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text:
|Welcome to the MANGA Forum.
|You will have to register before you can post: log in or sign up at the top of the page to proceed. To start viewing messages, select the forum that you want to visit from the selection below.
what's your first cosplay? mine is L's little sister by the wayLOLthere's no L's little sister i just made that up^_^
My first cosplay was at Izumicon 2007 and I went as Naruto and probably am going to be him this year to.The Greatest Clan In Death and Universe... The Zombaukto Clan
and if I did I would go as Gin Ichimaru
The Greatest Clan In Death and Universe... The Zombaukto Clan
i have never cosplayed, i'd be either alexander anderson or zaraki kenpachi.

subset: commoncrawl


text:
Tiffin reports
Lee Stover, 59, of Tiffin, was cited with operating a vehicle while intoxicated and a turn signal violation early Sunday morning.
A broken window was reported Sunday evening at Lincoln Elementary School, 124 Ohio Ave.
Terry L. Zuern, 54, of Tiffin, was charged with violating a protection order and possession of criminal tools Sunday night.
A caller reported early Monday morning a male was standing on the railing of the bridge in the 200 block of South Monroe Street. A boy and girl were warned for violating curfew.
A bicycle was reported stolen Monday morning in the 1600 block of West Market Street.
A caller reported Monday morning a cargo trailer was stolen from the rear of a 100 block Jefferson Street location.
County reports
A bicycle was reported stolen Sunday evening in the 12,000 block of West Axline Street.
A golf cart was reported stolen Monday morning in the 11,000 block of West SR 18.
A 7000-block South TR 97 man went to the station Monday morning to report a fraudulent check.
A person in the 2000-block of Shamrock Court reported Monday afternoon a screen had been pushed in.
Fostoria reports
A man in the 400-block of North Town Street reported Sunday evening his "baby mamma" had beaten him.
A woman in the 1500 block of North Countyline Street reported Sunday evening a man threw a coffee cup at her. The woman didn't want to press charges.
A caller reported Monday morning a woman was stealing scrap from a building in the area of East North and North Main streets.
An 800-block Lynn Street woman went to the station Monday afternoon to report she ordered a pizza online and it was delivered to the wrong address. A woman at the wrong address signed her name on the credit card slip.
Tiffin fire
Firefighters were called to 33 Forest Ave. Sunday night for an outdoor rubbish fire.
County fire
Bettsville and Kansas firefighters were called to a car fire early Monday morning on West SR 12. According to reports from the Seneca County Sheriff's Office, the fire started after someone dropped a cigarette inside the car.


text:
Top Definition
when you see a bick ass cock and your like dayum, that mutherfucker got a big ass dick i wish i could suck that shit until it creams in my butt all night.
Hey bro you have a big ass dick, i bet you could tear my ass apart with that thing.
de AKSAFFARI 10 janvier 2009
Trending Now
Can you define these popular missing words?


text:
gl today bro.
GL today Dr. Make sure to put some Beano in the Farva beans, makes mama happy. I am riding the Win Train69 today.
Originally Posted by DaKid: 3-9 so far Train, you'll get em tonight!
5-7 , not sure where you are lookin bro
Jets/Hou O40
Copyright © 1995-


text:
These images relate to productions from the sixteenth to the twentieth century, giving an overview of the developments in theatre styles from Shakespeare's own time to about 1914, with stress on the earlier centuries. Plays included are grouped alphabetically by play title, with production details listed under each title where known. The last page 5 illustrates the range of theatre stages on which these plays have been performed. Please note that the later, more narrowly focused period sections (Galleries 3-9) overlap with the end of this broadest one (Gallery 2), so some related pictures may appear in later contexts (including a few in the Bibliographies and About Us). As noted some of the pictures in this gallery were provided by the Shakespeare Centre Library, Stratford-on-Avon, by permission of the Shakespeare Birthplace Trust, and the Furness Image Collection of the Libraries of the University of Pennsylvania, except for those identified otherwise. The remainder are from the UCB Shakespeare Program collection. They are intended for educational and non-commercial purposes.
Macbeth: Cooke as Macbeth, London, Covent Garden Theatre, 1802.
Macbeth: Mrs. Siddons as Lady Macbeth, London, Covent Garden Theatre, 1812.
Edmund Kean (1787-1833) as Macbeth, 1815.
Macbeth: Samuel Phelps as Macbeth London Sadler's Wells 1850
Macbeth: Edwin Booth (1833-1893) as Macbeth
Macbeth: Tree's production, London, His Majesty's Theatre, 1911.
Measure For Measure: John Listen as Pompey, the clown/bawd.
Measure for Measure, I, 4; Isabella Glyn (1823-1889) as Isabella; William Hoskins (d.1886) as Lucio.
Merchant of Venice, IV.i: Charles Macklin (1697?-1797)- Shylock; Elizabeth Young (1740-1797)- Portia. 354 hits to 6/10/11
The Merchant of Venice: Edmund Kean (1789-1833) as Shylock.
The Merchant of Venice,[1859?]: John Edmond Owens (1823-1886) as Launcelot Gobbo
The Merchant of Venice, 1887?: Sir Henry Irving (1838-1905) as Shylock.
The Merchant of Venice: Herbert Beerbohm Tree as Shylock, by Charles Buchel, 1914.
4.9 Peg [Margaret] Woffington (1714-1760). See next image.
The Merry Wives of Windsor: Margaret Woffington (1714-1760) as Mistress Ford.
The Merry Wives of Windsor (V.v): James Hackett (1800-1871) as Falstaff.
A Midsummer Night's Dream: Mrs. Barsanti as Helena MND 1776.
A Midsummer Night's Dream: A Wood with Titania, Queen of the Fairies, Bottom, Fairies.
Design for A Midsummer Night's Dream: Palace of Theseus, London, Princess Theatre, circa 1856.
Much Ado About Nothing: Mrs. Abington as Beatrice, London, Drury Lane Theatre, 1775
Much Ado About Nothing: David Garrick as Benedick, Drury Lane Theatre, London, 1776.
Much Ado About Nothing: E.L. Davenport as Benedick, London, Princess Theatre, 1848
Much Ado about Nothing: Anna Cora Ritchie (1819-1870) as Beatrice.
Much Ado: John Gilbert as Dogberry. 1855.
Much Ado About Nothing: Forbes-Robertson's painting: Lyceum Theatre, London, 1882.
Ellen Terry as Beatrice in Much Ado at the Lyceum Theatre, London, 1882
Much Ado About Nothing: John Forbes Robertson (1853-1937) as Claudio.
Much Ado: Viola Tree (1884-1938) as Hero.
Much Ado About Nothing: Peggy Ashcroft as Beatrice, John Gielgud as Benedick.
Spranger Barry (1717-1777 made his stage debut in Dublin as Othello.
Edmund Kean as Othello at Drury Lane, 1800.
Ira Aldridge as Othello, circa 1848.
Mr. Wallace as Othello and Mr. Macready as Iago at the Haymarket Theatre.
Othello: George Bennett (1800 - 1879) as Othello, at the Theatre Royal, Sadlers Wells, with Miss Jane Bennett, as Desdemona.
Edwin Booth as Iago, 1870. three years earlier, in 1878. Courtesy
Othello: Tommaso Salvini as Othello, 1875.
Othello Poster, 1884: Thomas Keene (1840-1898) as Othello.
Othello: Margaret Halstan (1879-1967) as Desdemona, Matheson Lang (1879-1948) as Othello
Othello (Theatre Guild, 1943); Jose Vincent Ferrer b. 1909 as Iago; Paul Robeson (1898-1976) as Othello.Directed by Margaret Web
The poet John Gower as Chorus in Pericles.


text:
Friday, May 17, 2013
Mount Pleasant Performing Arts Company dancers trained at Academy of Dance Arts with instructors Larisa Dahabi and Ann Bebergal started auditioning in January 2013 for various intensive dance programs throughout the country. It is quite an honor that these dancers were chosen after auditioning to attend such programs as: American Ballet Theatre in Alabama and Texas, Atlanta Ballet in Atlanta, University of South Carolina in Columbia, Central Pennsylvania Youth Ballet and Governors School in Greensville. The dancers are as follows: Mary Carducci, Kathryn Edwards, Audrey Fryman (received a working scholarship from Central Pennsylvania Youth Ballet), George Hunt, Julia Hepburn, Anna Lipke, Stella LoGiudice, Ursula Zeoli and Lauren Surface.
The exceptional ballet training they receive at Academy of Dance Arts along with the experience of performing on stage with Mount Pleasant Performing Arts Company under the direction of artistic director Larisa Dahabi has prepared them for auditioning and thereby acceptance into the dance programs at these fine schools.
Mount Pleasant Performing Arts Company is a nonprofit youth dance company residing at Academy of Dance Arts and will feature these dancers along with the other dance company members in their upcoming 2013 season performances of "The Tale of Beauty and the Beast" on Aug. 17 and 18 at the Sottile Theatre in Charleston and "The Nutcracker" on Dec. 7 and 8 at Charleston Southern University Lightsey Chapel Auditorium.
Mark your calendars to see these fine dancers perform. For more information, call 843-971-7880 or visit their website www.mpspa.com.
© 2016 Moultrie News an Evening Post Industries company. All Rights Reserved.
Registration on or use of this site constitutes acceptance of our Terms of Service, Privacy Policy and Parental Consent Form.


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text:
Jan. 8, 2013
When you say something, does it matter to you if other people hear you correctly?
If you order a cheeseburger with extra onions, for example, but you get one with no onions instead, would you think it didn't really matter? You might, but if the same restaurant kept botching your order, you'd probably find somewhere else to eat.
By the same token, people quoted in the press like to read an accurate accounting of what they said, and readers deserve to be able to trust the accuracy of what they read. As a senior editor told a colleague of mine at our college newspaper back in the 1980s, you can't just make things up. Notice that I did not use quotation marks, because I can't remember the editor's exact words. But what I wrote summed up his sentiments precisely.
Getting a quote wrong is not exactly just making things up, but depending on the degree of the misquoting, speakers could have good reason to feel reporters are literally putting words in their mouths. And, more importantly, readers might have a good reason to stop reading what you write.
Like so many long-established print media outlets and reliable Internet sources, Allvoices puts a premium on accuracy in reporting quotations. And thanks to search engines, this is much easier to do in the Internet age than ever before.
Search engines are your friends
Suppose President Obama held a news conference and spoke out on proposed gun control legislation. An Allvoices writer might take notes while watching the news conference on television, but that doesn't mean those notes will be accurate or easy to read when it comes time to write the report.
In cases like this, writers can go to a search engine of their choice and enter terms like "Obama gun control news conference transcript." That will return links to transcripts from reliable sources, such as The New York Times, The Wall Street Journal, the Los Angeles Times and CNN. It's also a good idea to link to the site that verifies your quote, either in the text itself or as a source at the end of the report.
Frequently, transcripts of news conferences featuring prominent individuals other than the president will be available online, too. Just enter the word "transcript" along with other relevant names and keywords. Many television news programs, such as "Face the Nation" and "Meet the Press," also publish transcripts online.
In cases where transcripts are not available, enter the quote or a portion of the quote you think was spoken and see if it matches what you find on reliable sites like those mentioned earlier. If you see multiple sources with a slightly different quote than what you had written, chances are you have it wrong. Unless you are 100 percent certain you have it right and The New York Times has it wrong, you should probably amend what you have to match what the more high-profile site has. But if you are certain and can prove it, by all means stay with your version of the quote, no matter what the other sources have. Just be prepared to prove it.
If you are getting your quotes from video, verify the accuracy of what you intend to report as a quote by reviewing the spoken words at least twice. Why twice? Just in case: an "a" could be mistaken for a "the" on first listen.
The power of paraphrasing
Some writers might scoff at the idea that substituting "a" for "the" matters very much, and, in most instances, it wouldn't matter at all apart from a handful of readers noticing you'd misquoted someone. But that's what paraphrasing is for. If you are not absolutely sure of the exact words someone said, you can paraphrase them without losing anything of relevance in the process.
Suppose Obama said the following at his hypothetical news conference on gun control: "It's time that we get serious about practical gun control legislation that makes sense, makes us all safer and still guarantees Second Amendment rights."
If you tried to keep up with what the president was saying but missed a word or two, you could either verify the quote online or paraphrase it by writing that the president said it was time to get serious about sensible gun control laws that make us safer while still protecting Second Amendment rights. There were no quotation marks in what you just read, but it was still an accurate accounting of the original quote.
Why does it even matter?
Internet-based citizen journalism is still in its infancy, but if it is to continue to grow in impact and relevance, readers must confident they're getting accurate information along with the individualized viewpoints that can make this form of reporting so vital and compelling.
In particular, the accuracy of quotes in Select Media reports is something the site takes very seriously. Writers submitting to Select Media should take the time to ensure the accuracy of all quoted material. Getting the quote right could prove just as important, or more so, than whether your cheeseburger has extra onions or none at all.
Additional Allvoices Writers' Resources reports:
First references, titles and names, Dec. 5, 2012
How to handle excerpts, Nov. 30, 2012
Select Media guidelines help writers maintain high editorial standards, July 25, 2012
Ideas, topics and surfing the beat, May 31, 2012
When citing information from TV, specificity and accuracy are crucial, April 24, 2012
Better tags for better page views, Feb. 12, 2012
5 tips for American Pundit writers, Jan. 20, 2012
Commenting on other reports builds community, leads to additional interest in your work, Dec. 31, 2011
Linking to sources improves reliability of your reports, Nov. 30, 2011
Write better headlines, get more readers for your reports, Nov. 22, 2011


text:
Pagosa Springs used a variety of pins and points to beat Bayfield 48-23 in a wrestling dual Thursday night.
�Pagosa kind of handed it to us. They wrestled really well. They were on fire,� Bayfield head coach Todd McMenimen said.
�We didn�t do our part, unfortunately.�
The Wolverines picked up three pins and a technical fall (16-0) win by Colter McMenimen at 126 pounds.
Matt Eckstein, Bayfield�s heavyweight, defeated state-ranked Creede Wylie of Pagosa springs with a third-period pin.
�It was complete work on Matt�s part. He basically got him in a bear hug ... and pinned him,� coach McMenimen said.
Tyler Beebe of Bayfield won by pin at 120 pounds.
�He continued to build (on last weekend),� McMenimen said. �He really got after it.�
Allec Rodriguez, returning from illness, scored a first-period pin in his 132-pound match.
�Allec was sick last week. He didn�t make the trip to Page (Ariz.) with us. But he looked good coming off the illness,� McMenimen said.
He said the Wolverines lost a couple of tough matches: One came when Dalton Gregory of Pagosa Springs edged Drake Rhodes; the other at 145 when Joe Zink lost a close decision to Keith Archuleta.
The Wolverines will head to Aztec on Saturday for the annual Aztec Duals.


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WAY formalises its volunteers programme
25 January 2006, 12:11
by Ediola Pashollari
Dear Members,
WAY (www.way.org.my) is in the process of formalising its volunteers programme, and is now establishing an official database of interested volunteers.
The WAY Volunteers Programme shall be officially launched once a dedicated corps of volunteers is established.
WAY is therefore inviting interested volunteers to join this programme. Volunteers are requested to be in the 20-35 age group and willing to travel extensively. The key functions of the Volunteers Programme would be to assist and support WAY programmes internationally, and to be able to join international relief and emergency programmes coordinated by WAY.
Interested persons can fill in the attached form and mail it to


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On this day: March 18
POSTED: 10:41 PM PDT Mar 12, 2013 UPDATED: 11:00 PM PDT Mar 17, 2016
Britain repeals the Stamp Act, Lord Stanley announces plans for a hockey cup, a cosmonaut goes for the first space walk, and OPEC ends its oil embargo against the United States, all on this day.
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Use our search function, browse the complete software collection or click on one of the software categories listed below:
Genetic Analysis: GWAS Genetic Variation Linkage Analysis Gene Expression
Sequence Analysis: Assembly Annotation Alignment RNAi RNA-seq Primer Design Next Generation Tools Phylogenetic Analysis Gene Structure Viral
HLA typing from exome capture sequencing.
AssembleViral454 is a new assembler, based on the ARACHNE package, designed for small and non-repetitive genomes sequenced at high depth. It was specifically designed to assemble read data generated from a mixed population of viral genomes. Reads need not be paired, and it is assumed that no sequence repeat in the genome would be large enough to fully contain an average read. The assembly process consists of two steps: First, a pre-processing stage is run, the output of which is an initial read layout. This is identical to the process employed in the published ARACHNE algorithm. This stage generally results in a fragmented assembly. Second, we employ an iterative procedure that incrementally merges contigs and improves read placement.
ComSeq is a tool for designing and analyzing combinatorial pooling experiments for next-generation sequencing projects using compressed sensing technology. ComSeq enables the identification of novel rare alleles, as well as detection of individuals who are carriers of known SNPs in a large population in an efficient manner.
Exome Enrichment Automation
Automation of the Illumina TruSeq Exome Enrichment protocol on an Agilent Bravo liquid handling platform.
Genome Analysis Toolkit (GATK)
The Genome Analysis Toolkit (GATK) is a structured programming framework designed to enable the rapid development of efficient and robust analysis tools for next-generation DNA sequencers. The GATK solves the data management challenge by separating data access patterns from analysis algorithms, using the functional programming philosophy of Map/Reduce. Since the GATK's traversal engine encapsulates the complexity of efficiently accessing the next-generation sequencing data, researchers and developers are free to focus on their specific analysis algorithms. This not only vastly improves the productivity of developers, who can quickly write new analyses, but also results in tools that are efficient and robust, and can benefit from improvements to a common data management engine.
Pilon uses read alignment analysis to diagnose, report, and automatically improve genome assemblies, and it can also be used to make variant calls among similar haploid strains.
RC454 is a program that takes a set of 454 read and quality files as well as a consensus assembly for those reads and corrects for known 454 error modes such as homopolymer indels and carry forward/incomplete extension (CAFIE). It will also correct for any indel that breaks the reading frame, unless it occurs in more than 25% of the reads. Since the algorithm is aggressive in correcting for errors, it is important to align the reads to their own assembly rather than to an external reference to prevent misalignments as much as possible. RC454 uses Mosaik to align the corrected reads between each step, and as such it is required to run the script.
V-FAT is a tool to perform automated computational finishing and annotation of de novo viral assemblies. V-FAT uses reference and read data to order and merge contigs, correct frameshifts, and produce NCBI-ready annotation files. It also performs a set of quality assurance measurements including coverage computation by gene or amplicon and identification of potential consensus errors.
V-Phaser is a tool to call variants in mixed populations from ultra-deep sequence data. V-Phaser combines information regarding the covariation (i.e. phasing) between observed variants to increase sensitivity and an expectation maximization algorithm that iteratively recalibrates base quality scores to increase specificity. V-Phaser can reliably detect rare variants in mixed populations that occur at frequencies of <1%. The V-Phaser package also includes V-Profiler a tool to analyze and visualize variants.
VICUNA is a de novo assembly program targeting populations with high mutation rates. It creates a single linear representation of the mixed population on which intra-host variants can be mapped. For clinical samples rich in contamination (e.g., >95%), VICUNA can leverage existing genomes, if available, to assemble only target-alike reads. After initial assembly, it can also use existing genomes to perform guided merging of contigs. For each data set (e.g., Illumina paired read, 454), VICUNA outputs consensus sequence(s) and the corresponding multiple sequence alignment of constituent reads. VICUNA efficiently handles ultra-deep sequence data with tens of thousands fold coverage.


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