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Chapter 1 Introduction to Chemistry. What is Chemistry Scientific Method Chemistry Strategies. What is a Chemist?. A chemist studies matter on the atomic and molecular levels in order to understand how elements join together to form different substances.
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What is Chemistry
Scientific Method
Chemistry Strategies
Prescription drugs
New Materials
Environmental Pollution
Unintended consequencesWhat are Chemicals?Any substance with definite composition.Are they Good or Bad?
A procedure to test the hypothesis.
Do the results of the experiment verify our hypothesis?
In order to verify the results, experiments must be retested by other scientists.


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Motherhood. Pyromania. A husband's secret. Marilyn wasn't prepared for any of it.
For young parents Marilyn and Brad, adopting an orphan girl from Belgorod, Russia, was supposed to make their lives complete. But from the moment she arrives, 12-year-old Zhanna has one thing on her mind: setting fire to the family couch. At first Marilyn is determined to love the pyromania right out of her new daughter. But when Brad jets away on business - or so it seems - Marilyn is forced into a dark and hilarious game of cat-and-mouse with the preteen pyromaniac. Can Marilyn get through to Zhanna before she burns down the house - and before her own life goes down in flames?
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A glimpse of America in every word
The story was a fun little romp through an American family's adoption and the comical problems associated with their daughter. The writing was light and airy, and the story was eerily easy to apply to someone you know.
The various attempts the adopted child has made to destroy the family couch through various forms of pyrotechnics.
N/A. I have never listed to her before.
Yes, it is a short story that's easy to digest on a long trip and will keep you interested.
If I could fault the story in one area, it would be that it does not always stay consistent in regards to locations and times. At one point in the last half of the book, our main character is talking to various people which I assume are in various places and at different times. It's hard to follow slightly, but overall doesn't detract from the story. Just a bit difficult to follow towards the end is all.
- Imweezle
A gripping tale!
- C. Steiner

subset: commoncrawl


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SAchusnair.. . from Kerala.. god's own country...... now@22 old.
Monday, June 12, 2017
World day against "CHILD LABOUR"
Every year on June 12 the World Day against Child Labor is observed to raise awareness of the plight of child laborers world-wide. Hundredsof millions of girls and boys around the world are affected.
" All children
Deserve a childhood,
Help the Needy
By stopping the Greedy "
sachu snair
June 12, 2017
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The BBW escorts on this page are all available in Surrey. Don't forget, some ladies not listed on this page may tour there, or offer out calls to the area, So please also check the main Southern BBW Escorts page here.
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Hendersonville police are asking for the public's help to determine what caused a fire early Wednesday morning in the donation drop box at the Salvation Army Thrift Store on Fourth Avenue East.
A tow truck driver reported the fire at 2:30 a.m. after smelling smoke as he drove by the store at 202 Fourth Ave. E., police reports said.
When emergency workers arrived, they found many clothing and household items on fire inside the metal drop box.
Firefighters found no traces of an accelerant, any chemical used to start a fire, said Hendersonville Police Detective Capt. Doug Jones. Investigators are unable to determine the cause of the fire and have no suspects nor witnesses, he said.
The drop box is emptied daily. The fire destroyed all donations that had been left Tuesday evening -- about $400 to $500 worth of items, Salvation Army officials said.
"Items that are deposited in the drop box are sold at the thrift store or they are given to individuals in need," said Capt. Vance Murphy, Salvation Army commander. "We hope that the fire was accidental and not on purpose as we were counting on the donated items to help the poor."
Anyone wanting to donate items to the Salvation Army can bring them to the Fourth Avenue East thrift store or leave them at donation drop boxes at the Salvation Army Thrift Store on U.S. 176 and at the Salvation Army warehouse on U.S. 25 North in Mountain Home.
Anyone with information about the fire should call the Hendersonville Police Department at 697-3025.
Johnson can be reached at 694-7881 or by e-mail at firstname.lastname@example.com


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Contact Info / Websites
2009 Submissions
2008 Submissions
2006 Submissions
Sonic VS Super Sonic 3 Rated Stars See the two duke it out for the first time as the story continues! Action Sonic's Look Alikes Rated Stars Sonic and all that look like him come together! Comedy - Parody Sonic V.S SS (Clip) Rated Stars Wanna see what's to come in Sonic VS Super Sonic? Click to find out! Action


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Product Description
Red Foam with Angle Attach Cerwin Vega Style – top of foam is red, bottom of foam is gray. Cone to foam has FLANGLE (flatish/angle) attach. This is the only 12″ red foam option. See below for appropriate Cerwin Vega cabinet models.
Please note: CV logo dustcap is no longer supplied with this foam
- FOAM: OD 11.50″ (292.10 mm) – ID 8.75″ (222.250 mm)
- ROLL: OD 10.813″ (274.65 mm) – ID 9.5″ (241.30 mm)
This kit fits the 122D2, 122T2, 12TR, 122WZ, 122W2, 122W4, 122WT, 123W, 12W1, 12W2, 12W3, 12W4, 280SE, AL750, AL752, ALW120, AT12, ATW12, ATW121, CV3000, CVT100S, CVT12, CVT120, CVT200A, CVW12, CV3000, D5, D6, D7, D7E, DC12, DX5, DXW5, DX7, DXW12, E312, HT12, HT12D, HTS12, HTS12A, HTW12, HTW120, HTW121, HTW122, L121-4, L121-5, LE12D, LS12, LW12, MX250, MXW12, R26, RE30B, REW12, RW12D, SE280, SUB120, U321, VS120, VSW12, VW12D, VW12P, W12, W1214, W121-4, W124, W12-4 and many more.
Questions about how to repair? See Refoaming Video and Refoaming FAQ


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There is something unapologetic, irreverent, and uncompromisingly bold in Lynda Benglis's work. Her practice radiates the joys of living and making art. Whenever I encounter one of her works, I imagine her dancing, having a chat, or sometimes even wrestling with her favorite materials: chicken wire, rubber, paper, clay, and glitter. When I first met Benglis last spring, at the opening of her multivenue exhibition in Bergen, Norway, she was deeply immersed in a conversation with a young artist about molding, twisting, cutting, and gluing. She didn't seem to bother about the crowd waiting to congratulate and greet her. All her attention was directed at the artist and their discussion of form and process. Benglis is an artist who thinks through materials and draws on her in-depth knowledge of traditions such as Native American pottery.
I recently mentioned Benglis's work during a studio visit, and I found myself describing it as open, unguarded, and sensuous, yet also prickly and aggressive—like a Kathy Acker novel. Like Acker, Benglis has committed herself to a form of art that can enact rather than resolve all the binaries and contradictions that shape a life.
—Federica Bueti
Federica Bueti Your new works seem like parts of the zodiac to me. The ceramic pieces are more earthly—you have Taurus, Capricorn—and the paper works are more airy—like Aquarius.
Lynda Benglis What a nice way of putting it! With the paper pieces, I thought of them like vases, but open at either end. My first wall pieces were all kind of open. I thought of spirits crawling inside or moving through them. These new works are also very much about that interior space and their relationship to the wall. They're handmade paper over chicken wire, so there are all sorts of openings in the materials, too. They're porous, like skin.
FB You use a lot of chicken wire. What do you like about it?
LB I like how it can take on these curvy shapes. I stretch the wire while I make a shape—it takes two people, four hands, to contort the material, to counter the tautness and the original curvature of the wire. Then I put paper on it, and that's how I find the forms. For me, it has always been related to the canvas in the broad sense. I'm making my own surfaces. So these pieces are about being what they are—chicken wire and paper—but also about the illusion of form.
FB Do you feel that the material has a life and an intelligence of its own?
LB Absolutely. I'm making the bones; the material is the flesh. Or I could say I'm making the surface that the skin rests on. I'm beholden to gravity so I have to work over several days, constantly turning the form in the air, in space. Then I hang it on the wall according to how I like to look at it—the form tells me which are its front, back, and sides.
FB You have spoken of your works as "frozen gestures." There is a certain ephemeral quality to them. But it sounds as if you are actually more interested in the process—
LB I called them "frozen gestures" when I was pouring with polyurethane. Prior to that I poured with latex rubber, but the gesture got lost in the flow because I was sometimes thinning it down with water. Rubber has a memory; it bounces back like a rubber band. When I threw the rubber, I felt like it was alive.
FB You were a pioneer, inventing a new way of using rubber. Where did you get the rubber?
LB I discovered this man, M. P. Medwick, through the yellow pages. He had invented all kinds of plastics and urethanes and ran a factory. He had a lab at his home, too. I became friendly with his whole family and anytime I had a question I could ask. I ordered a lot of material from him.
FB And he understood what you were doing?
LB Yeah, he also made materials at my request. It was interesting for both of us.
FB You once described your practice of engaging with matter—your process of molding, pouring, and shaping materials—in terms of ritual. Can you elaborate on that?
LB Well, I became the material—much like Pollock or Frankenthaler described it, or any of the artists who were physically involved with the viscosity of their materials and how they went onto the surface. My surface was the floor, or the wall, or the room. The ritual happened through knowing a lot about my material, and how I was to display it within the space and context offered to me, whether it was a gallery or a museum. When I did one of my first poured pieces in Dallas-Fort Worth in 1970, Henry T. Hopkins was head of the Modern Art Museum, and he allowed me to pour directly on the floor in the corner. I called the piece For Carl Andre because in 1966 Andre had done a brick work at the Jewish Museum, titled Lever, which came out from the wall. This drew attention to the fact that it was a simple material, fired clay, and it warped the space. That excited me, and I began to think about latex rubber taking the floor and changing the space. The floor bounced up at you, the piece bounced up at you, and it warped the space, too. Whenever I did a piece in or around a corner, it would suck up the corner. My first corner piece was shown at the Finch College Museum's Art in Process IV in 1969. Mel Bochner had invited artists to show their work there. But at the museum, they were afraid that somebody would step into the poured rubber so they had me put it on a piece of plywood. To me it was the equivalent of a pedestal. I never did that again. I had to do it in situ.
FB Because you were interested in the work's relationship with the architecture. And maybe in disruption—
LB Totally. I was also interested in getting it off the ground. Even when I was just using the rubber, I kept thinking, How do I get this floor painting onto the wall and express this thing about skin—casting your body out and away from you and testing yourself physically, like a rubber band? How do I get "my" skin onto the architecture? It was like birthing in a sense when I pulled up these huge latex rubber pieces—forty feet long, nine-and-a-half feet wide.
I did two very large floor paintings, and they were chosen for the Whitney Museum's Anti-Illusion show in 1969, but I had to pull out at the last minute because they didn't understand that the works had to be flat on the floor. Also, Richard Serra and Robert Ryman, who were also in that show, didn't want my color piece near them.
FB How did they justify that?
LB Well, the show was called Anti-Illusion: Procedures/Materials, and my pieces were not about anti-illusion, but illusion. It was the wrong title for me, and I finally just withdrew because it didn't make sense. Eva Hesse was the only other woman invited to the show.
FB You grew up in Lake Charles, Louisiana. How did Louisiana's historically rich and multiethnic culture affect your work?
LB That's for others to decide, but there was a definite sort of rhythm—my mother used to call it chinky-chank, referring to the French fiddle music that was, when danced, a two-step. And then there were the local blues and country-western music and the Grand Ole Opry every Saturday night from Nashville. There was a marvelous radio station, KPLC, with a show called Saddle Oxford Stomp. I used to listen to Elvis, and other blues, and country-western music.
A lot of the blues came from Lake Charles as well, right from my back door. I was on the west side of Louisiana, so there was the rodeo influence. The local college, McNeese, had an arena, as it was a state-supported agricultural college. It happened that the deacon of our Presbyterian Church was the head of the agriculture department and was active in the community judging the local camellia show's best flower!
Charles Laughton and Vincent Price used to visit our local theater. They were great friends of Rosa Hart, who was probably the most famous intellectual in our town. She used to present Fellini's early movies. I saw La Strada in the '50s, just after it was done. Hart not only tutored my father in Latin in order for him to get into Tulane, but gave makeup lessons to me when I was thirteen, for the theater. My friend and I used to pretend to be guys—she wore a beard and I put on a fake mustache and long sideburns, and we would go to Tom and Mac, the local drive-in and order curlicues from my mother's two-toned, bullet-holed, hard-top Pontiac. It was fun.
With a little bit of theater and no art school training, I was named "Rembrandt the Second" in the seventh grade yearbook. I had no idea why. I used to do my science book notes in pink and black ink.
FB I appreciate how you have been pushing the limits of what is possible within the medium you've chosen and within the discourse framing it. You have resisted easy definitions of your practice by changing materials, approaches, and ideological pursuits. I am assuming that this didn't necessarily make life easier for you. In his 1974 text "The Frozen Gesture," art historian Robert Pincus-Witten writes, "Lynda Benglis contributes to new options in American art—my reluctance to admit this is tied to her extravagance." Extravagance to him seemed like a minus.
LB We were surrounded by minimalism and I asked Pincus-Witten, "What's wrong with excess?" So that's probably why he put that in there. I was interested in boundlessness, the idea of flow. It's a very feminine notion, too. I spent a lot of time at the ocean in the Hamptons, and I was thinking of the sea and the way waves get imprinted in the sand, and then another wave comes in, you know. That got me very excited about the flowing of the large paintings.
FB Eileen Myles writes, "Form has a real honest engagement with content and therefore might even need to get a little sleazy with it, suggesting it stop early or go too far. How can you stop form from wanting to do that?" To me, you and Myles are very close in spirit, the way you trust matter to find its own form while being harnessed to content.
LB It's about finding the flow, finding the rhythm. All of these things have their own organization in a way.
FB What are you working on at the moment?
LB I'm making my own paper now, but I'm totally saturating the paper with metal or plastic sparkles. These pieces are brilliant, they're reflecting light, and visually they appear to be moving. They kind of float in space although they are displayed on the wall, where I can control the light and the viewing. I'm very excited about these sparkling works. They are big, not monstrous, but because we're not used to seeing such things at such a large scale, they seem kind of outrageous in a nice way. They are attractive, like shiny, colorful cars.
FB Are there any risks in letting content find its own form or form find its own content?
LB I set up the rules, the format, so to speak. The material is there and I invent the situation. It's a matter of context. It's a rather scientific approach, open-ended. In the '60s and '70s, many artists were talking about closed systems. And there were a lot of rules that the critics forced on artists. But I've always said, "Art is an open system." You arrive at certain truths using both artistic and scientific ideas.
FB I'm very interested in what made you question feminist discourse?
LB I've always thought of women's rights as a humanist issue. Unless these rights are recognized and accepted by both men and women, they're meaningless. We're made up of both genders really, nothing is black or white, you know. It's of no interest to me to put labels on things.
I think if we were more active, as artists, or as role players—if theater was more in the street, so to speak—instead of us passively watching television and taking it as reality, or wishing we were whatever we see in the magazines, we wouldn't feel so locked in.
FB So you think we need more theater? In what way?
LB Well, you know, when we lived in more closely knit families, when we were clans and smaller communities, we had all this vibration within our society. We knew the names of our clan members, and we had our defense systems. Now we invent these systems, we invent the sexes, we invent ourselves. I'm not saying it's bad or good. I'm not passing judgment.
I think we live in a time—it's a phase—when we have the liberty to invent and do all kinds of things. It's theater; it's something that people can talk about.
FB Yeah, and you can decide whether you want to take part in this play or not. Or you can invent a different one, like you did by carving out a space for yourself.
LB Exactly. I think we're always moved by our times. We represent our times. I was consciously searching for symbolic, iconic imagery that could potentially mock both sexes. And to mock means to allude to both sexes and leave the meaning ambiguous. I had men pose for me; I had women pose for me. I studied both. I was trying to find out what sexuality is.
Certainly, what I did when I did it was new, but it's not new anymore. It's all accepted now.
FB But there is still the potential within the work. It doesn't disappear; it's there, it's up for grabs.
LB I agree with you. In my work back then and now, I'm dealing with realities, with real feelings and questions. It's open-ended. We're all of the same planet, and there is a language of humanism. And that's exactly how I think of feminism—it's a humanist issue. I am a woman, and I wouldn't want to be anything else, but I also know that I have a strong masculine side in me.


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If you wish to modify your availability search, please use the following fields:
Individual balcony, Ensuite bathrooms with bathtubs or showers, Air condition and central heating, Direct dial Telephone, Satelite television, Hair dryer, Daily maid service, Room service.READ MORE
Double or twin room. Individual balcony, Ensuite bathrooms with bathtubs or showers, Air condition and central heating, Direct dial Telephone, Satelite television, Hair dryer, Daily maid service, Room service.READ MORE
One double and one single bed, or three singles. Individual balcony, Ensuite bathrooms with bathtubs or showers, Air condition and central heating, Direct dial Telephone, Satelite television, Hair dryer, Daily maid service, Room service.READ MORE
Individual balcony, Ensuite bathrooms with bathtubs or showers, Air condition and central heating, Direct dial Telephone, Satelite television, Hair dryer, Daily maid service, Room service.READ MORE
Hotel Nana is located in the centre of Athens, opposite the central rail and metro stations at Larissis Station. The hotel is a short walk to Omonia Square, the old market place and the Archeological Museum. Its convenient location offers you the opportunity to visit renowned attractions such as the Acropolis, Partheon, Plaka, Parliament Building at Syndagma Square and the Olympic Stadium. Enjoy the exploration of Athens using convenient metro located just a few steps from the hotel entrance.
No fee charged if cancelled 14 days before arrival date. Cancelled within 14 days before arrival will result in the first night charge. In case of Non Show will result in the first two nights charge.
At the airport you can take the Metro which comes every 30 minutes. At the front of the train it should have the indication " EGALEO ".
Do not take the suburban railway (PROASTIAKOS in Greek) which comes through the same platform, because it is a bit more complicated.
You get off at "SYNTAGMA" station which is quite central, it takes about 40 minutes and you will see that most people get off there.
As come out of the train,you have to change platform and take the red line. Look around for signs " AGIOS ANTONIOS ".
Go up the escalators and you will reach the platform. Take the train and get off at the 4rth stop which is " LARISSA STATION ".
Come out off the station and you will see a main avenue. The hotel is max 100 meters from the station on the main avenue.
There is a special ticket if you take the train from the airport which costs 8 euros.
Mind your personal belongings while you are in the train or the platforms.
All signs are also in English.
Have a nice flight.
|ΔΗΜΗΤΡΙΟΣFri 18 Mar, 2016
Loved this Hotel
Great hotel. I would definitely come back!)
|WELLYThu 18 Feb, 2016
We enjoyed every second of our stay in Nana Hotel. All was TIP TOP and would definitely recommend it to our friends! The best was the Room Service and the Staff!!! All of the Bad comments what We read on the online seem to be untrue!!! Thanks to Nana Hotel for making our Holiday so memorable and enjoyable ever :-) !!!!!
|ConstantiniaWed 16 Dec, 2015
helpful convenient
Value for money perfect
|SulabhaFri 16 Oct, 2015
It was ok
The shower door was broken. The rusted pipes were visible at the bottom. Otherwise it was close to station and convenient location.
|OmarSat 19 Sep, 2015
Loved this hotel. Good, Clean &Economical
would definitely return
|Wai ChuenThu 04 Jun, 2015
Good customer service
Excellent customer service with good accessibility to metro station.
|fotiosThu 04 Jun, 2015
great value hotel!
+:great value hotel at an excellent and extremely convenient location, great view, pretty comfortable! for the money fantastic! -:bathroom extremely small and should be in better working order; not really hot water and without any pressure; i found only one mains plug and since electricity goes off when you leave the room, how many devices can you charge?
|PATRICKSat 23 May, 2015
some details to improve but globally satisfied
good value for money staff sympathic and reactive problem of cleaning up which is not serious enough, better after claim. Phone does not work. shower too narrow.
|EVANGELOSSat 18 Apr, 2015
Συνολικά καλή πρόταση
Το έχω επισκεφτεί αρκετές φορές και το προτείνω λόγω καλής τιμής , ευγενικού προσωπικού πρόθυμο για εξυπηρέτηση κάθε στιγμή και φυσικά λόγω πολύ καλής τοποθεσίας αφού είναι δίπλα στον σιδηροδρομικό σταθμό, στο μετρό και σχετικά κοντά στο κέντρο της πόλης
|AriaTue 31 Mar, 2015
This Hotel was good
I had a problem with one of the receptionists at the front desk (she was typically there most evenings). When I asked a question and then asked for clarification because I did not understand something, she would become testy with me. I did enjoy the rest of the staff, however, they were friendly and definitely enough to make me want to come back. The only other problem I had was bugs. My friend and I killed three cockroaches during our week-long stay and on our last night, found a big spider in our room. Other than these two problems, the food was great and the staff was so kind to us. I would recommend it to anyone and come back myself (I was actually invited back next summer by one of the staff and told she would find me and my friend men so we could stay in Greece... I loved her! she made our stay so much better! if this helps her, she should get a raise or something, she was awesome - she worked a couple of the mornings we were there and had glasses and about shoulder-length brown hair with lighter highlights, she also had a beauty mark on her face... she was a little older than the other woman I believe).
|MarekFri 13 Feb, 2015
low comfort, good location and resonable price
I stayed in the hotel with my older kids in the 4 beds room. However, in fact, the room consisted of two connected double rooms. Rooms were quite small but enough for two persons each. The first room had a small balcony with glass doors. Unfortunately, the second room hasn't got any window only small window with light from hotels corridor. The room was dark and frustrating. There were two separate toilets but extremely small, so it is not recommended for big people. What is more there was a problem with ventilation in one toilet and one night we felt intense cigarettes smoke from our neighbor (smoking is not prohibited in the hotel). At the first sight the room raised only bad feelings. However, the room was clean, there were air-conditions in both rooms, small fridge and TV sets. Finally, we found the room adequate the price we paid. Minuses: dark room (other double room looked batter), extremely small toilets, cigarettes smoke from neighbors Pluses: low price, breakfast included, clean, air-conditions, good location (3 metro stops from Acropolis) I can recommend the hotel for couples who doesn?t expect high quality but simple cheap and good located place to sleep during the city sightseeing.
|ChristopherTue 16 Sep, 2014
Good value
Good value, a bit noisy outside near the road
|FilippoFri 25 Jul, 2014
Very good Hotel
Very good Hotel, Staff very friendly and helpful. Recommended.
|JULIEThu 26 Jul, 2012
Good Price/quality hotel
Great hotel for the price. The breakfast was poor, and even if well located, next to the train and metro stations, it's quiet sad, the area is not that great. But I would defintely come back.
|Hsiang-ChunFri 25 May, 2012
Suitable for budget traveler
Good hotel, if I travel alone, I will come back.


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1947 Ford Super Deluxe
- Location:
- Saint Louis, MO 63146
- Status:
- Expired
1941 FORD CONVERTIBLE Flop the top, don the shades, hang the left arm over the driver door garnish rail so the bicep looks twice its... More
1939 Ford Woody Custom 4x4. #4 of 4 built. 2402 miles, Proportionally correct thoroughout, New 350 crateTBI motor, 280hp, 700R4 transmission, Large... More
1948 Ford Coupe Super Deluxe, good straight body, new tires and wheels, custom int, nice chrome grill, orig 6 cyl, 3 speed, 51,xxx miles,... More
Eugene Bob Gregorie's natural abilities for timeless design have been duly recognized. While his stint at Ford may seem brief, Gregorie was largely responsible... More
Ford flathead V8 engine 3speed transmission Maroon paint Deep Maroon leather interior with Black cloth topTo be sold at the Kansas City 2017... More
1948 Ford Super Deluxe Station Wagon Woodie Woody with Overdrive. Model 79B. Equip with Columbia Overdrive two speed rear axle. Outstanding! Rare only 8,912 examples built. Driven 5,500 careful... More
Offered for sale is this beautifully restored 1941 Ford Super Deluxe Convertible. Not only is this vehicle completely restored and in incredible condition but... More
Restored Flathead V 8 engine Aluminum radiator with electric cooling fans 3 speed transmission Gray with Red interior 12 volt conversion Firestone wide whitewall tires Full trim... More
1946 Ford Super Deluxe Woodie Wagon Good-running low-mile no-rust Atlanta car, never restored, nice sheetmetal. Needs some wood replaced, which comes with the car.... More
This 1946 Ford Super Deluxe convertible is a rust free excellent running car that has never been out in winter and always garaged.. It... More
Ford 1947 Convertible. Beautifully restored from the frame up, is as original as possible. Award winning and complete. Western car, all steel, no bondo,... More
Complete, unrestored, original California Woody, purchased last year from San Diego, now located on the East Coast. It has a Ford V* Flathead (239... More
Older restoration, but at the time was a no expence spared job. All new glass, rubber, fender welting, belts, hoses, wireing, and tires. New... More
1941 Ford Super Deluxe Convertible | Ardell Brown Classic Cars www.ardellscars.com/1941-ford-super-deluxe-convertible/ The two previous Ford car lines, Standard and De Luxe, had blossomed into three,... More
1941 Ford Super Deluxe This pristine Ford is the result of many years development that started with a rust free documented car. Every system and component... More


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I lub you too Adam. :3
I lub you too Adam. :3
Do you love Nolove?
I think we need a neighborhood watch.
I think thats what happened, you got robbed and the neighborhood watched!
Press Thanks if i helped.
Current Status: Offline.
Dbb is a faggish term
I am the God.


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Crappie fishing doesn't get much better than the month of April. We are getting good reports of crappie, saugers and largemouths from all of our guest and locals. If you haven't already done so, it's time to take inventory of your tackle box. We have a large selection of fishing supplies and minnows at 'Judy's Tackle Box' The prices are good and the minnows are always fresh. See you at the lake!
Tag Archives: TN River
TN 2016 Hunting and Fishing Licenses
***NOTICE****TN 2016 Hunting and fishing licenses go on sale February 18 each year, the beginning of prime fishing, and are valid until the last day of February the following year. We are an authorized fishing license agency, offering hunting & fishing license and boat registration renewals. Open 7 days a week – 8 a.m. until 5 p.m. PH: 731-584-7880 Located inside the boat show room
The Fish Are Still Biting
Plenty of big bass in Birdsong Creek. Brook Lathram caught this one late Thursday afternoon (November 5) flipping the Birdsong Marina dock with a Strike King Rage Craw on a 3/16 oz. jig hook.
Spend Your Thanksgiving at Birdsong
Turkey, stuffing, and pie….OH MY! Make your Thanksgiving reservation now!
We have 2 DOUBLE WIDE mobile homes that can accommodate up to 25 people. Fully furnished kitchens with all the gadgets to make sure your Thanksgiving holidays are stress free.
Call (731)584-7880 for reservations.
Welcome Peanut Craft Lure Company
We are so excited to have the Peanut Craft Lure Company 2-Day Tournament and Awards Banquet staying here with us this week. We look forward to announcing the tournament results after Saturdays weigh in.


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American Merchant Mariners Memorial, Battery Park, NYC (Sculpture)
Sculptor: Marisol Escobar
Description: Three figures on boat, one figure is trying to grasp another figure that is in the water
Materials: Figures–bronze; lifeboat–fiber-reinforced concrete; concrete
Dimensions: group h 10'6″ x l 24′ x w 8′; pedestal h 6′ x l 30′ x w 12′
Cast: 1991
Dedicated: October 8, 1991
Foundry: TALLIX, Beacon, NY
Donor: $250,000; American Merchant Mariners' Memorial, Inc., c/o Joan Samsen Associates; tel. (212) 772-9363
American Merchant Mariners' Memorial
Commissioned by the American Merchant Mariners' Memorial, Inc., this memorial was conceived in 1976. In 1988, after an extensive competition, the artist Marisol Escobar (b. 1930), known as Marisol, was chosen to develop her design. Situated off-shore from the north end of Battery Park and just south of Pier A, the monument stands on a rebuilt stone breakwater in the harbor. The bronze figural group and boat are based on an actual historical event; during World War II, a Nazi U-boat attacked a merchant marine vessel, and while the mariners clung to their sinking vessel, the Germans photographed their victims. Marisol developed a series of studio sketches from this photograph, then fashioned a clay maquette as her winning design proposal for the monument. The work was dedicated on October 8, 1991.
Marisol was born in Paris, and spent most of her childhood in Venezuela. After studying art in Paris and Los Angeles she moved to Greenwich Village in the 1950s, where she was first influenced by abstract expressionism, and then developed a reputation for her highly stylized boxy sculptured figures. She was inspired by pre-Columbian and American folk art, as well as the growing pop-art movement, and by the 1960s, her style had evolved into satirical assemblages which commented on American society. Her diverse work defies simplistic classification, as she has explored particular themes and aesthetic criteria as they related to specific commissions.
In 1967, Marisol exhibited a piece entitled Three Figures in the group outdoor exhibition in the city's parks entitled Sculpture in Environment. That work was minimalist and geometric. Since then, Marisol has exhibited in numerous public settings, often employing traditional figurative techniques, as in her designs for an unrealized monument to the Brooklyn Bridge's engineers, the Roeblings, and in the American Merchant Mariners' Memorial.
The American Merchant Mariners' Memorial Inc., chaired by the president of the AFL-CIO, Lane Kirkland, sought to commemorate the thousands of merchant ships and crews pressed into military service since the Revolutionary War. In World War II alone it is estimated that 700 American merchant ships were lost, and 6,600 mariners gave their lives in this global conflict.
Marisol has captured an unsettling realism, drawn from the faded photograph, but also dependent on the ebb and flow of the harbor's tides. One figure, struggling beside the boat, is submerged each tidal cycle, a technical motif that compounds the work's emotional dynamic. Though specific in its imagery, the monument honors the thousands of merchant mariners who have died at sea in the course of our nation's history.


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What: Detroit Pistons vs. Chicago Bulls
Where: United Center Chicago, IL
Time: 8:00
The Detroit Pistons are coming off a game where they once again blew a lead in the 4th quarter. The Pistons fell to the Utah Jazz 97-96 and are coming off a 2-2 home stand. They now go on a road trip that starts in Detroit's house of horrors, the United Center. The Pistons have won just one game at the United Center since 2006 and that was last season when the Bulls were missing Derrick Rose. Rose is expected to be back for this game and the Pistons will have to prepare accordingly. Let's see want the keys are to this game.
1.) The Bulls have all of sudden become an offensive juggernaut scoring 104.3 points per game, tops in the league. However, they give up 99.4 per game which is 29th in the league. In contrast, the Pistons give up 95.8 points per game and they score just 92 per game. If the Pistons want to escape Chicago with a win, they have to slow this game down to a crawl and have the Bulls play at their pace. Make it a struggle for them to score and the Pistons will have a better chance at winning.
2.) Please Stan Van Gundy, I'm begging you, give Andre Drummond more playing time. Through the first six games, Van Gundy has been sitting Drummond due to his free throw shooting and due to his foul trouble. However, his rebounding and his put back garbage points are too valuable to keep on the bench. Just leave Drummond out there with Greg Monroe and you will be alright. In his last game against Chicago, Drummond had 26 points and 26 rebounds in April. I can see a repeat performance in this one.
3.) The 4th quarter execution needs to get better. I can not say it enough. When you are blowing leads in the 4th quarter at home to teams like the New York Knicks, Milwaukee Bucks, and Utah Jazz: it's unacceptable. Luckily, the Pistons were able to escape with wins against New York and Milwaukee, it came back to bite them against Utah. They can not expect to continue to play like this in the 4th quarter and be successful. Detroit has the talent to win games consistently, but if they are not going to go out there and execute and put the work in, they they are not going to win games.
This is not a young team anymore. Josh Smith has been in the league for nine years, this is his 10th. This is Brandon Jennings' 6th season, Monroe has been in the league for four seasons, and then you have veterans like Caron Butler and D.J. Augustin. This team is not a young team. You can not use that excuse for the 4th quarter struggles anymore. It just can not happen. Van Gundy needs to get this problem under control and help move this team forward.
-Ky Carlin
Twitter: @gettinbuckets91/@Ky_Carlin


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Here is the title song "Raanjahnaa" from the movie Raanjahnaa. Tamil star, Danush is making his Bollywood debut with this film opposite Sonam Kapoor. The movie is set to release on 21st June 2013. Abay Deol plays one of the major key role in the film.
Do hear the track and let us know your view.
Raanjahnaa title track
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Edward Quevedo Associate Professor of Sustainable Enterprise Research Fellow, Center for Sustainable Business Lokey Graduate School of Business Mills College. Regenerative Development: Examining Opportunities Beyond Sustainability. Our conversation. time for a rethink? strategy is dead….
Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author.While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server.
Edward QuevedoAssociate Professor of Sustainable EnterpriseResearch Fellow, Center for Sustainable BusinessLokey Graduate School of BusinessMills College
Regenerative Development:
Examining Opportunities Beyond Sustainability
The Global Compact
(Ratified at Davos, 1999)
strategy is dead pursuing it?
"We have found that strategic planning is no longer of value. It leaves us without the flexibility to act with acuity, does not link up with day to day activities, and wastes valuable time generating paperweight documents."
Hans Straberg
CEO, Electrolux AG
March 2013
"Strategy is not now a core function for Sony. Our goal is instead to align our business trajectory with conditions in our ecosystem. To do this, we must first understand our ecosystem. Then we must think like expert biologists."
Bert Nordberg
CEO, Sony Ericsson
August, 2012
"We are in search of a fundamentally new approach to modeling our future. Strategy offers nothing anymore as a viable tool for us. Too much effort for too little return….."
Paul Todd
VP Strategy, eBay Marketplaces
October 2012
The Grammar of Regenerative Development modeling our future. Strategy offers nothing
The enterprise and its leaders shall consider all undertakings and projects for approval by first determining
Reconsidering the Spectrum of Organizational Performance modeling our future. Strategy offers nothing
Regenerative Development
Sustainable Development
regenerative development? modeling our future. Strategy offers nothing
Imagine the Impact if ISSP were to advocate for, modeling our future. Strategy offers nothing
and the Obama Administration
were to support enactment of, the following
The Congress, recognizing the profound impact of man's activity on the interrelations of all components of the natural environment, particularly the profound influences of population growth, high-density urbanization, industrial expansion, resource exploitation, and new and expanding technological advances
Declares that it is the continuing policy of the Federal Government, in cooperation with State and local governments, and other concerned public and private organizations,
To use all practicable means and measures, including financial and technical assistance,
To create and maintain conditions under which man and nature can exist in productive harmony, and fulfill the social, economic, ecological, and other requirements of present and future generations of Americans.
In order to carry out the policy set forth in this Act, it is the continuing responsibility of the Federal Government to use all practicable means, in order to….
Fulfill the responsibilities of each generation as trustee of the environment for succeeding generations;
Attain the widest range of beneficial uses of the environment without degradation, risk to health or safety, or other undesirable and unintended consequences;
Preserve important historic, cultural, and natural aspects of our national heritage, and maintain, wherever possible, an environment which supports diversity, and variety of individual choice;
Achieve a balance between population and resource use which will permit high standards of living and a wide sharing of life's amenities; and
Enhance the quality of renewable resources and approach the maximum attainable recycling of depletable resources.
The Congress recognizes that each person should enjoy a healthful environment and that each person has a responsibility to contribute to the preservation and enhancement of the environment.
The National Environmental Policy Act of 1969
Lokey Graduate School of Business
Mills College


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So sad that such a charming tradition is gone for no good reason.
Pinney is right..we do need to put a smile on peoples faces. Now there will be a few less. What a shame!
Oh my , is the the Todd Lockwood , we were all friends up in Lake Placid ? Would love to re connect. Just for the fun of it ! I hope you are well and it would love to hear from you.
Betsy Berry
Great to see coverage of 05401PLUS, but I'd like to add that it also acts as a public forum, albeit written, for all the things we should be seeing discussed in the media, in public forums, and in our neighborhood NPAs... and aren't. We need a venue and leadership for discussing public investment issues, civic development, housing and commercial enterprises that change and form the city, direction of our school, transportation impacts, etc. that aren't held by one voice and with the intent of one outcome. We need more than hearings, we need a public conversation and the media has a role in this. To think that journalism is only investigative (re. VTDiggers presentation on Tuesday this week) or current events misses the point.
05401PLUS may be hard to read for some and one-sided at times, but I believe it is the only publication that is addressing our human and social impact on the physical environment and questioning our habits of place-making. We need this sometimes awkward, sometimes beautiful endeavor. Too bad more people aren't reading it.
Hi. This is the Kirtan Rabbi. Thank you for such a lovely article, Ken! Just a correction: the video takes place at Bnai Jeshurun synagogue in NYC, albeit there are a lot of Romemu people there!
Thanks for pointing that out, alengyel! We've corrected the story.
Great article, except for the mistake that it is not the company's first time in the US. Peasant Opera performed at the Lincoln Center Festival in 2009 to great critical acclaim.
So welcome!! to see this. I think Alison Bechdel makes the best drawings, well comparisons are odious, but those drawings are so specific and witty about the people I see around, the haircuts, the actual drawing of the faces, just wildly good. Plus the political and verbal content, dynamite. Is this just a one time thing or will there be more?? I also like Peter Schumann's visual stuff, posters and more. So clear and legible, dare I say formal elements are not ignored. but the details, that spunky little girl, they all slay me. I feel much better in these dark days.
When i taught Drawing at Johnson State I had my classes look at her work right along with Van Gogh, Daumier, Titian, Goya, the Alice in Wonderland drawings, by Sir John Tenniel, Faith Ringold,Clark Derbes, and and on into the ocean of fabulous visual art. Thank you Pamela Polston, the whole paper is a treasure, much better than what i can find in Amherst, MA area where our daughter lives.
I've owned every comic for years spreading the insight to many over the years. Truly happy to have more to enjoy. Thank you
"I find your ideas intriguing and would like to subscribe to your newsletter"
I've so missed the crew. Thank you so much for a brief peek.
I love and have missed DTWOF!!! I came out and transitioned with the crew!!! Thank you for your work. I am going to see Fun Home this December and I cannot wait!!!
I'll give thanks
For getting to read this!!
What wonderful people Jerry and Lindi are- talented, committed, and welcome additions to our area (actually, Jerry is a Vermont native)! They have done so much to make our lives more enjoyable through Maiden Vermont, the Middlebury Wind Ensemble, and the many other areas of our existence that they participate in. Nice article!
Thank you, Mark.
It is scary and suspenseful to be working hard and carefully on each aspect of the process without a clue of how the instrument will sound. It is with blind faith that the result will be beautiful. When that desire is finally achieved it is beyond what words can describe.
In large part this piano owes its unique sound to the acoustical setting of this beautifully restored home. This place is and will continue to be Burlington's musical gem.
What a great article! How interesting to look into the world of traditional pianos and those that care for them. Piano rebuilders are what we now call "makers"- those who find worth in working with ones own hands. Mr. Day rises to a level of excellence that transforms wood and metal into an instrument that literally vibrates the soul of those who listen to it. Congratulations to Allan Day and his collection of caring, philantrophic citizens.
----Me2/ strives to eliminate stigma around mental illness
Which it cannot do so long as it maintains there is one.
10) B.B. King
11) Trey Anastasio Band
12) Jackson Browne
13) Bonnie Raitt
14) David Lindley
15) Pete Seeger
Here's a partial list of concerts I've seen at Memorial Auditorium:
1)Simon and Garfunkel
2) Joan Baez
3) Yitzhak Perlman
4) David Bromberg
5) Chuck Berry
6) Marcel Marceau
7) The Association
8) The New York Rock & Roll Ensemble
9) Yo Yo Ma playing Messiaen
Gob bless you all. I struggled for 20 yrs with bullemia. Up to 12 times a day. Im lucky to be alive, and even 1 year later after finally overcoming this disease i found out i was 29 weeks pregnant with my son. I was 32 yrs at the time and my husband snd i together since i was 20. Told at 21 yrs ild i couldnt have children and i wanted 15 kids i told my husband. Still wished i couldve. But god knew what he was doing. I was able to have one more son . Both healthy beautiful healthy adults now whom i adore . Im 55 and know that evetyday is a blessing here on earth. Everyday is still a struggle but i just have to remind myself of the hell i lived everyday throwing up and hiding it and at 12 times a day it was hard. Most days i just ate everything in sight and threw up all day long. Its caused allot of health problems from heart attack at 40 to always having dental work done. To hating myself and hoping i would die everyday if i couldnt stop. How did i recover!? I almost died . I had 3 bleeding ulcers and didnt know it. They cut me open and now have a 12 inch scar on my stomach in 1991 and couldnt move out of bed for 3 weeks. That gave me my first break. All the rehabs i was in didnt help at all. I was in 4 different ones. It has to come within i think. Or i was just so tired of the shame i felt. I couldnt go on anymore. It feels so good every morning to wake up and know im not going to go through that hell everyday. My boys when born i think gave me allot of strength also. I didnt want to miss one day of seeing them grow up.best times of my life were and still are with my family. Cant wait till my grandchildren come.! God bless . Know it can be overcome. I didnt think it was possible but it truly is... My heart goes out to you all.
Kerri Courtney:
So sad that such a charming tradition is gone for no good reason.
Pinney is right..we do need…


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By JENNIFER FERMINO Published: April 25, 2007 President Bush visited a Harlem charter school yesterday to praise it as one of the best in the nation, as well as to push for the extension of his No Child Left Behind plan. "I appreciate you making a Texan feel right at home here in Harlem," Bush… Read more »
Morning Joe: Morning Joe features Deborah Kenny and John Legend
July 21, 2010 — John Legend and Deborah Kenny discuss the future of national education reform
The CBS Evening News: Ten-Hour School Day in Harlem? Sign Me Up!
March 5, 2010 — Katie Couric highlights the HVA model in a discussion about education
Morning Joe: Deborah Kenny discusses State of the Union
January 27, 2011 — Deborah Kenny and Tom Brokaw comment on educational issues from the State of the Union
MSNBC: Special about the future of children in America
September 21, 2009 — Deborah Kenny and Bill Cosby talk about HVA as a model for the Nation
Morning Joe: Deborah Kenny talks with Morning Joe about Harlem Village Academies achievements
May 7, 2012 — Deborah Kenny talks with Morning Joe about Harlem Village Academies achievements
The Huffington Post: Bill Cosby on Harlem Village Academies: I'm Jumping (Video)
September 24, 2010 — Bill Cosby interviews Deborah Kenny for the launch of The Huffington Post's Education section Link
Good Day New York: Deborah Kenny on Good Day New York
June 16, 2012 — Deborah Kenny on Good Day New York
New York Post: Bloomberg: Harlem School is 'Poster Child' for U.S.
By DAVID SEIFMAN Published: March 12, 2009 Mayor Bloomberg visited one of Harlem's most successful charter schools this morning and told students they were living proof that President Obama was right to challenge states and schools districts to improve standards and promote innovation through more charter schools. "Most of what the president said you already… Read more »
New York Times: Close Up
Deborah Kenny on New York Times "Close Up"


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Estrella Mountain Community College passing grades
Think about what career is best suited for you, and where you want to study. Request more information now.
Think about what career is best suited for you, and where you want to study. Request more information now.
Think about what career is best suited for you, and where you want to study. Request more information now.
Information about Estrella Mountain Community College passing grades, and registering for discussion sections and department seminars. As a student, your first stop should be the registrar's office, where you can pick up a free copy of both the academic calendar and course catalog, in order to find available credit classes that you may be interested in taking. It may surprise you that it's possible to enroll for a full-time course load, without having any 8am classes at all. Finally, check with the admissions office for assistance with prerequisites, tuition payment deadlines, and Estrella Mountain Community College class registration information. Please use the form above to request admissions info for Estrella Mountain Community College.
To keep your GPA as high as possible, study the schedule of classes carefully, and note the add/drop deadlines, as well as the requirements for changing a grade. If you get an incomplete, or worse a low grade, you can still retake the class, as some schools allow you to average the two grades on your final transcript. Challenge yourself by taking some courses outside your major to fulfill breadth requirements.
By purchasing lecture notes from a reputable source such as the student union, you can save time by not taking notes in class, and concentrate on paying better attention. You also can audit courses that you're interested in, but would prefer to skip exams and just listen in. Beyond degree requirements such as Estrella Mountain Community College class registration, you may consider Navajo Technical College GED exams for complementary electives to your primary course of study.
Director of Admissions
Brookline College
The Director of Admissions is responsible for the development and management of the admissions department.
7 days ago Student Success Coach
College of DuPage
Coordinate outreach efforts with Admissions and Marketing to identify and recruit students into the S-Stem program.
7 days ago Student Affairs Coordinator
The Art Institutes
Coordinate New Student Orientation in cooperation with Admissions, Education and Student Affairs staff and promote a successful transition to college life.
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Tulsa Community College
Assists students with SIS navigation, and are knowledgeable and helpful to students in the areas of admission and enrollment requirements..
7 days ago Student Affairs Advisor
UC San Diego
Knowledge of UC policies and procedures related to graduate education including admissions, diversity, student services, and other related topics.
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The season was a roller coaster ride and some of the bends, turns and sheer drop-offs made many of the Ravens' faithful consider that they may not have the stomach for this 2013. Can we blame them?
The Ravens were coming off a season of greatness and a half-decade of success. The final nail in the coffin came against a hot Cincinnati Bengals team that went 8-0 at home in the Queen City this season.
I suppose that an 8-8 record is not nearly as bad as it could have been. Prior to the bye week (when they rested with a 3-3 record) I was not sure if the Ravens would win more than 5 or 6 games. They could not get over the hump on the road and they just failed to finish close games as evidenced by:
• 2-6 road record
• 4 of 8 losses by 3 points or less
There are many contributing factors to the road and the inability to win close games, but ultimately it comes down to coaching. Too often the Ravens looked lethargic, unprepared and disinterested. For whatever reason, John Harbaugh seemed to have an extremely difficult time this season getting the Ravens to go 100% every play for the entire game. The lack of depth and experience at key positions compounded the coaching deficiency.
John Harbaugh, Grade: C. A "C" grade is pretty average, like Harbaugh's season. Give him credit though – the Ravens did lose a lot of starters on both sides of the ball and this team was extremely inexperienced and young at many positions. Furthermore, the loss of Dennis Pitta, Jacoby Jones and Kelechi Osemele cannot be understated on the offensive side of the ball. In 2014, I'd like to see Harbaugh utilize time outs a bit more effective and I really hope that he stresses the importance of discipline because many times throughout the season, the Ravens were their own worst enemies with penalties.
Offensive Grade: F+. Overall, the offense was really bad for the entire season. They showed some signs of brilliance here and there (game winning drive against the Vikings, for example), but they couldn't run the ball, they couldn't protect Joe Flacco, he threw far too many interceptions and the receivers left far too many plays on the field. To make matters worse, apparently there is a possibility that several of the offensive coaches engaged in an ongoing power struggle.
Hopefully the entire offensive coaching staff is gutted and the Ravens start from scratch. They need fresh eyes and they need someone who can design an innovative and unpredictable game plan. I just don't believe that Jim Caldwell is the answer for the offense.
As for Flacco, he actually had a personal best in regular season yardage with 3,912. However, he did throw 22 interceptions to only 19 touchdowns. Not every interception was his fault (for example, Ed Dickson tipped a pass in the loss to Buffalo), but oftentimes it seemed like Flacco was never comfortable on the field and he forced a lot of passes into tight coverage. If the Ravens ever want to win another Super Bowl, they need Flacco at his best. That means getting an offensive design that works to the advantage of the Ravens' players, but it also means getting Flacco a legitimate quarterback coach.
The Ravens coaching staff is the league's most populated (24) and they are the only team to have a "run game coordinator", yet they don't have a dedicated quarterback coach. Two of Flacco's best seasons (2010 and 2012) came when he had a quarterback coach (Jim Zorn and Jim Caldwell, respectively). Now, I don't believe that Flacco is incapable of playing the position nor do I believe that he isn't intelligent enough to play the position. However, there are a lot of times when an extra set of eyes can help during film sessions, during the game and give more definitive feedback on mechanical issues.
For example earlier in the season Flacco constantly threw "floaters" off his back foot. A quarterback coach could have potentially helped Flacco identify and fix that. Even the great Drew Brees has had a quarterback coach since he signed with the Saints back in 2006! Considering the issues with the offensive line, injuries at receiver and tight end and the mind numbing play calling, I'd give Flacco's 2013 season a C-. He needs to play better, but it wasn't all on him this year.
Ray Rice and Bernard Pierce are two other players that do not deserve failing grades this season. Much like Flacco, a majority of their production was stymied by abysmal offensive line play. How is it that the Ravens hire a "run game coordinator" and then produce arguably the worst rushing offense in the history of the NFL? It doesn't add up.
For the first time since his rookie year, Rice did not crack 1,000 yards on the ground. He also had less than 1,000 yards of total offense, which is also a career low for him. He is only 26 years old, but he just looked sluggish throughout the season. Some fans have pointed out that he looked a little "pudgy" and while Rice has always been a stout guy, I do think that he may have played this season at a higher weight than what he has in the past. The added weight could have caused him to lose burst and lateral quickness. This weight gain also could have led to his hip injury early on in the season.
Pierce, on the other hand, is not lacking for speed or quickness. The problem I saw with Pierce most of the season was he dances around the line of scrimmage far too much and he tries to bounce everything to the outside. A lot of that has to do with coaching, but next year I'd like to see him be more decisive when he hits the hole. If it were not for the terrible play from the line, I'd give both Rice and Pierce F's, but because I think the line clearly contributed to their lack of production, I'm giving Rice and Pierce a D for the season.
The receivers had a pretty tall task at hand considering the offense couldn't run the ball. A lot of pressure fell on them and while they responded better than what I initially thought, there were still periods of a game where they would just disappear. Torrey Smith (65 receptions, 1,128 yards and 4 touchdowns) had the best season a Ravens receiver has had since Derrick Mason and rookie Marlon Brown was very impressive with 7 receiving touchdowns on 49 receptions and 524 yards. Jacoby Jones made splash plays here and there, but he also left a lot of plays on the field. In fact, there were a few plays when Jacoby had the ball bounce off of his chest and into the arms of a defender.
I can't fault Jacoby too much because he has never been a go-to-receiver, but the fact that he spent much of his time as the #2 on this team just shows how poor the quality of depth was at receiver this season. With Jacoby and Tandon Doss heading into free agency and Brandon Stokley retiring, the Ravens are looking at an off-season with Torrey, Marlon, Deonte Thompson and Aaron Mellette as the top 4 receivers. The front office really needs to address this position during the off-season. They invested a lot of money in Joe Flacco and they need to give him better weapons to work with. Overall, I think Torrey and Marlon are well deserving of a solid B and taking Jacoby's contributions as a return specialist, I'd have to give him a B as well.
A common theme that readers may have noticed in this piece is how bad the offensive line was. Joe Flacco was sacked 48 times, the most in his career and the 2nd most in the NFL. The Ravens also finished 30th in total rushing yards with 1,328 yards and dead last in yards per carry with 3.1. To put that into perspective, both LeSean McCoy and Matt Forte had more rushing yards individually than the entire Ravens' offense.
Individually, Marshall Yanda and Eugene Monroe were the two best linemen and that really isn't saying much. Michael Oher is a penalty machine and as the season progressed he seemed to become less and less interested in putting forth 100%. He is a free agent and I don't expect he'll be back. The most common whipping boy this season was Gino Gradkowski and rightfully so. He was overmatched in a lot of games, but I will say that there is a glimmer of hope with him. Gradkowski did get better as the season went on. He wasn't great, but he did improve. Hopefully this season of trial by fire will have given him the experience needed to be an adequate starter next year. Finally, AQ Shipley…ugh…boy was he bad all year long. I can't believe the Ravens traded a draft pick for him. Shipley should never be a starter at center or guard. Penalties aside, he is slow, can't pull and was constantly pushed back into Flacco. Overall, the offensive line's performance in 2013 is a flat out F performance.
Defensive Grade: B-. Statistically, the defense had a very good season. They finished 12th in total points against with 352 and 12th in total yards against with 5,368. They also finished in the top-5 of the league in rushing touchdowns given up (5). The big area of concern for the defensive unit was their inability to create turnovers. They were 23rd in recovered fumbles and 16th in interceptions. Another area of concern was the lack of consistent quarterback pressure. When the Ravens signed Chris Canty and Elvis Dumervil, like many fans, I figured that the Ravens would be able to generate a lot of quarterback pressure and get a lot of sacks. They started off extremely well and in the first 8 games, Terrell Suggs had 9 sacks. However, they finished middle of the road in this category with 40 total team sacks.
Terrell Suggs is in an interesting situation. He is in the final year of his current deal and he now has finished 11 seasons in the NFL even though he is only 31 years old. He is expensive and the Ravens could save quite a bit of 2014 cap room by cutting him. I'm not sure if he is slowing down or what, but after producing 9 sacks in the first 8 games he all but disappeared for the second half of the season and only had 1 sack in the final 8 games of the season (it came against Tom Brady who basically fell down).
Other than a few splash plays from Art Jones, none of the other interior defensive linemen made plays into the backfield, so even with Suggs and Dumervil rushing from the perimeter, quarterbacks often had a clean pocket to step up into. Dumervil finished the season with 9.5 sacks and 2 forced fumbles. Dumervil has never been very good against the run, but he was especially inconsistent against the run this season and he committed several costly penalties that one could argue directly resulted in losses. Overall, I'd give Suggs a C+ and Dumervil a C.
The secondary had issues all of their own. The most obvious and blatant issues from my perspective was their inability to communicate. They gave up big plays deep down the field because they weren't on the same page. Corey Graham is a free agent and even though he led the team with 4 interceptions, he constantly got beat on rub-routes and pick-routes. The Chicago game and the New England game come to mind. Both Lardarius Webb and Corey Graham were lined up on the same side of the field and neither one of them seemed to be aware of where the other was and as a result, they ended up covering the same receiver and left another wide open. At least 3 of Alshon Jeffery's 7 receptions against the Ravens could be attributed to such communication breakdowns.
Jimmy Smith was the best defender in the secondary all season. He bailed out the defense several times in the red zone this season and his coverage on Calvin Johnson and Brandon Marshall, two of the league's biggest and best receivers, was incredible. The Ravens would be wise to try and get a new deal with Jimmy done now before he gets to free agency and commands top dollar from some other team.
Matt Elam started out as a rather "meh" spot in the defensive secondary early on in the season, but as the year went on and Elam got more comfortable with the speed of the game, we all saw how good he could really be. The fact that he played out of position the entire year is just a further testament to how good Elam can become once he is able to move over to strong safety. I don't expect the Ravens to resign James Ihedigbo, which is kind of a shame because he did turn in a good season at strong safety, but the Ravens really need someone who can play centerfield and provide good over-the-top coverage because Matt Elam isn't that type of a player. Overall, I thought the secondary got better as the season went on, but communication issues drop the final grade to a B-.
Special Teams Grade: A. Justin Tucker IS the Ravens' special teams and he was their offense for much of the season. I truly believe that he is the best place kicker in the NFL right now. He might even be the best overall player on the team. Jacoby Jones did a solid job returning kicks and punts once he finally got healthy, but Sam Koch may have played his way out of Baltimore. For much of the season his kicks were wobbly, off-target and nowhere near as long as previous seasons. Koch's price tag next season and his lack of production this season leads me to believe that the Ravens will likely part ways with him. They could find a younger punter who is far less expensive to botch punts for most of the season.
Final thought: As bad as the Ravens were this season, there is definitely talent. The salary cap could play a major part in what the Ravens decide to do this off-season, but as far as I am concerned until the front office and coaching staff invest in Joe Flacco and the offense, they will continue to struggle. The only way to effectively sustain playoff appearances with a bottom-barrel offense is by having a top-3 defense. Hopefully they will come to that conclusion this off-season and make the necessary changes to improve the offense.


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Sanders, Trump win presidential primaries in Vermont
BURLINGTON >> Bernie Sanders won a huge victory in Vermont's Democratic presidential primary while Donald Trump eked out a narrow victory over Ohio Gov. John Kasich on the Republican side.
Sanders had 86.1 percent of the vote on Tuesday with 93 percent of precincts reporting, according to unofficial returns. Former Secretary of State Hillary Clinton had 13.6 percent.
The GOP race was a squeaker: With 92 percent of precincts reporting, Trump was at 32.59 percent to Kasich's 30.62 percent, according to unofficial tallies.
Among other Republican candidates, Florida Sen. Marco Rubio had about 19 percent, Texas Sen. Ted Cruz had 9 percent and retired neurosurgeon Ben Carson had 4 percent.
Sanders, speaking to thousands of cheering supporters at a campaign rally Tuesday evening in Essex Junction, noted that Tuesday also was Town Meeting Day, a state holiday when people go out and argue with their neighbors about town budgets and other issues.
"Then they vote, one person, one vote. In Vermont, billionaires do not buy town meetings, and in America we are going to end a corrupt campaign finance system," Sanders said, referring to one of his favorite campaign topics.
The senator from Vermont demolished Clinton in just about every voting category in the state, according to results of an exit poll conducted for The Associated Press and television stations. Eight in 10 women supported Sanders, while about 9 in 10 men voted for him; about 3 in 4 voters ages 65 or older supported Vermont's junior senator; and more than 9 in 10 under age 30 did, as well.
Running for president, Sanders did significantly better among Vermonters than he did running for the U.S. Senate in 2012. In that year's general election, he got 71 percent of the vote against Republican John MacGovern.
Vermont Secretary of State Jim Condos, a Democrat, described turnout across the state as moderate to heavy.
Montpelier salesman Sead Drljacic, 52, a naturalized citizen originally from Bosnia-Herzegovina, said he supported Sanders, too.
"I was in the war. I was in a concentration camp because I was different religion, different nation. Donald Trump is one who reminds me of people who started everything in Bosnia in the '90s," said Drljacic, who noted that he is Muslim.
Trump has proposed temporarily banning all non-citizen Muslims from entering the United States and said it's risky to take in Syrian refugees because terrorists could be among them.
Cleophace Mukeba, 49, a Congolese refugee who has been living in Burlington for 10 years, said he supported Sanders as well.
"I am voting for Bernie Sanders because the issue that is rising, about the economy, inequality, they are real issues. And for us, it's really important because we are refugees who have settled here 10 years ago," said Mukeba, who just finished a master's degree program at the Vermont Law School and is unemployed.
If you'd like to leave a comment (or a tip or a question) about this story with the editors, please email us. We also welcome letters to the editor for publication; you can do that by filling out our letters form and submitting it to the newsroom.


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Free Printable Phineas and Ferb Tree Ornaments
Print these ornaments on regular paper or cardstock and cut them out. Fold each ornament in half and secure with glue or double-sided tape so the design is two-sided. Punch a hole in the top of the ornament and thread a ribbon or string through the hole to hang it. You're done!


text: Denim Mills Look to Soft, Stretch for Fall Colored denim also gets attention at L.A. Kingpins textile show. By Khanh T.L. Tran on August 2, 2011 LOS ANGELES — At the Kingpins textile show, denim designers benefited from heightened innovation among competitive textile mills that aimed to hit a variety of trends for fall 2012, including supreme softness, novel blends, colored denim and stretchy but strong fabric that has better recovery.Held July 26 and 27 at a studio in an industrial corner of downtown Los Angeles, the semiannual expo gathered 28 mills and factories, which vied to build business with attendees such as Adriano Goldschmied, Juicy Couture founders Pamela Skaist-Levy and Gela Taylor-Nash, and designers from J Brand, Bebe and other Southern California contemporary sportswear and premium denim brands. Cotton prices remained a major topic of discussion, although the outlook isn't as dire as it was a year ago, when prices stood at more than double the current rate of about $1.20 a pound. José Otávio de Souza, export manager for Brazil's Vicunha Textil, predicted manufacturers will never return to the prices before the beginning of the cotton supply crisis in August 2009, when the average cost was 65 to 70 cents a pound. Demand for novel blends was high. Vicunha Textil coated denim in resin to make it resemble leather and rubber at a cost of $7 to $8 a yard. Ali Fatourechi, creative director of Los Angeles' Genetic Denim, was drawn to fabrics mixed with soy, paper and milk, as well as denim fleece, which could form the base of a tracksuit."I like how the mills are trying to push the envelope with different blends," Fatourechi said.Taiwan's A&A Textiles made a bold push in novelty with velvet-flocked denim, double-faced cotton-acrylic jacquard and double-faced rigid cotton denim that's woven to be blue on one side and a different color on the other. Prices range from $5 to $10 a yard.Goldschmied, executive vice president of product development at Citizens of Humanity and founder of GoldSign, said, "It's all about the blended fabrics.…The silhouette is changing to wider bodies so we need fabrics that are not too stiff."Taiwan's Full Blossom answered the call with a textured cotton-Modal blend dyed bright red for $7 to $8 a yard. Guangdong Qianjin Jeans Co. from China offered a lightweight cotton and Lyocell blend, which also had been dyed in vivid hues.Appealing to fans of stretchy fabric, several exhibitors offered new developments that would improve the strength and recovery of the pliant textile so it won't deteriorate during distressing treatments or lose its shape after repetitive wearing."Stretch and recovery is a big conversation for us," said Paul Cavazos, a representative for China's Z by Zhonghe, offering stretch twill with a peached finish that enhances softness and sells for less than $4 a yard. "[Designers are] tailoring pants much closer to the body now."Invista showed its newest stretch fiber called Lycra DualFX, which is made by wrapping Lycra with the T-400 fiber and then core-spinning cotton around it. Priced at a 15 percent premium over regular Lycra spandex, the new fiber combines the T-400's recovery with Lycra's stretch. Central Fabrics, Artistic Milliners, Guangdong Qianjin Jeans Co. and Kurabo are among the mills offering fabrics integrating Lycra DualFX for next fall."It's no longer acceptable to have one level of stretch," said Jean Hegedus, a global marketing director at Invista. "Everybody is looking for a range."Kurabo's version incorporating Lycra DualFX is named S-Cube, which features two-way stretch, weighs about 9 ounces and costs $6 a yard.For customers who want stretch at a lower price, H.W. from Hong Kong offered a cotton and polyester weft that is intimately blended to offer both softness and strength at $3.80 to $4 a yard.In an appeal to designers' increasing consciousness of eco-friendly practices, American Denimatrix promoted the laser treatment done at its Guatemalan factory. Costs start at $12 for a basic pair of jeans and run up to $25 for a style made of premium fabric distressed with laser and repaired with patches. To access this article, click here to subscribe or click here to log in. load comments blog comments powered by Disqus


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Chapter 9 : shady as
|Rating: Mature
|Chapter Reviews: 3
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*shady as
Within hours, the guest list for the Knights reunion show was finalised. All of Hufflepuff House was on the list because, as Dexter the guitarist said, How are we supposed to have a common room concert if we kick out the common room? Hufflepuff being a fairly sizable House, that left very little room for interlopers from out of House. Within a day, tickets to the show became extremely valuable commodities; Cata found about seven fifth-years, two with the surname Weasley, selling shady black market tickets to third- and fourth-years.
Aww, come on, Catalina, one of them said on Wednesday while I was walking her to Divination during break again. I couldnt tell them apart: one was holding textbooks and the other sheaths of tickets. If these kids are stupid enough to think these will get them into the Hufflepuff basements
What dyou mean, the Hufflepuff basements? asked Cata warningly. God, was she frightening when she went into prefect mode.
Huh? asked the ticket-holding one. Nothing at all, nothing at all. What George is saying is that if theyre stupid enough to think these will get them in, they deserve to be punished.
And were sure that prefects such as yourself will catch all of those scoundrels while they wander the halls of Hogwarts in search of what we hear is a floating storm cloud Hufflepuff common room rock concert.
For the first time since shed got on her high horse, Cata glanced at me in what was obviously restrained panic.
I nodded at the unasked question.
She muttered something under her breatheither an expletive or a prayer, wasnt quite sureand then turned to the twins. Rules are rules, she said, all holier-than-thou again. No touting. Hand them over, boys, and give me your list of sales, too.
And the money, I added as they handed over everything else. She forgot to mention that.
The Weasley twins heaved a collective sigh (everything they did was collective) and dug around in their pockets. Cata handed me the tickets and the sheet of parchment with names scribbled in Weasley-hair-coloured ink in Weasley-boy scrawl while she collected their money pouches. Which, I had to admit once theyd shuffled dejectedly away, were much heavier than I expected.
I have a question, said Cata, as she took up her own bag of textbooks and gave me the pouches; she did, after all, still have that joke of a class to go to. How on earth are they going to make a floating storm cloud in the middle of the common room?
That had been the question on everyones lips for the past two days, so I didnt give her any points for originality. The easy part was the floating; Wingardium Leviosa would do the trick. But the storm cloud bit, that was what no one could quite grasp.
No idea, I sighed. But what do you want me to do with all this? And the money?
Cata shrugged. Hand it in to McGonagall, I guess, since shes their Head of House.
At that point, we reached the stairs that led to the North Tower, so I bid her goodbye and then started to make my way all the way back to McGonagalls office to do as she had told me. I always obey Cata when shes up on her prefect high horse; she and Sprout liked conspiring to have wrongdoers manure the greenhouses and other such heinous things.
But since McGonagalls office was miles away, I practically collapsed in exhaustion somewhere on the third floorwhere, incidentally, I found Cedric, dawdling outside of the Charms classroom. Talking to
The girl emerged from her cocoon of fear and ecstasy and started looking around for whoever it was that had said her name. It was Cedricthat dear, observant boywho pointed out that I was sitting down opposite them.
Hi, there, he said. Need a hand? He came up to me to offer his services, but I shook my head, dazzled at his height from that level anddare I admit ithis profile.
Oh, no, Im just resting. I was just at the North Tower and, you know, its a long walk.
Piper followed the object of her unfailing obsession as if he were the pied piper. (I couldnt help myself; my dad bred me on these fairytales). Only when she was next to him once more, but not too close, did she actually meet my gaze. Whats all that?
I told them the story about the Weasley touts and my Cata-given mission. Then I asked Cedric if he was going to try to sleep through the show.
God, no, he laughed. Very pretty laugh, he had; Piper was enraptured. I figure we all need a bit of a pick-me-up right about now, dont we? Classes have started, were out of the Cup. Itll be fun.
Pipers expression screamed I dont know what he said, but what he said.
I expect fun will be an understatement, I said.
Oh, yeah, yeah, definitely. But Ive got to run, Ive got Charms after break and I need to do the reading. He turned a quarter of a turn so that he was looking directly at the utterly out-of-her-league Piper, who drew in a sharp breath when his dreamy chocolate-coloured eyes met hers. So well meet Friday afternoon in the library to
I was very much looking forward to hearing what it was that Cedric wanted to meet her in the library for, but she came to herself quite quickly and interrupted him. Yeah, Ill see you then. Bring your book this time, though.
It was the most articulate Piper had ever been when in direct conversation with him. Realising that made me feel the teensiest bit guilty, as we hadnt discussed the obsession-becoming-reality thing for over a week now, but I was proud that shed made it this far without collapsing into the fetal position and refusing to leave her bed/my quilt.
Great. See you later, then. Corinna, Piper.
Pay attention in class, Cedric! I cried as he turned all the way around. Piper squeaked a practically silent goodbye; to his credit, he threw us back a grin before heading off into Flitwicks classroom.
And when I say us, I mean her. I was an absolute afterthought during this entire exchange. Cedric only talked to me out of courtesy. Because, as I said to Piper after I pulled her down next to me, Dear God, is he in love with you.
She mumbled something ridiculous, like what on earth are you talking about or what do you mean, in love with me. When I asked her to speak up, she said, Do youdo you really think so? The idea seemed almost too much to bear, as she started fidgeting on the floor. Admittedly, she was sitting on the confiscated money pouches, but still, the terror and excitement were in her eyes.
Course I do. A bloke is nice to the girl he fancies as a rule, but hes only nice to her friends if he really fancies her. Trust me, I added, at her look of obvious distress, I spent all night with Oliver and Gemma and didnt want to kill myself. Plus, his eyes were on you the entire time.
She was so distraught that she didnt even make the connection that Oliver genuinely was in love with Gemma. It was all about her, her, her, with him, him, him. But he Corinna, I She was at a loss for words. And I couldnt blame her, either, not when the object of her obsession was coming to fancy her.
Taking pity on the poor girl, who couldnt even begin to remove the pouches from under her bottom, I said, You have anything to do during break? She shook her head in the least dynamic way Ive ever seen. You can tag along, if you want. Give you a chance to recover.
Evidently shed recovered enough to be able to give me a dirty glare. While I hoisted myself up, she glanced around at the touting-related debris. This is the list, is it? She had even grown assertive enough to take up the list, unfold it, and actually skim through the names. I crouched back down and snickered at some of them with herthat Ravenclaw bitch Penelope surprised me, as did the name P. Parkinson, which had a fat little dog drawn next to itbut there was one name that actually caught me off-guard.
That doesnt say M. Flint, does it?
Piper, who was holding the list, peered at the name. Guess so.
The cogs in my head started turning. Marcus Flint hated everything Hufflepuff-related. People, Quidditch, subjects, foods, and most certainly music. There was no way he would pay money (seven sickles, no less) to go into the Hufflepuff common room to listen to his Quidditch rivals play loud, whiny music. Unless
Piper, erase his name from the list. And take out seven sickles from one of the bags. Then go give everything to McGonagall. Ill explain later, just trust me.
I didnt give her a chance to question me. I leapt to my feet and started jogging down the hallway. I had to find Robert, and fast.
I returned to the third-floor corridor some five minutes later, opposite the Charms classroom, because I remembered that Robert had Muggle Studies now. Piper was still sitting where I left her, fiddling with the Weasleys list of buyers. I peered over her shoulder to see that the name was gone, but now she had to shift all the other names around to cover up the space.
Hello up there, she said dryly. Back so soon?
Robert never had forbidden me from keeping it a secret, exactly, so I figured this much would be permissible. Long story short, Rob thinks Gemmas spying on Gryffindor for Flint. Ignoring Pipers slow coming-to-a-realisation, I continued. Ill bet, er, seven sickles that if its true, he bought a ticket so that he can meet her without anyone noticing and she can hand over whatever information she has. So McGonagall cant know that he bought a ticket, because
We want her to give him secret Quidditch information?
We want proof as to whether shes spying for him or not.
Rob approves of this plan?
He will when I tell him.
Does anyone suspect?
God, no.
Well, what can possibly go wrong with this plan?
Thats the fun part.
You dont mean that.
Of course I didnt.
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text: Sea Scout Ship 22 (a co-educational group of Boy Scouts of America) is now forming/planning 2017 spring activities at Lake Lanier and other local lakes. This Ship is open to BOTH young women and men, ages 14 up. For more information, please contact Ship 22 Skipper Nic Rule at 770-403-0913.


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Visual Basic Concepts
Using the Common Dialog Control
The common dialog control provides a standard set of dialog boxes for operations such as opening and saving files, setting print options, and selecting colors and fonts. The control also has the ability to display Help by running the Windows Help engine.
Figure 7.11 The common dialog control
The common dialog control provides an interface between Visual Basic and the procedures in the Microsoft Windows dynamic-link library Commdlg.dll. To create a dialog box using this control, Commdlg.dll must be in your Microsoft Windows \System directory.
You use the common dialog control in your application by adding it to a form and setting its properties. The dialog displayed by the control is determined by the methods of the control. At run time, a dialog box is displayed or the Help engine is executed when the appropriate method is invoked; at design time, the common dialog control is displayed as an icon on a form. This icon can't be sized.
The common dialog control allows you to display these commonly used dialog boxes:
- Open
- Save As
- Color
- Font
To use the common dialog control
- If you haven't already done so, add the common dialog control to the toolbox by selecting Components from the Project menu. Locate and select the control in the Controls tabbed dialog, then click the OK button.
- On the toolbox, click the CommonDialog control and draw it on a form.
When you draw a common dialog control on a form, it automatically resizes itself. Like the timer control, the common dialog control is invisible at run time.
- At run time, use the appropriate method, as listed in the following table, to display the desired dialog.
Method Dialog displayed ShowOpen Open ShowSave Save As ShowColor Color ShowFont Font ShowPrinter ShowHelp Invokes Windows Help


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"You can live a whole, meaningful, successful life without bonking anyone." @mikepilav #profound #Momentum14
"Before you marry a person you should first make them use a computer with slow Internet to see who they really are." Will Ferrell
If ur a student starting back THE most important thing u can do (for urself & the Kingdom) is commit to a local church.
Jobs for today:
1. Love God
2. Love people
'Words can be bullets or seeds' - the power of death or life
Speak life.


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Traveling Luck for Blanche Chapel, Indiana, United States
Where is Blanche Chapel?What's around Blanche Chapel?
Wikipedia near Blanche Chapel
Where to stay near Blanche Chapel
The timezone in Blanche Chapel is America/Iqaluit
Sunrise at 08:34 and Sunset at 18:19. It's Dark
Latitude. 40.6547°, Longitude. -85.2628°
Weather near Blanche Chapel; Report from Fort Wayne, Fort Wayne International Airport, IN 43.3km away
Weather :
Temperature: 4°C / 39°F
Wind: 16.1km/h South/Southwest
Cloud: Few at 25000ft
Weather :
Temperature: 4°C / 39°F
Wind: 16.1km/h South/Southwest
Cloud: Few at 25000ft
Satellite map around Blanche Chapel
Loading map of Blanche Chapel and it's surroudings
Geographic features & Photographs around Blanche Chapel, in Indiana, United States
- canal;
- an artificial watercourse.
- Brown Wolf Ditch (1.1km)
- Markley Ditch (1.7km)
- Moorman Ditch (2.3km)
- Jamison Ditch (2.4km)
- Adams Ditch (3.1km)
- Mounsey Ditch (3.6km)
- Forman Ditch (3.8km)
- Irvin Ditch (3.8km)
- Stites Ditch (3.9km)
- Crosby Ditch (4km)
- Roush Ditch (4.2km)
- Maddux-Showalter Ditch (4.4km)
- Neff Ditch (4.8km)
- Lambert Ditch (5.1km)
- Carnes New Clark Ditch (5.5km)
- Merrima Ditch (6.6km)
- Lee Number Two Ditch (7km)
- Spake Ditch (7.1km)
- Lucky Ditch (8.1km)
- Harrold Ditch (8.7km)
- Beaty Ditch (8.8km)
- Clark Ditch (9.1km)
- Hoover Ditch (10km)
- Wyley Ditch (10.5km)
- Mulligan Ditch (10.5km)
- Mossburg Ditch (10.6km)
- Johns Ditch (10.7km)
- Sharpe Ditch (11.1km)
- populated place;
- a city, town, village, or other agglomeration of buildings where people live and work.
- Greenville (3.7km)
- Poneto (4.2km)
- Wellsburg (4.5km)
- Liberty Center (6.2km)
- Mount Zion (7.3km)
- Travisville (7.5km)
- Keystone (7.9km)
- Buckeye (10.5km)
- Reiffsburg (11.3km)
- cemetery;
- a burial place or ground.
- McFarren Cemetery (3km)
- Grove Cemetery (6.2km)
- Snow Cemetery (6.6km)
- Miller Cemetery (7.4km)
- Stahl Cemetery (10.6km)
- Batson Cemetery (10.7km)
- Wright Cemetery (11km)
- Mossburg Cemetery (11.2km)
- stream;
- a body of running water moving to a lower level in a channel on land.
- Elm Creek (3.6km)
- Snow Drain (4.2km)
- Scuffle Creek (9.8km)
- Shadle Drain (10km)
- Prairie Creek (10.8km)
- Custard Drain (10.8km)
- church;
- a building for public Christian worship.
- South Liberty Church (5.8km)
- Friends Church (7.5km)
- Boehmer Church (8.8km)
- Prairie Church (9km)
Accommodation around Blanche Chapel
- administrative division;
- an administrative division of a country, undifferentiated as to administrative level.
- Liberty, Township of (6km)
- Chester, Township of (6.4km)
- school;
- building(s) where instruction in one or more branches of knowledge takes place.
- Chester Center School (6.2km)
- Popular Grove School (11km)
- airport;
- a place where aircraft regularly land and take off, with runways, navigational aids, and major facilities for the commercial handling of passengers and cargo.
- Local Feature;
- A Nearby feature worthy of being marked on a map..
- Blanche Chapel (0km)
Wikipedia entries close to
Blanche Chapel
- Poneto, Indiana city city o
- Montpelier, Indiana city city o
- Bluffton, Indiana city city o
- Warren, Indiana city city o
- Vera Cruz, Indiana city city o
- Uniondale, Indiana city city o
- Markle, Indiana city city o
- Pennville, Indiana city city o
- Van Buren, Indiana city city o
- Hartford City, Indiana city city o
- Berne, Indiana city city o
- Ossian, Indiana city city o
- Geneva, Indiana city city o
- Mount Etna, Indiana city city o
- Bryant, Indiana city city o
- Upland, Indiana city city o
Airports close to Blanche Chapel
Grissom arb(GUS), Peru, Usa (90.5km)
James m cox dayton international(DAY), Dayton, Usa (147.1km)
Indianapolis international(IND), Indianapolis, Usa (164.5km)
Wright patterson afb(FFO), Dayton, Usa (167km)
Cincinnati muni lunken fld(LUK), Cincinnati, Usa (226.2km)


text: My alter ego Sassy Du Fleur goes on the adventures I can only dream about. Travelling the world finding inspiration for her floral and foliage dresses. She's been to the Maldives to find tropical inspiration and has created these botanical inspired dresses. The botanical leaves are also available on their own, as prints.


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Monet's Water Lillies ironing board cover (reversible).Please click on our ironing board covers range at the top left of screen to view our extensive range.
Availability: In Stock
Ex Tax: AU$49.99
This Victorian Ironing Board cover with the exclusive Polycell Thermal Blanket. Millions of Micro Cells in the Thermal Blanket gives you a perfect ironing finish every time! What makes this Ironing Board Cover Different? This ironing board cover has a beautiful Monet ispired floral design. The thickness of the cover makes ironing a breeze because the heat is absorbed and retained by the super heavy padding to cut your ironing time! Manufactured using industrial elastic making fitting to the ironiong board easier. Fits up to 135cm in length and 50cm in width.
Fits all standard ironing boards. All our Covers are Australia Made!
A variety of ironing board cover designs available. All are machine washable.
Covers available in mini ironing board, standard , kingsize and Robin Hood.
Many more designs available
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