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High end exciting gun shooting 5d 7d cinema system facebook share score interactive game cinema
1. Great stereoscopic image, can't help to scream out.
First-class production technology, super realistic visual effect, let's you can't help to scream out;
2. Amazing special effects, bring you into the movies itself.
Seats movement and special effects synchronized with the movie plot, bring you into a real world instead of only movies.bring you into a real world of movies.
3. Multi-players interactive in the game, strongly addicting game cinema
Let the audience be the movie hero is the biggest sell point of Movie Power 7D cinema, multi-players interactive in the game, a strongly addicting game cinema
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Champion's selfie show on the ranking list after fighting in funny and exciting shooting games, players will get great sense of pride and achievement.
What is 7D Cinema including
7D cinema is a kind of new motion simulator cinema, it simulator the motion and special effects according to the movies plot, you can not only watch the movies but also interactive with the games.
7D cinema = 7D electric platform + luxury fiber glasses chairs + interactive gun shooting funtion + special effects machines.
Advantage of tupgrading 7D Platform
*Best performance--strong waterproof & heatproof material;
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*Longest lifetime--5 million times durable test, eqaul to use 8 years life time.
How many kinds of special effects in 7D Cinema
Wind, Rain, Snow, Bubble, Fire, Smoke, Lightning, Vibration, Back poking, Leg tickle, Gun interactive, Photo Ranking, etc
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Amusement park, Theme Parks, Shopping mall, Business centre, Scenic, Technology Museums, Personalized Home Theater, Education Research, Theater, etc.
Specifications of 7D cinema:
|Power mode
|Electric system
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|6/ 8/ 9 seater is available
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|Rain, snow, bubble, lighting, wind,fog,smell,fire
|12months for hardware,Life time service for software
|1 set
|7 days after receiving deposit
Bubble pack + wellpappe + stretch films + wood frame
A. The customer can send their staff to our factory to learn installation and testing of the 5D cinema equipment.
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C. We can dispatch our technician to the customer's location to help to install.
Choosing Movie Power, you will get not only the products, but also the better service and better business mode.


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Appeals court overrules quashing of conviction in Reno
January 13, 2013 - 2:00 am
RENO – A federal appeals court has reversed a lower court's decision that had tossed the murder conviction of a Reno woman for the 1997 shooting and robbery of a taxicab driver.
Nevada Attorney General Catherine Cortez Masto announced Friday that a panel of the 9th U.S. Circuit Court of Appeals overturned a decision that had set aside Letisha Babb's murder conviction.
Babb, 34, was convicted of murder in the robbery and death of John Castro.
In 2011, a federal district court ruled that Babb must be retried or released because of erroneous jury instructions at her trial. But the federal appeals court ruled she wasn't entitled to any relief because of the overwhelming evidence of her guilt.
She remains at the McClure Women's Correctional Center in North Las Vegas.

subset: commoncrawl


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What does the idiom "kill the goose that lays the golden egg" imply? "To destroy one thing that makes some huge cash for you," is the Cambridge Dictionary's succinct definition.
Accommodations are an integral a part of a metropolis's economic system. They home vacationers and enterprise guests to a metropolis and supply precious tax income to the native coffers. They supply a venue for social occasions like weddings and enterprise features like conferences and conventions. Accommodations additionally present jobs, together with many entry-level positions.
Many resorts barely survived COVID. However slightly than promote the recovering resort sector, many US cities, like New York, Portland, San Francisco and Los Angeles should not precisely selling their resorts to potential guests. As a substitute, cities are utilizing resorts to accommodate migrants, homeless individuals, and drug addicts. In the meantime surging road crime is threatening tourism in journey meccas like San Francisco.
In Los Angeles, an initiative was introduced to the Metropolis Council in July that referred to as for town's resorts to report their vacancies to town's housing authority every day. Then, below the Los Angeles Accountable Lodge Ordinance, homeless individuals may obtain a voucher (funding supply not but outlined) that may pay the resort a "truthful market charge" for the room. The unhoused particular person may then transfer into the resort for the night time, subsequent to paying company, with out screening.
Because the ordinance reads, "New and already current resorts will likely be required to stick to accountable enterprise practices, together with making visitor rooms obtainable to unhoused Angelenos on a non-discriminatory foundation, and be topic to Metropolis oversight."
The petition was circulated by the native resort employees union and garnered 126,000 signatures. Their acknowledged concern was that "new resorts don't contribute to the Metropolis's lack of inexpensive housing, burden the Metropolis's social companies, or end in undue transportation and site visitors impacts."
After all, resorts had been by no means designed to unravel the issue of everlasting shelter. They had been meant for short-term housing (aside from the occasional eccentrics who insisted on dwelling in resorts and paying accordingly.) On the Metropolis Council assembly the place the Accountable Lodge Ordinance was proposed, Stuart Waldman, president of the Valley Trade and Commerce Affiliation, mentioned "Accommodations didn't trigger the homeless drawback. Accommodations should not the answer for the homeless drawback."
The group, together with dozens of resort operators, roared in approval. However slightly than reject the measure out of hand, town council kicked the can down the street. As a substitute, it voted 12-0 to place the measure on a citywide poll in March 2024.
If the resort scenario in Los Angeles is dangerous, it's even worse elsewhere. In San Francisco, as a current SF Chronicle story revealed, "a minimum of 166 individuals fatally overdosed in city-funded resorts in 2020 and 2021 — 14% of all confirmed overdose deaths in San Francisco, although the buildings housed lower than 1% of town's inhabitants."
In New York, town authorities can be doing the vacationer trade no favors. In New York Metropolis, town authorities is now leasing a minimum of eleven resorts. Greater than 4000 migrants, together with many shipped throughout the nation by bus from Texas, have entered town's shelter system since Could. What had been referred to as 'welfare resorts' within the Eighties at the moment are 'homeless' or 'migrant' housing.
Such choices should not cost-free to tourism infrastructure. Along with the monetary outflows from renting resort rooms to individuals who can't pay, cities are shedding the tax inflows of vacationers and enterprise vacationers paying resort occupancy taxes.
Unchecked crime and resorts filled with homeless individuals don't essentially draw vacationers to the encircling neighborhood. The resorts themselves endure elevated put on and tear. In Los Angeles, one resort proprietor, who had leased his resort to town for housing below a pandemic-era initiative referred to as Venture Roomkey, mentioned he had spent a substantial period of time cleansing up the injury the brand new tenants had created.
The scenario, if something, is worse in Portland, Oregon. Operators of the Benson, historic resort in downtown Portland, are reportedly contemplating a lawsuit towards town after a company shopper dropped staying on the resort over "security considerations." A hospitality govt reportedly advised the Oregon Restaurant and Lodging Affiliation, "The town just isn't dwelling as much as its obligation to supply primary companies (cleanliness, security & safety)."
In Seattle, 11 homicides in August marked the very best quantity since a minimum of 2008. A not too long ago opened Amazon Go market on Pike Avenue was closed "for the security of our retailer staff, prospects, and third-party distributors." The favored close by Wild Ginger restaurant had 5 boarded-up, smashed home windows, together with one smashed by a rock-throwing man with prospects inside.
Crime has been on the rise in Portland, as has the expansion of homeless encampments. There was a 144% improve in homicides from January 2019 to June 2021 whereas non-fatal shootings elevated 241% from January 2019 to December 2021.
Rising violent crime isn't good for anybody, and it actually takes its toll on journey and tourism. The Benson, a historic downtown Portland resort, has reportedly been taking a beating by way of bookings. An unnamed company shopper apparently acquired out of a contract for 300 rooms monthly at $156 an evening, citing safety points. Delta and Alaska reportedly trimmed their dedication to purchase rooms on the Benson for a similar purpose.
The resort govt was contemplating suing town of Portland concerning the Benson. "I've acquired to consider we are able to get different hoteliers to hitch in and make it a category motion swimsuit. We're not the one one's struggling."
Lack of tourism {dollars} is hardly the worst impact of rising crime and progress in homelessness. And metropolis officers confronted with crises like housing 1000's of the unhoused understandably see the resort trade as a short-term stopgap resolution. However it may nicely be the canary within the coal mine, displaying that metropolis officers are ignoring the gradual demise of the golden goose for each metropolis, its resort and tourism trade.


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FingerprintDive into the research topics of 'Joint segmentation of multiple thoracic organs in CT images with two collaborative deep architectures'. Together they form a unique fingerprint.
- Sort by
- Weight
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Roger Trullo, Caroline Petitjean, Dong Nie, Dinggang Shen, Su Ruan
Research output: Chapter in Book/Report/Conference proceeding › Conference contribution


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Products Featured in this Video
Today on our 2017 Chrysler Pacifica, we're going to take a look at and also show you how to install the Tekonsha T-One Vehicle Wiring Harness with the 4-pole Flat Trailer connector. Part number is 118723. Now, this is going to deliver 4.2 amps per side, for our stop and for our turn signals. For taillights, we have 7.5 amps. This should be plenty to power any standard size trailer lights. This is what our wiring kit is going to look like when we lay it out. This is our main goal here. This is what we're after, to have a working 4-pole trailer connector at the rear of our vehicle. Now, this is going to give us our right turning brake, our left turning brake, running lights and also the ground for our trailer.
Now, to deliver that signal, it's going to get input from behind the driver's side taillight housing with the yellow and brown wire. The green and white on, it goes behind the passenger side taillight housing. Those signals come into the converter box here and that converts it into a usable signal for our trailer. Now, this box does isolate the trailer wiring from our vehicle wiring, so even if we have shorts or some kind of malfunction in the trailer, we don't have to worry about it harming our vehicle. Also so we don't overload the lighting signals, we've got a 12 volt power wire that's going to come off, that runs directly up to a power source under our hood, like the battery. That feeds the power that the box needs to generate that power going out to the trailer. It's not drawing extra power through the wiring system of the vehicle itself.
You'll see there's also a ground wire there. We'll either use an existing stud if there's one available and if not, provided self-tapping screw here is going to do the job for us, through the ring terminal that's already connected. Now, you can see we've got out 12 volt power wire here. That's what we'll run up to the battery. That's going to connect through a fuse holder and something I like about Tekonsha, they've provided heat-shrink butt connectors, to give us superior moisture resistance and plenty of zip ties here, so we can get everything secured along the way and we've got some double-sided foam tape there to help secure our converter box. Also, detailed instructions are going to help us out with the job and make sure we get it done correctly. Now, to begin our installation, we need to remove the two taillight housings.
We've got one on each side here. You can see there's two torque-bit bolts that are holding it in. We've got one here, one here, these are going to need a T-30 torque-bit to get it out of there. Pull those out. Then we want to push with our hand here and wiggle that light and it should come on out of there for us. Once we've got it out, you can see we've got our connector right here.
It's a little red lock. Pull out on that. Then, we'll press down on that gray part and remove it. Just like that. Set that aside somewhere safe because we don't want it to get scratched. We'll do the same thing here on the passenger side. Now, what we're going to do is use a piece of airline tubing here. We're going to run it down behind this rear face just so ti will come out at the bottom. I know airline tubing isn't the most common thing to have around your garage, so if you don't have that, a stiff coat hanger would also work. Just clip it and stick it down there. We should be able to reach up from the bottom side here and find that. Now, we'll do the same thing for the passenger side as well. What we're going to do is take that yellow, brown and white wire, tape it off to that coat hanger or airline tubing that we brought down from behind that housing. Now, we're just going to draw that using our wire, right at where we can make that connection with the taillight. Once we have that pulled up here, just peel back that tape, free that up. We'll pull that up far enough so we have both of our plugs readily available. You'll see there's dielectric grease on that already. Put a little dab on the other one. If you don't have dielectric grease, this is part number 11755. This helps prevent any moisture or dirt from getting in there and eventually causing corrosion. We'll slide that together until we hear the click. Push our locking pin back in. I want to place that right back down in where we pulled it out from. Then, we'll use this as our new connector at the back of the taillight. Get that slid in. Give it a good pull to make sure that it's firmly connected and we'll slide our light back into position. Now we'll re-secure it with the bolts we removed earlier. All right. Now, before we tuck our box up in there too far, I'm going to go ahead and make the connection with the bulk wire that runs up front. We'll use our heat-shrink butt connector that was provided. We can crimp it on there after we've got it stripped back. We're going to take the end of our provided wire, we're going to strip that back as well and it will go in the other side. Now, to shrink those down, we can use a mini torch, we can use a heat gun, or just a lighter will work out too. You just want to be careful not to overheat them to where they turn colors. You want them to keep their original color and when it's shrank down fully, you'll see the wire almost look like it gets a little bit bigger and then a little bit of clear gel is going to come out of the end. Now, we're going to find a nice flat area to mount our converter box. That's going to be right around this edge on the back side. Of course, it's going to be tough to see, but what we'll want to do is take a little bit of rubbing alcohol and clean off the back of our box and also clean off the surface that we're going to mount it too. We'll give that just a second to evaporate and while we do, we can apple our double-sided foam tape. Put it right on our box. Take the other protective cover off and we'll slide it right up into position there. We just want to make sure that sticks on really well and we can take care of getting our ground set, which right there will be a great location. It should be nice, thick material. We use the provided self-tapping screw and you'll need a quarter inch bit driver. We'll get our hole started first, there. We'll place the crew through our ring terminal, back up into position, and we'll secure that down so that we can't wiggle the wire around. Now, our 4-pole wire and our green wire, we're going to run that over towards the passenger side. This is where some of the zip ties are going to come in handy. We just want to secure it off as we go across. We've got small brackets that come down as bumper supports there, so we can run this right in behind those. That will keep it up and out of the way. The same with our 4-pole. Then, we'll stop our 4-pole here once we get in the middle. Get that zip tied off there to provide an anchor point and then we can continue running the green wire on across. Now, we'll tape the passenger side off here to our pull wire and get it pulled up and we'll make our connections the same way we did on the driver side there. Now, we'll draw this one on through. Now, something I like to do on this side is, draw up all of the slack, make sure you don't have any hanging down anywhere near your exhaust, then I'm going to zip tie that off right here to make it an anchor point. We're going to apply a little more dielectric grease to these and we'll make our connection. Now, the factory side of our connector, I'm going to tuck that down and away and also any extra green wire we have here, we can get that tucked down. All right. Now we'll slide our housing into place here and replace the two torx-bit bolts. Now, for our d-pole here, we want to decide what kind of length we're going to need to make our connection. Once we've determined that, whatever excess you have, we'll just tuck that up and secure it off to that wire when we did the other parts. Now we can use a zip tie to attach our 4-pole there if we'd like. In or case, what we're going to do is just bring it around the hitch and bring our dust cap right around there. That will keep it up, keep it from bouncing around while we head down the highway. Now, we're going to run our 12 volt power wire up to the front of the vehicle. The battery is located on the driver side in that front corner. That's ultimately where we want to end up. Now go right over the top of the hitch here, just really need to avoid any sharp edges or any significant sources of heat. This will be an area, you may just need to go around it, pull a little bit of tension in it and then anchor your wire out further ahead here. You can see this cross member here. That will give us a really nice secure anchor point. We won't have to worry about any wire trying to hang down back there. You'll see right here are the brake lines. We'll just work around the fuel tank and try to tag along with those while we head up front. As we work forward here, we're going to run up above this panel. Keep everything nice and safe. We'll just pull off these 10mm plastic nuts. That will allow us to drop it down just a touch there and get it behind it. Now we'll just re-secure it. Once we're beyond there, we can come up, we're going to run right up to that front driver side corner like we talked about. If you still have that coat hanger, you might want to attach that and try to use that to push it through. Typically though, we'll be able to push what we want up in there and then find it once we get up there to the top. All right. Now we'll head up top and find it. We just want to ensure that we pull out all of this slack, so that we don't have anything hanging down. We'll grab our wiring and we'll pull that up for now. Again, we want to make sure we get out all of the slack and then, just like before, we want to choose a nice solid anchor point. In this case, there's a wire loom down here underneath the air box we're going to use. That will just prevent any of the slack from going back under the vehicle. Now, we're going to be connecting to this stud. This is our jump start stud but it's connected directly to the battery there. Pull up on this cover. Give you a little bit better look at it. You can see the battery positive terminal is basically this whole section, so you've just got a cover over it like that. We're going to pop that up. Open it up like that, that will give you a good look at it. We're going to keep a short piece of extra wire in case we ever need to make any changes with it. We can just trim off our extra there. Next, we've got our fuse holder here. You can see, we'll pull that out and strip back each side. Also strip back our wire from the back of the vehicle there. Now to the black wire, we're going to add our heat-shrink butt connector. We'll add in our fuse holder to the other side of that. We see, we've got the fuse out. We'll add that right after we make the connection to the battery. Get that guy shrank down. We'll add our ring terminal onto the other side. Now, well need a 10mm socket. That will go right on the end of that stud and typically, once it's broke loose, it will thread right off of there. Place our ring terminal in behind it and thread that back on. Get that secured down. Check our cover. It won't quite close with it straight back, so we'll turn it don just a little bit. Now, we'll place the fuse in the fuse holder, get that capped off. Now, we just want to take, you remember that little bit of excess that we had, just wrap that up and get that secured off lower here. We want the fuse holder to be visible, that way, if there's ever a need to change the fuse or something, that will be available. We'll us that hole in the bottom of the fuse holder to bundle the wires on one side and then we'll secure it to that same wire that we anchored to. Just pop that closed and we can replace that top cover. All right. We'll get it tested out and make sure it's working as it should. Now, we're going to take part number I26 here, it's just a standard 4-pole tester, we'll slide that in and we'll make sure our lights are working as they should. All right. We'll start by turning on our headlights. Then we can do our left blinker, our right blinker and our brakes. With everything working as it should, that's going to complete our installation of the Tekonsha T-One Vehicle Wiring Harness with 4-pole Flat Trailer Connector, part number is 118723, on our 2017 Chrysler Pacifica.
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The top clubs in the English Premier League put in some dismal performances in the fourth round of the FA Cup and most of them paid for it by being eliminated. The weekend got underway on Jan. 23 with a shock result as mighty Manchester United was held to a 0-0 away draw by fourth-tier Cambridge United. Cambridge went into the match a full 76 positions below Man United as they were ranked 80th out of 92 pro teams in England while United was ranked fourth. The League Two team, which cost nothing to assemble, will now face the multi-millionaires of Manchester in a replay at Old Trafford.
While Man United was the joke of English soccer for a day they were relieved to have the attention taken away from their awful performance when the top three teams in the Premier League were all ousted from the FA Cup tournament the next day. League-leading Chelsea, reigning league champions Manchester City and third-place Southampton were all eliminated on Jan. 24 after losing on their home grounds to inferior opposition.
Chelsea, who went into the match 10 for 10 at home this season, jumped into a 2-0 lead against third-tier Bradford City at Stamford Bridge, but the minnows fought back for a 4-2 victory. Meanwhile, at the Etihad Stadium in Manchester, second-tier side Middlesbrough shut out the reigning league champs Manchester City 2-0. Down on the south coast, Southampton twice held the lead, but were ousted 3-2 by the 13th-place Premier League side Crystal Palace.
Fifth-place Arsenal managed to avoid embarrassment when they narrowly beat second-tier Brighton 3-2 on the road, but sixth-place Tottenham Hotspur was also eliminated at home when they dropped a 2-1 decision to Leicester City, the last place team in the Premier League. Seventh-place West Ham managed a 1-0 away win over second-tier Bristol City, but eighth-place Liverpool were held at home to a 0-0 draw against second-tier Bolton Wanderers. Swansea City, the ninth-place Premier League team, was also humiliated by losing 3-1 to second-tier Blackburn Rovers on the road.
The lower-ranked Premier League teams fared better as Crystal Palace and Leicester won, as did ranked 15th-ranked Aston Villa, who beat second-tier Bournemouth 2-1 at home in Birmingham. Tenth-place Stoke City also managed a win when they beat Rochdale 3-0 on the road. It was the first time in the 144-year history of the English FA Cup that the top three clubs were knocked out on the same day. In total, none of the top four teams managed to win, four of the top six were eliminated and seven of the top nine failed to win with five of them crashing out of the competition.
As Chelsea manager Jose Mourinho put it, "It's a disgrace for a big team to lose to a small team from a lower league." And who can argue with him. As for the remainder of the FA Cup, bet365 lists reigning FA Cup champions as the favorites at 9/4 followed by Manchester United at 3/1 and Liverpool at 13/2.


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Tomahawks move in 2nd with win over Maryland
Maryland 1 @ Johnstown 4 - The Johnstown Tomahawks secured a 4-1 win Thursday night at 1ST SUMMIT ARENA over the Maryland Black Bears. Thursday night's contest was the first of a three-game series this weekend between Johnstown and Maryland.
Stephen Kyrkostas opened the game for the Tomahawks, making it 1-0 12:21 into the game. Less than two minutes later, Maryland found the equalizer with a goal from Brad McNeil. The game looked as though it was headed to the 2nd period tied at one, but Braedon Ford found the back of the net for the Tomahawks with just 4.7 seconds to go, to give the Tomahawks the advantage at the intermission.
Jake Black opened the 2nd period strong for the Tomahawks, scoring his 30th goal of the season 2:53 into the period to put the Tomahawks up by 2. Kyrkostas solved Maryland goaltender Michael Morelli for the second time Thursday night with 9:46 remaining in the 2nd period. His 17th goal of the season gave the Tomahawks a 4-1 lead heading into the 3rd period.
Despite the opportunities both sides had to add to the scoresheet, the 3rd period ended scoreless, giving the Tomahawks a 4-1 final for the win Thursday night.
Matthew O'Donnell made 21 saves in the win, while Michael Morelli made 24 saves in the loss.


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How to Discover Music in Pittsburgh in a 'New, More Careful Way'
Sofar Sounds asks that you commit to a night of music without knowing what it'll be — but that's why it's so good.
Photos by Ohad Cadji
In an age of unprecedented access and control over music, Sofar Sounds may seem to be a baffling concept — committing to a night of music with no idea what that music will be. Sofar Sounds is a global concert series that cultivates small (30 to 100 people) pop-up shows in intimate settings — think living rooms, galleries or offices. Instead of fighting for space in a nightclub, you're invited to listen attentively as three bands or performers play four songs each; you're asked to discover music in a new, more careful way. You don't have to be in the musical elite to attend; just join the mailing list, receive the secret location and RSVP to be entered into a random drawing for tickets.
Gabe Wolford, who started Sofar Pittsburgh in July 2014, loves the audience the events draw: "To not know who's playing and [to go] just for the sake of wanting to hear music — I think that's just incredible." At the beginning of a show at Bloomfield's Runaway Studios, emcee Dean Davis gives the crowd three minutes to meet someone new. "Say something nice," he instructs, "like, 'nice shirt!'" Befriended and complimented, audience members secure seats on '70s-style crocheted blankets, on stairs behind the band or on a couch along the wall. Guests are asked to focus wholly on the music (on this night, the acts were locals Chet Vincent, Andre Costello and White Like Fire). Wolford has selected the musicians for variety and talent, and the crowd will see each from a fresh mindset — no review-reading, no YouTube previews, no preconceptions. One concert at a time, Sofar Sounds invites intimacy, serendipity and surprise.


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Mankind Pharma came into existence in 1986. In 1991, the company was formed into a legal corporation. However, it actively started working as a fully integrated pharmaceutical company in 1995. Today, we have more than 14,000 employees and are heading towards a turnover of $ 1 Billion.
Join Us for Regular Vacancy Updates on –
Designation: Asst/Dy Manager – Quality Control
Location: Paonta Sahib, Himachal Pradesh
Job Description
- Independently Handling Stability Testing/Section
- Planning and Organizing Testing of GLP/Stability Samples
- Preparation of Calibration Planner, PM Planner and Training Matrix of the QC
- To prepare /Approve Masters in LIMS.
- Preparation and Review of Stability Protocols
- Handling of Deviation, CAPA, CCP, TCP, Investigation of OOS. External and Internal Audit compliance, QMS activity, Audit compliance
- Supervision of QC LAB
Qualification: B.Sc/B.Pharma, M.Pharma/M.Sc/MS – Microbiology
Experience: 8-13 Years
Salary: Negotiable
Contact Details:
Mr. Suhail Khan
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text: LLCU Online Banking offers you the convenience of accessing your LLCU accounts anytime, anywhere! No need to schedule extra time before or after work to get to the branch. You can fulfill most of your banking services right from your computer! To access Land of Lincoln Credit Union's Online Banking Services, simply enter your USER ID in the box on our homepage or use the button to the right. Online BankingLoginLLCU Mobile App Here are all the services you can execute with Online Banking: Transfer funds between accounts Check account balances Update your contact information Make a stop paymentSet alerts & travel notices View checks Check loan payments and payoffs Reorder checksExternal Transfers Register for Bill Pay services View/Print eStatements Set Up Your Online Banking Account: Visit llcu.org from your web browser. Find the Online Banking Login at the center of the homepage. Click Enroll under the Login button. Follow the prompts to set-up your Account. (The personal information that must be verified is the primary loan holder's information.) Bill Pay Bill Pay allows you to automate paying your bills to help avoid late payments or forgetting to pay a bill. In addition, it can help you save money on postage and checks, while helping you organize your outgoing bills each month. Learn More My Finances A money management tool designed to help you reach your financial goals. Whether you want to reduce debt, increase retirement contributions or save for a specific purpose, this is the tool to help you get it done. Learn More Savvy Money Take Control of Your Credit. Savvy Money provides comprehensive credit score analysis, full credit report, monitoring, and personalized offers - all in one dashboard. Learn More


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After winning three straight, the Syracuse Orange returned home to take on the Virginia Cavaliers. Coming into the game, ESPN BPI percentages favored Virginia by 73 percent. This team continues to defy the odds as Syracuse came back in the second half to win 66-62.
Virginia was absolutely stifling on defense as it forced Syracuse into 7 first half turnovers and limited SU to 25 percent shooting from downtown. Conversely, Virginia shot 7-11 from outside in the first behind three from Kyle Guy and the Hoos took a 34-22 lead into intermission.
In the antithesis to the second half of the NC State game, Syracuse came out on a raucous 17-2 run. After a pair of Andrew White threes, a Tyler Lydon bomb from downtown gave Syracuse its first lead of the game at 39-36. Virginia and Syracuse traded baskets down the stretch. Once again it was John Gillon who made a key shot with less than a minute to go when Virginia cut the lead to one. Later, in a two point game with 15.7 remaining, White calmly stepped to the line and knocked down two free throws and Syracuse got a key defensive stop on the ensuing possession to win 66-62.
Jim Boeheim has now handed out 1,000 losses in his career.
Syracuse was led by White who stuffed the stat sheet with 23 points, 5 rebounds, 3 steals and 2 assists. Tyus Battle re-emerged for 23 points and made some timely buckets in crunch time. Tyler Lydon added 6 points, 6 rebounds, 3 assists, 3 blocks and 2 steals.
Next Up
With the win Syracuse moves to 15-9 and 7-4 in the conference. The Orange now travel to take on Clemson on Tuesday. That game tips at 8 pm from LittleJohn Coliseum.


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MANILA, Philippines – The Philippines took a big push to secure a second appearance in the AFC Asian Cup on Tuesday.
With the chance to qualify for next year's continental conference, the Philippines nowadays have a 4-0 win over Palestine in Group B at the MFF Stadium in Ulaanbaatar, Mongolia.
In the 31st and 42nd minutes of the first half, Saleh Chihadeh and Tamer Siam scored two goals for Palestine respectively.
In the 82nd minute, Mahmud Abu Warda kept the match out of reach and in the 55th minute, Mohammad Yamin increased the suffering of the people with a header.
The win took Palestine, 2-0 up in their group, to their third consecutive Asian Cup.
Nowadays they had a thrilling 1-0 win over Mongolia on Saturday courtesy of Gerrit Holtman but could not ride their pace against Palestine.
With the loss, the nowadays are stuck with four points after a goalless draw against Yemen in their third round opening match on Wednesday.
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Russian Nail Artist Creates Intricate Pole Dancer Design
29 Sep 2018 05:54
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For nine months, I served as a project assistant for An Immigrant Alphabet, a photo installation created by a group of Northeast High School Students, in collaboration with the photographer Wendy Ewald.
In those seasons of standing outside, gazing up at the artwork, I had plenty of chances to admire the product of this collaboration. But when I assisted Al-Bustan in producing Ewald's workshop, Snapshots of Identity, I was reminded of how clear, potent and powerful Ewald's process was as well. Ewald and the students were able to take the broad, complicated, emotional and deeply personal topic of immigration and explore it together by giving themselves a clear, direct, and achievable set of guidelines and questions: what words belong in an Immigrant Alphabet? How do we represent them?
When I received the invitation to teach Drama in Al-Bustan's four-week arts enrichment program with the School District of Philadelphia, I knew that teaching Structure would be key — not as the endpoint of the class, but as a tool. My goal was to build a class with my students where we could feel comfortable creating and sharing stories together, and each practice shaping our ideas, memories, identities, and imaginations into the content.
We began with games. Some were tailor-made to our purposes; in "2 truths and a lie," we practiced making introductions and sharing two real facts about ourselves, and one lie, which the audience tried to guess. This became a way for us to talk about how we choose to present ourselves, and how we are perceived. But even with games that were quite simple at base, like playing catch or tag, we found ways to use them as a structure to learn about each other: "what do we like to do outside of school? what languages do we speak? what foods are our favorites? where do we come from?" Similarly, any game with two opposing sides became an opportunity to imagine new stories: "why are these people fighting? what do they want from each other?" At the same time, we began practicing our theatre basics: warming up our voices and bodies each morning, practicing our diction and projection, and learning stage directions.
Signs for a musical-chairs style game we played to review the parts of the stage. You may know which way is up, but do you know where upstage is?
As the games grew more complex, the backstories the students wrote expanded. Opposing teams became warring kingdoms, battles between ice and fire, or friends who had been betrayed and hurt. We began filling the stage with scenes and pictures. Students would share what they had done over the weekend, and then we'd challenge each other to act it out: "who can show me a barbecue, stage right?" "soccer in the park, upstage?" "getting a pet hamster, downstage left?" With so many languages in the room, we practiced acting out activities and scenes with no words, using just our bodies and our actions to see how we could help our audience know what was going on.
I started to call the students attention to one of the most common and powerful structures for storytelling: a Beginning, Middle, and End. We are introduced to a world, something changes, and we see the effect. We practiced inventing these simple stories together, one word at a time, and then one sentence.
The students quickly seized this concept and ran ahead of me. Some turned simple pantomimes into epic tales, groups of 5 or 6 students quickly hashing out the story in our "backstage" behind the chalkboard before unfolding it to the whole class, with sound effects and plot twists. Others wrote out their stories, translating into English and other languages so that other students could read as well.
This student wrote his original story in Portuguese, then translated it into English and Spanish, so that two students could narrate while he and six others acted out the scenes. He came up with the idea of color-coding his beginning, middle, and end so that the translators could more easily follow each other.
We talked about the elements of stories: Narration, Emotion, and Details. As we became familiar with the concepts, we worked together to identify and demand more of each in every story we told ( including the memorable tactic of one student holding up a giant 'E' on paper and shouting "more emotion!")
By this time, in their morning literacy classes, students were being challenged to think in linear progressions as well, drawing "timelines" of their lives on large sheets of poster paper. I came in to set up my classroom one afternoon and found the walls covered with milestones— "born; came to America; brother born; got a dog!" — all neatly sorted with tick marks over timelines. "That would be a great tool for our stories!" I thought to myself, and we began documenting each new story we made, as a way of practicing making clear narrative points and as a means of "saving" stories to be told again later.
Outlines for two stories: one in which a series of combatants gain and lose control, trapped in the cycle of violence of an ongoing war, and another in which a middle schooler gets trapped in a bathroom stall. Ours was a diverse repertoire.
These outlines were not scripts so much as notes to self, and they often left much to still be created, as several students shared with me after the presentation of one of their stories. It was a "zombie apocalypse" story, complete with dramatic escapes, noble sacrifices, and plenty of action ("it looks so real!" whispered Harrison from the audience, as Ashley mimed fighting back the zombie horde). As I led the class in a discussion of what we had seen, one of the performers interjected: "Teacher, we didn't even really plan everything," they admitted, laughing. "We, uh— how do you say—? We improvised!"
I applauded them on their quality "improvising" (like Harrison, I had been impressed by the performances), and brought their attention to how outlining a structure had made that possible; by defining a beginning middle and end together, the students could simply play, confident they were telling the same story, and that we as an audience knew how to receive it.
Towards the end of our time together, I wanted to be sure to show students that Beginnings, Middles, and Ends aren't the only possible structures for art. For this, I found the best case study was a familiar piece: An Immigrant Alphabet.
The students were able to easily relate to the work — and not only because of its clear structure, A to Z. As I explained that the work was made by students from Northeast High School, J. called out; "my sister goes there!" And later, as students examined the cards — "that's my sister's friend!" "I know her!" Together, we saw how, even without a traditional linear progression, the North East High School students still managed to convey Narrative, Emotion, and Detail: someone stepping away, in L for "Leave;" faces in portraits in H for "Happy" and U for "Upset;" all the personal belongings that fill each photo in the series.
By the end of the course, the students had really begun to internalize these creative processes and structures. With one group we played a closing game where we shared things we wanted to do in the future: "to be a doctor," "to be a teacher," "to have a good job and family," "to be rich with lots of money!"
Students were full of ideas, which led to pushing back from others: "Tío, João said two things! He already said one!" We made a discussion of it — "well, sometimes we want more than one thing, right?"—and then we made it a game. We sat in a circle and starting acting out combined futures: "who can show me what a doctor looks like? What about a teacher? What about doctor teachers?" I wanted us to have a chance to be silly together, and the students jumped right in, literally, with Wilder flopping to the ground so that Ashley could give him rounds of alternating defibrillation and math tutoring.
I tried my best to keep up, calling out professions and futures to combine: "You're architects! You're designing a video game console! You're cops! You're wealthy! You're cops with lots of money!"
It didn't take long for me to fall behind. "You're police detectives! You're .. uh …" Ashley jumped in, pointing to Joseph and giving directions in Spanish which for the life of me made no sense at all. "Who can translate?" I offered — by this point a very familiar refrain. Valerie stepped in, but it didn't help much; "he, uh, he didn't kill anyone." I stammered – "Wait, Joseph killed someone?" "No!" Ashley explained, dragging me along "no he didn't do it!" I was still lost, but the students leaped ahead. A dead body. A crime scene. "Jorge, you wanted to be a cop, right?" And so Joseph was arrested. Ashley wants to grow up to be a police detective, so the crime scene investigation began, complete with photographer and on-the-spot autopsy. "Nelson, abogado, no?" So now Joseph had a defense attorney. They took the case to court, justice João presiding with a rolled-up magazine gavel. It was a nail-biter, hinging heavily on fingerprints and ballistics evidence: a major twist, Joseph wasn't the killer at all, it was the child's mother! Justice João insisted on reviewing all of the evidence, and numerous photographs (a lot of frenzied, confident pantomiming), and then the gavel came down. GUILTY!
As justice took its swift and winding course, I threw in a suggestion or question or two, sometimes trying to guide them through, mostly just trying to keep up. They played out scenes in pantomime, in gibberish, in Spanish and English, switching constantly, Valerie valiantly translating whatever snippets she could. They leaped in and out of scenes, built sets, and pulled each other in — most of them playing out professions they wanted to grow into. It was Law and Order: Special Children's Unit. As I watched, I was proud to see the students embody everything I had hoped for in the course. They were creating and sharing with each other, on the fly, improvising across languages and friend groups.
They were playwrights, and actors, and an ensemble. Later, we would select some of the stories we had made together to share with other classes—but this moment for me was the crowning achievement for the students. They didn't need prompts anymore; they knew enough about the structure to find and invent it on their own. The tools were theirs now; all they needed was for me to get out of the way.
Yannick Trapman-O'Brien
Freelance Collaborator with Al-Bustan


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Is the OnePlus 7 Pro too big of a phone?
We've given the OnePlus 7 Pro a lot of praise here on AC lately, and rightfully so. It's the best phone OnePlus has released to-date, and not only that, is one of the best Android phones you can buy right now. Period.
There's a lot of good that comes with the OnePlus 7 Pro, but there's also one aspect of it that could be a turnoff for some users — its size.
The OnePlus 7 Pro is a big, honkin' slab of metal and glass, but looking through the AC forums, this doesn't appear to be that big of an issue.
What do you think? Is the OnePlus 7 Pro too big of a phone?
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Joe Maring was a Senior Editor for Android Central between 2017 and 2021. You can reach him on Twitter at @JoeMaring1.
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I do believe it is too big for me personally. The bigger issue is the lack of notification light or always on display though.
People said the same thing when the Nexus 6 came out, now everyone is making "phablets". I think it's just something people have to adjust to.
Not me it's unweildy, way too big. They had the perfect size with the 6 and 6T
You could still get the regular 7. Stereo speakers/UFS 3.0 storage. Both things many flagships that cost 899 like the p30 pro doesn't have. But to be honest you do get a much better camera on the p30 pro.
Yes. It is
I'm moving away from huge phones. Compact is the way to go for me.
Have a OnePlus 6t and am friendly with the T-Mobile reps as there's a store in the plaza I work at. The reps told me I should hang on to my 6t. He specifically mentioned it being too heavy as one of the reasons why
I got the 7pro but iv been wanting a small light phone for years. I dont know why but i keep getting big phones. Had the lg flex, v10, note8 and now the 7pro. Still like the 7pro though.
I Iike the size of my new OP7pro, but I'm old and need reading glasses. I've found I can use it one handed inist circumstances. The display is beautiful and great for gaming.
OP - despite 88% wanting the jack in a twitter poll, we removed it anyway to make more space for a bigger battery. The OP7pro is huge, but we're still going to remove it for a bigger battery. Asus Zenfone 6 - Huh?
It all depends on the user, although getting used to a large dense phone makes it weird when you pick up something light. I have an old iPhone 6 I keep around, and it feels like an empty toy compared to something denser like the U12 Plus. One thing I do find amusing is all these tall phones with mostly empty screens. But, it's good for media consumption... unless there's a hole in the screen or some other defect ;)
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Zendaya Appears to Have Cut Off Her Hair and My Oxygen Supply
If Zendaya's goal when she attended the HBO Max FYC Euphoria event this week was to simultaneously freak us out and make us what to chop our hair off, well, achievement unlocked.
On April 20, the actor, model, and all-around untouchably cool specimen of a human walked the red (but actually kinda grayish-black) carpet at the Academy Museum of Motion Pictures alongside her Euphoria costars Alexa Demie, Hunter Schafer, Maude Apatow, Barbie Ferreira, and Sydney Sweeney. Every last one of them was serving serious lookage — that Betty Boop hair on Demie, oh my goodness — but our jaws dropped when we saw the Dune star with what appeared to be significantly shorter hair than what she had during her last public appearance at the Oscars and Vanity Fair afterparty.
It's not that we haven't seen Zendaya wear a short hairstyle before. Remember her red baby bangs and wavy bob at the 2018 Met Gala? Or when she went through a pixie phase in 2015? Hell, she even tricked us into thinking she'd chopped it off just last fall. It's just that we're so used to seeing it long — and friggin' stunning — lately thanks to Euphoria and Zendaya just generally existing in a perceptible way that it's a shock to the system when it seems to have been chopped off.
But, as with certain Zendaya bobs before this, we're all but entirely sure this a faux bob. The sleek top and sides flow into slightly wavy ends that, at close inspection, look expertly tucked under to resemble a true haircut.


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INTRODUCTIONNowadays, company CEO's andother heads need to take fast decision making in a right way, without anyerrors. Also they need to be careful in monetary terms, since a single minorfault in financial aspect and fraud in money aspect would spoil the name and futurefor not only the company, but also for the stakeholders of the entire company(as in the case of satyam scandal 10 years before). Hence, analytics whenimplemented in finance benefits a lot and makes them time saving. Some of thearticles are discussed below where analytics are used in various places likeauditing, bankruptcy and others. LITERATURE REVIEWCao et al (2015), cameup with a study how big data analytics is used in audits, its characteristicsand issues in implementing analytics for financial needs like auditing.
Theyhave mentioned that analytics can be used in auditing fields to manage therisks of bankruptcy, to prevent the risks of material misstatement. Analyticswere used in predicting the averages in Dow Jones Industrial Average (DJIA),where the shifts were predicted three days ahead. Walmart used customersdemographics and managed inventories like selling a day breakfast duringunfavourable climatic conditions to their customers, which increased the salesto seven fold times. Ayata's Prescriptive Analytics uses analytics to drill oilby combining all sources of data like images, texts, structured andunstructured, retrieved information like images from well logs, drillingoperations sound, videos of fluid flows from hydraulic fractures, text, and quantifiabledata (numbers) from production reports and are progressing well and good. Thepaper also discussed the biggest challenges of financial analytics, wherefinancial analytics may generate false positives and hence it should identifyits anomalies correctly and implement them.
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Fitzet.al.,(2015), pointed out few ideas which can help financial managers to addvalue and ways to implement them. Obtain top management sponsorship to get astrong support, the need of information should be understood and should knowwhat questions need to be answered, full range of available advanced analyticcapabilities should be understood, comprehensive gap analysis should beperformed to understand where our data reside, barriers and other privacy lawsshould be discussed, to define your transformation strategy and to buy-in thestakeholder where the author highlighted to start small and further enhance bybuilding upon initial success, keep building capacity by trial and error andnot to do the entire work in one day, keep checking if the data that gotconverted into information adds value to the company, Constantly revaluation ofthe performed works should be done, and to accept all these modifications aschange management.
Drew et.al.,(2016) suggested that the local government faced the problems of financialsustainability where reformation of financial data was in need.
Hence factoranalysis were applied to financial ratio's, Financial flexibilitylike operating ratio and Own Source Operating Revenue ratio, Cash expense,Unrestricted Current, Debt Service Cover and Interest Cover ratios and AssetRenewal and Capital Works like Infrastructure Backlog, Asset Maintenance, AssetRenewal and Capital Expenditure ratios, were summarised as a single financial sustainabilityassessment ranging through 'very weak', 'weak', 'moderate', 'sound', 'strong'to 'very strong'. All these ratio's were done with regression analysis andfound the correlation between the ratio's with the latent factors like population size, numberof employing businesses and population density would be statisticallysignificant regressors for econometric models employing the dominant factorloadings as regressands. It was found that three major latent factors driving the observedfinancial sustainability ratios whichprompted the reform process in the first place. Another important finding wasthat the three factors – scale anddensity, legacy and management competency acts independently. Deborah magliozzi(2017) done an empirical research study that analyses the economic andfinancial aspects of national telecom operators in Europe through theconstruction of appropriate financial strategic maps profitability map permarket share, Financial autonomy map, Capital expenditure cover map, Currentmap, Liquidity mar for Telecom Italia (Italy),British Telecom (U.K.), France Telecom (France), Deutsche Telekom (Germany),KPN (Holland), Telefonica de Espana (Spain) and Portugal Telecom (Portugal).Financial analysis of the operators were done using regression and maps wereformulated where the standard regression equation were done to identify theuniformity and standard deviation of all the operators in each and everyfinancial aspects like current assets, liabilities, etc.,


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Ida Baker's Jordan Diggs has big shoes to fill
Ida Baker senior Jordan Diggs spent three years waiting his turn behind starting quarterback Sage Attwood. Now that his time has come, the only problem is filling the shoes of a signal caller who holds 35 school records and led the Bulldogs to 21 wins and three straight state playoff appearances.
That's a lot to live up to in just one season.
But Baker coach Brian Conn isn't asking Diggs to replicate any of Attwood's numbers. The two are different players as evidenced by Diggs' play during spring practice, his first bit of significant time as the Bulldogs' signal caller, and 7-on-7 drills the last two weeks.
Diggs isn't the proficient runner the Colgate-bound Attwood was. Now preparing for his freshman season at Colgate, Attwood led the team in rushing last season and amassed more than 2,000 yards and 31 touchdowns on the ground during his prep career.
The effect he had on a defense was quite palpable.
"Any time you have a dual threat quarterback it kind of puts defenses in binds having to account for the quarterback in the run game," Conn said. "We're going to still try and do some of the things with that read. Maybe it might be some run-pass option instead of run-read option with Jordan because he's very good at making those decisions post snap."
The merits of the run-pass option don't quite translate at 7-on-7s with linebackers not respecting the run game. Nor should they. At South Fort Myers High Wednesday, Diggs made the most of the situation with strong efforts in five of the Bulldogs' six games (Evangelical Christian twice, South Fort Myers, Cape Coral and Dunbar).
He opened each with touchdown passes and concluded the morning with three straight against Dunbar. The only matchup where he didn't throw a touchdown came against a star-studded Naples defense.
The day didn't come without struggles. Following first-possession scores against ECS and South, Diggs lost track of defenders in coverage and tossed interceptions on the next drives against both teams.
"Both of those were across the middle. They were just bad reads across the middle," Diggs said. "I just have to know not to be late down the middle."
Diggs appreciates the opportunity to face as many different formations and make as many different reads as he can during 7-on-7s before Baker's opener Aug. 28 at Dunbar.
"I'm just staying relaxed, doing what I can," Diggs said. "It's a hard spot to fill."
It's a role senior Rasheed Golden, the team's leading receiver last season, said Diggs is fitting right into. Attwood's chemistry with Golden was quite obvious last season, but he and Diggs are at least clicking on one play in particular.
During goal-line situations, Diggs found Golden on a comeback routes three times for scores Wednesday.
"We're pretty much on key already," Golden said.
Baker's strength last season, where it averaged nearly 34 points a game, was the pace at which its offense moved. In Conn's mind, Diggs demonstrates the type of leadership needed to thrive in a no-huddle offense.
"I like the fact that we can get no-huddle. It's less verbiage for our kids," Conn said. "We try to get them into good plays by doing that. We don't have to try and run every play against every defense. If we know what the defense is going to give us, let's get us in a situation where we can best be successful."
The question will be whether Diggs can adapt to the speed of the game this summer and everything that comes with being the center of attention when the lights are turned on this fall, Conn said.
Having waited three years for at least 10 games at the position he was groomed for, Diggs doesn't play on wasting any time.
Inside 7-on-7
A number of Lee County and Collier County teams will compete in 7-on-7 games every Wednesday at Ida Baker and South Fort Myers. The News-Press will profile a local team every Thursday.


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Three days ago I reported that Washington Post journalist David Weigel was suspended by the paper for a month for retweeting this dubious and offensive joke:
Even if he returns, I suspect his life at the paper will be forever hard. But since Wiegel apologized for this and deleted the tweet, my view was that a stiff talking-to but his editors and a warning that this must never be repeated would suffice for his punishment. (Surprisingly, in my old age I'm getting less punitive. Maybe it's my belief in the absence of free will!) But readers disagreed with me, saying Weigel should have been fired, and so be it.
Now, however, the controversy has blossomed further, this time resulting in the outright firing of another Post reporter, Felicia Sonmez. Sonmez not only attacked Weigel, but did worse: she repeatedly attacked The Washington Post despite other reporters asking her to stop. The summary is in this NY Times article (click to read), but you can also read about it on CNN.
Here's what happened to her:
Felicia Sonmez, a reporter for The Washington Post who in recent days has been at the center of a debate over the organization's social media policies and the culture of the newsroom, was fired on Thursday, according to three people with knowledge of the matter who spoke on the condition of anonymity to discuss personnel matters.
Ms. Sonmez was fired over email on Thursday afternoon, according to one of the people. In an emailed termination letter, which was viewed by The New York Times, Ms. Sonmez was told that The Post was ending her employment, effective immediately, "for misconduct that includes insubordination, maligning your co-workers online and violating The Post's standards on workplace collegiality and inclusivity."
The email, from Wayne Connell, the Post's chief human resources officer, also said Ms. Sonmez's "public attempts to question the motives of your co-journalists" undermined The Post's reputation.
"We cannot allow you to continue to work as a journalist representing The Washington Post," the letter said.
That's pretty harsh! What did she do? Bari Weiss summarized it a few days ago this way:
His colleague, Felicia Sonmez, had seized on the tweet, starting a public shaming of Weigel as a sexist. She's spent the past few days reposting others calling her a hero; slamming one colleague who was silly enough to defend Weigel; posting about that colleague and tagging the bosses. Oh, and throwing editors under the bus (repeatedly).
But Sonmez has a history with the Post, and persisted with criticisms of Weigel and the paper even after Weigel was suspended. This is from her Wikipedia bio:
While a national political reporter for The Washington Post in January 2020, Sonmez was placed on administrative leave after tweeting about the sexual assault charge against Kobe Bryant shortly after his death. The Post ultimately decided she did not violate its social media policy.
Sonmez again drew attention in July 2021 for suing The Washington Post, alleging that the paper had discriminated against her by blocking her from covering sexual assault after she came forward as a survivor. The suit was dismissed.
An explanation at the NYT:
Ms. Sonmez, a national political reporter, sued the paper and several top editors last year, saying they had discriminated against her by barring her from covering stories about sexual assault after she had publicly identified herself as a victim of assault. The case was dismissed in March, with the judge noting that The Post had attributed the coverage bans not to her being a victim of sexual assault but to concerns that her public statements had created an appearance of bias. Ms. Sonmez's lawyer at the time said she planned to appeal.
And Sonmez persisted attacking the paper after l'affaire Weigel (she was the first to put up Weigel's retweet on both Twitter and her paper's internal communication.) Ms. Sonmez then got into a Twitter disagreement with Jose A. Del Real, a reporter who acknowledged Mr. Weigel's tweet was "unacceptable" but admonished Ms. Sonmez for "rallying the internet to attack" Mr. Weigel. Mr. Del Real later sent several tweets regarding an "unrelenting series of attacks" against him, and Ms. Sonmez questioned why The Post had not done anything to reprimand him for his tweets about her, including one that said she had engaged in "repeated and targeted public harassment of a colleague."
In the following days, Ms. Sonmez wrote numerous posts on Twitter about the newsroom culture at The Post and what she said was the uneven way its social media policy was applied to different reporters. At times she jousted with fellow journalists at The Post on Twitter.
Many in the newsroom supported Ms. Sonmez throughout her lawsuit and were grateful to her for her advocacy for sexual abuse victims, according to two current Post employees, but the sentiment began to shift this week as she continued to tweet about The Post.
Some felt Ms. Sonmez was hurting the institution and disagreed with her use of public forums to criticize co-workers, the people said.
Here are the (mostly) liberal women of the view criticizing Sonmez:
WASHINGTON POST REPORTER SUSPENDED OVER JOKE: #TheView panel weighs in on the Twitter war that erupted at the outlet, which began when a male reporter retweeted a joke that a female co-worker found offensive. https://t.co/cVclFZQmjA pic.twitter.com/CsmCbrafhm
— The View (@TheView) June 8, 2022
Clearly the paper agreed with the latter, and couldn't let one of its journalists malign the paper and her fellow reporters repeatedly. They won't comment on the firing, and neither will Sonmez, but if you want examples of what Sonmez said, Nellie Bowles gives some links:
The week wore on, and more Post reporters were getting involved, sending complaints on social media and in staff-wide email blasts. As the instigator—a woman named Felicia Sonmez—started fresh rants each day, it began to get sad. One Post staffer (a Felicia ally) scrolled to see who "liked" the Tweet of another staffer (a Felicia critic)—he scanned nearly 5,000 names to find four Post reporters who liked the critic's Tweet. That's just sad. Even the women of The View turned on Felicia Sonmez and her cause.
CNN gives more details about the persistence of Sonmez:
In her public comments Sonmez had been highly critical of The Post's leadership, including Executive Editor Sally Buzbee, along with many of her colleagues.
At times, some of her colleagues went on Twitter to plead with Sonmez to stop attacking The Post on social media.
Jose A. Del Real, a reporter at The Post, responded on Twitter Saturday to Sonmez's initial tweet. Del Real said Weigel's tweet was "terrible and unacceptable."
"But," he added, "rallying the internet to attack him for a mistake he made doesn't actually solve anything. We all mess up in some way or another. There is such a thing as challenging with compassion."
Sonmez responded, saying that "calling out sexism isn't 'cruelty,'" but something that is "absolutely necessary."
Buzbee tried twice to quell the public infighting through statements, including a stern memo issued to employees on Tuesday. In that memo, Buzbee, "in the strongest of terms," outlined rules that all staffers are expected to follow.
"We do not tolerate colleagues attacking colleagues either face to face or online," Buzbee wrote. "Respect for others is critical to any civil society, including our newsroom."
But that memo failed to put an end to the affair.
Just hours after Buzbee issued her memo, Sonmez tweeted a screen grab showing she was still blocked on Twitter by Del Real. And she retweeted another user mocking some of her colleagues who had joined together to send tweets expressing pride about working at The Post.
Reporter Lisa Rein tweeted at Sonmez that night, writing, "Please stop."
Sonmez replied and asked, "Do you have any idea of the torrent of abuse I'm facing right now?"
As recent as Thursday, Sonmez was still tweeting lengthy threads critical of The Post.
In her Thursday thread, Sonmez argued that the colleagues of hers who publicly defended The Post this week are white and among the most highly paid in the newsroom.
"It is a great workplace *for them*," she wrote.
Sonmez questioned in the thread whether The Post's institutional framework was working for "everyone else."
On top of attacking her fellow reporters on social media, then, Sonmez accused the paper of bigotry, saying that those who defended the paper just happened to be white (I guess she identifies herself as "Latine"), though only a few reporters defended her. Sonmez's behavior seems a bit unhinged, and by going public against her paper, Sonmez left the Post little choice. Even I, a free-speech defender who would argue that Sonmez has the right to say what she wants on public media, cannot argue that the paper must keep her on whatever she says, including accusing it of being racist. This is one of the consequences of public speech: you are not free of disapprobation by your employer (though if it's a university or the government that may be illegal, an is often unwarranted).
But what about Weigel? Is there hypocrisy here in merely suspending him but firing Sonmez? I don't think so. There's a world of difference between retweeting a bad-taste joke that singles out no person or institution on one hand and repeatedly attacking your employer on the other. I don't have a lot of sympathy for Sonmez, and, of course, she never apologized for going after her colleagues, or accusing them of racism merely for criticizing her.
Perhaps the main entry for Sonmez on Wikipedia explains her downfall:
Felicia Sonmez is an American journalist. A political reporter, she is known for her social media activity.
If you're a reporter, you want to be known for your reporting, not for your social media activity. If I were a reporter, I would either not have a Twitter account or restrict my tweets to highlighting my reporting. Sure, Sonmez could give personal opinion, with the caveat that those opinions were hers and not the Post's. But repeated criticism of your employer on Twitter, while no violation of free speech, does carry the risk that your employer will take umbrage. Fortunately, the University of Chicago has a strict policy against reprisal, and I don't engage in Twitter battles anyway.
Were Hitchens alive, perhaps he'd pronounce that "social media poisons everything."