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Saturday, August 2, 2014
CC on LARZ Pt 01: Juvenilia Mix
Posted by DougH at 9:48 AM No comments: Links to this post
Friday, July 25, 2014
F for CHAOS!
So much going on with Perform Chinatown 2014: CHAOS REIGNS! that I'll just use this one image to stand in for all the documentation that is to come - F will play live on the Mainstage at 8:30, and Chaos will never be the same again!
Posted by DougH at 9:27 PM No comments: Links to this post
Thursday, July 17, 2014
Virtual Solo Show of Flash Fudd Fashions
artfuck.com invited me to contribute tee-shirt designs to their rapidly expanding array of auteur couture. I obliged with blown up fragments from my collage comic sequence Flash Fudd, which I have been working on since I was 11 years old! Here are a few examples, but there's plenty more to see over at http://www.artfuck.com/doug-harvey. Cheap at half the price!
Posted by DougH at 6:00 PM No comments: Links to this post
Wednesday, July 16, 2014
Firesign Theatre's Phil Proctor & Archivist Taylor Jessen on LARZ!
Doug Harvey's Less Art Radio Zine is honored to host one of the last of the great radio artists, Phil Proctor of Firesign Theatre along with workaholic FT Archivist Taylor Jessen this Sunday July 20th at 12 Noon on www.kchungradio.org. The Firesign Theatre -- in the tradition of Stan Freberg, Max Ferguson, The Goons, Bob & Ray, and Henry Jacobs -- approached radio as an open playing field and a quintessential but (happily/criminally) unsupervised Modernist artform.
Simultaneously avant-garde and populist, collective and idiosyncratic, intricately crafted and improvisational -- The Firesign Theatre's work as radio innovators was overshadowed by their enormous success as Columbia Records' "Beatles of Comedy." Their 1971 LP I Think We're All Bozos On This Bus is the masterpiece of this period, and the subject of my newly-published chapbook from Insert Blanc Press, What's Happening in The Firesign Theatre's I Think We're All Bozos On This Bus as Best as I Can Make Out.
Posted by DougH at 11:19 PM No comments: Links to this post
Monday, July 14, 2014
Apparently Sisyphean Workout Pays Off!
Posted by DougH at 8:02 PM No comments: Links to this post
Saturday, July 12, 2014
White dust 'n' perished birds leaves its hex in the air?
Thanks to everyone who came out to the Insert Blanc Rabble celebration at Machine. My ritual slapstick sealing of the picture plane was preceded by various incantatory, satirical, and 'patacritical presentations by Alexandra Grant, Holly Myers, steve roden, and Tyler Stallings (with encouraging words from host Matthew Timmons). Special thanks to Daniel, Jenn, and Isabel, who sorted the inverted logistics and filled my pie-pans -- and to Jimmy Chertkow who did all that and took these photos. It was unexpectedly meaningful, as are the best things in life. Oh wait, that's "free." Oh well. Kudos to whoever inscribed that pie!
(PS: The performance consisted of me in a clown costume (Thanks Marnie!) backlit by blue video projection light, systematically pie-ing the front window of Machine Project from inside (audience on the street outside) until it was completely full, to the soundtrack of the climactic 6 minutes of the Firesign Theatre's I Think We're All Bozos on This Bus, which is the subject on my hot-off-the-presses Rabble pamphlet, entitled What's Happening in The Firesign Theatre's I Think We're All Bozos On This Bus as Best as I Can Make Out.)
Posted by DougH at 1:57 PM No comments: Links to this post
Thursday, July 10, 2014
Rabble-Rousing Launch for Firesign Bozos Pamphlet!
Image- outtake from FT Bozos album cover shoot by John Rose.
Rabble at MPPSfP
(Machine Project Project Space for Projects)
Thursday July 10, 2014 at 8 p.m.
Insert Blanc Press imprint Rabble
co-edited/curated by Holly Myers & Mathew Timmons
Join us for the grievously belated but no less ardent, eager, and enthusiastic launch of Rabble, an imprint of Insert Blanc Press dedicated to the publication of innovative critical writing in pamphlet form. We aim to celebrate the writers whose very fine work we've published in the last two years, herald those who are slated soon to appear, and generally extoll our ongoing mission of bringing the excitement back into criticism. Rabble is co-edited by Holly Myers and Mathew Timmons.
The evening will include readings, performances, and other occasions of rabble rousing by Myers, Timmons, Alexandra Grant, Doug Harvey, Steve Roden, and Tyler Stallings.
Part of a selection of events curated by Amy Garofano. Blurring the line between performance and exhibition, this series of events uses the Machine Project Project Space for Projects as a container for both actions and the effects of those actions. Each artist in this series will create an event that doubles as an opening. During the event the work will be in flux. The aftermath of the event will remain in the space to operate as a monument, remnant, diary entry, time capsule, or trace. In the days following the event, visitors can experience the aftermath from the storefront window as a kind of forensic tableau.
(Machine Project Project Space for Projects)
Thursday July 10, 2014 at 8 p.m.
Insert Blanc Press imprint Rabble
co-edited/curated by Holly Myers & Mathew Timmons
Join us for the grievously belated but no less ardent, eager, and enthusiastic launch of Rabble, an imprint of Insert Blanc Press dedicated to the publication of innovative critical writing in pamphlet form. We aim to celebrate the writers whose very fine work we've published in the last two years, herald those who are slated soon to appear, and generally extoll our ongoing mission of bringing the excitement back into criticism. Rabble is co-edited by Holly Myers and Mathew Timmons.
The evening will include readings, performances, and other occasions of rabble rousing by Myers, Timmons, Alexandra Grant, Doug Harvey, Steve Roden, and Tyler Stallings.
Part of a selection of events curated by Amy Garofano. Blurring the line between performance and exhibition, this series of events uses the Machine Project Project Space for Projects as a container for both actions and the effects of those actions. Each artist in this series will create an event that doubles as an opening. During the event the work will be in flux. The aftermath of the event will remain in the space to operate as a monument, remnant, diary entry, time capsule, or trace. In the days following the event, visitors can experience the aftermath from the storefront window as a kind of forensic tableau.
Find out more at:
Posted by DougH at 5:34 PM No comments: Links to this post
Monday, July 7, 2014
Gray Lake Scars Pie Whispers and Smiles
I have so much blogging to catch up on, and no time - several upcomings to plug too.... But first, I happened to see Michael Arata's monumental painting "Gray Lake Scars Pie Whispers and Smiles" installed in the West LA College gallery -- it had been shown down south somewheres, but he hadn't got a photo yet. It's 13 X 26 ft!
I was all like "You should leave it up and keep the gallery open so people can see it in the flesh" and he was all like "OK" and so we would like to announce Michael Arata's solo summer show "Gray Lake Scars Pie Whispers and Smiles" (also the name of the painting, detail above widescreen ATJ)
It will be on view Monday-Thursday 12-4 PM from June 30 to July 25 at West Los Angeles College Art Gallery, Fine Arts Complex, 9000 Overland Ave. Culver City, California 90230 Phone (310) 287-4200. Directions and parking: http://wlacgallery.org/directions-parking-contact/
Posted by DougH at 3:50 PM No comments: Links to this post
Thursday, July 3, 2014
ALHAMBRA on LARZ on KCHUNG
Due to the phenomenal number of inquiries regarding the mystery track we played during the recent Wounded Lion episode, we've asked two of the perpetrators of Special Girl - The ALHAMBRA Chinese-American Children's Choir's Jimmy Chertkow and Jaime Paul Lamb - to join us in the KCHUNG studios on Sunday July 6 at 12 Noon to share more material from their forthcoming debut, play some selections from their earlier solo and collaborative oeuvre, spin some fave platters, talk about their studio praxis, their microbrewery fantasies, and their most recent occult initiations.
Posted by DougH at 6:19 PM No comments: Links to this post
Sunday, June 29, 2014
Chloe-Pop in the LBC
Posted by DougH at 6:46 PM No comments: Links to this post
Friday, June 20, 2014
Brad and Raffi from Wounded Lion on LARZ!
Los Angeles painters Raffi Kalenderian - whose exquisite, highly personal figurative paintings are currently on view at Suzanne Vielmetter Projects - and Brad Eberhard, both members of the mighty WOUNDED LION collective, will be my guests on Less Art Radio Zine this Sunday, June 22nd at 12 Noon, KCHUNG radio 1680 AM or www.kchungradio.org
After the Jump are a couple of the articles I've written about WL:
Posted by DougH at 5:21 PM No comments: Links to this post
Thursday, June 12, 2014
Outsider DIY Cinema at its Most!
Celebrity can be problematic. In fact, celebrity is one of the most poisonous influences on individual and collective human psychology at work in contemporary society, undermining the concept of individual creative autonomy as it unilaterally erases millennia-old collectively authored cultural traditions in the blink of a botoxed eye. Scientists believe that global warming is directly linked to celebrity emissions. Fuck celebrity. I wasn't even going to participate in this "Celebrity" themed issue. But then I heard about Giuseppe.
Unexpectedly, it also unfolds as a moving meditation on creativity, community and the true purpose of art. And Giuseppe emerges as the improbable bastard grandchild of the most radical cinematic positions of the '60s. "All that means anything in any kind of art form," he proclaims early in the doc "is a vibe—if the vibe is important, if you're digging the vibe of the whole thing—by which I mean the idea… then that's all that matters. All that other little shit, it's absolutely worthless." Although he comes across as something of a gutter savant, Giuseppe's influences are film-school impeccable. Garbanzo Gas, for example, was inspired by a graphic slaughterhouse scene in Rainer Fassbinder's In a Year of 13 Moons—Giuseppe thought to himself, "If I just picked a random cow and I sent her on an adventure, what would that be? So I started writing this story about a cow that the slaughterhouse sends on an all-expense-paid vacation to a motel."...
Read the rest of Giuseppe's Factory online at http://artillerymag.com/giuseppes-factory/ or in the forthcoming "Celebrity" issue
Giuseppe Andrews' films, music, visual art and writings are available at www.giuseppeandrews.net
Giuseppe Makes a Movie
Directed by Adam Rifkin
U.S. Premiere: LA Film Festival
Saturday, June 14 at 10 p.m.
Regal Cinemas 10;
Tickets & for more info: LAFF
Posted by DougH at 11:53 AM No comments: Links to this post
Monday, June 9, 2014
Ott on LARZ as a Youtube video
So since the KCHUNG archive is continuing its torturous hejira to a new server, I figured I'd upload this corrected mp3 of the show in time to promote the premiere of Lake Los Angeles this Saturday at the Los Angeles Film Festival. (I know, I still have to get Elliott Hundley's show up somewhere, but it needs considerable editing to clarify Lindsey's triumph over Stevie).
I've never put up a video this long on youtube, but it seems to have gone alright. And I believe it demonstrates my mastery of the intricacies of that most intimidating of digital video editing platforms, iMovie. Check out those dropshadows, suckas!
Posted by DougH at 8:09 PM No comments: Links to this post
Saturday, June 7, 2014
This week's guest on Less Art Radio Zine on KCHUNG will be local independent cinema auteur and micro-label mogul Mike Ott, whose new film Lake Los Angeles has its US premiere at the Los Angeles Film Festival on Sat, Jun 14th (7:30pm at Regal Cinema, L.A. Live, Theater 10 if you must know but there's only rush seats left).
We'll be asking Mike why Zachariah only appears in a single bar scene in the new movie; why the whole damn thing's in Spanish, and why he didn't take my soundtrack suggestion of "Oh Mickey (Spanish Language Version)" for one of the pivotal scenes.
We'll also hopefully be listening to some of the music from his films -- much of which derives from his involvement in the independent music community, most significantly via his label Sound Virus, which issued sides from Liars, !!!, Hello Fever, and A Trillion Barnacle Lapse.
Who the hell are those people?! I don't know. Perhaps we'll find out. Tune into Doug Harvey's Less Art Radio Zine at 12 Noon on Sunday June 8th, 2014, and join me as I learn the answers to these and many other questions on Doug Harvey's Less Art Radio Zine. Doug Harvey's Less Art Radio Zine! Doug Harvey's Less Art Radio Zine! Doug Harvey's Less Art Radio Zine! Thank you.
Posted by DougH at 11:27 AM No comments: Links to this post
Friday, May 23, 2014
Must See Show in Irvine - One Week Only!
Daniel Hawkins and Jenn Berger are two of the most interesting artists among the current crop of LA grad students, and they are mounting their MFA thesis shows at UC Irvine (along with Jimena Sarno and Isabel Theselius, neither of whose work I know) this week, opening the afternoon of Saturday May 24th from 2 - 5 PM.
Daniel may be familiar as a recent addition to F, my noise band with Marnie Weber and Dani Tull, or from his Amplified Pepperoncini Jar performances from a couple of years ago, or his 2009 show at Las Cienegas Projects. These activities are just the tip of the Hawkins iceberg, though, which is chockfull of epic, ever-expanding Sisyphean Gesamtkunstwerks, including the production of a Val Kilmer mountain-climbing movie and the piecemeal construction of an actual-size replica of the Hoover Dam.
His thesis show, Desert Lighthouse Protocols, collects a portion of the documentation and preparatory works for the titular beacon for wanderers in the Mojave Desert, allegedly built, destroyed by vandals and currently under reconstruction.
The show features a spectacular large-scale panoramic landscape painting, the completed housing cap for the Fresnel lens, a patchwork actual-size drawing of the lighthouse, a sample stock certificate for potential investors, and an array of other elements and ephemera in a sort of virtual rendition or mock-up visitor's center for the actual land art intervention.
Hopefully a more centrally located gallerist will snap this show up and restage it, but in case they happen to be from central Manhattan or central Berlin, you should cross the Orange Curtain, just this once, and dig the construction.
Daniel introduced me to the work of fellow MFA candidate Jenn Berger, and if she followed my installation advice to the letter, her show should be just about as spectacular as Daniel's. Jenn's work also runs the gamut from painting and drawing to kinetic sculpture, video projections, photography, and various disciplinary hybrids.
Jenn's work pretty consistently explores dysfunctional -- or at very least decidedly non-vanilla -- family dynamics, as well as off-kilter examinations of the animal kingdom -- often in overlapping configurations as seen in this somewhat disturbing kangaroo love sketch.
This free-standing life-size digital photocollage places her still-living father in his coffin, more or less. And these giraffes appear to be in the midst of some kind of aesthetic vivisection. And don't get me started on her sister, niece, and Granny. Just haul ass and check it out "in the flesh".
UCI MFA Thesis Exhibition Part III
Daniel Hawkins (Font Gallery CAC)
Jimena Sarno (Back Gallery CAC)
Isabel Theselius (Room Gallery)
Jenn Berger (UAG Gallery)
May 22 - 30, 2014 | Reception 2 - 5 pm May 24 | Soft Opening 6 - 9 pm May 22
University Art Gallery | 712 Arts Plaza | Irvine, CA 92697-2775
For a map and directions: http://uag.arts.uci.edu/directions
Daniel Hawkins (Font Gallery CAC)
Jimena Sarno (Back Gallery CAC)
Isabel Theselius (Room Gallery)
Jenn Berger (UAG Gallery)
May 22 - 30, 2014 | Reception 2 - 5 pm May 24 | Soft Opening 6 - 9 pm May 22
University Art Gallery | 712 Arts Plaza | Irvine, CA 92697-2775
For a map and directions: http://uag.arts.uci.edu/directions
Posted by DougH at 1:48 PM No comments: Links to this post
Saturday, May 10, 2014
Elliott Hundley on LARZ Sunday at 12
Also, Elliott's current show of amazing new works - described by David Pagel in the LA Times as the most "muscular and skeletal ... since his first solo show in 2006" - are on view at Regen Projects through next Saturday (May 17th). I also advise you to check out his recent work from last year's show at Andrea Rosen Gallery.
"...In truth, Hundley had been searching for a method to dislodge his praxis from the tyranny of glue, and—inspired by both the poetically formalist land art of Andy Goldsworthy and Öyvind Fahlström's magnetic variable paintings—he hit on the humble solution of turning the picture plane into a pincushion. This single small shift had enormous repercussions within Hundley's craft, allowing him to isolate individual pictographic elements literally and allegorically and to deploy them across a newly liberated topological landscape in a manner that suggested a roiling surface frozen in one of an effectively infinite set of possible configurations.
In addition to these dimensional, compositional, and semiotic benefits, the pins incorporated a whole sphere of connotative content, with the domestic craft of sewing being the most immediately observable. From the outset, Hundley's collage works have openly embraced the disparaged amateur side of their heritage, most fundamentally in his constant integration of original photographs of emotionally significant personal friends (the artist has likened his work to "the back pages of a high school yearbook"), but most conspicuously in his abundant use of beads, sequins, shells, costume jewelry, ribbons, upholstery, dollhouse furnishings, plastic flowers, peacock and ostrich feathers, and sundry items of the type reclaimed as fine art materials by the feminist artists associated with the pattern and decoration movements of the 1970s. His use of straight pins as both basic structure and (in the case of colored-plastic-headed and other specialty pins) content aligns his collages with the body-centered art of sewing (as well as the world of haute couture fashion) in an emphatically process-oriented manner; sewing pins are explicitly temporary placeholders, meant to be removed as soon as the garment is complete.
Of almost equal and somewhat creepier import are the pins' connotations of entomological taxonomy: the passion of the insect collector, whose specimens, on retrieval from the killing jar, are mounted on specially coated beetle-juice-resistant display pins, usually with an accompanying didactic panel. This association summons a dark pop cultural archetype of erotic fetishism—à la John Knowles's 1963 novel The Collector (in which a butterfly collector wins the lottery and repurposes his hobbycraft towards an art student with whom he's smitten)—that adds considerable gravitas and humor to Hundley's inventory of partial friends. But it also speaks to the less caricatured fetishism inherent to amateur keepsake collage: the identification of even the smallest ephemeral object as identical with (or a vessel for) a fond or meaningful memory and therefore deserving and in need of preservation.
It is difficult not to imagine these connotations spilling over to encompass the eventual acquisition of Hundley's finished works by museums and private collectors—and the role of collecting in the history of art to which Hundley so often makes reference. The displays of natural history museums have been an important strain in recent art, from the Museum of Jurassic Technology (which includes several insect exhibits) to Damien Hirst, but Hundley's approach is more allusive, his categorical impulse filtered through a nonverbal, nonhierarchical syntax, more akin perhaps to Aby Warburg's Mnemosyne-Atlas (1924–29), or the Internet.
Social stitching and phallic piercing aside, Hundley's pinning bears several fruitful second-tier connotations, most notably as a form of mutated cartography, where coded pins are arranged to represent troop movements or consumer demographics, in constant flux, simultaneously a site for accounting and strategizing. This aerial topographic motif has emerged as a subtle but typically expansive formal device in Hundley's art, with undulating contours articulated through variations in the height of the pins and the placement of the collage elements along their length. The results have been uniformly organic: a wall-mounted relief map of a forested landscape or ocean floor, or a giant model of some parasitical worm bristling with setae..."by DH from "Cut Up or Shut Up: The Unspeakable Narratives of Elliott Hundley" in Elliott Hundley: The Bacchae , published by the Wexner Center for the Arts, The Ohio State University in 2012.
Posted by DougH at 4:16 PM No comments: Links to this post
Friday, May 9, 2014
Your Ad Here
I don't remember when I first ran across Ad Reinhardt's dazzling, sarcastic collage comics—probably in the '80s (around the same time I stumbled upon his brilliant "Art is Art. Everything else is everything else" screeds, but before I saw his equally but oppositely amazing non-monochromatic "black paintings" at MOCA in 1991). Reinhardt's cartoons are timeless classics, at least as far as art magazines go—perennially relevant probes into Modernism and its discontents, rendered in camera-ready graphic design gold—what's not to like? All art students and most art world denizens could learn a thing or three from ol' Ad.
Read the rest of Under the Radar: Looking at Ad Reinhardt in the May 2014 issue of Artillery Magazine, available in both physical and virtual reality.
Images ©2013 Estate of Ad Reinhardt/Artists Rights Society (ARS), New York; courtesy David Zwirner, New York/London.
Posted by DougH at 12:00 PM No comments: Links to this post
Tuesday, May 6, 2014
Colin Cook on Less Art Radio Zine limited time download!
Between the coupons and the car troubles, haven't had much bloggy time, but since the KCHUNG archive is taking its time slithering over to its new server, I've uploaded the most recent edition of Less Art Radio Zine, featuring the lovely and talented Colin Cook playing his video soundtracks and "musical" offerings from The Charles Ray Experience (including some unreleased material!) and The Legion of Rock Stars.
On the show Colin said something about getting free made-to-order LORS CDs? I don't see anything specific about that on their website or their Facebook page, but you can contact them there, and link through to some of their amazing online videos -- original music videos overdubbed with the Pure Pleasure Processed LORS versions of the songs. Screenings of these were the hit of my 'patacritical Interrogation Techniques Salons last year!
The Charles Ray Experience Anthology: Hooked on Dialectics is available for free download at archive.org, courtesy of Pleonasm Music. Here is the link to an unedited mp3 of Colin and Bill on LARZ on KCHUNG -- available for a limited time: the link.
Posted by DougH at 5:07 PM No comments: Links to this post
Friday, April 25, 2014
Colin Cook on LARZ this Sunday
But which is which? The abutment of these discrete modes in this once-removed theatrical space encourages literary, symbolic speculation. There is obviously a fundamental dualism at play in these mutually interpenetrating but non-porous illusionistic realms. But what other dualisms -- among the myriad defining the phenomenal world -- are implied? There's certainly class and gender polarities embedded here, but many of the subtleties of the work depend on the ambiguity of the two drawing styles' respective validity in the art world.
Ironically, on it's own, Shambaugh's incorrectness commands more currency in contemporary art terms – with recent contextual conceits like "Bad Painting", deskilling, and the continued blurring of high art with the traditions of illustration and comics. In contrast, the accomplished rendering that goes into Cook's portions of the pictures has been relatively unsupported since the advent of Abstract Expressionism, having to provide its own quotation marks if it wants to become part of the discussion. Thus the areas realized with elevated criteria-laden skills – the landscapes against which men pose, the female participants (almost exclusively) in the sexual pairings, and the beleaguered face of Cook – depend on their symbiotic contact with wrongness to be right.
While these are rewarding areas for narrative conjecture, the most significant impact of the collaborative model has been on the parameters of self-conscious isolation portrayed in Cook's art, where discrepancies in political nuance are trumped by an emphatic egalitarianism. The seemingly insurmountable chasm between self and other (which in his solo work is played out as a one-sided -- therefore arguably hierarchical -- communication from a tower of creative solipsism) is translated into a diagram of equilibrium, a yin-yang of intricately frustrated miscegenation..."
Read the rest of When Worlds Collude: Colin Cook's Irreconcilable Differences here.
See more of Colin's collaborative drawings with Bill Shambaugh here.
And tune in to KCHUNG Sunday April 27 at 12 Noon to hear Colin live on Doug Harvey's Less Art Radio Zine, listening to their grad school collaboration with Hector Romero "The Charles Ray Experience," Colin's postgrad antics with 'patacritical oldies cover band The Legion of Rock Stars, soundtracks to some of Colin's amazing videos, and much more!
PS, I got the "COOK" logo from the label of one of COOK Laboratories records, which seems curiously appropriate to the collaborativity discussed above, and beyond. Dig it:
Posted by DougH at 12:24 PM No comments: Links to this post
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Community Relations Specialist Jobs in Arizona
2 Arizona Community Relations Specialist jobs found on Monster.Jobs 1 to 2 of 2
DescriptionIN AN EFFORT TO PROVIDE A MORE HEALTHY, SAFE AND SATISFYING ENVIRONMENT TO OUR EMPLOYEES, INDIVIDUALS TO WHOM JOB OFFERS ARE EXTENDED MAY UNDERGO NICOTINE TESTING AS A PART OF THE PRE-EMPLOYMENT PROCESS. The Community Events/Marketing Specialist plans and executes the company's community engagement events, hospital service line seminars, health screenings, and outreach activities for Ab...
GENERAL DUTIES: The NextGen Clinical Systems Specialist and Trainer (NST) participates in the planning, development, training, implementation, evaluation, and maintenance of the electronic medical record (EMR) in the practice locations. The NST is responsible for clinical workflow design and facilitating communication between the clinical end users - physicians, nursing staff, physician assistants...
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Community Relations Specialist
$20,800.00 - $90,000.00
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Community Relations Specialist
Maintains and advances community relations by anticipating and resolving community issues; promoting and enhancing the reputation and services of the medical center.
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Maintains quality results by establishing, following, and enforcing standards.
Resolves community issues by collecting relevant information; identifying short-term and long-range issues; identifying and evaluating options; recommending courses of action; making recommendations to the community relations director.
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Healthcare Jobs
With billions of stimulus dollars slated to be invested in healthcare, demand for healthcare specialists should heat up. Learn about the opportunities.
The Jobs Behind the Big (Football) Game
Even though you're no professional football player, you can still be part of the action come game day. Check out this list of jobs that make each game possible.
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Jobs in marketing are wide-ranging, encompassing all forms of media and a variety of disciplines and specialties. Explore marketing careers now.
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Plenty of jobs are available for career police officers who want to use crime-fighting skills to advance to the next level.
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Moving for your partner's job shouldn't mean putting your career second. Try these five tips for smart searching in a new place.

subset: commoncrawl


text:
Stephen H. Wakeman: American Literature Enthusiast - Stephen H. Wakeman "If you can get that," said Mr. Wakeman, "all right. But remember that the collection is to be offered to no one but Mr. Morgan. . . ...
1 week ago
I remember how silent the local newspaper room went, when they switched from typewriters (electric) to their first computers. There is something to be said about the click-clack of typewriters in action. Sometimes I think that each keystroke sends a signal that keeps the writer alert, where silent computer keyboards lull one into a state of unconsciousness.
Enjoyed the post (as always). I miss my typewriter (an old cast iron Underwood manual which I put out the in trash in the early 1990's).
Great observation on the typewriters! Got me to thinking... Yep, there's software for it: http://www.colorpilot.com/home-typist.htmlReplyDelete


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"FWIW, re: your wikipedia link-- I'm not a follower of queercore music, but am familiar with a few names mentioned in this article, e.g. I've seen a couple of films by Bruce LaBruce, including "No Skin Off My Ass" and…"
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text:
this hotel it very clean and good price ,this hotel very near old market and it it best .i stay one week , it is chip anther hotel . i like this hotel .next year when i go to siem reap again , i book this hotel too.
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text:
1st Grader Delivers King's "Dream" Speech | News
A Macon 1st grader channeled his inner Dr. Martin Luther King Monday at an MLK Day service at Steward Chapel AME Church.
Ashton Young, a student at M.A. Evans School recited the whole speech from memory and got the crowd roaring.
You can watch the young orator's whole speech above.
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text:
Tag Archives: Soccer
A delicious dish.
A funky adventure.
From way downtown.
Chelsea Scored a Goal Bound to Make You Weep Uncontrollably and Wonder How Something Could be So Beautiful
Pretty things.
Anything to get ahead.
That's a solid celebration.
Some legit laughs.
Weird scene, man.
It covers the Premier League, the sexiest of leagues.
Fernando. That's fun to say.
He's like a normal person.
From way downtown.
He can't fight this feeling.
Someone Erased All The Brazil Players Out Of The Brazil V. Germany World Cup Match…And The Game Plays The Same
Just adding some insult to injury over here.
This will get your attention.
Ouch, babe.
If You Think Flopping In Soccer Is Ridiculous, Wait Until You Watch This Video Of What It'd Look Like In Real Life
Lookin' stupid in public > lookin' stupid in soccer.
Look at these, Pawwwwwwwwwl!
Here we go again!
Nothing escapes 'Game of Thrones'-ification.
Cross-sport integration.
Seriously, he needs to be in the next "Avengers" movie.
As yearbook quotes go, this one is prettay, prettay good.
They could settle their differences through sport.
Can we skip to July 14th already please?
Gyros for everyone
Spoiler alert: everyone's shithoused.
Dude needs to go back to Pre-K and learn a thing or two.
Maybe we're taking this a little TOO far.
"Hangin' and bangin'" that's how Hulk Hogan rolls.
I'm starting to think he doesn't like soccer.
Hot new look.
The agony of de--... the agony of tying.


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Deep In a Shallow World
Which is sort of a problem. Newly re-single, older by decades than the last time I swam in the dating pool, I now live in Las Vegas, where the length of a relationship iThes generally measured in hours. A long-term gal in a short-term world. So, how does one find deep in the shallow end?
Certainly not in the local watering holes. A few glasses of wine and all the men seem to look better. While it might be fun, the last thing I need right now is to kiss another toad expecting him to turn into a prince. Been there, done that, bought the tee shirt.
And, to be honest, my luck sorta runs the other way -- I find an apparent prince paddling around the dating pool only to discover he's, well, really comfortable in the shallow end.
They say a fool is someone who keeps doing the same thing expecting a different result. Yup, I'm a dating fool.
Something needed to change. I needed to change. A daunting task considering I've been me for a very long time. But, you see, that's where I was wrong -- sort of. Let me explain.
I'm a fairly logical thinker, so my first step on the path through this morass of human interaction was a drink with a local shrink. He explained to me that most of us treat dating as a game. Perhaps unwittingly, but we all do it. When confronted with a new relationship, we all try to put on our best faces. We trot out our best manners, we accommodate, we facilitate, we supplicate to the detriment of what we want and feel, of who we really are.
As a result, the first part of a relationship is like a Cary Grant movie -- a handsome man with a great . . . laugh track . . . and free-flowing Champagne. But, eventually the movie ends and you're left with a scruffy Cary Grant with morning breath, scratching places even baseball players don't touch, no clever dialogue, no real mutuality of interests or values, and a pounding Champagne hangover -- okay, I could still handle Cary Grant like that -- for a little while. Bad analogy, but you get my drift.
Reality rears its ugly head. You're in bed with a stranger. And it isn't him. Okay, maybe it is him, but it's also you.
Oh, the games people play -- with each other, yes, but mostly with our selves. We pretend in order to perpetuate the fantasy. This is called the masking effect -- and apparently it can last for the first eighteen months or so.
That got me thinking. Did I do that? I certainly didn't intend to present a different me than the me I wanted to be. But, come to think of it . . . Heck, I was raised in the South -- I might as well have "co-dependent" tattooed on my butt. Pleasing others, elevating the needs of others, putting myself waaay down the list, is part of my genetic coding.
So, if I'm hiding me, how can I dare hope for the kind of relationship I dream of -- one of mutual respect? Yes, yes, along with all the other stuff.
I needed to get real. The world isn't a Cary Grant movie and I better quit scripting the parts -- especially my own. No more pretending to be a pretty pin-up content to play second fiddle. No more going along in order to keep the peace. No more putting up and shutting up. No more hiding the fact that I have a brain stuck in overdrive -- an insatiable curiosity. My career and my dreams are as important as anybody else's. In short, I turned me free. Heck, if I couldn't like myself, my real self, who else would?
Unmuzzled and unshackled, I began living the life I imagined.
I also quit worrying about the whole dating thing and began to enjoy my own company. I hadn't spent quality alone-time with me in, well, in forever. And, while I can be a pain in the ass, I'm not all that bad.
Several months into my relationship with me, I had taken myself to the gym, as usual. This particular day, the gym was quiet. Pounding out miles on the treadmill, I was alone except for two guys on ellipticals behind me. They chatted about work, and I couldn't help but eavesdrop -- stories are my life's work. Call it professional interest. Right.
Apparently one of the guys taught at the local college and he was waxing poetic about a website called Rate Your Professor. Much to his delight, some of his students had not only given him high marks, but had also awarded him chili peppers -- evidence of his "hotness".
As I stepped off the treadmill, he said to his friend, "Can you believe it? They think I'm hot."
Call it oxygen deprivation, or an inability to resist swinging at a hanging curveball, but I stopped, looked him up and down, and said, "They're not the only ones."
He turned bright red. I wanted to crawl in a hole. I figured he'd turn and run the next time he saw me. I was wrong.
We're engaged. We've made it through more than eighteen months and we still laugh, love books and movies, travel, and sharing life. And he's still hot.
So, find yourself, like yourself. The right guy will show up and like you, too -- the real you.
© 2011 Deborah Coonts, author of Lucky Stiff


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Scented summer evenings
We've been enjoying the very last of the summer evenings here at English Towers, knowing that it's the final summer we'll spend in this house before moving on to our new house (which requires total refurbishment – eek!). One of the things I'm really looking forward to in our new house, though, is using the lovely wood burner which is there. I'm picturing a fireplace dotted with scented candles, filling the house with gorgeous scents.


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Keep up to date with Peterson Institute publications, events, and interviews via email, podcast, or RSS. More information on subscription options.
Use filters to narrow your search through our publications and events.
William R. Cline argues that, contrary to the demands by some that Greece radically restructure its debts, the country can take other steps to reach fiscal sustainability.
Policy Brief 11-15: Sustainability of Greek Public Debt [pdf] October 2011
Game Change for France? August 26, 2014
Record Fine for France's Biggest Bank July 2, 2014
Ukraine-EU Economic Accord Marks a Turning Point June 27, 2014
Book Launch: Inside the Euro Crisis June 11, 2014
The ECB Acts, but More Action Is Needed June 6, 2014
The ECB Acts to Counter Deflation Threat June 5, 2014
Annals of Economic Nationalism: Part I May 1, 2014
French Cabinet Shakeup: Old Wine in New Bottles? April 2, 2014
A Small Step Toward European Banking Union Regulation March 20, 2014
Can Hollande Take On France's "National Champions"? February 20, 2014


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A support matrix is described where a porous inorganic support is impregnated with an amine-bearing polymer whose backbone is polar and hydrophilic. The amino groups are cross-linked and themselves bear pendant aldehyde groups kept well away from the surface of the polymer-coated support.
1. A support matrix comprising a porous inorganic support selected from the group consisting of alumina, silica, thoria, magnesia, porous glass, ceramics, and combinations thereof, impregnated with an epiamine cross-linked with an excess of a dialdehyde selected from the group of dialdehydes with the formula OHC(CH2)p CHO, where p is an integer from 2 to about 10, and "phthalaldehyde, wherein the epiamine is the reaction product of poly(epichlorohydrin) with an alkylenediamine containing from 2 to about 10 carbon atoms."
2. The support matrix of claim 1 where the support is alumina.
3. The support matrix of claim 1 wherein the alkylenediamine is ethylenediamine, 1,2-diaminopropane, or 1,3-diaminopropane.
4. The support matrix of claim 1 where the epiamine is the reaction product of poly(epichlorohydrin) with a polyamine selected from the group consisting of diethylenetriamine, triethylenetetramine, tetraethylenepentamine, and pentaethylenehexamine.
5. The support matrix of claim 1 where the dialdehyde is glutaraldehyde.
6. A method of making a support matrix comprising impregnating a porous inorganic support selected from the group consisting of alumina, silica, thoria, magnesia, porous glass, ceramics and combinations thereof with an epiamine, "wherein the epiamine is the reaction product of poly(epichlorohydrin) with an alkylenediamine containing from 2 to about 10 carbon atoms," removing excess epiamine, contacting the impregnated support with an excess of a dialdehyde selected from the group consisting of dialdehydes with a formula OHC(CH2)p CHO, where p is an integer from 2 to about 10, and phthalaldehydes, removing unreacted dialdehyde, and recovering the resulting support matrix.
7. The method of claim 6 where the support is alumina.
8. The method of claim 5 where the alkylenediamine is ethylenediamine, 1,2-diaminopropane, or 1,3-diaminopropane.
9. The method of claim 6 where the epiamine is the reaction product of poly(epichlorohydrin) with a polyamine selected from the group consisting of diethylenetriamine, triethylenetetramine, tetraethylenepentamine, and pentaethylenehexamine.
10. The method of claim 6 where the dialdehyde is glutaraldehyde.
11. An immobilized enzyme system comprising the support matrix of claim 1 having an enzyme covalently bonded thereto.
12. The immobilized enzyme system of claim 11 where the enzyme selected from the group consisting of glucose isomerase, glucoamylase, cholesteroloxidase, alcohol dehydrogenase, amino acid oxidase, arginase, asparaginase, catalase, chymotrypsin, cellulase, collagenase, deoxyribonuclease, ficin, histidase, lactase, peroxidase, lysozyme, the amylases, papain, rennin, ribonuclease and urease.
Because enzymes can catalyze chemical transformations so effectively, there is increasing emphasis on the use of enzyme reactions in commercial processes. The relatively high cost of enzymes demands their reuse. Typically, if the reaction is performed under homgeneous conditions recovery of enzyme is difficult and expensive, which effectively precludes homogeneous enzymatic catalysis. The solution to this problem is to insolubilize enzyme under conditions where a substantial portion of the enzymatic activity exhibited in solution remains under heterogenous reaction conditions.
One particular solution to the aforementioned problem is the construction of immobilized enzyme systems. An immobilized enzyme system consists of a support matrix to which there is bound an enzyme. A support matrix is a structure characterized as having good physical integrity and favorable properties toward liquid flow under conditions experienced in fixed bed reactors, and further characterized by having the ability to bind or immobilize enzymes with minimum perturbation of enzymatic action. By an immobilized enzyme system is meant the structure which results from immobilization of an enzyme on a support matrix.
The binding or immobilization of enzymes to a support matrix is represented by the extremes of physical and chemical binding forces. It is to be recognized that in most cases enzyme immobilization arises from a combination of such binding forces, although often one such force predominates, with the nature of enzyme immobilization generally being determined by the nature of the support matrix. As an example, when the support matrix is a resin, such as one of the phenol-formaldehyde type, binding is predominantly through physical forces. A similar result is obtained when the support matrix is of an ion exchange type. Where the support matrix is comprised of refractory inorganic material, such as inorganic oxides, glass, and ceramics, bearing or impregnated with organic material, for example, polyamines, either bearing pendant functional groups themselves or cross-linked with a bifunctional reagent which provides pendant functional groups, enzyme immobilization arises mainly by chemical reaction of a site on the enzyne with the pendant functional group so as to form a covalent bond. In such an instance binding is, at least predominantly, by chemical means.
The support matrix of U.S. Pat. No. 4,141,857, which enjoys wide commercial utility, is an inorganic porous support impregnated with a polyamine cross-linked with an excess of a bifunctional reagent so as to afford pendant functional groups. In such a support matrix the amino groups are in the backbone of the polyamine, that is, where polymeric amines are used the amino groups are part of the polymer chain.
In contrast, the patentees of U.S. Pat. Nos. 4,193,910, 4,206,259, 4,218,363, and 4,250,080 describe a support matrix where the amino groups of the polyamine are pendant to a polyethylene polymer backbone which is completely nonpolar and highly hydrophobic.
In some applications it is desirable to have a support matrix where the amino groups are pendant to a polymer backbone which is hydrophilic, but which otherwise retains the features and advantages of the previously described support matrices. The support matrix of this invention provides the attributes of a polar, hydrophilic polymer bearing pendant amino groups, which is a combination unknown in the prior art.
The invention described herein relates to support matrices, and immobilized enzyme system therefrom, comprising an inorganic porous support impregnated with a polymer having a hydrophilic backbone and bearing pendant polyamines which are cross-linked with dialdehydes, and whose amino groups bear pendant aldehyde groups. One advantage of the instant invention arises because the polar and hydrophilic polymer presents a different, generally more natural environment to a subsequently bound enzyme than is the case where the polymer is nonpolar and hydrophobic. Another advantage of the invention described accrues from the pendancy of the polyamines which themselves bear pendant aldehyde groups ultimately engaged in covalent bonding to enzymes, resulting in the enzyme being further away from the surface of the support matrix than is the case in prior art materials and thereby presenting an environment more closely analogous to that of soluble enzymes than was previously possible.
The invention described herein is a support matrix comprising a porous, inorganic support impregnated with an epiamine cross-linked with an excess of a dialdehyde so as to furnish pendant aldehyde groups.
The porous inorganic supports which may be utilized in the practice of this invention include refractory inorganic oxides such as alumina, silica, thoria, magnesia and combinations thereof. Other materials which can be used include ceramics and porous glass. Alumina is a preferred support and gamma-alumina is a particularly preferred support.
The porous inorganic support is impregnated with an epiamine. An epiamine is the reaction product of an epihalohydrin homopolymer, or a copolymer of epihalohydrin and epoxyalkane monomers, of molecular weight between about 1,000 and 100,000 with an amine. Among the suitable amines are alkylenediamines containing from 2 to about 10 carbon atoms, although alkylene groups containing 2 or 3 carbon atoms are preferred. Linear alkylene groups are more commonly employed than are branched alkylene groups, but the latter may be used, although not necessarily with equivalent results in all cases. Examples of linear alkylene groups include ethylene, propylene, butylene, amylene, hexylene, heptylene, octylene, nonylene, and decylene. Examples of branched alkylene groups include isopropylene, sec-butylene, isobutylene, sec-amylene, isoamylene, and so forth. Ethylenediamine, 1,2- and 1,3-diaminopropane are diamines of choice. Amines such as a lower molecular weight poly(ethyleneamine) also may be successfully used in this branch of the invention, and include materials such as diethylenetriamine, triethylenetetramine, tetraethylenepentamine and pentaethylenehexamine.
The epiamines of this invention are the reaction product of about 1 molar proportion of amine or polyamine per one equivalent poly(epichlorohydrin), an equivalent of poly(epichlorohydrin) being defined as an amount containing 1 gram atomic weight of chlorine.
Impregnation of the porous inorganic support with epiamine usually occurs by contacting the support with an aqueous solution of the epiamine. In one variant the epiamine is cross-linked prior to impregnation in order to increase its molecular weight. The cross-linking agents which may be used have the general formula X(CH2)n X, where n is an integer from 2 to about 8, and X may be a halogen, isocyanate group or COY group, where Y is a halogen. Thus, the cross-linking agents include alpha, omega dihalides, diisocyanates and acid halides from dicarboxylic acids.
Illustrative examples of cross-linking agents include 1,2-dichloroethane, 1,3-dibromopropane, 1,4-diiodobutane, succinoyl chloride, glutaroyl bromide, adipoyl fluoride, pimeloyl chloride, suberoyl fluoride, azaleoyl bromide, sebacoyl chloride, 1,5-dicarbonylaminopentane, 1,6-dicarbonylaminohexane, 1,7-dicarbonylaminoheptane, and 1,8-dicarbonylaminooctane.
Another class of cross-linking agents which may be utilized have the formula, ##STR1## where X may be defined as in the prior paragraph.
Generally the porous support and solution of epiamine are contacted with mixing for a time sufficient to ensure impregnation, which is between about 0.5 to about 3 hours. Excess polyamine is then removed as by decantation or filtration, and the polyamine-impregnated porous support is then advantageously dried prior to further treatment, although drying is not absolutely necessary.
Next, the epiamine impregnated support is treated with an excess of a dialdehyde sufficient to furnish pendant aldehyde groups as well as to cross-link the epiamine. The dialdehydes used in this invention have the formula OHC(CH2)p CHO, where p is an integer from about 2 to about 10. Aromatic dialdehydes, especially phthalaldehydes, also may be advantageously used with glutaraldehyde being a preferred aldehyde. Illustrative examples of suitable aldehydes include succinaldehyde, glutaraldehyde, adipaldehyde, pimelaldehyde, suberaldehyde, azelealdehyde, and sebacaldehyde.
An excess of dialdehyde is used, which means that at least 3 moles of dialdehyde per mole of amino group of epiamine is furnished. The dialdehyde will be furnished in an aqueous solution where possible, although alcoholic solutions also may be used, although not necessarily with equivalent results. Contacting generally occurs with intermittent mixing for a time between about 0.5 and about 5 hours, after which unreacted aldehyde is removed as by decantation. The support matrix is then washed well with copious quantities of water until the washings give a negative Fuchsin aldehyde test. The resulting support matrix is then dried, usually in air, and is in a state for binding of enzymes.
Immobilized enzyme systems may be prepared from the support matrix described above merely by contacting a solution of the enzyme with a support matrix at an appropriate pH. It is to be recognized that the pH used will depend upon the tolerance of the enzyme to various conditions of acidity or alkalinity, and is not necessarily related to the ease of reaction of an enzyme amino group with an aldehyde group from the support matrix. Contacting generally occurs at or below room temperature, although with some stable enzymes immobilization at temperatures up to about 70� C. may be performed. Among the enzymes which may be immobilized in this way, which list is to be considered as illustrative rather than exhaustive, are included glucose isomerase, glucoamylase, cholesteroloxidase, alcohol dehydrogenase, amino acid oxidase, arginase, asparaginase, catalase, chymotrypsin, cellulase, collagenase, deoxyribonuclease, ficin, histidase, lactase, peroxidase, lysozyme, the amylases, papain, rennin, ribonuclease and urease.
The example given below merely illustrates this invention and is not intended to limit it in any way.
A polyamine-impregnated gamma alumina was prepared by mixing 6 ml of a 2 percent aqueous solution of epiamine per gram of support for 1 hour. The epiamine was prepared by heating ethylenediamine to 100�-110� C. and adding to it slowly with stirring an epichlorohydrin homopolymer, of about 2500 average molecular weight, at a ratio of 1 mole equivalent chloromethyl group per 6 moles of ethylenediamine. Heating and stirring were continued for 3 hours. The reaction mixture was then cooled and the HCl formed was neutralized with a 20% aqueous NaOH solution. The precipitated NaCl was removed by filtration and the excess ethylenediamine was removed by vacuum distillation. The resulting viscous product was diluted with water just prior to impregnation of the catalyst support.
Excess aqueous solution was removed by filtration and the solid was air dried. The epiamine-impregnated alumina was then contacted with intermittent mixing with a 1 percent aqueous solution of glutaraldehyde (10 ml/g support) with degassing for about 1 hour. Excess solution was removed by decantation, and the resulting solid was throughly washed with water until a negative Fuchsin aldehyde test was obtained. This completed the preparation of the support matrix, which can be dried and stored until use is desired.
A solution of glucose isomerase containing 398 units of enzyme per ml of solution was contacted with the support matrix prepared above, in an amount of 12 ml solution per gram support matrix, at 4� C. for about 16 hours. Residual enzyme solution was removed by decantation and the immobilized enzyme system was washed well with deionized water, then loaded into a reactor.
A feedstock of 45 percent by weight Cerelose (a purified glucose) containing 1,000 ppm Na2 SO3, 5 millimoles per liter MgSO4, and 7 ppm sodium omadine at a pH 8.0-8.1 was used at 60� C. and the reactor was operated at a liquid hourly space velocity to ensure 42�1 percent conversion to fructose. An immobilized glucose isomerase system so prepared had an initial activity of 710 units per gram with a half-life of about 59 days.
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"I was 8 years old when he died"
I was 8 years old when he died, and I remember quite a bit about the Kennedy Assassination, but the detail of this book is amazing. The research, and detail is amazing. As is the case on the O'Reilly Factor, O'Reilly's narration is very good. This is a MUST LISTEN Book for anyone who is intrigued by the history of that time. Even though Mr. O'Reilly doesn't go into the countless theories of "who really did it", he does introduce in great detail JFK's enemies, and there is quite an extensive list. The assassination is based on the traditional Warren theory, but it is pointed out after the theory is given that there are countless other theories not brought up in this book.
Jackie Kennedy for the bravery and tenacity that I never knew about her until now during those last hours with her husband.
This fits in extremely well with his book "Killing Lincoln" because of the many similarities to Lincoln, and Kennedy that Mr. O'Reilly points out. I sincerely hope that he continues these excellent Historical Books as especially now at a time when history books are going through so much of a change in the United States. His no spin style of reporting history is very refreshing.
The aftermath of the assassination, and the bravery that Jackie showed, and her love and concern for her husband.
"Killing Lincoln" should be read first, then "Killing Kennedy". This was stated by the author, and I agree. But "Killing Kennedy" is more than a sequel. In reality, it could stand alone on it's merits. But a true fan of JFK will naturally be interested in Lincoln, and therefore will want to read both books anyway. EVERY HISTORIAN should read BOTH books.
Don't think it hasn't been an little slice of heaven, 'cuz it hasn't.- Bugs Bunny
"Honest, Respectful, Riveting"
The story is based on real history, of course, so I would listen again to hear about some of the characters I didn't know about. I have even done some research on some of them. For those of us who weren't born yet or into politics when this was happening, the authors really make it all accessible and very interesting. Bill O'Reilly was a history teacher, and it shows.
Well, sadly, we all know the ending. What I liked best was the exploration of the main characters, Jack and Jackie, and how they showed the reader their complexities as well as the good parts of their personalities. They didn't write another hagiographic, glossed over version of the Kennedy administration. Fascinating details about "Camelot" are revealed.
The book doesn't vilify the Kennedys. It is a sober look at what really happened, from the fantastic to the mundane. It is all there.
They wrote about what was happening in the last three years of both JFK and his assassin. It is obvious that they had copious primary references, and instead of spitting out what they found, they turned it into a thriller. It was delivered in a fast paced, exciting style, yet they maintained respect for the subjects of the story.
He was fantastic. He was a history teacher and you can tell by his performance that he truly loves history.
I couldn't put it down. And I knew the ending!
For those of you who don't like Bill O'Reilly because he is an Independent with conservative leanings, get over it and get this book. You will love it and you will learn more than you expect to.
"Bill does it again!!"
In the book we as the readers/listeners really get a chance to relive not only the moments of JFK'S death and immediately after, but we also have the opportunity to experience his entire presidency.
For me the most memorable moment of the book was right after the president was shot. I felt as if I was with Jackie. Being able to feel her pain and the terror that was in her. I have to say it brought on more emotions then any other book I have read.
Bill being Bill.
I am a lover of history. I hope that millions will read/listen to this book and allow themselves to become part of the story. The way Bill writes can allow normal people to truly understand the magnitude of who JFK was and what his death means to us all even in 2012.
"The back of his head was blown off. Please explain"
No, their right wing agenda blind them to the truth..
No just Bill O'Reilly's
Ignored the fact that the back of Kennedy's head was blown off. Not even a mention of the possibility of anyone except Oswald.
I had hoped for an even handed evaluation of the material, thus disappointment.
"Some people say" Bill O'Reilly is in the pocket of the Industrial Military Complex, the people who nearly bankrupted USA with their Wars & Policy's, & it started with the murder of Kennedy.
Wazoo Books
"Kennedy secrets and the death of JFK~ 5 STARS~"
This starts with some review of Kennedy in the Pacific. and moves to the Kennedy Legacy including the shady Joseph Kennedy and his legacy to his sons. They HAD to suceed. John Kennedy is a handsome well educated man with an drive for SEX and politics in that order. His claim he gets "headaches" if he does not have SEX every day is pretty much repeated throughout the audio. The Private life of Kennedy and Jackie is told in very good detail including the affairs and down and uptimes in the White House. It covers the Bay of Pigs and the Cuban Missle Crisis. What makes this different and gives US the BEST look at the shooter~~~ Lee Harvey Oswald. His life including time in Russia and communist leanings. As the enchanted look into absolute power of Kennedy and he shining appearance of President who at best was very ill and hid it. The secret service has the excuse covering up in every way for Kennedy is in this book is mostly financial. This moves along very fast because Bill OReilly is a fast talker and reader. This book never drags at all. The details are clear and lead to the final fate of the death of Kennedy and the events leading up and beyond that day in Dallas. I GIVE THIS 5 STAR FOR STORY ~ READER AND OVER ALL excellent details of new info on Oswald we have no read or heard of before. VERY good audiobook.
"The Strangest Book I've ever heard"
People who like a commentary delivered in abrasive strident tones interspersed with tones of amazement for no reason discernible in the text.
Not the genre (contemporary American history) but certainly the author, who was also the narrator. He reminded me of someone in the early 1940s newsreels trying desperately to inject every situation with heightened meaning. He had a curious rapidity to his delivery which he interrupted at various parts of a paragraph to lay the emphasis on a couple of words by stretching them out, not necessarily because they were important but because his cadence involved this curious emphasis. Just reading the script would have sufficed (and enhanced) a very interesting history. I have recently listened to The Brilliant Disaster: JFK, Castro, and America's Doomed Invasion of Cuba by Jim Rasenberger and One Minute to Midnight: Kennedy, Khrushchev, and Castro on the Brink of Nuclear War by Michael Dobbs. Both were read by Bob Walter, who did an excellent job. This book was a crude sensationalist history in comparison with those well researched books.
Not unless there was a big cash prize and I was certain to win if I did!
Disappointment. But also bewilderment: why would someone writing a history of JFK's assassination choose to do it like this???? It is an exciting story. It doesn't need a lot of bantering hectoring tones interspersed with unnecessary theatrical hyperbole.
Listen carefully to the sample and if you have the slightest doubt about the delivery DON'T BUY IT. You will never get used to the voice and, if anything, it will become more and more grating as the book proceeds. I was gobsmacked at how crass this history proved to be.
"A Very Good Account of Kennedy's Final Months"
Much like Killing Lincoln, I found about half of Killing Kennedy to be a story that has been told and retold over the years. That's not bad, meaning roughly half of the book was new and fresh to me.
The research and story behind the personal lives of Jackie and Kennedy was the real Home Run for this book. While I have read or listened to many accounts of the affairs and how it impacted the couple's relationship, this book goes into fascinating detail as to the frequency and scope of Kennedy's infidelity and how it impacted EVERYONE, from the couple themselves to Bobby, to Hoover, to the Secret Service and so on.
The only disappointment for me was the lack of conspiracy examination. I realize that Lincoln's assassination was a clear conspiracy and Kennedy's assassination was and always will be an unknown; however, conspiracy is hardly addressed in this book. My only guess is that the authors simply didn't discover anything new and/or didn't really have a new or interesting opinion on the conspiracy angle so they simply didn't go into it. I would have preferred; however, that they at least address the different theories and acknowledged there is nothing more to say on the matter/s. It's not that O'Reilly doesn't believe in conspiracy, as I have heard him acknowledge that he is simply not convinced of either the lone gunman or the conspiracy theories.
O'Reilly does a very good job as narrator, as he did in Killing Lincoln - quite a rare achievement for an author to also be a good narrator. His years in show business as a newsman clearly benefiting us all in that area.
Overall I still HIGHLY recommend this book, I just didn't like it quite as much as I did Killing Lincoln.
"A rehas of the facts about the Kennedys."
At times O'Reilly comes up with a few interesting facts I had not heard before.
Anyone who sounded more interested.
Not a chance. Like many movies the most interesting thing about this was the title.
At times O'Reilly sounded just plain bored with his own book.
"Ho Hum"
Not! Learned some new facts, regarding Oswald, little new about JFK. Heard a different perspective, not pleased with narrators delivery
Don't believe I'll waste the time
Not impressed with delivery at all, less than pleasing tone and cadence
No, Lack of evidence to support differing theories negate the need
"Not historical"
I was under the impression that this was history and not o'Reilly's biased and incomplete version of the past.
Too much focus on Kennedy's sex life
In addition to the above, important facts were left out, for example, the fact that we almost went to war with Russia over the bay of pigs invasion.


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Oklahoma City hires private law firm for union talks
Oklahoma City Council members hired a private law firm Tuesday to lead upcoming contract negotiations with the city's police and firefighter unions.
The firm, McAfee and Taft, was hired in part because negotiations with the unions have gone poorly in recent years. "It's just broken," Ward 4 Councilman Pete White said of recent negotiations with the public safety unions. Two of the firm's labor attorneys will be paid $225 an hour each to lead negotiations with the unions for the next fiscal year, according to a contract council members unanimously approved Tuesday. City officials hope the arrangement helps improve a damaged relationship with the public safety unions. "It's just to put a new face on it," White said. "The people that do the hardest jobs we have in this city are the police department and fire. For the relationship to be this acrimonious ... is not acceptable." City attorneys handled past negotiations and will assist with the upcoming negotiations. The negotiations figure to be tense because the city will likely ask for concessions from its public safety unions in order to meet next year's budget, which will be much smaller than this year's. "We've got a huge budget issue," City Manager Jim Couch said. Council members and the unions' presidents expressed concern about the cost of private attorneys at a time when the city is making across the board budget cuts.
Where last year's negotiations stand The firefighter union contract dispute went to arbitration last year and arbitrators ruled the firefighters should get the 1 percent raise they requested. The city is fighting that ruling and could call an election this year to let voters decide whether the firefighters should get raises. The city recently reached an agreement with the police union on a work contract that will go before council members next week. Officials wouldn't discuss specifics, but said the agreement includes no police raises. JOHN ESTUS, STAFF WRITER
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- 9597OU WR Sterling Shepard gets stiffed by official
- 9511Oklahoma football: Sterling Shepard's biggest fan isn't crazy about his new role in the return game


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zHUNDRED - Box of my Loveee
Artist: zHUNDRED
Producer: KE On The Track
Album: None (Promo Single)
Avg Rating: 2.3 ( 3 total votes )
The other day, I bought a CD on Amazon for a whopping one cent. Turns out though, with shipping, I paid like seven bucks, so I really didn't save that much. If sending a small CD is expensive, I can only imagine the shipping costs on a Box Of My Loveee. For an estimate I'll just have to ask zHUNDRED, although his rate is definitely pricier. Backed by KE On The Track's upbeat, whirring beat, driven by a high energy clapping, zHUNDRED lets his girl know he is overnighting his love to her. She must be greedy, though, because any girl would be lucky to have the ATL native dedicate his bubbly, R&B/pop stylings to her. There is no word on a larger project yet, but hopefully he has another box full of more refreshing jams to share with us soon.
Listen to More: zHUNDRED , Downloads, R&B/Pop, Indie
Written by Lucas G. on 06/28/13
First DJ Booth Appearance:
"Insecure" (2012)
Total DJ Booth Features:
4 Songs
Member Reviews and Ratings
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Discover the best new songs, videos, and albums added to the Booth.


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|Project by jim65
|posted 562 days ago
|963 views
|2 times favorited
|5 comments
I just finished a quick utilitarian sewing cart for my wife. The sewing machine was our Christmas present this year. We have limited space in our apartment and the kitchen table was needed for other activities so I built a quick folding table / cart that has storage for the sewing machine and accessories. The case is a dovetailed pine box using a router jig with a beech top. Materials were in the shop, I had to buy 5 casters, 3 locking. There is a small slot in the back for the cutting board and rulers. She can wheel the cart to the room with the most sunshine and when done, it rolls out of the way. I list this under "workshop justification projects" :-)
-- Jim, Marostica Italy
5 comments so far
#1 posted 561 days ago
Great job and nice work space for the Boss. Blondie does a lot of sewing as well. I made her a work area similar to this yrs ago.. I'm sure she loves this!
-- Ken, "Everyday above ground is a good day!"
#2 posted 561 days ago
Perfect solution and great looking cart.
-- Vicki on the Eastern Shore of MD
#3 posted 559 days ago
Such a handy, accessible and everything-you-need-for-sewing is in that one great cart. Well done!
#4 posted 236 days ago
This is nice. My mom has limited space and needs something like this. This could be perfect for her.
#5 posted 148 days ago
Nice looking cabinet.
Have your say...
You must be signed in to post the comments.


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Top Stories »
Superintendent pick to be revealed Tuesday
Share The Winston-Salem/Forsyth County Board of Education will hold a special called meeting at 10 a.m. on Tuesday, March 26 to choose a new superintendent to lead the district. The meeting will be heldRead More »
Federal cuts could hit students most in need
Share The federal sequestration, or across the board budget cuts, that went into effect on March 1 will have substantial impact on state and local programs, and the local school system is no exception.Read More »
Local facilities say life-saving is a priority
Share Policies of senior homes under increased scrutiny after California woman's death How far would you go to save someone else's life? For a staffer in a California retirement facility, it wasn't worth violatingRead More »
Jeremiah Wright looks to inspire gala-goers
Share Rev. Jeremiah Wright is expected to preach on the importance of faith and good deeds Saturday at The Chronicle's 28th Annual Community Service Awards Gala at the Benton Convention Center. Wright, pastor emeritusRead More »
A Doctor in the Family
Share Diverse medical school graduating class gets matched The professional fates of more than 120 Wake Forest University Medical School seniors were decided last week during a whirlwind ceremony at the school's Bridger FieldRead More »
Hayes essays earn kids praise from WSBA
Share The life and legacy of the late Judge Roland Hayes was celebrated this week, during the Winston-Salem Bar Association's fourth annual Black History Month Essay Contest. Five students from Winston-Salem Preparatory Academy, whichRead More »
Plethora of community servants to be honored
Share Nineteen plaques will be handed out Saturday, March 23 at The Chronicle's 28th Annual Community Service Gala. Accepting them will be well-deserving local men and women whose contributions have created a better city,Read More »


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Published on February 27, 2014
La Citadelle Grade 8 students, dressed in period costumes, strut their stuff during a video production of the Battle of Ogdensburg at Fort Wellington in Prescott.
Published on February 27, 2014
La Citadelle Grade 8 students are hoping for the best in the comptetiton with other schools across the country. Check out the website they are advertising to cast your vote, beginning March 3.
CORNWALL, Ontario - For a classroom full of students at Ecole La Citadelle the best way to learn about history was to dive into the subject matter - literally.
The class got into the spirit of history by donning period costumes and recreating the Battle of Ogdensburg - a small but pivotal engagement that essentially removed the American threat to British supply lines for the duration of the War of 1812.
A couple of weeks ago students visited Fort Wellington in Prescott and had their spectacle recorded.
A video has been included in a national Parks Canada competition to determine the best submission that showcases Canadian history at a national landmark - in this case Fort Wellington.
"They were awestruck at the scenario," said history teacher Jean Menard. "The advantage of having a hands-on recreation of a historic event gives them some insight on how things really happened."
Students agreed.
"You're actually at the place where it all happened," said Hannah Bellemore. "It was interesting."
"You can see exactly what they did," chimed in Emilie Menard.
"It's not difficult to imagine what they had to do," added Alyssa Contant.
Last year 64 videos were submitted to Parks Canada's "My Parks Pass" competition. Members of the public vote on their favourite videos, and La Citadelle is hoping local supporters will cast their ballots in favour of their submission here, beginning March. 3
A panel of judges will select the grand prize and runner up entries from the 10 videos that received the most votes
Voting runs from March 3 to 24. The wining school will receive a four-day all-expenses-paid trip to Parks Canada places in British Columbia.


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(Source: best-of-memes, via kerynsthekey)
"what music are you into?"
"i like this! it's very grown up…"
(via cynderheart)
(Source: mangomamita, via ronswansoning)
(via jbuggy5)
Do you think I don't care? How do I show you I care? Could I burn your name into my skin, or would that frighten you?
(via jbuggy5)
You don't know how deeply you are intertwined with someone until you try to walk away from them.
(Source: kjpoems, via jbuggy5)
My problem was that no one ever needed me as much as I needed them.
(Source: bricesander, via subbang)
everything personal
(Source: talkmeanstrouble, via justagirlke)
you fucking salmon
five hundred thousand smackeroonies
you wonderful people why are you all so wonderful oh my god
(via hella-raaad)
(Source: nickmiller)
Daughter tells her Dad he's going to be a Grandpa [x]
When he says "really" ;')
Never leave this un-reblogged
What a dear human being he is.
He's going to make a cute grandpa
This is how every unborn child should be greeted by their family.
(via zgrockergirl)
not my family bitch
why am i crying"Stay away of my territory"
(Source: 4gifs, via a-green-crayon)
Sometimes I forget that people on the Internet are actually real people. Like the guy scanning your bananas at Walmart could be the guy who sends you anon hate.
damn you banana man
WHERE's the banana guy?….
(via a-green-crayon)


text:
Port Authority anti-terrorism officer visits sister of Boston bombing suspects in Hudson County
A Port Authority member of the Joint Terrorism Task Force visited the North Jersey apartment of one of the sisters of the Boston Marathon bombing suspects twice Thursday morning for unknown reasons.
The police officer, who declined to give his name or explain his visit, spent about a half hour in the Buchanan Place, West New York apartment of Ailina Tsarnaev, whose brothers Dzhokhar and the late Tamerlan Tsarnaev are accused in the bombing that killed three and injured more than 260 last week.
Port Authority spokesman Steve Coleman confirmed the officer is part of the Joint Terrorism Task Force. He had no further information.
A representative of the Newark office of the FBI, which oversees the task force with the U.S. Department of Justice, was unavailable for comment afterward.
The officer arrived just before 10:30 am. in a black SUV and carrying a file. As he exited about a half hour later, he declined to answer questions, saying only "No, I'm sorry, No comment."
Thirty minutes later, he returned, staying only a few minutes.
Evette Castoire, a spokeswoman for Ailina Tsarnaev's lawyer, said she didn't know anything about the officer's presence. Ailina Tsarnaev, 22, has not been seen outside her three-story apartment building since Friday, when her brother, 19-year-old Dzhokhar Tsarnaev, was captured in Boston. West New York ended its 24-hour police presence outside her apartment on Wednesday, with Michael E. Indri, director of West New York police, citing no further danger and daily overtime costs of up to $1,500. Officers will continue to monitor the block, he said.
Ailina Tsarnaev and her sister, Bella, who also lives in North Jersey, have made no public appearances, but released a statement Tuesday that they were "absolutely devastated" by the casualties.
Staff writers Shawn Boburg and Karen Sudol contributed to this story.
Email: email@example.com
Twitter: Jeff_A_Green


text:
Delaware Gov. Jack Markell, Lt. Gov. Matt Denn and Attorney General Beau Biden on Wednesday unveiled new legislation that would require gun owners to alert police if their firearms become lost or are stolen.
Gov. Markell's office says the bill is one of five pieces of legislation proposed by the governor and attorney general in the wake of the Newtown, Connecticut shooting.
"If we're serious about keeping guns out of the wrong hands, we need to do a better job of accounting for these weapons," Gov. Markell said in a statement. "Reporting a lost or stolen weapon is easy, it's responsible and it makes our streets safer."
According to Markell's office, the legislation would require gun owners to report their lost or stolen firearms within 48 hours, which would not start until the moment a gun owner discovers they are missing a firearm.
The legislation would penalize violators with a fine for a first offense and up to a class G felony for a second and subsequent offenses.
Biden calls the bill a "common sense proposal" that would help law enforcement keep guns out of the hands of criminals.
"All too often prosecutors in my office are confronted with defendants who claim their weapon was lost or stolen, when it reality that gun was purchased and then immediately handed over to a criminal who is not legally allowed to have a gun," Biden said in a statement.
Biden said under the proposed bill, law enforcement would know about the lost or stolen firearm immediately.
The bill is also sponsored by several state lawmakers, the governor's office said.
Summer is not over just yet! 90 degree temperatures will take us into September. Much of the week ahead is looking hot with temps in the 90's and upper 80's.
There is a chance of scattered showers and thunderstorms Monday and Tuesday.
Unsettled weather will continue through Labor Day with temperatures soaring in the 90's. We aren't looking at a washout but there will be pop up showers and thunderstorms in the afternoon and evening on Monday.
Monday (90/72): Clouds/Storm
Tuesday (93/71): Clouds/Storm
Wednesday (87/63) Mostly Sunny
Police release surveillance video of a man being shot and robbed of $70,000 in the parking lot of a supermarket in Northeast Philadelphia.
Police release surveillance video of a man being shot and robbed of $70,000 in the parking lot of a supermarket in Northeast Philadelphia.


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The wait is over! Download the BeerAdvocate app on iTunes or Google Play now.
Get 12 issues / year of BeerAdvocate magazine for only $9.99!
Cream Ale - Triumph Brewing Company
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Have one? Upload it now.
Ratings: 2 | Reviews: 1 | Display Reviews Only:
Reviews by palma:
New York
4.39/5 rDev +4.8%
Wow. On tap at triumph brewing co in New Hope PA.
Creamy appearance. Nitro really does wonders. Bueatiful gold body with marshmellow head. Outstanding lacing throughout the session.
Nice aroma cut grass, hay, and vanilla.
Taste is excellent. Medium hopiness balances with the grassy malty sweetness and the vanilla flavor. Almost semi dry in the end. Lingering complex bitterness aftertaste makes you come back for more. If I could anticipate any gripes about this beer I would say that others may think it is just a tad too sweet - but I like cream ales like this.
Great mouthfeel. Nitrogen comes through here once again.
An excellent example of this rare style.
08-21-2013 20:48:45 | More by palma
More User Reviews:
4/5 rDev -4.5%
07-06-2014 23:14:15 | More by NYR_Rob
Cream Ale from Triumph Brewing Company
- out of 100 based on 2 ratings.


text:
Red Amaryllis with Stem Posters
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Break Gallery LXXXVII
Posted by Break.com Staff on Jun. 21, 2006
Posted by Break.com Staff on Jun. 21, 2006
the facts: there are 399 enzo being built u cant jus buy one u have to b picked. first cost £650,000 ($1,000,000) now £1,400,000 (over $2,000,000) 650 bhp an 0-60mph in 3.2sec. but after that i think the a car for rich show off bastards and i could buy a car for £5000 ($8000) an kick its arse on any road or race track.
pics: check out my fucking pics bitches
cars: how the fuck did you get this pic from mee1!!!!! t-bone
picture: hi peeps, my mate took these photos at a big event up north it was madness, the enzo's didnt race anyone. Would have been good to see. BTW break.com are rip off's i posted the pictures and guess what they dont pay u jack shit
Clear Up: I joined to clear this up. The Original Specs were 649HP, 649 units, $649,000. They didn't build 649, it ended up being around 399. These are not FXXs the FXXs have a white stripe rear spoiler, front aerofoil, and say FXX across the front. BTW they haven't been released yet (the FXX that is). Rumor has it that they sold for close to a million to the first owners, but I do't have one so I don't know.
poopy0ne: youve got that backwards, its called the fxx and there only making 29
Just to let you know.....: Enzos go for nearly 2 million nowadays, so thats bout 6 million worth of cars.
ummmm: i'm pretty sure if anyone in this forum got this car, they'd drive it so stfu. THOSE ARE STREET ILLEGAL!!!
not quite that much money: take 3 ferrari FFX's and you got about 5.5 million there, an ffx is like an enzo TIMES 10! way cooler search some pics
typo: 1,929,990
checked it out: i went to go look at prices after i read the comments and for a 2003 enzo its Original Retail Price (MSRP) $643,330 so its 1,929,99 worth of cars. i may not have been exact but they sure are not 2 million a piece. looks like mytuscani is the one smokin somthin. and anyone that doesnt believe me can research it themselves.
Mex: It's the better car in the world.
more like 6: enzos were going for about 2 mil each right after release sticker was much less but they were sold for almost 2 mil smokie must be high and they made 399 not 100
Sure skyline boy: you keep thinking that. Ferrari doesn't just sell you a car, they give you a membership too. Shut up rice boy and for the guy below you, it is a manual. It just has paddle shifters to maintain better control. If you dont know what you're talking about, then shut up.
well: well not 3 million, try 300,000 at the most
any super car is gay: its a waste of money and ur paying for the badge not the car Its true
robbed: after 3 million you still can't shift it w/ a manual gearbox......bullshit!
Gay: I hate those stupid ass cars that are worth twice as much as my house. I don't see the point. Because they're quick? Have 1st class airplane seats, leather? It's bullshit. If I had one I'd sell it and by another Jeep.
sexy: triplets lol
hmm: i wonder how many of the 100 arent red


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On the east side of Grandview Boulevard just south of Woodburn Road, two cone-shaped buildings stand on a parcel of property owned by Waukesha County.
The buildings are salt sheds, designed to store the salt used by Waukesha County highway workers to de-ice county and state roads during the winter months. The big dome, which was built in 2009, holds 10,000 tons of salt, while the smaller dome, built in the mid-80s, holds about 4,500 tons.
Those two domes are located at the headquarters for the county's highway operations division. The county also has four other salt domes, each of which holds 3,000 tons of salt, at county public works sites in Nashotah, Sussex, New Berlin and North Prairie.
The county used to also have a sand storage shed at the Woodburn Road property, but it was torn down to make way for the big salt dome, said Highway Operations Manager Peter Chladil. While the county still has a few sand sheds at other county sites, sand typically isn't used on roads unless the county runs out of salt.
Cone-shaped buildings are frequently used to store road salt because they can efficiently accommodate the specific "angle of repose" of a salt pile. Salt has an angle of repose - the internal angle formed between the sloping side of the pile and the horizontal surface - of 32 degrees, according to Ned Zagorski, a construction manager with the Dome Corporation of North America.
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- Waukesha Cemetery Commission will send out RFPs to review cemetery operations
- Clarke Hotel's Irish restaurant now open in downtown Waukesha
- Waukesha man accused of strangling, hitting his girlfriend
- Waukesha police have suspect in hit-and-run incident
- Waukesha Community Briefs: Sept. 4, 2014 issue
- Ring in the cold: Waukesha Christmas parade planning begins
- Waukesha County Executive Dan Vrakas draws up his five-year plan
- Jackson's Blue Ribbon Pub reopens with mostly new staff in Waukesha
- Waukesha's public schools slip a bit, Catholic Memorial doesn't in ACT test scores
- Habitat for Humanity's ReStore shop in Waukesha is a good deal for nonprofit, shoppers


text:
Your guide to Chesaeake Country's freshest produce and more!
Back to school hasn't been this exciting since kindergarten
Back to School
This is going to be my best college year
I had a lot to learn
Boys and Girls Clubs helping "to inspire and enable all young people"
Thoughts from a 20-year teacher
Cinema worth barking about
Conowingo eels might just be one of the most important species in our waters
It takes work to live together in a peaceable interspecies kingdom
Organic matter adds hidden benefits to soil
This tempest is a summer storm you won't want to miss.
How many losers does it take to save the universe?
Still time to escape in a good book
Here's to one more summer of reading
Mine makes 15,001
Sweet fish swim in sweetwater
No matching events were found
©Copyright 2014, New Bay Enterprises, Inc. All rights reserved.


text:
Company search results
Your search for "Air Separation Plant" returned 57 companies Page 1 of 6, results 1-10 Search again
AMCS Corporation
AMCS Corporation is a world-class provider of process plants and equipment to the industrial gases, energy, chemicals, environmental, electronics, pharmaceuticals, glass, and metals market sectors.
We are leading manufacturers and exporters of air separation plant, oxygen nitrogen gas & liquid plants in India.
Chart Inc. (Head Office)
Chart manufactures a broad line of cryogenic products for liquefaction, storage, and transportation of gases such as helium, nitrogen, argon, oxygen, carbon dioxide, methane, and hydrogen, for a multitude of industrial, commercial, and scientific end-users.
Criomec S.A
CRIOMEC S.A. operating on the Romanian industrial market since 1994, offering an array of high quality services.
Cryotec Anlagenbau GmbH
The German CRYOTEC Anlagenbau GmbH was founded in 1995 and continues the long tradition of the former MAFA-Wurzen which existed since 1880. CRYOTEC produces and supplies plants for the production, storage and filling of technical gases. Since 2009 CRYOTEC is a member of the EPC-Group, a worldwide acting company.
Enerflex Ltd.
Enerflex is the single-source supplier for natural gas compression, oil and gas processing, refrigeration systems and electric power equipment – plus in-house engineering and mechanical services expertise.
Gas Engineering LLC
Gas Engineering specializes in design and fabrication of packaged modular air separation plants and plant support equipment.
Groupe NOVAIR - OXYPLUS TECHNOLOGIES is specialized in on-site gas production plants and treatment & compression systems for medical and industrial applications. Based in France since 1977, Novair supplies turn-key solutions and provide engineering support throughout the world.
Ranch Cryogenics Inc.
Air Separation & CO2 plant construction & relocation specialists
Since 1987, Ranch Cryogenics, Inc. (RCI) has served the needs of industrial gases users and producers worldwide. Our mission is to display experience and reliability in everything we do.
SS Gas Lab Asia PUT Ltd
M/s S. S. Gas Lab Asia is ( An ISO certified) engineering company engaged in the manufacture and supply of plants and equipments for industrial gases.
View results 10 per page | 20 per page | 50 per page


text:
Dramatic scenes at incinerator debate.
There have been dramatic scenes at the vote on whether to approve a controversial waste incinerator in Norfolk.
In a passionate speech, North West Norfolk MP Henry Bellingham refused to keep to his allotted three minutes, saying he would speak for another minute and not be stifled.
He spoke directly to Norfolk County Council members warning them: "You defy democracy at your peril."
He demanded they do their democratic duty and listen to the will of the local people, otherwise trust in politicians would be lost. The debate continues.


text:
Season starts the week of Sept. 8th. Prep. string ensemble, Concert Orchestra and Symphonic Orchestra starts on Monday, Sept. 8th. Prep. Wind Ensemble and Choir starts on Tuesday, Sept 9th.Read More
Protected: Purchase GPYO Photos
There is no excerpt because this is a protected post.Read More
New Member Auditions
Students are required to be in their school orchestra/choir/band curriculum program (unless he /she is homeschooled) to participate in GPYO. Once accepted, student needs to submit GPYO's school participation form signed by the Band/Orchestra/Choir conductor of the school. Audition Dates for Next Season Sept. 9 The Greater Princeton Youth Orchestra will be holding auditions for […]Read More
Greater Princeton Youth Orchestra
The GPYO is proud to be celebrating over 50 years of delighting audiences. Made up of over 75 high school / college students and 40 middle school students from Central New Jersey and Eastern Pennsylvania, entrance is by competitive audition. The Mission of the GREATER PRINCETON YOUTH ORCHESTRA is to provide exciting and unique educational […]Read More


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Summer is just around the corner, and a major concern for many of us is our skin.
For some quick answers to solve skin issues, Karen Hepp talked to Susan Taylor on the patio Wednesday morning on "Good Day Philadelphia."
Join FOX 29's Mike Jerrick and the Good Day Philadelphia team for a tasty night of yummy treats benefiting local youth.
35 Skyline DriveLake Mary, FL 32746
Phone: (407) 644-3535News Tips: (866) 55-FOX35


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|Contact Us
Low-profile floor mat that captures barefoot plantar pressures and forces.
Low-profile floor mat that captures barefoot plantar pressures
Objective and quantified data can be analyzed to support diagnosis and mode of treatment
Provides insight into foot function and biomechanics
Identifies regions of high plantar pressure that cannot be seen with the naked eye
Available with either Evolution® or VersaTek® electronics
USB connection
Platform height of only 5mm
Scanning speed of 100 Hz with the #3150 sensor and Evolution electronics or 440 Hz with the #3150E sensor and VersaTek electronics
3 hardware choices available: Tethered, Wireles, and/or Datalogger. See 'System' tab for more details.
Expand your practice through proactive foot screenings
Reduce incidence of ulcers and/or pressure sores
Observe what the neuropathic foot cannot feel
Provide supporting documentation for fee-for-service approach and/or insurance claims
Use as an educational tool to teach rehabilitation exercises for the lower limb
For multi-step analysis, please visit our Walkway™ System.
A Tekscan system consists of scanning electronics, software and patented thin-film sensors.
|System Setup
|System Description
|System Components
MatScan Tethered
|Wires connect the sensor and scanning electronics from the floor mat to the computer via USB port. Dynamic events are captured with scan rates of 100 Hz (Evolution) or 440 Hz (VersaTek).
(1) Evolution Handle
MatScan Software CD
MatScan Sensor #3150
(1) VersaTek Cuff
(1) VersaTek 2-Port Hub
MatScan Software CD
MatScan Sensor #3150E
MatScan Wireless
|Data is transmitted directly from the floor mat to the computer, allowing for a wide range of applications. The floor mat can be up to 100 meters away and data can be recorded and displayed on the computer in real time. A 100 Hz scan rate is available with wireless connectivity.
(1) VersaTek Cuff
(1) VersaTek 2-Port Hub
MatScan Software CD
MatScan Sensor #3150E
(1) Wireless Unit
MatScan Datalogger
Collects and stores sensor data in its internal memory for upload to a computer at a later time. Ideal for use when a recording needs to be made over an extended period of time. Scan rates of 440 Hz can be achieved.
(1) VersaTek Cuff
(1) VersaTek 2-Port Hub
MatScan Software CD
MatScan Sensor #3150E
(1) Datalogger Unit
(1) 8 GB Memory Card
|MatScan Wireless and Datalogger
Both options offer complete flexibility.
(1) VersaTek Cuff
(1) VersaTek 2-Port Hub
MatScan Software CD
MatScan Sensor #3150E
(1) Datalogger Unit
(1) 8 GB Memory Card
(1) Wireless Unit
VersaTek Cuffs - Every VersaTek based system uses specially designed scanning electronics called Cuffs. The Cuffs connect to the sensor, gather the data from the sensor, and then process and send this data to your computer via USB connection. VersaTek electronics sample at the fastest speeds and are compatible with other VersaTek sensors, giving you the ability to add in-shoe, prosthetic, grip, and seating & positioning capabilities to your Tekscan System.
Additional items may be included with your system purchase.
Display 2-D and 3-D real-time and recorded data
Display pressure and force curves over time
Side-by-side comparisons of pre- and post-treatment conditions
Force-time integrals (Impulse)
Frame by frame, single, and multi-stance phase displays
Isolate and analyze specific areas of plantar foot
Import and export client movie files
Display Center of Force and its trajectory
The software is available in several languages including Spanish, French and German. View software languages available.
Numerous articles have been published regarding computerized gait analysis and its applications. Tekscan has compiled a list of these research publications in our Medical Bibliography.