text:
Linda Winter demonstrates how to create a large fluffy dog sculpture using needle-felting techniques.
Project by Linda Winter.
Materials and Tools:
natural brown, white fleece
colored ribbon, string, leather or lace
plastic animal eyes
embroidery floss
bell or collar ornament
long dollmaker's needle
alphabet letter beads
4" x 6" x 12" foam rubber block covered with white fabric
felting needle
Tacky glue
Safety Tips:
1. When not in use, it is wise to store these needles in an envelope or a block of foam so that the points are not exposed.
2. Use a foam rubber block covered with fabric as a work surface; this gives the needle something to punch into other than your hand.
3. As you add fiber, be careful where your free hand is in relation to the punching needle. You only have to hit your finger once to learn this lesson.
1. To build a three-dimensional foundation form: Start with simple foundation shapes built with plain white or natural-colored fleece. There is no reason to waste the more expensive colored fleeces at this step. The puppy is made from two foundation shapes — a large ball and a small ball. The large ball is one-and-a-half times the size of the small ball. With this in mind, begin the small ball by taking a handful of fleece and squeezing it in your hand; this will help to determine the approximate size ball the fleece will produce. You can add or subtract fleece as needed.
2. Roll the fleece into a ball; this will help get the fleece in control and produce a tighter form to begin punching. Place the ball on the foam rubber block, holding it gently with your free hand. Make sure you are holding your free hand in a "C" shape over the fleece. Punch the needle, inside the "C", into the oval space created by your hand.
3. Keep rolling and turning the ball, so the entire surface is worked evenly. Initially it seems that little is being accomplished, but gradually, as the fibers compress, the ball becomes smaller and more firm. Patience is a virtue in this medium.
How do you know if you have compressed the fibers as much as necessary? To some degree, it is personal preference; however; the fibers need to be compressed tight enough to hold their shape. Here are a few simple tests: Does the ball show resistance when squeezed, or is your form so soft your fingers touch one another in the middle of the form? Does it bounce, or is the form so light it seems to float in the air? Does it return to its original form after being squeezed or easily take on a new shape? It has been my experience, the more solid the form, the more successful the finished piece.
4. Complete both foundation forms by rolling and punching, making sure they are both compressed as firmly as one other. When you have a large and small ball of the proper proportions, you are ready to start the neck.
5. Adding the neck to the large ball: The neck is a flat-topped cone shape onto which the head is attached. To form the neck, fibers are layered and attached to the large foundation form. Model the fibers into a flat-topped cone shape, making sure to compress the fibers as tight as the foundation form. Remember to compress from all sides and top.
6. After the neck is added, the head is attached. Push fibers from the body into the head and from the head into the body, turning the body as needed to secure all sides. A thin layer of additional fibers is added around the neck to make sure the head is attached securely and that there is a smooth transition between the head and body. The basic shape now looks like a drumstick.
7. To make the front legs: The foot and the shaft of the leg are equal in size, and the leg is about one-third the total height of the body. In addition to the fleece for the leg and foot, there needs to be some extra fibers for attaching the legs. Gather the fleece and squeeze it to approximate the necessary amount of fleece.
Note: Since it is difficult to remember how much fleece is used in the leg after it is formed, it helps to set aside the fleece for both legs right away. By starting with two wads the same size, there is a better chance the second leg will be the same size and density as the first.
8. Fold the first wad of fleece in half; this helps to control stray fibers and make a smoother toe. Compress the fibers into a cylinder and then flatten the end to make the foot. Work back the length of the foot and begin to bend the fibers to form an ankle. Continue up the cylinder of the leg, leaving fuzzy ends for attachment. Shapes such as the legs are difficult to get firm; however, because they support the body, extra care needs to be taken to compress the fibers from as many directions as possible. Punching fibers down into the shafts helps tighten them.
9. Attaching the front legs: Hold the legs in place to give yourself an idea where they should be attached. Attach them a bit under the body so that the chest protrudes a little beyond the legs. Attach the legs, one at a time, by punching all the fuzzy fibers into the chest. In addition, punch the fibers under and around the shaft of the legs to make sure the entire leg is attached securely. After both legs are in place, it may be necessary to add a layer of fleece around the legs to help create a smooth transition.
Note: If you are planning to add a different color fleece to the chest, this is a good time. Layer the second color over the foundation to make the chest. Other spots can be added at this time to the feet or back if you choose. The spots should be worked into the surface so there are no bumps. It is never too late if you choose to add spots later.
10. Start the back legs the same as the front by gathering two wads of fleece of equal size — roughly double that used for the front legs. Fold the fleece in half as with the front foot and form the pancake foot. Work back the foot gradually, changing from the pancake to a cylinder until it is as long as the depth of the body from chest to base of tail. Flatten the cylinder on the bottom.
11. The hip is a thick, oval pancake shape that sits on top of the foot. Fold the remaining fleece back over the leg and secure some of the remaining hip fibers to the back half of the foot. Unlike the front feet, there are going to be no fuzzy ends left for attaching the back legs. Instead, the remaining ends of fleece will be tucked to the inside of the hip, forming the oval pancake. These ends are tacked in place to hold until attaching. The hip form is left larger than the finished hip and then compressed to its final size when it is attached. Make the second back leg a mirror image of the first, tucking the fibers on the opposite side.
12. Attaching the back legs: After the second leg is completed, both are attached. The hips that were left oversized are now sculpted and compressed to the proper size and firmness. Start by doing a test fitting. Place the back feet to the outside of the front feet and leave a space between the back legs where the tail will be placed. Sit the puppy on a flat surface to make sure the feet all sit on the surface equally. Tack one leg in place by punching fibers from the hip into the body. Continue to work the fibers of the entire oval into the body to secure the leg. Flip the puppy over and secure the foot into the body from the bottom as well. Work the hip fibers until they are as firm as the rest of the body, retaining the form of the hip and foot. Attach the second back leg in the same manner.
13. For the snout: The snout is made in two parts — the nose and the chin. If you want to have a snout of a different color, you can use the color to make the nose and chin right away or add the second color to the snout later. For the nose, lay a small wad of fleece on the foam block and fold the fibers into a flattened rectangle. The rectangle needs to be compressed on both sides to make it firm and flat. The short side of the rectangle is slightly shorter than the depth of the head. The long side is about as wide as the head. Fold it in half, matching the two short sides, making a tent shape. The nose is attached to the center of the head, leaving an up side down "V" shape underneath for the chin. Join the nose to the face along the edges, both on the outside and inside of the roof of the mouth. Once again, a thin layer of fleece may be needed to make a smooth transition from face to nose.
14. The chin is built from a small wad of fleece twisted into a point, leaving fuzzies on the opposite end. Place it under the nose and attach the fuzzies to the neck. Tuck the chin fibers up under the nose, retaining the crease between two sections of the snout. A little bit of black fleece is needed to make a small upside down triangle at the end of the nose.
15. The ears are flat triangles with fuzzies left on one of the three sides. They must be compressed flat, flipped, and punched on the opposite side. As with any flat shape, this step should be repeated several times to make sure the ears are very firm. Because the ears are small forms that stand away from the base, they need to be strong, even if they are placed close to the head.
16. Attaching the ears: For ears that fold down, check the positioning. Lay one ear on the top of the head with the point toward the back of the head and the fuzzy edge front. Work the fuzzies into the top of the head. Fold the ear forward and tack it in place. For stand-up ears: Check the positioning of the ears. Pinch the ear into a curve and work the fuzzy ends into the back of the head. Make sure to work the fibers inside the ear as well. You can have both ears fold down, both ears standing up, or one up and one down.
17. To attach the small plastic eyes, punch two holes in the head with the metal awl. Place the eyes temporarily to see if they are in the correct position. The eyes can make or break the puppy if they are not positioned properly. They give the personality to your puppy. When you are sure the eyes are placed properly, remove them, place a dab of Tacky glue on the back of each eye, and then replace them to secure permanently.
18. To make the tail: The tail is done using a piece of wrapped florist's wire as a support. Unlike plain wire, the wrapped wire gives the fleece something to grab. Starting at the tip of the wire with a length of fleece fibers, begin to wrap a thin layer of fleece tightly around the wire. Rolling the wire between the fingers of one hand while holding the fibers taunt in the other, work from the tip of the tail to its base, gradually increasing the thickness. Allow an inch of wire to remain uncovered and leave fuzzies for attaching the tail. To hold the wrapped fibers in place use a bit of pump hair spray. Spray a small amount of hairspray onto the tips of your fingertips and roll the tail between them until the fibers are set.
19. Attaching the tail: Punch a hole for the tail between the heels of the back feet using the metal awl. Apply glue to the end of the wire left uncovered and insert it into the hole. Punch the remaining fibers into the base shape to secure the tail. You may need to add more fleece to allow for a smooth transition from tail to body. Add a curl if desired. Anchor the tail to the body with a bit of fleece so it cannot be pulled out of the body.
20. Defining the mouth: Embroidery floss is used at the mouth and between the toes for definition. Using the doll needle, thread a length of black embroidery floss about 18 inches long and knot a single strand. Punch the needle through from the back of the head to the bottom point of the black nose. Pull the floss through and give a small tug to pull the knot into the head fibers. Put the point of the needle back into the head just below the nose where the chin meets the nose. Guide the needle to the back right corner of the mouth. Pull the floss through, leaving a small loop under the nose.
21. Guide the needle through the loop and pull the thread tight, closing the loop; make sure the loop under the nose stays centered and vertical. Put the needle through the left corner of the mouth and out the back of the head. Secure the end of the floss by making another small knot near the surface of the head where the floss exited. Re-insert the needle next to the exit hole and out the side of the head. Give a small tug to pull the knot into the head. To clip, pull lightly on the floss and then clip. The end of the floss will disappear into the head. If there is a small dent left where the needle was reinserted, use the end of the felting needle to pull a few strands of fleece over it.
22. Defining the toes: Thread and knot another length of floss. Guide the point of the needle from the heel of one of the feet out the bottom of the foot between the first and second toes. Wrap the floss over the top, insert the needle between the first two toes and out the bottom between the second and third toes. Tug lightly and the floss makes a small indentation, defining the toes. Continue over the top, between the second and third toes, out the bottom between the third and fourth toes. Complete the foot by inserting the needle down between the third and fourth toes and out the heel. Knot the string as with the mouth; reinsert the needle in and out the bottom of the foot. Tug to draw in the knot, and clip. Repeat on all the feet.
23. Add a bow for the collar made of string, cord, ribbon, lace or leather. Bells, alphabet letters or other ornaments can be added to the collar for interest. If you want to name your puppy, or give it to a special friend, use alphabet beads on the collar.


text:
Actor and TEEN CHOICE Award nominee Sarah Hyland ("Modern Family") is set to co-host, alongside previously announced host Tyler Posey, TEEN CHOICE 2014 (more...)
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It's a Hollywood secret that's finally gone public! Mila Kunis stops by today's ELLEN and talks to the host about her pregnancy and engagement to Ashton Kutcher. (more...)
Fincher reportedly wanted $10 million up front for the project, featuring a script by Aaron Sorkin, in addition to input as to how to market the film. (more...)
Global superstars Eminem and Rihanna took the stage for their first live performance of their #1 smash hit, 'The Monster' on last night's 2014 MTV MOVIE AWARDS which aired live from Los Angeles' Nokia... (more...)
Below, watch a full rundown of the 2014 MTV MOVIE AWARDS in a quick 66 second video! (more...)
Conan O'Brien emerged from a 5,000 pound flaming bucket of popcorn to kick-off an epic 2014 "MTV Movie Awards" by breaking the world record for the most celebrity cameos in a show open. (more...)
The MTV Movies Awards were once again filled with jokes, laughter, and a touch of sincerity. (more...)
Comedic genius Conan O'Brien emerged from a 5,000 pound flaming bucket of popcorn to kick-off an epic 2014 "MTV Movie Awards" by breaking the world record for the most celebrity cameos in a show open... (more...)
According to The Wrap, Christian Bale is David Fincher's top choice to portray Steve Jobs in the new film adaptation of the history of Apple, written by Aaron Sorkin. (more...)
According to E! News, Mila Kunis and Ashton Kutcher have taken their former on-screen romance off-screen as well; the couple just recently announced their engagement. (more...)
The 2014 Tribeca Film Festival (TFF), presented by AT&T, announced today the creation of its first-ever "Tribeca Innovation Week" where the worlds of culture, technology, and storytelling will collide... (more...)
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subset: commoncrawl


text:
WWE Happy with WrestleMania, Orton Twitter Milestone, WM Issues, White
by Staff - April 03, 2012
- Randy Orton broke 1 million followers on Twitter recently. He wrote:
"I would like to thank all my followers on Twitter for helping me reach 7 figures!"
- Fans in different parts of North America experienced technical difficulties with the WrestleMania 28 pay-per-view. Some didn't get the show for an hour and others had sound and video issues.
- UFC President Dana White watched WrestleMania 28 but didn't turn it on until the CM Punk vs. Chris Jericho match. Dana watched mostly because he is good friends with The Rock.
- WWE officials were generally happy with the way the WrestleMania 28 pay-per-view came off.
Partial source: F4Wonline.com
The Hottest WWE news, photos and videos delivered to your inbox in one convenient newsletter. Sign up now and give it a try!


text:
Paraliterature Glossary gives discussions not of thing-ness "Korperding",but questions of non-thingified Being "Geistding"! "Paraliterature"?
"Paraliterature"?As maybe got attentioned and disclosed by Jodey Castricano,that in the last thirty years,cryptominesis as a writing practice of Jacques Derrida's later works,which appearing with increasing frequency accompanying the living-dead,the revenant,the phantom and the crypt,along with their effects of haunting and mourning,such a practice of encryption in Derrida's writing bears traces of being "ghost-written",and such a cryptomimesis functions in terms of textual mime to produce,in part refer to as "Paraliterature",a hybrid of literature and criticism,art and science,in other names,cryptography or phantomime,since these terms draw attention to the uncanny dimensions of a writing practice that takes place as a ghost of crypt-effect of haunting and mourning.
Contents: Dasein-spatiality |devour |departed |displacement of metaphisics |disgusting |disinter |Demon |Demonology |Devil |death |Dead |debt |dynamics of remembering and forgetting |Derrida's hide |door |division of interior and exterior |death spatial problematics |delirium of cryptomimesis |distinction between spectre/spirit |displacement |Doppleganger |Donner la mort |doubles |dynamo-logic of simulacrum |dynamo-logic of image |dynamis of the image |dynamis |difference between representation and image |death of the other |disappearance-live presence |death inhabits |Droit de regards |deferring |deferred |deferral |distancing |disjuncture |double bind of the close-distant relation |double structure of the pas |double efffect of the pas | |
Dasein-spatiality:As for space, first of all, Heidegger begins (this is only a first move) by avoiding, purely and simply, the traditional concept of spirit. Dasein is not a spiritual interiority, the secondary nature of which would have to be derived from a becoming-spatial. It has its own being-in-space (ein eigenes "im-Raum-sein"). But this latter is possible only on the basis of its being-in-the-world in general. One must not say that being-in-a-world (das In-Sein in einer Welt) is a spiritual property (eine geistige Eigenschaft). One must not say that man's spatiality characterizes his body alone. If one did say this, one would return to the obscure problem of a being-togethor, in the form of Vorhandensein of a bodily thing (Korperding) and .a spiritual thing (Geistding). The obscurity of the thing would remain entire. One would be giving in to the naive opinion (naive Meinung) according to which a man, a spiritual thing, would see himself after the fact (nachtraglich) transposed, transferred, deported (versetzt) into a space (§12,p.56).1
What is at stake now is to stress that spatiality does not be-fall a spiritual Dasein which would, through the body, fall after the fact into space. To the contrary, it is because Dasein is not a vorhandene thing that it is spatial, but quite differently spatial from what one calls physical and extended things. It is thus because it is is a being of space and, Heidegger even underlines it, only by virtue of such a "spirituality." We must make ourselves attentive in the first instance to these mute signs---the quotation marks and the underlining:
"Neither can the spatiality of Dasein be interpreted as an imperfection which would be inherent to existence by virtue of the fatal "union of spirit with a body." Dasein can, to the contrary, because it is "spiritual" ("geistig"), and only for that reason (und nur deshalb) be spatial according to a modality which remains essentially impossible for an extended corporeal thing." (§70,p.368).2
"Spirit" does not first fall into time, but it exists (existiert, italicized) as originary temporalization (Zeitigu ng, italicized) of temporality. This temporalizes the time of the world in the horizon of which "history" [also in quotation marks, I emphasize the fact, JD] as intratemporal happening can appear.
devour:the wiki dictionary notes:"Devour means to eat greedily."The term devour may refer to:Devour (film), a 2005 film which was directed by David Winkler;Devour (song), a 2008 single by Shinedown;"Devour", a 2009 song by Marilyn Manson.3
departed:departed has its roots in the latin word "dispertire",to divide,remind that Derrida has an assertion that writing has "a possibility of functioning cut off,at a certain point,from its original meaning and from its belonging to a saturable and constraining context"4,"departed is the subject" is to bring the notion of haunting.
displacement of metaphisics:For the way to utilize metaphysics,Derrida remarks in Of Grammatology that one "cannot criticize metaphysics radically without still utilizing [it] in a certain way", that is not "to attempt a step outside metaphysics" for there is no outside,but rather to inhabit it or to haunt it,within a gesture of displacement made possible though the crypt,and such a displacement puts metaphysics under erasure,for it "obeys a different tropography"5.
disgusting:adjective.causing disgust; offensive to the physical, moral, or aesthetic taste. –verb (used with object) 1. to cause loathing or nausea in. 2. to offend the good taste, moral sense, etc., of; cause extreme dislike or revulsion in: Your vulgar remarks disgust me. –noun 3. a strong distaste; nausea; loathing. 4. repugnance caused by something offensive; strong aversion: He left the room in disgust.
Origin: 1590–1600; (v.) < MF desgouster, equiv. to des- dis-1 + gouster to taste, relish, deriv. of goust taste < L gusta ( see choose); (n.) < MF desgoust, deriv. of the v.1745–55;verb (used with object)
Synonyms:loathsome, sickening, nauseous, repulsive, revolting, repugnant, abhorrent, detestable. 1. sicken, nauseate. 2. repel, revolt. 4. abhorrence, detestation, antipathy.
Word Origin & History "disgust"1590s, from M.Fr. desgoust "strong dislike, repugnance," lit. "distaste," from desgouster "have a distaste for," from des- "opposite of" + gouster "taste," from L. gustare "to taste" (see gusto). Sense has strengthened over time, and subject and object have been reversed: cf. "It is not very palatable, which makes some disgust it" (1660s), while the reverse sense of "to excite nausea" is attested from c.1650. Related: Disgusted ; disgusting. 6.
The economics of revenance have some basis in disgust. And disgusting,or repulsion,the possibility of disgusting often draw attention to what makes aesthetics possible.From Freud's notion of latency that "disgust and shame" learned by the child,or aesthetics can be defined as "a defensive mechanism of repression"?.the dynamics of aesthetics cares disgusting,as what BarbaraCreed-Krestiva-Castricano remarks and demonstrates that "the border,and the threat to its stability by the encroachment of the 'disgusting' is fundamental to the concept of the ebject and thereby to aesthetics which relies on exclusion of the disgusting."9.
disinter:The digging up of a buried body is called exhumation or disinterment, and is generally considered sacrilege or taboo by most cultures that bury their dead. Exceptions are sometimes allowed,the Wiki enclopedia listed detailed exceptions very useful related:http://en.wikipedia.org/wiki/Disinter#Exhumation
Frequently, cultures have different sets of exhumation taboos. Occasionally these differences result in conflict, especially in cases where a culture with more lenient exhumation rules wishes to operate on the territory of a different culture. For example, United States construction companies have run into conflict with Native American groups that have wanted to preserve their burial grounds from disturbance.
Jewish law forbids the exhumation of a corpse.
In folklore and mythology, exhumation has also been frequently associated with the performance of rites to banish undead manifestations. An example is the Mercy Brown Vampire Incident of Rhode Island, which occurred in 1892. 7.
Demon:In religion, folklore, and mythology a demon (or daemon) is a supernatural being that has generally been described as a malevolent spirit, and in Christian terms it generally understood as an angel not following God.Demons are demonic precisely because they exist without determinate function or fixed form.Where gods have fixed attributes,properties,functions,territories and codes,concerned to oversee and regulate boundaries,demons jump across intervals of space and time,and betray existing codes and territories.Thus to Deleuze "demon",he argues "it is a poor recipe for producing monsters merely to 'accumulate heteroclite determinations or to over-determine the animal',Rather,the more successful and subversive task lies in raising up the ground and dissolving the form"(Deleuze 1968:44;1994:28-9).
Demonology:Demonology is the systematic study of demons or beliefs about demons. Insofar as it involves exegesis, demonology is an orthodox branch of theology.
Devil:The Devil is a title given to the supernatural entity, who, in Christianity, Islam, and other religions, is a powerful, evil entity and the tempter of humankind. The Devil commands a force of lesser evil spirits, commonly known as demons.
Dead:the Dead,are never content to stay dead,they always desire something from us,they continue to live(or die) on,clinging onto the living and not letting go(Lawrence 1995:185).the living dead ones(who are not 'ones';no more Ones) express in a nonproprietarial way the 'monstrous Life-Substance'(Zizek 1997:89).They live as ghosts 'of' life,testifying to the diabolical forces which ensure that the living cannot live without the non-present 'presence' of the dead,at least in a germinal sense('...palpitating and formless within the flux of the ghost life',Lawrence 1995:144).They,the dead,live as the uninvited,the 'unseen hosts' that Lawrence writes of in Women in Love who persist in haunting man and the gigantic molar memory he constructs of himself and for himself:'Do you think that creation depends on man!..Man is a mistake,he must go....There is the grass,and hares and adders,and the unseen hosts,actual angels that go about freely when a dirty humanity doesn't interrupt them---and good pure-issued demons:very nice'(ibid:128.)
death:that is,the phenomenology of death,for we are told death is a "state of affairs" about which we can find neither "adequate intention" nor "intuitive fulfilment",meaning that death is "radically resistant to the order of respresentation",thus "the ultimate meaning of human finitude is that we cannot find meaningful fulfilment for the finite".In this specific sense,death is meaningless and the work of mourning is infinite.(Critchley-Keith),from the viewpoint of Keith,that the movement beyond the phenomenology of death,or the "ungraspable facticity of dying" is said to establish "an opening onto a metaphenomenological alterity that cannot be made reducible to the power of the will or Dasein(there can be no Subject of death)--for me this staging of the question of death remains caught within the confines of organismic life,the life of the 'i' and the self."...But if death is ungraspable it is not becuase of human finitude and the limitedness of la condition humaine,but because it belongs to the event,In other words,it does not belong to me(Je or Moi),not even "my" death.It is precisely because death does not belong (to the Subject) and cannot be owned (by the One) that it offers the basis for an affirmation.It is the "event" of death which is not being thought in this instructive but inexcessive attempt to move beyond phenomenology.
debt:Debt is that which is owed; usually referencing assets owed, but the term can also cover moral obligations and other interactions not requiring money. In the case of assets, debt is a means of using future purchasing power in the present before a summation has been earned. Some companies and corporations use debt as a part of their overall corporate finance strategy.A debt is created when a creditor agrees to lend a sum of assets to a debtor. In modern society, debt is usually granted with expected repayment; in most cases, plus interest.
dynamics of remembering and forgetting:the dynamics of remembering and forgetting,is "the unique attribute of the human animal",learning to forget,is a task which recalls the fantasy of incorporation in that it allows for the unconscious preservation of the "past".
Derrida's hide:with the uncanny and the crypt,Derrida hide something and maybe also himself hided in his late,may it be called Derrida's hide,"where he saves his own skin,so to speak:'If I write two texts at once,you will not be able to castrate me'."8.
door:a door,suggest a border of an interior,or a division of interior and exterior,or a cryptic division.
division of interior and exterior:see cryptic division.
death spatial problematics:see spatial problematics of death.
delirium of cryptomimesis:delirium of cryptomimesis,that is the anathema to identity,or caught up to participate in the ebbs,flows,currents,and undertows of its sea-changes,in the face of the multiple,with using the semantic diversity as well as the phonetic and anagrammatic ambiguity of words,which require a strategy,a topographical strategy.
distinction between spectre/spirit:livng on,or to learn to live,as suggested by Derrida,as an uncanny task,"it would be necessary to learn spirits"(xviii),thus need a distinction between spirit and spectre,for since wherever the spectre appears,a "phenomenal and carnal form of the [thing that is called] spirit".Where philosophy becomes its own "revenant",it itself haunts its own places more than it inhabits them,as a "funeral moment" mentioned by Blanchot,that haunting belongs to the structure of thought.
displacement:displacement,see es spukt
Doppleganger:Wiki noted,"A doppelgänger (pronounced [ˈdɔpəlˌgɛŋɐ] ( listen)) is a tangible double of a living person in fiction, folklore, and popular culture that typically represents evil. In the vernacular, the word doppelgänger has come to refer (as in German "doppelt(e)") to any double or look-alike of a person.The word also is used to describe the sensation of having glimpsed oneself in peripheral vision, in a position where there is no chance that it could have been a reflection. Doppelgängers often are perceived as a sinister form of bilocation and generally regarded as harbingers of bad luck. In some traditions, a doppelgänger seen by a person's friends or relatives portends illness or danger, while seeing one's own doppelgänger is an omen of death.In Norse mythology, a vardøger is a ghostly double who precedes a living person and is seen performing their actions in advance. In Ancient Egyptian mythology, a "ka" was a tangible "spirit double" having the same memories and feeling as the original person. In one Egyptian myth titled "The Greek Princess," an Egyptian view of the Trojan War, a ka of Helen was used to mislead Paris of Troy, helping to stop the war."
famous example or cases of Doppleganger,like Percy Bysshe Shelley,John Donne,Abraham Lincoln,Johann Wolfgang von Goethe,George Tryon,etc.Some Scientific and philosophical investigations In September 2006, it was reported in Nature that Shahar Arzy and colleagues of the University Hospital, Geneva, Switzerland, unexpectedly had reproduced an effect strongly reminiscent of the doppelgänger phenomenon via the electromagnetic stimulation of a patient's brain.Arzy and his colleagues suggest that the left temporoparietal junction of the brain evokes the sensation of self image—body location, position, posture etc. When the left temporoparietal junction is disturbed, the sensation of self-attribution is broken and may be replaced by the sensation of a foreign presence or copy of oneself displaced nearby. This copy mirrors the real person's body posture, location and position. Arzy and his colleagues suggest that the phenomenon they created is seen in certain mental illnesses, such as schizophrenia, particularly when accompanied by paranoia, delusions of persecution and of alien control. Nevertheless, the effects reported are highly reminiscent of the doppelgänger phenomenon. Accordingly, some reports of doppelgängers may well be due to failure of the left temporoparietal junction.See monothematic delusion for a detailed description of various psychological problems including the syndrome of subjective doubles, which may be related to the doppelgänger.See also out-of-body experience.10.
somewhere sometime,Derrida ever mentioned a description of Nietzsche's conditions,or self describe,a Doppelgänger,about his double,that read:"...'This dual series of experiences,this access to apparently separate worlds,is repeated in my nature in every respect:I am a Doppelgänger,I have a 'second' sight in addition to the first.And perhaps also a third.'Second and third sight.Not only,as he says elsewhere,a third ear.Only a moment ago,he has explained to us that in tracing the portrait of the 'well-turned-out person'[wohlgerathner Mensch] he has just described himself:'Well,then,I am the opposite of a decadent,for I have just described myself.'"11.
Donner la mort:a text originally given as a lecture by Derrida in 1990 and published in 1992 in the collection L'éthique du don13,discuss relation of the gaze or regard to responsibility,in which Derrida made a trial to trace the genesis or genealogy of responsibility in the western traditionfrom Platonic and Christian origins to the work of Kierkegaard,Heidegger,and Levinas.By reading Patocka,Dr.Kas proposed "Derrida remarks that in this genesis of responsibility proposed by Patocka,what takes on greater importance is 'the relation to self as being before the other[devant l'autre]:the other in its infinite alterity,one who regards[celle qui regarde] without being seen'."12.That responsibility is a "dissymmetry in the gaze,in the concern[dissymetrie dans le regard]," a "disproportion that relates me,in what looks at and concerns me[dans ce qui me regarde],to a gaze that I don't see and that remains secret from me although it commands me"(DM 48/27).Then,Dr.Kas proposed "Since the assumption of responsibility necessitates dissymmetry and thus takes place outside of knowledge,in secrecy,then the exercise of responsibility,or witnessing in silence,takes place where no reason can be asked for or given.This is why Derrida claims that responsibility has 'the structure of a type of secret'(DM,47/27).This secrecy is by definition incommensurable with objectivity and knowledge,for reason and rationality always demand proof,manifestation,phenomenalization,and the unveiling of the veiled,whereas the relation to the other---here,Abraham's relation to God,who is absolutely transcendant and must remain hidden or secret---cannot satisfy the demands of reason."......"the relation with the other also involves an essential lack of communication where no signs or promises are exchanged(DM 132/96)."14.other related discussed about the visor effect,gaze(regard) or look and ghost or specter.
doubles:see birth of the doubles,category of doubles
dynamo-logic of simulacrum:see force.
dynamo-logic of image:see force.
dynamis of the image:see force.
dynamis:Dr.Kas proposed some related with dynamis,withdrawn from ontology,which plays a decisive role link force,power with "the virtul as such".As he proposed it followed some discussion about the powers of the image:"The emphasis on force and dynamis is itself borrowed from Marin's phrase in the introduction to Des pouvoirs de l'image where he speaks of la virtu and the dynamis of the image.As soon as dynamis is withdrawn or protected from the traditional ontology that dominates it,it would play 'a decisive role' linking 'force,power,and virtu' with 'the virtual as such---i.e.a virtual that has no vocation to go into action[passer a l'acte]'(FD 181-82/146).Dynamis then would have to do with a possible that remains 'possible as possible',accomplishing 'the possible as such[le possible en tant que tel] without effacing it or even enacting it in reality'(FD 182/146).Dynamis would mark 'within itself...the interruption of this going into action,this enactment[l'interruption du passage a l'acte],' an interruption that bears 'the seal' of death(FD 182/146)."15.A paradox thus illuminates Marin's earlier trajectory,a law according to which "the greatest force does not consist in continually expanding ad infinitum but develops its maximal intensity only at the mad moment of decision,at the point of its absolute interruption,there where dynamis remains virtuality,namely,a virtual work as such"(FD 184/148).
difference between representation and image:see image-power of alterity.
death of the other:Derrida works on morning,in the work of mourning,in a work of remembrance,is the death of the other,like Louis Marin,who is an expert on the works of Pascal and the logic of the Port Royal.It was recognized by Kas.16,see also mourning.
disappearance-live presence:in the view of Derrida-Kas,the live-presence,or living-present always haunted by disappearance,absence;and life always haunted by death,the live-effect,or real-time effect which related with death.Which give possibility of the image,or birth of image,and this related with nocturnal visibility,belief and faith.for disappearance only,this brings the possibility of appearition,"The reappearance of Ogier's apparition is only possible because the living constantly divides itself,harboring within death and nonpresenceThe living present's deferral from itself,this delay or lag,which modern technologies are in constant pursuit of shortening,effacing,or denying,ensures the possibility of any 'making-present'It is this spectral self-relation and relation to the other that makes possible what we,in general,call 'images' and enables them to be recorded or reproduced.", and "The possibility of death inhabits and haunts all modern technologies,brings about re-production as well as allowing for the restitution as 'living present' of what is dead but is preserved as if it were alive.Every 'live effect'[un effet de direct] or a real time 'effect',then,is an effect of the simulacrum brought about by technics(E 48)."
death inhabits:see disappearance-live presence.
Droit de regards: it was written by Derrida after 5years of Roland Barthes' death,entitled Droit de regards(translated as The Right of Inspection),Derrida proclaims in it that "The spectral is the essence of photography[C'est l'essence de la photographie,le spectral.]"
deferring:see self-divergence and photographic referent.
deferred:see deferring.
deferral:see deferring.
distancing:From suggestions of Kas,that in Blanchot's text the movement of the approach of and to the other is never separated from that of "distancing[eloignement]".The proximity of the near is never simply near,for to be "there" is not to be near:"everything that is close[proche] us more distant than the distant[plus loin que lointain]." Kas proposed that Derrida suggested that Distancing in Blanchot akin to the thought of Entfernung in Heidegger,"dis-stances the near[e-loigne le lointain] which it constitutes,brings it closer by holding it at distance"(Par 27).Yet this distancing,he adds,noting the invisible hyphen that divides the word from itself,is also dis-stanced[e-loigne] from itself.Kas suggested that Derrida observed that Blanchot's thought is a thought that thinks,what is wholly other,from out of ---this distancing,and suggested that Derrida pointed out that the force of proximity,or force of approach,or rather "the difference of force",is double,always differing and deferring("differente") and "thus always excessive in relation to itself--disproportionate".see more with the close-distant relation,proximity of the near,double bind of close-distant relation.
disjuncture:Derrida proposed that "the disjuncture of the near[le disjoint du proche] and the present produces,engenders,and indicates at the same time a fissure without limit in knowledge or in philosophical discourse"(Par 35).Kas proposed that this fissure still holds togethor,near each other,the very two things that it separates,preserving the proximity of the distant and the near.It separate without separating,maintains without maintaining togethor.Kas proposed that "This totally singular syntax of the without or -less[sans] in the writing of Blanchot's recits,along with that of the pas,Derrida remarks,holds us under the powerful fascination of his attraction(attrait)(Par 35)."According to Derrida,the path taken by this "law without law of dis-stancing" crosses a discursive schema of Heidegger's and prepares us to think,at the same time,proximity and the chiasm forcefully distancing the two thoughts of Entfernung(e-loignement) and Ereignis(l'evenement)---the collusion without identity of the close and the distant---from each other(Par 36).Where Kas raised the question Derrida cared,about the close-distant relation,or double bind of the close-distant relation,proximity of the near.
double bind: double bind of the close-distant relation.
double bind of the close-distant relation:The double bind of the close-distant relation,attentioned and suggested by Kas that this double bind between the near and the far affects everything,everything that is,that is,everything that presents itself,is present,comes,advenes,happens,exists,[affects] the essence of the event and the event of essence.see more with close-distance relation.
double structure of the pas:see pas:double structure.
double efffect of the pas:see pas:double effect
1: see §12,p.56.Sein und Zeit.
2: Ibid.see §70,p.368
3: see wiki dictionary,url:http://en.wikipedia.org/wiki/Devour
4: see Signature Event Context,p.97.
5: see Of Grammatology,p.19;Fors xiii;
6: see dictionary.reference.com/browse/disgusting.
7: see http://en.wikipedia.org/wiki/Disinter#Exhumation.
8: see Speech and Phenomena,p.81.
9: see Cryptomimesis,p.90~94,under title section "The Exclusion of the Disgusting".
10: see http://en.wikipedia.org/,Doppelgänger.
11: see The Ear of the Other,Jacques Derrida,Otobiographies:the teaching of Nietzsche and the Politics of the Proper Name.1.Logic of the Living Feminine,page18.
12: see Apparitions-of Derrida's Other.Kas Saghafi,Fordham University Press.2010.ISBN.978-0-8232-3162-1.under title "ça' me regarde:Regarding Responsibility in Derrida".
13: The english translation copy of Donner la mort (1999,Galilee) got published by Chicago Press at year 1995,under title the gift of death,first edition,translated by David Wills, the 2nd edition published at year 2008,under title The gift of death;and,Literature in secret,by Jacques Derrida,translated by David Wills.
14: see Ibid,under title "ça' me regarde I",discussion about Abraham's God,p.51~53.
15: see Ibid,under title "The Ghost of Jacques Derrida,Force",p.70~71.
16: see Ibid,under title "The Ghost of Jacques Derrida,Working on Mourning",p.73.
♣ last edit date:8st,Dec.2010.


text:
Tara Kitchen (Schenectady)
- financialdistrictresident Aug 8, 2013 11:04 AM
Track season is here so we went to Tara Kitchen recently. We had dinner outdoors on their brand, new deck. Service was friendly, owners are very nice people. Now on to the food:
*ras-el-hanout seasoned grilled fish
*eggplant roasted garlic and tomato dip with pita
*SO had lamb meatballs in tomato sauce with poached egg (our server and the owner advised him that all the other lamb dishes were even better!)
*Tagine chicken with preserved lemons and green olives. Accompanied with brown rice. I ate SO's rice also :)
We had mint tea and baklava for dessert. This place is a gem, can't wait to go back!
We have harrisa often (thanks, Roma Foods) so passed on dishes with it.
Service is relaxed and all tagines are made to order so this might not be a good choice if you're in a hurry. Go, relax, enjoy the deliciousness. Regarding their wine list, they only serve Morrocan wines.
Agreed. We've visited several times and everything has been wonderful. I'd warn folks to be sure to call ahead if you want a table. The place is VERY small and has been completedly full every time we visited. Since there are only two of us we were able to get seats at the bar the one time we went without calling, but I wouldn't want to rely on that.
re: fisher
Agree. It is a small, intimate place. We called and made a reservation and were told we'd need to sit at the counter or on the patio.
Went to Tara's Kitchen again. . .
*Eggplant, roasted garlic and tomato dip with pita bread
*Spicy harissa marinated picholine olives - This time we tried a dish with harissa. Not sure what the harissa was combined with but the consistency was different than what we have at home out of the tube we buy at Roma Foods. Maybe it was home-made?
*Ground lamb kebab - two of us are non-meat/non-lamb eaters. The others really enjoyed it and were happy they didn't have to share with us.
*Chicken with eggplant and tomato jam tagine, served with bread and couscous (seemed like brown rice?) - delicious
*Fish tagine - don't remember which one but I tasted the fish and it was very good.
*Lamb meatballs (more on this in my previous post)
*Lamb tagine - Don't remember which one SO ordered. He brought leftovers home.
By now it was getting dark and their deck is so new the exterior lighting hasn't been installed yet. The chef owner brought out some candles for the tables. We moved indoors for mint tea and baklava. It's a small and intimate space so reservations are a must (deck was almost full with three tables of 2, 4 and 6 diners). There is also counter seating and a few tables indoors.
re: financialdistrictresident
Re: the harissa. Yes, it is homemade and tastes quite different, imho better, than the stuff you get in the can or tube. Tara Kitchen sells jars of it and some of their other homemade items (preserved lemons, tomato jam, etc). The prices are listed online at the bottom of the menu.
re: fisher
Thanks, fisher. Will check items out next time I'm there :)
re: financialdistrictresident
Chef Aneesa Waheed is a finalist for Rising Star Chefs 2014:
Returned to Tara Kitchen recently. Couldn't believe we were able to snag a reservation on short notice. Kitchen closes at 8:00 pm but we made it there in time for dinner.
We were served sweet, hot tea in small glasses. Ordered Moroccan wine. They also have beer.
Eggplant, roasted garlic and tomato dip with pita bread ($4)
Grilled fish seasoned with ras-el-hanout spice blend ($6)
Both were delicious. Fish was cooked perfectly.
We ordered 3 tagines:
Spinach with lentils and artichoke hearts.
Chickpeas with vegetables and raisins.
Fish with green olives and preserved lemons.
These were all tagines we had not tried before and everything was delicious and cooked perfectly. Like the presentation of the steaming hot tagine on a braided, round mat.
We finished with baklava.
Consistently delicious. An excellent value. Service was very good. There is a counter if you want to watch Chef Aneesa prepare your meal. We prefer to sit in the upstairs, back dining room or on the deck (weather permitting). Parking lot right across the street. Reservations are a must, as posted previously.


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Imagine if one of your favorite characters were to integrate into the universe of another of your favorite characters. Where do you think that character would end up?
Character crossovers
Last posted
Oct 14, 2013 at 07:08PM EDT.
Oct 07, 2013 at 03:00PM EDT
17 posts from 15 users
The best example I can go with is putting Chie Satanaka into the K-on! universe. Her first year she decides to join the Jazz Club playing trumpet.
Hmmm… there's at least 12 ways I can think of it to go, so… I'll look at all of them.
Sonic in Doctor Who
Well, I suppose the Doctor would assume he's just from a species he hasn't come across yet. That or a parallel universe.
Sonic in Touhou
He's basically trolling Aya. Because he's so fast. heheheheheh… Yukari would eventually send him back to his world, though. He'd probably meet most of the youkai by then, though.
Sonic in Homestuck
Now this one is interesting, because some of the characters know about vidya gaems. They'd probably either not believe what they're seeing, or blame it on the Hope aspect. He might not get out of this one alive, though, what with the Jacks of both B sessions, LE himself, and the Condesce…. (then again, there's PM and SS who might back him up.)
The Doctor in Sonic
I can see him and Tails being mutually interested in the other's technology. He might even be interested in Eggman's technology, though he would not approve of the use of most of it. (The more benign ones such as the cleaning robots I KNOW he wouldn't have a problem with. After all, Sonic himself leaves them be.)
The Doctor in Touhou
…Okay. The TARDIS and Gensokyo are almost as opposed as it's possible to be. Gensokyo's all about magic, and the TARDIS is basically the most advanced technology ever. I can see him being kicked out THE MOMENT Yukari knows. Or she may have a bit of fun with him and basically mislead Reimu into attacking him.
The Doctor in Homestuck
Caliborn would not mind him being around. The 11th Doctor at least has a similar style of clothing to him. As soon as the Doctor is briefed about the nature of the alpha timeline, he'd probably just ride along the events. But not get involved.
Cirno in Sonic
I can see her quite happily making herself at home in some of the icier zones. Even if in Ice Cap she'll have to be careful… Then again, she has the advantages of flight and bullet hell. Knuckles does not.
Cirno in Doctor Who
Yeah, no. As much as I may like this, it's basically impossible.
Cirno in Homestuck
They'd probably treat her like a God Tier, since she has the flight and resurrective properties. She has them topped in the latter as even a 'heroic' or 'just' death wouldn't keep her down. Which means that external influence would not prevent a resurrection, as it did with (SPOILER) and (SPOILER).
Nepeta in Sonic
…This is unfortunate. Because the only cat she'd meet is Big. I don't think she'd like fishing very much, and there doesn't seem to be anything to hunt around the Mystic Ruins.
Nepeta in Doctor Who
She may very well become one of his companions. She'd start off being able to take care of herself better than most of them did at first, anyway.
Nepeta in Touhou
She'd most likely be taken as a new youkai. Though I would not mind her meeting Chen. They'd probably get along really well :33.
This is not even getting into the clusterf**k that would happen if I tried to combine these.
Dark claw
Earthbound's Giygas (before he was the well known red spiral) meets Pokemon's Mewtwo
Ok, so, Mewtwo is a psychoanalyst, dressed as Sigmund Freud for some random reason, and Giygas is explaining his existencial crisis while yelling "But doc, sometimes I believe I'm you!"
Shrek and spiderman is my favorite idea
The muppets fighting against Sesame Street for turf
Spongebob and Phineas and Ferb nuff' said.
"We can do it!" Cirno cheered. "Team SUPER★SUCCESS has never failed a mission!"
The sprite's good feeling infected James and Jessie. "It will be good to be part of a team that never fails a mission," the former remarked to the latter, Jessie giggled, having had the same thought.
A more skeptical Krillin whispered in their direction. "This is the first mission we've had since we changed the name."
"Oh." Their mood turned as sour as that of Krillin and the other veteran, Asuka Langley, who was making a mental checklist of how every item in their inventory would be utterly useless against a…
Cirno continued with unwavering eagerness. "We'll have that ghost out of Old Lady MacMurray's house in no time!"
"Assuming there is a ghost," Krillin said.
Cirno had a response for that. "And if there is, you can punch it into next week!"
And so did Krillin. "Assuming it takes physical form."
James risked butting into the conversation. "And if it doesn't take physical form, you can just magic it away, right?"
"… Of course!" Cirno replied after a very brief hesitation. Had she actually looked concerned for a moment?
Jessie asked a question that was on her mind. "So how much is this old bat paying us?"
Asuka grumbled a response. "We're doing this for free."
"It's marketing!" Cirno was smiling again. "Making a good name for ourselves will allow us to get paying jobs in the future!"
Asuka glared at the newbies. "DON'T screw this up."
"We'll allow you the honor!" Jessie joked.
Asuka's eyes flared in anger. Krillin quickly stepped between her and the two interns. "Hey, hey, that's some sensitive equipment in your backpack! We don't need it getting broken." The equipment was meant to detect and record various electromagnetic signals so that they would have evidence of some effort on their part in the very likely event that they never ran into a ghost. Asuka did not exactly calm down, but she stepped back into line.
Team SUPER★SUCCESS finally finished the 15-meter walk from their van to the stoop of the MacMurray house. The 100-year-old building, perched on a rural hilltop, appeared to be in fair shape for its age but seemed to have been neglected in recent years. Bats circled around the sky with no apparent roost. From somewhere off in the far distance, they heard a Great Dane howling in sadness as if something beloved had been taken from it.
Cirno reached up for the doorknob. Krillin lifted her by the waist.
Cirno protested. "I can float, you know."
"I'm just helping out," Krillin explained.
Jessie read more into the situation than was there, smiled, and glanced at James. "Perhaps I should try the door next time," she said with a hint of mischief in her voice. James did not notice.
Cirno gasped. "The door! … It is sealed in a way that I cannot unbind!"
This drew surprised gasps from everyone except Krillin. "Are you sure it's not just locked?"
"The door is locked!" Cirno clarified in the exact same tone of voice.
Asuka couldn't believe the obvious conclusion. "And none of us asked for a key?"
James offered a solution. "I could probably pick the lock if I had my lockpicks. I don't think I remembered to bring them, though."
Krillin offered his kind of solution. "If we really need to, I could kick it in."
Jessie contributed her idea. "We could break a window and toss someone inside." She looked directly at Cirno, making it apparent who she had in mind for the tossing.
Asuka facepalmed. "we're supposed to be securing the house, not destroying it."
and that is where my muse quit in protest and refused to be associated with this project any longer. The general idea is the epitomes of failure teaming up to solve mysteries in the ScoobyDoobieverse, with the gimmick that they eventually do solve the mysteries after sufficient comedy. Maybe it could work as an improfanfic.
Once I dreamt that Starscream had fallen into the MLP:FIM world in the form of an alicorn.
At first he was beyond perplexed and a bit disgusted, but when he learnt from cant-shut-the-fuck-up Pinkie Pie that alicorn are a special race only royal ponies belong to, he started seeing it as a new opportunity. So he started telling a big bunch of lies about how he tried to stop the war among the Autopon and the Decepticorn and his beloved commander Megapon killed him and his spirit has wandered among space, times anmd dimensions till it was intercepted by Twilight's magic during one of her magic exercitations. So he pretended to befriend them in order to learn how to increase his power. But then he met Princess Luna and he found a pony affinity with her.
I can dream up some strange and/or whacked out character crossovers, as well. I've had dreams that crossed-over and/or featured:
- Sonic the Hedgehog, The Amazing World Of Gumball, Earthbound, and The Grim Adventures of Billy and Mandy
- Doctor Who, Pokemon, and Mario
- Adventure Time, Doctor Who, Codename: Kids Next Door, Pokemon, and Ben 10
- Pokemon, Super Mario Galaxy, The Hunger Games, Iron Man, Pocahontas
- Earthbound, Popeye, Dexter's Laboratory, Codename: Kids Next Door, Shrek, Mario Kart, Mickey Mouse Shorts, ABC's Once Upon A Time. (that one was a doozy.)
Just to name a few of the dreams I've had with lots of crossovers/cameos.
Why is there a lot of -1?
Super Robo Jesus in any work of fiction. Everyone repents and is cleansed of any sins. Unless they're a pure evil big bad, then SRJ shoots them with His Holy Arm Cannon.
Krama bombers gonna krama bomb
Also, Lilly in the EVE universe.
Kanto Jungle: Pokemon fighting to survive in a naturally reclaimed Kanto only this time you can eat your opponent! If you're a predator, of course. Comes in Predator Red and Grazer Green versions! Don't forget Johto Jungle Golden Sun and Silver Moon, Hoenn Jungle Red Earth and Blue Vein, Sinnoh Jungle Time Fcuk and Space Conservation, Unova Jungle Black Claw and White Fang and the whole new Kalos Jungle Life Struggle and Death Evasion! (Pokemon + Tokyo Jungle)
Shin Pokemon Tensei: I can't help imagining stuffing a Jack Frost into a Pokeball when I think of this title… (Pokemon + Shin Megami Tensei)
Team Icarus 2: This crossover for no other reason than to see the TF2 classes using the various divine weapons and hearing the ensuing dialogue between two casts of quirky characters! (Kid Icarus [Uprising] + Team Fortress 2)


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Chapter 1 Investment and the use of tax and toll revenues in the transport sector: The research agenda
AbstractThis chapter introduces the research agenda. The problems related to the use of revenues from tolling and charging in the transport sector are organised into nine research questions. These range from the optimal level of user charges to the optimal allocation of the revenues and the appropriate choice of institutions to accomplish this. The theoretical contributions and the case studies of the book are briefly outlined.
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Bibliographic InfoArticle provided by Elsevier in its journal Research in Transportation Economics.
Volume (Year): 19 (2007)
Issue (Month): 1 (January)
Pages: 1-26
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- André De Palma & Mogens Fosgerau, 2010. "Dynamic and Static congestion models: A review," Working Papers hal-00539166, HAL.
- Kidokoro, Yukihiro, 2010.
"Revenue recycling within transport networks,"
Journal of Urban Economics,
Elsevier, vol. 68(1), pages 46-55, July.
- Yukihiro Kidokoro, 2008. "Revenue-recycling within Transport Networks," GRIPS Discussion Papers 08-07, National Graduate Institute for Policy Studies.
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neukölln shits back!
some streets are really covered with dog poo. so i guess this is why someone sprayed this slogan. when i moved to berlin end of the 90s i once wanted to count the dog's droppings from my house to the end of the street. after about 50 meter there were about 150 meter more to go but i was already counting more than 100 so i stopped my empirical survey. 30 weeks, 30 cams - week 2: minox 35 EL. stay tuned for the camera review. if not published by the LSI i´ll write on my blog about it.This photo was shot on film. Taken by bloomchen with a Minox 35 EL loaded with Kodak BW400CN film in Berlin, Germany. These tags describe this photo: mall, karstadt, neukölln, kreuzberg, kaufhaus, berlin, bloomchen, minox, 35, photo, booth, photoautomat, bench, bank, 30, swing, schaukel, double, shit, gumball, machine, kaugummi, automat, stairs, treppe, garage, hinterhof, hof, backyard, car, oldtimer, basket, haus, house, building, vespa, motor, scooter, bar, drinks, beer, bier, mini, chair, stuhl, door, tür, clock, wall, wand, uhr, holga, diana, boat, ship, boot, schiff, anhänger, bridge, brücke, b/w, s/w, clouds, wolke, lamp, streetlight, sign, schild, waschbecken, and people. Date: 2012-03-20. Time: Afternoon. This photo can also be found in the album 30 weeks, 30 cams - week 2: minox 35 EL.
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Nov 20, 2009, 11:34 AM
I have a Dual 2GHz PPC G5 2GB SDRAM. I know that these machines will make a 'crunching' noise when processing, etc. but mine won't stop crunching. I recently installed Adobe Creative Suite CS3. Anyone have suggestions of what to try to make this sound stop?


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With their World Cup campaigns already over, Australia and Spain meet in Curitiba for a final group stage match with nothing on the line for either nation.
Spain's World Cup has been a disappointment and disaster thanks to two convincing defeats at the hands of the Netherlands and Chile. The defending champions had to fall eventually, but who knew it would be in such spectacular fashion. La Furia Roja's only motivation is to try and earn at least one point, to avoid becoming the first defending champ to fail to earn at least a single one in the next World Cup.
Spain v. Australia
Spain v. Australia
Pepe Reina will make his first-ever start in the World Cup for Spain, and Vicente del Bosque could make more changes to allow some players who've not played yet in the tournament to take the pitch. Xavi Hernandez and Iker Casillas will both not play, marking the end of their international careers.
Despite two losses, Australia's World Cup has been far more positive than expected. They played well against both Chile and the Dutch, coming close to upsets in both matches. Unfortunately, Tim Cahill, who was a big part of their ability to score goals, will not be able to play after picking up two yellow cards. As this is likely the Socceroos star's final World Cup, it's a letdown that he can't go out and play one more time.
Match Date/Time: 1 p.m. local, 12 p.m. ET
Venue: Arena da Baixada, Curitiba, Brazil
TV: ESPN2 (U.S. - English), Galavision (U.S. - Spanish), ITV 1 (U.K.), Sportsnet Regional (Canada), SBS One (Australia), TeleCinco Espana (Spain)
United States announcers: Daniel Mann, Kasey Keller
Online: WatchESPN (U.S.), ITV Player (U.K.)


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Villa Mira Longa B&b - Apartment
Sintra, Portugal Bed & Breakfasts
Situated in the heart of Sintra Historic Center...
$43 Per Night
Oh Casa Sintra
Sintra, Portugal Bed & Breakfasts
This Sintra townhouse is set back from the main tourist street amidst the leafy mansions of São Miguel - a pocketful of rooms within walking distance from the historic center....
$46 Per Night
Villa Cinthia
Sintra, Portugal Bed & Breakfasts
Villa Cinthia is a warm and peaceful Bed & Breakfast situated in Praia das Maçãs, a small but beautiful holiday resort in Lisbon's coast....
$57 Per Night
Hotel Santa Maria
Faro, Portugal Bed & Breakfasts
This nem 3 star Hotel is set right in the heart of the city centre of Faro, just a couple steps far from the commercial downtown as well the historical Village of Sé....
Place With Charme In The North Of Portugal
North, Portugal Bed & Breakfasts
· A place with "charme". From an olive oil-press, built 1886, totally restored in 2004, gathering generous contemporary spaces with old granite walls and surrounding nature 15.000sq' of gardens, 900sq' alongside the river Vez banks, at Arcos de...
Starting at 68 Per Night
Casa do Rio
Tavira, Portugal Bed & Breakfasts
Warm and witty fun and funky. An off-beat but deliciously relaxing place to stay, offering guests 5 ensuit bed rooms, a bar and a seawatter pool, close to the center of Tavira....
50 Per Night
The Manor Houses of Portugal
North, Portugal Bed & Breakfasts
Specialist selected accommodation in manor houses, Pousadas, small hotels, inns and self catering accommodation. All property personally inspected and only listed if meeting our standards of accommodation, service, value and financial security....
Pacheco's Guesthouse
Lagos, Portugal Bed & Breakfasts
Pacheco's Guesthouseis an hostel licenced by Lagos city hall. We offer you quality, clean, quiet, fresh and cosy rooms. Everything is in a walking distance (sea, historic center, shops, Santo Amaro market and grossery store). ...
$50 Per Night/Room
Pensão Lourenço Marques
Lisbon, Portugal Bed & Breakfasts
The modern and welcoming atmosphere that boasts excellent accommodation and services with the concept of Portuguese tradition, Asian hospitality & charm...
$16 Per Night
Casa De Campo Sao Rafael
Obidos, Portugal Bed & Breakfasts
Hotel Casa de Campo Sao Rafael is a beautiful country house located 2 km from the town of Obidos......
$43 Per Night
Jewels of Portugal
Sintra, Portugal Bike Tours
On this tour you will ride along beautiful and quiet roads, you will visit many typical small towns, you will experience the atmosphere of kings and queens, you will have a close contact with our History and you will admire the vast landscapes....
Starting at 1,820 Per Event
Sintra Mountain Ride - Cycling Tour
Sintra, Portugal Bike Tours
Come ride with our local guide and experience a scénic ride through tranquile roads in Sintra Natural Park. Our most popular route is 30km long and takes us from the mountain to Sintra Village, and then to the sea!...
Starting at 39 Per Trip
Sintra Cycling - Day Tour
Sintra, Portugal Bike Tours
Come ride with our local guide and experience a scenic ride through tranquile roads in Sintra Natural Park. Our most popular route is 30km long and takes us from the mountain to Sintra Village, and then to the sea!...
Starting at 39 Per Event
Ria Formosa Boat tours
Tavira, Portugal Eco Tours
Bird Watching and Historical Tour Ria Formosa, a true sanctuary of nature. Privileged place to observe birds, by being a migratory corridor containing some of the last places in the Europe for some birds to make nests, Ria Formosa is visited annua...
Azores A Prime Destination For Whale Watching
Azores, Portugal Whale Watching
With an experience of 22 years, Futurismo is a pioneer and leader in whale and dolphin watching in the Azores. Experience the Azores with us!...
Great Rates & Specials! 45 Per Person
Portugal sightseeing tours
Lisbon, Portugal Sight-Seeing Tours
Guided excursions in Portugal, graduated tour guides, multilingual drivers, tailored tours, buses, limousines, boats, restaurants, congresses, shows, escorts, travel agents in Lisbon, Oporto, Algarve, Fatima....
Starting at $31 Per Person
Shore excursion 4x4 or van tour - S.Miguel, Azores
Ponta Delgada, Portugal Sight-Seeing Tours
Through main roads and wild trails, come meet the beauties that exist in São Miguel and that still is kept hidden for the majority of the people that visit the island. Also available Shore Excursion for cruises....
Starting at 40 Per Person
Azores Shore Excursions and Sport Fishing
Ponta Delgada, Portugal Sight-Seeing Tours
We are a small, friendly and reliable company that strives to ensure you the best days spent in the Azores. Sport-fishing, boat tours and safari 4x4 tours are a great way to explore and discover the island. Try us and you will not regret!...
Starting at 40 Per Person
MTB - Schist Villages Trail
Central, Portugal Bike Tours
In this traverse you will bike village to village, sleeping in some of the 24 Schist Villages of Central Portugal, using old trails. The route pass by forest areas, fluvial beaches, several important rivers and breathtaking landscapes!...
Starting at 790 Per Trip
Beach Home
Lagoa, Portugal Vacation Rentals
superb beach home with sea views and walking distance to village and beach. Confortable and with swimming pool w its own snack bar facility, reception services and 24 hour emergency phone....
85 Per Night
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Out of over 500 blogs who entered here are the overall winners. This was so hard, there were so many good blogs I wish I could've put in!! Please check out some of these blogs they're really great. Thank you guys ily!!!
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It was actually impossible to narrow down my favorites, i'm sorry you guys are all so so great okay.
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omg thanks soooo much…I don't know what to say…


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My LoveThis photo was shot on film. Taken by krogers with a Lomography Diana Mini (available in our Online Shop) loaded with Agfa CT Precisa 100 (35mm) film (available in our Online Shop) in United Kingdom. These tags describe this photo: hastings, process, yellow, valentines, love, my, boy, special, green, and cross. This photo can also be found in the albums That Guy..Hastings 2010 - Diana Mini.
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Film Review
Love Is All You Need
Danish-Italian (and a wee bit Irish) romance is beautifully realistic
Pierce Brosnan stops by Italy to romance a broken-hearted mother of the bride in the exotic rom-com Love Is All You Need.
Reel World
Longtime, lo-fi, punk rock, husband-and-wife filmmaking duo Jon Moritsugu and Amy Davis have completed work on their first feature in 10 years. Writer-director Moritsugu and writer-actress Davis moved to Santa Fe several years ago and have been fine-tuning the sci-fi-horror freakout known as Pig Death Machine ever since.
Idiot Box
"Aaaand Cut!"
"Race to the Scene" on Reelz and "The Hero" on TNT
Reelz' "Race to the Scene" and TNT' "The Hero" compete to be movie stunt competitions
Week in Sloth
Alibi flips through the channels to find the best stuff on TV this week
Tomorrow's Events
White Sands International Film Festival at Multiple Locations
Featuring independent films of all genres, including a special focus on Latino and New Mexican filmmaking and cinema shot in southern New Mexico.
Free Wednesday: Film Series at Albuquerque Museum of Art and History
The Wind Journeys at National Hispanic Cultural CenterMore Recommented Events ››
International Legends Cup • 9.13.2014
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