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More than 100 Arbor Creek homeowners crowded into the Downtown Community Center Thursday night to question a proposed zoning change.
At issue is the Bomasada Group development firm of Houston's plan to change an undeveloped retail zone to 3-story multi-family apartment use. Arbor Creek is located north of East Second Street and south of Danforth along Saints Boulevard, just east of Interstate 35.
A common point of contention among the homeowners is that they have purchased their homes during the past two years expecting the city of Edmond's zoning to stay the same. Opposition in rezoning the parcel is unanimous, said Matt Burns, Arbor Creek resident.
"Nothing you can say, no matter how beautiful it looks, is going to allay my concerns as a property owner there," said Burns, who learned of the project four days before the meeting.
Developers identify conceptual site plans, said attorney Todd McKinnis, representing Summit Property development. Plans that developers identify for the city are based on what the developer is considering at any given moment, McKinnis said.
"Those are not part of our process of what we submit to the city of Edmond," McKinnis said. "That's marketing our property with potential end use."
Single property owners can only make a purchase decision based on current zoning, Burns said. There is no provision giving a developer automatic rezoning from commercial retail to multi family, Burns said.
"I don't think we have automatic zoning," McKinnis said. "I'm not arguing about anything. What we did is what our PUD said."
The 2006 planned unit development of the 53 acres identified it as retail and office zoning, McKinnis said.
Arbor Creek developer Caleb McCaleb, who purchased the Arbor Creek land from Summit, asked why the property was not zoned multifamily if it had always been intended for that use. McKinnis said Summit did not know where the multi-family would fit when the PUD was made.
McKinnis said the PUD included permission to ask for up to 32 acres of multi-family. In 2011, Summit Property renewed the same PUD with the City Council.
"And now we have roughly a 22-acre piece that we're going to ask the city to zone C3 multi family," McKinnis said.
Plans are to construct no more than 285 apartments, McKinnis said, which is less than the 345 apartments which would be allowed if rezoning the land is approved.
"We feel it would just be wonderful for the community," said John Gilbert, Bomasada senior vice president. The company takes a caring approach in creating a proud element of any community, said Tim Dison, Bomasada vice president.
McKinnis said he wants to hear as many concerns that the neighbors would like to share. There are no plans to extend the service road, Dison said in answer to one of the property owners' questions.
The class A apartments would rent at a $900 a month minimum for a 700-square foot unit, Gilbert said. Class A means they would include finishing close to those of an upscale home with upgraded cabinetry and kitchen island.
"Every attempt to save trees is certainly a goal high on our list," Dison said.
Natalie Burns said that she and her husband, Matt, value knowing her neighbors with the security of recognizing their faces. Renters generally do not live at their apartment for the long term, Natalie said.
"So I've sort of lost that entire dream and feeling," she said.
Dison said the apartments would be homes for people with just as much pride in their dwellings as a homeowner. Properties are managed by caring managers, he said.
"Don't think for a second because somebody's got a single family home nearby that they're any better," he said.
The Edmond Planning Commission is scheduled to hear the item on Nov. 20 to make a zoning recommendation to the City Council.
If the City Council approves the zoning change on Dec. 10, the next step would be consideration of the site plan with the platting of the property, said Jan Ramseyer-Fees, a city planner and Community Connections coordinator.
"Doing nothing in this case is the right thing for everybody," Matt Burns said.
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Local News
Residents decry plan for East Edmond apartments
- Local News
Helping those who are overlooked
With a projected cost of $4.2 million for a new Men's Center at the City Rescue Mission, Edmond Memorial High School students are hoping they can raise enough money to complete the project.
The student-led Swine Week goal is $375,000 for Memorial's annual fundraiser, which ends March 14.
Each year for the past 28 years, Memorial students have taken to the streets, completed dares, held assemblies, silent auctions, custom car shows and contacted businesses and residents in order to raise mounder way.
"Whenever the City Rescue Mission presented to the Student Council we saw how they help families and we realized that if we ever have to find a place to stay there is one," Ball said. "If we meet our goal we realize that we will impact the honey for Swine Week. -
Eye doctor appeals city-imposed reverse office parking
The City of Edmond may need to step up its method of educating motorists who should be parking in a reverse angle in front of Dr. Brad Fielding's optometry office at 13 N. University Drive, said Nick Massey, city councilman. Massey has talked to a few people who are unhappy about the Bicycle Master Plan's reverse angle parking the city implemented at Fielding's office, he said. He thought the reverse parking plan was a dumb idea when he first learned about it.
Ex-fire official loses legal battle
An ex-fire official has lost his effort to get his job back after being fired due to allegations of gun play reported by a city employee.
Experts urge residents to change smoke alarm batteries
Changing batteries in smoke and carbon monoxide alarms may rate pretty low on the exciting things to do scale, but it's a simple act that can save lives.
Tank removal clears way for auxiliary project
Removal of a 10,000-gallon fuel storage tank takes the city one step closer toward construction of a new Edmond Police Department secondary work site.
Mid-day Friday, Oklahoma Environmental Services removed an underground tank from city-owned property located just west of the railroad tracks off 33rd Street. When the site is fully prepared, work will begin on a 15,000-square-foot structure that will house Edmond Police Department evidence and lab work and related functions. -
Crime victims must re-register for notifications from Pardon and Parole Board
Attorney General Scott Pruitt Friday issued a consumer alert for crime victims to re-register for notices after data in a Pardon and Parole Board notification system was corrupted.
Downtown Library to close for new carpeting
The Downtown Library, 300 Park Ave., will be closed to the public from March 31 through April 27 for new carpet installation.
Warren graduates from basic infantry training
Army National Guard Pvt. Alec L. Warren has graduated from basic infantry training at Fort Benning, Columbus, Ga. During the nine weeks of training, the soldier received training in drill and ceremonies, weapons, map reading, tactics, military courtesy, military justice, physical fitness, first aid and Army history, core values and traditions
Register for Youth Forestry Camp
Oklahoma Forestry Services is offering teens the opportunity to learn more about the forest while exploring Oklahoma's natural resources in beautiful Beavers Bend State Park at its 58th Annual Youth Forestry Camp
Nonprofit, tribal, community and faith-focused grant writing seminar
The Citizen Potawatomi Tribe is presenting a seminar on grant writing geared toward nonprofit agencies, tribes, municipalities, schools, libraries and faith-based organizations.
- More Local News Headlines
Helping those who are overlooked


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Free Cheese Bread with the purchase of any Large Specialty Pie! Dine In only, not valid with any other offer.
You'll unlock this special on your 1st check-in.
The late nite (after 9pm) specials are great. $3 draft beers, and 1/2 off appetizers. And super dank slices.
It's trivia time. Come see if you can outsmart everyone. Every wednesday night at 8:00. Our team is tired of winning all the time.... NOT.
Our NEW Spinach Dip is so much better than the old stuff....And I loved the old stuff....
Greek salad w/esperanza dressing and pizza dough breadsticks. Add one Dogfish Head IPA and the result is 1 happy patron.
Loving this place so far and have not even tasted the food. Service is really great! Food will be wonderful!
The Hummus is awesome! So is just about every pizza they offer! The beer on tap selection is impressive.

subset: commoncrawl


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Description: Like the young Indian braves of long ago, Benjamin Fiedler is about to undergo an initiation rite that will take him from boy to man. But, rather than face the perils of the hunt, he must endure something far worse -- a Bar Mitzvah in Brentwood, Calif. It's not enough that Benjamin must stand in front of a Temple full of strangers chanting Hebrew, a language he doesn't understand. He must also cope with the efforts of his parents, Adam and Joanne, to splurge on a party-to-end-all-parties, a mega-bash where the Bar is more important that the Mitzvah and a Jewish Star means Neil Diamond. Above all, the Fiedlers must surpass the "Titanic"-themed Bar Mitzvah given by Adam's rival agent, Arnie Stein. With his circus-sized celebration, Arnie has thrown down the gauntlet. For the highly competitive Adam, the war is on. But when Adam's father Irwin, now a gray-haired hippie, and his spacey younger girlfriend arrive in their broken down camper, the Fiedler's plans are thrown into disarray. Every family has their own dysfunction and neuroses and the Fiedlers are certainly no exception. Despite this, they ultimately realize that family is the most precious bond that can't be broken (but it can be bent out of shape at times).
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Open SpacesSpeculations on Openings, Closings, and Thresholds in International Public Media |
Monday, June 21, 2010
Blog written by Patricia Zimmermann, Shaw Foundation Professor, Nanyang Technological University and codirector, Finger Lakes Environmental Film Festival
Why we need to know more about Cambodia
When I first traveled to Cambodia in 2003, I was deeply moved---and disturbed.
The contrast between the splendour and awe of the artistry of Angkor Wat and the history of one of the most devastating genocides of the 20th century grounded me. I wanted to understand, if understanding is at all possible in the face of horrors unspeakable.
From 1975 to 1979, the Khmer Rouge was in control of Cambodia. They murdered over 2 million people. Cambodia is also one of the poorest countries in the world. NGOs are everywhere, prompting some in Southeast Asia to contend that the country is for all intents and purposes run by NGOs on one side and foreign companies running textile sweatshops on the other.
Meandering the market in Siem Reap, the town near Angkor Wat, I stumbled onto something I had never encountered anywhere in Southeast Asia: pirated copies of David Chandler's book on the history of Cambodia. I've seen pirated Hollywood films, pirated Louis Vuitton, and pirated Lonely Planet guides, but I had never encountered pirated academic history books in a market. David Chandler's books were there, in pirated zerox form. They looked pretty close to the real thing, although the books I bought were missing a few pages, mostly the footnotes. He's one of the preeminent historians of Cambodia. I felt an urgency about reclaiming history in that market.
Several colleagues and friends who work in human rights in Asia steered me to the Documentation Center of Cambodia's site. It captivated me. As a historian, I was struck by how this project was not only doing a history from the point of view of victims and perpetrators, but also creating a living archive to reclaim memories with the goal of justice for war crimes.
We've invited Kok They Eng, from DCCAM, to present at Open Space/Singapore/Southeast Asia at ICA in Singapore.
The Interview with Kok Thay Eng
Saturday, June 19, 2010
Blog written by Patricia Zimmermann, Shaw Foundation Professor, Nanyang Technological University and codirector, Finger Lakes Environmental Film Festival
Meet Enrico
When we started thinking about programming Open Space/Singapore/Southeast Asia to explore new media in the region last fall, I sent frantic emails to friends who work in international human rights independent media. Well, it was more a cry for help, as I was programming this exhibition from half a world away and not moving to Singapore until January. I was anxious.
My colleague and writing collaborator Sam Gregory from Witness, dedicated to collaborative and user generated human rights video and social media, suggested—more accurately, insisted—that we contact EngageMedia, a non profit organization based in Indonesia and Australia working with new media and social justice issues in innovative ways.
Many emails, website searches, and phone calls later, I finally connected to Enrico Aditjondro, from Indonesia, the Southeast Asia Editor for Engage Media. We've invited Enrico to present on our panel on human rights and new media at the Open Space exhibition and ICA next week. We've also curated the Engage Media site as one of ten featured organizations in our online exhibition. You can visit here: http://www.ica2010.sg/openspace/view.html
Enrico has lived and worked in Indonesia, West Papua, the USA, Australia, and Timor Leste. He started his journalism career in 1998 when he joined The Maritime Workers' Journal in Sydney, reporting on labor issues and the shipping industry.
Seeking more excitement, he moved to Jakarta and joined the Southeast Asia Press Alliance in 2000. He traveled and worked in Timor Leste with UNESCO and UNTAET. Enrico also campaigned around corruption issues for Transparency International-Indonesia.
In 2005 he was the Southeast Asia Representative for the International News Safety Institute. In the same year he co-founded and became managing editor of Paras Indonesia, one of the country's leading bilingual social-political website at the time.
Enrico was a fan of EngageMedia before joining the group in May 2009. He is now based in Jakarta, writing, producing films and maintaining the Southeast Asia content for EngageMedia . You can meet him in person next week at ICA 2010 in Singapore.
The Interview
Patricia Zimmermann: Can you share a little bit about your background and how you initially got involved in EngageMedia?
Enrico Anditjondro:I've been a journalist and media consultant for a little bit more than a decade. I started in texts and photography, and gradually started to use videos and began filmmaking.
From the start, I've been a firm believer that objectivity is a myth, although in reporting, there are principles and ethics to follow. So, when I found EngageMedia.org, I was impressed with its ideas of voicing the voiceless with videos - well produced videos preferably, and became a fan of it immediately.
Later on, as my ideas and struggles are continued to be limited or even obstructed by the mainstream media I was involved in (i.e. I was tired of the ABC News's quest for Islam fundamentalism stories in Indonesia), EngageMedia became even more relevant and decided to join when the opportunity arrived.
PZ:Can you provide a snapshot of the work of Engage, for readers who might not be familiar with your organization? How is Engage similiar and different from other NGOs working in social justice issues?
EA: EngageMedia's flagship is www.engagemedia.org, a video sharing site on social justice and environment issues in Asia Pacific.
In shorter words, we like to think ourselves as YouTube for activists.
Aside from the site, we organize skill sharing workshops on online video distribution strategy, and video archive; video camps; research; and capacity building programs for organizations. We have similarities with Witness and its Hub, but we focus more on already published videos. We urge people more on distribution strategy and better use of videos in social justice and environment campaigns.
PZ: Can you explain how EngageMedia mobilizes the intersections between user-generated content, social and political issues, aggregation, and new technologies/interfaces? What opportunities and challenges has Engage encountered?
EA: EngageMedia chooses to have closer relations with its users.
Our editors frequently talk to users, suggesting ideas, and on the other hand, susses out who would seek technical advice as well requests to promote specific videos.
All of videos in EngageMedia are licensed under Creative Commons also, and the download feature is easily accessible, therefore campaigners and educators who need special videos can search and find videos easily and download them in high quality for their purposes (although still bound by the Creative Commons license conditions chosen by the filmmakers).
And since EngageMedia is run by its own Plumi software, we provide updates to users for new versions or features. One big agenda we have forward is to develop more mobile based technologies in our scope of work.
PZ: What do you see as some of the biggest issues and debates confronting new technology and social justice concerns in Asia and the Pacific?
EA:The fast rise of internet users in Asia and the Pacific is not followed by the equally fast internet infrastructure.
Nowadays, internet-able devices are very common all over but slow bandwidth remains an issue.
In Indonesia, half the new internet users are actually people using mobile devices for social networking applications. This trend is also followed by the overflow of pushed information, and decreases in the quality of reporting accuracy as reporters (and reporter-wannabees) try as fast as they can to post articles.
Facebook status unfortunately became another source of information, and often their inaccuracies have created problems. However, this phenomenon could also become strengths if used tactically. The other issue to be debated is the digital technology revolution which does not favor the marginalized societies who have very little technological access.
PZ: What are some projects and initiatives that you have worked on for Engage that you see as significant or that have had interesting outcomes?
EA:Being the Southeast Asia Editor for EngageMedia gives me the opportunity to watch hundreds of videos produced by filmmakers from the region.
The role also allows me to meet many of them during our Online Video Distribution Strategy Workshop in Singapore and various cities in Indonesia.
More and more filmmakers are now familiar and capable of using online tools for their video distribution and archiving, and slowly, EngageMedia is becoming a source for information and videos for journalists, educators, campaigners and filmmakers looking for inspirations.
PZ:.What are some of the issues that Engage and you confront in relationship to new technologies and on the ground issues and politics?
EA: In areas where government restrictions are prominent, the internet is a very useful alternative for many media makers.
However, in some places, the internet has also become a target for scrutiny - unfortunately this is caused by pornography and social networking applications. Therefore, more discussions about media regulations and cyber-law are needed so that the restrictions can be diverted.
On the other hand, filmmakers and campaigners are often enjoying so many iterations of these technologies that many have forgotten that the people they are fighting for have limited access to it.
The good old transmitter radio still works wonder in many remote places, much more than YouTube-- or even EngageMedia.
Thursday, June 17, 2010
Blog posted by Patricia Zimmermann, Shaw Foundation Professor, Nanyang Technological University, and codirector, Finger Lakes Environmental Film Festival
Meet Shannon Castleman
HDBs (Housing Development Buildings) define the Singapore urban landscape. Public housing designed by the government, HDBs transformed Singapore from kampongs to one of the world's global cities in less than 50 years. The majority of Singaporeans live in—and own—their HDB flats.
Installation artist and photographer Shannon Castleman, an American living and teaching in Singapore, has created a multi-channel installation exploring the lives, languages and lessons of HDBs through an innovative collaborative process that engages the residents in the production of the piece. It exemplifies and embodies an open space aesthetics and ethics.
Castleman (USA/Singapore) has been an Assistant Professor in the School of Art, Design and Media at Nanyang Technological University since 2006. Before joining NTU, she taught at Dar Al Hekma College in Jeddah, Saudi Arabia. She was the recipient of Murphy Fine Arts Fellowship from the San Francisco Foundation in 2003. Castleman has worked as a freelance photographer for clients and publications including Ray Gun, Rolling Stone, Alternative Press and Workman Publishing.
Castleman's work has been included in a number of exhibitions, both in her native United States and internationally. Most recently her series entitled "Hanoi Ve Dem" was included in the Viet Nam! From Myth to Modernity exhibition at Singapore's Asian Civilizations Museum. In June 2008 she was commissioned by the Substation to produce a video installation in conjunction with SeptFest 2008. Her project "Jurong West Street 81" was featured in a solo exhibition at the Substation Gallery.
Jurong West, the installation, will be exhibited at the Open Space/Singapore/Southeast Asia section of the forthcoming International Communcations Conference in Singapore June 22-26, 2010. For more on Jurong West, visit http://web.me.com/twistedneg/projects/Jurong_West_.html
The Interview
Patricia Zimmermann: Can you share your artistic trajectory, and how it led you to working in video installation?
Shannon Castleman: When I first began conceptualizing this project, I was thinking it would be done photographically. I was interested in getting a community to simultaneously work together to create a reproduction of the building that would included themselves in the photo.
However, once I chose the location and spent some time there, I quickly realized that I wanted to create more than just that brief second it would take for everyone to take the same photo. I quickly realized that with video I would be able to uncover more layers to each story with the inclusion of sound and would also be able to achieve my original goal of getting a group of residents to simultaneously interact with each other.
PZ: Jurong West(your installation that will be mounted in Open Space) exemplifies a collaborative, participatory and community process. How did you develop this idea initially? How did you construct your working relationships with the residents? What were some of the opportunities, challenges, and unexpected situations and ideas that emerged in the production and exhibition process?
SC: Like most works of art, the piece coalesced from several points of interest. As a photographer who is often inspired by urban architecture , when I first came to Singapore and saw the Housing Development Board flats (HBDs) I spent a lot of time thinking how I could photograph them. Since architectural photography of large building always ends up with an unnatural perspective I thought about how I could achieve a more realistic perspective if I were to collage together from images shot from each residents' window.
Around the same time ,I showed the film Rear Window to one of my classes. I was very surprised by the reactions to the film. They said they didn't really pay attention to their neighbors. This inspired me to conceive Jurong west. I wanted to give people permission to watch their neighbors -- and maybe possibly they would get to know them a little better.
Getting the residents to agree to participate in the project was very difficult. I knocked on at least 144 doors before I got 8 pairs/ 16 flats to agree to participate. This success was achieved with the help of a small army of multilingual student volunteers who helped to persuade the residents to participate.
I think the biggest surprise was how much the student volunteers got out of the process. They each went into the homes to set up the cameras and take them down at the end of the project. They all were quite touched by the experience and forged connections with the residents. This process was something I tried to duplicate when I did a similar project in Cuba. Again I worked with students from the local university. The students did a wonderful job explaining the project to the residents.
PZ: How does an installation with multiple video monitors contribute to your idea about exploring the residents of HDBs, as opposed to a single channel projected project?
SC: By having each of the flats shown in its own monitor, I am able to make it a self-contained unit which when put together with the other monitors almost allows me to reconstruct the building. Also, so much of the really interesting stuff is very subtle and can only be seen when you are looking the pair of adjacent neighbors together. By putting them in separate monitors side by side , you can better follow these interactions (or lack there of) between the neighbors.
PZ: Projects that engage real people as participants always raise the issue of reception. What have been some of the responses of the residents to the final installation?
SC: For the first incarnation of Jurong West was at the Substation Gallery in Singapore , we invited all the residents and even provided transportation to and from the gallery for the opening. Sadly, only one family took us up on our offer to attended the opening. I think he finally understood what I was trying to create and why I was doing it when he saw the entire installation. He and his family were quite touched by the installation.
I had the same experience when I created a similar work in Cuba. I am sorry more residents don't come to see the final work. I am not sure exactly why they didn't come to the opening. I suspect that they are just busy and don't really understand why I am creating art about their lives, which don't seem that interesting to them. It may also be the discomfort of seeing their neighbors after they hear what they may have said about them in the videos.
PZ: Have their reactions and responses changed the way you mount the installation?
SC: When I originally showed the work, I didn't subtitle the piece because I didn't want them to feel discomfort at the exhibition opening seeing their words in text. Since then, I have added subtitles to the work. Now I worry a lot less about how they are going to feel with their neighbors reading what they said.
PZ: Has your work on this project led you to new directions in new projects?
SC: It was always my hope that this work would be one of many. The second project I produced in Cuba was done utilizing the same system. It is quite interesting to see how different the interactions are in different cultures. I hope that the projects will continue and that with each work I might also be able to improve the production value. Getting access to so many video cameras can be difficult.
Wednesday, June 16, 2010
Blog written by Patricia Zimmermann, Shaw Foundation Professor, Nanyang Technological University, and codirector, Finger Lakes Environmental Film Festival
Meet Michael Tan
The day after I arrived in Singapore in January, I found a postcard for an installation about flip flops called Invisible Life by artist Michael Tan in one of the libraries on campus. I was intrigued: everywhere I looked, I saw people here wearing flip flops. It's hot and humid. Closed shoes, like mini-microwaves, seem to trap the heat.
My colleague and co-curator of Open Space, Nikki Draper and I, planned an excursion over to the National University of Singapore Art Gallery where Invisible Life was mounted. We were gradually drawn into small images of flip flops dangling from strings, the text explaining the political economies of flip flops wrapped around the gallery, and the large scale photographs of flip flop production and use. We sent co-curator Sharon Lin Tay over to see it.
And a few months later, we were convinced we needed to program it for the Open Spaces/Singapore/Southeast Asia exhibition we're doing for ICA in Singapore. It was photographs and words opening spaces beyond Singapore but also in it. Perfect.
Michael Tan (Singapore) is currently assistant professor in the School of Art, Design and Media (ADM) at Nanyang Technological University. Prior to joining NTU, he served as a part time lecturer at LaSalle College of the Arts and at The National Institute of Education (NIE) where he taught a range of media art related courses in studio practice, theory and history.
His practice seeks to link art and design to the fields of humanities, architecture and urban studies. Beside his research in studio arts, he is also interested in research on art and design pedagogy.
His installation, Invisible Life, a mixed media piece which explores political economy and transnational relations. You can catch it on the 3rd floor of Suntec Convention Center during the ICA conference next week here in Singapore. And you can hear Michael speak about his work at the Open Space panel on Thursday, June 24.
The Interview
Patricia Zimmermann: What drew you to work in installation art? What do you see as the opportunities and challenges in working in three dimensional space in different locations?
Michael Tan: I am interested in the transformative power of installation art to immerse and situate the body in another world. It is like a theatre, except that in installation art the viewer is also the actor-- a characteristic of installation art that I really like. Opportunities are there, but I think it does take a process of dialogue and negotiation between artists, institutions and space before the work can be realized. Logistics can be a challenge.
PZ: Invisible Life (your installation that will be exhibited in Open Space/Singapore/Southeast Asia) seems to emerge within the context of a growing movement of artists across the globe interested in exploring the transnational crossings and economies of commodities. What was the genesis of this project, and how did it assume its current form of pedestals with small pictures dangling from above? Why flip flops?
MT: Having realized the sociological subject in my work, I was interested in investigating the role visual art can play alongside sociology. The visual has always been more available to solicit visceral responses so I thought it will be interesting to see how in a speculative manner, installation work can provide a lead into greater sociological pondering. Caroline Knowles and I were interested in telling stories that will stir people to think about everyday life.
We are obsessed with things and events that slipped under the current of the everyday. Objects are part of the everyday. They have life: their own and also a shared life with humans. But we don't often give much thought to objects. Hence that tickled us. We were interested in telling a story with an object .
As an object that a large part of the world owns, the flip-flop became significant to us. Its is capable of opening up subjects such as the social fabric, mobility, globalization, social class. We were interested in pricking people's imaginations and activating their consciousness.We agreed that installation work could perhaps help us to achieve this aim.
PZ: How does the concept of your project relate to the spatial dimensions which you create in the installation? Is there a translation process you undertake to move an idea into a more concrete experience of space for the spectator?
MT: We wanted to provide a set up that encourages viewers to embark on a journey to imagine narratives on different aspects of the flip-flops.
Dangling images were used to create a forest-like environment to invite physical and mental wandering. The images are frames from our journeys in China and Ethiopia from which the viewer can form their own story.
These elements provide points and boundaries that guide the viewer in their pondering. I think of the creation of an installation work as more of process of articulation rather than a process of translation. I enjoy the challenge of identifying appropriate and efficient signifiers that can lead viewers to grasp the key concerns of my work.
PZ: The Singapore Art Museum recently mounted an exhibition of installations from Southeast Asia in their collection. Can you share your thoughts on the histories and significance of installation art in Southeast Asia? What kind of regional and transnational dialogues do you see your work engaging?
MT: Installation art definitely has a good following by artists in Southeast Asia. I believe it emerged from the tradition of sculpture and architecture. Influences from art outside the region also contributed to its development.
Contemporary art in the Southeast Asian region is experiencing varied development. Art as an economy is a concept that most countries in the region are trying to grasp as they shift in varied speeds from positions as developing countries to developed ones. Over the years, at least in Singapore, we do get a sense that viewers have a better awareness and understanding of installation. I suppose art education by schools and the museums have played an important role,
Art is a way I share the world I perceive and experience with others. I think our ability to find, create and share stories is key. I am interested in the human condition. My work is an indicator of my personal psyche, but I think it also part of a greater narrative in society. I hope my work becomes a point of contact for people.
Monday, June 14, 2010
Blog written by Patricia Zimmermann, Shaw Foundation Professor, Nanyang Technological University and codirector, Finger Lakes Environmental Film Festival
Meet Vladimir
Vladimir Todorovic is an artist who installs systems and generative processes to erase romanticized subjectivities in order to unearth new structures.
Todorovic is currently assistant professor in the School of Art, Design and Media at Nanyang Technological University. He received his BFA in painting from the Academy of Fine Arts, University of Belgrade, and MFA from University of California Santa Barbara (UCSB). His installation based on generative media (creating systems to generate images independently of the artists) called The Snail on the Slope is a featured new media installation at the Open Spaces/Singapore/Southeast Asia exhibition for the International Communication Conference in Singapore the end of June.
Todorovic is the founder of the Emerging Art and Technologies Research Group 'RASTER' based in Singapore and co-founder of the Institute for Flexible Cultures and Technologies 'NAPON' in Novi Sad, Serbia. He explores fields where art and science intersect, working within the nexus of environmental data, sustainable systems, game cultures and technologies.
His works have been exhibited at venues such as Wired NextFest, Dislocate07, ISEA06, Venice Biennale of Architecture, Siggraph 06, Transmediale 05, Wroclaw Biennale 05, File 2004, MuseumsQuartier Vienna, Machinista, Entermutlimediale, and Museum of Contemporary Arts Belgrade. They have been reviewed by Wired, New Scientist, Gamasutra, Futures-labs, Neutral.it, Selectparks.net, Turbulence, Artmagazine, Remont, and Danas. You can find out more about his at http://tadar.net/
The Interview
Patricia Zimmermann: What drew you to work in new media in the first place? What do new media interfaces offer that are different from more analog ways of making media?
Vladimir Todorovic: I studied painting at the Academy of Fine Arts in Belgrade, Serbia. During my studies in a traditional, more analog program, I became interested in generative systems and new media. At that time, I was experimenting with software to generate videos and interactive installations.
The power of code as well as the experience of writing it was fascinating. When you compile code, you get a beautiful and complex system on the screen. Dynamic and different, it has its own life.
One new media course I took during my studies in Belgrade also influenced my artistic development. At the school, we were painting and drawing 4-8 hours a day for 5 years, we had only one new media course that was an elective for no credits.
This course opened up new ideas about art and technology. I am very thankful to the professors from Academy of Fine Arts in Belgrade who ran this course. We had theorists, artists, and quantum physicists presenting their works in the art school. These professors would organize exhibitions for the students with interesting works.
I don't think that new media interfaces make things easier for artists. They don't make works more effective either. In most cases, you spend a lot of time working on designing a system. You design a system--- about 80% of your work—and then during the final phase, you see your project being born. You have a very compressed period of time to see beauty and to capture it. The amount of content that you can generate is huge.
PZ: Your work explores and rips open the intersections between nature, the environment, technologies, synthetic worlds, new emerging forms. How did you initially launch into this kind of nexus of ideas?
VT: I was born in a town called Zrenjanin(Serbia) where some connection with nature is still pretty much alive--- you interact with nature on daily basis.
When enjoying nature, I look for aesthetic qualities. In Serbia, during wintertime, you could drive through some villages with not one single person on the streets covered with snow. Everything was black and white. The most vibrant, alive color that you could see would be sepia, usually some dirt or clay on the road.
This monochrome landscape was fascinating because there was no need to search for aesthetic qualities; they were everywhere, they were very graphic, almost like woodcuts, and they were really overwhelming.
Singapore is different. This landscape is much more colorful. During my 'art journeys' with very good friend and fellow artist Andreas Schlegel, we would hunt for the formal qualities in our experiences. And in the projects that we (Syntfarm) did here in Singapore, we would discover some formal qualities in single organisms like a pink anemone, and fluorescent green hard corals, and many others that we found here on Kusu Island.
When we did a Bukit Timah hike, we were in this natural amphitheater, where several hundred cicadas performed. They were so loud and fantastic. It really felt like we were at some experimental noise performance. In both cases--the very monochrome Serbian landscape and the very alive and direct songs of cicadas in Singapore--I could not remain apathetic. For me, it was important to transform those experiences and to reframe them into an art form.
With the development of information technologies, scientists and artists were able to simulate or mimic various systems from nature. When I see these emerging forms and synthetic worlds in the art galleries or museums, most pieces that strike me are the ones who are not mimicking the natural with a gimmickry of a fancy conceptual idea, but the ones that address nature in a kind of classical manner, where you don't modify nature much and where you see some individual and unique quality of a creator.
In Syntfarm's project (with Andreas Schlegel), we tried to visualize nature with synthetic language. Our goal was not to work with this language to do the photorealistic replicas, but to transform our natural experience into synthetic ones. The choice of the synthetic language is very simple: it is the language that you can say is (unfortunately) the closest to our 'younger' generation. : )
PZ: Your work blends technological interface invention with environmental exploration, and, in effect, generates new hybridized environments. Can you describe some of the major conceptual concerns that your work investigates in this context?
VT: In my solo projects and also in the collaborative works of Syntfarm, hybridization exists almost as a necessity. Usually, the projects have some reference to nature, but then the outcomes are usually very synthetic. I would say that for Syntfarm projects, transformation is a term that captures their essence. We go to nature, capture as much data as possible, and then transform this information into a synthetic experience.
With my project called Metazoa Ludens, which I did with the Mixed Reality Lab in Singapore, hybridization was very important from the start. In that project, we had live animals interacting with a programmed system that physically shaped their environment – created hills for them and some obstacles. In this project, hybridization helped us visualize our relationship to a technological environment.
In that installation, mice move freely, depending on how the computer generates a 3d physical space for them. Mice positions in physical space are captured and replicated in real time in a 3D game. Everything works like a balanced natural ecosystem. It is better to not talk about this project in front of the animal lovers, because they would all claim that mice are not treated well in that hybrid environment. This project was definitely more about creating a hybrid ecosystem that can make us understand our lives better.
PZ: For the Open Space/Singapore/Southeast Asia exhibition, we'll be mounting your installation of generative work, The Snail and the Slope. Can you explain what generative media is, and why you are attracted to working in this realm? For many in media, the idea of generative media is quite new and difficult to grasp. What traditions does it emerge from? What questions does it answer for you?
VT: I started working with generative media when I was studying painting. My method was to add x amount of liters of oil, water and turpentine and after x amount of weeks to come back and see what kind of painting that system would create.
This method was not so heavily indebted to conforming to the sets of rules that, for example Sol Lewit used in his work. I would say that in his drawings, where he would follow a very clear set of instructions, we witness one of the earliest examples of generative media.
I also worked a lot with video, where the camera was placed in a system that will generate a wide range of variations of audio-visual material. I mounted the camera on an electro-motor, on a tree branch, in a barrel, on a bicycle and so on. I did these very early works without too much programming, but they were still generative projects, in that, I created a system and let the system make the work.
Later on, thanks to Andreas who has shown me the easy and powerful way to work with code, I started working with code and programming, which lead to the project I will be showing at the Open Space exhibition.
The Snail on the Slope is a generative movie, a story I wanted to make into a narrative film. When the script of the film was almost finalized, I was also working with computer language called Processing and generating visual material.
Instead of getting into a huge production and waiting for several months to be creatively engaged, I got the idea to use visuals done in Processing to represent the atmospheres of five different chapters of the movie. The movie is very abstract, but there are some very vague narrative structures.
Some viewers of this movie remark that this is what futuristic cinema could look like. I don't agree. With the digital platforms available today, what is apparent is that there is a drastic democratization of creative coding environments--- more and more people have free and open access to these technologies. This open access and ease of coding is bound to have an enormous impact on the arts creative media.
Saturday, June 5, 2010
Blog written by Patricia Zimmermann, Shaw Foundation Professor, Nanyang Technological University and codirector, Finger Lakes Environmental Film Festival


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Cajun Fryer by R & V Works® Propane Cooker Deep Fryers - 4 Gallon
Sale price: Clearance price: Starting at: Sale starting at: Clearance starting at: Reg. price:
- Durable carbon steel construction
- Reduces oil use by an estimated 70%
- 2 nickel-plated baskets with plastic coated handles
- Built-in thermometer
Manufacturer model #: FF2-R.
Cajun Fryer by R & V Works Single or Double Fryer Rolling Caddies/Stands sold separately and can be found through item search for number 1418550
Rated 4.6 out of 5 by 18
Rated 5 out of 5 by pearce369 Best Fryer
Best cooker I've ever owned. Oil doesn't burn and any foods fried at our house are Cajun Cooker fried . Chicken, Fish Turkey, froglegs, pork chops. If I fry it I cajun Fry it !!!! All the mess of frying is gone, no messy kitchen clean up !!!!
September 19, 2010
Rated 5 out of 5 by jrbl fryer
2 words buy it,one of the best recent purchases cooks fast
August 6, 2010
Rated 5 out of 5 by Director Best fryer I had.
Had a lots of fish fryers, but this is the best. Cooked french fries, fish, and hushpuppies for 54 people in about 45 min. Cleanup is very easy. Easy to unload grease. Holds heat good, you may need someone to help you keep fish breaded. Over all this cooker is great.
June 4, 2010
Rated 5 out of 5 Southern Fried happiness
This fryer is the best- solidly built - great design.
I have owned my fryer about a month and couldn't be happier. I have fried everything from chicken fried steaks to Twinkies. It's so nice to taste freshly deep fried chicken
I went with the four gallon model. I can do more than 20 wings at a time. Takes 4-5 minutes per batch so I can't wait for our first summer party when I can show off my new wing fryer.
I am still on my first oil. I have strained it and I would guess the manufacturers claim of 25-30 runs before changing will be accurate.
Also mine came without a thermometer.(things happen). I was a little bummed with BASS Pro Shops response but after calling the manufacturer (number right on fryer) I was taken care of immediately. Great people, more than willing to stand behind their American made product.
I have owned two restaurants and used many commercial fryers and I wasn't disappointed in this item.
I recommend highly.
Remember - order at least the six gallon model if you plan on using it for turkeys. Even then it will only do smaller birds so go as big as you can afford for turkeys.
May 12, 2010
4 Questions | 19 Answers
Outdoor Answers
Get help about this item from fellow customers.
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6 answers
Do the baskets and cart come with the fryer or do they have to purchased in addition to the fryer?
baskets come with; cart is separate at $99.00A:
Baskets come with the fryer, but the cart is purchased seperatelyA:
Only the basket comes with the fryer.A:
One basket comes with the fryer!A:
Baskets do, but the cart does not. Picture is misleading.Details:
Dose the 6 gallon have a drain cock for grease?Also how much of a constant battle is it to keep the temperature regulated?
All of the Cajun Fryers have drain cocks and they are all easy to regulate temp.I have the 6.5 and have talked with folks that use from the 4 gal. and up.
They all are built the same and work similarily.
Yes, it does come temperature regulated.A:
Yes; easy.A:
I own the 2.5 Gal. unit. But I am going to purchase the 6 Gal. The Drain valve is in the rear of all units except the 2.5 Gal. As far as temp control. once the unit is hot you can throttle back the "Jet Engine" and depending on what and how fast you are frying, Keeping the Temp steady is not a problem but does require your attention.Answers
Doubtful - but the website should specify if you can.A:
They are not sold gas ready, but the manufacturer can help convert it. Please contact Bass Pro Shops customer service and they can put you in contact with the appropriate person.Q:
6 answers
Does the Cajun Fryer by R & V Works Propane Deep Fryers - 4 or 6 Gallon have an automatic thermostat?
No. However, they are not difficult to regulate at all.A:
No; manual.A:
It does not. It has a thermometer not a thermostat.A:
Yes it has an accurate thermastat built into the lid. I have found if you get your oil 5 to 10 degrees higher than you want before you put you food in the temperature drops right to where you want it to be when you fry. The food cools down the oil 5 to 10 degrees in any fryer you use.1 of 1
1 of 1


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A collection of news and information related to Johnny Carson published by this site and its partners.
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Displaying items 89-99
Former mayors to run for City Council
Story | Jul 25, 2012 | 4:46 PMThis year's Huntington Beach City Council race is starting to evoke a classic Oscar quip from Johnny Carson: "I see a lot of new faces, especially on the old faces." Not that any of the candidates have had plastic surgery, necessarily. But among the 10... -
Burb's Eye View: A fond look back at a historical year
Story | Dec 18, 2012 | 6:02 PMSomeone once told me the best thing about being a journalist was that I got a first-row seat to history. What I didn't know then — and what I'm only beginning to understand now — is how one defines "history." For example, last... -
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Yamaha FX is the best valued high performance four stroke.
One of the most affordable 4 stokes PWC; the Yamaha VX jet ski with its 110 hp will definitely make your weekends on the water a real pleasure. Don't let the simple design of the hull full you! The VX delivers fun, performance and reliability for you and your family. Engine The compact, ultra-lightweight, liquid-cooled Yamaha MR-1 engine that powers the VX jet ski has 110 hp, four-cylinder, 1052cc, DOHC and 20 valves. This model has some of the "classic" features that Yamaha implemented in (...)
The Yamaha VX Sport is one of the most inexpensive ski jets on the market. Don't worry about that, the Yamaha didn't ruin its reputation by making a cheap ski jet without many features. The VX Sport it's fast, rides incredibly smooth and anyone can afford it. Engine The VX Sport is powered by a 110 hp, four-cylinder, 1052cc, DOHC, 20-valve, liquid-cooled Yamaha MR-1 four-stroke engine. Yamaha didn't forgot to include in the VX Sport the Electronic Fuel Injection system, the Yamaha Engine (...)
The Yamaha VX Deluxe offers an aggressive styling, an exceptional performance combined whit extra luxuries like mirrors, reverse and the Yamaha remote security system. Engine The VX Deluxe is powered by a 110 hp, 1052cc, 4 stroke Yamaha MR-1 engine designed exclusively for marine use. The Yamaha engineers designed this ski jet to produce the maximum performance whit out risking an engine break down. This engine makes the VX Deluxe to reach a speed of 53 mph at 8,000 rpm, enough to pull a (...)
The Yamaha VX Cruiser is all about driving. The Yamaha engineers changed the deck design, added some innovative features giving a new feeling to the VX Cruiser whit out sacrificing the fun and the pleasure of driving it. Engine A 4-cylinder, 4-stroke whit 3-blade Stainless Steel impeller engine capable of 110 hp @ 8,000 rpm powers up the Yamaha VX Cruiser. This lightweight engine is much more fuel-efficient than the competition and delivers fun, performance and reliability. The Yamaha (...)
The Yamaha SR230 High Output is a 23 ft. smart looking open bow sport jet with enough room for 10 persons perfect for an afternoon on the water whit your family or your friends. This boat meets all the needs of a boat enthusiast: performance, luxury and space. Engine The Yamaha SR 230 High Output is powered by two Yamaha High Output MR-1™ engines that deliver 320 hp. These 4-Cylinders, 4-Stroke 1052cc Yamaha marine engines deliver excellent power in a compact package. The (...)
The Yamaha Super Jet is the best-selling wave runner in history, and there's a good reason for that. The optimal leverage, the control, the Spring-Assisted Hand pole that allows the handle pole to be lifted effortlessly, allowing the rider to have optimal control with less fatigue, the Foot Tray with a slip-resistant surface that provides enthusiasts with the leverage and traction to ride with more confidence and the 73 hp engine are some of the reasons why the Super Jet from Yamaha is the (...)
AR230 High Output offers everything for performance and water sports enthusiasts.
The ultimate Combination of luxury, performance and comfort
The 21 ft. SX210 has lots of features and power. The 220 hp, twin four-stroke engines, integrated swim platform and ability to comfortably seat nine make this boat perfect for any family outing on the water. A practical space-saver, this in-floor cooler is perfect for storing refreshments for those hot summer days.Yamaha's easy-to-use "No-Wake" mode maintains the ideal RPM and speed for maneuvering through no-wake zones.Tilt steering easily adjusts to fit any driver — that is, if (...)


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Virgin Gorda Sights
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Savannah Bay Beach
Savannah Bay Beach Review
This is a wonderfully private beach close to Spanish Town. It may not always be completely deserted, but you can find a spot to yourself on this long stretch of soft, white sand. Bring your own mask, fins, and snorkel, as there are no facilities. The view from above is a photographer's delight. Amenities: none. Best for: solitude; snorkeling; swimming.
- Address: Off N. Sound Rd., ¾ mi (1¼ km) east of Spanish Town ferry dock Savannah Bay, Virgin Gorda VG1150
- Phone: No phone
- Cost: Free
- Hours: Daily dawn–dusk
- Location: Northwest Shore
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We recently returned from celebrating a special anniversary. Read more
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Categories 7-Day Forecast First Alert Doppler Weather Cameras Humidity 76% Winds 10.4mph View Full Forecast › 34° Colorado Springs ›
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4 years 4 months ago 3,300 Fort Carson soldiers to deploy to Afghanistan next summer The Department of Defense announced Wednesday that 3,300 soldiers from the 1st Brigade Combat Team, 4th Infantry Division, from Fort Carson will deploy to Afghanistan next summer. Their mission will be the ongoing training and mentoring of Afghan National Security Forces. The announcement comes one day after the bodies... Read Story › Share: Facebook Twitter Google Plus
Play Cancer Mom Banned From School Play Becoming Batman Play Ivory stockpile destroyed Play Pueblo Police response times Play Search for Loaf N Jug robber Play Search for church thief Play Flood damage tour of Cheyenne Canyon Play I-25 speed changes Play Verdict on murder case Play Fort Carson welcoming home more soldiers Play Grass fire dangers during winter Play Race to South Pole Play Cheyenne Canyon flood damage tour Play I25 Speed changes Play Body found in meth lab Play State Fair didn't raise as much money this year 1 2 3 4


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MotorWeek - 2014 Bentley Flying Spur & 2014 Buick Lacrosse
2014 Bentley Flying Spur & 2014 Buick Lacrosse
In this episode we get regal with Bentley's over the top Flying Spur, then it's back to reality in the 2014 Buick Lacrosse. Brian Robinson shows us his moves on a new Ninja, and Pat Goss shares his infinite wisdom regarding repairs.
2014 North American International Auto Show
In this episode, we trek to Detroit for the 2014 North American International Auto Show where there?s more that?s exciting and innovative than ever.
Air date: 01/31/2014
2014 MotorWeek Drivers? Choice Awards
In this episode, we introduce the cars, trucks, and utilities that grabbed our attention for the 2014 MotorWeek Drivers? Choice Awards.
Air date: 02/07/2014
2014 Chevrolet SS & 2013 Mercedes-Benz GLK 250 BlueTEC
In this episode, we see if an old-school approach makes the new 2014 Chevrolet SS current. We?ll top off the diesel tank with the Mercedes-Benzes GLK250 BlueTEC. Zach Maskell goes over the edge at home, working at the car wash. Pat Goss gets charged up down at Goss? Garage. Japan?s oldest carmaker...
Air date: 01/24/2014
2014 Honda Odyssey & 2014 Porsche Cayman S
In this episode, we find out why the latest Honda Odyssey is the must have of minivans. The Cayman S is the new quintessential Porsche sports car. We take a ?Quick Spin? in the 2015 Subaru WRX and the 2014 BMW i3. Yolanda Vazquez goes up close with how we watch our favorite sports programs. Pat...
Air date: 01/17/2014
2014 BMW M6 Gran Coupe & 2014 Kia Cadenza
In this epoisode, we see how high power and high end luxury meet in the BMW M6 Gran Coupe. And we'll whistle a new tune with the all-new Kia Cadenza. Yolanda Vasquez explains, there's only one place to find out how aerodynamics boost fuel economy. Pat Goss knows a thing or two about history. And if...
Air date: 12/27/2013


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Eighth-grade teachers at a North Carolina school have seized upon the popularity of "The Hunger Games" trilogy by including themes from the young-adult novel across the curriculum. Students also went on a field trip to see the movie and participated in their school's own version of "The Hunger Games." "We're trying to get away from 'sit down, take notes, take a test, be bored,' " said Jason Hunsinger, a language arts and math teacher.
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Bonus Features Extensive additional footage including interviews with all the band members, footage from C...sucker Blues and Mick Jagger and Charlie Watts returning to Olympic Studios and Jaggers country house Stargroves where a lot of the early work on the album was done.
In the spring of 1971, The Rolling Stones left the UK to take up residence in France as tax exiles. Keith Richards settled at a villa called Nellcote in Villefranche-sur-Mer, and this is where the band recorded much of their masterpiece, Exile on Main Street. Stones in Exile tells the story in the band's own words and through extensive archive video of their time away from England. Bonus footage includes interviews with all the band members; scenes of Mick Jagger and Charlie Watts returning to Olympic Studios; and film of Jagger's country house Stargroves, where a lot of the early work for the album was done.


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Comments (Page 4)
Judged: 1 |
Judged: 1 1 1 |
Judged: 1 1 1 he always giv yu a good deel his name is chantell livingston tell him La tweath sent yu La tweath in African means fat assed home girl with huge lips that lays down for any homeboy |
Judged: 1 |
I just went in to ASE Metal today after doing a little on line research and checking the above comments. I have no experience doing this and was pleasantly surprised how easy it was and how kind and courteous Jen and Jason were. Everything was explained in detail over the phone and I brought in some of my unused/broken or outdated jewelry and was so surprised how much I got for so little. I have been thinking of it for a while and am so glad I went in today.
Judged: 1 1 |
Why would someone think they would pay more because it's "designer"? The metal recover places just melt it down and 18k is 18k no matter who made it into jewlery previously.
I checked out several other places before going to ASE and they all seemed to have "designer" and antique stuff for sale so I think maybe they pay more but I guess I don't know.
After reading posts did go to ASE Metal Recovery...As stated everyone who worked there was professional and courteous...Annie helped me with the gold jewelry that i brought in...she explained which items were 10k or 14k and answered any questions i had regarding the jewelry... Was a pleasant experience and feel that i got a fair deal which is all i wanted....thank you Annie for the help....i certainly will go back there if i am selling again...
United States |
Judged: 1 Oh...when you approach his truck whistle "Fly Me to the Moon", so he'll know you're okay. Also, don't look him directly in the eyes...he hates that. |
he's the worst, took some coins there and left and got double at the next place, lawson is a rip-off...do your homework, why the trade gets a bad name because of these types of con-men |
Lawson is a rip-off, took some coins there and went to next place and got double, Why people like Lawson give the trade a bad rep.. he is the last guy u want to go to unless you want to have him cash in on you ??? NO THANKS
Depends on if and where you stole it.
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Article Free PassLi, also called Hlai , indigenous people of Hainan Island, off the southern coast of China, and an official minority of China. The official name Li is applied to a number of different local groups, most of whom speak languages distantly related to the Tai language family. Until Chinese linguists created a romanized orthography for their language in the 1950s, they had no writing system of their own.
The Li live intermingled with people officially classified as Miao (known in Southeast Asia as Hmong). The importance of these two peoples was recognized by the creation of a Hainan Li-Miao autonomous prefecture, but this entity was dissolved when Hainan was made a province in 1988. The Li have also been influenced by Austronesian-speaking peoples and, particularly in the past two centuries, by the Han Chinese. In the early 21st century the Li numbered nearly 1.25 million.
The majority of Li have settled in upland river valleys and grow paddy or wet rice and raise water buffalo and cattle. After China reopened its economy, many Li shifted to commercial agriculture, especially the planting of rubber trees. The long isolation of the Li from the centres of Chinese culture have made it possible for them to preserve many aspects of their traditional culture, including distinctive clothing and religious practices centred around locality and ancestral spirits. Li cultural practices have become one of the attractions that draw Chinese and foreign tourists to Hainan Island.
A particularly important holiday for the Li is a festival held on March 3rd of the lunar year. This is said to be the anniversary of the legendary beginnings of the Li ethnic group. The event is celebrated with sacrifices and competitions of many types.
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Matted prints are extraordinarily versatile. They are the Swiss army knife of the wall art world. Whether you're planning on self framing for your home, needing to store professionally presented prints, or holding exhibitions this is our product ying to your purpose yang.
Cunningly designed to fit your image within a standard mat to work with our gorgeous solid timber Reusable Frames: 406mm x 508mm / 16" x 20" (includes mat dimensions)
Another name for black pudding is – bloodworst.
That definitely looks good enough to eat! It looks so real, I'm ready to look for a salad fork! Great job Margaret.
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Tulalip Amphitheatre 10400 Quil Ceda Blvd. Tulalip, WA 98271
"Experience Hendrix," North Charleston Perf. Arts Center, North Charleston, S.C. Jason Moore
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Despite the the rather typical mid autumn weather we got a warm welcome at Porthtowan Backpackers and some helpful advice on local eateries.
For those that aren't already in the know, the accommodation is good quality and family friendly at the heart of a great beach location, and there is un-tapped resource of surfing expertise right on site.
Local amenities include a great beach bar, a surf academy we have used before and various local pubs and shops - inlcuding a florist in the same building !
Exceptional value and we will certainly be back.
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Woman Killed in Wreck with Cotton Truck on Mooresville Road
LIMESTONE COUNTY, Ala. (WHNT) – A Huntsville woman died in a wreck Thursday on Mooresville Road, at Van Dyke Road.
State troopers say 28-year-old Tamika Pryor lost her life in that accident.
Troopers say Pryor's white car collided with a truck hauling cotton. Pryor died on the scene. The wreck happened just before 3 p.m.
Authorities say Pryor was coming off Black Road toward Van Dyke Road. The farm truck was driving south on Mooresville Road. The two vehicles collided, and the Pryor's car veered off the road and hit a fire hydrant.
The driver of the cotton truck was not seriously hurt.
6 comments
Man I miss u and love u soooo much rip…. words cant describe how I'm feelin
So worry for ur loss ;(
**Sorry** Not used to my keyboard yet. I am always hitting wrong buttons.
God wanted you more. Now you can dance with the angels
Tameka, one thing I know, is beyond a shadow of a doubt. U loved the Lord, and he loved you. Rest on honey I will see you in again.
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A waitress in Minnesota is suing after $12,000 was left at her restaurant table — she says it was a tip but police say, it's drug money, according to The Forum.


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Watch Who's the Boss? A XXX Parody: Tony walks in on Angela in the shower and an argument ensues. He then promises to show her the highest horse she's ever seen. Mona seduces Sam's boyfriend Jesse in the kitchen. Meanwhile Samantha and her girlfriend Marcy are thinking about swearing off men altogether. Mona tells Tony and Angela to stop fighting and do it already. Besides, there can be only one boss in this household, and it's neither one of them. |
Released: | February 14, 2010 | |
Runtime: | 126 mins | |
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Director: | Lee Roy Myers | |
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Amid all the media adulation of the life of Margaret Thatcher, is it possible to recognise that a large proportion of the population loathed her?
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Nigel Evans, the former deputy speaker of the House of Commons, will go on trial today accused of sexual offences against seven men.
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Labour's flagship jobs guarantee would be in place throughout the next Parliament, paid for by a bank bonus tax and a squeeze on high-earners' pension pots, the party said.
Sports psychologist Enda McNulty can help Ireland belie the weight of history and shrug off "superstition" to claim the RBS 6 Nations title in Paris on Saturday, according to Joe Schmidt.
Armagh City manager Marty Rice believes his side will be the one everybody wants to meet when it comes to the draw for the Intermediate Cup semi-final.
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Evanston Community Foundation Announces New Staff Hires and Promotion
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North Central College awarded federal School Leadership grant for principal preparation
Biographer D.T. Max on David Foster Wallace and Chicago
Nicor Gas sets out to collect 1,000 pounds of food to support local food pantries during the holidays
Story | Nov 15, 2013 | 8:29 AMBeginning Monday, Nov.18, Nicor Gas employees will collect canned and nonperishable goods to support 10 local food pantries during the holiday season. The food drive runs through Dec. 16, and the company's employees seek to collect approximately 1,... -
Illinois General Assembly Directs Towns To Reevaluate Their Emerald Ash Borer Management Plans
Story | Aug 29, 2013 | 9:36 AMIllinois General Assembly Directs Towns To Reevaluate Their Emerald Ash Borer Management Plans Invasive specie costing government unplanned millions CHICAGO, IL – The Illinois General Assembly passed a resolution last session that directs... -
Judge hears arguments on challenge to state's same-sex marriage ban
Republican governor candidates make pitches at State Fair
GOP leader's resignation spotlights schism
Report: Illinois interstates 5th busiest in nation
Dash for campaign cash is a Raun-away for GOP venture capitalist
Story | Apr 2, 2013 | 4:32 PMRick Pearson reports: Wealthy venture capitalist Bruce Rauner says he's been on a listening tour to decide whether to seek the Republican nomination for governor, but his exploratory committee indicated Tuesday it already has raised $1.3 million....... -
Role with it: A Q&A with 'Catch Me if You Can' actor Ben Laxton


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The room choice is plentiful at Red Rock Casino, Resort and Spa. The 5-star rating is indicative of the exquisite services and facilities to be enjoyed here.
Besides a casino, Red Rock Casino, Resort and Spa even has a coffee shop/café and an arcade/game room. Guests can make use of an outdoor swimming pool here, as well as enjoying a pool bar and a swim-up bar. A beauty salon, a spa/wellness center and a spa tub are all examples of the wellness facilities. In this hotel you can find shops, such as a gift shop. Everyone can take advantage of a baby-sitting service, a concierge service and a ski storage, which are all on offer here. A night club, as part of the facilities here, is a source of a little extra fun. Total rooms: 811. Guests of this hotel may want to make use of a free airport shuttle bus, or perhaps a free area shuttle bus, which are both provided.
There is air conditioning in Red Rock Casino, Resort and Spa. A wake-up service is provided when you stay in the rooms of this accommodation, alongside a daily housekeeping service, both provided for your comfort and convenience. Rooms also boast a CD player. To make your nights here more relaxed, a hypo-allergenic bedding set (upon request), a Premium bedding set and a pillowtop mattress are provided.
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Check-in: | From 15:00 Check-out: Until 11:00 |
Parking: | Indoor parking, Guarded parking, Valet parking service, Parking (free) |
Airport shuttle: | Airport Transportation (complimentary), Free Area Shuttle Service |
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Executive ordersAt The Dramatic Climax Of Debt Of Honour, A Runaway Jumbo Jet Has Crashed Into The Capitol Building In Washington, Leaving The President Dead, Along With Most Of The Cabinet And Congress. Dazed And Confused, The Man Who Only Minutes Before Was Confirmed As The New Caretaker Vice-President Is Told That He Is Now President Of The United States. President John Patrick Ryan. But How Do You Run A Government Without A Government? Where Do You Even Begin? Ryan Knows That The Eyes Of The World Are On Him Now And Many Of Them Are Unfriendly. In Beijing, In Tehran And Even In Washington, There Are Those Eager To Take Advantage. Soon They Will Make Their Moves; Soon They Will Present Jack Ryan With A Crisis So Great Even He Could Not Imagine It. |
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The world lost a great writer the day Tom Clancy died. - Goodreads
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Review: Executive Orders (Jack Ryan #8)
User Review - GoodreadsPulled this out on a whim after hearing of the author's recent passing. Over the years I've cherry-picked the Jack Ryan novels that interested me, and skipped the others. This one turned out to be ...
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User Review - GoodreadsFantastic novel from start to finish.
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Jang Dong Gun for Whiskey Brand Commercial
- Shindong Joins Kang Ho Dong in Hosting Upcoming Variety Show
- Han Hye Jin poses for jewelry brand "AGATHA PARIS"
- miss A's Suzy Sporting Casual Brand 'MLB'
On April 23, whiskey brand Pernod Ricard Korea announced that it has selected actor Jang Dong Gun to represent it's product Imperial's upcoming campaign "We Never Go Alone." World-renowned soccer player Park Ji Sung was previously featured in the "We Never Go Alone" campaign in 2010.
In the "We Never Go Alone" campaign, Jang Dong Gun will appear with his friends and colleagues who he has been working with for over a decade. An official from Pernod Ricard Korea commented, "Jang Dong Gun is known for his personality. Even though he is one of the best and most famous actors in Korea, he never treats anyone badly. He is always considerate and attentive to everyone. We thought his leadership and abilities to communicate with his colleagues and friends nonchalantly matches the brand image of Imperial and what we are trying to portray through 'We Never Go Alone' campaign."
Imperial's "We Never Go Alone" campaign revealed its teaser poster on April 23. The official promotion of the campaign will begin on May 7 with TV commercials.
Jang dong Gun whisky ad, Jang Dong Gun whisky Advertisement, dong gun jang shirtlessShindong Joins Kang Ho Dong in Hosting Upcoming Variety Show
Super Junior's MC ace Shindong has joined MBC's new variety show. While Kang Ho Dong will be the main MC of the show, Shindong can be expected to be his closest helper when hosting the program. As both are known for their friendly nature and smooth hosting skills, the expectations are rising for the upcoming show. A source in the entertainment field revealed the reason for choosing the Super Junior member as the second MC, "Having extraordinary variety skills and loads of experience as an MC, we added Shindong to the upcoming show...
Han Hye Jin poses for jewelry brand "AGATHA PARIS"
Han Hye Jin has recently been chosen as the new face for jewelry brand "AGATHA PARIS"!The actress participated in a photoshoot for the brand's new collection with the concept inspired by the film "A bout de soulffle".Han Hye Jin drew all eyes with her gorgeous beauty in white blouses matched with a flirty skirt while representing various silver jewelry designs.Han Hye Jin recently finished her filming for the drama "Kind Words"...
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miss A"s Suzy was recently sporting a casual sports brand "MLB" and they"ve shared more photos of the idol for their 2014 Spring/Summer photo shoot. It turns out that Suzy has taken wonderful photos showcasing the brand. Suzy looks very pretty with "a girl next door concept," tomboyish in her sporty casual wear but her sex appeals with her matching smoky eye makeup and red lipstick."MLB" also revealed that they created an app through which fans can see more photos of Suzy...