text:
This is going to be awesome.
Quick Look: Rambo: The Video Game
Vinny, Jeff, and Rambo's face reenact classic Rambo scenes, like the one where Rambo shoots dozens of cops.
Unprofessional Fridays: 02/21/2014
We travel through time and space only to find ourselves once again staring into the Meat Dimension.
Giant Bomb Mailbag It's Friday and Yeah
Vinny's duck has a little booboo.
Bombin' the A.M. With Scoops and the Wolf: 02/21/2014
Let's spit fire about Strider, Freedom Cry, and NaissanceE before trying to get Alex to say something about Thief.
Worth Playing: 02/21/2014
Quick Look: Earth Defense Force 2025
Witness the terrifying power of lady Gundams, vehicles named after fruit, and the best map descriptions ever.
Quick Look: Donkey Kong Country: Tropical Freeze
Jeff and Brad discuss boat drinks, the merits of being a giant seal, and the fraudulent nature of Funky Kong.
Level 5's Weapon Shop de Omasse Launches Today
This game was apparently the brainchild of Japanese comedian Yoshiyuki Hirai. He seems pretty excited about it.
Quick Look: Japanese PlayStation 4 Store + Games
Somehow Jeff got himself a Japanese PSN account and "accidentally" downloaded a bunch of... things.
Breaking Brad: Demon's Souls: Part 09
Floogan gets dressed up as he pushes further into the insane world of Demon's Souls.
Quick Look Solo: NaissanceE
The kind of terrifying place to have one's long-desired existential crisis.
Dark Souls II Isn't All About Death, Says Uplifting Trailer
It's both a decent marketing slogan and more representative of the series' game design, anyway.
Wolfenstein: The New Order Arrives May 20, Comes With Doom Beta Access
Yes, that Doom game that id's been working on forever will apparently have a beta, and those who pre-order Wolfenstein will get into it. Also, I guess it's not called Doom 4 anymore?
Quick Look: Strider
Jeff and Vinny were worried about how this re-imagining might turn out, but they seem to take it all in stride...r.
Killer Is Dead Wants to Kill Your PC
Or, potentially, just be downloaded on Steam later this year.
Let's Talk About Irrational Games Closing
Ken Levine made an announcement today, and it wasn't to reveal a new game. Alex joins me to digest the news.
You Can Now Play Rayman Legends on Your PS4 or Xbox One
Assuming that's something you haven't already done on one of several other platforms. And if you haven't, GET ON THAT.
Double Helix's New Strider Game Hits Xbox Live/PSN/PC Today
I really liked what I played of this some months back. Here's hoping the final product is just as good the whole way through.
A Story About My Uncle No Longer a Student Project
The adventurous first-person platfomer is being fleshed out into a bigger, proper game.
The Order: 1886 Offers a Quick Glimpse of its Dark World
This short trailer offers up blood covenants, savage creatures, and amply creepy atmosphere.
Another Transformers Movie, Another Transformers Video Game
Sadly, High Moon isn't handling this one. It's Edge of Reality.
Music is the Weapon in Harmonix's Chroma
Hidden Path and Harmonix collaborate on this music-themed, free-to-play first-person shooter for PC.
Quick Look Solo: The Banner Saga
No better way to celebrate the holiday than with a bunch of really bummed out vikings
Spelunkin' With Dave Lang's New Studio: 02/14/2014
Giant Bomb Midwest is getting really weird.

subset: commoncrawl


text:
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I'm Remembering!
Jello Gelatin Pops
Pop-Culture Nostalgery From The '80s & Early '90s. I'm Hillary Buckholtz. I was born in 1979. These are the corners of my mind. Contact me or submit memories at firstname.lastname@example.com. Twitter @theotherhillary and @imremembering
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Get on Board With Eric Benét
11/16/2011Get on Board: Dave Hollister
11/16/2011Get On Board: Freddie Jackson
11/04/2011Get on Board With Mary Mary
11/03/2011Get On Board with Boney James
11/03/2011Get on Board with Zap Mama
11/03/2011Get on Board With Robert Randolph
11/03/2011Get on Board Ramsey Lewis
11/02/2011Get on Board: Musiq Soulchild
11/01/2011Get On Board: Chrisette Michele
Soul Train Awards 2013: Full Show
Full Episode
Tamar Braxton's Emotional Acceptance for Best Female R&B
Jennifer Hudson and Friends Kick-Off the Soul Train Awards
Soul Train Awards 2013 L'Oréal Style Stage:
Take a closer look at what's hot in beauty and grooming. ...
Top 10 Soul Train Awards Moments:
From Jackson 5, Gladys Knight and the Supremes to Beyoncé, Chris Brown and Jennif ...
A Very Wendy Red Carpet:
Making it all her own, Wendy Williams takes over the red carpet. ...
Soul Train Awards 2013 Malibu Red Afterparty:
Go inside of Malibu Red's official after party. ...
He Got Soul: T.I.:
Atlanta's finest joins the Soul Train Awards lineup for what will surely be a grand time. ...
Soul Train Awards 2013 Winners:
Soul Train Awards always recognizes the best in R&B and soul. Check out who came back ...
Soul Train Awards 2013 Show Highlights:
Soul Train Awards 2013 had so many amazing moments. Get a look at w ...
Soul Train Awards 2013 Seat Check:
The Soul Train Awards wouldn't be complete without an awesome seat selection. S ...
Soul Train Awards 2013 Rehearsals:
Go inside the 2013 Soul Train Awards rehearsals. ...


text:
Friday Jan 29, 2010
I'm a Director of Product Management for the Oracle Java Development Tools.
Follow me:
Follow me:
- Subscrive to my YouTube Demos Channel
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Need more info about me? Check this entry
Recent Posts
- Book Review - Developing Web Application with Oracle ADF Essentials
- Deploying the Oracle ADF Summit Application to the Oracle Java Cloud
- Responsive Design for your ADF Faces Web Applications
- Navigating between pages in ADF Mobile with Swipe gestures
- Tablet support in ADF Faces with 12c
- 12c New ADF Faces Components - Springboard, Drawer and Timeline
- Declarative View Objects (VOs) for better ADF performance
- Simpler Partial Page Refresh (PPR) with Dependent Fields
- ADF Mobile Logging on Android
- Simpler Development with the new List ADF Faces component in 220.127.116.11


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Screenshots (Total 55) | Comments (0) | Detailed Info | More Stuff |
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- Welcome to Season 2013/2014
- Season Calendar
- New Productions 2013/2014
- Revivals 2013/2014
- Recitals 2013/2014
- Concerts 2013/2014
NOW! Opera for You/
events for children
and young people - Special Events 2013/2014
- Subscriptions
- Tickets, Extra Services, and more Information
- DVD of our Ring des Nibelungen
- Series of Live Recordings made at Oper Frankfurt
- How to Find Us
- News
- Videos
- Cast Changes
- Partners
- Patronage
Franco Fagioli (Counter-Tenor)
Luca Pianca (Archlute)
Jeremy Joseph (Harpsichord)
Marco Frezzato (Violoncello)
Franco Fagioli has set new standards with his interpretations of leading Handel roles such as Giulio Cesare, Ariodante, Teseo, Bertarido (Rodelinda) and, most recently, Arsace in Rossini's Aureliano in Palmira. His international career began after he won a prize at the Bertelsmann singing competition »Neue Stimme/New Voices«. He enjoyed great success with the title role of Handel's Giulio Cesare in Zurich, Oslo and Karlsruhe. His first recital in Europe took place in 2009 at the Stuttgart State Opera and was enthusiastically received. He has also appeared in recital with Cecilia Bartoli in London and Brussels. He will present works by Monteverdi, Frescobaldi, Vivaldi and Handel at his Oper Frankfurt recital. Find the detailed programme here.
With generous support from
Tuesday 08.01.2013 20:00 h
Opera House
Subscription: series 18
Pre-booking and Pricing
Franco Fagioli
Luca Pianca
Jeremy Joseph
Marco Frezzato


text:
C 229 (Acetaminophen and oxycodone hydrochloride 325 mg / 7.5 mg)
Pill imprint C 229 has been identified as Acetaminophen and oxycodone hydrochloride 325 mg / 7.5 mg.
Acetaminophen/oxycodone is used in the treatment of chronic pain; pain and belongs to the drug class narcotic analgesic combinations. Risk cannot be ruled out during pregnancy. Acetaminophen/oxycodone 325 mg / 7.5 mg has a high potential for abuse. The drug has a currently accepted medical use in treatment in the United States or a currently accepted medical use with severe restrictions. Abuse of the drug may lead to severe psychological or physical dependence.
See also related documents.
Images for C 229 (Acetaminophen and oxycodone hydrochloride 325 mg / 7.5 mg)
- Imprint:
229 - Strength:
- 325 mg / 7.5 mg
- Color:
- Orange
- Shape:
- Round
- Availability:
- Prescription only
- Drug Class:
- Narcotic analgesic combinations
- Pregnancy Category:
- C - Risk cannot be ruled out
- CSA Schedule:
- 2 - High potential for abuse
- Manufacturer:
- Alvogen, Inc.
- National Drug Code (NDC):
- 47781-0229
- Inactive Ingredients:
- corn starch
povidone k30
lactose monohydrate
stearic acid
FD&C Yellow No. 6
More about acetaminophen/oxycodone
Consumer resources
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Albuquerque - The Best Mix from the 90's 'til Today!
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Linda Ronstadt
Linda Ronstadt
Feels Like Home
Original Release Date: March 14, 1995
Track Listing
1. The Waiting
2. Walk On
3. High Sierra
4. After the Gold Rush
5. The Blue Train
6. Feels Like Home
7. Teardrops Will Fall
8. Morning Blues
9. Women Cross the River
10. Lover's Return
Mike Auldridge: Dobro, Arranger
Alison Krauss: Fiddle
John Starling: Vocals (Background)
Emmylou Harris: Vocals, Vocals (Background)
David Lindley: Autoharp
Linda Ronstadt: Arranger, Vocals, Vocals (Background), Producer, Mixing
Valerie Carter: Vocals
Jim Keltner: Percussion, Drums
Mother Maybelle Carter: Composer
Ben Keith: Pedal Steel
David Olney: Composer
Claire Lynch: Vocals (Background)
Larry Atamanuik: Drums
Robbie Buchanan: Synthesizer, Piano, Keyboards, Organ (Hammond), Piano (Electric), Voices, Synthesizer Strings
Stuart Canin: Violin
A.P. Carter: Composer
Sara Carter: Composer
Mark Casstevens: Guitar (Acoustic)
Jeremy Cohen: Violin
Joseph Edelberg: Violin
Ronald Erickson: Violin
Bob Glaub: Guitar (Bass)
David Grisman: Mandolin
James Hurley: Viola
Roy M. "Junior" Husky: Bass (Acoustic)
Carl Jackson: Guitar (Acoustic), Vocals (Background)
Booker T. Jones: Organ (Hammond)
David Kadarauch: Cello
Nathaniel Kunkel: Engineer
Russ Kunkel: Drums
George Massenburg: Producer, Engineer, Mixing
Jeff Neighbor: Bass
Dean Parks: Guitar (Acoustic), Mandolin, Guitar (Electric), Ukulele
Herb Pedersen: Vocals (Background)
Doug Sax: Mastering
Rebecca Sebring: Viola
Greg Sudmeir: Music Coordinator
Craig Fuller: Vocals (Background)
Sean O'Dwyer: Assistant Engineer
Roy Rogers: ?, National Steel Guitar
Mike Valvano: ?, Transportation
Leland Sklar: Guitar (Bass)
Kosh: Art Direction, Design
Robert Blakeman: Photography
Ron Lewter: Mastering
Gavin Lurssen: Mastering
Jenny Bifano: Violin
James Shallenberger: Violin
Thalia Moore: Cello
Gail Rosman: Production Coordination
Larry Granger: Cello
Teressa Adams: Cello
John Ronstadt: Vocals (Background)
Skywalker Symphony Orchestra: Orchestra
Katherine Johnk: Viola
Larry Epstein: Bass
Gil Morales: Assistant Engineer


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Should the newly proposed Matson West Subdivision near the west edge of Aurora be annexed immediately, or would that action hinder a private group's efforts to develop the property and increase the local tax base? That's t... Read More
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Pat Anderson, who serves as Hamilton County clerk and electio... Read More
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bio | website | benjiwiebe.com |
location | Durham, Kansas | |
age | 16 | |
visits | member for | 1 year, 3 months |
seen | Jun 14 '13 at 13:31 | |
stats | profile views | 7 |
My favorite hobby is computer programming. I live on a dairy farm in Durham, KS, that my father owns. We also make really good cheese on our farm (website:http://www.jasonwiebedairy.com). If you don't believe how good this cheese is, buy some @ http://www.jasonwiebedairy.com/Buy_Natural_Cheese.htm
How I started programming... Way back when I was maybe 10 or so, I was very interested in electronic circuitry. I was given a Snap Kit from RadioShack for Christmas. I enjoyed it very much, and after a year or two I bought an Electronic Learning Lab from RadioShack. I also enjoyed that. Included with the learning lab there was a book of circuits to try, some of them implementing boolean logic. Then... A lady started getting milk at our farm, and I found out her husband worked with programming microcontrollers! I was very interested, to say the least. So I met Eduard Plett, her husband, and became good friends with him. He told me where I could buy an AVR microcontroller and told me he would come over some time and show me how to program it. However, he could not come for some time, so in the meantime I downloaded CodeBlocks and several webpages from cprogramming.com and I learned to program computers in C.
And so I became a programmer.
I now have progressed a lot from that time, my projects have been many and varied, and I have learned Java, Java + Android, C, C++, HTML, Bash shell script and others.
I really enjoy computer programming and computer system administration.


text:
Diary Of A Nanny They'll work for you - and in more ways than one! Sexy hot nannies who are happy to be paid in cock - with their tip being of the creamy cum type. Would you like to see their C.V.'s?
- Date added: 09-11-2011
- Duration: 03:00
- Views: 15,243
- Submitted by: Diary Of A Nanny


text:
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Tulsa's Party Station
Listen To 92.1 The Beat Live
Follow @921thebeat
Elvis Duran
Elvis Duran and The Morning Show
Elvis Duran Facebook
Elvis Duran Twitter
Elvis Duran
Ryan Seacrest
Zach Dillon
JoJo Wright
Saturday Night Online
Slow Jamz
Contests Page
Contest Rules
Friends with Benefits
On Demand
The Beat On Demand
Music Videos
The Spinners
The Spinners
The Chrome Collection
Original Release Date: July 8, 2003
Track Listing
1. That's What Girls Are Made For
2. I'll Always Love You
3. Truly Yours
4. What More Could a Boy Ask For?
5. Together We Can Make Such Sweet Music [1973 Remix]
6. It's a Shame
7. We'll Have It Made [#]
8. (Oh Lord) I Wish I Could Sleep
9. Just Can't Get You Out of My Mind
10. Just You and Me Baby
11. Don't Let the Green Grass Fool You
12. I Could Never (Repay Your Love)
13. I'll Be Around [Mono Version]
14. One of a Kind (Love Affair) [Censored]
15. We Belong Together
16. Ghetto Child
17. How Could I Let You Get Away [Mono Version]
18. Could It Be I'm Falling in Love
19. Love Has Gone Away
20. Love Don't Love Nobody [Edit]
21. I'm Coming Home [Single Version]
22. Since I Been Gone
23. He'll Never Love You Like I Do [Remix]
24. Mighty Love
25. There's No One Like You
26. I've Got to Make It on My Own
27. Living a Little, Laughing a Little
28. Sadie [New Edit]
29. Then Came You
30. Sitting on Top of the World
31. I Don't Want to Lose You
32. Love or Leave [Single Version]
33. You Made a Promise to Me
34. They Just Can't Stop It (The Games People Play) [Remix/Edit][Edit]
35. Toni My Love
36. The Rubberband Man [Single Version][Edit]
37. Now That We're Together
38. Wake up Susan
39. Me and My Music [Single Version][Edit]
40. You're Throwing a Good Love Away [Single Version]
41. Painted Magic [New Edit]
42. Heaven on Earth (So Fine) [Single Version][Mix]
43. Back in the Arms of Love
44. (Love Is) One Step Away [Single Version][Edit]
45. Easy Come, Easy Go [Single Version][Edit][Mix]
46. If You Wanna Do a Dance (All Night) [Single Version][Edit][Mix]
47. Are You Ready for Love [Remix/Edit][Edit][Version]
48. (A) Plain and Simple Love Song [Single Version][Edit][#]
49. Body Language [Single Version][Edit]
50. Working My Way Back to You/Forgive Me, Girl [Remix/Edit][Edit]
51. Cupid/I've Loved You for a Long Time [Single Version][Edit][Mix]
52. I Just Want to Fall in Love
53. Now That You're Mine Again [Remix/Edit][Edit][Version]
54. Yesterday Once More/Nothing Remains the Same [Remix
55. Long Live Soul Music [Edit][Version]
56. You Go Your Way (I'll Go Mine) [Single Version][Mix]
57. Love Connection (Raise the Window Down) [Edit][Version]
58. Never Thought I'd Fall in Love [Single Version][Edit]
59. Magic in the Moonlight [Single Version][Edit]
60. Funny How Time Slips Away
61. Right or Wrong [Edit][Version]
62. Memories of Allison [*]
Willie Nelson: Composer
Gary Stewart: Compilation Assistant
John Austin: Licensing
John Tropea: Guitar
Dionne Warwick: Liner Notes
David Bowie: Liner Notes
Sam Cooke: Composer
Elvis Costello: Liner Notes
Marvin Gaye: Drums
Todd Rundgren: Liner Notes
Leon F. Sylvers III: Producer, Executive Producer
Luther Vandross: Vocals (Background)
Bernie Worrell: Synthesizer
Michael Brecker: Flute, Sax (Tenor), Soloist
Jack Brokensha: Percussion, Vibraphone
Ronnie Cuber: Sax (Baritone)
Jon Faddis: Trumpet, Flugelhorn
Peter Manning Robinson: Synthesizer
Warren Covington: Trombone
Lenny Hambro: Sax (Tenor)
Dennis Coffey: Guitar
Johnny Griffith: Keyboards
Alan Burke: Arranger, Vocals (Background), Producer, Drum Programming, Keyboard Bass
Fox: Composer
Phil Hurtt: Composer
Jimmy Maelen: Percussion
Gene Page: Horn Arrangements, String Arrangements
Bunny Sigler: Composer
Mike Campbell: Guitar
Hubert Eaves III: Keyboards
Philippe Wynne: Tenor (Vocal)
Richard Carpenter: Composer
Michael Zager: Arranger, Composer, Conductor, Piano (Electric), Producer
Dave Carey: Vibraphone
Reggie Lucas: Guitar, Composer, Producer
Wade Marcus: Arranger
Frank Hooker: Composer
James Early: Producer
Lee Garrett: Composer
Tawatha Agee: Composer, Vocals (Background)
Jack Ashford: Percussion, Vibraphone
Bob Babbitt: Bass
Morris Bailey: Composer
Michael Barbiero: Engineer, Mixing Engineer
Ed Barton: Engineer
Bashiri Johnson: Percussion
Rubens Bassini: Percussion
Carl Beatty: Assistant
Richard Becker: Engineer
Leroy Bell: Guitar, Composer
Thom Bell: Piano, Arranger, Composer, Conductor, Keyboards, Producer
Tony Bell: Guitar, Arranger, Composer
Rocco Bene: Trumpet
Carla Benson: Vocals (Background)
Evette Benton: Vocals (Background)
John Bettis: Composer
Pete Bishop: Engineer
Gerald Block: Engineer, Mixing
Bootsy Collins: Liner Notes
Randy Brecker: Trumpet, Flugelhorn
Johnny Bristol: Composer, Producer
Hugh Brown: Art Direction
Sam Burtis: Trombone
Danny Cahn: Trumpet, Flugelhorn
Raymond Calhoun: Drums
G.C. Cameron: Tenor (Vocal)
Edward Cascarella: Trombone
Francisco Centeno: Bass
Gerry Chamberlain: Trombone
Roland Chambers: Guitar
Leon "Ndugu" Chancler: Drums
Ray Chew: Keyboards
Lincoln Clapp: Assistant
Horace Bokie Coleman, Jr.: Bass, Guitar
T.G. Conway: Composer
Linda Creed: Composer, Vocals (Background)
Raphael Cruz: Percussion
Eddie Daniels: Sax (Alto)
Joseph DeAngelis: French Horn
Cornell Dupree: Guitar
Don Renaldo: Strings
Jim Dougherty: Engineer, Mixing
Bobby Eli: Guitar
Jack Faith: Flute, Sax (Alto)
Henry Fambrough: Baritone (Vocal), Liner Notes
Charles Fearing: Guitar
Basil Fearrington: Bass
Jeff Forehan: Fairlight
Arne Frager: Engineer
Michael Frenke: Engineer
Paul Fuchs: Composer
Harvey Fuqua: Composer, Producer
The Funk Brothers: ?
Jim Gaines: Assistant, Mixing Engineer
Jim Gallagher: Engineer, Assistant
Kenny Gamble: Liner Notes
Dean Gant: Composer, Keyboards
John Gatchell: Trumpet, Flugelhorn
Tim Geelan: Engineer
Richard Genovese: Trombone
Lynn Goldsmith: Photography
Tim Gorman: Synthesizer
Gary Grant: Trumpet, Flugelhorn
Darroll Gustamachio: Engineer
Norman Harris: Guitar
Stephen Hart: Mixing
Robert Hartzell: Trumpet
Bruce Hawes: Composer
Alec Head: Engineer
Gary Herbig: Saxophone
Dan Hersch: Remastering
Jerry Hey: Trumpet, Flugelhorn, Horn Arrangements, String Arrangements
Lawrence Horn: Engineer
Yogi Horton: Drums
Leon Huff: Liner Notes
Ivy Jo Hunter: Composer
Willie Hutch: Bass, Composer
Kim Hutchcroft: Sax (Alto)
Michael Hutchinson: Engineer, Assistant, Mixing Engineer
Bill Inglot: Producer, Remastering
Barbara Ingram: Vocals (Background)
Pervis Jackson: Bass (Vocal), Liner Notes
Casey James: Guitar, Composer, Keyboards, Tympani [Timpani]
James Jamerson: Bass
Joseph B. Jefferson: Composer
Keg Johnson: Producer
Freddy Joiner: Trombone
Uriel Jones: Drums
Gilbert Kaufman: Project Assistant
Howard King: Drums
Katie Kirkpatrick: Harp
Eddie Korvin: Engineer
Win Kutz: Assistant, Mixing Engineer
Bill Lamb: Composer
Arnie Lawrence: Sax (Alto)
David Leonard: Assistant
Theodore Life: Composer
Sandy Linzer: Composer
Jerry Love: Producer
Steve Love: Guitar
David Luke: Engineer, Mixing
James Mtume: Composer, Keyboards, Producer
Gregg Mann: Assistant
Ullanda McCullough: Vocals (Background)
Mark McKenna: Photography, Creative Services Coordinator
Clay McMurray: Producer
Joe Messina: Guitar
Marcus Miller: Bass
Bob Millikan: Trumpet, Flugelhorn
Cornelius Mims: Bass
Leslie Ming: Drums
Ollie Mitchell: Trumpet
Vince Montana: Marimba, Vibraphone
Robert Moore: Trombone
Cliff Morris: Guitar
Don Murray: Engineer, Mixing, Mixing Engineer
Gerry Niewood: Sax (Alto)
Bob Olhsson: Engineer
Gene Orloff: Concert Master
Jim Perkins: Engineer
Freddie Perren: Synthesizer, Keyboards, Producer, Engineer
Gary Peterson: Producer
James Phillips: Synthesizer, Vocoder
F.L. Pittman: Producer
Walter Dewey Pfeil: Harp
Johnny Potoker: Engineer
Steve Pouliot: Engineer
Denny Randell: Composer
Alan Raph: Trombone (Bass)
Pat Rebillot: Keyboards
Paul Riser: Arranger
Jimmy Roach: Composer, Producer
Bob Ross: Producer
Reed Ruddy: Assistant
Allan Schwartzberg: Drums
Jimmy Sigler: Composer
Charles Simmons: Composer
Gordon Staples: Conductor
William "Mickey" Stevenson: Composer, Producer
Jeff Stewart: Assistant
Eddie Summers: Drums
James Sylvers: Producer
Ricky Sylvers: Producer
Joe Tarsia: Engineer, Mixing
Russ Terrana: Mixing
Phil Terry: Composer
Johnny Trudell: Leader
Reggie Turner: Composer
Linda Tyler: Assistant
David Van De Pitte: Arranger
Earl Van Dyke: Keyboards
Ed Walsh: Synthesizer, Programming
Larry Washington: Bongos, Conga
Ernie Watts: Saxophone
Melvin Webb: Percussion
Matthew Weiner: Engineer, Assistant
Harry Weinger: Mixing, Track Annotations
Harry Whitaker: Keyboards
Eddie Willis: Guitar
Stevie Wonder: Composer, Producer
Norma Jean Wright: Vocals (Background)
Syreeta Wright: Composer
Earl Young: Drums
William "Dr. Z." Zimmerman: Keyboards, Producer, Synthesizer Bass
Buzz Richmond: Assistant
Allan Ross: Sax (Alto)
Carla Bandini: Engineer, Assistant
Craig Michaels: Assistant
Ed Moore: Guitar
John Rosenthal: Assistant
John Convertino: Assistant
Sonny Burke: Keyboards
Steven Ivory: Liner Notes
Ken Robertson: Assistant
Eddie Brown: Bongos, Conga
Billy Henderson: Tenor (Vocal), Liner Notes
David Gahr: Photography
Charlie Collins: Drums, Syndrum
Patrick Milligan: Project Assistant
Georges Dickson: ?
William Frank "Bill" Reichenbach Jr.: Trombone, Horn Arrangements, String Arrangements
Steven Chean: Project Assistant
Ted Brosnan: Assistant
Reggie Collins: Compilation Assistant
Julee Stover: Project Assistant
Charlie Davis: Trumpet
Daniel Caccavo: Mixing
David Gorman: Liner Notes
Steve Woolard: Project Assistant
Mike Ewasko: Assistant
Ed Biggs: Engineer
Scott Skidmore: Engineer, Mixing Engineer
Melvin Steals: Composer
Ed Sullivan: Engineer
Paul Turang: Photography
Lisa Glines: Art Direction, Design
Vinnie Barrett: Composer
Sherman Marshall: Composer
Thom Wortham: Composer
Sheryl Farber: Editorial Supervisor
Jerry Akins: Composer
Martin Coleman: Composer
Yvette Davis: Composer
Victor Drayton: Composer
Richard Dropkin: Composer
Robert White: Guitar
Joe Hunter: Piano, Producer
Philip T. Pugh: Composer
Dana Meyers: Producer, Vocal Arrangement, Horn Arrangements, String Arrangements
Benny Benjamin: Drums
Greg Thomas: Horn Arrangements, String Arrangements
George Bohanon: Trombone
Ronnie Baker: Bass
Keni St. Lewis: Composer
Leigh Hall: Project Assistant
Tashion Macon: Product Manager
Mike Engstrom: Product Manager
April Milek: Project Assistant
Tim Scanlin: Project Assistant
Richard "Bosky" Allen: Drums
Les Cooper & the Soul Rockers: Engineer, Mixing Engineer
Andrew Skurow: Track Annotations
Craig Winterson: Assistant
Susan Whitall: Liner Notes
Larry Williams: Synthesizer, Sax (Tenor)
George W. Dixon: Bass (Vocal)
Dorie Pride: Composer
Gwen Gordy: Composer
Tom Size: Mixing
Bryan Matheson: Engineer


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Will the iPad 2 event also be the iOS 5 preview event? 2 years ago Apple did Macworld in January and the iPhone 3.0 (iOS 3) preview event in mid March. Last year Apple did the iPad event in late January an the iPhone 4.0 (iOS 4) preview in early April. This year the iPad 2 event is on March 2...
...so does that leave time for an iOS 5 event in April or will Apple have them share the spotlight next week?
If iPad 2 doesn't have a lot of new features and iOS 4.3 doesn't have any big surprises left maybe sharing the stage is a good thing. Otherwise it seems like Apple prefers to let their big product announcements get the individual attention they deserve.
We know you want everything and want it now but what do you think Apple will do? iPad 2 now and iOS 5 next month or everything on Wednesday?
I would lean to no. I do think they will announce the new line of Mac Book Pro.
Those have already been released. Why would they announce a line of laptops that would've already been available for a week?
Just saw that. Sure was nice of them to announce them right after people buying the old model. That will cause flack. Still think that iOS 5 will be later.
Apple has a very consistent release schedule. Buyers should always educate themselves before drop ping that kind of coin. Even an older product will be of quality and there support is strong.
So should I be upset with Subaru for releasing a 2011 model vehicle immediately after I bought a 2010? No. You get the product that you pay for.
We also just learned today that Apple is honoring the return and exchange for MacBook Pro's that are still sealed in the box that have been purchased in the last 14 days.
Everybody considering the purchase of a computer should do some research into the model they want. If anybody in the last two weeks did research on MBP's, they would've seen the many blogs and news articles saying the product refresh would happen very soon. That's their choice to buy when they buy.
Besides, it's not like people bought a defective product.
iOS 5 will debut with the fifth generation of the iPhone.
I'm leaning towards them announcing iOS5 next week, I'm actually very excited for what it may bring, but at the top of my list is better notifications.!!
They may do it at the same time. Unless the new iPhone isn't going to cone out until August - September and they announce it in May. It seems like apple usually announce their iOS stuff three months before they release it.
No. I would be surprised if March 2 was anything other than the iPad. iPad 2 is a big deal, and so is iOS 5. Apple would want each announcement to have its own event. For one thing, with it only being March 2, there's still plenty of time for them to preview iOS 5 before it's presumably release in late June or July. They're probably still finishing up the developer beta. For another thing, the iOS announcements are usually aimed at developers, and that's a slightly different audience than for hardware announcements, which are typically aimed at consumer electronic journalists and consumers. Yes, there's a lot of overlap in those two groups, but Apple has been very deliberate in addressing specific audiences in their announcements, and I don't see any reason for that to change now.
So no iOS 5 on March 2. That'll likely be sometime in April.
It would make sense for Apple to preview iOS5 next week. They need to get the dev's onboard early to ensure when launched, apps are ready.
Also if they are going to do anything with the notification system, which has been rumoured, it will nodoubt need some app development.
Why would a better notification system need any additional app development? See LockInfo for how it can be perfectly done without any additional work. In my opinion, it would be a pretty big mistake on Apple's side to create another function that can only be used after the developers update their apps.
Just like the (badly done and useless) in-app text-messaging that hasn't really taken off, it would be completely useless for many users if they can't count on something like that to work with every single app.
The iOS 4 Preview was on April 8th last year, so it's a toss up. On one side the iPad event next week would be a month early based on last years date, but on the other side is Apple going to hold yet another event just 1 month later?
It certainly would be nice to see iOS 5 and it could work in Apple's favor by enticing people sitting on the fence to go for the iPad 2 on the premise that there are some much needed improvements coming soon with iOS 5 (I'm looking at you notifications!)
you people are crazy if you think that ios5 will get a sneak peak... Apple actually has competition in the tablet space now, and need to make sure people hold off on any other tablet with a sneak peak of ios5. Honeycomb was impressive, and that tablet is launching this week. They will put their hooks in all the people holding out to see iPad2 by delivering great hardware, and a peak of the the software that will come along with it.
We are still waiting for the final release of 4.3. I think the focus will be on 4.3 wrapped around the iPad 2. Looking forward to what will be in the next version of iPad. I have the first gen and an extremely pleased with it. Memory, Storage, Speed and Camera(s) would be more than enough to convince me to buy it.
There is usually a wow factor in Apple's announcement. No retina display, so what would the wow be? Some form of thunderbolt on the iPad 2. I would settle for wifi sync.
I would love to see them launch iOS 5 to developers in anticipation of having apps ready for the iPhone 5 launch in the summer. But, I would not be surprised to see it come just a bit later. Here's hoping for a completely overhauled notification system in iOS 5!
I am also wondering if XCode 4 will drop with iOS 4.3 seeing that is has been in GM since 03-Feb. It would be nice to have the official (yes, I know GM tends to be official) release of XCode 4 with the iOS 4.3 SDK.
Normally I would say no because there has been no real coverage of the 4.3....BUT do not forget that the theme of this event is "Come see what 2011 will be the year of." To me this means that there needs to be an over-arching vision being presented for all of the 2011 devices so the iOS 5 really fits this description.
Also, Apple will see more competition this year for both tablets and smartphones so they would be smart to get ahead of the marketing and let people know what their OS is going to be capable of this year so you better not get suckered in and buy another product.
I agree with Scitech3 and would think there are more hints in the "2" that we anticipate.
I really can't see them introducing a new product that also uses the same software as an iPhone without showing new features. I think right now they should be past surprises. The whole world knows where it lacks the most: NOTIFICATIONS. I'm not really hyped about it. Just new software updates really.
Well isnt the IOS preview for developers? to my knowledge this is a media event, not a developers event...so I would say the IOS 5 preview would be seperate..
I think they "may" talk about iOS5. Look at last year, they had 3 events. iPad event, iOS4 event (before Gizmodo got their mitts on an iPhone 4 prototype), and an iPhone 4 event.
This difference this year is that they do not need to do a big announcement of the new iPad, but rather a smaller event around the next iPad. They could easily fit the iPad 2 and iOS5 in the same event.
Will they do it? Maybe, maybe not. We shall see
It wouldn't hurt, iOs is starting to feel like a safe 4 door family sedan. Android reminds me of a 2 door drop top sports car.
This same question was asked last year and u loons were mad that i4 was not even mentioned so shut it.


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64th Annual Berlinale International Film Festival - "Love is Strange" Photocall
64th Annual Berlinale International Film Festival - "Aloft" Photocall
"Sin Limites" TV Series Interview with Kayle Wood - February 17, 2014
Mercedes-Benz Fashion Week Fall 2014 - Jill Stuart - Runway
Jennifer Connelly found working with husband 'strange'
DNA test proves Michael Jackson fathered love child?
Katy Perry planning to spank Miley Cyrus
Keira Knightley campaigns for women in Afghanistan
Jared Leto: Jennifer Lawrence putting on a 'bit of an act'?
Andrew Garfield takes Batkid to Disney
Miley Cyrus slams Katy Perry
Matthew McConaughey's hat auctioned
Khloe Kardashian buys Justin Bieber's house
Hayden Panettiere dreams of wedding
Leonardo DiCaprio chatted with Gisele
Shailene Woodley: I fall in love with humans for who they are


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Going to be off the grid for the next little bit. Comments will be a little slow in getting posted. Back after next week! ART AND THE GOVERNMENT Who should be the next chair of the NEA? Barry Hessenius and Ray Mark Rinaldi trot out some possibilities. Penn Hill Group, which is working with Grantmakers in the Arts on federal […]
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What is a Naval Architect?
Where do Webb graduates find employment?
Let's clear up some misconceptions. A naval architect does not design bellybuttons or oranges. That would be a job for navel architect. And becoming a naval architect has nothing to do with being in the Navy. Finally, a naval architect is not really an architect at all. Naval architecture is a field of engineering like electrical, civil, or mechanical engineering, specifically having to do with marine vessels.
The term architect is really a misnomer. A far more descriptive title would be marine engineer, except that name has already been snapped up by (guess who?) the marine engineers. So what is a naval architect and what is a marine engineer? How do you become one?
The field of naval architecture embraces disciplines related to design and analysis of floating vessels or structures, including hull form, arrangement, stability, strength, resistance, propulsion, structural design and so on. By contrast, marine engineering has to do with the vessel's machinery and auxiliary systems, including main engines, gensets, pumps, electrical systems, heating, and the like. At the risk of greatly oversimplifying, consider everything inside the engine room, as the domain of the marine engineer and everything else, including the size and location of the engine room the domain of the naval architect.
The distinction is not clear-cut because the inherent nature of marine vessels requires that all components must be integrated functionally and spatially. In designing a building, an architect may rely on utilities to provide electrical, sewage, and water supplies. But a ship or yacht must be totally self- sufficient. The simple act of turning on a faucet involves several systems, including freshwater supply, wastewater disposal, and electrical generation for pumps, valves, and other equipment. All of these functions must be provided on a platform that can propel itself safely, comfortably, and efficiently in adverse weather. Oh, by the way, if it's a yacht it also has to look good.
Because naval architecture is inherently multidisciplinary, most undergraduate programs offer a degree in naval architecture and marine engineering, not as a dual major, but reflecting the combined fields of study. A four-year accredited program would typically require one or more courses in at least the following subjects:
Naval Architecture
Hydrostatics, Hull Form and Stability
Structural Analysis and Design
Hydrodynamics, Maneuvering, and Seakeeping
Resistance and Propulsion
Design Project
Marine Engineering
Diesel Engines, Steam, and Gas Turbines
Auxiliary Machinery and Systems
Engineering and Science Core Requirements
Electrical Engineering
Physics, Chemistry, and Materials Science
Fluid Mechanics and Thermodynamics
Engineering Drawing and Computer-Aided Drafting
Mathematics and Computer Science
Advanced Engineering Mathematics
Calculus and differential Equations
Computer Programming and Applications
These course requirements are in addition to core requirements in the humanities, social sciences, written composition, and oral communication.
Although most schools offer electives within the technical course selections, the degree requirements ensure that the naval architect is well rounded in all aspects of the discipline. It is a paradox that naval architecture is often thought of as a limited, specialized field, when in fact the diversity of skills involved demands a broad technical education.
Webb Institute is unique in many respects. It offers just one undergraduate program, granting a degree in naval architecture and marine engineering. Total enrollment is about 85 students, all of whom attend on four-year, full-tuition scholarships and live on our 26-acre campus in Glen Cove, New York.
Another unique aspect is Webb's Winter Work Term. Each year during January and February, all students are required to work in the marine industry. Freshmen go to work in shipyards, sophomores go to sea as cadet/observers, and juniors and seniors intern in design and engineering firms. Other colleges may encourage students to gain professional experience, but the formally structured internship is unique to Webb.
Because few schools teach naval architecture, the supply of naval architects is limited, so there are usually lots of jobs. Webb has the practical education that makes all of our graduates in great demand and has created the enviable record of having all graduates employed soon after graduation at salaries that are among the top in all engineering disciplines. If you'd like to visit typical corporations that hire Webb graduates click here.


text: ōThis is immensely distinguished Liszt-playing . . . Freire seems utterly at one with the music, not only in terms of its innate poetry but also its astonishing diversity of texture and touch . . . But the special quality of FreireÆs playing is really that he seems to put you directly in contact with Liszt himself . . .ö BBC Music Magazine (London), July 2011 [review of Liszt: Harmonies du Soir] BiographyBorn in Boa Esperanńa, Brazil, Nelson Freire began piano lessons at the age of three with Nise Obino and Lucia Branco, who had worked with a pupil of Liszt. He made his first public appearance at the age of five playing MozartÆs Sonata K.Ā331. In 1957, after winning a grant at the Rio de Janeiro International Piano Competition with BeethovenÆs ōEmperoröConcerto, he went to Vienna to study with Bruno Seidlhofer, teacher of Friedrich Gulda. Seven years later he won the Dinu Lipatti Medal in London and first prize at the International Vianna da Motta Competition in Lisbon. Since his international career began in 1959, Freire has appeared at virtually every important musical centre, in recital and collaborating with such distinguished conductors as JirĒ Belohlßvek, Pierre Boulez, Riccardo Chailly, Myung-Whun Chung, Sir Colin Davis, Charles Dutoit, Ivßn Fischer, Valery Gergiev, Alan Gilbert, Eugen Jochum, Fabio Luisi, Lorin Maazel, Kurt Masur, Ingo Metzmacher, Kent Nagano, Vßclav Neumann, Seiji Ozawa, David Robertson, Jukka-Pekka Saraste, Yuri Temirkanov, Michael Tilson Thomas, Hugh Wolff, David Zinman and orchestras including the Berliner Philharmoniker, Deutsches Symphonie-Orchester of Berlin, Leipzig Gewandhaus, Munich Philharmonic, Royal Concertgebouw of Amsterdam, Oslo Philharmonic, St.ĀPetersburg Philharmonic, Mariinsky, Tonhalle of Zurich, Accademia di Santa Cecilia, Vienna Symphony, Royal Philharmonic, London Symphony, BBC Symphony, Israel Philharmonic, Orchestre National de France, Orchestre de Paris, Orchestre de la Suisse Romande, SŃo Paulo Symphony and Seoul Philharmonic, as well as the leading North American orchestras of Boston, Chicago, Cleveland, Los Angeles, Montreal, New York, Philadelphia, San Francisco and Washington. With Martha Argerich, he toured Japan in 2003, Brazil and Argentina in 2004 and the USA and Canada in 2005. Freire has an extensive discography and was included by Philips in its historic series Great Pianists of the 20th Century, released in 1999. He has been an exclusive Decca artist since 2001, thus far recording Beethoven, Chopin, Schumann and Debussy, as well as the two Brahms Concertos with the Gewandhaus Orchestra under Riccardo Chailly, which was hailed by Gramophone as ōthe Brahms piano concerto set weÆve been waiting forö and has earned international prizes including the 2007 Classic FM Gramophone Award as ōRecord of the Yearö and ōWinner of the Concerto Categoryö, Diapason dÆor, Grand Prix de lÆAcadķmie Charles Cros and Choc du Monde de la musique as well as a Grammy« nomination. The Chopin bicentenary year of 2010 saw two new releases by Freire: his recording of the complete Nocturnes and a recital album containing the Second Sonata, Op. 10 Etudes and Barcarolle. In the Liszt bicentenary year of 2011 Decca released his recital album Harmonies du Soir. His new album Brasileiro is planned for release in summer 2012. In March 2007, Nelson Freire was appointed a Commandeur des Arts et des Lettres by the French government and in January 2011 he was made a Chevalier (Knight) of the Lķgion deÆHonneur, the French governmentÆs highest award to a foreigner. 7/2012 |


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NanoWave 55
Stuff the super packable NanoWave 55 into your kayak stern or bike paniers – the lightweight bag is a master space-saver. DWR-treated polyester taffeta fabric sheds moisture. EN-tested to 55°F, the bag has synthetic SpiraFil™ high loft insulation that stays warm even when wet.
- Feature List
Compression Stuff Sack, Snagless Draft Tube, Two Way Zipper Sliders, Blanket Construction, Two Hang Loops, Zipper Garage
- Main Materials
100% Polyester Tafffeta DWR 2.2 oz/yd
- Weight
1lbs 8oz (680g)
- Fill Weight
9oz (255g)
- Bag Temperature F
- Bag Temperature C
- EN Rating
Comfort: 60.1°F / 15.6°C | Lower Limit: 54.3°F / 12.4°C | Extreme: 33.1°F / 0.6°C
- Bag Loft
- Bag Zipper position
- Lining Material
100% Polyester WR 1.3 oz/yd (Liner), 100% Nylon Plain Weave WR 1.3 oz/yd
- Insulation Material
SpiraFil™ 60
SprialFil™ is Marmot's own unique synthetic insulation used in our value-priced line of sleeping bags.
What is it?
SpiraFil™ is a unique blend of large, spiral hollow fibers for loft, and small polyester fibers for warmth, softness and compressability.
What are the benefits of this technology?
SpiraFil™ provides an exceptional combination of warmth, softness, low weight, and compactibility. Thermal bonding ensures high tear strength and long-term durability.
Wash & Care
Why do we encourage proper care of our clothing and gear?
Because you have invested in (or are thinking about investing in) one of the most technically advanced pieces of apparel or equipment you'll ever own and we want to make sure you have the information you need to protect and care for your purchase. Proper care assures you will optimize the performance of your Marmot product and maximize its service-life.
Sleeping Bag Care
- Hand wash warm, 105 degrees Fahrenheit or 40 degrees Celsius or machine wash Warm, Gentle cycle in a front load washer only.
- If you need to use a detergent, only use powdered form
- Rinse thoroughly
- Do not wring your sleeping bag
- Hang dry or tumble dry on low heat. If tumble drying a down bag, toss a couple of clean tennis balls in the dryer to help re-loft the bag
- After your bag is dry, store in a loose storage container. Cotton or mesh stuff sacks or extra-large pillow cases work well
- Do not store in a space where temperatures could exceed 125 degree Fahrenheit
- Do not bleach
- Do not iron
- Do not dry clean


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Hobby Boxes
Shop our huge selection of sports cards hobby boxes, cases, sets and more from all sports including baseball cards, football cards, basketball cards, and hockey cards. We guarantee you won't find lower prices on sports cards anywhere! Free UPS 3-day shipping on orders over $150.
There are no products matching the selection.


text: You are here: Home / Calendar / CalendarSponsor / The Natural Science Departments Add these events to your calendar Today ◀▶ Feb 26 to Mar 4 Wednesday, February 26 Submit an itemThursday, February 27 Submit an itemFriday, February 28 Submit an itemSaturday, March 1 Submit an itemSunday, March 2 Submit an itemMonday, March 3 Submit an itemTuesday, March 4 Submit an item Today ◀▶ Feb 26 to Mar 4 All items Audience Category Location Sport Search Alumni HallBjorling Recital HallChrist ChapelGustavus CampusLund 224 (Aerobics Room)Lund Gymnastics RoomSt. Paul, Minn.St. Peter, Minn.The DiveWallenberg Auditorium, Nobel HallAlumniCampusEmployeesFacultyInvited GuestsPublicStudentsAcademicAnnouncementAthleticFine ArtsGeneralLectureMeetingSignature EventWorkshopWorshipBaseballBasketballCross CountryFootballGolfGymnasticsHockeyNordic SkiingSoccerSoftballSwimming & DivingTennisTrack & FieldVolleyball Search terms


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Sit down in front of an iMac and something incredible happens: the world around you seems to disappear, and you lose yourself in the big, beautiful display. To create an experience this immersive, we pushed every limit, rethought every detail and advanced iMac in the most astonishing ways.
The ultimate all-in-one. Honed to the cutting edge.
The first iMac was a revolution: an all-in-one computer that put everything — display, processor, graphics, storage, memory and more — inside one simple, stylish enclosure. Countless innovations later, we've raised the bar yet again. iMac includes the most advanced, most brilliant desktop display we've ever built, and it's filled with the latest high-performance technologies. Yet it's just 5 millimetres thin at its edge, with up to 40 per cent less volume than the previous generation. To do all that required unprecedented feats of engineering — and imagination. We invented new technologies, pioneered new manufacturing techniques and devised all-new ways to do more in less space.
Innovations at the molecular level.
One of the biggest challenges our engineers faced with this design was how to join the front to the back. The enclosure is so thin, it's not possible to weld the pieces using traditional methods. So we searched far and wide for other ideas, and we found one in a process called friction-stir welding. It's commonly used on aeroplane wings, rocket booster tanks and other parts that simply can't fail. This process uses a combination of intense friction-generated heat and pressure to intermix the molecules of the two aluminium surfaces — creating a seamless, precise and remarkably strong join. You may not see it, but this iMac wouldn't be possible without it.
Now you're closer to the action.
The iMac display is not set behind the cover glass — it's right up against it. The LCD itself is 5 millimetres thinner than before, and we used an advanced process called full lamination to eliminate a 2-millimetre gap between the LCD and the glass, something that has never been done on a display this large. Although it may not seem like much, those few millimetres are enough to make images look as if they're leaping off the glass.
75 per cent less reflection.
Full lamination has a second major benefit: it eliminates the reflection of light off the LCD panel and off the back of the display's cover glass. But we also figured out how to reduce reflection off the front of the glass without compromising colour quality. Instead of applying an antireflective coating to the glass in a conventional way, we adapted a process used on smaller surfaces like camera lenses and fighter pilots' helmets. It's called plasma deposition, and it involves coating the glass with layers of silicon dioxide and niobium pentoxide so precise and so thin they're measured in atoms. The result: an astounding 75 per cent reduction in reflectivity — and vibrant, accurate colours.
Individually calibrated for true-to-life colour.
None of these innovations would matter much if the iMac display didn't deliver vivid, true-to-life colour. Which is why we put every single display through an exacting colour-calibration process using three state-of-the-art spectroradiometers: one to measure gamma, one to measure white point and one to check the work of the other two. This equipment is tuned to meet colour standards recognised around the world for precision and accuracy.
More energy-efficient.
Not only does this iMac offer higher performance than any previous iMac, it's also more energy-efficient, using up to 50 per cent less energy in the idle state with the display on. And its hardware components work hand in hand with the operating system to conserve even more power.
Friendly to the environment.
The environmentally friendly iMac is free of many harmful toxins, including mercury, arsenic, BFRs and PVC. It's also made from materials such as aluminium and glass, which are more likely to be recycled and reused.
Highly rated designs.
As a result of all our efforts, iMac meets the stringent low power requirements set by the EPA, giving it ENERGY STAR 5.2 qualification. And it has earned the highest rating — Gold — from EPEAT, which evaluates the environmental impact of a product based on how recyclable it is, how much energy it uses, and how it's designed and manufactured.*


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Weapons and Medicine of the Civil War
The deadliest weapon of the Civil War was one that nobody could see, killing two soldiers for every one felled by gunfire. The extraordinary casualties caused by that invisible killer, disease; the conventional weapons used to create slaughter on an unprecedented scale; horrific injuries suffered on the battlefield; and the heroic efforts of medical personnel to treat soldiers on both sides are described in detail in "To Kill and to Heal: Weapons and Medicine of the Civil War," a new exhibit runs through 2013 at the Abraham Lincoln Presidential Museum in Springfield. To Kill and to Heal: Weapons and Medicine of the Civil War" opens about a month after the 150th anniversary of the Battle of Shiloh, the first Civil War battle with massive casualties on a scale that indicated what the remaining years of the war would bring. Glenna Schroeder-Lein is the curator, and she worked closely with an exhibits team consisting of John Malinak, Michael Casey, Carla Smith, Katie Grant, the Abraham Lincoln Presidential Library Foundation, staff from the Illinois Historic Preservation Agency, and numerous community groups, institutions, and individuals to create the exhibit. The experiences of actual soldiers are prevalent throughout the exhibit, including quotes and photographs, lending a human touch to the horror of war. Some of the images come from original medical files and graphically depict the effects of deadly weapons and even deadlier germs on the bodies of Union and Confederate soldiers. Paid admission to the Abraham Lincoln Presidential Museum is required to view the exhibit. Admission prices are $12 for adults, $9 for senior citizens, and $6 for children. A special admission rate of $5 is available to those who want to visit only the new exhibit. For more information, visit www.presidentlincoln.org.
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Caroling at the Carillon
Your family is invited to a community sing-along around a roaring bonfire, accompanied by the bells. Includes souvenire song books. Cookies and hot cocoa follow. Plus visit with Santa! 4:30 to 5 at the Rees Carillon, Washington Park at Chatham Rd and Fayette Ave. Free and accessible- for more information call 217-546-3853 or go to www.carillon-rees.org. Sponsored by the Rees Carillon Society, The Carillon Belles, and the Springfield Park District
Bingo held every Sunday from 1 to 4 p.m. at Lafore Lock VFW Post 755, 2211 Old Jacksonville Rd., Springfield.
White Christmas
At the Hoogland Center for the Arts November 30-December 2, 7-9, & 14-16 Fridays and Saturdays at 8pm; Sundays at 2pm Springfield Theatre Centre will be hosting preshow dinners on November 30, December 7, or December 14 at 6:30pm! Dinner will be served by Arena Food Service. To reserve your seat, call 523-2787 or order online. Reservation deadlines are November 27 for November 30, December 4 for December 7, and December 11 for December 14. Veterans Bob Wallace and Phil Davis, two iconic song-and-dance men, have a successful act after World War II. With romance in mind, they follow a duo of beautiful singing sisters en route to their Christmas show at a Vermont lodge, only to discover that the nearly-bankrupt lodge they were to perform at is owned by Bob and Phil's former army commander. The dazzling score features well known standards including Blue Skies, I Love a Piano, How Deep Is the Ocean and the all-time favorite classic, White Christmas.
17th ANNUAL HOLIDAY LIGHTS AT THE ZOO
Springfield Park District's Henson Robinson Zoo will kick off the 17th annual Holiday Lights at the Zoo on Friday, December, 7th. The dates for this year's lights display are December 7th-23rd from 5:00-8:00 p.m. each evening. Admission is $3.25 per adult and $2.00 per child. Visitors who bring a new, unwrapped toy for Toys for Tots will be admitted free of charge. This walking tour treats visitors to the sight of the zoo transformed into a winter wonderland with thousands of lights and lights displays. Santa Claus will also be making an appearance each evening. Visitors may also enjoy hot chocolate in the zoo's gift shop while perusing for holiday gift ideas. The zoo is located at 1100 East Lake Drive, Springfield 62712 and may be contacted at (217) 585-1821. More information about the zoo may be found at the zoo's website www.hensonrobinsonzoo.org.
Art Show and Toys for Tots Drive
Come join fun for the entire family at Bernies & Bettys Pizza's first Holiday Art show and toy drive for Toys for Tots! The art can be viewed and toy donations taken Dec. 11-18 during regular business hours, with Art Show and Toy Drive activities the evening of Dec. 18 from 4-9 p.m. Talented Springfield area artists will be sharing their work and offering specials to those who bring donations for Toys for Tots the evening of the show as well! Come support our community and local business and art community for some holiday fun! Art will be up and on display week before show. Pricing & Ticket Info: Event is free and for all ages. Toys for Tots donations the evening of the show will enable discounts on select pieces of art for sale at the show. Toys must be unopened/new and follow guidelines that can be viewed at http://www.toysfortots.org/
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The Dr. Mercola line of products was specially formulated by Dr. Joseph Mercola to help people improve their health and quality of life. Dr. Mercola's popular natural health supplements include Krill Oil, Chlorella, Vitamin D Spray, Multivitamin Plus Whole Food + Vital Minerals plus many more. A licensed osteopathic physician and surgeon, Dr. Mercola only recommends quality items that have gone through strict testing and research. His newsletter has a loyal readership and his website has become one of the leading natural health sites on the Internet.


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The city of Armagh is a great blend of culture, cathedrals and craic, plus great pubs, a pretty tree-lined Mall and elegant museums
It's hard not to be impressed by Armagh's heritage – after all, the place has been the religious capital of Ireland for over 5,000 years. Only an hour's drive from Belfast, this ancient city packs in the history, and the hilly streets and lanes, elaborate doorways and extravagant architecture give it an air of intrigue that's hard to beat.
Interested in St Patrick? Welcome to Armagh – Ireland's patron saint reputedly had a stone church built here back in 445AD. And at the very spot where St Patrick's Church of Ireland now stands, you can descend to a crypt from the Middle Ages, with sacred music, stone heads and animal carvings.
Of course, the title "religious capital" doesn't exactly make Armagh sound like an urban metropolis… But don't be fooled: quirky pubs such as The Hole in the Wall, McCrum's Court and Red Ned's; family-run shops such as Emerson's Supermarket and TG Hawthorne's; a rich cultural scene; and a massive St Patrick's Day Festival keep things buzzing all year long
Walking is the best way to explore what the city has to offer, from the handsome collection of buildings in the Mall lined with beautiful sycamore, lime, beech and chestnut trees, to the elegant main streets of English Street, Scotch Street and Irish Street.
Spend a few days here and 1930s travel writer Richard Hayward's description of the city will echo in your ears: "The beauty of Armagh is the beauty of an old woman who has aged gracefully."
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The T-Bucket™ 300CE dreadnought cutaway acoustic is even more supercharged now, with upgraded features including a remarkable new holographic rosette inlay, new quilt ash top option, new 12th-fret "F" logo inlay design, and Graphtech® Nubone™ nut and compensated bridge saddle for enhanced tone.
The other great T-Bucket™ 300CE features you already know are still here, too. These include flame and quilt maple tops in several finishes with quartersawn scalloped "X" bracing, mahogany back and sides, body binding and headstock pinstriping, mahogany neck, rosewood fingerboard and bridge, strap-pin and end-pin jacks, and Fishman® Isys III pickup/active preamp system with built-in chromatic tuner, on/off switch, three-band EQ and volume control.
You are welcome to praise or criticize the products you have purchased. However, please be specific in your comments as to why you like or dislike a product, so that it's helpful to others in their decision-making process. All reviews will be monitored, and normally posted within 1-2 business days. Please refrain from including phone numbers, addresses or URLs in your review. Also, we ask that you please do not post promotional content such as advertisements of any kind (including "for sale" ads), links to your music page or music video, or repeated posts that make the same point excessively. Fender reserves the right to reject publication, without notice, of any review due to content, language or other issues.
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I just purchased this guitar for me and my wife. We are both beginners that were looking for a good mid-range (for us) guitar that we could play with or without an amp. Unplugged this guitar has a excellent, well-rounded tone. Plugged in Watch Out!! This guitar was meant to be plugged in. Fender made the right decision choosing Fishman electronics. Overall fit/finish of the guitar is remarkable to say the least. At a price of $299.99 at Sam Ash, here in Cincinnati, Ohio, it could (can not) be beat. "0" complaints on this wonderfully wellmade, beautiful guitar. I think I have a place lined up for a 400CE in the near future. :)
Spike89 owns this item
This a beautiful looking and sounding instrument.
Chose this guitar over a Martin.. No lie. It clearly sounded better.
The built in tuner was an added bonus. I've played for years
and have never purchased the name, I purchase for quality. This a quality
HammT owns this item
I just bought this guitar for my teenage daughter. It has beautiful tone and she absolutely loves it.
Motherkat owns this item
I have owned my TBucket for almost two years. Mine has the beautiful violin-colored quilted top. I am the sole worship leader for a small congregation, and because it is only me and my guitar, I have to create the whole musical sound to fill the room. To do this, I have totally cut the treble and mid volume levels, and have maxed out the bass level on the guitar's preamp. When I play the guitar in this way, it comes through the amp with a full, rich, mellow sound which covers the musical spectrum from the deep bass up to the treble sound without sounding trebly on the high end. If your eyes were closed and you only heard the guitar without seeing it, you would think you were listening to a $10,000+ vintage acoustic guitar. The TBucket is a beautiful instrument, and it produces an amazing sound for the price. I like the feel and playability of this guitar. Some people say that you can only get a good sound from an acoustic guitar if it is made of solid woods which have been allowed to age, and you will not get good sounds from laminate guitars. My TBucket proves them wrong. I get excellent sound from my TBucket. I highly recommend a TBucket to anyone. From beginner to professional musician, this is the way to go.
Redeagle owns this item
I was classically trained for piano but did not have adequate practice space. So, at age 13 I demanded my parents continue my musical genius by acquiring a guitar for my musical advancement and investigations. Following a deep love of and interest in folk and ethnocultural traditions, artistry, and music and over the course of about seven years, I taught myself to expert level guitar instrumentation and technique.
Using this wisdom and these skills, I then formed a small folk and traditional country music duo with a close friend. We enjoyed some success playing folk music "coffee house" like venues in such establishments as high fashion/gourmet restaurants, major hotel "listening salons" in such places as Sheratons, "A Class" Holiday Inns, Ramada "Business & Conference Circle" Hotels, a Hyatt Regency or two, and invited performances at "boutique" resorts at several USA National Park locations such as Arcadia National Park, the Cape Cod Seashore, the Key West, Florida, Tropical Oceanic Weather and Sea Life Preserve, and other places, too.
The folk duo eventually expanded to five pieces playing a provocative assortment of traditional, cover, and a few original selections. All these ensembles featured me as lead guitar and occasional lead singer for the traditions of Pete Seeger, Woody Guthrie, the Weavers and Peter, Paul, & Mary, and James Taylor as well as the more rock 'n roll focused music of Crosby, Stills, Nash, and Young, Fleetwood Mac, the Beatles, the Rolling Stones, the Eagles, and, of course, Bob Dylan, Joni Mitchell, and Richie Havens & Buffy Ste. Marie.
With these performance ensembles my guitar artistry used musicality derived from such notable figures as Paul Stookey, James Taylor, Steven Stills & Neil Young, Lindsay Buckingham, George Harrison & Paul McCartney, Cliff Richards, Glenn Frey and Joe Walsh as well as the traditionalists of Flatt & Scruggs, Bill Monroe & the Country Playboys, Buck Owens, Patsy Cline, Dolly Parton, Kenny Rogers, the Carter Family with Mother Maybelline Carter, Glenn Campbell & Roy Clark, Les Paul [who I personally met & conversed long with in a tiny club on New York's Lower East Side], as well as a long, long list of others who should also be named here but are not; and please pardon me for that.
Also, I am an extremely well educated and trained and multiply published and cited mathematician, electronics expert, and computer scientist having held expert and administrative position both nationally and internationally at the United Nations and with such professional organizations and societies as the American Mathematical Society, the Association for Computing Machinery, the IEEE, the American Association for the Advancement of Science, Graph Theory Notes of New York, and both the New York Academy of Sciences [30+ years since first joining] and a long time peer and currently nominated full member of the New York Academy of Medicine focusing on nuclear medicine, emergencies and disasters, epidemiology, and psychosocial rehab research, education, and treatment.
With all this wisdom, training, and experience, I think I can realistically say I know my way around a guitar -- any guitar or similar stringed instrument whether acoustic or electric. And I readily think and say that this Fender BLUE TBucket 300 CE guitar is a great guitar and instrument especially for the price. The tone may not be quite that found with instruments costing thousands of dollars, but for the price and for community and part time professional work and playing, it is just about perfect. I own several guitars and other stringed instruments. And I must say for the musical needs it serves, I don't think I could find a better guitar. The neck is not quite as playable as a performance electric model as well as it shouldn't be. High grade electrics are designed and created for the acrobatic dexterity and pyrotechnic stylings of on stage extreme, performance rock 'n roll and jazz fusion. For traditional rock, folk, country, and easy listening jazz, you couldn't do better for the price than the Fender TBucket 300 CE!!
FrancesYork Report owns this item
A very great guitar! My first acoustic and my second Fender. The first is a telecaster. Very good neck with a right action. Good instrument to play rock, folk and also jazz. I'm very satisfied and I'm looking for a brand new acoustasonic 15.
Pino54 owns this item
I've had my T-Bucket for several years now and still love it. The sunburst looks great, the inlay work is fantastic and it sounds better than a guitar in this price range should. Other than experimenting with strings the only other thing I've changed is to add Dunlap Strap-locks. I almost dropped it one night during a gig. I'm sort of lusting for the T-Bucket Bass now.
klbrackin owns this item
Model Name: | T-Bucket™ 300CE, Rosewood Fingerboard, Transparent Dark Brown, Quilt Ash |
Model Number: | 0968079092 |
Series: | Hot Rod Design Acoustics |
Color: | Trasparent Dark Brown |
Body Material: | Quilt Ash Top with Mahogany Back and Sides |
Body Finish: | Gloss Polyurethane |
Body Shape: | Dreadnought |
Bracing: | Quartersawn Scalloped "X" |
Rosette: | T-Bucket Pinstriped |
Body Binding: | Multiple |
Body Back: | Laminated Mahogany |
Body Sides: | Laminated Mahogany |
Body Top: | Flame Maple, Quilt Maple, or Quilt Ash |
Body Depth: | 3.75" (Front) to 4.75" (Rear) |
Neck Material: | Mahogany |
Neck Finish: | Gloss |
Neck Shape: | "C" Shape |
Neck Binding: | White |
Scale Length: | 25.3" (643 mm) |
Fingerboard: | Rosewood |
Fingerboard Radius: | 11.81" (300 mm) |
Number of Frets: | 20 |
String Nut: | Graph Tech® NuBone™ |
Nut Width: | 1.625" (41.3 mm) |
Position Inlays: | Dot |
Controls: | Built-In Chromatic Tuner with On/Off Switch, Volume, Bass, Mid, Treble |
Special Electronics: | Fishman® Isys III System with Active Onboard Preamp and Tuner |
Bridge: | Rosewood with Compensated Graph Tech® Nubone™ Saddle |
Hardware Finish: | Chrome |
Pickguard: | None |
Strings: | Fender® Dura-Tone® 880L (.012-.052 Gauge) |


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- 1 Mom starved our brother to death, Tucson siblings say in court files
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- 4 Man killed in southeast-side crash
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- 8 Safeway, Albertson's announce merger agreement
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- 10 UA football: Carey no track star, but helps cause at pro day
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Round with blind partners opens eyes for CofC golfers
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Smith (in pink) narrowly misses a putt on the 15th green. Hudson reacts as Smith's shot breaks just before the hole.
Smith (in pink) waits for his playing partner Hudson to putt.
The blind leading the blind. Peter Alan Smith (in pink) is helped off the 16th green by Jim Gilstrap (in blue). Both are legally considered blind, but Gilstrap can see better than Smith.


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American Made Men's Outerwear from Schaefer including Dusters, Drifters, Bomber Jackets, Brush Jackets, Denim Jackets and Rain Gear featured in a wide varity of proprietary fabrics including American Denim™, BrushCloth®, Fencline® Canvas, Legacy Melton Wool™, RangeTek® and RangeWax®. Distinctive hand tailored designs are featured throughout this extensive collection.
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• Proudly Made In USA of Canadian Melton Wool • 24 oz. Legacy Melton Wool™ • 100 Grams of Thinsulate® Throughout • Premium Grade Taffeta Lining • New Zealand Sheepskin Collar • Six Pocket Front • Front/Back Western Yokes • Double Snap Out Side Riding Vents • Drawcord Waist • Logo Snap Front and Cuffs


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This colourful teether is brilliant for soothing those tender gums and can be frozen for the extra comfort.
Soothes and stimulates baby's gums.
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Cornell University's Employment and Disability Institute (EDI) will host a free online webinar on Friday, January 18th from 2:00-3:00 p.m. EDT to present the findings of the 2011 Disability Status Report. The free webinar will explore recently released 2011 American Community Survey (ACS) data related to disability and employment, education, poverty, household income and labor earnings.
WHO: Cornell University's Employment and Disability Institute
WHAT: Free Online Webinar on Disability Statistics
WHEN: Friday, January 18th from 2:00-3:00 p.m. EDT
WHY: Cornell University researchers will present the latest information and issues associated with disability statistics and the circumstances that people with disabilities face.
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Achieve smooth, buildable coverage with a satin finish with our leading liquid mineral foundation.
Protective Liquid Foundation - Matte II
Soothing, oil-absorbing liquid mineral makeup for buildable coverage with a matte finish. -
Sheer Tint Base
Formulated with our signature blend of antioxidants, Sheer Tint Base delicately camouflages flaws and nourishes and protects skin with sheer coverage for a healthy glo. -
Protecting Powder SPF 30
Protect skin beautifully with Protecting Powder SPF 30. This... -
Seamless mineral makeup bronzer for color enhancement that adds a...
Shimmer Brick
Four beautiful colors to swirl together for a captivating glo or to use individually to illuminate key features. -
Dust 24K
This clever color and shine enhancer delivers a range of effects... -
Brightener Highlight Concealer
Use this must-have under the eye, the sides of your nose, or... -
Add a hint of radiant light with glominerals highlighter. Apply...$16.50
Sheer Tint Illuminator
A sheer, light-reflecting formula that visually smooths the...$33.00 -
Concealer Under Eye
glo minerals Concealer Under Eye offers rich mineral pigments to conceal and clinically advanced treatment ingredients to help improve dark circles and hyperpigmentation. -
Camouflage Oil Free
Camouflage blemishes, scarring, hyperpigmentation or other visible skn conditions with this oil-free mineral makeup concealer. -
Corrective Camouflage Kit
This sheer, easy-to-apply formulation expertly neutralizes and...$18.00
Redness Relief Powder
Visibly reduce skin's surface redness with soothing ingredients like Honey Suckle, Zinc Oxide and Caffeine. Redness Relief Powder is ideal for even the most sensitive skin.$28.00 -
Eye Revitalize
Cucumber, squalane and hyaluronic acid in glominerals eye...$22.50 -
Perfecting Powder
This truly translucent skin perfecting mineral powder absorbs excess oil to provide a matte finish.$37.00 -
Matte Finishing Powder
Subtle, mattifying color in a finishing powder that absorbs excess oil for shine-free makeup all day long.$36.50
Face Primer
Face Primer creates an even, ideal canvas for foundation by filling in fine lines and large pores so that foundation goes on looking percelain smooth.$26.00 -
Lid Primer
Apply a small amount of glominerals lid primer before eye shadow...$24.50 -
Under Eye Primer
An anti-aging Under Eye Primer that minimizes the appearance of imperfections by filling in fine lines while using light-reflective pigments to soften the appearance of wrinkles and dark circles.$24.00 -
Moist Hydration Mist
Moist Hydration Mist is specially formulated to instantly hydrate and soothe the skin. Mist skin before and after makeup application and to refresh skin throughout the day.$18.50
Revive Hydration Mist
Revive Hydration Mist is specially formulated to instantly hydrate and soothe the skin. Peppermint, lavender and rosemary essential oils instantly stimulate the senses.$18.50 -
High-pigment mineral makeup blush for expert color, shading and highlighting. -
Blush Duo
A compatible duo of high-pigment mineral blush colors to contour and highlight cheeks. Apply individually or blend together for a radiant glo. -
Powder Cheek Stain
The vibrant long-lasting color of a stain to keep cheeks flushed with a rosy tone all day and the easy application of a powder.$26.00
Eye Shadow
Rich hues and timeless color favorites of glominerals eye shadow... -
Eye Shadow Trio
Color-perfect eye shadow collections complete with a base,... -
Jeweled Eye Pencil
Silky-soft, weightless-finish pencils combine sophistication and... -
Alloy Eyes Collection
A palette of shimmery hues with complimentary matte shades that...$44.00
Metallic Smoky Eye Kit
The glo minerals Metallic Smoky Eye Kit presents a fresh, earthy way to wear the classic smoky eye look.$37.00 -
Smoky Eye Kit
Smoky eyes are always on trend, and now it's an easy look to create. The glo minerals Smoky eye kit i$37.00 -
Glam Quad
Go for a luxury statement with this quad of rich jewel toned eye...$20.00 -
Brow Collection
Wow Your Brows! Go from arch enemy to an architectural...
Conditioning Milk Cleanser
Gently washes away impurities, soothing and protecting the skin...$28.00 -
Exfoliating Lip Wand
Tranform your lips in one easy step! Nourishing wax microcrystals...$15.50 -
Body Glisten
Body glisten adds shimmer and sparkle to give your skin that...$21.00 -
Mint Balm
The glo minerals mint balm protects lips with full spectrum SPF...$13.50
Ultra Brush
glominerals signature brush, engineered exclusively for use with...$38.00 -
Liquid Foundation Brush
A unique brush specifically created for liquid mineral...$34.00 -
Kabuki Brush
The fullest of all graduated hair brushes designed to achieve a...$30.00 -
Powder Brush
A full, soft graduated hair brush designed to achieve a delicate...$24.00
Camouflage Brush
The perfect tool for expert camouflage and concealer application....$14.50 -
Precision Camouflage Brush
A precision tool designed to camouflage and conceal even the...$16.50 -
Angled Blush Brush
An artist's favorite for blush application. The angled blush...$28.00 -
Blush Brush
A traditional style blush brush designed for light shading or...$24.00
Cream Blush Brush
Take the guesswork out of application with glominerals cream...$29.00 -
Fan Brush
A fine brush designed for delicate blush, bronze and shimmer...$16.50 -
Blender Brush
glo minerals fullest brush head is perfect for either bronzer...$31.00 -
Eye Base Brush
All-over eye shadow base made simple. This luxuriously fluffy eye...$18.50


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Customer Reviews for Energy Efficient French Doors Brown Blindsgalore Solar Screens Window Shades
"fit our needs perfectly"
By no nickname from Denison, IA
We needed something for a south window in one of our showrooms...to block the sun, but not block the ability to see outside. Worked out great.
View this product"Great purchase"
By BusyMom from Colorado
We have a property management company and These shades look exactly the same as the ones in our high end homes. I did take some scissors and trim some hairs that were poking out of the sides in a few places...maybe their cutter is a little dull. It still doesn't matter, I love the blinds and a few hairs to trim is well worth the savings!
View this product