text:
2. | Landmines | ||
A drinking game invented by current University of Pittsburgh students Sam Montgomery, Dan Jordan, and Ben "The Jew" Gomberg. This game involves plastic cups, a quarter, and lots and lots of canned beer. First you need to gather as many people as you want to play. Usually a good number is 4. The more people there are, the harder the game gets. Everyone sits around a large table or flat surface. Each player gets a plastic cup and a can of beer. They pour as much beer as they want into the cup, and then the first person spins the quarter on the table. Once the quarter is spinning, the player picks up their cup with one hand, chugs the beer in the cup, puts the cup down, and picks up the quarter with the same hand they chugged the beer with. If the quarter falls off the table, the player must drink what is in their cup, refill it, and spin/drink again. If the quarter hits another cup on the table, the player must drink what's in that cup as well as what is in their cup, refill their cup, and spin/drink again. When someone finishes a beer, they may place it on top of the quarter while it is spinning during any give turn. The player who was in the process of drinking when the can was placed must spin/drink again, and the can stays there for the rest of the game. If at any time the quarter hits the can, the player must spin/drink again. The game goes until you run out of beer or everyone passes out. Yo let's go play some landmines.
Dude we're gonna get so fucked up if we play that |
1. | Landmines | ||
A word used to describe thin ugly chicks. Grenades = bigger ugly chick; Landmines = thinner ugly chick
-Mike "The Situation" Sorrentino" |
3. | Landmines | ||
Usually refers to a huge bitch with no neck. She's so fat that her body meets her chin which leaves no room for her neck. These types of HUGE bitches can be found within a group of hot chicks ready to Cockblock anytime anywhere. Be aware of Landmines, they're extremely dangerous. ps. When Landmines turn around, head turn = body turning as well due to lack of neck. Yo look at that hot piece of ass!!
"Where? I can't see shit, Landmine is blocking her" "I'm outta here bro, this place is filled with Landmines" |
4. | Landmines | ||
A bomb inside the ground Landmines in Cambodia
5. | Landmines | ||
A drinking game invented in the heart of Sandy Hook. Materials you will need: two shot glasses, an abundance of beer cans, a quarter, and quality friends You start off by filling both shot glasses with beer as you drink your beers on the side. you proceed to spin the quarter allowed to use both hands but after that you must use only one hand to take both shots and retrieve the quarter cleanly! otherwise you go again. But while a quarter is spinning someone else can put an empty can of theirs on top of it and it will stay on the table for the rest of the game and it is the spinners turn again. also as spinner you cannot hit the "landmines" put on the table otherwise you go again. rinse and repeat until wasted beware Landmines ruins friendships
6. | Landmines | ||
When a friend takes you with him to see a girl or girls he has never met and they are ugly af. Suttie you just led us into a field of landmines. -___-
7. | landmines | ||
America's Border Solution Border Patrol 1: Let's put landmines so those Mexicans cant cross the border!
Border Patrol 2: Great! We'll send them back to Mexico with tanks too! |


text:
This article was originally distributed via PRWeb. PRWeb, WorldNow and this Site make no warranties or representations in connection therewith.
SOURCE: WorldAPP, Inc.
Now WorldAPP's mobile platform, WorldAPP Unplugged, can streamline any field-level operation, regardless of location.
Braintree, MA (PRWEB) November 27, 2012
WorldAPP, a market-leader in business process solutions and online data collection technologies, has recently introduced its latest software update Version 8.2 – The Autumn '12 Release. This highly anticipated software release comes at a time when the next major trend in Big Data is beginning to take shape – using mobile technology to streamline field-level operations.
Today, more and more businesses are outfitting their mobile workforce with tablets and smartphones, replacing clipboards with a more agile way of doing business. WorldAPP's Autumn '12 Release provides the intuitive software needed to handle the unique ways businesses are using mobile devices to collect, manage, and leverage data outside of the office.
"It's no secret that the rapid growth of mobile technology is starting to have a tremendous impact on the way a business operates," explains Cal Brown, WorldAPP CEO. "However, companies struggle to find a software solution that they can use both inside the office and out in the field that meets their unique process needs. Our commitment to providing our customers with a powerful, yet flexible solution has brought us to this point – where now that same power and flexibility can be put into the hands of field workers, regardless of where or how they do business."
Autumn '12 enhancements:
To learn even more about all of the improvements with v8.2 – visit the Autumn '12 Change Log, or call toll-free 888-708-8118 to speak with one of our experts about how you can revolutionize your field-level operations.
About WorldAPP
Founded in 2001, WorldAPP, Inc. is a leading provider of flexible Web-based data collection, integration, and business process solutions. Fortune 1000 companies rely on WorldAPP to leverage customer, employee, and market data and to solve critical business problems in a variety of formats. The company offers both turn-key products and rapid development of custom enterprise solutions based on its powerful CORE data collection engine. WorldAPP provides unmatched service and development expertise as well as web-based applications, including Key Survey and Extreme Form. The company is headquartered in Braintree, MA with offices in Dallas, Kiev, and London and is recognized on the Inc. 5000 list, ranking among the top 100 software development companies for three consecutive years.
For the original version on PRWeb visit: http://www.prweb.com/releases/prweb2012/11/prweb10163376.htm

subset: commoncrawl


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Diabetes HealthSense
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This website provides easy-to-use tools for tracking your health, nutrition, fitness, and medicines in a calendar format. Gain a comprehensive view of your health to help you identify areas of improvement and goal-setting.
This website provides information on seven self-care management areas for people with diabetes: healthy eating, being active, monitoring, taking medicine, problem solving, reducing risk, and healthy coping.
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text:
Keisuke Honda is a Japanese football player. Even though many people underestimated Japan in the world cup this year, they proved many wrong! and ofcourse, Honda (one of the few asian guys who can actually pull off Blonde) showed the world what football was all about.
Feel free to submit!
Feel free to submit other pics of the Japanese team.
Eiji Kawashima is a hottie too


text:
State Police said Matthew Kirkheart, 15, died in the collision on La. 164 about 4:30 p.m.
Joshua Kirkheart, 17, was driving the van that for yet undertermined reasons crossed the center line and hit a car driven by Aaron Hickingbottom, 19, of Lubbock, Texas.
Both drivers were critically injured, troopers said.


text:
Jessica Breger
Staff Writer
Johnathan James Fowler Jr. was born at 11 a.m. Jan. 1. He is the son of Johnathan and Karinda Fowler.
Baby Johnathan was born 6lbs 13 oz and 19.5 inches long. Johnathan has two older sisters, Jamie, 2 and Bailey 6.
In addition to their new baby Johnathan's parents received a gift basket from the hospital congratulating them on their New Year's baby.


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Black women battle obesity with dialogue, action
Sunday, December 23, 2012
WASHINGTON — Nicole Ari Parker was motivated by frustration. For Star Jones, it was a matter of life or death. Toni Carey wanted a fresh start after a bad breakup. |


text:
How long I need to wayt for my JR-pass
Itinerary Check for Tokyo and Kyoto
what kind of JR pass ?
JR routing for a trip from Nara to Hakone
Does these trains entail extra fee for JR pass
Does these trains entail extra fee for JR pass
Osaka Kansai/Tokyo/Mt Fuji/Osaka
itinerary : Tokyo-Hakone-Matsumoto-Takayama-Kanazawa-Kyoto-Tokyo
Better to buy JRpass in US or in Tokyo?
How do I get to Hakone from Hiroshima.
How to get from Kyoto/ Tokyo to Hokkaido?
Green vs.Ordinary
Narita to Disney,mtfuji etc
11 days in Japan - 7 or 14 day pass?
Reserving seat before pass begins?
Tokyo Hiroshima Naoshima Koyasan Kyoto Tokyo in 15 days
JR pass exchange at Haneda Airport
Traveling on a low budget - money needed for a week, cheap transp...
11 Days in Japan
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Jansport |
JanSport Bags has been producing high quality backpacks for nearly forty years. They aim to create flexible, durable packs with multiple functions. JanSport Backpacks are great for both school and the hiking trails. A recognized name in outdoor gear for many years, JanSport continues to excel in their field with the recent adoption of Fair Labor practices and the inclusion of new lines, such as their selection of laptop and messenger bags. Considered by many the apex of outdoor gear offerings, Jansport Bags are renowned the world over for their durability, functionality, and overall style. Be prepared for any occasion with JanSport daypacks and backpacks! Check out some of AppOutdoors The North Face Mens Clothing! |
Jansport Heritage Stars and Stripes Backpack TQF4 | Jansport Heritage Ski & Hike TQF3 | Jansport Heritage Hoss TRC5 | Jansport Superbreak Daypack T501 |
Jansport Black Label Superbreak Day Pack TWK8 | Jansport To Dye For Day Pack TZW9 | Jansport Heritage Wayback Backpack TQF8 | Jansport First Class Messenger Bag T06U |
Jansport Hauler Pack Day Pack TYZ8 | |||


text:
Affinia Gardens
215 EAST 64TH STREET New York, NY 10021
Manhattan: Upper East Side
Some important information about your hotel.
- The Affinia Gardens is a smoke free hotel.
Experience peace and calm among the tree-lined streets of the Upper East Side.
Are your dates flexible? Explore GoodBuySM Rates for a wide range of travel dates!
More Information About this Hotel
Note: Unless otherwise noted, the rates shown above do not include (if applicable) Extra Person Fees (Opens in a new window), Child Fees (Opens in a new window), Additional Mandatory Hotel Charges (Opens in a new window) or optional incidentals, such as parking, room service or movies.
Need Help with Your Booking? Call Travelocity Toll-Free: 1-888-TRAVELOCITY ( 1.866.207.1488 )


text:
Sunday, January 8, 2012
Craft-O-Maniac MONDAY link PARTY
20 comments:
- Crystal said...
Thanks for hosting :)
- January 8, 2012 at 4:27 PM
- Kim @ Sand and Sisal said...
Thank you for hosting! Have a wonderful week!
- January 8, 2012 at 4:46 PM
- Trish - Mom On Timeout said...
Thanks so much for hosting! Hope you have a fantastic week!
- January 8, 2012 at 5:16 PM
- Tip Garden said...
Thanks for hosting, somehow I had trouble, can you take off the extra posts it made on the cheese danish bread for me? I appologize for the trouble.
- January 8, 2012 at 5:26 PM
- Jeanna said...
Thanks for hosting the party... The duct tape boots were the first link I clicked on. Too cute!
dramaqueenseams.com - January 8, 2012 at 6:04 PM
- Ruby Jean said...
#76... That's me... I think that's the BEST number yet!! :) You sure do know how to throw a Party... You got ALL of us CLAMORING to get in.... :) Thanks again for hosting Jen... Have a FABULOUS WEEK!!! :)
- January 8, 2012 at 6:07 PM
- Lolly Jane said...
Thanks for hosting! Love your VDay printable! xoxox
- January 8, 2012 at 7:36 PM
- Sassy Sites! said...
Thanks for hosting!! Enjoy your week!! XOXO!
marni - January 8, 2012 at 8:43 PM
- Rebekah Greiman said...
Good morning~I linked up my Easy Lace Shirt-which is more of a cape. It's a great project for a someone unaccustomed to sewing-or for a novice sewer. Thanks for hosting the party once again. Have a great Monday!
Rebekah-www.potholesandpantyhose.com - January 9, 2012 at 5:38 AM
- Emily said...
Thanks for hosting! Have a great week!
Emily - January 9, 2012 at 6:59 AM
- 4you-withlove said...
Thanks for hosting...I put your button on my linky party page. I had some problems linking up my tissue paper desk tutorial and it came up 3 times...sorry (293, 294, 295) Can you delete 294 and 295? I tried and I wasn't successful.
- January 9, 2012 at 8:09 AM
- Jesika said...
Thanks for hosting, now following you! I may suffer from a craft disorder as well ;)
- January 9, 2012 at 9:48 AM
- Vanessa @ {nifty thrifty things} said...
Thank you so much for hosting! :)
Vanessa @ {nifty thrifty things} - January 9, 2012 at 11:49 AM
- Sue (Someone's Mom) said...
I just wanted to stop in and say hello! Look at all these fun projects...do I see pretzel balls? Yum! Hope it was a wonderful holiday for you and yours!
- January 9, 2012 at 2:30 PM
- Jill said...
Thanks for hosting - hope you have a fabulous week!
- January 9, 2012 at 2:40 PM
- Moore or Less Cooking said...
What a great party! Thank you for hosting!There are so many amazing posts, I can't wait to go see what everyone has created! Great to see you! Nettie
- January 9, 2012 at 3:42 PM
- Desiree @ The 36th AVENUE said...
Thank you my friend for the party... I just linked up. Better late than never ;)
Tons of love! - January 9, 2012 at 9:27 PM
- Crafty Mischief said...
Hi Jen! Thank you so much for hosting! I know it's not Christmas anymore but I missed you the last couple of weeks and I really wanted to share the gingerbread house from your Elmer's giveaway. Thanks! I hope you're having a fabulous New Year! :)
- January 9, 2012 at 9:40 PM
- Carrie said...
Thanks for hosting!
- January 10, 2012 at 10:56 AM
- Crafty Mischief said...
Oops! I stopped by again to add just one more craft...I thought the limit was 3. So sorry, my bad! My posts are 452, 453, 454 and 496 if you want to delete one. Can we still be friends? :)
- January 10, 2012 at 10:48 PM


text:
Retul has plenty of traditional bar and stem options for tweaking a standard bike.
As we get ready to leave Las Vegas behind, we wanted to make sure we go out with a bang. So we saved some great tidbits for last, in our Day 3 Gallery.
One of our favorite things to do is zoom way in and get a close up look at pro rigs. Here are some of the finer points from the bikes in Vegas.
This new fit bike has got a host of great features in a relatively simple, worry-free package.
When you log tens of thousands of km in a year, even tiny problems can turn into big ones. Tom Danielson's solved a foot problem with careful cleat placement and varus wedges.
New for Trek's 2012 squad is Montana native Linsey Corbin. I caught up with her at Retul Boulder where she dialed in her fit.


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2013 America's Cup
Sail-World.com : 2013 International Sailing Federation (ISAF) Youth World Qualifier
2013 International Sailing Federation (ISAF) Youth World Qualifier
'ISAF Youth World Qualifier' © USSTAG Dana Paxton 2012
Young sailors coming from different parts of the United States and Canada are expected to convene in Clearwater, Florida next year as they try to nab several spots up for grabs at the 2013 International Sailing Federation (ISAF) Youth World Qualifier, from January 18 to January 21. The U.S Sailing's Olympics Sailing Committee announced eight classes to be competed at the upcoming qualifier hosted by Clearwater Yacht Club. The winners of each class will have a chance to represent the United States at the ISAF Youth World Championships 2013 in Limassol, Cyprus.
U.S. competitors:
• Boy's One Person Dinghy: Laser Radial
• Girl's One Person Dinghy: Laser Radial
• Boy's Two Person Dinghy: International 420
• Girl's Two Person Dinghy: International 420
U.S. and Canadian competitors:
• Open Skiff: 29er
• Boy's Windsurfer: RS:X with 8.5m2 sail & 60cm fin
• Girls Windsurfer: RS:X with 8.5m2 sail & 60cm fin
• Open Multihull: Formula 16
All competitors shall be a member of the member national authority they intend to represent: US Sailing for U.S. citizens and residents, Canadian Yachting for Canadian citizens and residents. Sailors must be under the age of 19 by December 31, 2013, be eligible to represent the United States at the ISAF Youth World Championships 2013, and hold a valid United States or Canadian passport, as applicable.
The Notice of Race is posted online. Entry deadline is by January 11, 2013.
Racing for this event will take place on the Gulf of Mexico and/or Clearwater Harbor from January 19-21, 2013 with registration and measurement checks taking place on January 18. Nine races are scheduled and awards will be presented to competitors immediately following racing on January 21. Each class winner who meets all eligibility requirements will be invited to join the US Sailing Development Team and to represent the United States at the ISAF Youth World Championships 2013 in Limassol, Cyprus.
For more information, click on these links to online registration and registered sailors, to date.
For more information about the ISAF Youth World Championship as well as results from the 2012 ISAF Youth World Championship held in Croatia, please visit the event website
by Dana Paxton
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Encryption methods that the Chalk Pushcast Software uses
The Chalk™ Pushcast™ Software uses Triple DES to encrypt content, email messages, and information that the Chalk Pushcast Software sends to the Chalk Pushcast Player on BlackBerry® devices. Triple DES also encrypts the data that the BlackBerry® Enterprise Server and BlackBerry devices send between each other.
The Chalk Pushcast Software functions even if you do not activate devices on the BlackBerry Enterprise Server.
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Chalk Pushcast Software


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text:
Did the feds turn a blind eye to the Shakopee tribal enrollment fight? Finally, Congress decides to take a look.
On the Shakopee Mdewakanton reservation, dissidents want to know: Who is an Indian?
Cocaine, Tuna, and Free Trade
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Get today's exclusive deals at savings of anywhere from 50-90%
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text:
Ensure a proper seal on plates, blocks and storage tube racks with the Thermo Scientific* SuperSealer.
Choose individual sealing options such as Thermo Scientific Matrix SepraSeal mats for liquid handling and single tube accessibility or seal entire plates and blocks for storage with Thermo Scientific Nunc CapMats. Effectively apply adhesive tape seals and ensure a tight seal with the included SuperSealer Adhesive Seal Mat.


text:
Patrick Priebe, a 29-year-old man from Germany, built a real life Iron Man gauntlet with lasers. He posted a video of the gadget on YouTube but has already sold the device for more than $2,660.
A German tinkerer has combined his love of Iron Man movies and passion for laser gadgets to build a real-life version of the super hero's robotic arms, and he has sold the laser-firing device for more than $2,660.
Patrick Priebe, 29, of Wuppertal, Germany, posted a video of his "Iron Man Laser Gauntlet" on YouTube on Saturday, showing a red and gold full-metal shell gadget for his arm equipped with two 1.2-watt blue lasers and another two 4-milliwatt red lasers.
Priebe demonstrates the device and how it works throughout the first half of the video. Then, at the 2-minute 30-second mark, he begins to use the red lasers to aim at balloons and a blue laser to destroy them.
PHOTOS: Tech we want to see in 2013
"I'm a huge fan," Priebe said regarding the Iron Man movies in an interview with the Los Angeles Times via instant message. "There are weeks I watch the movies twice each day while working on stuff."
Priebe said the movies inspired him to build the gadget, but for now he has no plans to build a full Iron Man suit. He estimated it would take at least four years to make.
"It would be just damn complicated," he said. "A lot of extras, flaps, hatches, slide out missiles, lasers and so on."
Priebe said it cost him $650 and 130 hours to build the gauntlet, but it paid off quickly.
After posting the video featuring the device on YouTube, one of his frequent customers asked to purchase it. Priebe wouldn't offer exactly how much he got for his gadget, but he said it was more than 2000 euros, or about $2,660.
But this isn't the first laser gadget Priebe has sold. In fact, he runs a Website called Laser Gadgets, where he shows off devices he builds and says he'll make customized items on request.
"I make custom toys and gadgets," he said. "I make and show, then people like and want."
It all began when his girlfriend left him. With time on his hand, Priebe began making and then showing off his gadgets on YouTube. Some of the video viewers wanted to buy them. He's since decided to make the hobby into a full-time endeavor after he was let go from a job last September.Trained as a chemist, Priebe said he has learned how to make the gadgets as he goes.
"In Tony Starks' words: Sometimes you gotta run before you can walk," he said.
As for his love life, Priebe said the YouTube videos of his gadgets have helped him meet a girl online from Canada with whom he's become close.
Here's hoping you don't get Manti Te'o-ed, Priebe!
Rare, transparent Apple Newton PDA sells on EBay for $1,350
RIM would consider licensing BlackBerry 10 software, CEO says
Google's Sergey Brin spotted wearing Google Glass in New York


text: No emotion and any she does show, seems totally forced and why in the fuck, would the cartel, take your husbands dead body away and keep it?? Please tell me, I am not the only one thinking this because it seems really obvious to me. If I was the cop and she was telling me to look on land, I would keep searching the water.


text:
Find information on upcoming gigs and club nights, buy tickets and enter competitions
Jasmine (Thai) - 16 Goldhawk Road. Firm favourite with Empire staff and touring personnel alike.
Patio Restaurant (Polish) - 5 Goldhawk Road. Highly regarded Polish restaurant. Watch out for those vodka shots though...
O2 Shepherd's Bush Empire is the trading name of Academy Music Group Limited. Registered in England. Company number 3463738. 211 Stockwell Road, London SW9 9SL.
VAT no: 710648159.


text:
Today it's also been very noticeable on the BBC discussion boards, as well as in newpapers, that there has been a wave of condemnation by a very large number of people (including many religious people) aimed at the religious bigots. I reckon the protest has back fired a bit for the extremists and done nothing but show them up to the rest of the country as the small minority of hateful lunatics that they are. Like Hammad for example.
Nicholas I too thought it was highly unusual of the BBC news to put full details of the demonstration on their website. I wrote to them pointing out that I had never seen them do it before and that no other mainstream press included those details. I suggested it could be seen in context as encouraging readers to go along and was inappropriate. It dissapeared from the same story about 30 minutes later. I'm not sure if it was me but it is worth complaining sometimes. I was glad I went along last night to see the people who were so mean spirited to protest against us and the SORs. It gave me a little insight, the protesters I spoke to didn't seem to believe they are doing any harm but are reluctant to acknowledge the harm they do when it is pointed out to them. Ultimately they think they are saving us from ourselves. I'm beating you for your own good sort of thing.
Hi David, Ok the BBC did published the details of the demo and yes, considering its track record one can imagine sinister motives beihnd this but at the same time, my insider knowledge (through a friend) of the BBC News website team makes me wonder if this was noe done on purpose to allow a counter protest to happen…Who knows… It worked for me… :O)
These comments are un-moderated and do not necessarily represent the views of PinkNews.co.uk. If you believe that a comment is inappropriate or libellous please click "Report" or email us. Terms and Conditions · Privacy Policy


text:
Check-in Policy | 1400 | |
Check-out Policy | 1000 |
# Of Rooms | 135 | |
# Of Floors | 2 | |
Rating | 4 AAA |
Aqualuna Beach Resort
Coffs Harbour, Australia Hotels & Resorts
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Only minutes from Coffs Harbour Golf Course and all other major facilities in Coffs such as the Airport, Train and Bus Station, University, Hospital and ...
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Country Comfort Coffs Harbour is located beside the famous Big Banana at the northern end of town, 750 meters from secluded Diggers Beach, and approximately ...
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Coffs Harbour, Australia Hotels & Resorts
The Motel Offers Clean, Spacious Accommodation To Suit Single Travellers, Couples or Family Groups. It Has a Large, Saltwater Swimming Pool and Half-Size ...
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Best Western Zebra Motel
Coffs Harbour, Australia Hotels & Resorts
The Best Western Zebra Motel is located in the heart of the subtropical Coffs Harbour, a short walk from the main shopping mall, nightspots and clubs...
US $130 Per Night
Quality Inn City Centre Coffs Harbour
Coffs Harbour, Australia Hotels & Resorts
"Centrally located. Htl. is 350m South of city center, clubs, shops and cinemas. Data fax modems in rooms." ...
US $166 Per Night
Pelican Beach Resort Australis
Coffs Harbour, Australia Hotels & Resorts
The multi-award winning Pelican Beach Resort Australis is located midway between Sydney and Brisbane; Coffs harbour and is one of the most popular holiday ...
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Novotel Coffs Harbour Pacific Bay Resort
Coffs Harbour, Australia Hotels & Resorts
The Novotel Coffs Harbour Pacific Bay Resort is a resort located 10 minutes drive from the centre of Coffs Harbour. ...
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Mantra Quayside
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Quayside Apartments are positioned as one of Port Macquaries finest 4.5 star self contained holiday accommodation resorts. ...
Northpoint Apartments
Port Macquarie, Australia Hotels & Resorts
Northpoint Apartments accommodation is suitable for that romantic holiday or getaway with complete privacy and families who are seeking holiday accommodations ...
Kayaking Tours on the South Coast of NSW
Batemans Bay, Australia Kayaking & Canoeing
Come on a Sea Kayak tour with Bay and Beyond on lake, ocean, or river. We offer tours year round and visit pristine coastal environments under the power of your own paddle. Operating since 1999 we are the South Coast's original kayak business....
US $45 Per Trip
Kayaking Sydney Harbour Bridge Lunch Tour
Sydney, Australia Kayaking & Canoeing
The ultimate guided kayaking tour in Sydney. Explore the inner harbour of Sydney and admire the magnificent views of the Sydney Opera House and Sydney Harbour Bridge. Includes gourmet picnic lunch. Hotel pickups also available from any CBD hotel....
Starting at A$ 115 Per Trip
14,000ft Tandem Beach Skydive Sydney
Sydney, Australia Skydiving
Experience Sydney's only beach skydive. Get the ultimate thrill of freefall from 14,000ft over the beautiful Sydney coastline. With only 15 minutes instruction you can experience the excitement of skydiving. Gift vouchers and DVD packages available....
Starting at A$ 285 Per Person
Australian Wild Escapes
Sydney, Australia Eco Tours
This fantastic Ecotour begins at your hotel & the historical Rocks area of old Sydney. Heading westwards across the coastal plain we make our way to the Great Dividing Range of Australia. It is here we leave the 'average' Blue Mountains tourist b...
A$ 249 Per Person
MudMaps Australia
Snowy Mountains, Australia Sight-Seeing Tours
Personalized Wilderness Tours of Australia's Man From Snowy River Country. Tours between Sydney and Melbourne through the high country staying at farmstays, B&Bs and little hotels....
US $500 Per Person
Broken Hill Corner Country Adventure Tours
Broken Hill, Australia Sight-Seeing Tours
Personalised small group 4WD tours of the Outback region of far-west NSW, with the emphasis on professionalism combined with fun. Our country is a land blessed with great diversity. It epitomises the harshness of the Australian outback, the serenity ...
Beach house in Point Lonsdale
Bellarine Peninsula, Australia Vacation Rentals
A two bedroom property only a 5 minute walk from the beach....
Starting at A$ 160 Per Night
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"The purpose of Phi Theta Kappa shall be to recognize and encourage scholarship among two-year college students. To achieve this purpose, Phi Theta Kappa shall provide opportunity for the development of leadership and service, for an intellectual climate for exchange of ideas and ideals, for lively fellowship for scholars, and for stimulation of interest in continuing academic excellence."
Today Phi Theta Kappa is the largest honor society in American higher education with more than 2 million members and 1,200 chapters located in all 50 of the United States, U.S. territories, British Virgin Islands, Canada, Germany, Marshall Islands, Micronesia, United Arab Emirates and Palau. The innovative programs and services and array of membership benefits offered by Phi Theta Kappa are unequaled among honor societies.
Phi Theta Kappa's mission is two-fold: 1) recognize and encourage the academic achievement of two-year college students and (2) provide opportunities for individual growth and development through participation in honors, leadership, service and fellowship programming. Co-curricular programs focus upon the Society's Hallmark of Scholarship, Leadership, Service and Fellowship. It is estimated that 200,000 students participate in Phi Theta Kappa programs each year. Annually, approximately 100,000 students are inducted into Phi Theta Kappa.
You may have already heard that due to the number of students walking for graduation this year, we have decided to rent tents and hold the ceremony outside between the HUB and the gym. Parking on upper campus is limited, so we have asked students to park on lower campus after dropping off their guests. I am requesting that if it�s possible for GHC staff to park on lower campus, I would appreciate that also. We will have vans that will be shuttling those who park on lower campus and need a ride up the hill.
10:30 � Awards & Graduation Ceremony � Music Pavilion
11:30 � WorkFirst Open House � 200 Board Room
We have Certificate Graduates, AA Graduates, RN Graduates, GED Graduates, CJST Graduates and many awards to give out!
Below are just a few of the students we will be acknowledging�some of the awards aren�t announced �til the event, so we can�t list those recipients.
� Elizabeth Crow
� Krista Miller
� Cha�ley Salzer
� Patricia Williams
� Susana York
� Larry Oyler
� Chris Norris
� Charles Mattson
� Steven Lower
� Amber Lekse
� Erica Garlinghouse
� Joe Barnes
Awards, recognition, speakers, lists and lists of accomplishments, a slideshow, great food and good company!
Please join us!
Erin Frasier
WorkFirst Assist. Director
Grays Harbor College
1620 Edward P. Smith Dr.
Aberdeen, WA 98520
Grades are not mailed to you at the end of the quarter. You can access your unofficial transcript (grades) through the Student Records KIOSK. All grades for the quarter are usually available on the Tuesday following finals week. If you have any fines against your account you will be blocked from viewing your grades.
You'll Need Your Student ID number and Global PIN...
A Student Identification number (SID) and a Global PIN number were assigned to you when you were officially admitted as a new GHC student. When used together, your SID and Global PIN give you access to your personal academic information through the Information Kiosk. (i.e. your grades, financial aid info, degree audit, etc). Your global PIN remains the same unless you change it. This is not the number you use to register for classes!
These numbers were sent to you via mail but, if you forget them you can take a picture ID to the Admissions and Records Office where they can provide the information. For security reasons, this information cannot be e-mailed to you or given out over the phone.
GHC Student Events and Activities


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Mayor Jerry Tomlinson and Oklahoma State School Board and State Board of CTE member Amy Ford made an appearance at Durant High School Wednesday Morning.
The two were at the school to sign a proclamation designating February as Career and Technical Education (CTE) month in Durant.
By doing so, Durant is joining others across the nation celebrating CTE month. Over 760 students at Durant High School currently participate in Career Tech classes.
DHS principal and career tech director Cheryl Conditt said these classes teach technical skills such as agriculture, health occupation and advertising.
Although other schools have similar classes, Conditt said it is the variety and number of these classes available at DHS that make the school a "comprehensive school."
"They get life-long skills," said business technology teacher Loann Latona.
She said that these classes aid students in interviewing skills, job readiness, self-confidence and networking. "They get their foot in the door," said Latona.
Conditt said that there are activities planned throughout the month of February that will "illustrate the rigor and relevance CTE courses offer our students."
Present at the proclamation signing were officers from the school's FFA, FCCLA, BPA, HOSA and DECA organizations.
Each of these organizations is an example of the CTE system currently available at Durant High School. Mayor Tomlinson addressed these students saying "I applaud you and what you do."


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The Progression of Agency Value in APAC: Developing a Model for Agency Maturity in a Digital World
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This report is the final in a four-part series on developing and growing online communities. Leveraging the Community focuses on the tools and tactics to take advantage of social audiences that have coalesced around a brand or product. Its three primary sections - feedback, support, and selling - cover the fundamental capabilities of community.
Online Communities
Download the final report in this series (Leveraging the Community) here.
Online Communities is a multipart series that guides marketers through the construction, upkeep, and leverage of a digital community. The four reports in this series aim to help marketers learn the best ways to conduct conversations across multiple platforms, understand the utility of email marketing, gather feedback, offer support, and, finally, convert community members into buyers.
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The Sales Organization of the Future Report, free to registered Econsultancy users, outlines how the confluence of economic pressures, the mainstreaming of social media, mobile technology and a general need to refocus on the customer will radically change the sales landscape over the next 10 years. The 14-page report explores how a value-added services company can maintain an effective and efficient salesforce, using the right technologies to allow them to influence their customers.
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- List of properties
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26 properties to rent found
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Office to rent Unit 17 Springfield Business Centre, Brunel Way, Stonehouse, Gloucestershire, GL10 3SX
Located on Stroudwater Business Park close to the M5 Motorway (Junction 13) providing access to the M4/M5 corridor including Bristol, Birmingham and South Wales. Ground and first floor offices within a purpose built two-storey industrial unit. The office suite has an open plan floor plate togeth...
£39,500 pa
Warehouse to rent Stonedale Road, Oldends Industrial Estate, Stonehouse, GL10
Unit 14 is a mid terraced industrial unit of steel portal frame construction with a pitched roof covered with lined profile cladding incorporating TRASLUCENT SKYLIGHTS. Internally it comprises a workshop/warehouse with ground floor offices, KITCHENETTE and WCs with mezzanine storage above.
Marketed by Bruton Knowles Commercial, Gloucester. Telephone: 01452 890312 Local call rate
Office to rent Brunel Way, Stroudwater Business Park, Stonehouse, GL10
The offices are located in a purpose built TWO STOREY industrial unit. The office suites have an open plan floor plates together with separate male & female WCs and a kitchen at each level. Air conditioning is installed to the first floor and the second floor IT room.
Marketed by Bruton Knowles Commercial, Gloucester. Telephone: 01452 890312 Local call rate
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4 bedroom detached house to rent Bristol Road, Stonehouse, GL10
A good sized modern property with 4 bedrooms, two bathrooms, living room, dining room, kitchen/ breakfast room, study, utility room, double garage, summerhouse with bathroom and kitchenette, and large gardens. AVAILABLE: NOW. DEPOSIT £1600
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Shop to rent Regent Street, Stonehouse, GL10
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The property comprises a GROUND FLOOR retail unit with kitchen and toilet and a generous two bedroom self contained flat above. There is gas fired radiator central heating installed throughout with a shared valent gas combi boiler sited in the DOWNSTAIRS KITCHEN.
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Light Industrial to rent Unit 3b Stonehouse Commercial Centre, Stonehouse, Gloucestershire, GL10 3RD
Mid terrace industrial unit with convenient motorway access.


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A collection of news and information related to John MacLean published by this site and its partners.
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Album review: The Juan MacLean's 'Everybody Get Close'
Pop & HissLCD Soundsystem ended up as the more famous flagship act of the DFA label and its revolutionary, post-punked flip on club grooves; as the imprint's second banana, however, the Juan MacLean has more than staked out its own vital turf. The... -
Area Roundup
Monday, July 4, 2011 RUNNING Run for Freedom 5K Monday in Williamsport Males (top 20): 1. Tony Clement 15:24; 2. Cameron Hanlin 15:43; 3. Mark Eissens 16:41; 4. Evan Hardy 16:55; 5. Justin Cole 16:57; 6. Mark Oliver 16:58; 7. David Roza 17:07; 8....Tags: High School Sports, High School Baseball, Human Interest, College Baseball
Question of the day: So far, what has been the biggest surprise of the NHL season? [Updated]
The Fabulous ForumWriters from around the Tribune Co. weigh in on the topic. Check back throughout the day for more responses, and feel free to leave a comment of your own. Chris Korman, Baltimore Sun That the Flyers, who made it to...... -
Music review, Beta Band at Metro
Special to the TribuneFuture pop historians may one day look back on the rock scene of 2001 and characterize it as the era of the alpha male. Its pop charts are dominated by aggressive, showy dudes in bands like Limp Bizkit, Blink-182 and System of a Down, and lots of like-...Tags: Latin Music (genre), Popular Music (genre), Blink-182 (music group)
Oct 24, 2011
| Los Angeles Times
Jul 4, 2011
|Story| Herald Mail
Oct 29, 2010
| Los Angeles Times
Oct 27, 2001
|Story| Metromix
Original site for John MacLean topic gallery.


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Last updated by David Perry aka The Rogue Recruiter at June 11, 2012.
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Macaulay's Criticism
Posted 15 February 2011 - 12:57 PM
These are my reactions to this review in contrast to the reviews posted above:
Macauley (unlike his predecessors at the Times) has no real use for 19th century story ballets, something he felt that 20th century geniuses like Balanchine had to clear out to create real choreographic art. Macauley has no real reverence for the Kirov as a repository and fount of classical ballet. Macauley mentions the Mariinsky dancers hearing but not dancing to the music. Macauley's beau ideal is Balanchine who of course demanded that the dancers not stretch steps beyond the strict tempos in the orchestra - the dancers reflect the music. Russian dancers often stretch the music for effects and interpretation (think Makarova). Obviously many of the Kirov dancers seemed at odds with the conductor's slow tempos - hence the rushing of the beat, etc.
According to the posters here, Vishneva was not at her absolute best on opening night (which Macauley saw) but was better on the following weekend performance. (I have lately noticed less electricity and diminished technical brilliance in Vishneva's performance from her abandon of five years ago. The foot injury two or three seasons ago seems to have been a factor) Macauley clearly sees a somewhat calculated, effect-laden, self-conscious performance. He prefers Somova's less sophisticated, more direct if unsubtle approach.
I remember when the Kirov toured more than 10 years ago, Zakharova was criticized heavily (after an uneven Aurora at the opening night 1890 "Beauty") for her unclassical hyperextended plastique in a pure classical role. Kisselgoff was not pleased with her. However, as Giselle, Zakharova's flexible body and high extensions gave an ethereality and lightness to the role and it all looked better than the Aurora. Her youth gave a certain freshness to it - the role was new to her. Asylmuratova's Giselle had a more practiced style but lacked stamina - she was visibly tired by the second act pas de deux. One of the reviews mentioned that Giselle, like Hamlet was a role often played by very young performers or mature performers much older than the character they were portraying. Each could bring something vital to the part - the younger performer impulsiveness and vulnerability and the older performer greater insight, life experience, style and more refined technique.
This dichotomy might have been repeated in D.C. with Somova and Vishneva (on opening night where she probably was tired from all the rehearsing and traveling beforehand). Somova has shown that with careful coaching, she can excel - she has a body that has the capacity to do great things (with someone else's mind guiding it). The change of coaches from Chenchikova to Terekhova probably has had a salutory effect. Somova's long-limbed willowy body could, with proper coaching, create lovely images in the iconic Giselle poses. The Romantic style can accomodate more exaggerated positions and higher arabesques.
Also, different people are looking for different things in a Giselle (as with Hamlet). Do you want her wild and reckless - a Romantic wild child? Do you want her shy and otherworldly? Do you want a hearty peasant girl with a fatal flaw? Vishneva has gone from pretty ingenue (12 years ago with the Kirov), to coltish wildness (ABT with Corella and Malakhov 5 or 6 years ago) to more conventional delicate girl with a tragic destiny (ABT 2009 season with an under par Corella). So maybe Somova is maturing and maybe Vishneva wasn't at her best. Or maybe not and prejudices came into play. But some things to ponder.
Posted 15 February 2011 - 01:24 PM
Posted 15 February 2011 - 06:03 PM
FauxPas, on 15 February 2011 - 12:57 PM, said:
Macauley (unlike his predecessors at the Times) has no real use for 19th century story ballets, something he felt that 20th century geniuses like Balanchine had to clear out to create real choreographic art.
Macaulay has written decades of criticism that refute any assertion that he has no real use for 19th century story ballets.
Posted 15 February 2011 - 07:23 PM
Blame the faltering economy, and faltering interest (editors would rather publicize a dancer going on a TV show to try to date a celebrity).
Posted 15 February 2011 - 11:29 PM
Actually it always seemed to be like this in New York back to the Frank Rich days of theater criticism - no matter how many dance critics there were, the Times version prevailed over all the others, including that of the Voice. Maybe in the days of the East Village Other it was different.
I did like what Macaulay said about Giselle's choreographical architecture and his review on the revival of the Cunningham Septet - it's his taste in certain types of dancers, such as classic blond males, that I find a bit too rarefied ... And don't forget the work of John Rockwell, the previous dance critic in his spot, who seemed far less knowledgable about dance.
Posted 16 February 2011 - 05:21 AM
Quiggin, on 15 February 2011 - 11:29 PM, said:
Actually it always seemed to be like this in New York back to the Frank Rich days of theater criticism - no matter how many dance critics there were, the Times version prevailed over all the others, including that of the Voice. Maybe in the days of the East Village Other it was different.
Quiggan, as far as NY theater criticism, the NYT has held the "central" position back further than Rich. Back in the mid-late 60s, it was Walter Kerr who would decide if a show lived or died. Ok, that's too simplistic, he couldn't make it or break it every time, but the Times was a powerful force, the most powerful, and I suspect it went back to an even earlier era than the one I experienced. And Kerr was followed by a string of equally powerful reviewers lead up to Rich.
Back several years earlier, there were many more daily newspapers in NY but by 1966 or so, almost all of them had either been bought or went out of business. This left the city with the Times, News, and maybe the Post. But the Times called the shots in theater criticism.
I also agree on the influence Maccaulay has , but the dance criticism issue is a little different than the theater criticism one in that it isn't so much tied to the economic fate of the show being reviewed. The theater critic's power at the NYT is that the review heavily (less than an earlier era, but still a factor) influences ticket sales. And this is a much more tenuous connection with dance reviewing. But the basic connection is still there, the NYT is the first place people tend to go to determine what the "critics" thought. Same thing with music.
Although I think in this era, there are other sources of influence and also the role of the "critic" is being reevaluated. People are less likely to consider a single reviewer a central point of influence. Today anyone can be a reviewer be it on a website , or in the social media forums, or other internet phenomenon.
Posted 16 February 2011 - 06:14 AM
Quiggin, on 15 February 2011 - 11:29 PM, said:
no matter how many dance critics there were, the Times version prevailed over all the others, including that of the Voice.
Even if the NY times version prevails in the end, I hope to see many other voices from people who work as critic, which may help the readers like me distinguish "personal taste and artistic merit" mixed in any review, especially, in my opinion, in Macauley's. Or, I hope a tag is attached to each critic which briefly explains his aesthetic view and taste. Knowing Macauley admires and loves Balanchine and classic blond males, as written here, would have helped me duly appreciate his reviews.
In his Giselle review, I also liked his mentioning "a dominolike ripple" in a "sensuous but unyielding diagonal", which was one of the scenes I loved most in Kirov's Giselle, but I felt the comments about Vishneva, "this was a Giselle who was living up to her own press notices rather than to the role's drama", a bit insulting to a professional dancer, unnecessarily nasty, like now notorious "too many sugarplums" phrase, though I can't tell if she was really oddly flat on the first night, obsessed with her reputation, as he said, so, deserving such comments, because I didn't see it. On Sunday when I saw her, I noticed a hair of self-consciousness and exaggeration in her acting in Act One, but, I still think Macauley's comments too harsh (...or, it may be just me who feels like this, not being familiar with American criticism culture), unless he saves same or more paragraphs to her dancing and acting in Act Two, which was so moving on Sunday, and I think, may been same on the first night. I think Macauley has much knowledge and even enthusiasm about art and beauty of ballet, and I just wish those merits of him don't fortifies his confidence in his taste too much, making him unjustifiably aggressive about what "he" didn't want to see.
Posted 16 February 2011 - 07:48 AM
I offer a comparison that I am sure many of the readers of this board will look down upon, but my experience in this connection forms the basis of my lack of trust in reviews and my cynicism. This experience underlies my present question, so I am willing to open myself up to condescending comments for the sake of my inquiry. In the arena of popular musical forms, rather than "high art," I have a great wealth of knowledge regarding a certain rock band, having seen hundreds of concerts over several decades, having listened to hundreds of recordings repeatedly, and having read virtually all that was written about the musicians at issue. From a base of real knowledge and experience, I can report that the reviews of recordings and concerts by this band by critics in influencial newspapers and magazines have been, more often than not, based on erroneous factual information, as well as prejudice, self-regard, and self-righteousness. The critics almost seemed to want to achieve superiority and notoriety by disrespecting and discounting the popular musicians, without regarding to factual history, critical validity, or veracity. Therefore, I have always been suspicious of media critics.
Literary criticism offers insight, background, and a deeper understanding of works of fiction. I am not sure I understand criticism by reviewers of dance or the reliance on it by members of this board. Thank you for any insight.
Posted 16 February 2011 - 10:44 AM
puppytreats, on 16 February 2011 - 07:48 AM, said:
Yes, it must be, although you might just mean Macaulay and other NYTimes 'power-critics'. The query may come from the fact that any word he utters is discussed at great length here--more than I think is merited, but then I've fallen into that trap myself until recently, because he's knowledgeable but not IMO a good writer (some critics are). People are right that the NYTimes critic is the most-read, even if many don't like him/her (although I don't think I remember Dunning and Anna Kisselgoff being so controversial, but then I wasn't reading them as often), but I think it doesn't have to be taken as seriously as it is. He's almost always linked, and is sometimes truly worth paying attention to, sometimes not, sometimes just fatuous (as the NYTimes in general seems to be increasingly becoming, although it's still the Paper or Record, and we have to use it).
Yes, insofar as it does apply, and where. I think on this board, it's more a matter of trust of the NYTimes in general, rather than much need for 'greater expertise', because a lot of the members of Ballet Alert have it themselves, and don't need to be told; so many of them find it as some sort of addendum, I guess. Frankly, some of them here, as I've mentioned a number of times, say far more interesting and useful things about ballet for me personally, as they don't resort to hyperbole. And if you're new here, you may not know that there are quite a number of professional critics, not only for dailies, but for other dance journals as well (some have blogs connected with this board, or elsewhere too, apparently.) The critics here are not usually going to weigh in so much on the value of colleagues, of course, that's not to be expected. But there are several on here you must have discovered by now.
It's 'not very nice' to say such things, but it's worse when one N.J. critic for a paper said 'Ratmansky is an idiot', so that frankly I think it's good that there is at least that much freedom to speak on this board, even if that is extreme. I tend to say such things about certain writers, including one who writes about dance (but doesn't do dance reviews, as far as I know, but rather writes the worst purple prose I've seen in my entire life of any kind and anywhere, but that's another matter.)
Some might 'look down upon it', but I doubt most would, and they oughtn't, and it's an excellent point too. The problem is, of course, that critics can't research everything they review that thoroughly, no matter how erudite and well-versed they are in any given art-realm. Yes, I've done the same with certain writers and performers (in various art-forms.) It is the only way to become fully expert in the artist, but in this way I'll defend all critics, in that if they have to review a lot of material, they can't be specialists in nearly all of it. Macaulay is generally thought by those who do know here (I'm not one of them) to know a great deal about ballet and dance, whether or not one agrees with him or likes him.
Here's where we diverge: I don't think it's necessarily good either, although it can be, especially if the reviewer also writes the fiction or good non-fiction. Or it can be perfectly horrible too. There is garbage being written everywhere, and probably always was, in addition to the good pieces.
It's just as normal to write criticism of dance as of any other art, and I don't think the 'members of this board rely on it' especially. Some find Macaulay esp. interesting, illuminating, whatever... But there are several critics who write on this board (some more than others) who are writing professionally, and I'd imagine they all have differing views of Macaulay and NYTimes critics of the past. I'd personally rather read them--there's not only DanceView Times, with several members here who write, but also the UK's 'Ballet Magazine' reviews of RDB and RB are particularly good (as this one which is linked in another post here: http://www.ballet.co...10.htm, (these are the kinds of reviews I get most from and do learn from and even 'rely on', as well as just some criticism written directly onto the board by some of these same people) as are some of the other British members who aren't writing professionally, like Simon G. and leonid (who doesn't write here for some time, however.)
I was interested in something Richard mentioned about theater critics influence being somewhat less than in the past, particularly the NYTimes one. I don't know about 'the last decade', to me it seems as if the Times theater critic has become less 'make or break' for even longer, but that might just be for the huge shows. No time to go into that in detail, but right now the big absurdities around 'Spider-Man' are one example. Ben Brantley reviewed it while it was (is) still in previews, because its opening keeps being postponed, and said it was one of the worst musicals in history (or close to that, it 'might be', but who cares). It's still making a fortune, even with all the danger and irresponsibility (including legal citations) or maybe because of this. And it probably will if it ever opens. So maybe the theater critics still hold sway on smaller and more serious productions, but not on the big tourist spectacles. I remember a good number of Frank Rich reviews, was not overly impressed with most of them, but I haven't paid attention to the powerful critics since the 60s.
I don't see Ben Brantley as being an esp. powerful theater critic the way Macaulay is, though.
Less powerful still are film critics of even the NYTimes--most people don't even know their names. And the Establishment movie critics of today seem less knowledgeable than those of the past: Nowadays, there is a lot of reviewing, for example, of movies adapted from novels, in which you can see that the critic didn't read the novel; this becomes obvious when you read it, given that they can't refer to it. I think this was less frequent in decades past, and even critics I don't admire as much as others do, like Pauline Kael, were much more often familiar with the books or plays from which films were adapted. This doesn't seem to be a pre-requisite anymore, and here, in particular, is where 'everybody writes reviews', with the IMDb an often hilarious spectacle of people writing 'in movie review mode', and taking it dead seriously too. That's just one example of how bad movie-reviewing can be, though, but I'd think it's the one that requires the least expertise. Any music or dance critic has to really have some solid experience and long experience too, even if some indulge in the sillinesses that are becoming more and more prevalent--and this goes for the very top critics, there's probably a lot of pressure to do 'pop things' which I dislike personally, like choosing 'best of lists' and making sweeping statements about geniuses (that the critic often or always isn't, even if s/he's a good critic in many ways.)
Posted 16 February 2011 - 11:59 AM
Kyeong, on 16 February 2011 - 06:14 AM, said:
A few excerpts from the great American dance critic Arlene Croce's reviews in "The New Yorker":
From July 4 1997 ("Beyond Ballet Theatre")
[T]he only sensible objections to altered text in "the classics" is to wrongness of effect. I'd have preferred some bright substitutions for the standard releve-passe / entrechat sequence, which, with Kirkland's thin thighs and calves, has no dazzle.
From May 18, 1981 ("A New Old" 'Giselle")
Myrtha prepares the drama. Anyone who has not experienced the thoroughness of her preparation has not felt the icy breath of Giselle. None of the three Myrthas I saw this season did more than warm up the house for the stars....
Inspired Giselles are possible even within the vaporish terms of the role. I saw none this time...
Alexander Godunov has style, too -- old-Bolshoi style. With his carefully sculpted pageboy, his low necklines, and his massive, girlish legs, Godunov is like one of those oddly virile pantywaists in the Russian ballet films of the thirties and forties -- the ones who wore heeled shoes and bloomers. Godunov isn't narcissistic; he's a big, blond anachronism, and he has, as Albrecht, none of the dramatic power I would have expected after seeing him in the Bolshoi repertory. He danced well...
Croce could kill with 1000 cuts or she could be like Kyuzo in "The Seven Samurai".
That said I don't know how much Macaulay was influenced by American dance criticism (or just a few like Croce) compared to how much he was formed by that in Great Britain, where he grew up and where the majority of his career has been.
Kyeong, on 16 February 2011 - 06:14 AM, said:
There are two distinct school of criticism, and the difference is how much of the personal is explicitly stated, because the personal comes through, regardless of how objective even a description is. There's also space and purpose: is the piece meant to be an ongoing narrative, an essay, or to provide enough information to make the reader decide whether to see the artist/company now or in the future or to look for more info.
puppytreats, on 16 February 2011 - 07:48 AM, said:
For me, it all depends on the critic, the format, and my knowledge of the subject for how much I take the critic seriously: it's a matter of trust and track record. Does the critic describe the qualities that support conclusions? Does he or she provide context? Because if he or she does, in an art form/company I know, I can come to my own conclusion based on the info available. That's why I found media critic Pauline Kael so great: I didn't have to agree with her conclusions, but I knew what movie I was seeing, and the one time she didn't do this, in a review of a re-release of "L'atalante", where she discussed why the movie was important and not what the movie was like, I dragged a friend and his girlfriend with me, and we found it so dull, I owed him five action movies, no questions asked, no vetoes. For a lot of modern dance criticism about companies and work with which I'm not familiar, it doesn't matter how vivid the description or insightful the commentary: I don't have a visual or other context for the work, and I have to look at the more general info the critic gives and either see the work or go the next time if the general appeals in any way. Why would you automatically take Joan Acocella's literary criticism in The New Yorker any more seriously than her dance criticism there?
Critics come in all sizes: some are general critics with years of experience in that genre -- classical music, opera, photography, architecture, ballet, modern dance, rock music -- some are critics who are given a new genre, like classical music and rock critic John Rockwell, who preceded Macaulay as dance critic at the NYT, an experiment I deem a failure because I never found him insightful about ballet -- and some have been dedicated to a specific genre for many years. I find many general critics, who are usually the only or the main arts critic for a newspaper, out of their depth in some of what they cover in general and some classical music critics unforgiving towards the non-Tchaikovsky 19th century story ballets because of the scores in particular, questioning the relevance of ballet classics in a way they'd never question the relevance of "Cosi fan tutte".
Many of the greatest dance critics -- Croce, Denby, for example -- loved Balanchine, and volumes are devoted to their criticism. Does that automatically disqualify them from reviewing the 19th century classics? Macaulay, for example, began watching dance and writing criticism in England, where the Balanchine pickings were slim, and Ashton and Macmillan were the major choreographers on view.
For me his depth of knowledge and the context he brings make me respect what he writes, even if I don't agree with him or always see his point. I don't know what other "tall blonds" he loves besides David Hallberg. Hallberg is a close to a stylistic throwback and type that is rarely admired or seen today, even from the companies -- ex: Bolshoi, Mariinsky, Royal Danish Ballet -- that used to pride themselves on his type, and I can see his appeal, if I don't share AM's enthusiasm to the same degree: if a contemporary opera singer displayed the vocal style of a Thill or Sobinov, I'd be over the moon. He has given ample description of what he sees in San Francisco Ballet's Vanessa Zahorian, of which I've only seen rare glimpses. He didn't mention what I thought was a great performance by a favorite Ballet Arizona dancer of mine in last year's Balanchine program. He doesn't like Veronika Part, and I do. So what? I wouldn't expect to agree with a spouse on everything, either.
Plus, I love the way he writes.
Posted 16 February 2011 - 01:51 PM
Posted 16 February 2011 - 02:54 PM
I agree that the NY Times chief critic of any art is taken very seriously within their field. So no matter who was the critic, they'd be under a microscope. The NY Times devotes more space to dance than any other NY newspaper, or I'd venture to say, any other daily newspaper in the United States. Now, if some of the other dance criticism platforms put forth more reviews, we'd have more voices in the mix. I miss regular dance writing in the New Yorker. And the New Republic. And the Nation etc... we used to have dance essayists at many of the major journals. Either the position has been cut or the writers aren't interested in writing long form about dance. Joan Acocella sometimes writes a 50-word preview in the front section of the New Yorker but she no longer even writes once a season under the "Dancing" banner. She now mostly writes about books.
Posted 16 February 2011 - 03:34 PM
Dale, on 16 February 2011 - 02:54 PM, said:
Posted 16 February 2011 - 07:36 PM
Yes, the Times has always had pride of place -- and not unreasonably since it is, after all, arguably the greatest paper in the world even after all this time. And because so many other papers are throwing in the towel as far as arts criticism is concerned, increasingly the Times is the only game in town despite Murdoch's efforts to expand the bailiwick of The Wall Street Journal. So the critics writing for the NYT -- in certain fields, as you note, and in different degrees -- wield disproportionate power, even now. I remember reading that Croce started Ballet Review in part because she was so fed up with Barnes' dance criticism in the Times.
It's off topic, but Kael wasn't really a media critic. Apart from the occasional review of books connected to movies, she was a one-trick pony. And a lot of filmmakers would say that certainly wasn't the "one time" Kael "didn't do it." Still, I miss her. For better and worse, we won't see her like again.
Even without knowing the name of the band, I don't doubt it, puppytreats.
I add my compliments to Patrick's, puppytreats. I enjoyed reading your post.
Posted 16 February 2011 - 10:27 PM
dirac, on 16 February 2011 - 07:36 PM, said:
increasingly the Times is the only game in town despite Murdoch's efforts to expand the bailiwick of The Wall Street Journal.
Ahem The Post doesn't come close in terms of coverage space or influence but I'm putting in a good word for our arts section. Rather than let Clive Barnes' position disappear through attrition, they added writers - and all the reviewers are people I'm proud to have as colleagues. Our word count is tight, but I think everyone there gets maximum efficiency from the space. And I believe we reach more people locally than The Times. So read us too!
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