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Barry Lyndon -Mitchell BNC and Zeiss lenses
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Kubrick's f/0.7 lenses now available for rent (but start saving up)
Legendary filmmaker Stanley Kubrick pushed the boundaries of moviemaking in many ways, and was responsible for some of the most enduring visuals in cinema. When he made Barry Lyndon in 1975, Kubrick shot with two ultra-rare Carl Zeiss primes, which had originally been created for NASA for use in the Apollo space program and were modified for Kubrick to use with a Mitchell BNC camera (which was also specially modified to accept the lenses).
Carl Zeiss made ten f/0.7 prime lenses in the 1960s, selling six to NASA, keeping one, and selling the remaining three to filmmaker Stanley Kubrick. |
Using the 50mm and 35mm f/0.7 lenses, Kubrick was able to film some scenes purely by candlelight. Now, Germany-based company P+S Technik has announced that they've modified a PS-Cam X35 HD to be able to accept Kubrick's primes, and the whole package is available to rent. Exactly how much it will all cost is still unclear (P+S Technik's brochure simply says 'on request') but the camera alone costs €750 per day, so we doubt it will be within the means of most casual videographers.
For more background on Kubrick's use of the modified f/0.7 primes, check out the short video below, and the full, fascinating story of the various modifications that Kubrick requested can be found here.
And you can see samples, and some test footage shot with the lenses at the Kubrick Collection website.
Barry Lyndon: Use of the Mitchell BNC Camera and Zeiss Lenses
all about the lens on the Mitchell BNC:
Rentprice 3500 euro/day
with Full-HD-Videokamera PS-Cam X35.
Nice to know a bit about this.
You can tell that Kubrick started out as a photographer (and actually a very good one too). Near the end the costume designer talks about his attention for the fabric of costumes, in order to recreate the light-reflection characteristics seen in period paintings.
Gotta love this if you are interested in available light.
F0.7 - amazing. I am surprised that with the massive jumps in optics and materials in the last 50 years nobody has bothered to create something like this on a commercial scale. There was a 50mm f1.0 at some point - now rare and you need adapters to use it. How about Canon or Nikon (or .. Bonus!! both) make a 50mm f1.0 or better. I think would pony up some cash for that.
Current digital sensors/microlens arrays can't accept the light cone from an f/1.2 lens, let alone f/0.7, so the extra speed will go to waste.
There are plenty of ancient lenses that are unmatched today in terms of performance, for example the Kodak Aero Ektar - there may have been massive jumps in [some] materials, but there have also been steps back in terms laws forbidding the use of certain materials, such as lead, or in the case of the Aero Ektar, radioactive thorium!
Closest I've seen and it shoots buttery smooth in ultra low light.
Ooooooooooh special ............. ooh........... specialy modified ooh......... nothing special about modifications..... people do them every day
I am genuinely curious to see how this lens functions both in terms of light gathering ability and shallow depth of field. l'm really not interested in bickering about candles and iso. From what l know this is one of if not the fastest lens ever made. l would love to see what it does Beyond Barry Lyndon . I can imagine incredibly shallow depth of field (just how shallow?) as well as being able to use very fast shutter speeds with low iso.'s
a lot of rubbish talk,
with maybe several seconds shot with this lens,
within two or three stops from open.
yes that movie seemed a tad bright/ light as I recall now i know why
So...he was a gear head...like all of us, seeking for the brightest lens. LoL
Sorry, guys. The lenses are not available anymore. Just taped them to my camera.
the ship was sunken by an Iranian sub, and the lens was sent directly to Osama bin Laden.
Stanley Kubrick was a ingenious filmmaker and Barry Lyndon was a visual masterpiece.
All that you say is true. But let us all bear in mind that a lot of the credit for "Barry Lyndon" is shared by the late cinematographer John Alcott B.S.C.
DoF, DoF, its not about DoF, people please stop. Thin DoF was actually the biggest challenge for Kubrick when using this lens.
The reason he used his f0.7 lens was to be able to film a candle light scene without using any other light source. But that said, I still think this is not very practical today.
Kubrick shot that scene with F/0.7 using ISO-200 on Mitchell camera if I remember correctly. So today we can simply use excellent ISO-1600 or ISO-3200 on ARRI or SONY or RED etc... and easily shot that same scene with F/2.0 (and don't have to worry that much about thin DoF)
DOF is hardwired with light gathering capability.
if you see same DOF you can know for sure the light gathering capability will also be the same, regardless of sensor format, at a certain AOV.
I don't believe this talk about candle light at all. An F0.7 lens is only one stop brighter than an F1.0 lens. To be able or not able to shoot in candle light cannot have been dependent on one stop.
Light gathering ability was ALL we worried about when shooting available light in the 60's and 70's. Thin DOF is a fashion of the last couple of years that some believe confers quality on their photo turds.
if anyone wants more light, there is no way but to have thinner DOF, no matter what lens or format he uses, no matter he likes it or not.
Hello Vadimka
As for your suggested system substitution, your solution will have less luminosity (signal to noise - SN) dynamic range as the noise floor will have been raised to f2, with no reciprocating elevation in the saturation level of the sensor.
As a closing note, depth of field (DOF) is neither "thin" nor "thick" rather "shallow" or "deep".
well, I have to agree that ASA-200 film of 1970s era might have some decent DR and saturation. However if you search for the comparison footage of film with modern state of the art cameras, like Alexa or some Pro-line Sony, you will find that they produce very good ISO-1600 results which are extremely competitive and in some areas even better than those of ASA-200 film.
Moreover, any lack of saturation that you mentioned will not be really a factor, if you use superior Cooke f2 optics, vs Zeiss f0.7.
Or if lyou really worried about ISO 1600, just put buy excellent Leica f1 or f0.95 lens (high contrast, high saturation) and use it with before mentioned modern pro line cine rigs with ISO 400.
You could buy, new Black Magic rig, with Leica 50/1.4 lens, shoot it at ISO 800, all for about the cost of week rental (and you keep the equipment).
If Kubrick was shooting today, he would be using BMCC, or running around with OMD's 5-axis stabilizer, screaming from joy.
"If Kubrick was shooting today, he would be using BMCC, or running around with OMD's 5-axis stabilizer, screaming from joy."
MY SLIGHT CORRECTION TO THAT: "If Kubrick was shooting today, he would not be using the invisible-cam BMCC, or running around with OMD's 5-axis stabilizer, screaming with pain."
Ok, he would be using BMCC in the near future. And yes Olympus is obviously not perfect for video. However, its not the point, the point is, Kubrick was not shy of mixing and matching gear when shooting his movies, as long as he could get that take he want.
Kubrick often used smaller and lighet 16mm rigs, like Arri 16, so he could get those hand held shots he wanted. He wasn't worried too much about s16 format being much smaller than 35mm format.
So if he was shooting today, he would be super excited (he would probably rip out 5 axis IS from Olympus and install it into Pany AF, or GH3, or Sony F, or Alexa, etc) :)
I'm torn. On the one hand, a lens should be used. On the other hand, those lenses should be locked in an alarmed cabinet, inside a large building, with lots of armed security.
Surely the lens rental must be a small fortune, just to cover their costs and insurance?
First Creative Cloud model applied to the lens.
At least, this time it can be understood why one can't buy it.
Might a contemporary DSLR or camcorder, with a plain f/2.8 lens, shoot video comparable to what Kubrick needed for candlelit film shots in 1974? Didn't the Barry Lyndon scenes benefit from a wee dose of supplementary lighting anyway? There were at least a whole lot of candles. A single candle, on the other hand, would be a difficult (lense flare, blowout) shot, except maybe for a facial closeup. Its hard to photograph both the moon against a starry sky too.
that we don't know for sure.
maybe they have 500 candles behind for the cold weather.
I have the impression that they stopped down the lens or used wider angle in most of scenes, quite adequate light.
(if the film was full Academy with a lens factor of 1.64, we should see the effects about the same as though a Canon 85/1.2L but can anyone see it?)
Excellent film clip. Thanks for this. A peek into what makes great people great in the first place.
They probably shouldn't have shot those sample videos with so many point light sources in the background...
so that we know the lens was not shot at open?
The music stood out for me more than anything, got me interested in Baroque music as a youngster.
just saw BARRY LYNDON last week (again)
second best movie all time. sooooo awe inspiring...
Man! I wish at least 1/10 of current filmmakers would be as good as Kubrick. What you can see in cinemas this summer cannot be described by any amount of dirty words ...
wow, it was better in the old days, the weather the girls the manners right...
Its so funny a statement like yours. A funny fact for you. If 1/10 ten filmmakers where as good as Stanley Kubrick, he would not be percieved as especially good, he would just be in the top 10 %.
So by definition your statement is utterly meaningless.
Stanley Kubrick is great because no one did what he did, he was great because he was far better than just being in the top 10 % .'
don't know the camera but it got a 24.2mm diagonal sensor (slightly larger than 4/3") and a lens factor of about 1.85x. so a 50/0.7 will do the job as 93/1.3.
so for the lens part, a 85/1.2L on 5D should be able to beat it.
How did I know that at some point someone would say that a Canon 5D etc will "beat" this lens.
not only the aperture size.
the coating on 50/0.7 should be terrible even brand new by today's standard.
what an idiot ...
an F stop is an F stop al the bull about it will be F1.2 shows what an idiot the poster is
and Zeiss T* coating was exellent then and still is NOW
these lenses were built to the top spec that money could buy not some modern production lens
Indeed a F stop is a F in term of gathering light. Which I suppose was the main point! Having an increase of the depth of field in that case was an advantage. So as we say in french:
"D'une pierre deux coups "
I don't know if this lens got a T* which was almost as good as Pentax smc in the early 1970s.
Zeiss did apply T* to Japanese glasses but Japanese found the quality not as good as their own so they sent Germans home.
> If he wanted shallow DOF ...
who ever mentioned DOF?
for me, I mean everything you can find in the output image that is controlled by aperture. though as someone pointed out that the sensor will have problem to take anything larger than f/1.4 but that's a sensor issue.
we can get extra speed at the cost of image quality but at the same speed we get same image quality (amount of light) from f/0.7 on PS-Cam as f/1.3 on 35mm format, same light gathering capability.
"so for the lens part, a 85/1.2L on 5D should be able to beat it"
If he wanted shallow DOF, then yes. But he struggled mightily against the DOF issue. What he *really* wanted -- and you should have understood it from the text -- was speed. And the .7 slaughters the 1.2 ...
As I said above. F0.7 is not that impressive that some want it to be. Its one stop better than 1.0 and two stops better than 1.4. Its not magic. Its not 100 times brighter, not even 10. Its 2 timers brighter than 1.0. Its like using 400 ASA instead of 200 ASA. No one claims that to be impressive, to double the ASA number.
But - of course - optically its impressive. And it gives a very different rendition, with shallow DOF and strange lens flares.
Ronald, I don't know why you are having such a hard time about this. This is Motion Picture we are talking about. Take any of those scenes that are candle lit and underexpose it by a stop, do you think it would pass the quality standard? 0.7 lens doesn't make candle-lit possible, it makes it easier. It about pushing the limits of cinematography.
The other option here is to increase the film speed, but who wants to watch a grainy Motion Picture?
Could you shoot "some" of the same scenes with a 1.0 lens; no, you would either have to have one more stop of light, have faster film, or have the scene underexposed by one stop.
Of course the digital age has made some of these relics less needed, but a stop of light in shooting a movie is impressive. Don't get hung up on the 0.7, light is light and every cinematographer wants more.
it's about the size of APS-C (1.3x Edison to 1.6x Academy) so around f/1 on 135 format. but larger apertures always help as long as halo effect is not too bad.
though I don't think the "candle only" idea is anything good. maybe they were more interested in playing with some toys than the real quality of the film.
btw, f-number is f-number which won't get you anything the same on different formats. so we can't compare f-numbers on different formats directly.
yabokkie, do you understand f numbers? The transmission of light does not change based on sensor size. A f2.0 lens have the same light transmission used on any Sensor/Film format. If Film Speed and F-Stop are equal across Sensor/Film size, then exposure would be equal. The only items that are different is DoF and the quality/tonality of the Negative.
@jaysonmc, your explanation is correct for unit area. and because it's unit area, you are right it has nothing to do with format but ...
say we get same amount of light within a unit area of 1 sqcm, and same image quality within that 1 sqcm (that's affected by the amount of light), that will be 11.6% on a 135 frame and 39.8% on this particular PS-Cam.
so you are saying 39.8% of one is equal to 11.6% of another.
then may I ask again what you are really saying?
other than same f-number gets 39.8 / 11.6 = 3.4 times
more light on 35mm format than PS-Cam video?
@yabokkie, I am saying that using the same f-stop on two different formats equates to the same exposure (the same number of candles or whatever is needed in both instances).
If you put some different size plates (sensor size) out in the sun, the exposure on the two plates (the sunlight) will be the same. Yes, there will be more light on the bigger plate because it is bigger, but the exposure is the same".
Maybe I am not understanding what your point is?
what we want is more light for better image quality in the frame, not in unit area.
if you look into a unit area of same photograph on different formats, you see totally different image. you may see one guy in one image and three guys in the other within a same unit area. what will it mean to have same exposure for these different (portion of) images?
it has been known for ages that same film give us different image quality on different formats, say Fujichrome Velvia 50, it will give you much better image quality on 120 than 135 cameras, with same exposure and same process. so what's your point?
some people may think they understand f-number while they do not. f-number is only an approximation (but accurate enough for photograph) which is used to estimate light coming through lenses of different angle of views (cone of light entering into the lens). that's why focal length was chosen as a handy variable instead of the real angle.
for the same angle of view, aperture size is the decisive factor that controls the light gathering capacity, depth of field, and diffraction regardless of the format size and focal length (thus f-number).
f-number is useful for same format, different angle of view.
aperture size is good for same angle of view, different format.
unit area is useless in photographic point of view.
"though I don't think the "candle only" idea is anything good. maybe they were more interested in playing with some toys than the real quality of the film."
yabokkie: There's someone here who cares more about gear than content, and it's certainly not Kubrick.
@ Yabokkie,
Please stop trolling this same nonsense. You are definitely wrong. Please learn optics urgently ! An given F number requires the same shutter speed for the same ISO setting WHATEVER the sensor/film size. Did you ever use an handheld lightmeter ? Did you notice there is no setting for the sensor size ?
What you say is like saying that, given the same lens, same ISO setting, same shutter speed, if the FF sensor of a FF DSLR is replaced by an APS-C sensor, the same scene wil have to be shot with a different F stop to get the same exposure. As stupid as saying that, when I crop an FF picture on my computer down to the APS-C format, I need to tweak the brightness...
Nice to see an article like this instead of the latest piece of techno trash
Before everybody gets crazy about no modern lens being that fast...
All modern cameras use microlens arrays on the sensor. In that case, acceptance of the sensor is limited similar to the way acceptance of the viewfinder is limited (not showing any DOF and brightness above a certain aperture).
Even a f/1.2 lens is partialy wasted on modern cameras (of course they internally boost ISO to hide this kind of effects) . A /0.7 wouldn't be any brighter either.
This is correct, unfortunately. And in addition to the decreased light intensity, you are also losing the small depth of field effect from the light that misses the pixel from the larger apertures. The only way forward is for manufacturers to start using BSI CMOS sensors for larger sensor cameras (m43, APS C, FF). These don't require microlenses, but due to yield issues they are more expensive than front side CMOS.
optics (more photons) or electronics (higher PE)
but for the film there should be another way to attack,
chemical, that we may invent very bright candles.
I don't have an answer but maybe some sodium/aluminum?
@rossdoyle, you have the issue with or without microlens.
Hello imsabbel
Your response is not entirely correct as one does receive optical benefits from increased luminosity by using the faster lens regardless of any microlens array induced reduction in light coupling from non apodization losses upon the individual sensor pixels. Boosting the upper range of the operating ISO scale does not in itself, provide the identical effect produced by using the faster lens. The faster lens permitting the sensor to operate with a lower signal to noise (SN) floor, thus making greater use of the sensors full dynamic range and typically no better than 10X6 in value. The bias effect produced by using a slower lens increasing the initial SN floor level, squelching the dynamic range of the imaging sensor.
I had a lens that was almost that fast, but completely different application.
65mm f/0.75 X-Ray lens. Produced rather "ethereal" images. What is impressive is getting any kind of back focus out of such a lens.
This site, in Italian language, show optical schemes of Carl Zeiss f/0.7 prime and others infos.
Here is google translation: http://tinyurl.com/ofdwjp8
Bruno Molteni
Wow that takes me back a bit -- I loved that movie. I remember commenting at the time how fantastic the photography was. Now I guess I know why.
I respectfully disagree. I think it was one of his best. But that is what is good about subjective opinions: we can both be right!
Perhaps Ryan O'Neal was miscast, but most of the rest of the film looked and felt like a camera had been placed in that century.
Barry Lyndon is perhaps his best film, and one of the greatest films ever made. And I don't use the phrase EVER lightly.
It is also one of the most underrated films of all time unfortunately.
I urge everyone to see this gem.
People seem to have forgotten that the use of these lenses was widely publicised before, during and after the release of the film.
Kubrick had his moments (Dr. Strangelove for example) but is also probably the most over-rated director in cinema history, having made some dreadful turkeys. "Eyes Wide Shut", his final effort, is undoubtedly the worst of all. Laughable or appalling, depending on how you're feeling at the time.
yeah you're right , the "most over-rated director in cinema history", movies like Lolita, paths of glory, the shining, 2001 space odyssey , clockwork orange are dreadful... Go Michael Bay, oh that's a real director.
Eyes wide shut is a massacred version of the original movie, the way Kubrick wanted it to be shown to public, a thing that Time Warner did not accept, the subject being too explosive. TW has issued the movie after his death only, cut down the way we know it, and that movie was not that bad, unless you know nuts about what happens in the backside of our society. If we will ever get a directors cut that shows us the whole original movie is questionnable. Kubrick has, in all his movies, always tried to show to the world how rotten our "honorable" society really is. To me, he was one of the greatest filmakers of the last century.
yeah, Barry Lyndon is among the best films ever.
according to me and that is what counts!
would say "pure candle light" quite thoughtless, though some may think it's fun to play.
Probably these lenses have a lot of thorium in the glass or other radioactive materials so common in bright lenses that days. I wouldn't keep one inside my room. However, I wouldn't get a cancer playing with one of these for a couple of days.
You could look this up and not leave it to conjecture.
High levels of radiation together with high sensitivity of film...
But anyway, I've checked old nikkor 1,4/35 with my gammascout, and while it is radioactive, it is also far less emitting than an old swiss glowing in the dark hand watch.
Have you ever held a geiger counter near a BBQ or coal stove? Or measured radiation in a plane at altitude? All these (and more) give you thousands of times more radiation than any lens will ever emit.
Little known fact is, however, that small dosages are actually scientifically proven to be healthy and beneficial to life.
I have two or three thoriated lenses at home. Two of them are the SMC-M Pentax 50/1.4 and the other are the Canon FD SSC 55/1.2 and maybe some other lenses I own.
I tested them with cintilometer at a local university and the most "aggressive" lenses are the Pentax ones. They're not safe if broken and inhaled nor kept below my pillows, but when I asked the specialist she said it's pretty safe for keeping in home.
I wouln't say the same about Kodak Aero Ektars. In respect to these Zeiss masterpieces, I suspect they're heavily thoriated as they were not intended to be consumer lenses and at the time thorium was heavily used in high-end (and even lower end) lenses. Pentax 50/1.4 is a big example where a low-end, consumer lens would reach high levels of gamma radiation in a Geiger counter. Maybe it's due to poor extraction/processing of the glass, keeping higher levels of radioactive materials.
I wouldn't put my eyes so close to their front/back elements.
"Little known fact is, however, that small dosages are actually scientifically proven to be healthy and beneficial to life."
If by "scientifically proven" you mean a viable but controversial hypothesis. I think radiation hormesis is plausible, but we're a long way from it being proven in humans, in the context of the built environment (i.e. outside of a laboratory).
sweet, the PSCamX35mm records up to 450fps, has a global shutter, on the market since Fall 2011. Sony, Canon, Nikon, Panasonic, wake up and take notes!
Yes. And the only price I could find online was 58,000 euros to get it.
Sony, Canon, Nikon, Panasonic: Put that notepad back down!
There are scientific-oriented cameras that can do a lot more, but slow-motion scenes would certainly be impressive slowed down to 60fps.
The metal rim around this lens that looks like a sprocket is used for focus pulling. If you've never heard of focus pulling in cinematography you can read about it here:
Great. I saw this lens for real at a local exhibition here in Ghent in 2006, it was about the works, requisites and camera's/lenses Kubrick used. Love his films too.
I didn't make pictures myself, but I found this:
After 50 year, is there any other lens better than this ones ?
If there is no other lens better than this ones, why ?
50 year is very long time. Why leica, Zeiss and other manufacturer did not create it ?
Speed alone is not a factor in determining how good a lens is, and I'm sure these lenses are top of the league, but are also extremely expensive, so much so that there's little worth in creating them. And check out how expensive Canon's 50mm F/1.0 was, and how optically crippled it was.
The military–industrial complex can use a 'room' or bunker moving the experiments around as needed under good light.
Young movie makers follow their brands up from $5k to expensive projects and fix hardware lens limits with more lights or very expensive all digital software.
The conspiracy theory is that NASA hired Kubrick to film the Moon landing.
Part of his reward was access to these lenses.
Yeah but then he was not satisfied with the picture so he financed private moon landing with Russians to be able to film on the actual moon, then told NASA it was done in the studio.
They dropped one on the floor and smashed it, but that information has been classified until 2040 so keep it to yourself.
At this age, I would be worried about the dust, haze and fungus.
Yeah moondust really gets in there good. ;) Probably the worst kind of dust we've ever set foot on, due to the lack of erosion etc.
"Carl Zeiss made ten f/0.7 prime lenses in the 1960s, selling six to NASA, keeping one, and selling the remaining two to filmmaker Stanley Kubrick."
6 + 1 + 2 = 10?
Don't worry about the math, after all a government agency was involved :-)
Sorry, but it does say, "selling the reamining three....." . Read it again.
Yes km25, everybody else misread it, but you got it right because you're awesome like that ;)
Or, perhaps it used to be wrong and DPReview edited it. Which is what I hoped for in initially posting. Did that not occur to you? I guess you're not so awesome after all :/
The last one has been left on the moon, but pssst, keep that secret.
Lenses not used on the Moon used to shoot pictures of the moon on the dark side. No sunlight so needed fast lenses. Not sure if they shot in starlight or earthlight.
Ok then ;-) The P+S camera has a sensor with 24mm diagonal, 135 format has 43mm diagonal, so the crop factor is approx. 1.8. The 50/0.7 is then equivalent to 90/1.26, and the 35/0.7 is equivalent to 63//1.26. Still impressive, but most of it you can do (for a small fraction of the cost) with Canon's cinema lenses and a 1D C.
assuming you have Kubrick's skill in direction, and his team of professionals behind you.
True as far as DOF is concerned, wrong when talking about brightness. You are a follower of Guru Yabokkie, obviously...
@Karroly: I have no idea who you're talking about, but I am certain that you don't know what you're talking about. Brightness, or light density, has little impact on final image quality, the key number is total light (density times sensor area). The f-number (aperture divided by focal length) is convenient for calculating exposure (i.e., it's the relevant number once you've picked a system). But to compare systems you should look at actual aperture in mm (f-number times focal length), plus of course at angle of view. I regularly use cameras with 5 different sensor sizes (FF, APS-C, MFT, 1/1.7, camera phone) so this is not just a theoretical fact (even if the physics of it are fairly straightforward), it's an empirical fact I confirm every day.
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This extension is really great! We - a group of 20 photographers - use it to show out latest photo's to each other (and the rest of the world). It's easy to set up, and when there are problems - I'am not the world's best webmaster - the help is even better!! I needed their help between Christmas and New Years Eve and they were there for me! Thanks again Simon and Matt.

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Photo submitted The Grand Mesa Water Conservancy District has taken a step toward securing about 30 acre-feet of storage on Grand Mesa with last year's reconstruction of Peak Dam. The district has plans to rehab Blanche Park Dam, securing another 120 acre feet of reserve for use in the Surface Creek Valley.Surface Creek Valley water managers began looking ahead during last year's dry spell and made plans to help ensure there will be supplies of water available for domestic providers if a second low-snowpack year is in store for 2013.
During last week's water forums in Orchard City and Cedaredge, Austin Keiser, president of the Grand Mesa Water Conservancy District board, announced that the district had held back reservoir water for domestic use this year if needed.
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Photo by Hank Lohmeyer Snow going Dozens of young cross country ski enthusiasts were treated to a few hours of organized competition at Skyway atop Grand Mesa last Saturday. The event was hosted by the Grand Mesa Nordic Council which helps maintain the Skyway winter recreation site.
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Keith Dawson rushed for 217 yards and two touchdowns, and Jacksonville scored 24 first-quarter points to put the game away early in a 40-14 victory against Campbell on Saturday afternoon.
Dawson's 21-yard scoring run got the Dolphins started, and Orlando Thomas and Johnnie Hick also ran for TDs in the first quarter. Dawson's rushing total tied him for third on the Dolphins' all-time single game list.
The Dolphins (7-3, 5-2 Pioneer Football League) rushed for 333 yards and rang up 503 yards of total offense versus the Camels' 178 yards. So dominant was Jacksonville's defense that Campbell (1-9, 0-7) converted only one first down on 12 third-down opportunities.
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Canada 1936 Silver Dollar King George V PCGS MS-63
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LL.M. Colloquium
This is a required course for all students in the LL.M. program for foreign law graduates. The course will include guidance in the development and writing of projects for seminars or independent study projects. Students will be assisted with topic selection, developing an analytical focus, and writing the paper. Students doing independent studies will present their papers in the class for feedback. The course will also provide an opportunity to address specific issues of interest to students as well as opportunities to observe settings involving practical legal skills.


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I have to say the ship is quite nice and the state room is very comfortable and nicely decorated, but that"s all the good I could say about this cruise. This ship doesn't have enough public areas. It seems like it is crowded everywhere. The Bora Bora dinning room was pack with people for breakfast and lunch. You could hardly find a seat and many of the passengers were so impolite that they cut lines and push you at the buffet line.
The food quality there is worst than a school cafeteria. There were not much selections and the quality is very bad. I never see any salad bar that the lettuces is sitting in an inch of water. The main dinning room is not much better, they have the same menu for breakfast everyday. Lunch and dinner on the main dinning room is not much better. First, the service were awful. The waiters know nothing about the food and the wine they served. We ordered wine every evening for dinner, 3 nights in a row that our waiter bring us the wine and leave it on our table for 10-15 minutes before he open it. One night I like to order a pasta and a risotto dish and our waiter told me I could only order one. What a joke! I cruise 15 times and this is the first time I ever told by a waiter that I could only order one item on each course. Anyway, I don't think I miss much cause the food quality were below average, you will not find any lobster, escargot, beef Wellington, steak dishes in the menu, but there were lots of pastas and pizzas.
Entertainment were just average. It seems like the shows were pretty much the same most evenings except the customs were different.
Shore excursions were decent in a couple of ports. However, we have bad experience with our tour in Tunis that our tour guide basically trap us inside the Medina from shop to shop try to sell us junks. What a waste of time and money!
Also, you have to pay for water, coffee............ . They try to sell you different packages: Water package, wine package, coffee package, cocktail package. They will give you a book of coupons for the package, but you still have to use your room card to charge it. What a waste of time.
They also charge you an euro for Unichief on your bill. Many passengers were not happy about it and have it taken out from their statement. It is not because of the money, but you just don't put it on our bill without consent. Don't take our money and use MCS name to donate it.
In conclusion, if you ever cruise with Royal Caribbean, Princess, Celebrity, Norwegian or Crystal, you will sure be disappointed with MCS line.


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Oil and gas industry-related waste water injection may have triggered a cascading sequence of earthquakes that culminated in Oklahoma's largest earthquake ever recorded, the 5.7-magnitude temblor that struck near Prague in November 2011, a new peer-reviewed paper published in the Journal of Geophysical Researchsuggests.
Oklahoma Highway Patrol troopers would have their equipment allowance doubled for things like uniforms and practice ammunition under a bill approved by the Oklahoma House.
The House voted 84-3 for the bill on Monday that would boost the amount from $150 to $300 a month. It would also increase the equipment allowance for cadets from $100 to $200 per month.
The House author of the bill, Rep. Steve Vaughn, says the measure is among several to help increase pay for troopers.
An Oklahoma County district judge says she's not the right judge to delay two executions while inmates challenge Oklahoma's execution procedures.
Clayton Lockett and Charles Warner have sued the OklahomaDepartment of Corrections to learn more about the drugs that would be used to execute them.
After state lawyers claimed District Court Judge Patricia Parrish didn't have jurisdiction, Parrish said Monday requests for delays should go to the state Court of Criminal Appeals, which sets execution dates. She says she can handle the actual challenge to the law.
Originally published on Mon March 10, 2014 1:49 pm
Elections for governor could provide some good news for Democrats this fall, giving them the chance to regain ground in a few states where the party has had good fortune recently.
At this early stage, Republicans are expected to hold control of the House and pick up seats in the Senate — maybe even win a majority in the Senate.
But the GOP has fewer opportunities when it comes to statehouses. Republicans dominated state elections back in 2010, leaving them few openings this year. (Governors serve four-year terms everywhere but Vermont and New Hampshire.)
Health and insurance groups in Oklahoma are trying to reach out to uninsured residents as the deadline approaches for open enrollment in health care plans under the federal health care law.
Originally published on Mon March 10, 2014 11:26 am
Before he became famous — and infamous — for calling on black power for black people, Stokely Carmichael was better known as a rising young community organizer in the civil rights movement. The tall, handsome philosophy major from Howard University spent summers in the South, working with the Student Nonviolent Coordinating Committee, known as SNCC, to get African-Americans in Alabama and Mississippi registered to vote in the face of tremendous, often violent resistance from segregationists.
The Oklahoma Transportation Commission plans to review the progress of emergency repair work on a closed bridge that connects Purcell and Lexington.
Commission members will meet Monday for an update on the project from Department of Transportation officials. The emergency work involves the US-77-State Highway 39 bridge over the Canadian River.
The bridge was closed on Jan. 31 after cracks were discovered in structural bridge beams. The commission awarded an emergency contract for bridge repairs, and work began on Feb. 14.
Originally published on Mon March 10, 2014 1:04 pm
Russia continues to try to wrest control of Crimea from Ukraine and now has an estimated 20,000 troops there, Bloomberg News reports.
Last month, a proposal to fund school shelter construction using property taxes passed a State House committee. It was the only shelter bill the House of Representatives heard, and it's supported by Governor Mary Fallin.
This week, lawmakers may vote to put it on the November ballot.
Originally published on Mon March 10, 2014 8:59 am
It's an hour before suppertime, and the line outside Lone Oak First Baptist Church in Paducah, Ky., is wrapped around the building. The people are waiting for more than a Bible sermon; there's a raffle tonight. Twenty-five guns are up for grabs.
There's nothing new about gun raffles in Kentucky, even at a church. Last year, there were 50 events like this one in the state. The Kentucky Baptist Convention says it's a surefire way to get new people through church doors.


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Freespirit Girls Beaded Empire-Line Pleated Bridesmaid Dress
- Price
- £35.00 to £42.00
- In Stock
- Delivery
- Next day delivery available
1 reviewFreespirit Girls Beaded Empire-Line Pleated Bridesmaid Dress with Ribbon Waistband
This vintage-style pink or ivory girls bridesmaid dress from the fabulous Freespirit kids clothing collection is brimming with nostalgic charm and luxuriousness. Whether she's a pretty bridesmaid or sweet flower girl, this gorgeous empire line dress is a stunning selection that brings the lavish 1920s fashion to mind.
Beautiful beading and sequin detail to the bodice and a ribbon waistband add stylish shimmer to this striking girls bridesmaid dress. A mesh overlay provides a lovely layer on the design and the skirt goes out at the waist with subtle volume for a flattering fit. Pretty pleats and the attention to detail make this dress very vintage! The design is finished with a zip fastening to the side and ribbon tie to the back.
The length of the skirt has a classic look, while the sleeveless design calls for a shrug, bolero or cardigan. This girls bridesmaid dress by can be teamed with ballet pumps, wedges or strappy sandals.
Useful info:
- Girls bridesmaid dress by Freespirit
- Beaded bodice
- Strappy sleeveless cut
- Mesh layer
- Pleated skirt
- Fully lined
- Ribbon belt
- Special occasion clothing
- Vintage-style wedding attire
Freespirit Girls Floral Prom Bridesmaid Dress with Bow and Corsage Hem
This striking ivory girls prom bridesmaid dress is a chic and stylish pick for the big day. Floral corsage detail to the hem and a dainty bow to the top add an abundance girly style to the design.
The layered skirt of this girls bridesmaid dress goes out at the waist for flattering flare and pretty pleats bring a cute classic element to the look. Whether she's a lovely bridesmaid or adorable flower girl, this luxurious girls prom dress is the perfect pick for ensuring the beautiful bride will be accompanied in style. This sleeveless special occasion dress is finished with elegant straps and subtle zip fastening to the back.
The sleeveless design of this classic-style girls bridesmaid dress calls for a shrug, bolero or cardigan. To complete the outfit, you can team the dress with ballet pumps, wedges or strappy sandals.
Useful info:
- Girls bridesmaid dress by Freespirit
- Floral corsage to hem
- Bow detail to bodice
- Strappy sleeveless cut
- Layered skirt with mesh detail
- Fully lined for quality
- luxurious look
- Classic style prom dress
- Special occasion clothing
- Wedding attire
Freespirit Girls Special Occasion Bow Shrug Cardigan
- Price
- £12.00 to £18.00
- In Stock
- Delivery
7 reviewsFreespirit Girls Special Occasion Bow Shrug Cardigan with Long Sleeves
All little girls dream of being a bridesmaid or flower girl and this stunning shrug from the Freespirit kids wear range is the perfect layer to cover an adorable dress on the big day.
This girls shrug cardigan has a beautiful bow detail at the top and the overall understated design is the perfect pick for a lovely light covering. You never know what the weather will be like and this stylish shrug is a fashionable addition to keep her snug on cool days.
Her bridesmaid dress will be complemented by this demure girls shrug without there being too much attention taken away from it. Some white ballerinas would make a stunning finishing touch.
- Girls shrug from Freespirit
- Special occasion clothing
- Long sleeves for extra warmth
- Bow detail
- Girls special occasion clothing
- Bridesmaid, flower girl cardigan
Freespirit Girls Rose Corsage Bodice Bridesmaid Dress
- Price
- £37.00 to £44.00
- In Stock
- Delivery
- Next day delivery available
2 reviewsFreespirit Girls Rose Corsage Bodice Bridesmaid Dress with Layered Skirt
In striking wine and ivory, this girls bridesmaid dress from the Freespirit kids special occasion clothing collection is a chic and stylish pick for the big day. With a beautiful rose corsage bodice and softly layered skirt, she'll be a pretty picture of classic style.
This girls bridesmaid dress also features rose corsage detail to the hem to add an abundance of dainty dimension to the design, while a stunning mesh layer on the skirt provides a lovely luxurious finish. She'll be an adorable bridesmaid to accompany a beautiful bride donning this fully-lined special occasion dress.
This gorgeous sleeveless girls bridesmaid dress calls for a shrug, bolero or cardigan and ballet pumps or sandals to complete the wedding look.
Useful info:
- Girls bridesmaid dress by Freespirit
- Corsage floral bodice and hem
- Sleeveless design
- Layered skirt with mesh detail
- Fully lined
- Special occasion clothing for girls
- Wedding attire
Colour: Cream. Machine washable.
Freespirit Girls Faux Fur Cape
- Was
- Was £14.00 to £19.00
- Now
- Now £14.00 to £21.00
- Save Up To £5.00
- Low stock, selling fast
- Delivery
9 reviewsFreespirit Faux Fur Cape
If she's a glamorous girl with a taste for finer fashion this faux fur bolero will add a soft and elegant finish to her special occasion style.
Whether it's a family gathering or a party this girls bolero softens her look, adding lashings of luxury for a Nordic inspired style that's opulent. This girls bolero is beautifully simple with just a single bow fastening to the front.
This faux fur girls cape can be worn over an occasion dress, or a bridesmaid dress for an instant style fix.
Useful info:
- Faux fur girls cape by Freespirit
- Single bow fastening to the front
Freespirit Girls Peter Pan Collar Dress
- Was
- Was £16.00 to £21.00
- Now
- Now £12.00 to £16.00
- Save Up To £5.00
- Low stock, selling fast
- Delivery
6 reviewsFreespirit Girls Peter Pan Collar Dress with Pleated Skirt
With a pretty pleated skirt, elegant cream and back colour block palette and classic collar, this girls dress from Freespirit will bring vintage style to her day wear or pretty party look.
This girls dress has clean lines to the top and a gently pleated skirt for an overall chic and classic finish. She will love the eye-catching contrast colour that makes the dress stand out with retro style and girly elegance.
Complete the look by teaming this girls dress with leggings or tights and a pair of bow ballerinas.
Useful info:
- Girls dress from Freespirit
- Colour block design
- Classic collar
- Gently pleated skirt
- Mid-length sleeves
Freespirit Snowflake Snow Top
- Was
- Was £14.00
- Now
- Now £8.00 to £10.00
- Save Up To £6.00
- Low stock, selling fast
- Delivery
1 reviewColour: Cream. Cotton. Machine washable.


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WonderGel Double Seat Cushion
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WonderGel™ Double Seat Cushion
One great cushion with two levels of comfort.
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WonderGel Double Seat Cushion
The WonderGel™ Double Seat Cushion lets you choose between "Firm" or "Soft" depending on your preference. The generous 2" thickness also provides an extra boost in seat height. The secret to the WonderGel Double Seat Cushion's amazing comfort lies within the patented honeycomb gel, where hundreds of individual "columns" buckle when you sit down. No matter which side you choose, the cushion conforms to your body, distributes weight evenly and eliminates pressure points. The result is a cushion that's soft, supportive and resilient. This extra-thick cushion measures 16" x 18" x 2" and is perfect for auto, office or home. Machine-washable cover with non-skid bottom and carrying handle. In Black.
Wondergel Seat Double Cushion offer comfort and support on long drives
Features 2" thickness for extra comfort as well as seat height
Innovative flexible honeycomb gel design eliminates pressure points
Dual sides offer a firm side and soft side
Support cushion measures 16" x 18" x 2"
Non-skid bottom ensures car cushion stays put
Machine washable cover
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If you're looking for a lower profile cushion, but with the same design check out our 1.25"-wide
WonderGel™ Seat Cushion
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I like this cushion really well and is very comfortable.
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This cushion has really help ease the pain that I have felt in my legs from sitting at my desk and long drives both of which my job requires. I would highly recommend this cushion to anyone that has lower back problems that cause pain to radiate down their legs.
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FreakScore is a weighted average of all aggregated professional and user review scores. Read more
This product has a FreakScore of 8.2* out of 10 based on 2 scores.
*Score is uncertain and deviates toward category average due to low number of scores.
The KSM141 is a large diaphragm end-addressed condenser micropho Read more
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text: Last month, Def Jam recording artist Rick Ross begin shooting the video to his single "9 Piece" Ft. Lil Wayne. It is rumored that this track is the first single off the Miami native forthcoming LP God Forgives, I Don't. The original version featured T.I. and is off Ross' latest mixtape Ashes to Ashes. The track was produced by Lex Luger. Peep the pictures below:


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Casio Exilim EX-H10 digital camera review
Solid feel build and long lens reach coupled with smaller than average dimensions for such a feature set, which includes the latest must-have of HD movie capture not to mention longer than average battery life
Average image quality for its class, tricky to get a completely sharp shots when shooting handheld at extremities of the zoom, positioning of the built-in flash means that fingers can sometimes stray in front, zoom disabled in movie mode and no HDMI out
Cameras offering broad focal ranges but pocket-sized dimensions are an expanding market. So it is no surprise Casio is joining the likes of Panasonic, Kodak, Samsung, Sony et al with its own offering in the 10x optical zoom Exilim EX-H10. Like its competitors,... read the full review.


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The Luxury Hotel Insider: Exclusive luxury hotel deals, features and special rates from the luxury hotel experts at Five Star Alliance.
Named one of Tripbase's Best Luxury Travel Blogs for 2011, below are Five Star Alliance's newest articles featuring exclusive information on luxury hotels worldwide including special offers and deals at the world's best hotels.
Image of the Day: InterContinental Danang Sun Peninsula Resort
April 4, 2013
By: Five Star Alliance
InterContinental Danang Sun Peninsula Resort is nestled in the hills of the famous Son Tra Peninsula, and features beachfront villas with private pools and a range of more than 20 suites.
View rates, details, and more photos of InterContinental Danand Sun Peninsula >>
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Image of the Day: Banyan Tree Lang Co
January 15, 2013
By: Five Star Alliance
Banyan Tree Lang Co is a stunning all-pool villa resort located in Vietnam's new playground for the sophisticated vacationer.
Explore rates, details, photos and more at Banyan Tree Lang Co>>
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System Win 7 home premium 64 bit .Replica (costco) pn 9ZH9P9-RAA. Drive suspended backup because it was filled. Since computer was working I reformatted backup drive. Since then unit refuses to connect. Tried using Seatools for windows but received message "Fatal error device discovery provider load failure void. throw with extended info (system.management.management status"
When you format the drive because it's full, you will also need to uninstall/reinstall the software. (you can contact support for a download or see if it is available from the website, it is NOT the version of replica that was used with the old replica drives...that version won't work..)
Also, before doing the install, check the services in your computer to help prevent the problem from occurring again.
Follow this article:
once they are set correctly, reinstall the software and resume your backup.
©2012 Seagate Technology LLC


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Muncy's School Board heard a presentation Monday night by the First Community Foundation Partnership of Pennsylvania on possible methods of increasing revenue from sources other than taxation.
"You're going to want to be focused on alumni and local business leaders," said Glenn Smith, of the foundation.
The foundation helps school districts invest endowment and scholarship funds, Smith said.
The foundation helps school districts with getting monies from Pennsylvania's Educational Improvement Tax Credit program.
The tax credit program allows businesses to give a percentage of their state tax to local school districts, instead of directly to the state, said Dawn Linn, of the foundation.
Businesses within the Muncy School District that recently have participated include The Muncy Bank and Trust and Woodlands Bank.
The state caps how much each district can receive through the tax credit.
"That money is available for a block of time, and if we don't formulate successful grants for it, that money goes away," said Dr. Portia Brandt, Muncy schools superintendent. "This is where we get the money to send the kids to the Community Arts Center."
"Montgomery bought iPads," Linn said. "But this money isn't meant to buy specific equipment - you have to write (the grant) so that it's marked for a specific program."


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Reggie Jackson
- Position(s):
- Nicknames:
- Mr. October
- Born:
- May 18, 1946
- Bats:
- Left
- Throws:
- Left
- Height:
- 6'
- Weight:
- 195 lbs
- Major League Debut:
- 6-09-1967 with KC1
- Allstar Selections:
- 1973 ML, 1973 MVP, 1973 WsMVP, 1977 BR, 1977 WsMVP, 1980 SS, 1982 SS
- Hall of Fame:
- 1993
Related Content
This day in baseball history
March 11
On March 11, 1988, longtime manager Gene Mauch takes a leave ...
On March 11, 1981, the Veterans Committee elects slugger Joh ...
On March 11, 1974, Commissioner Bowie Kuhn orders the Atlant ...
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Size ( Size Charts & Fit Guides ) : Please Select a Size
These boys' Jumping Beans microfiber pants are an everyday favorite for his active lifestyle.
Product Features
- Side stripes
- Drawstring accent
- Elastic waistband
Fabric & Care
- Polyester
- Machine wash
- Imported


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Michael Eisner faced a rebuke of his leadership of The Walt Disney Co. Wednesday as 43 percent of shareholders withheld their support for him in a vote at the company's annual shareholder meeting.
To be conscious that you are ignorant is a great step to knowledge.
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Mutual Fund Report: Five-Star Managers
Don't let the summer doldrums grab hold of your portfolio. We've rounded up several five-star mutual fund managers to offer up on their latest strategies and best investment ideas.
Don Shute -- IMS Strategic Income (IMSIX)
This isn't your father's bond fund. The IMS Strategic Income has the ability to invest in a wide array of income-producing securities. At the moment, Don Shute says the fund put more than one-third of the fund's assets in high-yield bonds and about 20% in common stocks. Shute also can invest as much as 25% of its assets in foreign securities.
The strategy has produced a 6.58% return year-to-date, according to Morningstar. Over three-years, the return is 12.62%.
Shute discusses which investors should own the fund, which he sees as a complement to a more traditional bond fund. You'll also hear about: Coalcorp Mining and Argentina's Industrias Metalurgicas.
Henry Ellenbogen -- T. Rowe Price Media & Telecom Fund (PRMTX)
A series of bets in the rapidly changing media and telecommunications industries have allowed Henry Ellenbogen to nearly triple T. Rowe Price Media & Telecom Fund's assets over the past five years.
"This is a fund that really does focus on absolute returns," Ellenbogen told CNBC's "Squawk Box." "We're not concerned about any benchmark."
Ellenbogen tends to concentrate his investments in a few areas where he sees growth potential. Right now, one of his favorite segments is the providers of wireless data and voice towers such as American Tower, Crown Castle and SBA Communications.
He also discusses why he likes "all-you-can-eat" wireless providers such as Leap Wireless and Metro PCS and outdoor advertising companies.
"You can't Tivo traffic," Ellenbogen says, discussing Lamar Advertising and Clear Channel Outdoor Holdings, his top picks in the billboard space.
Value & Contrarian Funds
Bill Fries --Thornburg Value (TVAFX)
The Thornburg Value fund has a 5.07% return year-to-date, according to Morningstar. At the moment, the fund's heaviest sector concentration is diversified financials, with about 12% to 13% of the fund's assets invested in the sector. Picks in this sector include everything from money manager Charles Schwab to insurer American International Group.
One of the latest additions to this position was Wachovia, fund manager Bill Fries says, speaking with CNBC's Erin Burnett and Mark Haines at the New York Stock Exchange. Fries discusses the reasons behind this pick and his expectations for Wachovia shares.
Fries and his team look for traditional value stocks, but also consider companies that have been consistent earnings performers such as Johnson & Johnson and WellPoint, or are "emerging franchises," which are rapidly growing companies that are in process of establishing a leading position in a product, service, or market.
Fries also discusses another of his favorite investment ideas right now: Level 3 Communications.


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Ask the Manager November 9
UPDATED 7:14 AM CST Nov 09, 201216 WAPT General Manager Stuart Kellogg answers viewers' Feedback 16 questions.
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-Buenos Aires
-Alter Do Chão (Amazon River)
-Rio de Janeiro
-Lima (Callao)
Manta, with a population of approximately 140,000, is Ecuador's major port along the central coast. Colorful fishing villages, unspoiled beaches and unusual tropical dry forest make Manta an attractive tourist destination and the starting point for exciting day trips. Nearby, Montecristi was founded in the early 1600s with its colonial architecture. This small town is best known for its woven wickerwork, and as the birth place of the "Panama hat" which although historically produced in Ecuador, were first widely distributed from Panama.
View Cruises that visit this port


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I am the photographer at a firemans ball. What kind of minimalist (cheap) set up will work with good results. I have a canon eos rebel t1i with 18-55mm 1:3.5-5.6 is and a 50mm 1:1.8 II ef lense. I am also considering buying a canon speedlite 580ex II. flash difuser? I dont have a background. could I use sheets? if so what color. white, black? what about additional lighting???
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Couples Dance Photos. HELP!
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Comments from JackCoursey
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Thank you for the update. I had been to the Howard when it was the Cinerama, Atlanta, and Columbia, but never the Paramount in that it was long gone before I came along. I recall on more than one visit to the former Howard being told that it had gone through several names and remodeling since it first opened. The photograph appearing at the top of this page is almost identical to one I saw in Atlanta of the Howard, hence the mistake on my part. The photo from the Georgia State archives showing with the marquee of the Loews just to the right of the Paramount indeed confirms that the Howard was a separate entity. Thus said, which is/was the correct address for the Paramount, 583 Peachtree Rd NE or 169 Peachtree St NE?
Were there 2 Ritz theatres in Memphis? I have one on file with an address of 1705 Poplar Ave. Are these both the same?
Is the Bookstar still open? The Belle Meade Bookstar closed over a year ago & will soon be gutted. About how many would the Plaza seat?
The website is http://www.timelesstribute.net/pages/6/ (you'll need to scroll down to the bottom of the page for information on the theatre. To the best of my knowledge the theatre primarly shows english films without subtitles.
The address for the Phipps is 3500 Peachtree Rd NE, Atlanta, GA 30326. When ABC Southeastern debuted the Plaza 1969 it was a single "very wide" screen theatre. In the mid 1970s Plitt took over operation of the theatre and split the auditorium down the centre in one of the best "twining†jobs I ever saw. In 1973 the Phipps Penthouse was constructed adjacent to the existing theatre in the upper north wing of the mall. The Penthouse had its own ticket booth and lobby. Both ABC and Plitt ran an excellent operation a Phipps Plaza. When the mall went through a major remolding in the early 1990s, the theatres were demolished and a department store now resides in their former site. AMC opened a 14-screen theatre in the mall around 1992.
Very late 50s or early 60s. I don't recall the theatre having anything distintive like the streamline design used during the mid 40s to mid 50s. I kinda remember the Belmont being like the old Village over in Chamblee, but on a much smaller scale.
I don't know if these properties are on the market, but you might want to check them out. They are vintage theatres and to the best of my knowledge are not currently being used for either live performances or film exhibition:
Hilan Theatre on 800 N Highland, Atlanta
Kirkwood Theatre on Kirkwood, SE Atlanta
Towne Cinema, Avondale Estates
Cobb Cinema on S Cobb Dr in Smyrna
Cobb, about 3 doors down from the Stand on the square in Marietta
Temple on Cherokee Ave SE near Grant Park
The Avondale Mall Cinema 16 address is 3604 Memorial Dr 30032. The theatre was built in what was formally a Macys store. It opened in 1997 and promptly closed 3 years later.
I'll say it's about 98% certain that they are one and the same. Avondale Estates, which is theoretically Decatur, is relatively small, both geographically and demographically, and not well suited for more than one theatre. Also although there currently is no Main St listed in Avondale Estates, it is possible that Avondale Rd was at one point Main St.
The Coronet was part of the Eastern Federal chain. It opened in 1969 and closed in 1980. It's address was 630 Peachtree St NE 30380.
Thank you for your findings and comments. My lament is not with any individual or resource, but with the lack of a standard in street addressing. This matter with the East Point is by no means unique. I have encountered incidences in which both the street number and street name have changed, but the all the structures residing on the spot remain. It's in incidence like these one gains an understanding of like Melville's Billy Budd emotion upon the discover that his map, though a true and precise guide at the time it was written, could provide no direction to the subsequent generations which had come of age since its initial release. In my own research, I go with the current address (for geo coding) and record any other addresses under historical data. Hopefully this geo-coding will spare future generations of budding researchers of having to incur this dilemma.
The seating I quoted was from an article on the restoration of the theatre and what the projected seating would be once the project was complete. I'll go with the FDY on this one.
This thing with the renumbering of streets is an on going hassle. I was a regular patron of the East Point from the early 1960s up until it was leveled. When I came upon this disparity of address, I yanked up every directory I could find during a last visit to Atlanta a few weeks ago and checked it our with a couple of area natives. Consensus at this point is for the 1493 Jefferson. Jefferson Ave is only a couple of miles long and runs from 1071 to 1598, nothing in the 3 digits range. The natives say that the town only had 2 theatres: Fairfax and the Russell (aka East Point) and think that the Church St address might belong to the Fairfax.
The Circle happened to be a venue for live theatre rather than film. The Circle theatre company is still performs in the Nashville area.
Both the Woodbine and the Centre theater on Thompson Rd were apparently part of a large complex then known as the Navy Separation Center on Thompson Road. I made a visit to this area on Tuesday. Both theaters have been demolished. A bank now resides where the Woodbine once stood and a Nissan dealership blankets the ground where the Centre was anchored.
Listed as "The Centre" in the entertainment section of the November 26,1947 edition of the Nashville Good News Weekly. Both the Centre and the Nolensville Rd Woodbine were apparently part of a large complex then known as the Navy Separation Center on Thompson Road. I made a visit to this area on Tuesday. Both theaters have been demolished. A bank now resides where the Woodbine once stood and a Nissan dealership blankets the ground where the Centre was anchored.
This one is headed for the wreaking ball. A new Sprall Mart is slated to be built on the site were what remains of the mall resides.
I've haven't been able to locate this theatre in either the Flim Daily Yearbook or IMPA. Does anyone know what year the Oldham opened and how many it seated?
Attended a screening of Wings Of The Dove here when I was student at Tulane. Without doubt, one of, if not the best venue for screening foreign and art films in the United States. The theater is intimate and comfortable. The auditorium is equipped with a small balcony and a shadow box screen. Worth the price of admission just to go in and view this marvel.
Does anyone know of any sites with interior and exterior photos of the Prytania?
Was the original auditorium entirely gutted or is it hidden behind sheetrock and drapes? The interior of the theatre looks a bit drab and uninviting.
The recently razed Outer Limit resided at 3758 Nolensville Rd. Pretty sure this is the corret address in that club strongly resembled a 70s style twin theatre.
I have a listing from an old Polk directory for a Cinema North at 703 Two Mile Parkway. The 4030 Nolensville Pike address matches up for the closed Carmike Harding Mall 6 (aka Barnabas Cinemas). Was Cinema North the orginal name of the Harding Mall cinema?
Was this theatre later expanded to become the Harding Mall 6 or did it exist elsewhere in the Harding Mall?
There was also a Rex Theatre located in this same area. Is it possible that these theatres are the same?
The theatre website is http://www.thegrovetheater.com/index.php


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Going to the eye clinic gives you the opportunity to discuss your child's vision with the opthalmologist (medical eye specialist) and other eye clinic staff and to make sure that they have any treatment or aids, such as glasses, to make best use of any remaining vision. As well as receiving information about your child's eye condition, it is also a key time for you to ask questions, or raise any concerns you have. At the clinic, you may be busy with entertaining your child and keeping up with the tests and discussions during the appointment. It can be helpful to write down your questions and concerns before you go, so that you don't forget anything during your visit. Your eye clinic may have an Eye Clinic Liaison Officer (ECLO) who can help you access local support services and make sure that the correct referrals to education or social support services have been made, and that you have details of any benefits or additional services that may help you. If your child has additional disabilities or difficulties, you may find it helpful to contact VILD (Visual Impairment and Learning Disability) which is the RNIB initative that supports people with additional needs in accessing appropriate eye care. VILD services and expertise relate to both children and adults. We asked other parents for ideas on what to ask at the eye clinic. Here's what they suggested…
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