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Hello, and welcome to Adobe San Francisco Offices. My name is Jeff Veen, and I run Product Development for the Creative Cloud. Thanks for tuning in; we've got an awful lot to share with you today, including a bunch of announcements. We've got a big update to Photoshop, updates to Adobe Muse, and a bunch of collaboration tools that we've built into the Creative Cloud. Now, our industry is changing all the time, and our jobs are changing all the time. Photographer, for example, are often working in 3D and video now. Print designers are always moving their content over to the web and learning new skills there. Web designer are having to focus on all kinds of devices, having to build web sites for mobile. So that's why we think using--getting the Creative Cloud is the best solution. We offer all of the tools from the Creative Suite in a Creative Cloud Membership, as well as a bunch of services that tie it all together. We've got cloud-based storage for collaborating and sharing with our team and syncing all of your content to multiple devices. So you can create wherever you're inspired. You also have services and tools that help you publish anywhere. You can publish to the web using HTML5. You can publish out mobile apps. You can even, for the first time, publish to the iPad. Really helps you keep a step ahead. Whenever we develop new software or new services, it'll come to the Creative Cloud first. We did that recently with Edge Tools and Services for professional web designers and developers. You can get those exclusively in the Creative Cloud; likewise, we have a bunch of game developer tools that we launched not too long ago. Also only available on the Creative Cloud. Now, the majority of our customers are coming to Adobe and purchasing the Creative Cloud when they make a choice about buying their software. In fact, over 1 million people are currently using both the free and paid versions of the Creative Cloud, so there's a lot of momentum there, and we're putting a lot of effort behind that. So the first thing I'd like to tell you about today is our Digital Publishing Suite. Now this is a set of technology that allows you to publish using InDesign to the iPad via the Apple App store. It gives you everything you need to create the content, to publish the content, and to optimize that content for that device. Since we've launched this, over 2,000 apps have been submitted to the app store by our customer and are available for download. In fact, they have been downloaded nearly 53 million times. This is the same technology that's used by Vogue, GQ, O, Oprah's Magazine, National Geographic. Big companies use this for things like their annual reports, marketing brochures, catalogs, but even individual designers. Now that this is part of the Creative Cloud, everybody has access to it. So a designer such as Graham Peace, he's a London-based designer that's taken his portfolio and made it come alive on the iPad using the Digital Publishing Suite. You can find his portfolio on the app store. It's a free download; you should definitely check it out. So we're adding an awful lot to the Creative Cloud, not only services, but updating a lot of our software, as well. I'm extremely excited to announce that today, on the Creative Cloud web site, we're launching an update to Photoshop that includes a lot of new features. To help show those new features is Rufus Deuchler, an Adobe Evangelist. Rufus? >> Hey, wow, like you say, there's a lot of new features, but only have time for 3. So let's start right away. The first thing I want to show is how you can apply now the liquify filter and blur--the field blur, the iris blur, and title shift as a smart filter on you images. So first, before you do that, you would go to your image and under Filter, you would convert the image to a smart object, and then under Filter, you can then choose blur, iris blur, and place it on the image where you need it to be, and then hit Return, and this now gets applied inside of the Layers panel as a smart filter, so you can turn it on and off, so it's totally non-destructive to the image. The other thing I wanted to show you is how you can add the same type of filters also on moving images. So this is an imported movie clip inside of Photoshop and what I want to do here is to transform also this video clip to a smart filter object, a smart object, and then again, under Filter, I'm going to take the iris blur again and place this iris blur right here on the model's face and now when I go back to my timeline by hitting Return, I can play that movie, and you can see that this blur was applied to a moving image, as well. So this is quite fascinating that you can do that on moving images, as well, and it is purely non-destructive. The other thing I wanted to show you, as well, is that we now have conditional actions; what does that mean? Actually, let me go back to Photoshop and I'm going to open the Actions window and take the action that I have here. It's an action to actually apply watermarks on the image and as most Photoshop users know that actions don't actually recognize images intelligently. They don't know whether they're vertical or horizontal. So what we can do now--I'm going to double-click on the If here, is I can add a condition, all right? So if the image is a landscape image, do this and that, or else do something else. So let's batch a bunch of images. I have those inside of bridge, let's me open this. You see that we have a selection of horizontal images and vertical images, and what I want to do is to actually apply a watermark on them. So going back to Photoshop, I will go to File, Automate, Batch, and launch that batch on that source folder, and I'm going to say OK, and you see these images are now opening one after the other and the action is actually applied on them. So for example on vertical images, I have the watermark at the bottom. For horizontal, let me find one--horizontal images, I have the watermark at the top, okay? So that is pretty cool that you can now add these actions with "if." Make them conditional. The third thing I wanted to show you is the ability to import CSS into Photoshop and why is that important? Well, how many web designers or designers that create for the web actually use their--they make a screenshot of a web site and then with the eyedropper, they would go inside of the images to pick out the colors, so we've made that much, much easier now, because what I can do from the Swatches panel-- let me open the Swatches panel a little bit more and in the menu, what I can do now is load some swatches and if I go here, I can now select a CSS, and I can load the colors that are inside of a CSS file, a cascading style sheet, all right? So basically, all I have to do is open the web site, grab the CSS file, go to Photoshop, and open that CSS file to have all of the colors that are from that web site inside of Photoshop. So I can work with them right away. This is very, very cool. Let me open another image that I have here. What I've done here is I've used Photoshop to actually design the web page, okay? Which most web designers actually do-- it all starts in Photoshop. So how cool would it be now that I could take some of that content. For example, let me take the promo gems here, for example, and simply by selecting the layer, I can do Control click, and I can copy the CSS directly from Photoshop. It's taking this CSS--it's taking all of the objects. It's taking the rounded corners of that--of that rectangle here, and I paste that into a CSS. You get it all there, okay? So this is really a web designer's dream to be able to take stuff from Photoshop and actually see that in any application used to create the web, and this is pure CSS with all of the colors, the fonts that we use and everything. So very, very useful. And one last thing that I wanted to show you, Jeff, is the fact that Photoshop now supports high DPI, so--high DPI--so for retina displays, this is really great. So Jeff, what I have here are 2 images. I took screen graphs from a non-retina display and from a retina display. Let me just open those here from within bridge. So this is non-retina, okay, and you can see that this image is at 200%, and if I move to the other image, which is a screen graph from a retina display, and the image is still at 200%, what you can see there is that you see much more of the image. So not only do we get very sharp and crisp icons in the application, but we also get more of the image to work with. So let me just show you that one more time. The non-retina display, and the retina display at the same exact magnification. >>Fantastic! Great, so now all the features you showed were exclusive to Creative Cloud members on a version of Photoshop that's on the Creative Cloud web site right now. High DPI version of Photoshop is available to any CS6 customer. >>Absolutely. >>And it's not just Photoshop. We're doing Illustrator, as well, so both Illustrator and Photoshop with high DPI are on the web site now. >>That's right. >>Fantastic. Rufus, thank you so much. This has been great. All right, now we're going to talk to somebody who knows more about Photoshop than I think a lot of people even here at Adobe do. He is the President of The National Association of Photoshop Professionals and the CEO of Kelby Media. Please welcome Scott Kelby. Scott, how are you? Good to see you. Have a seat. So what do you think of the new features? >>Well, I'm a Photoshop guy, so this is a very exciting day! I think it's--I've been using Photoshop for many, many years. I started on Photoshop 2.0, and so I've spent so many years of my life, waiting 18 months between the new--waiting for a new version, 24 months, sometimes, waiting for a new version. It's only been, like, 6 months, and being a part of this now, I've got new features today. Jeff, you know that those engineers get stuff-- you know they don't really wait 18 months and develop everything at the end. They have features that are new all the time, and now, we actually--we get them right away, like conditional actions, right? We've been waiting for those for years. To be able to apply smart filters to things like liquify; this is stuff that we would--so where would be be? We'd be in 2014, God knows! But we have them today. So right, we don't really know, but that's the thing; now we have access to the technology as soon as the engineers have it ready. I think that's amazing. I think for Photoshop users it grows with us; I love it. >>That's right, and how about high DPI in Photoshop? >>Oh, you know the thing about that, and Rufus just showed--it was really cool, but when you really zoom in on that, you're looking at 200% now, I'm surprised every time I look at it, how crisp and clear it is. It really--I do a lot of retouching--retouch images and things, and it makes a huge difference for--retouchers are going to be like this retina display with the high DPI and stuff -- it makes a tremendous difference--it's more than just--it now matches the retina display. This is a new way of working. >>You don't see the pixels anymore. >>Oh, you'd expect it to be very, very pixelated; I'm very surprised at how good it looks. >> Right, right, right. Now you've been using the Creative Cloud for a few months now. What do you think it means to somebody who--say, a photographer, to have access to all the Creative Suite tools? >>Okay, so this is big, because you have to realize we're creative people, right? We're photographers, and our tools are Photoshop, light room, and a camera, right? And that's always been kind of our tool set, right? But now, we have all of this--all of these tools, because--for example, in Photoshop CS6, one of the things that surprised me the most, and when I show it in live seminars, it surprises the crowd the most, is how cool the digital video features are, that you can make a short little 2 or 3-minute video, and it looks really cool, and so if you shoot DSLR video, Photoshop 6 has got all of these great tools, but what happens is what's happening to me. I get really good at it, and then I go, "Man, I'd like to do more video! This is really cool!" And then, of course, the next logical step would be Premiere Pro, which I really wouldn't do before the Creative Cloud. Now I have it--I have the tools right there. I got to the web site, and when you go to the web site and you see all these tools, you see this incredible toolbox, it opens a door to creativity that we never had before, because we're creative. I want to make my business cards. I want to make my brochure. I want to create my web site. I want to be able to take my images and use DPS to create an interactive portfolio on my iPad. I can do all of that stuff myself. This is stuff I used to have somebody else do, and I can do it, so I think that this is incredibly empowering to Photographers. This opens up a whole new world for them. Now, I've got these tools I've only dreamed about using, and I wouldn't have done it before, but now when you go to that web site, and can I stop for 1 second? The web site thing. I've had people come up to me at my seminars and say, "You know, I really--I like the idea of the Cloud. It really makes a lot of sense, but I don't really want to run Photoshop in a web browser." I just want people to know that are watching out there, it's regular Photoshop. It's on your desktop. You just go download it from your web browser. You download it from the Creative Cloud site, but then it runs like any other Photoshop, and I think there's a lot of confusion about that, which had nothing to do with what I'm talking about creativity, but I just had to say that, because there are a lot of people that ask about that. But for photographers, this just opened up an entirely new world for us. We have--all the tools in the candy store are now ours. We can do things we only dreamed of doing before, but that's jut the downloadable programs. There's a lot more to the creative cloud than that. So--but I think that, for photographers, the case gets more compelling every single day. >>I agree. Fantastic. Well, Scott, I appreciate you stopping by. We're going to see a little more from you later. You're going in depth on some gems in Photoshop. Thanks so much, Scott. All right, well we're going to switch gears a little bit here and talk about Adobe Muse. Muse is an application we launched about 6 months ago. It's intended to help designers manage a lot of the complexity of building web sites and we've done a big update to that that we're releasing today, as well. So let's have a look. Rufus! >>Jeff! I have to say that Adobe Muse has come a long way since we've launched it, and the feature I want to show everyone today is a new feature that allows everyone to also use Adobe Muse to create content for tablet device and smart phones using the same exact web site that was created for the web. Before I begin, let me just talk a little bit about what Adobe Muse is. Adobe Muse is an application that lets designers create web sites exactly like they would create a layout with InDesign, for example, by dragging images, by using widgets to add interactive content to them and then also preview them inside of Adobe Muse, publish them, and also manage the web site once it's published. So it's an all-around solution for creating web sites very, very easily. The cool thing is that I never, ever have to look at the code, okay? So this is one of the benefits for designers who don't want to know what's underlying behind their design, okay? Just like a designer who designs with InDesign doesn't want to have to read the post script once it goes into print, okay? So what I have here is a web site that I've created for the desktop, okay? So a big version of the web site, and of course, in the plan mode, what I do is I create all of the pages. Here I have the home page, the catalog page with images in a slide show. I have a brand history, and I also have master pages, and this is really similar to a layout application, because I can create pages that will add continuity to my layout by having them applied to my designs. So we notice that we have 2 new buttons up here. We can create a version for a tablet, and one for a smart phone using that exact same layout, but before I do that, let me also show you how you can create a new web site in Adobe Muse, and you can create the initial layout as a desktop version of it or a tablet version or a phone version, and then re-use the elements as you create the other versions, if needed. So let's cancel out of this and have a look at what I did for the phone version of that same exact web site. Of course, the size is different, and the design is different, and this is why it's very cool that I can take elements from my web version and copy/paste them into my mobile version, because I don't want to re-design everything, right? But I want the pages to be slightly different than the original. I want them to be more compact, because of course, the size of the screen is smaller on a smart phone and slightly bigger on a tablet device, and of course, much bigger on a web site. So on this page, for example, I would like to take the slide show that I've created for the web version to have also that inside of the phone version. Let me go here to the desktop version, open that page, and what I simply do is copy that slide show, which by the way, is a widget that I simply dragged into -- onto the layout and added the images, so I can use that exact same widget by copying it and then opening my mobile version, my smart phone version of that same page, and when it's opened, I can paste that exact same widget that I've used in the other layout, and as I move it around, you will see that the widget also has a--let me just select it a second here. So with my widget selected, what I can do is define exactly what it is I want in my layout. For example, for the mobile version, I don't want the previous and next buttons. I don't want the captions for the images, and I don't want the counter, all right? So I simplify everything, and the other thing maybe that I don't want on my mobile version is all of these images, so I can go inside of the widget, select some of these images, such as so; I'm going to Shift click on others, and simply delete those from the gallery, so I have a much simpler gallery for my mobile version, and then all I need to do, really, is to--let me just grab that gallery here, okay. Move the hero image here to the middle. Actually, let me put it like this, and by taking the hero, I can resize that image. Okay, for the mobile version, take all of my thumbnails, and put them down here, and I'm ready to go for my mobile version of the same exact page. And I would do that by publishing it, so you can publish your Muse web site to various providers. You can use our own Adobe Business Catalyst hosting platform, which allows you also to create web forms that will work with Adobe Muse, or you can choose your own provider, or export that as HTML. So now how this works is that once the page loads, the--it'll load the page depending on the size of the device that is being viewed on, okay? So when you are on a small screen, this is the layout that we're going to see. If you are on a bigger screen, we're going to see another layout. So let's have a look at this web site on my smart phone. So we have the home page exactly like we designed it in Adobe Muse, and if I go here to the catalog, we have the image gallery with all of the images loading, but one thing you will notice is that when I thumb through the images, actually the swiping is being enabled on the phone, because the widget understands that this has to be read on a phone. So I can swipe through the images instead of using the little images I have down here. The other really cool this is that when I want to go to the contact form, for example, what I've done is of course, I have field names here that I can fill in with my information. I'm going to say done to that form. I have created buttons down here with a link to a Google map, maybe an e-mail address, and what this does when I press on this, it will actually launch my mail application on the smart phone, and if I click on the phone button here, this will actually launch the call from my phone directly, okay? So all of these widgets and hyperlinks are now optimized for that mobile experience of the same web site, so very, very easily, I could take my content from my web version of Muse and create a mobile version of it. >>Fantastic. >>It is rather fantastic, yes! >>I appreciate it. Well, let's talk about Muse in the real world. We have with us today Hjalti Karlsson, who is the founder of Karlsson Wilker Design. They're a design agency in New York that has won just about every design award that is possible to win. So Hjalti, come on out! It's great to meet you. Please, have a seat. So, tell me a little bit about the agency, your clients. >>Yes, we started the company 11 years ago, and we have--it's a variety of clients. We don't really specialize in 1 set of projects. We do a lot of web design, print, videos, et cetera, et cetera. >>And I bet a lot of the clients that you work for when you're building for the web are asking for mobile versions of the site, or even mobile first. >>Yeah, it used to be--a few years ago, no one ever mentioned mobile. We just did our desktop web sites, et cetera, et cetera. And now, if someone comes with a web site project, it's a given; you just have to do a phone version of it, as well. So, yeah. >>Yeah, and--so you did a project recently, using Muse, for a foosball competition in New York for designers. Tell me a little bit about that. >>Yeah, so we started this 9 years ago with a fellow designer, a friend Paul Sahre, and it's like this foosball championship for designers in New York City. We called it the World Graphic Design Foosball Championship. >>This is the table soccer? >>Exactly, 2 guys on a team, and 9 years ago, we had 16 teams. Then 2 or 3 months ago, when the competition took place, we had almost 70 teams, so there's a lot of--it just turned into a big event. So it's an annual event. For the web site to promote it, we chose Muse to design it. So we designed the web site using Muse and the mobile. >>Great. So the site itself uses a lot of the features that are in Muse today. >>Yeah, I think we pretty much like tried to use every single thing that was allowed in Muse to use-- we--like the Twitter feed, like on the mobile, the gifts and the videos, pretty much all of it. >>All the widgets, all of that, yeah. And then you did both the desktop version, mobile versions. >>Yeah, both versions, and then--I think the only-- the biggest version from the desktop to the mobile is that the desktop uses the scroll, like a long scroll, but on the mobile, it's more like--the focus is more on the button, so you just push it, so it's fairly easy. >>So it's adapted to each device, basically. >>Yeah, so we found this very easy to do-- >>So tell me about your first impressions using Muse. >>Yeah, I would say the-- our first impression was that it just looked very familiar. It looked like--it looked like InDesign, Illustrator that we are all very familiar with. So I would say--so the learning curve was not that hard. It was pretty easy to get started, using it. I'm not a coder. I'm not a programmer, so it's great to-- you use it, and then you can preview it, so it's great. >>So in using Muse, you were able to focus more on the creativity of the web site without having to worry about getting your hands into text editor and things like that. >>Yeah. >>Did--how does your team feel about that? Do you have some developers on the team? >>Yeah, we have developers on the team, and everybody was just positive using the new software. We were all just curious what you could do with it, and then at one point with the web site, the design of it and the functionality, it was geared towards designers, so everybody that go--most of the people that go on the site, they are designers. So they know how to use it, et cetera, et cetera. >>Right, so you're basically showing off. >>Yes! That's pretty much what we were trying to do. >>Well, great! Well, I appreciate you coming today. Good luck with your projects! Thanks! Now Muse is available as part of every Creative Cloud membership. You can just go to the web site, you can download it, and you can start to use it today to experiment with the sorts of things you want to build on the web. Now, I'd like to show you some of the stuff that we're doing to make it even easier to collaborate using the Creative Cloud. Since we began, we wanted to make it as easy as possible for whole teams to get access to our software, and to be able to do their work in a collaborative way. So starting today, we're making available on the Creative Cloud web site Creative Cloud for Teams. Now this is an incredibly easy way to get our software, to use it together, to share with one another, to collaborate with all of you files. Each individual user on your team gets 100 gigs of cloud-based storage. Now that's 5 times more than the individual Creative Cloud membership. And we have 1 dashboard for managing all your licenses, who uses the software and who doesn't. So, let me show you that now. So when I logged into the Creative Cloud, you can see the files that I have here that I've got in my cloud-based storage. They're all exposed here, and I can start to do things with them. I've also got all of the apps and services that I can download and get access to, start using that, as well. I can manage my account up here on the corner, and as you can see, I've got the amount of storage that I've used. I can sign out, I can manage my account. Now, we've added the ability to manage my team, so let me click on that, and we'll go over to this dashboard. Now this shows me all the users I have on my team. What they're using, how much of their quota, and things like that. You can see these are the various people I've got. They have now complete access to the Creative Cloud, all of the Creative Suite tools, and all of that kind of stuff. If I wanted to, I could very easily have 1 of them stop using it. I could give their seat to somebody else and things like that. What I'm going to do now is add a user to my team. I've got a couple ways I can do that. I could, if I were adding a whole bunch of people, I could just click on this and then paste a bunch of e-mail addresses right in here or even, if I wanted to, click there and upload a text file of hundreds of addresses, if I--of e-mail addresses if I had them. But I'm not going to do that now, so let me cancel that. Instead, I'm just going to add a single seat that pops up right there, and really all I do is add the e-mail address. and then invite the user. Now I have the option, of course, to personalize this a little bit or whatever, so I'll just do that, and I'll send the invitation. Now an e-mail is going over to Steve, my new user, with a link in it that says, "Click here." It'll take him to the Creative Cloud web site, and he'll have access to everything. That's how easy it is now to bring team members on when you're using Creative Cloud for teams. So that's going to him now. He'll be doing that. Let's look at how we actually do the collaboration. So I'm going to go over to the files area where we were before and show you 2 ways of doing this. The first, I can take these individual files that I have, right? Here's a photograph that I have in the Creative Cloud. And I can make this file public so that people can view it without having an account, without logging in, without any of that. That's a great way to take a file, quickly send it over to a client, get feedback from them, things like that. They can leave comments, that sort of thing. To do that, I just go to the Action menu here. I click on Share, and I can see that the file is private right now; that means it's not accessible at all to anybody except myself. What I do then is click right here to make that public. You can see I can allow them to add comments, I can allow them to download the original source file, things like that. I can just type their e-mail address in here or just grab this link, so I click here to copy the link. Now I've got the URL; I can do whatever I want with that URL to send people to this page. So that's 1 way of sharing a file by making it public. The other way--let me just pop back up- is to take a whole folder of files and use it as a kind of work space with my team. That means that the file still will remain private. It's not accessible out on the web, but it is--it does give access to everybody on my team. So this folder, for example, you can see there's a little indication right here that says it's already being shared, that I've got 4 people sharing that file, so let me just go down to this menu, and here you can see Collaborate. Now I click on Collaborate, and it gives me a list of everybody who's got access to the file. These are all people that are on my team. Now, we wanted to add Steve to that, so let me get his address in here. And I'm going to invite him, as well. Now Steve has access to the file. That means that I can just keep putting files in there, taking files out, all of that kind of stuff and everybody will be able to come to the web site and see those. As you can see here, up by my--up by my Account menu, I have 3 notifications, and if I click into that--there we go, if I click into that, we can see that 3 other folders from my team have been shared with me. There's this photo shoot from November, December. There's some study concepts. I'm going to take this one; I'm going to accept it. There it is. Great. And now I can just jump right over to there. Again, we want to make this absolutely as simple as possible, right? So now I'm sort of waiting for some of my team members to add some files to this, but I've got access, and it's ready to go. Awesome. So that's good, right? It's very clean and simple interface, on the web, for being able to manage all of this stuff. It can get kind of complex with who's got access to what. We just want to make that as simple as we possibly can, because we know how important files, permission, and all that kind of stuff is, especially when doing creative work with clients and things like that. But that's access to the files and folders on the web site. It's also equally important that all of your devices have access to those files and folders, as well. And so recently we launched a piece of software called the Adobe Creative Cloud Connection. It's a piece of software that runs on your desktop or laptop machines and takes all of the stuff that's in your cloud-based storage and brings it to the team and keeps it in sync. That means those files that are shared, everybody on your team who has access to them can edit and save their files, and everybody gets all the updates. Very great way to collaborate. So what it means is I get this folder here on my desktop. On that, you can see, here's all the files that I had in my Creative Cloud cloud-based storage, and also if I scroll down, you can see there's that November photo shoot that's popped up now. There's that truck that I--the photograph of the truck I've been using and things like that. Up here in the Menu bar, you'll see that I've got Creative Cloud Connection running. Here, I can turn sync off. It shows me my storage that I've used, things like that. Recent files that have been syncing and things like that. I've got some preferences I can set. All of that keeps me totally in sync, right? So any one of these files, I would also be able to view on the Creative Cloud web site if I wanted to, all of that is there. Great. So, let's go back to the web site now. A very, very simple way for us to collaborate back and forth. It's going to be great for working with your teams. Now one of the things we've been realizing about the Creative Cloud is that we are giving access to all of this software to all of our users. That means a tremendous amount of opportunity for them to explore all of these new things to do, but also a lot to learn. The software has got all sorts of features and we wanted to make it easier to people to really sort of feel at home with all of it. So one of the things we're launching right now is training in the Creative Cloud. So you see here on my Menu bar, I've got this Training link. I'm going to click right into that and show you the new training web site we've put together. This is a site that's made up of some of the video tutorials we've been producing here at Adobe, but also now exclusive content that we have partnered with Adobe Training, Video to Brain, and Attain to bring to you. That means we've got video tutorials like for example, Publishing Magazines on the iPad here that are not available anywhere else. They have over 100 of these tutorials. Many of them totally exclusive. You can't see them anywhere else. We're updating these all of the time, so new content is going to be coming in. So if you want to learn how to publish magazines to the iPad or create animations or even learn all those new Photoshop features we just showed, this would be the place to do it. You can see, right, just scrolling down all of these videos we have and that you can sort of navigate through them this way, scrolling them around left and right. We've organized it now to the specific work flows. Also by individual Adobe products, so you can go look up DPS that I was talking about earlier or Edge Animate things like that. There's Illustrator files. Or you can look at the creative fields, right? So I can say, "Show me videos about graphic design and illustration or web design and development." Then down here to photography, I can click into this one, which is an exclusive video tutorial from Kelby Training, talking about the new Photoshop features we just saw that the generating CSS out of Photoshop. I can simply start playing it. All right. You can do a little more. You can, of course, make this full screen, watch the video; it looks fantastic. Here we've got Using the Creative Cloud and bringing things into Photoshop. If I come back, one of the really nice things about this is that we have made the web site responsive, so if you're on smaller screens, like a tablet or even on a phone like this, I can watch these videos anywhere that I am, right? I might have a couple of minutes, log into the Creative Cloud, pop one of these videos on, learn something new while I'm waiting for the bus. Fantastic, so this content, coming from his partners, is just fantastic. It's also internationalized, so we have content from the partners in all different languages and the thing to remember is that all of this comes at no additional cost whatsoever to your Creative Cloud membership. We just keep adding more and more. Great! So I think you'll agree that we have added a tremendous amount to the Creative Cloud. Many of our apps are updated, and there's all kinds of new features that you can just start using today. It really is the best way to buy the Creative Cloud. Now, if you go to the web site, you can get the Creative Cloud for individually $49 per month. If you want the team edition now, you can get that for $69 per team member per month. But like we did when we launched, we still have our special offer in place. For those customers who have purchased CS3 or above previously, you get Creative Cloud individually for $29 per month for your first year, and we're doing the same thing for teams, so that for each team member, it's only $49 per seat per month for your first year, so it's a great deal. So you should go grab this right away. Now Creative Cloud for teams, I think, makes it a lot easier for people to join the Creative Cloud, to work together, and it scales up. If you're a private enterprise, you want Creative Cloud for your entire company, you can get more details about that, as well on Adobe.com or just contact your local Adobe rep. Creative Cloud really does enable an entirely new level of creativity. We believe that it's the future of how people will work together, how people will use our software, and that's why we're focused on delivering so much innovation to the Creative Cloud. So please stay tuned. We have a lot more today. We've got in depth from Scott Kelby and from some of our Adobe Evangelists, showing even more of the new features, hidden gems, and things like that. We have the Twitter chat that's continuing on right here on the Create Now app, so you have use the Create Now hashtag to ask questions, there's going to be some prizes and things like that. So thanks again for watching. Really appreciate it. We can't wait to see what you're going to build with all of these tools. Thank you.
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About This Episode
Watch Jeff Veen, Adobe VP of Products, to learn how Adobe continues to add value to Creative Cloud with new features in Adobe Photoshop, mobile support in Adobe Muse, Creative Cloud for teams, and a training library exclusively for members. Jeff is joined by Scott Kelby, CEO of Kelby Media Group and President of the National Association of Photoshop Professionals, Hijalti Karlsson, co-founder of New York-based design studio karlssonwilker, and Adobe product evangelists.
Runtime : 00:38:44 Added : 12/11/2012
About this show
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Create wherever and whenever inspiration strikes. And let inspiration strike often. This is the new creativity. It's powered by the new desktop apps in Creative Cloud. And you.
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DRI DUCK Men's Baseline All Season Soft Shell Jacket 5309$64.99
You can't judge a jacket by its name. This Baseline Soft-shell jacket was made to help push your limits with its wind and water resistant capabilities, stretch for added comfort and an active fit. Imported.
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Carhartt D89 Brief 1104130$64.99
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5.11 Tactical Men's Sub-Z Quarter-Zip Shirt 40149From: $64.99
A warm and flexible base or mid layer, the Sub-Z Quarter-Zip is crafted from a high performance blend of 90% polyester and 10% spandex for a compressed fit that eliminates bunching and rolling. An anti-microbial, moisture wicking finish keeps you warm and dry in any climate, and the front zipper extends to mid sternum, allowing you to easily adjust your core temperature. Similar to the 5.11 Sub-Z Crew, the Quarter-Zip features a textured interior that maximizes body heat retention. Ergonomically placed flat-locked seams are designed to increase comfort and reduce chafing when carrying equipment, and the extended length ensures that your new Sub-Z Quarter-Zip will remain securely tucked in at all times.
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DRI DUCK Men's Cheyenne Canvas Hooded Jacket 5020From: $64.99
Our signature work jacket is built for tough-as-nails guys who work hard and play harder. We engineered this best-seller based on your on-the-job needs. The Cheyenne features rugged work wear styling and relaxed comfort for mobility, no matter what the task. Imported.
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Carhartt Men's Rutland Thermal-Lined Hooded Zip-Front Sweatshirt 100632From: $64.99
The Carhartt Men's Rutland Thermal-Lined Hooded Zip-Front Sweatshirt is designed with Rain Defender Technology. Rain Defender durable water-repellent makes garments rain, mist and snow resistant. Moisture beads up and rolls off to keep you drier and on the job longer.
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Carhartt Legacy Womens East West Tote 1310210$64.99
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subset: commoncrawl


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Alexa Wagner
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Unplottability refers to the deliberate concealment of several areas around the world. Unplottable locations are either magically hidden from plain sight or simply removed on maps. Common reasons for unplottability are for individual safety and the protection of certain secrets, particularly within the schools of wizardry.
Known unplottable locations
- Beauxbatons Academy of Magic, the Durmstrang Institute, and Hogwarts School of Witchcraft and Wizardry have all been rendered unplottable with powerful magic to protect their students and secrets from Muggles and Dark forces. How this would help Hogwarts defend themselves from other schools is unclear - as it is known to be near Hogsmeade, which is in fact Plottable.
- 12 Grimmauld Place was made Unplottable to hide the House of Black and, later, the Order of the Phoenix.
- The Room of Requirement is regarded as Unplottable due to its absence on the Marauder's Map.
- The Isle of Drear is Unplottable because of its native and highly dangerous Quintapeds.
- Azkaban is located on an Unplottable island in the middle of the North Sea to isolate it from the rest of the world.
- Several forests in Burkina Faso, Africa have been made unplottable by the Burkina Faso Ministry of Magic to preserve inhabiting Runespoors.
- Queerditch Marsh is Unplottable to preserve its historic significance.
Behind the scenes
- J. K. Rowling stated that wizards could make themselves untraceable in a manner similar to making buildings Unplottable, so that they could not be found by someone simply sending them an owl.[1]
- Harry Potter and the Goblet of Fire (Mentioned only)
- Harry Potter and the Order of the Phoenix
- Harry Potter and the Order of the Phoenix (film)
- Harry Potter and the Deathly Hallows
- Harry Potter and the Deathly Hallows: Part 1
- The Tales of Beedle the Bard


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Besides traffic jams and power outages, one of biggest woes that Dar es Salaam residents have had to endure for years now is the never-ending shortage of water.
People have had to spare increasingly bigger budgets to buy enough of the life-sustaining liquid.
We have pointed out before and do so again that part of Dar es Salaam's water woes are to be found in the inefficient way it handles the scarce precious liquid.
Only two million of the nearly five million city residents get a modicum of fresh piped water, despite the huge infrastructure set up to ensure the supply. The cause is the run-down infrastructure which loses a significant amount of that liquid due to leakages along the way.
As a result many of Dar's residents have turned to vendors, whose source of the precious liquid is not always safe, and buy a 20-litre bucket at between 300/- and 500/-. Some secure water from unsafe sources in their neighbourhoods.
It is thus of some comfort to learn that water supplies from Lower Ruvu plant are set to increase to 75 per cent from the current 55 per cent, hopefully meaning that more of it will flow to consumers instead of being lost on the way.
The assurance was given by the Deputy Minister for Water Gerson Lwenge who said that the expansion of Lower Ruvu has started and would include construction of the main water pipe from Bagamoyo to Dar es Salaam and start distributing water to areas yet to benefit from the project.
But as efforts continue to meet Dar es Salaam's growing demand for water, it is also necessary to start discussing whether enough is being done to conserve the dwindling supplies.
Hinting at this year's Maji Week theme of "Water and Food Security", the deputy minister said experts from within and outside the country will exchange experiences on the development and management of water and sanitation, including educating people on how to harvest water from the rain in order to combat shortages.
Sadly not many Tanzanians have given due priority to the issue of water conservation.
But experts have predicted that the biggest crisis that is looming for humanity is not about the nuclear proliferation or even the economic meltdown, but the fight for what is quickly becoming its scarcest resource; water.
Reports say that water demand already exceeds supply in many parts of the world and as the world population continues to rise, so too does water demand.
The reports also acknowledge that awareness of the global importance of preserving water for ecosystem services has only recently emerged as, during the 20th century, more than half the world's wetlands have been lost along with their valuable environmental services.
This situation should engage every community in the world in a more concerted action to reverse the actions that threaten the supply of the life sustaining liquid.
We thus urge Dar residents and Tanzanians in general to discuss actionable plans to not only conserve, but repair the damaged sources of water in the country.
This includes nurturing damaged water sources, massive afforestation effort and other water conservation measures.


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Wednesday, March 13, 2013
LANGLEY, S.C. (WRDW) -- A man claims he was assaulted by two people while he was working on Tuesday morning.
The victim was working at the government free cellphone tent in the parking lot of Reid's Grocery on Jefferson Davis Highway when he claims he was assaulted around 10 a.m.
He says he was waiting on two customers when Marisol Santiago grabbed one of the customer's IDs from him. When the witness took it back, he says Christopher Corley pushed him down and started punching him. While he was on the ground, he claims Santiago started kicking him.
According to the incident report, both witnesses corroborated the victim's story.
The reporting deputy says the victim had an abrasion on his nose and scrapes on his legs.
Both Corley and Santiago were arrested on assault and battery charges and taken to the Aiken County Detention Center.
Have information or an opinion about this story? Click here to contact the newsroom.
Copyright WRDW-TV News 12. All rights reserved. This material may not be republished without express written permission.


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As you can see we like maps, post something!! Enjoy the site.
So i joined a few days ago with the intent of exploring this vast website and finding some cool maps. I have not been dissapointed!
Seems like a wonderful active community and I look forward to posting a map or two my own for others to review. I am currently working on writing a novel and a good portion of my maps are centered around that, but I also enjoy making the occansional river town or valley on completely seperate maps.
I don't enjoy maps that are just words - my favorite maps are those with little illustrations and buildings on them. Makes it a lot more interesting to view.
Anyway, perhaps I will see a few of you around here!
As you can see we like maps, post something!! Enjoy the site.
Welcome to the Guild Foremost! This is a wonderful community alright. There are tons of really helpful people here. Please feel free to contribute your own work (if you haven't already).


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if a guy wanted to keep the reciver standard length a $4 10n round mag body (not sure there avaliable still that cheap) cut down and welded to a M1 or simular mag would be really easy to do. this set up gould be done for $18 I also sliped in a single stack 9mm
m39 S&W mag and that would be really easy Im sure there are other mags that will fit into a AK shell.
BTW I was wrong a M1 is not single stack opps its been 5 yers since i even held my M1


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A hunter's shotgun stance is similar to that of a boxer - in a standing position with feet apart at shoulder width. For right-eye dominant shooters, the left leg will be slightly forward and the left foot pointed toward the anticipated target. For left-eye dominant shooters, the right leg will be slightly forward and the right foot will be turned slightly. The hunter bends forward at the waist. The forward leg of the hunter is bent slightly, not locked.
The hunter raises the shotgun to the cheek under the dominant eye first and then back to the shoulder. The positioning of the shotgun on the cheek is critical. If the shotgun is not placed correctly against the cheek, the shot will either be high or low.
A general rule to follow is that the stock be held comfortably - not too tight or too loose - against the cheek, just under the cheekbone. The hunter's head has to be held straight, not canted to the left or right.
Have someone check the fit before you purchase a shotgun. Some shotguns have shims or adjustable stocks to help with this alignment.


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Explore the Ten Mile Range as it was explored a hundred years ago. Operating since 1976, Breckenridge Stables is dedicated to offering safe horseback riding for the entire family. With over 100 horses to choose from, we're sure to have one for your ability.
We are the only horse-drawn carriage service in historic downtown Breckenridge. So relax. Slow down. There's nothing that will take you away from the hustle and bustle of life better than a relaxing, horse-drawn carriage ride. The romantic clip-clop of horseshoes will transport you to a Breckenridge past, rich with history and adventure.
©2014 Breckenridge Stables, LLC • P.O. Box 6686, Breckenridge, CO 80424 • (970) 453-4438


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Recent Solvang Reviews
Christmas in Santa Ynez Valley
Our Group consisted of four adults and one teenager. The sleeping arrangements were perfect for us with our daughter using the twin that was in our room that also had a queen. My parents had their own room and bath at the other end of the house. The bathrooms were large with a nice offering of sample size shampoos and lotions. Dinning room had a large table to accommodate large gatherings. Kitchen was extremely well stocked, the only thing we couldn't find were steak knifes. We did buy a few miss matched ones at a thrift store and left them. The house was nicely decorated for Christmas including a tree and lights. My only complaint about the décor was the furniture in the living room looked attractive but was not very comfortable. The back yard is large, private and full of unique and eclectic playful décor items hidden in the trees and bushes. One of my favorite memories is sitting in the backyard at night with the fire pit going and a big beautiful chandelier lit hanging from a old tree. We made friends with a black kitten who loved being around the fire pit. Plenty of red oak wood was available for the fire pit and live fire grill to cook on. The house is located in a very quiet area with a supermarket about 10 minutes driving distance. A miniature horse ranch just minutes away and a miniature donkey farm walking distance. A bottle of local Clairmont Farms lavender lotion in the bathroom prompted a short trip to the local farm to purchase my own along with pure oils. Chumash Casino is about 15 minutes away offering free play money to Los Angeles visitors who sign up for their playing club, I was given $100.00 in free slot play money (still Lost:( ) Owner Henry was quick to respond to any questions I had. We would definitely recommend this house for a family or two couples looking for a nice getaway. We arrived the Day after Christmas


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Mobile Phlebotomist - Punjabi Speaking Health Professionals
Hooper Holmes Portamedic - Burnaby, BC
This job posting is no longer available on Indeed. Find similar jobs:Mobile Phlebotomist jobs - Hooper Holmes Portamedic jobs
About this company
Phlebotomy skills are essential as most of our cases require a blood draw. Hooper Holmes owns Portamedic a paramedical examination...


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Matt Manatee submissions for April 5
Published: Friday, April 5, 2013 at 6:30 a.m.
Last Modified: Thursday, April 4, 2013 at 2:46 p.m.
Matt's Letter
Hi friends,
Welcome back! I hope everyone had a nice Spring Break. I sure did.
Thank you for all your letters about spring. I love this time of year.
Last weekend was Easter. How did you celebrate the holiday? What is your favorite thing about Easter? Did you go on an Easter egg hunt? Did you go to church with your family?
Keep send in your pictures and jokes and I'll keep printing them.
Your friend,
Student jokes
Q: How do you cut the sea in half?
A: With a sea-saw
Ashley Barbeau, third grade
Wyomina Park Elementary
Q: What did the bird say to the worm?
A: I'll catch you later.
Matthew Mills, fourth grade
East Marion Elementary
Q: What did one flower say to another?
A: Do you seed me?
Lucus Crouch, second grade
Madison Street Academy
Student letters
Big plans to plant
Dear Matt,
In spring, I am planting watermelons and flowers all over the garden. I even plant corn. I like corn. Someday I'll plant flowers. They are white. I will plant them in my backyard.
Matthew Gray, first grade
Evergreen Elementary
Spring celebration
Dear Matt,
Hooray! Spring is coming. I'm so happy! My Memaw and I have to trim our bushes. It is very, very fun. I love spring so much.
Your friend,
Damian Pittman, first grade
Romeo Elementary
Time for daisies
Dear Matt,
My mom and I plant flowers. This year we did daisies. We only have sprouts so far but they'll get bigger. That is what I do for spring.
Your friend,
Meghan Butscher, second grade
Shady Hill Elementary
Spring feast
Dear Matt,
I plant with my class. My class plants tomatoes, peppers and flowers. The flowers are different colors. I like to plant vegetables and flowers. Vegetables are good to eat. Vegetables are good with some foods. Vegetables are healthy for everyone.
Kailee Lett, second grade
Dunnellon Elementary
Helping nature
Dear Matt,
We rake all the leaves and mow the lawn. We always plant flowers to help nature. We have fun all spring.
Nick Neumann, third grade
Maplewood Elementary
So much to do
Dear Matt,
I like spring! In the spring I go outside and pick sunflowers that grow behind my house. I also like it because I get away from school. It is fun when I play outside with my brother Patrick and my sister Sarah. I love spring.
Your friend,
Sophia Robinson, second grade
Dunnellon Elementary
Spring salad
Dear Matt,
My family and I prepare by buying seeds for vegetables. When we come home we plant the cucumbers, carrots and corn. We are planting a lemon tree. The one plant I like the best is the tomatoes because we get to make a salad with the tomatoes.
Ramona Alvarado, third grade
Saddlewood Elementary
Sunflower season
Dear Matt,
I like spring. I like to plant flowers. My favorite flower is the sunflower.
Your friend,
Joey Companion, second grade
Cornerstone School
Spring cleaning
Dear Matt,
I clean up my yard when spring comes. My whole family goes out and cleans up.
Jonathan Ditty, second grade
Ocala Springs Elementary
Reader comments posted to this article may be published in our print edition. All rights reserved. This copyrighted material may not be re-published without permission. Links are encouraged.


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Many teachers who work in adult education specialize in helping adult students acquire skills or certifications that they might have missed out on earlier in life, such as a high school diploma. Others teach an important new skill, like a second language, or instruct adult students in an interesting subject simply for the sake of self-enrichment. An adult education associate's degree can prepare you for entry-level positions in this field and serve as a stepping stone to further education.
Click on the "request info" button next to the accredited school of your choice to receive more information on specific associate's degrees in adult education.
Alverno CollegeUndergraduate
Milwaukee, WI
Auburn UniversityUndergraduate
Auburn, AL
Bellevue UniversityUndergraduate
Bellevue, NE
California State University--Los AngelesUndergraduate
Los Angeles, CA
CUNY--Lehman CollegeUndergraduate
Bronx, NY
East Carolina UniversityUndergraduate
Greenville, NC
Eastern Oregon UniversityUndergraduate
La Grande, OR
Eastern Washington UniversityUndergraduate
Cheney, WA
Granite State CollegeUndergraduate
Concord, NH
Lewis-Clark State CollegeUndergraduate
Lewiston, ID
Louisiana State University--Baton RougeUndergraduate
Baton Rouge, LA
Marshall UniversityUndergraduate
Huntington, WV
Mount Mary UniversityUndergraduate
Milwaukee, WI
Murray State UniversityUndergraduate
Murray, KY
Pennsylvania State University--University ParkUndergraduate
University Park, PA
SUNY--New PaltzUndergraduate
New Paltz, NY
University of IowaUndergraduate
Iowa City, IA
University of Nebraska--LincolnUndergraduate
Lincoln, NE
University of Nevada--Las VegasUndergraduate
Las Vegas, NV
University of Texas--San AntonioUndergraduate
San Antonio, TX
Western Washington UniversityUndergraduate
Bellingham, WA
The U.S. Bureau of Labor Statistics estimates that the number of adult literacy and remedial education jobs will grow by 9% through 2022. The expansion of this field means that jobs should be plentiful for the foreseeable future if you earn the right certifications and develop the correct skills.
Adult educators teach basic skills such as reading, writing and speaking English to adults who failed to get that education in their youth or for whom English is a second language. They work with students to determine their areas of strength and weakness, and then help them improve study skills and work toward accomplishing academic goals.
Skills for adult educators can include good communication and instructional skills, as well as the ability to understand and appreciate cultural differences. As with most teaching positions, another very important skill is patience.
You have been selected to participate in an exclusive preview of the all-new U.S. News University Directory.
Our new look introduces enhanced features, improved navigation and a streamlined mobile experience.


text:
CrickyFollow Cricky
Female living in Peabody, MA USA
If I could pursue my art full time I would. In the meanwhile I love to find all different ways to express myself. My dream trip is to go to Greece. I am hoping to do that this year. I have waited too long for other people to get their plans together and now figure I just have to go and do it myself.
Level 3 Traveler
3 tours
3 countries
Following 0 people
Followed by 0 people


text:
May 5, 2016
Applications are in and the process to find a replacement for a police chief in Winterville has begun.
Winterville Police Chief Billy Wilkes gave notice to the town he would retire May1st.
Wilkes has been the chief for 13-years but has 30-years of law enforcement under his belt. He didn't want to comment Monday about his departure, saying he wants to give a public goodbye on April 8th, during the regularly scheduled town meeting.
The town manager, Terri Parker, says the job application process ended on Friday and they've started sorting through dozens of potential new candidates.
Parker says Chief Wilkes has done an outstanding job getting the force prepared for the time he leaves.
Parker says Chief Wilkes will have 3 weeks of vacation in April which takes him into his May 1st last day. She says they do not plan to name anyone as interim chief because she hopes to have someone hired by May 1st.
Click Here to access the online Public Inspection File
Viewers with disabilities can get assistance accessing this station's FCC Public Inspection File by contacting the station with the information listed below. Questions or concerns relating to the accessibility of the FCC's online public file system should be directed to the FCC at 888-225-5322, 888-835-5322 (TTY), or email@example.com.


text:
Gifts for Mom
Gifts for Dad
Gifts for Teachers & Coaches
Gifts for Friends
Gifts for Girls
Gifts for Boys
Gifts for Baby Girls
Gifts for Baby Boys
Gold Monogram Necklace - Block
This Gold Monogram Necklace features your choice of monogram in a block font that is sure to make a statement. Each monogram pendant is hand cut and hung from your choice of chain length.Please note, these monogram necklaces will be created with the initials in the following order: First Name Initial, Last Name Initial, Middle Name Initial. This gold jewelry is made of gold vermeil which is sterling silver dipped in 14K gold.
Any friend, family member, or co-worker would be thrilled to receive one of these stunning monogram necklaces as a gift! Perfect for birthdays or holiday gifting, these personalized necklaces come in a variety of colors and metals. Whether you prefer classic gold jewelry, modern silver, or romantic rose gold, we have just the right cut out monogram necklace to suit your style perfectly. The acrylic necklaces are right on trend and a perfect gift for those chic teens in your life!This item is custom made especially for you upon order
Category: Gifts, Gifts for Mom
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First Name (Left) Initial:Please ChooseABCDEFGHIJKLMNOPQRSTUVWXYZ
Middle Name (Right) Initial:Please ChooseABCDEFGHIJKLMNOPQRSTUVWXYZ
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Pelican 1560 Lid Organizer, #1569
Introducing the Pelican 1569 Photo Lid Organizer. The Pelican 1569 Lid Organizer holds paper, pens, calculators, photo, manuals and files. It has pockets with nylon zippers and installs with hook and loop strips (included).
Pelican 1569 Lid Organizer is designed specifically for the Pelican 1560 series cases. It installs easily with the included six mounting screws. It is made of Ballistic Nylon with nylon zippers and features a multitude of pockets in various sizes to protect and keep your gear organized.
Fits Pelican Cases:
1560 Case
1560NF Case (No foam)
1564 Case with Padded Dividers
This product has a limited lifetime warranty.
(800) 473-5422


text:
Please install Flash Player to enjoy this site.
You need to have Flash installed on your browser.
TomTom Traffic Route Times is a turnkey solution providing highly accurate real time travel and delay times for a specific route either on a temporary basis or for permanent solutions.
It takes into account current delays on any route ,satisfying the needs of a wide range of users including road authorities, event managers, corporate office managers and information kiosk operators.
TomTom Traffic Route Times power VMS signs displaying times for popular routes
TomTom Traffic: the best traffic information
* Data feed for some countries are currently only available in OpenLR location referencing format. Please ask if interested in TMC availability.
Please click here to access our Traffic Stat Portal. Fill the form in the contact us section to request a free-of-charge evaluation account of Traffic Stat Portal.
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The Maine Board of Environmental Protection has unanimously endorsed phasing-out the chemical bisphenol-A from infant formula packaging and baby food containers. This goes a step further than what staff at the Maine Department of Environmental Protection had recommended to the citizen board. But as Susan Sharon reports, it also stops short of what a coalition of environmental and public health advocates and mothers had asked for in a petition last year.
See Editor's Note Below.
For Emily Figdor, the mother of two young children and the executive director of Environment Maine, the board's action is validation that bisphenol-A - or BPA - is harmful, that it's present in food packaging and that there are safer alternatives in the marketplace. She sees it as a triumph of science over politics.
Two years ago Gov. LePage made headlines when he downplayed the danger of the hormone disrupting chemical BPA, saying in the worst-case scenario it could give some women "little beards."
"I'm really thrilled that the Board of Environmental Protection ignored political pressure from the LePage administration and did the right thing for our kids by banning toxic BPA in baby food jars, and I really applaud the board for the strong action they took today," Figdor says.
Two weeks ago DEP staff recommended that BPA be phased out of infant formula packaging but not baby and toddler food containers. In their memo to the board, staff said the jury is still out on whether baby food containers that contain BPA cause children to be exposed to dangerous levels of the chemical.
BPA has been linked to cancer, obesity and diabetes. Health experts are worried about some studies that show it does pose a threat to brain development and can cause behavior problems in children when it leaches out of the inner linings of canned foods.
Still, board members are not recommending that BPA be phased out from toddler food packaging, something nearly 900 Mainers asked for in a petition to the board last year.
Steve Taylor is with the Environmental Health Strategy Center. "I think the concern with the toddler food category came about because of this artificial exemption or loophole in the law that only allows the state to address BPA or other chemicals in food packaging if the food is specifically intended for children under three," he says.
In other words, marketing of food products to children is ambiguous - it's difficult to know whether something is intended for kids under, or above, the age of three. But Abbie King of the Natural Resources Council of Maine says when it comes to BPA, that shouldn't make a difference. That's why she and other activists say they will introduce legislation this session to tighten regulations for consumer products, under the Kid Safe Products Act.
"So what we're going to be supporting this year are changes to fix that loophole that force the board and the regulatory agency to make an arbitrary distinction between food for adults and food for kids when, really we need to be protecting everyone from BPA."
BPA is already banned from baby bottles and sippy cups. Before this latest phase-out can take place, the Maine BEP must take a formal vote and the Legislature must approve it. Activists say they expect opposition from the American Chemistry Council and from the Maine Chamber of Commerce.
But Emily Figdor of Environment Maine says she's optimistic that the board's action will be supported by lawmakers. Calls to the American Chemistry Council and the Maine Chamber seeking comment for this story were not returned by airtime.
Editor's Note: After this story went to air, the American Chemistry Council's Polycarbonate/BPA Global Group released the following statement:
"The consensus of government agencies across the world, including the experts at FDA, is that based on the science, BPA is safe for use in food-contact materials. As recently as September, Health Canada reviewed the science on BPA and stated that based on the overall weight of evidence: 'that current dietary exposure to BPA through food packaging uses is not expected to pose a health risk to the general population, including newborns and young children.'
"It is important to allow the federal government's regulatory authorities to make science-based decisions and not to create patchwork state restrictions when it comes to consumer products. BPA is one of the most thoroughly tested chemicals used today and has a safety track record of 50 years."


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Encompass Lighting Group warrants all products manufactured by Encompass Lighting Group, to be free from defects in material and workmanship under normal use for a period of one year after the date of original purchase. Upon confirmation of a defect or failure, at our discretion we will repair or replace the item or will refund your purchase price if repair or replacement is not possible or practical. Our warranty covers only the product itself; we will assume no liability for labor costs, installation costs, or other losses. Your warranty rights will be honored only when the product has been installed and used properly. Encompass Lighting Group will not repair or replace products damaged by improper use or faulty installation.
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Two survivors from Karen state, where the Burmese military has been laying villages to waste, tell their stories…
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New Internationalist reports on issues of world poverty and inequality. We focus attention on the unjust relationship between the powerful and the powerless worldwide in the fight for global justice. More about our work
© Copyright New Internationalist 1973-2016. Except where otherwise noted, content on this site is licensed under Creative Commons.Except where otherwise noted, images on this site are © the attributed photographer/illustrator or representative agency. Top of page


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Had such a busy day yesterday! Worked on a photo shoot with the lovely Natalie from Natalieoffduty ,
she was the model, I did the styling (along with Melissa) and of course my girl Jadene did hair & make-up!
It was probably one of the best photo shoots I've done in a while because it was just sooooooooo much fun!!
we were planning over lunch a East Meets West party (not sure what
that means yet, but just went with it) and a clothing swap party! oooh fun times!


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Capriccio Stravagante Vol 2 / Purcell Quartet, Wooley, et al
1 CD / Chandos Records / 2001-11-20Works: Alessandro Stradella: Sinfonia 17; Giovanni Battista Vitali: Passagallo Primo, for 2 violins, viol (or spinet), Op. 7; Passagallo secondo, for 2 violins, bass violin & organ, Op. 7; Capriccio sopra d...
Performers: Lindberg, Jakob; Rogers, Jane; Woolley, Robert
Ensemble: His Majestys Sagbutts and Cornetts
"More extraordinarily dramatic secular music from 16th-century Italy. Energy and exuberance bring its skeletal notation vividly to life in captivating colours - solo keyboards, conventional...continue...
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Mrs. Dawson
this wiki
- "Oh my God! Somebody help me!"
- ―Mrs. Dawson attacked by Tommy
Mrs. Dawson is a character in the Grand Theft Auto series who appears as a minor character in Grand Theft Auto: Vice City. Her voice actor is uncredited.
By the 1980's, Mrs. Dawson was married and became a regular customer of The Jewler's jewelry store in Vice Point, Vice City. It is implied that that the Dawson couple had a stress relationship, leading for Mrs. Dawson's assassination in 1986.
Events of Grand Theft Auto: Vice City
- "Mrs. Dawson will be leaving the Jewelry shop in Vice Point soon. Kill her. It must look like a car accident. You must make Mrs. Dawson's death look like an accident. Do not use any weapons."
- ―In-game instruction.
Tommy Vercetti is ordered by Mr. Black, who think Tommy is his associate Leo Teal, to assassinate Mrs. Dawson. During the mission, Tommy is ordered to make Dawson's death look like an accident, with no weapons. Tommy crashes Dawson's vehicle by ramming his own to it, which causes the woman's car to explode, killing Mrs. Dawson.
Mrs. Dawson was killed under the orders of one of Mr. Black's clients, Dawson's husband.
- Being a minor character, Mrs. Dawson does not have her own character model and uses a pedestrian model.
- You can also "kill her" pushing her car from the water, and if the player does this, the mission is given as complete but the death toll in the game stats menu (where you can see the total number of people killed by the player ) does not rise.
Mission appearance
- GTA Vice City
- Waste the Wife (Killed)


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According to the New York Times, the single-lensed eyepiece has returned as a trendy accessory for 21st-century gentlemen and hipsters alike.
It's been spotted in editorial spreads, ad campaigns, and on the streets from Berlin to Brooklyn. What's the reignited fascination with a fashion piece that was favored by 19th-century military men – and, well, a peanut – all about? I'm left scratching my head. Gentlemen, if you don't want to look like you're dressed for an extra role in a period-piece film, put the monocle down.
Read the full article on the New York Times.
By Christine Mitchell, Staff Writer
Is the monocle a bizarre trend or the perfect aid for ailing eyesight? Tweet us at @ruelala to share.
Not a Member and like The (Style) Guide? You'll love Rue La La. Join now.


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Works for Winds - Janacek, et al / Ensemble Wien-Berlin
1 CD / Camerata / 2007-05-01Works: Leos Janácek: Youth; Pavel Haas: Quintet for Winds, Op. 10; György Ligeti: Bagatelles (6) for Wind Quintet; Pieces (10) for Wind Quintet; György Kurtág: Quintet for Winds, Op. 2
Performers: Dohr, Stefan; Schellenberger, HansJorg; Schulz, Wolfgang; Stump, Petra; Taubl, Norbert; Turkovic, Milan
Ensemble: Ensemble Wien-Berlin
Despite his renown, Gyorgy Ligeti's Six Bagatelles was the kind of piece that was basically used by wind players to show that they could tackle...continue...
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Carleton Course Collection
These course descriptions were developed by Carleton faculty. This collection is a subset of a larger group of course descriptions available through the SERC course collection.
Show all pages
Subjectshowing only Mathematics Show all Subject
Locationshowing only QuIRK Show all Location
Subject Show all Subject
- Statistics 2 matches
Location Show all Location
- Courses 2 matches
Results 1 - 2 of 2 matches
Measured Thinking: Reasoning with Numbers about World Events, Health, Science, and Social Issues part of QuIRK:Courses
The National Council on Education and the Disciplines (2001) warns that "The world of the twenty-first century is a world awash in numbers.... Unfortunately, despite years of study and life experience in an ...
Statistical Tools for Quantitative Reasoning part of QuIRK:Courses
This course introduces students to advanced statistical models for detecting and quantifying social relationships and to strategies for arguing that discovered statistical relationships reflect broader social ...


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May 2, 2016
More than 17,000 North Carolina property owners with federal flood insurance face sharp premium increases as the government works to get the flood program back in the black.
And it's causing worry in the small beach town of Topsail Beach between Wilmington and Jacksonville.
In a town with a year-round population of 368, an AP analysis shows 289 property owners face rate increases that could amount to thousands.
Mayor Howard Braxton says there will be hurt for people who have rented their modest beach bungalows to vacationers for years.
The mayor says the increases will be more than some mortgages and people who wanted to retire on the island will be forced either to sell or to continue renting their property.
(Copyright 2014 The Associated Press. All rights reserved.)
Click Here to access the online Public Inspection File
Viewers with disabilities can get assistance accessing this station's FCC Public Inspection File by contacting the station with the information listed below. Questions or concerns relating to the accessibility of the FCC's online public file system should be directed to the FCC at 888-225-5322, 888-835-5322 (TTY), or firstname.lastname@example.com.


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Book your room at Holiday Inn Ponce & Tropical Casino
Get an overview of this hotel3-star hotel with casino and restaurant
Situated in Ponce, this hotel is within 6 mi (10 km) of Vicens Coliseum, Parque de Bombas, and Montaner Stadium. Plaza of Delights and Casa Armstrong-Poventud are also within 6 mi (10 km).
Hotel Features
This hotel features a casino, a restaurant, and an outdoor pool. Free WiFi in public areas and free self parking are also provided. Other amenities include a fitness center, a bar/lounge, and a business center.
Room Amenities
All 116 rooms offer free WiFi, balconies, and satellite TV. Room service, coffee makers, and free newspapers are among the other amenities available to guests.Information missing or incorrect? Tell us! Opens in a new window
Holiday Inn Ponce & Tropical Casino3315 Ponce By Pass Ponce 00728
Hotel Amenities
Hotel Amenities
Holiday Inn Ponce & Tropical Casino features an outdoor pool and a fitness center. The hotel offers a restaurant. A bar/lounge is on site where guests can unwind with a drink. Public areas are equipped with complimentary high-speed wireless Internet access.
This 3-star property offers access to a business center and a meeting room. Event facilities measure 1240 square feet (112 square meters). This Ponce hotel also offers a casino, an arcade/game room, and concierge services. Onsite self parking is complimentary.
- Free WiFi
- Number of buildings/towers - 1
- Conference space size (feet) - 1240
- Conference space size (meters) - 112
- 24-hour front desk
- Arcade/game room
- ATM/banking
- Bar/lounge
- Breakfast available (surcharge)
- Business center
- Casino
- Free newspapers in lobby
- Concierge services
- Dry cleaning/laundry service
- Elevator/lift
- Fitness facilities
- Laundry facilities
- One meeting room
- Number of floors - 5
- Total number of rooms - 116
- Restaurant
- Safe-deposit box at front desk
- Free self parking
- Outdoor pool
Family Friendly Amenities
- Family Hotel
- Outdoor pool
- Free Wi-Fi
- Rollaway/extra beds available
- Laundry facilities
- Arcade/game room
- Refrigerator (on request)
Available in all rooms: Free WiFi
Available in some public areas: Free WiFi
Free self parking
Room Amenities
- Rollaway/extra beds available
- Free WiFi
- Connecting/adjoining rooms available
- Air conditioning
- Balcony
- Bathtub only
- Satellite TV service
- Coffee/tea maker
- Free newspaper
- Cribs/infant beds available
- Hair dryer
- Daily housekeeping
- Iron/ironing board
- Private bathroom
- Refrigerator (on request)
- Room service (limited hours)
Where to Eat
Breakfast is available for a surcharge each morning.
Tanama Restaurant - This restaurant serves breakfast, lunch, and dinner.
Barlavista - Onsite bar.
Room service (during limited hours) is available.
Nearby Activities
Recreational amenities at the hotel include an outdoor pool and a fitness center.
The recreational activities listed below are available either on site or nearby; fees may apply.
- Golfing nearby
- Snorkeling nearby
- Scuba diving nearby
To make requests for specific accessibility needs, complete the "Special or Accessibility Requests" section of "Trip Preferences" when you book your hotel.
- Accessible bathroom
- Roll-in shower
- In-room accessibility
Hotel Policies
Check-in time starts at 3 PM
Check-out time is noon
Payment types
- Pets not allowed
You need to know
Extra-person charges may apply and vary depending on hotel policy.
Government-issued photo identification and a credit card or cash deposit are required at check-in for incidental charges.
Special requests are subject to availability upon check-in and may incur additional charges. Special requests cannot be guaranteed.
Optional extras
- Rollaway bed fee: USD 15 per night
We should mention
The property has connecting/adjoining rooms, which are subject to availability and can be requested by contacting the property using the number on the booking confirmation.


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Easter Signs, Set of 3
No longer available
Herald the way to the Easter egg hunt with our outdoor signs.
"This Way": 20" wide x 30" high x 0.75" thick
"That Way": 18" wide x 25.25" high x 0.75" thick
"Follow Me": 16" wide x 30.5" high x 0.75" thick
Sign is made of mahogany wood and MDF with a distressed painted finish.
Iron stake.
Catalog / Internet Only.


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Drake's Ditto was a Ditto that was used by Drake of the Orange League. Drake uses this Pokémon first to unnerve his opponents by transforming into a copy of their first Pokémon and throw them off their game. In Ash's battle it copied Pikachu, however it was no match for the real McCoy and was soundly defeated.
- In the English Dub, Drake made a pun about his Ditto saying it'll "Leave a good impression."


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- Search ALL type collections
- Search for types of only
Algae | Bryophytes | Fungi and Lichens | Vascular Plants
- Michigan Flora On-Line
Maps, photos, keys, discussions, and other data for Michigan plants, plus the ability to make and download customized lists.
- Gazetteer of Obscure Michigan Place Names
- Malpighiaceae — Taxonomy and Nomenclature
- Fungus & Lichen Collections (Includes Types)
(We do not yet have a database record for every specimen. For further information on fungus and lichen holdings, please e-mail the collections manager)


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The Power of Independent Thinking
Robert Higgs on Obamas Spending Spree
Recorded: Monday, October 26, 2009
Originally aired on 10/26/09 on FoxNews.coms Freedom Watch. Robert Higgs, Senior Fellow at the Independent Institute, examines why government spending cant pull the U.S. out of economic recession.
Experts: Robert HiggsType: TelevisionIssues: Economic Policy, Fiscal Policy/Debt, Government Waste/Pork, Taxes
Jonathan Bean on The Urban Journal
Recorded: Thursday, September 24, 2009
Research Fellow Jonathan Bean, author of Race and Liberty in America is interviewed by Keith Murphy on The Urban Journal at Sirius/XM, September 24, 2009
Experts: Jonathan BeanType: RadioIssues: Business, Civil Liberties/ Human Rights, Culture/ Society, Government Power, Political Ideology and Philosophy, Race Issues
Robert Higgs on C-SPANs Book TV
Recorded: Saturday, April 4, 2009
Part 1 |
Part 2
Part 3
Senior Fellow Robert Higgs discusses his work as an author and political economist in a featured interview with In Depth on C-SPAN2's Book TV.
Experts: Robert HiggsType: TelevisionIssues: Economic History and Development (U.S.), Economic Policy, Fiscal Policy/Debt, History (U.S)
Dennis Prager Interviews Robert Higgs
Recorded: Tuesday, February 24, 2009
Syndicated talk show host Dennis Prager interviews Robert Higgs on Obamas stimulus plan and dispelling myths surrounding wartime spending. Prager admits to wanting to fly to Louisiana just to hug Bob.
Experts: Robert HiggsType: RadioIssues: Economic History and Development (U.S.), Economic Policy, Fiscal Policy/Debt, History (U.S)
Robert Higgs on the Economic Stimulus Package on Fox Business
Recorded: Friday, February 13, 2009
Robert Higgs appears on Fox Business to discuss the economic stimulus package.
Experts: Robert HiggsType: TelevisionIssues: Economic Policy, Fiscal Policy/Debt
Higgs and Liebowitz on Causes of the Economic Crisis
Recorded: Sunday, February 8, 2009
Economists Roberts Higgs and Stan Liebowitz join the panel of the McCuistion Program on PBS to discuss causes of the current economic crisis.
Experts: Robert Higgs, Stan J. LiebowitzType: TelevisionIssues: Banking and Finance, Economic Policy, Fiscal Policy/Debt
Robert Higgs on War, Taxes, and Economic Crises
Recorded: Thursday, January 15, 2009
Experts: Robert HiggsType: Other EventIssues: Defense and Foreign Policy, Economic Policy, Fiscal Policy/Debt, Taxes
The Frankenfood Myth?
Recorded: Tuesday, December 13, 2005
For millennia, farmers all over the world have bred crops for their resistance to disease, productivity, and nutritional value. Today, few topics have the power to inspire as much international furor and misinformation as the development and distribution of genetically altered foods.
Experts: Bruce N. Ames, Henry I. MillerType: Independent Institute EventIssues: Agriculture, Business, Environment, Public Health/ Consumer Protection, Science


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Get married on home plate, take your bridal party photos on the field or host your reception in the Terrace Club. Our wedding packages are all-inclusive and can be customized upon request. Make this special day one your guests will talk about for years to come!
Overlooking Progressive Field, the Terrace Club provides an elegant atmosphere that is perfect for your reception or any of your pre-wedding events. A variety of gourmet catering is available.
Complete your wedding album with pictures at Progressive Field. You will have access to the field and other great locations for up to two hours and we'll even provide bats and balls! Why not enhance the experience with a custom scoreboard message?


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49 U.S. Code § 31307 - Minimum training requirements for operators of longer combination vehicles
prev | next
(a) Definition.— In this section, "longer combination vehicle" means a vehicle consisting of a truck tractor and more than one trailer or semitrailer that operates on the Dwight D. Eisenhower System of Interstate and Defense Highways with a gross vehicle weight of more than 80,000 pounds.
Source(Pub. L. 103–272, § 1(e),July 5, 1994, 108 Stat. 1020; Pub. L. 112–141, div. C, title II, § 32931(c),July 6, 2012, 126 Stat. 829.)
|Revised Section
|Source (U.S. Code)
|Source (Statutes at Large)
|49 App.:2302 (note).
|Dec. 18, 1991, Pub. L. 102–240, § 4007(f), 105 Stat. 2153.
|49 App.:2302 (note).
|Dec. 18, 1991, Pub. L. 102–240, § 4007(b), 105 Stat. 2152.
In subsection (a), the words "a vehicle consisting" are substituted for "any combination" for clarity. The words "Dwight D. Eisenhower System of Interstate and Defense Highways" are substituted for "National System of Interstate and Defense Highways" because of the Act of October 15, 1990 (Public Law 101–427, 104 Stat. 927).
In subsection (b), the words "Not later than 60 days after the date of the enactment of this Act, the Secretary shall initiate a rulemaking proceeding" are omitted as executed.
2012—Subsec. (b). Pub. L. 112–141, which directed substitution of "The Secretary shall maintain" for "Not later than December 18, 1994, the Secretary shall prescribe", was executed by making the substitution for "Not later than December 18, 1994, the Secretary of Transportation shall prescribe", to reflect the probable intent of Congress.
Effective Date of 2012 Amendment
Amendment by Pub. L. 112–141effective Oct. 1, 2012, see section 3(a) ofPub. L. 112–141, set out as an Effective and Termination Dates of 2012 Amendment note under section 101 of Title 23, Highways.
LII has no control over and does not endorse any external Internet site that contains links to or references LII.


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437 Harvard Street, Brookline, MA 02446
Product SKU: men30a
Author / Artist: Quest Gifts
This high quality menorah is made entirely of high quality of pewter. It is designed for durability and to enhance the beauty of the holiday. It can be used with traditonal candles or adapted to use oil.


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Michelle Obama's kindergarten class picture. Michelle Obama stands on the third row (second from the right) and her first kiss, Dr. Theodore Ford, stands on the back row (second from the left).
(Courtesy of Dr. Theodore Ford)
First Lady Michelle Obama was born on January 17, 1964.
Copyright ©2016, Interactive One, LLC . All Rights Reserved Powered by WordPress.com VIP


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The War of Conquest was a series of conflicts throughout Westeros that resulted in the fall of six of the seven independent kingdoms established in the continent and their unification under a single monarchy, the Iron Throne.
See also
|This article is a stub, an article too short to provide more than rudimentary information about a subject. You can help the Game of Thrones Wiki by expanding it.


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Wood Handled Garden Fork
Act fast! Items with prices ending in $0.99 are final sale.
No longer available
Well handled. Our Wood-Handled Garden Fork features an ash handle and stainless steel head, making it a durable and long-lasting find for any level of gardener.
Ash wood handle.
Stainless steel head.
3"w x 12.2"l x 1.9"h.
Hand clean.


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FORT WAYNE, Ind. (www.incnow.tv) – A small group walk in the name of justice in honor of Tavontae Haney.
Walking for justice is what a small group of people did Sunday morning in honor of Tavontae Haney, the 19-year old who was shot and killed by police last weekend.
A friend of Haney's, Malayshia Reid, organized the walk and rally. The group gathered at the Allen County courthouse and walked to McKinney and Spatz, where Haney was killed.
Reid says a lot of people are angry and fed up with the shootings, and something needs to be done.
"We're just tired of everybody killing each other, it doesn't matter who has the gun, who's behind the gun, we're just tired of people dying and none of them being justified or solved," she said.
Reid says she thinks the younger generation needs to change their attitudes about gun violence in order to stop the killings.
What are your thoughts CLICK HERE to leave us a "QUESTION OF THE DAY" comment.
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(Sports Network) - The struggling Anaheim Ducks will try to move closer to the
second division title in franchise history when they visit the Calgary Flames
for Friday's clash at the Saddledome.
Although the Ducks have lost their last three games, with 60 points the team
still sits in first place in the Pacific Division and second place in the
Western Conference. Anaheim is five points ahead of the Los Angeles Kings for
the division lead and five in front of Vancouver for the conference's second
Anaheim won its only other division title in 2006-07, when the franchise also
claimed its one and only Stanley Cup.
The Ducks, who are just 5-7-2 over their last 14 tests, have managed to score
only four total goals during their current three-game slide. Anaheim posted
two of those goals in Wednesday's home test against Columbus, but the Blue
Jackets won a 3-2 overtime decision.
Fedor Tyutin scored 2:19 into the extra session to help the Blue Jackets earn
an important two points. Anaheim held one-goal leads on two occasions on
Wednesday, including after David Steckel scored to make it 2-1 early in the
third period.
Sami Vatanen also scored for the Ducks, while Viktor Fasth made 24 stops in
the loss.
"Of course it's not fun to lose the game," said Vatanen. "Every loss is a
tough one for us, but these guys have played a pretty good season. They're in
a good spot right now, so we've just got to find a way to end this losing
streak and focus on the next game."
Anaheim has lost four straight just once this season, going 0-4-0 from March
The Ducks are 11-4-5 as the road team and are kicking off a four-game road
trip tonight. Anaheim's next home game will be its regular-season finale on
April 27 against Phoenix.
Anaheim is 2-0 against the Flames this season and will try for a season-series
sweep on Friday. The Ducks have claimed four of five and eight of the last 10
meetings against Calgary overall and they have three wins in the past five
trips to the Saddledome.
Calgary has taken to its spoiler role recently, winning three of four and four
of six despite being eliminated from postseason contention for the fourth
straight spring.
The Flames are coming off Wednesday's 3-2 decision against the visiting
Detroit Red Wings, a team desperately fighting to make the playoffs for a 22nd
straight season. Steve Begin scored twice in the third period to snap a tie
and send Calgary to the win.
Lee Stempniak added a first-period marker to back 36 saves from Miikka
Kiprusoff for the Flames.
"In this league when you get the goaltending that we got tonight, you're
always improving your chances to win," said Flames head coach Bob Hartley.
"From the first shot we knew that Miikka was on his game."
Friday's test not only marks the end of a three-game homestand, but is also
Calgary's final tilt at the Saddledome this season. The Flames, who close
their 2012-13 schedule on a four-game road trip, are 12-9-2 as the host this
The Sports Network


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Carry this color and show your support for breast cancer research. Learn more about the Vera Bradley Foundation for Breast Cancer.
This style can be Personalized!
Learn more about Personalization
This elegant Vera Belt elevates simple looks to polished ensembles. Perfect over a long sweater or at the waist of a pencil skirt, each belt features a Vera Bradley Signature color in cotton, accented with a silver-toned buckle.


text:
City: Rediscovering the Center
Anchor Books, 1988 - Social Science - 386 pages
The result of William Whyte's research is an extremely human, often amusing look at what goes on in our cities' streets. Illustrated.
From inside the book
33 pages matching shopping mall in this book
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Review: City: Rediscovering the CenterUser Review - Goodreads
In my opinion, part of being a successful business owner is learning about how your business is impacted by different influences. In City, Whyte discusses urban renewal and development and what is ... Read full review
Review: City: Rediscovering the CenterUser Review - Goodreads
This book was sort of a micro-level sequel to the macro-level of Jane Jacobs' The Death and Life of Great American Cities, more focused on the elements like ledges, walls, and sunlight that made up ... Read full review
The Social Life of the Street
Street People
27 other sections not shown
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Portland Student Awarded the Sam Belote Memorial Scholarship at Vol State
Submitted on March 22, 2010 at 9:45 AM
Katherine McMillan of Portland has been awarded the Sam Belote Memorial Scholarship at Volunteer State Community College. Founded in 1994, this scholarship has helped 16 Vol State students achieve their educational goals. Pictured left to right: Karen Mitchell, Vol State vice president for resource development, Elizabeth Brandice Belote, granddaughter of Sam and Betty Belote, and Katherine McMillan, scholarship recipient.
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