on the film's previsualization process. Sony Pictures Imageworks worked on the first two acts of the film and created over 400 shots, including photorealistic environments, battle scenes, and computer-generated creatures and characters. One major shot was designing London Heathrow Airport to look covered with military troops, vehicles, and aircraft; SPI split some of the work with RodeoFX. Cinesite joined late in production and developed 221 shots for ten key sequences, with 189 appearing in the final cut.[25]
The aliens in the film were designed not to look like any terrestrial animal. Davis and director Doug Liman favored the most a sculptor's creature that was made mainly of tentacles. SPI's Dan Kramer said it looked like "heavy black spaghetti" and that creating the tentacled creatures was a challenge for the modelers.[25] A technical animator created an Autodesk Maya plugin that could make independent the movement of each tentacle and prevent interpenetrating.[35] Since Liman did not want the Mimics to look "too organic or terrestrial", Imageworks' artists came with the idea of making the aliens made out of an obsidian-like material, "basically a glass that could cut." Various debris was incorporated within the tentacles to give the creature a sense of weight while also displaying how fast it moved. The Alphas were given a definable head area to show their status as more sentient, while receiving a different color and a bigger size compared to the Mimic grunts.[36] Cinesite created the mechanical Mimics used in the training areas,[37] while MPC created the Omega, featured in a completely digital environment into which the effects artists composited underwater footage filmed at Leavesden's water tank.[38]
Digital versions of the battle suits were created, at times with also the soldiers inside them. A 3D scanner booth was built at the film's set to digitize the actors, while hand scanners captured the textures of the practical suits. Pieces of the suits were also sent to Imageworks for reference. The armor's shading was enhanced by using the company's library of reflection data on various materials.[36] The base at Heathrow was created by merging the set at Leavesden with digitally altered footage from the airport, where the existing aircraft was replaced with the film's drop ships along with barracks and mess halls.[25] Framestore created the digital Paris, which was recreated with photomodeling taken during three days of visits. Given the city is a no-fly zone, Framestore's artists got their aerial images by climbing an 80 meter crane that they parked in the Louvre courtyard.[36] The quadcopter dropships were based on the Bell Boeing V-22 Osprey that can tilt its rotors to fly as either planes or helicopters, while having a design closer to the Quad TiltRotor.[39] Aside from a practical build for a crashed ship on the beach head and a gimbal set to depict the plane used by Cage's squad, most ships were digital models, that had some of Imageworks' heaviest detail for both the camp scenes where actors walked closed to the ships and depict a realistic destruction on the crashes.[36]
The film was converted into 3D on post-production by Prime Focus World, which employed the same tools used for the stereoscopy in World War Z and Gravity. Prime Focus World had the help of Imageworks, who gave the company their scans of the cast's faces, and Nvizible, responsible for the hologram table used by Dr. Carter.[36]
|Edge of Tomorrow:
Original Motion Picture Soundtrack
|Film score by Christophe Beck
|June 3, 2014
|WaterTower Music
Composer Christophe Beck scored Edge of Tomorrow. Beck was a late addition to the film, taking over from Ramin Djawadi, Liman's first choice to replace his frequent collaborator John Powell, who was taking a sabbatical year from composing film music.[40] Edge of Tomorrow marked Beck's first science fiction film score.[41] To prepare for the score, Beck watched the film with temp tracks, including one from the 2012 film Battleship. Beck experimented with repeating the music with the scenes. He said repetition was only used in a couple of spots in the film because the approach did not frequently fit the events on the screen. Beck said, "The day is reset dozens of times in the film and it would get very repetitive to approach that musically the same way every time."[42] The composer initially tried for "traditional heroic themes" that involved horns and trumpets, but he said Liman "preferred a non-traditional approach, driven by percussion and distorted orchestra". To that end, Beck used the pizzicato playing technique, "not in the traditional, plinky-plinky-isn't-this-funny way, but a little darker, and always accompanied by some higher concept synth colors".[41] The distorted orchestral samples also enhanced the comedic tone of the extended sequences where Cage recurrently dies in battle, as "it was important to Doug that [the audience] be able to laugh at the scene."[40] With Liman's approach, the composer said there were "only a couple of traditional themes" in the film, including one for Emily Blunt's character Rita.[42]
|Additional music
|"This Is Not the End"
|"Massive Mellow"
|Daniel Lenz
|"Railroad Track"
|Willy Moon
|"Trip Into The Light"
|Jeremy and the Harlequins
|"Love Me Again"
|John Newman
"I think the word 'kill' in a title is very tricky in today's world. I don't know that people want to be bombarded with that word. I don't know that people want to be opening the newspaper and seeing that word. We see it enough in kind of real newspaper headlines, and I don't think we need to see it when we're looking at a movie."
Warner Bros. invested over $100 million in a marketing campaign for Edge of Tomorrow.[44] The film was initially titled All You Need Is Kill after the light novel. In July 2013, Warner Bros. changed the title to Edge of Tomorrow;[45] Warner Bros. president Sue Kroll said the title was changed partly due to "negative chatter" about the word "kill" in the title.[46] The film was promoted at Comic-Con in San Diego, California in July 2013,[45] and it was promoted at WonderCon in Anaheim, California in April 2014.[7] Turner Broadcasting, a subsidiary of Time Warner like the studio Warner Bros., promoted the film across its TV properties, including CNN, TNT, TBS, Adult Swim, TruTV, and Funny or Die. Variety said the move "put forth the notion that buying bigger packages of advertisements across a TV company's holdings is a viable option in an increasingly fragmented TV-viewing landscape". Turner also launched a website which would unlock film-related content like "a 3D game, back stories and artwork" if its promotional hashtag was circulated enough through the social media website Twitter.[47]
Viz Media published a new edition of the light novel, titled Edge of Tomorrow instead of All You Need Is Kill. It was released on April 29, 2014.[48] It also published a graphic novel adaptation of the light novel on May 5, 2014.[49]
For the film's release on home media, Warner Bros. formed two teams for a Tough Mudder endurance event series taking place in Black Diamond, Washington on September 28, 2014.[50] The teams included YouTube personalities and participants from the TV series American Ninja Warrior. Warner Bros. intended for the teams to be similar to the film's "J Squad" of military delinquents and sponsored a Tough Mudder obstacle that promoted teamwork.[51]
Box office forecast[edit]
At the beginning of May 2014, weeks before the film's release, media reports said box office tracking for Edge of Tomorrow indicated that it would have an underwhelming performance at the box office in North America (United States and Canada).[9] Variety said there was a "worrisome lack of buzz" leading up to the film's release.[46] Initial tracking at the start of the month estimated that the film would gross between $25 million and $30 million on its opening weekend,[52] and the estimate decreased later in the month by $5 million.[46] The film was scheduled to compete with The Fault in Our Stars, opening the same weekend and estimated to gross around $25 million. The Wrap said the competition would potentially impact Edge of Tomorrow 's opening weekend gross.[52] In contrast, Variety said Edge of Tomorrow could serve as counterprogramming to The Fault in Our Stars since that film's expected demographic is women under 25 years old.[46]
The Hollywood Reporter called Edge of Tomorrow, with its budget of over $175 million, one of the "biggest box-office risks" for mid-2014 in North America. The trade paper said the film was similar to Oblivion, a 2013 science fiction film that also starred Tom Cruise, and that like Oblivion, it would likely perform better outside North America.[53] Box Office Mojo said Cruise's films with original material—Valkyrie (2008), Knight and Day (2010), Jack Reacher (2012), and Oblivion (2013)—had not grossed more than $100 million in North America. The website forecast that Edge of Tomorrow would gross $90 million in North America and $220 million in other territories.[54] TheWrap noted that the studio has focused on the theatrical releases in the other territories, where Cruise "remains a major force" in drawing audiences.[52] Variety, writing from the US perspective, said, "Media reports have been quick to speculate that Edge of Tomorrow may be one of the summer's first big bombs based on the lack of enthusiasm by U.S. audiences. That may come to pass, but these reports downplay the centrality of foreign markets in today's globalized movie industry."[9]
In the week prior to Edge of Tomorrow 's release in North America, it was estimated to have an opening-weekend gross of $27 million, a small bump from the previously estimated mid-$20 million range.[55]
Theatrical run [edit]
Edge of Tomorrow initiated its theatrical run in several territories on May 28, 2014 and rolled out to a total of 28 territories for its opening weekend of May 30–June 1, 2014.[9][56] It grossed $20.1 million on the opening weekend.[57] For the second weekend of June 6–8, 2014, it was released in 36 additional territories.[58] Edge of Tomorrow grossed $100.2 million in North America and $269.0 million in other territories for a worldwide total of $369.2 million.[3] Entertainment Weekly said after the film's theatrical run that it had a "lukewarm box-office reception" despite critics' praise.[59]
Opening weekend[edit]
The film had premiere screenings in London, Paris, and New York City on May 28, 2014. The cast and the crew mimicked the film's time loop premise by attending the premieres in a single day, traveling westward to attend them on a staggered schedule.[61] The film was screened in New York City at 11:59 pm, the time chosen to refer to the film title.[62] The film was released in theaters in 28 territories—including the United Kingdom, Brazil, Germany, Spain, and Indonesia—on the weekend of May 30, 2014.[9] Certain territories with "strong" association football teams were chosen so the film could screen to audiences before the month-long 2014 FIFA World Cup began on June 12, 2014. Edge of Tomorrow competed against Maleficent starring Angelina Jolie, which opened the same weekend in 46 territories.[9]
On its opening weekend in 5,018 screens across 28 territories, Edge of Tomorrow grossed $20.1 million.[57] The Hollywood Reporter called the film's debut a "soft" opening. Edge of Tomorrow faced competition from Maleficent and X-Men: Days of Future Past and ranked third after the two films in many territories. In the United Kingdom, it ranked third and grossed $3.1 million, where Cruise's 2013 film Oblivion had opened with $7.6 million. In Germany, it grossed $2.1 million compared to Oblivion 's $2.6 million. Edge of Tomorrow ranked first in Indonesia and Taiwan, grossing $2 million and $1.9 million, respectively.[63] Its opening weekend in 286 screens in Indonesia was Tom Cruise's biggest opening to date in the country.[57] The film also grossed $1.5 million in Italy and $1.5 million in Spain.[58] Deadline.com said the film had good word of mouth, citing significant increases in Saturday grosses compared to the Friday grosses in the United Kingdom, Germany, and Spain.[57] Bloomberg Businessweek reported that $110 million was grossed in the first week of release and summarized its debut, "While it did solid business in Asia, its reception in Germany, France, and the U.K. has been tepid."[64]
Second weekend[edit]
The film was released in 36 additional markets in its second weekend of global release (June 6–8, 2014).[58] For the second weekend, it was on over 19,000 screens throughout 63 markets.[65] It grossed an estimated $28.8 million in North America,[66] and approximately $82 million in other territories.[65] Major performances were China with $26.7 million,[67] South Korea with $16.6 million, Russia with $8.6 million, France with $3.2 million, and Mexico with $3.1 million.[65] In China, Edge of Tomorrow ranked first at the box office, ahead of X-Men: Days of Future Past.[67] The film had 99,768 screenings with 4.06 million admissions. It also screened earlier in the week for the Dragon Boat Festival on June 2, considered a major moviegoing holiday in China.[68] Its opening day gross was $6.7 million, which was the fourth-biggest opening in China in 2014.[69] The film also premiered in South Korea and France earlier in the week, on June 4, 2014. In South Korea that Wednesday, it grossed $3.8 million, which was Tom Cruise's biggest South Korean opening to date and the fourth biggest South Korean opening to date for a Hollywood film. The opening date for South Korea was chosen to take advantage of the country's five-day holiday.[70] In Russia, the film grossed $1.4 million on opening day, which was Tom Cruise's biggest to date in the country.[69]
Edge of Tomorrow was released in 3,490 theaters in North America on June 6, 2014.[66] The ticket service Fandango reported before the weekend that Edge of Tomorrow sold more advance tickets than Tom Cruise's previous film Oblivion but was being overcome by the competing film The Fault in Our Stars.[71] Edge of Tomorrow grossed $28.8 million on the opening weekend, ranking it third below The Fault in Our Stars ($48 million) and Maleficent ($34.3 million).[72] Polling firm CinemaScore said 61% of the opening weekend audiences were male.[73] It reported that audiences overall gave Edge of Tomorrow a "B+" grade, where younger filmgoers gave "A" and "A–" grades.[74] The Los Angeles Times said the disappointing box office performances of non-franchise films Edge of Tomorrow and Blended, both produced and distributed by Warner Bros. Pictures, indicated risky investments by the studio, which had better success earlier in the year with franchise films The Lego Movie and Godzilla.[75]
Subsequent weekends[edit]
In its second weekend of release in North America (June 13–15, 2014), Edge of Tomorrow had a "light" second-weekend drop of 43% due to word of mouth and grossed $16.5 million on the second weekend.[76] In the same weekend in territories outside North America, the film was on 14,725 screens. With approximately 5.1 million admissions, it grossed $37.3 million. China, Russia, and South Korea respectively had the film's largest weekend grosses among the territories.[77] In South Korea, the film ranked first at the box office for two consecutive weekends, grossing a total of $25.65 million by June 17, 2014.[78]
In Japan, Edge of Tomorrow was released on July 4, 2014 under the light novel's title All You Need Is Kill.[79] The film opened as second in the weekend rankings behind Maleficent, with an intake of $4.5 million.[80] As of October 14, 2014[update], with $15.3 million, Edge of Tomorrow is the sixth highest-grossing foreign movie of the year in Japan, and the 21st overall.[81]
Home media[edit]
Edge of Tomorrow was released on DVD, Blu-ray Disc, and video on demand in the United States on October 7, 2014. The Blu-ray disc includes over 90 minutes of bonus features.[51] The home release's packaging downplays the original Edge of Tomorrow title in favor of placing more prominence on the film's original tagline, "Live. Die. Repeat." Media critics believed that the re-branding was an attempt by Warner Bros. to re-launch the film's marketing following its poor U.S. box office performance. Posters for the film's theatrical release had similarly placed a larger emphasis on the "Live. Die. Repeat." tagline than the actual title of the film.[4][82] Similarly, some digital retailers listed the film under the title Live Die Repeat: Edge of Tomorrow.[4] The film ranked first in home media sales for the week beginning October 7, with 62% of sales coming from the Blu-Ray version.[83]
Critical response[edit]
Edge of Tomorrow has received largely positive reviews from critics.[84] Critics praised the humor, the aliens' design, the performances of Cruise and Blunt, and the time-loop premise's ability to remain fresh. However, some critics expressed disappointment over the film's conclusion.[85] Review aggregation website Rotten Tomatoes said critics thought the film was "gripping, well-acted, funny, and clever" and that Cruise was still more than capable of starring in an action film. The website surveyed 241 critics and, categorizing the reviews as positive or negative, assessed 217 as positive and 24 as negative. Of the 240 reviews, it determined a rating average of 7.5 out of 10. Based on the reviews, the website gave the film a score of 90%.[86] Another aggregator Metacritic surveyed 43 critics and assessed 35 reviews as positive and eight as mixed, with none being negative. Based on the reviews, it gave the film a score of 71 out of 100, which it said indicated "generally favorable reviews".[87]
Justin Chang of Variety called Edge of Tomorrow "a cleverly crafted and propulsively executed sci-fi thriller" and said the film was director Doug Liman's best since The Bourne Identity (2002). Chang said the screenwriters, with the assistance of the editors, "tell their story in a breezy narrative shorthand (and at times, sleight-of-hand), transforming what must surely be an unbelievably tedious gauntlet for our hero into a deft, playful and continually involving viewing experience". The critic said of the relationship of Cruise and Blunt's characters, "Liman handles it with a pleasing lightness of touch that extends to the proceedings as a whole." He also commended the visual effects of the "expertly designed Mimics" as well as Dion Beebe's cinematography.[88]
Todd McCarthy, writing for The Hollywood Reporter, said the film was "a narratively ambitious sci-fi actioner" that "takes a relatively playful attitude toward the familiar battle tropes". McCarthy said despite the humor, he found the time loop premise "tedious" and that "the final stretch becomes dramatically unconvincing and visually murky". The critic called the effects "exciting, convincing and gritty" and applauded Gleeson and Paxton in their supporting roles.[89] Kenneth Turan of the Los Angeles Times gave the film a positive review, considering the film " a star-driven mass-market entertainment that's smart, exciting and unexpected while not stinting on genre satisfactions" that broke a strain of "cookie-cutter, been-there blockbusters".[90]
The theatrical trailer for Edge of Tomorrow was nominated at the 15th Annual Golden Trailer Awards for Best Action and for Best Summer 2014 Blockbuster Trailer, but lost to The Hunger Games: Catching Fire and Godzilla, respectively.[91] The film also received nominations at the 2014 Teen Choice Awards for Best Action Film, Best Action Actor (Tom Cruise), and Best Action Actress (Emily Blunt), but lost to Divergent.[92] The Japanese government gave director Doug Liman the Annual Japan Cool Content Contribution Award, an accolade that recognizes creatives who popularize Japanese media for worldwide audiences.[93]
Social commentary[edit]
Gender roles[edit]
Emily Blunt plays Sergeant Rita Vrataski, a veteran who guides and trains Tom Cruise's character, Major William Cage. Blunt said of her role, "In these male-fueled genres, it's usually the woman who's holding the hand of the guy and he's running through explosions leading her, and I wanted to be doing the leading. This was the extreme idea of what I ever thought I'd want to do."[94] Chris Nashawaty, reviewing the film for Entertainment Weekly, called it "the most feminist summer action flick in years".[95] Bustle 's Alicia Lutes described Rita as "ruthless and exacting in her takedown ... of a bunch of aliens" and said, "This is very much counter to the age-old ideals about ladies being the constant, delicate flowers of emotional heartstring-pulling." Lutes said the film's hero Cage was strengthened by her work, "She trains him, aids him, and protects him (and in turn the fate of humanity) time and time again."[96] Tasha Robinson, writing a piece in The Dissolve about "strong female characters" that lack real purpose in films, said Rita in Edge of Tomorrow was an exception. Robinson acknowledged that Rita existed to support Cage in his trials but believed that "the story doesn't degrade, devalue, weaken, or dismiss her".[97]
In contrast, The Wire 's Esther Zuckerman criticized the inclusion of a romantic relationship in the film and said of the two characters' kiss, "There's a case to be made that the kiss is simply an acceptance of their fate, but everything we know about Rita up until this point implies that she's a dedicated soldier, and making her a sudden romantic betrays her character." Zuckerman added, "That's not to say she can't soften up a bit as humans do, but the moment reads less like she's accepting her humanity and more like the filmmakers had to acknowledge two attractive leads ... who should lock lips because that's what men and women do in movies."[98] Monika Bartyzel in The Week also criticized the romance in the film, stating that Rita is the one who kisses Cage, despite knowing him for only a day where he had known her for multiple days via time loop. Bartyzel said Rita's portrayal was part of a commonly seen dichotomy in which a female character helps a male "Chosen One" character. Bartyzel said the phenomenon was "the new normal because it allows Hollywood to appeal to feminist concerns while continuing to feed male wish fulfillment". The journalist said Rita "at her most powerful" ultimately serves "to make the male hero into a fighter like herself".[99]
Comparison to video games[edit]
Director Doug Liman said the film's repeated scenes intentionally paralleled the spawning feature in video games, where players have to start over on a level when their character dies.[43] It can be noted that in the afterword of All You Need Is Kill, author Hiroshi Sakurazaka notes his experience playing video games as a source of inspiration while writing the novel.[100] Salon 's Ryan Leas said analyses of the film noted that it "steals from the video game genre". Leas called Edge of Tomorrow 's looped action "a meta-commentary on the blockbuster genre", saying, "It's a blockbuster interested in the question of how mind-numbing its genre has become to its viewers."[101] Wired 's Angela Watercutter said Hollywood had been trying to produce films based on video games for years and that Edge of Tomorrow showed merit for studios to try basing films on video games' narrative structure.[102]
See also[edit]
- List of films featuring time loops
- List of films featuring powered exoskeletons
- List of science fiction films of the 2010s
- The Defence of Duffer's Drift, a 1904 short book with a similar premise
- ^ The film's DVD and Blu-ray disc are listed by digital retailers with the title Live Die Repeat: Edge of Tomorrow.[4] For more details, see the home media section.
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- ^ Boucher, Philip; Milekbank, Peter (May 28, 2014). "Tom Cruise Premieres Edge of Tomorrow in Three Countries in 24 Hours". People. Retrieved May 28, 2014.
- ^ Lew, Janine (May 7, 2014). "Tom Cruise to Visit Three Countries In One Day for 'Edge of Tomorrow' Premieres". Variety. Retrieved May 8, 2014.
- ^ Lang, Brent (May 29, 2014). "'Edge of Tomorrow' Director: 'Most Studios Aren't Making Big, Original Movies'". Variety. Retrieved June 3, 2014.
- ^ McClintock, Pamela (June 1, 2014). "Box Office: Tom Cruise's 'Edge of Tomorrow' Opens to Soft $20M Overseas". The Hollywood Reporter. Retrieved June 1, 2014.
- ^ Ebiri, Bilge (June 13, 2014). "Is Tom Cruise Still a Movie Star?". Bloomberg Businessweek. Retrieved June 17, 2014.
- ^ a b c Lang, Brent (June 8, 2014). "'Edge of Tomorrow' Tops Foreign Box Office with $82 Mil". Variety. Retrieved June 18, 2014.
- ^ a b "Edge of Tomorrow". Box Office Mojo. Retrieved August 18, 2014.
- ^ a b Makinen, Julie (June 11, 2014). "'Edge of Tomorrow' tops China box office; 'X-Men' hits $100 million". Los Angeles Times. Retrieved June 17, 2014.
- ^ Coonan, Clifford (June 10, 2014). "China Box Office: 'Edge of Tomorrow' Opens to $25 Million, 'X-Men' Hits $100 Million". The Hollywood Reporter. Retrieved June 18, 2014.
- ^ a b McClintock, Pamela (June 7, 2014). "Box Office: 'Fault in Our Stars' Eyes Stunning $52M-Plus Debut, Crushes 'Edge of Tomorrow'". The Hollywood Reporter. Retrieved June 8, 2014.
- ^ McClintock, Pamela (June 5, 2014). "Box Office: Tom Cruise's 'Edge of Tomorrow' Soars in South Korea With $3.8M". The Hollywood Reporter. Retrieved June 5, 2014.
- ^ McClintock, Pamela (June 3, 2014). "Box Office: 'The Fault in Our Stars' is Top-Selling Love Story in Fandango's History". The Hollywood Reporter. Retrieved June 4, 2014.
- ^ "Weekend Box Office Results for June 6-8, 2014". boxofficemojo.com. Box Office Mojo. Retrieved June 11, 2014.
- ^ Villarreal, Yvonne (June 8, 2014). "'Fault in Our Stars' tops Tom Cruise's 'Edge of Tomorrow' for No. 1". Los Angeles Times. Retrieved July 9, 2014.
- ^ McNary, Dave (June 7, 2014). "'Fault in Our Stars' Blazing with $58 Million Opening Weekend in U.S.". Variety. Retrieved June 8, 2014.
- ^ Miller, Daniel (June 9, 2014). "'Edge of Tomorrow' disappoints, highlights Warner's risky summer". Los Angeles Times. Retrieved June 17, 2014.
- ^ Subers, Ray (June 15, 2014). "Weekend Report: 'Jump Street' Sequel Scores, 'Dragon' Disappoints". boxofficemojo.com (Box Office Mojo). Retrieved June 17, 2014.
- ^ Tartaglione, Nancy (June 16, 2014). "Final Int'l Box Office: 'Godzilla' Thrashes Again With $38.4M Weekend Led By China; 'How To Train Your Dragon 2' Fires Up $24.4M; 'Fault' On Fire In Brazil". Deadline.com. Retrieved June 20, 2014.
- ^ Hyo-won, Lee (June 16, 2014). "'Edge of Tomorrow' Tops South Korean Box Office for Second Week". The Hollywood Reporter. Retrieved June 17, 2014.
- ^ "映画『オール・ユー・ニード・イズ・キル』公式サイト". warnerbros.co.jp (in Japanese). Warner Bros. Retrieved May 21, 2014.
- ^ Tartaglione, Nancy (July 8, 2014). "Update: Intl Box Office: 'Transformers' Adds $52M In China Weekend; 'Dragon 2′ Fires Up $30M; And How's 'Tammy'?; 'Maleficent' Dethrones 'Frozen' In Japan; More". Deadline.com. Retrieved August 16, 2014.
- ^ "2014 Japan Yearly Box Office". Box Office Mojo. Retrieved August 16, 2014.
- ^ Graser, Marc (August 14, 2014). "Tom Cruise's 'Edge of Tomorrow' Gets Repositioned as 'Live Die Repeat' on Home Video". Variety. Retrieved October 7, 2014.
- ^ Arnold, Thomas K. (October 16, 2014). "'Edge of Tomorrow' Battles to Top of Disc Sales Charts". Home Media Magazine. Retrieved October 15, 2014.
- ^ Faughnder, Ryan (June 5, 2014). "'Fault in Our Stars' likely to break Tom Cruise's heart at box office". Los Angeles Times. Retrieved June 5, 2014.
- ^ Acuna, Kirsten (May 28, 2014). "'Edge Of Tomorrow' Is One Of Tom Cruise's Best Movies In Years". Business Insider. Retrieved May 28, 2014.
- ^ "Edge of Tomorrow". rottentomatoes.com. Rotten Tomatoes. Retrieved August 19, 2014.
- ^ "Edge of Tomorrow". metacritic.com. Metacritic. Retrieved June 18, 2014.
- ^ Chang, Justin (May 22, 2014). "Film Review: 'Edge of Tomorrow'". Variety. Retrieved May 22, 2014.
- ^ McCarthy, Todd (May 22, 2014). "'Edge of Tomorrow': Film Review". The Hollywood Reporter. Retrieved May 22, 2014.
- ^ Kenneth Turan (5 June 2014). "'Edge of Tomorrow,' Tom Cruise run loops around competition". Los Angeles Times. Retrieved 2014-07-05.
- ^ "The 15th Annual Golden Trailer Award Nominees". Golden Trailer Awards. Retrieved June 7, 2014.
- ^ Staff (June 17, 2014). "Teen Choice Awards 2014 Nominees Revealed!". Entertainment Tonight. Retrieved June 19, 2014.
- ^ Siegemnud-Burka, Austin (August 6, 2014). "Doug Liman to Receive Japanese Government Award for 'Edge of Tomorrow'". The Hollywood Reporter. Retrieved October 19, 2014.
- ^ Cohen, Sandy (June 4, 2014). "Blunt Reveals New Toughness in 'Edge of Tomorrow'". bigstory.ap.org (Associated Press). Retrieved June 4, 2014.
- ^ Nashawaty, Chris (June 12, 2014). "Edge Of Tomorrow (2014)". Entertainment Weekly. Retrieved June 19, 2014.
- ^ Lutes, Alicia (June 6, 2014). "Emily Blunt's 'Edge of Tomorrow' Role Is Refreshingly & Unapologetically Feminist". Bustle (BDG Media Inc.). Retrieved June 18, 2014.
- ^ Robinson, Tasha (June 16, 2014). "We're losing all our Strong Female Characters to Trinity Syndrome". The Dissolve. Retrieved June 19, 2014.
- ^ Zuckerman, Esther (June 9, 2014). "Why Did 'Edge of Tomorrow' Need a Romance?". The Wire (The Atlantic Monthly Group). Retrieved June 19, 2014.
- ^ Bartyzel, Monika (June 13, 2014). "Girls on Film: Hollywood keeps stranding women at the Edge of Tomorrow". The Week. Retrieved June 19, 2014.
- ^ Sakurazaka, Hiroshi. "All You Need Is Kill". San Francisco: VIZ Media LLC, 2009, p. 199-200.
- ^ Leas, Ryan (June 18, 2014). "A blockbuster for the 'meta-blockbuster' age: What 'Edge of Tomorrow' reveals about the sad state of action movies". Salon. Retrieved June 19, 2014.
- ^ Watercutter, Angela (June 6, 2014). "Edge of Tomorrow Is the Best Videogame You Can't Play". Wired. Retrieved June 19, 2014.
External links[edit]
|Wikimedia Commons has media related to Edge of Tomorrow.
- Official website
- Edge of Tomorrow at the Internet Movie Database
- Live Die Repeat: Edge of Tomorrow at Rotten Tomatoes
- Edge of Tomorrow at Metacritic
- Edge of Tomorrow at Box Office Mojo
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County planning panel conducts hearing on subdivision on east side of Von Talge
'Von Talge Commons' next to group of attached homes
Gloria Lloyd
Staff Reporter
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February 12, 2014 -
The county Planning Commission recently conducted a public hearing on a proposed subdivision, with neighbors showing up to find out what the developer's plans are for the site on the east side of Von Talge Road.
The nine-member panel met without a quorum for the Jan. 27 hearing, with only four of its members present: Chairman Wayne Hilzinger of Oakville and members Rob Forney of Kirkwood, Keith Taylor of Ballwin and William Ballard of north county.
Tony Lee is requesting a Planned Environment Unit, or PEU, in an R-3 10,000-square-foot Residence District to build "Von Talge Commons," a subdivision of attached single-family residences on 2.55 acres in the Mehlville School District on the east side of Von Talge Road, about 125 feet north of Von Talge Trails Court. Lee is under contract to buy the land, pending the zoning decision.
The proposed subdivision is in a residential area next to the Villas in Sienna Oaks, a group of attached houses. Real-estate attorney John King of Lathrop and Gage said that Lee wants to build five attached buildings, or 10 total units, at the site.
The houses will be a minimum of 1,500 square feet and start selling for $375,000 to $400,0000, which does not include an optional finished basement. Owners who buy property at the site will have to agree to deed restrictions that will ensure they maintain the streets and landscaping around the site, King noted.
Southbury Manor subdivision Trustee Alan Haker spoke against the development on behalf of the residents of his subdivision, noting that the subdivision is already overrun with excess stormwater from the Villas development and that residents are concerned about more housing flooding their properties. The subdivision is downhill from both developments.
Engineer Mark Doering, representing Lee, said that the subdivision will improve stormwater runoff compared to the current empty site, using swales to capture the runoff and two retention ponds to contain it on the property.
"The acre and a half that used to sheet flow into these people's backyards will now be captured on our site, and we'll take it to the water treatment plants," he said.
Haker also noted that neighbors might be unaware of the new subdivision, since the public-hearing sign announcing its potential rezoning had blown over in the wind. He only found out about the development after a friend saw it in the newspaper and told him about it, after which he went to the site and propped the public-hearing sign back up.
"I guess after your little problem down here in Oakville, maybe you guys should be concerned," he told the planning panel. "You should maybe make some other arrangements to make sure that there's a public notice that everybody can see."
Neighbor Jim Clemmons, who lives in one of the neighboring villas, requested a barrier of evergreen trees be planted between the two subdivisions and that Lee move a manhole from the neighboring subdivision onto his property. Doering agreed to both requests.
Neighbor Judith Nye said she was concerned about the runoff effects from the development, since she recently had to spend $2,000 to prevent flooding on her property.
"I'm concerned about water, I just don't want to spend another $2,000, and I welcome the new neighbors," she said.
In a nonbinding show of hands of those in attendance, six raised their hands to say they were in favor of the subdivision and one raised his hand to say he was opposed or with concern.
St. Louis County News
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Created: 02/24/2014 4:26 PM WHEC.com
The RIT men's lacrosse team is the No. 1 team in Division III in this week's United States Intercollegiate Lacrosse Association (USILA) Division III Coaches poll.
The Tigers are ranked No. 1 for the first time in the program's 47-year history with 380 points and all 19 first place votes, after a 15-14 come-from-behind overtime win versus top ranked and defending national champion, Stevenson University last Saturday at the Carrier Dome.
The Tigers' next game is Saturday, March 1 at 1 p.m. on RIT's Turf Field.
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Mets waste start by deGrom in 1-0 loss to Yankees
NEW YORK (AP) — When David Wright signed his big contract to stay with the New York Mets, he cited the exciting young pitchers in the minor leagues as one of the main reasons for remaining with the beleaguered ballclub.
He got a pretty good glimpse of two of those arms against the Yankees.
Jacob deGrom pitched seven stellar innings in the Mets' 1-0 loss to the Yankees on Thursday, a night after Rafael Montero was effective for six innings — both efforts coming in their major league debuts.
"It's amazing. You can't say enough good things about those two guys," Wright said. "DeGrom's performance tonight was spectacular. Some of the guys that got on third were complimenting on both those guys and that's good to hear from a good lineup."
The Mets were stifled by two Yankees' rookies, losing 4-0 to high-priced Japanese star Masahiro Tanaka before the unexpected impressive outing by Chase Whitley that helped the Bronx Bombers earn a Subways Series split after two slugfests at Yankee Stadium.
Wright had a chance to make the Mets winners when he came to the plate in the eighth with runners on first and third and two outs.
David Robertson was brought in on a double switch that lifted shortstop Derek Jeter from his final regular-season game against the Mets. He then got Wright to ground out to Jeter's replacement, defensive whiz Brendan Ryan to end the eighth. Robertson pitched a perfect ninth for his seventh save.
"I just told him I'm going to make a double-switch. It's where we are in the lineup; that's how you do it," Yankees manager Joe Girardi said of the conversation on the mound in the eighth. "He understands."
Alfonso Soriano's RBI double in the seventh broke up a scoreless duel at Citi Field between starting pitchers making their major league debuts.
Rookie reliever Dellin Betances struck out six straight before Adam Warren took over to start the eighth and struck out Juan Centeno. Warren then allowed a walk, struck out Eric Young Jr. and Daniel Murphy hit a grounder off the end of his bat down the third base line for a single to put runners on the corners.
"We gave ourselves a couple innings with guys in scoring position with two outs but very rarely have we put ourselves with runners in scoring position with less than two outs, and that's kind of where you want to be," said Wright, who struck out three times. "We haven't quite been able to do that."
In a matchup of late-round picks in the 2010 draft, Whitley (15th round) pitched two-hit ball for 4 2-3 innings, striking out four and walking two. DeGrom (ninth round) allowed one run and four hits in seven innings, striking out six and walking two.
"It was unbelievable to watch that guy," Whitley said. "He pitched a heck of a game."
In addition to a commanding performance on the mound, the 25-year-old deGrom helped Mets pitchers end an unusual record for futility. He lined a single to center field in the third inning to end the staff's 0-for-64 start to the season.


text:
Irish Involved with Schutt
Junior Tommy Schutt from Glenbard West High School (Glen Ellyn, Ill.) will be one of the top…
Four-Star DT Sets Decision Timetable
By Chris Emma
Date: Jan 21, 2011
The offseason is in full gear for four-star defensive tackle Tommy Schutt. The Glen Ellyn (IL) prospect currently has 11 offers, but has set a timetable for making a decision.
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President Obama has nominated two women to key posts at the Department of Housing and Urban Development (HUD).
Nani Coloretti has been nominated to serve as HUD deputy secretary, the second most senior position at the federal agency. Maurice Jones had previously held the post and left in January after Virginia Gov. Terry McAuliffe nominated him to serve as the commonwealth's secretary of Commerce and Trade.
Coloretti has worked in the Obama administration since 2009. She has been the assistant secretary for management at Treasury, a post she has held since November 2012. She also served as deputy assistant secretary for management and budget. Prior to that, she spent four years as a policy advisor and budget director in the San Francisco mayor's office.
Erika Moritsugu has been nominated to serve as HUD's assistant secretary for congressional and governmental affairs. The post has been vacant since Peter Kovar left last spring.
Moritsugu has been the deputy assistant director for legislative affairs at the Bureau of Consumer Financial Protection. She also previously served as deputy legislative director for former Sen. Daniel Akaka (D-Hawaii).
Both women must be confirmed by the Senate.
Affordable Housing
The record investment will help finance 78 developments with nearly 4,000 affordable...
Government Entities
Public Housing
Urban Development
San Francisco-Oakland-Fremont,...
The average cost per unit of a new affordable housing development in California was...
Barack Obama
Maurice Jones
HUD plans to close 16 field offices as part of a restructuring move.
Department of Housing and...
Competition is being driven by new GSE programs, CRA needs, and ultra-low interest...
The $51.6 million fund will help preserve and green affordable housing in high-cost...
Affordable Housing Finance...
The deal with Mission First Housing Group will create or preserve 99 affordable housing...
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Jason Crest: Patricia's Dream (1968)
For my brother David, who sadly passed away peacefully yesterday, after a long illness, aged just 45 years young.
This album was one of my birthday presents for him just two weeks ago, and it was the last album he had on his CD player before he drifted away from us.
Beautiful track.
Rest in peace, mate, I will miss you always.
Jason Crest: Patricia's Dream (1968)
comicallyvintage: Web people - meet your Princess.
mothgirlwings:extranuance: Maid of Salem (1937) w/ Claudette Colbert
mothgirlwings: Animated Spiral by Mothgirl
mothgirlwings: Meet me at the corner shop, in your Time Machine.
mothgirlwings: Miss Myrna Loy Impersonates A Whirling Dervish
mothgirlwings: Please!
- Anonymous said:Thank you so much for sharing. I'm not anon for me, but anon for the sake of my best friend, who recently caught herpes. I've seen him go through a lot of emotions dealing with it, and I think it's so strong of you to share with others.
I'd really like to avoid the word… "caught", that word always makes it sound like it's a common cold or something. Maybe a similar but more...