text:
"Psychosis", by a screenplay of Sarah Kane, a theater performance at Electrotheater Stanislavsky, a common project of Alexander Zeldovich (director) & AES+F (set design).
"Inverso Mundus", series of digital collages, AES+F.
"Inverso Mundus", HD multichannel video, series of digital collages (work in progress), AES+F.
"Inverso Mundus", HD multichannel video, series of digital collages, AES+F (work in progress).
"Inverso Mundus", HD multichannel video, series of digital collages, AES+F (work in progress).
"Angels-Demons", jewelry collection (a commission by Saha Diamonds Company), AES+F.
"Allegoria Sacra", series of digital collages, AES+F (work in progress).
"Angels-Demons", jewelry collection (a commission by Saha Diamonds Company), AES+F.
"Angels-Demons", a series of sculptures (interior version), AES+F.
"Allegoria Sacra". series of digital collages, AES+F (work in progress)
"Allegoria Sacra". HD multichannel video, series of photographs, series of digital collages, AES+F (work in progress)
"The Feast of Trimalchio". HD Video 1-channel version, series of digital collages, AES+F.
"Angels-Demons", Series of sculptures (fiberglass), AES+F.
"The Feast of Trimalchio".HD video 9-, 3- and 1-channel versions, AES+F.
"The Feast of Trimalchio".Series of digital collages, AES+F (work in progress).
"Europe, Europe". Series of porcelain sculptures, AES+F.
"The Feast of Trimalchio".Series of digital collages, video and sculptures, AES+F (work in progress).
"The First Rider", a plastic sculpture, AES+F.
"Last Riot", HD video, 1-channel & 3-channel versions, AES+F.
"Last Riot. Sculptures", an aluminum sculpture group, AES+F (work in progress).
"Défilé", a series of digital collages (light boxes) and multimedia, AES+F.
"Last Riot. Sculptures", an aluminum sculpture group, AES+F (work in progress).
"Last Riot", HD video, AES+F.
"Last Riot 2", a series of digital collages, AES+F.
"AHL Sculptures", a bronze sculpture group, AES+F.
"Last Riot 2", a series of digital collages, AES+F (work in progress).
"Last Riot", a series of digital collages, AES+F.
"Action Half Life. Episodes 1", a series of digital collages and drawings on paper, AES+F.
"AHL Sculptures", a bronze sculpture group, AES+F (work in progress)
"Action Half Life. Episodes 1", a series of digital collages and drawings on paper, AES+F (work in progress).
"Space Bedouin".
"KFNY (The King of the Forest, NY)", the 3rd project from the cycle "The King of the Forest", a series of photographs and video, AES+F.
"Action Half Life. Episodes 3 and 2", a series of digital collages and drawings on paper, AES+F.
"Othello by Shakespeare", a theater project, Meyerhold Theater Center, Alexander Zeldovich and AES.
"More Than Paradise", 2nd project from Cycle "King of the Forest", a series of photographs and video, AES+F.
"Le Roi des Aulnes", 1st project from Cycle "King of the Forest", a series of photographs and video, AES+F.
"Manufacture", photo installation, AES+F.
"Défilé", a series of digital collages (proofs) and multimedia, AES+F (work in progress).
"Othello. Asphyxiophilia", video and a series of photographs, AES+F (work in progress).
"OASIS", from the "Islamic Project", a series of handmade carpets, installation, AES.
"Othello. Asphyxiophilia", video and a series of photographs, AES+F (work in progress).
"Who Wants to Live Forever...", a series photographs and video, AES+F.
"The Yellow is Cooking, the White is Eating", video installation, AES.
"Gostinniy Dvor" Multipurpose Public Space, Moscow, an architectural and design project, AES.
"Suspects. The Seven Inner and the Seven Righteous", a series of photographs, installation, AES+F.
"Eisenstein Palace" Media Center, Moscow, an architectural project, AES.
"AES – Witnesses of the Future. Islamic Project", a series of digital collages, objects, installation & action, AES.
"Corruption. Apotheoses", a series of photographs, installation, AES+F.
"The Prince and The Beggar", a series of photographs, installation, AES, photographer Vladimir Fridkes.
"The Trauma of the Spine", photograph, installation, AES with Brian Conery, photographer Vladimir Fridkes.
"Family Portrait in the Interior", a series of photographs, installation, AES, photographer Vladimir Fridkes.
"Body Space", photo objects, installation, AES.
"Gesher" Theater, Tel Aviv, an architectural project, AES.
"Art of Possibility", objects, installation, AES.
"Children's Bible", a series of painting, objects, installation, AES.
"Decorative Anthropology", a series of painting, objects, installation, AES.
"Rhetoric of Pathos", a series of painting, objects, installation, AES.
"Apollo, Inspiring an Epic Poet", a series of drawings, a series of carpets, installation and book project, AES.
"Russian Landscape of 19th Century", a series of collages, a series of carpets, installation and a book project, AES.
"New Crony - Double Rainbow", painting and book project, AES.
"Serseau", a series of collages, installation and edition of posters, AES.
"AES+F GROUP: FROM THE LAST RIOT PROJECT", Multimedia Art Museum Moscow, Russia.
"THE FEAST OF TRIMALCHIO", Sunset Boulevard Public Art Program (digital billboards), West Hollywood, California.
"AES+F: INVERSO MUNDUS", Claudine and Jean Marc Salomon Foundation for Contemporary Arts, Manege du Haras d'annecy, Annecy, France.
"AES+F. INVERSO MUNDUS", Mobius Gallery, Bucharest, Romania.
"AES+F. INVERSO MUNDUS", Senda Galeria, Barcelona, Spain.
"AES+F: INVERSO MUNDUS, WOMEN'S LABOR", Special Project of 6th Moscow Biennale of Contemporary Art, Triumph Gallery, Moscow, Russia.
"AES+F: TRILOGY PLUS", Aeroplastics Contemporary, Brussels Belgium.
"AES+F: INVERSO MUNDUS", Special Project of 6th Moscow Biennale of Contemporary Art, Multimedia Art Museum Moscow, Russia.
"AES+F: THE FEAST OF TRIMALCHIO", special screening at Kunsthall Svalbard, North Norway Art Museum, Longyearbyen, Norway.
"001 INVERSO MUNDUS. AES+F", curator Ewald Stastny, Collateral event of 56th Biennale di Venezia, Magazzini del Sale, Magazzino 5, Venice, Italy.
"THE LIMINAL SPACE TRILOGY. Parts 2 & 3", Platform Russia, MAMM, Art Stage Singapore, Singapore.
"ALLEGORIA SACRA", public screening in Port Adelaide, Adelaide, Australia
"AES+F. THE LIMINAL SPACE TRILOGY", Musée des Beaux-Arts de La Chaux-de-Fonds, La Chaux-de-Fonds, Switzerland.
"AES+F: THE FEAST OF TRIMALCHIO", in frames of Art Media Festival, Krasnoyarsk, Russia.
"AES+F: ALLEGORIA SACRA", Art Statements Gallery Hong Kong, Hong Kong.
"AES+F" a special part on "HAPPY END?" exhibition project, Tennis Palace Museum, Helsinki, Finland.
"THE LIMINAL SPACE TRILOGY", Featuring artists of Fresh Paint Art Fair (special project, screening), Tel Aviv, Israel.
"THE LIMINAL SPACE TRILOGY", project room on Fresh Paint Art Fair, Tel Aviv, Israel.
"AES+F. ALLEGORIA SACRA", "Pride" Wellness Club, Moscow Region, Russia.
"AES+F. THE LIMINAL SPACE TRILOGY", Faena Arts Center, Buenos Aires, Argentina.
"AES+F. TRILOGY. FINAL CUT", Triumph Gallery, Moscow, Russia.
"ALLEGORIA SACRA. AES+F", The Glasshouse Regional Gallery, Port Macquarie, NSW, Australia.
"AES+F. ANGELS-DEMONS", Anna Schwartz Gallery, Sydney, Australia.
"AES+F. THE TRILOGY", Artwin Gallery - Kicik QalArt, Baku, Azerbaijan.
"AES+F. THE TRILOGY", Martin-Gropius-Bau, Berlin, Germany.
"AES+F. THE TRILOGY", Central Exhibition Hall "Manege", Moscow, Russia.
"AES+F. THE FEAST OF TRIMALCHIO", Bathurst Regional Art Gallery, Bathurst NSW, Australia.
"AES+F. ALLEGORIA SACRA", Sergey Kuryokhin Modern Art Center, St-Petersburg, Russia.
"AES+F – GUEST OF HONOR" Seoul Photo Art Fair, Seoul. South Korea.
"AES+F. THE FEAST OF TRIMALCHIO". Vanhaerents Art Collection, Brussels, Belgium.
"AES+F. ALLEGORIA SACRA", Art Gallery of South Australia, Adelaide, Australia.
"AES+F. ALLEGORIA SACRA", Triumph Gallery, Moscow.
"ANGELS-DEMONS. PARADE." Melbourne Festival 2011, Swanston Street and St Kilda Road, Melbourne, Australia.
"AES+F. ALLEGORIA SACRA. PICTURES". "Art Moscow 2011" Art Fair, Central House of Artist, Triumph Gallery, Moscow, Russia.
"AES+F. ALLEGORIA SACRA", a special project of 4th Moscow Biennale of Contemporary Art, Multimedia Art Museum, Moscow, Russia.
"THE FEAST OF TRIMALCHIO BY AES+F". Art District Gallery, Le Royal Monceau Hotel, Paris, France.
"AES+F. THE FEAST OF TRIMALCHIO". Perm Museum of Contemporary Art (PERMM), Perm, Russia.
"AES+F. THE FEAST OF TRIMALCHIO". Art Statements Gallery, Tokyo, Japan.
"AES+F. THE FEAST OF TRIMALCHIO". Novy (New) Museum, S-Petersburg, Russia.
"AES+F: THE FEAST OF TRIMALCHIO". Art Gallery of South Australia, Adelaide, Australia.
"AES+F. THE FEAST OF TRIMALCHIO". Melbourne International Arts Festival, Anna Schwartz Gallery, Melbourne, Australia.
"AES+F: THE REVOLUTION STARTS NOW". University of Queensland Art Museum, Brisbane, Australia.
"AES+F. THE FEAST OF TRIMALCHIO". "Garage" Center for Contemporary Culture, Moscow, Russia.
"THE FEAST OF TRIMALCHIO". 17th Sydney Biennale, Cockatoo Island, Sydney, Australia.
"DÉFILÉ", Knoll Gallery Vienna, Austria.
"AES+F", Danube Festival, Stadtsaal, Krems, Austria.
"ANGELS-DEMONS. PARADE", Rambla (rue Faidherbe), lille3000 "Europe XXL", Lille, France.
"AESTHETICS OF VIOLENCE. AES+F Group: video", Haifa Museum of Art, Haifa, Israel.
"MIXED UP CHILDHOOD", City Gallery Imst, Austria.
"AES+F. LAST RIOT", Ruzicska Gallery, Max Gandolf Library, Salzburg, Austria.
"AES+F", RS & A Gallery, London, UK.
"AES+F", Marco Noire Contemporary Art, Turin, Italy.
"AES+F", Arario Beijing Gallery (#1), Beijing, PR China.
"LAST RIOT", Gallery 3, Kulturhuset (The Cultural Center of Stockholm), Sweden.
"AES+F: LAST RIOT", University of Queensland Art Museum, Brisbane, Australia.
"LAST RIOT, AES+F", Adelaide Art Festival 2008, Jam Factory Contemporary Craft and Design, Adelaide, Australia.
"LAST RIOT: AES+F", New Zealand International Arts Festival 08, City Gallery Wellington, Wellington, New Zealand.
"AES+F. IL PARADISO VERDE...". MACRO Future (Ex-Mattatoi), Rome, Italy.
"AES TRAVEL AGENCY TO THE FUTURE", "Re-Education: You too can be like us", Thematical Weekend at Hebbel Am Ufer, Berlin, Germany.
"AES. AES+F", Moscow Museum of Modern Art, Moscow, Russia.
"AES+F", Station Museum of Contemporary Art, Houston (TX), USA.
"LAST RIOT", Project Room, Marco Noire Contemporary Art, FIAC – Grand Palais, Paris, France.
"AES+F. LAST RIOT 2", Claire Oliver Gallery, New York, USA.
"LAST RIOT", Marco Noire Contemporary Art, Turin, Italy.
"AES+F. LE VERT PARADIS...", Passage De Retz, Paris, France.
"AES. AES+F. SELECTED WORKS", Triumph Gallery, Moscow.
"AES+F. LAST RIOT 2", The Sotheby's Institute of Art, London, UK.
"AES. AES+F", The State Russian Museum (Marble Palace), St.-Petersburg, Russia.
"AES+F", the presentation on EFAH conference, City Hall, Helsinki, Finland.
"AES+F. LAST RIOT 2", Salvador Diaz Gallery, Madrid, Spain.
"AES+F", Galerie Charlotte Moser, Geneva, Switzerland.
"AES+F. LAST REBELLION (LAST RIOT 2)", Moscow Photobiennale 2006, Moscow, House of Photography, Central Exhibition Hall, Manege. Moscow, Russia.
"AES+F. KING OF THE FOREST", IMA - Institute of Modern Art, Brisbane, Australia.
"AES+F. THE KING OF THE FOREST, MORE THAN PARADISE, LE ROI DES AULNES + KFNY", Juan Ruiz Galeria, Maracaibo, Venezuela.
"AES GROUP. ISLAMIC PROJECT", Claire Oliver, New York, USA.
"AES+F. Action Half Life", Galerie Ruzicska, Salzburg, Austria.
"AES+F GROUP. ACTION HALF LIFE", Galerie Knoll Wien, Vienna, Austria.
"ACTION HALF LIFE. EPISODE 2", Guelman Gallery, Moscow, Russia.
"ACTION HALF LIFE. EPISODES 2&3" personal presentation of AES+F group on "Paris Photo 2003", Paris, Galerie Care Noir (Paris), France.
"THE KING OF THE FOREST: NEW YORK (KFNY)", COFA / Claire Oliver Fine Art, New York, USA.
"AES GROUP. OASI – ESPANYA ISLАMICA", Sala Montcada, La Caixa Foundation, Barcelona, Spain.
"LE ROI DES AULNES", Galerie Knoll Budapest, Budapest, Hungary.
"LE ROI DES AULNES", Galerie Knoll Wien, Vienna, Austria.
"WORKSHOP ART MOSCOW", Central House of Artist, Moscow.
"AES. ISLAMIC PROJECT", Galerie Sollertis, Toulouse, France.
"AES TRAVEL AGENCY TO THE FUTURE – ISLAMIC PROJECT", SIETAR Europe Congress 2000, Brussels, Belgium.
"AES GROUP. ISLAMIC PROJECT", Jean-Marc Patras – N.O.M.A.D.E., Paris, France.
"AES NOMADE MAKES STOP IN NEW YORK", Art in General, New York.
"AES TRAVEL AGENCY TO THE FUTURE", Festival Atlantico-99, Lisbon, Portugal.
"AES TRAVEL AGENCY TO THE FUTURE", "Sture Galerian", the city intervention during "After the Wall", Museum of Modern Art, Stockholm, Sweden.
"THE YELLOW IS COOKING, THE WHITE IS EATING", Art Media Center "TV Gallery", Moscow.
"AES TRAVEL AGENCY TO THE FUTURE", Neue Galerie, Graz, Austria.
"AES TODAY", Center for Contemporary Art "Ujazdowski Castle", Warsaw, Poland.
"MOSCOW — BERLIN, THAN EVERYWHERE...", Guelman Gallery, Moscow.
"LEDA AND SWAN", Hotel "Estrel", Berlin.
"BODY SPACE", State Center of Contemporary Art Moscow.
"A NINETEENTH CENTURY RUSSIAN LANDSCAPE", Internationale Austausch Ateliers Region Basel, CMS, Switzerland.
"FAMILY PORTRAIT IN THE INTERIOR", XL Gallery, Moscow.
"THE TRAUMA OF THE SPINE", Reserve Palace, Tzarskoe Selo, St. Petersburg.
"A NINETEENTH CENTURY RUSSIAN LANDSCAPE", Academie der Kunste, Berlin.
"THE PRINCE AND THE BEGGAR", Guelman Gallery, Moscow.
"KAIN AND ABEL", Galerie Caspar Bingemer, Hamburg, Germany.
"SCAR", Guelman Gallery, Moscow.
"THE ART OF POSSIBILITIES", Guelman Gallery, Moscow.
"AES — DREI KUNSTLER AUS MOSKAU", Die Galerie der Stadt Esslingen, Germany.
"CHILDREN'S BIBLE", Salzau, Cultural Center of Schleswig-Holstein, Germany.
"EAST-WEST" Gallery, London, England.
"DAS IRDISCHE PARADIES", ifa-Galerie Friedrichstrasse, Berlin, Germany.
"PATHETISCHE RHETORIK", Galerie InterArt , Berlin, Germany.
"APOLLO INSPIRING AN EPIC POET", "Howard Yezerski" Gallery, Boston, USA.
Representation and performance in Carpenter Center (Harvard University), Cambridge, USA.
"KINO DER KUNST", Munich, Germany
"RENCONTRES INTERNATIONALES PARIS", La Gaîté Lyrique, Paris.
"PLEASE COME BACK. THE WORLD AS A PRISON", MAXXI Museum, Rome
"IMAGINARY ASIA", Nam June Paik Art Center, Seoul, Korea
"BRIC-á-BRAC THE JUMBLE OF GROWTH", Today Art Museum, Beijing, China
"THE LAST GAZE: POSTMORTEM PORTRAIT IN CONTEMPORARY PHOTOGRAPHY", Photon Centre for Contemporary Photography, Ljubljana, Slovenia
"L'ARTE DIFFERENTE: MOCAK AL MAXXI", MAXXI Museum, Rome
"THE REAL-FAKE.ORG.02", BronxArtSpace, New York City, NY
"ROSIZO GALLERY AT VDNH: CINEMA TIME EXHIBITION", Rosizo State Museum and Exhibition Centre, Moscow
"KOLLEKTSIA!", Centre Pompidou, Paris
"AGE OF NATION", Knoll Gallery Budapest, Budapest
"NORDART 2016", Nord Art Festival, Kunstwerk Carlshütte, Büdelsdorf, Germany
"KOCHI-MUZIRIS BIENNALE 2016", Fort Kochi, India.
"RUSSIAN ARTISTS AT BIENNALE DI VENEZIA", Central Exhibition Hall "Manege", S.-Petersburg, Russia.
"PLATONOV ARTS FESTIVAL", Kommuna Art Center, Voronezh, Russia.
"MÖGLICHKEIT MENSCH - KÖRPER | SPHÄREN | APPARATUREN", Zeppelin Museum Friedrichshafen, Germany
"HERITAGE, HIGH CLASSIC", Victoria Art Gallery, Samara, Russia
"FOREVER", Bubox – Contemporary Visual Arts in Kortrijk, Belgium.
"2050. BREVE HISTORIA DEL FUTURO", Palazzo Reale, Milan, Italy.
"ARTEFUTURA 2015" Festival, Permanente, Bogota, Columbia.
"2050: A BRIEF HISTORY OF THE FUTURE", Royal Museums of Fine Arts of Belgium, Brussels Belgium.
"SCULPTURES, WHICH WE DON'T SEE", Central Exhibition Hall "Manege", Manege MEA, Moscow, Russia.
"SCREEN PLAY: LIFE IN AN ANIMATED WORLD", Albright-Knox Art Gallery, Buffalo (NY), USA.
"AES+F", Triumph Gallery at SCOPE Basel, Basel, Switzerland.
"BONS BAISERS DE RUSSIE", Galerie de l'Exil (and Galerie Albert Benamou - Véronique Maxé), Paris, France.
"PARADISE RECLAIMED", Galleri Nord-Norge, The Arts Festival of North Norway, Harstad, Norway.
"NORDART 2015", Nord Art Festival, Kunstwerk Carlshütte, Büdelsdorf, Germany.
"6th SWISS TRIENNIAL FESTIVAL OF SCULPTURE", Bad Ragaz, Switzerland.
"DEATH AND BEAUTY. THE CONTEMPORARY GOTHIC IN ART AND VISUAL CULTURE", Kumu Art Museum, Tallinn, Estonia
"CREATIVE ZONE – "BAROQUE": VISUAL AND HYBRID ART", ArtCult & Gera Museum, Vrsac, Serbia.
"THE ROAD TO ELYSIUM", Heist Gallery, London, UK.
"NORDART 2014", Country focus 2014: Russian Pavilion, Kunstwerk Carlshütte, Büdelsdorf, Germany.
"GLASS +A", Vitraria Glass +A Musuem, Venice, Italy.
"RUSSIA" at 23rd International Ceramic Biennial "Contemporary Art and Ceramic", Russian artists in the spotlight, Salle Eden, Vallauris, France.
"NUIT DES IMAGES 2014", Musée de l'Élysée, Lausanne, Switzerland.
"PAINTING/VIDEO (ЖИ/ВИ)", Solyanka VPA, Moscow, Russia.
"DETECTIVE", a parallel project of Moscow Youth Biennale, in Moscow Museum of Modern Art, Moscow, Russia.
"LAST RIOT AND OTHER CONTEMPORARY WORKS FROM THE COLLECTION OF DR. DICK QUAN", BRAG (Bathurst Regional Art Gallery), Bathurst, Australia.
"TRANSITION", Art Statements Gallery, Hong Kong.
"PERSONAL CHOICE: COLLECTORS' SELECTIONS FROM THEIR OWN COLLECTIONS", Garage MCA, Moscow, Russia.
"RECONSTRUCTION 2", Ekaterina Cultural Foundation, Garage CCC, XL Projects, Moscow, Russia.
"TILT!" Kunst Raum Riehen, Riehen/Basel, Switzerland.
"RECONSTRUCTION", Ekaterina Cultural Foundation, Garage CCC, XL Projects, Moscow, Russia.
"MONUMENTAL!", Art Statements Gallery, Hong Kong.
"SOPROMAT", ArtPlay Design Center, Moscow, Russia.
"RUSSIA XXI. CONTEMPORARY RUSSIAN SCULPTURE", Beelden aan Zee Museum and Lange Voorhout, The Hague, The Netherlands
"GLASSTRESS", Institute of Sciences, Literature and Arts, Palazzo Cavalli Franchetti, program of collateral events of 55th International Art Exhibition – la Biennale di Venezia, Venice, Italy.
"SILK MAP", 55th Venice Biennale 2013, Pavilion of Venice (Padiglione Venezia) at the 55th International Art Exhibition – la Biennale di Venezia, Venice, Italy.
"RUSSIA XXI. CONTEMPORARY RUSSIAN SCULPTURE", Beelden aan Zee Museum and Lange Voorhout, The Hague, The Netherlands.
"SOPROMAT", "ArtPlay" Center of Design, Small Hall, Moscow, Russia.
"AES+F. THE FEAST OF TRIMALCHIO", in frames of "Kino der Kunst" art video film festival & exhibition, Bavarian Academy of Fine Arts, Munich, Germany.
"MEDITERRANIEN BIENNALE 2013", Sachnin, Israel.
"ABOUT CARAVAGGIO. CONTEMPORARY VISIONS AND ILLUSIONS", Scuderie Aldobrandini – Museo Tuscolano, Frascati, Rome, Italy.
"MISE-EN-SCENE", Leeum Samsung Museum of Art, Seoul. South Korea.
"NOTHING TO DECLAIRE? – WORLD MAPS OF ART SINCE 89", Academy of Arts, Berlin, Germany.
"KANDINSKY PRIZE 2012", "Udarnik" Cinema Theater, Moscow, Russia.
"THE IMPOSIBLE BLACK TULIP OF CARTOGRAPHY", Impakt Arts Festival "No More Westerns", Centrum Beeldende Kunst Utrecht, The Netherlands.
"SHENZHEN ANIMATION BIENNALE", Shenzhen, PR China.
"A WAKE: STILL LIVES AND MOVING IMAGES" Momentum Worldwide, Dumbo Art Center, New York, United States.
"22.214.171.124.0", RH Gallery, New York, USA.
"ABOUT CARAVAGGIO", Scuderie Aldobrandini in Frascati, Rome, Italy.
"HISTORY IS MINE!" ("L'Histoire est à moi!"), 22nd edition of "du Printemps de Septembre-à Toulouse", Toulouse, France.
"SOFIA CONTEMPORARY" Biennale, Sofia, Bulgaria.
"MUSEUM. THE PHOTOGRAPHER'S VIEW", The Pushkin State Museum of Fine Arts (GMII), Moscow, Russia.
"ARSENALE 2012" The 1st Kiev Biennale, Mistetsky Arsenal, Kiev, Ukraine.
"SERGEY KURYOKHIN ART AWARD", Sergey Kuryokhin Modern Art Center, St-Petersburg, Russia.
"THE SOUND OPTIC", NCCA and "Gallery" Exhibition Center, Izhevsk, Russia.
"MEGACOOL 4.0" – Jugend und Kunst, Kunsthaus, Vienna, Austria.
"THE CARPET IS THE MESSAGE", GridchinHall, Krasnogorsk district, Moscow Region, Russia.
"CONTEMPORARY RUSSIAN PHOTOGRAPHY", "Perestroyka, Liberalization and Experimentation" the mid/late 1980s-2010s, FotoFest Biennale 2012, Spring St. Studios, Houston TX, United States.
"MOVING IMAGE CONTEMPORARY VIDEO ART FAIR 2012", Anna Schwartz Gallery (Melbourne, Sydney), Waterfront NY Tunnel, New York, United States.
"PERFORMING FOR THE CAMERA", Arizona State University Art Museum, Tempe, Arizona, United States.
"ART WYNWOOD ART FAIR", Juan Ruiz Gallery, Miami.
"ARCO", Triumph Gallery (Moscow), Madrid, Spain
"ART MIAMI 2011", Juan Ruiz Gallery, Miami, United States.
"BEHOLDER", Talbot Rice Gallery, The University of Edinburgh – Old College, Edinburgh, Scotland, UK.
"A WAKE: STILL LIVES AND MOVING IMAGES" Momentum / Kunstlerhaus Betanien, Berlin, Germany.
"THE FEAST OF TRIMALCHIO." at "Scotiabank Nuit Blanche. Toronto Festival 2011" Queen's Park, Toronto, Canada.
"ARTHOUSE SQUAT FORUM", a special project of 4th Moscow Biennale of Contemporary Art, Art house "Arthouse", Moscow, Russia.
"LICHTSICHT" – 3rd Projection Biennale, Bad Rothenfelde, Germany.
"THE GLOBAL CONTEMPORARY. ART WORLDS AFTER 1989", ZKM | Museum of Contemporary Art, Karlsruhe, Germany.
"inSPIRACJE". International Festival of Visual Arts, Szczecin, Poland.
"COMMERCIAL BREAK". Garage CCC, Collateral event of 54th International Art Exhibition – la Biennale di Venezia, Venice, Italy.
"FROM RUSSIA WITH LOVE". The City of Pietrasanta, Foundation for visual Arts, Palazzo Panichi, Complex Sant Agostino, Pietrasanta, Italy.
"THE RUSSIAN ART". SEM-Art Gallery, Monte Carlo, Monaco.
"HEROINES", Museum Thyssen-Bornemisza, Madrid, Spain.
"SCOPE NEW YORK Art Fair", Juan Ruiz Gallery, New York, United States.
"ARMORY SHOW 2011", Pier 94 (Anna Schwartz Gallery), New York, United States.
"VIP ART FAIR". Anna Schwartz Gallery (Sydney-Melbourne), New York, USA.
"BIG POND ADELAIDE FILM FESTIVAL", 6 Cinema Place (off Vaughan Place), Adelaide, Australia.
"THE HISTORY OF RUSSIAN VIDEO ART. VOLUME 3", Moscow Museum of Modern Art, Moscow, Russia.
"TRANSFORMATION", Museum of Contemporary Art Tokyo (MOT), Japan.
"CHRONIQUES RUSSES", Le Théâtre de la Photographie et de l'Image Charles Nègre, Nice, France (curated by Agnes de Gouvion Saint-Cur).
"INTER-COOL 3.0: JUGEND BILD MEDIEN". Hartware Medien Kunst Verein im Dortmunder U (Center for Art and Creativity), Dortmund, Germany.
"CONTREPOINT", L'art contemporain russe de l'icone à l'avant-garde en passant par le musée. Musée du Louvre, Louvre médiéval, Paris, France.
"ST. MORITZ ART MASTERS 2010", St. Moritz, Switzerland.
"SEXUALITY AND TRANSCENDENCE". Pinchuk Art Centre, Kiev, Ukraine.
"CONTEMPORARY ART FOR THE TEMPLE OF OLYMPIAN ZEUS". UNESCO-Italy, MACRO, Agrigento, Sicily, Italy.
"FUTUREEVERYTHING" FESTIVAL, Manchester, UK.
"ATOPIA. CONTEMPORARY ART AND CITY". Centre de Cultura Contemporània de Barcelona (CCCB), Barcelona, Spain.
"EXPERIMENTA. ART FOR THE 21ST CENTURY", Arts Centre Melbourne, Australia.
"FAST FORWARD 2. THE POWER OF MOTION - MEDIA ART OF THE GOETZ COLLECTION", ZKM | Museum of Contemporary Art, Karlsruhe, Germany.
"ARTISSIMA 16", Lingotto Fierre, Marco Noire CA, Turin, Italy.
"VIDENIE", "Europe" Trading Center, NCCA Yekaterinburg, Russia.
ASIAN ART BIENNIAL, Taiwan Museum of Fine Arts, Taipei, Taiwan.
"FEEDFORWARD: Angel of History", Laboral Centro de Arte y Creación Industrial, Gijon, Asturias – Spain.
3rd MOSCOW BIENNIAL, "Garage" CCC, Moscow, Russia.
"WAR & ART – HORROR AND SIMULACRUM OF BEAUTY", Galerie Aube, Kyoto University of Art and Design, Kyoto, Japan.
"VIDENIE", PERMM, Perm, Russia.
TOKYO PHOTO 2009, Art Statements Gallery (Hong Kong), Tokyo, Japan.
"3RD PHOTOFESTIVAL Mannheim-Ludwigshafen-Heidelberg", Wilhelm-Hack-Museum, Ludwigshafen am Rhein, Germany.
"INDIA ART SUMMIT", Video Lounge and booth of Arario Beijing Gallery, Pragati Maidan (ITPO), New Delhi, India.
"ANTICIPATION", Claire Oliver, New York. "DIGITAL ART LA EXPO", L.A. Center for Digital Art, Rowan Building Downtown, Los Angeles, USA.
"ART BASEL'09", Marco Noire Contemporary Art (Turin), Basel Messe, Basel, Switzerland.
"MIDI MIDI MOSCOU", "AES+F / Le Festin de Trimalchio", program Gare Saint Sauveur, lille3000 "Europe XXL", Lille, France.
"UNCONDITIONAL LOVE", Arsenale Novissimo, Tese di San Cristoforo, Tesa 89, , curated & produced by Alexandrina Markvo, Alinda Sbragia and Christina Steinbrecher, Collateral event of 53rd International Art Exhibition – la Biennale di Venezia, Venice, Italy.
"ART DUBAI", Triumph Gallery, Madinat Jumeirah Complex Dubai, OAE
"HANDCRAFT", Gallery Proun, Moscow, Russia.
"BORN IN USSR", Ministry of Foreign Affairs, Berlin, Germany.
"MEETING POINT", 10th Havana Biennial, Convent San Francisco, Havana, Cuba.
"INTRAMOENIA / EXTRA ART", Castelli di Puglia, Castello di Barletta, Puglia, Italy.
"HISTORY OF RUSSIAN VIDEO ART: VOLIME 2", Moscow Museum of Modern Art, Moscow, Russia.
"LES FRONTIÈRES INVISIBLES", Tri Postal, lille3000 "Europe XXL", Lille, France.
"ANOTHER MYTHOLOGY", NCCA Moscow, Russia.
"STARNIGHT", Haus der Kunst, DLD conference, Munich, Germany.
"21 RUSSIA", Pinchuk Art Center, Kiev, Ukraine.
"DEAD MOROZ LIVE", Triumph Gallery, Moscow, Russia.
"IN TRANSITION RUSSIA 2008", NCCA Moscow, Russia.
"RUSSIAN DREAMS…", Bass Museum of Art, Miami Beach, USA.
"VIDEO ZONE 4", The 4th International Video Art Biennial in Israel, CCA Rachel & Israel Pollak Gallery, Tel Aviv, Israel.
"RUSSISCHES ROULETTE", NKV Nassauischer Kunstverein, Wiesbaden, Germany.
"MOCKBA! CONTEMPORARY ART FROM RUSSIA", Gallery Volker Diehl, Berlin, Germany.
"LUCCADIGITALPHOTO FEST", Palazzo Guinigi, Lucca, Italy.
"RADICALE ALLTÄGLICHKEIT", Culture Exchange Center Burgasse 21, Vienna, Austria.
"MOVING TOWARDS A BALANCED EARTH: KICK THE CARBON HABIT", UNEP & Natural World Museum (San Francisco, CA, USA), Museum of New Zealand / Te Papa Tongarewa, Wellington, New Zealand.
"MOSCOW WORLD FINE ART FAIR", Triumph Gallery, Central Exhibition Hall "Manege", Moscow, Russia.
"NEO FUTURE", les Abattoirs, Toulouse, France.
"ART MOSCOW", Triumph Gallery, Central House of Artist, Moscow, Russia.
"THE FUTURE DEPENDS ON YOU. NEW RULES", Pierre-Christian Brochet Art Collection (Moscow), The ArsenyevPrimorsky Joint State museum, Vladivostok // The Krasnoyarsk museum center (Krasnoyarsk cultural and historical museum complex), Krasnoyarsk // The Far East Art museum, Khabarovsk // Tolmachevo airport, Novosibirsk // Sverdlovsk Regional museum of Local History, Yekaterinburg // The Samara Regional Art museum, Samara // The Kovalenko Krasnodar krai Art museum, Krasnodar // The Kaliningrad branch of The National Centre for Contemporary Arts (NCCA), The Kronprinz Tower, Kaliningrad, Russia.
"YOUNG IDENTITIES – GLOBAL YOUTH", European Media Art Festival, Kunsthalle Dominikanerkirche, Osnabrueck, Germany.
"ART CHICAGO 2008" Art Fair, Claire Oliver Gallery (New York), Chicago, USA.
"RUSSIAN CONTEMPORARY ART", Sotheby's Auction House, New York, USA.
"ART BRUSSELS 2008" Art Fair, Salvador Diaz Gallery (Madrid), Ruzicska Gallery (Salzburg), Brussels, Belgium.
"PULSE" Art Fair, Hans Knoll Wien Gallery, New York, USA.
"CIGE 2008/China International Gallery Exposition 2008", Nan Xin Cang International Tower, Beijing, PR China.
"ARCO 2008", Ifema – Parque Ferial Juan Carlos I,Salvador Diaz Galeria (Madrid), Marco Noire Contemporary Art (Turin), Madrid, Spain.
"KANDINSKY PRIZE", exhibition of short list nominees, Riga, Latvia.
"AN INVISIBLE", Proun Gallery, CCA "Winzavod", Moscow, Russia.
"RUSSIAN CONTEMPORARY ART", Sotheby's Auction House, New Bond Street, London, UK.
"THAW", M&J Guelman Gallery, Chelsea Art Museum, New York, USA.
"RUSSIAN CONTEMPORARY ART", Sotheby's Auction House, Moscow Exhibition Center "Neglinnaya", Moscow, Russia.
"DEPLETION", Doron Sebbag Art Collection, Tel Aviv Museum of Art, Tel Aviv, Israel.
"A BRAVE NEW WORLD", Cobra Museum of Modern Art, Amstelveen, The Netherlands.
"MARAT'S CHOICE", A special project of 2nd Moscow Biennale of Contemporary Art, M. Guelman Gallery, M. Guelman Foundation for Contemporary Art, State Central Museum of Modern History of Russia, Moscow, Russia.
"GORE OT UMA (THE WOES OF WIT)", A special project of 2nd Moscow Biennale of Contemporary Art, State Museum of Literature, Moscow, Russia.
"ARTIST'S DIARY", a special project of 2nd Moscow Biennale of Contemporary Art, Central House of Artist, M. Guelman Gallery, Moscow, Russia.
"ARCO", Ifema – Parque Ferial Juan Carlos I, Salvador Diaz Galeria, Madrid, Spain.
"GATEKEEPERS. Russian Art Scene In The Flow Of Information", Knoll Galerie Wien, Vienna, Austria.
"VERYU (I BELIEVE)", Center of Contemporary Art "Vinzavod", Moscow, Russia.
"CLICK, I HOPE", Russian Pavilion at 52nd International Art Exhibition – la Biennale di Venezia, Jardini, Venice, Italy.
"OTTEPEL (THAW)" (IN THE MIDDLE OF THE ROAD), State Russian Museum and M.Guelman Gallery, St.-Petersburg, Russia.
"HISTORY OF RUSSIAN VIDEO ART: VOLIME 1", Moscow Museum of Modern Art, Moscow, Russia.
"ART MIAMI 2007", Convention Center Miami Beach, Juan Ruiz Galeria (Maracaibo), Miami Beach, USA
"GAMESCAPES". Videogame Landscapes and Cities in the Works of Five International Artists, Civic Gallery, Monza, Italy.
"KRIEG DER KNOEPFE - KINDER UND DIE WELT DES KRIEGES", Ursula Blickle Stiftung, Kraichtal, Germany.
"MUTATIONS 1", Martin-Gropius-Bau, Berlin Germany.
"MUTATIONS 1", MEP - Maison Europeene de la Photographie, Paris, France.
"MUTATIONS 1", Casino Luxembourg - Forum d'art contemporain, Luxembourg.
"TO RELEASE EMOTIONS. MYTHS. SYMBOLS. SYSTEMS" in framework of the project Poles Russians mutual relations
"FOREVER LOST?", Knoll Galerie Wien, Vienna, Austria.
"THE GRAPHIC IMPERATIVE. The International Posters for Peace, Social Justice and the Environment 1965-2005", The Design Center of Philadelphia
University, Philadelphia (April 3-May 31), AIGA National Design Center, New York (June 15-August 18), USA.
"FOTOFEST 2006 - The Earth / Artists Responding to Violence", The Eleventh International Biennial of Photography and Photo-related Art, Fotofest, Houston, USA.
"VOILER – DEVOILER", Villa du Parc - Centre d'Art Contemporain, Annemasse, France.
"ARCO 2006", Galeria Salvador Diaz, Knoll Galerie Wien, Madrid, Spain.
"ART MIAMI 2006", Juan Ruiz Galeria, Convention Center Miami Beach, Miami Beach, USA.
"ARS 06. Sense of the Real", Kiasma Nykytaiteen musee (Museum of Contemporary Art), Helsinki, Finland.
"UN NUEVO Y BRAVO MUNDO / BRAVE NEW WORLD", Sala Alcala 31, Comunidad de Madrid, Madrid, Spain.
"RUSSIA 2. Bad news from Russia", White Box, The Annex, Magnan Projects' Annex, New York, USA.
"MOSCOW BREAKTHROUGH", Academia Rossica, Bargehouse, Oxo Tower Wharf, London, UK.
"STREET, ART AND FASHION", Exposition dans le cadre de Europalia Russia - Russian vision on Europe, Museum voor Fotografie, Antwerpen, Belgium.
"4TH TIRANA BIENNALE OF CONTEMPORARY ART", Tirana Biennale 3 - Sweet Taboos / (Episodes 5), Museum of Contemporary Art, Tirana, Albania.
"BARROCOS Y NEOBARROCOS. EL INFIERNO DE LO BELLO / BAROQUE AND NEOBAROQUE. THE HELL OF THE BEAUTIFUL", Domus Artium 2002 (DA2), Salamanca, Spain.
"XIV FERIA IBEROAMERICANA DE ARTE", Caracas, Venezuela.
"DE SCULPTURA", Galerie RUZICSKA, Max Gandolph Bibliothek, Salzburg, Austria.
"ROUNDHOUSE", Galerie RUZICSKA, Salzburg, Austria.
"MIXED-UP CHILDHOOD", Auckland Art Gallery, Auckland, New Zealand.
"JUST DO IT!", Lentos Museum, Linz, Austria.
"STARZ", special project on 1st Moscow Biennale of Contemporary Art, Moscow Museum of Contemporary Art, Moscow, Russia.
"RUSSIA 2", special project on 1st Moscow Biennale of Contemporary Art, Guelman Gallery, Central House of Artist, Moscow, Russia.
"ACCOMPLICES. Collective and interactive works in Russian Art of the 1960s-2000s", State Tretyakov Gallery, Moscow, Russia.
"INVASION", special project on 1st Moscow Biennale of Contemporary Art, Multimedia Complex for Actual Arts, Moscow, Russia.
"ACTUAL RUSSIAN ART", Kunstverein Villa Streccius, Landau, Germany.
"ACTUAL RUSSIAN ART", Museum of Contemporary Art, Zagreb, Croatia.
"GOING PUBLIC '04. Maps, confines, new geographies", Urban interventions, workshops, movies, public debates, aMAZE lab, Modena, Italy.
"ARLES RENCONTRES DE LA PHOTOGRAPHIE 2004", Exhibitions, Workshops and Festival, (by Moscow House of Photography), Arles, France.
"MUSICA 90", "ART LIVE 4", Festival Internazionale di Contaminazioni, Fondazione Sandretto Re Rebaudengo, Torino, Italy.
"14TH BIENNALE OF SYDNEY", Museum of Contemporary Art, Sydney, Australia.
"5TH INTERNATIONAL MONTH OF PHOTOGRAPHY IN MOSCOW. PHOTOBIENNIAL-2004", Museum of Contemporary Art, Moscow, Moscow House of Photography, Russia.
"MOSCOW-BERLIN/BERLIN-MOSCOW", National Historical Museum, Moscow, Russia.
VEIL. Institute of International Visual Arts (inIVA), Kulturhuset, Stockholm, Sweden.
"LONDON ART FAIR 2004", "Le Roi des Aulnes", Artek Gallery, Business Design Centre, London, UK.
"ART MIAMI 2004", "Islamic Project. Oasis", COFA/Claire Oliver Fine Art (NYC), Miami Beach Convention Center, Miami Beach (FL), USA.
"THE NEW COUNTING: DIGITAL RUSSIA TOGETHER WITH SONY", Guelman Gallery, Central House of Artist, Moscow, Russia.
"VEIL". Institute of International Visual Arts (inIVA), The Modern Art Oxford, Oxford, England.
"MOSCOW-BERLIN", Martin Gropius Bau, Berlin, Germany.
"GLOBAL > DETAIL. Noordelicht X", USVA Noorderlicht Photo Gallery, Groningen, Holland.
"NEUE ANSATZE / ZEITGENOSSISCHE KUNST AUS MOSKAU", Düsseldorf Kunsthalle, Germany.
"SPACE BEDOUIN" Real Utopia, Rotor, Graz, Austria.
"UBER MENSCHEN", Gallery, Modena, Italy.
"ACTION HALF LIFE", Workshop Art Moscow, Central House of Artist, Moscow, Russia.
"UBER MENSCHEN", Galerie ACC, Weimar, Germany.
"ARCO" Art Fair, Galerie Sollertis, Madrid, Spain.
"VEIL", Institute of International Visual Arts (inIVA), The New Art Gallery Walsall, England.
"GROUP SHOW", COFA/Claire Oliver Fine Art, New York, USA.
"MONTH OF PHOTOGRAPHY IN BRATISLAVA", Slovakia.
"ART VIENNA 2002", MAK museum, Knoll Galerie Wien, Vienna, Austria.
"ART COLOGNE 2002", Knoll Galerie Wien, Cologne, Germany.
"ART FORUM BERLIN 2002", Berlin Messe, Galerie Sollertis, Berlin, Germany.
"FESTIVAL ARS ELECTRONICA", AEC Ars Electronica Center, Linz, Austria.
"NEW YORK AFTER NEW YORK", Musèe de l'Elisèe, Lausanne, Switzerland.
"RE-ORIENTATION", Galerie ACC, Weimar, Germany.
"4TH GWANGJU BIENNALE", Gwangju, Project 1, South Korea.
"ART BRUSSELS 2002", Gallerie Sollertis, (Toulouse, France) Belgium.
"AES+F, SOPHIE CALLE, FABRICE HUBERT, ELIAN LILLE", Galerie Sollertis, Toulouse, France.
"PARIS PHOTO", Paris, Galerie Care Noir (Paris), France.
"FIAC", Paris, Galerie Sollertis (Toulouse), France.
"ART FORUM BERLIN", Galerie Sollertis (Toulouse), Germany.
"INTERNATIONAL NOORDELICHT PHOTO FESTIVAL", USVA Noorderlicht Photo Gallery, Groningen, Holland.
"RUSSIA", Grafeneg Castle, Austria.
"ART CHICAGO", Galerie Sollertis (Toulouse), USA.
"WARHOL CONNECTIONS", Guelman Gallery, L Gallery, Moscow.
"ART MOSCOW" Art Fair, Central House of Artist, Guelman Gallery and NCCA, Moscow.
"FASHION AND STYLE IN PHOTOGRAPHY" – special project "Manufacture", Maliy Manege, Moscow.
"ISKUSSTWO 2000, NEUE KUNST AUS MOSKAU, ST. PETERSBURG UND KIEW", Kunstverein Rosenheim, Germany.
"PAYSAGES URBAINE", Le Quartier CCA, Quimper, France.
"DOLL BY THE STAR", Museum of Architecture, Moscow, Russia.
"SERIALS", State Center of Contemporary Art, "Manege" Central Exhibition Hall, Moscow, Russia.
5E BIENNALE DE LYON, Halle Toni Garnier, Lyon, France.
Les Abattoirs, Toulouse, France.
"BEZUMNY DVOYNIK" ("CRAZY TWIN"), Ecole de Beaux Arts, Paris, France.
"ARCHITECTURE AND DESIGN-2000", Expopark, Central House of Artist, Moscow, Russia.
"DESPITE", Bokov Project, Museum of Architecture, Moscow, Russia.
"DYNAMIC COUPLES", Guelman Gallery, "Manege" Central Exhibition Hall, Moscow, Russia.
"EIN GESPRÄCH – RAZGOWOR – RAZMOWA", Künstlerhaus Bethanien, Berlin, Germany.
"BEZUMNY DVOYNIK" ("Crazy Twin"), Central House of Artist, Moscow.
"AFTER THE WALL", Museum of Modern Art, Stockholm, Sweden.
"FESTIVAL ATLANTICO'99", Lisbon, Portugal.
"DOM" ("HOUSE"), Festival "Moscow Alternative", Guelman Gallery, Moscow, Russia.
Kunsthalle "Faust", Hannover, Germany.
"PROPAGANDA ART", Lombard-Freid Fine Arts, New York, USA.
"UN MATIN DU MONDE", Eric Dupont Gallery, Paris, France.
"3 PENNY SHOW", Rutgers University, Mason Gross School of Art, New Brunswick (NJ), USA.
"MEDIALIZATION", Edsvick Museum, Stockholm, Sweden.
"ACADEMY OF FROST", Fine Arts Museum, Soros Centre for Contemporary Art, Odessa, Ukraine.
"2ND INTERNATIONAL MONTH OF PHOTOGRAPHY IN MOSCOW. PHOTOBIENNIAL-98", Central Exhibition Hall "Manege", Moscow.
"11TH TALLINN PRINT TRIENNIAL", curated exhibition "Tangents", Tallinn Art Hall, Tallinn, Estonia.
"EUROPEAN ART FORUM", Art Media Center "TV Gallery" (Moscow), Ber1in, Germany.
"FORUM OF ART INITIATIVES", Maliy Manege, Moscow.
"THE WORLD OF THE PERCEPTIBLE THINGS IN PICTURES — END OF THE 20TH CENTURY", Pushkin State Museum of the Fine Arts, M'ars Gallery, Moscow.
"MOSKOU VANDAAG", De Vereniging Voor het Museum van hedendaagse Kunst te Gent, Gent, Belgium.
"1ST INTERNATIONAL MONTH OF PHOTOGRAPHY IN MOSCOW. PHOTOBIENNIAL-96", House of Artist on Kuznetsky Most, Moscow.
"EUROPEAN ART FORUM", Guelman Gallery (Moscow), Berlin, Germany.
"CONTEMPORARY RUSSIAN PHOTOGRAPHIE", "La Base" Center of Contemporary Art, Paris.
"MULTIPLICATION", "Kashirka" Exhibition Hall, Collection of Contemporary Art of Tzaritzino Museum, Moscow.
"AUTUMN EXHIBITION", Guelman Gallery, Moscow.
"KIEV ART MEETING" Ukrainian House, "Alipiy" Gallery, Kiev, Ukraine.
"ZEITGENOSSISCHE FOTOKUNST AUS MOSKAU" Neuer Berliner Kunstverein, Berlin.
"MOSKAU MEETS BERLIN", Berliner Firmen prasentieren Moscauer Künstlerinnen und Künstler (Aengevelt Immobilienmakler, Dresdner Bank AG, Fritz Palm "Burototal" Buromaschinen-Burobedarf GMbH, Mercedes-Benz AG), Horn+Stammer Art Management, Berlin, Germany.
"CONVERSION", Guelman Gallery, Helsinki, Finland.
"CONVERSION", Guelman Gallery, Moscow.
"MOSCOW ART FAIR - ART-MIF", Central Exhibition Hall (Manege), Moscow.
"777", Museum of Contemporary Art, Stockholm, Sweden; Aspex Gallery, Portsmouth, England; Reykjavik Art Museum, Island; Nova Gallery, Bratislava, Slovakia; Rheinopera Cultural Center, Duisburg, Germany.
"ART HAMBURG", Hamburg, Germany.
"ARS BALTICA PROLOG. FACE TO FACE", Künstlerhaus "Bethanien", Berlin, Germany.
"MOSCOW IN CAMBRIGE", Imperial College, London, UK.
"EXERCISES AESTHETIC", Museum "Estate Kuskovo of 18th Century", Moscow.
"ARS BALTICA PROLOG. FACE TO FACE", Kunsthalle, Kiel, Germany, Exhibition Hall "Latvia", Riga, Latvia.
"MOSCOW IN CAMBRIDGE", Emmanuel College, Cambridge, England.
"PINO PASCALI PRIZE, 18th Edition", Foundation & Museum Pino Pascali, Italy.
"NORDART FESTIVAL 2014", Main Award, Germany.
"KANDINSKY PRIZE 2012", Main Award – The Project of the Year, Russia.
"SERGEY KURYOKHIN AWARD 2011", Russia.
"Annecy 2016" Animated Film Festival, Annecy, France.
"ZERKALO" film festival, Ivanovo, Russia.
"BIGPOND" Adelaide Film Festival, Adelaide, Australia.
"46º PESAROFILMFEST", Film Festival, Pesaro, Italy.
"IMPACT FILM FESTIVAL", Utrecht, Holland.
"LOCARNO FILM FESTIVAL", Locarno, Switzerland.
"IMPACT FILM FESTIVAL", Utrecht, Holland.
"SPLIT FILM FESTIVAL", Split, Croatia.
Residency in YADDO, Saratoga, NY, USA
ArtsLink-CEC International Partners Fellowship in Art in General, New York, USA.
Scholarship in Cite Internationale des Arts, Paris, France.
Scholarship in Vermögensvervaltung Streletski — Victoriahof, Berlin, Germany.
"Kulturdorf" — State Center of Contemporary art, Scholarship in Reserve Palace, Tzarskoe Selo, St. Petersburg.
Scholarship in Internationale Austausch Ateliers Region Basel, CMS, Switzerland.
Scholarship in Salzau, Cultural Center of Schleswig-Holstein, Germany.
Grant for realisation of the project "More Than Paradise", Kultur Kontakt Austria, (Vienna).
Travel grant, ArtsLink-CEC International Partners (New York), "Open Society" Institute of Soros (Moscow).
Travel grant, "Open Society" Institute of Soros (Moscow).
Travel grant, "Open Society" Institute of Soros (Moscow).
Grant for Catalogue "AES Today", Soros Center for contemporary art.
Grant for Catalogue "Body Space", Soros Center for contemporary art.
Alltech, Corporate collection, Moscow.
The Carmignac Foundation, Paris, France
Centre d'Art Contemporain Georges Pompidou, Paris, France.
City of Lille, France.
Chronolux Corporate collection, Moscow, Russia.
Centro de Arte Dos de Mayo, Collection of Comunidad de Madrid, Spain.
Robert & Renee Drake Collection, Wassenaar, The Netherlands.
Estrel Hotel, Berlin, Germany.
FNAC, Paris, France.
FRAC – Franche-Comté, France.
JGS Forward Thinking Museum, New York, USA.
Kolon Industries Inc., Kwachon, South Korea
Les Abattoirs, Toulouse, France.
Locarno Video Bank, Switzerland.
Louis Vuitton Foundation for Creation, Paris, France.
Maison Européenne de la Photographie, Paris, France.
Meeschaert Collection, Paris, France
Moderna Museet, Stockholm, Sweden.
Multimedia Art Museum Moscow (MAMM), Russia.
Moscow Museum of Modern Art, Moscow, Russia.
Museum of Old and New Art (MONA), Moonah, Tasmania, Australia
The Museum of Fine Arts, Houston, TX, USA.
Musèe de l'Elysèe, Losanne, Switzerland.
M. Guelman Foundation for Contemporary Art, Moscow, Russia.
National Center for Contemporary Art Ujazdowski Castle, Warsaw, Poland
National Center for Contemporary Art, Moscow Branch, Moscow
Neue Galerie Graz, Austria.
Nomas Foundation, Rome, Italy
Northern Norway Art Museum, Tromsø, Norway
Novy Museum, St. Petersburg, Russia
Sammlung Alison & Peter W. Klein, Eberdingen-Nussdorf, Germany
Sammlung Goetz, Munich, Germany
Stadt Galerie Esslingen-am-Neckar, Germany
Taguchi Art Collection, Japan
The Museum of Contemporary Art in Krakow, Poland
The State Russian Museum, St.-Petersburg, Russia
The State Tretyakov Gallery, The National Collection of contemporary art, Moscow, Russia
Vanhaerents Art Collection, Brussels, Belgium
Vanmoerkerke Collection, Oostende, Belgium
Wien Museum, Vienna
ZKM, Karlsruhe, Germany
Lectures organized by ACC + Bauhaus, Weimar, 2002
Moscow Institute of Contemporary Art, School of Contemporary Art, Master classes 2000-2002
Lectures in University Saint Denis Paris 8, 1999
Lectures in Rutgers University, Mason Gross School of Arts, 1998
Lectures in Columbia University, Harvard University, 1989


text: Well, I decided to go ahead and flash back to 2.1. Now all my phone does is go back and forth from "Droid" to the eye over and over again. I have to pull the battery to stop it. The flash process seemed to go smoothly until the phone booted up. RSDLite had said to manually start the phone, but it had already booted on its own. Any suggestions are appreciated.

subset: commoncrawl


text:
October was a crazy month around these parts. I took a 2 1/2 week bus trip around the east coast, with stops in Pittsburgh, Philadelphia, Washington DC, North Carolina and Atlanta. I saw the White House vegetable garden up close, experienced history and futuristic art in Philly, and fought back tears at the Martin Luther King National Historic Site in Atlanta.
Stay tuned for all the stories, starting next month when Philadelphia serves as the Featured Travel Destination.
This month, I also partnered with Residence Inn's Thrival Guide, which provides trusted referrals from travelers regarding what to see and do in various cities. There's nothing better than to be able to read tips and info from previous travelers to help guide your own visit. I contributed nearly a dozen of my own tips from Washington DC. Take a look at their guide to share and gain local knowledge.
And earlier in October I was interviewed on TraveLinkSites. Click to check out my words of wisdom about travel within the U.S.
Featured personal link:
Photographs of photographers taking photographs at the Chicago Bean sculpture
A photo essay in which I take pictures of other people taking pictures. You never run out of people to watch at the Chicago Cloud Gate Sculpture, aka the Bean.
October travel links of interest:
Bucket List Journey: Attending a Colorful Native American Pow Wow
Thanks to her husband's ancestry, Annette got to attend a Native American pow wow near Portland. Take a look at the beautiful colors, the intricate artwork, the dance moves, and the traditional foods, and listen to the music in a video clip. Most of us don't know nearly enough about Native American cultures, so this would be a fantastic cultural learning experience.
That Backpacker: A Missing Museum & the Wrong Side of Town
Why is misfortune so funny? In this case, Audrey writes about taking the NYC subway through some rough neighborhoods in search of the MoMA Queens, only to discover it ceased to exist five years ago. Oops! We've all been there, in some way or another.
Hecktic Travels: Travel on the Radio
Put travel and music together and you've got my attention. Dalene and Pete got to play DJ recently on a Calgary radio station and wrote about the experience. Their choices aren't particularly travel-related, but that's the beauty of creating playlists – you get to select the songs that are meaningful to you. Props to them for including such acts as Beirut and the Cranberries.
Southwest Compass: The Alamo – A Look Behind the Walls
The one time I tried to visit the historic Alamo, my travel van broke down and had to be towed back to Austin. I never ended up making it to the Alamo, but now I feel like I've been there thanks to Lane and Juliet, who explain the site's history and present some nice photos of the place.
Chrystal Clear: My Criteria for the Perfect City
Here's a good conversation starter. Chrystal asks what criteria make a perfect city. The answer is different for everybody. Personally, I need a lot of nature (parks, forest, rivers), a diverse population, good public transportation, a progressive mindset, and a good concert scene. I'm not asking for too much, am I?
The Atlantic Cities: Please Bring This to America: Heated Bike Lanes
How much do I love the Netherlands? I've never even been there but it sounds like an amazing place. They're actually studying how to create heated bike lanes so that commuters can ride their two-wheelers even during snowy winters. I love the Dutch.
Note: For my participation with the Thrival Guide, I received stipend to use for my reviews and a one-night stay at the Residence Inn.


text:
Stephen Stewart
Stephen Stewart, Coppin State- Stewart guided the Eagles to a 1993 MEAC Tournament title and was named the MEAC Tournament Outstanding Performer in his rookie season. He earned back-to-back MEAC Player of the Year honors (1994, 1995) and helped lead the Eagles to the NCAA Tournament in 1993 and the National Invitational Tournament (NIT) in 1995.
The forward scored 19 points against St. Joseph's in the NIT aiding Coppin State in its first-ever postseason victory. Stewart ranks eighth all-time in scoring at Coppin State with 1,393 points and seventh with 546 rebounds.
The 1993 MEAC Rookie of the Year Stewart earned All-MEAC First Team honors in 1994 and 1995. He joins his brother Larry, another former standout at Coppin State, who was inducted in the MEAC Hall of Fame in 2005.


text: I'm trying to get a background on the home screen, I've got summerboard installed but can't figure out how to use one of my own pictures as the background. Haven't been able to get customize working on 1.1.4, I can't get past the screen with the chicken on it. Anyone know how I can do this? EDIT: I got customize working now


text:
Slugs but still quicker than the almost revered (these days) 220 wheezer.
4Vman (17th August 2017)
no argument from me, I've agreed, I forgot to add 220 in my previous post.
Hence why I shifted it for the 250stroker.
I would have gone backwards in the 260, even if given to me I would have flipped it quick smart.
YNWA ! off to CL 2018.
Sydney is Sky Blue HAL Premiers/Champions 2017 - the Double.
This months performance podcast.
Scott with "them".....
My Falcon family heritage: XY V8 Falcon 500, XYGT, XBGT, XC 351 GS, XD 4.1 Spack, EF wagon, AU Wagon, AU2 Wagon, AU2 XR8, BA XR8, BF XR8, FG XR6, Lucky last: Sprint 8. Oh wait, AU3 XLS Marlin Ute!
FTe217 (13th October 2017)
I interesting insight into Holden's approach with the car.
That said, my interest is quite remote and I'm still unconvinced by the body shape and proportions, or that this is a car that will resonate with Holden's performance enthusiasts. Personally speaking, my connection with Holden was the locally built aspect of the current car and its GM 'Chev' underpinning, now all of which are gone. I'm not suggesting for a moment that it isn't a good car, in fact I'm sure it will be but it all sounds, and looks, very pedestrian. In the context of excitment its about on par with a Hyundia Sonata at the moment.
Lifetime proud Ford Falcon enthusiast and owner of the following models XR, XY, XB, XC, XD, EB, AU, BA and FG.
4Vman (13th October 2017)
No wrong comparo Col but why not, i40 I reckon or even maz 6 < and tbh thats insulting the mazda for me.
YNWA ! off to CL 2018.
Sydney is Sky Blue HAL Premiers/Champions 2017 - the Double.


text:
It's no coincidence that you know a ton of people with birthdays in August. Statistics show more people in the US have birthdays in August than any of the other months. Here's how all 12 months stack up:
View All Posts From This Author →
Ryan Pratt
Ryan Pratt is a typical millennial who wears flip-flops to work and is always multitasking. He is an over-indulgent technophile and Star Wars-loving cinephile. He is a creative and an innovator. Ryan has a specialized background in marketing and content. He graduated from The Ohio State University in 2007 with a Bachelor of Arts in Journalism and strong background in Fine Arts (Architecture, Art History, Cinema).
You must be logged in to post a comment.
© 2016 - ListAfterList.com. All rights reserved. Facebook | Twitter


text:
The summer season of Sinbad the Sailor is well and truely behind us. Sinbad and his friends are off on other exciting adventures, Big Monkey has been tucked away for a well earned rest and the gang from Big Monkey Theatre are already planning the next show for the 2014-2015 summer season.
The cast and crew from Big Monkey Theatre would like to thank everyone involved in Sinbad for their hard work and enthusiasm, and to everyone who came to see and enjoy the show!
Stay tuned for news about our next botanical gardens production!


text:
- Please select a date to see the proper prices!
- Meal can be requested on the spot
Best offer
28 € / person / night, no meal
Description of the accommodation:
Rooms, services Seagull Hotel Göynük is offering 140 comfortable rooms to guests looking for accommodation in Göynük. In case you ever feel like eating in, you may taste delicious local dishes in the restaurant of the hotel. Parking possibility for your vehicle is available nearby. Relaxing wellness services will be available to you at the hotel, the steam room, hairdresser's parlour and indoor pool will also be waiting for you. Car rental service is also available to help you discover all key highlights of the area. Nearby table tennis, bike rental, billiard, surfing and boat rental opportunities will provide an excellent chance to spend your leisure time actively. In case you like doing exercises while you are on a trip, you should definitely try the gym as well. The bar is an ideal location for a personal meeting and a relaxing evening talk. You can secure your valuables in the safe. Wireless Internet connection (WiFi) is available at the hotel, ensuring that you can stay up-to-date during your holiday. The exact equipment and the exact list of available services of Seagull Hotel Göynük can be read on the information sheet below.
Payment For the reservation you may need to provide advance payment by credit card or credit card guarantee, depending on the exact date, room and price.
Arrival, opening hours The earliest time for arrival and check-in is 08:00, the latest time for departure and check-out is 12:00. You will be able to speak with the personnel in Turkish and English languages.
Seagull Hotel Göynük rooms Rooms
- Please select a date to see the proper prices!
Accommodation services
Free WiFi in shared places
Relaxation: Fitness, Table-tennis, Billiard, Bike rental at the accommodation
Car rental nearby, Surfing nearby, Boat rental nearby
- Indoor pool
- Steam room
- Jacuzzi
- Pool (Outdoor - seasonally open)
- Finnish sauna
- Hairdresser's parlour
Garden, Bar, Elevator, Safe deposit box
Own restaurant
Hairdryer, Mini-bar


text:
About Us
Contact Us
The Boerboel
The Boerboel is a large mastiff type dog that originates from South Africa.
It is believed that its origins lie in the original bull breeds that arrived in South Africa with the European Settlers and the indigenous dogs found living with the African tribes.
What is certain is that the name Boerboel was given to any number of large farm dogs that were found guarding settlers' farms throughout the country.
In 1990 the Boerboel breed was in danger of being lost and a group of fanciers (later to become the South African Boerboel Breeders' Association or SABT) started scouring South Africa for eligible dogs to use as a breeding base. Of the hundreds found, 72 were evaluated and registered. A development register was also maintained for some years to widen the gene pool, ie, dogs, which on appraisal were considered to be good Boerboels, could be registered even if their parentage was unknown.
A good Boerboel is a confident, biddable and loyal guard dog. An excerpt from the breed standard states:-
Temperament and character
The Boerboel is manageable, reliable, obedient and intelligent with strong protective instincts. The Boerboel is self-confident and fearless. Uncontrollably aggressive and fearful Boerboels are unacceptable."
Male Boerboels average at around 65 cm and weigh around 65-70 kg. Females are smaller at around 60 cm and weigh around 50-60 kg.
A complete copy of the SABT Breed Standard can be found on the following link -
Breed Standard


text:
Breakfast Panini
Be the first to Write a Review
Prep Time: 5 minutes
Cook Time: 3 minutes
Servings: 1
Taking a fresh approach to the morning meal, we have transformed the classic combination of bacon, eggs and toast into a sandwich that is cooked to crisp perfection on a panini press.
- 164
- 2 slices white bread or brioche, each 1/2
inch thick
- Melted unsalted butter for brushing
- 3 Tbs. grated cheddar cheese
- 2 bacon slices, fried until crispy
- 1 fried egg
- Salt and freshly ground pepper, to taste
- 1/4 cup arugula
Wine PairingThis pairs well with medium-bodied sparkling wines like the Champagne Doyard Cuvée Vendemiaire 1er Cru from our Wine Club.
Directions:Preheat an electric panini maker on high heat according to the manufacturer's instructions.
Place the bread slices on a cutting board. Brush one side of each slice with melted butter. Turn one slice over and sprinkle with the cheese. Top with the bacon and fried egg, and season with salt and pepper. Top with the arugula and the other bread slice, buttered side up.
Place the sandwich on the preheated panini maker and cook according to the manufacturer's instructions until the bread is golden and the cheese is melted, 3 to 5 minutes.
Transfer the sandwich to a cutting board and cut in half. Serve immediately. Serves 1.
Williams-Sonoma Kitchen.


text:
Recently I attended the Taylorsville Drug Court Graduation. This is a voluntary program of which someone who is charged with a drug or alcohol offense can participate.
According to Judge Michael Kwan, "These people have realized that parts of their life are out of control and they want to gain that control back." This program has been going for 14 years and has had 42 graduation ceremonies. Over 1000 people have graduated.
The graduation ceremony I attended had eight graduates. Speakers included Councilmember Kristie Overson who said, "I commend all of you for being here tonight. You are here because of some good and not-so-good choices. The not-so-good landed you here today, but the good choices are to work hard to be here tonight. I admire you for that and appreciate you. We are where we are because of those decisions. We look forward to you giving back to our community. Thank you for your example tonight."
Then Police Chief Tracy Wyant spoke and congratulated them on their achievement. "You are at a new crossroads and a new chapter in your life. I would ask you give that some real thought and choose the correct path," he said. "You made some mistakes to be here, but everyone in this room makes mistakes. You are not unique or isolated in that. Recognize that, but don't allow that to keep you down."
During the ceremony Alan Kirkwood, a volunteer for Freeway Watch and the father of a child killed by someone under the influence, gave Judge Kwan an award for "his perseverance in making this program happen."
A few of the graduates read letters that they wrote talking about their experiences in the program. One said how nice it felt to be "in a clear-headed state." Another one said, "I am grateful there is a program like this available. Without this program I would not have been able to keep my license, and keep my job. I have been clean and sober for two years."
A third graduate said, "I had no desire to quite doing drugs. After a few weeks in the program I realized how messed up my life was. It has been 12 years and I am ready to stand on my own. I don't have to medicate to get through life."
Marjorie Rawlinson, one of the graduates said, "It sucked in the beginning. It was so hard. They take over your life. I've been in it a long time." She said that the $8 per month was a small price to pay to stay clean. "I've been doing drugs for 20 years. Today I have an actual relationship with my children. I was high most of their life, and now I know what is going on in their lives and they know what is going on in mine. It's great."
Participants are charged a fee based on their income level and the costs incurred. They begin with a court date each Tuesday to make sure they are on track with the judge. According to Kwan, "The statistics show that of 100 people ordered to have an assessment and treatment only one will still be in a treatment in a year." Because of these stats, he said that close supervision is important. So are timely consequences and rewards. When a participant does well, they get rewards like attending court less often, and even gift cards. If they mess up, they may have to increase their court dates.
This program also includes drug tests and group treatment. The group treatment is run by someone who is a licensed substance abuse counselor and there is a minimum of peer treatment once per week. Counselors also encourage community-based support groups so participants can meet sober people and get into a sober environment.


text:
Leslie Timms Sends The Acid Crack in Joshua Tree
February 11th, 2017 by gripped | Posted in News, Profiles, Rock
Leslie Timms has sent the trad test-piece The Acid Crack 5.12d in Joshua Tree. On Instagram, Timms wrote, "I'm high as a kite right now because I just sent The Acid Crack: the Bachar testpiece of JTree! Finally let go of fear, doubt, pressure, frustration and felt nothing but freedom."
The thin finger crack was first climbed by John Bachar in 1982 on toprope and led by Bachar in 1983 on lead. Watch a send of the classic line below.


text:
There isn't going to be mass deportation, even Michelle Bachmann is against.
cut off the bennies
giving them MORE benefit of breaking our laws is not a solution
During the 2006 amnesty debate, the Center for Immigration Studies (CIS) commissioned a Zogby poll offering respondents not the false choice between mass deportation or amnesty (a word CIS did not use in the survey), but rather a three-way choice between mass deportation, earned legalization, and attrition and attrition was preferred two-to-one over legalization.
She who hired a RINO to tank her own campaign and played attack dog for Romney should not be taken seriously on a whole lot.


text:
Gary Hamel, a lecturer at London Business School and C.K Prahalad who's a professor at University of Michigan wrote an article named; Strategic Intent which indicates out a new force came in the field of management. The article got published in the Harvard Business Review in 1989 and since then it had been very popular. The article basically illustrates the points that to achieve success a company needs to connect its end to its mean through Strategic intent.
Following are its three attributes namely:
1-Sense of Direction:
It states that a company must set long term goals and targets which can guide them into which direction they need to head onto in the long run.
2-Sense of Discovery:
This implies that a company must have a competitive advantage and must possess the potential to seek new discoveries.[sky]
3- Sense of Destiny:
A sense of destiny also matter as it plays a major role in the success or failure of a company.
The strategic intent also involves three steps such as:
1- Setting up of the Strategic Intent:
The above mentioned attributes are under this step.
2- Setting up of the Challenges:
The correct identification of the challenges that need to be undertaken by the company and how well it's going to be communicated to the whole company as this leads to increase the performance level.
3- Employee Empowerment:
The employees need to get empowered in order to enhance their performance; it develops a sense of responsibility amongst the employees and accountability about their work.
In this article, Hamel and Prahalad talks about the corporate leaders whose ambitions were beyond out of their resources and capabilities. These individuals had the desire of winning and who had come along working in upwards within their organizations and later turned on towards seeking global leadership. One of those great individuals is the CEO of General Electric's, Jack Welch who had accomplished tremendous things for his company.
The authors think that when a company consider about the strategic Intent and the global leadership, the core competencies become clearly important. In a time of discontinuous change like economic and political events, things may turn to be unpredictable and it's the core corporate competency of a company that keep up its employees resilient and adaptable to endure any crisis. However this is quite difficult and this is where the senior managerial leadership plays a pivotal role in an organization.
The basic essence behind Strategic Intent lies in having a competitive advantage. An organization has to keep enhancing its existing skills and knowledge and needs to learn new ones to keep its organization at its strong competitive advantage.
All the world's global leaders had one thing in common; they had ambitions beyond their resources and potentials. Due to their Strategic Intent they were able to sustain their obsession of winning and foster growth. They had their own competitive advantage and own strategic placement which made them stood out where they aimed to be. To work on Strategic intent it requires a deep commitment from all the players of the organization.


text:
First Day:
Visit San Francisco's Maritime Museum. Dinner at Fisherman's Wharf. Lodging at the Argonaut Hotel.
Second day:
Take the Blue and Gold Ferry to Sausalito via Angel Island and Tiburon. Lunch at The Spinnaker and then bike to San Anselmo. Dinner in San Anselmo. Lodging at the San Anselmo Inn.
Third Day:
Breakfast at San Anselmo Inn followed by a railroad history presentation by EcoRing Executive Director Rick Coates. Bike with Getaway Adventures through San Geronimo Valley and Samuel P. Taylor State Park. Enjoy dinner at the newly opened Olema Inn. Lodge at Point Reyes Seashore Lodge.
Fourth Day:
Bike to Bear Valley Visitor Center and bike, horseback ride or hike the Bear Valley Trail to the Pacific Ocean and back to Inverness. Dinner at Manka's Inverness Lodge. Lodging at Inverness Valley Inn.
Fifth Day:
Kayak from Inverness to White House Pool. Take electric cars to Fairfax for lunch at The Sleeping Lady in Fairfax. Stagecoach back to San Anselmo for musical entertainment and lodging at the San Anselmo Inn.
Sixth Day:
Breakfast at the San Anselmo Inn. Bike to Tiburon and visit the Railroad Ferry Museum. Catamaran option or Blue and Gold Ferry back to Fisherman's Wharf. Optional lodging at Argonaut Hotel.
Manka's Inverness Lodge
Getaway Adventures
Pt. Reyes Outdoors


text:
Lesbian couple arrested for KISSING in supermarket win £50K compensation
A LESBIAN couple are set to receive a £50,000 payout after being arrested for kissing in a supermarket.
Courtney Wilson, 25, and Taylor Guerrero, 21, were on a romantic holiday in Hawaii when they were "harassed" by an off-duty cop who took exception to their public display of affection.
Officer Bobby Harrison reportedly ordered the women to "take it somewhere else" after spotting the pair smooching in a branch of grocery store Foodland on the island of Oahu.
He is said to have threatened to get them booted out of the shop after spotting them embracing again.
Officer Harrison reportedly grabbed Ms Wilson by the wrist when she was at the till, according to court documents.
He is said to have "bumped his belly" against her and told the couple: "You girls don't know how to act.
"You don't know the difference between a motel and a grocery store."
"i just think what (Officer Harrison) did was absolutely wrong, without a doubt"Courtney Wilson
A scuffle ensued before both women were arrested and charged with assaulting an officer.
They ended up spending three days in jail before the charges were eventually dismissed five months later.
But the pair, from Los Angeles, were determined to get justice.
They filed a lawsuit against Honolulu Police Department which has now agreed to cough up an $80,000 (£55,000) settlement.
Details of the compensation emerged yesterday although it will have to be rubber-stamped by Honolulu City Council in July.
Miss Wilson told reporters: "i just think what he did was absolutely wrong, without a doubt.
"If this can help anybody in the future stand up for what's right."
The settlement "dismisses Harrison from the lawsuit and is not an admission of wrongdoing", the NYDN reports.
Ms Wilson returned home and has since split with Ms Guerrero, who decided to stay in Hawaii after the ordeal.


text:
Nearby points of interest
Distance: 2.33mi
Distance: 3.60mi
Distance: 3.60mi
Distance: 3.78mi
Distance: 2.33mi
Distance: 3.60mi
Distance: 3.60mi
Distance: 3.78mi
Nearby points of interest
Distance: 2.33mi
Distance: 3.60mi
Distance: 3.60mi
Distance: 3.78mi
Distance: 2.33mi
Distance: 3.60mi
Distance: 3.60mi
Distance: 3.78mi
About Ditka's Restaurant - Wexford
Ditka's Wexford is conveniently located on Route 19 just minutes from Interstate 79 and the Pennsylvania Turnpike. Our established restaurant is nestled within the quaint suburb of Wexford, yet is located just a few miles of many hotels in Cranberry and the surrounding area.
Wexford, PA 15090
Dining Style:
Elegant Dining
Hours of Operation:
Lunch: Everyday: 11:00am - 4:00pm
Dinner: Monday - Thursday: 4:00pm - 10:00pm, Friday & Saturday: 4:00pm - 11:00pm, Sunday: 4:00pm - 9:00pm: Brunch: Sunday: 10:00am - 3:00pm
Cross Street:
Bradford Rd.
Dress Code:
Casual Dress
Price Range:
$31 to $50
Payment Options
AMEX, Discover, MasterCard, Visa
Phone Number:
(724) 934-3660
Catering is available
Executive Chef:
Adam Luiso
Banquet, Bar Dining, Bar/Lounge, Beer, Cocktails, Entertainment, Full Bar, Happy Hour, Non-Smoking, Outdoor dining, Private Room, Weekend Brunch, Wheelchair Access, Wine
Special Events & Promotions:
Please see our website, www.ditkasrestaurants.com for special menus.
Send a Gift Card
Buy now and send it instantly by email, or print a card to give in person.
Private Dining
Ditka's Wexford has three rooms that can serve 5 to 120 guests, including the option to book the entire restaurant. From business meetings to bridal showers, we strive to provide every single one of your guests an upscale, fine dining experience.
Ditka's Restaurant - Wexford Ratings and Reviews
Our server was great, but the cooks could not get my wife's steak correct (Pittsburgh Blue). They tried 2xs without being successful so my wife went with a chicken option. The server was empathetic and tried to make it right. The serving manager came across as smug and had a few excuses.
Comfortable, quiet atmosphere for our anniversary dinner. Small snack sample before meal was nice touch. Server was very nice and for most part attentive. Although, my soft drink did sit empty for a time leaving me wanting more. Main course was delicious and cooked to our liking. I almost finished my filet with crabmeat when I encountered a small hair on my plate. Doubt that it had come from my person but I i talked myself into thinking that it may have as I didn't want to put damper on occasion for my wife as she had suggested your place for our anniversary date. Staff should be trained to be sure that this cannot happen. Sharable side of macaroni with bacon sounded like a great pick but seemed prefab and was not very good. Dessert was delicious.
Second trip to Ditka's as last visit was in Sunday and Dad wanted prime rib. Room is comfy and pleasant in a generic way. Started off with the highlights of the meal: Coach's Manhattan (highly recommended, even at $14) and a shared plate of fried calamari - clearly fresh, lightly battered, piping hot and enhanced with hot pepper rings - they disappeared!!!
Dinner was standard steak house fare. Everything is a la carte and what one would expect, but nothing more. My petite filet was well seasoned and cooked but I have never needed a steak knife to cut broccoli before. Now I have. The baked potato we shared was massive and delicious, especially the coarse-salted skin! Dad was underwhelmed by his prime rib - nothing wrong with it, just didn't live up to the raves of friends. Service was competent, pleasant and unobtrusive. We each enjoyed a glass of the Smith and Hook Cabernet (blend). Very tasty and easy drinking. I generally feel like a schmuck paying $15/glass for a wine that retails for $21 a bottle and this time was no different. That's better than the 300% of retailed charged for a few of the 'Great Bottles of Wine for $30' listed in the menu but not by much.
We were greeted with a smile and escorted to our table. Our waitress was very knowledgeable and checked on us in a timely manner. Since this was our first time at the restaurant, the manager came over to our table with a special artichoke/parmesan crustini--very nice gesture. The best part of the dining experience was that our various courses were timed correctly so that we had ample time to enjoy each course before the next one arrived. This is not something most restaurants seem to have mastered. The food was very good, also. We will definitely return to enjoy again.
One of the best steaks I've had in years I had filet mignon my husband had prime rib melt-in-your-mouth juicy steak not overspiced. My broccoli got cold sitting at the table but they warmed it up for me nicely. Service was excellent. Restaurant was clean and spacious. A little on the expensive side but worth it if it's a special occasion.
Delmonico requested as medium plus. Waiter sold me on medium, as they are cooked at very high temp. Meal came to the table and the waiter suggested we cut in. The cut looked like a medium rare, but I figured the outer edges would be at least medium. Wrong. Closer to medium rare or rare and not at all warm. I held off eating any and planned to ask for a little heat. Waiter never returned until wife was already finished with meal (which was good). My side dish never made it to table and when it was delivered by manager, he offered to take the side off the bill and sent us out a nice dessert. No discussion of other aspects of meal and I was ready to be out of there. The reheated delmonico was not bad as a leftover for the kids.
Restaurant was not very busy. Steak was excellent as was the chicken piccata. Service was adequate although it did seem to take overly long given the number of customers. Ditka's is a bit pricey but compares well with Morton's Steakhouse. We would return to this restaurant.
We picked this restaurant for a birthday celebration. It was formerly Atria's Rest and had been under construction for some time changing over to Ditka's. When it was Atria's it was a wonderful rest. Was there many many times even for holiday dinners. On this occasion we were completely shocked at the terrible food. The service was ok and the place is very nice but if your food is bad that's everything. A suggestion would be to taste test your meals.
The food was good but there really weren't entree portions for light eaters. A 20 oz. pork chop is entirely too much for a petite woman. The food was tasty but there really should be smaller meat portions. I settled for a seafood pasta that I could take home half and reheat it on another day.
Took 45 minutes to get our drinks, sat by the door to patio, constant opening very annoying and windy made our meals cold, took 3 hrs for our dining. Not a very good experience, this was our 2nd time there first time was wonderful our waitress was Amy, great attitude and personality. You should have her train your people. Will think twice about coming back. Paul Bufano
My fiancé and I went on a saturday evening at 6:15pm and did not receive our food until 7:40pm. Our waitress didn't bring one item to our table and had runners bring us everything. We had to flag her down just to get a refill on a drink. For the amount of money per meal charged I expected much better service. Will not be going back.
This was the first time we had dined at Ditka's and were very pleased with our experience. Outstanding food, atmosphere and service. We appreciated the efforts of the manager to come to our table to welcome us and again during our meal to ask how we were doing. Being first time diners we were offered a complimentary appetizer which, like everything else, was exceptional. We will certainly return to dine again.
Well I must say I was somewhat disappointed. Especially considering the price of the food. Knowing that this is a steakhouse that boasts Chicago style steaks.
I thought the steaks were very good but certainly not over-the-top. The side dishes were really disappointing. My twice baked potato was cold and frankly dry and an unappetizing. The manager did however , "make it right "and took it off the bill and gave us free desserts that were quite delicious. My wife had steak Oscar and frankly the sauce and crab meat were nothing special . Wine prices were reasonable except for the captains list. Limited number of appetizers. Not going to be breaking down the door to get back there soon but kudos to the manager and our excellent waitress . In summary if the prices were a little higher than outback maybe this would be a good place but it cannot even come close to Flemings, Eddie V's, or the capital Grille. But the prices are about the same
We celebrated an anniversary and the staff at Ditka's made the evening very special. They gave us an anniversary card signed by our server and the staff, and placed us at a prominent seat in the restaurant. The service was fantastic and the food was outstanding. Thank you again to the staff at Ditka's for making the night a good one!
This was by far the worst experience I have ever had in a restaurant. The food was all ice cold and the steaks were over done. Tell me how can you over cook a medium steak to nearly well done and have it come out luke warm. The only good thing about our experience was the cocktails we had at the bar before our dinner. The bartender T was fantastic, and will be the only reason we return.
Please sign in to record your input. Thanks!
Report this review as inappropriate?
If you believe this review should be removed from OpenTable, please let us know and someone will investigate.


text:
Selecting a Lanyard Supplier
The most important part of selecting any product that you want to use as a giveaway or promotional item is finding the perfect supplier.
What should you look for in a supplier?
You want to make certain that the company is legitimate. Millions of individuals every year are unfortunately duped by fraudulent internet companies. What can you do to ensure that this does not happen to you?
Investigate the company. You have to determine how long the company has been in business. One of the ways that you can do this is to read about the company and do not rely on information that the company provides about themselves. Validate the information from a reliable source.
Look into the history of the organization. Go online and check for blogs or websites that offer opinions and comments about suppliers. People who are misled or invest unwisely are often very vocal in their opinions. Check with unbiased resources like the better business bureau and consumer reports.
Investigate how you can contact the company. Do they have a telephone number? Do they have an actual building? Are they only available by email?
If you do decide to purchase lanyards what are your payment options? Never pay for anything in advance unless you are absolutely certain about the company and its reputation. One of the best ways to pay for anything is to use an online payment service.
What choices does the company offer?
When you are designing a lanyard you are going to want to select the one that will best suit your needs. There are three common methods for designing a lanyard. The first is called a "woven" lanyard. In this method the information of printing is actually sewn onto the cord. The second method is called silk screening. This is the most common technique. This method is ideal for most applications. However, if you want to incorporate a detailed image onto the ribbon you should consider the process referred to as full color.
You will also need to determine what kind of clasps the supplier has to offer. The attachment is one of the most important elements of the lanyard and you should make certain that the producer has the one that you want o pick. You should also invest what other lanyard options the manufacturer is able to provide. Do they have safety breakaway lanyards? What kinds of ID cases are available?
You will also want to investigate bulk purchasing. Lanyard suppliers are frequently able to offer to offer bulk prices. Additionally, some producers are willing to waive shipping and handling.
Selecting the right producer is vital. No matter what kind of lanyard you are planning to design you must have a supplier who is able to meet all of your requirements.


text:
Hi there.This seems like a really excellent app but unfortunately I'm having trouble getting it to run reliably. The main issue I'm having is that I'm unable to trigger audio clips using either toggle or momentary buttons. It seems like the clip will start to play but then immediately stop itself and it seems strangely connected to whatever quantize settings I have set for the clip. Any ideas? It's even crashed Live a few times. The playing clip will freeze, I'll get a big CPU spike, and then the beachball of death.
I've tried all the versions. Thanks for any help!
@lintfresh that's weird. Just checked and all seems to be working well over here. Are you using the standalone or the M4L device? Could have something to do with your MIDI I/O settings.
-> Set up an IAC bus. Go to MIDI Preferences (in Ableton). When using the M4L device, set both 'remote' and 'track' to 'on' for the input and 'track' to 'on' for the output of the created IAC bus. Now choose the IAC bus you just set up in the 'MIDI To' dropdown on the track the 'control' device sits on.
When using the standalone, just put the input's 'track' and 'remote' to 'on' and you should be good to go.
If it doesn't work, try disabling MIDI devices that you're not using.
i did find a bug with autofocus on the m4l device - will fix it later on today, but that shouldn't influence your MIDI mappings
Thanks so much for the quick response! I'll double check midi settings tonight and report back. I remember having both 'remote' and 'track' enabled for both the input and output so maybe that's what's causing it. Some sort of quantized midi feedback loop perhaps?
Mkay, now things are working better. I think turning off the 'remote' in the IAC bus in Ableton preferences helped. Seems like everything is working as it should except for the following:I have a few faders mapped to the volume sliders of a few audio tracks. They work great EXCEPT: when I stop the Live transport they fade down all the way. It looks like Live is sending out a MIDI message when I hit stop (or spacebar) that causes the faders to drop to infinity. Any ideas?
Using the control m4l.amxd in this instance.
@lintfresh somehow live's transport got coupled to the automation function.
updated device on github. let me know how it works
Dang. Still doing it. Any other ideas?
@lintfresh can't seem to reproduce that behaviour. perhaps you have some other automation set up? try setting up control from scratch (new live set, new instance of control, midi-map some volume sliders to faders, ...) and let me know if the problem persists
Hi there, thanks a lot for this amazing app, I was trying to do some recording with notes M4L and I just noticed that if you enable the automation and then hold a note, the audio stops after a second or so, but if you continued holding it, when you replay it, it plays as if there wasn't any stop. This doesn't happen if you press a second note. Is this a bug or am I doing something wrong? Thanks!
@angel updated device on github ... bug should be fixed now
Thanks, I was adapting the random output and automation to a 64 grid and thought I had broken something. Works like a charm now, you're the best!
hadnt tried till today and must say that this ui is making total sense & i've saved a few mapsgreat instructions too...
I recently uploaded an introduction/tutorial on control. the video fearures the standalone version but operation and setup is similar in maxpatch and M4L device:
Hi All,
I'm having a few issues with Control. Looking for a little help if possible.
1) I get the error - "control" is damaged and can't be opened. You should move it to the Trash.2) Having an issue with Midi Mapping with the M4L control device.
Any help would be great.
This little tutorial might help you with your first issue.
thanks. Worked a charm. I also managed to work out how to get midi mapping working too.
Great stuff.
Just downloaded this app yesterday looking to control some simple vst effects in my new live set. a page of faders is working a treat, but I'm unable to use a lot of the functions as I'm on a 64gs.
I don't currently have a max licence, any chance of someone porting this to 64 as the standalone app?
@Simeon been planning to do this for a long time but never got to it. I'll probably start working on 64 grid support in January as I'm buried in work right now. If somebody else wants to give it a go ... the max patch is over at the github repository
just want to say i tested this for the first time and it's working like a charm! great work @ithkaa!
Anyone using this with older grids without varibright? Care to share opinions on this?
Yep use it often with my grayscale128.... autofocus is sweet too, I can switch between @elquinto suite and sl sequencer easy peasy


text: There are many books in the Android Market that I'd like to buy for my Aldiko reader, but I need to know that there's a good way to back them up. I used my ES File Manager to look for the books but there is no ebook folder or aldiko folder. These are drm-free books. Any ideas?


text: The vibrate for my notifications keeps turning off by itself. I downloaded sound manager and using this app I can turn it back on, but a little while later it is already turned off again. I'm thinking it must be an app turning it off, but I have gone through each one and can't for the life of me figure out what is causing this. I did a hard reset after 2.2 and it went away for a few days but now its happening again.


text:
Vintage Port Austin 4-Foot Wood Bubble Level
Sold for:
Start Free Trial
or Sign In to see what it's worth.
- Sold Date:
- Source: eBay
Buy With Confidence • Professional Service • Great Prices • Fast Shipping • Excellent Feedback Search Our Store
Vintage Port Austin 4-Foot Wood Bubble LevelDESCRIPTION
You are purchasing a Vintage Port Austin 4-Foot Wood Bubble LevelExcellent Condition! Working Order! Very Clean! Shows Some Slight Signs of Age A must-have for any carpenter or collector! Port Austin Level Made in Port Austin, Michigan Measures 4ft Long Wood with Metal Edges. Please review photos for more information. Do not miss this fabulous opportunity! PAYMENT
Credit cards are also accepted via call-in. All Pennsylvania residents will be charged 6% sales tax during the checkout process. Anyone picking up an item at our store location will be subject to the 6% sales tax at the time of pick up. All local pickups must be paid in cash ( NO PAYPAL ). Paypal is not accepted for items picked up at our Storefront Location.Payment must be received within 4 days of the close of auction. If payment isn't received within 4 days, the auction will be revoked and a Non-Paying Bidder alert will be automatically filed. Your winning bid is a legal and binding contract. Thank you for your purchase! For Fastest & Easiest Order Processing Call Us at SHIPPING ... read more


text:
1. The International Development Select
Committee inquiry covers a broad spectrum as detailed in the guidance
notes. This breadth of area demonstrates the complex interconnections
of the impacts of climate change, sustainable development, and
poverty reduction.
2. Global climate change is the single most
pressing issue facing the world today, and can only be tackled
by phasing out our use of, and dependence upon, fossil fuel sources
of energy, and switching instead to renewable energy sources.
The developing world has an opportunity to avoid repeating the
mistakes made in following fossil fuel energy pathways by the
North, and instead, providing energy to meet people's needs in
a clean and sustainable way.
3. Greenpeace International and The Body
Shop International have launched a campaign to bring renewable
energy to the world's poorest two billion people who currently
have no access to electricity services. The campaign hopes to
secure a ministerial declaration at the forthcoming World Summit
on Sustainable Development in Johannesburg, to deliver renewable
energy to these two billion using bilateral and multilateral financial
assistance. Greenpeace UK would welcome the IDC inquiry's view
on this demand.
4. To provide such services will mean a
tenfold increase in the number of renewable systems available,
and supplying the infrastructural capacity to meet it. It is estimated
that the total investment required will be between $200-250 billionequivalent
to the annual global subsidies that are given to the fossil fuel
and nuclear industries. It will be necessary to use public money
to kick-start the programme to deliver renewables to the two billion.
It is estimated that $10-30 billion of Official Development Assistance
(ODA) money will be required over the next 10 years, to lever
sufficient investment from companies and individuals to meet this
target. This ODA will be needed for credit to families and seed
capital for Small and Medium Size Enterprises. We hope that the
UK Government will adopt and champion this approach at the WSSD
following the leadership role that it played in the setting up
of the G8 Renewable Energy Task Force.
5. To avoid the potential impacts of climate
change caused by fossil fuel use from devastating the social and
economic development of the South, large-scale renewable capacity
will need to be developed in both the North and the South.
6. For this to happen in the South, the
methodologies used for assessing macro-project financing by northern
countries must be changed, as they are currently skewed towards
the peculiarities of fossil fuel power plants and are inappropriate
for large renewables projects that entail higher up-front costs.
The institutions that facilitate NorthSouth energy investment
need to adjust policies appropriately to meet the challenge of
creating clean, sustainable energy pathways in the South.
7. The UK Government is a signatory to the
Kyoto Protocol and the initiator of the G8 RETF report. However,
this commitment to tackle greenhouse gas emissions and climate
change is not reflected in its foreign direct assistance. The
UK Export Credit Guarantee Department (ECGD) provided support
for 140 fossil fuel and nuclear power generation projects, and
fossil extraction projects, in 38 countries between April 1992
and April 2001. The total contract value was £15.85 billion.
This means that the UK Government has supported an average of
nearly £1.76 billion worth of fossil and nuclear power generation
projects in every year since the United Nations Framework Convention
on Climate Change was signed.
8. By a conservative estimate, these projects
will emit at least 14 million tonnes of carbon per year for as
long as they are in operation.[1]
This is more than a third of the emissions from the UK's own power
generation sector (41.917 mtC in 2002)[2]
and represents around 300 million tonnes over 20 years of plant
9. In recent years the UK ECGD has done
£3.5-£4 billion a year in business. This is around twice
the size of Britain's international development budget. In 1999-2000
civil business was 55 per cent of the total. Power generation
and transmission were 39 per cent of total civil business (or
around 21.5 per cent of total business)and energy investment
another 10 per cent (5.5 per cent of total)[3].
Expenditure on power generation has averaged around 20 per cent
of all ECGD lending since 1992.
10. In contrast to this, to date, the ECGD
has not invested in any renewable projects, other than in large
and medium sized hydro-dams.
11. Through the ECGD the UK Government is
effectively exporting global warming and encouraging developing
countries to follow an energy pathway that will have serious climactic
repercussions that will impact hardest on those countries themselves.
This is even more scandalous when we consider that of $119.75
million (£82.6 million) that the UK gave in bilateral ODA
commitments to energy in 1999, only $0.09 million went to renewable
energy. This means only 0.07 per cent of total UK ODA money for
energy development went to supporting renewables.
12. The UK Government has taken a lead in
tackling climate change but through the ECGD it continues to support
patterns of development that are incompatible with sustainable
development, poverty alleviation and climate stabilisation. The
G8 Renewable Energy Task Force report indicates that renewables
can meet the energy needs of developing countries, but UK assistance
for clean energy development continues to decline.
1. The developing world stands at an energy
crossroads and it is critical that the pathway of clean, sustainable
energy prevails, to avoid locking the South into a damaging and
unsustainable, long-term, energy trajectory. If development in
the South is achieved in the same way as that in the North, the
global consequences will be catastrophic. The resulting climate
impacts will condemn millions of the world's poorest people to
increased drought, floods, disease and extreme weather events.
The infrastructures and economies of the world's poorest countries
will be severely and negatively impacted, putting a block on future
2. This is an issue that needs to be addressed
with the utmost urgency, and the UK Government should make use
of the forthcoming World Summit on Sustainable Development to
address the issues raised by the IDCpoverty, climate change,
sustainable development and energy.
3. Greenpeace recommends that the UK Government:
Greenpeace UK
January 2002
DTI Energy Statistics Digest 2001. Back
From ECGD Annual Report and Resource Accounts, 1999-2000. Back


text:
About Mermology
We're creating a living, responsive, transmedia, cli-fi drama; a world of authentic news and science integrated with popular genre. We believe in the power of story and the unfolding reality of climate change is an equal part of that drama navigated by our characters. This is a journey of discovery and revelation as you unfold what's fact or fiction. The planet fights back; climate change is destroying us but governments are disempowering us, unless urgent action begins now. Who survives? You decide. Our Drama page tells you more and how you can take part.
President Obama has warned that "it would be a dereliction of duty to ignore climate change" and that "no nation is immune".


text:
Learn how to decorate your cakes with fondant cutouts. Use fondant overlays and inlays to decorate with.
When cake decorating, do you ever struggle with how to stick fondant decorations to cakes? Or maybe you don't like your current method!?.
Baby shower cakes easy fondant cutouts on baby shower cake · Bird Baby See More. Little Birds Pink and Blue Party Planning Ideas Supplies Idea Cake.
The: Fondant cutouts cakes
|Fondant cutouts cakes
|You may need to adjust the spacing slightly as you go so that the last two end up similarly spaced. If the buttercream has crusted, use dots of icing. Image not available for Color:. Typical Wilton quality so they are sturdy. Finally, I wanted to add a little movement to the cake, so I cut out a few extra butterflies and left them overnight to dry in the corner of my cake lifter. NFSC pine garden cake order No Fail Sugar Cookie.
|Autumn fondant cakes
|Wedding cakes
|Used them to make homemade candy hearts for my girlfriend. Do you have everything you need to get started? When creating flat designs, these little discs provide a surface to attach and keep several pieces together. If you are a seller for this product, would you like to suggest updates through seller support? Any tips as far as coloring the fondant or a certain brand to use?
Speaking of the little fondant discs, I receive many questions on whether they should be utilized when making toppers for cupcakes. Again, it all.
With cut-outs it is easy to make fun 3-D shapes for your fondant cakes and cupcakes ; Just roll out the fondant press down with cut-outs and lift away; This.


text:
A young dog has just had puppies, but she does not seem interested in caring for them. So, a kind neighbor decides to help out the newborn puppies, who are crying, hungry, and seeking the loving warmth of a mother. But, the neighbor who decides to help may not be who you think. I was surprised to see Miss Kitty, a long-haired cat, take over caring for the needy puppies. She lost her own litter of kittens and took over looking after the puppies, instead.
On the surface, this does appear to be a heartwarming video of a mother cat kindly caring for a little of abandoned puppies. However, when you look a little closer, there are a few questions and concerns that are raised. Unfortunately, there are millions of abandoned, unwanted, and neglected animals in shelters, rescues, and in the streets and other sad circumstances. One way to prevent this from happening, or to help reduce the problem, is to spay and neuter your pets. Both of the mother animals in this video would have benefitted from being spayed so that they could not contribute to the homeless pet population. In addition, it did not appear that either of the animals is living in the best of conditions. Dogs and cats are thinking, feeling animals and deserve a certain amount of care and compassion. They should have shelter, preferably inside a home, access to adequate food and clean water, and hopefully love from a caring human. This cat and dog were not receiving basic care and the entire situation could have been avoided if they were looked after properly.
Nevertheless, Miss Kitty did a wonderful, heartwarming thing when she decided to adopt the unwanted puppies as her own. We hope the puppies find loving homes.


text:
Karva Chauth is here! Have you prepared to celebrate it? Hopefully, you are ready with new dresses, cosmetics and jewelleries. Also, hopefully your preparation for the Parvati Puja is also done.
Karva Chauth is an occasion which you celebrate with and for your dearest husband. It is definitely a difficult fast, but when you do it for your hubby, you do it with lots of love.
Also Read: Things You Need For Karva Chauth Fasting
On the day of Karva Chauth, you get 'sargi' from your mother-in-law where the earthen pot is filled with dry fruits, sweets, fried potatoes, etc.
You have to consume it at dawn and prepare yourself for the long fasting day. Your diet should have enough water and fruits, so that you remain hydrated and energetic for the whole day.
Also Read: Best Ways To Fast During Karva Chauth
You have to wait for the moon to come out and then perform the puja. Finally, you break fast by having water and a morsel of food from your husband.
After you have fasted for the complete day, there are certain foods you must avoid. You should not have something which is acidic or oily in nature. So, here are the foods you could take instead to break your fast in a healthy way.
1. Have Protein-rich Food: Your body has been deprived long from any food items. You need protein to boost up your health. Milk or milk-based sweets can help you there. You can consume oats porridge or soy milk as well.
2. Liquids: You definitely feel weak after long hours of fasting. To get hydrated, you should have enough water. But, don't have it all together, otherwise you may feel bloated. Have water at regular gaps. You can also have homemade fruit juices or fruit smoothies to get the right balance of water in your body.
3. Fruits: It will be better not to have fruits on an empty stomach if you have an acidity problem. Else, you can have a bowl of fruit salad with some yogurt. Yogurt contains calcium and protein, which are necessary to be had after a fast.
4. Sweets: You need glucose to boost up your energy. After the puja and breaking the fast, you definitely have a house party to enjoy. If you consume sweets and dry fruits, your energy level will certainly boost.
5. Nuts: If you want to avoid sweets while you are on a diet, have a handful of nuts instead. Make a combo with almonds, pistachios, walnuts, cashews and raisins and have them. These are perfect energy boosters. You can include a few dates, but not more than 2 or 3.
6. Oily Foods: Avoid oily foods after long hours of fasting, as they can cause acidity and heartburn. Go for the above-mentioned foods instead and try to avoid any fried items. You can go for shallow-fried foods instead.
If you are pregnant or have serious physical problems like high blood pressure or high blood sugar, then you should reconsider your decision on keeping a fast. The best way is to talk to your doctor first and see if he/she permits you to observe the fast.