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5 Its an awesome album the greatest one hes every producedGiddyGumDrops | 28/10/2008 | See all GiddyGumDrops's reviews (1)In my opinion this is the best album Eminem has ever created.
5 No No No, Beaver Dude is Wrong!!!MasterTrader | 22/07/2007 | See all MasterTrader's reviews (76)This is alot better than The Slim Shady LP and has better songs than The Slim Shady LP. Oh I can't be bothered, just buy it for God sake...
4 Mad AlbumBeaverDude | 02/06/2007 | See all BeaverDude's reviews (6)This is probably Eminems most controversial album especially the song Kim. It's also quite personal at times although it still features the same silliness that made the Slim Shady LP special. It does feature some pretty poor songs though.I'd say the Slim Shady LP is better mainly because it doesn't have as many bad songs as this album.
5 MarshallGlitzyqueen100 | 04/08/2011 | See all Glitzyqueen100's reviews (80)One of Eminem's best albums!!! A work of art. it truly reflects on eminems talent and abilities.
5 SIMPLE SUBLIME!!!!!!!!!!!!!!lukelarne | 08/01/2011 | See all lukelarne's reviews (76)I am someone who has alot of hip hop albums and I really do love rap music and to tell the truth this is easily the greatest hip hop album ever made. Every track is just perfect and as usual eminem is just breathtaking. This is a must buy


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OCC: Hey, if you have anything you want to ask about just ask me via PM or VM. Just remember it's 500 characters a minimum post. Also, do you want me to mention you like this? @BlazeMaster
Ranger Alex Thompson
"Alex get your butt of the sofa and do something productive, you've been sitting around all day doing nothing, no work. When was the last time you sat down in your office and worked?" Cameron asked.
Silence quickly filled the room.
"I thought so. Take this run, make sure you look after this trainer. It's his first time through the park so don't go wondering off down another cave which could cause some harm to the trainer." Cameron said and handed Alex a pile of papers. Alex held onto the papers and looked up at Cameron and said, "Yes Sir, whatever you say Sir. You're the best, Sir,"
Cameron sighed and walked away, leaving Alex alone in the room. Alex walked towards the front desk and handed the receptionist the pile of papers and said, "Can you send this information to my PDA. Technology is the way forward." The intern grabbed the bunch of papers and scanned them with a machine. Alex walked off towards the back lot, awaiting his trainer by a fence. He looked up into the sky and smiled. The sun was out and it was perfect weather for going to Mt. Oktori. Alex held in his hands a pair of keys and started to swivel them around his fingers, waiting for his trainer.

subset: commoncrawl


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May 11, 2007 - United States Attorney Patrick L. Meehan today announced the return of a one-count indictment* by the Grand Jury, charging JOSE GUZMAN of Philadelphia, PA, with escaping from the Kintock Group Community Sanctions Center on March 14, 2007.
AGE [Date of Birth] |
Jose Guzman |
Philadelphia, PA |
age 27 |
If convicted, Guzman could receive a sentence of up to 5 years in prison.
This case was investigated by the United States Marshal's Service. The prosecution has been assigned to Assistant United States Attorney Albert S. Glenn.
STATES ATTORNEY'S OFFICE EASTERN DISTRICT, PENNSYLVANIA Suite 1250, 615 Chestnut Street Philadelphia, PA 19106 |
Contact: RICH MANIERI Media Contact 215.861.8525 |
*An Indictment or Information is an accusation. A defendant is presumed innocent unless and until proven guilty.
Benjamin Franklin Photo by B. Krist for the Greater Philadelphia Tourism Marketing Corporation


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Police chief, schools, college get threatening letters
UPDATED 9:21 AM EDT Mar 11, 2013The Clinton police chief, 2 school superintendents and an Upstate college have gotten threatening letters, according to school and law enforcement officials.
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IVAN GEORGE CALLAIS JR w/m 10/03/1952 6'02" 185 lbs 22702 Plantation Bay Blvd, Naples Violation State Probation: Grand Theft
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Presidential address to the joint sitting of parliament
New Zealand defeat Pakistan 3-1 in Azlan Shah Cup
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ICC welcome BCCI decision to stage IPL matches in UAE
KARACHI, Mar 12 (APP): Chief Executive of International Cricket Council (ICC) David Richardson has welcomed the decision of the Board of Control for Cricket in India (BCCI) to stage Indian Premier League (IPL) 2014 matches in the United Arab Emirates (UAE).
"The BCCI's decision to stage the first part of the IPL 2014 season in the UAE is a great news for the people of the UAE and the region," ICC said in a statement issued on Wednesday.
Read more...
Four teams qualify for National Bridge
KARACHI, Mar 12 (APP): Four teams from South Zone - Bilal, Puri Estate, Data Steel and Karachi Aces have qualified for the National Bridge Championship held in Islamabad next month, Karachi Bridge Association (KBA) announced on Wednesday.
Ten teams were contesting the first phase of national bridge qualifiers.
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Pakistan faces stiff challenge to regain World T20: Moin Khan
KARACHI, March 12 (APP): Chief Coach Moin Khan believed that keeping the unpredictability of shortest brand of cricket in mind, Pakistan faces a big challenge to regain the ICC World T20 which goes into action from March 16.
"If Pakistan did well in their Super T20 matches against Australia, India and West Indies then there are bright chances that they can reach the final and regain the title," he told APP in an exclusive interview here on Wednesday.
Read more...
Azhar wants to guide green-shirts in T20 CWC
ISLAMABAD, March 12 (APP): Former Test cricketer Azhar Mahmood has said he has the ideal background to guide the green-shirts in the T20 World Cup, while batting coach Zaheer Abbas does not understand the pressure involved in the twenty-over game.
He said Zaheer Abbas was one the greatest batsmen of his time, but he had never played twenty-over cricket. The person, who had played cricket recently and could genuinely help players, was needed, he told Pakpassion.net.
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Pakistan-England to play ODI, T20 series
ISLAMABAD, Mar 12 (APP): The Pakistan and England physical disability cricket teams will be head-to-head in ODI and Twenty-20 series to be held this month at Dubai Sports City.
They will play three ODIs and T20s each at the same venue. The series will begin with a T20 on Friday (March 21), says a press release issued here.
The 40 overs per side ODIs will be played as day-night matches on March 24,
March 27 and March 29. Two years ago Pakistan came out on top, winning a three-match ODI series 2-1 and also securing a 2-0 success in the T20Is.
The teams played the first-ever international series between two sides of
physically disabled players where both are recognized and endorsed by the governing body of cricket in their countries at the ICC Academy in 2012.
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Govt taking solid steps to resolve issues including terrorism: Ch Ni...
New Zealand defeat Pakistan 3-1 in Azlan Shah Cup
ISLAMABAD, May 27 (APP): New Zealand defeated Pakistan 3-1 in their Azlan Shah Cup match on Sunday, a private news channel reported.
New Zealand led 2-0 at the end of the first half with the goals scored in 8th and 10th minutes. Hashim Shah scored in the second half for Pakistan but New Zealand pulled away with another goal.
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Learn More About the PartnershipPosted on by Carly Brantz• 2676(0 Comments)http%3A%2F%2Fsendgrid.com%2Fblog%2Femail-is-not-dead-again%2FEmail+is+Not+Dead...Again2012-04-26+16%3A00%3A00Carly+Brantzhttp%3A%2F%2Fsendgrid.com%2Fblog%2F%3Fp%3D2676
Is email dead? Of course not but if you're not convinced here are some reasons why email is very much alive. Email is the engine of the social web. According to Radicati, as of 2011, there were 3.1 billion email accounts worldwide – and it is these accounts that are fueling the amazing growth of social networks like Facebook and Twitter. How do people sign-up for a social network? With an email address. How do they receive alerts and communications about those accounts? Via their email address. In fact, the email address is often the only piece of personal contact…


text: Current 6 people Largest Human Pyramid On A Moving Subway Embed <iframe width="560" height="345" src="http://recordsetter.com/embedvideo/3388" frameborder="0" allowfullscreen></iframe> Loading... Sign up for RecordSetter Sign up Your name: Your e-mail address: Choose a password: I am 14 or older By clicking "create account", you agree that you've read and understand the Terms of Use Already a member? × Why not? We think only a record holder can know what you go through to set a record, so we only let people that have already set world records downvote other people's records. What can I do? Go set a record! If you can think of it, you can set a new world record for it. × points Follow Record Unfollow Record Break This Record Rate it: Legendary Funny Cute Creative Gross Impressive Tags: group, pyramid, train, subwaytrain Post Comment Post to Facebook Follow replies All Comments for this Record Category response to this attempt Wed, 02 Jun 2010 18:07:51 GMT This is awesome. You are the best. What about largest human pyramid at the bottom of the grand canyon? lol. LIKE · REPLY Under review comments Largest Human Pyramid On A Moving Subway You can press ESC to close this dialog or click close. Related Records Fastest Time To Build A Five Car Lego Train 00:07.41 min/sec Fastest Time To Visit All 30 Countries Connected By InterRail 345 hours Largest Toy Car Circle Built Around A 3-Year Old 141 cars Longest Back Massage Train Through A Prius 15 people Longest Lego Locomotive 29.13 inches Longest Train Music Cadenza With Train Animation Created Using PaintBox Software 1:00:56.71 min/sec Most Cars In A Functioning Lego Train 172 cars Fastest Time To Fold A Paper Crane Using A NYC Subway Map 01:41.50 min/sec Most London Underground Stations Named In 30 Seconds 15 stations Fastest Time To Visit Every Train Station On Chicago's "L" Transport 8:56:33.0 min/sec Longest Lego Train Track 4,000.25 meters Most 'Littlest Pet Shop' Pets Placed On A Lego Train 61 pets Fastest Time To Climb Michigan Central Station 09:59.0 min/sec Longest Wooden Toy Train 202 inches Longest Office Chair Train Pulled By A Motorcycle 19 people


text:
Outrage occurs as one of Cinderella's ugly stepsisters pretends to be Sleeping Beauty in order to gain a cheeky kiss off unsuspecting Lou Mongello
Outrage occurs as one of Cinderella's ugly stepsisters pretends to be Sleeping Beauty in order to gain a cheeky kiss off unsuspecting Lou Mongello
"I don't know - did she kiss the frog"??
Last "short" joke anyone ever made to "Lettin' Loose Lou" Mongello's face.
Hi honey!
No...not you, Lou...!
This is not a caption.
Was just sayin' hi to DW 2 posts up...
Last edited by Dizisit; 05-15-2010 at 05:52 PM.
Wicked stepmother: "You realize, don't you, that you're in this just as deep as I am now, right?"
Lou: "I'm sorry, I didn't see a thing!"
Stepmother: "Yeah... ya did. Does this place have an incinerator?"
"If you can dream it you can do it."-Tom FitzgeraldD23 Charter Member
"Ok, I didn't literally mean to kill her with kindness, I was speaking metaphorically!" - Lou, trying to advise the Wicked Stepmother on changing her evil ways.
2001 - Caribbean Beach
2008 - Pop Century
2010 - Port Orleans Riverside
I proudly support The FairTax!
After assessing the situation Lou leans down and proclaims "As Coroner I must aver, I thoroughly examined her, and she's not only merely dead, she's really most sincerely dead."
Chorus: "Ding Dong! The Sis is dead. Which old Sis? The Wicked Sis! Ding Dong! The Wicked Sis is dead..."
Day 1 WDW Radio
Keep to the code
maybe i should have had a mint after dinner.. eek
All Star Sports July 2006
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Pop Century October 2010
All Star Movies September 2011
Pop Century September 2012Chrissy
An evil Stepsister attempts to show Lou and her mother, how to "get low" and "bust a move"
Lovin' Disney since 1982
Lou Mongello, the newest of Disney's Audio-Animatronics, is so real one of the evil stepsisters fainted from the shear realism.
When you wish upon a star.....
Adults are only kids grown up, anyway. WD
...That's the real trouble with the world. Too many people grow up. WD
"For those who get it, no explanation is necessary. For those who don't, no explanation will do."
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AtlantiCare Cancer Care Institute, A Fox Chase Cancer Center PartnerWith world-class medical expertise, unsurpassed technology and comprehensive support programs, AtlantiCare offers the full spectrum of cancer care in two convenient locations in southern New Jersey.More people are surviving cancer than ever before, thanks in part to medical advances available at the AtlantiCare Cancer Care Institute. As a Fox Chase Cancer Center Partner, AtlantiCare has invested millions of dollars to bring new cancer-fighting technologies and distinguished oncology specialists to southeastern New Jersey — so those facing cancer and their loved ones don't have to drive far to find the quality care they need and deserve. |
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text:
Teacher resources and professional development across the curriculum
Teacher professional development and classroom resources across the curriculum
Session 10, Part C: Problems That Illustrate Reasoning About Number and Operations (55 minutes)
As this course comes to a close and you reflect on ways to incorporate your new understanding of number and operations into your teaching, you have both a challenge and an opportunity: to enrich the mathematical conversations you have with your students around number and operations. As you are well aware, some students will readily grasp the ideas being studied, and others will struggle.
In Part C, you'll look at several problems that are appropriate for students in grades 3-5. For each problem, answer these questions:
What is the solution to this problem?
What is the number and operations content in this problem?
What skills do students need to work through this problem?
If students are having difficulty, what questions might help them work through this problem?
What questions might extend students' thinking beyond this problem?
Problem C1
John, Sarah, and Mary Beth each threw three beanbags at this target. All the beanbags landed somewhere on the target. Each person's score was the sum of the numbers in the rings where that person's three beanbags landed.
What is the greatest possible score?
What is the lowest possible score?
How many different possible scores are there?
John and Mary Beth got the same score but didn't hit the same rings. What was their score?
Problem C2
Which is greater, 5/6 or 5/8? How do you know?
Which is greater, 2/3 or 3/4? How do you know?
Which is greater, 5/8 or 2/3? How do you know?
Put these fractions in order from smallest to largest, and explain your reasoning: 1/2, 5/6, 2/5, 5/8, 2/3, 9/10, 5/3, 3/4
Problem C3
What is the smallest number of blocks you can remove so that there are 3 red blocks for every 4 green blocks left in the box? Which blocks did you remove? How did you figure it out?
What is the smallest number of blocks you can remove so that there are 3 red blocks for every 2 green blocks left in the box? Which blocks did you remove? How did you figure it out?
Problem C4
One, 2, and 3 are consecutive integers. If you add 1 + 2 + 3, you get 6, which is 2 3.
Two, 3, and 4 are consecutive integers. If you add 2 + 3 + 4, you get 9, which is 3 3.
What is the sum of 3 + 4 + 5? Does it follow the pattern?
What is the sum of 7 + 8 + 9? Does it follow the pattern?
What can you tell about the sum of any three consecutive integers?
Next > Homework
Learning Math Home | Number Home | Glossary | Map | ©
Session 10, Grades 3-5: Index | Notes | Solutions | Video
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Advice From Frfr Players
Posted 15 July 2013 - 02:07 PM
It seems like things are changing with the HD series for live FRFR use, but I wanna hear from guys who are doing it. As a recording engineer, I'm familiar with the "amp through a mic" vs "amp in the room" feel and tonal differences, and much more interested in whether the "feel" holds up when going FRFR. Do you feel a difference when you switch between a deluxe reverb and a plexi or ac30?
Also interested in speaker suggestions. I'm currently looking at either the RCF312 or RCF HD10a. I need it to function as a monitor, but also be able to hold Backline if its a gig with a super small PA.
Posted 15 July 2013 - 06:20 PM
Pretty sure the Tech 21 Power Engine 60 I have is FRFR - if it's not it sure acts like it. It's just a solid state clean amp and I'm totally happy with it. The patches I've made in the HD500 sound the same through head phones, into my DAW, and through the Tech 21. Thing has quite a bit of volume too if needed. I'm playing my first live gig with this set up this coming Friday so that will be the real test on the feel part of your question...hopefully it does.
Posted 19 July 2013 - 12:01 AM
Feel is a bit subjective however I have used and some times still use FRFR depending on location. To be honest FRFR always feels bit detached and airy in a live situation. Which is why I perfer using the Tech 21 power engine to provide a more amp like feel.
Yep you defo feel a difference between the amp models. We have a number of songs where we go directly from a clean to heavy crunch or from clearn to od to heavy crunch. I think this is where the POD excels over my tube amp set up given the variance in sounds you have available to you.
One of the hardest things to do with the POD is getting the patches the same volume and cutting through in every venue.
Posted 20 July 2013 - 01:09 PM
As for leveling patches, you can pick up a cheap sound level meter at RadioShack or what I do mostly is play patches against the same backing track(s) that are at a fixed volume. Not perfect but takes some of the guess work out.
Posted 20 July 2013 - 02:27 PM
Pretty sure the Tech 21 Power Engine 60 I have is FRFR - if it's not it sure acts like it. It's just a solid state clean amp and I'm totally happy with it. The patches I've made in the HD500 sound the same through head phones, into my DAW, and through the Tech 21. Thing has quite a bit of volume too if needed. I'm playing my first live gig with this set up this coming Friday so that will be the real test on the feel part of your question...hopefully it does.
Do you miked the tech 21 and send to PA?
Jtv 69 , pod hd 500, suhr S3,prs custom 22, Gibson SG standard 96, fender plus strat 93
Posted 20 July 2013 - 03:45 PM
i don't know what those guys do.... but not much point in micing it when using FRFR since you'd use studio mode that has the mic emulations...
just send it straight to FOH... the tech 21 does have a direct out as well...
although i'd probably just send the xlr FOH, and use the 1/4" to the tech21
Do you miked the tech 21 and send to PA?
Posted 20 July 2013 - 04:14 PM
i don't know what those guys do.... but not much point in micing it when using FRFR since you'd use studio mode that has the mic emulations...
just send it straight to FOH... the tech 21 does have a direct out as well...
although i'd probably just send the xlr FOH, and use the 1/4" to the tech21
Thanks zap, what do you mena FOH ? Is that Like PA?
Jtv 69 , pod hd 500, suhr S3,prs custom 22, Gibson SG standard 96, fender plus strat 93
Posted 20 July 2013 - 04:47 PM
FOH=front of house (PA, you assumed correctly)
Posted 20 July 2013 - 09:47 PM
Do you miked the tech 21 and send to PA?
Hey buddy - our show was cancelled due to weather but I would have been running out from the tech 21 to the mixer...not mic'ing it because of the mic sims. However...we did practice at volume and I wasn't really happy with the sound of it so I returned the tech 21, as well as the hd500 and upgraded to the hd500x. Got it for 450 at guitar center!
Now I'm going to be using the variax into the hd500x (which will still let me use the alternate tunings that I need/want) and then into my Marshall JVM. Won't be using the amp sims from the HD except for recording. I just found (personally) that I like the sound of my Marshall better. I do LOVE how the Variax and the Hd500 work together though and there are plenty of patches where I'm staying on the clean channel of my amp, but using like the tube distortion the the HD500x
I'm thinking that adding the DT amps to this setup probably would make a huge difference but don't really have the $$ right now to do that- maybe down the road!
Posted 21 July 2013 - 03:29 AM
Tech 21 to Mixer
I simply run out the Tech 21 direct to the mixer. POD set to Studio direct. This was the set up on Fridays gig in a smallish bar. The POD provides much better control over volume levels. Plus provides a smaller foot print.
"I think this is where the POD excels over my tube amp set up given the variance in sounds you have available to you."
....I should have added however there is a compromise with sound which I am prepared to make in the smaller venues.
Posted 26 July 2013 - 07:07 PM
...received my RCF 312A last Monday, and have spent about 6-10 hours throughout the week tweaking and building from scratch. The Verdict?
So far I'm not a fan. I'm going to spend a few hours over the weekend to see if I can reconcile things. Here is a bit about my setup and what I'm finding:
I'm using a custom shop strat and a Les Paul straight into the HD500 in studio/direct mode, running balanced into the rcf. I'm keeping the pod master knob at about 75%, and varying the channel volume parameter to adjust relative volume between amps.
Through the powered speaker, everything is awfully cold and harsh. It seems like the models all lose their identity. The super clean fender tones have none of the bounce and snap you get through a good set of headphones, the Marshall's are dull and lifeless with a very compressed non crunchy feel (even the plexi), and the ac30 sounds nearly broken the moment it starts to overdrive.
I've dealt with the abundance of highs and lows (the lows are OUT OF CONTROL) with the mid focus EQ post amp, which helps a bit with high gain tones, but still leaves everything very cold/dark/flat.
I LOVE the HD through my Sony 7506 cans, but have yet to reproduce that experience through a powered speaker. I am an audio engineer by trade, and have really been surprised at how poorly this setup performed compared to my plexi or my mesa mark III.
I think it's back to real amps for me, and the pod will go back to headphone sessions. Bummer.
Posted 27 July 2013 - 05:15 AM
I just started using a QSC K10 and this finally brought the Pod HD500 alive. Still a bit of a difference from a real amp, but now I know what I sound like to the crowd for the most part and much closer to patches i've made with headphones.
Second the suggestion on the K10. I've been working with one for the past several months - at home and in the practice room. The good: Rickenbacker 12-string, acoustic guitar and clean Strat sounds from the Variax are jaw-dropping. The bad: mildly overdriven (by today's standards, anyway) classic-rock sounds have been elusive. The HD500 does not do a good job of modeling tube amplifier dynamics. I guess it's fine if you are used to dancing on pedals to go between rhythm and solo sections of tunes, but I'd like to simply use the volume control for that as I would with a real amp.
Even after a lot of experimentation, I seem to end with either great rhythm tones that get way too loud and harsh when cranked or great lead tones that are too soft by the time the volume is backed down for rhythm. Am I simply old-fashioned in my expectations? Has anyone found a model and setup that actually responds realistically to the guitar volume?
40 years of Rock-n-Roll and proud of it (Just startin' indeed...)
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James Tyler Variax JTV-69(k) w/ Strat Neck
Posted 28 July 2013 - 08:21 AM
What I discovered was that the "real amp" filters off pretty aggressively after 4.5kHz, maybe even sooner. It also didn't have the HUGE low end we come to remember from our tube amps. Next it was time to build.
I started from scratch with the PodHD. My goal was to get one good clean, and one good high gain tone. I built the clean around the deluxe bright channel. It was immediately apparent the regardless of which mic model selected, there was WAY too much top and bottom in comparison to my real combo. Now this is expected, the same thing happens when I drop a 57 on my amps in the studio. You have to filter. I threw the mid focus EQ post amp, backed its gain way down, and tightened up the HP and LP parameters until things matched a bit more closely. I think I ended up tith the HP at about 35, and the LP around 60-65.
I did the same dialing in a rectifier tone and received pleasing results there as well. Careful attention should be paid to cab/mic types, as they pretty dramatically reconfigure the mid range content of the amps, so be sure to test various options to alter upper midrange response.
I'm going to keep tweaking, but things are sounding a good bit better after doing a real comparison.
Posted 28 July 2013 - 10:04 AM
Hey EOengineer ... I have often wondered how an FRFR system compares to a traditional guitar amp in a gig setting? So far, the HD500 / DT25 / dbl cab + L6 Link works well for my needs. As you well know, we all hear different. I'll be curious to know how you make out in the end with this journey you are currently on and whether you end up switching back to a traditional amp or not? I think in my case, I am good to stay with my current set up but hopefully sometime I might get a chance to try out an FrFr system? At home, I always play through my desktop mixing monitors (Mackie 824 MKII).
Posted 28 July 2013 - 12:22 PM
FRFR certainly is a different animal, but I came in expecting that, and had no intention of trying to mimic "amp in the room" feel, which is where I see many people finding disappointment with FRFR.
For now, the key to success seems to be a combination of expectation management, and a pseudo scientific approach to the technology. My goal is to tweak a versatile set of convincing tones to deliver straight to the PA, while using what I know about micing/mixing guitars in a studio setting to push for a level of consistency and refinement that is not practical when gigging a plexi or Mesa combo night after night.
I will update here as I keep working, and hopefully we can all learn something together.
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Lund is well known for its quality big-water boats, and the 1850 Tyee Sport & Fish is a prime example of an easy and dry-riding rig built for fishing any number of species. I tested the 1850 on Stockton Reservoir near my home.
Stockton, although relatively small, is a prairie lake that's exposed to the prevailing winds. Breezes can kick up their heels quite well, and after several windy days it's not uncommon to see four footers roll across the surface.
The day I tested the 1850, there was an 18-inch chop; just enough to provide a mild test for the 1850.
With a wider beam than on previous models, the ride was extremely comfortable and dry, as was to be expected. The hull came up on plane in about 7 seconds, climbing smoothly without any undue bow rise at throttle acceleration. Pushed by a 115 Mercury four-stroke, top speed was 40.1 mph on my Garmin eTrex GPS. That was with two people in the boat and a full fuel tank. In fact, that's just about the average speed for this type and size of boat/motor combination.
Across the board, 115-horspower outboards have continued to grow in popularity, and this particular four-stroke hummed along nice and easy, and provided more than adequate power for the 18-foot boat. Mid-range cruising was very comfortable, and the hull slowed to a perfect trolling crawl at idle.
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Angling VersatilityThere's a lot of fishing versatility in the 1850. The aft area is roomy with a deep cockpit, and is well set up for rod holders and downriggers.
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Length: 18 feet, 6 inches Beam: 96 inches Max. Horsepower: 175 Max. Capacity: 2,000 pounds Price with 115 Mercury: $31,927
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NEW YORK NURSE: April 2010
by Roni Cummings, MSN, RN
Recently, questions have arisen regarding the role of nursing and its impact on the quality of patient care. Nurses are asking:
For years, nurses have been aware of the many issues that impact quality patient care. Rarely a day goes by that discussions are not heard about how the lack of adequate nurse staffing correlates with hospital-acquired infections, fall-related injuries, medication errors, and nursing job satisfaction. Yet providing the data to prove that inadequate staffing has an impact on quality patient outcomes has been difficult.
The Institute of Medicine (IOM), the Centers for Medicare and Medicaid Services (CMS), and healthcare institutions have charged nurses to develop and implement strategies that will improve patient care outcomes. Since the early 1990s, the American Nurses Association (ANA) has initiated measures to collect data that is sensitive to nursing indicators and includes patient falls, pressure ulcers, staff mix, nursing hours per patient day, nosocomial infections, and nursing turnover rates. The challenge is not just in collecting the data and interpreting it, but also in using the data to ultimately improve patient care and patient care outcomes.
One may question what is meant by "nursing sensitive indicators." These indicators reveal the structure, process and outcomes of nursing care. "Structure" is reflected in the staffing mix, indicated by the educational level of the nurse, specialty certifications held by the nurse, and the skill level of the nursing staff – including number and ratio of registered professional nurses (RNs) to licensed practical nurses (LPNs) to unlicensed assistive personnel (UAP). "Process" refers to how the nurses do their jobs using assessment, planning, intervention, and evaluation of care. "Outcomes" are determined through focused study of infection rates, pressure ulcer rates, or the number of injuries that are the result of falls.
The National Database of Nursing Quality Indicators (NDNQI) was created by the ANA as a part of the National Center for Nursing Quality (NCNQ). The University of Kansas School of Nursing administers the NDNQI program and provides nursing sensitive indicator consultation and research based expertise to NDNQI. The NDNQI is the only national nursing quality measurement program that provides hospitals with unit-level reports that include comparisons to national averages.
How then can nurses contribute to and use the NDNQI data? An approach used by many staff nurses and nurse researchers is to review existing data for chosen indicators, such as post-surgical wound infections or fall rates. Define how the facility determines or defines the indicators and how the indictors are measured. Research the indicators with peer-reviewed literature for causes and solutions used by other nurses or facilities. And finally, make a change in the way nursing performs the care related to the indicators and then measure the outcomes.
Examining data outcomes from a single source, such as a unit or facility, is a good start to explore how much improvement has been made as a result of the proposed or implemented change for that particular source for a given amount of time. But, how would one know if this is a favorable rate overall? It is not until one can compare their unit with another unit or a "like" facility that an assumption can be made that the changes were indeed adequate. One could then question what the rates would have to be in order to be ranked in the top 10% of all units in the region, or even the nation.
NDNQI takes data seriously and maintains confidentiality for participating facilities. It ensures institutional identity will not be disclosed through avenues of transmission of data, storage, or reporting. Protected Health Information (PHI) is not collected or used and staff identities remain anonymous. Database access is restricted to authorized NDNQI personnel and reporting is through a secure firewall system. Only authorized users are able to obtain the quarterly NDNQI data reports.
The survival of nursing depends on a culture of change. Facilities have begun to move forward by analyzing data and making essential changes to improve quality of care for their patients. There are many reasons nurses need to review data. It is a reflection not only of quality-of-care issues, but also patient satisfaction and nursing satisfaction. Nurses can take pride in reviewing data that shows their efforts have improved care and have made a difference in their patient's lives.
NDNQI, University of Kansas Medical Center (2010). Transforming Data into Quality Care. Retrieved from: https://www.nursingquality.org.
Ms. Cummings is an Associate Director of NYSNA's Education, Practice and Research Program.


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BW's first arts management graduate Scott Walton '81 has had a very interesting career in arts marketing and PR on both coasts; he recently talked with fellow BW AMG graduate Cory Isler '12 about his career and connections to BW.
Alumni of the Program
Alumni are an integral part of the arts management program. They often serve as guest speakers in classes and provide a vital link to the arts management field in helping to connect students with possible internships and career opportunities upon graduation.
Our alumni include:
- Christina Aldrich, Assistant Director, Annual Fund, Baldwin Wallace University
- Sarah Biondo, Membership Assistant, PlayhouseSquare
- Nathan Carr, Development and Events Director, The Kitchen's Bounty
- Martins Daukss, Production Associate, Apollo's Fire
- Amanda Drury, Development Coordinator, Ipas
- Kelsey Ferguson, Subscription Representative, The John F. Kennedy Center for the Performing Arts
- Victoria Gray, Development Assistant, PlayhouseSquare
- Erika Haskell, Special Events Coordinator, Baldwin Wallace University
- Katie Heilakka, Assistant to the Principal, Toledo School of the Arts
- Jesse Hernandez, Program Manager - General Operating Support, Cuyahoga Arts & Culture
- Harmony Hodges, Manager of Individual Giving and Data Associate, Pittsburgh Opera
- Judith Horvath, Assistant Director, Czardas Dance Company
- Cory Isler, Assistant to the Manager of Choruses, The Cleveland Orchestra
- Lisa Judge, Assistant Director of Alumni Relations, Baldwin Wallace University
- Karen Kannenberg, Manager of Gift and Donor Development, Cleveland Metroparks
- Terry Kurtz, Director of Alumni Relations, Baldwin Wallace University
- Marilyn Ladd-Simmons, Gallery Oracle, SPACES Gallery
- Jennifer Andrews Markovich, Territory Manager for Undergraduate Admissions, The Ohio State University
- Michelle Matrale, Special Events, Filmings and Conventions Creative Costuming Assistant, Disney Event Group
- MJ Mennella, Former Vice President for Music, Fox Entertainment, and Founder, Music Asset Management
- Adam Miltner, Marketing Coordinator, PlayhouseSquare
- Kristen Muslusky, Assistant Subscription Services Manager, Cleveland Play House
- Jen Naso, Founder and Owner, Dance Dimensions Dance Studio
- Kelly Davis-Parks, Owner and Director, Medina Center for Dance Art
- Brandi Preston, Executive Assistant, Jam Theatricals
- Anna Register, Marketing & Communications Assistant, Cleveland Heights / University Heights Public Library
- Lisa Reichel, Director of Extended Studies and Community Outreach, Cleveland Institute of Art
- Brendan Reynolds, Corporate and Foundation Relations Officer, Kent State University
- Sonny Russo, Marketing Assistant, University of Delaware's Resident Ensemble Players/Professional Theatre Training Program
- Kelsey Schaefer, Assistant, Booking & Management, Gorilla Music
- Deidra Sibila, Ticketing Director, C3 Presents
- Hannah Schlueter, Registration Specialist, Baldwin Wallace University
- Theresa Schneider, Development Manager, Gordon Square Arts District
- Valerie Schumacher, Program Associate, Community Partnership for Arts and Culture
- Adam Sheldon, Operations and Finance Manager, Community Partnership for Arts and Culture
- Jacob Sinatra, Program Associate, Cuyahoga Arts & Culture
- Steve Smith, Executive Director, Revels of Boston
- Katie Sprang, Retail Development Manager, Chattem Inc.
- Alison Tomin, Patron Services & Box Office Coordinator, Apollo's Fire
- Scott Walton, Owner, Scott Walton Group
- Katie Zavatchan, Fundraising Coordinator, Muscular Dystrophy Association, Cleveland Chapter
The BW Arts Management Alumni Network, founded in the fall of 2012, strives to help Baldwin Wallace alumni working in the non-profit and arts management fields continue their commitment to professional growth in the arts. The group also encourages continued service to current BW students interested in entering the arts management field. For years, BW arts management graduates have maintained close ties to campus, supporting students in a variety of meaningful ways. In today's competitive economy, these ties are important to sustain for the next generation of arts managers. BW Arts Management alumni (including SDA graduates), if your name does not appear on the list above, please email your name, current position and organization to firstname.lastname@example.com to be included.


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President's Update - January 2012
Happy New Year! This is going to be an unbelievable year for WISH for OUR HEROES, which means we're going to grant a ton of wishes for our troops. We are so excited for the opportunities that lay ahead in 2012, and also grateful for the accomplishments that have been made since we launched in November 2009.1 46 0
Wishes Granted
Through Mar. 12, 2014
- March, 2014
- December, 2013
- November, 2013
- October, 2013
- September, 2013
- August, 2013
- July, 2013
- June, 2013
- May, 2013
- March, 2013
- February, 2013
- January, 2013
- December, 2012
- November, 2012
- October, 2012
- September, 2012
- August, 2012
- July, 2012
- June, 2012
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- March, 2012
- February, 2012
- January, 2012
- June, 2011
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- December, 2010
- November, 2010
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- August, 2010
- June, 2010
- May, 2010
- April, 2010
- March, 2010
- November, 2009
Featured Events & Programs
Forever T-Shirt
Help Our Troops by Sporting the Hottest New T-Shirt!! Designed by Texas-based W4OH board members Ashley Kamrath and Kimmy Chapman, W4OH would like to introduce the newest, hottest t-shirt around. Wear this shirt and display your Texas pride, while assisting local military members facing hardship. The front of our shirt displays your love for the great State of Texas, and the back displays your love for assisting our heroes. Each t-shirt is $24.95, which includes shipping and handling. 100% of all proceeds benefit local military members in need.
Send a Hero to the Firestone Grand Prix of St. Petersburg
We have established a 'Wish Fund' dedicated to sending troops to the Firestone Grand Prix of St. Petersburg.
TICKET REQUEST - Firestone Grand Prix of St. Petersburg, March 28-30, 2014
If you are currently on active-duty or mobilized status in the U.S. Military, you may request free tickets to attend this event. RETIRED Military may request tickets for Friday, March 28th ONLY.
San Antonio Ticket Donations
As WISH for OUR HEROES continues to grow, the generosity of local San Antonians continues to amaze us. Many local individuals & companies continue to step forward and offer to donate items/tickets for our troops.
Humor for Heroes Comedy Jam
Join us Saturday, April 5th, 2014 at 8PM at the "Pit Stop Bar & Grill" in Nolanville, TX for an evening of comedy and a concert starring Bobby Henline.
BOOK: Send Me: A Soldier's Story by Mike Dean - Proceeds benefit WFOH
Author Mike Dean shares his personal memories and life lessons from his impressive military career that reaches across three branches of the U.S. military. Proceeds from the book benefit Wish for Our Heroes.
Latest News
Firestone Grand Prix of St. Petersburg partners w/ WFOH and Modern Business Assoc. for 5k Run
ST. PETERSBURG, FL, March 6, 2014 - Tampa Bay area race fans will have the opportunity to participate in a race of their own during the 2014 Firestone Grand Prix of St. Petersburg. Event organizers announced today a new partnership with Wish for Our Heroes and Modern Business Associates (MBA) for its annual 5K run. Read Full Story
Latest Photos
Thanks to the Indiana Pacers for hosting 30 military children at the Greenwood Park Mall
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Take The Survey to identify YOUR growing edges.
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With Instructables you can share what you make with the world and tap into an ever-growing community of creative experts.
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A fun experiment combining simple electronics and common food stuffs. You'll need 4 cups of sugar, 2 cups of water, wire, electrical tape, assorted LE...
Boil the 2 cups of water in the medium sized pot, adding the sugar 1 cup at a time and waiting for it to dissolve. It's important to keep stirring the...
Take the LEDs, wire and electrical tape and wrap the wire around the leads, securing them with the tape. Wet the heads of the LEDs slightly and roll t...
After turning the sugar syrup off wait 5-10 minutes for it to cool, then pour it into either glass jars or paper cups. My first attempt was with glass...
Set aside in a cool place away from direct light and wait 1-4 weeks, depending on how large you want the crystals to be. Peel off the paper cup from t...
Set on a sheet of wax paper and allow to dry for a day or so. After completely dry, test with a 3V coin cell battery. You'll notice that the sugar hel...
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Fabulous dinner at Pastis!
Decided that after all the running around and stuff we earned ourselves a nice meal at Pastis. It was fabulous.
First off, they make the best Cosmopolitan in the city, bar none!!! Not too sweet or thickish, a little bit of shaved ice and nice hit of fresh lemon. Very well done.
We ordered 6 malpecque oysters to share and I have to say the accompanying sauce and the freshness of the oysters were wonderful - just as good, if not better than, Starfish.
My hubby had their escargot ravioli which is always wonderful and I had the jerusalem artichoke and potato soup. Both deelish and perfect winter comfort food.
For mains we had the fish and chips and roasted salmon on a bed of bismatti rice and some nicely sauted bok choy on the side. My salmon was perfectly done. Hubby gobbled up his fish and loved the homemade tartar sauce. Frite were also very tasty.
Did I mention the breadbasket - actually it was the killer butter that did me in. Yum - me.
Oh and desert - deemed our best desert of 2007 - a cold pistacho zabalogne with fresh strawberries. Again not overly gooey sweet, but great flavours. It was devoured in seconds.
I had a glass of pouilly fusse and can't quite recall what hubby's red was but all in all we had one very enjoyable evening. And It was hopping there, which I like to see. And yes it was loud, but easily carry on a conversation. Top notch service as always. Everyone is very professional and friendly. The same staff pretty much everytime which I also like to see. George must treat them well - a good sign for me.
We decided last night that we are going to make this our go to place for 2008 - it was THAT good! And still feel that way this morning, so it wasn't just the cosmo and wine talking :)
Maybe it's time for me to try this again. Although the food was fine I always seemed to have service issues here.
Always the same problem: - ordered the food then the wine - except the wine was out-of-stock (happened on each of the three occasions I've tried Pastis). So, at that point I find out what wines they have and change my food order (twice). Bad service from that point on (and aside; how does a place right opposite an all-brand LCBO store run out of wine?).
So stopped even trying. -
I've often posted about Pastis - the best decision they ever made was to downscale it to a bistro. My husband and I will often drop in without a reservation, sit at the bar and have an easy, great dinner. Other mains to recommend are the liver and the roast lobster. And for dessert next time, I HIGHLY recommend the profiteroles - definitely one of my guilty pleasures. George waivers between charming and a sycophant but the waiters and bartenders there are professional, friendly and overall excellent.
re: peppermint pate
Yup, its always been on my Top 5 restos. Funny you mention the lobster. Everytime I go I say I'm gonna order the lobster and came close last night but once again changed my mind. It sounds kinda messy to eat - is it?? And my husband loves their profiteroles. Luckily they brought that over from the original menu. I agree, the change was the best thing, but I also loved it before. Sycophant? I must look that up. He's always been very charming to us. Last night though, he was off sick with a cold....actually missed him.


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Rhododendron Bloom Walks Coming in March!
Join local rhododendron enthusiast Dennis McKiver for a walk through the rhododendron blooms at the Gardens.
An active member of the local Noyo Chapter of the American Rhododendron Society, Dennis is a treasure trove of rhododendron growing and maintenance advice.
Saturdays at 1pm
March 5th through April 23rd (except Saturday April 2nd)
Also May 7th and May 14th
Weather permitting.
Walks are free with Gardens admission.


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Search for KMC wheels by vehicle:
KMC, Like No Other!
Founded in 1982 as a manufacturer of steel wheels, KMC rapidly grew by developing a product line that caught the attention of an elite list of musicians, actors, X Game athletes and other celebrities now rolling on KMC wheels. KMC features the group as the brand's "Famous Rides" and keeps their discerning style in mind when they introduce new designs. KMC builds one-piece aluminum painted and chrome wheels for cars and trucks that not only look tough on the street, but are also backed by a lifetime structural guarantee.
To see which KMC wheels are available for your vehicle, select your vehicle in the options on the left.


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It's 30 Years Later! Bob Dylan's Tracks Gloriously Bloody
What could be better? A major Dylan moment in the culture. And a new Dylan mystery to obsess over.
The moment: Christopher Ricks' book ( Dylan's Visions of Sin ), hailed by Jonathan Lethem in a dazzling Sunday Times Book Review cover story, gives Dylan's literary stature the imprimatur of the Oxford Professor of Poetry, Read More


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Sponsored by: Arceneaux Ford
Feb 18, 2013 9:06 AM by AP
BATION ROUGE, La. (AP) - The annual conference of the Public Affairs Research Council will be April 19 at the Crowne Plaza Hotel in Baton Rouge.
The watchdog group says a morning panel will include discussion of tax reform and other current issues.
Keynote speaker for a luncheon that follows will be television commentator and Louisiana native Campbell Brown.
More details on the conference are available by emailing Susan Mintz Kantrow at susan(at)parlouisiana.org.
14 hours ago


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Hi Gabe!
What was the previous price?
All Ears is reporting.....
... from Editor-in-Chief Deb Wills, who is updating menus as a result of her trip to the World last weekend: I'm noticing that children's meals have increased in price to $8.59.
Some people are like Slinkies.
They aren't really good for anything,
but they still bring a smile to my face when I push them down a flight of stairs.
Friends are Gods way of apologizing to us for our families.
Hi Gabe!
What was the previous price?
Hmpf.-Deb, of All Ears is Reporting Childrens meals are $8.59
Some people are like Slinkies.
They aren't really good for anything,
but they still bring a smile to my face when I push them down a flight of stairs.
Friends are Gods way of apologizing to us for our families.
Kid's CS meals were $4.99 and the TS meals were $7.59 and up. Not sure if both CS and TS are increasing or if the $8.59 refers to only TS meals. If it is the CS meals, then this is a 42% increase. If it is the base TS meal, then it is a 13% increase.
Bits and Pieces for All Ears Menus:
50's Prime Time:
Kids' Complete MealsGrilled Fish of the Day - served with whole-grain pilaf, veggies, and yogurt parfait $8.59
Grilled Chicken Strips - with macaroni topped with marinara sauce and mozzarella, served with veggies and fruit salad $8.59
Kids' Complete MealsCheese Pizza - served with veggies and sliced apples $8.99For guests 9 and under
Meaty Macaroni - ground turkey with marinara sauce, topped with mozzarella served with veggies and fruit salad $8.99
Grilled Steak - Add $2.00
Boatwright POR:
Kid's Complete Meals $8.59
1) Cheese Pizza with veggies and sliced apples
2) Meaty Macaroni - Ground turkey with marinara sauce
topped with mozzarella with veggies and fruit salad
So far there are not updates on the Counter Service Menus
I'm far past the Kids menu however Dining Plan or Pay as You go, it is pretty costly for what the kids are actually receiving.
13% increase. Yikes, given the CPI for 2009-2010
I am not sure that the kids meal is worth that much! My kids would pick at it and then eat off of my plate.
But the next time they go, they will be considered adults anyway. But I do feel for young families! That's a big increase.
This was posted by Buzz2001 on another thread but it applied here.
I'm sorry but I think this is too high for a kids meal especially if you have more than one kid. $8.25 for Mac & Cheese meal? Thinking Disney is going to have to take a look at this if they want to boost attendance back up.
Maya Grill - Menu Date: February 2010
Kid's Menu
Mozzarella Cheese Sticks with Marinara Sauce $4.50
Nacho Chips with salsa and cheese $4.50
Grilled Chicken Parmesan served over penne pasta $8.25
Macaroni and cheese with penne pasta $8.25
Beef Tenderloin Tips with vegetables and choice of french fries or rice pilaf $8.95
Grilled Cheese Sandwich with vegetables and choice of french fries or rice pilaf $8.25
Pan Seared Salmon with vegetables and choice of french fries or rice pilaf $8.95
All Kid's entrees include: choice of soft drink, apple juice or milk. Plus choice of a scoop of ice cream or apple sauce.
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This test is an x-ray of a knee, shoulder, hip, wrist, ankle, or other joint.
X-ray - joint; Arthrography; Arthrogram
The test is done in a hospital radiology department or in the health care provider's office. The x-ray technologist will help you position the joint to be x-rayed on the table. Once in place, pictures are taken. The joint may be repositioned for different views.
Inform the health care provider if you are pregnant. Remove all jewelry.
The x-ray is not uncomfortable, except possibly from positioning the area being x-rayed.
The x-ray is used to detect fractures, tumors, or degenerative conditions of the joint.
The x-ray may reveal arthritis, fractures, bone tumors, degenerative bone conditions, and osteomyelitis (inflammation of the bone caused by an infection).
The test may also be performed to investigate the following conditions:
There is low radiation exposure. X-rays are monitored and regulated to provide the smallest amount of radiation exposure needed to produce the image. Most experts feel that the risk is low compared with the benefits. Pregnant women and children are more sensitive to the risks of the x-ray.
Renner JB. Conventional radiography in musculoskeletal imaging. Radiol Clin North Am. 2009 May;47(3):357-72.
A.D.A.M., Inc. is accredited by URAC, also known as the American Accreditation HealthCare Commission (www.urac.org). URAC's accreditation program is an independent audit to verify that A.D.A.M. follows rigorous standards of quality and accountability. A.D.A.M. is among the first to achieve this important distinction for online health information and services. Learn more about A.D.A.M.'s editorial policy, editorial process and privacy policy. A.D.A.M. is also a founding member of Hi-Ethics and subscribes to the principles of the Health on the Net Foundation (www.hon.ch) The information provided herein should not be used during any medical emergency or for the diagnosis or treatment of any medical condition. A licensed medical professional should be consulted for diagnosis and treatment of any and all medical conditions. Call 911 for all medical emergencies. Links to other sites are provided for information only -- they do not constitute endorsements of those other sites. © 1997- 2013 A.D.A.M., Inc. Any duplication or distribution of the information contained herein is strictly prohibited.
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UNK Quick Links Quick Links A-Z Website Listing Office of the Chancellor Campus Maps UNK Factbook Calendar of Events Policies & Procedures Contact Information Registrar's Office UNK Alert Undergraduate Graduate International eCampus Scholarships & Fin. Aid Academic Affairs American Democracy Undergraduate Studies International Education Study Abroad Academic Calendar Colleges & Departments Computer Use Policy Course Catalog Library eCampus Classes Schedule of Classes Transcripts Firefly Academic Calendar Blackboard LoperMail eCampus Helpdesk (ITS) Major/Advisor Change (ugrad) Student Union Student Government LoperCAREERS Telecommunications The Antelope Online KLPR Radio UNK ID Card MyBLUE Blackboard Ektron Login Faculty Senate Firefly Future Catalog Helpdesk (ITS) Email Staff Senate Telephone Directory UNK ID Card myBlue Assessment Current Catalog Faculty Handbook Policies & Procedures The Antelope Online UNK Today UNK Factbook Business & Finance Academic & Career Services Contact Information Employment at UNK Human Resources ITS Police/Parking Services Dining Services Alumni Association NU Foundation NU System
Visit Campus!Apply Today!
Student Employment Opportunity
Intramurals is one of the largest on-campus student employers because we have flexible hours, work is fun, and there is a large level of convenience associated with the jobs offered. We actively employ students in various capacities throughout the year. For all team officiated sports (flag football, basketball, volleyball, softball, soccer, etc.) we employ officials and scorekeepers. No experience is necessary to apply because we train all of our officials and scorekeepers on what to do. Pay starts at minimum wage for scorekeepers and increases for the various positions.
We also employ Student Supervisors who are promoted from the ranks of officials and scorekeepers. They are responsible for event supervision.
Those interested in officiating must attend an Official's Round-Up which is held at the beginning of each semester.
Fall Semester: Thursday, August 29th and Wednesday, September 4th at 7:00 p.m. Ockinga Seminar Center(Must attend one)
Spring Semester: Tuesday, January 21st & Wednesday, January 22nd at 7:00 p.m. Site TBA (Must attend one)
If you have any questions about employment, please contact us at 308-865-8676 or email us at firstname.lastname@example.com for more information. We will also post training dates for each sport as the training sessions approach.


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Manhattan Bridge Capital, Inc. (Nasdaq:LOAN) reported that its Board of Directors has authorized a common stock repurchase allowing the buyback of up to 100,000 common shares in market or off-market transactions at prevailing prices over the next twelve months.
One of the advantages of Internet marketing is the broad reach it has to consumers. The Web is not just nationwide - it's worldwide.
Crown Equity Holdings Inc., (CRWE) offers advertising branding and marketing services as a worldwide online multi-media publisher with its digital network of websites and focuses on the distribution of information for the purpose of bringing together a targeted audience and the advertisers that want to reach them.
CRWEs advertising services cover and connect a range of marketing specialties, as well as provide search engine optimization for clients interested in online media awareness.
CRWEs division CRWE AD-Services (www.crwe-adservices.com), is a full service multimedia advertising company specializing in internet marketing. It provides modern and unique advertising campaigns, dedicated to offering the most cost effective advertising solutions.
More about CRWE at www.crownequityholdings.com.
AutoZone, Inc. (NYSE:AZO) reported net sales of $2.8 billion for its fourth quarter (16 weeks) ended August 25, 2012, an increase of 4.6% from the fourth quarter of fiscal 2011 (16 weeks). Domestic same store sales, or sales for stores open at least one year, increased 2.1% for the quarter.
Pacific Biosciences of California, Inc. (Nasdaq:PACB) provider of the PacBio(r) RS High Resolution Genetic Analyzer, reported the launch of the MagBead Station for the PacBio RS, a product enhancement that delivers more high-value long reads, enables use of small sample amounts, and makes sample preparation more robust.
Disclaimer: CRWENewswire.co.uk publisher and its affiliates and contractors are not registered investment advisers or broker/dealers. (Read Full Disclaimer at http://CRWENewswire.co.uk/disclaimer)
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Lot 175
Sir James Jebusa Shannon, RA, RBA, RHA
(British, 1862-1923)
Sold for £96,000 (US$ 159,487) inc. premium
Next lot
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Auction Details
19th Century Paintings
London, New Bond Street
13 Jul 2011 14:00 BST
Auction 18883
Lot Details
Sir James Jebusa Shannon, RA, RBA, RHA (British, 1862-1923)
signed vertically 'J.J.SHANNON' (upper left), dated '86' and inscribed vertically 'ESTELLE' (upper right)
oil on canvas
x 43cm
(14 3/8
x 16 15/16in).
Placed in front of pale diaphanous curtains, Estelle, a thin-faced girl stares directly at the viewer. A skylight casts soft shadows around her dark eyes and aquiline nose; the crisp line of her chin almost masked by a high collar and white chiffon bow. These details are important as they transcend what may otherwise have been a simple exercise in face painting. This young woman with her 'aesthetic' hairstyle, could have stepped out of one of George Du Maurier's humorous drawings for
The Punch Almanack
, were it not for her pensive look.
James Jebusa Shannon's previously untraced
provides a cogent reminder of the origins of a painter whose first success occurred when his head study of one of Queen Victoria's ladies-in-waiting, the Hon Horatia Stopford, (Royal Collection, Osborne House) was shown at the Royal Academy of 1881. The effect of this patronage on a young artist who had just completed his training, was to project him straight into portraiture, when the first step on the accepted career path might normally have led to eye-stopping subject pictures. Although he secured a number of commissions - notably the portrait of Janet Monach Patey, 1884 (Tate Britain) - it was in 1886 that his second breakthrough occurred with Miss Annie Beebe, a picture rejected by the Royal Academy, but shown to great acclaim at the Grosvenor Gallery (fig 1).
Fig 1 Miss Annie Beebe, 1886, Private Collection
Thereafter Shannon was regarded as one of the most important young painters of his generation, following in the footsteps of Jules Bastien-Lepage, whose Sarah Bernhardt (fig 2) he must have studied at the Grosvenor Gallery in 1880.
Fig 2 Jules Bastien-Lepage, Sarah Bernhardt, 1879, Private Collection
Although like Henry Herbert La Thangue (see lot 174), Shannon adopted the characteristic 'square brush' handling of Lepage's British followers, he was not a slavish imitator. As Lewis Hind noted,
'He does not, like Bastien-Lepage, obtain fine textures and the velvet softness of women's skin with small brushes. No, his is the vigorous and swift technique of the square brush laid on with unerring precision. He is a graceful and rapid worker, with a remarkable power of suggesting a likeness, and he has been known to produce an excellent half-length at a single sitting.'
With La Thangue, Frank Brangwyn, William Llewellyn and others, Shannon rented a studio in Wentworth Studios, Manresa Road, then 'a colony of artists' based in what was a cul-de-sac running north from King's Road, Chelsea. The cradle of radicalism, this group of studios hosted the Royal Academy reformers who met in the wake of the first New English Art Club exhibition at which Shannon showed in 1886. It was thought at the time that Shannon was a La Thangue follower. Three years later, Morley Roberts, observed with hindsight that,
'... his present quiet method has been arrived at through the clever and evidently dexterous brushwork which he learnt originally from La Thangue.'
While La Thangue's methods may have been the most extreme, the practice of painting across the form with large square-shaped brushes was common at the time and like John Singer Sargent, Shannon modified the manner, paying more attention to finish in important areas such as the faces of his sitters as the present picture indicates.
The printed inscription identifying Estelle also typifies Shannon's work of the mid-eighties and is seen in
1886 (fig 3).
An artistic embellishment it accentuates the picture plane, frames the head, and plays to the strong decorative and heraldic sense that was one of Lepage's legacies.
Fig 3 Margaret, 1886, unlocated
Fig 4 Violet, Duchess of Rutland, 1896, Private Collection
However, in one important respect, Estelle exceeds expectation - it anticipates by ten years, the sequence of semi-symbolist portraits Shannon painted of his most important patron, Violet, Duchess of Rutland.
After 1889 he virtually became court painter to the Rutlands, painting Violet on many occasions, her husband, and a large group portrait of their three children, splendidly echoing Van Dyck. By the mid-nineties, painter and patron conceived an extraordinary sequence of mystico-religious works among which sits the hieratic Violet, Duchess of Rutland (fig 4). Here the sibylline stare of 'Egeria' the persona she adopted for her aesthete friends, the 'Souls' - entraps the viewer and in Violet Rutland, Estelle's passionate gaze is re-lived and its significance, unlined.
Sold Sotheby's New York, 17 October 1991 (catalogue entry by Barbara Dayer Gallati). Sir Coutts Lindsay, proprietor of the Grosvenor Gallery was evidently so impressed by the picture that he invited the artist to exhibit it.
The striking similarity between
and the Bastien-Lepage portrait extends not only to the scarf and hairstyle, but also to its general conception as a 'harmony in white', pulling Whistler into the comparison.
Lewis Hind,
The Work of JJ Shannon
, The Studio, vol VIII, July 1896, p. 67.
Morley Roberts,
A Colony of Artists
, The Scottish Art Review, vol II, 1889, p. 73. Shannon apparently owned a small head study by La Thangue.
Margaret was sold Heritage Auctions, Texas , 8 May 2008, as Baby in a ruffled dress.
We may also note the original 'Watts' frame which confirms the painter's 'aesthetic' pretensions.
Jane Abdy and Charlotte Gere,
The Souls
, 1984 (Sidgwick and Jackson), pp. 46-53. Violet Rutland was in fact the cousin of Coutts Lindsay, (see
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