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James Newton Howard on Vertical Limit
An interview with James Newton Howard by Rudy Koppl
Originally published in Soundtrack Magazine Vol.19/No.76/2000
Text reproduced by kind permission of the editor, Luc Van de Ven and Rudy Koppl
On Monday June 26th when I arrived at the Sony Scoring Stage in Culver City, California, the orchestra was rehearsing and just about to record the cue 'Peter Sets Out' – one of many breathtaking moments from the new Sony action adventure film VERTICAL LIMIT. High atop K2 a dramatic scenario was developing, as actor Chris O'Donnell decides to run with all his might and jump off a cliff. Perilously flying through the air, the climber collides into a solid wall of rock as he swings the two pick axes in both of his hands, slamming them into the rock to hold him firmly from falling endlessly to his death. Composer James Newton Howard's score highlights every visual movement throughout the scene. His music had completely merged with director Martin Campbell's new drama. Scoring is one thing, but this became a symbiosis of movement and music in perfect synch. The score precisely articulated one of many high adrenaline filled moments from Howard's purely emotional approach.
Next, 'Avalanche' highlights an avalanche that overtakes the whole situation by flying directly into the face of a climber who turns around to be immediately blown away by its sheer power. This impact is underscored with the orchestral force of a devastating sound, an overwhelming musical moment. These two cues leave you in awe, imagining what other powerful imagery VERTICAL LIMIT has to offer.
As the afternoon progressed, Howard's extended compositions highlighted the high voltage action and exhilarating suspense that VERTICAL LIMIT offers. The film never lets up with one mind-blowing event after another. Then it was time for the last cue, 'It's A Good Song'. Howard's last piece is for a scene where actor Chris O'Donnell and actress Robin Tunney, a brother and sister, share a final emotional moment. A thoughtful look comes over Martin Campbell. The cue was exactly what the director wanted, in fact, with a smile on his face, it appeared to be even more than he expected. Through all the apocalyptic action scoring of the day, a key moment of thoughtful solace emerged. It's this sensitivity to how a film plays out that confirms James Newton Howard as one of the top film score composers in the industry today.
It's been a long road for composer James Newton Howard who's been scoring film after film since the mid-eighties. Currently at a rate of around five films a year, Howard has continued his development as a film composer creating memorable film scores, project after project. MUMFORD, RUNAWAY BRIDE, THE SIXTH SENSE, SNOW FALLING ON CEDARS, and STIR OF ECHOES, were the results of 1999. This year his scores emerge in DINOSAURS, M. Night Shyamalan's film UNBREAKABLE, Sony's VERTICAL LIMIT, P.J. Hogan's UNCONDITIONAL LOVE, and the first sessions to Disney's animated feature, ATLANTIS.
On Friday November the 17th I spoke with Howard as he was scoring the trailer for ATLANTIS.
How did you get the job to score VERTICAL LIMIT?
Martin Campbell called me up and asked me to score his picture. We talked a number of times on the phone before I actually signed on. He was in New Zealand shooting the picture. It was a very difficult shoot; it lasted one hundred and forty days on a glacier on Mount Hood. It was brutal. I would talk to him while he was on location. We actually talked two or three times, not about whether or not he wanted me to do it – he wanted me to score this – but initially there wasn't enough money in the music budget to do the kind of score that I wanted to do. My message to Martin was that "I'd like to do this movie, but I will only do it if they allow me to do a large orchestral action score." Finally they did and we proceeded. We both wanted a balls-to-the-wall big score, and there's only one way to do that, with a lot of bodies.
When starting to score this film, how do you deal with the temp?
The temp doesn't usually bother me. I am very relaxed about it because I'm confident that I'll blow the temp away. I always have! Occasionally there have been a few moments in movies over the years where I have run into a problem. Mostly the problem has been when the movie is temped with my own music, that's the hardest thing. I don't mean to sound arrogant when I say "I know I'll blow the temp away," but it's easy to replace music that wasn't written for a scene. The music can be spectacular music, but if you can't improve upon something that was culled from another movie and laid in there, then there's something wrong. I was quite relaxed about it and felt that the temp in VERTICAL LIMIT, to varying degrees, was hurting the movie, sort of making it melodramatic where it shouldn't be.
What was the key that opened up your ideas when scoring this film?
I had a thematic idea that I was working on because I was signed on to do the movie in December 1999, but I didn't start writing it until March or April. I love doing that because it gives me a month or two to start thinking about thematic ideas, and I knew that this was going to be a thematically driven score.
I was anxious to take this theme and try it in a few spots to see if it worked in the first place. I tried it early on in the first reel, in the scene where the Chris O'Donnell character and his assistant are hiking through the Pakistani mountains. His assistant has an accident and he's airlifted by helicopter to a hospital. It was quite an opportunity, very scenic, very big; it was an opportunity to layout the main theme.
Martin sent me an assembly of the film on VHS from New Zealand. I watched that, so by the time he came back to Los Angeles months later, I had seen his film a couple of times and was quite familiar with it. It's about structure for me. Structure is paramount. I look for a couple of key spots to get this theme working. So I try and usually score a long big scene first that's pivotal to the rest of the score.
On most of your scores you usually create a complete mock up for the director, isn't it more intensive and a lot more work to do this an a huge orchestra score for an action/suspense drama?
Actually I do this for myself mostly. It's a security blanket for me. If I can plug in a demo of the entire score and dub it myself in my studio to a version of the movie, I can just watch the score go by and there's a lot I can learn from that.
The first reason is I do it for myself. The second reason is to create and provide temp score for the preview process, so people don't get addicted to temp scores, which I'm comfortable and relaxed about, but I would just soon avoid it if possible. Yes, it's a huge amount of work.
Some of my sequences for VERTICAL LIMIT have close to two hundred tracks of information, plus tons and tons of other stuff, and lots of doubling to get the sounds big, a lot of percussion. It just has a lot of elements, a lot of layering on this score. My assistant who produces the electronic score, Jim Hill, loads and unloads samplers and also engineers, but I do all the sequencing, playing, and sound design.
My mock up for VERTICAL LIMIT was very labor intensive and exhausting. Here are the options: you can either be exhausted from creating the demo and sequencing and basically orchestrating the movie, or pick up a pencil and spend four weeks sketching, which was mind numbingly difficult and time consuming. So at this stage I would much prefer to do the demo process. I'm very fast at it. It allows me a lot more time to compose and I don't have to sit and be sketching, which I used to do for weeks at a time. How could I sketch this score for weeks at a time when I only have five weeks from inception to completion? It's impossible for me and I'm speaking from my own experience. I'm proud of the fact that I've temped, with my demos, the biggest action scores, as big as anybody's ever done. THE FUGITIVE, VERTICAL LIMIT, and many of my other films have been previewed with my demos in there very, very successfully. That's a lot to ask from a demo because they can often sound cheesy, and mine have from time to time, but I try to avoid it. Though a lot of lay people would have trouble telling the difference, it's night and day for anybody with any kind of an ear, especially when you hear it played with a real orchestra, which I always do.
Would you explain the scoring structure at VERTICAL LIMIT?
There is really only one theme in VERTICAL LIMIT. There was music that has smaller themes or material that I would use consistently for Chris O'Donnell and his sister Robin Tunney. Also, there was a type of sound I would use to represent the mountain, that really had to do with Asian gongs, bells, and some flutes. I tried to do that minimally because I felt it would be mired in cliché every time you saw the mountain and all of a sudden it would sound like a travelogue. That to me is a trap, so I wanted to use just a bit of the exotic flutes or bells every now and then for a little spice, but essentially I played it pretty straight. Then from my theme the score branched out into many variations. The actual architecture of the score is what occurs in this process, I call it the connective tissues. Whatever connects pieces of a theme to other pieces of themes, they become memorable bits and pieces barely fully developed and then I start to specifically assign them to certain characters and that kind of thing.
Do you approach scoring an action film differently?
It's completely different. Quite honestly, action scores have become harder and harder for me. I've become better and better at them, but they've become more difficult because they're almost like a physical or athletic event for me. It's a lot of work. It has to happen very quickly usually, they're tough. The process is one of great fortitude, discipline, and working on loud ruckus music when your soul is speaking to you about something soft and poetic. You just have to go in and do it every day and it's very hard. It's not always the kind of music I want to be writing on any given day. That's part of the job here; you have to ignore your spirit on some level and just charge ahead and write what is required by your particular predicament.
So you'd rather score romantic comedy?
No, scoring romantic comedy is my least favorite! I think scoring action movies is probably like the decathlon. It really in some ways presents the greatest musical opportunities and the music is more complex. Consequently I tend to be quite gratified by the end result a lot of times. I have to mentally and psychically prepare for it for a longer period of time.
It sounds like each action film you're scoring is getting more intense and you're having to keep up with it.
I've got them paced out now so I've got some intense and then less intense, I have a nice calm spell up ahead.
When you worked with Martin, how did he communicate with you to get the score he needed?
He was very positive, right off the bat, about most of the material I played for him. We had very little contentiousness on the music as a whole. There were a few scenes he had differences of opinion on; he was very clear about what he needed for his film. He would say, "I don't think you're highlighting this in the way I wanted, when I wanted to hear it with more of a surprise or shock," or "This needs more energy" or "I really wanted this to be romantic, I don't think you're addressing that." That kind of thing. He was very specific. We communicated very well together.
Scoring tor action films takes a whole different approach, but still your strong thematic work was important here. How did you balance these two techniques, scoring high intensify action and writing thematically?
Sometimes they are one both the same. My theme can be used in a very action oriented way. When there's less urgency, perhaps that is a time when a theme is more appropriate. Where there's a narrative point where something horrible is about ready to happen or has just happened and you're either scoring the response to something or the anticipation of something, then you're more specific. When there's a neutrality of tone or a time passing sequence, then it's more thematically oriented. There are no hard and fast rules to this because a lot of this is intuitive and you don't really know, you just go with what feels right.
Did you find the contrast of on the edge action scaring combined with scaring for an emotional bond between a brother and a sister to be a satisfying dynamic?
Yes. It all directly deals with the drama on I the screen, you're being action specific. To me usually it's obvious when I have to approach it actively or when it's going to be sparse and slow. Sometimes you're blurring the line a little bit and try to energize scenes that on the surface seem slow, but they accept pretty high energy music and everyone's happier because the pace of the film is quickened. Sometimes that can have the opposite effect though. Oftentimes people will play music that has a fast tempo into a slow scene and it has the unfortunate effect of actually making scene seem longer. You react emotionally to the film and what's appropriate; it's not so much an intellectual process.
Martin pointed out that on one hand you've got these huge action sequences, but on the other hand you have these very quiet intimate scenes, and the music contrasts this beautifully.
A composer has to be able to do that. You just can't go in there heavy-handed. Some composers can't do it. They are writing interesting, loud music, but when they get into some close intimate theme, it gets embarrassingly bad. I feel confident that I can handle both genres comfortably in the same movie and I like the dynamic that is created as a result of that.
When you're scoring intense action dramas, one of the greatest challenges for the composer is overcoming or scoring with the sound effects in mind. How did you deal with that?
With the same tried-and-true methods. Somebody once said that composers have the edge sonically and I think that's really true. You have to know that in a big action sequence a lot of the detail is going to be wiped out – you're really going to be left with hearing the edges, meaning the highest and the lowest frequencies. You try and orchestrate it carefully so that a lot of brass, the trumpets or the higher winds are carrying more thematic material. You've really got to be careful about detailed percussion stuff. I try to keep the percussion very much in the lower frequencies so it's something you can feel as opposed to really hear. It's a kind of pulse you can feel in your sternum. That seemed to work very well.
How much of your score was electronic?
I used a very little amount of electronics here because my score was mostly orchestral. I created electronic percussion tracks which I then overdubbed live musicians to. I kept some of the electronic percussion in the score. There's probably synthesizer in ten cues here, just to enhance the richness of the piece or the low end to make it richer or a little more ominous.
Do you ever use your electronics to help you cut through some of the sound design or Foley?
Yes, sometimes I would take sampled orchestral hits and double my orchestra hits and sample marcato strings from my library and double the orchestral marcato strings because people always expect the strings to be louder than they are.
What did you learn from Martin Campbell by scoring his film?
He gave me a great musical opportunity and a lot of support. I really was given the chance to expand my knowledge of the orchestra, which is what I'm always trying to do. I find that to be the most interesting part of the process. Martin gave me a great deal of trust and that's when I perform the best.
How does it feel to be scoring five films in a year?
I really enjoy it. I've got four films ahead of me and then I'll take a month off. Then I've got another film in March of 2002, so that's a year and a half of work.
Martin Campbell and James Newton Howard (Photo Rudi Koppl)
When the orchestra plays their first notes, signifying the beginning of days of work, the joy for director Martin Campbell has begun. "The scoring sessions are the most satisfying, enjoyable time in movie making for me."
Campbell is modest and quite humble, but he's always looking for that new challenge in filmmaking. He turned down at least three motion pictures just to get the opportunity to direct VERTICAL LIMIT. "I was involved with THIRTEEN DAYS at one point which I dropped out of, and QUILLER, a secret agent story with a good script that I'd developed, but I felt I'd done it before with Bond."
When I found out he was in the director's chair for CRIMINAL LAW, NO ESCAPE, GOLDENEYE, and THE MASK OF ZORRO, it threw me off guard. He's as personal as some of the first time directors surfacing in the business and has worked with some great scoring talents – Jerry Goldsmith, Graeme Revell, and James Horner being just a few of his collaborations.
Through his myriad of scheduled interviews, Martin took time out to discuss his outlook on the music in his new film and the man who overwhelmed him when realizing it, composer James Newton Howard.
How did you get involved in directing VERTICAL LIMIT?
I had just finished THE MASK OF ZORRO and I was looking for another project. I had something like four movies to decide on and VERTICAL LIMIT stood out among the rest. One, it was different from all the other films because it was up a mountain and it was physically very challenging. On the face of it, it seems almost impossible to make. The other movies I was offered, they were all kind of city-based. One was in Los Angeles, another was in New York, and another was a secret agent story, and so on and so forth.
The truth about VERTICAL LIMIT was that it was something that I'd never done before. To be honest, it had a lot of elements that I disliked. For example I get terrible vertigo, secondly, mountain climbing is not my thing, and also helicopters are not my thing. So all of those three things plus the story taking place on the toughest or second highest mountain in the world, was the reason I did it.
After you finished the film, did you get over your vertigo?
You know what happened? You don't realize it actually, but by the end of the film you're suddenly doing things that you would never have done at the beginning of the movie. Vertigo is something that once you get used to it, it starts to diminish. You find yourself doing things without even thinking about it, whereas at the beginning of the film I would have never done these things. Hanging off cliffs and all that stuff! You never conquer your fears, but while I was doing it I certainly went a long way to conquering them. By the end of the movie I was very happy in helicopters and I'd lost a lot of my fear of heights. It made a big difference by the end of the film.
What did you want the score to do for your film?
I wanted the score to elevate the movie. Given the scenery that we had, the mountain that we had, the epic adventure, and also the action. We have some very hair-raising scenes in the film and we also have some very emotional moments in the film, so the range and style of music was tremendously varied. We have very intimate scenes between the brother and sister, Chris O'Donnell and Robin Tunney, and on the other had we have a helicopter being blown to hell on the side of a cliff with everyone trying to get out, while the turbulence is throwing it all over the place. Musically it was a hell of a challenge for James and it came out magnificently.
Why did you hire James Newton Howard to score your picture?
First of all, I love his themes. He's a great theme man and he's done some beautiful work for us on this, but also he has the ability to score action. Being the professional he is, a man of his experience, when for example you've got a helicopter scene or a big action scene, like an avalanche happening, you have to work it out in order to get the music through all those sound effects. You have to be really talented to do that, the choice of instruments, how it will cut through all the effects, how it will drive the scene; to be able to do that and to also be able to give a very beautiful, haunting theme to the more emotional elements of the story, this is exactly why I hired James.
How did you communicate what type of score you wanted for your film?
I'm not great on music. What I do is to sit down with the composer and the film, we just go through it. I run the movie and I talk to him what the scene is about. What I think the scene needs. I let him translate that into music. I rely on the composer to give me a lot of help because I'm not music savvy, I need them to give me their input. That's what I do, I just go through the film, we talk about it, we spot it, but then I always leave the entrance and exit points of the music open. James often would alter them and actually make them much better. I also talk to the composer on what the themes are about. In some of the action scenes I would talk to James about how I wanted to mix the movie. In other words, if it was very effect heavy, then we would have to design the music around that, the way in which the music drives the scene forward. That's the way I would communicate with James. He's such a talent and a professional, so he would pick up on it. It was terrific when he recorded it, it's always so much better. He surprised me, it was absolutely wonderful, a thrill!
What did you temp your film with?
We temped it with everything. First of all I hire a guy to do the temp. I did this on THE MASK OF ZORRO, I would go through the same process and he would sit there – he has his own workshop – so he sits there with five to six hundred soundtracks and finds music to use in the rough edits of the film. Basically the temp is almost a score within itself. I hire this guy; we talk about it, and experiment. When the film is shown to the executives, they pretty much get a full temp score with the film.
How do you want the composer to deal with this?
What I say, specifically in James's case, is, "Do you want to listen to the temp score or not?" In fact he did, I guess to get more of an idea of what might work or what might not work. James was basically very relaxed about it.
What did you find unique about James?
Apart from his extraordinary talent, his professionalism, he's just so on the nail about everything. The way he played mocks up for me, so I could listen to the themes. The efficiency with which all the music was recorded and the surprise of hearing his score. I'm thinking, "That's really good, that's really lovely." All of those things.
What was your experience like when working with him on the scoring stage?
Extraordinarily professional! By that you see that everyone likes him. He's one of those guys that gets on very well with everyone. Very efficient, and a perfectionist, he wants it to be absolutely perfect. Because he's a musician himself, he understands and connects with the orchestra. How they hear these things I don't know, but he can hear a certain way in which a cue is played. I'm in awe of these people.
Were there any particularly memorable moments when working with James Newton Howard?
Just about all of them (laughter). I can tell you, the whole bloody exercise was memorable. There's nothing particular because it was all memorable. There's always this thing with interviews where, after the film is made, you say this was great or that was great, and sometimes it wasn't bloody great. As directors, we tend to make sure that we're politically correct and say everybody was wonderful. I'm not someone like that.
Thanks goes out to Ronni Chasen and Jeff Sanderson of Chasen & Company, Pete Anthony, Brad Dechter, Jeff Atmajian, Amy Lescoe and Jack Newafu (Assistants to Martin Campbell, Director, Writer, Producer Martin Campbell, and especially to composer James Newton Howard
Composer: James Newton Howard
Conductor: Pete Anthony / Artie Kane (June 21st only)
Where: Scorinq Stage at Sony Studios – Culver City, California
When: 21, 22, 23, 26, 27, and 28, 2000
Orchestrators: Brad Dechter, Jeff Atmajian
Additional Orchestrations: by Frank Bennett, Jon Kull, and Pete Anthony
Orchestra: 101 players
Engineer: Shawn Murphy
Keyboard Players: Ralph Grierson, Mike Lang
Electronics: James Newton Howard, assisted by Jim Hill
Composing Time: Approximately 6 Weeks
Length of Score: 88 minutes
Contractor: Sanely DeCrescent


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- E. C. Bashaw and
- K. W. Hignight
Opportunities for gene manipulation are often limited in apomictic species, and conventional breeding methods may be totally ineffective. Lack of good sexual germplasm led us to investigate improvement of apomictic buffelgrass (Cenchrus ciliaris L.) through fertilization of an unreduced egg (2n+n), using an apomict as the female parent. The primary objective of this research was to determine the potential for gene transfer in buffelgrass through 2n+n hybridization. When an apomictic pentaploid accession with an alien genome (2n=5x=45) was crossed with tetraploid apomictic birdwoodgrass (C. setigerus Vahl, 2n=4x=36), 1.3% of 950 progeny resulted from the fertilization of an unreduced egg (BIII hybrids) and had 2n = 7x=63 chromosomes. Origin of these hybrids from the union of 2n and n gametes was confirmed by the presence of the alien genome from the female parent and diagnostic morphological characteristics of the male parent. Hybrids were all obligate apomicts and most were relatively high in seed set compared to the parents. The results demonstrated an effective method for gene transfer in some apomictic species. Complete emasculation was considered essential for maximum hybridization.Please view the pdf by using the Full Text (PDF) link under 'View' to the left.
Copyright © 1990.

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What is ocean acidification?
The ocean absorbs about 25% of atmospheric CO2 derived from burning fossil fuels and land use change. When CO2 dissolves in sea water it forms carbonic acid. As we are emitting increasing amounts CO2 into the atmosphere, the ocean is also absorbing increasing amounts. This is altering the system's ability to adjust to changes in CO2 that naturally occur over the millennia, significantly changing the chemistry of the seas, and leading to progressive acidification.
Since the beginning of the industrial revolution 250 years ago, sea water acidity has increased by 30%. It should be noted that increasing sea water acidity lowers the ocean's natural 'basic' or 'alkaline' status and unnaturally forces the acid-base balance of sea water towards acid. If this accelerates for the next four decades as projected, the increase in ocean acidity will be greater than anything experienced in the past 55 million years. Future projections show that by 2060, seawater acidity could have increased by 120%. To the best of our knowledge, the current rate of change is many times faster than anything previously experienced in the last 55 million years.
How is ocean acidification different from climate change?
Climate change is the consequence of the release of greenhouse gases causing the Earth to absorb more of the sun's energy, whereas ocean acidification is caused solely by increased levels of atmospheric CO2 dissolving into the ocean. Whilst there remains a degree of uncertainty about the impacts that will arise as a result of climate change, the chemical changes that are occurring in the ocean are certain and predictable. The process of CO2 dissolving in sea water to form carbonic acid is largely independent of climate change, although increasing sea water temperature reduces the solubility of CO2 and therefore very slightly mitigates ocean acidification. Reducing the concentrations of other greenhouse gases will have no effect on ocean acidification. Geoengineering techniques which aim at decreasing the amount of solar radiation reaching the Earth's surface, for example by sulphate particles in the upper atmosphere to generate more clouds, will have no impact on atmospheric CO2 and will not help to alleviate ocean acidification.
Why is it important?
Many of the animals and plants in the ocean have calcium carbonate skeletons or shells. Some of them such as the microscopic plankton at the base of the food chain, the shellfish and molluscs used day-to-day in our diets, and even encrusting plants that cement the coral reefs together, secrete a form of calcium carbonate (aragonite) that will readily dissolve in some areas should the seas continue to become more acidic. A trend towards more acidic conditions will therefore reduce such species' ability to make their shells. We have taken such plants and animals for granted up to now, but ocean acidification may threaten their very existence.
The ocean not only provides us with food but it indirectly supports us in many other ways; the air we breathe largely depends on a healthy ocean for its production of oxygen, and the productive surface layers of the seas stimulate clouds that help to shade the planet. The ocean provides about half of the Earth's productivity and humankind takes direct advantage of this through our fisheries and shellfisheries. Ocean acidification is taking us along an uncharted voyage and we only have a few hints about how many of these essential processes will be impacted.
Economic impacts?
The economic impacts of ocean acidification are largely unknown at this stage due to the numerous uncertainties about the response of organisms and ecosystems. Since 2005, there has been progressive decline in the $111 million/yr oyster industry in the US Pacific North-west region as year-after-year oyster larvae have failed to survive. Scientists suspect that the high acidity sea water that rises from deep in the Pacific Ocean is getting pumped into hatcheries – and it may be corrosive enough to kill oyster larvae. Molluscs alone accounted for $748 million (19%) of 2007 US domestic ex-vessel revenues. Fishery losses due to ocean acidification would drive job losses in affiliated industries through economic linkages that are currently difficult to quantify. It is clear, however, that secondary economic losses following decreased fishery harvests would be concentrated in specific regions, many of which have less economic resilience for enduring losses of fishing revenues.
What can we do about it?
Now is the time to act on ocean acidification and the target for action must be to reduce the rapid increase in atmospheric CO2 and limit future levels. Today the impacts remain relatively minor, but the rate of change is accelerating. Furthermore, there is a lag between CO2 emissions and an equilibrium state. Assuming we manage to reduce rather than (implausibly) halt CO2 emissions, acidity in the ocean will increase for many years. This property of the system puts a premium on early emissions cuts and a penalty on delaying making significant cuts in emissions. So whilst both acidification and climate change will impact our lives, the former adds considerable weight to the argument to make immediate and significant cuts in CO2 emissions.


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Yes... I do... it took me a while before I did ... but they are three entities and yet they are one... why is it so hard to wrap our minds around this... only God can make us to understand it... we see a caterpillar become a butterfly and take it for granted and yet some don't believe the God that created this whole process can transform and by multi-personaged
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The biblical God is the fabrication of Man, not mankind to control people. The biblical God didn't created Adam and Eve equally. And that is because, it was Men that wrote the bibles. Just as it was Men that wrote the US Constitution, and once again, women were not equal to men. They didn't get the right to vote, and it took a constitutional amendment to get that vote, in 1920. While black men got their amendment in 1868.
No one has seen God, not even in the biblical stories.
Does a God act like a human? That is exactly what he did by putting his failure to teach his creations, Adam and Eve. Then he blames them for his failure to protect them as a Creator. And who puts the devil in Paradise.
Then he puts the "sin" of Adam and Eve on the entire human population. That is something Hitler like.
Even his angels in heaven couldn't bear him, and one third of them left. How good could heave be when angels leave.
He apparently created Evil, and evil is the default mode of all humans in history. Since recorded history people have been evil and committed evil acts, and they have not changed before AD, during Jesus, and since then.
Today, humans are the same evil people from the past.
The bibles were not written contemporaneous with the events depicted in them. They contained information that was available to them at the time.
Over a 100 billion people have been born, and yet the biblical God is still waiting to see how the experiment is working out. Guess what, it failed.
It failed when Cain killed Abel.
This is not compassion, but persistence not to acknowledge failure, another human trait.
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Police can now release the name of the man who died following a crash on Taylorville Road near Greymouth on Thursday 13 April 2017.
He was 64-year-old Kenneth Naismith Buchanan of Greymouth.
Police's thoughts are with his family and friends at this time.


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"Forget" your troubles on the Forgotten Coast of Cape San Blas in one of our Florida vacation homes.
Set apart by its white sugary sands, and some of the most dog-friendly beaches in the nation, the "Forgotten Coast" of the Florida Panhandle is a blissful escape and a favorite Florida vacation spot. Cape San Blas brings to life a rich history in sea exploration and discovery - the spirit of which lives in the endless opportunity to experience the tall sand dunes, gentle blue-green waters, and abundant wildlife that permeate this secluded beach town. Looking for the best Florida vacation rental? Let us help make your next stay in Cape San Blas the best yet.
- View Retreats
- Activities & Experiences
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Region of Alburquerque rentals, holiday lettings direct from the owners
A good holiday plan to share with family or friends? Destination Region of Alburquerque for holiday letting with IHA, the private letting expert. Enjoy the cheapest accommodation, promotions and last minute in Region of Alburquerque. Book your house, villa, flat and studio letting in Region of Alburquerque direct by owners without fees nor commissions. Take the time of a holiday and enjoy an unforgettable stay in Region of Alburquerque with holiday letting, either short term or seasonal rental. All ads are verified, travel with confidence, your holidays in Region of Alburquerque are here!
£627* Month
book direct with the owners
2 weeks£358*
from £22/Night*
See the rates
Up to-48%
Depending on the season
88 requests already received
Advert 19343
Display the map
FINCA LA TOJERA Charming Country House 700 Sq.ft. in a charming property. unobscured, country side, swimming pool, garden/park viewHouse Rental in La Codosera #19343 >Swimming poolParkingPlaypen
Interior facilities
- 1 Bathroom
- Sitting room 270 Sq.ft.
- American style kitchen
- Dining area
- Tv room
- Pantry
- Countryside holidays
- Ideal for all age groups and large families
- Children welcome
- Setting : Peaceful, Country setting
- River at 330'
- Horse riding, Fishing
View the advert


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Center for Computer Research in Music and Acoustics
Upcoming Events
James A. (Andy) Moorer: The Future of Technology - Looking Forward by Looking Back
Séverine Ballon: Works for Cello and Multichannel Electronics
Weighing acoustic factors in music and language during development
Who: Christina M. Vanden Bosch der Nederlanden
What: Weighing acoustic factors in music and language during development
When: 10:30AM on Friday December 1, 2017
Where: CCRMA Seminar Room, top floor of the Knoll at Stanford
Why: How do we learn the meaning (or not) of sounds??
CCRMA's Online Classes
Chris Chafe "ONLINE JAMMING AND CONCERT TECHNOLOGY"
Perry Cook and Julius Smith "PHYSICS-BASED SOUND SYNTHESIS FOR GAMES AND INTERACTIVE SYSTEMS"
Jay LeBoeuf "CAREERS IN MEDIA TECHNOLOGY"
Xavier Serra and Julius Smith "AUDIO SIGNAL PROCESSING FOR MUSIC APPLICATIONS"
Matt Wright (with David Zicarelli) "PROGRAMMING MAX: STRUCTURING INTERACTIVE SOFTWARE FOR DIGITAL ARTS"
Recent Events
Karya, a new sequencer, notation, and language
Abstract: Karya is a music sequencer. Its main goal is to let you write a high level score which is then realized to expressive and idiomatic instrumental parts, primarily for computer realization. It uses its own score format. One way to look at it is a 2D language for expressing music along with an editor for that language. The score language has a built-in library of notation and has basic means for defining new notation, but more complicated notation is defined in Haskell. The idea is to have a standard library, but also be able to define notation specific to your score. The editor is graphical but also uses a Haskell REPL for configuration, automation, and extension.
Demixing and Remixing Music with Deep Learning
Jan Skoglund on Objective Quality Assessment for Immersive Audio
- 1 of 3
- ››
Recent News
Oakum - Eoin Callery
Released from behind the mixing console CCRMA's Concert Coordinator Eoin Callery has been set free to make an old-timey CD for Bay Area Label Eh? Records. Enjoy some amplified violin bow, guitar, and lots of Supercollider controlled feedback, all available on a small shiny disc and in a new fangled digital Bandcamp form.
Jonathan Berger Première
"Classical musicians face enormous expectations when they play a standard repertory work. Listeners have strong feelings about favorite pieces, even when they are open to fresh interpretive approaches.
The stakes are even higher with a premiere. Performing a new piece becomes an act of advocacy to pull an audience in.
Mystery of 101-year-old master pianist who has dementia
From the article: At first glance, she was elderly and delicate – a woman in her 90s with a declining memory. But then she sat down at the piano to play. "Everybody in the room was totally startled," says Eleanor Selfridge-Field, who researches music and symbols at Stanford University. "She looked so frail. Once she sat down at the piano, she just wasn't frail at all. She was full of verve." Read more here...
- 1 of 15
- ››


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Fested: A Journey To Fest 7 Trailer (2010)
"Thousands of friends. 270 Bands. 12 Venues. One weekend." 05 September 2010 100 mins
FESTED: A Journey To Fest 7 is a documentary film about a group of friends' experience at the yearly punk music festival held in Gainesville, Florida simply called The Fest. It was filmed over two weeks spent in Gainesville around Fest 7 in 2008. The film follows Gainesville's SPANISH GAMBLE (formerly DIRTY MONEY) and friends on their quest to play and experience the epic weekend-long festival that has been called things like "punk rock christmas", "a big, drunk, punk rock, bearded, tattooed family reunion", and "the last true home of punk rock".
Watch the official Fested: A Journey To Fest 7 2010 trailer in HD below or find more Fested: A Journey To Fest 7 videos on Vidimovie.


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The Senate Committee on Communications has directed the Nigerian Communications Commission to hasten the payment of the N1.17bn fine it imposed on telecoms operators for poor quality services being rendered to subscribers.
This is as the commission has proposed an expenditure of N2.2bn to monitor the quality of services being provided by the firms this year.
Appearing before the committee on Wednesday to defend its 2012 budget, NCC sought the approval of the Senate for an expenditure profile of N48.8bn during the fiscal year.
But the committee expressed worries that it took the commission so long to punish the telecoms operators, whose quality of service had continued to dwindle over time to the displeasure of subscribers, who had recorded serious losses.
The Chairman of the committee, Senator Gilbert Nnaji, said NCC must ensure that the fines imposed for poor quality of services were paid by the operators.
"There is no doubt today that in spite of the various issues going on in our nation's telecoms sector, the issue of worsening quality of service, for instance, has become so endemic that one begins to have the impression that both the regulator and the operators have lost control," he said.
Nnaji also raised questions on the returns on investment in telecoms infrastructure, such as the State Accelerated Broadband Initiative and the Wire Nigeria Project enabled by budgeted funds to enhance the quality of service.
"However, the sorry state of the prevailing telecoms quality of service leaves no one in doubt that these projects seem not to be yielding desired results," he said.
Nnaji noted that the Senate had mandated the committee to carry out an investigation into the quality of service following perennial problems with the GSM networks.
He said it took a resolution of the Senate on the state of services being provided by the operators to awaken NCC to its responsibility and impose fines on errant operators.
Responding to questions raised by the committee, the Executive Vice Chairman, NCC, Dr. Eugene Juwa, said sanctions were not imposed before now because of the non-availability of an enabling regulation.
He said, "We could not sanction them in December because we did not have the regulation to do that. The regulation we are using to sanction them was just gazetted towards the end of February. If you sanction the service providers, they will take you to court and the action will become null and void.
"So, we are on a very solid ground to sanction them now and we are now waiting for them to pay us. They have written to us asking for a meeting, but the sanction still stays."
Details of the commission's budget showed that its capital and special projects would gulp N17.9bn, while N13.9bn was earmarked for other internal expenditures.
The commission also intends to spend N7.1bn on its emergency communications centre, while N4.3m will go to the school support scheme.
NCC projects that it will generate an estimated N6.5bn for the Federal Government from spectrum fees and other charges.
Source: Naija.ng


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Location: Crenshaw High School, Los Angeles, CA 90058
Time to get ready for this upcoming Summer 2017 Crenshaw Rams football season! Get registered today and save big!
This year's early bird sign-up fee is only $150. The fee includes:
This pricing is available from March 7th - April 7th! To register your child now click here
Professional team that aims to respect your child's feelings, to give them responsibility,
independence and freedom to make choices.
Crenshaw High School, Los Angeles, CA 90058
Committed to changing the lives of the youth in our communities
©2017 Developing Options


text:
- When will my package be shipped?
Ordered (& paid) between Monday 22.00 and Wednesday 22.00--> shipped on Thursday.
Ordered (& paid) between Wednesday 22.00 and Friday 22.00--> shipped on Monday.
Ordered (& paid) between Friday 22.00 and Monday 22.00--> shipped Tuesday.
- How long does it generally take for a package to arrive?
The Netherlands - 1-2 days after shipping.
Europe - 5-7 days after shipping.
World - 7-14 days after shipping.
- Can I track my package?
Packages of 40 euros or above or packages that will not fit through a mailbox can be tracked. If you want to receive a trackingnumber please let us know (non-dutch customers will automically get a trackingcode) If you are Dutch and also want to receive a trackingnumber please let us know when you order.
Please note: Packaging is done with our own boxes and/or envelopes. We take exceptional care with your package to make sure your item(s) will not get damaged during shipping. We have over seven years of experience in shipping game-related items, so buy with confidence.
- Do you ship worldwide?
Yes. we do. Your country can be selected in the check-out system.
- What are the shipping costs to my country?
Shipping costs depend of the size, weight and value of the item(s). After you have selected what you want to buy and go to the checkout, select your country and you will see what the total amount will be.
- Do you accept returns ?
We accept returns within 14 days, but before returning please be sure to contact us via email:
We will then go over the procedure with you.
- Do you offer warranty?
Yes, we do. We offer 1 month of guarantee on all our products!
- Can I come and pick up my order?
Yes, you can. Be advised that we do require you to make an appointment to do so. Appointments can only be made for specific times.
- Where is your store located?
We do not have an actual store as such, but we operate from Spijkenisse (The Netherlands). If you intend to come and pick up your order (after you have made an appointment), this is the location that you will need to go to.
- What are the payment options?
You can use:
- Ideal
- Bank transfer (IBAN)
All payment options require no additional costs! Please not that Ideal is only available for customers from The Netherlands.
-What does Boxed / CIB / Complete / Unboxed mean?
Complete or 'CIB' means that the game comes with the original box and the original manual. If the game / console is not CIB, this means it is just the game / console and nothing else.
- What do you mean by 'condition'?
Because collectors wish to know which condition the box and manual are in, especially cardboard game cases, we try to help out by giving our assessment of the condition of the game, box and manual. The range goes from 1 to 10 - where 10.0 is new / mint and 1.0 is totally messed up) Our advice is simply this – take a close look at all three pictures, because these show the actual item.
RetroGameFreak - Theemsweg 39 - 3201 LT (geen winkel / No shop)
Shopping cart
08-11-2017 - Gba spel besteld, heel en na 2 dagen binnen, fantastisch! read more
26-10-2017 - Hallo RetroGameFreak, vandaag de eerste bestelling binnengekomen. Mooie Sega Megadrive... read more
06-10-2017 - The best onilne store. Thank you read more


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Powershop Pty Ltd (ABN 41 154 914 075) has applied for a licence under the Gas Industry Act 2001 to sell gas in Victoria.
The Commission may grant or refuse to grant an application for a licence for any reason it considers appropriate having regard to the Commission's objectives under the Gas Industry Act 2001 and the Essential Services Commission Act 2001. The Commission must be satisfied of the financial viability and technical capacity of the applicant.
A copy of the application and the Commission's objectives are available on this site.
Please address public submissions regarding the application to Essential Services Commission, Level 37, 2 Lonsdale Street, Melbourne, 3000, or to firstname.lastname@example.com, by 5 pm, Friday 18 November 2016. Submissions must be relevant to the Commission's objectives under both Acts and may be published on the Commission's website.
Associated Documents


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TYLER (KYTX) - It may look cute and cuddly, but Texas Parks and Wildlife is urging you to not take Bambi home this summer.
There are three basic reasons. One, because they carry diseases transmittable to humans. Two, they can hurt you and you're family. And three, wild animals can destroy your home.
Those with Texas Parks and Wildlife say they're called wild animals for a reason, and that's where they should stay.
21-year-old Seth Fuller says he's seen it all where he lives.
"Deer, bobcats, fox, hogs- everything- coons... A bunch of little rascals everywhere."
He says he's never taken them in.
"They belong in the wild."
But, he has friends who've brought fawns into their homes as pets.
"It's not a good idea. And two, it's illegal." says David Sierra with Texas Parks and Wildlife.
He says this is a major problem during the summer.
"Their idea of play may be too rough or they may consider you competition once they get mature, and can actually cause serious harm, or even death."
He says more people are killed by deer every year than snakes.
"Kind of a sad statistic, but they are large, powerful animals, when you get down to it."
Sierra says don't think you're doing these animals any favors by feeding them. In fact, what that can actually do is increase the risk of car accidents involving wildlife.
"They start showing up in daytime. And, that's when a lot of people are traveling. And then, you get a deer/vehicle collision, and that can be very traumatic."
Fuller plays it safe with the animals in his home.
"What I would do is stick to the normal pets- cats, dogs."
Sierra agrees.
"They are genetically programmed to love you and be around you."
He can't say the same about wildlife.
If you see a fawn or other baby animal in the wild, there's a good chance it's not lost or orphaned. If it's hurt or if the mother has not come to check on it in a few days, call Texas Parks and Wildlife to come pick it up.


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Le Café de Mars
In his lively bistro located just behind rue Saint-Dom', Pierre Marfaing, the captain of the corkscrew behind the bar, proudly introduces you to his chef Gina, an autodidact from California. Running the kitchen since 2012, she cooks up fresh and colorful market cuisine, and her pretty lunchtime appetizer-main-dessert set menu (€25) draws in big crowds. The other day: roasted eggplant, pomegranate and zaatar (borrowed from Yotam Ottolenghi) or beef carpaccio with arugula and Mimolette for the appetizers; delicious scorpionfish ragout with snow peas, pear and ginger, or stunning roasted Oaxacan pork with patty pan squash and avocado; and for dessert, a goat cheese cake with blueberries for the American touch, or a traditional homemade chocolate cake, even better with a roasted Coutume coffee (€3). To drink, clever and worldly wines: biodynamic Vinho Verde from ViniBio (€5 a glass), Coteaux-du-Languedoc from the Domaine de la Font des Ormes (€28 a bottle)…. Set menus €22-25 (lunch), à la carte €36-44. // S.L.


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Rebecca-Jane Leather Sewing School
2 Day Course - Leather and components materials package
Location, Timetable & Booking Procedure
New timetable just added - all dates for 2017!
The timetable is open for you to choose whichever combination of dates that suit you for your course. We know life can be busy so you don't have to attend consecutive days necessarily you can pick and choose a selection of dates that suit you. You might be in a class when others are making handbags, leather belts or pattern cutting, its a great chance to see how other products are produced and assembled.
The classes are very small only 2-5 students per class so there is plenty of one to one tuition.
Lunch & Refreshments:
Tea (&herbal tea) and coffee and biscuits are is provided but please bring your own drinking water.
There are a few shops, cafes and a pub in 5-10 minutes walk from the studio if you would like to buy lunch or please feel free to bring a packed lunch. We have 1/2 hour lunch break from 12.30pm-1pm.
Once you have chosen which dates you would like to attend, please book your place via the courses page. During the checkout process there will be a small box to write the date(s) you would like to attend:
This is the "materials package" for the Two Day Leather Bag Making Course. For those students who would like to use our leather, materials and components . This is for those students who would like to use our leather, materials and components. We understand that it can be quite overwhelming all the choice that you have at the leather and component companies so we offer a service to provide all of them for you. The availability is in Black or Brown leather with brass or antique brass component leather. If you have any questions please feel free to email me anytime. email@example.com
Cost includes
* Leather
* Lining
* Zips
* Rivets
* Buckles
* Threads
* D-rings
* Fusing
* Magnets


text:
1300 36 33 32
Win a $500 Gift Voucher for Christmas | Great Gifts in the Boomerang Books 2017 Christmas Catalogue
Buy In Other Words by Ellen Bialystok from Australia's Online Independent Bookstore, Boomerang Books.
Book Details
(December 1994)
» Have you read this book? We'd like to know what you think about it - write a review about In Other Words book by Ellen Bialystok and you'll earn 50c in Boomerang Bucks loyalty dollars (you must be a Boomerang Books Account Holder - it's free to sign up and there are great benefits!)
Write Review
Ellen Bialystok is professor of psychology at York University in Toronto and the author of three books, including Communicaiton Strategies and Language Processing in Bilingual Children.Kenji Hakuta is professor of education and linguistics at Stanford University and the author of The Mirror of Language.
Phone: 1300 36 33 32
(10am-5pm Mon-Fri AEST)
+61 2 9960 7998
© 2003-2017. All Rights Reserved. Eclipse Commerce Pty Ltd - ACN: 122 110 687 - ABN: 49 122 110 687


text:
Join Hustler! Download full-length 27min 18sec movie now!
So, you like hot young babes that suck cock pov style? Look no further than Hustler, then! Adrianna is the featured lovely lady today. She's happy with a dick in her mouth, but not as happy as she is with one in her pussy. She rides her man after her oral treatment, and he's not complaining.
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text:
Search RMIT
RMIT Australia
- Students | myRMIT
- Alumni
- Staff
Local students International students
You're viewing program information for local students.RMIT considers you a local student if you are:
- a citizen or permanent resident of Australia, or
- a New Zealand citizen, or
- a Temporary Protection visa (TPV) holder.
Not a local student?
You're viewing program information for international students.RMIT considers you an international student if you are:
- intending to study on a student visa, or
- not a citizen or permanent resident of Australia, or
- not a New Zealand citizen, or
- not a Temporary Protection visa (TPV) holder.
Not an international student?
In this section
- Art, design and architecture
- Building, construction and planning
- Business
- Communication and Digital Media
- Computing, games and information technology
- Education and teaching
- Engineering
- Environment and sustainability
- Health and biomedical sciences
- International and community services
- Justice and legal
- Science
Professor Xiaojun Qiu
Professor Qiu has extensive experience in audio acoustics and audio signal processing.
Job title and organisation:
Professor of Design (Audio/Sound Engineering), School of Engineering, Design Research Institute
His research areas include noise and vibration control, room acoustics, electro-acoustics and audio signal processing. Some examples of the design projects he has undertaken include: reduction of car noise; sound absorption materials, headphones and loudspeakers and factory noise plans and controls.


text: I'm taking my cousin (age 5) to Disney. It's her first trip. She's not a picky eater but she doesn't eat much. We will there for 5 nights. This trip is all about her: Crystal Palace- breakfast (my must do) Chef Mickey's- breakfast or dinner (which one is better?) Aksherous- breakfast I'm considering the dining plan depending on the other restaurants I choose/if I choose any more because it would be $51 a night which would cover everything except tips... I don't think I can beat that. Any other restaurants to add to the list that would be fun with some good food?


text:
Review: Dishwasher repairs
I bought a complete control panel to replace the broken one on my hot point dishwasher. I couldn't find the part at first but I emailed asking for help at the part number was quickly sent back. After that it was easy enough to find. I ordered it and it arrived very quickly. The video help on how to dismantle and refit was clear and informative and although it took longer o fit than the edited video it went with success and I now have a brand new looking dishwasher. Thank you spares.
18 Sep 2015 by Claybugs
View all Reviews


text:
Words that end in efactation
Found 1 words that end in efactation. Browse our Scrabble Word Finder, Words With Friends cheat dictionary, and WordHub word solver to find words that end with efactation. Or use our Unscramble word solver to find your best possible play! Related: Words containing efactation
- Scrabble
- Words With Friends
- WordHub
- Crossword


text:
The Central and Regional Committees of MGJSM - Minutes of Meeting
Expand Messages
- The Central and Regional Committees of MGJSM held at Patriarchal
Centre, Puthencruz on 5th June 2010.
H.G. Dr. Kuriakose Mor Theophilose (President MGJSM), presided the meeting. Rev. Fr. Bobby John, (Secretary MGJSM), Rev. Fr. George Vayaliparambil, Rev. Dn. Thomas K Poothicote and around 15 members from central and regional committees attended the meeting.
Minutes of Meeting
1. Condolence
The meeting started with prayer and observed 1 minute silent prayer by remembering the departed Sual of Rev. Fr. Cherian Kottayil former Vice President of MGJSM Kottyam Zone and Mr. Paul, Father of Rev. Dn. Shibu Paul, Central Committee Member of MGJSM.
2. Report of activities of MGJSM Central Committee from June 2009 to date was presented by Rev. Fr. Bobby John and report of activities of MGJSM Southern Zone was presented by Rev. Dn. Thomas K Poothicote.
3. In his Presidential Address H.G. Dr. Kuriakose Mor Theophilose, praised the activities of MGJSM and informed the decision of Holy Synod to promote the good initiatives of MGJSM further. He also
commented the good works of South Zone and Kothamagalam regions. H.G also declared that henceforth, Rev. Fr. Bobby John will continue as the Vice President of MGJSM and Rev. Fr. George Vayaliparambil will function as the General Secretary.
4. Decisions
a. It was decided to request the Holy Synod to declare one Sunday every year as "MGJSM Sunday" and in line with the practice of "Sunday School Sunday" and "Youth Sunday", instruct all the Jacobite Syrian Churches to forward the Sunday's collection to MGJSM to support its
b. To commemorate the occasion of Sacerdotal Golden Jubilee of Saint Paulose Mor Athanasius Valiya Thirumeni, the founder of MGJSM, it was decided to plant a sapling at every educational institution where members of MGJSM studies on August 13th 2010.
c. The organisation structure of MGJSM Administration was defined as following:-
Central committee will have Three Zonal Committees viz., Southern,
Central, and Northern. Each of the Zonal Committees will have Regional Committees under them. Unit Committees under the Regional Committees will complete the last layer.
d. Decided to organise a 3 day Camp for the students preparing to study abroad, providing Career Counselling & Spiritual Direction at Mor Gregorios Centre, Thoothootty, Kottay
Reported by
Dn Thomas K Poothicote
Fr Bobby Tharayanil +91 944 784 6239
Fr George Varghese Vayaliparambil +91 952 699 2915
Dn. Thomas K Poothicote +91 984 754 7832
Your message has been successfully submitted and would be delivered to recipients shortly.


text:
Results 1 to 3 of 3
Thread: Module installation on Windows
06-16-03, 20:30 #1Registered User
- Join Date
- Jun 2003
- Posts
- 1
Unanswered: Module installation on Windows
I'm very new to Perl, and am trying to install the modules I need to work with an Oracle database using Windows 2000. So far I've managed to install DBI, but I've had no luck with the two other modules I need, DBD::Oracle and Date::Calc.
I've downloaded the correct (I hope) zip files and extracted them to my C drive. When I try to install them, tho, I get this error message:
"Error: Failed to download URL http://ppm.activestate.com/Bit-Vector.ppd: 500 Can't connect to ppm.activestate.com:80 <connect: Unknown error>"
Anyone know what's going on here?
10-10-03, 17:29 #2Registered User
- Join Date
- Oct 2003
- Posts
- 1
I am also new at this but I resolved the problem you described below by setting my Enviornment variables for the following:
HTTP_proxy = http://(your proxy server address and port)
HTTP_proxy_user = user name for logging onto your internet
HTTP_proxy_pass = password
Hope this helps OH the http:// must be included in your proxy server assress.
You can set these variables by right clicking on My Computer.
Selecting Properties, choosing the Advanced tab, and Clicking the Enviornment Variables button. You can then add New System variables in the bottom window.
Hope this helps
10-28-03, 09:24 #3Registered User
- Join Date
- Mar 2003
- Location
- Belgium
- Posts
- 9
If you can't connect through internet due to firewall restrictions, you still have the possibility to install your modules from a local hard drive.
Change in the ppd file, the line MSWin32 and give the path where your file is.
CODEBASE HREF="D:/Source/DBI_tar.gz" />
In this way, you don't need any internet access on your machine.
You can download your modules from a machine fully secure and install them afterwards on servers or other computers.
Hope this will help you.


text:
About the game
Become a space ace and conquer outer space in a game online. Your goal becomes the space station to which you want to enter, following the fighting force and a powerful fire attack. Avoid collisions with meteorites and avoid enemy shots response. Proceed with caution, but dynamic. WASD keys to control coatings - ensure the attack. Feel the cosmic energy, charge it, and become a real space ace, a threat to the enemy. Good luck and have fun!
- WASD - movement, LKM - attack
space ace 3d games unity action games shooting strategy defense games space games


text:
Detalii loc de munca - bucharest
Descrierea jobului - România
You like the technology world? This Position is for you! Our client provides a wide range of services, including Finance & Accounting, Collections and Customer Service, Insurance, Supply Chain & Procurement, Analytics, Enterprise Application, IT Infrastructure and Management. Duties • Taking calls on the below mentioned languages of any priorities of CMS Avaya phone skills • Handling emails / webcases , translating them into the appropriate language, depending on customer requirements • Document cases for each incident, handle cases meeting SLAs (customer requirements), follow up case status • Troubleshooting IT problems according to the SOPs and previous trainings • Sharing knowledge case with the team • Creating SOPs • Training new associates and cross-training existing associates • Attending training sessions • Administrative work for helpdesk needs • Arranging working schedule with collegues flexibly, according to business needs
About you? •Good PC skills •Problem solving skills •Highly customer oriented behaviour and way of working •Patience, empathy, diligency, preciseness


text:
Excessive use of the private car in cities, and of heavy vehicles for road transport of freight, has many undesirable consequences:
More freeways will only encourage more cars onto the road and make the problem worse. This solution has been tried elsewhere, and has failed.
People will be attracted away from public transport, which will degenerate from lack of funds, and thus lose still more patrons.
Residential and recreational areas will be devastated.
And all to no avail.
In the end, the roads will still be congested.
We must discourage private car use.
Action for Public Transport is a group that campaigns for government policies to achieve this goal.
Our objectives are:
. . . . back to APTNSW home page.


text:
- Please select a date to see the proper prices!
Description of the accommodation:
Rooms, services All guests looking for a comfortable room in Lima are welcome at Radisson Hotel San Isidro Lima. In case you'd like to have a meal or a drink on the spot, you will be provided freshly prepared dishes in the restaurant every day. The café and the bar provide a nice atmosphere for a romantic evening talk or a personal meeting. The exact equipment and the exact list of available services of Radisson Hotel San Isidro Lima can be read on the information sheet below.
Payment In order to finalize the reservation you may be required to provide credit card guarantee or advance payment by credit card, depending on the chosen room, date and price.
Arrival, opening hours The personnel speaks Spanish and English.
Radisson Hotel San Isidro Lima rooms Rooms
- Please select a date to see the proper prices!
Accommodation services
- Finnish sauna
- Pool (Outdoor - seasonally open)
Bar, Cafe, Elevator
Own restaurant


text:
Dark Sanctuary by Razor-SenseiWatch
©2013-2017 Razor-Sensei
made in sai and photoshop
tried to use a more neutral color pallete
feel free to leave a comment i would really appreciate it
tried to use a more neutral color pallete
feel free to leave a comment i would really appreciate it
This is so great, i do really love it
Nice style ! This one is pretty original !
Amazing work!
Nice work I like how you used colors at face and hair.Transparency on wedding veil looks good too.
unreal AMAZING
This is my favorite ^^
Your style is so beautiful!
Wow! That's amazing....! *o*
Hngg amazing , love those colours. Especially with those yellow shades.
Wow awesome ! I love your style *-*
God, the color pallete works amazingly! The grey tones mixed with the pink on her face is a great and unexpected color-combo
brilliant picture. very haunting.
This is a stunning piece of work ^^
if you haven't check out the idrawgirls tuts on youtube, some greatly helpful tips on painting in ps. this is good work, though you ought to try some subjects which are less comfortable, imo. gotta challenge yourself.
This style is really miraculous!! Wow, great!
This is so mind blowingly gorgeous! She looks like she's made of glass.. But still so sad...
You've got some beautiful pieces in your gallery! I especially like this one, the colour palette looks great for that one and lets the yellow pendant stand out really well
I love your style This is amazing everything about this piece is beautiful.
this is very beautiful!
Really great! I love your coloration here, well done!
Awesome work my friend!!!
thanks for the comment! much appreciated^_^
Love the reflection effects!
Cool Hair...
Good use of yellows here, I think it could be evem more vibrant than this still you made a good lines ans trokes here. Good job, I like it.
it was a bit more difficult this time i made a mistake while i was working at this by merging all my layers and then saving my psd (yeah i got a little distracted ) so i had to work this on very few layers and yeah i was thinking to make the contrast a bit more vibrant but it turned a blinding yellow which didnt help me focus that much on the synthesis so i lowered the opacity:0
thanks for your comment
thanks for your comment


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|Half Baths
|Property type
|Minimum Stay
|7 nights
This detached holiday cottage is situated in the owner's grounds where friendly chickens and goats roam freely, just 1.5 miles outside the historic city of Canterbury home to the oldest cathedral in England. Stroll or cycle along the banks of the River Stour and into the city, a UNESCO World Heritage Site, which is steeped in tradition. The city has excellent retail facilities, pubs and restaurants. Walks into the country can be taken from the doorstep. Holistic health treatments and yoga classes are available by arrangement with the owner. The coast at Whitstable is approximately 10 miles. Good rail links from Canterbury to London. Shop 0.5 mile, pub and restaurant 1 mile.


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This beautiful stallion is standing at stud in the Northwest. He is a Superior Heading and Superior Heeling horse, earner of 228 points in AQHA Tie down…Stud Fee: $1,750
Professor Smart - This Beautiful Liver Chestnut stallion is a NRHA Futurity Finalist AQHA World Show Qualified NRHA Winnings $43,398. AQHA Reg of Merit…Stud Fee: $1,500


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Public guided tours
Our public guided tours are for individuals or small groups who would like to join other guests for a guided tour. The tours are taking place regularly on specific days and at fixed times.
Answers to your questions about public guided group tours can be found in our FAQ.


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Seers, VHP leaders favour anti-conversion law, defend 'ghar wapasi'Allahabad: A number of seers and senior Vishwa Hindu Parishad leaders on Saturday asked the Narendra Modi government to bring in a "strong anti-conversion" law but insisted that re-conversion to Hinduism be allowed as "Sanatan
Allahabad: A number of seers and senior Vishwa Hindu Parishad leaders on Saturday asked the Narendra Modi government to bring in a "strong anti-conversion" law but insisted that re-conversion to Hinduism be allowed as "Sanatan Dharma is the only Dharma while other faiths were only sects".
According to the VHP's Kashi Prant president Manoj Srivastava, "a resolution was passed at a meeting of our Margdarshak Mandal held yesterday, which received the blessings of Sant Sabha (seers' congregation) today wherein the Modi government has been urged to bring in a strong and effective anti-conversion law".
The demand comes against the backdrop of the raging controversy over "Ghar Wapasi" drive of the Sangh Parivar whereby people converted to other religions allegedly by force or through enticements were being brought back.
He, however, added that the VHP leaders as well as the seers were of the view that "pravartan" (return to the Hindu fold) must be allowed as "it was not religious conversion.
There is only one Dharma - the Sanatan Dharma. Islam, Christianity etc. are only sects. If somebody wants to return to his roots, he must not be deprived of the opportunity".
Srivastava added that other resolutions passed at the congregations held at the ongoing religious fare "Magh Mela" included a demand for "facilitating the construction of Ram temple at Ayodhya by removing all impediments through a legislative route", "effective action, not just slogans, with regard to making the Ganga pollution-free" and "protection of cows".
The meeting was attended by a number of VHP office-bearers, prominent among them being its organisational general secretary Dinesh Chandra.
However, conspicuous by his absence was VHP patron Ashok Singhal who, Srivastava claimed, could not attend the "Sant Sabha" owing to fatigue despite having reached the city by train on Sunday afternoon.
The VHP's fire-brand international working president Pravin Togadia, who makes it a point to visit the "Magh Mela" held near the holy "Sangam" almost every year, was also not in the city and Srivastava said he was "busy with Hindu Sabhas being organised in various parts of the country".
Prominent seers who were present at yesterday's congregation included Sriram Janmabhoomi Nyas Chairman Nritya Gopal Das and Shankaracharya of Jyotirpeeth Badarikashram Swami Vasudevanand Saraswati.


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Hussain Kuwajerwala at Yeh Jalwa Set
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Sufism is the topic of this international discussion group. See "Sufism, Sufis, Sufi Orders" at www.uga.edu/islam/Sufism.html . "God is beautiful and loves beauty" is the guideline of the group (stated in Arabic in the headline), moderated by Dr. Godlas and other Sufis. We do have one major border: discussions must be conducted with mutual respect. Consistent lack of respect for other members is not tolerated. Presume your knowledge is limited and that there are many different approaches to Sufism. Members who attempt to delegitimize particular religions, prophets, Sufi shaykhs, Sufism, or anyone's supportive view of them may be banned, as may members who criticize postings with comments such as "this is dangerous, haram, or not Sufism" or who give unsolicited advice, telling people what Sufis must do or not do or what they should or should not say, or who threaten members or label them with offensive names or suggest that they leave. This is not a forum for discussing shari'ah and 'aqida (religious dogma). If you have questions in these areas, ask to receive answers offline. To give unsolicited advice or possibly disturbing information about shaykhs, do it by private email, but first ask individuals privately if they want your information. If you like debates, post at our "Sufism, Politics, and Debates" group (see our links list). Translate into English non-English words. If you notice anyone violating rules, inform the moderators privately. No one has permission to post any postings (or their content) from this group outside the group in any form without the explicit signed consent of the original poster. Moderators may delete postings. If you don't like the high email volume, go to *Edit Membership* and choose "no email." To join, state your reason(s) in less than 200 characters; and use the words Sufism or Sufi (to diminish spam). Joining this group implies agreement with these guidelines.
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Autumn Production
With the Goodwood Revival over for another year, the focus this month has been on production once more.
Out in the factory the never-ending task of producing components for Jaguar XK engines continues. Among many other components, a batch of Lightweight E Type butterfly fuel injection manifolds was completed, one of which can be seen here on our fifth axis trunnion for one of our Haas machines.
Another freshly manufactured product to see completion this month is one of our 2.5-litre Coventry Climax FPF engines. Our engine builders are just finishing this one, using the dyno to set up the ignition and the period-correct Weber 58DCO3 carburettors.
Also this month, yet another refurbished and rebuilt Jaguar D Type engine made it onto our dyno. This one came in for one of our renowned Wide Angle cylinder heads, but once opened we found a number of areas needing improvement. It's now back together and has been set up on the dyno, ready to be refitted to the customer's car. This engine benefits from our recently updated CNC porting process, which now features greater flow-optimisation for stronger power.
A rather tricker restoration that Crosthwaite & Gardiner carried out this month was of this Zenith 48K carburettor. We were commissioned by a regular customer with a very original Type 35 Bugatti to source an original carburettor - with extensive influence and connections within the historic world of Bugattis, we were able to find one which we then restored to fully working condition, carefully re-using as many of the original parts as possible to conserve the originality. A few new parts had to be used where originals were not possible to restore or not available, but we ensured that the new parts blended perfectly with the look and feel of the finished carburettor.
Finally, our new Wheel Catalogue has just been completed. As well as having had a complete overhaul, it now features information about how we make our wide range of wheels. Below is a photograph we captured at our selected magnesium foundry. The new catalogue is available to view here - http://crosthwaiteandgardiner.com/images/stories/pdfs/wheels_catalogue.pdf
Past News
- Factory Production Update
- Autumn Production
- Goodwood Revival
- The Busy Factory
- Machinery and Charity
- Racing and Trips Galore
- Prescott and Wheels
- Auto Union V12 Engine
- Techno Classica, Essen
- Lister Cars, Race Retro
- Show Season Begins
- Ferrari Month
- Fangio's Maserati 250F
- Dick's 70th Birthday
- Goodwood Revival


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|MOLLY'S Bar
Molly's Bar is located in an old fisherman's cottage just at the entrance to Molivos Harbour. Friendly & welcoming to all ages, nationalities, etc.
Perfectly located for pre- or post-dinner glasses of wine, cocktails, beers, soft drinks & coffee/tea. We are open every evening from 6pm until the early hours! Our balcony overlooks the harbour, across the bay, and back across the village rooftops up to the castle. Inside we have seating at tables, and around the bar, where you can get to know other visitors, and local people. Feel free to pick our brains about local places of interest, (we both worked previously as reps/guides on the island), etc.
MOLLY'S Bar


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"I am extremely happy with the procedures to remove..."
About: Churchill Hospital Churchill Hospital Oxford OX3 7LE
Posted via NHS Choices
What I liked
I received a highly professional consultation and later that day was operated on by. The Consultant had a very confident manner which put me at my ease.
I've returned to the hospital on 2 occasions for the wound to be dressed by a nurse and was very satisfied with my treatment at all stages.
I particularly liked the way in which the doctors worked as a team to complete the procedures on the same day
What could be improved
Anything else?
I am grateful for the way in which I was treated
Response from Churchill Hospital 4 years ago
We are pleased you had a positive experience at the Churchill Hospital and thank you for posting on NHS Choices. We hope you are progressing well.
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What matters most to you when shopping for a compact car? If you're like most drivers, you look for fuel efficiency, value, and versatility. Well, the 2016 Mazda3 sedan and hatchback has all of that, and then some! The Mazda3 also provides the latest technology features, interior refinement, and a sporty and fun driving experience that simply can't be rivaled by its competitors. One look at the sleek exterior and quality interior of the Mazda3 sedan and hatchback, and you'll be shocked that this is an affordable compact. If you live near Montgomery, Ozark, Enterprise, Dothan, and Ft. Rucker, AL, stop by the Mitchell Mazda Enterprise showroom in Enterprise, AL to explore the Mazda3 for yourself. Our trained sales staff can show you around the stylish, fuel-efficient, and technology-packed 2016 Mazda 3. Visit Mitchell Mazda Enterprise for a test drive today!
One thing that you can expect from any Mazda is that it will be fun to drive, and the 2015 Mazda3 is no exception. The latest Mazda3 also takes fuel efficiency to an entirely new level, thanks to its innovative 2.0-liter SKYACTIV®-G-engine. Producing 155 horses and 150 lb-ft of torque, the Mazda3 returns up to an EPA-estimated 41 highway mpg (or 40 mpg in hatchback models). If you select the available 184-horsepower 2.5-liter SKYACTIV®-G engine, the Mazda3 really comes to life. The powerful 2.5-liter engine is still incredibly efficient, thanks once again to Mazda's exclusive SKYACTIV® technology, returning an EPA-estimated 39 and 37 highway mpg in sedan and hatchback models, respectively, and 26 mpg around the city for both body styles. Mazda's innovative SKYACTIV®-G engines drives the front wheels and can be routed through either a six-speed automatic with Sport Mode, or a six-speed manual gearbox. Fuel efficiency, power, versatility, and a sports car-like driving experience all come standard on the 2016 Mazda3 compact car. What more could you ask for?
The latest versions of Mazda's popular five-passenger compact sedan and hatchback are surprisingly spacious, with 96.4 cu. ft. of passenger volume and over 12 cu. ft. of cargo capacity with the rear seats in the upright position. If the spaciousness of this compact car's cabin doesn't blow you away, then prepare to be pleasantly surprised by the refinement and attention to detail on display in the Mazda 3's cabin. With interior standard and available amenities like a MAZDA CONNECT™infotainment system, rearview camera, leather-trimmed seats, and Bose sound system, you're going to have a hard time believing the Mazda3 is so affordable. Additional comfort and convenience features available on the 2016 Mazda3 compact sedan and hatchback include:
The 2016 Mazda3 sedan and hatchback are both offered in five nicely equipped models or trim levels, namely the i Sport, i Touring, i Grand Touring, s Touring, and s Grand Touring. Every 2016 Mazda3 comes standard with MAZDA CONNECT™infotainment system, Bluetooth® hands-free phone and audio capability, rearview camera, remote keyless entry with push-button start, sport seats, 6-way manually adjustable driver's seat, 60/40 split fold-down rear seatbacks. While that's certainly an impressive list of features, it's merely the beginning. The long list of standard and amenities available on the 2016 Mazda3 continues with:
Mazda only builds quality vehicles, that's why every vehicle they produce receives an equally dependable warranty plan. New Mazda vehicles feature a comprehensive limited warranty that provides coverage in the unlikely event that your reliable and durable Mazda needs a repair in the first years after your purchase. A 3-year or 36,000-mile "Bumper-to-Bumper" Limited Warranty, as well as a 5-year or 60,000-mile Limited Powertrain Warranty, back every 2016 Mazda vehicle. Mazda additionally provides a complimentary 24/7 Roadside Assistance Program for 3-years or 36,000-miles. When you want a dependable new vehicle supported by an equally impressive warranty, get yourself into a Mazda.
If you're shopping for a new compact car, you owe it to yourself to test drive a Mazda3 sedan or hatchback. With fuel efficiency, versatility, sports car-like handling, and the latest technology - you truly can have it all with the new Mazda3 - and at an affordable price to boot! Drivers near the cities of Montgomery, Ozark, Enterprise, Dothan, and Ft. Rucker, AL, can explore the Mazda3 at Mitchell Mazda Enterprise in Enterprise, AL. Stop by the Mitchell Mazda Enterprise showroom, located at 1222 Rucker Blvd., in Enterprise, AL, or view our entire inventory of new Mazda vehicles any time of day right here on our website.View Inventory


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Memorial University of Newfoundland
Graduate Studies at Memorial University of Newfoundland
Earth Sciences
School of Graduate Studies
Elzabeth Avenue
St. John's, NF
Program Information
Degrees Offered:
Ph.D.-Geology; Ph.D.-Geophysics, M.Sc.-Geology; M.Sc.-Geophysics
Format: Campus
Program Description:
Memorial University of Newfoundland has one of the largest and most diverse Earth Science departments in Canada. With 30 faculty members, 15 staff members, and leading-edge teaching and research facilities, the department is able to offer high quality graduate degree programs. Graduates of Memorial's Earth Sciences department have gone on to careers in academia, government, and the private sector. The province of Newfoundland and Labrador is an excellent natural laboratory in which to study Earth Sciences and many of our courses have field-based components. The cross section of geology that can be studied in Newfoundland and Labrador is unparalleled and spans a large part of Earth's history. Our department's long-standing, excellent reputation is, in part, due to its close proximity to this world-class geology. Our faculty and their students and post-doctoral fellows are engaged in applied and basic research projects in virtually all major areas of Earth sciences throughout the world. Some faculty are engaged in research in the offshore of Newfoundland and Labrador, in marine and petroleum geology, and in exploration geophysics as it pertains to oil and gas resources. Others are researching mineral resource development and environmental issues in the Province and elsewhere. The Earth Sciences department at Memorial University maintains close ties to the mining and petroleum industries of Canada, the USA, and elsewhere. Each year, leading petroleum and mineral exploration companies recruit at Memorial University because of the excellent education and training our students receive, and have taken with them throughout the world. Many of our graduate students also find government and industry employment opportunities during the summer within the province and elsewhere in Canada. The Earth Sciences Department offers both MSc and PhD degrees in Geology and Geophysics. All graduate degrees require a research-based thesis.


text: Hot For GOLD or higher VIP users Creating Reports with SQL Server 2012 Reporting Services A key component of delivering business intelligence, SQL Server 2012 Reporting Services allows for the effective communication of critical information. SSRS enables users to quickly and easily generate reports from Microsoft SQL Server databases. This provides you with an extensive range of tools to create, manage, and customize reports for your organization.Creating Reports with SQL Server 2012 Reporting Services will show you how to develop practical reports that utilize tables and matrices, along with bold objects such as pie charts and gauges that quickly gain the attention of the viewer and deliver your message. With this course, you can acquire the essential skills you need to make an impression on your customers, your audience, or your boss. آموزش گزارشگیری در بانک اطلاعاتی MSSQL Server Download Link(s)File(s) size: 325.0 MB


text: To answer my own question see this from the www.niccx.com hidden link home page. Hope the analog.cx site will move to .org or some such. [INLINE] [INLINE] Dot CX Limited is a community owned non-profit Christmas Island Company, the objects of which are to be: * trustee and policy setting body for the cx TLD * administrator of the Christmas Island Information Economy Development Trust [ NEWS ] Planet Three (NICCX.COM) is insolvent and as a result both registrar and registry services have been affected. Dot CX is continuing to send urgent requests to the IANA in the hope that they will act in the interest of both the Christmas Island and global internet community in this matter. We are also providing technical and financial assistance in order to get domains which utilised NICCX.COM's URL or eMAIL forwarding functioning again. The former PL3 registrant information is being escrowed by Dot CX. We thank you for your patience, more information will be published here shortly. 05.07.01 CX Query Dot CX to IANA 05.07.01 CX Update IANA Response 29.06.01 Urgent Request IANA.29.06.01.pdf 14.02.01 Notification - IANA IANA.14.02.01.pdf Dot CX Document Archives [ Archive ] [INLINE] [INLINE] [INLINE] [INLINE]


text: A couple days ago I flashed the 2.1 icon pack, used MetaMorph to apply a theme and ended up getting force closures. I did a wipe and restored my last nandroid -- no luck. Then I restored with the RUU and put Fresh 1.1 on my phone. I want to switch to MoDaCo 2.2 but when I do I'm getting those force closes again... Has anyone experienced this? Anyone have an idea of how to fix this?


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This one is not for that Friday groove, so we'll put you onto it today to be the soundtrack to your various hustles all day long. Beatmochini did a Movember mix to celebrate Movember and show his support for men's health beyond just joining the movement by shaving his beard. This is the Yin Yan Mix a mix of some urban, soulful, funky and feel good jams. It's all about positiving today.
Have a listen and show him love:


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The German Federal Ministry of Justice and Consumer Protection ("BMJV") recently proposed a draft bill to amend liability for defects under the sale of goods law in section 439 of the German Civil Code ("BGB"). The draft law seeks to address the inconsistency that in B2B transactions sellers' culpability is required for liability for removal and reinstallation costs, whereas in B2C transactions culpability is not required. However, the draft law abandons the principle that a contractual partner only owes another contractual partner damages if the damage or loss has been caused by a culpable breach of duty. It contains far-reaching changes to the rules on liability for defects in the context of purchase contracts.
For instance, the draft bill includes a provision that a seller must remove the defective item and install a non-defective item or compensate the purchaser for the expenditure required in this regard as part of supplementary performance (including in transactions between businesses). The draft bill also codifies the interpretation of section 439 of the BGB in line with EU directives with regard to B2B transactions (section 439(3), BGB-E).
At the same time, a seller incurring expenditure of this kind when selling a newly manufactured item will have a right of recourse against its upstream supplier (section 445a, BGB-E), which represents an extension of the supplier recourse provisions applying to the sale of consumer goods under section 478 of the BGB to transactions between businesses.
Liability for removal and installation costs irrespective of fault
Clearly, implementation of the above changes would have far-reaching consequences for manufacturing companies, distributors and retailers. Although according to the BMJV's comments, it aims to improve the legal situation for contractors who have purchased defective construction material and installed it under a contract for services, the impact will be felt far beyond these types of transactions. Wherever purchased products are integrated as parts into other products in a manner consistent with their purpose (in addition to the construction industry, this also affects the automotive and engineering industries), sellers will be liable for the removal and installation costs for such products irrespective of culpability, and can demand compensation accordingly from their upstream suppliers for the expenditure involved.
It is not clear at the present time what the implications are regarding the cost risk for manufacturers and distributors and the impact this will have.


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Each week I post a few of my personal travel photos to inspire your travel dreams. This week I chose my favourite shots from Disneyland, the Happiest Place on Earth unless your on the It's a Small World ride:
Travel Photographs – Disneyland, California
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Dillion Carter and Brooke Wylde in threesome with a lucky guy
Duration: 5min 34sec Views: 10 324 Submitted: 2 years ago Submitted by:
Description: This classy businessman knows there's a time and place for everything and judging by the way Dillion Carter and Brooke Wylde are looking at him, it's time for a threesome. He whipped his cock out and got a juicy blowjob during a pussy licking session.
Channel: Reality Kings
Pornstars: Dillion Carter Brooke Wylde


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Latch Push/Pull Chrome - Teak Isle
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Low profile. Fits up to 3/4" door. Chrome.
For regal 2860 camander?
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text: Hi there, we have booked 3 staterooms for our upcoming cruise, that are side by side. How can we tell if 2 of them are connecting rooms? Really would prefer 2 of these rooms to be connected as we have DDs that would like their own room, but only if it's connected! We have staterooms 2116, 2118 and 2120 on the Magic? Anyone know which 2 connect if any? Would like to have the right guests assigned to each room!


text: Any time. Do some research on this racquet. I've been told it is one that is recommended for bad elbows due to the flex and weight. I'm hitting with Ryan tonight at Lake Cane. I got the last court at 7. I never knew those DP courts were there. Are they public and have lights? Its also good to know they have a wall. When I was getting back into tennis, I used a wall alot. I had to hit in the racquetball courts at Gotha Middle Schhol - but not open on weekends. I played doubles at OTC Saturday against JN and PM. I played with the guy from Phillips Landing. They won 7-6, 7-6. we finally won the third 6-3.


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Image: 936 - 2015 02 13 Victorian Winged Armchair 002
This week also saw this splendid and much-loved Victorian armchair in our workshop for re-upholstery. Owing to its great age and many years of use, the chair needed full renovation so it was first stripped back to the frame and made good before replacing all the interiors with best quality flame retardant materials to make sure that the finished result would be in "as new" condition.The existing seat cushion interior was replaced with a best quality flame retardant "Reflex" interior, which carries a ten year guarantee. It was also wrapped in a secondary casing, comprising Dacron and stockinette, to prolong cushion life.Finally, the chair was re-covered in a best quality flame retardant abstract tapestry, redolent of designs popular when the chair was new, but also very modern, giving the chair a timeless charm that will last for years.The client, who has brought furniture to us in the past remarked that as always, the standard of work was first class. We look forward to seeing her again when she next requires a piece of furniture re-upholstering.
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