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Portfolio Management and Disposition Effect Empirical Evidence From Pakistan
Kahneman and Tversky's approach to preference under uncertainty is aversion to loss realization. This paper is an attempt to highlight this phenomenon with a unique approach. In order to beat the market fund managers are required to manage their portfolio at regular intervals. The tendency to sell the winners too early and ride the losers for long "disposition effect" can affect the Management decision of fund managers. This paper investigates the mediating role of disposition effect between mental accounting, aversion to regret, self control and portfolio Management. For this purpose we use the extended version of Shefrin and Statman framework and include Dyl's tax consideration and Fama and French style tilts as controlling variables. In order to provide empirical evidence survey has been conducted from mutual fund managers. CFA and Cronbach's alpha is used to test the reliability of the instrument. AMOS is used to test the structure equation model for disposition effect and portfolio Management. Results confirmed that disposition effect plays significant role of mediator between mental accounting, aversion to regret, self control and portfolio Management. However tax consideration has direct loading on forward Management. It means that disposition effect plays significant role in decisions of fund managers, however investors are aware of tax consideration
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|Date of creation:
|16 Jul 2013
|Contact details of provider:
| Postal: Ludwigstraße 33, D-80539 Munich, Germany
Phone: +49-(0)89-2180-2459
Fax: +49-(0)89-2180-992459
Web page: https://mpra.ub.uni-muenchen.de
More information through EDIRC
References listed on IDEAS
Please report citation or reference errors to , or , if you are the registered author of the cited work, log in to your RePEc Author Service profile, click on "citations" and make appropriate adjustments.:
- Schlarbaum, Gary G & Lewellen, Wilbur G & Lease, Ronald C, 1978. "Realized Returns on Common Stock Investments: The Experience of Individual Investors," The Journal of Business, University of Chicago Press, vol. 51(2), pages 299-325, April.
- Fama, Eugene F & French, Kenneth R, 1992. " The Cross-Section of Expected Stock Returns," Journal of Finance, American Finance Association, vol. 47(2), pages 427-465, June.
- Thaler, Richard H & Shefrin, H M, 1981.
"An Economic Theory of Self-Control,"
Journal of Political Economy,
University of Chicago Press, vol. 89(2), pages 392-406, April.
- H. M. Shefrin & Richard Thaler, 1977. "An Economic Theory of Self-Control," NBER Working Papers 0208, National Bureau of Economic Research, Inc.
- Terrance Odean, 1998. "Are Investors Reluctant to Realize Their Losses?," Journal of Finance, American Finance Association, vol. 53(5), pages 1775-1798, October.
- Keim, Donald B., 1983. "Size-related anomalies and stock return seasonality : Further empirical evidence," Journal of Financial Economics, Elsevier, vol. 12(1), pages 13-32, June.
- Dyl, Edward A, 1977. "Capital Gains Taxation and Year-End Stock Market Behavior," Journal of Finance, American Finance Association, vol. 32(1), pages 165-175, March.
- Branch, Ben, 1977. "A Tax Loss Trading Rule," The Journal of Business, University of Chicago Press, vol. 50(2), pages 198-207, April. Full references (including those not matched with items on IDEAS)
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text:
Hare And Tortoise, W5 2NX
- 020 8810 7066
- 38-39 Haven Green, W5 2NX (streetmap) (osm) (gmap) (bingmap) (streetview)
- hareandtortoise.co.uk/...
Cheap pan-Asian restaurant in Ealing, part of a small chain.
(See Hare And Tortoise, WC1N 1AF for a full review of the Bloomsbury branch.)
See also:
OS X co-ord: 517916 OS Y co-ord: 180993 (Latitude: 51.515562 Longitude: -0.302041)
Last edited 2015-03-01 16:59:33 (version 6; diff). List all versions.

subset: commoncrawl


text:
David Bromberg
Music genres
Other (10408 ) Blues (1019 ) Rock (8554 ) Folk: Ethnic (672 )
David Bromberg is an American folk and folk rock musician and singer-songwriter. He was born on September 19, 1945, Philadelphia, Pennsylvania. In the beginning, he had professional relationships with various artists including Jerry Jeff Walker, Willie Nelson, Jorma Kaukonen, Jerry Garcia, and Bob Dylan among others. He also collaborated with George Harrison on his song "The Holdup". In the late 1960s, he signed a contract with Columbia Records label and began recording his debut album. The Devil's Anvil was released in 1969 and it received generally positive reviews from critics. Five years later, he released his most successful album, Wanted Dead or Alive, which produced several singles such as "Holdup", "Someone Else's Blues", "Danger Man" and "Main Street Moan". It also reached Top 30 in the US. Now, you may download David Bromberg's breakthrough album, Wanted Dead or Alive, in mp3 from our site. He also was nominated at the 2008 Grammy Award for Album of the Year.


text:
Discussion in 'Introduce Yourself Here' started by Alphamale369, May 18, 2011.
Hi Ladies, traveling to the Caribbean? Muscular male funny, adventurous looking for adult safe fun.
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I would like to hold that for you!
hmmm well hold it babe don't let me stop you
Nice black and thick, very nice!
luv ur cock mmm x
Had a great holiday in the Caribbean a few years back, we did Jamaica, Antigua and Barbados in 3 weeks. Sadly we never got chance to have any fun ,we did get a couple of offers but the timing was wrong. Hope to go back again soon , it's a beautiful place
Well mandk_uk when your taking a vacation consider Trinidad
Thanks MWC4BLK
Lovely Pics blkcokslutlaura
Separate names with a comma.


text:
Competing Eye Care, Big Price Difference
BU researcher suggests Genentech's inexpensive drug works as well as its costly alternative
One drug, Lucentis, costs $2,000 a dose.
The other, Avastin, costs $40 a dose.
Yet according to an initial small-scale study led by Manju Subramanian, an assistant professor of ophthalmology at Boston University's School of Medicine, both drugs seem to work the same medical wonder: they help victims of "wet" macular degeneration, the leading cause of blindness among older Americans, to see again.
Subramanian's findings should be great news not only for those suffering from macular degeneration, but for Genentech, the San Francisco–based pharmaceutical giant that produces Avastin, which is approved by the Food and Drug Administration to treat cancer, but not macular degeneration. But the company does not seem eager to embrace or endorse the findings.
That might be because it also owns and markets Lucentis.
"If Lucentis didn't exist," Subramanian says, "Genentech likely would have been overjoyed to have a colorectal cancer drug turn out to be a treatment for macular degeneration, but in this case, the off-label use is competing with their own product."
Subramanian's study, created with support from the VA Boston Healthcare System, Jamaica Plain Campus (Boston's Veterans Affairs hospital), and now in its ninth clinical month, is emerging evidence that Genentech's more expensive drug is no more effective against macular degeneration than its lower-priced drug. Her results, set to be reported at a conference sponsored by Ocular Surgery News in Hawaii beginning January 17, seem positioned to do two things: help answer a specific medical question that could save consumers millions of dollars and highlight a serious, systemic problem in the way drug efficacy studies are funded.
A large-scale clinical trial sponsored by the National Eye Institute also is under way, without Genentech involvement, and findings are expected in 2011.
Genentech has refused to fund head-to-head studies that compare the two drugs. "I believe they didn't want to know the answer," says Subramanian.
Genentech disagrees.
"From our perspective," says spokesperson Nikky Levy, "Lucentis is approved by the FDA and meets the need of patients with wet, age-related macular degeneration, so our resources are better spent identifying new medical needs." She would not address financial specifics about the two drugs or how Genentech's bottom line would be affected if Avastin replaced Lucentis as the approved drug of choice for people with macular degeneration.
The notion that Avastin, first brought on the market in 2004 to treat colorectal cancer, might also help with one type of macular degeneration is not as strange as it seems. The drugs share a molecule and a mission: both inhibit blood cell development in ways that can starve a tumor and stop blood leaking into the eyes, which causes loss of sight.
Lucentis was approved for eye use in 2006, and Subramanian says the results have been "amazing. Before that, the best we could hope for was to stabilize vision," using laser treatments to cauterize tiny veins in the eye and try to stop further leakage. "This is the first drug that actually stabilizes and improves vision."
Philip Rosenfeld, a professor of ophthalmology at the University of Miami, first made the observation that some patients who were taking Avastin were also recovering sight. "It was a eureka moment," says Subramanian, but initial studies suggested that "side effects from getting Avastin through the vein to treat the eye were too great." And so came the natural next question: could Avastin be injected into the eye, like Lucentis, and be just as helpful?
"Retina specialists all over the world called for Genentech to sponsor a head-to-head trial," she says.
Genentech refused, and many conjectured that the motive for the decision was profit-based. When Avastin came on the market to treat cancer in 2004, a price was established; ditto for Lucentis in 2006. Because only tiny amounts of Avastin are needed in eye care as compared to cancer treatment, the price per dose becomes far smaller: for the recommended regime of 13 injections a year, a patient, or insurance company, would pay approximately $26,000 for Lucentis, but only about $650 for Avastin. That shift would have huge implications for the company; Genentech reported $875 million in sales for Lucentis in 2008, although Avastin remains its most popular drug, with almost $2.7 billion in sales the same year.
Meanwhile, even though it is not FDA-approved for eye care, retina specialists have begun using Avastin, in what is called an off-label application: once a drug is approved by the FDA for one use, physicians have the right to prescribe it for another malady. "At professional meetings, more than half the people present raise their hands when asked if they are using Avastin," says Subramanian. "Because of the cost difference, in most Third World countries they're using it."
Yet even if a doctor believes the drugs work equally well, "what if a veteran attending a VA hospital wants the FDA-approved drug?" asks Subramanian. "You shouldn't deny them that — it's not ethical."
That question helped persuade the Boston VA Healthcare System to help fund Subramanian's initial studies and locate patients. Recruitment was slower than she'd hoped; she found 29 patients who fit all her criteria. Of that group, she expects only 22 or 23 to complete a full year of comparison.
At the six-month mark, Subramanian found "no difference in efficacy" between the two drugs, using the rigorous criteria of a double-masked, randomized, controlled trial. But the trial pool is too small for conclusive proof — about 125 patients are needed to claim scientific validity.
Generally, drug companies support clinical trials as the only way to get their new products into the marketplace. Despite the funding source, such studies supposedly are structured to be unbiased, with careful peer review. In this case, apparently because of the level of controversy and the money involved, the National Eye Institute, under the umbrella of the National Institutes of Health, stepped in.
Genentech's Levy insists that the company's position is driven by safety concerns. "There are different standards for drugs that are being injected into the eye" than into veins, she says, and that could affect patient health. In addition, Lucentis works using "a smaller molecule, which can penetrate the retina better."
Subramanian's initial outcome suggests otherwise. But until larger-scale studies either support or disprove her findings, the status quo remains in effect. And there is no need for double-masked, randomized trials to conclude that the status quo improves Genentech's bottom line.
Seth Rolbein can be reached at email@example.com Comments


text:
The more the merrier in the Orlando Sentinel test kitchen! That's why we have teamed with the fabulous folks over at Orlando's WOMX Mix 105.1 to offer the morning show's Recipe of the Week. Today's recipe is Seared Scallops with Pomegranate-Almond Glaze.
Tender scallops nestled in a sauce of sweet and tart pomegranate juice, savory rosemary and golden brown, wonderfully nutty almonds makes a wonderful entree. Serve the scallops and sauce with rice or couscous. Every Wednesday, you can find more recipes picked exclusively for Scott McKenzie & the Morning Mix here and at mix1051.com.
Seared Scallops With Pomegranate-Almond Glaze
Yield: 4 servings
3/4 cup pomegranate juice
2 tablespoons sugar
1 tablespoon fresh lime or lemon juice
2 teaspoons cornstarch
1 teaspoon finely minced fresh rosemary
1/2 cup slivered almonds, plus 2 tablespoons
1 tablespoon olive oil
1 1/2 pounds large sea scallops
Salt and freshly ground black pepper
Steamed green beans
1. In a small bowl, whisk together pomegranate juice, sugar, lime juice, cornstarch, and rosemary. Set aside.
2. Place almonds in a medium, dry saucepan and set pan over medium heat. Cook 3 to 5 minutes, until almonds are golden brown, shaking the pan frequently to prevent burning. Reserve 2 tablespoons of the almonds for garnish. Add the pomegranate mixture to the remaining almonds and bring to a simmer. Reduce heat to low and simmer 8 to 12 minutes, until sauce thickens and reduces to 1/3-1/2 cup.
3. Meanwhile, heat olive oil in a large skillet over medium-high heat. Season both sides of scallops with salt and black pepper and add to hot pan. Cook 2 to 3 minutes per side, until golden brown on the outside and opaque/cooked through on the inside. Spoon the sauce on a plate and arrange the scallops on top. Garnish with reserved almonds and serve with steamed green beans.


text:
This interview focuses on Wilky's new book, Clarity Speaks of a Crystal Sea.
Anna Elena Eyre: Clarity Speaks of a Crystal Sea is an immersive book. There is no title page, copyright page or other material most often encountered at the beginning of a book. Instead, the reader is dropped into text on the cover, which leads to overlapping text on the inside cover facing a page of text printed on top of photographed pieces of text. This rests on strips of paper, which resist the two-dimensionality of paper, as the strips are folded to reach away from the surface and display shadow.
Several pages in, the reader encounters a photographed page of two strips of text. These strips reveal bits of text that have been cut off or are folded, and as such cannot be fully read. What one can read ("His din ers"; "The ear is one of these bodies. Every hum being") speaks further to this tension between the edges of dimension when immersed. In these lines, I read every human being as a hum being—as a being who hears (is vibrational), but the din often errs (as a word's semantic meaning is never static). Words and humans cannot be stripped of vibration (as even sign-language/brail conjure energy) and yet, when we read two-dimensional pages, we might be prone to forget this. Can you speak/write more to how you envision these tensions informing your work?
Afton Wilky: Thank you, Anna, for this wonderful reading and also for doing this interview. This is a really rich question with several avenues of reply. To dive right in, I see language as a space of excess. In other words, there is more significance there than can be processed by a human mind at once. Thus, there's always a choosing involved, a choosing of focus. The privileged focus is typically semantic and grammatical content, but the focus doesn't need to remain fixed. This text directs its focus upon some of the other layers of significance: sound, material, space, etc. Material can be read—the degree of nearness and farness can be a sign of relatedness replacing grammatical conjunctions such as "and" or "but." This ties back into your observation about the dimensionality of the page. When reading takes all these layers of significance into account, then it recognizes the three-dimensionality of language. Three-dimensional language does not just have to say, it can also do and evidence.
I'd like to find a way to connect this idea of three-dimensionality, this casting of shadow and mark as a trace of what has been done at some point in the past. Both language- and book-structures are time-based media/spaces. It seems important to distinguish between being able to cast a shadow by virtue of being present, and the kind of shadow or mark that evidences. Clarity Speaks deals with both types of "shadow." That these strips of paper ("His din ers"; "The ear is one of these bodies. Every hum being") have been cut from two printed sheets of text, that they have since been folded or bent, and that they are being documented here photographically allows that evidence to remain present—available to a reader. The particular, material past of these strips effects the sonic and semantic content as well. It produces what is visible and heard.
There's a dissonance here in that these are now the words but were not the words (particularly "din ers" from "dinners," or "hum" from "human"). I think this may be a part of what you were referring to when you said "vibration." All this is right there, yet it slips from grasp. This is more evident in other pieces. Dissonance and auditory shadow are cast when the words are not exact words. They sound like them, but are not fully those words.
So for me, it's that sound, that sense of shadow, excess, doubt, loss and past that's being explored in Clarity Speaks. "Clarity" is an illusion, the product of erasure or overlooking. "Clarity" is still out looking for itself.
AEE: A few pages in, a narrative begins to stir in the emergence of "Haada"; "one / H / three / a /s and a / d / five characters read as one" "body." (I have used quotation marks and semi-colons to indicate line breaks, since slashes are a part of the text.) Here the reader is asked to inquire into the makeup of "Haada" a bit more, and to register that a single word is made of several characters. A body is perhaps a din of hum—a morpheme of phonemes. I associate this with crystals and note that the "crystal sea" of the title plays against our notions of a refractive vast body of water and refractive sight. Are words crystal-like for you?
AW: I love this connection between the transparency of crystals, their refractive faces and words: that it becomes a matter of bending light; that it refracts depending on which way the crystal is turned; that, like language, light can become opaque. Once you start cutting into pages of text and finding entirely different texts within the material, the refractive quality of words does start to dissipate. Instead of words, phrases or sentences seeming fixed, they become material which is mutable. A page of text isn't there only to be "understood," but instead can be altered, manipulated, explored.
To me, that a character (roughly corresponding to a person) is the product of a series of characters (letters) that form names and pronouns upon the page was one of the ways I could shift back and forth between two narratives I saw at work. One had to do with figures (Haada, he, an author and me) while the other was a material narrative (one which emerged from what was being done to the text—the folding, cutting, erasure, piling). So much pointing takes place in language and text. Naming someone points. Pronouns hold open a space through which a particular person may be pointed to. Words themselves point.
AEE: Although a narrative begins to come forth in the appearance of "Haada," the narrative that occurs in your text is one that I find to be nonlinear and of repetition with a difference. For example, a book is often read from front to back and its pages are often read left to right. One encounters Clarity Speaks of a Crystal Sea and reads it in this way, and yet the text pushes against this reading. For example, some text is placed vertically and asks the reader to turn the book or else her head; text is centered in the gutter and can be read vertically or across the page; and text appears as erasure. Phrases and words are repeated throughout your book, yet when they are repeated, the context has shifted and their meanings take on refracted (if you will) meaning(s). This narrative of, as you say, "extension and accrual," reminds me of musicians who compose pieces that push against our normative notions of beginning, middle, end, climax, resolution, etc. (I'm thinking here of musicians like My Bloody Valentine and Eno and DJ's continuous sets). I'm struck that the physical body of a book might be a sort of time frame, as with the start and end of a musical piece (which somehow one cannot escape). However, within that time frame, much can be done to heighten our sense of time as circular, as constantly now—somehow different and the same. This leads me to the following questions: what is your relationship to music, and does music inform the composition of your book? Do you look to any musicians, artists, authors as creating or inspiring narratives of "accrual and extension"? What are some of your thoughts on narratives that "accrue and extend"? What attracts you to these narratives?
AW: I may do a pretty bad job answering this question. While I've got musical training, I don't actually listen to much music. I can see what you're saying, however, about repetition with variation. If I was going to put together a theme for the book it might sound a little bit like this.
[sc_embed_player fileurl=" http://theconversant.org/staging/wp-content/uploads/2014/04/wilky-eyre-audio.mp3″]
To me, the making of this project has been a negotiation between creation and loss, and, by the end, I had realized that those two things are actually terribly close to one another. The approach and slip, the coming and going, is a part of the searching the text and I went through together. Because of this, there's overlap and recurrence as threads appear and disappear. I think at one point I was thinking of the he/Haada as a perforation. But to return to the question, the stacking and accrual has a lot to do with committing myself to a project for an extended period of time. Materials begin to pile and transform.
AEE: What was your process for this project? You stated that this project took an extended period of time. How does this book project differ from others you've created in the past? I wonder if you could speak to the placement of text in stemmed glasses. I am curious as to the impulse behind this experiment.
AW: One of the big questions for me in the project has been: "What would happen if I did this?" The project began out of a series of erasures in which text was cut out of source text (e.g. figure 2). As you can see in one of the photos above (figure 3), Haada, in a very literal way, is the product of cutting and erasure. Erasure as a concept gradually developed and I began to look for alternative modes of it—particularly those that left a trace of what disappearance, alteration and/or detachment had occurred.
Folding was one of those alternatives. It was both a means of editing and part of book-making/book-structures. I think the multi-directionality of text you mentioned in another question (that we read both up and down and across the footer) emerges from this. As does text running across and/or out of the gutter, or margins disappearing and text/image often wrapping around the outside edge of the page.
Once I began looking for it, I saw types of erasure everywhere. My manipulation of text ran parallel to some of the modes of social and human erasure—displacement, loss, forgetting. What's the difference between Haada and Ha_ada, or _he from she?
To segue back to your question about the text in the stemmed glasses, if I didn't know the answer to a question, I'd find out. Usually this finding out was through making. At one point, I realized I didn't know the details of what would happen if I allowed paper to soak in water for a long period of time: would the "ink" bleed? Would some paper deteriorate more rapidly than others? So much of the text deals with water, and more specifically salt water, that I knew I needed to find out. Those glasses were the sites of many experiments and remained on my desk for months. (They're actually still on my shelf.)
Glass, which allowed and limited my access to the text, is also one ideal of language. A masterful use of language should be transparent—a crystal goblet—so that you forget it's there. I hope it's needless to say that my purpose in Clarity Speaks was not to make language disappear, nor to forget the roll of language in our experience.
AEE: I am struck by another character who surfaces for me in the text, and that is myself, but myself as the "one who is not there." Throughout your book, my awareness of how I create meaning through language is sharpened and reflected back to me. I largely create the meaning of a book because of my relationship to words, and yet there is a writer and the text would not exist without the writer. Clarity Speaks of a Crystal Sea engages an eye that reads two-dimensional words that are, to cite a phrase in the book, "refracting the whiteness of blank pages." These two-dimensional words are creating multidimensionality within my "I" through my eye, and yet what allows this is the empty space. Your book makes me wonder if what is connecting me to the text and writer is the space-excess-erasure. Does this make sense to you at all? Have I gone too far out there?
AW: I love this reading of "the one who is not here," and I think we could actually turn that in quite a few directions: one of which would be towards the author; another towards the he/Haada. A struggle and inquiry of Clarity Speaks is that uncertainty about who actually is the author. In many ways, I knew that I, Afton Wilky, was not the "master" of this text (in control of this text). The searching, the he, the I, my dreaming self, the source text and other materials all had a part in the making. But now that the book is out in the world, this presents a new series of relations surrounding the authorship of the text involving readers. In Clarity Speaks, it was not my goal to present answers or even a correct way of seeing/doing things. While I don't think I formulated this during the writing process, I see the text now as presenting a record of a struggle and a search. Because of this, a reader is presented with material to which there really isn't an "answer." What I hope for is that a reader will spend time with the text. There's a lot there, and for me (one who can come back now as a reader), it continues to unfold. If clarity speaks of a crystal sea, it's perhaps for want of one.
Afton Wilky is a multi-disciplinary artist—working in writing, sound, digital media and book arts. She is the author of Clarity Speaks of a Crystal Sea.


text:
Downtown San Francisco, CA Boarding Houses
YP - The Real Yellow PagesSM - helps you find the right local businesses to meet your specific needs. Search results are sorted by a combination of factors to give you a set of choices in response to your search criteria. These factors are similar to those you might use to determine which business to select from a local Yellow Pages directory, including proximity to where you are searching, expertise in the specific services or products you need, and comprehensive business information to help evaluate a business's suitability for you. "Preferred" listings, or those with featured website buttons, indicate YP advertisers who directly provide information about their businesses to help consumers make more informed buying decisions. YP advertisers receive higher placement in the default ordering of search results and may appear in sponsored listings on the top, side, or bottom of the search results page.
1. Gum Moon Residence Hall
855 Sacramento StSan Francisco, CA 94108
2. Parkinson's Rooming House
1521 9th StOakland, CA 94607
3. HI Marin Headlands Hostel
Building 941 At Fort BarrySausalito, CA 94965
From Business: HI-Marin Headlands is your ticket to breathtaking ocean vistas and trails that lead to scenic beaches, forests, and rolling hills. Nestled in a wooded setting fiv…
4. Tellefsen House Kitchen
1755 le Roy AveBerkeley, CA 94709
5. Martin Luther King House
2942 Martin Luther King Jr WayBerkeley, CA 94703
6. Ebaldc-Ivy Hill Development Corp
829 E 19th StOakland, CA 94606
7. Leader Universal Industry LUI
2114 Channing WayBerkeley, CA 94704
8. Piedmont Place
55 Macarthur BlvdOakland, CA 94610
We found8results


text:
Governance & Fundraising Academy (GFA)
Governance & Fundraising Academy (GFA) is designed to help 20 schools to advance their financial sustainability. The Academy helps participating schools engender a philanthropic culture among the Board and Staff and families and builds school capacity to implement a donor centric fundraising program capable of cultivating deep donor relationships and securing major gifts. By engaging the Head of School, Board Chair, the Board of Trustees, and the Development/Institutional Advancement professional, the GFA stewards each school towards strategic management of its fiscal health. Through an 18 month curriculum constructed around assessment, targeted summits and individualized coaching, the GFA offers the deep impactful support a school needs to make transformative change towards institutional advancement.
Other Programs in this Category:
- Atidenu: Our Future
- MATCH: Matching First-Time Donors to Jewish Education
- PEJE Generations
- PJ Library – Day School Engagement and Enrollment
- RFP for Collaboration and Cost Savings
- The Foundation for Opportunity in Education
- UJA-Federation of New York Day School Challenge Fund


text:
GraphicRiver Fire Works Vol.03 11219292
Category: Game Asset | Comment: ( 0 )
GraphicRiver Fire Works Vol.03 11219292
Game Asset \ Sprites
Effects \ Games \ Magic \ Mobile \ Lights \ Isolated \ Impacts \ Power \ Rays \ Star
Game Asset - Fire Works Vol.03 11219292 by ashishlko11 @ GraphicRiver
Game Asset \ Sprites
High Resolution: Yes; Layered: No; Graphics Files Included: Photoshop PSD, Transparent PNG; Minimum Adobe CS Version: CS; Pixel Dimensions: 1024x1024; Print Dimensions: 3.413x3.413.
This pack contain 5 amazing Fire Works Effects.
All Game Effects in 16 frames animated Sprite sheets manner.
Format PSD and PNG.
Sigle Frame Dimensions 256×256
Pixel Dimensions 1024×1024,
300 dpi resolution.
Please Appreciate My Work and rate it.
Feel Free to Ask any help !! Thanks u ALL
Game Effects Vol.15; Smoke Blast Vol.01; Game Effects Vol.10; Game Effects Vol.11; Game Effects Vol.12; Fire Works Vol.2; Under Water Game Background.
Keywords: abstracts, action, animated, blast, burst, effects, energy, explosions, fire works, flares, flicker, frames, game, games effects, hits, hot, impacts, isolated, lights, magic, mobile games, power, rays, spot light, Spritesheet, Star Effects, video games.


text:
Robert Rodriguez Takes Over James Cameron's 'Battle Angel' Movie
Some interesting development news regarding a science fiction project we've been following for years. Over at Hollywood Reporter, they're reporting that Austin, Texas-based filmmaker Robert Rodriguez is in negotiations to take over directing Battle Angel, the big sci-fi robot project that James Cameron had been attached to for years. In fact, Cameron is still a part of it, and provides a quote (see below) confirming he's just so busy with the Avatar sequels that he wants to let Rodriguez do it. If you recall, this is the movie that Cameron says he had to wait years for until the VFX were right, so maybe he has faith that Rodriguez can pull that off now. I'm not entirely sure if I'm particularly excited by this choice, but Cameron likes him.
The report says that Rodriguez will be working with James Cameron and his Lightstorm Entertainment producing partner Jon Landau. The story is based on Yukito Kishiro's popular manga series from the 90's known as Battle Angel Alita. Set in the 26th century, it tells a story of a female cyborg rescued from the scrap heap by a scientist. "With no memory of her previous life except her deadly martial arts training, the woman becomes a bounty hunter, tracking down criminals." The script was originally by Laeta Kalogridis, and has been referenced as being ready since at least 2009. Here's the included quote from James Cameron:
"Robert and I have been looking for a film to do together for years, so I was pumped when he said he wanted to do Battle Angel," stated Cameron. "He's very collaborative and we're already like two kids building a go-kart, just having fun riffing creatively and technically. This project is near and dear to me, and there's nobody I trust more than Robert, with his technical virtuosity and rebel style, to take over the directing reins. We're looking forward to learning a lot from each other while we make a kick-ass epic."
Well that sounds quite reassuring. I'm glad this is still being made under James Cameron's banner, and not Rodriguez's Troublemaker Studios, as it needs that kind of massive technical and financial support. Rodriguez also commented: "Battle Angel is an incredibly rich and vibrant epic in the tradition of Jim Cameron's spectacular, character-driven films. Getting to work from Jim's terrific and visionary script while learning the cutting edge techniques he's pioneered is a master class in filmmaking. It's an honor to explore the world of Alita along with Jim and Jon, whose films have impacted me for decades." He's making the leap to big time sci-fi now! All of these quotes are meant to make us feel like this film is still in very good hands.
I'm intrigued to see how Robert Rodriguez's Battle Angel Alita turns out, and I hope it's still as grand and epic as Cameron was planning. Stay tuned for additional updates. Are you happy with this choice?


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Results 1 to 3 of 3
Thread: Referencing tables in another DB
03-30-04, 20:46 #1Registered User
- Join Date
- Dec 2003
- Location
- Tasmania
- Posts
- 58
Unanswered: Referencing tables in another DB
I have an Access front end to a local MSDE db, & want to be able to select from & insert into a Sql Server db on the server.
I have set up the Access connection to the local MSDE db via File>Connection, thus this is the Currentproject.Connection.
In vba I can create a connection to the server db, & can use this to create a recordset from it:
Set cnn = New ADODB.Connection
strCnn = "Provider=Microsoft OLE DB Provider for Sql Server;" & _
"Data Source=Epicor;Initial Catalog=TestRig;" & _
"Persist Security Info=False; ;Integrated Security=SSPI;"
cnn.Open strCnn
rst.Open strSql, cnn, adOpenStatic, adLockReadOnly
To insert into the MSDE db I use:
strSql = "INSERT INTO <tablename> VALUES (...)"
DoCmd.RunSQL strSql
How do I specify this for the server db ?
ie is there a syntax for specifying the provider & database with the table name for OLE DB connections ?catkins
03-31-04, 02:05 #2Registered User
- Join Date
- Nov 2003
- Posts
- 267
You are probably not going to be able to do this with a SQl statement.
Open the the records from the MSDE (going through them one at a time) and Add them to the Sql Server (One at a Time)
Your other option would be to link the SQL server to the FE DB and have access act like both DBs are one (tables frm both DB are now part of the currentproject
03-31-04, 19:59 #3Registered User
- Join Date
- Dec 2003
- Location
- Tasmania
- Posts
- 58
Well, that sounds ok, I can easily live with reading from msde & writing to sqlserver one record at a time - but what is the syntax for writing to sqlserver ? Can I prefix the table name with server/database ?
Or, the linking option sounds a good way to go. Can that be done from within vba ?catkins


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Michigan ballot count still unofficial
The results are in. Now the Board of Canvassers has 14 days to certify them. They're also trying to find out what took so long for votes to be counted.
"It was a lot of ballots to count. That's the reality of it," said Jonathon Kinloch, Vice Chair., Wayne County Board of Canvassers.
There were a lot of ballots – nearly 248,000 votes in Detroit and 537,000 in the rest of Wayne County.
Kinloch, was getting phone calls late into the night about the election.
"What's going on with Detroit? What's going on with Michigan?"
The ballot was two pages in Detroit, with 63 candidates for school board alone. With a lot of absentee ballots to also count, Detroit went well into the night.
"Election day workers basically had to manually put the absentee ballots into the tabulator," said Kinloch. "You're talking about over 100,000 ballots they had to tabulate."
One precinct still wasn't counted until Monday afternoon. It was only 447 ballots, but every vote counts. A technical glitch kept them from being counted right away.
Several neighboring cities in Wayne County also came in late – Livonia, Canton, and Brownstown.
Election workers are hopeful new technology - soon to be approved by the state – will make future elections faster and smoother.


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I'm updating a post. Yesterday I posted 4 types of mentors. Read it HERE (updated of course). I can't believe I missed one…or that no one else caught my obvious error.
I grew up without a close relationship with my father. I missed the investment a father makes in the life of his son. As a result, I've tried my best to invest in my sons, but I guess because it wasn't a great part of my story I missed it.
There is another kind of mentor.
The 5th type of mentor is:
Relational – It's probably the best kind. It's the way I am with my two boys. They can call me anytime for advice. They can get through my crazy schedule when no one else (except Cheryl) can. They hold my heart and my desire for their personal success in their hand. I mentored them because they are part of me. A relational mentor relationship happens with someone to whom you are related. It's the most Biblical kind of mentoring. I hope it's been a part of your life.
Isn't that the best kind of mentor?
Do you have a relational mentor in your life? Share that with me here. I promise I'll be encouraged!


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Email email@example.com or tweet @thomgibbs with the answer to this question: What novel methods would you employ to protect Jack Wilshere from injury?
21.39 As I said at the top (you know, the one at the bottom of this page) it has not been a great Premier League season. Tonight there was a chance for a legitimately exciting race for the Champions League situation to present itself. As we should have predicted, we had a goalless draw. It wasn't a dreadful game, but it was one indicative of the current state of this league. Everton, one of the best defensive sides in the country when they'e in the mood, almost entirely nullified Arsenal, nominally one of the game's most potent attacking forces. Especially if you believe the year is still 2004. No change at the top, then, and a fading sense that Everton are going to do the honourable thing and steal fourth place from one of those nasty London big boys. Oh well, there's always the Europa League. Thanks for your company, I'll talk to you again soon.
90+4 min The match concludes in the exciting spirit it has provided... With a subsitution. Oviedo on for Mirallas.
90+2 min Steven Naismith on for Anichebe for Everton.
90+1 min Fellaini with his 412th header away from an Arsenal set piece of the evening. Four minutes of added time.
90 min GAH! This is truly the game in which no-one wants to score. Arteta put through in the box, but he's edgesd out at the last by Coleman. Another crucial bit of defending from young Seamus. Arsenal win a free kick soon afterwards, on the right hand side. Monreal is on for Gibbs.
88 min Everton get plenty forward after a dubious tackle in the centre circle. Gibson delays his pass but finally finds Mirallas in space inside the box. For a brief, beautiful moment it looks like he's going to volley it, but instead he checks inside and loses control of the ball moments before shooting from the middle. Alas.
86 min Another Arsenal corner. Another Everton clearance. So it goes.
84 min Arsenal finishing the game stronger, but boy oh boy do they need a moment of inspriation. There's only one man for it and he's got a very large forehead.
81 min "A real cup-tie feel to this," says Sky's Alan Parry, somewhat desperately. There's certainly been a decent atmosphere at the Airline Stadium tonight, but it's not been classic top flight fare. Still, Arsenal have another corner.
79 min Gah, now that is genuinely poor play from Girioud. Not the easiest chance, but he did well to find a yard with Jagielka standing up to him 10 yards from goal. The shot, though, is hurried and over.
77 min Arsenal on top again, and it's another huge chance for Giroud! He found Podolski at the beginning of the move, who then played a perfectly-timed pass to The Ox on the right. He crossed towards Giroud, goal side of the Everton defenders but behind the ball, but Coleman was there to clear. Good defending, rather than poor finishing. I must stop being so harsh on Olivier Giroud.
76 min Here comes "didn't he used to be good?" favourite Nikica Jelavic. He replaces Ross Barkley.
74 min Two Arsenal corners in quick succession. The second finds Ramsey near the far post and an impudent flick with his back to goal nearly wrongfoots Howard and the Arsenal defence. The keeper stands up and blocks the ball, though.
73 min Arteta uses a free kick deep on the right to thump in a cross. Barkley gets a head on it and Everton clear. How much do you like seeing Arsène Wenger point? Lots, I hope:
72 min Arsenal passing it around 40 yards from goal. It's all a bit polite. It leads to Gibbs attempting to cross from the left. Coleman blocks. He's been solid at right-back.
69 min Wilshere is substituted. That's one way to protect him, I suppose. The Ox is on for him, and Walcott also makes way, for Podolski.
68 min Again it's Everton looking the stronger team. Still, it remains a game low on incident, invention and real chances. Despite this, it's still vaguely enjoyable. Very hard to call, too.
65 min The underhit delivery is headed away by a stooping Ramsey. I am explicitly not a fan of his, but he's not had a bad game this evening.
64 min Mirallas crosses from the left, but it's well blocked by Sagna. Behind for an Everton corner.
61 min Coleman does an excellent job of holding off Ramsey as he chases after a ball on the left. Arsenal still looking most dangerous from the flanks, you feel they'll manufacture a proper chance soon. Perhaps it's time for plan G. (Gervinho). Oh yeah. I went there. Here's the half-time tunnel """""incident""""" in the vougeish format of animated .gif:
58 min Gibbs having an impressive gam. He attacks down the left again and wins his side a corner. Mertesacker pokes it wide in front of the near post. Goal kick.
57 min Baines hits the wall then does similar with the rebound. Arsenal break, with Waclott going behind the Everton defence on the right. He finds Giroud in the middle who shoots awkawrdly then falls over. I'm beginning to think he's a bit rubbish.
56 min Everton free kick in Baines country, shooting district, after Wilshere brings down Pienaar 25 yards out. Andy Holgate has his own Wilshere solution:
They could try this...
...or they could try the novel approach and rest him until fit.
54 min Baines delivers his trademark excellent free kick from wide on the left. Anichebe's on the end of it but his header is wide.
53 min Another Arsenal corner, with Fellaini heading clear this time. He's had a fine game as far as defensive headers go.
52 min Arsenal being forced to build from the back, and making a decent fist of it. Everton clearly trying to press higher, but it's stretching the game a bit more and there are promising signs of space developing out wide for Arsenal. Gibbs plays it back from the left to Giroud on the edge of the box, but he can only shoot over. A resonable punning effort from Twitter's Benjo:
49 min First proper save for Tim Howard, Cazorla connecting beautifully with a volley from just inside the area. Howard punches it round the post. It's the game's first corner, from which Arteta is forced backwards.
48 min Everton starting strong again, Barkley looking a promising outlet for them up front. It's a wonder they're not playing a bit more positively, they've looked decent going forward. Some top tweetery from Carefree Chronicles:
46 min Bit of a scuffle in the tunnel just before half-time, seemingly prompted by Mirallas squirting some bottled water in Wilshere's face! Marvellous business. Here comes a second half of football.
20.34 No goals, little incident, but weirdly engrossing. Everton largely doing a decent spoiling job with their five-man midfield, but have shown flashes of inspriation, largely Mirallas-driven. Arsenal yet to find their fluency but there's an encouraging bite and vigour to their play which the Ashburton Grove loyalists are responding to. Hard to see Everton winning it, also hard to imagine the second half will follow the same pattern. See you in 15.
45 min We shall have two minutes of so-called "added time".
44 min Giroud tries a backheel to tee up Walcott in the box after an uncomplicated pass from Cazorla to find him in the area. Doesn't reach Walcott. Moments later there's more excellent work from Cazorla, who beats Gibson with a nutmeg while running at pace, but it comes to nothing. Here's Henry Winter:
42 min Giroud misses a sitter! Everton exposed, and Ramsey plays in a perfect ball from the right, into the space that Giroud was pointing towards in the middle. He connects, but it's done with a total lack of élan, and he steers it wide of the goal when it looked easier to score.
40 min Anichebe nearly beats Sczcesny in bizarre circumstances! Gibson finds him behind the defence but Koscielny takes the ball off him from behind as he winds up to shoot. Bounces off Mertesacker, also close by, then off Anichebe, and briefly looks to be sickeningly rolling past the prone Arsenal keeper. It's travelling too slowly, though, and the Arsenal keeper makes a recovering save.
39 min Barkley has Everton's second shot of the game, in a small pocket of space just in front of the backpedalling Arsenal centre backs. It's a well-struck curling shot, but Szczesny has little bother stopping and holding it.
38 min Arsenal ending this half by far the stronger, but Giroud fouls Coleman as they chased after a ball heading over the byline for a goal kick. I should tell you that Pienaar was booked for his foul on Walcott moments ago. Here's Robert Dobson, whose email signature is "Not sent from an iPhone". YEAH!
Genetically modify a turnip to be about 8ft high and then hollow it out, cut some leg holes and then - this is the clever part - train a gorilla to play football whilst sightless inside the turnip - it'd be no worse than half the Stoke team. Then put Wilshire in the turnip looking out the top and train him to direct the recently trained simian using some type of string and pulley system. Paint the whole caboodle in red and white and Robert's your father's brother.
36 min Far better delivery from Cazorla than Wilshere's earlier, but it's equally well defended by Everton, Fellaini seeing off the approaching threat of Mertesacker and Koscielny.
35 min Walcott beginning to expose Everton, he's drawing fouls repeatedly. Pienarr, barging him off the ball after Walcott took it past Distin on the right. Another promising free kick for Arsenal wide on the right, Cazorla will take this one.
34 min Some furoe over Walcott running into Gibson, who's on a booking. Hmm, that did look like a deliberate block on Walcott, who had tapped it around him. Gibson only gets a talking to from Neil Swarbrick. Here's Olivier Giroud winning a header while desperately trying to preserve his immaculate haircut:
31 min Unless someone does something tremendous soon this is in danger of turning into the least eventful half of football this season. It's not entirely terrible to watch, there's just a lack of composure and execution from both sides. Mirallas starts a mildly thrilling Everton break with a lovely trick to beat Gibbs, but is offside at the end of the move. Which is less thrilling.
29 min Wilshere delivers towards the far post but Fellaini's able to head it away unopposed.
28 min Gibson gets the game's inevitable first booking for his part (bread) in an ugly Walcott sandwich with Ross Barkley. Arsenal free kick in a promising position wide on the right.
26 min Victor Anichebe has an impressively petulant tantrum after the linesman gives a throw the wrong way just inside Arsenal's half. "NAAAH! S'OUR BALL!" he hollers. I haven't seen anyone so angry about a throw since my father spilt wine on my mum's new sofa adornment from Habitat.
24 min Fellaini clears dreadfully from close to his own corner flag. Straight to Cazorla on the edge of the box, who passes short to Gibbs. He's got time and space to shoot but clearly isn't used to it, and puts a poor effort over. More on Jack Wilshere from Peter Frost:
He'd make a lovely Christmas elf once his on-field career is over. In the meantime globalsecurity.org suggest a Fully Encapsulating Suit that even McManaman couldn't get through. I'm sure it comes in red:
22 min Promising Arsenal move. Koscielny feeds an excellent pass through the middle for Giroud who taps it backwards for Cazorla. He unleashes one of his terrfying dinks over the defence, Wilshere is close to latching on but it's just too close to Howard and the American post-kicker makes it his.
20 min Arsenal doing their fair share of pressing and foot-getting-in in this increasingly physical encounter. Some yellow cards are surely imminent. At the moment it's a game of tackles, taking place almost exclusively in the middle third of the pitch. Here's your friend and mine Clive Young on young Jack:
Yoga seems to be a popular form injury prevention these days. Recommend he does it every game - preferably in the dressing room while it's going on.
18 min Wilshere, I'm afraid to say, is looking noticeably off-the-pace. He's miscontrolled a number of times now, Barkley charghing in to nick it off him. Wilshere's stayed down after that challenge and is receiving some treatment. Arsène Wenger is doing some complaining to the fourth official. It's a waste of both of their time, Barkley did nothing wrong.
15 min It's becoming scrappy, but in a fairly entertaining way. Fellaini looking fearsome in the middle, both teams misplacing passes.
14 min Better spell for Arsenal. Culminates with Cazorla teasing a low cross in from the right-hand side, but there are the audible groans of the £4,000-a-year season ticket holders to greet the fact that there's no-one in the six yard box to apply a finishing touch. Here are the two teams observing the pre-game silence:
11 min Arsenal failing to get a grip on this, they're being over-run in the middle. Everton work it forward and eventually to Baines on the overlap on the left. His cross isn't ideal, Fellaini connects but can't steer it on target.
9 min Still mostly Everton here. Arsenal yet to find their passing range, Walcott the latest to be guilty of an optimistic and wayward ball forward. Fighting talk from Øyvind Haaland
Employ Wilshere as a juice presser, energy drink mixer and break time refreshment manager. Oh and by the way, Tottenham WILL finish fourth this season.
7 min Big miss from Pienaar! He sneaks in between Sagna and Mertesacker before latching onto an intelligent Mirallas ball into the box from the right. Just Szczesny to beat, but Pienaar panics and finishes rashly. Well over.
6 min Everton acquitting themselves well early on here. They've had a sustained spell on the ball, and Fellaini's playing a bit deeper than usual which is giving them a talented anchor in the middle.
3 min Excellent pass from the right by Wilshere, who finds Ramsey running in behind the Everton defence. He takes Baines out of the equation with a neat turn, but his cross disappoints. It's behind for a goal kick. A resonably far-fetched suggestion in response to the question above from Dane Moody:
1 min After a supposed minute's silence for the Hillsborough anniversary that seemed more like 30 seconds, Arsenal kick us off. The silence, I'm pleased to say, was impeccably observed.
19.40 The teams are in the tunnel. Look out, football, this match is coming for you.
19.35 Shane O'Leary has contributed to this fabulous conversation about Jack Wilshere:
Surfing in on the Harish Hirani wave I favour the old fashioned way to protect Jack Wilshire from injury... Shin pads that go from ankle to neck, back and front, and painted in Arsenal colours. That should not only keep anyone from kicking Jack, but should also keep Jack from kicking anything.
19.30 This evening's retro highlights are brought to you by the glorious year of 1998:
19.15 The first in what I feel sure is going to be a profitable evening's haul of electronic mail, from Harish Hirani:
Novel way to protect Jack from injury: Shin pads and/or socks wired up to the electricity grid. That will stop Jack constantly getting kicked all over the shop.
19.02 Here are the teams:
Arsenal: Szczesny; Sagna, Mertesacker, Koscielny, Gibbs; Arteta, Wilshere; Walcott, Ramsey, Cazorla; Giroud.
Subs: Mannone, Vermaelen, Rosicky, Podolski, Oxlade-Chamberlain, Monreal, Gervinho.
Everton: Howard; Coleman, Jagielka, Distin, Baines; Mirallas, Gibson, Barkley, Pienaar; Fellaini; Anichebe.
Subs: Mucha, Heitinga, Jelavic, Oviedo, Naismith, Hitzlsperger, Neville.
Referee: Neil Swarbrick (Lancashire)
18.45 Time for the evening's first pertinent statiscial tweet, from our friends at Opta:
Oh dear, Everton. Oh dear, oh dear.
18.30 Evening liveblog fans.
Just as spring follows winter (eventually) and Wigan avoid relegation, Arsenal always manage to pull it together towards the end of the season.
I've been saying for weeks to anyone that will listen that the top four situation will resolve itself in the least interesting way possible, i.e. to include the Manchester clubs, Arsenal and Chelsea.
That prophecy looks to be coming together earlier than anticipated, with Spurs encountering their traditional wobble and Arsenal pulling off their traditional impression of a really good team, six months after it would have been relevant to the title race.
It's a mildly depressing picture, but perhaps Everton can upset the midly depressing apple cart. They're unbeaten in the league in five, winning four. Then again they haven't won at Arsenal since 1996, a match that I'm pretty sure took place in Woolwich.
If David Moyes' side can summon the spirit of '96 (feat. Barry Horne, Daniel Amokachi and Duncan Ferguson) and Arsène Wenger's also play their part in this historical reconstruction (feat. Andy Linighan, Glenn Helder and Bruce Rioch) then Everton will be level on points with both of the north London clubs above them in the table.
We shall have a genuine race for the Champions League on our hands. That would be wonderful.
On the other hand, Arsenal are very good at winning these sort of late-season games 3-1. And it is definitely no longer 1996. Which is, of course, a great shame.
Team news and rueful shakings of heads at the state of this disappointing season to follow, stay tuned.
Here's a preview for you to read:
Tuesday, April 16 2013
Arsenal v Everton
Emirates Stadium
Kick-off: 19.45 BST.
TV: Live Sky Sports 2.
Arsenal (Probable, 4-2-3-1): Szczesny; Sagna, Mertesacker, Koscielny, Monreal; Arteta, Ramsey; Cazorla, Rosicky, Walcott; Giroud.
Out: Diaby (knee).
Tests: Fabianski (ribs), Rosicky (hamstring).
Everton (Probable, 4-4-1-1): Howard; Coleman, Jagielka, Distin, Baines; Mirallas, Gibson, Osman, Pienaar; Fellaini; Anichebe.
Out: Hibbert (match fitness).
Referee: Neil Swarbrick. Matches: 14, R0 Y46.
Team News
Arsenal have Per Mertesacker available after serving a one-match ban while Tomas Rosicky, who also missed the 3-1 win over Norwich on Saturday, is available after recovering from a hamstring strain.
However, goalkeeper Lukasz Fabianski, who has played in the last five games, is a doubt after sustaining a kick in the ribs at the Emirates.
Vito Mannone was on the bench on Saturday and either the Italian or Wojciech Szczeny could deputise.
Nacho Monreal, rested against Norwich, may return to left-back, while Theo walcott could also start.
Meanwhile, Everton manager David Moyes will assess a few knocks and bruises ahead of the trip to Arsenal.
The squad came through Saturday's victory over QPR without any significant injuries but the Toffees boss needs to assess their overall fitness for the midweek game.
Match Notes
Both teams have their tails up after impressive runs in the chase for European football.
If Arsenal win they would move four points clear of fourth-placed Chelsea and Spurs, who are fifth.
After a sequence of five straight wins, they will be confident but they will not need reminding that they were 1-0 down to Norwich with only minutes remaining on Saturday.
Everton have won four and drawn one of their last five in the league and know a victory at the Emirates will pull them level on 58 points with Chelsea and Spurs.
Much to play for and a potential nervous night in store for both teams.
Betting: Home 3-4, Away 7-2, Draw 11-4.
Stat of the game: In 20 Premier League visits to Arsenal, Everton have won just once - in January 1996. Of the other 19 games, they have lost 16 and drawn three.
John Ley's prediction: Arsenal 1 Everton 1.


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Woohoo! It's here! It's here! My first card as a DT member for Whiff of Joy Challenge!
The challenge runs every other Wednesday and make sure to use a WoJ image on your project.
WoJ Challenge is turning 2! So we are celebrating with a "Thank You" challenge this week.
The DT have made beautiful "Thank You" cards for Katharina, drop by the challenge blog and check them out.
Thanks Katharina for all the wonderful images you have available for us to play with!
My card for Katharina is "Sweet Thanks" and I have used Melinda with Cookies.
I attempted to bake some cookies to send along with this card, but found out quickly that I'm not a baker!
I'm getting her some store bought cookies, it tastes better and it's much more pleasant on the eyes. lol
Whiff of Joy Stamp: Melinda with Cookies
Coloring Medium: Copic Sketch
Paper: MME & Prima
This card was entered into the following Challenges:
- A Spoon Full of Sugar - Anything Goes
- Practical Scrappers - Ribbons
- Sketch Saturday - Sketch
So happy you stopped by, Thanks and have a beautiful day.


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Description of the accommodation:
Rooms, services Sheen Beach Resort Vagator is offering ten tastefully furnished rooms to those seeking accommodation in Vagator. The café or the bar can be an ideal place for a meeting or a pleasant evening talk. The exact list of services available at Sheen Beach Resort Vagator (including those for an extra fee) and the exact list of equipment in a room can be found on the information sheet below.
Payment Depeding on the selected room, date and price, you may be asked to provide credit card guarantee or to pay by credit card in advance.
Arrival, opening hours The earliest time to check in to your room is 14:00, the latest time to check out of your room is 08:00. The personnel speaks English.
Sheen Beach Resort Vagator rooms Rooms
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Accommodation services
Garden, Bar, Cafe
Fridge, Tea/coffee-maker


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First Band Aid, now Radio Aid
Warning: This post was published more than 12 years ago.
I keep old posts on the site because sometimes it's interesting to read old content. Not everything that is old is bad. Also, I think people might be interested to track how my views have changed over time: for example, how my strident teenage views have mellowed and matured!
But given the age of this post, please bear in mind:
- My views might have changed in the 12 years since I wrote this post.
- This post might use language in ways which I would now consider inappropriate or offensive.
- Factual information might be outdated.
- Links might be broken; embedded material might not appear properly.
Many thanks for your understanding.
First Band Aid, now Radio Aid (Guardian)
This seems like a very positive story. I'm not personally a fan of commercial radio, but the fact that every station in the country has united behind this has to be a good thing.
Well done for putting the most bitter commercial rivalries aside in the name of a good cause.
This 186th post was filed under: Tsunami 2004.


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Economic development, the major powers, and peace. This is one of two papers on this subject distributed at the National Student Congress by the Liberal Study Group... [both papers together]
N.pl. n.pub. [1963]. 12p., wraps, 8.5x11 inches stapled in upper left hand corner [with] Thomas Timberg, "On 'neo-colonialiam'", 4p. [aforesaid second paper]. McKelvey was assistant national secretary of the Students for a Democratic Society.
Cat.No: 106990
Price: $15.00
See all items in 1960S, Economics, Labor - American, SDS
See all items by Don McKelvey


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Chaos Monkeys: A Silicon Valley Adventure
Mar 13, 2017 | 4:00pm – 5:00pm
Antonio García-Martínez
Chaos Monkeys
After stints on Wall Street and as CEO of his own Y Combinator startup, García Martínez joined Facebook's nascent advertising team, turning its users' data into profit for COO Sheryl Sandberg and chairman and CEO Mark "Zuck" Zuckerberg. He also fathered two children with a woman he barely knew, committed lewd acts and brewed illegal beer on the Facebook campus (accidentally flooding Zuckerberg's desk), lived on a sailboat, raced sport cars on the 101, and enthusiastically pursued the life of an overpaid Silicon Valley wastrel.
His new book 'Chaos Monkeys' is an unfiltered memoir of life inside the Silicon Valley machine, with every character named and underhanded maneuver revealed.
Primary Access: Platinum Badge, Interactive Badge
Secondary Access: Music Badge, Artist Wristband, Film Badge
Format: Solo
Event Type: Session
Track: Tech Industry
Level: Advanced


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Welcome and thank you for stopping by Label Me Merrit! I'm so thrilled you've stumbled on my little corner of the blogosphere. This is my place for sharing everything that goes on in my life. I am a firm believer that you can do anything you've put your mind to and that only you are responsible for the state of your own life. I know the work I put in today, will lead to the life I want tomorrow.
Much of what I talk about here on Label Me Merrit is focused on how I'm building my perfect life and perfect self. I don't always know what I'm doing, but I share every step of the way as I try to figure out and get the most out of life! If you'd like to learn a little bit more about me or what you can find here on the blog, you can click on one of the images below.


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To try the thousands of add-ons available here, download Mozilla Firefox, a fast, free way to surf the Web!Close
Welcome to Firefox Add-ons.
Choose from thousands of extra features and styles to make Firefox your own.Close
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My Reviews
LastPass Password Manager
lastpass 3.0 crashing firefox Rated 2 out of 5 stars
thanks Ibraim Lima for the tip! Disabling the option "Click Icons in Fields" in the lastpass preferences resolved the problem with the crashing firefox on my computer.
one day later: the problem disappeared only for a short time. Had to de install lastpass 3 and to re install the older version. Also lost most of my bookmarks because of lastpass 3 and de installed Xmarks also. Recovered bookmarks from firefox bookmarks menue. Now everything works again.
Palette Grabber
using with GIMP Rated 5 out of 5 stars
it works with GIMP.You need to open the palettes menue in GIMP. There click "import palette".Then choose the gpl file you created before.
To create your own collections, you must have a Mozilla Add-ons account.


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We recommend upgrading to the latest Internet Explorer, Google Chrome, or Firefox.
If you are using IE 9 or later, make sure you turn off "Compatibility View".
Handpicked brands for you
If you're ever fortunate enough to take a trip down the #coast highway through #bigsur , be sure to hang a mini wave air freshener from ulu LAGOON to complete the experience!


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A weekly column profiling companies and personalities.
Laplink, a Kirkland company developing file-transfer and synchronization technology
Thomas Koll, chairman and chief executive
Sound familiar?
Laplink should. The software company has been around for two decades and was the Bothell brainchild of Mark Eppley. But by 2003, it was burdened by debt and unable to generate more cash. Total revenue in 2002 was only $4.5 million.
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A new start:
Koll bought Laplink's assets in 2003 for $1.5 million. He moved the offices to Kirkland and ramped up the work force from 20 employees to 34. Since then, Laplink has released six new products and updated its signature software, a file-transfer and PC-connectivity program called Laplink Gold.
Broadened focus:
Laplink's new products include programs to help you access your PC from a Web-enabled device, sync your computer with a personal digital assistant and transfer files, programs and settings between computers. About two-thirds of Laplink customers are individuals. "We want to be a central brand for the computer user that they can trust," Koll said.
A corporate background:
Koll was at Microsoft for 13 years, starting in its German office and rising to vice president of network-solutions group in Redmond. After helping establish Microsoft's wireless strategy, he left the company in 2001 to become chief executive of Canadian wireless-computing company Infowave Software. He stepped down as CEO in 2002 but remains Infowave's chairman.
Napster it ain't:
Koll said that people older than 30 have fond memories of Laplink's software, while those younger than 30 have no clue what the company does. Laplink's work with peer-to-peer file sharing could change that. No, this isn't the new Napster. The company's ShareDirect program allows users to share any folders and files on their PCs, even through firewalls. The company's largest development team is focused on peer-to-peer work. "I think the category will explode," Koll said.
Not looking for funding yet:
So far, Koll has funded Laplink mostly with his own money. He isn't interested in venture capital but hasn't ruled it out. He expects Laplink will be profitable this year.
"We are all connected to the Internet, but we are not connected with each other."
— Kim Peterson


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Electronics engineers and others needing powerful tools for optimization, modeling, and simulation can now use the NAG Toolbox for MATLAB®, released by the Numerical Algorithms Group. The Toolbox gives users access to more than 1,300 additional math and statistical algorithms within the MATLAB environment. This additional mathematical and statistical functionality was previously unavailable or accessible to MATLAB users only by purchasing multiple toolboxes.
NAG Toolbox for MATLAB provides access to the NAG Library, the largest and most comprehensive collection of mathematical and statistical algorithms available today. The NAG Library is used by many of the world's most prominent manufacturers, scientists and academies, among others, because of its reputation for quality, flexibility and robustness.
Benefits of using the NAG Toolbox for MATLAB include:
- Lower cost and convenience of a single cost-effective toolbox that would otherwise require the purchase of two or more separate toolboxes.
- Access to NAG routines in the integrated and interactive MATLAB environment that makes MATLAB such a popular alternative to C and C++ for application prototyping.
- Increased productivity-NAG routines have been written by experts and are globally renowned for their quality, flexibility and robustness.
Rob Meyer, CEO of the worldwide Numerical Algorithms Group (NAG), comments, "The NAG Toolbox for MATLAB is designed to help scientific researchers get the breadth of functionality they really need in a single toolbox at a fraction of the cost of the multiple toolboxes otherwise required to get the same functionality. NAG Toolbox for MATLAB also includes a number of algorithms especially important to many research projects that just aren't found in any other commercially available MATLAB toolbox."
Pricing for the NAG Toolbox for MATLAB begins at $2,490 for an individual license, with discounts available to existing NAG license holders. It is available for both Microsoft Windows® 32-bit & 64-bit and Linux 32-bit & 64-bit and is compatible with MATLAB versions 2007a, 2007b, and 2008a.
About Numerical Algorithms Group
For over 30 years, the Numerical Algorithms Group (NAG) has been the world leader in mathematical, statistical, and data mining technology. NAG's expertise in compilers, software engineering tools, and visualization brings powerful techniques to the most challenging applications and biggest data sets. NAG components provide speed, accuracy, robustness and thorough documentation to support applications in Java, C/C++, Excel, Fortran, or one of the .NET languages.


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Welcome, Guest
Upcoming events: Supanova: Brisbane (10th-12th November), Adelaide (17th-19th November)
Oz Comic Con: Brisbane (23rd-24th September), Sydney (30th September-1st October),
FF:VIC ITT we prepare a party for an
Discussion in 'Oceania Discussion Boards' started by Protege-of-Thrawn, Mar 6, 2006.
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Six Senses Zighy Bay
Here you are, in the fabulous desert and coastal adventure that is Oman. The light is astonishing, the beach pale gold. This is an unplugged beach hotel that is perfectly executed. It's easy to get to for that hit of winter sun (just a two-hour drive from Dubai), and the smart, eco-friendly villas have private, sandy gardens with small pools. You can bring the children, yes, but the restaurants and general vibe also deliver a dollop of Middle Eastern candlelit charm. Despite the butler-with-buggy service, the essence here is barefoot cool: goats wander about, fig and lemon trees line the bicycle paths, and ever present in the background are those astonishingly beautiful, mysterious mountains. Be sure to get on the water for a different perspective: set sail into Haffa Bay where children still take boats to school. And when you want to retreat, the spa has the most amazing, deeply intuitive therapists. What's so special about this place is that for all the sharp trimmings, including private wine cellars, the overall mood is heartfelt and lolling. NEXT: Ellerman House>>
Address: Six Senses Zighy
Bay, Musandam Peninsula, Dibba-Musandam, Oman
Telephone: +968 26 735555
Website: sixsenses.com
Price: doubles from about £530
- 1. Hotel Il Pellicano
- 2. Jawai
- 3. Hôtel Crillon le Brave
- 4. Grand Hotel a Villa Feltrinelli
- 5. Berkeley River Lodge
- 6. The Peninsula Shanghai
- 7. Anassa
- 8. Babylonstoren
- 9. Singita Sabora Tented Camp
- 10. Six Senses Zighy Bay
- 11. Ellerman House
- 12. Amangiri
- 13. Dunton Hot Springs
- 14. The Carlyle
- 15. Titilaka
- 16. Nihiwatu
- 17. The Farm at Cape Kidnappers
- 18. Goldeneye
- 19. La Réserve
- 20. Ett Hem
- Open gallery


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Exceptional real gold chains at Ultimate Collection.
Posted: Feb 15, 2017
Gold chains are the best-selling jewelry items, that are known from the ancient times, and stay on the list of must-haves for those, who like to accessorize their style with the valued things.
If we're going to purchase a high-quality chain that could be used during plenty of years and even our very existence, we know that we should think about the real gold chains, presenting such caratage as 10- or 14-karat. Namely this quality of gold with the outlined numbers of karats can provide the jewelry pieces with the preferred durability and aesthetics. Due to this fact 10K gold chain is a great choice for all those, that are interested in the best value for money.
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Possibly you have various reasons to visit the Ultimate Collection internet store, regardless if you are looking for an incredible gift or an accessory for yourself. But the most important one is that visiting the category of 10K gold chain you'll get the excellent quality things, which will never disappoint you and will always decorate your look.
10K gold chain is an ideal choice for all those, that are thinking about the best value for money.


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Judge Finds Evidence Supports Removal Of Asbestos-Tainted Turbine Case
(Opinion available. Document #01-151007-015Z.)
David Baley filed suit in the Madison County Third Judicial Circuit Court against numerous companies whose conduct allegedly exposed him to asbestos.
Defendant CBS Corp. removed the action to...
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GraphicRiver Socks Mock-up 7437619
Photoshop \ Stock Graphic \ Backgrounds \ Miscellaneous
Design \ Stitched \ Gradients \ Change \ Colors \ Objects \ Oganized \ Layers
Stock Graphic - Socks Mock-up 7437619 by mesmeriseme @ GraphicRiver
Photoshop \ Stock Graphic \ Backgrounds \ Miscellaneous
Socks Mock-up
- 6 psd files: 1200×1500 px 72 dpi;
- You can change colors, gradients, put your own design using smart objects on each part of material;
- Realistic effect with displacemaps;
- You can add stitched text/design/logo;
- You can add tag with your own design;
- well oganized layers.
Layered: Yes; Graphics Files Included: Photoshop PSD; Minimum Adobe CS Version: CS4; Pixel Dimensions: 1200x1500.
Keywords: ankle, basketball, cotton, customize, cut, embroyed, female, football, game, kids, male, match, men, mesmeriseme, mock up, mock-up, mockup, play, player, ribbing, rugby, shoes, sock, socks, sport, stitched, template, tight, welt, women.
Download Link


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Lots of individuals want to pay back their particular debts easier yet do not know exactly how they are able to accomplish that. If they have a great deal of financial obligations, it can be difficult for them to actually make over the bare minimum installment each month. At that time, they're just paying off the interest and therefore are not in fact reducing the debt. Instead of spending a long time paying down the debt, the person might desire to receive assistance from a personal loan company.
Whenever the individual works along with a loan company, they are able to obtain a single loan that they can make use of to be able to pay back each of their financial obligations. They next only have one particular loan to worry about having to pay, which helps it be easier for them to be able to pay more at one time as well as make certain it really is paid back as fast as possible. To determine if the individual is eligible for a personal loan, they are going to have to speak to the company they are thinking about using and find out precisely what the conditions are. In case they may be eligible, they are able to after that complete an application and will quickly receive a response.
In case you might have a lot of debt and you are having difficulty trying to repay it all, you may wish to consider personal loans kansas city today. You may be able to receive the help you need in order to pay back your debts more rapidly.


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The first London NERC DTP students have completed their project proposals and are a ready to start their research. To celebrate, we're throwing a photo contest, to find the best images from the California Field Trip 2015.
Covering the broad spectrum of NERC research, from geology to ecology, we are looking for stunning images that capture the natural world.
To find out more, and for your chance to win one of six delectable prizes, click here.


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The areas of partnership would see both institutions collaborating in world class research and development of solutions in environment, Information and communication technology and food security, student exchange programme, staff up scaling and staff development. The vice chancellor of Salem University, Professor Joseph Fuwape intimated the visiting team of the university's achievements in academic excellence and infrastructural development. He stated that the university have grated the permission by the National Universities Commission to commence it post graduate schools as well as the start of academic programmes in Mass communication, sociology and English. Dr. David, head of the University of Portsmouth's team said his team was in the university to explore areas of corporation with SU so as to foster academic excellence and prosperity for both institutions. It would be recalled that the University has in recent times entered into similar partnerships with other renowned universities in the world.
Salem University Lokoja, Signs MoU With University of Portsmouth Reviewed by EMMANUEL CHINEKS on July 28, 2016 Rating:


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Automobile insurance is important for many motorists because it has the potential of protecting a vehicle owner against significant financial loss after an accident. In many states coverage is even required in order to operate a motor vehicle and severe consequences often await drivers that choose to ignore these laws. Finding the right policy, however, should involve a fair amount of research and adequate comparisons between protection plans and insurers. While shopping around motorists should be aware of the potential risks involved in divulging too many personal details, and to only obtain quotes from trusted insurers. By taking the necessary precautions a vehicle owner can become better equipped to avoid growing identity theft trends by shopping smart and taking notice of Internet security features.
Shopping around for the most affordable policies that still offer an adequate amount of protection is an essential part of purchasing vehicle coverage. At one point a common way for motorists to compare quotes was by contacting insurers directly and answering a series of questions. This process had the potential of taking hours if a vehicle owner intended on gathering a wide variety of estimates, but now motorists can complete an online quote comparison in a matter of minutes. In an age where cyber crime is on the rise it's important that motorists can get an array of car insurance quotes Without personal info from a single location. Online services can be extremely convenient, but it's essential for vehicle owner's to exercise a healthy amount of caution in order to avoid any unfortunate occurrences.Kaynak: Müzikkervaniyiz.com


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Details & Care
Add to the trousseau of your cute little prince the most stylish in Indian traditional clothing by shopping online the most exclusive and smart white kurta with Churidar Breeches pajama for Indian Kids. This classy baby wear has a complementing blue jacket. It is truly the most exclusive baby Indian clothing which is a perfect children clothing for Indian wedding and festivals. Dress your young baby in this elegant and smart traditional baby dress by shopping for it from anywhere in India.


text: With so many great children's stories featuring dinosaurs, a selection of cute, scary, hungry and squidgy dinos is sure to be a sound investment. Whether they are used with classics like Harry and the Bucketful of Dinosaurs, Roar!, Dinosaurs love Underpants, or popular new additions like Dinosaurs!, these fun and tactile props will literally breathe life into your story collection, helping to engage children and adults alike. With all of our wonderful dinosaurs picked for their character, play value and sensory appeal the world of dinosaurs has never been more fun.


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Think you're an expert on a galaxy far, far away? Test your knowledge of the Star Wars saga and The Force Awakens before the release of The Last Jedi
Is there more to the new trailer for Star Wars: The Last Jedi than first meets the eye? We take a closer look to unpack the key moments from the fresh footage.
In honor of the 40th anniversary of Star Wars: A New Hope, buckle up as our favorite movie, TV, and online superfans take their aim at the Death Star.
Star Wars Celebration kicked off festivities with a Star Wars 40th anniversary panel full of surprises and emotional moments. Catch up on all the highlights.
We've taken a look at how female IMDb users ranked the films in the Star Wars franchise.
Fans have taken inspiration from the Star Wars universe to create unique and original works of art. Explore some of the highlights here.
Explore the Star Wars universe through this extensive gallery, from Episode IV: A New Hope to The Last Jedi
A rebellious princess, a fearsome Jedi, and lethal assassins are among the women of Star Wars. Explore some of the strongest characters here.
"Awesome Bad Guys" Host Patrick Epino takes a look at the legendary Star Wars bad guy, Darth Vader
Find the droids you're looking for as well as a host of lesser-known heroes and henchmen from the Star Wars movies.


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For the last seven years MuseumNext conferences have focused on the future of museums and how the sector is forging ahead, showcasing innovative ideas and delivering thought-provoking insight. We continue to do so with our next conference taking place in Dublin in April 2016 and are looking for speakers to deliver energetic and inspiring 20-minute presentations.
Read more about the different categories and how you apply!
Spurred on by the closure of the Scryption Museum in Tilburg, the Foundation of Disinherited Goods was established in 2012 to generate public and governmental awareness about the consequences heavy budget cuts have on the cultural sector. Thus, the founders of the FDG (Kate Marchand, Jolande Otten and Dieuwertje Wijsmuller) created a program to use the 'orphaned' museum collection – the objects left to abandonment at the sudden closure of the museum – to better communicate the value of heritage in society.
Click here to read the brochure
Digitisation offers a great chance to improve the accessibility of cultural heritage immensely and thus to contribute to the knowledge society of the future. As in previous years, also in 2015 we want to discuss the chances, obstacles, challenges and changes that digitisation causes for libraries, archives and museums and their relationships with other institutions, initiatives and businesses. The major focus will be on future strategies for access to cultural heritage. What are new ideas and innovations? What trends become apparent?
ICT 2015 - Innovate, Connect, Transform, 20-22 October 2015 in Lisbon, Portugal, organised by the European Commission, together with the Fundação para a Ciência e a Tecnologia.
The ICT 2015 event will comprise a number of parallel activities:
DDW celebrates the power of imagination with the question 'with what does every designer and all innovation start?'. The question for everyone who believes everything can be done better, more beautifully and more efficiently, and who sees a challenge in every problem.
For 9 whole days, DDW boasts 100 locations, presenting the processes, experiments and ideas, answers and solutions thought up by 2400 designers. Come and be amazed, surprised or astonished. Ask yourself new questions, draw inspiration for your own answers and allow the power of design to convince you.
The MUSE project introduces a new way of exploring and understanding information by "bringing text to life" through 3D interactive storytelling. Taking as input natural language text like children's stories or medical patient education materials, MUSE processes the natural language, translates it into formal knowledge that represents the actions, actors, plots and surrounding world, and then renders these as virtual 3D worlds in which the user can explore the text through interaction, re-enactment and guided game play.
There are many different activities, meetings and conferences in the SmartCulture project. You will find information and summeries of the activities here - and feel free to comment. See what we do.
The SmartCulture project aims to create growth among the creative industries and strengthen the use of digital technology in culture and cultural heritage.
The project is supported by the EU commission.
Press here and watch the SmartCulture Promotional Video on vimeo


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In the next video in the series Clive talks about entering new markets
We have the experience and partnerships to help you grow your business, if you'd like to talk to someone about how we can help you start exporting contact us now.
You can also join the discussion, share ideas & find the answers to business growth by exporting through our online forums
This feature is only available to registered users.
Cumbria Business Growth Hub, Broadacre House, 16-20 Lowther Street, Carlisle, Cumbria, CA3 8DA. T. 0844 257 84 50 E firstname.lastname@example.com
Copyright Cumbria Chamber 2017 | All rights reserved | Terms and conditions | Website by Fat Media


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fine woodworking 221 pdf
Powermatic | download owner's manuals | fine woodworking, Download the owner' s manual for the full line of powermatic fine woodworking machines..
Guinevere total sanding kit – katools, Total sanding kit includes: hand pump (11320a), cleaning stick (11331), inflatable round sander (11341a), coarse sleeve 60 grit (11343a), medium sleeve 120 grit.
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Benches indoors – free woodworking plans, This is the benches indoors category of information. free woodworking plans to build all sorts of benches. this list of free woodworking projects features a.
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List of parks and recreation characters – wikipedia, The primary characters of the american television comedy series parks and recreation are the employees of the parks department of pawnee, a fictional indiana town..


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Melissa & Doug Lion
Melissa & Doug Grocery Store/Lemonade Store. Whatever the season or weather, this wooden play center can perform double duty! You can decide whether to run a store or sell lemonade today! Featuring portable plastic bins for pretend shopping or storage, removable chalkboard signs, a spacious countertop and reversible fabric awning. Dimensions: 50" x 16.25" x 32" Assembled Recommended Ages: 3+ years Contains small parts. Adult assembly required.