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Explore - Kitchen
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morning glory muffin
There is a little bakery nearby where I live, and they used to be stellar--I mean really good. They had the best muffins, the best (as close as you can come to) croissants, and cookies the size of your head with oodles of flavor, textures and combo's. But in the last few years they have seriously gone down hill. I think they've gone through about three different owners. And with each new owner comes more 'scale-down' ideas; ways to save money, and also jack up the prices. Now this little bakery sits in the heart of tourist mecca; a perfect spot for any retailer to seize the opportunity to make money from the summer influx of tourists; plenty of parking and near all the other famous tourists attractions of the historic town. It's sad really to see such a beautiful spot (near the waters and marshlands) go downhill. Well, many years ago they used to have the best morning glory muffin. This is the muffin that used to make me go to the bakery in the early morning hours to get while it was still warm. They had perfected the 'muffin top': it was a huge top with crunchy edges, overlapping sides, and filled with fruit, carrots, coconut, nuts, etc... Today, sadly, this muffin is no more; a smaller version with no muffin top has replaced it, as well as being dry and fruitless. So with that said I had to recreate this at home, because every once in a while I crave a really good morning glory muffin. So, here is my latest re-creation or creation. If you adore the infamous morning glory muffin then you simply must try this recipe.
morning glory muffins
by vanillasugarblog.com
print recipe
1 1/4 cups all-purpose flour
1 cup oat bran
½ cup whole wheat pastry flour
2 ts baking soda
1 TB baking powder
½ ts salt
2 teaspoons ground cinnamon
¾ ts powder ginger
½ cup dark brown sugar, packed
2 medium size eggs
¾ cup vegetable oil
1 ½ ts pure vanilla extract
¾ cup half & half (or whole milk)
1 cup shredded carrots
½ cup raisins
½ cup chopped toasted walnuts
½ cup unsweetened flaked coconut
Granola for topping, optional but wonderful
Preheat oven to 350 degrees F. Grease 6 jumbo muffin cups (or 12 regular muffins). You can use paper liners, but I've never used them for my morning glory muffins.
In a large bowl, mix together the flours, baking soda, baking powder, salt, cinnamon, and ginger.
In a separate bowl mix together the carrots, raisins, nuts, and coconut.
In a separate bowl, whisk the eggs, dark brown sugar, oil, vanilla, and half & half. Whisk well.
Pour the liquid ingredients into the large bowl containing the dry flour mixture. Mix until just combined, do not overmix! It's perfectly normal to have lumps. Lumps are good! Then add in the "add in" bowl mix and "gently" mix that until just incorporated. Don't overmix!
Scoop batter into prepared muffin cups. Top with granola before baking (optional).
Bake in preheated oven for 30- 35 minutes, until a toothpick inserted into center of a muffin comes out clean.
Makes 6-8 jumbo muffins or 12-14 regular muffins (see note below).
Note: I used the oversized muffin pan; they make better muffin tops. I've made these muffins using regular muffin pans, but they just didn't taste right, too dry. I'm certain the jumbo muffins ones are a better fit for keeping it nice and moist.
64 comments:
What?! Someone made a muffin with no top?! Did they also just make a car with no wheels? It's just ridiculous and a bad idea all around. Almost makes me want to see them fail (I'm so mean...). But it's fantastic that you were able to recapture that original magic-- the interior of the muffin looks divine!
ReplyDeleteYour photography does an excellent job on showcasing your muffins. I think my favorite is the image with the butter on one half.
Do you have a specific amount of batter per muffin, or is it simply divide the batter evenly between the 6 spaces?
http://www.theviewfromhome.com/howtobuyvanilla/I just made homemade granola last night so I can make these muffins tonight. Of all things, I forgot to add the brown sugar! I sprinkled the brown sugar on top of the muffins and then sprinkled on the granola and then baked them. Despite my messing up, the muffins are great. Can't wait to make them again with the the brown sugar IN the muffins! Dang it! I made 12 muffins and baked them for about 20 minutes. They had great tall muffin tops. Thanks for the great recipe!
ReplyDeletemy aunt had a bakery in dallas called Buttercream's and she served a Morning Glory muffin. Here's a SERIOUS secret. I worked there 3 months after it opened. And those darn good Morning Glories you speak of. With the big ol' muffin tops and fruits and nuts hidden in the dark brown, molasses cake was made by Sysco Foods. I found out, almost all her muffin batter was from Sysco. I've been dreaming of these (just had a baby and that's what i was craving) So I went online to Sysco b/c i was ever so determined to buy this batter by the bucket load. Sadly, they don't sell this wonderful batter anymore. :(
ReplyDelete- Anonymous6/12/12, 10:44 AM
Ok, these muffins are insane. So good! Thank you for sharing the recipe!


text:
Ghost Box Shack Hack
Posted 07 April 2008 - 07:26 PM
Posted 09 April 2008 - 08:03 PM
gadgetgirl, on Apr 7 2008, 08:26 PM, said:
Hey GadgetGirl...
I don't believe that one can be hacked... but if you go to www.ufogeek.com, he has a lot of articles on how to do the shack hack... Maybe he has an article on how to hack the newer model or if it can even be done...
Posted 25 April 2008 - 06:05 PM
Joven76, on Apr 9 2008, 09:03 PM, said:
I don't believe that one can be hacked... but if you go to www.ufogeek.com, he has a lot of articles on how to do the shack hack... Maybe he has an article on how to hack the newer model or if it can even be done...
No luck. He hasn't figured it out yet, so I guess it will be a while....
Posted 09 May 2008 - 09:56 PM
Don't beat yourself up trying to figure out how to make an inferior piece of Ghost Hunting equipment by trying to hack up an inferior product from Radio Shack. If I were you, I would save my money and purchase the real thing from Paranormal Systems Inc., you will be happy you did as it was designed for the job, not hacked to save a little money. I purchased one of the Mini Box's from them and have been really taken by the results. You can hook it directly into your laptop and the system has a filtering that you wont believe. Good quality data comes from good quality equipment, if you are looking for a quality video cam you don't go to Radio Shack and hack up a piece of equipment and try to get good results. I don't know how all of this got started, hacking things up that is, but as a scientist I have always looked for the best equipment or waited until I could afford it. That way my peers would not torment me using my own data against me.
Just a thought.
Happy Hunting
Posted 10 May 2008 - 11:17 AM
This whole concept of boxes that create random sounds / snippets of voice / noise ends in just that, random sounds. Then you listen to it and when one of these random patterns either comes out as a word or series of words that seems to make some sense because of audio paraedolia some say the spirits are talking to them???
A little logic here please! Let's go with it for a minute and assume there are in fact spirits and they do want to give a message. Why would they do it in such a convoluted manner? I mean they would ( A ) have to know what station was transmitting the particular phoneme they needed to create the portion of the word they intended to speak. ( B ) Have to manipulate the tuning to that station while in someway muting out all the other sounds that would come across as the tuner passed by other stations. ( C ) Have to do this at a rate that assembled these words in a manner that it flowed seemlessly as speech. And as if that wasn't bad enough though ( D ) The spirit would have know what all of this BEFORE THE ACTUAL SIGNAL WAS TRANSMITTED....
So I ask why ??? If this were even possible and such a talented spirit existed and wanted to send a message, why wouldn't it simply manipulate a standard recorder or amplifier to create its own words??? (That may in fact happen, they're called EVPs. ) Keep in mind though that for any manipulation of a radio transmission at a rate capable of seemlessly creating words it would also be possible to create sound from the same energy at a rate sufficient to create speech. Thus any audio amplifier could, assuming there is a spirit manipulating a field, be capable under those conditions of creating intelligent speech clearly from nothing. No white noise, no other audio snippets, and certainly no paraedolia boxes.
Posted 10 May 2008 - 10:11 PM
txghost :fight2
Posted 11 May 2008 - 02:57 PM
I have not bothered with hacking the Radio Shack product but the end result is very similar to Frank's Box, so I would expect what applies to one applies to the other. And Frank's Box I have more than used, I have put it through a series of tests in a lab utilizing thousands of dollars worth of equipment. So when I say it is simply audio matrixing, I DO have basis to support my statements.
The box I used was tested and modifified in various ways to even allow me to determine what station was being sampled at any given instant. The determination was made by measuring the instantaneous "tuning voltage" being applied to the AM radio chip which picked up the siganls. This data was saved using a highspeed data logger which allowed me to later determine what station was tuned in at that instant. The output was also recorded and time sampled to compare what program was being broadcast by the station in question at that instant. One snippet sounded a lot like Rush Limbaugh. When I checked the frequency and found the station on that frequency, I checked their program information. Wnder of wonders, the Rush Limbaugh show was on-air..... Pretty conclusive in my book who THAT spirit was. At least that part of the "message" .
I applaud your efforts to resolve what the hack is doing, please continue since I don't have the facilities to test EVERY idea that comes along. Maybe somewhere someone does have something that will allow such contact to be made. But the audio paraedolia boxes are not the answer. We need a fresh approach. This avenue of using matrixing from radios is a dead end .
Posted 11 May 2008 - 05:15 PM
I was able to carry on a short conversation, in the form of questions/ answers and was gathering information that only the builder of the home would have known. Now if we actually had a good number of radio stations available for this particular experiment which we did not, and a good bit of random audio coming from the AM bands, which we also did not have, we still statistically would have not picked up answers that would have been correct for questions about the home. What we collected were good Class A EVP's through the box that we were unable to collect using a standard audio recorder.
Like I said I am making no clams about talking to the the dead using this box as a I am about a skeptical as they come, but I have to admit that the findings are interesting.
Posted 12 May 2008 - 08:47 PM
Every box out there now scans existing radio frequencies. The investigator running the experiment asks questions of the spirits, and then they listen to the box to see what comes out of it. If it remotely sounds like a reply to the question asked, it's deemed spirit communication.
Someone once said if you sit a chimpanzee at a typewriter long enough, it will type out Shakespeare. This same idea goes for these boxes.
We are ingrained to hear and see familiar objects in random patterns. When these spirit boxes are used, we are introducing fragments of real human speech, spoken by very living individuals, into the investigation. To assume that there is a spirit there placing itself in the machine and choosing which snippets will come out to form the message it wants to relay is ludicrous. I am not saying that some very astounding coincidences haven't come from sessions with these boxes, but I am willing to put my entire 401k savings on the line to say that what is going on is nothing more than a case of audio paradolia.
From the website for The Association for the Scientific Study of Anomalous Phenomena (ASSAP):
"Speech is understood by humans, completely unconsciously, using phonemes. People use these basic building blocks to understand speech. We can identify phonemes at a rate 20 per second but can only follow similar non-speech sounds at a rate of around 1 per second. Clearly the phonemes are built into our memory for quick recognition (as are whole words). Interestingly, it is not simply a question of identifying each phoneme and constructing words. Phoneme sounds can be modified by the phoneme before and after them. They are also frequently slurred together. So the system of recognizing speech (which also has to work for different accents) has to be very flexible. The cost of this flexibility is that it sometimes makes errors."
So not only are our brains wired to hear familiar bits and pieces of words in order to help us determine speech, those who use these boxes are introducing real-time speech into the mix. If we also take into consideration the "cocktail party effect", the phenomena where people can hear and distinguish familiar words like their names or other recognizable phrases through the din of a loud or busy environment, it's not hard to see that even though using these frquency scanner might have been a great idea at some point in time, it can easily and readily be explained, and therefore not entered into the ring as a viable device for communication with the dead, or spirits, or anyone else for that matter.
Open Mind Paranormal Research
Posted 13 May 2008 - 04:24 PM
I could use the extra money to get a couple more Thermal Cams, You do have enough for a couple of Thermal Cams don't you?
Posted 14 May 2008 - 07:28 PM
However if I ask a more complex question, one that requires multiple words to reply that improves the credibility in two ways. first, the probability of a longer series of phonemes to assemble correctly is diminished unless some form of control (intelligence) is behind it. Secondly, the presence of random improper phonemes also goes up. This means that if these are present the overall credibility decreases. To sum up, a response should be both free of random garbage, and all valid phonemes should be present. In other words, a multi phrased clear voice is heard.
Under these conditions, noise should be at a minimum and the longer the phrase the better. Your only other concern then becomes outside RF signals being detected. If your equipment is properly shielded this possibility can be negated.
Posted 22 February 2010 - 09:15 AM
CaveRat, on May 14 2008, 07:28 PM, said:
So if I place my "shack hack" in a Faraday cage and still record responses would you count that as evidence of the paranormal? That is precisely what I plan to do to rule out snippets of "radio voices" recorded from the box. As a paranormal investigator, I feel that using the laws of science to verify "any" claims is a must. I am curious though CaveRat, would you recommend using some copper mesh obtained from a hobby store to build my Faraday cage, and if so how can I shield an input device from interference. Is it possible to make a signal refraction area that is open to cables or wires and still provide shielding from am/fm bands?
Posted 22 February 2010 - 10:42 AM
AnythingButNormal, on Feb 22 2010, 09:15 AM, said:
CaveRat, on May 14 2008, 07:28 PM, said:
So if I place my "shack hack" in a Faraday cage and still record responses would you count that as evidence of the paranormal? That is precisely what I plan to do to rule out snippets of "radio voices" recorded from the box. As a paranormal investigator, I feel that using the laws of science to verify "any" claims is a must. I am curious though CaveRat, would you recommend using some copper mesh obtained from a hobby store to build my Faraday cage, and if so how can I shield an input device from interference. Is it possible to make a signal refraction area that is open to cables or wires and still provide shielding from am/fm bands?
Faraday Cages is someting I am very familiar with. My personal favorite faraday cage is, a cardboard box covered with layers of aluminum foil,(no gaps or holes in foil). If you can ground the foil that is even better. If you get any RF response, I know (3) Physics Professors would would love to meet with you. Keep in mind, if you are using audio recording equipment in the box, the faraday cage will not stop acoustically (pressure wave) transmitted sounds.
My Physics model is NO Ghost can EMF penetrate a properly constructed Faraday Cage.
Edited by Robot, 22 February 2010 - 10:46 AM.
Posted 22 February 2010 - 11:00 AM
If we assume "Paranormal EMF, or Ghosts" even exist.
Posted 22 February 2010 - 05:59 PM
You also need a single point ground method to prevent any radiation back through any conductors you may run into the cage. And all conductors also need to be properly bypassed to ground to prevent re-radiation of RF that could ride in on them.
I addressed the issue in your aothe rpost,, but to touch on it here, if you do get something, you will also be required to demonstrate it is not an artifact from the equipment you placed inside the cage. Thus low quality voice recorders and related cheap radios, etc. are out. (aliasing and intermodulation distortion come to mind.) You will be required to provide complete specs on whatever equipment was placed inside the cage so that validation can be done to confirm these artifacts do not exist.
My suggestion is do the experiment, and be able to properly document both your equipment and your results.
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Holtkotter 5583 BB G5011 Brushed Brass Three Light Up / Down Lighting Bathroom Fixture with Krystall Round Glass Shades from the Ludwig Collection
Technical Specs
Installation Guide | |
Bulb Base | GY6.35 |
Bulb Type | Halogen |
Collection | Ludwig |
Extension | 4.75 |
Finish Application | Brushed, Satin |
Full Backplate | No |
Installation Available | Yes |
Light Direction | Up Lighting |
Number of Bulbs | 3 |
Style | Transitional |
Suggested Room Fit | Bathroom |
Theme | Modern |
Wattage | 105 |
Watts Per Bulb | 35 |
Width | 24 |
Configure your Three Light Up / Down Lighting Bathroom Fixture with Krystall Round Glass Shades from the Ludwig Collection
Get It Installed more info ▼
When you order installation services from Installations Direct, a certified service provider in your community will contact you within 24 hours to make an appointment for your installation.
The service provider will install the new fixture and haul away the old fixture and any excess installation-related materials.
Finish configuring above to see price
Please finish configuring above
Holtkotter 5583 G5011 Ludwig Three Light Up / Down Lighting Bathroom Fixture with crystal Round Glass Shades
Beautifully designed, the Ludwig Series employs low-voltage lighting technology. Not only is the frame beautiful in form, it also lights the fixture itself. This eliminates unnecessary elements, resulting in pure and essential design, complemented by precious materials. One 35-Watt Osram Halostar has an equivalent light output to one 75-Watt incandescent light bulb. Recommended wall dimmer: Lutron Electronic Low-voltage (ELV).
- crystal Round Glass Shades
- Low voltage lighting technology
- Contemporary design
- Recommended wall dimmer: Lutron Electronic Low-voltage (ELV) (Not Included)
- Requires (3) x 35 Watt Halogen Low Voltage GY6.35 Base Bulbs
- Width: 24"
- Extension: 4.75"
Holtkötter has been manufacturing chandeliers and lamps in Germany for more than 40 years. They are one of a handful of companies left that still designs their own fixtures and does their own manufacturing from the raw metal to the finished product, resulting in chandeliers and lamps of lasting quality. Holtkötter emphasizes that their reason for being is defined by their manufacturing tradition, by their manufacturing expertise, and by their dedication to quality. Holtkötter's future will be shaped by their continued devotion to the technical, functional and design challenges of lighting.
Additional Holtkotter Links
- View Manufacturer Warranty
- Shop All Holtkotter Products
- Shop All Holtkotter Ludwig Collection Products
Our SKU: 5583 G5011
This product is listed under the following manufacturer number(s):
Brushed Brass - 5583 CH G5011
Chrome - 5583 HBOB G5011
Hand Brushed Old Bronze - 5583 SN G5011
Satin Nickel
*Denotes a finish or option that has been discontinued
Holtkotter Ludwig Collection
Other Products In The Holtkotter Ludwig Collection
Holtkotter 5583 G5010
Three Light Up / Down Lighting Bathroom Fixture with Krystall Ellipse Glass Shades from the Ludwig Collection
$959.40$738.00 -
Holtkotter 5584 G5020
Four Light Up / Down Lighting Bathroom Fixture with Sunset Glass Shades from the Ludwig Collection
$1,427.40$1,098.00 -
Holtkotter 5583 G5020
Three Light Up / Down Lighting Bathroom Fixture with Sunset Glass Shades from the Ludwig Collection
$1,076.40$828.00 -
Holtkotter 5584 G5011
Four Light Up / Down Lighting Bathroom Fixture with Krystall Round Glass Shades from the Ludwig Collection
$1,271.40$978.00 -
Holtkotter 5584 G5031
Four Light Up / Down Lighting Bathroom Fixture with Hammered Silver Glass Shades from the Ludwig Collection
Warranty Info
Holtkötter International, Inc. warrants its products free from defects in materials and workmanship. Under this limited warranty, Holtkötter International, Inc., upon receipt of written notice of a claim, shall, at its option, repair or replace warranted products at no charge. This limited warranty is for one year from the date of shipment by Holtkötter International, Inc. This limited warranty is in lieu of any and all other warranties either expressed or implied, including but not limited to, those of merchantability and fitness for a particular purpose.
Retail Customer
If you are a retail customer, contact your Authorized Holtkötter Dealer. Your Authorized Holtkötter Dealer will initiate the warranty work for you.
Authorized Holtkötter Dealer
If you are an Authorized Holtkötter Dealer, we will resolve a problem with our product due to a defect in material or workmanship during our one year warranty period in one of the following ways:
1. If the fixture can be repaired by you with a reasonable effort, we will send you the parts that you need free of charge.
2. If the fixture cannot be repaired by you or one of our sales representatives, our "REPAIR AND RETURN SERVICE" is available.
The Holtkötter "Repair and Return Service" works as follows:
a) We will issue a "Repair and Return Authorization" (R&R) to your company. The R&R will specify how you need to return the fixture to us (e.g. UPS Call Tag, Freight Company Pick-up, etc.)
b) If not otherwise instructed, we will need to receive the fixture back complete (including reflector kit, bulb, dimmer, canopy set, etc.) and in good condition. The lamp/lighting fixture needs to be packaged appropriately.
c) If you do not have the original packing materials, please notify our office and we will send you a packing kit. Include a short note (on the R&R or any sheet of paper) of what you think the problem is.
3. If the fixture cannot be repaired by us, we will send you a new fixture free of charge.
The Holtkötter "Repair and Return Service" is available after the expiration of the warranty for a nominal charge.


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It's Christmas
Original Release Date: September 23, 2008
Track Listing
1. I'll Go
2. Children Go Where I Send Thee
3. Give Love on Christmas Day
4. Be There for Christmas
5. This Christmas (Could Be the One)
6. Have Yourself a Merry Little Christmas
7. What Are You Doing New Year's Eve?
8. It's Christmas
9. What a Wonderful World
10. Please Come Home for Christmas
11. Silent Night
12. Thank You
Richard Smallwood: Piano, Arranger, Composer
Gerald Albright: Sax (Alto), Sax (Tenor), Horn Arrangements
George Duke: Synthesizer, Piano, Composer, Producer
Bob Sheppard: Sax (Tenor)
Danny Duncan: Engineer
Frank Loesser: Composer
Franz Gruber: Composer
Ray Bardani: Engineer, Mixing
Lloyd Barry: Horn Arrangements
Charlie Bisharat: Violin
Melvin Davis: Bass, Arranger, Fretless Bass
Joel Derouin: Violin
Ray Fuller: Guitar
Berry Gordy, Jr.: Composer
Barry Green: Trombone
Walter Kent: Composer
Larry Kimpel: Bass
Nick Lane: Trombone, Horn Arrangements, String Arrangements, Horn Conductor, String Conductor
John Lawry: Digital Editing, Editing
Hugh Martin: Composer
Doug Moffet: Sax (Baritone), Sax (Tenor)
Kristle Murden: Vocals (Background)
Steve Patrick: Trumpet
Freddie Perren: Composer
Darlene Perry: Vocals (Background)
Herb Powers: Mastering
Deke Richards: Composer
Rex Rideout: Piano, Arranger, Composer, Producer, Fender Rhodes, Wurlitzer
Greg "Frosty" Smith: Sax (Baritone)
Bob Thiele: Composer
Josefina Vergara: Violin
George David Weiss: Composer
Michael White: Percussion
Erik Zobler: Engineer, Mixing
Craig Brockman: Organ
Susan Chatman: Violin
Dave K.: Stylist
Sarah O'Brien: Cello
Mario Diaz de Leon: Violin
Dan Needham: Drums
Lee Thornberg: Trumpet
Vinnie Ciesielski: Trumpet
Beth Herzhaft: Photography
Nick Sparks: Assistant Engineer
Hollis King: Art Direction
Ralph Blane: Composer
Bruce Resnikoff: Executive Producer
Bill Darlington: Executive Producer, A&R
Rick Watford: Guitar
Christian Scott: Trumpet
Akil Thompson: Bass
Grant Greene: Assistant Engineer
Elizabeth Wright: Cello
Stacy Turner: Production Coordination
Sarah Williams: Vocals (Background)
John Newcott: Release Coordinator
Ledisi: Vocals
Timothy Loo: Cello
Luther "Mano" Hanes: Organ, Composer, Claves, Producer, Fender Rhodes, Assistant Engineer
Ledisi Young: Arranger, Composer, Vocals, Vocals (Background), Producer, Executive Producer, Art Direction, A&R
Kim Burse: Sequencing
Teddy Campbell: Arranger, Drums
Dahlia Ambach Caplin: A&R
Andy Kman: Release Coordinator
Shannon Follin: Engineer
Errol Cooney: Guitar
Kevin M. Buck: Cello
Sachico Asano: Graphic Design
Michele Richards: Violin
George Gumbs: Assistant Engineer
Evelyn Morgan: A&R
Ken "Snakehips" Johnson & His West Indian Dance Band: Production Coordination
Court Clement: Guitar
Scott Velazco: Assistant Engineer
Brendan Dekora: Assistant Engineer
Deirdre Dooley: Production Coordination
Lisa Chamblee Hampton: Assistant Engineer
Kimberly Hanes: Production Coordination
Phoenix Normand: Vocals (Background)
Carolyn Perry McCollaum: Vocals (Background)


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Natalie Cole
Natalie Cole
Original Release Date: September 26, 2006
Track Listing
1. Criminal
2. Old Man
3. Day Dreaming
4. Leavin'
5. The More You Do It (The More I Like It Done to Me)
6. Lovin' Arms
7. Love Letter
8. The Man with the Child in His Eyes
9. 5 Minutes Away
10. Don't Say Goodnight (It's Time for Love)
11. You Gotta Be
12. If I Ever Lose My Faith in You
Shelby Lynne: Composer
Kate Bush: Composer
Natalie Cole: Composer, Vocals, Producer, Performer, Executive Producer, Vocal Arrangement, Horn Arrangements, Adaptation, Rhythm Arrangements
Aretha Franklin: Composer
Ernie Isley: Composer
Neil Young: Composer
Bonnie Hayes: Composer
Chris Jasper: Composer
Tom Jans: Composer
Dallas Austin: Percussion, Composer, Drums, Producer, Performer, Executive Producer, Vocal Arrangement, Horn Arrangements, Rhythm Arrangements
Bernie Grundman: Mastering
David Hancock: Celli, String Section
Paul Jackson, Jr.: Rhythm Arrangements
Peter Mokran: Producer, Mixing
Kevin Ricard: Percussion, Cajon
Rick Sheppard: Engineer, Performer, Vocal Arrangement
Marvin Yancy: Composer
Ashley Ingram: Composer
Prissy Reed: Performer
Fiona Apple: Composer
Tony Reyes: Bass, Guitar, Vocals (Background), Choir, Chorus, Performer, Rhythm Arrangements
Isabelle Wong: Graphic Design
Hollis King: Art Direction
Sharliss Ashbury: Production Coordination
Gail Deadrick: Performer
Janet Zeitoun: Hair Stylist
Ralph Cacciurri: Engineer
Cathy Lynn: Viola, String Section
Eddie Horst: String Arrangements
Kwaku Alston: Photography
N Sisters: Vocals (Background)
Kimberly Smith: Production Coordination
Carolyn Hancock: Violin, String Section
Sonji Mickey: Choir, Chorus
Ken Watters: Trumpet
Sylvia Grieser: Wardrobe
David Munk: Performer, Executive Producer
Seth Waldmann: Assistant Engineer
Wes Funderburk: Trombone, Horn Arrangements
Kimberly Edwards: Choir, Chorus
Alice Lord: Violin, String Section
Rick DeVarona: Assistant Engineer
Peter Ciaschini: Violin, String Section
Tania Maxwell Clements: Viola, String Section
Frissy: Performer
Half Time Live Horns: Horn Arrangements
Nicole Harvey: Choir, Chorus
Rene D. James: Choir, Chorus
Fatimah Jester: Choir, Chorus
Charae Krueger: Celli, String Section
Travis Omari McCauley: Trombone
Alisha D. Monson: Choir, Chorus
No betta: Performer
No heffa: Performer
No teefas: Performer
Parkman's Ensemble: Vocals (Background), Choir, Chorus
Christopher Pulgram: Violin, String Section
Will Scruggs: Sax (Baritone), Sax (Tenor)
Jermaine Thomas: Choir, Chorus
Turmaine Thomas: Choir, Chorus
Donla Willis, III: Trumpet
Jordan Winsen: Assistant Engineer
John Woodbury: Choir, Chorus
Joli Wu: Viola, String Section
Graham Marsh: Assistant Engineer
John Meisner: Violin, String Section


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Cingular Introduces the New BlackBerry 8800
Quick Reply
Research In Motion (RIM) and AT and T (Cingular) today introduced the thinnest BlackBerry handset yet. The BlackBerry 8800 incorporates a full QWERTY keyboard and offers customers a unique blend of performance and elegance. AT and T will be the first wireless carrier in North America to launch the BlackBerry 8800 when it begins offering it across its wireless retail and business channels on February 21.
The BlackBerry 8800 from AT and T has an exclusive, premium, dark blue finish and AT and T uniquely supports Push To Talk (PTT) on the handset. It features built-in GPS (Global Positioning System), a first for an AT&T-enabled BlackBerry handset. The BlackBerry 8800 also incorporates RIM?s new trackball navigation system for fast and intuitive navigation, as well as a media player and a microSD expandable memory slot for storage of music and videos.
The BlackBerry 8800 offers proven and popular BlackBerry features including support for phone, email, text messaging, web browser, organizer, corporate data applications and more. Operating on AT&T?s high-speed nationwide* EDGE wireless data network, the quad-band BlackBerry 8800 also gives customers the ability to make phone calls in more than 200 countries and access email and other data applications in over 120 countries.**
?The BlackBerry 8800 represents the most innovative design to date for a full keyboard BlackBerry handset,? said Jeff Bradley, vice president, wireless business data services, for AT&T. ?It is thin and stylish, and in addition to providing access to work and personal email it offers new features for increased productivity, without compromising the power and functionality that make BlackBerry an outstanding wireless communications tool for our customers.?
?The BlackBerry 8800 is a high-performance, high-quality handset with a truly discriminating design,? said Mike Lazaridis, president and co-CEO at RIM. ?The BlackBerry 8800 is optimized to satisfy the most demanding mobile professionals with its thin profile, premium finish, full-featured phone and best-in-class application performance. AT&T?s BlackBerry users will also be pleased to see a range of new features available with this full keyboard handset, including a trackball navigation system, Push To Talk, media player and built-in GPS.?
AT&T boasts the largest Push To Talk network in America and its PTT service includes several differentiating features, including ?availability? icons, quick group calling and the ability to easily switch a PTT session to a regular wireless voice call.
The BlackBerry 8800 features built-in GPS and supports location-based services applications. AT&T customers can receive turn-by-turn voice and on-screen driving directions on the BlackBerry 8800 with the award-winning TeleNav GPS Navigator?. On the BlackBerry 8800, TeleNav GPS Navigator can be used in vehicles or while walking and offers colorful 3D moving maps. Customers can also download TeleNav Maps?, a free application providing access to non-GPS static maps and step-by-step written driving directions. The BlackBerry 8800 also is suited ideally for industry-specific applications, such as AT&T?s wireless field service solutions powered by Corrigo and sales force automation applications from Antenna Software.
The new BlackBerry 8800 from AT&T also includes:
-An intuitive user interface with an easy-to-use trackball, dedicated 'menu' and 'escape' keys, and context-sensitive menus that make navigation feel instinctive and fast
-Robust call management features such as smart dialing, conference calling, speed dialing, and call forwarding
-Premium phone features with noise cancellation for enhanced audio performance, Speaker Independent Voice
-Recognition (SIVR) for Voice Activated Dialing (VAD), dedicated 'send', 'end', and 'mute' keys, low-distortion speakerphone, and Bluetooth? support for hands-free use with headsets, car kits and Bluetooth peripherals
-Support for polyphonic, MP3 and MIDI ring tones
-An ultra-bright, high resolution (320 x 240) landscape display ? images appear vivid and crisp
-An innovative light-sensing technology that automatically optimizes the screen, trackball and keyboard lighting for indoor, outdoor and dark environments
-High performance HTML browser for visiting favorite web sites while on the go
-Multimedia player with stereo headset jack for MP3 and AAC music files, as well as MPEG4 and H.263 video formats
64MB built-in flash memory, expandable through microSD expansion slot
-An ultra-thin, high-capacity battery
-BlackBerry Internet Service support - allows access to up to 10 supported personal and corporate email accounts, including most popular ISP email accounts
-BlackBerry Enterprise Server support - integrates with Microsoft? Exchange, IBM Lotus Domino and Novell GroupWise environments and features a new set of IT policy controls for managing the BlackBerry 8800?s features and usage.
The BlackBerry 8800 also comes with a complement of accessories -- headset, travel charger, holster, and USB cable -- that are included in the box. Additional accessories for BlackBerry handsets, including premium leather holsters and totes, an automotive charger, and Bluetooth headsets are available online and through retail outlets.
To read our latest phone reviews please visit:
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Stephen Stills
Stephen Stills
Turnin' Back the Pages
Original Release Date: November 4, 2003
Track Listing
1. As I Come of Age
2. In the Way
3. New Mama
4. Cold Cold World
5. Love Story
6. Turn Back the Pages
7. First Things First
8. Stateline Blues
9. The Loner
10. Buyin' Time
11. Soldier
12. Closer to You
13. Ring of Love
14. Circlin'
15. Midnight Rider
16. Not Fade Away
17. Can't Get No Booty
18. What's the Game?
19. Thoroughfare Gap
20. Beaucoup Yumbo
21. You Don't Love Me [*]
22. It Takes a Lot to Laugh, It Takes a Train to Cry [*]
Willie Cobbs: Composer
Gregg Allman: Composer
Bob Dylan: Composer
Buddy Holly: Composer
Al Kooper: Organ, Piano, Guitar (Electric), Vocals, Guitar (12 String), Ondioline, Horn Arrangements
Graham Nash: Vocals
Ringo Starr: Drums
Stephen Stills: Organ, Bass, Guitar, Percussion, Piano, Strings, Composer, Guitar (Electric), Horn, Keyboards, Vocals, Clavinet, Moog Synthesizer, Producer, Engineer, Design
Neil Young: Composer
Andy Gibb: Vocals
Peggy Clinger: Vocals (Background)
Marcy Levy: Vocals (Background)
Norman Petty: Composer
Kenny Passarelli: Bass, Composer, Vocals (Background)
Ron Albert: Producer, Engineer
Albhy Galuten: Piano
Joel Bernstein: Cover Photo
Bo Diddley: Composer
Michael Braunstein: Engineer
Harvey Brooks: Bass
Fred Catero: Engineer
Donnie Dacus: Guitar, Composer, Vocals, Vocals (Background)
Don Gehman: Producer, Engineer, Mixing
Steve Gursky: Engineer
Roy Halee: Engineer
Bill Halverson: Producer
Armando Hurley: Vocals
Danny Hutton: Vocals (Background)
Gerald Johnson: Bass
Howard Kaylan: Vocals
Danny Kortchmar: Guitar, Percussion, Composer
Russ Kunkel: Drums
Joe Lala: Percussion
Mike Lewis: Strings, Horn
Joey Mercia: Guitar
Richard O'Connell: Drums
George "Chocolate" Perry: Bass, Vocals
Kitty Pritiken: Vocals
Verna Richardson: Vocals
Lisa Roberts: Vocals
Alex Sadkin: Mastering, Mixing
Joe Schermie: Composer
Warner Schwebke: Composer
George Terry: Guitar, Vocals (Background)
Gerry Tolman: Guitar
Mark Volman: Vocals
Jimmy Fox: Drums
Claudia Lanier: Vocals
Jerry Aeillo: Keyboards
Tubby Zeigler: Drums
Fast Eddie Hoh: Drums
Glenn A. Baker: Compilation, Concept, Annotation
John Berg: Design, Cover Art Concept, Cover Design
Billy Ray: Photography
Leland Sklar: Bass
Don Hunstein: Cover Photo
Andy Engel: Cover Design
Howie Albert: Producer, Engineer
Gerard Huerta: Artwork, Design
Jim McCrary: Photography
Warren Barnett: Mastering
Kevin Mueller: Release Preparation
Peter Shillito: Release Preparation
Tom Zimmhoff: Photography
Louis Cook: Design, Layout Design
Joe Scott: Horn Arrangements
Jo Smith: Composer
Betty White: Vocals
V. Lee: Composer
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SAMSUNG Unveiled Multimedia Smartphones Including the F700 with 5 megapixel Camera
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Building on its heritage of delivering inspirational design with powerful functionality, Samsung today unveiled new premium additions to its highly popular Ultra Edition range of phones - F700, F520, F510, F500 and F300. Featuring unrivaled design, these latest handsets have been created to bring a superior range of multimedia experiences to consumers.
The Samsung F700 aspires to be the easiest to use multimedia handset on the market with tender touch keypad and a surplus of multimedia functionality, including a 5 megapixel camera and up to 7.2 Mbps High Speed Downlink Packet Access (HSDPA). Meanwhile, Samsung's F520 boasts an innovative dual slider design and full internet browsing to ensure a truly connected and enriched mobile multimedia experience.
Samsung's F510, F500 and F300 showcase an innovative dual face LCD design to allow for optimum viewing of their extensive multimedia features - on one side users can enjoy dedicated multimedia functions and on the reverse side LCD screen mobile phone functions are accessible - without compromise between the two. Samsung's F300, the Ultra Music phone, is a complete music player with superb sound quality and an enhanced music user interface. At the same time, Samsung's F500 offers the latest in video features with a large LCD for viewing purpose, DivX codec, all accessible through its unique swivel design. And the F510 builds on the success of the F500 and additionally supports the Digital Video Broadcasting - Handheld (DVB-H) standard.
Samsung F700
Samsung has applied its legendary expertise in human interface engineering and design to the Samsung F700, which boasts a full touch screen, touchpad interaction and QWERTY key pad. Using the new F700, business and creative professionals are able to view content on a 2.78" stunning color display. The device features first class entertainment with a top-of-the-line auto focus 5 megapixel camera and 7.2 Mbps HSDPA capabilities, making it easier to watch videos, listen to songs, take high-quality photos, browse the internet, or catch up on email while on the move.
Samsung F520
The Samsung F520 features an innovative and sensitive touchpad that accurately recognizes human touch. Used for menu navigation, the device disregards the conventional need for a stylus. The F520 supports a large 3? wide screen as well as a 3 megapixel camera. It also features an innovative dual slider design for messaging, which easily switches between QWERTY and conventional key texting by automatically switching between horizontal and vertical screens. The phone also connects across EDGE and incorporates full Internet browsing as well as high-speed connectivity through HSDPA. This facilitates faster connections for functions such as messaging, instant messaging and internet chatting.
Samsung F510
Samsung's F500 is the ultimate personal multimedia device with a smart design and cutting-edge features, ideal for consumers on-the-go. The F500 features dual LCD faces - one side is designed to make phone calls while the other contains a large screen and dedicated multimedia controls for clear content viewing. The F500 allows users to view a large array of video content including MPEG-4, H.264, WMV and AVI files. It also has a PMP function with a 2.4? wide screen as well as a 2.0 megapixel camera. With an internal memory of 410 MB and expandable memory up to 2GB (with microSD? card) the F500 allows the user to view approximately two movies (each about two hours long).
Samsung F300
Samsung's F300, the Ultra Music phone, is an iconic handset bar designed with an added twist: dual LCD screens. Samsung's F300 is equipped with a digital power amp, which offers a dedicated music user interface on one side, making it easy to navigate through song lists. Additionally, it comes equipped with a stereo FM radio and a Quick PC Sync, allowing users to create a music library and customized play lists. On the reverse side, the F300 has all the extra features consumers have come to expect, including a 2 megapixel camera, extended battery life and Bluetooth technology.
Samsung F700 Specifications
Standard: HSDPA 1.8Mbps/UMTS, EDGE/GPRS, 900/1800/1900 MHz + 2.1GHz
Camera: 5 Megapixel with Auto-Focus
Display: 262744 TFT (2.78?, 440x240)
Full Touch Screen
QWERTY Keypad
MMS/E-mail/JAVA/WAP 2.0
Bluetooth / USB
Flash UI / Document Viewer
Full HTML Browsing
Offline Mode, BGM
Memory: microSD
Size: 104 x 50 x 16.4 mm
Samsung F520 Specifications
Standard: HSDPA, EDGE, 900/1800/1900 MHz + 2.1GHz
Camera: 3 Megapixel with Flash
Display: 262144 TFT (3?, 480x272)
Full Touch Screen Dual Slider
Hot Launching Key (TV, Internet, Music)
MMS/E-mail/JAVA/WAP 2.0
Bluetooth / USB
Flash UI, Document Viewer
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Offline Mode, BGM
Memory: External: microSD
Size: Dimension: 104.8 x 53.7 x 17.4 mm
Samsung F510 Specifications
Standard: HSDPA, EDGE, 900/1800/1900MHz / 2.1GHz
Camera: 2 Megapixel
Display: Main: 262144 TFT (2.4?, 240x320 ) Sub: 65536 TFT (1.5?, 176x220)
Landscape View (Self-Standing Swivel Screen)
H.263/H.264/ MPEG4/WMV/DivX
BT v1.2, USB v2.0 (High Speed)
Standard: DVB-H , CBMS
Security: CAS
Video: QVGA @ 30 fps (Up to 544kbps)
TV Out (up to 640x480)
Movie, Music, E-Book applications
Memory: 410MB + microSD
Size: 116.5 x 50.4 x 10.7 mm
Samsung F500 Specifications
Standard: HSDPA, EDGE, 900/1800/1900MHz / 2.1GHz
Camera: 2 Megapixel
Display: Main: 262144 TFT (2.4?, 240x320 ) Sub: 65536 TFT (1.5?, 176x220)
Landscape View (Self-Standing Swivel Screen)
H.263/H.264/ MPEG4/WMV/DivX
BT v1.2, USB v2.0 (High Speed)
Video: QVGA @ 30 fps (Up to 544kbps)
TV Out (up to 640x480)
Movie, Music, E-Book applications
Memory: 410MB +microSD
Size: 116.5 x 50.4 x 10.7 mm
Ultra Music F300 Specifications
Standard: GSM/GPRS/EDGE, 900/1800/1900MHz
Camera: 2 Megapixel
Display: Main: 262144 TFT Screen (2.1?,176x220) Sub: 262144 TFT (1.4?, 176x220)
Dual Face & Sweeping UI
Music Library
Multi-Format Music Support
Music Download (WMDRM,MTP)
Multi-Format Video Support (MPEG4,H.263)
Bluetooth Stereo Music Profile (A2DP)
FM Radio
Bluetooth v2.0 / USB 2.0
Memory: 100MB + microSD
Size: 103.5 x 44 x 9.4 mm
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Chicago, IL was incorporated on March 4, 1837. Lincoln announced his plans for emancipation on March 4, 1861.
Northwestern is next.
Here's to a run at the first B1G championship game and title. Go Cats and Persa for Heisman.
There's a chance I'm wrong which I'll gladly accept for a higher NU ranking.
USF starts 0-1
Air Force?
Lincoln announced the proclamation September 22, 1862, and Des Moines was founded September 22, 1851. Iowa is next.
September 22nd so…. What city was found on the September 22nd?
If Northwestern is above Io_a, Hawkeye fans will not be please. Michigan State fans didn't take it particularly well either.
I can't believe that Northwestern is ranked above Iowa. It's an outrage!
In reality, I'm more surprised that Penn State is ranked higher. That was a very unimpressive team with a large number of departing seniors and a returning quarterback who asked to be released from his scholarship. I don't see them doing any better than a repeat 7-5.
Same thing with Washington for me, I personally think they're way too high. But Paul does a great job justifying why he puts teams where he does.
Yep, Des Moines was founded 9/22.
Go Cats!
As a UCF fan, I would like you to know that I approve of the image.
I agree that Northwestern is #38 based on Paul's clue.
One thing stood out in that preview. USF finished strong. Their two best wins were their last two games.
This tells me that Skip Holtz has gotten his system in place and the players are buying in. This can take even the best coaches the better part of two seasons to accoomplish.
If the last half of 2010 is a sign of things to come for USF, then this will be a better season than Mr. Meyerberg predicts, even with the personnel losses.
Paul's comments about Daniels are dead on. The guy is incredibly talented but last year in that offense he looked like a race horse hitched to a plow.
Paul: Yeah, and I'm not sure if I'm impressed by Holtz's decision to make the players fit to his system or worried about his lack of flexibility offensively. One thing that's clear is that he's going to have drop-back passers the rest of the way.
It's not Northwestern. March 4, 1861 was when Lincoln delivered his inaugural — in it, he made no mention of emancipating the slaves (in fact, he said his goal was to preserve the Union, and that he had no intention of outlawing slavery where it already existed). Chicago was incorporate on March 4, 1837…
Lincoln announced his plans to emancipate the slaves on September 22, 1862. So we're looking for the largest city in a state that was founded on September 22nd. Des Moines is the most populous city in Iowa, and was incorporate September 22, 1851.
The Io_a Ha_keyes are next.
Coincidentally, I agree with M Meyer above — not so shocking that Northwestern is ranked above Iowa (NU has more returning starters, and Persa's a great QB, while Vandenberg certainly has the ability to be great but is relatively unproven), but VERY shocking that Penn State is above Iowa. Frankly, Iowa is a MUCH scarier team to me this season as a Northwestern fan than Penn State, simply because Ferentz does a great job developing talent and the Hawkeyes play with a chip on their shoulder (i.e. always doing better when expectations are low).
Wow… even I think it might be aggressive putting NU ahead of Io_a given our gaps on D. I hope I'm wrong.
I stand corrected and am thrilled NU is higher than Io_a.
You guys & your cute little Io_a, I could just eat you up! It's like the little engine that could. I think I can, I think I can, I think I can… make it a rivalry.
I think we did, I think we did, I think we did…5 of the last 6 years, and counting.
Not trying to boast, just sticking to the facts.
Oh, IowaCityHawks, you're so cute….to be a rivalry, Iowa would have to win the game occasionally.
@LookGoodinPurple — those defensive gaps at Northwestern were much more a function of Persa getting hurt. Thru 10 games with Persa, the defense was better in 2010 than in 2009 by pretty much every metric. Once Persa got hurt, though, the offense couldn't (a) sustain drives, thereby allowing the defense to rest and for NU to score points and/or improve field position, or (b) hold on to the ball (most noticeable against Wisconsin, where most of the 70 points they scored should have been attributed to the NU offense that turned the ball over on a short field, not the NU defense). A tired defense working a short field is never going to look impressive.
I, for one, think a year of healthy-Persa (plus a running game that improved throughout the season with Trumpy), as well as more depth/talent on defense with new redshirts/freshmen, will mean a great year for the NU defense.
Oh the ol since '96 argument, never heard that before.
Don't look @ the all time, okay?BOWL WIN, do you know what that is? Since that's what really matters, care to enlighten me?
Love the effort though.
When arguing with Penn State fans, Iowa fans always say that all-time records are bunk, and all that matters is right now (because right now, Iowa dominates Penn State). When arguing against Northwestern fans, the argument gets reversed — right now no longer matters (NU has 5 of the last 6 against Iowa, including the last three at Iowa), all that's relevant is the all-time record.
The bowl record argument is fair. NU needs to win a bowl…we all know that. Too bad we can't face Iowa in a bowl game.
@chadnudj I would agree with you, but I look at the level of competition during those games in 2010. We'll see who is right because our schedule is much more difficult this year.
You guys & your cute little jNWU, I could just eat you up! It's like the little engine that could. I think I can, I think I can, I think I can… make it a rivalry.
Pot meet Kettle
I know! Io_a fans are insufferable that way. Don't try using logic on them. The sad thing is when PSU finally beats Io_a, Io_a fans will have a "bout time" attitude. When Io_a beats Northwestern chances are the fans will go nuts and say all the games NU won don't matter and write those games off with excuses per the usual. They will also begin to call NU North_estern…you know typical copycat stuff. Io_a fans are so predictable.
I think Iowa's next, and as an NU fan I must admit that I'm surprised to be above both them and MSU (and maybe PSU?) for one reason: we can't tackle. And I guess Persa's achilles could be a 2nd reason.
"BOWL WIN, do you know what that is? Since that's what really matters, care to enlighten me?"
While I'd of course love a bowl win this year, I personally think Big Ten wins are what really matter.
Only Iowa fans come out of the woodwork in droves to repeatedly and angrily tell NU fans how little they care about beating the Cats.
Go Bulls!
Thanks for the write-up, Paul -
No Ws for you until your team beats the Purple Curse and _ins one against the Wildcats. ;-)
Seriously – I'm hoping you are undefeated when you face the Wildcats. I marched in NUMB at Io_a. Your fans were nice to us, which we appreciated. (Fans at some of the other B1G schools are total Philistines.)
Go Cats!
I really love the trash talk between just-Northwestern fans and Iowa fans. Seriously, you Northwestern fans are smart, passionate, and nattily dressed. However, it would be nice if you could take some time out of your busy schedules to attend the games at Ryan Field. Yes, Iowa fans are looking forward to the "rivalry" disappearing soon, but we won't copy your missing "w" thing, because it will slip our minds that those games even happened. We played Northwestern in 2008-2010? Gosh, are you sure?
never saw so many people whiff on guessing school no. 39. you should be proud.
@M Meyer
Losing an undefeated record and a number 4 ranking late in the season doesn't ring a bell? :)
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Hi Thendral fans, It has been a stormy week for me managing to reply all the Pms I received from this section. I understood that my word " groupism" in my previous message in the following thread was totally misinterpreted by many of you.
As I replied to many of you...it was just a general statement and not to point fingers at anyone at all...The same problem we faced once in Thirumathi Selvam Forum which was the hottest section at the beginning...and there we had to face the same kind of enthusiasm and misunderstanding and arguments and what not...and we did post somewhat the same kind of message there too...!! One more thing I want to make it clear here is...when I posted that message I was not receiving Pms like now...!!! So no one can go around tell others that my message was referring to A,B or so
So please do not get hurt and whoever sending Pms to many thendral fans that my words are pointing at you...please do not believe that....I and my entire team members are here to make this forum a happy place...As you all aware Sri and Srima are working so hard to bring all of you together...under one roof...and definitely we do not want the members having hurt feelings for something I/we did not mean at all... I can cross my heart and shout this anywhere you want...!! I humbly request all of you to put back whatever misunderstanding so far caused by whoever it is...behind and move forward as before...so that we DT members also will be more than happy to serve you...Please remember we are also human beings who work here without expecting anything but a tap on our shoulders...Once again...I am pleading all of the thendral forum viewers to come together like a happy family... One more thing...I may be a Channel Moderator but I do not have any rights to scream at any one...pointing my fingers...at others...that is not my character...too...!! |
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Moderator's Note:Of late, we see a lot of bashing in this section. In the open forum and
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Thendral Picture Gallery-No Comments!! | ~*Thamizhan*~ | 298 | 79145 | 19 October 2013 at 12:33pm By Smiles-20 |
Thendral Creations Corner | ~*Thamizhan*~ | 529 | 94983 | 28 June 2013 at 11:49pm By Mysterious-Girl |
*Thendral Cast Profile* | Shemmo | 21 | 67843 | 25 May 2012 at 2:21pm By Shemmo |
*~Thendral Galatta Chat Corner~* | Shemmo | 1194 | 35459 | 25 February 2012 at 4:13pm By ~*Thamizhan*~ |
WHERE IS THENDRAL???-Thendral team,pls do read this | Hema_M | 50 | 8887 | 28 October 2010 at 4:30am By -musicluv- |


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Hi, I'm Lynne from Lily's Quilts and Fat Quarterly and I am going to show you how to make an improv quilt using Malka Dubrawsky's wonderful A Stitch in Color line. The great thing about making an improv quilt is that, although you are following a pattern, no two quilts will be the same and you can adapt and change your quilt as you go. If you do make a Rough and Tumble quilt from this tutorial, I would love you to post a picture of it in my Flickr group.
One A Stitch in Color Layer Cake
and 2 yards of the grey A Stitch in Color semi solid.
Plus 5 yards for backing.
Making the strips of wonky LCSs
1. Divide the layer cake into 5 piles of 8 slices, mixing up patterns and colours. Put the two spare slices to one side.
2. Place two layer cake slices (LCS) on the cutting mat, aligned with the lines on the mat overlapping by 3" and both right sides up.
Retain any wedges cut off the LCSs wider than about 1" to be used for little pops of colour in the framing and sashing.
4. Flip one LCS on top of the other, aligning the cut lines so that the ends meet 1/4" in from the edge. Sew using a 1/4" seam. Press open or to one side.
5. Take that section and place it back on the cutting mat, again aligned with the lines on the mat and place a third LCS on top, this time with an overlap of 2". Again make a random wonky cut within the area of the overlap. Flip the new LCS and sew to the original section. Press open or to one side, as desired.
6. Continue adding LCSs to the wonky strip, sometimes using a 1", 2", 3" overlap or occasionally sometimes a 4" overlap to give a variety of angles. Sometimes cut top left to bottom right and sometimes top right to bottom left, sometimes at a more severe angle and sometimes at a gentler angle or even absolutely vertical. Sometimes leave a wider piece of LCS and sometimes leave a narrower piece.
TOP TIP: avoid alternating the slant of the angles each time. This will prevent your quilt from looking too much like a tumbler quilt. I love tumbler quilts but that is not what we are aiming for here.
7. Once pressed, the tops and bottoms of the LCSs should align in a straight line. Don't worry if this is not absolutely bang on as we will be trimming the top and bottom lines of this section before the next stage.
8. The finished strip should end up something around 50-55" give or take an inch or two. If it ends up way longer than this, we can trim to size at step 12. If it ends up way shorter, add one of the spare layer cake slices to the end but cut wider LCSs on the next one as you only have two spare.
9. Make five of these strips.
Adding the colour frames
10. Decide which of your five strips will be framed by each of the five semi solid colour frames. Cut each semi solid into four 4 1/2" WOF strips.
11. Read to the end of this instruction before cutting 10" strips. Cut two 10" strips from these WOF strips, one for each end of the LCS strips. If you fancy inserting a pop of colour into one or both of these strips, follow the method at step 20, making sure to cut the strip of coloured fabric 11"-12" rather than 10" to compensate for length lost in the seams and to give a bit of waggle room. Once the pop of colour has been inserted, trim to 10".
12. If your LCS strips are much longer than 55", trim them down to about 50"-55". Align each of the 10" frame end pieces with the ends of the LCS strips, overlapping by 2" and make a random wonky cut so that they are attached to the original LCS strips in the same way as each LCS was (see the yellow ends on the strip below). Sew the 10" pieces onto the ends of the LCS strips. Press seams open or to one side, as desired.
13. Now give the strip a wonky trim. Firstly fold the strip in four and cut a straight line along one edge to tidy up that edge if the LCS edges are not all perfectly aligned.
Adding pops of colour
20. If you want to add pops of colour into the semi-solid at any point, take an off cut scrap of fabric from the LCSs. In the picture below, I've taken a piece from trimming the long LCS strips to it has two LCS fabrics in it. Lay it over the sashing strip where you want it to be inserted with both fabrics right sides up.
Cut the sashing strip along both sides of the scrap of fabric.
21. Sew the scrap of fabric to one piece of the sashing, press and trim.
Then attach the other piece of sashing and press.
22. Cut the two yards of grey semi solid into sixteen 4 1/2" WOF strips.
23. Layout the five colour framed strips and decide on a layout.
24. Sew pieces of grey to the end of each strip. Add in pops of color if desired. Trim along the sides but not the ends at this stage. If any of these five sections are significantly shorter than the others, add some more grey or even a pop of color and then some more grey to bring them to the same length(ish).
25. Join the remaining WOF strips end to end to make one long piece of sashing. Insert pops of colour into this as and when desired.
26. Sash the top and the bottom of the 1st, 3rd and 5th brick strip in your quilt layout, leaving the 2nd and 4th unsashed. Do not yet trim the ends or the side of these strips.
27. Once again lay all five strips out on the floor or a large table, butting each one right up to the next one. Measure the length of the quilt on the left, middle and right of the floor layout. If these three measurements are significantly different, try flipping one or two strips to bring them as close together as possible. If necessary, make a wonky trim along the length of one of the strips to bring the top and bottom of the quilt as close to parallel as possible.
28. Sew the five strips together and press.
29. Measure the length of the finished quilt at three points along its width and make a final wonky trim if needed to bring those two edges parallel.
30. To trim the sides, fold the quilt into quarters and make a final trim parallel to the folded edges cutting off all the uneven ends to give a straight finish on both sides. Here is a bad indoor photo of my quilt top just having been all squared up.
31. Back, baste and quilt as desired.
32. To make the scrappy binding, take all scraps of the semi solid offcuts more than 2" wide (or 2 1/2" wide if you prefer a slightly wider binding) and sew them into one long binding. Add in pops of colour if desired.


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