text:
A House energy panel said Thursday it is investigating the Obama administration's decision to halt plans to bury the nation's nuclear waste in Nevada, saying the catastrophic Japanese earthquake proves the dangers of storing spent nuclear fuel at power plants.
The probe by the Republican-led Energy and Commerce Committee focuses new attention on the Yucca Mountain nuclear repository 90 miles from Las Vegas.
Republican Reps. Fred Upton of Michigan and John Shimkus of Illinois, said there is no scientific or technical basis for withdrawing the application for Yucca Mountain, the only permanent storage site in the U.S. designated for spent nuclear fuel.
"The tragic events unfolding in Japan underscore the urgent need for the United States to pursue a coherent nuclear policy to safely and permanently store spent nuclear fuel," Mr. Upton and Mr. Shimkus said in a statement.
Yucca Mountain has been endorsed by many scientists and lawmakers from both parties, and U.S. officials have spent decades and billions of dollars developing the site, yet "this administration has recklessly sought to pull the plug on the Yucca repository without even the sensibility of offering a viable alternative," the lawmakers said.
Mr. Upton is chairman of the energy panel, while Mr. Shimkus heads a subcommittee on the environment and economy.
A spokeswoman for the Energy Department said officials will work with committee leaders as they perform their oversight role.
Opponents of Yucca Mountain have said they are concerned about possible contamination, and the Obama administration said it would not consider the site and would look for alternatives.
At a hearing Thursday of an energy subcommittee, Republican lawmakers repeatedly blasted the plan to halt the Yucca Mountain project, calling it blatantly political.
Senate Majority Leader Harry Reid, Nevada Democrat, has been a relentless opponent of the site, and Mr. Obama promised during the 2008 presidential campaign that he would look for other ways to address the disposal of highly radioactive waste from commercial nuclear power plants.
"Probably the four most expensive electoral votes ever cast in this country were the four Nevada votes in 2008" for Mr. Obama, said Rep. Michael K. Simpson, Idaho Republican. "They cost us approximately $12 billion in shutting down Yucca Mountain, or the attempt to shut down Yucca Mountain."
Mr. Simpson and other critics say the Obama administration is violating a federal law that designates Yucca Mountain as the leading candidate for waste disposal.
"I firmly believe that you are acting outside the law," Mr. Simpson told Nuclear Regulatory Commission Chairman Gregory Jaczko.
Mr. Jaczko replied that the commission's lawyer disagrees with that interpretation, adding that the NRC has approved a budget for the next fiscal year that does not include any money for Yucca Mountain.
"Commission approval of a budget doesn't mean diddly. What matters is what passes Congress," Mr. Simpson retorted.
Last year, the Energy Department filed a motion with the NRC to withdraw its application for Yucca Mountain. The commission has not ruled on that motion, but the Energy Department has gone ahead with dismantling the project.
South Carolina and Washington state are among those suing the president and other federal officials to try to restart plans to ship spent nuclear fuel to Yucca Mountain.
Copyright 2015 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.


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New eatery offers international cuisine
In recent weeks, Tunica has seen a proliferation of restaurants which specialize in everything from Tex-Mex and authentic Mexican food to pizza.
Now, with the advent of the latest dining establishment to call Tunica home, patrons can satisfy their tastes for a more diverse range of international cuisine.
Watson's Green Olive Restaurant, which is located adjacent to the renovated Watson's Cash Store in the old Dorothy Ann Gin office building, opened for business last Saturday. The restaurant features an extensive menu of fare, including Italian and seafood dishes, as well as Middle Eastern-influenced foods.
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subset: commoncrawl


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⬅ Return to ACLU to Testify Today: Solitary Confinement is a Human Rights Violation Happening on U.S. Soil
On the same date as my court date!
Mar 28th, 2013 at 6:34am
Thank goodness this is happening, being trapped in a cell without anything but cement will certainly lead to suicide. Its cruel, inhumane and the United States does it regularly. 90% of federal detainee's are from non-violent crimes.
-P.S. thank goodness I was only in solitary as a pre-trial detainee. I was released after 25 hours with only high-blood pressure problems, PTSD, and other mental difficulties.
Concerned Citizen
Aug 9th, 2013 at 7:27am
The disparities even within Florida counties are marked.
The conditions of pretrial detention certainly are in violation of a constitutional magnitude.
Solitary confinement in some counties, so called suicide wings in some Florida County jails are used clearly to punish as an adjunct to the stated purpose of security. Although mentally ill, such confinement is without any psychiatric/medical input or consultation. Confined for months in a cell stripped to shorts and nothing else , let out for 1/2 every 3 days to shower, brush teeth, etc: No ability to write even to the court.
It's no wonder months later, these people will then be found incompetent to proceed after such confinement,even for petty offenses that would have been normally been dismissed or resolved had they been provided appropriate and state mandated procedure. Many Florida rules of procedures and statutes are simply ignored to the prejudice of the individual.
One important law in that regard is the prohibition on politically partisan activity. Given our nonprofit status, we may not endorse or oppose candidates for elective office. That means we cannot host comments on our site that show a preference for one candidate or party. Although we in no way wish to discourage you from that activity elsewhere, we ask that you not engage in that activity on our website (or include links to other websites that do so). Additionally, given that we are subject to very specific rules concerning the collection of personally identifying information through our website (names, email addresses, home address, financial information, etc.), we ask that you not use the comments portion of this blog to solicit this information from users of our website. We also ask that you not use the comments portion for advertising or requests for legal assistance, and do not add to your comment links to other websites, as we cannot be responsible for the content on other websites.
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text:
In gate SpeedBird - 249. From: London - Heathrow (LHR) / To: Rio de Janeiro - Galeăo (GIG).
Close up in the Embraer EMB-120. The best, turboprop of your generation. Long, long life for you. ")
In ground of repair in landing gear. Face to Face with Mitsubishi. ")
Pushback for AZ - 675. The long, long journey to Italy - Rome. Amazing T777 of Alitalia. ")
Close up, with nice 747 of AF - 442. Big, big, big aircraft. I am love your line's Boeing 747. ")
Close up, with nice T777 of BA - SpeedBird - 249. Big, big, big aircraft. I am love your line's Boeing 777. ")
Tail's - Ruder Shot's.
In front: EMB-120, storage in Goiânia. In back, the power turbo engine: Pratt & Whitney PW - 118.
Close up in the E-Jet. Azul Brazilian flag. The best frame, the best close. ")
Tail's - Ruder Shot's Night's.
Ready Taxi for Departure in Runway RWY10. The calm and beautiful afternoon in Galeăo Airport. ")
In ground. After performing the flight DLH - 500. From: Frankfurt (FRA) / To: Rio de Janeiro (GIG).
Following for Departure for Runway RWY10. New 767 in operation and new configuration on board in all class. TAM JJ - 3258. From: Rio de Janeiro - Galeăo / To: Recife - Guararapes. Nice 767 (WG) of... (more)
Following for departure in Runway RWY10. The baby Airbus of Avianca - Brasil.
Following for Gate - 3.


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The new Eliminer Callus Removal System is a safe and effortless power-driven filing system that quickly smoothes out calluses.
The new Eliminer Callus Removal System is a safe and effortless power-driven filing system that quickly smoothes out calluses. The Eliminer RotoFile consists of the RotoFile base, which fits most electric files, and the disposable RotoFile cap, which just twists on. No sterilization is required since the disposable cap is thrown away after use on each client. The system also includes Prep Solution, which promotes light exfoliation and prepares the area for the Eliminer procedure, and After Care Cream, a hydrating solution that promotes rapid healing of treated areas. The After Care Cream can also be retailed to clients to maintain smooth and healthy skin.
1. Clean the client's feet and apply Eliminer Prep Solution to the callused area.
2. Wrap the feet in warm, moist towels for three minutes.
3. Take the disposable file head and attach it to the bit base. Line up the grooves on the side of the head and turn it clockwise. Set the drill speed to medium or high. The adjustment should be determined by the thickness of callus. Remove the towels.
4. Start filing, working in a rotating motion as you remove the dead skin cells. Light to medium pressure is required for comfortable exfoliation. Move about the foot adjusting the RotoFile to the different angles. Desired results should be determined by the smooth look of the skin. Do not over exfoliate and stop immediately if redness occurs.
5. Proceed with pedicure as you normally would, and dispose of the RotoFile head.
6. After the pedicure, apply After Care Cream. This also makes an excellent retail product for clients to maintain smooth and healthy skin.
Watch a video of the Eliminer Callus Removal System: www.nailsmag.com/video/Eliminer.
For more information, go to http://www.eliminer123.com/.
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Every Hand Pose Ever for Nail Art Photos51 photos
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Home » Search Results » Bangalore Chapter Of Sirc Of The Icsi
Bangalore Chapter Of Sirc Of The Icsi Cunningham Road
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080 - 22261861, 22286574, 22287158
No.14,Sheriff Chambers, Rear Block,3rd Blk, Cunningham Road, Bangalore - 560052
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text:
new herringbone kitchen floor - how to transition
Kitchen floor in progress. What color for the grout? Dark? or Light? is the question. (I've posted this in flooring forum too. Hope that's okay?)
Below is a pic of the floor at the new 10 ft opening between kitchen and dining room (and liv room beyond). It was a loading wall that has recently been removed.
Kitchen herringbone floor (to be) is Exotica porcelain wood plank -Oak- (not rectified) from Floor and Decor.
Not yet grouted. I'm struggling with whether to have grouted with dark brown in order to transition better between herringbone and the linear hardwood oak floor in adjacent dining room. Colors don't match precisely. That's okay. We will be staining floors (probably) in a year or two. Maybe a darker grout would add a little "striation effect" to the herringbone that would blend better with adjacent hardwood? Or should I go light with the herringbone since my kitchen lower cabinets or medium gray and light kitchen floor would work a little better than darker kitchen floor with the gray. Probably "6 of one and half dozen of the other" or "hair splitting" but feel free to voice opinions.
Our house is 75+ years old and has lots of places that show remodeling decisions based more on function than form so I'm trying not to get too hung up about this but your opinions are welcome, especially strong ones. And no, I'm not trying to fool people into thinking my kitchen floor is wood. I like the practicality of tile and natural style of wood - as simple as that.
I personally wouldn't do the dark brown grout. Grout lines tend to darken over time soon enough. The dark line you see on the wood is simply dirt in the seams. If you sand and refinish your wood floors, those dark lines will no longer be there.
I would consider a grout color that matches the darker of the tile colors so the grout doesn't stand out. My opinion. Good luck.
Add me too. I love that you matched the color. Amazing. Show us pix when you are done, please!
Also, if you go light, it won't stay light in all places. Heavy traffic will get dirtier looking. Even if you are great at scrubbing grout lines, I don't think it would be practical in the kitchen.
I would try to match the tile floor. I have both light and dark grout in my house and I prefer the dark. It looks better because dirt does not show.
Just want to mention that caulk goes in the seam between the wood and the tile. Grout will crack as the wood expands and contracts.
Thanks so much for input from everyone. We are going with the lighter of the two grout colors I was thinking about thanks to y'all and also to my own gut feeling. So nice to have confirmation.
FYI - This grout is called Fusion Pro which is something kind of new and which has a reputation for being easier to keep clean. It is supposed to have all the advantages of Epoxy but much easier to install than Epoxy grout. (And doesn't yellow like white Epoxy if you are going with white or something very light which we aren't here in our kitchen though we have gone with Fusion Pro white grout in our recent remodel of our master bath - crossing fingers.)
I will post when the grout dries. Thanks again.
Just a note to say, I loved this statement of yours:
"Our house is 75+ years old and has lots of places that show remodeling decisions based more on function than form so I'm trying not to get too hung up about this but your opinions are welcome, especially strong ones."
Our house is only about 50 years old, but we're struggling with this same issue, dealing with past remodeling decisions and worrying about how badly they impact the house, or how critical it is to change them. Your common sense attitude is a breath of fresh air, to me. I guess I needed to hear that, so thanks!
Love your choice of the tile, and looking forward to seeing more photos when finished!
I look forward to hearing how you like the Fusion Pro grout. I am planning to use it on my backsplash. Are you doing it yourself? Also love the herringbone pattern on your floor- one of my favorite tile patterns.
" those dark lines [may] no longer be there" It depends on the age of your floor. The older a wood floor is, the drier its become and the more the seams open from shrinkage and the less the darkness sands out.
I would go a bit lighter than the tile. The herringbone pattern is special (looks great!) and I would want to it to stand out more. So, like maybe oyster gray or linen or light smoke.
Hi Elphaba :) Did you have the great crew that did your bathroom, do your kitchen? Love the floor and it looks great with the real wood too.
I have heard people say to use a grout color like the darker lines in the tile. As I look at your real wood floor it has darker lines that separate the planks.
Do a sample board of both grout choices on a couple of tiles fixed to a scrap of drywall, then you'll know.
Here are my sample boards from several projects:
This post was edited by enduring on Wed, Aug 7, 13 at 19:25
I like the idea of trying out the different grouts. It would be a shame to 'disappear' the neat herringbone pattern with the same grout color, to my mind. I'd probably try some lighter ones.
Say enduring... if you check back in can you let me know what that subway tile is that you show in your 'compare grout' photo? Not trying to hijack, but it's so lovely I'd like to know what it is.
Yes, sample boards are a good thing. Problem with this grout is that it is $60 bucks a "pail" of grout. And not all the grout colors are local so you have to order it in some cases and it has taken a week for the grout to be delivered in a case where we ordered.
Luckily, there is a closet adjacent to the kitchen that we have had the same tile put in (but not in herringbone) so we used that for our "sample boards". I made the decision to use the "earth" color but this was after buying two pales of the dark brown (can't remember if it was coffee or sable) and trying that. Final product looks VERY nice but after all is said and done, I think I need to do a SAMPLE KITCHEN with SAMPLE Cabinets and SAMPLE ISLAND installed, LOL before I can really be sure which direction to go in. Not gonna happen, of course.
The darker grout might have been stunning but since I am not an experienced designer, I continue to use my rule that says when in doubt, go with the simplest solution and that was to keep the grout somewhat light and closer to the color of the tile than the dark brown would have been. The opinions in this thread that "invisible" grout was the best thing helped a lot. "No guts, no glory" I guess. The sample of the darker color looked good but I had visions of it increasing the "visual clutter" of the room and since my lower cabinets have visible striations which already will increase visual clutter, didn't want to add too much more with the floor. Even the herringbone is a bit risky but it looks so great, I think sometimes "visual clutter" is a good thing.
enduring -- that herringbone marble backsplash really does have a "wow factor". Hoping my floor will have some of that. Crossing fingers.
Elphaba, your floor will be stunning with your cabinets. You know my bathroom herringbone is quite noticable, and my walls have some stacked and running bond going on, then a rather large crown rail on top of everything. There are times when I wonder if I have too much going on. Other times I look around and find it visually interesting. Especially in the AM when the east sun comes in and makes sun patterns on the wall and furniture.
Deedles, the little 2x4" subway tiles are a marble mosaic from "The Tile Shop". We have a local one in central Iowa. The marble comes in a variety of colors. The top picture is of Landsdale Carrara Amalfi. The bottom set is called Hampton. Both came in a running bond pattern. So for the top installation I took them apart (on a whim) in 2011 and put them up for my kitchen backsplash, even when others told me "too difficult" (neighbor). Then this winter I did my bathroom with a listello of the Hampton. I was using the running bond, but I still took it apart so the tiles could be a little more exact in spacing and sizing. I noticed that a few tiles were not quite square, or a bit smaller. I could cull them out.
thanks bmorepanic - I find it hilarious that I have never thought of that! Too late for the floor, I will paste a picture sometime soon (just the floor in an empty room -kitchen won't be done for at least a couple months - maybe longer ). But I will definitely use this idea at some point because we still have several rooms to go. Thanks again.


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La Capilla
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Visiting the beach
... initially thought that it was made from shipping containers. It wasn't but it definitely was designed to look that way. We booked 2 beds in an 8 bed dorm room. This area is expensive at it is a vacation spot for Uruguayans and Argentinians so we didn't want to pay what it would cost for a private room. It worked out great as there was only one other guy in our room and we got along with him really well.
The weather ...
... and these rooms were filled with his paintings, ceramics, photographs, books he had authored and more. What an incredible and prolific artist Carlos Paez Vilaro was and we were really happy that we had had the opportunity to visit this bizarre mansion and see his works.
Our next stop was to the Lussich Arboretum. Just as we were about to enter the grounds we received a call from Patricia who, it turned out, lived only a few blocks away and came over to ...
Three beaches of Uruguay
... commented that Uruguay was empty now and when we arrived in Punta del Diablo his prediction was confirmed...it was like a ghost town! A couple of days were spent mostly sunning (yep, more tan!), cooking up healthy food, chatting to fellow ghosts and having a drink or three. Having no Uruguayan currency however meant we then had a rather eventful ATM trip, which involved a 10k walk there and a hitch hike back! ...
Punta del Este
... writing '&' actually uses more time and ink than writing 'y' so why on earth do they do it? It's just a wanton waste of resources, which is why we're launching a global campaign to ban the '&' in Spanish speaking countries. Contact us for details on how to donate.
It was a restful day on the beach. We got plenty of reading done and ate some more empanadas. Eventually we went back to the hostel to get changed and ...
A quick look at Uruguay, Buenos Aires, then home
... a day. We follow the city walking tour (shown in our map from the tourist office) down the main street to the Plaza Independencia, getting architectural photos on the way, including the Gaudi-esque Palacio Heber, and the colonnaded over-ornate high rise at the entrance to the square. The plaza has an equestrian statue of General Artigas above his mausoleum, and the remains of the Puerto de la Ciudadela, the Theatre Solis, and a 1960's curtain wall ...


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["age","balloon","calendar","chat","day","moon","new year","numeral","orange","period","point","vector","web","year","yellow",2014]age balloon calendar chat day moon new year numeral orange period point vector web year yellow 2014
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text:
ID Number: DA09725
Maker: Darge Photographic Company
Place made: Australia: Victoria, Melbourne, Broadmeadows
Studio portrait, probably of Staff Sergeant Major (SSM) Gabriel Albert Morgan, Instructional Staff, CMF, of Bendigo, Vic.
SSM Morgan enlisted in the AIF and was appointed as 6761A (later 6761) Company Sergeant Major (CSM) on 3 September 1917. On 21 November 1917 he embarked aboard HMAT Nestor in Melbourne as a member of the 20th Reinforcements, 23rd Battalion. On 17 April 1918 he was transferred to the 14th Battalion. On 6 November 1918 he embarked aboard HT Marathon to return to Australia. Note he is wearing a militia uniform and is accompanied by a dog wearing a forage cap.
Rights Info: No known copyright restrictions.
This photograph is from the Australian War Memorial's collection www.awm.gov.au
Persistent URL:http://cas.awm.gov.au/item/DA09725
azd + hassy, CedaCo, luvs2create2, and 153 other people added this photo to their favorites.
This is gorgeous :-) Quirky and i like the smirk on the soldier...he's enjoying it :-)
Hi, I'm an admin for a group called Australian portrait, and we'd love to have this added to the group!
Hi, I'm an admin for a group called Photografica, and we'd love to have this added to the group!
Moments like this make life wonderful!
Aw! That is so endearing!
Love it!
Very lovely moment among the hard war time
¡ Wonderful image ! Excellent your work. Congratulations and a greeting.
Mi Web. www.telefonica.net/web2/jlbarreu/
This photo was taken on July 11, 1915 in Broadmeadows, Melbourne, VIC, AU, using a Nikon D100.
Nikon released the D100 in 1915!?
That's awesome :)


text:
Archive for dirty stories
Warning: This story contains lots of elements of BDSM, including swearing, consensual violence, face punching, forceful cock sucking, punching, and... more
Sugarbutch Star: blckndblue, "The Pink Dress"
Do y'all remember the Sugarbutch Star stories? It was a series where readers sent in a scenario and I wrote... more
Handprints on the Hotel Window
Kristen and I spent the weekend in Chicago, in part to attend a concert, and in part because tomorrow, December... more
The Boy at Summer Camp
It started with an email with the subject line "butch at your service," and an offer for a blow job.... more
Good Girl, Bad Girl (Part Two)
WARNING: This story contains Daddy/girl play (and dirty talk). Read Part I.Part II.She is a bad girl.There is... more
Good Girl, Bad Girl
WARNING: This story contains Daddy/girl play (and dirty talk).Part I.Sometimes, I am a Bad Daddy: I hate it.I... more
Gabrielle, Guest Star
It is always different to fuck somebody new. New skin, new lips, new way she kisses, new way she writhes,... more
Sweat & Summer
1.I was being a jerk. Not sure the details are all that important, I just got up on the... more
Waking Up
I love waking up with Kristen.For one, she usually sleeps naked. I still sleep lightly with someone else in... more
I woke early the other day, with that familiar urge to hold and protect and control Kristen, maybe it's the... more


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Pace Lattin | December 29, 2010 | Comments
What you need to know about video fraud and how to spot signs of it.
In the last few months, I've been investigating fraud of all sorts. However, video fraud has come to the forefront recently as fraudsters can make huge amounts of money very fast. Video sites have popped up recently claiming potential reach often beyond that of the largest video networks. Unfortunately, it seems that many agency media buyers are somewhat clueless in what to look for, and worse, just ignore signs of fraud. In the hope that a little education can assist media buyers, I've compiled five things that they need to know about video.
Use common sense. Video advertising, because of the high CPMs generated, is going to be a huge target of scammers. That being said, the amount of quality inventory available is still very limited, so fraudsters are using this supply and demand difference to prey on agencies and networks. Because the price can be so high, media buyers should demand high compliance and transparency – and anything that seems strange and not standard should be left alone.
This column was originally published Oct. 4, 2010. Pace is off today.
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Source Code Organizer
This application is a manager of a source code snippets database for software developers, web developers and ... that they have full control over the source code. ...
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John Garfield
Category: Drama
NOTE: Some actor or director listings that appear in this section may not be the complete listing for that person. Please use our search by actor or search by director for the most comprehensive listings.
They Made Me A Criminal(1939)
John Garfield stars as Johnnie, a boxer who goes on the run wrongly believing he killed a man while drunk. Presumed dead, Johnnie hides out at Grandma Rafferty's (May Robson) work farm for wayward boys (played by the Dead End Kids) where he steps back into the ring in order to help the kids raise money. But the crafty Detective Whelan ... more
Regularly $9.99
Dust Be My Destiny(1939)
Just released from a wrongful conviction, an embittered kid (John Garfield) finds life not getting any kinder when he's busted for vagrancy and sent to a work farm. He finds himself falling for the pretty stepdaughter (Priscilla Lane) of his abusive foreman (Stanley Ridges), and when a confrontation ends in tragedy, the two young lovers ... more
Regularly $24.99
Blackwell's Island(1939)
When a notorious NYC ganglord (Stanley Fields) finally gets sentenced to a stretch in the titular East River penitentiary, his response is to pay off the warden and turn the joint into a private fiefdom. The young reporter (John Garfield) who helped put him there is determined to get himself convicted, and then blow the scandal open ... more
Regularly $24.99
Flowing Gold(1940)
A young drifter (John Garfield), passing through oil country as he flees a bum rap, finds employment from a rig foreman (Pat O'Brien) in desperate need of another pair of hands. What will present more danger--the safety shortcuts taken as they race against the lease's expiration, or the new recruit's attraction to his topkick's girlfriend ... more
Regularly $24.99
East Of The River(1940)
Joe Lorenzo (John Garfield) and his kid brother Nick (William Lundigan) grew up in the same impoverished Lower East Side home...but while the industrious Nick wound up with a college diploma, all Joe had to show was a rap sheet. Now out of San Quentin, can Joe deal with the mob that's taken his turf, or the fact that Nick's fallen for ... more
Regularly $24.99
Saturday's Children(1940)
Soon after beginning her new job at a mail-order company, a young woman (Anne Shirley) sets her cap for a fellow employee (John Garfield), a would-be inventor with big dreams. Once they settle in together, will he come to regret the sacrifices made in putting his ambitions on hold? Effective translation of the Maxwell Anderson play ... more
Regularly $24.99
Castle On The Hudson(1940)
A mobster (John Garfield) goes to Sing Sing with the understanding his political connections will guarantee a quick parole. As a prompt release seems less and less likely, he resigns himself to life behind bars and tries to go straight. But after the warden (Pat O'Brien) grants him a temporary pass to visit his injured girlfriend (Ann ... more
Regularly $19.99
Dangerously They Live(1941)
A young intern (John Garfield) thought it was going to be just another ER shift when the pretty car wreck victim (Nancy Coleman) placed in his care started claiming she was an Allied agent being hunted by Axis spies. He writes it off as trauma-induced delusion, but when the "family" who comes to claim her fails the smell test, he goes ... more
Regularly $24.99
Out Of The Fog(1941)
Noirish filming of Irwin Shaw's play "The Gentle People" stars John Garfield as a Brooklyn mobster who squeezes weekly protection money from two humble Sheepshead Bay fishermen (Thomas Mitchell and John Qualen). But when Garfield sets his sights on Mitchell's daughter (Ida Lupino)--and she doesn't exactly resist--the two pals plot to ... more
Regularly $24.99
The Fallen Sparrow(1943)
Spellbinding WWII thriller forged in the Hitchcockian mold, with Spanish Civil War veteran John Garfield returning to the States and beginning an investigation into the death of a childhood friend. He soon finds himself mixed up with a beautiful and mysterious woman (Maureen O'Hara) and tangling with Nazis who believe he possesses a ... more
Regularly $24.99
Air Force(1943)
Rousing war classic from director Howard Hawks, featuring stunning newsreel and aerial fighting footage, details the plight and flight of a B-17 Flying Fortress bomber as it travels from San Francisco to Pearl Harbor to important battles in the Pacific Theater. An uncredited William Faulkner contributed to the script. Stars John Garfield, ... more
Regularly $24.99
Between Two Worlds(1944)
After a Nazi bombing strikes London, a diverse group of individuals wakes aboard a strange, fog-enshrouded ocean liner. With the help of one another and the ship's quirky steward, the passengers come to a shocking realization: They are all dead. En route to the afterlife, they must await the arrival of a man called "the Examiner," sent ... more
Regularly $24.99
Pride Of The Marines(1945)
Powerful drama stars John Garfield as a heroic Marine who is blinded in battle during World War II. Returning home for rehabilitation, he struggles to adjust to living without sight while questioning if fiancee Eleanor Parker still wants to marry him. Will Garfield manage to overcome the obstacles facing him? ... more
Regularly $24.99
Nobody Lives Forever(1946)
Back home and bitter from his military service, grifter John Garfield opts to pick up where he left off, scheming with his former cronies to romance, then rook, rich young widow Geraldine Fitzgerald. After falling in love with his target, however, he'll have to think fast and shoot faster when his partners come looking for the payout. ... more
Regularly $24.99
Body And Soul(1947)
Classic boxing drama stars John Garfield as a young fighter from the New York slums who aligns himself with racketeers and crooked promoters as he slugs his way to the middleweight championship, then faces a crisis of conscience when he's told to throw a bout. With Lilli Palmer, Anne Revere, Lloyd Gough, Canada Lee; directed by Robert ... more
Regularly $19.99
Gripping, noir-flavored drama stars John Garfield as a lawyer who traded principles for success and now works for a powerful New York mobster seeking to drive the city's small-time numbers rackets--including one run by Garfield's brother--out of business by any means necessary. Thomas Gomez, Marie Windsor, and Roy Roberts also star. ... more
Regularly $19.99


text:
Mercure Val De Reuil
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The Beauty of Real Mountains
... architecture, a very Swiss style. Everyone was so helpful and nice, I really liked the small town feel of everyone knowing everyone else. I can't imagine anyone being sad while living up there, it was just so perfect! I am already planning a way to get back up there, I fell in love with everything about the Alps. If you haven't been, I strongly recommend making it one of the top places to visit!
Day on the Slopes
... our sandwiches and tried again.
This second time down the green slope I didn't fall. Not even once! We even did a little bit of a blue hill to get back to the base area. At this point, I felt like I was holding Katy from doing the harder routes so since I had kinda figured out how to go forward and was a little more confident I decided to try an entire blue route.
My first time down this route wasn't too bad. I fell once while I was trying to ...
Do you make your own Luck?
... for entry. As it is a magnetic system most people just need to have the card in their pocket close to the card reader and the gate will swing open admitting them as they approach. A simple and fairly quick way to manage big crowds especially at peak times. All this works really well, unless you loose your card!
Val D'Isere like most places uses this system and upon paying you are issued with your card that is red on one side and ...
Hitting the slopes.
... headset. 14,people, at least 20 conversations conducted at full throttle and in spite of us sitting less than a meter apart all dialogue was conducted at full volume. We vote for Dod of the day and Hero of the day depending on your conduct and events of the day. The nominations and debate are spirited but eventually the shouting dies down and the Dod gets catcalls and the hero is cheered loudly. It is all well lubricated by the excellent, I am told, French wine and ...
(White?) Christmas in the Alps
... us like dear old friends. We had unbelievable 5 course meals every night and the kids actually learned a lot about food and French culture through those two-hour dinners, especially since the hotel staff had become their French teachers.
We also made several friends during our stay. It helped us miss ...


text:
University of London School of Advanced Study INSTITUTE OF CLASSICAL STUDIES ANCIENT PHILOSOPHY: POST-ARISTOTELIAN PHILOSOPHERS READING PLATO Mondays throughout the year at 5 pm. Senate House 331 until further notice Organizers: Bob Sharples and Anne Sheppard Contacts: email@example.com and firstname.lastname@example.com 17 October Bob Sharples Introduction: Plato the Classic? 31 October David Sedley The Stoic reception of theological arguments from Xenophon and Plato 14 November Anne Sheppard Prolepsis and the aporema of the Meno 28 November Paul Scade Plato and the Stoics on nature and ethics 12 December Speaker / title to be announced 16 January Julia Wildberger Colores Platonici in Seneca 30 January Linda Woodward Diogenes of Babylon reading Plato on music 13 February John Sellars Did the Stoics reverse Platonism? 27 February George Boys-Stones Stoics vs Platonists on Causality andExplanation 13 March Chris Gill Marcus Aurelius - how Stoic and how Platonic? 15 May Mauro Bonazzi Stoicism and Platonism in the Academy of Antiochus University of London School of Advanced Study INSTITUTE OF CLASSICAL STUDIES TOPICS IN GREEK LITERATURE Mondays in the autumn term at 5 pm Senate House 349 until further notice Organizer: Chris Carey Contact: email@example.com 3 October Pat Easterling Notes on notes: the ancient scholia on Sophocles 10 October Nick Lowe The Greek myths 17 October Ahuvia Kahane The phenomenology of epic: time and the problem of representation 24 October Nick Gonis Grenfell and Hunt 31 October Marco Fantuzzi The bucolic world in Theocritus and his commentators 14 November Malcolm Heath Homeric questions 21 November Chris Stray The rise and fall of Porsoniasm, 1810–50 28 November Miriam Leonard Hellenism and Hebraism in 19th century Classical scholarship 5 December Felix Budelmann Defining lyric 12 December Postgraduate forum TOPICS IN LATIN LITERATURE Mondays in the spring term at 5 pm Organizers: Jonathan Powell, Alessandro Schiesaro and Maria Wyke Contacts: firstname.lastname@example.com and email@example.com Programme to be announced University of London School of Advanced Study INSTITUTE OF CLASSICAL STUDIES ACCORDIA RESEARCH SEMINAR Tuesdays in spring and summer terms at 5.15 pm Organizer: Kathryn Lomas Contact: firstname.lastname@example.com New Perspectives on the Etruscans 25 January Giovanna Bagnasco Gianni Writing choices in the Italian peninsula during the age of Tarquinius Priscus 31 January David Ridgway Demaratus and the Hellenization of Etruria 7 February Speaker / title to be announced 21 February Roman Roth Etruria without the Etruscans: a critique of the ethnocentricity of a discipline 28 February Carrie Roth-Murray The construction of Etruscan power during the Orientalizing and Archaic Periods 21 March Speaker / title to be announced 25 April Francesca Serra Ridgway Title to be announced 9 May Simon Stoddart The Etruscan Body University of London School of Advanced Study INSTITUTE OF CLASSICAL STUDIES MYCENAEAN SEMINAR Wednesdays throughout the year at 3.30 pm Senate House 329 / 330 until further notice Organizers: John Bennet, Cyprian Broodbank, Olga Krzyszkowska Contact: email@example.com 12 October Susan Lupack Secular and sacred 'collectors': how did they manage to make a living? 9 November Birgitta Eder Olympia and Elis from Late Bronze to the Early Iron Age 7 December at 5 pm Ventris Lecture Vassiliki Adrymi-Sismani New light on the Mycenaeans in northern Greece: excavations at Dimini in Thessaly 18 January Susan Sherratt Homer's Trojan War: history or bricolage? 15 February at 2.30 pm Irene Nikolakopoulou Storage facilities and domestic economy: The evidence from LC I Akrotiri 15 March Evangelos Kyriakidis The peak sanctuary at Pyrgos and Minoan 'symbolism' 17 May Donald Haggis Stylistic diversity and diacritical feasting in Early Protopalatial Petras University of London School of Advanced Study INSTITUTE OF CLASSICAL STUDIES CLASSICAL ARCHAEOLOGY Wednesdays throughout the year at 5.00 pm Senate House 331 until further notice Organizers: Alan Johnston and Alexandra Villing Contacts: email@example.com and firstname.lastname@example.com 5 October Andy Meadows The Athenian Empire: coins and standards; rhetoric and practicality 19 October Richard Jones Kilns and ceramic production in the Greek world 26 October Adrienne Lezzi-Hafter Where the wild things are: the side-themes on the François krater 16 November Olga Palagia Keeping up with the Seleucids & Ptolemies: art and royalty in Sparta of the 3rd c. BC 30 November Peter Higgs Back to the 2nd century BC: the sculptured coffers from the Temple of Athena Polias at Priene 25 January Lindy Crewe Ceramics and identity on LBA Cyprus 8 February Judith Barringer Myth and architectural sculpture 22 February Peter Schultz Leochares' Argead portraits in the Phillipeion at Olympia 8 March Speaker / title to be announced 22 March Clare Kelly-Blazeby Houses and bars in classical Greece: problems of interpretation 10 May Bilge Hürmüzlü The earliest group of Clazomenian sarcophagi: a new chronology University of London School of Advanced Study INSTITUTE OF CLASSICAL STUDIES ANCIENT HISTORY Thursdays throughout the year at 4.30 pm Senate House 331 until 13 October; thereafter Stewart House 274 Autumn term – Organizer: Tim Cornell Contact: email@example.com Roman Historians in Fragments 6 October Tim Cornell The Roman Historians Project 13 October Andrew Drummond Appian, Plutarch and Pollio 20 October Stephen Oakley Licinius Macer 27 October Mark Pobjoy The historical work of Sempronius Asellio 3 November Barbara Levick Asinius Quadratus: between Greece and Rome? [10 November: Hellenic Society] 17 November Christopher Smith On the edges of history 24 November John Briscoe The citations of lost historians in Nonius Marcellus 1 December Ed Bispham One gentleman to another? The problem of Fabius Pictor's audience(s) 8 December John Rich From Fabius Pictor to Valerius Antias: the formation of the annalistic tradition 15 December Simon Northword Fragments of the Roman historians: a retrospective and prospective view Spring and summer term programmes to be announced University of London School of Advanced Study INSTITUTE OF CLASSICAL STUDIES POSTGRADUATE WORK IN PROGRESS Fridays throughout the year at 4.30 pm Senate House 331 until further notice Organiser: Luca Asmonti Contact: email@example.com 7 October Ben Schiller (Edinburgh) 14 October Julie Albrow Magic and philosophy: were the Neoplatonists (Durham) heading down a slippery slope of superstition? 21 October Angelo Giavatto 'Chapter families' and 'intrasystemic glosses': (Bologna / Cambridge) Methodological reflections on Marcus Aurelius' ta eis eauton 28 October Elizabeth Macaulay The roll of ollae perforatae in ancient Roman (St John's, Oxford) garden deisng and in the ancient plant trade in the Vesuvian region 4 November Keiko Grace Kobori Issues on religious rituals on the Parilia (UCL) described in Ovid's Fasti 11 November Julie Rowbotham Egyptian influence on Ptolmaic religion (Birkbeck, London) 18 November Anna McCulloough Looking at women to see men: (St. Andrews) imperial women and Suetonius 25 November Abbie Gometz title to be announced (Leeds) 2 December Jonas Stigaard Gorgias' challenge to the self (KCL) 9 December Federico Santangelo title to be announced (UCL) 16 December Luca Asmonti Conon, Athens and Cyprus in the aftermath (KCL) of Aegospotami Spring and summer term programmes to be announced
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Critique my tac excelsior.. and questions
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Archived Post
Lt. Commander
Join Date: Dec 2007
Posts: 120
# 12
Originally Posted by
Well, I figured it would be an upgraded excelsior
I figured I'd be facing my enemy 60% of the time, most of the time I'm turning in circles,
Which one is it?
It can't be both.
60% of the time is "most of the time", so are you facing your target most of the time or are you turning in circles most of the time?
Originally Posted by
distributing damage across my sheilds and alternating my torpedo tubes, front, rear and repeat.
If you are running with Projectile Weapon DOFFs, then you should never need your rear torpedos and would be much better off always keeping the fore torpedos on target.
If that's the case, and you are in fact 'facing your target most of the time', then you should run forward facing weapons such as
FORE: Single Cannon x2, Quantum Torps x2
AFT: Turrets x4
Originally Posted by
As you can see my build reflects torpedo damage, with the consoles, my skills, boff powers and doffs. I do have full points in threat control.
At least you have threat control, thats good.
As far as damage, what you see and what I see are two very different things.
I see a ship that isnt very good at forward facing attacks and isnt very good at broadsiding.
You cant have it all in this game, you need to choose which you want to do Face your targets or keep them in your broadside arc.
Its one or the other, so pick one and then be good at it.
Originally Posted by
The one thing that bothers me too is the weak broadside. I guess I should replace the DBB with a beam array? The whole reason i took my excelsior over my assault cruiser was the better turn rate for torps, and HY3. I have an escort for the faster stuff. I was also going to build a seperate beam boat idea.
Yes but why does that mean Torps both fore and aft to you?
Running Torps aft means you have weapons fore and aft that do not complement each other.
There is a difference between thinking your ship is good at damage and actually knowing it, so hunt around for one of the log parsers and parse your combat logs youll probably be very surprised at how much or how little damage you are doing relative to the other ships on your teams.
Originally Posted by
I prefer Spread over BFAW because the latter targets everything around you, spread is just in the arc you are firing in. I prefer not to draw too much aggro, or rather, i find I have more control of my targets with spread.
Targeting everything around you is the
exact reason
you should have FAW on a cruiser. Aside from this power being able to pull double duty as a ST and AoE damage boost, it is a great way to get aggro.
Aggro control is what you are there for in a Cruiser on teams.
If you do not want aggro, you should be in a different ship, because Cruisers that avoid threat and avoid aggro while being a middling damage dealer really do not help their teams at all.
You took threat control, so obviously you want some aggro but you do understand that NPC ships you do not hit with your attacks will not be affected by your threat control?


text:
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Playmate to Jesus
|"Playmate to Jesus"
|Single by Aqua
|from the album Megalomania
|12 September 2011
|Digital download
Electron Studio (Copenhagen, Denmark)
|Søren Rasted, Claus Norreen, René Dif, Lene Nystrøm
|(s) Claus Norreen, Søren Rasted
|Aqua singles chronology
"Playmate to Jesus" is a song by Danish-Norwegian pop band Aqua from their third studio album, Megalomania. The song, which was released in 2011, is about universal love and "what goes around comes around". The song was published the same day as their other single, "Like a Robot", which was originally planned to be released in July 2011. Despite the song's positive critical reaction, it only charted in Denmark, becoming the group's second lowest-charting single. The music video, directed by Michael Sauer Christensen and filmed in Lyngby, Denmark, premiered on 22 September 2011.
Production and composition[edit]
"Playmate to Jesus" was written by Aqua members Søren Rasted, Claus Norreen, René Dif and Lene Nystrøm, and produced by Norreen and Rasted. The song was recorded at Electron Studio in Copenhagen, and later mixed and mastered by Anders Schumann at C4 Studio.[1] It is a midtempo pop song played in an E major key and following the chord progression E−B−C♯m−A.[2][3] The song is about universal love and "what goes around comes around".[4] The sounds in the first seconds of the song are recorded on the spacecraft Discovery.[4] A piano and violins start the song, before the beat kicks in.[5] A Vocoder synth come's through Nystrom's vocal in certain parts of the song, and a synth bass and distorted snare drum are also played. Dif's bridge only appears on the album version.[6]
Release and reception[edit]
A preview of "Playmate to Jesus" was uploaded to Universal Music's Danish YouTube account on 6 September 2011.[7] It was released as the album's second single and as a radio single on 12 September, the same day as their club single "Like a Robot",[2][8] which was originally planned to be released in July.[9] "Playmate to Jesus" is the first track of their third album Megalomania.[10] The track was Aqua's second-lowest charting single. It debuted at number twenty-six on the Danish Singles Chart, issue dated 7 October 2011. The following week the song peaked at number thirteen. In its third and final week on the chart it fell to number thirty-three. It is the group's third single not to chart within the top 10 in Denmark, the others being "We Belong to the Sea" and "Spin Me a Christmas".[11] The song has been certified gold in Denmark by the IFPI for sales of 300,000 units.[12]
Despite the song's commercial performance, critical reactions to the song were mixed to positive. Jon O'Brien of Allmusic, in a review of Megalomania, viewed "Playmate to Jesus" as one of the highlight songs of the album saying, "The sweeping strings, inspired sound effects, and driving country-pop melodies of the lushly produced opener 'Playmate to Jesus', [...] shows the reunion hasn't been completely without merit."[13] Time said the song "has the dubious distinction of sounding vaguely like a Lady Gaga track that didn't pass quality control," but was "relatively catchy, boasting the kind of musical infectiousness that causes you to hum it under your breath on the subway."[14] Gaffa's Signe Bønsvig Wehding considered the song to be "among the best tracks on the album", along with "Dirty Little Popsong", "Sucker for a Superstar" and "Like A Robot".[15] Idolator considered the song to be a knock-off of Far East Movement's "Like a G6", and more old school than "How R U Doin?."[16]
Music video[edit]
Pictures of shooting the music video in Lyngby, Denmark were released on Aqua's Facebook page on 14 September 2011.[17] A take of the video was also uploaded on their YouTube channel.[18] The video was officially uploaded on YouTube on 22 September.[19] Directed by Michael Sauer Christensen,[9] it is set in an eerie, empty house that is reminiscent of a horror film, where a black cloud wonders through the halls of the house. The members wear black and gray clothing in the video, with Nystrom's costume gradually changing throughout. The video ends by the members exiting the house through the roof and transforming into a beam of light shooting into the sky.[5] The video uses a shortened radio edit of the original song, omitting the bridge.
Track listing[edit]
- Digital download[8]
- "Playmate to Jesus" – 4:46
Adapted from liner notes of Megalomania:[1]
- Writers: Søren Rasted, Claus Norreen, René Dif, Lene Nystrøm
- Producers: Claus Norreen, Søren Rasted
- Mixing and mastering: Anders Schumann
Sales and certifications[edit]
Chart positions[edit]
Release history[edit]
|12 September 2011
|Digital download
|Universal Music
- ^ a b Megalomania (liner notes). Aqua. Universal Music. 2011. 0602527677675. Retrieved 3 May 2013.
- ^ a b New Music: Aqua Release Two New Singles: "Like A Robot" and "Playmate to Jesus". Direct Lyrics. 12 September 2011. Retrieved 2 May 2013.
- ^ Playmate To Jesus Chords. Ultimate Guitar Archive. Retrieved 3 May 2013.
- ^ a b Sjørvad, Rune Melchior. "Aqua-Lene – nu som lingeri-samurai!" (23 September 2011). Ekstra Bladet (in Danish). Retrieved 3 May 2013.
- ^ a b Schapiro, Jeff (27 September 2011). 90s Pop Group Aqua Trades in Barbie for Jesus. The Christian Post. Retrieved 2 May 2013.
- ^ Kozain, RJ (29 September 2011). Aqua gets serious with "Playmate to Jesus" and return to perfect pop form. 2020k. Retrieved 3 May 2013.
- ^ Aqua – Playmate To Jesus (teaser). YouTube. Retrieved 2 May 2013.
- ^ a b c Playmate to Jesus – Single. Danish iTunes. Retrieved 12 December 2011.
- ^ a b Sjørvad, Rune Melchior (18 June 2011). "Lene Nystrøm: Knep mig som en robot!". Ekstra Bladet (in Danish). Retrieved 3 May 2013.
- ^ "STORHEDSVANVID! Nyt album fra Aqua 3. oktober 2011: 'Megalomania" (in Danish). Universal Music. 29 August 2011. Retrieved 3 May 2013.
- ^ a b "Danishcharts.com – Aqua – Playmate To Jesus". Tracklisten. Retrieved 12 December 2011.
- ^ a b "Certificeringer | ifpi.dk" (in Danish). International Federation of the Phonographic Industry. Retrieved 12 December 2011.
- ^ O'Brien, Jon. "Megalomania – Aqua". Allmusic. Rovi Corporation. Retrieved 8 November 2011.
- ^ Pous, Terri (29 September 2011). Aqua Is Back: The 'Barbie Girl' Group Ditches Plastic for 'Jesus'. Time. Retrieved 2 May 2013.
- ^ Bønsvig Wehding, Signe (3 October 2011). Aqua: Megalomania. Gaffa. Retrieved 3 May 2013.
- ^ Daw, Robbie (23 September 2011). Aqua's "Playmate To Jesus" Video Is Goth-tastic. Idolator. Retrieved 2 May 2013.
- ^ "Playmate To Jesus" videoshoot – 14. september 2011. Facebook. Retrieved 3 May 2013.
- ^ Aqua – Shooting the video for "Playmate To Jesus" – Funny clip. YouTube. Retrieved 3 May 2013.
- ^ Aqua – Playmate To Jesus. YouTube. Retrieved 2 May 2013.
- ^ "Aqua – Playmate To Jesus Hitlisten.nu" (in Danish). Tracklisten. Retrieved 12 August 2013.
- ^ Bit Track Top-20 – Uge 39 - 2011. hitlisterne.dk. Retrieved 12 August 2013.
- ^ hitlisten.nu. Go to Streaming. Then, in the box next to Opdater, choose Uge 40 - 2011. Then click Opdater. Retrieved 12 August 2013.
- ^ Playmate to Jesus - Single by Aqua. iTunes Norway. Retrieved 19 November 2013.
External links[edit]


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Trey Gowdy's Bad Benghazi Hand
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Updated: Mon Mar 30, 2015 08:59 am
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text:
INGLEWOOD, CA – AUGUST 24: Recording artist Kesha attends the 2014 MTV Video Music Awards at The Forum on August 24, 2014 in Inglewood, California. (Photo by Steve Granitz/WireImage) ORG XMIT: 504524205 ORIG FILE ID: 454093212
Daniel Craig's James Bond is in omininously bad trouble in the first 'Skyfall' trailer
He's a kite dancing in a hurricane? We didn't even know James Bond danced?
Al Pacino thought his 'Godfather' Michael Corleone casting was a practical joke
Pacino thought anyone would have made a better 'Godfather' Michael Corleone. Crazy.
Happy Birthday, 'Grey's Anatomy!' Shonda's first show turns 10
It seems like just yesterday that we met MerDer!
Aw! Prince Charles gets adorably photobombed by Prince George pic
He can't help that he's SO CUTE!
Kate Hudson's latest cleanse has nothing to do with juice
Forget lemons and cayenne pepper, Hudson's latest cleanse is all about getting rid of stuff.
Watch Kanye flirt with 93-year-old fashion icon Iris Apfel
Move over, Kim.
5 Lilly Pulitzer for Target looks that we need right now
Already obsessed with this collection.


text:
Flagship Phones from Galaxy series (S 3, Note 2) to get new software features
In an interview with PC Mag, Samsung VP of Portfolio Planning, Nick DiCarlo revealed that most of software features found on the Galaxy S4 will make their way to the Galaxy S III and Galaxy Note 2 via firmware updates.
Features like the S Translator, S Health, the new S Voice Drive and basically any new software that you can find in Samsung's Galaxy S4 and isn't dependent on the new hardware and sensors should be available to the rest of the company's high-end devices soon.
A quote from DiCarlo's interview:
Anything that we can do that's not dependent on hardware like infrared, we'll definitely bring to all the flagship devices.
Sadly, PP VP hasn't given a specific dates when this might happen, but we can wait to see such brilliant features on our last year's phones. Good News Samsung!
Source: PC Mag
Tags: Feature Pack, Galaxy S IV, TouchWiz UI


text:
Reforms to the $708 trillion private derivatives market are reducing systemic risk while some rules need more work before being implemented, said Stephen O'Connor, chairman of the International Swaps and Derivatives Association.
Stephen O'Connor is leaving Morgan Stanley to become full-time chairman of the International Swaps and Derivatives Association as the $633 trillion privately negotiated swaps market faces regulation for the first time.
The Commodity Futures Trading Commission said yesterday that it will clarify indemnification and confidentiality provisions in the Dodd-Frank Act.
A proposal to divvy up margin payments of individual swaps users at clearinghouses rather than allowing accounts to be treated as one pool by banks representing multiple customers may make guaranteeing trades too expensive, a U.S. commodity regulator said today.
Wall Street's biggest lobbying groups banded together to sue the Commodity Futures Trading Commission, seeking to curb the overseas reach of its rules and rein in a regulatory barrage by its departing Chairman Gary Gensler.
JPMorgan Chase & Co. Chief Risk Officer Barry Zubrow will tell Congress that regulators risk impeding the economic recovery by going too far in tightening bank rules and raising capital requirements.
Morgan Stanley, owner of the world's largest brokerage, said it started clearing interest rate swaps for customers this week through CME Group Inc.
Global regulators' failure to align efforts to reform the $693 trillion derivatives market threatens to undermine economic growth, according to the International Swaps & Derivatives Association.


text: I think if I remember correctly they don't say her name in the film. It keeps bleeping it out! They call her b*tch but I think it is Beatrice or Beatrix I'm not sure. Good call though the first film is a great amalgamation of Japanese and western cinema! Good soundtrack too!


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really good stuff!!! tight production,
good performances!!!
Wishing you the best with your music and have a great day. Eddie Ray
Am proud to be associated with you guys. Thumbs Up!!!!!!!!!!!!
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text:
Sundance: 22 Festival Hits -- That Tanked
With the independent film festival winding down in Park City, Utah, we remember some of the most notoriously buzzed about flicks in years past that were the toast of the town -- only to end up getting burned at the box office elsewhere
Slide 1 of 22
Liberal Arts (2012)
The second directorial effort of How I Met Your Mother's Josh Radnor had Zach Braff-ian level hype behind it, including back-to-back standing ovations at its first two screenings and a distribution deal in excess of $1 million. Alas, when it came time for HIMYM fans to pony up their hard-earned dollars to see Ted Mosby as a thirtysomething cradle robber, they weren't so liberal. The film grossed just $327,345. —Lanford Beard
Image Credit: Jacob Hutchings
January 27 2015 — 4:05 PM EST
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text: Lessons From the Zoo Lisa Weier April 6, 20114 Comments Maybe it's because it's absolutely beautiful outside, my recent ingestion of a lot of sugar, still holding on to the fact I can at least count pretty successfully in MATH 101 or even a combination of the three that has me feeling particularly thankful lately and counting my blessings. It's hard for me to see light kissing every surface possible, a crisp blue sky with wisps of cloud and crazy teenagers running around in shorts and flip flops without inwardly laughing and wanting to give God a gratified squeeze.Even on my walk over to work last week, I was breathing in the balmy Minnesota air and soaking up the sun when I heard, "Oooo AH AH AH AH AH!" Yep. On the way past Murray-Herrick, I heard a monkey (otherwise known as a four-year-old boy). A group of visiting preschoolers was busy making the most of one of the disappearing patches of snow, sliding and inching down a hill under the shade of the building. I saw one bundled-up child grudgingly give up a large amount of rocks they were collecting to a scolding adult, who put them back in the landscaping surrounding a tree trunk. I saw two little girls hugging. I heard one child whine in distress, "But it's MY turn to be the leopard!"Mostly, though, I heard laughter and squeals of delight coming from the little hooligans. It made me chuckle a little bit, too.I kept strolling and found my worries and my complaints melting away like the snow. I couldn't help but think, "When do we lose that enthusiasm for life? Somewhere in the day-to-day shuffle of pressures and assignments and tests and appointments and blah blah BLAH?"Sure, it's not all games when we're older, but we definitely have at least as much to be thankful for as we did when we were the monkeys and leopards. 4 Responses Sarah Pappas April 12, 2011 I love this so much. Dress Like a Word « The Scroll April 12, 2011 […] For SPRING … hmmm? Perhaps I'd get my best ideas by reading the two recent Scroll blogs by Lisa Weier and Dave Nimmer (a monkey or cardinal costume?). The word GRADUATION would be an easy word to […] Kevin Dease, St. Paul April 6, 2011 Ooooh AH AH AH AH Carol Bruess April 6, 2011 Lisa, you know how to make us stop and squeeze a little more out of life (we leopards, monkeys AND humans alike). Thanks for the great post!


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Last week I trekked up to my undergraduate Alma mater to address students who were being honored for earning a 3.8 or higher GPA. With the intent of not crushing this group of overachievers, I tried to explain that their GPAs don't really matter outside of college.
It was a bit of a risk, but everything I said was from the heart. And it was also a chance for me to talk about my mentor, Don Harley, who had an incredible impact on my transition from college to career.
You can download a PDF of the transcript of my talk.
And here are the slides I used while speaking:
A big thanks to the folks at UNH who asked me to speak -- An even bigger thanks to the students who took the time to listen. I really hope that some of it resonated.
And to my ol' partner-in-crime and fellow UNH alumni, Susan Basas, you were (as usual) invaluable in helping to organize my thoughts.
Image Source: IMDB.com
While most prefer the origial, I always favored Back to the Future II and how the movie seamlessly integrates the past, present, and future -- I've re-watched the movie dozens of times.
And back in 1989 when the movie premiered, it was fascinating to imagine what life would be like more than 26 years into the future. It was hard to fathom even what the year 2000 would be like let alone 2015.
But we've made it. And you can bet in the months, weeks, and days leading up to Wednesday October 21, 2015, there'll be lots of focus on the fact that we don't yet have flying cars, self-lacing Nike hightops, or hoverboards...
...But in so many ways we've surpassed, both in technology and as a society, the events depicted in that now classic movie. We've got a long way to go, but I cannot be more excited for what our unwritten future holds.
I had a fun interchange on Twitter with Augie Ray today. I've got a ton of respect for him through what he blogs about. And his post today was no different.
He managed to eloquently sum up my own feelings about how the true power and potential of social media as it relates to brands is getting squelched out by superficial promotions.
It led to us bantering about the definition of marketing.
It's easy to forget that Marketing is also about Price, Product, and Place. But all too often it, unfortunately, just seems to be about (one-way) promotion.
It's not too late to change that.
A few days ago, popular Viner Jerome Jarre announced he was done selling out to brands. Whether or not this is simply a publicity stunt is still unclear. But what is clear is that young social media celebs are making big money with branded ensorsements.
Last week at Hill Holliday's #TVnext, I had a chance to sit down and talk with one of these "microcelebrities," Robby Ayala as well as Darren Lachtman (the co-founder of the company he now works for) Niche.
With YouTube stars seen as more popular than regular celebrities among teens, you can bet this is just the beginning of what will be an increasing flood of eager youth everywhere trying to hit it big on Vine, Snapchat and whatever emerging platform lies ahead...
Exactly twenty years ago today, NBC aired the sixth episode of Friends (the one where Joey gets cast as Al Pacino's butt double), Boyz II Men's I'll Make Love To You was at the top of the charts, TV personality Kelly Osbourne turned ten years old, and the movie Stargate was just about to hit theaters.
Something else happened, within the World Wide Web, that very same day. On Thursday October 27, 1994, online "magazine" HotWired made its big debut and along with it, the launch of the very first commercial banner ad.
That ad was from AT&T and simply read, "Have you ever clicked your mouse right here? You will." And people did just that, in droves, as the ad boasted a 78% click-through rate (CTR) and was touted as a "wonderful tool for marketers."
Ironic, 'eh? Since over time, banner ad CTRs have plummeted to an average of .08% (yes, that IS a decimal point). To put this in perspective, my colleague, Noah King, helped me to visualize this: Take four airplanes filled with people and expose them to a banner ad. In 1994, every single person in three of those four planes (and then some) would have clicked the ad. Today, merely one person on just one of those planes would click.
So on this day, should we be celebrating the banner ad's birthday or planning its funeral? You might be thinking how far ad tech has come in the past two decades: targeting, audience buying, dynamic creative, and of course, the word du jour, "programmatic." These are all great advancements that, by themselves, don't solve the fundamental issue inherent to display ads: banner blindness.
If the masses are subconsciously not seeing our ads in the first place, no amount of automation will make a material difference – we're merely optimizing advertising mediocrity. And how's the industry responding? Spray and pray – We're flooding the web with more impressions and higher frequencies hoping our target happens to glance over at the right place at the right time and want to read our marketing messages.
There's a reason why "native ads" have been hyped up these past couple of years. They show some promise in that (when done well) they bring an element of creativity back into online advertising. The tradeoff? It's more work to concept individual experiences platform-by-platform and site-by-site. But perhaps that's how it should be. Because when creative, technology, and user experience all come together, great things can happen.
Or we can simply continue to keep the two-decade old banner ad on life support. But if we do, its copy should read, "Have you ever clicked your mouse right here? You won't."
Further evidence that the majority of our second screen time while watching TV has little-to-nothing to do with the TV show itself.
It's also important to note that this distraction isn't just happening during commercial breaks but during actual TV programming.
Mental Floss found this 21 year old chronical of the Internet. And the best part? In 1993 when this telecast originally aired on PBS, it was just at the very beginning of the dawn of World Wide Web.
It's a bit like going back in time and there's something fascinating about that (as I mentioned when I re-watched Triumph of the Nerds and Nerds 2.0). My favorite part? I love how the host of the show just calls it "Internet" versus "the Internet."
Join us on Saturday, October 18.
Registration is now open.
Really psyched to announce Hill Holliday's TVnext℠ 2014. Check out the highlights from last year's event and a preview of look & feel of this year's TVnext.
The Summit portion of TVnext is on Monday, October 20th at Boston's ICA. The Hack will be on the 18th and 19th (to be announced next week). Hope to see you there!
I remember experiencing SocialGuide for the first time several years ago (back when it was a TV guide powered by Twitter). Its concept made so much sense and I actually used it quite often to discover popular shows on TV.
Today Xbox announced its partnership with Twitter integrating trending shows into its OneGuide as well as the MiniGuide.
BUT…Xfinity beat them to the punch as the company already integrated Twitter-trending shows its program guide.