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When using animal actors, if you require advice, please call the DSPCA during the early stages of pre production!
PH: 01-4994705 or email email@example.com
You're obviously a production company who cares about your animal actors and their welfare. Therefore in order to help you keep them safe; the DSPCA has put together a few guidelines and suggestions for your attention.
We thank you for reading them and hope you'll find them useful.
What is Animal Cruelty?
There are many reasons why people abuse animals and this covers a vast range of actions, or in some cases, inactions. However, in order to simplify matters, animal cruelty is broken down into two categories, intentional and unintentional.
Intentional cruelty occurs when there is malicious intent because a person has deliberately and intentionally caused harm to an animal. Many studies from around the world including Ireland have shown there is a link between pet cruelty and domestic and child abuse. Intentional animal cruelty is very often seen in association with other serious crimes including drug offences, weapons violations and other illegal activities and can be one of the most visible parts of an entire history of aggressive or antisocial behaviour. Acts of intentional animal cruelty are considered to be indicators of serious psychological problems.
Unintentional or passive cruelty is often depicted by incidences of neglect whereby a lack of action occurs. For example, starvation, dehydration, infestation, infection, the allowing of a collar to become imbedded in an animal's skin, inadequate food, water or shelter and/or failure to seek veterinary care when necessary.
In some cases of unintentional cruelty, an inspector/animal welfare officer, if they believe the cruelty occurred out of ignorance, may attempt to educate the pet owner and will monitor the situation to ensure that changes do occur in the animal care.
If asked for advice, to be present at or for approval; The DSPCA's recommended guidelines below should be adhered to by the production company. They are:
At all times, the DSPCA believes that animals should be treated humanely and compassionately. The Society actively continues to expand on its free education programme to schools, colleges, third level, youth groups, family groups and correctional facilities, etc.; and we are now delighted to offer this service to those involved in all aspects of media production particularly where animals are involved.
Our education programmes are all aimed directly at promoting responsible practice in the care, welfare and attitudes regarding animal welfare in order to eradicate the cruel treatment of all animals in this country and, indeed, worldwide.
Animals appearing in film and TV are testament to the human/animal bond. We see this, in particular, through the interaction with trainers, cast, crew and audience. The DSPCA's mission on location and sets is to protect those animals and ensure they are treated both humanely and compassionately; in a way they thoroughly deserve.
Please Note:
• The DSPCA is happy to work with producers/production companies in order to facilitate safe, effective, efficient and humane performances by animal actors. If you request our advice and assistance you will greatly benefit from it due to our extensive knowledge when it comes to meeting the unique needs of animal actors.
• The DSPCA, as the national organisation and Ireland's oldest and largest animal rescue/welfare shelter can credibly and objectively advise/report on the animal action when concerns arise.
• The DSPCA is a charitable organisation and does not charge for its education services to schools, colleges, correctional facilities, family groups, youth groups, etc., Please contact the DSPCA (01-4994705 – Gillian) regarding rates for other groups.
• The DSPCA is dedicated to protecting all animals.
• The DSPCA works to develop policies and legislation to reduce abuse, neglect and exploitation of all animals.
• Established in 1840, The DSPCA has been standing up for animals for over 172 years and will continue to strive and promote humane and compassionate treatment in order to secure a better future for all animals.
Prior to Filming.
If its presence/advice is requested, DSPCA personnel should be granted access at all times to animals present at the filming location. Inspecting the animals is an important factor in documenting a production's care and treatment of the animals.
Production companies should only use animal handlers who are knowledgeable about the species of animal to be used and familiar with set protocol.
A sufficient number of adequately trained animal handlers, as determined or agreed with the DSPCA, should be used to protect the cast, crew and animals.
NB! The DSPCA recommends that personal pets should not be brought to film locations. This recommendation applies to extras, crew, cast members, visitors and anyone else on set.
THE DSPCA recommends and encourages production companies to inspect reports from animal owner compounds and trainers/training facilities prior to contracting their animals for production and to reject those who have recent and/or repeated incidents of animal abuse and/or neglect or other violations related to animal care and treatment.
The DSPCA recommends production companies are proactive when choosing times and seasons in which to film with animals. And that:
• Filming should not be carried out in extreme hot or cold weather conditions and temperatures may become a safety issue around the animal's welfare.
• Filming should not be done in early morning or late afternoon during times of extreme heat or cold.
• There should be a limited amount of rehearsals and takes.
• A means to provide shelter, shade and heat or cooling for animals.
• If asked to be present, the DSPCA staff, production crew and vets, where appropriate, should communicate regularly and collaborate regarding the care and management of animals during preparation, rehearsal and filming. When changes are made, all relevant parties listed above should be informed immediately.
• All animals must be transported safely, humanely and in accordance with applicable laws.
• Following travel, all animals should be allowed adequate time to rest and acclimate prior to beginning work, as determined by the DSPCA officer on site.
• When live animals are purchased or leased for a scene, (e.g. hamsters, dogs, cats, baby chicks, goldfish, etc.,) and are then returned to the seller/owner, or are adopted at the end of filming, a receipt or other documentation must be submitted to the DSPCA officer on site, indicating the animals were returned or received in good health and condition. Production crew and/or animal handlers shall exercise care and caution in ensuring that animals are placed in appropriate adoptive environments.
• Animals should never be left unattended or unsecured in a manner that would be unsafe or uncomfortable for the animals.
• Animals shall not be left in the care of any person who is inexperienced in the proper care of the animals.
• No alcohol shall be used around animals at any time.
• Only animals that are in appropriate condition to work shall be used.
• Animals that are underweight, overweight or otherwise not in appropriate physical or behavioural condition to perform the required work shall not be used.
• An animal shall not be used if, in the DSPCA's judgment the animal is not in an appropriate condition.
• Animals shall be trained and prepared in advance to perform the required action.
• The DSPCA will have any animals removed that, in its opinion, are not trained, prepared and conditioned to perform the required animal action.
• It is the responsibility of the production and the animal handler to contact the DSPCA in pre-production of the type and scope of any and all pre production training and conditioning of animals. The DSPCA shall, if requested, monitor the pre-production training and conditioning of animals as a means to determine if they are appropriate for use in filming.
• Animals working with any other animal and/or species shall be given the appropriate time to acclimate to each other and to the film environment.
• If the DSPCA determines that there has not been an appropriate amount of time for acclimation between animals and species prior to filming then the DSPCA may request scenes involving different animals be filmed separately.
• Nothing shall be done to an animal that will cause harm or permanently alter its physical characteristics.
Basic PrincipalsGuidelines for the Safe Use of Animals in Filmed Media.
• The DSPCA's guidelines prescribe a high standard of care that the film and television production industries provide to animal performers.
• The DSPCA's guidelines apply to all animals used in the production, including those animals used as background or off-camera to attract the attention of another animal being filmed.
• Animals are not props – even if they are supplied by the props department.
• No animal will be injured, harmed, inhumanely treated or killed for the sake of a film production.
• No animal shall be inhumanely treated in order to illicit a performance.
• Although it may be permitted for necessary veterinary care, general anesthesia and sedation are high-risk procedures and are prohibited for the sole purpose of film making.
• Any scene depicting harm must be simulated. The DSPCA's guidelines will not include scenes that represent actual harm to an animal, even if filmed as non-fiction so called, 'news reel' footage. Such harm, although possibly historic, is considered an exploitation of the animal's suffering for the sake of entertainment.
• Reality or non-scripted entertainment acceptable to the DSPCA's guidelines may only include scenes that do not show real harm to a live animal.
• The DSPCA will uphold all applicable anti-cruelty laws.
• An Animal: is any sentient creature, including birds, fish, reptiles and insects.
• An Animal Handler: is any person responsible for feeding, watering, cleaning, manipulating, loading, crating, shifting, transferring, immobilizing, restraining, treating, training, working or moving any animal. The term 'animal handler,' includes, but is not limited to, animal coordinators, wranglers, historic re-enactors and any other cast or crew member or private party providing or taking responsibility for an animal – for example, the props or stunts department. Animal handlers may include vets who are on set for the purpose of ensuring the health of the animals.
• Animal Substitutes: are fake animals, animatronics, computer generated images (CGI) and other techniques used to simulate live animals.
• Cold Loading: is transferring animals onto or off of an aircraft when engines and rotors/propellers are not running.
• Hot Loading: is transferring animals onto or off of an aircraft with the engine and rotors/propellers running.
• Equine: means horses, ponies, mules or donkeys.
• Harmed: is the physical injury or damage, having had pain or loss of suffering inflicted.
• Humane: means marked by an emphasis on humanistic values and concerns which are characterized by kindness, mercy or compassion.
• Inhumane: means lacking pity or compassion for another living being.
• Insert Vehicle: (or insert car) is any type of moving apparatus that has wheels and a camera mounted for purposes of filming moving action, including, but not limited to, cars, trucks, four wheel drive, golf carts, dune buggies, bicycles, etc., and includes any type of chase vehicle that may be used in filming travelling scenes. The term 'insert vehicle,' shall mean any insert vehicle as used in these guidelines. The term 'crane,' refers to any arm, boom, or crane with a camera attached which moves independently of the vehicle.
• Liberty Animals: are any animals that have received special training and which are not confined nor are their movements restricted and they are not under the direct, hands-on control of an animal handler. Liberty animals are controlled by the use of signals or commands such as voice commands, visual cues (hand signals) or a combination of both and can be reasonably expected to stay at the filming location.
• Loose Animals: are any animals that have limited to no training, are not under the direct hands- on control of an animal handler and/or are not restricted or confined.
• Motion Picture and Filmed Media: are terms that include, but are not limited to, film, television, music video and computer games. These terms are used interchangeably throughout these guidelines.
• Restricted Animals: are any animals whose movements are limited or confined and for which a safety plan is in place to prevent their escape. Restricted animals include, but are not limited to, animals working in an area that has boundaries or is enclosed. Animals restrained by fencing, crates, leads, hobbles and waist-ties are also examples of restricted animals. Animals that are ridden or harnessed and controlled by experienced animal handlers are also deemed restricted. Animals shall be trained and conditioned to the type of confinement used.
• Simulated/Staged: refers to either an animal or the activity of an animal that is created or enhanced by artificial technical means, this includes one or a combination of the following: animatronics, puppets, camera angles, split screen, computer generated images, (CGI) and similar techniques. Simulated/staged action may also include the careful choreographing of live animal action to create the illusion of risk. In simulated/staged action, the production avoids placing the live animal in jeopardy.
If requested, the DSPCA can provide the following services:
Pre –Production.
• The DSPCA can provide assistance to evaluate risk factors
• Collaborate to determine safe options and alternatives
• Provide access to information on various species, humane issues and animal welfare experts
On Set.
• The DSPCA can provide advice on the humane treatment of animals
• Reduced liability risks
• Animal safety, yielding to greater cast and crew safety thus leading to increased protection from unwarranted controversies.
• Response to public inquiry throughout a production's distribution life
• Assistance as liaison with media, regulatory agencies and individuals requesting information concerning the animal action.
Housing and General Care Guidelines
The DSPCA'S Guidelines for the Safe Use of Animals in Filmed Media apply to anyone bringing an animal to the filming location, whether the animal is working or not.
Animals coming from different facilities and/or locations must be housed in such a manner as to prevent illness and the spread of disease.
When animals coming from different facilities and/or locations will be housed together, they must be properly acclimated and introduced to each other under supervision to prevent any stress or injury due to compatibility problems.
All animals must be maintained in facilities that provide proper humane care for each species of animal.
In accordance with the DSPCA's guidelines, facilities for shelter and protection should be:
• Safe from sharp objects that may cause injury
• Temperature-controlled when necessary for the health or comfort of the animal
• Well ventilated
• Located in an area that minimizes stress
• Kept in a sanitary condition
• Constructed to prevent escape
The DSPCA recommends that:
All animals including any background, unscripted animals and animals privately owned by cast or crew members must be provided with the following, both on and off camera.
1. Adequate food and water at the filming location and on set
2. Appropriate protection from the sun, cold, rain, heat, snow and other elements
3. Observation for physical and/or behavioural problems/changes that indicate discomfort
4. When necessary, shelter, warming tents, fans, windbreaks, etc., should be provided.
5. Water: Extras/owners shall bring water in a water bowl/container that is heavy enough not to be tipped over and large enough to satiate an animal's thirst.
6. Handlers/owners shall make water available to the animal on and off camera.
7. Shade and Shelter: All animals shall have access to shade, shelter and warmth as necessary for that species of animal.
8. Crates or other appropriate housing shall be provided to all animals.
9. Control: all dogs must wear a collar and be kept on a lead at all times or be held in a secure pen, fenced area or crate.
10. All animals shall be controllable at all times.
11. Animals shall never be left unattended or in the care of anyone who is unqualified to care for the animal properly.
12. If any animal appears aggressive, stressed and/or charges, threatens or bites any person or animal, it shall be removed immediately from the set and location.
The DSPCA recommends Proof of License and Vaccination should be provided and that:
• All dogs should be licensed.
• Handlers/owners must provide proof of the animal's vaccinations as recommended for the species of animal.
• All animals should be vaccinated according to their species.
• The animal must have received its vaccinations at least two weeks prior to coming onto set.
• Proof of vaccination of the name and contact number of the vet who vaccinated the animal must be provided and made available upon request.
• Handlers/owners must have this documentation available on set.
• Animals must not be on set if they are in their heat cycle.
• Dog bites and dog attacks often happen and are often severe. To ensure the safety of people and animals on your set, dog bites to people or to other animals that break the skin should receive prompt medical/veterinary attention.
• Dog bites that necessitate medical or veterinary care may have to be reported to the local animal welfare agency or public health agency. A veterinary examination and/or isolation of the dog that has bitten may be required.
• Any person bitten by a dog should be provided with the dog owner's name and address and copies of the dog's license and vaccination records.
Loose, Stray and/or Feral Animals at a Film Location
When a loose, stray or feral animal appears at a film location, production must immediately notify the appropriate animal welfare agency, area animal shelter or appropriate wildlife ranger.
At no time should an actor, crew member, extra or guest remove, take or relocate an animal.
Local animal welfare shelters are best equipped to find the owner or place the animal for adoption or in the case of wildlife, rehabilitate it back to its natural habitat.
It is the production company's responsibility to ensure the safety of natural animals in the filming area and to consult the agency or persons responsible for the removal of wildlife from location sets.
Wildlife should not be manipulated for filming purposes. Animals may be filmed 'documentary style' while in their natural habitat but should never be frightened, corralled, chased or otherwise manipulated for the sake of filming.
Wildlife should never be touched or handled. Wild animals are not trained animal actors and are unfamiliar with humans. Wild animals are known to carry diseases that can affect other animals and possibly humans.
Deceased Animals
The DSPCA encourages the use of animal substitutes for live animals when scenes call for the depiction of dangerous action. Fake animals, deceased animals (or animal parts), animatronics, Computer Generated Imagery (CGI) or other techniques used to simulate live animals should be documented with photographs and receipts.
If deceased animals or animal parts are used and purchased from or provided by a taxidermist, an animal shelter, a slaughterhouse, a food supplier or other source, documentation that demonstrates the animals were destroyed in the normal course of the source's operations and were not destroyed for the purpose of the production should be provided.
When finished filming deceased animals or animal parts, production should immediately dispose of them sanitarily by cremation or by appropriate burial.
When handling deceased animals or animal parts, care should be taken to prevent the spread of illness and/or disease. Personnel should wash their hands with soap and warm water and/or use an antibacterial agent after handling dead animals or animal parts.
During Filming
The DSPCA recognises unique and/or unforeseen situations may arise that may require on-site judgment that differs from these guidelines. In this instance the animal welfare officer/veterinarian on site should make that judgment in the interest of the safety and welfare of the animals.
The DSPCA should witness all filming with animals in order to properly document their use.
The production company should provide the DSPCA animal welfare officer with adequate placement during filming in order to witness all animal action.
This may include having access to a monitor and/or a production radio or other means of viewing the animal action as it takes place.
Production should provide The DSPCA with two way radios for the following:
• During intense animal action, including stunts and filming of horse racing, rodeo or other intense animal action.
• If the film set is so large that The DSPCA do not have a clear view of the entire area.
• When helicopters and insert vehicles are used during filming.
• If a large group of animals is being used.
As part of standard practice, the production and animal handlers should notify The DSPCA welfare officer of any changes in animal action as soon as a change is made.
When advice is requested from the DSPCA, their representative will act as the animals' voice on set and will be present for animal safety and welfare concerns and must be included in all safety meetings.
Safety meetings should also include all relevant cast and crew.
When animals are on set, production shall proceed in a timely manner. Most accidents occur when the animals are tired of waiting for filming to begin.
The DSPCA animal welfare officer will closely monitor environmental conditions when there is a potential for severe weather and in such circumstances, may request production, and the animal handler, take steps to protect the animals and potentially remove them from the set.
Animals should never be left unattended or unsecured in a manner that would be unsafe or uncomfortable for them. They should not be left in the care of any person who is inexperienced in the proper care of the animals.
There should be no fighting between animals. Aggressive animals must be isolated and/or removed by production from the filming location.
All animal fights – dog, bull, cock, etc., - hunting and fishing scenes and scenes depicting the death of an animal must be simulated.
No actual animal fight may be disguised as a simulated fight by the use of muzzles.
Aggressive animals should be isolated and/or removed from the filming location by production.
When predator/prey relationships are to be depicted, animals must be trained and conditioned to accomplish the action, or the action must be simulated.
No animal should be put under stress or in danger when used to attract the attention of another animal being filmed.
Predator/prey situations can cause safety issues, put animals under stress and be a threat to other animals, cast and crew.
Adequate exercise and rest periods, as determined by and agreed with the DSPCA animal welfare officer/veterinarian should be provided for the animals during the shooting day.
All animals should be given rest equal to or greater than their time working on set.
Each individual animal's need must be addressed, taking into consideration such factors as the species, age, condition of the animal, the exertion required to accomplish the action and the terrain, climate and weather conditions.
The DSPCA animal welfare officer/veterinarian should be given leave to observe and monitor the animal's respiration rate and behaviour. If an animal becomes fatigued or stressed, a rest period should be provided before proceeding with additional takes. The DSPCA reserve the right to have animals removed that do not appear fit.
No animal should be allowed to become overheated, hypothermic or put at risk in any way.
The information contained above is a set of general recommendations and guidelines and we thank you for taking the time and for having the interest to study it.
If you require more detailed information or would like the DSPCA to advise/be present on set/location regarding and to ensure the humane and compassionate treatment of animals, then please contact Gillian Bird, DSPCA. Email me at firstname.lastname@example.com. We are happy to discuss your production's individual and specific needs and requirements.


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In less than four months, Politico — the new online magazine that also distributes a free, thrice-weekly print edition in Washington, DC — has already achieved what few post-FDR presidents could in the same amount of time: it's become a force in national politics.
The most tangible sign of Politico's rapid ascent came earlier this month, precisely 100 days after its online debut, when the nonpartisan magazine co-hosted the Republican presidential debate at the Reagan Library in California. Editor-in-chief John Harris joined moderator Chris Matthews of MSNBC in grilling the GOP hopefuls. So did executive editor Jim VandeHei, who relayed questions chosen by Politico's readers in an online vote.
Because Politico boasts an all-star team of political journalists, that 100-day figure warrants an asterisk. (There's Harris and VandeHei from the Washington Post, Mike Allen from Time, Roger Simon from Bloomberg, and Ben Smith from the New York Observer and New York Daily News, etc.) Still, all-star journalistic ventures have failed before — remember Brill's Content? — and the debate was an excellent opportunity for Politico to announce its arrival to a broader audience.
A few key differences set it apart from other publications — such as The Hill, Roll Call, National Journal, Congressional Quarterly — devoted to national politics: it's Web-based, and it doesn't charge an online subscription fee. (Politico.com gets about 1.5 million unique visitors a month; the paper's daily print circulation is just 25,000.)
The institutional voice Politico seeks to cultivate, meanwhile, sounds a lot like the New Republic or the Weekly Standard, with a dash of Wonkette mixed in: "What we aspire to have," Harris told the Phoenix, "is a very sophisticated, highly analytical approach to politics — but one that also reflects our own personality as political junkies, that doesn't take itself or its subject matter too seriously, that enjoys this as both a serious topic but also as something of a sport."
But unlike the New Republic or the Weekly Standard, Politico claims to be nonpartisan. Given its zesty love of the game, is that even possible?
They report, you decide?
This isn't an academic question, for the issue of nonpartisanship — or lack thereof — has plagued Politico's brief existence. So it was only fitting that, while the Reagan Library debate raised Politico's profile, it also gave the publication's liberal critics another opportunity to voice their displeasure.
The day after the debate, Jamison Foser of the liberal watchdog group Media Matters for America (MMA) accused Harris, VandeHei, and Matthews of letting the Republicans off easy. The trio lobbed too many softball questions, Foser complained; furthermore, they didn't push the candidates to explain how they'd pay for their tax-cut proposals, and only mentioned the (GOP-generated) federal deficit once.
Compared with other complaints leveled at Politico since it launched, these criticisms were actually pretty mild. In its three-plus months, Politico has been the focus of some 40 MMA items. Among other things, it's been chided by the group for calling John McCain "authentic" and "staunchly anti-abortion"; citing Barack Obama's "frank liberalism" and claiming Obama has a "Jewish problem"; coining the phrase "slow bleed" (which became a GOP favorite) to describe Democratic plans for Iraq; and incorrectly reporting that Democrat John Edwards was about to drop out of the presidential race.
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subset: commoncrawl


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Clever malware authors have come up with a way to disguise malicious executable files as innocuous data types by writing the file name backwards.
On May 11, analysts at Norman ASA (anti-virus software vendor based in Sweden) published details of the exploit in this report:"The RTLO unicode hole — sequence manipulation as an attack vector".
The trick is accomplished by using Unicode control characters such as 0x202E (right-to-left override) and 0x202B (right-to-left embedding) to reverse the direction of the text in the middle of a filename, and may be used to camouflage filename extensions in email attachments and on the web. Additional information can be found here (PDF) and here.
Although the payload is likely to be targeted at users of Microsoft Windows operating systems (which rely on filename extensions to determine whether a binary is executable) the exploit works on any operating system which handles Unicode correctly. That means Linux and UNIX-based operating systems, including Mac OS X, will also be fooled into displaying a deceptive filename.


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Turbulence started as an idea to model the sky. To try and turn the sky into an object. To identify vectors and work 'infinite' space into a closed system. For this, I thought to make a sculpture in which interior spaces merge and change. I wanted the sculpture to be high and complex so that it never repeats itself as the viewer moves around it. This would actively encourage the movement of the viewer around and back and forth in order to perceive the relationship of parts and the structures that hold them. The time taken for this active reading of the sculpture also becomes an ingredient in the perceived unity, as a space–time continuum, like the time taken to read and understand a poem.
'Shaped planes' in space are perceived as other than what we know them to be. When they are looked at from angles other than at ninety degrees to the viewer, circles become ellipses, squares become rhomboid. The shapes of 'spaces' created by shape planes that are not at ninety degrees to the viewer, transform in an even more complex way; as the viewer moves the voids appear to expand or contract. The spaces also assume the colour and tone of the enveloping shapes with variation according to the available light.
The above subtleties animate the architecture of the still form in which seven arcs, constructed from different centres, intersect one another.
Making the sculpture involved juxtaposing shaped elements with intangible spaces, sensing geometric structure, scale, the force of gravity and directing the process towards an entity, an object of vitality that makes you feel something.
When the sky became an object, the viewers' position was on the horizon.


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Nagashima vs. Aoki Rules Set
- Written by Dave Walsh
Dynamite!! is just two days away, and in true FEG style, we're still getting the final details figured out. One important piece of info just released is the rules for the Shinya Aoki v. Yuichiro "Jienotsu" Nagashima fight. All that was known so far is that they would be alternating rounds of K-1 and MMA, but now we have the specifics.
The bout will start with a 3 minute K-1 rules round. Round 2 will be 5 minutes under Dream rules. If there is no winner after those 2 rounds, the fight will automatically be ruled a draw and will not be scored by judges. And then there's this - regular MMA style gloves will be worn for both rounds.
That last rule adds a new wrinkle to things. We're not accustomed to seeing a K-1 fighter like Jienotsu striking with smaller MMA gloves, nor is he used to using them. This should increase the chances of a KO, but it also increases the chances of a broken hand.
I'm glad they are starting with the K-1 round. As I said when this was announced, I think Nagashima's chances of surviving 5 minutes under MMA rules with Aoki are almost nonexistent. The intrigue of this fight comes from the standing portion. Common sense says Aoki should use his reach and defensive skills to try and survive those 3 minutes. But I have a suspicion that Aoki's emotions could get the best of him, leading the Dream champion to actively engage Jienotsu on the feet. If that happens, it should spell doom for Aoki, but those MMA fighters have a pesky way of surprising their K-1 opponents. Either way, this should be interesting, and is one of my personal Dynamite highlights this year.
Also announced were the rules for Bob Sapp v. Shinichi Suzukawa, which will be DREAM MMA rules with no gloves, closed fist strikes are not allowed, and you are permitted to throw open palm hand strikes. Sounds like a throwback to the old Pancrase days to me.


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By Ben Levisohn
Gold's had its largest rally since 2011 this week–as it well should, according to Sterne Agee's Michael Dudas and Satyadeep Jain. They write:
We think the current gold price appears to be discounting a successful and smooth Fed exit from extraordinary monetary accommodation, which appears unlikely. Since Fed Policy Announcement and Federal Reserve Chairman Bernanke's press conference in June, gold prices have been discounting a sharply higher longer-duration real interest rate level and a more aggressive central bank monetary liquidity withdrawal than we anticipate.
Gold miners should benefit too, they say:


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I've just recently starting collecting the 12" line (the $4.99 Ki-Adi Mundi at WOTC is what got me started).
Anyway, I need some help. I want to get the 12" Boba Fett from the POTF2 line. However, I can't decide which one to get. I'm a loose collector & by what I've read in the past & seen online the Electronic Boba Fett LOOKS nicer than the Collectors Series one. Plus, it seems to be a lot cheaper.
Could someone please give me their advice?
My main thing is that the Collectors Series head looks small kinda like the Collectors Series Darth Vader.


text:
Nox-Audio Scout HSM001A0 Headset (Black)
" Now, I recall reading CNET's review on the much overpraised "Nox Audio Scout's" this is what originally made me want to get a pair of these in ears and I have to say, they do have an interesting design. The flanges or rubber pieces on the side of the headphones may look nice or helpful but be warned! they are nothing more than a useless nuisance that gets in the way whenever you try to..." --OmarSy
Labtec Go215 Ear Buds with Carrying Case
The Go Series of headphones and earphones is specifically designed to address the needs of music lovers who enjoy active lifestyles. Each model is lightweight, comfortable, extremely portable and delivers clear, crisp sound.


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- PLEASE NOTE: This table is constructed with a permanent wooden skirt that runs between the legs just beneath the table top (see photo, above). This skirt prevents any of our rustic arm chairs from sliding beneath the table. Instead, we suggest the use of our rustic side chairs with this table.
Hacienda Dining Table
Enjoy this rustic dining table featuring extra thick hand-carved legs. The hacienda table can seat from six people all the way up to eight comfortably in the largest size. You'll enjoy this beautiful piece of southwestern furniture for a lifetime. Handmade in Mexico.
Please Choose an Item
This charming rustic furniture piece has been produced with care using new, kiln-dried ponderosa pine. It is finished with a rich, honey-colored furniture wax to bring the wood grain to life. All iron and hardware is hand-forged with a distressed, rust-colored finish. Every piece is 100% solid wood (no laminates, particle board, or veneers), carries a one-year warranty, and unlike other on-line stores we try to keep all items in constant stock for delivery to your home or office in just 2-3 weeks.
Helpful Information
Hacienda Dining Table
2012-04-28 I received my table yesterday and it is beautiful!!!!! I LOVE IT!!!!! Now I need to look at chairs!!!!!!!! Thanks again!!
"I received my table yesterday and it is beautiful!!!!! I LOVE IT!!!!! Now I need to look at chairs!!!!!!!! Thanks again!!"
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Hacienda Dining Table
2010-04-15 Thank you so much for all your help!
"Thank you so much for all your help! The table is perfect. The delivery was very fast. Your help via Email was invaluable. Thank you for the personal service."
A devoted fan, Pamela K.; Tomball, TX
Hacienda Dining Table
2010-04-06 I just want to let you know my tables came today and they are beautiful and there is nothing wrong with them.
"I just want to let you know my tables came today and they are beautiful and there is nothing wrong with them. It was a pleasure doing business with you."
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Hacienda Dining Table
2010-03-23 I received the table and it's beautiful.
"I received the table and it's beautiful. Thank you so much for all of your help and I hope you had a wonderful holiday. I have had wonderful luck with La Fuente and will be purchasing again! Thank you again!"
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Hacienda Dining Table
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This is an image of a small portion of the Cygnus Loop supernova remnant, taken with the Wide Field and Planetary Camera on NASA's Hubble Space Telescope on April 24, 1991. The Cygnus Loop marks the edge of a bubble-like, expanding blast wave from a colossal stellar explosion which occurred about 15,000 years ago.
Credit: J.J. Hester (Arizona State University), and NASA.
Co-investigators: P.A. Scowen (Arizona State University), Ed Groth (Princeton University), Tod Lauer (NOAO), and the WFPC Instrument Definition Team.


text:
|GTA V Latest News | #GTAV | #GTAOnline
2009 First Chinatown Wars review is glowing
GTA: Chinatown Wars - General News | @ 07:39 AM MDT | By Neil
The first review of Grand Theft Auto: Chinatown Wars has been published in the latest issue of the UK's Official Nintendo Magazine.
In awarding the game 94%, the publication describes it as "every bit as compelling, impressive and fun to play as its home console cousins, if not more so".
The game goes on sale next week and those in the UK can pre order it now for just £17.99.
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text:
Tokyo Apt 15min 20 Shibuya Mobil WiFi!
Maximální počet hostů3
Počet místností1
Velikost325 ft²
Floor No.2
- Kuchyně
- Klimatizace
- Pračka / sušička
- Balkón/terasa
- Internet/WiFi
- Uzamykatelný pokoj
- Parkování k dispozici
- Ručníky
Accommodation summary
|Kitasenzoku, 145-0062 Ota, Japonsko
|Typ nemovitosti
|Ident. objektu
The apartment comfortably fits 2-3 people. The bed can be used as either a single or double bed. Futon beds are also available. (see pics)
Amenities included are:
- Free Mobile Wifi
- Fridge
- Microwave
- Gas oven
- Hair dryer
- Ironing board
- Electric Kettle
- Full Air conditioning / heater
- Washing machine
- Rack for drying clothes outside
- Vacuum cleaner
- Pots/pans/silverware
- Stereo for Mp3 players
The following complimentary items are also provided:
- Bath and face towels
- Soap and shampoo
- Toothpaste
90 minutes from Narita Airport: 1,650 yen (Regular Train)
40 minutes from Haneda Airport: 720 yen (Regular Train)
Senzoku-ike (Large Traditional Park): 8 minute walk
Grocery store: 2 minute walk
Shibuya: 15 min. by train
Shinjuku: 20 min. by train
Roppongi: 25 min. by train
Otemachi: 25 min by train
Yokohama:22 min. by train
Either myself or my wife will be available to show you the room when you arrive and give you any info you need.
Ookayama is home to the Tokyo Institute of Technology which has a nice campus with big open spaces and trees. There's also a shopping street with a bunch of shops, restaurants and a few bars. Overall, its super safe and a pretty quiet place but not too far from other stations where there is much more fashion/nightlife etc.
Only 40 minutes from Haneda Airport by train.
There is a pay for parking lot nearby.
We live above the unit so we can help you easily.
Domovní řádNo pets, no instruments allowed.
Please take off your shoes inside the room.
No smoking inside please. Smoking on the Balcony is ok but please use a ashtray and be clean.
Please keep volume down at night. Loud noise could echo and cause disturbance to other tenants.
Please keep our room CLEAN.
Garbage day is on Monday and Thursday, Recycling day on Saturday.
|Cena za více než 1 ubytované(ých)
|13 € Cena za osobu/noc navíc
|Maximální délka pobytu
|1 měsíc
|Příjezd po
|Check-in before
|Odjezd před
|Stornovací podmínky
|Středně přísné
Thanks to Clint & Sachiko, they made our trip so comfortable. The apartment was really lovely and clean. Liked the neighborhood a lot! Also they were really friendly - would stay there again everytime. Thanks a lot!
Very kind owners with a lovely and cozy apartment in a perfect position to visit the whole city. I highly recommend it. Thank you for the hospitality!
Thank you very much, Clint and Shachiko! It was very comfortable and clean appartment, good area, near the metro station and not far from center. I highly recommemde this appartment.
- Ověřenou kvalitu ubytování
- Prověření každého hostitele
- Bezpečné platby prostřednictvím SSL šifrování


text:
|>> Archive: Salmon & Steelhead Flies Spey flies to mixed wings, new innovations
|Topic Review (Newest First)
You can send the Glasso flies my way along with a good cigar and a wee bit of brown nectar.
Nice ties every one, makes mine look like a parakeet on a stick.
I'm SORRY, BUT SOMEONE HAS TO PASS THE BAD NEWS.
All these fly's are questionable. Send me two of each so I can give you my 'unqualified opinion.'
All above is rhetoric .... I, being very knowledgeable - not mention a Wonderful Person - will pass judgement. No, make that THREE samples. I will show each to "Bella," her reaction RULES!
Yeah Ronn
I agree, just takes practice and patience and then they'll click. Found I could dress speys faster then the atlantics. I'm not a perfect dresser of the flank wings, but once I got my niche down, they became easier. I prefer the hackle tips anyways, but like to do the flank. Just haven't found that groove yet with the Atlantics, but I keep trying. I haven't thought about studying it as I went. Alot of times I went more by material prep then how I lay the thread, etc. Hmmmmm, may have to sit and watch. Still waiting on the "click" fly. :hehe:
Onto scanners. I think it depends on the scanner. I know that I've used a few scanners. The one I have now isn't bad, but can at times bleach out a color. But think it's the materials being used and how much the bright scanner lights reflect off said materials. I know some of my more "duller" flies come out looking better then some of my brighter floss bodied ones. Especially if I'm tying with flourescent materials. Really bleeds color out. I tied up my own rendition of a polar shrimp marabou spey and the scanned version doesn't come close to showing the colors of reallife. Ok, I DON'T want critiques on this fly. lol. Just showing what mine looks like after being scanned. The orange marabou is actually is the same color as the floss body. The floss body came out darker and the marabou came out lighter. Just an example of how my scanner can bleed out certain colors. In fact, the red thread head is actually a lighter red. Go figure.
It is evident that I don't have the skill nor the interest to passionately debate minutia but more power to those of you that do.
I will say though that before anyone starts questioning Flytyer's honesty regarding his scanner comments, I would do a search through the archives as he has complained for sometime that his scanner changes certain colors. Other than that all I can add to this is that he dresses a nice fly and fishes them rather than leaving them for display only.
Here are the Glasso patterns.
|Ronn Lucas
I understand completely. Yesterday I spent about three straight hours doing a body on a fly only to cut it off and start over! [8^(
You will find that as with most things, there is a learning curve. Pay attention to every little thing you are doing, twist of the wrist, tension on the thread, angle that you hold a material and, so on. When something doesn't work, analyze why and don't do that again. Then. try something just a little different and see what happens. One day, all of a sudden, you will tie a fly without the problems you mentioned and you will be stunned. You'll wonder what all the fuss was about.
I think it is these little challenges more than anything else that makes tying fully dressed flies so personally rewarding for Tyers. Yeah, the often times outlandish beauty of the finished fly is cool too.
Happy Trails!
LOL Ronn
Actually, I have tried them and have all the materials/hooks. I can do some simple ones ok. But I long to do the full dressed with multiple wings. Always when I get to a topping or the likes they fall apart. I've seen the tricks of smashing down the feathers so they lay on the hook correctly. I've been trying, trust me. LOL. Spent a couple hours on one fly to have it fall apart at the end. It became a fishing fly at that point. lol. But yes, I keep trying. What I've been planning to do today if I ever get a chance to sit down for a second. LOL. Been going in and out trying to rewire a horse trailer. Get numb, then come back in to warm up. Now, have to run and pick up my kids (went to cousins birthday party yesterday and stayed the night). So putting me further behind. :hehe:
I also have Jorgenson's book on Atlantics. It's been helpful. Gonna sit down and really thoroughly read it. May have missed something. But between a few websites and what I have bookwise, I may get one that meets my standards. LOL
|Ronn Lucas
Hi Steelheader69,
I encourage you to give them a try. They really are not all that difficult to tie believe me. You needn't go out and spend $$ on materials or hooks to get started. I would venture to say that you have all the materials in your tying stash to tie some great looking full dressed flies.
Like the old Nike ad said, "just do it".
Happy Trails!
|Ronn Lucas
One more try.
flytyer, in my original post, I offered to discuss this off board but you didn't take my offer so we are "airing it out" here.
In your last post you said "My scanner added the yellow to the body dubbing, I suspect because of the yellow hackle. The scanner also makes oval tinsel look like flat tinsel and makes gold tinsel look like it is silver (I suspect because it is "seeing" the reflection of the gold as simply light). The scanner also makes it very hard to see ribbing where the hackle is bushier. There are only 5 turns of tinsel on the Kate." Come on now. I have scanned hundreds of flies with a rainbow of colors and photographed even more and have never had the experience of selective image distortion you describe! There is no gold twist on the March Brown and the rib is silver oval. The rib on the Kate is flat tinsel, the spacing of the ribs particularly on the top one would indicate six ribs but I admit that you could have ended the ribs way behind where they would normally end. There are still no horns on the second one (which is a much better looking fly in my opinion).
You go on to say, "The hare's ear dubbing instead of silver monkey fur with orange added to it, is a standard substitute for the silver monkey/orange dubbing mix." Who's standard? With the wrong tinsel and wrong body, I can't tell if that is the right wing, that is not Kelson's March Brown!
You did not follow your rules or the recipes for these three flies yet you continue to offer them as Kelson's dressings. They aren't! This is what gets to me about you and some other traditionalists/purists. You have "rules" that you impose on others who might not be faithful to flies of past yet you do as you will without regard to the same "rules". Emerson (I think) wrote, "do as I say, not as I do". Whoever said that, it fits here.
Paul Ptalis published a great little book called "Century End, A Fly Tying Journey". In this book, Paul presents an array of classic dressings as well as some of his awesome free style flies. After the shock of the colors and patterns when I opened the book, the thing that really impressed me was that after the name of the classic pattern and the originator, he added, "...interpreted by Paul Ptalis". I would suggest that this might be a good thing to do when accomplished Tyers like yourself present a "classic" pattern that is not faithful to the original dressing. This will give the less knowledgeable among us the "heads up" that there has been a bit of artistic license applied to the fly.
Now, do you get it? My point is not to criticize you or your flies. I am NOT judging either. It is simply to help other, less accomplished Tyers understand what it is that they are viewing from more experienced Tyers such as yourself. You can tie your flies any way you like and I can do the same. Neither is better or more right than the other.
Happy Trails!
I love to tie flies, and will admit that I've longed to get the hang of full dressed atlantics. I've tried a few times, but none have come out as well as I'd like (I know, practice practice :hehe: ). Myself, I like all of them. I am FAR from a "traditional" or a "by the rules" type fly tyer. I prefer to interpret and tie to my likings, not to standard rules. But I'm not tying to meet the criteria of experts either. Since I don't have those skills, I won't critique.
All I have to say is nice job on all. Will sit down and learn how to tie these one of these days. I do better hands on then reading about them. But, will master them someday. LOL
even more confused!
Let me get this straight. As I see it, Pryce-Tannatt states decidedly ("...after due consideration of the fly-dresser and angler alike.") that horns are indeed an important anatomical and functional element of a fly - for the reasons I indicated in my last post. Kelson and Sir Herbert Maxwell dressed their Kates with horns as well. Yet, you (a 'purist') consider them to be a non-essential part of the dressing.
Am I to understand that the 'rules' in tying, classical or otherwise, are indeed subject to personal interpretation?
FT, I am by no means the tyer or historian you are, so I hope you'll shed some light on some confusing and contradictory points of view.
BTW - I may have missed something, but what WAS the purpose for posting the additional Kate?
|Here is another Kelson Kate with jungle cock cheeks, which is also taken from one of my fly boxes.
My scanner added the yellow to the body dubbing, I suspect because of the yellow hackle. The scanner also makes oval tinsel look like flat tinsel and makes gold tinsel look like it is silver (I suspect because it is "seeing" the reflection of the gold as simply light). The scanner also makes it very hard to see ribbing where the hackle is bushier. There are only 5 turns of tinsel on the Kate.
I looked up Kate in Kelson's book and you are correct, it should have horns and jungle cock. I appologize for misleading anyone on that. However, Kelson wrote that jungle cock should be left off some flies for fishing because jungle cock is such a bright feather that leaving it out sometimes makes for a more effective fly, especially in hard-fished waters.
The hare's ear dubbing instead of silver monkey fur with orange added to it, is a standard substitute for the silver monkey/orange dubbing mix.
Yes, Price-Tannatt did write this; however, I have always been puzzled by it since jungle cock is not a brittle nor a fragile feather, and a single fiber of Macaw tail does not offer much protection to a jungle cock feather. Also, when a fly is fished, the single fiber of Macaw use as a horn, blends in with the wing and adds little if anything to the mobility of a fly, unless you are speaking of flies with topping or G.P. tippet wings.
Why do I think this Auction is going to cost me money??
Well said, Ronn,...well said, indeed!
flytyer - as a side bar...
Your comment of; "Since I have found that cheeks, tail veiling, horns, and anything other than a thread head make no difference in the fly's effectiveness, I tie and fish the Kelson version." was a little perplexing, especially coming from someone with a decidedly 'classical' or purist's philosophy on flytying.
Didn't Pryce-Tannatt write that, "They (horns) constitute an element of mobility in a fly, and mechanically are useful in protecting brittle, delicate feathers, such as Jungle Cock, when these latter are used as cheeks or sides."?
I would think that mobility and protection would be instrumental elements in a fly's effectiveness.
Certainly food for thought, eh?
BTW - Psst! R-o-n-N would be the correct spelling.
|Ronn Lucas
Hi flytyer,
Ok, I'll give you the chenille head but in "Classic Salmon Flies, History & Patterns" by Mikael Frodin, he states the following re the Kate as by Kelson. "... Kelson writes,..... is constructed as follows. Tag: Silver twist and light yellow silk, and a topping for the tail. The butt is of black Ostrich herl followed by a body comprising two turns of crimson dyed silk and then crimson dyed seal's fur. The body is ribbed with oval silver tinsel from the second turn of tinsel a crimson dyed hackle is wound. The throat is a light yellow cock's hackle. the wing (on Kelson's Kate) is thin and constructed first of fibers from grey Mallard and Golden Pheasant tippet and, then sections of Bustard, Golden Pheasant tail, light yellow, crimson, and light blue dyed Swan, Mallard and a topping. The fly should have cheeks of Jungle Cock feathers and horns of blue Macaw." Now, I am not a historian when it comes to early patterns but your "Kate" is not as specified in this recipe. I see yellow dubbing on the body, flat tinsel, no horns, no cheeks, hackle starting at the third turn of ribbing (as stated in your earlier "rules" but not as per Kelson). Do I see six ribs in it? Maybe one is covered by dubbing?
Your March Brown is also not as the recipe is listed in the same book which is as follows. "...Tag: Gold twist, Tail: A topping, Body: Silver Monkey's fur and a little dirty orange seal's fur, mixed together, Ribs: Gold tinsel (oval), Throat: Partridge hackle, Wings: Sections from a hen Pheasant tail (in large sizes Turkey)." I could be wrong but it looks to me that you have used flat silver tinsel as well as silver oval in the body. It is also doesn't look as if the required dubbing was used. Is there silver Monkey fur in it as well as orange Seal?
These are not the only things I see that are not correct either or may need a bit of improvement. I'd be happy to help off board as my earlier post indicated.
flytyer, my point in this is not to be critical of your flies or anyone else's. You seem to hold yourself up as the resident historian and keeper of truth. I am not, nor do I tie perfect flies. My sole interest is not to mislead Tyers who may be new to the craft and particularly the full dressed flies. When you presented these two flies as "Kelson", that implies that they are dressed as he would. If a new Tyer assumed you were right and wanted to dress a Kate or March Brown given your presentation of it, he/she would have been wrong.
I said it before, there are NO rules that can't be broken. I also said that when tying a classic, it should be tied as close as possible to the original and where substitutions are used, they should be noted. I don't expect you to have Monkey hair in this day and age (although I'd be happy to send you a small snippet of it).
The guys you hold in such high regard (Kelson, Pryce-Tannatt, et all) changed the patterns all the time and they noted it.
Either rules are rules or they aren't.
The goal ought to be to have fun tying flies and particularly the full dressed ones. That's my #1 rule!
Happy Trails!
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John Wayne Parr vs. Ky Hollenbeck Set for Feb. 2012
- Written by Dave Walsh
If you are a fan of John Wayne Parr (and by all means, you should be), it has been a bit of a rollercoaster year to say the least. According to JWP himself, 2011 was his final year as a fighter. He had achieved everything that he wanted to and was going to ride off into the sunset. Then something happened, JWP was picking up wins, big wins, and retirement did not seem like that great of an idea anymore. He obviously still had a lot left to do in the Kickfighting world and there were a lot of asses for him to kick. Then, mid-way through the year, something as innocent as his daughter participating in a Muay Thai bout became international headline news and JWP's parenting skills came into question.
As someone who has had the distinct pleasure of interacting with Mr. Parr, I have to say that it is ridiculous to question his love for his family, for fighting or for anything else in this world. JWP is a stand-up guy and anyone who thinks differently should re-evaluate their priorities.
This brings us to the matter at hand, which is that JWP has a big fight coming up in February in his home land of Australia. According to our good friends at Muay Thai Authority he'll be taking on one of the United State's best and brightest in Ky Hollenbeck.If you haven't seen Hollenbeck's recent string of fights, I implore you to do so as he is an incredibly legitimate fighter. The event is Knees of Fury 36 and will go down on February 25th. [source]


text:
- This barstool comes broken down for lower shipping costs and requires assembly. Instructions and hardware are provided.
Rustic Oak Ladderback Barstool
Use this versatile solid oak barstool indoors or out on the patio. The back design features horizontal slats and an oval top to fit your hand for easy moving. The seat height is 24 inches.
Please Choose an Item
To achieve the unique rustic appearance of this collection, each piece of oak is distressed, by darkening and rounding its corners and flattening or indenting its edges, and then treated with a medium-dark brown stain for a high quality finish. The slate inlays feature multiple rich colors that can vary wildly, assuring your piece of furniture will be one-of-a-kind, and are sealed in the wood to prevent cracks and debris. The dimpled knobs and pulls are black hand forged iron, and high quality waterfall glass is used throughout the collection.
Helpful Information
Rustic Oak Ladderback Barstool
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I've received the 40GB IBM TravelStar drive from Smalldog, and installed it in my PowerBook (Pismo) without incident. Installing OS X took a surprisingly small amount of time, and the machine booted to the desktop before I'd realized what had happened. I've got a lot of configuration to do to get this system back to where it was prior to the loss of my 10GB drive, but I kind of look forward to starting from scratch.Yellow Dog Linux
I set aside a 10GB partition on this new drive to install another OS. I have the YDL 2.0 discs (I ordered them to upgrade my then-primary server that ran YDL 1.2, but YDL provided no upgrade path, so the discs and lovely packaging sat idle), so I thought I'd install that. Big mistake. The installer looks like ass, and failed with some exciting new Python error each time. It was difficult to use, had a logic all its own, and never did manage to install. I'll probably try Mandrake or SuSE or something, but not Yellow Dog Linux. I've decided to give up on it.


text:
18000 BTU Dual Zone Ductless Mini-Split
Description & Highlights
Senville 18000 BTU Dual Zone Ductless Mini-Split - Silver
The Senville 18000 BTU Dual Zone Ductless Mini-Split (M2OC-18HRDN1-M) is the perfect alternative to complicated and expensive central air as well as sometimes noisy and inefficient window or portable air systems. Equipped with a high-quality multi-purpose Toshiba compressor, this mini-split uses advanced inverter technology to operate at adaptable speeds instead of constant ones so you can enjoy consistent temperatures year-round without ever having to worry about uncomfortable and costly temperature fluctuations. Additionally there's no need for ducts or retrofitting of any kind as the air is sourced from the compressor that is installed outdoors, connected by simple copper tubing and electrical wiring. This particular model is designed for dual zone use and comes with two (2) separate air handlers for placement in different rooms where different temperatures may be desired. Each air handler has a two-direction air vane that provides rapid, evenly distributed temperatures with a cooling capacity of 12,000 BTUs and heating capacity up to 12,500 BTUs, while the Fresco Tech™ air filtration system utilizes seven filtering stages to help eliminate airborne bacteria, odors, harmful gases, and other air debris.
This incredibly efficient ductless mini-split air system is Energy Star and AHRI certified, drawing up to 40% less electrical power than central forced air systems. With the exceptional Seasonal Energy Efficiency Ratio (SEER) rating of 16, you can be sure that this mini-split air system will always convert electricity into cooling or heating power with the utmost efficiency to save you money. The two (2) digital multifunction infrared remote controls have dynamic digital LED displays and provide the convenience of controlling your unit from a distance, while the auto-restart function and digital 24-hour, clock, and sleep modes enable automated operation giving you one less thing to worry about. The low energy consumption levels, effective temperature control capabilities, minimal noise levels, and simpler installation combine to make this mini-split air system a great choice for creating healthier and more comfortable living spaces all year long.
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Note: All Senville ductless mini-splits should be installed by a professional HVAC technician.
- Model: M2OC-18HRDN1-MInstallation kit included (13' line set)
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- Cooling Capacity: 12000 BTU per indoor unitSenville 18000 BTU Dual Zone Ductless Mini-Split
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Outdoor Unit:
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- Depth: 12.63"


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Annual AGM and Board Candidates Announced
The Annual General Member meeting for current Triangle United families will be held on Tuesday, September 10 at 6:30 PM in the main building of Triangle Church (5510 Barbee Chapel Road, Chapel Hill, NC 27517). The club is also very excited to announce the annual slate of board candidates for membership approval. The following are the candidates' names and a brief description of their backgrounds.
Click here for the Board Ballot
Mike Hill- I am interested in serving on the Board as a parent of one player that has played at the Gold level for several years and a second player who is just starting the process as a U11 player. I believe that I can contribute in a positive way as a result of my real estate development experience (most notably I was responsible for the development of the American Tobacco project and Durham Bulls Athletic Park while serving as Capitol Broadcasting Company's general counsel from 1991-1997), which I hope can assist TUSA with any plans for the development of facilities. I hope also during my time as a Board member to nudge TUSA to a more constructive role in assisting players (and their parents) to evaluate their opportunities to play in college.
Jennifer Lawson- As a general pediatrician, supporter of early literacy in the underserved, school volunteer, and parent, I am an advocate of child well-being in most aspects of my life. My children have played youth soccer in the Woodcroft and Rainbow recreational programs and then progressing to the Triangle United Classic Gold level, most recently competing at a national level of play. Their experience and participation have offered me some perspective on the many and various aspects of youth soccer. I welcome the opportunity to serve on the board, sharing our perspective and experience as the club moves forward.
Liz Sweeney- Liz is a long time resident of Chapel Hill. She is a graduate of Carolina and has worked as a Creative Director at McKinney, an advertising agency in Durham, for over 20 years. Liz has three children who have all played for Triangle United at various levels. Her daughter, coached over the years by both John Cirillo and Cindy Parlow, played for Carolina in 2011. Her youngest son is currently on the '97 Silver team coached by Davis Boyle. Liz attributes TU as one of the most positive center pieces of her children's formative years and would love to see families of all incomes be able to have the TU experience. She believes coaches should coach and parents should be positive supporters. Liz is also an advocate of improving club facilities, in particular, field access and control.


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Give your baby a healthier first birthday cake to smash!
If short on time? Substitute Betty Crocker® Whipped fluffy white frosting in place of the frosting in recipe. Add food color to get desired color.
No 6-inch round cake? Use 8-inch round cake pan. Fill pan with 2 1/2 cups batter, bake 25 to 30 minutes. Use remaining batter to make 15 cupcakes. Make a paper template for a 6-inch circle. Place template on 8-inch cake and use it to cut out 6-inch round cake.
© 2017 ®/TM General Mills All Rights Reserved


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Compare all Samsung Products and Find the Best Offers
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Manufacturer: telemax Manufacturer: XTZ 2 Results
XTZ EarPhone-12
The new XTZ EarPhone-12 with a dedicated iOS app for DSP sound correction will blow your mind! The EarPhone-12 is our first earphone ever! Obviously, as you could expect from XTZ, we went for something completely new. The idea behind this project was not only to create a good earphone, maybe with an excellent price/quality ratio, but to build something revolutionary, something that expresses...
Telemax Brain Acid Earbuds (Pink/White)
Brain Acid in-ear buds deliver a bigger, badder listening experience. Their small 9mm driver delivers clear detail and balanced tonal range, while the flexible ear cushions fit in a variety of different ears. They sit securely in your ear while blocking external noise


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In total, there are more than 300 given names (counting both first and middle names) in my pedigree chart. Variety-wise, I was surprised to find that more than 100 different names were represented.
Other Biblically-named grandparents include:
And that's just the boys! Among the grandmas, there were four Ruths, three Deborahs, two Sarahs and a Naomi.
Those Puritans had Desire, Freedom, and Experience. And one of them was Thankful.
Grandpas with regal names include:
- Alexander and Edward (one apiece)
- David, George and Ludwig (two of each)
- James (4)
- Richard (half a dozen of those)
- 11 Williams
- and a full dozen Henrys... Henries?... whatever!
Regally named grandmothers include half a dozen Annes, two Eleanors, nine Katharines, and a whopping twenty-one Elizabeths (the most popular girl's name in my pedigree chart).
Johns? There must be one of those in every family, isn't there? I have at least a dozen, along with seven Johanns, two Joans, and a Jonathan. On the distaff side, there are half a dozen Johannas and two Janes.
There are seven Roberts, and twice as many Thomases. I'm surprised that's not the other way around.
There's an August, but no April, May, or June.
I have a Russell in my chart--just one--my father. Russell is not a particularly common given name, but my children have two in their charts. Both of their grandfathers are Russells. Oddly, my daughter's husband also has both grandfathers sharing the same first name (Robert). And my daughter and her husband both have a paternal Uncle Gary. (My daughter's father grew up on a street named Hilldale, and her husband's father grew up on a street named Hillsdale. Although that has nothing to do with the given names in my pedigree chart, it certainly is a funny little addition to their list of odd similarities.)
Tryphena, Elvina, and Herman were handed down, but only once (at least in my direct lineage).
Dorcas, Lubbert, and Balthasar weren't handed down at all. Just as well!
But I did get two Valentines!
Today is your last chance to post for Jasia's 100th Carnival of Genealogy. The prompt is "There's one in every family!" and it's wide open to your own interpretation. The goal for this very special celebration is 100 posts (or more!), so write on! You have until midnight, Hawaii time, to join the fun!
As usual, this great COG poster was created by footnoteMaven. Thanks so much, fM, for sharing 100 fabulous COG posters with us over the years! Readers, don't miss fM's post for this carnival, "We're Still Having Fun, & You're Still the One." She's expressed perfectly what so many of us feel about Jasia and the Carnival.


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TODAY IN 'ZOMG' | Romantic Gothic Wilderness Wedding Inspiration, French Bulldogs, Writer's Block and My Boobs. | Feat. Izzy Hudgins & French Knot Studios
Happy late Friday evening. I = back.
"NO, momma– I wanna dress like a *whore* version of Snow White" - being uttered by children coming of age in modern-day American society during the month of October.
Think about it. But not for too long because ew, weird.
So uh, those sentences above? = how my Halloween post started out originally, when it was scheduled to go up before Halloween. Silliness and inappropriateness. NBD, right? And then this happened: {Continue reading…}


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FontFont 51
FIFTY|1: The New FontFont Release Magazine, Double Issue 50/51
Fifty|1 is a PDF magazine that can be viewed on screen, but was also designed to be printed, a double issue showcasing the FontFont 50 and 51 releases.Read more
New FontFonts: FF Yoga, A Type System For The New Decade
At the tail end of 2009, FontFont released a brand new type system to usher in the new decade – FF Yoga by Xavier Dupré.Read more
The FontFeed is a daily dispatch of recommended fonts, typography techniques, and inspirational examples of digital type at work in the real world. Eat up.
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A kid doesn't have to bring an odd-looking homemade device to school to attract attention from the authorities.
Money is nice, but friends are better — or at least that's the findings from recent research on well-being and poverty.
Since the shooting at Charleston's Emanuel AME Church, six black churches in the South have burned.
"What are you doing this weekend spawn?"
Many Americans believe that half of all marriages end in divorce. But, as Quartz reported late last year, the national divorce rate may not be as high as we think.
Some say movies are the true portrait of our lives. But that's not the case when it comes to drug use, according to a new study from the New York Film Academy.
Women across the world face physical and sexual abuse during childbirth, according to a recent study from the World Health Organization.
There's now an app for messaging that requires no mobile data plan and no Internet connection, and it's exploding in popularity among junior high and high school kids.
Obesity is a large problem in the U.S., but some think a small warning label could fight it.
Meditating in the middle of the freeway in bumper-to-bumper traffic seems both impossible and impractical.
INFANTVILLE — It's the exasperated joke of every generation of new parents: "I wish babies came with a manual."
Information once kept very secret is being made public on the Internet.
Every year, more than 600,000 Americans are released from prison back into their communities. And when they are, even a minor criminal record can make it hard to get a job and a place to live.
Being homeless isn't easy, and the Los Angeles City Council is working to make it even harder.
If cancer was a fish, Tiffany Berg Coughran and her five kids would definitely throw it back.
© 2017 Bryan County Publishing - All Rights Reserved
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Saw "Invincible" starring Mark Walberg last night.
Good movie. Better than I thought it would be.
Saw "Invincible" starring Mark Walberg last night.
Good movie. Better than I thought it would be.
[FONT=Book Antiqua]He passes to Moses - He shoots, he scores![/FONT]
Mummy of the raincoat is a gigantic trollop.
We watched Zathura tonight on cable. Portions were interesting, but the small kids and their misbehaving ways and lack of attention to playing the game drove us nuts. The movie could have been over in 15 minutes if they would have organized their gameplay better
Hasbro, Wuher needs help, bring us Ackmena http://www.petitiononline.com/Ackmena/petition.html
Kenobi must be the Smith or Johnson of Tatooine
You know what C? I don't think I have ever watched Carlito's Way all the way through. From you watching it twice, I'm taking it that it is a great movie? I love Pacino too, which is even more strange as to me not ever watching the complete movie. I could possibly say the same thing for Donnie Brasco.
Last night I watched Wrong Turn. The night before that I watched Halloween 4 (most of it), and the night before that I watched House of Wax. Yes, it's almost October and I'm starting to watch my horror movies.
I've also watched more episodes of House Season 2 as I'm trying to finish it before Season 3 starts next week.
"That's the best deal you're gonna get. I won't tell you you can save yourself, because you can't."
LOG OFF RIGHT NOW!!!! You must watch Carlito's Way, it's fantastic!!!
It's been on HBO a bunch lately so that's how I watched it twice. Damn, that is a good movie.
Same with Donnie Brasco, even though they changed the ending and stuff from history...but a great movie.
Carlito's Way is spectacular, I highly recommend it. I never watched that prequel they made and I don't plan to any time soon. Ridiculous that they brought back Luis Guzman to play a different character (not a slam against him, because he's great in the original).
I'll be sure to set the DVR to record it, if it comes on soon. The crazy thing is, I actually owned the movie at one point too (on VHS). I attempted to watch it on several occasions but fell asleep or something. After that, I kinda lost any desire to finish it. I'll be sure to add it to my "To Watch" list since you highly recommend it.
You checked out anything else lately C? or has that been it?
"That's the best deal you're gonna get. I won't tell you you can save yourself, because you can't."
Good Traders/Sellers: Cameo, Darth Cruel, Sith Killer 99, JJReason, icatch9, ChasingJediDogma, AT-AT Man, JediMasterGuyute, Brainiak76, JangoFett96, njscollectibles, Vulcantouch, AC Pin, TheDarthVader, msjedi, DarthQuack, Roojay
Season one of Deadwood the last few nights, probably wrap it up tonight.
thanks Chux Turbo LBC Bobafrett Mtriv73 Rjarvis JF96 JT JMG FB Rogue2 Tycho Slicker Deoxy Caesar JontheJedi JJReason Brandon Solo JMS UK for great deals.
SSG Pro Football Pick em and Bowl Pick em Champ 2006. 2007 NCAA Bracket Champ
#24 - Gone but not forgotten
I started the second season of Deadwood last night and watched the first 3 episodes. I'll probably watch a couple more today.
Btw Caesar, "Welcome to f*cking Deadwood!" Great line.
I've also watched The Poseidon Adv. (new one), which was alright, and The Amityville Horror (new one).
"That's the best deal you're gonna get. I won't tell you you can save yourself, because you can't."


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Updated on 9 July 2013
The global biochips markets is forecasted to reach $11.4 billion by 2018 with a CAGR of 18.6 percent during 2012-18
Singapore: A recent report released by RnRMarketResearch.com has analyzed the Global Biochips Industry and forecasted that by 2018 the market will reach $11.4 billion with a CAGR of 18.6 percent during 2012-2018. The report titled 'Analysis of Global Biochips Industry, 2012-2018' said that the massive CAGR is primarily supported by Asia-Pacific followed by the European Union.
As per the report findings, the Biochips instruments segment is expected to exert the highest support to the industry with a CAGR of 20 percent globally. Microarrays segment accounts for nearly 70 percent of the industry value while services indicate lesser than 15 percent of the market value, claimed the report.
The analysis pointed out that North America is expected to maintain the highest market share for the biochips industry by 2018. Meanwhile, the Asian economies are expected to post a large CAGR of 19 percent during 2012-2018. "Higher growth rate favors improved industry investments in Asia-Pacific region in comparison with North America and Europe, going ahead," the report said.
Focusing on key areas, the report reviewed the latest biochips market trends with a perceptive attempt to disclose the near-future growth prospects. The study reveals profitable investment strategies for pharmaceutical manufacturers, biotechnology companies, laboratories, Contract Research Organizations (CROs), government organizations and other bodies.
The areas covered in the report are the emerging market trends, advancement in the technological space, region specific market demand of the segments, key growth areas and market size, region-wise demand factor, key competitors edge and various investment strategies.
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Hoodies & Sweats
Take one for the team in a hoodie or sweat from the boohooMAN on-trend edit of off-court style. Touch base with the 90s in this seasons IT jacket, the bomber, where theres only one rule: the bolder the print, the better! Stay on trend in a sleeveless sweatshirt perfect paired with a jersey vest - or update your look with quilted textures and youll be the coolest kid on the block!
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Pragmatic Technologies
- 50 - 100 Employees
- Lagos, Nigeria
- 2009
- http://careerslip.com/pragmatic-tech
Welcome to Pragmatic Technologies Career Portal
Our products categories span Banking Technology, Inverters, Stabilizers/AVR, Energy Saving LED and EFL Lights, Personal Electronics, and Consumer Health Monitoring Technology.
Our B2B business ...
View Full Profile >>
Our B2B business ...
View Full Profile >>
Resume Reserve Vault (RRV)
At Pragmatic Technologies, we recruit from time to time from talents (that have shown interest in working with us) stored in our Resume Reserve Vault. If we do not have a vacancy that interests you but would like an opportunity to join us, please submit your resume for future job considerations.Click here to Submit your Resume to our Reserve Vault
Jobs at Pragmatic Technologies
Systems Administrator
- Pragmatic Technologies
- Bachelor's Degree
- 3 - 5 years
- Lagos, Nigeria
Field Service Technician
- Pragmatic Technologies
- 3 - 5 years
- Lagos, Nigeria
Workshop Technician (Electrical/Electronics)
- Pragmatic Technologies
- 3 - 5 years
- Lagos, Nigeria
Showroom Sales Officer
- Pragmatic Technologies
- 1 - 3 years
- Abuja, Nigeria
Solar/Inverter Installation
- Pragmatic Technologies
- Diploma
- 1 - 3 years
- Lagos, Nigeria
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Millpond Musket Man QFTR (Silk/Red)
Open 2nd and 3rd, 2012. Seven series, Canadian National Open 2012
A joy to train, run or just hang out with...he went 7 very clean series in the Canadian National Open in 2012, ...high point Qual dog in Ontario in 2011. He has a very strong work and water attitude-brave-fast-stylish.
Rory is dark red, beautifully structured, has very dark pigment, full dentition, is biddable, has a very sweet nature... (sperm evaluation test on request). 71 lbs.
Summer- Southern Ontario, Winter- Alabama
Medie Robinson
905 630 0696