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Signature Car Hire's Rolls Royce Dawn Convertible rental car is quite simply classy and refined, inside and out. This four-seat convertible offers self-drive car hire enthusiasts in the UK a level of luxury, composure and performance that is simply unsurpassed. With eighty per cent of the body components new and the powertrain and chassis significantly updated or revised throughout, this model certainly does feel upgraded.
This Rolls Royce Dawn hire car exudes quality and refinement. One of the most impressive Rolls Royce Dawn features is its ability to transform in to a beautiful drop top cruiser. It takes just 22 seconds to drop the top, an operation fulfilled all-electrically at speeds of up to 30mph. The multi-layer fabric roof offers near-coupe levels of elegance in a way only a marque of this calibre can produce. The engine is exquisite, offering UK renters supercar performance and a blistering straight-line pace.
This black Rolls Royce Dawn model for hire has plenty of room front and back. There's space for four full-size adults inside, thanks to the high roofline and generous proportions. This model is an extremely extravagant and perfectly crafted package, ideal for any special occasion including as a wedding car.
The rake of the Dawn's windscreen is unchanged from the Wraith's, but the cars height has been lowered overall. The roofline is lower, and the glass area is shallower, with the new fabric roof curve dropping into the bodywork opposed to abruptly dropping to the rear deck. The bonnet and Spirit of Ecstasy have also been raised to provide a more aggressive front section.
Essentially a convertible version of the Wraith coupe, our Rolls-Royce Dawn London hire car is luxurious, desirable and the most dynamic drop-top car available to hire in the UK.
If you are interested in performance, you will want to know that this black droptop Rolls Royce Dawn features a 563bhp 6.6-litre turbocharged V12 engine. There's a whopping 780Nm of torque, too, while the slick-shifting eight-speed auto allows effortless progress. The engine is actually a detuned version of the 624bhp unit found in the Wraith, but the sizeable 780Nm of torque ensures movement is swift. There is a 0-62mph sprint which can propel the car in just 4.9 seconds, while top speed is an electronically governed 155mph.
Pace is relaxed and this model is poised offering a smooth and effortless drive for driver and passenger. Refinement is breath-taking, too, as the Dawn glides along in absolute silence. Even when the driver floors the throttle there is little more than a murmur from the 6.6-litre V12. The six-layer roof eliminates almost all outside sound, no matter which seat you're sitting in.
You'll benefit from impressive Rolls Royce Dawn Specs on this model, with an infotainment system that feels Rolls-Royce in every way. Bluetooth and USB connectivity are available, while the addition of some bespoke menu options differentiates the Dawn from other models. The screen is responsive and very easy to navigate and can be hidden behind a sliding cover at the touch of a button.
On your Rolls Royce dawn rental, you can also experience revised air suspension settings and new air springs, plus active anti-roll bars. The rear track has also been widened by 24mm compared to the Ghost. Aerodynamic lift has also been reduced.
If you are looking for a convertible hire car that offers absolute luxury and refinement, then look no further. The Rolls Royce Dawn interior can only be described as one of the finest available to hire for a special occasion like your wedding day.
The finest hides are used to create the hand-stitched cream leather interior and only the very best woods and metals are used to create the beautifully designed interior space. Every detail is beautifully crafted, with a level of accuracy that's unrivalled. The dash is also perfectly created, with a classy, intuitive infotainment system, and clear, easy-to-read dials.
Both the driver and the front-seat passenger can relax in seats that have an armchair-like quality, which can be adjusted in an infinite number of directions as needed. The delicate but recognisable control stalks for the indicators and wipers are desirable, while the thin-rimmed steering wheel offers an unmistakable air of refinement.
There is loads of space for the rear seat passengers too and they have been treated to adequate head and legroom. Unusually for a convertible, as much emphasis has been put on the rear passenger seats as it has on those travelling up front, ideal for a bride with a large wedding dress. Kneeroom is generous in all four seats, and even with the roof up, those sitting in the back will find there's plenty of headroom too.
The steering wheel is a masterpiece, slim-rimmed and delicate and a delight to hold. The inch-thick lambswool carpets comfort tired feet as the organ-stop air vents operate with precision. The finely-striped macassar-wood veneer encasing the cockpit and rear deck is nothing short of breath-taking. And to enter and exit the car you can revel in the sole pair of rear-hinged suicide doors, granting easier access to both rows.
The steering of this Rolls Royce Dawn rental car is light with no feel when you first turn in, but it weights up nicely once committed and positioning the Dawn's considerable bulk in a corner isn't as difficult as imagined. And there is no need to worry about scuttle shake on this model, it offers, as expected, a truly exceptional driving experience. Roof up and the six-layer fabric hood cocoons you from the outside world in near silence; it's quieter than a Wraith.
This is one extremely refined cabriolet, the eight-speed auto transmission is GPS-assisted, pre-selecting gears according to hills or switchbacks on the road; it's always in the right ratio and moves through ratios discretely in the background as a result.
If you are planning your wedding and are looking for a beautiful car for a special occasion, simply call our helpful sales team on 0207 118 2244 and we will advise you of all options available for your big day or get a quote on-line above.


text: "Janie's teaching style reaches a wide range of people because she has the gift of meeting her students where they are working at the time. She will point out and build on your strengths and suggest ways to deal with your weaknesses. She makes magical suggestions that are very individualized."

subset: commoncrawl


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He really does! Hand sewing, machine sewing, all of it. He's already started planning his sister's Christmas gifts and they include lots of . . . You guessed it SEWING!
I realize lots of dudes sew, in fact my husbands grandpa was apparently quite a quilter so, it's in his blood I guess. But my boy is a wound up, always busy, all boy, boy. This kid was sliding into bases before he could talk, making his own weapons and fighting off bad guys and dragons since he was a toddler. He pretends to be every type of growling animal he can think of, while attacking his sisters, on a daily basis, and can not be pulled off of his bike, skate board, snowboard or other fast moving contraption for anything, once he's on it.
He's got 3 sisters, so I'm happy to let him be all boy as much as he wants, but I'm so glad this little guy thinks it's cool to sew too.
And now for the Christmas projects!


text: by Helen Erwin · September 11, 2017 What Will You Do With What the Universe Has Given You? No matter what you choose to do in life, there will always be someone who is stronger, has more experience, shines brighter, gets more clients or jobs, or has more successful results than you do. Don't let that stop you from trying new things, from shining a light that only you can shine because there is only one of you. The world deserves to see you sparkle; it deserves to see you shine. Someone, somewhere may identify with the color of your skin, your body type, your age, your ethnicity, your gender or your story, and when they see you living with passion and enthusiasm, love and grace, then maybe just maybe they can see themselves in you. I started taking my training in aerial arts seriously in October of 2016 under the tutelage of Erica Cope at Buffalo Aerial Dance; 2 years after I broke my left ankle in a running accident, 20 or so years after training, choreographing and performing in dance and movement, 2 years after increasing involvement in the wellness and fitness industry. Some days it is an upward battle, other days I coast along. Flexibility comes easy for me but upper body strength is harder. I won't lie to you, the shape of your body matters, the condition of your muscles, the stability of your bones, your mental fortitude. All will come together to test you, to challenge you, to aide you, to support you and you will feel exhilarated, afraid, defeated, determined, inspired, sometimes all within one session but definitely over the course of time. It is an art, a science, a political statement, a workout, a dance. Because of and in spite of it all, you will find with patience, determination and consistent practice that it can be one of the most rewarding experiences of your life. The moral of the story is, what will you do with what the Universe has given you? Bio: Courtney Barrow is a Wellness and Fitness Coach, Movement Researcher, Dancer, Aspiring Aerialist, Performer, Teacher, Writer/Poet and Artist in Buffalo, NY. When she is not doing one or all of the above, she is the proud dog mom of Elvis, an American Eskimo, loading up on delicious fish and vegetables or visiting her Trinidadian parents in the beautiful island of Barbados where she grew up. You can find out more about her on her facebook page: https://www.facebook.com/CourtneyBarrowWellness And if you are in the Buffalo, NY area and want to take an aerial class, please check out Buffalo Aerial Dance: http://www.aerialdancebuffalo.com Cortney Costanzo, Jessica Bennet Gawronski, Erica Cope, Alexandria Stephan and myself photo by Paul Fanara from Living in The Buff Studios Erica Cope and myselfphoto by Paul Fanara from Living in The Buff Studios Me and Elvis Me in Aerial Sling photo by Paul Fanara from Living in The Buff Studios Share


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Dr Paul Heithersay, Chief Executive, Department for Energy and Mining
Further update to the Cross Border Travel Direction
An updated Cross Border Travel Direction (Number 7) under the Emergency Management Act 2004 has come into effect today.
The key changes contained within the two updates this week relevant to the resources sector are as follows:
- Inclusion of a new class of exemption for persons who travel for work purposes to locations that are remote or geographically isolated where: (a) their employer is applying risk mitigation strategies during periods of work, and (b) the person is a specialist required for industry or business continuity and maintenance of competitive operations, or maintenance or repair of critical infrastructure in the mining, oil, gas and energy sectors. This update supports METS companies to provide services to interstate and South Australian mine sites on an ad-hoc rather than regular scheduled FIFO basis.
- Establishment of a 'low community transmission zone' comprised of the Northern Territory, Tasmania, Western Australia and now Queensland. The critical detail is that a person arriving in South Australia must have arrived direct from the low community transmission zone; and must not have been, at any time during the period of 14 days immediately before their arrival in South Australia, in a place other than South Australia or the low community transmission zone. It is worth noting that until such time as direct flights to Adelaide from Hobart or Launceston resume, travellers from Tasmania will need to meet one of the exemption criteria (for example Remote or Isolated FIFO workers), to be exempt from self-quarantining if they transit through Melbourne or other Australian jurisdictions before arriving in South Australia.
- Clarification that any South Australian FIFO worker who is heading to NSW, VIC or the ACT to a worksite that is not remote or isolated will not be eligible for exemption on their return. This means any worker returning from a project in, for example Melbourne, will be directed to undertake 14 days isolation.
- Workers from NSW, VIC or the ACT with essential skills coming to work in South Australia and who are not employed in a remote or isolated area must now isolate when not at work. For example, this would include anyone coming to work on projects or in head offices in the metropolitan area, irrespective of whether or not they are on a regular roster.
- The updated Direction modifies earlier references to FIFO and FIFO/DIDO to rectify a current gap in the rules for the energy and mining sector that has otherwise been pragmatically managed by SA Police.
Stay well
Paul Heithersay
Chief Executive
Department for Energy and Mining
Friday 20 June 2020


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All projects that are complete should be registered as a child of this book page.
The functional characterization of protein sequences is central to problems in biology. This task is usually facilitated by an accurate three-dimensional (3D) structure of the protein of interest. In the absence of an experimentally determined structure, comparative or homology modeling can provide a useful 3D model for a protein that is related to at least one known structure. The Sali group at UCSF has used the ModPipe software to build models for as many as possible ORFs in the Malaria genome. This has resulted in 10,743 three-dimensional models of 3,321 genes in the malaria genome (63% of all annotated ORF). To visualize the result of this project, you can visit the Gene Card project page. Alternatively, models can also be directly accessed in the ModBase database by selecting the tdi_malaria set of models. The data generated by ModPipe and deposited either in this site or the ModBase database is freely available for non-commercial propouses.


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looks mean with the lip, the gunmetal looks good realllll good.
i was thinking same paint for my bombspec 71
keep it up
finally got my ke70 on the road last week. i brought it about 8 months ago it was stock and beige in colour.
still not completly finished but gettin there..
new open door gunmetel gray spray job.
mods are..
4age 16v bigport
s series diff + tailshaft
t50 box
short shift setup
massve thermofan
ae86 trd fully addjustable coilovers
cusco campertops
ae86 brakes and slotted rotters
all new brake lines
justjab strut brace
bilstein rear shocks
8kg rear springs.
addjustable panhard rod
Last edited by gunmetal70; 11th January 2009 at 10:27 PM. Reason: MISTAKES
looks mean with the lip, the gunmetal looks good realllll good.
i was thinking same paint for my bombspec 71
keep it up
looks pritty tidy bloke!
gl with it
car looks tough as. love the gun metal gray too.
sick KE70!
1984 JDM Zenki Trueno GT-Apex Hatch
+Quads, HKS 264 cams, Microtech LT10s, TRD gearset gearbox, TRD2WAY LSD, fun!
clean as kesev you got there bro, good luck with it
haha thats fat as kurt!
i was just thinking how it was the biggest misson to go get that first when, then drews diff blew up on the way back, then how prez crashed the blue one, then he had to sell the 86 to buy rhys' ke70 so he could give it back to you.
what sizes are those wheels?
Are the wheels those rota ones you can get from otomoto?? they are a cool wheel.
ex-SR20 Stanza and now MX83 Cressida Driver
John 1:12
haha yeh took long enought to finish it.. the wheels are 15x8 there called sports max.. na not from otomoto. theres a shop on ebay with them. cheers for replys
looks sweet man, whered u get the lip from


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|Press Release
Nothing From My Hands
January 25 – November 10, 2012
Talwar Gallery is delighted to present Nothing from My Hands, a solo exhibition of new sculptural installations by Alwar Balasubramaniam. The exhibition will open to the public on January 25 and run through November 10, 2012.
Balasubramaniam (aka Bala) continues his pursuit of bringing to form the formless and making us realize the potential of the hidden. "Nothing From My Hands" brings together two of Bala's major conceptual pursuits. For over a decade the artist has been casting works using his own body and placing himself literally between the art and the viewer, negotiating the skin as an edge where one's own individual physical self ends and everything else begins. Employing the cast from his hands, he materializes a form that exists only when the hands are clasped and ceases to exist when they are opened. However, by casting that space he has allowed us to view that which would not be visible directly. This casting method also enables the interior (between the hands) to become the exterior. As Bala remarks, "Our respect for material reality is more than that for the non material and non visible, we think of nothing as negative. I am attempting here to show even nothing is something beautiful."
This conceptual pursuit is further explored in a new body of metal sculptures, created with an intricate lattice construction of lines, flowing gracefully with no apparent endings or beginnings, where the form merges onto itself, where there is no clear demarcation between the inside and outside, the self and the other, where both exists together as one.
Alwar Balasubramaniam was born in 1971 in Tamil Nadu, India. His works have been exhibited in institutions worldwide, including The Museum of Modern Art (MoMA), New York, NY (2010); Guggenheim Museum, New York, NY (2010); Mori Art Museum, Tokyo, Japan (2008); Essl Museum, Austria (2009); 1st Singapore Biennale (2006); École des Beaux Arts, Paris, France (2005) and last year at the National Portrait Gallery, Canberra, Australia. In 1999 he was an artist in residence at the MacDowell Colony in New Hampshire. Bala was the recipient of the Charles Wallace India Trust Arts Fellowship Award in 1997, and in 2006 he was awarded the Sanskriti Award for Excellence in Visual Arts. In 2008 he was invited to teach in the Art Department at Cornell University, Ithaca, NY.
Alwar Balasubramaniam lives and works in Bangalore, India. His work is currently on view through Spring of 2012 at The Phillips Collection, Washington, DC.
For further information please contact the gallery at (011) 4605 0307


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Rocket Raccoon and his renegade friends will soon invade Walt Disney World just as they did Disney California Adventure, because a Guardians of the Galaxy ride is coming to Epcot's Universe of Energy pavilion. [Read more…]
Legoland Florida unveils large Lego Globe and new interactive area
Legoland Florida and Tampa Electric have unveiled a new six-foot Lego Globe at Imagination Zone as part of initiatives to further education on renewable energy inside the park. [Read more…]


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The Industry Ministry has targeted an increase of 7.1 percent in the agroindustry in 2019, higher than last year's 6.93 percent, following a surge in domestic demand.
"In this political year, there are several sectors that will enjoy great opportunities, including the food and beverage industry," the Industry Ministry's acting director general of agroindustry, Achmad Sigit Dwiwahjono, said in a written statement.
The agroindustry is key to spurring growth in the non-oil and gas processing industry.
"This growth is supported by each sub-sector, such as the food and beverage industry, tobacco industry, wood processing, bamboo and rattan industries, paper and paper-based industries, and furniture industry," Achmad said Sunday.
In the first half of 2018, the agroindustry contributed 49.11 percent of the total GDP in the non-oil and gas sector. In the same period, exports from the agroindustry contributed US$23.26 billion or 26.43 percent of total national exports.
"This means that our agro products have been able to compete globally," he said.
Investment in the agroindustry is also the driving force of growth in the manufacturing sector. In the first half of 2018, domestic investment in the agroindustry reached Rp 24.32 trillion (US$1.70 billion), while foreign investment exceeded $1.1 billion. (brf)


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Yesterday's daf ended with a teaching credited to Rabbi Yirmiyah (and some say it was Rabbi Chiya bar Abba). The Gemara, in a classic "That reminds me…" non sequitur, is going to digress from the topic of our Mishna to discuss other teachings with the same attribution: about the shapes of the letters, about the origins of certain translations of the Bible, and about the book of Daniel. We'll get back to the Megillah itself on 3b.
(We're starting at the end of 2b, third line from the bottom.)
Rabbi Yirmiyah (and some say it was Rabbi Chiya bar Abba) also said: The prophets established the letters mem, nun, tzadi, pey, and kaf. These five letters are written differently when they occur at the end of a word. For example, here is a mem ? and here is a final mem (mem sofit): ?
The Gemara raises two challenges to this teaching.
Does that make sense? For it is written: "These are the commandments…." (Lev. 27:34) "These" implies that the complete set has been given in the Torah, thus a prophet does not have permission to innovate henceforth. In fact, a distinction is traditionally made between laws that are "d'Oraita" (from the Torah) and "d'Rabbanan" (Rabbinically instituted); the latter must have a basis in a d'Oraita.
And, also, hasn't Rav Chisda said: "The mem and samech that are in the tablets — it was a miracle that they stood."? The tablets of the Law that God carved at Sinai were special in that the letters were carved not only into the surface of the stone, but all the way through to the other side. There are only two letters in the Hebrew aleph-bet that have what typographers call a "counter," i.e., a completely closed interior area such as the middle of an "O". Those letters are the samech and the final form of the mem. So just as when you're making a stencil for our Latin alphabet, you need something to attach the middle of the "O" to the sides of the stencil, if you were to try to carve the tablets all the way through you'd have a problem with the counters of the samech and the mem sofit. But God doesn't have that problem.
So that teaching of Rav Chisda demonstrates that the mem sofit must have been in use at the time of the Sinaitic revelation, and cannot have been a later innovation of the prophets.
The Gemara resolves both of these objections: Yes, they both existed, but they did not know which went in the middle of a word and which went at the end of a word. Or, suggests the later commentary "P'nei Yehoshua," it didn't matter which one was used, much as we don't distinguish between the two ways of writing lowercase "a" and "g". And then the prophets came and decreed: the open ones in the middle of a word and the closed ones at the end of a word.
That adequately explains away the second objection, but we're still left, in the end, with the objection "These are the commandments…."; thus a prophet does not have permission to innovate henceforth. Can we revise the explanation to address this one as well? Instead, let us say, they had forgotten which version of the letters was to be used where; until the prophets restored the rules.
(Andrew's turn again. I don't see why the Gemara needs this last piece. If the rabbis are entitled to make enactments that are based on Torah law, why couldn't the prophets make an enactment that refines the Torah's use of letterforms?)
Rabbi Yirmiyah (and some say it was Rabbi Chiya bar Abba) also said: The Targum of the Torah was promulgated by Onkelos the Convert, from the mouth of Rabbi Eliezer and Rabbi Yehoshua. The translation of the Prophets was promulgated by Yonatan ben Uziel, from the mouth of Chagai, Zechariya, and Malachi. In this case, given the number of generations involved, "from the mouth of" means "through an oral tradition originating with" those three prophets.
The teaching continues by telling of what happened when the Targum of the Prophets was promulgated: And the Land of Israel quaked: 400 parsas by 400 parsas (which is the entire area of the Land), and a voice from Heaven came out and said: "Who is this, that revealed my concealed things to the children of mankind?" Yonatan ben Uziel got to his feet and said: "I am he who revealed your concealed things to the children of mankind! It is revealed and known before you that it was not for my own honor that I acted, nor for the honor of my father's house, but instead it was for your honor that I acted, that there should not increase disagreements in Israel."
As Rashi explains, Yonatan ben Uziel was promulgating the oral tradition so that the "correct" interpretation would not be lost among other interpretations that might arise if people who did not know the oral tradition tried to come up with their own explanations of difficult passages.
The teaching continues: And, also, Yonatan ben Uziel requested permission to reveal the Targum of the Writings, but a heavently voice came out and said to him: "You have done enough." What was the reason that he was denied permission? Because in it (the Targum of the Writings) is information about the endtimes and the Messiah. Rashi specifically identifies this as being in the Targum for the book of Daniel.
(Subsequent to this, a new Targum of the Writings was written, omitting Daniel and presumably eliding the other "hidden parts.")
This verse from Nechemia (8:8) will now be parsed out, word by word.
"And they read in the book, in the Law (the Torah) of God…" — this is the reading of the text as it appears written in the Torah scroll.
"…with explanation (meforash)…" — this is the Targum.
"…with the use of intelligence (sechel)…" — these are the division into verses
"…and they made it clear in their reading." — these are the division by cantilation marks (taamim) The Torah is chanted according to a system of tropes that function both musically and grammatically to subdivide verses. There are five levels of ta'amim, and they basically function like a parse tree. Sometimes a given verse could be interpreted differently depending on how the reader renders it into clauses; the tradition specifies a particular parsing. And there are those who say this refers to the tradition of which vowels to use in ambiguous cases. (Recall that the Torah scroll only contains consonants.)
So now we've parsed out Nech. 8:8, and it indicates that long before the time of Onkelos, they were already explaining the Torah by use of the Targum. That would contradict the earlier assertion that Onkelos promulgated it. It was forgotten, (or neglected) and he returned it and restored it to public use.
The contents of the Torah are open and the Targum didn't reveal any concealed meanings, but in the Prophets there are topics that are open and there are topics that are closed
For example, Zechariah 12:11, As it its written: On that day (a phrase which usually is taken to refer to the end of days) there will be a great mourning in Jerusalem, like the mourning of Hadadrimon, in the valley of Megiddon. Nowhere else in the Bible is Hadadrimon mentioned.
Rav Yosef said: if we lacked the Targum on this verse, we would not know how to read it.
The Gemara then quotes the Targum of the same verse: On that day there will be a great mourning in Jerusalem (so far, it's the same) like the mourning of Achav bar Amri, who was killed by Hadadrimon ben Tavrimon at Ramot Gil'ad which is a cross-reference to I Kings 22:32. or like the mourning on Yoshiyah bar Amon, who was killed by the lame Pharaoh in the valley of Meggido which is a cross-reference to II Kings 23:39.
(Andrew interpolating: OK, so there's an eschatological verse that was "closed" and is now "opened." But the Gemara is still talking in allusions here, and I think they're still trying to keep the details as hidden as they can.)
Daniel 10:7 says: "I saw it, I, Daniel, I alone saw the vision; and the men who were with me did not see the vision. Yet a great terror fell upon them, and they fled into hiding." Who were these men? Rabbi Yirmiyah (and some say it was Rabbi Chiya bar Abba) said: There were Chaggai, Zechariah, and Malachi. They were prophets who were contemporary with Daniel, and since the verse tells us that they did not see the vision we can assume that they would be people who would normally be expected to see a vision.
The Gemara compares the three prophets with Daniel: They were better than him, and he was better than them. They were better than him, because they were prophets and he was not a prophet. He was better than them, because he saw the vision and they did not see the vision.
But if they did not see the vision, what is the reason for their fear? The verse said "Yet a great terror fell upon them," implying that their terror was linked to the vision although they didn't see it. How could that be?
Despite the fact that they did not see the vision, their mazals saw the vision. Although mazal literally means "star" or "constellation" and is often taken astrologically, it can also mean one's guardian angel in the Talmud's worldview. (Andrew will interpolate here that I'm personally uncomfortable with both of those interpretations, but right now my task is to record what the Talmud says.)
Ravina said: Learn from this that one who is affrighted, even if he did not see whatever caused his fear, and he doesn't know why he is suddenly afraid, his mazal saw it. How can he fix it? He should recite the recitation of Shema; and if he is standing in a place of filth where one is not allowed to recite Shema he should jump from where he is a distance of four cubits – four cubits being the Gemara's standard definition of what we would today call one's "personal space" – and otherwise he can say thus: "The goat at the abbatoir is fatter than I am."
(Andrew again: Huh? The Gemara occasionally worries about demons, and I think that's the idea here. If one is taken by a sudden inexplicable fear, the Gemara assumes that one's guardian angel has spotted a demon that is about to attack one. The recitation of the Shema, with its statement of belief in God's unity, was believed to drain the demons of their power, since demons supposedly thrived on people's misapprehension that there were two divine beings: one in charge of good and one in charge of evil. Jumping four cubits would remove one from the "place" which the demon was targeting. And if all else fails, one tempts the demon with the idea of a better target, a la The Three Billy Goats Gruff.)
When we continue with page 3b, we will return to the discussion of when the megillah is read.
MC writes:
Instead, let us say, they had forgotten which version of the letters was to be used where; until the prophets restored the rules.
(Andrew's turn again. I don't see why the Gemara needs this last piece. If the rabbis are entitled to make enactments that are based on Torah law, why couldn't the prophets make an enactment that refines the Torah's use of letterforms?)
Why is the torah's use of letterforms open for debate? V'zot ha-torah doesn't just mean the teaching; it means the people got this exact text, from God through the hand of Moshe. At the end of D'varim Moshe writes it out (a copy, I presume, as we've already got the tablets) and gives it to the kohanim. From there it's copied down through generations. That text includes final forms of letters. So according to traditional understanding, there has been a reference copy all along – if anyone was confused about which form of mem is which, just have the kohanim go look. What am I missing?
AMG replies:
Well, by one reading, the Torah might have used the open and closed forms interchangeably until the prophets decreed that henceforth the closed form should be used at the ends of words.
And I'm not sure if I agree that according to traditional understanding, there has been a reference copy all along — during the Babylonian exile a lot was lost, only to be recovered when they returned to the Land of Israel. I'm reminded of the rediscovery of Deuteronomy, for example. So the other reading of the gemara, in which the people forgot until the prophets reminded them, would be consistent with that narrative: The people are hauled off to Bavel. While there, they forget which mem is which. Meanwhile, the authoritative text is languishing in the rubble of the Temple. The prophets remind the people of the correct usage of the two forms, Ezra and Nechemia bring the people back to Israel, and wow! they were correct.
And there are other places in the Gemara where it talks about how our Torah scrolls are not letter-perfect. When it talks about finding the exact midpoint of each book, for example, it admits that we're not sure about all the cases where a defective vs. full spelling is to be used. (I forget if that was back in Berachot or if it's going to be in the fourth chapter of Megillah. I think it's ahead of us….) So if we're not sure when to put a vav or a yod in the middle of a word, I can certainly see us not having been sure in the past which shape of mem to write where.
Back on 2b, we'd analyzed the clause "land and land, city and city." Immediately preceding it is the double "family and family" – why are they there?
Rabbi Yose bar Chanina said: To include the families of the Kohanim (priests) and Leviim (priestly assistants), that they should nullify their service in the Temple and go to listen to the reading of the megillah. That is, if they have not yet fulfilled either the commandment to offer the daily sacrifices nor the commandment to hear the reading of the megillah, the latter takes precedence. There are exceptions, of course; there always are. But that's the general principle.
The Gemara now brings as support other teachings that say basically the same thing in the name of other sources. As Rav Yehudah said Rav said: Kohanim doing their service, and Leviim on their platform, and Israelites in their position — all of them nullify their service and go to hear to the reading of the megillah. And a baraita also says: Kohanim doing their service, and Leviim on their platform, and Israelites in their position — all of them nullify their service and go to hear to the reading of the megillah.
(The Gemara repeats the teaching, even though the wording is identical. Perhaps this is to teach that no source differs. Perhaps it's to show that the sources are each to be accorded respect, much as the princes in the Torah passage describing the offerings at th ededication of the tabernacle. Perhaps it's because the same teaching came down in different sources, and when the later rabbis assembled the Gemara from the various oral traditions they brought them back together by concatenating them but they felt that altering the wording of any of them would be inappropriate.)
From here, the rabbis of the house (academy) of Rebbi found support for the following additional ruling: one nullifies Torah study and goes to listen to the reaading of the megillah. (The commentators point out that reading the megillah is, of course, Torah study, so what this ruling refers to is the "wasted" time traveling from one's place of Torah study to the place of the public megillah reading, and the time "wasted" between one's arrival and the time that the reading begins)
How can the rabbis of Rebbi's academy justify this ruling? By a kal vachomer — the first and simplest of the thirteen exegetical methods used in the Talmud. Kal vachomer literally means "light and heavy" or, more precisely in this context, "lenient and strict" and is a kind of proof by induction. So we're going to use a "lenient to strict" argument based on the Temple service: If the Tepmle service, whose rules are stringent, is nullified when it conflicts with hearing the megillah read, Torah study: not even more? That is, should not Torah study, which is subject to less restrictive rules in general, be even more certainly nullified?
A challenge: But is it actually the case that the service is stricter than Torah study? Is it not written: "And it was that when Joshua was in Jericho, he raised his eyes and looked, and there was a man who is presumed to be an angel standing opposite him…" and he fell prostrate on his face….
(And here we are back in demonology. Before proceding, the Gemara asks how Joshua could prostrate himeself to a stranger who might have turned out to be a demon. One may not even greet another at night with "Shalom", which is one of the Names of God, for we worry that it might be a demon. The Gemara assures us, though, that in Joshua's case the stranger had said "I am an officer in the army of God." And maybe he was lying? Demons do not say a divine Name in vain.)
Now the gemara tells a Midrash, a non-biblical narrative that relates to the biblical narrative. The angel said to him: This afternoon, you skipped the sacrificial service, and now, you have skipped the study of Torah. Joshua said to him: For which of those have you come? He said to him: Now is when I have come…. Rav Shmuel bar Unya said: Torah study is greater than the daily sacrifices, for (the angel) said: Now is when I have come.
So based on this midrash, we would deduce that Torah study is actually more strict than the daily sacrifices, which challenges the "lenient to strict" argument above. The Gemara solves the difficulty by declaring this an exceptional case: The entire nation had neglected their Torah study that night, and it was the universal scope that caused it to be treated as a more significant lapse than the neglect of that afternoon's sacrifices.
Rava continues: Between Torah study and burying a corpse of obligation, the corpse of obligation takes precedence. If there is a corpse and no relatives to arrange for the burial, or if the identity of the dead person is not known, it becomes the obligation of the person who found the corpse to see to its immediate burial. This is taught in a Baraita: The obligation of Torah study is nullified for the taking out of a corpse and for accompanying a bride
One more straightforward case: A corpse of obligation takes precedence over the sacrificial service.
Now Rava concludes with the hard one: The reading of the megillah and a corpse of obligation: which one takes precedence? The reading of the megillah, because of publicizing the miracle? (There is an obligation to tell the Purim story in public.) Or burying the corpse of obligation, because of human dignity?
After he asked, he answered his own question: The corpse of obligation takes precedence, because Mar said: So great is human dignity that it pushes aside a prohibition explicitly stated in the Torah.


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You can see all my shots for the February photo a day challenge on Flickr.
I only just noticed this week that I posted about not liking to be told what to do, and here I am, being told exactly what to photograph every day. So I've bent the rules some, and just ignored them in other places. Regardless, I'm enjoying spending more time behind my camera; I missed it!


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BUCKLE UP: Some Rendell on Reed residents were treated to a trip in vintage cars courtesy of the North Otago Vintage Car Club yesterday.
Car club member John Miller said it was something they did with rest home residents each year.
"It's plenty of fun and they seem to enjoy it."
Rendell on Reed resident Hazel Hornal said she was looking forward to her ride in a 1955 Plymouth.
"I think it's the colour that attracted me to this one."
There were about eight vintage cars for the residents to ride in.
They were heading to the penguin colony, to Lookout Point, Beach Rd and various other places.
From left, 1955 Chevrolet Truck owner Ralph Weir with residents Geoff Dalziel and Russell Kernahan and vintage car club member John Miller.


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There are few countries, at least in Europe, that can compete with Italy when it comes to historical cities and places that also are surrounded by an air of romance, mysticism and beauty. Rome offcourse, with a past few cities are even close to, with it´s winding alleys, Spanish Steps, Fontani di Trevi, Colosseum and in the city center The Vatican State with The Sistine Chapel and St. Peters Church.
Florence, the city that saw the renassance borne and flourish. The city of Verona, where Shakespeare let his drama of Romeo and Juliet taking place. The Amalfi Coast. Napoli. Lago di Garda. Yes, I can continue to count cities and places in Italy that all feels romantic and alluring and at the same time filled with centuries of tradition and history.
Well, have I forget some? Yes, there sure is a lot of other places I should mention, but I actually thinks of a city that´s even messured with other italian cities have had more than it´s share of both romanticism and history. Venice, offcourse!
And in difference with other cities and places mentioned above, I´ve actually have visit Venice. And oooh, what I hope to return some day. Even tough I visited Venice in the end of june together with crowds of american and japanese tourists it was a unforgettable experience. It is hard to visit Venice without allready having a very distinct picture of it, you are highly excited and at the same time a bit skeptical. It´s going to be hot, a lot of tourists, awfully expensive and the channels are said to smell rotten and muddy.
Well, it was very hot when I visited Venice with my family. At the St. Marcus Place it was so hot we all become dizzy. It took os more then ten minutes to cross the Rialto bridge, cause it was as crowded as in front of the stage at a big rock concert! The kids bought corn to feed the pidgins with at St. Marcus Place and was hired as models by japanese tourists with at least five cameras around the neck. We could only afford to eat at McDonalds, and we wasn´t alone with that. Nine out of ten shops sold murano glass and venetian masks, and if you took a look, not a small part of the masks was made in China!
Inspite of that I have visit few places as romantic as Venice. The ice cream was delicious and not that expensive. The small necklace with the red murano round may been made in China, but will still always remind me of Venice. My calendar with roman-catholic priests is as italian as a souvenire can be. Trapped in rain and cloud all the way trough Sweden, Denmark, Germany, Austria and even a coupple of miles from Venice, it was a mercy to feel the sunbeams at my skin in Venice, even if it become a little to much finally. The channels didn´t smell that bad. And if you just took a step in another direction from the rest of the tourists you find yourself suddenly at quiet backyards and narrow alleys with little girls playing. If you´re about to get lost, there is few places nicer than Venice to get lost in!
I am imagine Venice in the late autumn, when there isn´t any tourists left. And Venice during the carnival in february. Imagine, covered by a mask, to visit the parties in the big old and often quite decayed palaces besides the dark channels. That, my friends, would be more than romantic.
Well, I admit I´ve been a bit long-winded again. Laura Tonatto have been a bit anonymous for me, but oh can she make perfume! One of my favourites among her fragrances is Plaisir. It´s all together wonderful and make me think about Venice. Plaisir is alluring, warm and secretive. It strikes me that it changes with the beat of my heart. Sometimes it´s open, sunny and easy, like standing at St. Marcus Place with the rest of the tourists. Sometimes it lures me in among the dark and narrow alleys, a secret bar, a winding stair and a room filled with man and women hiding behind masks.
Usually I don´t care som much for grapefruit note, but in Plaisir it is lovely. It brings a tartness that comes trough once in a while and then hided among warm spices, vanilla, patchouli and dark woods. When I wear Plaisir I sometimes thinks it is one of the best gourmands I´ve tried, but then after only a short while, I think it´s an oriental fragrance. The grapefruit managed to steer Plaisir away from the most sticky sweetness and it´s good. After a while Plaisir become creamier, more powdery and softer, more and more gourmand. This phase I really enjoy, it´s hard to get my nose from my wrist. The sillage in Plaisir is good, you will get notides when you wears it, but without having to battle your way trough it. Plaisir strenghten more then depress your own personality. Plaisir makes you sensual, mystic and just a bit indolent. As if you are comfortable laid down on a red velvet divan, eating Creme Caramelle and surrounded by red roses. The base note becomes more orientalic than gourmand. Warm musk, vanilla and golden amber that last for a very long time. The creamy caramell note fades and succeed with a warm, golden and powdery feeling.
Disregarding Plaisir, Laura Tonatto have a lot of other perfumes to offer. Some of my other favourites among them are, Dama with notes of vanilla, amber, iris, violet on a base of opoponax.
And Fior d'Arancio with notes of orange blossom, ylang, jasmine and white musk. More information about Laura Tonatto and her perfumes and other sacheted products you can find here: http://www.lauratonatto.com/


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The background is not unimportant: the Olaus Petri School was to be completely refurbished. But hardly any money had been budgeted for refurbishing the school playground in spite of the fact that pupils spend a considerable amount of time there. This led to Anders Boqvist at the National Public Art Council initiating a development project aimed at investigating what might be done with a worn school playground and what would be required to achieve this.
It is no accident that it was love and devotion that received the brief. Several of their earlier projects have involved working with a whole environment, of taking a comprehensive view of the place or institution that they were dealing with. Two wards at the Ulleråker psychiatric hospital in Uppsala are a good example of their approach. With relatively simple changes they were able to produce a much better environment for staff and patients. And what did they do? Everything from such obvious measures as changing the odd curtain and removing old junk to having a staircase made to provide direct access to the hospital's pretty garden. Their work also served as a reminder to look carefully at less visible aspects. For example, it transpired that the firm that was responsible for repairs and maintenance was not doing its job and this naturally had a serious effect on the quality of care at the hospital.
In the same way one can claim that the most important part of love and devotion's work on the Olaus Petri School was in the way it influenced refurbishment that had already been decided. Together with pupils, teachers
and representatives of various societies in the neighbourhood they worked out a proposal for the playground that was not going to cost a small for tune.
Something interesting has happened during the last decade. Increasing numbers of artists now go in and work directly with social structures political and other. With this in mind the term "site-specific" seems strangely dated. For the physical site is merely one small aspect of a larger situation that the artist addresses. One can speak of a change in the role of the artist but also of the work of art as such. For what is the "work of art" in the case of love and devotion? True, one can view the result of their work as a total artistic arrangement. But influencing the parameters-the basis for the entire project in all its dimensions-is just as important. The primary concern is not what materials, genres, techniques or spatial circumstances have been used. Equally important is the dialogue and the relationships that have been created in the process. Organizing a lecture can be as important as designing a climbing wall.
I do not wish to dismiss the possibility that a specific work of art that has nothing to do with the site as such can be very successful. Sometimes what appears at first sight to be all wrong is actually perfectly right. But in a situation when not even the most fundamental environmental needs have been met it would require a very high degree of tunnel-vision for an artist to come in and place an artistic ego-trip on the site in the form of a sculpture or other artistic decoration.
The playground is now in use, ready to be explored and evaluated by pupils, teachers, art experts, boules enthusiasts and people who live in the neighbourhood. True to their habits, love and devotion have approached the site as an open question whose answers are to be found in dialogue with the people who use the site. Several of the changes are remarkable for their simplicity. Like the concrete cube that has been embedded in a little hill. This creates a new space in which the inside, for example, can be used for exhibitions and the roof as a stage. Playground economics as a fine art: the rising ground is made from spill created while remaking the playground. This is perfect for ice slides in winter, as a look-out place and as a visual interruption. At another point, a number of lampposts that were going to be thrown out, have been rearranged into a bouquet of street lamps; a wonderfully contradictory image.
Space does not allow us to describe the playground renewal in detail. The character of the playground is basically unchanged with large tarred areas, trees, areas for playing, basketball apparatus and climbing fames. It is the attention to details that is fundamental to the renewal. More unexpected is the way in which love and devotion have constructed large wood en decks on the outside of two of the buildings, an area not designed for any specific purpose but that can serve as a gathering place for lunch or just for relaxing. A meanderingly magical world has been created for the smallest children out of a previously unused area. This contains a winding stream, grass, concrete animals, a bridge and-not least-highly imaginative lighting.
The entire project addresses the question as to what a playground really is. The most radical answer is to be found in the southern part of the site, the open stretch running along one side of a quiet street. love and devotion have removed the usual tall fence and replaced it with low rails about two-foot six in height; a discrete indication of the boundary between the school and the world beyond. Just inside the new fence they have organized an 80-metre track covered with finely crushed stone which is ideal for playing boules. With the trees on the street this forms a leafy drive or boulevard.
In this border area verging on the "outside world" there is an opening towards people we do not normally associate with playgrounds. People who want to play boules, neighbours or pensioners who want to sit and rest for a moment. Does a school playground need to be shut off from the world around? Many parents would unthinkingly say: shut in the children and shut out people who don't belong. love and devotion turn the question round: cannot the school playground be a place where the generations can meet? Is it not a better strategy to increase the presence of adults?
An important aspect of the work has been to show that one can choose artistic solutions and quality products even in an area that is normally subject to compromises and budget considerations. In this case, it is collaboration with others that has been fundamental, including collaboration with one of the schools of technology in the town.
The question of the increased instrumentality of art-that art should be a tool for other purposes-is much discussed today. Not least in relation to the ever more commercialized world of art in which art is reduced to something to be marketed or consumed. But this must also be discussed with regard to how art works in the context of national or local government. Is art in the process of being reduced to a mere service as the state seems gradually to be being dismantled? love and devotion will increasingly have to address questions like this the longer they work.
What is good art? In the case of love and devotion, the question is unavoidably linked to the issue of what is good for the people using it. I see this as an ideological stance on the part of the artists, a conscious step away from the image of the artist isolated from society. They have commented on the matter themselves: "As artists we are grateful for the opportunity to be able to be where the action is, for example on a school playground!" Similar expressions can still seem provocative in a world of art in which "usefulness" is still contrasted with artistic integrity.
Their work is an expression of something that, I believe, many artists feel today and that has been summarized by Susan Gablik in the now classical anthology Mapping the Terrain-New Genre Public Art: "Autonomy, we now see, has condemned art to social impotence by turning it into just another class of objects for marketing and consumption."
One may claim that respect and generosity are an important aspect of love and devotion's work. This is only half the truth. For the reverse is equally true. They show a fine disregard for what is familiar, for processes and mechanisms that have become ends in themselves.
Milou Allerholm


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Helen Lee Collection (MC 129)
Historical/Biographical Note
Helen was born in Columbia, Alabama and grew up in Phenix City,
Alabama and Columbus, Georgia. She was last in the family of five
and she graduated from Central High in Phenix City and later
graduate from Perry Business College in Columbus. During the 1960s,
she lived in Europe and her formal art training began during this
time in the classrooms, museums and galleries through Europe. After
her return to the United States, she continued her art studies at
the University of Utah School of Fine Art. Lee returned to Columbus
in 1976 and lived there until her husband's death in 1987. She had
two children with husband Robert J. Hobbs, a son, Robert J. Hobbs,
III and a daughter, Janet Lindsay Hobbs.
Drawing and painting were always her interest as a child. Her first "art collection" were pictures of movie stars decorating lids of ice cream cups. Today, these photo lids are sought after collector's items. She is best known for her watercolor paintings of the South and can be seen in many private and corporate collections. Her impressionist paintings, in bold vivid watercolor, are reflections of her surroundings and life experiences. Her latest project was a series of works of the Chattahoochee Riverwalk.
Permission to Publish
Permission to publish materials from the Helen Lee Collection (MC 129) must be obtained from the Columbus State University Archives. Use of the following credit line for publication or exhibit is required:
Helen Lee Collection (MC 129)
Columbus State University Archives
Columbus, Georgia
Box and Folder List
Box 1
Folder 1: Correspondence
Folder 2: Columbus Artists' Guild materials
Folder 3: Printouts from www.artwave.com
Folder 4: Images of art works.
Folder 5: Programs from shows and sales
Folder 6: Press releases
Folder 7: Newspaper clippings
Folder 8: Images of Helen Lee and biographical information
Folder 9: Cards and a folder with various works
Folder 10: VHS video of Helen Lee and her work
Folder 11: Miscellaneous


text: Kylie Orr 140 Posted February 16, 2016 My eldest child is twelve. I recently calculated that at least 24 people have touched my breasts since I was pregnant with him. My husband only makes up one of those people. For the record, I'm not some kind of town bike who allows random strangers to cop a feel. I'm referring to all the medical professionals who helped me through pregnancy and the aftermath where touching what is normally considered private property became public. Generally speaking, there are plenty of bodily changes that occur during the miraculous minefield that is growing a human. Perhaps it's lumpy breasts during pregnancy that we worry about, or leaking bosoms that we're double checking are doing what they are supposed to be doing. Whatever the issue, it often requires someone else to take a look, and possibly a feel. Once the baby arrives, so do the inevitable feeding challenges. Each of my babies needed some encouragement in the breastfeeding arena. That meant every midwife on a new shift was buzzed to guide me and my baby down the potholed path of breastfeeding. The compassionate staff members squeezed and prodded at my bosoms, lining up a nipple to a screaming baby's mouth more often than I'd like to recall. In the year of breastfeeding that followed each birth, I was unlucky enough to get mastitis more than once. Yet another opportunity to flash my breasts at a doctor who then may have to touch the area to make an accurate diagnosis. It's not just breasts either. Being touched is an expected requirement of being pregnant. Doctors, obstetricians, midwives, sonographers, masseurs, physiotherapists, acupuncturists, osteopaths. Whatever and whomever you may have needed through your nine months, most likely it would have included an examination and possibly palpation. Let me clarify before I continue: none of the above is a complaint. It's absolutely part and parcel of the pregnancy / baby / breastfeeding world. I'm quite a touchy-feely person; I touch people when I talk to them, I hug and I kiss (people I know) freely. I'm certainly not touch-phobic. However, what all that handling during the process of becoming a parent has made me reflect on is personal space. Once you move on from physical examinations, birth and breastfeeding, then there is the baby attached to you, in some cases, for many hours of the day. At first, it's a beautiful thing. This gorgeous koala-like being cuddling into you, squirming until they find that spot that soothes them, usually in an awkward crook of your neck. After a while, you're quite happy for someone else to have a hold, to rock the baby just so you can free your arms and your body for a short spell. As the baby grows, he may enter phases of clinginess and separation anxiety where all he wants to do is crawl inside your skin. Again, it's lovely to know that you are the soul that brings comfort and security, but occasionally you'd like them to cling to that other comforting soul: their father. Hell, you'd happily offer the arm of the couch or even the cat who has shown zero interest in the baby (another household member who is hanging onto their personal space) - someone or something other than you. Just a little personal space… it's all you ask. Then your neglected, feeling-rejected, partner comes in for a hug. A simple cuddle which may also come with a tap on the bottom or a sensual caress. You flip your lid. Please back away from the boobs! The poor man has been unfortunate enough to occupy that last skerrick of personal space you held so dear. Overcoming the constant invasion of personal space is something all pregnant women and new mothers have to get used to. Some manage the transition easier than others. I've just waved my youngest child off to school, peeling her from my leg to escort her into her classroom. As all this was happening, I wondered if these days of limited personal space are numbered. For all those times I silently wished for a small radar around my body with an alarm that would ring with a shrill scream if someone entered the force field, perhaps I will now wish for an impromptu hug, a climb on a knee to read a story, or a request for a piggyback. Of course, as with most things in life, there is a silver lining: my husband can now enter back into the personal space zone without getting tasered. Did you become protective of your personal space when you became a mum? Kylie Share this post Link to post Share on other sites


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6 thoughts on "carpentry"
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Wall Street Journal features IFMA's Supply Chain Optimization
IFMA's Supply Chain Optimization best practice initiative has the captured national attention. Along with Kinetic12, HAVI and Datassential, 50 organizations representing manufacturers, distributors and operators have come together to tackle the supply chain challenges facing our industry.
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At a time when most of us are still slogging through winter slush and wishing we could go someplace the weather is more forgiving, the Canadian Film Institute is taking a look at life a little closer to the equator. The 16th annual Latin American Film Festival (LAFF) kicks off March 22, offering 15 films from 15 countries. This year's festival includes some notable queer content, with Old House (Casa Vieja) from Cuba and 108/Cuchillo de palo from Paraguay exploring the queer experience in those countries.
Queer LAFF content tends to vary from year to year, says CFI programmer Jerrett Zaroski, who notes it is slowly becoming a trend in Latin American cinema. He attributes this to growing social acceptance of the queer community. "Every culture has its idea of safe," Zaroski explains. Although it depends on the country, he says, in Latin America there is a sense of machismo that historically led to queer issues being swept under the rug, which means some secrets simply haven't been told.
Secrecy plays a key role in 108/Cuchillo de palo, a feature-length documentary by filmmaker Renate Costa. The film gets its title from the 108 list, the first in a series of blacklists ordered by dictator Alfredo Stroessner during his 35-year reign that publicly named suspected homosexuals. These lists demonized homosexuality in the public consciousness to such an extent that the number 108 became a derogatory colloquialism, the Paraguayan equivalent of "faggot." Furthermore, homosexuals were seen as synonymous with assassins. In predominantly Roman-Catholic Paraguay, "it's every person's mission to have children. If you're not doing what God intended and procreating, you're assassinating the way of life and the family line," says Zaroski.
Nowadays, the 108 lists and the era of blacklisting have become a secretive, if not quite forgotten, part of Paraguayan history. 108/Cuchillo de palo deals with filmmaker Costa's revelation that her own uncle, Rodolfo, was on one of these lists. What follows is her journey to uncover the truth of what happened through speaking with her family and community. In particular, Costa helps her father come to terms with his brother's sexuality. For much of the film, Costa is in front of the camera rather than behind it as she talks to people about what is still a very secretive topic. "Everybody sort of looks away," says Zaroski of the Paraguayans' tentative approach to acknowledging homosexuality. "Even before complete acceptance there's a denial at least."
Also featured in this year's festival is the Cuban film Old House, about a gay man who returns home after a long absence to face his family and some demons from his past.
When choosing films to include in the festival, programmers work closely with the embassies of the countries from which the films are drawn. They provide suggestions as to what films they would like to bring to Ottawa in the hopes of securing distribution rights while taking the embassies' suggestions into account. Zaroski says that even with a multitude of stellar films to choose from and the preferences of the various embassies to consider, "usually we're able to show exactly what we want."


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Vincent Simone and Flavia Cacace have revealed that their current tour will be their last.
The former Strictly Come Dancing professionals - who have been dancing together for more than two decades - will bow out with a farewell tango that will knock all others into the shade in The Last Tango.
Flavia, who won the coveted glitterball trophy with Olympic gymnast Louis Smith in 2012, said: "This is the furthest we've pushed ourselves. It will be a Super Tango and almost unchoreographable."
She told This Morning: "For now it's the last theatre tour. We've still got 33 weeks to go so it's a long tour. It's really physical, we do eight shows a week.
"It's a lot to put your body through and your mind. Every single show we try to perform to the best of our ability, even if we're having an off day."
Vincent added: "We share the same passion. We love what we do."
The pair also spoke about what their partners think about their dancing together every night.
"They're both incredibly supportive and we're both very very lucky," explained Flavia.
But while their tour may be - eventually - coming to an end, professional dancer Flavia insisted that the pair will aways dance together.
"We're definitely not giving up dancing, we'll always dance. Hopefully we'll do new projects. I think we'll put our suitcases away but our shoes will still be out."


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Jul 27, 2016
In this interview with Krystel Seijo, author of Disney World on a Budget, we talk about saving for Disney World and not breaking the bank when you get there! Plus, we're giving away a free copy of her book!
Here are some of the points we cover during this interview:
• How far out should I start planning my trip?
• Best times to go in order to get the best bang for my buck.
• Best places to save money.
• Transportation.
• Staying on property vs offsite.
• Saving money on food.
• Strategies you use to save money in the parks.
• Her best tip for maximizing your budget.
• How to find balance between budget and vacation.
• Her favorite Disney Park's tip.
• Her favorite bit of Disney life or career inspiration?
We're giving away a free copy of Krystel's book, Disney World on a Budget, to one lucky listener. All you have to do to be in the running is to comment on this blog post and tell us what your favorite Walt Disney World attraction is. You must comment by August 3rd and we'll announce the winner on our August 5 episode of Mouse Scouts!
You can also get a 15% discount on her already wonderfully priced book by using the coupon code MOUSESCOUTS at checkout.
Email us at firstname.lastname@example.com, find us on Facebook, Twitter, and Instagram.
Subscribe in iTunes, Stitcher, and Google Play.


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Vehicle renting seems to have stricken nearly everyone in United kingdom. For what reason isn't that right? At the point when vehicle renting empowers you to drive a pristine vehicle each 3 to 4 years, without trying concerning the censure and vehicle transfer, at that point what is more engaging than this?
The Financial Lending Company's Needs
Nonetheless, since vehicle renting bargains allow the renter to make utilization of the car for a specific timeframe, the renting rules are basically more tightly contrasted with principles for getting customary vehicle credits. The budgetary loaning organization for the most part requires the candidates with an appealing FICO assessment. Also, there are all the more needs rent candidates need to satisfy for vehicle renting, Herts.
Recorded here are the requirements for lease endorsement.
Most funders require the candidate with a magnificent FICO assessment for endorsement of vehicle renting, Herts. Furthermore they consider the candidates' FICO score and expect the charge card records to end up current. Candidates having an a terrible financial assessment score are scarcely at any point affirmed for vehicle renting with no co-endorser.
Be that as it may, notwithstanding the FICO score, the money related loaning organization likewise sees the candidate's capacity to pay regularly scheduled installments routinely and the other budgetary commitments as well.
An occupation applicant having an awful financial assessment score could get his advance endorsed with the guide of a co-signor. This co-signor capacities like an underwriter, who ensures the installment in circumstance of default. In any case, this co-signor is imagined having a lovely FICO score. Such cases are dealt with the circumstance to-circumstance premise and financing organizations may or probably won't support the obtained assets having an underwriter.


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A plain black wrapper
The black backcloth at the Leeds College of Music was the background to a kaleidoscope of talent at the BIFF Yorkshire and North Lincolnshire Regional Championships. Dancers, singers, actors and musicians followed one another in a truly wonderful cascade of talent from around the region.
28 performers from 23 Festivals showcased the very best of music, dance and speech, woven into a magnificent day of celebration in a splendid setting. In the event, Chopin provided the wonderful book-ends that enfolded the programme. From the first notes of James' Berceuse in the morning to Katie's Nocturne , we sat, enthralled.
Of course there were a few hiccups along the way. We could have made sure the box office was open earlier – and we should have acknowledged Tim Kennedy, our wonderful accompanist, in the programme. Despite our best efforts though, the day ran smoothly with a skilled compère and six brilliant adjudicators. The Leeds College of Music went out of their way to ensure that we had a great welcome – and, of course, their facilities were unbeatable.
At the end of the day Margaret Venables, President of the British and International Federation of Festivals made presentations to the "best of the best" in each of the four categories of dance, speech and drama, instrumental and voice.
Yorkshire and North Lincolnshire Regional Championship Report was gratefully received from Chris Wright


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Day 16. 129 pages, 64,244 words.
No time to do anything but the word-count today, have to get going. Here's where we stand right now, I am desperately trying to get Part One finished before the 20-day mark because I think it is going to be the easiest part and I want to leave plenty of time for Part Two and Part Three. No real reason for any of it, but that's the plan.
Bloke: 20
Fuck: 63 (still just about one every other page)
Shit: 38
Cunt: 8


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Event Date & TimeClick the calendar icon to add events
to your Personal Calendar
Hilton Winnipeg Airport Suites
Venue Phone: 204-783-1700
Venue Website: http://www3.hilton.com/en/hotels/manitoba/hilton-winnipeg-airport-suites-YWGWIHF/index.htmlAddress:
Hilton Winnipeg Airport Suites offers 9,000 sq. ft. of newly renovated meeting space for your next event. Complimentary high speed wireless internet, main floor access and natural light are some of the features of the various sized conference and event spaces.
Our garden area perfect for outdoor receptions, wedding ceremonies or barbeques. Food and beverage services are available.
Fresh and local ingredients are prepared by our Executive Chef Kelly Cattani and culinary team that complement your vision. Our event manager will assist with room setup, décor and audio visual to ensure every need is met.
Meeting and Event Highlights
- 4,500 sq. ft. Stevenson Ballroom with loading dock access
- Stevenson Ballroom foyer for food and beverage stations, vendors and registration
- Three breakout rooms located on main floor near Stevenson Ballroom
- Natural light available in Laird, Magellan and Lancaster rooms
- Ample complimentary parking for attendees
Largest Meeting Room : 4560 Sq. Ft.
* You must be logged in to purchase event tickets.
Emotional intelligence (EI) is considered a critical healthcare leadership competency, where its been demonstrated to impact effectiveness in all clinical settings—from the boardroom and chairperson's office to the ward and bedside. EI can be defined as the ability to identify, express and manage both your own emotions and others, in order to motivate, cope with stress, and help make good decisions. EI has been shown to impact the quality of care, communication, stress / burnout. This course is targeted for all physicians, regardless where they are along their career trajectory since emotional skills are always relevant. The course will utilize an indepth assessment that will highlight emotional strengths and derailers.
- Learn the research that underpins emotional intelligence and leadership.
- Assess emotional intelligence along 15 sub-scales and assess the impact on your leadership.
- Acquire and practice skills to enhance emotional intelligence.
- Motivate and promote emotional intelligence in others.
- Leverage your emotional intelligence strengths and address areas for development.
Poster – Leading with Emotional Intelligence
$500 – Physicians, Faculty & Healthcare Leaders
Paul Mohapel, BSc, MSc, MA, PhD
Registration Cancellation Policy:
A registration refund will be made upon written request on or before Dec. 6, 2019. A $35 administrative fee will be retained. No refunds will be made for cancellations after this date.
Click to Log In Create an Account
* You must be logged in to purchase event tickets.
Program Coordinator
Amanda Osorio
Training, Education and Event Coordinator
George & Fay Yee Centre for Healthcare Innovation
Tel: 204-594-5348
Fax: 204-594-5394
Email: firstname.lastname@example.com


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book details: click on a title
books by J.D. Holiday
Books by J.D. Holiday
Janoose the Goose
Janoose the Goose is visiting her cousin, Molly the Duck on the farm. Janoose likes the barnyard very much but she must go home because there are no job openings there. When her flight home arrives, the fox has begun a crime spree, and Janoose is the only one who can stop him.
Janoose And The Fall Feather Fair
In Janoose the Goose, she visited her cousin, Molly the Duck on the Free Range farm. Janoose liked life in the barnyard. Having no job on the farm Janoose awaits her flight home, but before her flight arrived the fox began a crime spree, and Janoose was able to stop him and he had to pay the price for his crime. Janoose gets his job collecting feathers. It isn't long before Janoose finds her job [...]
Stories And Imaginings For The Reading Spot
In Stories And Imaginings For The Reading Spot, A Short Stories Collection For Adults, find amusing stories and characters from Anne and Romanoff's naughty pack, Stephanie finding trouble with a wounded cat and a remorseful landscaper; and the beach cottage that brings Cheney's nightmares of the Sci Fi warrior into focus and more! The Cemetery Affair ~ This is a tales from here to eternity about [...]
The Spy Game
The Spy Game Eddie would love to have a puppy to play with. A puppy would pull on a rope. Catch a ball and lick your face. But his Uncle brings Eddie an older dog named about a famous spy. What can you do with an old dog? It probably couldn't learn new tricks, and the only thing this dog did was stare. It's what they find to do together that makes them the best of friends!
The Great Snowball Escapade
In the story, Wilhemena Brooks' cousin, Bud Dunprhy come to live with her family. Wil, as she likes to be called, finds her pink pencil sharpener is missing after Christmas. Wil knows Bud has it! Who else would have taken it? Bud doesn't like girls! In fact, Bud doesn't like anybody. Wil tries to ignore him but he pulls her friend's hair, takes over games, and when Bud is in trouble he making his [...]
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not our normal choice for a holiday,must say it was certainly different,the campsites we stayed were spotless,and the motor home we rented from stefan performed well,the transaction with goboony and stefan was straight forward and easy,if we ever decide to hire a motor home again this is the roote we would take,thank you bob
Motorhome and Campervan Hire in Barnham
More than 19,250 travellers were ahead of you
It was a wonderful van and really comfortable to sleep in. We had an outstanding trip to Wales and loved our campsites and also the ease to do wild camping too. Of course we are both in love with Richard who is such a kind interesting and energetic guy. Lent us a book on wild wales which really helped our journey. Recommend wholeheartedly. Gwen and Marcin.
So much fun being out of the city and on the road. We were on a Grand(ish) Tour around the UK this summer and had a brilliant time in Richard's van ! Firstly, It's a fantastic vehicle first. The drive is smooth and agile which is comparable to driving a much smaller van or car. You *don't* feel like you are maneuvering a ship or turning up in an obnoxious eyesore. The front seats are the most comfortable yet and helpful on the longer drives. We are a family of 3 and the van's dimensions was well suited. We took our bikes with us for which Richard kindly let us use a rear mounted bike rack. I am 6ft-1" and had to sleep diagonally on the top bunk which was fine but it meant I had to sleep on my own. In other words for taller people of 6ft> the bunks are on the small side but otherwise very comfortable. Altogether the van was clean and felt modern and joyous. Richard is very professional in his approach. Prompt, communicative and helpful in all aspects of the hire. Highly recommending hiring vans from him and the Lovely Campervans company
We have never had the use of a camper van before, but found it most enjoyable indeed. The collection return & communication with all parties was excellent. We did wish to transport our bikes but the van didn't have the equipment & the owners were concerned about a rack damaging the van. Something to consider. The equipment & facilities were very clean & all in order. Recommend.
Dan was great from the moment I booked through to dropping the keys back off to him. He gave us recommendations on sites to stay, a thorough walk around the motorhome both inside & out before we set off, and great communication overall. He was on hand the whole weekend when we had some issues with electric hook up when we arrived & air block in water system the following morning, he kindly FaceTimed us to assist in rectifying both issues and was so so helpful. Would highly recommend this lovely little camper and renting it from Dan & his partner. They have truly set the bar for any of our future trips.
This is our first time rent a motorhome and everything went smoothly. The owners were very helpful and gave us a lot of first hand information of how to drive the big motorhome on the narrow bridges and roads, also some nice places they had visited. The motorhome was very clean and comfortable to stay about one week. It was great have toilet and shower on board that made the journey very pleasant. Our children love it and we would like to have a similar adventure again.
Charlotte is a great van host, and her van is very well equipped. We unfortunately encountered some mechanical issues with the van during our hire, but I still want to give 5-stars since Charlotte was very responsive and acted quickly to try and get the van back on the road. When it became clear that the van needed more time with the mechanic than we had available, Charlotte helped us get a full refund through Goboony.


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Price Change
Posted by Tracy Sullivan on October 05, 2018.SozoSoundz has attempted to keep our prices low even though our costs have risen from all the tariff increases. With continuing increases, we have had a slight change in our prices. Generally that equates to about $3-5 more a fork depending upon the frequency and if it is weighted or non-weighted. We apologize but this a situation that is out of our control. When or if the tariffs are reduced, we will again reduce our prices. We are attempting to keep this at a minimum. These price changes are as of 10/6/2018. Thanks for your understanding!


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Best Shock Training Collar
In this review of the Dog Care Training Collar, we shall look at and explain all about the features included in this dog training collar device. We will then hear from others who purchased the Dogcare training collar.
There are many good dog training collars to choose from and we will tell you if this collar device is the best collar for you and your dog.
We will then go on to tell you about other choices of collar products, check out the Petrainer PET998DRB1 Dog Training Collar another Best remote dog collar Training Collar, I suggest you check our 10 best dog training collar 2019.
We shall tell you about the Pro and Cons of the Dogcare Training Collar and also look at the customer reviews on Amazon.com, these reviews will help you make your purchase of the best dog collar for you and your dog.
You may have landed on this review wishing to purchase Dog Care Training Collar and you do not wish to read this full review of the Dog Care Training Collar, please click here to go directly to Amazon.com to purchase the Dog Care Collar product.
Dog Care Training Collar Review
If you are looking for the best seller of dog collar, we shall first tell you about the features built into the DogCare Training Collar then we will give you a rundown of each feature and why the Dogcare collar is unique to any other collar device.
If you are looking for reliable and efficient training collar the Dogcare training shock collar has these.
The receiver is waterproof IPX65, ideal for your pet dog maximum outdoor activities. The collar and receiver is designed with the highest quality materials, making it strong to withstand any movement from your dog.
Dogcare training shock collar Features:
3 TRAINING COLLAR MODES – the dogcare collar has 3 highly efficient safe levels of training modes these three modes are a beep, vibrate and shock mode. The 3 modes will help train you to dog the obedience commands to stop the dog's behaviour problems.
NO MORE ACCIDENTAL SHOCK – You can now avoid accidental shock to your dog this can happen from false operation from the training collar. This is now avoidable with the Dogcare training shock collar there are no more accidental shocks happening to your dog. The locked keypad prevents any false shocking to the dog.
9 CHANNEL TRAINING CONTROLLER – The Dogcare Dog Training Collar is a unique collar, most other dog devices have a maximum of 2 channels to train 2 dogs. The Dogcare Collar has the option to train 9 dogs from 1 x remote controller. The Dogcare collar could be a money saver if you need to train more than 2 dogs.
STATIC LEVEL ADJUSTABLE FOR ALL DOG SIZES – Dog owners always have the fear of hurting their dog when considering using a shock collar. The Dogcare Dog Training Collar gives you the option to adjust the static level from 0 to 99. The static level can be adjusted to a safe accurate level of static level for your dog. The dogcare shock collar can be adjustable for all dog sizes 151lbs to 100lbs.
REMOTE RANGE 330 YARDS WITH LONG LIFE BATTERY – The remote controller has a wireless remote range up to 330 yards. Your dog will feel comfortable wearing the Dogcare Electronic Dog Training Collar in any outdoor area situation. The Long-life battery allows you to train your dog for longer periods, last for more than 15 days and remote has up to 45 days standby time.
Thanks for reading my review, if you want to check out the Dogcare training collar with the best prices and super fast delivery click here to go through to Amazon.com
Customer Opinion:
Check out the customer reviews of the Dog Care Training Collar it's a very popular dog training collar it has many reviews at the time of writing.
The collar has built a big following and currently on the bestsellers list. The collar is worth a look at the integrated advanced training technology Dogcare Training Collar.
We highly recommend checking out the Dog Care Training Collar if you are looking for the top advanced technology Training Collar at a low purchase price.
The Dogcare Remote Dog Shock Collar is a safe collar no more accidental shock would happen to your dog.
Click here to check out the Dog Care Training Collar at Amazon.com
We have provided some other alternative Dog Training Collars
FunniPets Dog Training Collar
DogRook Dog Bark Collar
Dogtra 1900S -1902S Remote Training Collar
Dogwidgets DW-3 Rechargeable Electronic E-Collar
ELZU.US Newest 2019 Bark Training Collar
GUANGZIYI Anti Bark Collar
Hecmoks Anti-Bark Collar
HISEASUN Dog Training Collar
ieGeek Dog Training Shock Collar
instecho Dog Training Collar
iTao Dog Training Collar
JIALANJIUYU Dog Training Collar
KeShi Anti-Bark Collar
BESTHING Dog Training Collar
BOIFUN Advanced Dog Training Collar
BOOCOSA Dog Training Collar
CANAVIS Dog Shock Collar
Patpet Dog Training Collar
Patpet Pro Dog Training Collar
PEDLZ Bark Stop Collar


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RevDL.me – Download Deus Ex: The Fall 0.0.37 Apk + Mod Money + Data for Android latest version for mobile free download Download Game Android premium unlocked files, android apk, android apk download, apk app download, apk apps, apk games, apps apk, best apk games, free android apk, free apk, game apk, game hacker apk, free crack games, mod apk games, Android Mod Apk, download game mod apk offline, mod apk revdl. Deus Ex: The Fall 0.0.37 Apk + Mod Money + Data for Android the latest version game for Android #ANDROIDGAMES and Blackberry 10 #BB10 OS with direct link apk only for free download and no pop ads.
Deus Ex: The Fall 0.0.37 Apk + Mod Money + Data for Android
Adreno, Mali, PowerVR, Tegra
Deus Ex: The Fall is the start of a new journey in the award winning Deus Ex game series for Android phones and tablets. Set in 2027– the golden era for science, technology and human augmentation. Ben Saxon an augmented former British SAS Mercenary, is desperate for the truth behind a global conspiracy threatening his life.
You Might Need :
•Fight for survival in a global conspiracy
•Every action has a consequence
•The search for the truth spans from mafia hideouts in Moscow to the slums of Panama
•Hours of gameplay with multiple ways to play
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For more information on Deus Ex visit https://www.deusex.com
**Android Runtime Environment (ART) is not currently supported by Deus Ex: The Fall and can cause stability issues HIGH DEFINITION GAMING**
- Find out your device's model GPU (Adreno, Mali, Tegra, PowerVR). Learn android on the market "CPU-Z" (com.cpuid.cpu_z) can use the program. –>> Download CPU-Z
- "APK" install it on your device.
- "com.squareenix.dxm" folder "android / obb" copy into.
- Enter the game.


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National League North: Brackley Town 3-0 Curzon Ashton
Brackley Town completed a league double over Curzon Ashton as they ran out comfortable 3-0 winners at St James' Park.
The play-off contenders always had an air of superiority and never looked back after Matt Lowe gave them the lead just before the half hour mark.
Thierry Audel made it two on the stroke of half time and Lee Ndlovu sealed victory with a neat backheel late on.
A fierce effort from debutant Andy Scott was the only time Curzon were able to test Danny Lewis in the Brackley goal as they were frustrated by the hosts' game plan of sitting deep and pouncing on the counter-attack.
Scott – on loan from Accrington Stanley – was the only change to Mark Bradshaw's starting XI from last week's 1-0 lost at Fylde. Isaac Sinclair was the man to drop out.
Danny Shaw and Andy Halls continued at centre back with Olly Thornley not quite back to match fitness and Mo Ali delayed upon his return from international duty with Somalia.
The Nash suffered a heavy 4-0 loss to Brackley earlier in the season, but started reasonably well, passing the ball around a very heavy surface at ease. It didn't take long for the promotion-chasing hosts to begin threatening, though.
Ellis Myles was the first to test Cam Mason with a low effort which was well blocked and the Nash 'keeper was called upon to make similar saves from Lorrell Smith and Shane Byrne.
Brackley eventually broke his resistance, though, when Lowe found space on the right side of the box and drilled his finish into the far corner.
A 25-yard effort from Scott was the Nash's only effort of the first half and they were made to pay for a sloppy performance when Audel pounced on a loose ball and slotted home.
The fact that goal came moments after Mason had pulled off a sensational reflex save to stop Gareth Dean's header flying into the top corner only made it harder to take.
Bradshaw divulged afterwards that he had been unhappy with the slowness of his team's play in the opening 45 minutes and there was an obvious increase in intensity from the Nash after the break.
Scott had been the liveliest Curzon player and he showed a glimpse of his talent when he danced away from a couple challenges and forced Lewis into an excellent save to his left. Nash bodies piled in to force the rebound over the line, but the linesman's flag had already been raised for an offside.
There were shouts for a red card after Dean lunged in late on Halls after overrunning the ball. To the chagrin of the Nash bench, the referee opted for leniency and issued a yellow card to the Brackley captain.
The hosts sat deeper as the half went on, inviting more Curzon pressure so they could launch their lightning quick counter-attacks.
They made sure of the three points from one such instance as Lowe broke away down the right wing and squared for Ndlovu. The striker adjusted his feet perfectly to backheel the ball past the stranded Mason for his 12th goal of the season.
By Sam Hendry