text:
Tanzania bound tourists will soon find it easier to book their leisure travel following invention of an effective reservation web-based portal.
Leisure travel booking has been a nightmare for Tanzania destined tourists, mostly having to spending two days trying to find a place in a tour package.
Currently it takes local tour operators between 8 and 12 hours to close the sale per customer, part of the time used for package designing and e-mailing the client.
But now this trouble is set to be put aside, thanks to Arusha based Bionic ICT firm, for a groundbreaking design of a web-based portal to conduct such design online.
Bionic initiator Jimmy Kihwele says that with the web-based portal dubbed 'mduka,' tourists booking for Tanzania safaris will be taking an hour or so, compared to the customary two days effort.
If all goes as planned, the portal will be saving nearly $225million in booking money that was usually earned by middlemen abroad.
"After months of painstaking experimenting, sheer hard work and considerable private funding, the Mduka web-based portal is now ready for public use," the designer noted.
The portal to be launched later this year is a full featured online call center, an integrated cutting edge web with a multiple sales channel, online quoting and booking engine to allow the customer to search, book and pay for their selected tour packages.
The booking engine will be the most modern quoting and booking interface in the local tourism industry.
"Mduka will offer a one stop experience for tour operators and tourists," he said, underlining that the web platform will have a tour operators module (TOM), a customers module (CUMO) and a management module (MAMO).
TOM, he says, will allow tour operators to sign up for the service, create packages and pricing, design loyalty programs and track financial data.
CUMO will be enabling customers or potential customers to search for packages based on price, location and package.
Also customers can use CUMO to add additional service such as leasing of local mobile phone with airtime, ability to buy local prepaid cards and load cash in these cards to be used for local purchases.
MAMO will be used by Mduka authorized personnel for transaction authorization, user management and settlements reporting.
To start with, the Mduka gateway will handle business with local tour operators for the first 18 months, then activate a special module for hoteliers where customers will be able to book hotel rooms in the local market.
Today there are over 1000 tour operators in the country, mostly registered with the Ministry of Natural Resources and Tourism while some are not.
"Our verification analytics will only allow those who are registered with the ministry to access our platform. Based on the growth of the industry and regional integration, we are very much confident the industry will double in size in the next three to four years," the entrepreneur suggested.
Geoffrey Tengeneza, senior public relations officer for the Tanzania Tourist Board, says the portal will help the tourism industry to grow and contribute immensely to the economy.
Mustafa Akuunay, executive secretary of the Tanzania Association of Tour Operators, was upbeat about the portal, saying the one stop tourist booking is the way to go, if the tourism industry is to be competitive.
Tanzania earned $1.4 billion from tourism in the year ended October 2011 from $1.2 billion a year ago, helped by a rise in tourist arrivals, according to central bank statistics, with a positive outlook in 2012.
Use of information communications technology in improving visa application and processing formalities, bookings and other travel arrangements is also hoped to ease tourists the registration process, enabling agents to handle multiple applications at a time.


text:
Mobile, AL (Sports Network) - Jennifer Johnson fired a 7-under 65 on Sunday
and earned a 1-stroke win at the Mobile Bay LPGA Classic.
Johnson, who won for the first time on the LPGA Tour, finished 21-under-par
267. Her total of 267 bettered the tournament's scoring record by four shots.
Stacy Lewis set the old record of 271 last year.
Pornanong Phatlum fired a 9-under 63 to grab a share of second place. She was
joined at minus-20 by Jessica Korda, who closed with a 4-under 68.
Third-round leader Chella Choi carded a 2-under 70 in the final round. She
shared fourth place at 19-under 269 with Karrie Webb (68), Jiyai Shin (63),
Anna Nordqvist (69) and Ariya Jutanugarn (65).
Lewis, last year's winner, posted a 67 in the final round to end alone in
ninth at minus-18 on the Crossings Course, which is part of the Robert Trent
Jones Golf Trail at Magnolia Grove.
The Sports Network

subset: commoncrawl


text:
About Region 5
Page Information
- Local Hotels in Chicago
Please note that the Hotel listings are not an endorsement or recommendation of the hotels. Chicago hotels are clustered in three areas, Chicago O'Hare Airport, Midway Airport and downtown Chicago.
Contact Information
- Addresses, Phone and Fax numbers for Chicago
- Contact Region 5. Note that email sent via this link is directed to the r5webdesk account. The email is then redirected to appropriate staff based on the message content.
- Region 5's Main Fax is (312) 596-5401.
- Local Hotels in Chicago
- Useful Travel Links - Chicago
- Office Directions
Region 5 Staff
- Staff Directory/Email
- Unit Staff listings
- Region 5 Staff Reorganization - January 5, 2010 - Workforce Development Letter 003-10
- Region 5 Organizational Chart


text:
ILLUSTRATION SANTIAGO & MAURICIO Makeup Maud Laceppe (Streeters) Hair Diego Da Silva (Tim Howard Management) Manicure Dawn Sterling (Melbourne Artists Management) Set design and prop styling Lizzie Lang Digital technician Nick Ray McCann Photo assistants Alessandro Zoppis, Jerry Buttles, Paolo Stagnaro Stylist assistants Susan Walsh and Jeffrey Burge Makeup assistant Lisa Campos Hair assistant Taichi Saito Videographer Minnie Bennett Production Cesar Leon and Mark Day Set design assistants Francis Cardinale and Jason Jensen Retouching Blank Digital Location Splashlight SOHO Catering Monterone Special thanks Giuliano Argenziano, Sidney Russell, Allison Brainard at ABRAMOVIC LLC; Sean Kelly Gallery, New York
Having met under the auspices of their professions, performance artist Marina Abramović and actress Kim Cattrall were later formally introduced by MoMA chief curator at large Klaus Biesenbach, and they have since developed a sisterly bond that is something to behold. Though they hadn't seen each other for some time, on the set of this shoot it was as if no time had passed at all. While Marina directed each setup with Polanski-like precision, Kim—quiet, reserved, happy—giggled, enjoying the spectacle of her friend calling the shots. As they reveal here over a laughter-filled phone call, humor, art, public perception, and passion for their respective careers are some of the ties that bind.
One of the things that piqued everyone's interest about this story is that no one realizes you two are such good friends. When did you first meet?
Marina Abramović I first met Kim with the Sex and the City story when they asked if I would actually play a part or give permission to use the piece that I had just done in Sean Kelly Gallery called The House with the Ocean View. And I have to tell you, I came from Europe, I didn't know the show. I said, "I can't do this, I am not an actress," but if they just want to use the artwork they could. I remember that I came back and my students said "What?! You're not doing this? But this is the major thing! You're crazy." [Once I became familiar with the show] my favorite character was Kim, always. And then Klaus Biesenbach introduced us. That's my version, what is yours?
Kim Cattrall It's very similar. I'd heard of Marina before, but I completely connected with her through the show. And then it was through Klaus. I went to see Marina at the Guggenheim, but I didn't dare speak to her. I was a little bit nervous. And then I got to meet her, and I was overwhelmed by her beauty and humor. She always is in this wonderful creative state of being very free. Her mind sees things in a very serious way, but she doesn't. It removes every preconception that you might have about Marina Abramović. [laughs] The work that she's done and her history, it's just extraordinary. But it's her humor that really draws us together. When we're together we laugh a lot.
There are similarities to your professions. Do you ever consult each other?
MA We have so much to do that we really should. It was so great, the set, because I really was dying to see her and I am always running around and she's always running around. So this set you organized for the shoot was wonderful. We have time when we have time, but mostly we never have time.
KC It's true. The great thing about technology for friendships is that no matter where you are—I can send you an e-mail of me peeling shrimp in Baton Rouge while you're in the rainforest in Costa Rica.
MA You're calling from the South, what are you doing there?
KC I'm just touring around. I'm going to do a Tennessee Williams play, so I wanted to take a look and have a feel, and I wanted to get out of New York. I've never been to this part of the world. I'm looking for inspiration, but I'm also looking for history and people, I want to see the people of the place, which I don't get to do when I'm working.
MA How is the actual public? There's a big difference between the American public and the European public.
KC I've spent quite a bit of time in Europe, sometimes there's a language barrier or an etiquette barrier. The feeling of seeing someone who they watch on television and is standing there…there's awe to that. Yesterday, when I was learning how to peel the crawfish, I was immediately accepted into a family-like atmosphere, a lot of physical contact. A lot of hugs. In Europe it feels like it's another world.
MA The people see you as a celebrity and they keep a nice distance. It's so popular, the series, it's just incredible.
KC Yeah. I wonder if it would be different if the character I played had been different. I think that's part of it.
MA You were my favorite character. You don't give a shit about anything. It's so good.
Marina, do you think that you're perceived differently in Europe versus the U.S.?
MA I think there's a big difference between the audiences. I didn't exist for Americans until I arrived, and now because I live here people really have actually a strong reaction to my work. In Europe it's such a different attitude about media. You can be ten times on the cover of newspapers and magazines and then nobody even thinks about you. But here once you're in the media you're immediately on the spot. It's such a big difference in culture. But the key problem in America is it's so different. Publicly it's open and moved, in much larger ways than I could have imagined in Europe. Maybe here isolation is stronger. Maybe people are more alienated by technology—people communicate through the Internet and text messages, and there's not much contact, so when they show emotion, they really come and open themselves. A good friend, a critic, an American, says to me, "I hate your work." I say, "Why?" He says, "Every time I see it I have to cry."
There's no one here doing anything like it, really. And they're in awe of you.
MA It's not easy. And the thing with America is also you're very fast to use and throw it away, to the next thing. So you have to really keep your integrity, and you have to always go away and come back. Not just overwhelm with your presence. That's really important, or you finish very fast. And they're ruthless. They're not emotional about disposing of you in the garbage.
Who are some of the artists you're both admiring at the moment?
KC I really enjoyed the Cyprien Gaillard exhibit at PS 1—I'm thinking between bites of pancakes. In terms of women artists, I think we get into the circle of people that I know in New York. Patti Smith, Laurie Anderson. Laurie tours constantly. She's just inspired by so many different places, people, things, books, films, dance. The pursuit of that, I just really admire. Anne Carson, the poet, I admire her greatly, Canadian poet.
MA Let's talk more about me. Can I?
Go for it.
MA With Kim and me, it's not necessary that we talk about the work. It's not necessary that we advise each other. The kind of communication that we have is a strong appreciation for each other and what we are. And we enjoy when we meet. That's really rare. When we meet, we have so little time to relax, so the communication is a very big part. We were in London and we went to the Meltdown Festival, and…what is the word for it, the big thing, when we went to London?
KC Oh, this was fantastic. We were at the Royal Festival Hall and Marina had done her lecture just for women, and I had introduced her, and afterward we were in the green room having a drink and looking out the window and there was this swing ride that went faster and flared out. I wanted to do it. And Marina goes, "No, no, no, I'm scared." And I was too. But I really wanted to do it.
MA It was wonderful, we had so much fun. [It was as if] Kim was 14 and she was skipping there. But that's the important thing, you know, this kind of friendship that is free from the pressure, free from the need to pretend to be something or do something, to be smarter than the other one or play power games or feel jealousy.
Could you ever collaborate together?
MA Not yet, but we would definitely fight, okay? [laughs] The collaboration has to come naturally. What will happen will happen.
ILLUSTRATION SANTIAGO & MAURICIO Makeup Maud Laceppe (Streeters) Hair Diego Da Silva (Tim Howard Management) Manicure Dawn Sterling (Melbourne Artists Management) Set design and prop styling Lizzie Lang Digital technician Nick Ray McCann Photo assistants Alessandro Zoppis, Jerry Buttles, Paolo Stagnaro Stylist assistants Susan Walsh and Jeffrey Burge Makeup assistant Lisa Campos Hair assistant Taichi Saito Videographer Minnie Bennett Production Cesar Leon and Mark Day Set design assistants Francis Cardinale and Jason Jensen Retouching Blank Digital Location Splashlight SOHO Catering Monterone Special thanks Giuliano Argenziano, Sidney Russell, Allison Brainard at ABRAMOVIC LLC; Sean Kelly Gallery, New York


text:
Tuesday, May 24, 2011
Paris à la Hanna Bernhard
I have been running around Paris, for the last few days, looking for great subjects for my book. Yesterday I met up with Nicole,71, the mother behind the fantastic jewelry line Hanna Bernhard. If you haven't seen her site, you have to check it out http://french-bakelite.com/ . Nicole is wearing one of her daughter's fantastic pins in the photo above. I'm off to shoot a little piece with Canal+, but expect some more great photos of Nicole at a later date.
Posted by Ari at 5:22 AM
7 comments:
- Judy C said...
Ari, you have found a gem, literally, and I thank you. By the way, I like your shirt.
- May 24, 2011 at 11:27 AM
Amazing pin.
Also, I love your shirt, Ari!
- May 24, 2011 at 12:05 PM
- style odyssey said...
nice shots, ari...hanna's mom nicole looks like a fun, stylish lady!
i look forward to more from your paris trip, xo
- May 24, 2011 at 2:38 PM
I love that Nicole is on your blog!She is a beautiful woman inside and out. Say Hello to my fun sassy & totally Parisan friend! Kisses from Texas
- May 24, 2011 at 4:39 PM
- sacramento said...
Love her, and adore your shirt Ari.
- May 25, 2011 at 3:10 AM
- shari said...
Its Nicole!!!! She is just adorable, glad you ran into her.
That pin is awesome!!!
Hello from DALLAS!!
- May 25, 2011 at 9:04 AM
- shari said...
Itss Nicole!!! How Fab you both look, she is a gem and the Hanna Bernard Pin looks fab!!!
Hello from DALLAS TEXAS
- May 25, 2011 at 9:08 AM
Subscribe to: Post Comments (Atom)


text:
3 Ways to Save Money on Your Cable, Phone and Internet Bills
Those package deals on cable, phone and Internet often aren't the deals they're cracked up to be. Don't pay extra for services you don't really need. Here are three ways to save money on "triple play" bills in 2013.


text:
Catherine George was born in a village on the Welsh-English border, where the public library featured largely in her life. Her mother, who looked upon literature as a basic necessity of life, fervently encouraged Catherine's passion for reading, little knowing it would one day motivate her daughter into writing her first novel.
At 18, Catherine met her husband, who after their marriage swept her off to Brazil, where he worked as Chief Engineer of a large gold-mining operation in the mountains of Minas Gerais, a setting which later provided a very popular background for several of Catherine's early novels.
Nine happy years passed there before the question of their small son's education decided their return to Britain.
Not long afterward a daughter was born, and for a time Catherine lived a fulfilled life as a wife and mother who always made time to read, especially in the bath! Her husband's job took him abroad again, to Portugal, West Africa, and various countries of the Middle East, but this time she stayed home with the family. And spent a lot of lonely evenings in between the reunions when her husband came home on leave.
"Instead of reading other people's novels all the time," he suggested one day, "why not have a shot at writing one yourself?" So Catherine did.
But first she took a creative writing course. Encouraged by the other students' enthusiasm for her contributions, she decided to try her hand at romance, and read countless Mills & Boon novels as research before writing one herself. Her first novel, which Romantic Times voted best of its genre for that year, was accepted, along with all 54 written since.
These days son and daughter have fled the nest, but they return with loving regularity to where Catherine and her husband back for good from his travels live, with Prince, the most recent Labrador, in a house built at the end of Victoria's reign in four acres of garden on the cliffs between the beautiful Wye Valley and the River Severn.


text: I have been going back and forth on whether to have a set of preshaded elements with my kits. I was wondering if anyone actually uses them? I prefer to do the shading myself on my pages, but as a designer I was curious to know if people actually use them or prefer to purchase kits with preshaded elements?


text:
Revision history of "UnNews:Scientists claim EA Game 'Spore' Flunks Evolutionary Science"
From Uncyclopedia, the content-free encyclopedia
For any version listed below, click on its date to view it. For more help, see Help:Page history.
(cur) = difference from current version, (prev) = difference from preceding version, m = minor edit, → = section edit, ← = automatic edit summary


text:
The Power of Independent Thinking
Great Depression, Round Two? Senior Fellow Robert Higgs on The Peter Schiff Show
Recorded: Monday, November 29, 2010
Experts: Robert HiggsType: RadioIssues: Economic History and Development (U.S.), Economic Policy
Robert Higgs Interviewed: The Expanding Pork for Military Pay and Towns
Recorded: Friday, August 27, 2010
Independent Institute Senior Fellow Robert Higgs is interviewed by Scott Horton of Antiwar Radio on the widening gap between public and private sector pay, the increasing affluence of military towns compared with others, the disappearance of traditional checks on government power, and the predation and incremental ratchet effect of expanding governmental powers that increase temporarily during wartime but never really recede.
Experts: Robert HiggsType: RadioIssues: Economic History and Development (U.S.), Government Power, Labor and Employment, Terrorism and National Crises
Robert Higgs Interview on Growth of Big Brother
Recorded: Friday, July 9, 2010
Senior Fellow Robert Higgs talks about his book, Neither Liberty nor Safety: Fear, Ideology, and the Growth of Government, on The Holistic Survival Show with Jason Hartman. Higgs sheds light on the history of institutionalized violence implemented by a bloated federal state, caused by a misguided faith in larger government to ensure a freedom from fear. The Necessary and Proper Clause? People have been trying to loosen the bounds of the Constitution virtually from the time it was ratified to the present, Higgs cautions.
Experts: Robert HiggsType: RadioIssues: Civil Liberties/ Human Rights, Government Power, Terrorism and National Crises
Robert Higgs on the Consequences of Leviathan-sized Government
Recorded: Thursday, July 1, 2010
Senior Fellow Robert Higgs is interviewed here by Scott Horton on Antiwar.com Radio, warning those who long for total governmental and economic collapse to be careful what they wish for. Higgs also explains why federal spending cannot continue at the current record levels without a failure of the bond market. He further compares the military and economic over-extension of the Soviet Union prior to its collapse to the United States as a warning against rampant spending by the government.
Experts: Robert HiggsType: RadioIssues: Banking and Finance, Economic History and Development (International), Economic History and Development (U.S.), Fiscal Policy/Debt, Terrorism and National Crises
Robert Higgs Interviewed: Governments Intrusions Threaten Economy
Recorded: Thursday, June 3, 2010
Independent Institute Senior Fellow Robert Higgs is interviewed on Governments Intrusions Threaten Economy. Interviewed by Steve Stanek of the Heartland Institute, Dr. Higgs explains that the governments growing intrusions into the economybank bailouts, economic stimulus, interest rate manipulations and credit expansion by the Federal Reserve, increased business regulationscould eventually lead to soaring price inflation and interest rates and another, far worse economic downturn. The solution is to move deliberately to end such policies and the accumulation of federal bureaucratic programs, controls and taxes on Americans.
Experts: Robert HiggsType: RadioIssues: Banking and Finance, Economic Policy, Government Waste/Pork
Understanding Today's Economy: A Summer-Seminar Preview for Teens and Their Parents
Recorded: Thursday, May 20, 2010
– Monday, January 1, 1900
Part 1 |
Part 2
Part 3
Part 4
Part 5
Part 6
Part 1: Introductory Remarks by David Theroux
Part 2: Why Economics Matters more than Ever with Gregory Rehmke
Part 3: Healthcare Reform: a Principled Critique by Michael Winther
Experts: Anthony Gregory, Gregory Rehmke, Emily C. Skarbek, David J. Theroux, Michael Winther, José Maria J. YuloType: Independent Institute EventIssues: Free Market Economics, Political Ideology and Philosophy
Robert Higgs Debates James Galbraith on Obamanomics
Recorded: Tuesday, April 20, 2010
Independent Institute Senior Fellow Robert Higgs debates James Galbraith (Professor of Economics, University of Texas; son of infamous, liberal, Keynesian economist John Kenneth Galbraith) on Antiwar Radio regarding the folly of government bailouts for insolvent banks, creation of the Glass-Steagall Act as a means to prevent FDIC insured banks from taking excessive risks, benefits and detriments of public and private regulation and oversight, problems of regulatory capture and revolving door politics, divergent opinions on the causes of the Great Depression and efficacy of the New Deal and the arguments for and against government spending on public infrastructure.
Experts: Robert HiggsType: RadioIssues: Economic History and Development (U.S.), Fiscal Policy/Debt, History (U.S)
Robert Higgs on Government Obstruction of Liberty
Recorded: Wednesday, April 14, 2010
Originally aired on 4/14/10 on FoxNews.coms Freedom Watch. Robert Higgs discusses the extent to which the federal governments policies inhibit freedom.
Experts: Robert HiggsType: TelevisionIssues: Economic History and Development (U.S.), Government Power, Taxes, Terrorism and National Crises


text:
There are 168 results - Show results on a map Print this page
Showing 41 - 50 of 168
Set above the cliffs of Pentire Headland, looking out across the mighty Atlantic, guests are guaranteed amazing coastal views here at Lewinnick Lodge. The bedrooms were designed by Guy Bostock and are...More about Lewinnick Lodge
Built in the 1920s, this long-established hotel sits on the cliff top in 250 acres of grounds which include indoor and outdoor pools, a golf course and a spa. Bedrooms are well maintained, and many ha...More about Carlyon Bay Hotel
Well situated for the beach, the town centre and the National Maritime Museum on the harbour, Melvill House is a family-run establishment with a relaxed atmosphere. Some bedrooms have four-poster beds...More about Melvill House
Part Georgian and part Victorian, the spacious Mount Royal has splendid views over Mount's Bay and is convenient for the town's attractions. There's a gracious elegance throughout with the impressive ...More about Mount Royal
Penmorvah is just a few minutes' walk from the seafront with convenient on-street parking nearby. Rooms are comfortable and all are en suite. A warm welcome is assured with every effort made to ensure...More about Penmorvah
Premier Inn Newquay (A30/Fraddon) is perfectly placed for some of the UK's best surfing beaches as well as the amazing sights of Cornwall. If you're here to work, the hotel is just a stone's throw fro...More about Premier Inn Newquay (A30/Fraddon)
Tregellist Farm is located in beautiful countryside close to Port Isaac, and convenient for Lanhydrock, Pencarrow, The Lost Gardens of Heligan, Padstow and The Eden Project. All bedrooms are en suite,...More about Tregellist Farm
The Ancient Shipbrokers overlooks Pentewan harbour and one of the best sandy beaches in Cornwall. The house has bags of history and character, and has been decorated tastefully and sympathetically. A ...More about Ancient Shipbrokers
A friendly welcome is assured at Oxturn House, a large family house, set slightly above the village and close to a pub and several dining venues. Bedrooms are spacious and a pleasant lounge is availab...More about Oxturn House
Overlooking the bay, this hotel is in an excellent position and commands lovely views. It is appointed in a fresh, contemporary style that reflects its location by the sea. The Flying Fish restaurant ...More about St Michael's Hotel and Spa


text:
Main Content
This item ships within one business day.
$4.99 flat rate shipping. See other shipping options.
There are no tricks with the DC Straight jeans, they are the real deal! Who needs fancy jeans anyways? With a straight fit along with a slightly faded and distressed look, these pants were made to look classic and stylish. Simple and awesome, that's how you do it.
- 99% Cotton/1% Spandex
- Distressed details for a worn look
- Imported
- Size 33 has 32" inseam
- Straight leg
- Three front and two back pockets
- Woven DC patches
DC Customers also liked:
Special event items are produced by manufacturers only after the outcome of a game or event. These are advanced sale items and will ship immediately after they are received in our warehouse.
Manufacturer direct items are shipped directly from the manufacturer. These items are not available for international or expedited shipping.
Customized items can be personalized with options such as your name, your favorite number, and/or designs. Some options may be limited by league rules.


text:
The Power of Independent Thinking
Myths of Immigration, Ben Powell on Stossel
Recorded: Tuesday, October 6, 2015
Are immigrants taking our jobs and living off the taxes we pay? Are they criminals? Television personality John Stossel (Host of Stossel on Fox Business Network) interviewed Benjamin Powell, Senior Fellow at the Independent Institute, Director of the Free Market Institute at Texas Tech University, and Editor of the book, The Economics of Immigration.
Experts: Benjamin W. PowellType: TelevisionIssues: Business, Civil Liberties/ Human Rights, Crime, Criminal Justice/ Prisons, Culture/ Society, Drugs (Illicit), Government Power, Immigration, Labor and Employment, Politics, Social Security, Taxes, Welfare
Benjamin Powell on the Payroll Tax Cut and Salt Regulation by the FDA
Recorded: Tuesday, November 29, 2011
Benjamin Powell engages with Judge Napolitano on Fox Business Networks Freedom Watch about the payroll tax cut and the FDA regulation of salt.
Experts: Benjamin W. PowellType: TelevisionIssues: Agriculture, Fiscal Policy/Debt, Regulation and Deregulation, Social Security, Taxes


text:
Javascript Frameworks
From Joomla! Documentation
Revision as of 17:20, 8 March 2013 by Martinkolle (Talk | contribs)
The Joomla! CMS includes a number of Javascript Frameworks. This means instead of including your own Javascript code, you may use these pre-existing Javascript libraries of functions. Frameworks are loaded using calls to static methods in the
JHtml class.
Twitter Bootstrap Javascript Framework
To enable the Bootstrap framework, call
JHtml::_('bootstrap.framework'). This will automatically enable the Jquery framework in noConflict mode (i.e. accessed via
jQuery. instead of
$.) The bootstrap libary included is version 2.1.0 and is located at
media/jui/bootstrap.js It includes methods to initialize the Bootstrap alert, button, carousel, collapse, dropdown, modal, tooltip, popover, scrollspy, tab, typeahead, and affix plugins.
NOTE: there is a known incompatibility between
bootstrap-button and
jquery-ui-button. Using both on the same page can result in conflicts. See [1] for a possible workaround.
JQuery Javascript Framework
In order to load JQuery, use
This will load the Jquery version 1.8.1 library in no conflict mode. This means it is accessed via the
jQuery namespace, not through
To load it in normal mode, call
JHtml::_('jquery.framework', false);
JQuery UI Framework
The JUX libraries include the core jQuery UI code plus Widget, Mouse, Position, and Sortable (version 1.8.23 as of Joomla 3.0.2). Please review the JQuery-UI documentation for further details on their usage.
In order to load the core call:
This will load the appropriate
jquery-ui.core.js from the
media/jui directory. Enabling jQuery UI automatically enables JQuery in noConflict mode if it has not already been done.
To add the Sortable library, use
JHtml::_('jquery.ui', array('sortable')); This will automatically include the core JQuery UI library and the JQuery library.
For clarity, it is best to explictly enable both the core and sortable from a single call using
JHtml::_('jquery.ui', array('core', 'sortable'));
As of Joomla 3.0.2, only jQuery UI Core and Sortable are installed/available. To use other jQuery plugins, including jQuery UI plugins, you will need to make sure they are installed with your application and call
JHtml::_('script') along with the appropriate parameters to load them. Alternatively, you may create and install your own JHtml extensions and create your own JHtml calls - such as
Mootools Javascript Framework
It is assumed that this framework is deprecated and may be removed in future versions
Loads the mootools libraries from
JHtml::_('behavior.framework', $type) where
$type defines which library.
mootools-core.js, version 1.4.5 More:
mootools-more.js, version 188.8.131.52, enabling more automatically enables core
Joomla! Javascript Framework
Many of the Joomla libraries require the Mootools framework, it is assumed that these will be migrated to the Bootstrap framework in some future version
These javascript libraries can be located under the
media/system/js folder. This list is incomplete, please check the folder for available libraries. Libraries include:
caption.js ::
JHtml::_('behavior.caption', $selector)
This will apply the caption functions to all elements of the DOM who have the CSS class
$selector. Default selector class is
img.caption. In order to apply the caption function to multiple classes, simply make multiple calls to
JHtml::_('behavior.caption', $selector). The library will only be loaded once, but it will be applied to all classes.
tooltip.js ::
JHtml::_('behavior.tooltip', $selector, $params)
For all DOM objects with class
$selector, an onhover tooltip will be created based on
$params. The default selector is class
hasTip. Loading this framework will also load the Mootools framework.
combobox.js ::
Creates a combobox effect. Loading this framework will also load the Mootools framework.
validate.js ::
Enabled form validation based on rules defined by the form fields. Loading this framework will also load the Mootools framework.
switcher.js ::
This library is used internally and unlikely to be useful to other components. When enabled, it also enables the Mootools framework.
|This article is a stub and needs to be expanded. If you can provide information or finish this article you're welcome to do so. Please remove this message afterwards or replace with {{inuse}} while making major edits. - Thank you.


text:
Step Up 4
|Release Date: July 27, 2012
|Running Time: 97 mins.
|MPAA Rating: PG 13
|Box Office: $35,057,332.00
|Genre: Dance, Drama, Music, Romance, Sequel
Ryan Guzman
Kathryn McCormick
Misha Gabriel
Cleopatra Coleman
All Cast & Crew >>
Summary:Emily arrives in Miami with aspirations of becoming a professional dancer and soon falls in love with Sean, a young man who leads a dance crew in elaborate, cutting-edge flash mobs called "The Mob." When a wealthy businessman threatens to develop The Mob's historic neighborhood and displace thousands of people, Emily must band together with Sean and The Mob to turn their performance art into protest art, and risk losing their dreams to fight for a greater cause.


text:
May 6, 2016
The Dock Dogs national competition wrapped up in Washington as part of the final day of the East Carolina Wildlife Festival.
From labs to German shepherds, canines threw caution to the wind, charging head first off a dock and into a several yards long pool of water.
The Dock Dogs competition travels the country providing three different events for the pooches to test their mettle in: Big Air, Extreme Vertical, and Speed Retrieve.
Owners that entered their dogs say it all comes down to fun, and giving some of the hunting dogs a break from more disciplined tests.
"We were doing things that required him to be very specific -- the hunt tests, therapy, the service dog. All that required him to be very exact and I thought it would be fun to let him come out and be a dog, you know, just have some fun," said Ron Bennett, who was in from Virginia to compete with his dog Wheeler.
Click Here to access the online Public Inspection File
Viewers with disabilities can get assistance accessing this station's FCC Public Inspection File by contacting the station with the information listed below. Questions or concerns relating to the accessibility of the FCC's online public file system should be directed to the FCC at 888-225-5322, 888-835-5322 (TTY), or email@example.com.


text:
Star Trek: Deep Space Nine Technical Manual
this wiki
(written from a Production point of view)
Technical information about the milieu of Star Trek: Deep Space Nine, written from an entirely in-universe point of view before the conclusion of the Dominion War.
- Unlock the secrets of Terok Nor!
- It was once a battered Cardassian ore-processing facility orbiting the planet Bajor. But Terok Nor took on new life when the Cardassians evacuated and were replaced by Starfleet personnel. With the discovery of a nearby stable wormhole connecting the Alpha Quadrant with the Gamma Quadrant, the newly christened Space Station Deep Space 9 became one of the most important installations in known space.
- Filled with hundreds of schematic diagrams and illustrations, the Star Trek: Deep Space Nine Technical Manual is essential for anyone interested in the ships, technology and weapons of Starfleet and the many different species, who frequent the station, including the Klingons, the Bajorans, the Romulans, the Cardassians, and the Jem'Hadar.
- As an added bonus, four full-color gatefolds have been specially created for this book. In addition to providing an in-depth look at the exteriors of the station, these illustrations also show the Promenade, and highlight the U.S.S. Defiant.
- Turning the ravaged outpost into a fully operational station involved much more than a simple name change. The transformation represented an arduous challenge to the Starfleet engineers who were required to merge two divergent technologies. How they achieved that feat, and how the Federation helps the Bajoran government keep the station running smoothly, is revealed in the Star Trek: Deep Space Nine Technical Manual.
- Excerpts of copyrighted sources are included for review purposes only, without any intention of infringement.
Written by Star Trek: Deep Space Nine creative staff members Rick Sternbach, Herman Zimmerman and Doug Drexler, this technical manual describes the Starfleet, Bajoran, Cardassian, Dominion, Klingon and Romulan technology during the Dominion War era, with a focus on the Deep Space 9 station, its runabouts, the USS Defiant, and allied and enemy combatants.
- Introduction by Ira Steven Behr
- Authors' introduction
Section I: Deep Space 9
- Chapter 1: DS9 Introduction
- Chapter 2: Station Structures
- Chapter 3: Command Systems
- Chapter 4: Computer Systems
- Chapter 5: Power Generation Systems
- Chapter 6: Utilities and Auxiliary Systems
- Chapter 7: Communications
- Chapter 8: Transporter Systems
- Chapter 9: Science and Remote Sensing Systems
- Chapter 10: Tactical Systems
- Chapter 11: Environmental Systems
- Chapter 12: Personnel Support Systems
- Chapter 13: Emergency Operations
Section II: Starfleet, Allied and Threat Vessels
- Chapter 14: Starfleet Support Spacecraft
- 14.1: USS Defiant
- Chapter 15: Allied Spacecraft
- Chapter 16: Threat Force Spacecraft
Acknowledgments & Afterword
- Acknowledgments
- Afterword by Ronald D. Moore
- Deep Space 9 schematics
- USS Defiant schematic
Background information
Several illustrations from this guide were used in the Star Trek: Deep Space Nine DVD releases.
As the manual was published by Pocket Books, then Chief Editor Margaret Clark had a say in it, or as she recalled,
"I have to edit Rick Sternbach [on the TNG and DS9 Technical Manuals] and go, "Rick, I can tell you this book has got to make sense. What are you trying to say here?" I'd say to them, "This, this, and this happened in this episode. Why?" Then they'd go back and try to figure out why it worked that way. That's how the Tech Manuals really work; you try to make the science work with what they showed on the show.(...)Usually, the writers and I work back and forth and it works fairly well. For instance, the "DEEP SPACE NINE Technical Manual" originally wasn't a technical manual. Rick couldn't figure out how to do that without rehashing the stuff that was done on the "TNG Technical Manual", and I basically said, "You've graduated from Starfleet Academy, you know absolutely positively everything there is about how to run a starship, then they put you on this Cardassian station. That's the direction you should take for this book." It became, "OK, that's how we'll do it." There have been some modifications on phasers, and PADDs, and things like that. Talk about that. You also tell us how to get from Quark's to Garek's" (Star Trek: The Magazine Volume 1, Issue 7, p. 60)Sternbach himself has over the years taken a slightly different view on Clark's editing, as evidenced in his 2009 remark, "I was also not entirely pleased with what Margaret Clark had done with the editing on the DS9 TM; I may be in the minority, but I believe her text changes dumbed down the tech nature of the book; e.g., where I had written an entry like "150+ troops" the text was changed to "150 plus troops" which to me altered the meaning. The TNG TM came across much better." [1]
While generally well received by its readership [2], it has received some criticism from the fan base where Section II was concerned, especially in regard to the various stated dimensions of the ship classes mentioned, the kit-bash models, introduced for DS9: "A Time to Stand", in particular. Author Sternbach was not entirely happy with that section himself as evidenced by a remark he made in March 2009 on Illustrator Doug Drexler's blog, "Regarding the DS9 ships section issues – No, I can't say I ever accepted the kitbash designs as anything more than wildly different shapes to be seen in the backgrounds of some scenes. Yes, we have ortho art and specifications of a sort, but I'll be the first to say that I wish we didn't have those ships in the book. I'd also love to be able to go back and rework the dimensions and other specs for the rest of the ships that make sense. It wouldn't be that difficult to issue new numbers in a text file done in the same fonts as those in the book, and let folks make slip-in sheets or sticky labels.(...) I think out of all the kitbashes I've seen, I think I like the Centaur best. I seemed to be quite a plausible variant. [3]", at a later time adding, "I suspect most of what you say is true about people want to see more ship material, but if I had been forced to spend more than a tiny amount of time analyzing the kitbashed monstrosities and maybe a couple of the ILM vessels, I would have gone completely and irreversibly mad.(...)It occurred to me after I read that again, that if Doug or I didn't have a handle on all of the ship material, then -nobody- did."
In Drexler's Trek Radio Q&A interview session of 22 January 2011, Editor Clark stated that the manual never broke even. [4] It was part of the reasons why a Star Trek: Voyager Technical Manual follow-up never came to fruition.
Cover gallery
ablative armor; baakonite; Battle of Wolf 359; crossover bridge; Deep Space 9; Dominion; Dominion War; kelindide; micrometeoroid; polyduranium; quantum torpedo; rodinium; Starbase 257; Starbase 375; transparent aluminum
Similar books
- Spaceflight Chronology
- Star Fleet Technical Manual
- Star Trek: The Next Generation Technical Manual
- Star Trek: Star Charts


text:
You don't have to wander anymore, the Adult Plus Gypsy Rose Costume is just what you need in order to stand out at the costume party. This cute costume comes included with a dress, a slip, a corset, sleeve ties, and a hairpiece. The dress to the costume has a white blouse style top and a colorful orange and yellow skirt. The skirt is hemmed shorter in the front to reveal the included slip. Put the black corset over the blouse and tie the sleeves with the black ties in order to really start looking like a gypsy straight from Europe. Finish the piece with the orange and yellow hairpiece that matches the skirt. You don't have to look any further, this is the best costume you'll find for the party.
Our Price: $8.97
Our Price: $1.99
Our Price: $39.97
Our Price: $3.97


text:
|TRON: Uprising S01E08 The Reward
|Media Type
|Television episode
|Charlie Bean
|Release Date
|October 19, 2012
The Reward is the 8th episode of TRON: Uprising.
Beck's night out with with Mara and Zed took a sour turn when General Tesler advertised a reward -- a snazzy Light Roadster, along with the lifting of Argon City's curfew for the general population -- for information leading to the capture of the Renegade. Programs all over Argon City began to falsely accuse each other of being the Renegade, and the Occupation rounded up hundreds of suspects for questioning. Meanwhile, Pavel persuaded a program named Gorn to edit false information into Hopper's disc, framing him as the Renegade in a secret bid to embarrass Tesler. Zed and Mara attempted to help Paige prove Pavel's perfidy, but Mara accidentally enraged Tesler and she and Zed were arrested as well. With the three "traitors" about to be drawn and quartered in a public spectacle, Beck was forced to race time to save his friends.


text:
March 2007
By Lawrence P. Farrell Jr.
As Congress continues to dissect the details of the Bush administration's proposed defense budget for fiscal year 2008, it is becoming increasingly apparent that the nation's military faces a worrisome financial future.
At first glance, it is hard not to notice the substantial increases in overall defense spending. The president's request of $481.4 billion — in addition to $141.7 billion for war costs in fiscal 2008 — is 11 percent larger than last year's budget. Funding for new weapons technology — at nearly $102 billion for procurement and $75 billion for research and development — is at its highest level since the 1980s Reagan buildup. This budget, it is worth noting, represents the 10th consecutive year of growth in defense spending.
The budget, however, does not include the additional $12 billion to $15 billion that will be needed to cover the planned growth of 92,000 troops in the Army and the Marine Corps. Further, there is a mismatch between the long-term modernization plans and the funding projections, according to many analysts. The budget also assumes that Congress will approve a measure to have military veterans pay a larger portion of their health care premiums. Most lawmakers are likely to oppose such a politically unpopular move, which means the Pentagon may have to add at least $16 billion to the budget.
Significantly, the $481.4 billion baseline budget for fiscal 2008 is $49 billion higher than 2007 and $17 billion higher than what the Pentagon had forecast a year ago that it would need for 2008.
This budget also sets the stage for what could be the beginning of a drawn-out debate over how the services should share a limited pool of defense dollars.
In 2008, the Army's share increases from 25.4 percent to 27 percent — on an absolute basis, over twice the increase of any other service, and the Marine Corps' from 3.7 percent to 4.3 percent. The Navy's portion will be dropping from 25.5 to 24.8 percent, and the Air Force's from 29.7 percent to 28.2 percent. While it's unquestionable that ground forces are bearing the brunt of the current fight and should be resourced accordingly, the Air Force and the Navy are in dire need of modernization dollars to revamp their aging fleets.
Interservice rivalries are not in the nation's best interest, especially in a time of war. But unless the defense budget top line experiences continuous and substantial growth, we are likely to see intense competition among the services, especially in the procurement arena. That problem could intensify in 2009 and beyond. The administration currently projects a Pentagon baseline budget of $513 billion in fiscal 2009, with $50 billion additional for war costs. But given the substantial supplementals of recent years, it is hard to see how $50 billion will be enough. During the 2010-12 period, the base budget is projected to stay relatively flat, or even decline slightly, in real terms. By fiscal year 2012, it appears that the Defense Department's base budget would be roughly the same as the budget requested for fiscal 2008, analysts point out.
These forecasts beg for some tough questions. If spending is expected to flatten out, how will the Pentagon pay for the additional troops? War costs have been on the rise for the past five years. The estimates for repairing equipment for the Army and the Marine Corps have more than doubled this year, to $37 billion. And procurement programs only will get more expensive. The 2008 request includes funding to move forward dozens of big-ticket programs, but it is not hard to predict that, when push comes to shove, the Pentagon will have to cut or delay these programs to pay for escalating personnel, health care and war operations. In the budget plan, procurement would rise from $81.3 billion in 2007 to $101.7 billion 2008. This would mark nearly a doubling, in real terms, of procurement funding since fiscal 1997.
A study by the Center for Strategic and Budgetary Assessments says it is doubtful whether, even with these large increases, the Defense Department will be able to fully implement its costly long-term modernization and force structure plans. Moreover, given growing concerns about the federal deficit and the high costs associated with the impending retirement of the baby-boomer generation, it is unclear how long the United States will sustain the high levels of funding for defense included in the new plan. In the coming years, many analysts predict, the cash from foreign lenders that has financed our soaring military expenditures could dry up.
At NDIA, we are concerned about the future, and what these funding trends mean for the nation's military superiority.
This is the first time we see that there will be a need to make tough choices. Unless the budget pie gets bigger for defense, it is fair to expect that the ground forces needs for reset/recap and equipping the increased force structure will continue to demand increased funding. The corollary adjustment to this demand could be a gradual downsizing of the Air Force and Navy, both of which will be operating with rapidly aging equipment.
In the 2010 timeframe and beyond, we will see the outlines of emerging priorities. If the Iraq war has a major slowdown, there will be a rush to rapidly reduce defense spending at a time when ground forces are trying to reset, while air and naval forces are in the midst of major modernization programs.
Those of us who have worked budgets while in government understand how hard the Defense Department and the services work their budget requests, and how finely balanced they are.
It is difficult to think, that with this huge budget, almost unimaginable only a few years ago, we won't have enough to address pressing needs. But it seems to be true. And given the financial needs of the country as a whole, even these inadequate projections might not be realized.
Please email your comments to email@example.com


text:
The Volvo B11R is the backbone of good coach business. Whether your need is a premium coach or a trusty line-hauler, the B11R will exceed your expectations. The highly fuel-efficient Euro 6 engine will cut your operational costs, and Volvo's quality standards combine functionality with passenger comfort and lifecycle productivity.
The B11R is available both in 2-axle and 3-axle configurations in order to provide flexibility in your choice and combine a stable and pleasant driving character with passenger comfort. A range of advanced, powerful engines is available at power ratings from 380 to 460 hp. Their high fuel efficiency further adds low running costs and sustainability to your offer.
Rigid or independent front suspension in combination with a compact and service-friendly driveline installation extends the scope for creating a spacious and efficient coach.
By building your bus or coach on a Volvo platform you also enter a partnership – a relationship that continues even after the deal is done. We take pride in supporting our clients, and we are eager to learn from you. That's how we build your experience into our vehicles and services.


text:
Zwilling's eco-friendly and nonstick cookware features a ceramic coating that does not release fumes when pans are heated and produces less CO2 emissions during production than other non-sticks. The aluminum core heats quickly, while riveted handles stay cool during cooking. Made by Zwilling J.A. Henckels, a leader in cutlery and cookware.
Please note: Lids are counted as individual pieces.


text:
There are 54 results - Show results on a map Print this page
Showing 21 - 30 of 54
Dating back to the 16th century, this charming Cotswold coaching inn retains much of its original character, with stone walls, impressive fireplaces and a relaxed, country-house atmosphere. Bedrooms v...More about Manor House Hotel
Dating back to the early 17th century, The Shakespeare is one of the oldest hotels in this historic town. The hotel name represents one of the earliest exploitations of Stratford as the birthplace of ...More about Mercure Stratford-upon-Avon Shakespeare Hotel
A warm welcome is assured at this non-smoking house, located within easy walking distance of the Butterfly Farm and cricket ground. The homely bedrooms are filled with lots of thoughtful extras and an...More about Arden Way Guest House
Ideally located for the Cotswolds, Premier Inn Evesham sits adjacent to the Country Park where visitors can often glimpse a resident deer. You'll be close to the A46 for trips to Stratford-upon-Avon a...More about Premier Inn Evesham
This fine old inn has played a central role in the town for centuries. Traditional features combine successfully with contemporary comforts; bedrooms are located in the main building and in an annexe....More about Redesdale Arms
Nestled in the quiet, unspoilt village of Ebrington, just a couple of miles from Chipping Campden, this 17th-century inn offers an excellent selection of real ales, fine wines and really enjoyable awa...More about The Ebrington Arms
Equidistant from Worcester, Stratford-Upon-Avon and Cheltenham, this 19th-century former hunting lodge, originally built for European royalty, is ideally located for exploring the Cotswolds. Modern re...More about Wood Norton Hotel
This historic hotel has been providing accommodation for hundreds of years and today offers high standards of quality and comfort. Public areas are full of character, and the bedrooms, in a wide range...More about White Hart Royal Hotel
This attractive, Edwardian terrace house is within easy walking distance of the railway station and Shakespeare's Birthplace. Bedrooms are carefully decorated, well equipped, and many have modern show...More about Stretton House
Based in the centre of Stratford-upon-Avon, the Adelphi is ideally located for those visiting the Royal Shakespeare, Swan or Courtyard Theatres. The bedrooms offer comfort throughout and are all taste...More about Adelphi Guest House


text:
49 U.S. Code § 44107 - Recordation of conveyances, leases, and security instruments
prev | next
(a) Establishment of System.— The Administrator of the Federal Aviation Administration shall establish a system for recording—
(2) leases and instruments executed for security purposes, including conditional sales contracts, assignments, and amendments, that affect an interest in—
(A) a specifically identified aircraft engine having at least 550 rated takeoff horsepower or its equivalent;
(B) a specifically identified aircraft propeller capable of absorbing at least 750 rated takeoff shaft horsepower;
(C) an aircraft engine, propeller, or appliance maintained for installation or use in an aircraft, aircraft engine, or propeller, by or for an air carrier holding a certificate issued under section 44705 of this title; and
(D) spare parts maintained by or for an air carrier holding a certificate issued under section 44705 of this title; and
(b) General Description Required.— A lease or instrument recorded under subsection (a)(2)(C) or (D) of this section only has to describe generally the engine, propeller, appliance, or spare part by type and designate its location.
(c) Acknowledgment.— Except as the Administrator otherwise may provide, a conveyance, lease, or instrument may be recorded under subsection (a) of this section only after it has been acknowledged before—
(d) Records and Indexes.— The Administrator shall—
(1) keep a record of the time and date that each conveyance, lease, and instrument is filed and recorded with the Administrator; and
(2) record each conveyance, lease, and instrument filed with the Administrator, in the order of their receipt, and index them by—
(A) the identifying description of the aircraft, aircraft engine, or propeller, or location specified in a lease or instrument recorded under subsection (a)(2)(C) or (D) of this section; and
(e) International Registry.—
(1) Designation of united states entry point.— As permitted under the Cape Town Treaty, the Federal Aviation Administration Civil Aviation Registry is designated as the United States Entry Point to the International Registry relating to—
(B) an aircraft for which a United States identification number has been assigned but only with regard to a notice filed under paragraph (2); and
(2) System for filing notice of prospective interests.—
(A) Establishment.— The Administrator shall establish a system for filing notices of prospective assignments and prospective international interests in, and prospective sales of, aircraft or aircraft engines described in paragraph (1) under the Cape Town Treaty.
(B) Maintenance of validity.— A filing of a notice of prospective assignment, interest, or sale under this paragraph and the registration with the International Registry relating to such assignment, interest, or sale shall not be valid after the 60th day following the date of the filing unless documents eligible for recording under subsection (a) relating to such notice are filed for recordation on or before such 60th day.
(3) Authorization for registration of aircraft.— A registration with the International Registry relating to an aircraft described in paragraph (1) (other than subparagraph (C)) is valid only if
(A) the person seeking the registration first files documents eligible for recording under subsection (a) and relating to the registration with the United States Entry Point, and
Source(Pub. L. 103–272, § 1(e),July 5, 1994, 108 Stat. 1164; Pub. L. 108–297, § 3,Aug. 9, 2004, 118 Stat. 1096.)
|Revised Section
|Source (U.S. Code)
|Source (Statutes at Large)
|49 App.:1403(a)(1).
|Aug. 23, 1958, Pub. L. 85–726, § 503(a)(1), (3), (b), 72 Stat. 772.
|49 App.:1655(c)(1).
|Oct. 15, 1966, Pub. L. 89–670, § 6(c)(1), 80 Stat. 938; Jan. 12, 1983, Pub. L. 97–449, § 7(b), 96 Stat. 2444.
|44107(a) (2)(A), (B)
|49 App.:1403(a)(2).
|Aug. 23, 1958, Pub. L. 85–726, § 503(a)(2), 72 Stat. 772; restated July 8, 1959, Pub. L. 86–81, § 1, 73 Stat. 180.
|49 App.:1655(c)(1).
|44107(a) (2)(C), (D)
|49 App.:1403(a)(3) (less words between 13th comma and semicolon).
|49 App.:1655(c)(1).
|49 App.:1403(b).
|49 App.:1655(c)(1).
|49 App.:1403(a)(3) (words between 13th comma and semicolon).
|49 App.:1403(e).
|Aug. 23, 1958, Pub. L. 85–726, § 503(e), 72 Stat. 773; restated June 30, 1964, Pub. L. 88–346, § 2, 78 Stat. 236.
|49 App.:1655(c)(1).
|49 App.:1403(f).
|Aug. 23, 1958, Pub. L. 85–726, § 503(f), 72 Stat. 773; July 8, 1959, Pub. L. 86–81, § 4, 73 Stat. 181.
|49 App.:1655(c)(1).
In subsection (a)(1) and (2), the words "title to" are omitted as being included in "interest in".
In subsection (a)(2), before subclause (A), the word "instruments" is substituted for "any mortgage, equipment trust . . . or other instrument" because it is inclusive. The word "supplement" is omitted as being included in "amendments".
In subsection (a)(3), the words "The Secretary of Transportation shall also record under the system" are omitted as unnecessary because of the restatement.
In subsections (a)(3) and (c), the words "lease, or instrument" are substituted for "other instrument" for clarity and consistency in this subchapter.
In subsections (b) and (d), the words "or locations" are omitted because of 1:1.
In subsection (b), the words "recorded under subsection (a)(2)(C) or (D) of this section" are added for clarity. The words "lease or instrument" are substituted for "instrument" for clarity and consistency in this subchapter.
In subsection (c), before clause (1), the words "by regulation" are omitted because of 49:322(a). In clause (2), the words "possession of the United States" are substituted for "possession thereof" for clarity.
In subsection (d), the words "lease, and instrument" are substituted for "other instruments" for clarity and consistency in this subchapter. In clause (1), the words "of the time and date of" before "recordation" are omitted as unnecessary because of the restatement. In clause (2), before subclause (A), the words "in files to be kept for that purpose" are omitted as unnecessary. In subclause (A), the words "location specified in a lease or instrument recorded under subsection (a)(2)(C) or (D) of this section" are substituted for "in the case of an instrument referred to in subsection (a)(3) of this section, the location or locations specified therein" for clarity and consistency in this subchapter.
2004—Subsec. (a)(2)(A). Pub. L. 108–297, § 3(a)(1), substituted "550" for "750".
Subsec. (a)(3). Pub. L. 108–297, § 3(a)(2), substituted "paragraph (1) or (2)" for "clause (1) or (2) of this subsection".
Subsec. (e). Pub. L. 108–297, § 3(b), added subsec. (e).
Effective Date of 2004 Amendment
Amendment by Pub. L. 108–297effective Mar. 1, 2006, and not applicable to any registration or recordation that was made before such date under this chapter or any legal rights relating to such registration or recordation, see section 7 ofPub. L. 108–297, set out as a note under section 44101 of this title.
LII has no control over and does not endorse any external Internet site that contains links to or references LII.


text:
Café Robina
this wiki
Café Robina is a café owned and run by Alberto Robina, which opened in 1964. The café is located in Little Havana, Vice City and opens at 4am each day. This can be seen during the Papi Don't Screech mission in Grand Theft Auto: Vice City Stories. It advertises the best red beans and rice in Little Havana. The café is used by Umberto Robina, son of Alberto, to plot attacks against the Haitian gang. In Grand Theft Auto: Vice City, the café can be robbed by the player.
Oddly, during missions for Umberto Robina, the shopkeeper is the owner Alberto Robina. When not on a mission, the shopkeeper is the standard shopkeeper you will find in any other store or restaurant. During some missions given to Tommy Vercetti by Umberto Robina there are two pedestrians at the cafe watching Umberto as he gives Tommy missions one resembles a juror in the mission Jury Fury and the other resembles the manager of the Front Page Bar during the mission Bar Brawl and the two are found as pedestrians all over Vice City.


text:
Air Maine is an aerial odyssey of the Pine Tree State. See the breathtaking views from the Maine coast, the mountains and farms on MPBN Community Films.
Jeff Dobbs Productions has been filming Maine from the air for almost a decade and has amassed an extraordinary collection of dramatic aerial footage from all over the beautiful state. Many of you may be familiar with Jeff Dobbs and his popular Light Spirit video on the lighthouses of Maine and other popular video presentations. This new presentation takes you on an odyssey of breathtaking views over one of the most picturesque states in the nation from its rugged ocean coastline, to its breathtaking mountains and forests. Narrated by Jack Perkins, host of A & E Television's Biography, Air Maine also includes spectacular footage from OpSail 2000 with the tall ships in Portland's harbor. Original soundtrack by John Cooper.
To purchase a video Visit the Dobbs Productions website
[Air Maine originally aired on MPBN Community Films October 28, 2010.]


text:
When we previously discussed the Evil Dead remake, the writers were still aiming to have the character David as the star replacement for the original Ash. According to news released yesterday by Ghost House and Mandate Pictures, however, his sister Mia stole the limelight and will now wear the mantle as Ashs replacement.
The decision makes sense: no living male can match the manly, chainsaw-wielding imagery of Bruce Campbell's Ash. But a female – that's a whole different story. A woman can create her own image and personality as Ash, one that may even rival the original popularity of Bruce Campbell's Ash.
Lilly Collins (The Blind Side, Priest, Mirror Mirror) is scheduled to play the part of Mia in the Evil Dead remake, which should hit cinema theaters on April 12, 2013.
Here's a recent photo of Lilly:
According to BloodyDisgusting, In this version, the story centers on five friends (David, Natalie, Eric, Olivia, and Mia) holed up at a remote cabin where they discover a Book of the Dead with a demonic force unleashed possessing each until only one is left to fight for survival.
Mias character has a background of drug use, a habit that recently caused a nonfatal overdose. Mia goes with her friends to the cabin to escape from all temptations of drug relapse. Since she is struggling with sobriety, none of the other friends believe her claims of seeing and experiencing paranormal activity, like trees coming alive and attacking her.
The Evil Dead remake begins filming this March, in New Zealand.


text:
We are dedicated to improving lives
As Canada's leader in mental health and addiction services, we provide a continuum of stay at work, return to work and treatment services through our team of over 4,500 staff and clinical professionals. At Homewood Health we make life better.
Canada's leader in mental health and addiction care
Good health has many aspects. Homewood Health delivers a continuum of mental health and addiction services that is unique in Canada for its breadth, quality, integration, and most importantly, results. We are focused on achieving and sustaining the optimal health of Canadians and the organizations they work for.
We Rescue People.
We have opened The Homewood Clinic in Vancouver, Calgary, Edmonton, and Montreal—establishing a national network of integrated outpatient treatment clinics across Canada.
Homewood is Different
We think different is better. Everything we do is rooted in research, best-practice and treatment of mental health and addiction issues. We've built our business and our team around one unifying idea clearly stated in our vision: Improving Life.
Tell us who you are
We come to work every day to make things better for patients, clients, employees, managers, insurers, and organizations.
I'm an employer
Whether you're a large or small employer, we're not just your partner in wellness, prevention, return to work and treatment services—we're your business partner as well.
I'm an individual
We will connect you with expert advice and the right level of treatment that puts you or the people you care about on the path to achieving and sustaining wellness.
I'm in insurance
Whether you're an insurer, adviser, or claims professional, our continuum
of care improves your services and outcomes, and delivers better value for your clients.
I'm a clinician
We provide the best treatment programs for your client or patient. Whether you need to make a referral, are looking for more information, or to join our network, find out more.
The strength of Homewood Health is anchored in the medical credibility that comes from over 130 years of clinical practice and patient care, founded on our commitment to research and innovation. Our fully accredited facility located in Guelph, Ontario has received numerous awards and is home to 300 beds dedicated to mental health and addiction treatment.
"The entire staff at Homewood has given me a second opportunity at life. It was a life-saving experience that will always be treasured. My life is not over—it is starting on a new, clean page."


text: One of the best ways to bring out the rich, creamy sweetness of caramel is to add a delicate hint of sea salt. To make our decadent dessert sauce, artisan confectioners blend heavy cream, butter and sugar with aromatic vanilla and a touch of natural sea salt. Gently heat the sauce and drizzle over desserts from ice cream to cheesecake to fresh fruit.


text:
The Power of Independent Thinking
William F. Shughart Discusses the Import-Export Bank on The Gary Nolan Show
Recorded: Wednesday, July 9, 2014
Sr. Fellow William F. Shughart II appeared on The Gary Nolan radio show to discuss the Export-Import bank. In a recent syndicated Op-Ed, Shughart wrote that the Export-Import bank distorts prices and it interferes with the free flow of international commerce.
Experts: William F. Shughart IIType: RadioIssues: Banking and Finance, Business, Economic Policy, Labor and Employment, Trade
William F. Shughart Interviewed on Budget & Tax News Podcast
Recorded: Friday, December 24, 2010
Senior Fellow William F. Shughart discusses financial developments at General Motors and Chrysler, the real issues at stake in the TARP debate, and how Obamas bailouts are negatively affecting the limping economy.
Experts: William F. Shughart IIType: RadioIssues: Banking and Finance, Business, Economic Policy
The 2006 Thomas S. Szasz Awards and An Evening With Robert Higgs
Recorded: Wednesday, December 6, 2006
Part 1 |
Part 2
Part 3
Part 4
Part 5
The reception and presentation of the Thomas S. Szasz Awards for Outstanding Contributions to the Cause of Civil Liberties to Robert Higgs and Robert Spillane, followed by a special forum featuring Dr. Higgs on Liberty and Leviathan.
Experts: Robert Higgs, Robert Spillane, Thomas S. SzaszType: Independent Institute EventIssues: Government Power, Terrorism and National Crises


text:
Search Swinburne Research Bank
Home List of Titles Nano-mechanical properties of hydroxyapatite coatings with a focus on the single solidified droplet
Please use this identifier to cite or link to this item: http://hdl.handle.net/1959.3/62097
|Download PDF (Published version) (Adobe Acrobat PDF, 430 KB)
- Title
- Nano-mechanical properties of hydroxyapatite coatings with a focus on the single solidified droplet
- Author(s)
- Gross, K. A.; Saber-Samandari, Saeed
- Abstract
- Hydroxyapatite (HAp) is a common implant material choice for orthopaedic implants and is mostly used as a coating to improve the biocompatibility of implants and stimulate tissue growth. This is a desirable material for implants, but the thermal instability requires strict control of the processing conditions to produce a crystalline coating. A coating with well molten particles has been produced from flattened solidified droplets. This development has allowed further investigation of the coating surface with nanoindentation, profilometry and electron microscopy. Instrumented indentation testing, also known as depth-sensing indentation or nanoindentation, was used to gather information on the hardness and elastic modulus. It was found that the surface topography can lead to elevated values of the hardness and elastic modulus. The micromechanical properties will be higher when conducted on a sloped surface. It is recommended that any micromechanical data from a thermally sprayed coating be accompanied with topographic map of the flattened solidified droplet.
- Publication type
- Journal article
- Source
- Journal of the Australian Ceramics Society, Vol. 43, no. 2 (2007), pp. 98-101
- Publication year
- 2007
- Keyword(s)
- Elastic modulus; Hardness; Hydroxyapatite; Nanoindentation; Solidified flattened droplet; Thermal spraying
- Publisher
- The Australian Ceramic Society
- Publisher URL
- Copyright
- Copyright © 2007 the Australian Ceramics Society. Published version of this paper reproduced with the kind permission of the publisher.
- Full text
- Peer reviewed


text:
Take the top spot with Featured Property
- Catapult your property to the top of the search results page for 7 days!
- Maximise interest and enquiries in that crucial first week of marketing.
- Avoid void periods by grabbing tenants' attention with a larger photo.
- Your property will appear in the search results too - twice the visibility!
- The recommended price is £250, but speak to your agent as costs may vary.
More The Letting Centre, Newport
4 Carisbrooke Road, Newport, PO30 1BL
Call 01983 526763 Local call rate


text:
Talk:Six Paths of Pain
Back to page
this wiki
Tobi's Paths + Tobi
Not to bring up an unneeded "forum" topic, but where does the One-Tailed Shukaku fit in the scheme of things? Last we heard about it was when it was extracted from Gaara. (I'm assuming parts of each tailed beast was sealed back into their respective hosts) Questionaredude (talk) 22:41, November 23, 2011 (UTC)
- No one knows right now as Gaara was revived by Chiyo. All I can say is wait for a chapter that explains/shows what happened to Shukaku. Joshbl56 22:44, November 23, 2011 (UTC)
- There is no reason to assume (parts of) the Tailed Beasts were resealed into their hosts. Kinkaku and Ginkaku could transform after being summoned by Edo Tensei, so it's likely that the jinchūriki can do so too. The Tailed Beasts are most likely still safely inside the Gedō Mazō. —ShounenSuki (talk | contribs | translations) 00:46, November 24, 2011 (UTC)
- Wouldn't it be a better assumption to say that Edo Tensei seems to resurrect the person while they are at their best/with all their skills from when they were living? Joshbl56 00:59, November 24, 2011 (UTC)
- If that was the case, Nagato wouldn't have mobility issues. The strange thing for me is that they're able to transform into the beasts, not merely retaining their abilities. Omnibender - Talk - Contributions 01:39, November 24, 2011 (UTC)
Chapter 565 confirms Tobi put the beasts back in their original Hosts, so they are Jinchuriki with the Sharingan and Rinnegan now. What a hell of a combination. 184.108.40.206 (talk) 19:28, November 30, 2011 (UTC)
Six paths of pain same exact paths Nagato (Pain) and Tobi use?
Is this "Tobi's six paths of pain" really a title confirmed in the manga? I understand how they are similar through their use of chakra blades. But I just don't think it makes sense for "The six paths of pain" to be shown as a technique that Nagato and Tobi share if they are not the same six paths of pain Nagato used. If they are not the exact same would it not make sense for it to be called "six paths technique" or even "paths technique" if they aren't exactly those of pain but still want to be listed as something Tobi and Nagato share? I hope this makes some bit of sense, if someone does understand what I mean could you please explain why they are both referred to as the six paths of pain. (I'm just stating all of this because when you look up six paths of pain it says both Nagato and Tobi can use the technique)188.8.131.52 (talk) 10:18, April 12, 2012 (UTC)
When Tobi was first shown with the jinchūriki as his paths, the chapter called it his Six Paths, and it was already explained he's not making them use regular Path techniques because they cost chakra he can't afford to spend having to control the tailed beasts, and because the Konoha ninja have already developed counters for those. Omnibender - Talk - Contributions 01:23, April 13, 2012 (UTC)
I guess what I'm trying to say is that it's misleading to show Tobi as a user of the "six paths of pain" as Nagato made up the "pain" alias himself. Basically catering it to himself. Not sure if Tobi made an alias for his version of the six paths and if not he should be known as the user of the six paths and not of the six paths of pain. For example say madara can chakra blades for his own six paths, you think he'd use the pain alias? I mean I don't see Tobi using redheaded bodies for his paths because they are not those of pain220.127.116.11 (talk) 10:01, April 20, 2012 (UTC)
Tobi hasn't made up a name for his version, there's no need to create a separate page since it's the same technique as Nagato's version, Tobi is just using the Jinchuriki's abilities instead of his own. TricksterKing (talk) 10:34, April 20, 2012 (UTC)
Error with one aspect of the entry: 'Original Use'
"However, this did come at the cost of diminishing the increased field of vision"
Should we not alter or remove this seeing as Kabuto said the Rinnegan summons would provide a field of vision as well as Nagato spotting Killer B due to the shared vision he had with the summons? —This unsigned comment was made by Jingo12 (talk • contribs) .
No. Going from having six bodies worth of shared vision field to two is a clear definition of the word "diminished". Also, sign your post's with four tildes ~ please. Skitts (talk) 17:19, November 30, 2011 (UTC)
Oh I see. Thanks for the clear up and apologies for my misinterpretation.
--Jingo12 (talk) 01:14, December 3, 2011 (UTC)
Something we could add?
Could we add that "possibly" the bodies still contained the techniques of the person before they were dead, we could assume this was true after seeing Yugito use her trade mark techniques and the deva paths use of water techniques (yahiko possibly) --Silverblade1 (talk) 02:01, December 31, 2011 (UTC)
No. In Yugito's case, she was actually resurrected, just being controlled, and as we've known for certainty for a long time is that the resurrected retain all of the techniques they had in life. and you have to remember, Rinnegan user's have to capability to master all of the nature transformations with ease, hence Jiraiya stating that Nagato had mastered them all by age 10, which he claimed to be unprecedented. It's not like he had the Dava Path use a technique that only Yahiko knew/could user. Skitts (talk) 03:59, December 31, 2011 (UTC)
True, and im not going to argue with the writer over this (maybe someone should ask him, would solve lots of our problems :P lol), just might explain why the other bodies were limited to just the path's techniques, and yahiko (assumed pretty strong ninja before his death) could use more, we know that the paths are controlled and come with one paths power. but nothing was ever said weather Nagato was able to use his techniques as well as the path's through the bodies then there would be no real weakness to the technique....so maybe he could use the power of the respective path and the original techniques of the body is what im saying...anyways no matter its just a thing to think about --Silverblade1 (talk) 04:41, December 31, 2011 (UTC)
Sage of the Six Paths
What's with this guy? He is listed as user of each Path but not this technique. --126.96.36.199 (talk) 22:38, January 14, 2012 (UTC)
- Because they are two different things. This technique is the use of corpses or bodies. Every Path is a technique in itself as well and as far as we know the Sage never used corpses, just the techniques.--Cerez365™ 22:52, January 14, 2012 (UTC)
Is Madara using the original bodies of the former jinchuuriki, or the bodies made by impure world resurrection? --220.127.116.11 (talk) 16:03, January 18, 2012 (UTC)
He is using the bodies from the impure world resurrection, their sharingan eye have a dark sclera indicating that the bodies comes from Kabuto's technique.--Jon Thiago (talk) 16:50, January 18, 2012 (UTC)
Path Names
I noticed while playing Naruto Shippuden: Ultimate Ninja Impact that the english dub refers to the paths at their original Japanese names. For example, instead of saying Deva Path, Pain says Tendo. Is this something that should be mentioned somewhere, or perhaps maybe the mentioning of the names should be changed wherever they are mentioned? Diamonddeath (talk) 02:59, January 31, 2012 (UTC)
- I suppose it could go in the Trivia section, but I don't reallly know if that information is necessary. ROBO731 (Talk) 03:06, January 31, 2012 (UTC)
That's because that's how you pronounce it. Tendo is Deva Path, so I assume that's why. Skitts (talk) 15:35, January 31, 2012 (UTC)
Assuming the English dub for the game will be the same as the English dub for the anime, they will be kept as Tendo, Shurado, Ningendo, Chikushodo, Gakido, Jigokudo, and Gedo. Perhaps this should somehow be noted? Diamonddeath (talk) 05:15, February 23, 2012 (UTC)
- Probably not worth mentioning, since those names appear on the pages of the different paths already.--TricksterKing (talk) 05:25, February 23, 2012 (UTC)
Should this be included in the Six Paths of Pain's page in the trivia section?: Naruto defeated Five out of the six paths with a rasengan and rasengan related techniques? (or something like that)
Filipinoboy97 (talk) 21:15, April 6, 2012 (UTC)Filipinoboy97
- That would fall into the category of "junk trivia", as it is in the format of "X of Y With Z" — SimAnt 21:44, April 6, 2012 (UTC)
I'm sorry can you please repeat that in a way I can comprehend XD I'm not a pro at this stuff, idk what junk trivia and the xyz thing is hehe.. Filipinoboy97 (talk) 21:54, April 6, 2012 (UTC)Filipinoboy97
junk trivia is useless trivia (your trivia is useless because don't add any new information and naruto only know rasengan relate jutsu XD) and the format means X is 5 of Y is 6 with Z is with rasengan... --Nitram86 (talk) 22:21, April 6, 2012 (UTC) ..uuhhh..??? -Filipinoboy97
So if all the paths' eyes are linked, how was naruto able to destroy the Asura path with a rasengan, weren't the other 5 watching Naruto when he did it? ---Filipinoboy97 (talk) 22:05, April 6, 2012 (UTC)Filipinoboy97
- you can distract the other path and cornered one after a other... like when naruto destroy the Naraka Path. --Nitram86 (talk) 22:17, April 6, 2012 (UTC)
- Ooooo I c, but what were all the other 5 pains distracted by?
a lot of thing to beat the nakara path naruto use a clone trasformating in a rasenshuriken then grab the pretha path and close his eyes and when the deva was distracted by the second rasenshuriken a kage bushin attack the nakara path... while to beat the animal path he use the mouth of gamabunta to concern the animal path from the others jiraya use the Magen: Gama Rinshō to block the connection between the path --Nitram86 (talk) 22:35, April 6, 2012 (UTC)
- Oh sorry I should have been more specific, I meant what were they distracted by when Naruto destroyed the Asura Path lol Filipinoboy97
the asura path was destroyed with a punch when naruto arrive a konoha in that ::case was too fast [1] is this what you talking about--Nitram86 (talk) 22:49, April 6, 2012 (UTC)
- Oh! Yea he was too fast XD <(lmao that sounds weird ;)), and this is my last question, how did he do that so quickly, (destroy the Asura Path)? cuz it looked like the speed level of Minato, and Naruto can't move that quick until later when he controls the 9tails-Josh
- when he use the nine tails chakra mode a lot of characters sayd that is like a yellow flash (is even faster that the raikage with the lightning armor) in this case is faster that normal (but not at the level of the nine tails chakra mode) because the sage mode make taijutsu ninjutsu genjutsu stronger --Nitram86 (talk) 23:07, April 6, 2012 (UTC)
- Oh! Yea he was too fast XD <(lmao that sounds weird ;)), and this is my last question, how did he do that so quickly, (destroy the Asura Path)? cuz it looked like the speed level of Minato, and Naruto can't move that quick until later when he controls the 9tails-Josh
Ok now I see, thanks a lot Nitram86! Josh
uh, to summarize this topic
So yeah, either I'm the only one who doesn't understand the whole Rinnegan thing, or this Wiki is confusing (and maybe wrong). I'll explain how I see everything:
Nagato's got the Rinnegan. This dōjutsu grants him seven abilities. These are named ~dō. Because Nagato is a cripple, he has to use six bodies, each of them wielding one of the abilities, while Nagato himself wields the seventh (Gedō). Pain Rikudō is not the technique he's using to control the six bodies, but simply a name for the six abilities, while Pain is the name Nagato is using in Akatsuki. I think so because of Naruto's mentioning of the Gedō no Jutsu. With this Jutsu, as the name suggests, Nagato is controlling the corpses, since he is Gedō. He can also revive people through Gedō Rinne Tensei. The paths can be compared to Jūken, while the paths' Jutsu are the Jutsu you need Jūken for.
So, I think that's it. Anyone got an opinion about that? Seelentau 愛議 19:25, May 20, 2012 (UTC)
- I think the corpses were actually called Six Paths of Pain by Nagato and Tobi at some point. From browsing the article and what you said it seems to me that's what is said except that the introduction doesn't make clear that the Six Paths of Pain is the parent technique for all the derived ones and only speaks about manipulating the corpses.--Cerez365™(talk) 19:43, May 20, 2012 (UTC)
- mh yes, Nagato introduced the six corpses as Pain Rikudō when fighting against Jiraiya. But he could simply be referring to the six abilities, since each of the six corpses stands for one of the abilities. Seelentau 愛議 20:02, May 20, 2012 (UTC)
- by teh wayz: Is there a reason for not listing Tobi, Madara, Nagato and the RS as users of every path? Konan stated that The person who wields the Rinnegan can use all of the techniques of the six Pains.. Seelentau 愛議 22:09, May 20, 2012 (UTC)
- Madara doesn't have them listed yet, since Madara hasn't shown or told us that he can use every path. The Sage and Nagato have all six paths listed on their pages, and Tobi should have them added since it's clear that he knows them, just he has reasons not to use them. TricksterKing (talk) 22:45, May 20, 2012 (UTC)
- I think the reason he's not listed is because he hasn't actually used them. He stated that he'd use the Human Path on Yamato which is why he has that listed, but I think with these, the community decided to go with "hasn't used them→ don't list them as a user" (unless Human Path exceptions etc come up).--Cerez365™(talk) 23:05, May 20, 2012 (UTC)
- Madara doesn't have them listed yet, since Madara hasn't shown or told us that he can use every path. The Sage and Nagato have all six paths listed on their pages, and Tobi should have them added since it's clear that he knows them, just he has reasons not to use them. TricksterKing (talk) 22:45, May 20, 2012 (UTC)
Abilities vs. Characters
Recently I've getting a bit confused with regards to the individual abilities of the Six Paths of Pain and the character articles. Though I don't know if it's the same for other readers, but I was thinking, why not merge the character articles with the "x- former body" in order to separate the Deva Path ability from the character? Thoughts? --Cerez365™(talk) 20:11, May 22, 2012 (UTC)
- I think we've been over this before, back when I considered each Path of Pain to be Nagato himself. Each Path of Pain is a technique as described in each separate article.
- Deva Path is gravity control
- Animal Path is summoning
- Human Path is Mind Reading/Soul Reaping
- Preta Path is Chakra Absorption
- Naraka Path is King of Hell summoning
- Asura Path is Body Modification.
- When Nagato uses his Six Paths of Pain, he is merely channeling a jutsu through a body as part of this jutsu. As such, any ability each Path uses is a by product of the parent jutsu. For example Shinra Tensei is a jutsu derived from the Deva Path.
- However, all of this could be irrelevant in the chance that I am completely missing what you are confused about in the first place...--TheUltimate3 (talk) 21:50, May 22, 2012 (UTC)
Oh, no I get all of that. I mean with the article themselves. Because we also have images of the Paths themselves and when they were alive in the one article, I was wondering if it wouldn't be better to rename Human Path's Former Body to "Human Path (character)" and have all the information about the character/corpse in one place and the technique itself in another.--Cerez365™(talk) 22:01, May 22, 2012 (UTC)
- Correct me if I'm wrong, but isn't that how it currently is in the article?--TheUltimate3 (talk) 22:10, May 22, 2012 (UTC)
- Not really, unless i'm misunderstanding you. Take the Human Path article for example. It has an appearance section and some of the others have arcs and such in the Path articles. What I'd want to do is move all of that to the "former body" articles and leave the Path ones as techniques completely. Though thinking about this now, Yahiko's looks like it might be tough to do '~' but yeah, that's what I mean.--Cerez365™(talk) 22:18, May 22, 2012 (UTC)
Not sure I know what you mean, but I disagree "_" ... rephrase please.
Mk. Follow me now:
- Using Human Path.→
- I'd take out the "Appearance" and "Abilities" section from there→
- Rename "Human Path's Former Body to "Human Path (character)" or something like that→
- Place the information taken from the Human Path article and place it in "Human Path (character)"→
- Necessary links to the technique or character and vice versa would be made in each article thus separating the characters/corpses from the abilities.--Cerez365™(talk) 00:01, May 23, 2012 (UTC)
To be needlessly nitpicky, the Deva Path manipulates forces in general, not just gravity. ;) Skitts (talk) 00:09, May 23, 2012 (UTC)
im for compiling the paths into the six paths of pain and seperating the paths and characters.22.214.171.124 (talk) 00:27, May 23, 2012 (UTC)yomiko-chan
It could be a good way to avoid confusion, especially since the paths' bodies made live appearances in the anime.--BeyondRed (talk) 06:23, May 23, 2012 (UTC)
uh... the paths are Jutsu. Everything Jutsu related is put in the Jutsu article. The corpses are characters, everything about the characters is put in a character article. Of course we link them with each other, but nothing else. Seelentau 愛議 12:46, May 23, 2012 (UTC)
- Not completely. If you look at, say, the Preta Path article you see an Appearance section for the Path's life. Cerez is saying that the information should be moved to the article about the character and rename those articles in the format 'Preta Path (character)', I think. Skitts (talk) 14:05, May 23, 2012 (UTC)
- Yes that's what I mean. Why you guys no get it :< --Cerez365™(talk) 14:06, May 23, 2012 (UTC)
- I'm saying the same, but more basically. Just do not merge Jutsu and character and everything's fine. :) Seelentau 愛議 14:09, May 23, 2012 (UTC)
- Yes that's what I mean. Why you guys no get it :< --Cerez365™(talk) 14:06, May 23, 2012 (UTC)
- So... You basically want to move all character-like parts of the article to the actually character while still keeping the information for the actual skills? I will start on it after I get done writing this. Please stop me if this isn't what you meant. Joshbl56 14:34, May 23, 2012 (UTC)
- uh yes. What we want is to differ between Jutsu (the path) and character (the corpse Nagato is using). Seelentau 愛議 14:39, May 23, 2012 (UTC)
That's what I mean, but we need more consensus from the community before we can start.--Cerez365™(talk) 14:47, May 23, 2012 (UTC)
- O.O um.... oops. I will delete it, sorry. I became a bit to hasty. Joshbl56 14:51, May 23, 2012 (UTC)
So, it's basically moving some stuff from "X Path" article to "X Path's former body" article. I'm ok with that. Omnibender - Talk - Contributions 21:58, May 23, 2012 (UTC)
- Aye. I went ahead and did it with the Human Path and the Human Path (character). What do you all think o.O? --Cerez365™(talk) 14:15, May 27, 2012 (UTC)
The room where the bodies are kept Anime image
Why dont we put the anime picture?? --EzioLover (talk) 14:30, July 13, 2012 (UTC)
- The manga image provides a "clearer" depiction because in the anime the room is dark.--Cerez365™(talk) 15:23, July 13, 2012 (UTC)
Isn't the Six Paths of Pain derived from the paths? Not the other way around. Because if the paths being used without the bodies is the original version of the techniques... Than shouldn't the Sage of Six paths be a user considering we know he can at least use the Deva path(Chibaku Tensai)? OR.... If the Six Paths of Pain is just manipulating the corpses and not applying the abilities to the bodies(Like Obito did) than the paths wouldn't be connected to the techniques...
- Option 1: The Six Paths of Pain and the Human Path, Deva Path, Asura Path,Animal Path, Naraka Path, Preta Path, are all not connected and neither is derived from another(Because Nagato created this technique but the Sage of the Six Paths could still use the individual paths without the Six Paths of Pain). And allowing the paths to use the techniques is an option. Thus the Six Paths are just another unconnected technique, only being another rinnengan thing.
- Option 2: The Six Paths of Pain is derived from the Human Path, Deva Path, Asura Path,Animal Path, Naraka Path, Preta Path combined, making them all it's parent jutsu.
- Option 3: The Sage of Six Paths could use this technique(thought Nagato was said to have invented it) and that is why he could use the Human Path, Deva Path, Asura Path,Animal Path, Naraka Path, Preta Path.
You only get one! Can't go both ways(that's what she said). Now what is goin on here? Skarrj (talk) 10:43, October 18, 2012 (UTC)
Based on what we know, this technique does not seem to be derived from anything but the Outer Path. Nagato channeled other ninjutsu through his six paths (or at least the Deva Path) as well, not just their Rinnegan techniques.--BeyondRed (talk) 19:27, October 18, 2012 (UTC)
Don't confuse "a path of pain" as a power with it being a corpse--Elveonora (talk) 01:35, October 19, 2012 (UTC)
original name
Isn't "Six Paths of Pain" something Nagato came up with due to his alias? Madara refers to this as "Six Paths technique"--Elveonora (talk) 17:56, October 22, 2012 (UTC)
- Actually, Nagato created this technique not renamed it. The Six Paths, however, would be the use of the six techniques. So Six Paths would be the parent for the Deva Technique etc, which the Six Paths of Pain is for the corpses.--Cerez365™(talk) 18:29, October 22, 2012 (UTC)
why are there two manga images even when the anime scene should show it good as well?--—This unsigned comment was made by 184.108.40.206 (talk • contribs) .
- The first one has no good anime image because of the way the scene was depicted and the second would be too dark to see any details in the image, because of the way it was animated.--Cerez365™(talk) 15:06, December 9, 2012 (UTC)
Jutsu or Tool
Isn't it a tool? All of the corpses are just tools that Nagato use to perform his techniques that we call as Six Paths Technique, the original of Rinnegan. Am I wrong? MaskedManMadara (talk) 21:39, January 24, 2013 (UTC)
- Corpses are tools, what he does through/with them are techniques. Pretty much like puppets and puppet techniques, but in this case, instead of the tool article, we have articles on the people who became the corpses he uses. Omnibender - Talk - Contributions 22:04, January 24, 2013 (UTC)


text:
Crown, Ketubah
"19.5x 27.5
A bold geometric design with striking colors forms a crown and base for the text. Stars of David glow warmly to add tradition to the art. (This ketubah has no gold foil.)
Please specify wedding date and prefered text during checkout and whether you want the ketubah to be personalized. Available in the following texts:
Aramaic only
Aramaic with Modern English
Aramaic with Lieberman Clause and English,
Modern Hebrew & English
Gender Neutral,
Humanist Text (English only)
If desired, personalization is an additional $75 paid directly to the artist. Kolbo will put you in touch with the artist after the purchase is complete. Please give a 4-6 weeks for the personalization. Personalization can be done quicker though there might be an additional rush fee added. Feel free to call us toll free at 1-800-238-8743 for more information. "


text:
In the past, I played Guardian and she survived at least two turns! Today I find it common that she's dead in one turn.
I replaced her with Blessed Armor thinking that 30 DEF might help him live for at least two turns.
Then I tried Curse on the World. Surely 100 HP and 10 DEF... one of the best tanks the game has to offer can protect me? ROFL, I wish I could show replays. The best one was where Curse got one-shot KO, then I used the Eternal Refess Traitor to revive him, only so he could be put down for the second time that turn after taking two more hits.
Lesson of the story: In Alteil, the best defense is a devastating offense. The most true maxim is kill or be killed.
As DG has said, the game has become a bash fest of who can field the most one hit killers or even better, one hit multi-killers.
Not long ago, I saw the strongest defensive file I've ever seen: pre-nerfed Mid Refess. Those guys could take a hit from almost anything and say **** you. As expected, they were promptly nerfed in record time.
Rom also stated that Miffy is expected to get a second nerf. Poor Miffy. Where were the QQ threads about 70 HP Mercenary Nation without too much effort generating 1 SP per turn, while giving permanent buffs to ATT & DEF, and being able to attack at the same time (sound familiar)? Maybe the lack of a Verlaat counterpart kept her off the nerf radar.
Before we have ourselves a good old fashioned QQ war, the main point of this post is about how the game has continued evolving into a bash fest where only the most offensively devastating units survive. That's what I'd like to discuss.
The only file I can think of where this doesn't apply is Dio/Mystere control; seemingly the most hated file of Alteil.
If a naive new player asked you "What is the key to success in this game?" what would you say?
I would show the new player that I have 5 files that have 90% or higher win percentage after at least 20 matches and the characteristics they all have in common is that they have units that can kill in one hit and they have removals.
As Angelspawn explains, cards that provide instant solutions to all your problems. As soon as I try to make a file that doesn't go along these lines, the win percentage plummets to 50% or less.
To me, this says a lot about the state of Alteil and it makes me sad.


text:
The Rainbow Kid – World Premiere at TIFF 2015
We're proud to announce that The Rainbow Kid will be premiering at TIFF 2015. Screening schedule is below. Hope to see you there! Public screenings: Saturday, September 12, 7:15PM, Scotiabank Theatre Monday, September 14, 9:30PM, Scotiabank Theatre Saturday, September 19, 10:30AM, Scotiabank Theatre Press & Industry screenings: Sunday, September 13, 2015, 4:30PM, Scotiabank Theatre Thursday, … [Read more…]


text:
May 6, 2016
By: Mike Springer
April 13, 2013
Tallahassee, FL-On the steps of the old Florida Capitol is where one group hopes change can happen.
"It's not okay for you as students to sit by and let this happen." said Blythe Newsome, with the Big Bend Anti-Bully Task Force.
The students, teachers and politicians who rallied in front of the old Capitol Saturday are part of PeaceJam. The international event wants to put an end to bullying
Those who spoke at the rally say bullying made them feel alone and hopeless.
"People don't think short jokes are offensive, but they really did hurt me," said Amanda Gomer.
She was picked on in high school for her height and being Jewish.
"Stay strong. Be who you are because you can't let anyone change that. If you let someone change that, it's not the same. You can't be you," said Gomer.
State Representative Michelle Rehwinkel Vasilinda is joining the fight. She plans to bring up stricter anti-bully legislation next year. The details of it are still being worked out.
"We need to reach out to the bullied and the bully to make sure this stuff is stopped," said Rep. Vasilinda.
One way the group is reaching out is through letters. Each letter outlines ways the group wants to stop bullying and tells how bullying has affected them.
The group will drop the letters off at the Governor's Office next week.
Click Here to access the online Public Inspection File
Viewers with disabilities can get assistance accessing this station's FCC Public Inspection File by contacting the station with the information listed below. Questions or concerns relating to the accessibility of the FCC's online public file system should be directed to the FCC at 888-225-5322, 888-835-5322 (TTY), or email@example.com.