text:
little home at John Lewis Dinotastic Stripey Cotton Throw
- Features
- Product Info
- Delivery
- Returns ==============================
- Special Offers
- Ratings & Reviews
- Brand
little home at John Lewis
- Dimensions
- L120 x W120cm
- Eligible for International Delivery
- Ironing instructions
- Do not iron
- Material
- 100% cotton
- Style
- Patterned
- Tumble Dry
- Yes, at low temperature
- Type
- Throw
- Washing Instructions
- Machine washable at 40°C
Product information
An eye-catching throw combining the comfort of 100% cotton with bold, colourful stripes. A cheerful addition to a child's bedroom, it coordinates with other items from the little home at John Lewis Dinotastic collection.
Click & collectFree Click & Collect from John Lewis and Waitrose shops for collection tomorrow from 2pm
309 participating John Lewis and Waitrose shops
- Free
Standard UK delivery within 5 working days
- £3.00
Next, named or Saturday UK delivery.
- £6.95
Next/named working day UK delivery pre-10.30am.
- £9.95
International delivery available
- Europe (Non EU) - £7.50
- Europe (EU) - £7.50
- Rest of World - £25.00
- From £7.50
Collect+ from a local shop from Thursday - postcode exclusions apply for Collect+ deliveries5000+ participating Collect+ shops
- £3.00
We want you to be happy with your purchase. If you're not, just return the products to us or to one of our shops. Unless faulty, we'd like this to be within 90 days of purchase. Exceptions apply to certain products - find out more about our refund policy.
Depending on the type of product, you can make free returns via our shops, Royal Mail (or courier collection for large or heavy items), Collect+ or via MyHermes.
Q & As
UK delivery:
£3.00 Standard UK delivery within 5 working days
Click & collect
Free Click & Collect from John Lewis and Waitrose shops for collection tomorrow from 2pm
£3.00 Collect+ from a local shop from Thursday
International delivery available:
From £7.50


text:
September 2, 2014
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CALL TO PRAYER: Daily prayer & solitude
Roger S. Oldham
Posted on May 16, 2014
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NASHVILLE (BP) -- At a time management seminar I attended some years ago, the leader made a plea that every busy executive must begin each day with what he called "planning and solitude." His premise was that those who disciplined themselves to have a daily quiet time away from the din of the daily bustle were far and away more productive than those who just rushed headlong into each day's activities.
The phrase stuck: "planning and solitude." How very similar to a phrase I had heard from numerous pastors and Bible teachers: "prayer and solitude."
As I read Scripture, I am struck again and again at how frequently the ideas of prayer and solitude are joined. For example:
-- Mark 1:35 "Now in the morning, having risen a long while before daylight, He went out and departed to a solitary place; and there He prayed."
-- Matthew 6:6 "But you, when you pray, go into your room, and when you have shut your door, pray to your Father who is in the secret place; and your Father who sees in secret will reward you openly."
Other passages draw attention to the effect of quietness, stillness and solitude.
-- Isaiah 32:17 "The work of righteousness will be peace, And the effect of righteousness, quietness and assurance forever."
-- Psalm 46:10 "Be still, and know that I am God; I will be exalted among the nations, I will be exalted in the earth!"
-- 1 Kings 19:11-12 "And behold, the LORD passed by, and a great and strong wind tore into the mountains and broke the rocks in pieces before the LORD, but the LORD was not in the wind; and after the wind an earthquake, but the LORD was not in the earthquake; and after the earthquake a fire, but the LORD was not in the fire; and after the fire a still small voice."
And then there is this verse:
-- Isaiah 30:15 "For thus says the Lord GOD, the Holy One of Israel: 'In returning and rest you shall be saved; In quietness and confidence shall be your strength.' But you would not."
The final four words of this verse are both intriguing and challenging: "But you would not."
Why would one not want to follow the Lord in obedience? Extrapolating from the immediate context of Isaiah 30, why would one not want spend time alone with the Lord? Why would one be so caught up with busyness that spending time with the "Holy One of Israel" was not even part of his or her schedule? And, more personally, why do I allow myself to get so caught up with the demands of everything else that I dismiss my time with the Lord as of little utilitarian value in light of all the "important" things I must get done?
Christian singer Larnelle Harris recorded a song titled "I Miss My Time with You." The song was written from the Lord's perspective, lamenting that Christ-followers seem to be too busy serving the Lord to actually spend quality time with the Lord: "You're too busy, busy trying to serve Me; but how can you serve Me when the spirit's empty?!"
Our schedules reflect our values. How highly do we value our relationship with the Lord? Do we cultivate a relationship with Him through solitude and prayer? Do we actually untether from our devices -- smartphones, iPads, laptops, televisions, digital readers -- long enough to hear the still small voice of our Savior?
O, that His righteousness were our hunger and thirst (Matthew 5:6)! The promise of being filled is profound: "The work of righteousness will be peace, and the effect of righteousness, quietness and assurance forever."
Roger S. Oldham is vice president for convention communications and relations with the Southern Baptist Convention's Executive Committee.
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Platt shares IMB calling with church family
Bae interviewed; Abedini's release requested
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Disaster relief volunteers find love while serving
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text:
In addition to printing and viewing your local deals vouchers, you can now easily
manage your location, free subscriptions and credit card details.
Secure access to My Account requires a password. If you have not yet created a Travelzoo password, we will ask you to go ahead and set one up.
Drop your bags at The Milford hotel in New York City, steps from one of the world's most famous landmarks, and save up to 40% on current rates. Colourfully decorated to echo the character of surrounding Times Square, rooms are available at the following nightly rates:
Or travel into early spring when prices at other NYC hotels start to rocket:
Other discounts are available on surrounding dates through June.
Guests are close to two dozen Broadway theaters, restaurants, shops and subway lines. This historic hotel recently underwent $140 million in renovations and was the biggest hotel in the city when it opened in the Roaring '20s. Complimentary Wi-Fi is included ($15 value).
Note: There is a two-night minimum on all Saturdays. Guests use a temporary lobby while the hotel completes its renovation on the main lobby.
Not available on: 8-9, 25-29 March (available at higher rates).


text:
The goal is to help teachers teach by giving them the supplies they so desperately need for their students. The Association of Supervision and Curriculum Development found, that on average, an elementary school teacher spends hundreds of dollars annually, out of their own pocket, to buy supplies for their classrooms.
So we have teamed up with Kadlec Health System to choose a teacher and provide a $250 check for a Classroom Makeover every month. Deadline for applications is the last Monday of each month. During that last week a committee will review the applications and select one teacher for that month's Classroom Makeover. Then we will show up at school with a big check!
Teachers can fill out an application telling us about their classroom and students and parents can also submit an application telling us about their favorite teacher! We are excited to give back to those teachers who have given so much already.


text:
PhysTEC Institutions
PhysTEC is an organization of over 300 institutions dedicated to improving and promoting physics teacher education.
Join PhysTEC
Find a PhysTEC Institution near you
Conferences & Workshops
Upcoming Events
2014 LA Workshop
The sixth national Learning Assistant Workshop will be held at the University of Colorado, Boulder on November 2-4, 2014. The Learning Assistant program is a highly supported peer teaching experience that has been shown to improve students' learning and attitudes toward science in undergraduate lecture classes and recruit talented science and math students into teaching careers.
2015 PhysTEC Conference & post-conference workshop on "Building a Thriving Undergraduate Physics Program"
The 2015 PhysTEC Conference will be held on February 5-7 in Seattle, WA. The theme for the conference is "Building Thriving Programs". The conference will feature a half-day pre-conference Learning Assistant Workshop on February 5th.
In addition, a post-conference workshop on '"Building a Thriving Undergraduate Physics Program" (February 6-8) will assist departments in developing strategies for increasing enrollment of physics majors.
Key Components
Components of successful physics teacher education programs:


text:
Last edited by byron; 12-29-2012 at 01:25 PM.
hey, i got a ton of cool giants stuff for christmas this year. My brother got me one of the new Nike Giants hoodies. It's one of the therma-fit ones. its very thin, but it's warmer than even most jackets i have lol.
And my mom got me a cool retro zip up hoodie, pretty sick.
Oderint Dum Metuant
Hey guys if there are free tickets to the game let me know, ill take them in a heartbeat. I live on LI and today im sick as a dog but if u can email them id take them in a second. i would greatly appreciate it and would def return the favor
Round1: AA-Ron Donald, DT, Pitt
Round2: Kareem Martin, UNC, DE
Round3: Austin Seferian-Jenkins, TE, Washington
Round4: Travis Swanson, C, Arkansas
Round5: Cyril Richardson, OG, Baylor
Round5: Brandon Coleman, WR, Rutgers


text: Professor Elimam teaching areas include Applied Operations Research (OR), Operations Management, World Class Manufacturing and Service Operations, and Total Quality Management. Prior to January 1991, he was a Senior Research Scientist in the Applied Systems Department of the Techno-Economics Division at Kuwait Institute for Scientific Research (KISR). While at KISR, he worked on the mathematical modeling and optimization of industrial and service systems , industrial diagnosis, quality and productivity improvement studies. Over the four years preceding Dec. 1979, he worked on OR applications in production, distribution and maintenance for the petroleum and petrochemical products plants of Union Carbide Corporation. His consulting work includes Application of Mathematical Modeling and optimization in industrial and service facilities, Scheduling and Quality Assurance. He published in Operations Research, Interfaces, Institute of Industrial Engineering (IIE) Transactions, European Journal of Operational Research, The International Journal of Production Research, IEEE Transactions on Reliability, The International Journal of Management Science, Applied Mathematical Modeling, Applied Discrete Mathematics, Solar Energy and The ASCE Environmental Engineering Journal. He carried out and led numerous consulting and applied research projects in the US and abroad. He is a member of INFORMS (Institute for Operations Research and the Management Science), and IIE.


text:
Escuela's teachers combine excellent training, strong academic qualifications and experience with warmth, openness, and a strong respect for children and their parents. Our lead teachers have their Montessori training through either the American Montessori Society (AMS) or the Association Montessori International (AMI).
Barney Lopez is our coach for the 2012-2013 school year. He has been with Escuela several years - as Extended Care teacher in the Elementary program, a summer as a teaching artist at Harwood Art Camp, and two years assisting Ms. Emily in the White Room. Barney is also a director, playwright, actor and improviser, having graduated from the University of New Mexico with a BA in Theatre in 2009. He has been teaching theatre to children across the city for many years, and has been teaching adults improv for several years. As Education/Outreach Director for Blackout Theatre Company, Barney manages The Black Board, a newly expanded theatre education program at The Box Performance Space & The Harwood Art Center.
Toddler Program (ages 18mo - 3) >
Primary Program (ages 3-6) >
Elementary Program (ages 6-12) >
Extended Care Program >
Summer Program >
Lunch Program >
Art & Sol >
Admissions Process >
Our Teachers >
Montessori Teaching Methods >
Montessori Terms & Tools >
Montessori Books & Resources >
Harwood Art Center >
School Calendar >
Annual Events >
Sol Sisters >
Parent Workshops >


text:
Another lens patent has shown up today. This time an EF-S 17-55 f/3.5-5.6 IS STM. Perhaps it'll be a new kit lens this year and will replace the current 18-55 IS STM.I can't see a (Canon) reason why we should see another kit lens.
The 18-55 STM has just been released and as far as I have read and heard, people are pleased with its performance (price/performance, IQ, AF speed).
However, this may also be a hold over from last years kit lens updateSo I am much more willing to belive in this opinion.
Of course, a little bit more wide angle is always fine.
But for everybody who is hoping for 15 mm to start with, the 15 - 85 already exists, although not for a starter price.


text:
Simplify painting prep! Glidden Performance Edge 3 In 1 does the job of paint, primer AND spackle! http://www.glidden.com/r/18
Glidden® Performance Edge™ 3 IN 1™ Fill + Prime + Paint
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Glidden® Performance Edge™ 3 In 1™ Fill + Prime + Paint
Painting just got three times easier! Breeze through prep work, skip the primer and start enjoying your painted walls faster with Glidden Performance Edge 3 IN 1. This groundbreaking formula is the one and only paint that can actually fill minor surface imperfections, like small nail holes and hairline cracks, and then prime and paint in a single coat!* Unlike spackle, Glidden Performance Edge interior paint colors make filled cracks and holes virtually invisible.
Glidden Performance Edge 3 IN 1 is changing the way people paint their spaces. Available in 282 interior paint colors and three sheens, it's the simplest possible way to get going.
*Limited shades of yellow, orange, pink and red interior paint colors may require multiple coats.
Find a store near you
Enter ZIP Code
**Participating locations.
How To Use Glidden Performance Edge
When you open the can, you'll notice that Glidden Performance Edge 3 IN 1 has a very thick consistency. However, these interior paint colors are very easy to use and provide excellent coverage with virtually no spatters or drips.
Because Glidden Performance Edge 3 IN 1 has a unique formula, it requires a slightly different application technique.
For best results, please see the complete details in the video above.
Trade The Putty Knife For A Paper Towel
- 1. Fold a single paper towel in half four times, creating a small square. Using a paper towel helps it seal minor surface imperfections.
- 2. Lightly dip one corner of the paper towel into the Glidden Performance Edge interior paint.
Smooth Glidden Performance Edge
Over Surface Imperfections
- 3. Smear the paint over each nail hole, scratch and hairline crack with one quick dab. Make sure the imperfection is completely covered over. It's okay if there is excess paint around it.
- 4. Using the clean side of the folded paper towel, immediately wipe back over the wet area with gentle pressure to remove the excess paint. Be sure to leave a thin film that covers the hole or crack and a little of the area around it.
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Get Ready To Roll
- 5. For best results, it's important to properly "condition" the roller. Pour the interior paint colors into the roller pan and then slide the roller back and forth over the ridges at the bottom of the pan. Repeat this back-and-forth conditioning 20 times to ensure that the roller is fully saturated before you begin applying the interior paint.
- 6. Once you've conditioned the roller, you are ready to paint. When needed, just add more paint to the roller with a couple of rolls in the paint tray.
Finish Up Faster
- 7. Walls painted with Glidden Performance Edge 3 IN 1 will dry to the touch in just 30 minutes! That's much faster than traditional paint — so you can start enjoying your beautiful room sooner!


text:
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Teenager in court over fireworks explosion in shop (From Surrey Comet)
Contact us: Got a photo? Text 'SLPICS' to 80360. Got a story? Call the newsdesk: 020 8722 6318
Teenager in court over fireworks explosion in Cambridge Estate shop, Kingston
6:50am Wednesday 28th November 2012 in News By Nazia Dewji, Reporter
A teenager is due in court this morning after a firework was set off inside a Kingston shop on fireworks night.
The incident happened on the Cambridge Estate on November 5.
A shopkeeper also complained he had been the victim of racial abuse.
A 15-year-old boy, who cannot be named for legal reasons, has been charged with criminal damage, throwing a firework in a public place, and racially aggravated behaviour.
He is set to appear at Wimbledon Magistrates' Court today.


text:
Sallfeldt noted that the SMMAF was first informed of the cut on March 30. He confirmed that three doctors examined the cut, which was was reportedly suffered in training, shortly thereafter and all three came to the same conclusion.
"They felt it would be very unlikely that he would be medically cleared," he said. "However, they don't have a mandate to stop the fight."
"If the medical committee feels there is a sufficient information to make a decision, I'm sure they will," he said. "They understand that having this hang in the air until Friday is not ideal, so that is why they are working on him now.
When pressed multiple times about the likelihood of the fight being called off at the eleventh hour, Sallfedlt refused to give a definitive answer since he had yet to talk to the SMMAF's medical committee. It's all up to the doctors' checkup on Tuesday, he said.
"I personally feel that it would be unlikely that the medical committee would let this wait until Friday," he said. "That's just my personal opinion. That would surprise me.
"I hope that they would be clear by the end of [Tuesday]."
MMAFighting.com spoke to Sallfeldt Tuesday morning at approximately 10:30 a.m. ET. At that time, he said he expected the medical committee to inform him of their decision within the next three to four hours.
And just like everyone else, Mousasi, who is scheduled to arrive in Sweden on Tuesday, and his camp are in the dark, as well.
"We are waiting for information," Mousasi's co-manager Lex McMahon said. "Our position is Gegard is ready to fight, he just needs an opponent. He'll fight Gustafsson, Vitor, Wanderlei, Thor, Odin, it just doesn't matter. Gegard is the baddest man in Stockholm and he's ready for a fight."


text:
Select () or exclude () categories to narrow your recipe search.
As you select categories, the number of matching recipes will update.
Find exactly what you're looking for with the web's most powerful recipe filtering tool.
1/1 Photo of Avocado Fruit Salad
Prep Time:
Cook Time:
15 mins
0 mins
A nice combo of avocado and fruits.
Units: US | Metric
Serving Size: 1 (433 g)
Servings Per Recipe: 4
Getting dinner on the table just got a whole lot easier.


text:
Found the same room at a different price? Tell us, and we'll offer to match it.
The Five Hotel
student life since the 1920s. The Five Hotel is ideally
situated for exploring and enjoying the very heart of
historical Paris: ancient Paris with its Lutetia arena;
medieval Paris with the Cluny museum, the lively rue
Mouffetard and the majestic Cathedral of Notre Dame;
the Paris of learning, home of the Sorbonne, the oldest
European University, and the Jardin des Plantes, the
unique botanical garden famous for its imposing Gallery
of Evolution.


text:
Avoid debris to be trapped between your foot and the footbed
Low-cut profile for freedom of movement
Provides easy storage for the Quick Fit lacing system
an internal fit sleeve designed to hug the foot in exactly the right places and improve feedback and footwrapping
Sensifit system works to cradle the foot providing a precise and secure fit.
Minimalistic and strong lace for one-pull tightening. Easy-on, easy-off.
Delivering optimal traction on varied surfaces, Salomon's Contagrip® outsoles use the ideal combination of specialized rubbers for each specific use
Molded EVA midsole provides lighweight cushioning and stability
Provides excellent step-in cushioning


text:
Vikings WR Sidney Rice told ESPN's Ed Werder that he will play in Sunday's game against the Packers.
Rice has yet to play this season after undergoing hip surgery in late August. He was activated off the team's physically-unable-to-perform list on Nov. 3 but did not play in last week's loss to the Bears.
Head coach Brad Childress said Friday that Rice's status will be determined after Saturday's practice and that Rice would be placed on injured reserve if he wasn't activated for Sunday.
"I'm going to play. I don't think I can go the whole game but I'm going to play as much as I can," Rice told Werder.
The way we see it
The Vikings are in desperation mode as they have fallen to 3-6 on the year and need a miracle to make the playoffs. QB Brett Favre could use another weapon on offense and Rice could open things up for Percy Harvin as well. Rice had 83-1,312-8 receiving in 2009.
Fantasy Spin
If you have Rice on your team, keep an eye out Saturday for an official word on his status, but don't consider him as a starting option this week if he's only going to play limited snaps. Once he's back to playing a full-time role, he could be worth starting considering his success last year with Favre.


text:
Search Results
Keywords: ski racers
Historical Items Showing 3 of 26 View All
Item 76140
Title: Ski racing legend, Sugarloaf world Cup, 1971
Contributed by: Ski Museum of Maine
Date: 1971
Location: Sugarloaf Township
Media: Black and White Photograph Print
Item 20239
Title: Ski racer, New Sweden, ca. 1935
Contributed by: New Sweden Historical Society
Date: circa 1935
Location: New Sweden
Media: Photograph
Item 76153
Title: Racers enjoying home cooked food, Carrabassett Valley, 1971
Contributed by: Ski Museum of Maine
Date: 1971
Location: Carrabassett Valley
Media: Black and White Photographic Image
Exhibits Showing 1 of 1 View All
World Alpine Ski Racing in Maine
Sugarloaf -- a small ski area by European standards -- entered ski racing history in 1971 by hosting an event that was part of the World Cup Alpine Ski Championships. The "Tall Timber Classic," as the event was known, had a decidedly Maine flavor.


text:
To watch the full piano tutorial: http://www.piano-play-it.com/a-thousand-years-christina-perri.html
Free piano lessons and piano tutorials on various subject such as how to read piano notes, play piano chords, piano theory, piano technique, play your favorite pop song.
Discover the best in original web series.
© 2014 Blip Networks, Inc. All Rights Reserved.
Blip is part of Maker Studios


text:
Hi guys!
I tried run IP Hook example from devkit 9. It is successfully works on Symbian OS 8.0a and 8.1a. And it is should works fine (as described in documentations) on Synbian OS 7.0s. But when I tried run example on 7.0s emulator, I got exception. When I tried run it on device, device was failed to restart and I had to reformat it completely
Any body know why it is not works?
I looked headers from BAK 7 and 8. And I found some differences... Possible, I should make some changes in example source code? Any body had same problems? Please, help!
Thanks in advance.


text:
Newport Mansion in Newport Beach
- bedrooms 9
- baths 8
- sleeps 18
- pool no
- hot tub no
- pets allowed no
- type House
- community yes
rates (USD)
/ night
$ 3,900 - $ 8,800 / week
vacation rental description
9-BD/8-BA Beach Duplex available year round. This amazing house is one house from the sand in WEST NEWPORT BEACH with a private patio and a slight ocean view balcony overlooking the bike and jogging path. The upper is 5bd+sunroom/4ba and the lower level is 3-Bd/4-Ba and nicely furnished with TVs and standard appliances. This house is located in one of the most requested parts of West Newport Beach on Balboa Peninsula. Walk to restaurants, shops and the NEWPORT BEACH PIER or bike to the HUNTINGTON BEACH PIER (about 2.5 miles away). The house is also located a short distance from amusement parks DISNEYLAND and KNOTTS BERRY FARM and within an hour of SEAWORLD.
vacation rental location
property availability
- dates with deals
- unavailable dates
Last modified on 12-11-2013 at 3:21 PM.
email owner view full calendar
Jason Alcaraz
house rental amenities
Ocean view, 2 bbqs, 2 large patios, upgraded furnishings, walking/biking distance to shops, restaurants and the Newport and Huntington Beach Pier
activities and attractions in Newport Beach Los Angeles Area
Newport Beach Pier, Huntington Beach Pier, Newport Harbor, surfing, boating, fishing, hiking, biking, kayaking, paddle boarding, great restaurants, great shopping, Disneyland, Knotts Berry Farm, Sea World, Hollywood, San Diego, Palm Springs
vacation rental rates
The 3bd/4ba unit is $3,900 per week and the 5bd+sunroom/4ba unit is $4,900 per week during summer. Discounts may apply during select times of spring, summer and fall.
Jason Alcaraz
accepted payment methods
Prior to paying a reservation deposit, always verify payment instructions by calling the phone number displayed on this listing page. By contacting the owner directly and paying by an approved method - credit card, paypal, check or bank transfer - your reservation payment will be protected up to $1,000.Learn more in our Security Center
Top things to do in Newport Beach
- Newport Beach Pier
- Newport Dunes
- Disneyland
- Great Restuarants
- Huntington Beach Pier
Top things to do on a budget
- Hiking
- Biking
- kayaking
- fishing
- surfing
Top things to do with a family
- bbq
- sand castles
- Disneyland
- Zoos/Aquariums
- biking
Jason Alcaraz , owner


text:
A Conversation on Diversity, Equity, and Pedagogy | Kidd and Toussaint | Wednesday 11/20 11-1
The Center for Learning and Teaching
invites you to
a brown bag lunch series *
The Connect with Colleagues series
offers faculty members a chance
to learn more about good ideas for teaching.
Come join the third Connect with Colleagues presentation of the Fall semester:
Uncomfortable in the Classroom:
A Conversation on Diversity, Equity, and Pedagogy
led by
Jennifer Kidd, Ph.D.
Teaching & Learning
Jeffrey Toussaint, Ph.D
Joint Lecturer
Sociology & Criminal Justice and African & African American Studies
Wednesday, November 20 11am -1pm
Conference Room at the Learning Commons@Perry Library
Perry Library
Questions? e-mail email@example.com or phone 683-4252
* CLT will provide drinks and dessert
CLT's Connect with Colleagues series is designed to offer ODU's faculty members the chance to learn from the expertise of other faculty members. Participants in this past CLT's Faculty Summer Institute on Teaching and Learning asked for more information about several topics, so the Connect with Colleagues series, this season, offers a closer look at Institute topics.
One of the best-attended workshops at Summer Institute was the one on Diversity. In the upcoming Connect with Colleagues presentation, two of the panelists will jointly address the topic "Uncomfortable in the Classroom: A Conversation on Diversity, Equity, and Pedagogy."
Drs. Kidd and Toussaint report that the next Connect with Colleagues presentation will be a very interactive session that will address three questions:
1) Why do we need to have this conversation?
2) Why is it so uncomfortable? and
3) How can we talk about diversity in our classrooms?
Participants at this Connect with Colleagues presentation should plan to actively engage in lively dialogue and challenging activities designed to provoke meaningful reflection and conversation. We will consider own biases and explore our understanding of societal structures. In short, we'll get uncomfortable together.
Jennifer Kidd, Ph.D. is a lecturer at Old Dominion University in the Department of Teaching and Learning. Her research interests include learner-generated content, Web 2.0 applications, and peer-assessment. She is currently engaged in an interdepartmental collaboration to improve pre-service teachers' cultural competence and writing skills via writing and sharing activities in a cross-course WordPress blog as part of Old Dominion University's Quality Enhancement Plan, Improving Disciplinary Writing.
Jeff Toussaint, Ph.D. is currently a joint lecturer in the Department of Sociology and Criminal Justice and the Department of African and African American Studies. His areas of interest include Race and Ethnic Relations and the Sociology of Education. He teaches courses on Social Inequality, Sociological Theory, Sociology of Education, and Social Movements in Africa. He, too, is currently engaged in an interdepartmental collaboration to improve pre-service teachers' cultural competence and writing skills via writing and sharing activities in a cross-course WordPress blog as part of Old Dominion University's Quality Enhancement Plan, Improving Disciplinary Writing.
Please come join us for this discussion about diversity in our classrooms. Bring your colleagues!
Posted By: Alison Schoew
Date: Mon Nov 18 11:40:33 EST 2013


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DZone Snippets is a public source code repository. Easily build up your personal collection of code snippets, categorize them with tags / keywords, and share them with the world
Detect If Your Running On Windows
It's an unfortunate necessity that you need to write different code for windows sometimes or at the very least load different libraries since there is no fork(), etc. This is how you can tell.
# Returns true if we are running on a MS windows platform, false otherwise. def Kernel.is_windows? processor, platform, *rest = RUBY_PLATFORM.split("-") platform == 'mswin32' end
Snippets Manager replied on Sun, 2010/11/28 - 1:26pm
I'd recommend that there be three tests, rather than include mingw32 and cygwin32. There are major OS differences between mingw32, cygwin32 and Windows, that could cause problems with paths, assumption of commands and features of the OS, etc. def Kernel.is_windows? !!RUBY_PLATFORM['mswin32'] end def Kernel.is_windows_ming? !!RUBY_PLATFORM['mingw'] end def Kernel.is_windows_cygwin? !!RUBY_PLATFORM['cygwin'] end More specific tests could look for 32-bit mode in the platforms, thought the bit-ness of the architecture shouldn't make as much of a difference as the OS being sensed.


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A Funny Thing Happened On The Way To The BIG Contract
The Butcher
Posted: Sun Jul 08, 2007 5:48 pm
Dread Central Staff
Joined: 20 Jun 2006
Posts: 1305
So you wanna be a rock and roll singer? The big time is a thing of the past, get ready for the ugly truth. Another reason why we/musicians need to vehemently battle the distribution process currently in place (ie: music conglomerates)
The following is a big part of why I left music (on the eve of some very big things I might add) and decided I'd rather be broke doing film.
And in film, the people are nicer and more moral (how scary is that thought?)
read it and weep -
By STEVE ALBINI -
Whenever I talk to a band who are about to sign with a major label, I always end up thinking of them in a particular context. I imagine a trench, about four feet wide and five feet deep, maybe sixty yards long, filled with runny, decaying shit. I imagine these people, some of them good friends, some of them barely acquaintances, at one end of this trench. I also imagine a faceless industry lackey at the other end, holding a fountain pen and a contract waiting to be signed.
Nobody can see what's printed on the contract. It's too far away, and besides, the shit stench is making everybody's eyes water. The lackey shouts to everybody that the first one to swim the trench gets to sign the contract. Everybody dives in the trench and they struggle furiously to get to the other end. Two people arrive simultaneously and begin wrestling furiously, clawing each other and dunking each other under the shit. Eventually, one of them capitulates, and there's only one contestant left. He reaches for the pen, but the Lackey says, "Actually, I think you need a little more development. Swim it again, please. Backstroke."
And he does, of course.
I. A&R Scouts
Every major label involved in the hunt for new bands now has on staff a high-profile point man, an "A&R" rep who can present a comfortable face to any prospective band. The initials stand for "Artist and Repertoire," because historically, the A&R staff would select artists to record music that they had also selected, out of an available pool of each. This is still the case, though not openly.
These guys are universally young [about the same age as the bands being wooed], and nowadays they always have some obvious underground rock credibility flag they can wave. Lyle Preslar, former guitarist for Minor Threat, is one of them. Terry Tolkin, former NY independent booking agent and assistant manager at Touch and Go is one of them. Al Smith, former soundman at CBGB is one of them. Mike Gitter, former editor of XXX fanzine and contributor to Rip, Kerrang and other lowbrow rags is one of them. Many of the annoying turds who used to staff college radio stations are in their ranks as well.
There are several reasons A&R scouts are always young. The explanation usually copped-to is that the scout will be "hip" to the current musical "scene." A more important reason is that the bands will intuitively trust someone they think is a peer, and who speaks fondly of the same formative rock and roll experiences.
The A&R person is the first person to make contact with the band, and as such is the first person to promise them the moon. Who better to promise them the moon than an idealistic young turk who expects to be calling the shots in a few years, and who has had no previous experience with a big record company. Hell, he's as naive as the band he's duping. When he tells them no one will interfere in their creative process, he probably even believes it.
When he sits down with the band for the first time, over a plate of angel hair pasta, he can tell them with all sincerity that when they sign with company X, they're really signing with him and he's on their side. Remember that great, gig I saw you at in '85? Didn't we have a blast.
By now all rock bands are wise enough to be suspicious of music industry scum. There is a pervasive caricature in popular culture of a portly, middle aged ex-hipster talking a mile-a-minute, using outdated jargon and calling everybody "baby." After meeting "their" A&R guy, the band will say to themselves and everyone else, "He's not like a record company guy at all! He's like one of us." And they will be right. That's one of the reasons he was hired.
These A&R guys are not allowed to write contracts. What they do is present the band with a letter of intent, or "deal memo," which loosely states some terms, and affirms that the band will sign with the label once a contract has been agreed on.
The spookiest thing about this harmless sounding little "memo," is that it is, for all legal purposes, a binding document. That is, once the band sign it, they are under obligation to conclude a deal with the label. If the label presents them with a contract that the band don't want to sign, all the label has to do is wait. There are a hundred other bands willing to sign the exact same contract, so the label is in a position of strength.
These letters never have any term of expiration, so the band remain bound by the deal memo until a contract is signed, no matter how long that takes. The band cannot sign to another label or even put out its own material unless they are released from their agreement, which never happens. Make no mistake about it: once a band has signed a letter of intent, they will either eventually sign a contract that suits the label or they will be destroyed.
One of my favorite bands was held hostage for the better part of two years by a slick young "He's not like a label guy at all,' A&R rep, on the basis of such a deal memo. He had failed to come through on any of his promises (something he did with similar effect to another well-known band), and so the band wanted out. Another label expressed interest, but when the A&R man was asked to release the band, he said he would need money or points, or possibly both, before he would consider it.
The new label was afraid the price would be too dear, and they said no thanks. On the cusp of making their signature album, an excellent band, humiliated, broke up from the stress and the many months of inactivity.
II. There's This Band
There's this band. They're pretty ordinary, but they're also pretty good, so they've attracted some attention. They're signed to a moderate-sized "independent" label owned by a distribution company, and they have another two albums owed to the label.
They're a little ambitious. They'd like to get signed by a major label so they can have some securityyou know, get some good equipment, tour in a proper tour busnothing fancy, just a little reward for all the hard work.
To that end, they got a manager. He knows some of the label guys, and he can shop their next project to all the right people. He takes his cut, sure, but it's only 15%, and if he can get them signed then it's money well spent. Anyway, it doesn't cost them any thing if it doesn't work. 15% of nothing isn't much!
One day an A&R scout calls them, says he's "been following them for a while now," and when their manager mentioned them to him, it just "clicked." Would they like to meet with him about the possibility of working out a deal with his label? Wow. Big Break time.
They meet the guy, and y'know whathe's not what they expected from a label guy. He's young and dresses pretty much like the band does. He knows all their favorite bands. He's like one of them. He tells them he wants to go to bat for them, to try to get them everything they want. He says anything is possible with the right attitude. They conclude the evening by taking home a copy of a deal memo they wrote out and signed on the spot.
The A&R guy was full of great ideas, even talked about using a name producer. Butch Vig is out of the questionhe wants 100 g's and three points, but they can get Don Fleming for $30,000 plus three points. Even that's a little steep, so maybe they'll go with that guy who used to be in David Letterman's band. He only wants three points. Or they can have just anybody record it [like Warton Tiers, maybecost you 5 or 10 grand] and have Andy Wallace remix it for 4 grand a track plus 2 points. It was a lot to think about.
Well, they like this guy and they trust him. Besides, they already signed the deal memo. He must have been serious about wanting them to sign. They break the news to their current label, and the label manager says he wants them to succeed, so they have his blessing. He will need to be compensated, of course, for the remaining albums left on their contract, but he'll work it out with the label himself. Sub Pop made millions from selling off Nirvana, and Twin Tone hasn't done bad either: 50 grand for the Babes and 60 grand for the Poster Childrenwithout having to sell a single additional record. It'll be something modest. The new label doesn't mind, so long as it's recoupable out of royalties.
Well, they get the final contract, and it's not quite what they expected. They figure it's better to be safe than sorry and they turn it over to a lawyerone who says he's experienced in entertainment lawand he hammers out a few bugs. They're still not sure about it, but the lawyer says he's seen a lot of contracts, and theirs is pretty good. They'll be getting a great royalty: 13% [less a 10% packaging deduction]. Wasn't it Buffalo Tom that were only getting 12% less 10? Whatever.
The old label only wants 50 grand, and no points. Hell, Sub Pop got 3 points when they let Nirvana go. They're signed for four years, with options on each year, for a total of over a million dollars! That's a lot of money in any man's English. The first year's advance alone is $250,000. Just think about it, a quarter-million, just for being in a rock band!
Their manager thinks it's a great deal, especially the large advance. Besides, he knows a publishing company that will take the band on if they get signed, and even give them an advance of 20 grand, so they'll be making that money too. The manager says publishing is pretty mysterious, and nobody really knows where all the money comes from, but the lawyer can look that contract over too. Hell, it's free money.
Their booking agent is excited about the band signing to a major. He says they can maybe average $1,000 or $2,000 a night from now on. That's enough to justify a five week tour, and with tour support, they can use a proper crew, buy some good equipment and even get a tour bus! Buses are pretty expensive, but if you figure in the price of a hotel room for everybody in the band and crew, they're actually about the same cost. Some bands (like Therapy? and Sloan and Stereolab) use buses on their tours even when they're getting paid only a couple hundred bucks a night, and this tour should earn at least a grand or two every night. It'll be worth it. The band will be more comfortable and will play better.
The agent says a band on a major label can get a merchandising company to pay them an advance on t-shirt sales! Ridiculous! There's a gold mine here! The lawyer should look over the merchandising contract, just to be safe.
They get drunk at the signing party. Polaroids are taken and everybody looks thrilled. The label picked them up in a limo.
They decided to go with the producer who used to be in Letterman's band. He had these technicians come in and tune the drums for them and tweak their amps and guitars. He had a guy bring in a slew of expensive old vintage microphones. Boy, were they "warm." He even had a guy come in and check the phase of all the equipment in the control room! Boy, was he professional. He used a bunch of equipment on them and by the end of it, they all agreed that it sounded very "punchy," yet "warm."
All that hard work paid off. With the help of a video, the album went like hotcakes! They sold a quarter million copies!
Here is the math that will explain just how fucked they are:
These figures are representative of amounts that appear in record contracts daily. There's no need to skew the figures to make the scenario look bad, since real-life examples more than abound. Income is underlined, expenses are not.
Advance: $250,000
Manager's cut: $37,500
Legal fees: $10,000
Recording Budget: $150,000
Producer's advance: $50,000
Studio fee: $52,500
Drum, Amp, Mic and Phase "Doctors": $3,000
Recording tape: $8,000
Equipment rental: $5,000
Cartage and Transportation: $5,000
Lodgings while in studio: $10,000
Catering: $3,000
Mastering: $10,000
Tape copies, reference CDs, shipping tapes, misc expenses: $2,000
Video budget: $30,000
Cameras: $8,000
Crew: $5,000
Processing and transfers: $3,000
Offline: $2,000
Online editing: $3,000
Catering: $1,000
Stage and construction: $3,000
Copies, couriers, transportation: $2,000
Director's fee: $3,000
Album Artwork: $5,000
Promotional photo shoot and duplication: $2,000
Band fund: $15,000
New fancy professional drum kit: $5,000
New fancy professional guitars (2): $3,000
New fancy professional guitar amp rigs (2): $4,000
New fancy potato-shaped bass guitar: $1,000
New fancy rack of lights bass amp: $1,000
Rehearsal space rental: $500
Big blowout party for their friends: $500
Tour expense (5 weeks): $50,875
Bus: $25,000
Crew (3): $7,500
Food and per diems: $7,875
Fuel: $3,000
Consumable supplies: $3,500
Wardrobe: $1,000
Promotion: $3,000
Tour gross income: $50,000
Agent s cut: $7,500
Manager's cut: $7,500
Merchandising advance: $20,000
Manager's cut: $3,000
Lawyer's fee: $1,000
Publishing advance: $20,000
Manager's cut: $3,000
Lawyer's fee: $1,000
Record sales: 250,000 @ $12 = $3,000,000 gross retail revenue Royalty (13% of 90% of retail): $351,000
Less advance: $250,000
Producer's points: (3% less $50,000 advance) $40,000
Promotional budget: $25,000
Recoupable buyout from previous label: $50,000
Net royalty: (-$14,000)
Record company income:
Record wholesale price $6.50 x 250,000 = $1,625,000 gross income
Artist Royalties: $351,000
Deficit from royalties: $14,000
Manufacturing, packaging and distribution @ $2.20 per record: $550,000
Gross profit: $710,000
The Balance Sheet: This is how much each player got paid at the end of the game.
Record company: $710,000
Producer: $90,000
Manager: $51,000
Studio: $52,500
Previous label: $50,000
Agent: $7,500
Lawyer: $12,000
Band member net income each: $4,031.25
The band is now 1/4 of the way through its contract, has made the music industry more than 3 millon dollars richer, but is in the hole $14,000 on royalties. The band members have each earned about 1/3 as much as they would working at a 7-11, but they got to ride in a tour bus for a month.
The next album will be about the same, except that the record company will insist they spend more time and money on it. Since the previous one never "recouped," the band will have no leverage, and will oblige.
The next tour will be about the same, except the merchandising advance will have already been paid, and the band, strangely enough, won't have earned any royalties from their t-shirts yet. Maybe the t-shirt guys have figured out how to count money like record company guys.
Some of your friends are probably already this fucked.
When you are beautiful it's only skin deep, but when you are ugly it's all the way through.
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sonny gaunt
Posted: Sat Jul 14, 2007 2:30 am
Joined: 05 Jul 2006
Posts: 1350
Location: Hellertown, PA
No shit BUTCHER-That is an elongated trip of the 2-minute surmon I DELIVERED to YOU months ago. WTF happened to you?
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Posted: Sat Jul 14, 2007 5:24 am
Joined: 06 Jul 2006
Posts: 878
Location: Midian
So how do we keep getting all of these millionaire rock stars?
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The Butcher
Posted: Fri Aug 17, 2007 1:24 pm
Dread Central Staff
Joined: 20 Jun 2006
Posts: 1305
ajburton29 wrote:
So how do we keep getting all of these millionaire rock stars?
We don't.
They are very few and far between. And not everyone in a "million selling band" gets a tangible piece either.
Put it this way, HATEBREED (who I don't like musically for the record) seem like a band right? They all write and stuff...but Jamey Jasta has a seperate contract from the band and gets a lions share of the royalties. And he is safer than the band from things like buy-outs, or his A&R guy leaving the label, etc.
Also, the millionaire rockstars lifestyle is "on loan" for the most part. It's a spend money to keep up appearances thing. And they live off of advances that someday bite them on the ass.
My friend plays in an international rap/world music type act and tours records with the likes of Gwen Steffani and The Black Eyed Peas. It's all about advances. The money is never really yours and it all has to be paid back. At least if you want to continue the band.
I was in Exodus for awhile, but it was called Wardance due to a bunch of contractual shit with their old management. The band didn't really fly again until the name Exodus was back in place. So it's not like a band can even move on by just changing their name. Fans have proven they want the band they liked using the name they are used to. Strange but true.
When you are beautiful it's only skin deep, but when you are ugly it's all the way through.
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From a couple of days till now I cannot access the dashboard ( My account, http://audiojungle.net/author_dashboard ) neither IE8 , last Firefox version or Chrome
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Another ton on a flat deck. Whoppee do. Everyone saying this is a 450+ deck, don't then turn around and laud the muppet's efforts here. His effort last week (though dropped in the 60s or so) was better and I've already given him credit for it, ****.
Bell making back-to-back tons is like that basketball kid in the States shooting three pointers.


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Ottorino RespighiItalian Born 09 Jul 1879 Died 18 Apr 1936
Ottorino Respighi was born in Bologna and would eventually become Italy's most important postromantic composer. Trained first in his home town's Liceo Musicale, he acquired sufficient viola skills to gain sporadic employment as an orchestral player in Russia. There he receieved lessons Rimsky-Korsakov , which were influential but few. Less helpful were the studies in 1902 with Max Bruch in Berlin.
Returning to Bologna he was a professional violinist (1903- 08), gaining local recognition as a composer. A return to Berlin saw him compose his first opera, Semiráma (1908), which although a success when performed in 1910 was soon forgotten. After a few years as a pianist (mostly accompanying singers, he taught composition (1913-25) at Rome's Santa Cecilia Academy. It was during this time that he wrote the first of his three most enduring works; The Fountains of Rome (1917), The Pines of Rome (1924), and Roman Festivals (1929) are exuberant tone-poems which are still frequently performed. Also still popular are his sets of Ancient Airs and Dances (1917, 1924, 1932), a testament to his love of the early music he unearthed and edited.
Respighi's success allowed him to travel to the New World, where he conducted and accompanied his wife, a singer of his works. As he aged his abilities began to wane; he began no new works after 1933 and his final unfinished opera, Lucrezia, is arguably not his finest hour.
Respighi's status as composer of choice of Mussolini is perhaps not a reflection of the composer's own beliefs. His scant correspondence with the fascist politicians of the time reveals little in the way of support for any political agenda, and his attacks on modernism, although reminiscent of the contemporary Nazi diktats, are nothing one would not expect such a composer to make in peacetime. In any event, on this subject he was in opposition to Mussolini.Show more


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Date: Thursday, October 25, 2012 - 6:30 pm
GET REEL Film: ¡A volar joven!
Thursday, October 25, 6:30 pm, Chiego Lecture Hall
Cantinflas is a member of the Military Aviation Academy on a 24-hour leave. When he visits the ranch where he left his sweetheart, former employers try to marry him off to their daughter. Cantinflas tries every trick in the book to avoid the marriage. Mexico. 1947. Spanish with English subtitles, 96 min., B/W. Not rated.
The McNay Contemporary Collectors Forum (MCCF) presents GET REEL, a program featuring critically acclaimed independent and foreign films and videos. From October through December, GET REEL celebrates Mexico's legendary comic Mario Moreno "Cantinflas" in films that span three decades of his career.
Admission is free. Some films may not be appropriate for all audiences.


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NIKE Men's Stadium Soccer Crew Socks
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Keep your most important tools for the field in pristine condition with these NIKE® Stadium soccer crew socks! A left/right-specific design and arch compression create a comfortable, supportive fit, allowing you to turn in more powerful performances without distractions such as slipping or bunching. Dri-FIT® fabric wicks moisture away to ensure your feet stay dry before, during and after games or practices.
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Reviewed by 1 customer
- Attractive Design
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- Athletics
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Comments about NIKE Men's Stadium Soccer Crew Socks:
These will be used for rugby 7's in the summer. practice in the meantime.
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- Feels true to size
- Was this a gift?:
- No


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Dinkel Bock - Apostelbräu
Displayed for educational use only; do not reuse.
Ratings: 21 | Reviews: 7 | Display Reviews Only:
Reviews by acevenom:
3.94/5 rDev +10.7%
The bottle opens as a gusher. Poured into a glass mug. The beer pours dull hazy amber with a thick, soapy white head. There are some visible tiny bubbles rising in the glass. The aroma is earthy and has some nice caramel notes. I also get some mild citrus and apple like aromas. The flavor is nice and bready with those caramel and toffee notes adding some sweetness to the beer. The breadiness is no surprise here due to the fact that dinkel is more often used for bread making than brewing. I get some earthiness in the back end. Some of those fruity flavors from the aroma are also present in the flavor. The body is medium to full with moderate carbonation. The finish is slightly dry and the drinkability is high. This is a very good beer. It's nothing that'll knock your socks off, but it certainly delivers.
06-28-2013 23:53:46 | More by acevenom
More User Reviews:
3.5/5 rDev -1.7%
03-20-2014 06:38:27 | More by gillagorilla
New York
3.59/5 rDev +0.8%
A: The beer is slightly hazy amber yellow in color and has a moderate amount of visible carbonation. It poured with a two finger high off white head that has good retention properties and consistently left a finger high head covering the surface.
S: Light to moderate aromas of toasted malts are present in the nose. Slight hints of orange zest are also noticeable.
T: The taste starts out with flavors of toasted malts and toasted malts and has notes of grassy and herbal hops.
M: It feels medium-bodied on the palate and has a moderate amount of carbonation.
O: This beer doesn't seem as malty compared to other bocks and has some interesting hop aromas and flavors. The citrus in the smell and taste is interesting.
07-04-2014 17:15:26 | More by metter98
4/5 rDev +12.4%
08-21-2014 00:31:48 | More by kyleverson
3/5 rDev -15.7%
08-25-2014 16:36:32 | More by ygtbsm94
North Carolina
4/5 rDev +12.4%
09-20-2013 17:38:51 | More by AngusOg
3.75/5 rDev +5.3%
03-09-2014 18:31:47 | More by DrunkinYogi
3.78/5 rDev +6.2%
So this is an odd bock. Not really to standard definition, but not a bad beer.
A light golden, slightly hazy pour. Nice fluffy white head, some sticky lacing. Settles to a thin cap. Looks good, but a bit light in color.
The aroma is where the oddities start. A bit zesty and spicy, like a hefe. Citrus and zest, but a strong malt profile. This beer uses Spelt malt, Opal, Saaz and Saphir hops so the spice isn't a surprise when considering these.
Flavor is a bit spicy, too. Zingy up front, malt in the middle. Banana on the finish. Really different for a bock and I kinda like it. The sweetness and fullness are there. The lager-ish-ness is wiped away by the hops. It's growing on me.
05-02-2013 04:39:16 | More by Mebuzzard
4/5 rDev +12.4%
03-30-2014 21:11:55 | More by kgrichards
3.5/5 rDev -1.7%
06-29-2013 17:55:30 | More by JDavidRice
New Jersey
3.75/5 rDev +5.3%
07-04-2014 17:25:54 | More by Bandi
3.03/5 rDev -14.9%
Popped the bottle open and lost about a 1/3 of it to foaming. Availability is a guess as there is nothing on the brewery web site about its schedule. The bottle also states it is 'naturally cloudy'...
Pours a slightly hazy, golden (apricot yellow) body with a chunky, white head -- lots of sticky lacing on the glass. Bright, tart smell, kind of like green apples; a bit of bread-like aroma. Light malt flavor (somewhat biscuit-like) with a dominating bitterness throughout; a little spicy (cinnamon-like, perhaps a characteristic of the hops used). Medium bodied, fairly clean mouthfeel.
A strange yet not a totally unappealing bock from Bavaria. It was apparently brewed with spelt and barley malts (per the bottle), but the hop bitterness does overwhelm the malt flavors, and the green apple aroma certainly seemed out of place for a bock. Still, it has a certain appeal to me, but surely wouldn't be one of my first choices for a bock-styled beer.
09-16-2012 21:18:36 | More by beergoot
New Jersey
3.5/5 rDev -1.7%
07-05-2014 22:12:28 | More by Latarnik
2.71/5 rDev -23.9%
Pours a very cloudy and very dark golden orange color with golden straw/banana yellow edges and a three finger, frothy white head that very slowly settles into a lasting cap. Retention is crazy, almost too good, taking forever to settle. Streaks of soapy lacing left behind.
Spicy, slightly grainy aroma with peppery clove and earthy hops along with a weird spelt charater and some sweet malt. Pepper, cinnamon and clove along with hints of apricot, orange and tangerine. Carmel malt sweetness with toffee and biscuit. Really odd combination of aromas. Slightly herbal and medicinal with a metallic cough syrup presence. Really hard to put my finger on what's going on in the nose.
On the fuller end of medium body with tight carbonation and a slight creamy texture. Surprisingly hop forward with a dry, resinous bitterness that compliments the spice and lingers throughout. Peppery spice flavors, especially cinnamon and clove followed by bready yeast, citrus peel, banana, sweet malt and light fruit. Some tangerine and orange peel along with hints of apricot and apple. Caramel malt backbone with some toffee and bread in there as well. Just a bit too much going on wih all kinds of different style influences and different flavors competing with each other. Also, the astringent, medicinal qulaity is a bit too strong overpowering the other flavors. In addition, the hop profile is a bit strong for this style of beer and the malts become muted after a while.
11-17-2013 02:23:24 | More by corby112
4/5 rDev +12.4%
03-14-2013 02:43:35 | More by PEIhop
North Carolina
3.5/5 rDev -1.7%
08-31-2014 22:57:36 | More by RochefortChris
2.75/5 rDev -22.8%
01-23-2013 02:39:43 | More by JAHMUR
5/5 rDev +40.4%
05-18-2014 14:11:12 | More by psoriasaurus
New Jersey
3.75/5 rDev +5.3%
10-26-2013 03:40:43 | More by BeerForMuscle
3.3/5 rDev -7.3%
A - An extreme gusher, about half a second after I popped the top off, half the bottle foamed out onto top the floor. What's left has a small head of off white foam on top of a hazy, golden brown body.
S - Toffee, caramel, light herbal hops, and a touch of anise.
T - Bready malt with some toffee up front. Anise and toasted grain in the middle. The beer finishes with some herbal hops and lightly sour malt.
M - Medium body, moderately low carbonation, and a slightly sweet finish.
D - Not bad, but kind of dull and flabby and it is hard to like it when most of it ends up on the floor as soon as you open the bottle.
11-03-2012 05:52:44 | More by nickfl
2.43/5 rDev -31.7%
From: Binny's, Glen Ellyn, IL
Date: None, in stores in 2012
Glass: Ayinger willi glass
Gusher alert.
Of the two beers I've had from Apostelbrau, this is probably the more easily drinkable, but neither of the two have been particularly enjoyable. Similar to the "Bavarian Pale Ale", there's a cache of strange flavors and aromas in this "bock" beer, most likely caused by the use of inappropriate yeast (is this a Belgian strain here?) for the style. In all, glad I did not ever pay the full retail price ($7?!?) of this beer, but picked it up on closeout at half price (still would not pay that for this beer again). Maybe this could be considered Germany's first saison-bock, I'm not sure, but it's not something I'd return to unless I was looking for that type of flavor profile.
Pours a 2-3cm tall head of slightly off-white foam, made up of small to large-sized bubbles for a somewhat soapy-like appearance. Retention is above average, the head lasting several minutes and declining to a 0.5cm tall cap atop the body of the beer for the duration of the session. Lacing is good, with several thick clumps and substantial dots clinging to the walls of the glass. Body is a dark golden orange color, with light bringing out bright golden orange (light copper) hues. Carbonation visible through the hazy body (30-40% opacity), high in number and activity.
Aroma is of light sweetness with mild bubblegum, spicy phenolics, brewer's yeast, a bit of something like orange peel, and mild graininess. Not unpleasant, but not particularly appetizing to what I'd expect to smell when I hear the words "bock," as this is more like an amber Belgian ale (saison or otherwise).
Front of palate tastes light caramel-like malt sweetness (some Vienna or light Munich?) with slight fruit esters and graininess. Mid-palate of light caramel-like sweetness mixed with spicy phenols, dried orange peel, light graininess and fruit esters. Back of palate tastes spicy, peppery phenolics, fruity esters, orange peel, musty yeast, and light malt sweetness. Aftertaste of dry, slightly crackery grain with a bit of sweetness, some still prevalent dried orange peel, a bit of spices (phenolics or otherwise)
Beer is medium-light to medium-heavy in body, with carbonation of high intensity, resulting in a beer that feels fizzy at first, then smooths out to a fully foamy mouthfeel. This is a bit overcarbonated for the style and for the beer, forcing the sips to occur to quickly for a 6.8% ABV beer. Closes dry, with moderate stickiness left on the palate and on the lips.
01-13-2014 07:06:55 | More by falloutsnow
Dinkel Bock from Apostelbräu
82 out of 100 based on 21 ratings.


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« back to Movies
Cirque du Soleil: Worlds Away
- Release Date: Dec. 21, 2012
- Genres: Program, SciFi/Fantasy
- Cast: Erica Kathleen Linz, Igor Zaripov
- Directors: Andrew Adamson
- Official Site: http://www.worldsaway3d.com/
- Distributor: Paramount Pictures
- From the big top to the big screen, Academy Award-nominated director Andrew Adamson and visionary filmmaker James Cameron invite audiences on an all-new 3D adventure -- Cirque du Soleil Worlds Away. Two young people journey through the astonishing and dreamlike worlds of Cirque du Soleil to find each other as audiences experience the immersive 3D technology that allows them to leap, soar, swim and dance with the performers.
Show Times / Buy Tickets
There are no current showings for Cirque du Soleil: Worlds Away in this area.


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Anne King has been installed as the exalted ruler of the Keeseville Elks Lodge 2072. She is a high school mathematics teacher at Northern Adirondack Central School, where she is active in several teacher organizations, and a volunteer for the Keeseville Emergency Shelter Committee. Also installed as officers were Mark Allen, esteemed leading knight; Lee Ann Pray, esteemed loyal knight; Phil Mero, esteemed lecturing knight; Jason Witherwax, secretary; Sheila Vanags, treasurer; Kevin Greene, tiler; Clayton Barber, esquire; Jim King, chaplain; Bryan Baraby, inner guard; and Tom Golden, trustee.
At the annual board meeting of the Behavioral Health Services North Inc., Ray Domenico stepped down as chairman after six years of service, handing the office to Mark Lukens, who has been on the leadership team for three years. Joe Heath, who served 13 years, and Jim Holmes, serving six years, were also recognized.
Duane Volunteer Fire Department hosted 36 volunteers from northern New York to learn the capabilities, limitations and requirements of the new Life Net helicopter service that is based in Potsdam. The new service will augment the Life Flight service, based at the Lake Clear airport, that is provided by the New York State Police. Volunteers attending, included Franklin County Coordinators, emergency medical services, fire and fire police personnel. Duane Volunteer Fire Department members also participated in cold-water-rescue techniques, plunging into the icy waters of Deer River Flow. This was preceded by a week of classroom lectures and videos on proper methods and safety procedures.
Sue Coonrod, owner of Plattsburgh Yarn & Gifts, and her crew of volunteer knitters, were presented with a Community Partner Award by the Clinton County Health Department for donating hand-knitted hats and mittens to WIC families. The donations are part of the Keep Kids Warm project.
Beekmantown High School teacher Andrew Rabideau was selected as an Unsung Hero in the Saint Michael's College Teacher Recognition Program. Rabideau was nominated by Willis Reid Breyette, a graduate of Beekmantown High School and first-year student at Saint Michael's College. Breyette said Rabideau made learning economics the most enjoyable class of his high-school career and said Rabideau constantly brought a liveliness to the class and showed a real passion in what he was teaching.


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- Home
- Student Life
- Life at Taylor
Life at Taylor
An intentional community of believers.
Our commitment to intentional community is one of the fundamental aspects that makes Taylor, Taylor. This allows you to learn, grow, and be challenged by one another.
You may think when you go off to college you will leave the feeling of family behind. While your roommates and fellow students will all come from different backgrounds and experiences, you have do have one important thing in common: a faith in Jesus and a desire to live out that faith together in community.
That sense of community is built into everything we do, and begins the day you arrive on campus. While moving in, you might expect to find yourself in the "freshman dorm." But at Taylor, residence halls aren't divided by class year. We recognize the value in relationships between under and upper classman. The student next door might be a senior who leads the Bible study on your floor, or a junior asking you to eat dinner at the Dining Commons with the wing.
Today you're just getting to know the Taylor community. It might be daunting to think about opening yourself up to living life in community like this, but four years from now, you'll be glad you forgot about playing it safe. In fact, by then you may be afraid that when you go off after graduation, you will leave your Taylor family behind. But the Taylor towel, given to you at graduation, will just be one reminder—the Taylor family is part of your life well after graduation.
Intentional Community is the process of regularly gathering together.
This process will immediately start to form your son or daughter and is why they will eat with everyone else on campus at the Dining Commons, and maybe live next to an upper classman who could lead their small group.


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Merrell Womens Siren Breeze Mid Waterproof
Merrell Womens Siren Breeze Mid Waterproof 5 5
Just what I was looking for. Having broad feet and wanting light boots, these fit the bill. The shop in Croydon were very helpful getting the correct size for me, offering to change the boots if they were not right once I had tried them indoors and to stretch them once I had started using them. 22 October 2013
good stuff I like the fack that they are midraise not a boot. If you don't need them for hardcore hiking I find these more comortable . Great shoes for winter or rainy weather . 14 October 2013
Easy wearing and instant comfort and feel A really nice pair of boots - comfortable from the off with a good fit and nice weight. 27 May 2013
Merrel Womens Siren Breeze Mid Waterproof A very flexible, comfortable light boot which meets all my needs as well as keeping my feet dry. 20 May 2013
Poor quality Very comfortable, but the waterproofing failed after only a couple of weeks and I was told by the shop that they would do nothing about it because it wasn't goretex. 05 February 2013
1-5 of 5
The Merrell Women's Siren Breeze Mid Waterproof Boots are perfect for all weather hiking. They feature a waterproof upper coating and mesh panelling to allow your feet to breathe, along with a Vibram outsole for superior traction and support.
Was: £110.00 Now: £66.00
- Colour: Brown
We aim to offer competitive prices, however if you find products cheaper elsewhere we will match the price. click here for more info...
The Merrell Women's Siren Breeze Mid Waterproof Boots are perfect for all weather hiking. They feature a waterproof upper coating and mesh panelling to allow your feet to breathe, along with a Vibram outsole for superior traction and support.
- Waterproof Construction
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- QForm® Triple Density Compression Molded EVA Footframe
- Air Cushion Midsole
- 5 mm Sole Lug Depth
- Vibram® Siren™ Sole/TC5+ Rubber
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|Classy and robust full-grain leather with slight sanding to create the characteristic velvet appearance. Depending on the required finish, Nubuck can be waxed, brushed or left untreated.
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|An innovative sole available only on Merrell shoes. The tread is composed of two levels. The first is a bottom layer of gray rubber that determines the foot's roll and features Vibram TC5+ rubber treads which feature differing profiles depending on where they are on the sole. The top black layer features a series of side strips that ensure uphill power and downhill precision, while the ?little spikes? and the heel offer the stability necessary when making contact with the ground. Finished with a high-power shock-absorbing thermoformed Eva wedge, Merrell's Vibram Siren is definitely ready for off-road sports.


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The Kings, Knicks and Rockets continue to discuss a three-team deal that would send Tracy McGrady to the Knicks, but apparently the Kings drive a hard bargain.
How hard? They're reportedly asking for David Lee, who is only the Knicks' best player, as a price to taking back Jared Jeffries' contract, according to the Sacramento Bee's Sam Amick.
Yeah … good luck with that. Not only is Lee the only thing keeping the Knicks relevant this year, but he also has to approve the trade because he's on a one-year contract. If he accepts, he loses his Bird Rights, meaning the Kings would not be able to go over the salary cap to re-sign him. There's no way he agrees to that.
Nice try, Kings.


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By Jena Johnson - bio | email
LONGVIEW, TX (KLTV)- A Longview woman says a Saturday night lounging on the couch turned into a hairy situation. After finding a frozen ball of hair at the bottom of a carton of Blue Bell Ice Cream, she now wants the well-known company to get to the bottom of this.
Tawanna Reese said she gagged after finding a frozen clump of black hair tangled in the bottom of her cookies 'n cream ice cream carton.
"That's a serious mistake," said Reese. "It's not like one hair. It's a ball of hair."
A ball of hair Reese said she nearly swallowed. Concerned over what may have been in the hair, she called poison control.
"They told me just to contact the ER and I talked to a lady and she was like, I'm not trying to be funny, but as long you don't feel a ball of hair in your throat then I guess you're okay," said Reese.
Reese said she's not okay with this hairy situation. She first confronted the convenience store where she bought the ice cream.
"He really wanted to come pick it up and I was like well I'm going to over that way anyway, so I'll just drop it off, but no apology nothing from him so I don't even know what to think on his half," she said.
Now, she has some serious questions for Blue Bell Ice Cream.
"Figure out if it's a person," she said. "Maybe somebody fell in their machine? I don't know, or somebody just cut hair and put it in there."
The Blue Bell Chief Financial Officer said the ice cream facility is a highly controlled environment. The company said they'd like to pick-up the pint of ice cream for testing because they want to get answers as badly as Reese.
"Really it's still in the back of my head," said Reese. "What's all in it? Where does it come from? Was it something done on purpose?"
Wherever it came from, Reese said she desperately wants this memory gone and her appetite back.
"Since last Saturday night everything I eat, it just makes me feel gross inside," she said.
The Blue Bell Chief Financial Officer said in his 30 years with the company, they've never seen a situation like this. He said they'll investigate Reese's claim.
Copyright 2011 KLTV. All rights reserved.
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WHO: Ryan Bader vs. Anthony Perosh
WHAT: UFC Fight Night 33
WHERE: Brisbane Entertainment Center in Brisbane, Australia
WHEN: Friday, December 6
Ryan Bader vs. Anthony Perosh -- Light-Heavyweight bout
TUF 8 winner and two-time Division 1 All-American wrestler Ryan Bader (15-4) will brave the Outback to tangle with Anthony Perosh (14-7) on "The Hippo's" home turf. Perosh, a semi-fossil at age 41, comes in hot after a shocking knockout of Vinny Magalhaes. Few gave the venerable sub-grappler a chance in what was assumed to be a nightmare match up and the indelible upset transpired in a mere fourteen seconds.
Perosh had a dually unsuccessful two-fight stint in the UFC (Jeff Monson by TKO, Christian Wellisch by decision) circa 2006, but embedded himself in the big leagues with a lucrative contract in 2010, though not by conventional means. Perosh scored a four-fight gig in exchange for moving up to heavyweight and fighting Croatian head-punter Mirko Filipovic at UFC 110 with a great big 48-hours to prepare. The reward was entirely well deserved as Perosh's pre-fight valiance was mirrored in his gutsy steadfastness against "CroCop," who teed off on the Aussie in a one-sided and cringe-worthy ass-kicking. Perosh begrudgingly fell by TKO in the second stanza but his courage and fortitude garnered him much respect in return.
He wasn't expected to make waves, or perhaps to even hang around by some, but Perosh made good on his sacrifice by reeling off three-straight stoppage wins (Tom Blackledge and Cyrille Diabate by rear-naked choke, Nick Penner by TKO) before Ryan Jimmo relegated him to GIF infamy with a hellacious seven-second KO in the 1st round. The best way to put such a disappointing loss in the rear-view mirror is to be on the opposite end of a quick and unforgettable beheading, which is precisely what Perosh did in the follow up against Magalhaes.
With four consecutive and increasingly impressive victories after clenching TUF 8, Bader was en route to a crack at Mauricio Rua's belt. Unfortunately, being christened number-one contender meant overcoming another skyrocketing prospect in Jon Jones, who tossed the decorated wrestler to the canvas, swarmed him with elbows, choked him out with a top-side guillotine and altogether violated him before going on to cement himself as today's alpha 205-pounder.
Most agreed that being paired with Tito Ortiz for the former light-heavyweight champion's bon voyage performance was like heaving Bader a big fat softball, but it was Ortiz who connected on the big swing. Duping the young lion with a crafty ploy, Ortiz subtly feinted a takedown, abruptly changed gears and transitioned into a scorching straight right that floored Bader, then strangled him with a vice-like guillotine choke when he tried to regain his footing.
The former Arizona State University wrestler's first experience with defeat was definitive, in duplicate and demoralizing. Bader's comeback trail since those back-to-back losses is rock solid: three very promising wins (Jason Brilz by 1st-round KO, Quinton Jackson by decision, Vladimir Matyushenko by 1st-round submission) and two highly respectable defeats in former champ Lyoto Machida and current number-one contender Glover Teixeira (both stoppages via strikes). That run isn't miraculous, but it's pretty damn good and Bader gets bonus points for jumping right back into the 205-pound frying pan.
The irony of portending Bader as a keenly unfavorable match up for Perosh -- just like I and many others did before he trampled Magalhaes -- is not lost on me. Still, even though the ingredients are slightly altered with Bader's stalwart wrestling in place of Magalhaes' stellar submission grappling, the concoction should be equally unappetizing to "The Hippo"; perhaps even more so.
Notwithstanding atypical highlights like his 1st-round shellacking of Jimmo, the bulk of Perosh's wins come from dominant positions: most of his TKO's, submissions and decisions were facilitated by top control, back control, a stifling clinch game or some other position of authority. And that's a tough perch to assume against a rugged wrestler like Ryan Bader, whose physical presence and athleticism are still probably his most prized attributes.
Bader doused any concerns of being one-dimensional in his win over Antonio Rogerio Nogueira, in which he confounded the Brazilian boxer and BJJ artist with explosive boxing combinations and seamless transitions into stifling takedowns. The lanky Perosh will have about an inch of height on Bader, but any and all other physical comparisons go Bader's way. What makes this such a steep test is that Bader's overall striking game is almost equally sloped in his favor. Along with his wrestling game.
Summarily, that gives Bader a substantial edge in the categories of physicality, athleticism, striking and wrestling. Let's throw experience and room for improvement in there too, so that's a subtle hint as to my eventual prediction.
To be fair, there's no question that Perosh is the far superior submission artist and, after all, half of Bader's losses are via submission. It's not likely to bear fruit, but Perosh could pursue a choke from the clinch or during any of Bader's takedown attempts if he isn't ultra-careful with his head position. If he can stay entangled, Perosh might even be the better scrambler. If Bader makes even one itsy-bitsy, teeny-tiny little mistake, Anthony Perosh was literally delivered unto this world for the sole purpose of capitalizing on it, either through round-winning control or immediate asphyxiation. Also, Perosh has shown one of the biggest hearts and some of the grittiest determination in the biz, and he could always just lumber out of his corner and rattle Bader's teeth like he did to Magalhaes.
My Prediction: Ryan Bader by TKO.


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First Circuit Torts - Injury Cases
Airplane Cases, Dockets and Filings
Cases filed
Cases 1 - 10 of 156
Rivas v. Jet Blue Airways Corporation et al
as 3:2014cv01617
Plaintiff: Carmen Rivas
Defendant: Jet Blue Airways Corporation, Aerostar Airport Holdings, LLC, Autoridad de los Puertos d/b/a Puerto Rico Ports Authority and others
Cause Of Action: Diversity-Personal Injury
Court: First Circuit > Puerto Rico > Puerto Rico District Court
C.S.N. et al v. Jetblue Airways Corporation
as 1:2014cv00283
Plaintiff: Edward Cabrera Vasquez , S. C. N.
Defendant: Jetblue Airways Corporation
Cause Of Action: Diversity-Notice of Removal
Court: First Circuit > Rhode Island > Rhode Island District Court
Tufts et al v. American Airlines, Inc. et al
as 1:2014cv12303
Defendant: American Airlines Group, Inc., American Airlines, Inc.
Plaintiff: David B Tufts , Cynthia R Tufts
Cause Of Action: Fed. Question: Personal Injury
Cintron-Solis et al v. JetBlue Airways Corporation
as 3:2014cv01252
Defendant: JetBlue Airways Corporation
Plaintiff: Legal Conjugal Partnership Cintron-Gazmey , Melinda Cintron-Solis
Cause Of Action: Diversity-Personal Injury
Court: First Circuit > Puerto Rico > Puerto Rico District Court
Berrios v. US Airways, Inc.
as 1:2014cv00041
Defendant: US Airways, Inc.
Plaintiff: Sonia Berrios
Cause Of Action: Diversity-Notice of Removal
Court: First Circuit > Rhode Island > Rhode Island District Court
Lothrop v. North American Air Charter, Inc. et al
as 1:2013cv13007
Defendant: Air Hamptons, Inc., Airborne Maintenance, Inc. , North American Air Charter, Inc. and others
Plaintiff: Robert S Lothrop
Cause Of Action: Diversity-Airline Crash
Duque v. Delta Air Lines, Inc.
as 1:2013cv12561
Defendant: Delta Air Lines, Inc.
Plaintiff: Suellen Duque
Cause Of Action: Notice of Removal
SKILKEN v. OXFORD AVIATION INC
as 2:2013cv00323
Plaintiff: KAREN SKILKEN
Cause Of Action: Diversity-Personal Injury
Court: First Circuit > Maine > Maine District Court
Blue Hills Helicopters, LLC et al v. United States of America
as 1:2013cv11888
Plaintiff: SJ Rotorcraft Corporation , Blue Hills Helicopters, LLC
Defendant: United States of America
Cause Of Action: Federal Tort Claims Act
Bringuier, et al v. Aero Investment Corp., et al
as 13-1640
Plaintiff - Appellant: JORGE BRINGUIER, a/k/a Jorge Enrique Bringuier-Olaiz, ILIANA CAROLINA ALFARO, TAINA IVELISSE ORTIZ-RODRIGUEZ and others
Defendant - Appellee: AERO INVESTMENT CORP.
Defendant: LYCOMING ENGINES, CESSNA CORPORATION, AVCO CORPORATION and others
Interested Party: GLADYS VELEZ
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