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NJSO to Host 'Saturday Night Out' LGBT Event 5/3 Featuring Brahms and More
The New Jersey Symphony Orchestra presents Saturday Night Out-an LGBT event-on Saturday, May 3, at the New Jersey Performing Arts Center (NJPAC) in Newark. The NJSO will host a post-concert champagne and dessert reception for ticketholders who are LGBT community members and friends. The event follows the success of the Orchestra's Friday Night Out LGBT event at NJPAC in April 2013.
The reception is free to ticketholders, but advance reservations for the post-concert reception are required. Patrons should use promotion code SATURDAYOUT when purchasing tickets for the evening's NJSO concert online or by phone.
The NJSO's May 3 performance of Brahms' First Symphony at NJPAC begins at 8 pm. Metropolitan Opera Orchestra Principal Clarinet Anthony McGill joins the Orchestra for Richard Danielpour's Clarinet Concerto, an NJSO co-commission written for McGill. A pre-concert Classical Conversation about the program begins at 7 pm.
The program opens with Beethoven's Leonore Overture No. 3; Lacombe highlights the connection between the composer and Brahms, whose first symphony closes the program. "Brahms was one of the most important and respected German composers ever, yet he admired and respected Beethoven's symphonies so much that he took 20 years to write and find the courage to publish his own first symphony," the music director says. "Brahms had felt for a long time that no one could ever write a symphony [that would match] Beethoven's Ninth. It's fascinating to see [Beethoven's influence] in all of Brahms' symphonies; Brahms respected Beethoven's symphonic conventions to the dot, but he creates [his own] powerful world."
The Orchestra's New Jersey premiere of Danielpour's Clarinet Concerto, which was written specifically for McGill and co- commissioned by the NJSO with Orchestra 2001 and the Kansas City Symphony, ties this program to the NJSO's 2013-14 season opening concerts. "Danielpour is one of my favorite American composers, and this concerto is inspired by Martin Luther King, connecting with one of the themes we have explored this season," Lacombe says. "When I thought about that I also thought of including the Leonore Overture because it is an expression of freedom from repression.
"Whenever I think of the Leonore Overture, I think of the reopening of the Vienna State Opera after the Second World War," the music director says. "When you hear this music, you get this feeling of freedom, of finally being safe and in a free world-it must have been incredibly moving for the people in the concert hall after living through the horrors of World War II. To combine this work with a piece dedicated to Martin Luther King is very engaging and meaningful."
More information about Saturday Night Out is available at www.njsymphony.org/lgbt.
Tickets start at $20 and are available for purchase online at www.njsymphony.org or by phone at 1.800.ALLEGRO (255.3476). To reserve a space for the Saturday Night Out LGBT reception, enter the promotion code SATURDAYOUT when purchasing online or mention SATURDAYOUT to a ticketing representative when purchasing by phone. Additional program information is available at www.njsymphony.org/events/detail/music-of-the-masters-beethoven- brahms.
Jacques Lacombe, conductor - A remarkable conductor whose artistic integrity and rapport with orchestras have propelled him to international stature, Jacques Lacombe has been Music Director of the New Jersey Symphony Orchestra since 2010 and Orchestre Symphonique de Trois-Rivie?res since 2006. He was previously Principal Guest Conductor of the Orchestre Symphonique de Montre?al and Music Director of orchestra and opera with the Philharmonie de Lorraine.
Lacombe has garnered critical praise for his creative programming and leadership of the NJSO. The Orchestra's acclaimed "Man & Nature" Winter Festivals have featured innovative programs, including a realization of Scriabin's "color organ." He created the New Jersey Roots Project, presenting music by New Jersey composers. The New York Times wrote, "It was an honor to be in the hall" for Lacombe and the NJSO's performance at the 2012 Spring for Music Festival at Carnegie Hall.
This season, Lacombe's NJSO highlights include the world premieres of an NJSO commission by Geri Allen and a new work by Lowell Liebermann and the U.S. premiere of Tan Dun's Earth Concerto. He conducts the Montre?al, Que?bec and Columbus Symphony Orchestras, returns to the Ope?ra de Monte-Carlo for La Favorite with tenor Juan Diego Florez and leads Chausson's Le roi Arthus in Strasbourg.
He has appeared with the Cincinnati, Toronto, Vancouver and New Zealand Symphony Orchestras and National Arts Centre Orchestra of Ottawa. He is a frequent guest conductor in France, Spain and Australia and has led tours and recordings with the National Youth Orchestra of Canada.
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Interpol streaming 'El Pintor,' played a release show in LA (pics, full video, setlist)
Aug 27, 2014 11:06am | Brooklyn Vegan
photos by Adela Loconte
Interpol @ Mack Senate Stage 8/26/2014
Interpol played LA's Mack Senate Stage last night (8/26), a special concert presented by KCRW's Morning Becomes Eclectic. The show celebrated the forthcoming release of the long-running NYC band's new album, El Pintor, which is out next week via Matador. (Stream it at NPR.) That album's "Breaker 1" and "Same Town, New Story" made their live debut last night. Full video, pics and setlist from the KCRW show are in this post.
NYC, meanwhile, will get two El Pintor release shows next week: The Met's Temple of Dendur on September 2 (sold out) and Bowery Ballroom on September 4 (tickets on sale Thursday [8/28] at noon). And they'll be back this fall for two sold-out Terminal 5 shows.
Video and more pics from Interpol's KCRW show below...
Continue reading "Interpol streaming 'El Pintor,' played a release show in LA (pics, full video, setlist)" at brooklynvegan
Video Premiere: Dog Bite Lady Queen
Aug 27, 2014 11:02am | CMJ
The post Video Premiere: Dog Bite – "Lady Queen" appeared first on CMJ.
Watch St. Vincent play a cruel game of Name That Song
Aug 27, 2014 11:01am | Cosequence Of Sound
Chances are that if you read this site, you think of yourself as some sort of musical expert. But, if you were given a test to identify their songs based on just 30-second snippets, how well would you really do? Be honest. It's way harder than you think.
The mighty Annie Clark, aka St. Vincent, was subjected to a similar challenge recently at the Rock En Seine festival. Folks from the French site Sourdoreille played random tracks by some of Clark's biggest musical influences and asked her to name 'em on the spot.
While she easily nailed some (Talking Heads), she found herself rather stumped by others, especially Sufjan Stevens' "bullshit Christmas tracks" which were obviously fiendishly used to trip her up. At one point, Clark even calls the game "cruel."
Though I do agree it's a rather tricky game do you know how many holiday songs Sufjan has? A LOT it's still cool seeing Clark rattle her brain and talk about artists far and wide and her personal connections to them. And well, it's also pretty fun hearing her curse in English and seeing the French subtitles below. Or maybe I just really like cursing in French. Oh merde!
Watch it below (via Stereogum).
Jennifer Castle enchants on new album Pink City; stream it now
Aug 27, 2014 11:00am | Chart Attack
Jennifer Castle's Pink City is streaming over at CBC, and on first listen it sounds like an artifact chanced upon in a dusty box found on the side of an abandoned town's record store. The tender, soaring folk full of melancholy and wit feels like a relic, but with too much singular personality to be just some curio. Pink City features contributions from Owen Pallett, Paul Mortimer of The Highest Order, Brodie West, and many more Toronto music pals. Put it on, stare outside, and reflect with some unsugared tea. And a nice dog, if you can get one.
Jennifer Castle's new album Pink City is out September 2 via Idee Fixe Records; pre-order it here.
Jennifer Castle enchants on new album Pink City; stream it now by Jordan Darville | Chart Attack.
Mark Gatiss and Steven Moffat tease 'Sherlock' season 4
Aug 27, 2014 10:52am | NME
It might be going darker say the writers
Austrias Elevate festival adds next wave of acts featuring Scratcha DVA, Mala and Cooly G
Aug 27, 2014 10:47am | Fact Magazine
Austria's sprawling Elevate Festival returns this October with a cracking lineup of forward-thinking artists from across the globe.
The festival is always worth keeping an eye on, and Elevate are off to a great start this year with appearances confirmed from Pan Sonic's Mika Vainio, Hyperdub boss Kode9, noise techno producer Container and Detroit's Motor City Drum Ensemble. They've now announced the second wave and it's looking even more tantalizing – on top of Kode9, the festival is also grabbing a few more names from the Hyperdub stable - Scratcha DVA, Cooly G and Ikonika. It's all in celebration of the label's 10th birthday this year, and as a "special birthday present" the label are also bringing along DMZ's Mala and Teklife DJs Feloneezy & Jackie Dagger.
Elsewhere, UK producer (and FACT fave) Tessela will be dropping in for a set, as will experimental type Robert Aiki Aubrey Lowe (aka Lichens), who will no doubt be fusing his modular synth experimentations with his well-practiced vocal workouts.
For a closer look at the festival's programme thus far and to grab tickets, make sure you head to the Elevate site
Merchandise After The End
Aug 27, 2014 10:40am | CMJ
Merchandise knows a thing or two about staying in one place.
Though it often seems the band has no love for their Tampa hometown
(in an interview with Dazed & Confused, frontman
Carson Cox called it a "cultural wasteland"),
they've spent their entire lives in the Florida city. Drummer
Elsner Niño said he couldn't convince them to
relocate. But while the band's strip-mall surroundings and
small home studio haven't changed, with After The
End, their sound has.
Christopher Owens reveals new song 'Never Want To See That Look Again' listen
Aug 27, 2014 10:21am | NME
Track is latest to be lifted from new solo album 'A New Testament'
FYF Fest, L.A.: August 23-24, 2014
Aug 27, 2014 10:19am | CMJ
AC/DC Albums From Worst To Best
Aug 27, 2014 10:13am | StereoGum
In the single greatest book ever written about rock music, 1991′s Rock And The Pop Narcotic, Joe Carducci described AC/DC thusly: "They kind of took the lumpen stomp of Slade and sort of added the blues croak of early Savoy Brown (Chris Youlden) and came up with a raw, narrowly focused, grittily compacted hard rock sound somewhere in the vicinity of the intersection of blues and metal at boogie They became so popular by 1980, that today, if you cut open young execs, young housewives, rappers, house mixers, salsa fans, hip hopsters you'll likely as not find that about fourteen rings back there's a layer of molten rock sediment spewed by this Australian eruption."
Read More...
Fabio Frizzis soundtrack to Lucio Fulcis A Cat in the Brain set for vinyl release
Aug 27, 2014 10:13am | Fact Magazine
We're massive fans of Italian horror soundtrack king Fabio Frizzi here at FACT, and this announcement is exactly what we've been waiting for.
Lucio Fulci's Un gatto nel cervello, known in English as A Cat in the Brain or (boringly) Nightmare Concert emerged in 1990 and sported a soundtrack from his regular collaborator Fabio Frizzi. Sadly, the score has been incredibly tough to source ever since; there was one release (it was paired with Frizzi's ace score to Fulci's Zombi 2 and dumped on CD in '98), but that's been out of print for years.
Now the lovely folks at Mondo out in Austin, Texas have managed to secure the rights so they can give the score the deluxe treatment it always deserved, and they've outdone themselves. Boasting spiffy new artwork from Aussie duo We Buy Your Kids, liner notes from Fabio Frizzi and randomly inserted "brain-colored" vinyl, it's also been given a deluxe pressing on 180g wax. There's no word of exactly when it will be released, so make sure you check out Mondo's website periodically if you don't want to miss out – their releases are notoriously quick to sell out. [via Modern Vinyl]
If you want to find out more about Fabio Frizzi, FACT's in-house horror buff John Twells selected the Italian composer's finest moments, and...
A third LP from elusive crooner Lewis has surfaced
Aug 27, 2014 10:13am | Fact Magazine
The plot thickens.
Earlier this year, Light In The Attic discovered and reissued two albums by Lewis, a mysterious Canadian singer who seemed to disappear after recording LAmour and Romantic Times in the 1980s. Subsequently, the label tracked down the artist (real name Randall Wulff) in Canada, vowing not to repress either of the albums once their stock of CDs and LPs runs out.
Now, a third album, Love Ain't No Mystery, has surfaced via Fiasco Bros, a studio known to be connected to the singer. Credited to Lewis and/or his Randy Duke moniker, it certainly sounds legit, judging by the two tracks that have popped up on YouTube. Listen below and decide for yourself whether this is worth a $10 flyer via Paypal. [via]
New Zealand icon Peter Jefferies touring the US for first time in 20 years in support of 'Electricity' reissue (dates, streams)
Aug 27, 2014 10:11am | Brooklyn Vegan
Although he's never cultivated as high a profile as some of his contemporaries, Peter Jefferies can be found dangling from just about every important branch of New Zealand's post-punk family tree. Over the course of a decade and a half, he's wended his way from fronting the aggro-punk Nocturnal Projections to co-starring (with brother Graeme) in the dour This Kind of Punishment to his role as in-house tape manipulator at the Xpressway label. It's on his solo records -- and the collaborations in which he's allowed to take the reins -- that the expansive sweep of Jefferies' vision can best be appreciated. [Trouser Press]Superior Viaduct just reissued Peter Jefferies' 1994 album Electricity which marks its first release on vinyl. You can stream a couple tracks from the reissue below. Last year, De Stijl reissued his acclaimed 1990 album, The Last Great Challenge in a Dull World, and that can be heard via Rdio.
As part of the Electricity reissue, the New Zealand musician will be touring the US for the first time in 20 years. That tour starts in NYC at Issue Project Room on October 1 where he'll perform two solo sets. Tickets for IPR are on sale now.
All dates are listed, along with songs streams, below...
Continue reading "New Zealand icon Peter Jefferies touring the US for first time in 20 years in support of 'Electricity' reissue (dates, streams)" at...
Hear soothing Oren Ambarchi collaboration Green Dragon Inn from David Sheas Rituals
Aug 27, 2014 10:10am | Fact Magazine
Experimental heavyweight David Shea returns with a stunning new album influenced by ceremonial rituals.
US-born, Australia-based composer David Shea has already amassed quite the catalog over his estimable career. He still might be best known for his work with John Zorn's Tzadik imprint, but Shea's been working tirelessly over the last five years on a new album (his first in almost a decade) of "outer-wave electro-acoustic deconstructions."
Rituals is a collection of music influenced by ceremonial rituals, after Shea spent time immersing himself in "raditional ritual music centred on Buddhist and Taoist traditions" and the influential musique concrete of Luc Ferrari and Giacinto Scelsi.
You can hear the album's gorgeous closing track 'Green Dragon Inn' (which features Oren Ambarchi, Joe Talia and Girish Makwana) below, and the album will be released on Lawrence English's Room40 imprint on September 15.
01 Ritual 32
The Killers' Brandon Flowers reveals details of 2015 solo album
Aug 27, 2014 10:03am | NME
Frontman is working with Ariel Rechtshaid on follow up to 2010's 'Flamingo'
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Firecracker and Box stunt
Posted by nunes on Mar. 19, 2008
Posted by nunes on Mar. 19, 2008
for your next stunt: try something cool... like playing 6 bullet russian roulet asshole....
lol: haha jared ily n i cant believe u did tht lol i almost died laughin wen u went down the stairs
Please lick an electrical outlet: next


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OM Decor — Virtual
We are an interior design company based out of Miami and New York with an online showroom of home furnishings. We are seeking a creative student familiar with WooCommerce to provide much needed data e…
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Seeking MA level, clinical psychology intern/trainee to provide individual psychological counseling services to high functioning, very motivated, diverse, community college student population ages 18-…
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Katz Public Relations is an up and coming Entertainment PR Agency seeking a motivated self-starter to join our small yet hardworking team. The internship will be part-time as well as occasional evenin…
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Over the past two decades Silver Jeans Co. has become known as the must-have brand for those who demand a perfect fit from their jeans. The brand is a time-tested collection that blends modern and vin…
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The merger of the UK's leading mobile operators will be complete this July, under the new umbrella company Everything Everywhere »
Media companies, academics and politicians have signed a letter expressing their "bitter disappointment" at an amendment to the controversial Digital Economy Bill »
The speeds 4G networks offer make mobile web surfers go starry-eyed. But Wired explores the dilemma two competing standards are causing »
The carrier will unlock handsets for out of contract customers when the iPhone spreads to other networks next year. Will the iPhone's proliferation reduce telcos to 'dumb pipes'? »
Motorola argues the iPhone's approach of an app for everything segregates the online experience, a weakness its first Android phone, the curiously named Dext, hopes to exploit »
We hoped that a three month amnesty on roaming charges might herald the beginning of their downfall, but it looks like it's just a summer promotion »
James Gilpin is a designer and researcher who has turned the sugar-rich urine of elderly diabetics into a high-end single malt whisky »
The new working environment is at once rec room and high street, coffee bar and potting shed »
Wired.co.uk reviews the Vodafone Smart 4 Turbo »


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7pm EST || WNBA PREVIEW || Fever PREVIEW || WNBA LIVE ACCESS Have the Fever faded? The Fever have surrendered home games against some of the best in the East, but have yet to win in...
In a rare day game, the kids of "Kids Day" are out in full force, filling the middle bowl, clapping their Bam Bams, cheering wildly with every cameo on the jumbotron and creating an...
Videos, links and gory details from the Sky's latest home loss against the Fever.
Join us to chat about the Fever-Sky game, 6pm EST. Will Shay Murphy have a big game?
Now they play four on the road and will not be back until July 8th. Here's how they did it.
The Indiana Fever beat all the top teams, but still remain stuck in 3rd place in the East. How they won this week.
Two top teams face off: Atlanta Dream at Indiana Fever, 7pm EST. Talk about the game here.
Last night the Storm were ambushed by Fever defense and held to a season low 65 points. Here's how it happened.
Get ready for the NBA Finals by joining us for a chat during the Storm-Fever game at 7pm.
Get your buddies together for Guys Night Out this Thursday, June 17, when the Fever faces the Seattle Storm at 7:00 p.m. You'll receive a ticket to game and all you can eat and drink for only $25. Plus, you'll meet members of the Indiana Pacemates dance team. Click here to purchase your Guys Night Out ticket and see the 2009 Eastern Conference Champs. Can't make it to this week's game? Attend Guys Night Out on Thursday, July 8, when the Tulsa Shock visits Conseco Fieldhouse. Don't miss out on this opportunity for great food and great basketball.
Indiana Fever Locker Room Confidential, 77-67 over Sun, Video from Fever players.
Tina Charles Stuffed, Connecticut Sun Still Chasing First Road Win...
Watch the Sun-Fever rematch tonight at 6pm EST. Chat with us at Swish Appeal during the game.
It's a matchup of top East Coast teams in a home-and-home series this week. Sunday's game at Conseco FieldHouse is Family Day sponsored by Lucas Oil. For the same price as a game ticket alone, the Family Night package includes a ticket to the game, a t-shirt and a voucher for a hot dog, chips, and Pepsi product. Tickets start at just $15! A minimum purchase of 4 tickets is required.
WNBA schedulers do something right: Connecticut Sun vs Indiana Fever this weekend home-and-home series preview.
It's hard to look at the first quarter of the WNBA and see competitive balance. Does parity matter? Does the WNBA have it? Yes and yes, here's why.
From Q McCall: On the night of John Wooden's passing this past Friday, SBN's UCLA Bruins blog sent out an all-call to SBN writers for thoughts on John Wooden. The site has switched to a black/gray background since that day and Nestor has threaded together the contributions from around the network in a post today. In case you missed it, Swish Appeal got quotes from Phoenix Mercury general manager and UCLA alum Ann Meyers-Drysdale, Indiana head coach Lin Dunn, and Seattle Storm head coach Brian Agler as well.
If you haven't been following, 2009 WNBA Eastern Conference Champs are rolling. Big games in the next two weeks against the best teams in the WNBA. Next home game, Sunday, June 13 against the Connecticut Sun.
Review of the Indiana Fever's week, including three. games in the past four days. Brief discussion of upcoming games.
New York Liberty at Indiana Fever, 7PM EST: Game Preview
In the heart of Indiana, Fever Coach Lin Dunn talks about John Wooden as her players take the court. Larry Bird also makes a statement.
The Indiana Fever frustrate the Sinking San Antonio Silver Stars 79-57
Isn't the WNBA about adjustments? After debuting the slick smaller lineup with Shay Murphy in for Ebony Hoffman last game, the Indiana Fever are going with their vintage lineup. Meanwhile the...
San Antonio Silver Stars at Indiana Fever, 7pm EST: Game Preview
Here's four photos by Max Simbron of a veteran Coach Lin Dunn talking to her rookie point guard Briann January in the heat of the 2009 WNBA Finals... We may never know what they were actually...
An somewhat oldie story dug up by Audrey at Chicago Sky Hoops.... Amazing story, too big not to share. Thx Audrey!
Indiana Fever at Tulsa Shock Game Preview
News Release The Indiana Fever has acquired second-year guard Shavonte Zellous from the Tulsa Shock, in exchange for a 2011 second-round draft pick, it has been announced by Chief Operating...
I like to give the games at least a day to sink in and let the collective internet response bubble up. Is Katie Douglas' poor shooting a serious concern? Can we expect more scintillating play from...
The Sky are falling The Sky / Fever Winless Rivarly Weekend ends with a clear winner, and unfortuntely, a very clear loser. With the back-to-back wins, the Fever inch up to 2-2 respectability, the...
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text: Would someone be able to point me in the right direction about publishing Ovi and how you learned to do it? Are there recommended books or areas to go to that lets you know the details about how to do this? Or am I making the whole process too complicated.


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Collierville tops Houston to win 8-AAA softball crown
Collierville softball coach Mike Bradley keeps waiting for the telltale signs of a young team. Rattling in a big situation. Letting adversity get their heads hanging and spirits drooping.
He'll have to keep waiting. His youngsters rallied for two runs in the sixth, and sophomore ace Bayleigh Wisher shut the door on a seventh-inning rally as the Dragons claimed the Region 8-AAA softball title with a 3-2 home win over archrival Houston on Wednesday night.
"This team is so young, yet they don't ever act like one. I just had to keep telling them to believe," Bradley said after Wisher improved to 23-3 and his Dragons (28-10-1) earned a home sectional date Friday against Hardin County. Collierville, which also beat Houston for the District 15 title, is seeking its first trip to the state tournament since 2010.
If Houston (21-9) hopes to reach Murfreesboro for the first time since 2009, it will have to stop Munford's run of tournament bids at two on the Cougars' field. Munford reversed a District 13 loss to Hardin County on Wednesday, claiming the Region 7 title with a 2-1 decision.
Wisher gave up a first-inning run as Kathryn Peterson singled, stole two bases and scored on a hit by sophomore pitcher Jenna Cotter (20-9). Houston made it 2-0 in the fourth on a combination of three infield errors that allowed Madison Studstill to score.
"We don't normally make those types of errors, so I got the team together and told them 'You've got to get your stuff together!' " said Wisher, who retired the next eight batters she faced, including two of her eight strikeouts back to back to end the fifth.
Houston gave one back on a two-out outfield error on sophomore Kari Kennel's long fly in the bottom of the fourth.
Wisher hit a one-out single in the sixth off Cotter, who struck out seven and had given up just three hits through the first five innings. Then with two out, freshman DP Shelby Crocker, who struggled in her first two at-bats, drilled an outside fastball for an opposite-field RBI double. She took third on the play, and courtesy runner Eli Burriss scored the lead run on Kennell's second single.
"She (Cotter) wasn't getting her change-up in (for strikes) so I was able to look for the outside fastball," Crocker said.
Houston didn't go down without a fight. Lauren Lindley legged out an infield hit. although she turned her ankle on the play and left the game. Peterson drew a walk, but after falling behind 2-1 to Alyssa Ptacek, Wisher fired two strikes past her.
"We couldn't get the hit or the pitch we needed in this game," Mustangs coach Matthew Parker said, "but we've still got the opportunity to get where we want to go."
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These illustrations can also be seen in the Activity Studio inside the Gustave Doré exhibition space. They will be on show from 12 June to 14 September 2014.
I've attached my drawing for the bluebeard contest. It's a very serious story but I chose to interpret it in a lighter cartoon style.
After graduating film school in 2008 Candice Purwin became a freelance illustrator. She has designed book covers, posters and promotional material as well as having exhibitions of her fine art work in Edinburgh, Berlin, Toronto and London. Recently, she has made a return to the joining of language to pictures in the form of comics both online and in print.
I've attached a submission to the Gustave Dore 'black and white illustration' event. My submission is a contemporary take on one of Dore's most infamous images. Mediums used include ink and fine pen.
My first exposure to Gustave Dore was through a lucky find at a second hand book store. I picked up The Rhyme of the Ancient Mariner. Every page showed epic illustrations of a sweeping stormy ocean or death and the maiden fighting for the souls on the doomed ship. Especially impressive was Dore's ability to illustrate the piles of tortured dying sailors heaped together on the deck. He filled every space with movement and detail depicting the state of each individual body. In the spirit of this image I have illustrated the moment in the tale of Bluebeard when his young wife sneaks into the forbidden room to peek at the secret hidden there. To her horror she discovers the truth behind the mysterious disappearance of Bluebeard's previous wives when she sees the heaped bodies of the murdered women.
"You Shall Take Your Place Among the Ladies You Saw There"
13 1/8" x 9", vellum, acid-free paper and ink
Through the keyhole, we spy the moment just before Bluebeard's Wife is rescued from a violent and grisly end.
My work is normally an investigation of light – both the physical substance, as well as through whimsical, humorous subjects. In contrast, "Bluebeard" is a decidedly dark narrative, and one way of conveying the macabre nature of the story was through shadows; the blockage of light. The silhouettes also recall the tradition of storytelling through shadow puppetry (Ombres françaises).
In my work, I consider the nation, as in our culture, the mother/the female. The animation work is a deep reflection on the tale; I use its characters and events to reflect on the dictators' behaviors towards the nation when they are rejected. This particular work is inspired by the children who survived the most recent civil war in Syria. The story of the survived child is the hope we have and represents the last wife who was somehow able the escape and save other women when Bluebeard was killed.
The work is created using hair, which has rich meaning through most of cultural and is a symbol as well to present women.
In my work, I consider the nation, as in our culture, the mother/the female. The animation work is a deep reflection on the tale; I use its characters and events to reflect on the dictators' behaviors towards the nation when they are rejected. This particular work is inspired by the children who survived the most recent civil war in Syria. The story of the survived child is the hope we have and represents the last wife who was somehow able the escape and save other women when Bluebeard was killed.
The work is created using hair, which has rich meaning through most of cultural and is a symbol as well to present women.
In my work, I consider the nation, as in our culture, the mother/the female. The animation work is a deep reflection on the tale; I use its characters and events to reflect on the dictators' behaviors towards the nation when they are rejected. This particular work is inspired by the children who survived the most recent civil war in Syria. The story of the survived child is the hope we have and represents the last wife who was somehow able the escape and save other women when Bluebeard was killed.
The work is created using hair, which has rich meaning through most of cultural and is a symbol as well to present women.
'Queen and Mistress (contemplating escape)' 11x14 Pen and Ink 2013
My passion for Bluebeard began in a dark corner of the library in my hometown. Since first reading this horrifying tale at the age of five, my fear and repulsion has grown into fascination with the story's timeless relevance and ability to evoke such primal emotion. As an amateur folklorist I have read every version of Bluebeard available, from Charles Perrault to Angela Carter, and all the Grimm's versions in between. My illustration is a composite representation not only of Bluebeard, but Beauty and the Beast, and Rumpelstiltskin, and aims to conjure through the expression of the female figure, the thin line between Stockholm Syndrome and the drive to escape your captor, as explored in so many classic folk tales.
Ma démarche s'inscrit dans le courant instrumentaliste qui se développe de plus en plus. Le procédé est en fait de laisser sa voix intérieure guider les gestes de dessin pour que se forme une imagerie conforme à la créativité de son être. J'ai utilisé un dessin à l'encre sur papier multimédia pour établir la base du travail, que j'ai ensuite photographié et traité par logiciel pour rajouter une profondeur. J'ai voulu dénoncer les actes terribles de Barbe Bleue. De plus, j'ai laissé entrevoir que son esprit est toujours actif (ombre fantomatique en arrière-plan) et peut frapper encore si l'on oublie les dangers de la violence. Peu importe la gravité d'une faute, personne ne mérite la mort ou la violence. J'ai trouvé la production de cette image exigeante puisqu'elle traite d'un enjeu bien réel (la violence conjugale) et toujours présent au sein de notre société.
The fairy tale Bluebeard is incredibly disturbing and twisted. The artist chose to emphasize this by using dark tones and a smokey touch. The wife's eyes appear haunted and her fingers drip blood as she hands it over to the mostly hidden bearded man. Madeleine Sibthorpe has a background in fine arts and has recently started gravitating towards illustrations. She takes inspiriting from artists such as Kay Nielsen, Beardsley, Van Gogh, Dali and Botticelli. Madeleine is currently studying at Dawson College. To see more of her work go to madeleinesibthorpe.ca
People are the foundation of my visual art and installation projects. Whether a representation, abstraction, or including human and social interaction, the human component is always at the core of the concept.
Mark is a visual and electronic artist who works with the human form and human interaction. Mark's work ranges from visual works such as drawing and painting the figure and portraiture to social installation projects that incorporate audience participation.
You can find out more about Mark and his art at his web site http://www.markbstephenson.com and his Facebook page https://www.facebook.com/MarkStephensonArtist
I've been drawing since a young age and I'm really looking for ways to show my work. I'm best at copying pictures, all of my other freehand work is usually animation. I enjoyed the imagination this story creates and please please give me a follow up and let me know what you think.
I have used art as therapy for the last couple of years to deal with chronic severe pain, following a car accident.
I find great comfort in the therapy art provides for myself and others.
With this piece of art I have depicted the room Bluebeard forbid his wife to enter. The view from the keyhole teases her with some interesting things. Through the keyhole her interest is piqued and that, coupled with the advice from her husband to not go in, seals her desire to see it all.
These things turn out to be not as they first appear, but with close inspection reveal the skulls of the previous wives.
The word blood and death are clearly visible as a warning, that won't be seen until it is too late.
There are a number of ways to kill depicted such as, swords, a knife, an axe, a rope and poison.
It was rather interesting to play the the motifs.
As I am a cartoonist I decided to draw a cartoon illustrating the irony of Bluebeard leaving his wife with the key to the very door she is forbidden to open.
"Bluebeard Re-imagined" by Patrick Szoldatits
This new depiction of Bluebeard symbolizes the riches, desire and violent nature of the French fable. The hair is drawn in an unkempt and wispy fashion to cast attention to Bluebeard's dangerous and unexpected demeanor. The eyes reflect a flame, symbolic of the passion that draws his betrothed into a spellbound devotion to him. While finally, Bluebeard's monstrous facial hair litters symbols of the story to create a sense of concealment, but also instability.
Like many fairy tales, the story of Bluebeard is an outlandish and grotesque one, but I chose to highlight the part of it that seems most universally relatable: the wife's loneliness, regret, and fear at the situation where she has ended up.
Born, raised, and currently residing in Ottawa, Canada, Anna has been studying and creating art for over 14 years. A graduate of Canterbury Arts High School and the Ottawa School of Art, she specializes in portraiture and figure drawing.
Le récit de Barbe bleue est un de mes préférés. Lorsque j'étais enfant j'appréciais le mystère et la tension du récit. Je considère le personnage de Barbe bleue comme l'incarnation de la folie. C'est ce que j'ai voulu représenter à travers mon illustration. Le contraste entre l'innocence et la démence. J'ai utilisé plusieurs médiums et des effets avec un logiciel de dessin qui donne cette impression de linogravure. J'apprécie lorsque l'on peut voyager à l'intérieur d'une même image. Lorsque l'émotion est palpable et qu'on peut deviner les paroles et les pensées des personnages...d'un simple coup d'œil.
This is my first encounter with the story of Bluebeard. Dark, and thrilling, Bluebeard drew me in and led me to create this quick sketch. Done with a simple black ink ballpoint pen, I imagined the scene of Bluebeard leaving behind his bride with a heavy burden. Determination and severity glow in his eyes, while she, holding the keys, looks on with a wondering gaze, unsure and curious as to what she holds access to.
Pour réaliser cette illustration, j'ai pris le moment de l'histoire où Barbe bleue donne la clé à sa femme et j'ai mis l'accent sur sa célèbre barbe. Je me suis inspirée des traits de crayon qui sont très présents dans les illustrations de Gustave Doré. Au contraire de celui-ci, j'ai séparé les traits de crayon et la masse de noir. L'effet est axé sur le mouvement de la ligne plutôt que le clair obscur.
"At this very instant there was such a loud knocking at the gate that Blue Beard made a sudden stop."
Fear sees danger everywhere
Born in Kerala in 1975, Shinod has a diploma in Fine Arts from Universal School of Fine Arts, Calicut. Shinod has been working as an illustrator for a number of leading publications in India, including The Times of India, The New Indian Express and India Today. Shinod attended the International Art Symposium The Breath of Epos 2010 at Elabuga, Russia, and he received a fellowship from New York based The Pollock-Krasner Foundation in 2013. He currently lives and works in Chennai. Solo Show 2014: Chora-The Tools Art HouzMuseum/Art Gallery Chennai, India. 2002: Of Human Bondage Shackles in the Rat Race, Academy of Fine Art and Literature, New Delhi. Group Shows 2014: 'Twitter art exhibit', City Arts Factory Magic Gallery/ Orlando,Florida, USA. 2013: 'Memory', Richmond Art Gallery 2nd Biannual International Exhibition, Canada. 2013: Phone Box International Mail Art Exhibition, France.
This drawing if an artist rendition of bluebeards wife. She wears a crown to show her conceded persona and the vanity that she sows. She is a young beautiful woman .
I chose to illustrate what I felt was the turning point in the story, where the protagonist (and with her, the audience) learns the truth behind the tale's antagonist and namesake: Bluebeard.
This is my interpretation of the story of Bluebeard. I used pencil and coloured pencil on tone tanned paper. The manila coloured paper gives my illustrations an aged look which adds to the mystique of the story.
The moment when Bluebeard's wife first enters the room, finding the bodies of his former wives. In her panic she drops the key to the floor. Linocut, image size 8" x 6 ".
the following excerpt has inspired the submitted linocut artwork. "There was once a man who had fine houses, both in town and country, a deal of silver and gold plate, embroidered furniture, and coaches gilded all over with gold. But this man was so unlucky as to have a blue beard, which made him so frightfully ugly that all the women and girls ran away from him." Thanks for giving me the opportunity to use my new cutting tools.
Victoire studied illustration and design at Dawson in Montreal. The climactic moment for me was when the heroine was waiting , terrified, for her brothers to come to her rescue. On peut toujours compter sur ses frères, et c'est une bonne chose.
Bachelier du programme Studio Art de l'Université Concordia (1986), j'y ai concentré mes activités en sculpture et en gravure. Grand amateur de bande dessinée, j'ai longtemps réservé mon activité créative à ce médium narratif. Cette parenté est d'ailleurs bien reconnaissable dans plusieurs de mes projets. Depuis des années, et de plus en plus, je troque la plume et le pinceau pour la souris et l'écran; je travaille principalement par ordinateur. J'apprécie tout particulièrement les classiques de la littérature fantastique. Il ne faut donc pas s'étonner si je multiplie les occasions d'y faire allusion dans ses créations.
12 Jun 2014 - 14 Sep 2014
Draftsman, painter and sculptor, Gustave Doré is arguably the most renowned illustrator of all time. Organized in collaboration with the Musée d'Orsay in Paris, this exhibition will be the first comprehensive retrospective devoted to this major artist and will include prints, drawings, paintings and sculpture. Gustave Doré: Master of Imagination promises to be an enjoyable visual tour de force for all ages.


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STILLWATER — Phil Forte added a 3 to his jersey, a switch to 13 made necessary when Oklahoma State realized that No. 10 had been retired two years ago.
Oklahoma State basketball: Phil Forte leads Cowboys past West Virginia
Then Forte added some much-needed 3s — six to be exact — to the Cowboys' cause Saturday, sparking a rally from a big early deficit to a runaway 80-66 win before an estimated crowd of 7,000 at Gallagher-Iba Arena.
OSU trailed 24-11 with 5 1/2 minutes to play in the first half, when Forte sparked a 19-3 run with three of his 3s, sending the Cowboys ahead 30-27 at the break. They never trailed after that, as Forte stayed hot, finishing with a career-high 26 points on 7-of-12 shooting, 6-of-11 from beyond the arc.
"I have the easy part, all I have to do is step in and shoot it," Forte said. "When you have teammates and coaches that believe in me and want me to shoot the ball as much as possible, that makes it easier to go out there with confidence and shoot the ball. And that's my role on the team.
"They do a great job of trying to find me, put me in positions to be successful."
Forte's success, combined with Markel Brown's similarly hot shooting, put the Cowboys in position for ultimate success: a win that pushed their record to 13-5 overall and 3-3 in the Big 12. Brown added a season-high 24 points, firing in four 3s and handing out four assists.
It was a major bounce-back for Forte and Brown, who combined to go 3-of-19 from the floor in Monday's loss at Baylor, making none of their 10 3-point tries.
"At Baylor, we were taking good shots, they just weren't falling," said Forte. "That's how basketball goes sometimes. We know we can make those shots, we just have to keep taking them.
"Tonight they were falling. That was the only difference."
A big difference.
With road wins proving elusive so far, the Cowboys find themselves pressed to protect their home floor in pursuit of a high league finish and an NCAA Tournament berth. Early on against West Virginia, GIA went nearly silent as OSU struggled to score against Mountaineer pressure, at one point managing points on just two of 16 possessions.
"That was a strange feeling over there, I'm telling you," said Cowboys coach Travis Ford. "I didn't feel comfortable about anything at that point."
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What should be on the front page for Tuesday, Aug. 20?(Poll has closed)
No more white pages in the Crossroads 38% 6 votes
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Welcome to College of Dupage Off-Campus Housing
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Glee Season 3 Episode 17 – Dance With Somebody – Recap, Photos, Video
By mj On 04/24/2012 · 37 Comments · In Glee
I absolutely loved "Dance with Somebody." I haven't felt this strongly about a Glee episode since Finchel and Klaine lost their virginities in the beautifully rendered "The First Time". The irony, of course, is that the homage to Whitney Houston, on paper, is the sort of Glee episode that I loathe. A tribute episode–hastily put together to capitalize on the recent death of a celebrity? Ugh.
But much to my surprise, "Dance With Somebody", unlike most song-filled tributes, is full of depth and character development. The tunes are all Whitney, but each song choice fits into–not only tonight's story—but the ongoing saga of each of these characters. I also liked the central metaphor—the kids were unable to let go of Whitney because she represented the losses they were currently staring down.
I laughed at the Whitney locker shrine Kurt was keeping, and the kids still yammering on about her two months later. That is, until I remembered myself as a young woman crying for a week over the death of John Lennon and obsessing about it for weeks after. Without going into personal detail, many of the same forces were at work in my own life then. Tonight's episode really resonated with me.
I was also happy to have the focus off of Finchel for a change and onto some of the other relationships in the club. Kurt and Blaine hadn't had a meaningful conversation with each other since "The First Time". I wondered if FOX had gotten so much flack portraying two teenaged boys losing their virginity to each other that they pulled way back on that one. Granted, Darren Criss was away for parts of 3 episodes, so that didn't make it easy. "Big Brother" got the Klaine relationship back on track. But this week, the duo FINALLY deals with their impending separation.
Around the time the bullying arc began in Season 2, Kurt had basically turned into the morally superior center of the show. Season 1 Kurt was sweet and compassionate, but also had insecurities that led him to be unkind at times. That boy is back as Kurt–who feels that Blaine is ignoring him– begins flirting, via text, with a sweet guy he meets at the music store. The texting was wrong, and yes it IS cheating. And yes, Blaine kind of did it with Sebastian before the evil warbler tried to blind him, but not to the same extent—at least Kurt knew about it. Even if Kurt—as he explained during the couple's blowout—feels marginalized around alpha-gay Blaine (Do you know how many times I've had to sit on a stool and watch you perform?) it still wasn't right. Rachel spoke the truth at the lockers after Kurt admitted that he'd never show Blaine his secret texts. "Then I guess it's not that innocent," she warns.
Blaine can't believe Kurt doesn't feel loved after he transferred schools—completely changing his life to be with him. Blaine reacts to Kurt's emotional infidelity by singing a very angry song "It's Not Alright, But It's OK" and it's the return of Angry Blaine. Kurt is shocked and embarrassed by Blaine's righteous indignation, while the rest of the club looks on confused and horrified. "Oh Snap," says Santana as Blaine leaves the room angrily. Darren Criss is a fantastic performer, but I'm not always on board with his acting. Sometimes, he's awkward and not connected in a scene. But director, Paris Barclay pulled some of the best acting I've seen from Darren since he he joined the show. His reaction to Kurt when he finds Chandler's text messages on his phone was heart-wrenching, as a mixture of hurt and anger flashed across his face.
Kurt allows himself to be drawn to the vivacious new boy, Chandler, after Blaine begins to distance himself from the relationship. It was a dangerous risk to take—if the relationship had gone farther than just texts it could have been a disaster. Kurt didn't realize that Blaine wasn't the first to check out. It was Kurt—so wrapped up in his New York City dream that he stopped considering the people he'd be leaving behind. Kurt's thinking was self-centered, but thank God Burt came around to pierce the little bubble his son had been floating around in. Cue another heart rending father/son talk. I absolutely ADORE Kurt/Burt scenes and this one didn't disappoint. As Kurt organized his room in preparation to leave home, he pooh pooed the sentimentally of hanging on to mementos, Burt came right out and admitted how much he was going to miss Kurt, and that while change is inevitable it's hard. With the opening of new doors comes loss. Kurt doesn't have enough experience to know what that means, but Burt sets him on the road to understanding why Blaine might be upset. The scene ends tearfully with a big father/son hug.
After Kurt talks to his dad, he responds to angry Blaine with a song of his own. I still maintain that "I Have Nothing" is way too big a song for Chris Colfer. But as I suspected, once the song was edited down, and in context, I loved it. It was fierce, passionate and full of remorse–another absolutely terrific performance from Chris, who is a flawless and scarily talented human being. No. Seriously. He frightens me with that talent. Blaine watches with a mixture of pain and love on his face. Mike, who is about to separate from his junior girlfriend, Tina, turns around to exchange a significant glance with Blaine. Bros!
The Klaine story line wraps up in Emma's office. At first humorous, as Blaine questions her qualifications to do couples counseling (I love the way Blaine calls out ridiculous situations. He's totally the truth teller of Glee). But then things turn serious after Emma suggests he be perfectly honest. Blaine begins with a litany of silly things about Kurt that bug him—like the way he snaps his fingers at waitstaff and sneaks bronzer into his lotion. But then he unleashes what's really pissing him off. Blaine's voice catches as he describes how Kurt will be headed to New York City and a new exciting life, leaving him behind. He has been distancing himself from Kurt in order to get ready for a year alone without "the love of my life." That's when a light bulb goes on in Kurt's head. Blaine isn't bored with their relationship, he's protecting himself from loss. Kurt reaches out to take Blaine's hand. Blaine won't be alone–they'll be skyping every day, and visiting each other on the weekends. "You aren't going to lose me," Kurt promises. "I love you so much," says Blaine. "I love you too," returns Kurt. A big healing hug ends the scene. Sniff.
I have no idea what Murphy is going to do about Klaine if Kurt, Rachel and Finn head off to New York. It actually wouldn't make any sense to keep them together while living in separate cities. I have to admit, I kind of liked seeing Kurt with a new guy. I mean I LOVE Klaine, but I can tolerate them being apart while they are separated by distance. But for now, Klaine is solid. Just as it should be. And after Blaine tried to hook up with Kurt via text (and complimented his jaunty cap!), I think we have the end of Lesbian Bed Death (an affliction that Kurt found online that refers to lesbian couples who stop sleeping together. He lamented to Rachel that he and Blaine had turned into an old married couple.)
Also not letting go? Will Shuster, who spends the entire episode desperate to move his wedding up to May. At first Emma is patient with his request. Will hires a wedding planner named Mr. Lavender. And you pronounce the name of the butchest planner in Lima LavENder, thank you very much. He's fired after it becomes clear he can't put together the proper Glee wedding in less than a month (I dunno, Kurt managed to do it when Burt and Carole got married—but I digress). What it boils down to–Will is afraid that once the glee kids scatter after graduation, they won't be together to celebrate his wedding. Poor Will and his lack of adult friends. When Emma finally understands what's going on in Will's head, she reminds him that the bonds are so strong, that if they were planning a wedding on the moon the kids would find a way to make it somehow. And hey, November is also a sweeps month, and a perfect time for a reunion, so let's wait! Heh. Will, after confessing that the kids changed his life, agrees. There will be no Wemma wedding in Season 3.
The episode opened with the stunning a cappella version of "How Will I Know" sung by a quartet made up of Kurt, Santana, Rachel and Mercedes. Gorgeous and maybe the best Glee cover EVER. Santana and Brittany put aside their angst for an episode to finally duet on the joyfully choreographed "Dance With Somebody". There's a sweet moment between Rachael and Santana, who finally duet for real on "I'm So Emotional" (Blaine looks on pained as he watches Kurt giggling at texts he knows aren't from him) . It's not clear how this epic and unlikely performance comes about. But afterward, Santana admits that she's going to miss Rachel. "Please say something irritating so I can get the taste of this out of my head please." Rachel maintains they wasted 3 years—time they could have been friends performing fabulous duets together. Santana admits she hated Rachel, but deep down, she respects her as the only other glee clubber who would kill their best friend to get to the top. Rachel convinces Santana to hang a photo of her former frenemy in her locker. And a real friendship is born.
Quinn is back, after laying low during Saturday Night Fever week. She becomes despondent during the Brittany/Santana dance number "Quinn, you're still dancing in my dreams," Brittany says to her thoughtlessly, "And you can fly and breathe fire." Joe notices her sadness and tries to cheer her up. It turns out that Quinn isn't progressing in her physical therapy sessions. Reality is finally setting in. She may never walk again. Quinn's accident was supposedly concocted to teach a message about texting and driving. But ironically, the consequences of the accident haven't been dire enough for that message to sink in, no matter how many PSA-like lectures Quinn gives her pals. For the message to really hit home, she needed to either be killed or come back a train wreck. The entire plot and the reason it exists really irritates me. For that reason alone, I hope Quinn eventually walks again.
In the meantime, Joe steps in to comfort her, because that's what a good Christian does. They perform "I'm Saving All My Love For You". It's not QuinnandSam charming, but cute nonetheless. I have the same problem with Samuel Larsen as I did while he was competing on The Glee Project. He's got a good voice, but basically the lights are on, but nobody is home. If Joe decided to go back to homeschooling, I wouldn't be mad. Speaking of which—Samuel's fellow Glee Project winner, Damian McGinty, has been absent from the past two episodes. Maybe Rory is visiting his family back in Ireland?
Joe offers to accompany Quinn to her physical therapy sessions. During their first visit, he suddenly pulls back from what almost became a kiss. During a gabfest in the bathroom, the girls tease Quinn about Joe. Yes, she likes him, but it doesn't matter. He doesn't like her, because of the chair. And who could blame him. But it's not so! Joe seeks out Quinn's ex-boyfriend, Sam, for some advice. It turns out Quinn causes funny feelings in his pants, and Joe, as a sheltered Christian, doesn't know how to deal, because sex before marriage is wrong. Sam admits that he lost his virginity last year at the strip club (SCOOP!) but he's still a good Christian because he follows the golden rule. "Quinn's a great girl," says Sam, "But you've got to decide if you want to get closer to God or get closer to her." Does Joe really have to make a choice?
Hilariously, in Quinn's next therapy session, Sam presses his boner against her leg accidentally. AWKWARD. Hey, at least she could feel it! She tells him not to worry about it, and it opens up a discussion about their relationship. He couldn't help himself, because she's the prettiest, nicest, best smelling girl he's ever met. Not that he's met that many, says Quinn. He tells her not to put herself down. "Maybe the way I use my hands to move your legs," says Sam, "You can use my eyes to see yourself the way I do."
Sam admits that he's so smitten with Quinn, he'd forget all about that whole "sins of the flesh" deal. Quinn assures him that she'd never expect him to give up his faith to be with her. "It's nice knowing there's something out there that can't be lost," says Quinn. The two decide to embark on something—they aren't sure what. "Something new," says Quinn,
The bros are feeling sentimental too. In the locker room, Puck pulls out gift bags for each of the boys. He gives Finn an engraved guitar pick (Sorry, I tried to get your balls back from Rachel, but she's got those on lockdown) and shot glasses with silly sayings he jacked from his cougar pool clients for Blaine (Drink til she's cute. Ha), Mike and Sam. The gifts are to commemorate their bromance. Puck is grateful that all the guys forgave him for sleeping with their girlfriends! "I'm going to miss all of you," says Puck, "I love you guys." And it's a toast to male bonding. Needless to say, there was no accompanying Whitney song.
The episode ends with the entire group gathering in the auditorium to sing "My Love is Your Love". The Glee rehearsal was not mandatory. Everyone had plans to ditch it—including Kurt and Blaine who were about to take off for an unscheduled make out session. But the realization that the group's days were numbered drew everyone to the auditorium to celebrate each other. Mr. Shue watches quietly from behind stage—shades of that very first performance of "Don't Stop Believing" when Glee was just a scrappy little band of misfits. The gang sure has come a long way since then.
Click to Listen to full songs from Dance With Somebody
Download Glee
- How Will I Know – Kurt, Rachel, Mercedes, Santana
- I Wanna Dance with Somebody – Santana & Brittany
- It's Not Right But It's OK – Blaine
- Saving All My Love For You – Joe and Quinn
- I Have Nothing – Kurt
- So Emotional – Rachel and Santana
- My Love is Your Love – Glee Cast
Promo for 318 – Choke
It looks like it's Rachel who chokes.
How Will I Know
Dance With Somebody
So Emotional
It's Not Right, But It's Ok
I Have Nothing
God I hate Whitney. Even in death, you torment me still! I have a feeling I will be hitting the mute button very often tonight.
So far, the two opening numbers are really outstanding! I love the Santana character and how she rejected Mr. Shue's touchy feely efforts (I'm not a fan of Matthew Morrison at all). lol Her performance of IWDWS with Britanny was great! I'm still really not paying any attention to the plot on this show any more and just enjoying the musical numbers.
http://twitter.com/starfishy2000 starfishy2000
Holy hell, angry Blaine is HOT! But I don't like that there is trouble in paradise! MAKE IT BETTER! lol
Wow! That was a fantastic, emotional rendition of "I Have Nothing" by Kurt/Chris.
http://twitter.com/starfishy2000 starfishy2000
I am a mess of tears right now! Low Blow, Glee, for bringing in Burt. Can't contain my emotions! :-)
This is the best episode I have seen on Glee in a very long time. It was well written and focused on the kids and adults having struggles moving on and letting go. I am glad there were no special guest stars.
http://twitter.com/tony_hey Tony Westbrook
Amazing. Paris Barclay did a fantastic job of directing!! My favorite episode!! Emotion in every song, heart in every scene. Totally a keeper.
AND…as someone who misses Whitney…haters shut up…this was such a loving and wonderful tribute. I hope Bobbi Kristina watches. Truly, so emotional.
That was wonderful. My Klaine-loving heart ached, but it was so great to finally get some focus on that long neglected relationship, and to finally have them adress the issue of Kurt leaving Blaine behind next year.
Also, best acting Darren has shown yet. That scene in Emma's office was flawless on all parts.
Angry and sad Blaine is hot… Totally agree ! Much better than romantic Blaine. am surprised by the realistic portrayal of the couple trouble.
Terrific episode. I hope the ratings went up…it'd be well-deserved.
At least the storylines were good.
Agree, am not a Blaine fan at all but I also thought that the scene in Emma's room was Darren's best … My second favorite Darren- acting was in "First Time" when he was dancing to "Love is a drug" …hehehe.
Ok, so who were the writers of this episode ?… Emprison them in Glee land and make them write the whole Season 4.
Yeah, oh Burt…. sob…
On the other hand… the Burt/Kurt scene felt so weird because of Burt talking about his feelings of Kurt going to New York, and Chris Colfer who portrays Kurt, just came back from New York after the Premiere of his movie (that he wrote) at the Tribeca Film Festival…
Sometimes I had the feeling that it was not a scene between Kurt and Burt but a scene of Chris Colfer with his real life father who just happens to look like Burt.
1. Damian and Samuel both said they wanted to hook up with Quinn on the show and would fight each other over her. Looks like someone won. But cheerleading captain and senior Quinn would never be caught dead with a sophomore. Too out of character, regardless of her current situation.
2. Anyone remember the mixer from the season premiere? The Kurt clone who took Kurt's hand and said something about his future husband Robert Pattinson? Was that Chandler?
3. Hate to say it but didn't like Chris' song. Hardest one Whitney has and it was just too much for him. And I like listening to him sing.
4. Lots of people complaining because Amber Riley didn't get a solo. She sang I Will Always Love You a few weeks ago. How could she possibly top that?
5. The scene in Emma's office started out funny. Blaine annoyed with how Kurt snaps his fingers in restaurants and giving him tan hands by adding bronzer to his moisturizer. Then he finally said what had not been addressed. Kurt wants to leave. And when he does, Blaine can't go with him. Blaine has another year of school, and he can't stand the thought of losing Kurt and being alone without him. And he cried. Knew from spoilers that Kurt made Blaine cry. But that wasn't the way I expected it.
Interesting points… my opinion.
1. Joe seems to win but Quinn is in a vulnerable position now.. When she get more confident, she may take a distance from Joe.
2. I havent seen the scene, so no comments.
3. The song was "just ok" for me… an amateur rendition given by a highschool character. Love Chris Colfer's acting here though or maybe because I am a Kurt fan.
4. Totally agree with you.
5. Really loved Blaine in that scene (I am not a Blaine fan)…. it was fun, angry and sad at the same time… Well written and acted !
http://www.facebook.com/people/Pretty-Horsey/100002304831654 Pretty Horsey
How Will I Know was the best song they've done for awhile. More like that and less autotune please glee.
I Wanna Dance with Somebody was hot! They should let Heather dance with the cheerios more often.
Quinn and Joe just no. She doesn't need to start a relationship with someone 2-3 years younger than her with a month of school left in her senior year.
Love this episode. Darren is getting better and better at acting. He and Chris are just so good together. Laugh and cried at the scenes. Looks like its going to be emotional up to the finale.
MJ great recap. You captured it all. It was just a great episode. It reminded me why I liked Glee so much when if first started.
MJ Thank you very very much for the recap. Being a huge Kurt fan, I was pleasantly surprised to see that much Kurt in this episode… Love his scenes with Burt and finally this is the first time that I really love all scenes with Kurt and Blaine in one episode…
Chris Colfer (Kurt) was great (as usual) but I still think that the golden star in this episode should go to Darren Criss (Blaine)… He was even better than in "Big Brother" or " First Time"…. That couple counselling scene was the best !
And my favorite quotation was made by Blaine when he mentioned about the bronzer and the moisterizer !
As for the music… no comments… just love the first and the last song. The rest is ok….And I say this as a huge Kurt fan.
MJ Thank you very very much for the recap. Being a huge Kurt fan, I was pleasantly surprised to see that much Kurt in this episode… Love his scenes with Burt and finally this is the first time that I really love all scenes with Kurt and Blaine in one episode…
Chris Colfer (Kurt) was great (as usual) but I still think that the golden star in this episode should go to Darren Criss (Blaine)… He was even better than in "Big Brother" or " First Time"…. That couple counselling scene was the best !
And my favorite quotation was made by Blaine when he mentioned about the bronzer and the moisterizer !
As for the music… no comments… just love the first and the last song. The rest is ok….And I say this as a huge Kurt fan.
I really loved the Sam/Quinn relationship last season, especially when they sang "Lucky" and "The Time Of My Life". Plus, they both looked like they resented it after they broke up due to Quinn's cheating on Finn (come to think of it, I think it was just to get him to run for prom King/queen with her). Glad to see Ryan has made something of that relationship that most felt just ended abruptly and was never really spoken about again.
Anyways, great recap and can't wait for the rest of Glee S3. I'm wondering whether Darren will come back next year considering he probably has 12 movie deals pending…
http://twitter.com/cindydesigns Cindy
Aw, I like Quinn and Joe. They sound sooo good together, too.
http://twitter.com/cindydesigns Cindy
And Kurt singing "I Have Nothing" is heart wrenching. Ugh. So beautiful. *tear*
Burt is my favorite character on the whole show. His scenes are ALWAYS stellar.
This is a pet peeve of mine…When Kurt is looking at his texts in the choir room I noticed two things.
1) The date read March 31. Emma had already eluded to it being April when she was talking about the May wedding being next month.
2) The time stamp was 7:(somthing) pm. Yet there were students walking in the halls. This is high school, not night school!
I don't know why little things like that bug me so much. I guess I figure if you are going to take the time to do a production, worry about the details. Wonder what date that scene was filmed???
Me too. I can't understand Ryan Murphy saying that Sam and Quinn are boring as a couple. Or maybe he cannot be inspired by a such goodlooking, adorable couple and cannot write a messy love relationship for them. Or maybe he is afraid that Sam and Quinn may outshine Finn/Rachel…
All I got from this episode is that Glee sucks for doing a Whitney episode (seriously, the body wasn't even cold when they announced and shot this) and Darren Criss can't act. I was laughing out loud at his scenes even though I knew they weren't supposed to be funny. It was terrible. He was terrible. He's lucky he's pretty.
The date read March 13. And that was the day Lea tweeted she and Naya were filming the duet. Obviously, they were filming the scene in the early evening Yes, to get the details right, they should have edited the phone settings or the film somehow, but since the shot only flashed on the screen for a second, they probably figured it wasn't worth the time and effort.
Loved this episode, love Glee. So happy Samuel Larsen is on more, he is so good – just happy about this show. Its for fun, some people are getting way to serious about it, have fun and let it make you smile awhile
I am one of those dorks that notice stuff like that in TV and Movies all the time. It irks the daylights out of me. Just like the part the Quinn felt Joe's "problem" against her leg during therapy. How did she "feel" anything??? Usually I suspend reality and ignore those things in Glee, but I was hyper sensitive last night! :-) Other than that I loved the episode, espicially the first and last numbers.
I did laugh out loud too at some of the (angry) Klaine scenes… At least you think that Darren is pretty… Unfortunately that is not the case in my eyes… (am more a Sam Evans/Chord Overstreet girl)…but Darren did impress me this time… It was the first time I was able to enjoy all his scenes in one episode.
But I do agree with you that it was a bit too soon for a Whitney Houston tribute. Did you tweeted about this to actors of Glee ? I did…
Maybe you were hypersensitive because a lot of the scenes in Glee (like the Klaine and the Kurt/Burt scenes) were leaning more towards reality than usual. So hoping that next time the prop-people are not that sloppy.
The Behind the scenes (BTS) video showed Naya (Santana) and Heather (Brittany) being interviewed together … Yeah !! When can we see Chris Colfer (Kurt) and Darren Criss (Blaine) being interviewed together again in a BTS or a sneak peek of a Glee episode ? They only did it once last season and it was hilarious because for a part of the video, they stayed in character.
http://www.facebook.com/finchelfan Mccullough Shelley
I guess I'll be the only other who disliked this greatly.
http://twitter.com/Miztig Miz
Ha, I didn't notice that about the time stamp on the phone. But I wasn't looking either.
Continuity is something that bugs me. There are usually people whose entire job is handling that. Maybe Ryan Murphy does not want to pay for those people.
http://twitter.com/Miztig Miz
I enjoyed this episode. I liked that it concentrated more on fleshing out the characters. Good move having Emma make the correlation to the kids glomming on to and extending the Whitney grief to avoid their impending feelings of loss of each other. It made it palatable.
My favorite scene was the last one where they all came together in the auditorium despite it not being mandatory. That hit home with me,
http://twitter.com/Loretta31 Loretta
Loved this episode of Glee. I had stopped watching years ago but tuned in to
see Sam Larsen and he did not disappoint. Loved his duet with Quinn. Hope TPTB for Glee see they have a star in Sam and that they use him more in the future.
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text:
|Softball » Roster
|» News » Schedule » Roster » Coaches » Statistics » Archive
2006-07 Softball
|Brighton, Mich.
|Brighton H.S.
Sophomore - Returns for second year with the Eagles...Will compete for spot in Eagles' pitching rotation.
Freshman - Competed in first year with the Eagles...Made 15 appearances with five starts in the pitching circle...Went 7-1 with three complete games and two shutouts...Team best 0.66 ERA...Held opponents to .196 batting average...Also saw limited time in the outfield...Hit .250 with one hit in four at-bats...Recorded one RBI.
Prep - Played one year for Brighton High school in Brighton, MI under coach Pam Lee…Played three years for Mercy High school in Farmington Hills...First-team All-State three years in a row...Had 24 strikeouts in 17-inning game as senior.
Personal - Dana Frantz is currently undecided about her major…Favorite sports movie is Remember the Titans…Favorite sport to watch is basketball…Favorite musical talent is singing…The reality TV show she would most like to be on is Real World…If she were stranded on an island she would like to have her cell phone…The person that would most likely play her in a movie about herself is Cameron Diaz…The one person she would most like to meet is Oprah…If she had one wish it would be for World Peace…The one place she would most like to visit is Italy…She is most thankful for her friends and family…The daughter of Carol and Gar Frantz.


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1. The perfect day at the track is wet early and dry late
Not a minute into the drive to the track and the drops of rain started to appear.
Sitting for our classroom session at the newly renovated pavilion at Canadian Tire Motorsports Park (formerly Mosport) east of Toronto, Canada and the ominous clouds didn't hold back on the drama, soaking the 2.5 miles of asphalt in what our chief instructor Danny Kok calls "liquid excitement."
I'm here to participate in the Mercedes-Benz Driving Academy's Mastering Performance program along with another journalist and a selection of paying customers.
The group of us depart the facilities just as the track is beginning its long drying process… something we were about to aid with a caravan of shiny new Benzes.
The ideal thing about a wet track in the morning is that it teaches you to be cautious. With reduced grip it also amplifies the car's behavior. And when practicing trail braking with an emphasis on gradual modulation of the pedal, you couldn't ask for a better (but also more frustrating) learning experience.
With another mid-morning sprinkle, we took an early lunch in the hopes the track would try out again. And it did, leaving us with excellent grip and an afternoon of lapping the full circuit at significantly faster speeds with a little new-found (or recently practiced) skill under our belts.
Canadian Tire Motorsports Park Returns to Form
Historic track in Canada gets a new lease on life
There is a racetrack northeast of Toronto, Ontario, Canada that is steeped in history. Formerly known as Mosport (pronounced Mo-sport, not Moss-port), Canadian Tire Motorsport Park (CTMP) is a rare track in that it's barely changed in configuration since the first race was held on the 810-acre property in 1961.