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Breath-Holding Spells
Topic Overview
What are breath-holding spells?
Breath-holding spells are brief periods when young children stop breathing for up to 1 minute. These spells often cause a child to pass out (lose consciousness). Breath-holding spells usually occur when a young child is angry, frustrated, in pain, or afraid. But the spell is a reflex. Children don't have breath-holding spells on purpose.
There are two types of breath-holding spells:
- A cyanotic spell is caused by a change in the child's usual breathing pattern, usually in response to feeling angry or frustrated. It's the most common type.
- A pallid spell is caused by a slowing of the child's heart rate, usually in response to pain.
Some children may have both types of spells at one time or another.
Breath-holding spells can occur in children 6 months through 6 years of age. They are most common from 1 to 3 years of age. Some children have them every day, and some have them only once in a while.
Breath-holding spells are usually not serious and don't cause lasting damage. With time, they go away on their own.
What causes breath-holding spells?
Breath-holding spells are usually caused by either a change in the child's breathing or a slowing of the heart rate. These reactions may be brought on by pain or by strong emotions.
In some children, breath-holding spells may be related to iron deficiency anemia, a condition in which the body doesn't produce a normal number of red blood cells.
What are the symptoms?
A breath-holding spell may cause:
- Fainting. It usually lasts for less than a minute.
- Twitching muscles, a stiff body, or a seizure.
- Changes in breathing and heartbeat.
- In a cyanotic spell: The child may breathe too fast or too hard. When the child breathes out, there may be a long pause before the child takes another breath.
- In a pallid spell: The heartbeat may slow down.
- Changes in skin color.
- In a cyanotic spell: The skin may turn red or blue-purple, especially around the lips.
- In a pallid spell: The skin may be pale and sweaty.
- Crying.
- In a cyanotic spell: There may be a short burst of intense crying.
- In a pallid spell: There may be a single cry or no cry at all.
How are breath-holding spells diagnosed?
Doctors can usually diagnose breath-holding spells based on what happens during a spell. The doctor will examine your child and ask you to describe the spells. It may help for you to keep a record of what happens during each spell.
If your doctor thinks that your child has a seizure disorder or another condition, such as iron deficiency anemia, your child may need other tests.
How are they treated?
Most children don't need treatment for breath-holding spells. Spells will go away as your child gets older. If your doctor thinks that a medical condition is causing the spells, your child may need treatment.
To decrease the chance of more spells, make sure that your child gets plenty of rest, and try to help your child feel secure. Be sure to tell your child's doctor if your child starts to have spells more often or if they seem worse or different than before.
Breath-holding spells can be frustrating for parents. If you have trouble dealing with your child's spells or find yourself getting angry, talk with your doctor or a counselor. Try to keep in mind that your child isn't having spells on purpose.
What should you do when your child has a breath-holding spell?
To protect your child during a spell, lay your child on the floor and keep his or her arms, legs, and head from hitting anything hard or sharp.
Your child may stop breathing for up to 1 minute (60 seconds) during a spell. If your child doesn't wake up quickly and start breathing again, call 911 or other emergency services. The 911 operator may tell you to give your child rescue breaths while you wait for help to arrive.
After the spell, reassure your child. Don't punish him or her for having the spell.
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Frequently Asked Questions
Learning about breath-holding spells:
Ongoing concerns:
Other Places To Get Help
|American Academy of Pediatrics
|141 Northwest Point Boulevard
|Elk Grove Village, IL 60007-1098
|(847) 434-4000
|(847) 434-8000
|Web Address:
The American Academy of Pediatrics (AAP) offers a variety of educational materials about parenting, general growth and development, immunizations, safety, disease prevention, and more. AAP guidelines for various conditions and links to other organizations are also available.
|KidsHealth for Parents, Children, and Teens
|Nemours Home Office
|10140 Centurion Parkway
|Jacksonville, FL 32256
|(904) 697-4100
|Web Address:
This website is sponsored by the Nemours Foundation. It has a wide range of information about children's health—from allergies and diseases to normal growth and development (birth to adolescence). This website offers separate areas for kids, teens, and parents, each providing age-appropriate information that the child or parent can understand. You can sign up to get weekly emails about your area of interest.
Related Information
Other Works Consulted
- Blum NJ (2009). Repetitive behaviors and tics. In WB Carey et al., eds., Developmental-Behavioral Pediatrics, 4th ed., pp. 629–641. Philadelphia: Saunders.
- Brazelton TB (2006). Two years. In Touchpoints, Birth to Three: Your Child's Emotional and Behavioral Development, 2nd ed., chap. 12, pp. 179–196. Cambridge, MA: Da Capo Press.
- Mikati MA, Obeid M (2011). Conditions that mimic seizures. In RM Kliegman et al., eds., Nelson Textbook of Pediatrics, 19th ed., online chapter 587. Philadelphia: Elsevier Saunders. Available online: http://www.expertconsult.com.
- Valente JH (2008). Breath-holding spells section of Minor infant problems. In JM Baren et al., eds., Pediatric Emergency Medicine, pp. 335–336. Philadelphia: Saunders Elsevier.
- Walter HJ, DeMaso DR (2011). Disruptive behavior disorders. In RM Kliegman et al., eds., Nelson Textbook of Pediatrics, 19th ed., pp. 96–100. Philadelphia: Saunders.
|Healthwise Staff
|Primary Medical Reviewer
|John Pope, MD - Pediatrics
|Specialist Medical Reviewer
|Susan C. Kim, MD - Pediatrics
|Last Revised
|March 21, 2012
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Last Revised: March 21, 2012
Author: Healthwise Staff
Medical Review: John Pope, MD - Pediatrics & Susan C. Kim, MD - Pediatrics
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Pfizer Sells Capsugel: Will More Asset Sales Follow?
On Monday, Pfizer announced it would sell its Capsugel business to private-equity firm KKR for $2.375 billion. If the hints the drugmaker has been giving lately are true, the move could be the start of two years of major asset sales. Here's what's ahead for the world's biggest pharmaceutical company.

subset: commoncrawl


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Yields 20 little rolls
The ratio of flour to cheese seems crazy, but it works. Serve the bread hot (for a spongy texture) or warm (for a denser interior with the dough settling more and forming air pockets). If you like, serve it with the spicy-sweet guava-chile butter.
In the bowl of a stand mixer, using the paddle attachment, beat the guava paste until it is smooth and has lightened in color. Scrape down the sides of the bowl with a rubber spatula several times. Slowly drizzle in the vinegar while mixing on low speed and scrape the bowl down again. Add the Sriracha and continue mixing on low. Scrape down the sides of the bowl, then beat in the butter. Mix just to combine thoroughly.
Preheat the oven to 375°F. Lightly grease a baking sheet or line it with parchment paper.
Combine the flour, cheese, egg, baking powder, milk, butter, salt, and sugar in a bowl and knead them together until thoroughly mixed and fairly smooth. Form the dough into about 20 round balls. Bake the rolls on the baking sheet for 20 minutes or until golden brown. Serve warm. To reheat, cover the bread loosely with aluminum foil and heat for 6 to 8 minutes in a 200°F oven.
Store the butter in the refrigerator in an airtight container for up to 1 week.
Photo: Jason Varney
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On this segment of Chat with the Experts, Kiel Hauck talks with Dr. Scott Renshaw about how to cope with stress.
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Oyster card celebrates summer of 2012 events in London
14:32 16 June 2012
A special Oyster card has been released to commemorate the historic events taking place in London during summer 2012.
Transport for London's latest limited edition cards are now available to buy from all London Underground stations, Oyster ticket stops, travel information centres and online.
The design depicts some key London landmarks and events taking place this summer, including the London 2012 Olympic and Paralympic Games and the Queen's Diamond Jubilee.
Shashi Verma, TfL's director of customer experience, said: "This will be one of the most memorable summers that Londoners and visitors to the capital will experience and we are delighted to reflect that with our latest limited edition Summer Oyster cards.
"Our network will play a crucial role in delivering a wonderful summer and will provide many with a great souvenir as well as providing them with a convenient way to get around on public transport."
Previous limited edition Oyster cards have been produced for the Diamond Jubilee and the royal wedding of William and Kate in 2011.


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The 2013-2014 Woodworking Show season wrapped up this last weekend, March 21-23, in Tampa. This has to be one of the nicest places to end a show that, other than Atlanta, has seen some form of frozen precipitation every weekend since January in each of the cities we've visited. Because of one particular spate of bad weather and luck, I never even made it home from Baltimore and decided just to drive 5 hours to the Hartford show instead. I can only imagine how hard the slushy, slippery season has been on our road crew as they've crisscrossed the country week to week. To close at a venue with 80 degree weather, a very tranquil pond and some local wildlife was definitely a pleasant way to finish.
I also took the opportunity to visit the home of some great friends, take in some of the more weird sights (like this maritime themed retail store), and say goodbye to my show friends over dinner each evening. Aah, life on the road!
The Tampa show was very well attended throughout the weekend with the best crowds on Friday and Saturday. Ours was the only show of the weekend at the Florida State Fairgrounds so the parking was perfect for our attendees and devoid of the long walks of previous years with the fairgrounds hosting multiple shows simultaneously. Wood Miser used the sunny, seasonal weather to cut logs at the front gate, providing a show outside the show. Once indoors, woodworkers found stationary and portable tools, an array of woodworking clubs and the educational booths.
Some of the clubs, like the Brandon Woodworkers Club, did double duty by not only displaying the work of their members but teaching the fundamentals of the craft to anyone who was interested.
The Florida West Coast Woodworkers Club had samples of a very unique segmented vessel. And the Woodcrafters Guild of Florida paid tribute to our military by creating urns to be used by families to house the remains of their fallen heroes. Couple this with the more formal education in nearly every corner and cubby and you've got a weekend with almost too much to see, do and learn. Not a bad bargain for $12.
We also had a nice group of projects entered in the Project Showcase. Unfortunately, there were no youth entries but this is, after all, the home of the retired, nearly retired and wishing they could retire demographic. We did, however, have all four of our adult categories covered. In Furniture, third place went to Terry Sanchez for his Sailfish Coffee Table. Second place was the Scalloped Floating Top Table by Art Falcone. The first place ribbon and choice of a Bosch tool went to Raymond Wytovich's Carved Story Table.
In Turnings/Carving, the first place winner Philip Ranalli took the ribbon and tool choice for his Orange Bowl.
In Models/Toys, The Model Trains on a Bridge by Charles Kested took top honors and a Bosch tool.
The Open Category winners were father and son. Second place went to Paul Ethington's Game Board and his father, Jim, took home the bragging rights (and a tool) for his Guitar.
The People's Choice winner was the Trains on a Bridge by Charles Kested and the overall winner, the Educator's Choice, went to Art Falcone's Scalloped Floating Top Table.
This was the final week of the judging so Art will join the winners of the previous weekends in a contest to find our ultimate champion. Judging should commence in the very near future and the winner will be announced on the Woodworking Shows home site as well as on their Facebook page.
The end of the season for me is, to be honest, somewhat bittersweet. Though the summer is shaping up to be a bit busy, most of my time will be spent with family and much of the travel will be with my wife to visit our kids and grandchildren. I'm really looking forward to that.
But I'll also be taking an extended break from my "road" family, our show owner and his "front office" staff, our setup crews and truck drivers, vendors and fellow educators. Our last meal together was Saturday night and it was filled with food, drink, music and a lot of laughter. We congratulated each other on another year together and were told that the new season was already planned to start in late October. The summer, it seems, always goes by so quickly.
To all my fellow woodworkers, thanks for coming out to see us this last year. I very much appreciate all the kind words and those smiling faces. October will be here before you know it. Hope you'll make plans to visit me and our show this next season.
'Til then, I'll see you on the road.
Jim Heavey
WOOD Magazine Traveling Ambassador


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A Colorado Springs man is frustrated after crooks steal his ATV out of his front yard.
It happened in broad daylight, on the east side of town near Constitution and Peterson.
Matthew Smith was selling his brand-new ATV. He had it chained up in his front yard with a "for sale" sign on it.
He was just getting home from a trip Wednesday afternoon when he noticed it was gone.
He says someone cut through the chain, and then must have loaded it onto a truck or flatbed.
Smith says the ATV is worth about $11,000. He was selling it to help pay for school.
"That's what I was banking on to pay for college, and get me started in getting my degree," said Smith.
The ATV is bright orange, with a plow attached to the front.
Smith is offering a reward for anyone with information that could help him track it down.
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See All Contributors »
That he interviewed at Auburn?
Originally Posted by MNCyGuy
The only answer to "who/what is GeronimusClone?" is in fact "GeronimousClone". You're like The Todd on Scrubs.
Originally Posted by Angie
This is why you're my favorite
Originally Posted by MoreCowbell
GC, he's obviously all man. And I don't think Ellen would go *****, even for GC...
You have a link to this completely BS story?
Oh brother, here we go..............putting my seat belt on now.
I hadn't heard, but I'm calling complete, 100% BS on this one.
no way... haha your cousin eddie avatar rules!
Hoof hearted
No way in hell.
Originally Posted by cyrocksmypants
CG. No one knows what you're talking about.
Originally Posted by cowgirl836
It's not a rumor
He will be accepting the job on Monday and taking Bo Williams, Tiller, Sed Johnson, and Darks with him.
Last edited by Clones85'; 12-12-2008 at 05:07 PM.
No I don't, just heard a rumor floating out there.
Originally Posted by GeronimusClone
No I don't, just heard a rumor floating out there.
Was there perhaps green smoke floating in the air with it?
Who is this Chizik character we are talking about??
there is no way in H*ll that is a true rumor
AuburnUndercover.com - Grobe, Chizik join Auburn's interview parade
I would like to add that I don't think it is true at all.....just people throwing out likely names. Maybe he chatted with an old friend or something like that.
Last edited by Clone9; 12-12-2008 at 01:11 PM.
Auburn was not happy with a coach who won 80% of his games while at Auburn. While I like and support GC...what would make anyone at Auburn think they could sell a GC hire to their fanbase?
I know...I should not have responded because the rumor is complete BS!
5 wins in two years at Iowa State isn't a very good stepping stone.
No offense to Gene Chizik, but Auburn could do a lot better...
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Most Domestic Oil and Gas Companies Fail to Cut Emissions
According to a recently released report by the World Wildlife Fund, 58 of the United States' Fortune 100 companies set goals in 2012 to either reduce greenhouse gas emissions or use more renewable energy in their operations. However, oil and gas companies are lagging far behind in this movement. Eight of 11 domestic energy companies on the Fortune 100 have not set internal energy goals.
This is in direct contrast to 68 of the planet's 100 largest companies who recognize the impact of global warming and are making investments in greenhouse gas reductions and renewable energy goals. Sadly, energy companies represent the lowest participation rate of any industry worldwide. The few exceptions are Hess and Chevron who have both set renewable energy and greenhouse gas targets, and ExxonMobil who set a greenhouse gas target.
Why have three quarters of the nation's industrial companies voluntarily set some sort of environmental target? There are a variety of potential reasons including: policy pressures, public relations or perhaps even the forward thinking that sees renewable energy's potential to someday be less expensive than, or at least competitive with, oil and gas.
And why haven't most oil and gas companies voluntarily set environmental targets? It may be because the very products they put on the market directly contribute to climate change. There is also a lack of urgency to act; little pressure comes from investors or policies. An example of a type of policy that was successful in the past is the Environmental Protection Agency or EPA's Toxic Release Inventory, which worked by making large companies publically accountable for which potentially toxic chemicals they use and where they are released. Then the information is posted on the EPA's website for anyone to see.
The planet would really benefit from a similar policy focusing on oil and gas company emissions, or better yet, a broader climate change policy such as a national carbon tax or cap-and-trade program. There are other options that could pave the way towards a cleaner energy future. The federal government could require that a certain percentage of electricity come from renewable sources and offer further tax incentives for wind and solar production. Many companies are setting their own internal goals, but for others such as the majority of the oil and gas industry, they're not going to do anything about increasing efficiency and reducing their carbon footprints until someone makes them.
TCX Programs are Turning Hope into Action with an Environmental Focus
Carbonfund.org seeks to partner with businesses that subscribe to the same mission of solving the climate crisis. The goal of achieving a clean energy future is more complex than simply meeting carbon emission reductions targets. Any solution needs to be sustainable, and sustainability is one of the cornerstones of Carbonfree® business partner TCX Investment Management Company.
The global TCX Fund provides protection and risk control against currency devaluation in frontier market currencies for major development finance institutions to microfinance institutions and other institutions investing in the communities of many emerging market countries, such as Cambodia, Kenya, Bangladesh, Mongolia, Peru, and Vietnam. This translates into providing a mechanism to absorb the risk of extreme currency value fluctuations so these institutions can assist local businesses with the startup funding they need. TCX is able to make real contributions to sustainable development and to improving the living standards in communities in some of theleast developed countries on our planet.
TCX maintains a Sustainability Policy requiring that the businesses they assist also meet environmental sustainability goals.A key tenet of the TCX policy maintains that any projects receiving funding should pursue development for the needs of the present population without impairing the ability of future generations to meet community needs. All projects are expected to include pollution prevention and abatement, biodiversity conservation, and sustainable natural resources management.
Carbonfund.org and TCX have partnered to help TCX reach its own operational emission reduction goals. In the past three years, TCX Investment Management has neutralized a total of almost 460 metric tonnes of greenhouse gas emissions created by its annual operations – the equivalent of removing 82 passenger vehicles from the road for a year – in part by supporting Carbonfund.org's renewable energy projects."We chose Carbonfund.org because of their verified programs, pricing and easy-to-use customer friendly services," confirms Bill Piccolo, Operations Manager for TCX.
TCX's operational emissions neutralization program supports Carbonfund.org's renewable energy projects, and in doing so, enhances air quality and promotes new technology development that will continue to reduce carbon emissions and hasten the transition to a cleaner energy future. Carbonfund.org looks forward a continued partnership with TCX in pursuingthe paired goals of sustainable development and environmental stewardship.


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Governor's School for the Arts Scholarships
Whether you envision yourself building a professional studio practice, pursing a career in graphic communications, teaching art at a primary or secondary school, or exploring a world of art history, we're ready to help you reach your goals.
With programs that vary in length and concentration, the WKU Department of Art supports and challenges students along a variety of life-enriching paths. The BFA degree in studio art or graphics is a comprehensive, focused program for students interested in pursuing a professional creative career. Our range of BA programs in art education, art history, and studio art offer additional possibilities to study art within a liberal arts context, leading to a variety of career paths including teaching, art therapy, museum studies, art conservation, or arts management to name just a few possibilities.
Whatever path you choose, you will be working with energetic art professionals who have gained national and international recognition in their respective fields. Our faculty introduce students to a world of art by hosting visiting professionals, traveling with students to conferences and exhibitions, and leading study-abroad programs around the globe.
Brent Oglesbee, Department Head
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November 4, 2007
Jeffrey Lee
Auburn WR Robert Dunn wasn't looking ahead. He wasn't going to just forget about Tennessee Tech, not worry about the Golden Eagles.But Dunn admitted Saturday following the 35-3 win, it didn't take him long to turn his attention to Georgia."When the fourth quarter ended," said Dunn.Dunn and the Tigers travel to Athens Saturday to face the No. 10-ranked Bulldogs, and will be trying to return the favor Georgia paid them a year ago.Last November, a 6-4 Georgia team came into Jordan-Hare Stadium and beat the Tigers 37-15. Dunn and the Tigers remember the game well. Coach Tommy Tuberville won't let them forget it. Auburn was ranked No. 5 in the country at the time, but was never in the game from the first whistle. Georgia led 30-7 at the half. At the end of the day, the Dogs had racked up 446 yards of total offense. Auburn managed a mere 171."It's hard to forget those type games," said Tuberville. "Georgia came in and hit us from play one and never let up. We never recovered." ...More... To continue reading this article you must be a member. Sign Up Now!
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May 6, 2016
A kitchen fire Thursday afternoon in Pitt County had crews on the scene of a local mobile home, where they initially thought a boy was trapped inside.
It happened on Club Drive in Ayden.
The spokesman for Ayden Fire and Rescue, Donald Skinner, tells us they got the call around 4:30 p.m., and at the time, they believed a 15-year old boy was in the house.
Fortunately, the boy had left with his friends before the fire broke out.
Crews controlled the fire within 15 minutes. Club Drive was blocked off for close to an hour.
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this wiki
|"The Jinchūriki of the Sand"
|File:Sand Prison.JPG
|(砂の人柱力, Suna no Jinchūriki)
|Episode data
|"The Results of Training"
|Naruto: Shippūden #4 (Watch Online)
|"The Kazekage Stands Tall"
|Kazekage Rescue Arc
|Chapter #248
|March 1, 2007
|October 28, 2009
The Jinchūriki of the Sand (砂の人柱力, Suna no Jinchūriki) is episode 4 of the Naruto: Shippūden anime.
As soon as Deidara begins feeding his mouth hands clay, Gaara goes on the offensive and sends his sand after the Akatsuki member. Deidara jumps onto his bird and begins flying all throughout the village with Gaara's sand right behind him. Just when Deidara believes that he is in the clear, he's attacked from all sides. While Deidara is a bit surprised that Gaara was able to notice him so quickly, Gaara tells him that birds like the one that Deidara is riding do not exist in the desert.
Gaara jumps onto a pillar of sand that begins to ascend into the air until he is level with Deidara. A Suna guard overhears the commotion and comes outside, only to encounter one of the men who had been blown away by Deidara's clay spiders. Kankurō speaks with another guard about how nothing big should have happened, since Yūra was known for keeping the village's security up. Yūra, however, is nowhere to be found, since he is currently with Sasori, who tells Yūra that he should return to his village because there will be even more problems if the villagers found out he was involved with Akatsuki.
Back in the air, Gaara summons a large wave of sand to overtake Deidara.
Back with the bell test, Naruto and Sakura still have not got the bells from Kakashi yet, and dawn will be coming soon. When Sakura goes on for the strike, Kakashi kicks her and its revealed that it was only one of Naruto's shadow clones that transformed into Sakura. The real one comes from above with her fist radiating with chakra. Kakashi narrowly avoids the punch as it creates a huge crater in the ground.
It's time for Shinobi Tactic #3: Ninjutsu. Kakashi begins forming seals at a rapid rate and uses Fire Release: Great Fireball Technique. Naruto and Sakura avoid the fireball, but Naruto is driven into the ground, quite literally, when Kakashi's hand surfaces from the earth and he uses Earth Release: Double Suicide Decapitation Technique. While it seems that Naruto is stuck in the ground, it's only another shadow clone. Naruto and Sakura charge at Kakashi, who begins forming seals rapidly once again. This time, it's Water Release: Water Dragon Bullet Technique. The huge waterfall overtakes both Naruto and Sakura.
Deidara creates several exploding clay birds as the arm of Shukaku chases him. The birds, once sent, detonate on various areas of the sand, but nothing serious happens as a result of this.
In Konoha, Naruto and Sakura begin contemplating another plan to get the bells, but remember that Kakashi is no pushover: he's smarter than Shikamaru, has a better sense of smell than Kiba, knows taijutsu better than Lee, and can use his Sharingan better than Sasuke, as well as having more experience. It seems that the match is a bit one sided and Naruto and Sakura are at an extreme disadvantage, since Kakashi has never shown any weakness. While it seems that all is lost, Naruto comes to a realization that Kakashi has had a weakness all of this time, and if they had paid any attention to how much time they've spent with Kakashi, they would have noticed the weakness a lot sooner.
Kakashi, on the other hand, can't believe that he's been forced to use the Sharingan this much. What he would prefer right now is to continue reading Icha Icha Tactics, since there's apparently something dramatic involving the main character. As much as he'd like to read it, he'll have to hold off Naruto and Sakura until dawn before anything can happen.
Deidara's birds begin moving a lot faster and are able to bypass all of the sand obstacles. Deidara detonates the birds.
Naruto and Sakura make their move, but the difference is that Naruto threatens to reveal the ending of Icha Icha Tactics and what the secret is about the main character. Kakashi covers his ears and closes his eyes since he could easily read Naruto's lips with the Sharingan.
When he opens his eyes, Naruto and Sakura are each holding one bell, quoting their sensei: "A ninja must read what's underneath the underneath."
Despite actually losing the test, Kakashi, along with his students, have a good laugh at this predicament. Gaara has concealed himself within his ultimate defence and the third eye on the outside, watching Deidara. Suddenly, Deidara is overtaken on all sides and surrounded by sand claws. The episode comes to a close as Gaara prepares to use Sand Binding Prison.


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– Augustana sophomore Jordan Milbrath was selected by the Cleveland Indians in the 35th round of the baseball draft Saturday.
Milbrath, a right-handed pitcher from Springfield, Minn., is the second Viking to be drafted in as many years. Derek Hansen was taken in the 25th round by the Oakland Athletics last year. Milbrath is the sixth player from Augustana to be selected in the MLB Draft.
Milbrath posted a 7-2 record in 2013 for the Vikings, making a team-high 12 starts. The sophomore posted a 4.57 ERA in 67.0 innings of work while striking out a team-high 60 batters. Milbrath tossed two complete games and held opponents to a .285 batting average.
Milbrath struck out a season-high nine batters in 6.1 innings of work against Southwest Minnesota State on March 29 and struck out seven batters in a game on three occasions during the season.


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AmyMc AmyFollow AmyMc
29-year-old Female living in Gisborne, North island New Zealand
I have travelled to the following places: Australia Israel Singapore Spain Ibiza Ireland Greek Islands have so much more places i want to travel to and to visit. I lived in Ireland for a year 2012/2013 My first contiki was in 2012 to Greek Islands, and i had so much fun i would totally do it again.
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Platform and Library Resources
Every module in our collection requires a given type of hardware (a platform), often running a particular operating system, combined with certain software libraries or packages. We have or are creating instructional modules for these common platform and library/package combinations used in parallel and distributed computing (PDC):
- Single multicore, shared memory machine using the OpenMP library
- Cluster of multicore machines using an MPI library (either OpenMPI or MPICH2)
- Single multicore machine with a GPU co-processor
- Cluster of multicore machines with GPU co-processors using an MPI library
- Single multicore machine with an Intel Xeon Phi co-processor
- Large cluster of machines for fully distributed Map-Reduce computing using hadoop
Platform Setup, Libraries, and Packages
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Open MPI is an open source MPI-2 implementation that is developed and maintained by a consortium of academic, research, and industry partners. Originally representing the merger of several MPI implementations, Open MPI is able to combine the expertise, technologies, and resources from all across the High Performance Computing community in order to "build the best MPI library available."
MPICH2 is a freely available, high-performance implementation of the MPI (Message Passing Interface), both MPI-1 and MPI-2. It is also an alternative free MPI implementation to OpenMPI. MPICH2 provides an API for message passing for parallel computing in C and C++, as well as an MPI implementation that efficiently supports different computation and communication platforms. It has been tested on several platforms, including Linux (on IA32 and x86-64), Mac OS/X (PowerPC and Intel), Solaris (32- and 64-bit), and Windows.
Bootable Cluster CD
The Bootable Cluster CD (BCCD) is a software platform designed to allow parallel programming and distributed computing instruction to concentrate on the education and not the computing infrastructure necessary for it. It is an open source Knoppix-based live CD that provides the tools necessary to teach parallel and distributed computing (e.g., GNU compiler suite, multiple MPI bindings, OpenMP, CUDA, Java) that can be run on either a single system or on a network of computers that are automatically configured using custom networking tools to form an ad hoc temporary cluster.


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Jump rope at recess…
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Art Night 2016
Meriwether Lewis Elementary School
May 12, 2016 - 6:00 - 8:00 pm
Portland Public Schools is now sending home flyers electronically via a service called PeachJar. These flyers come to families via the email address they shared during the school registration process. Below is a link to all the flyers sent home to Lewis students.
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Wanted: Experienced Delphi programmer to maintain ginormous legacy application and assist in migration to C#
Later on, as the new hire settles into his role... "Oh, that C# migration? Yeah, we'd love to do that. But management is dead-set against it. Good thing you love Pascal, eh?"
I've noticed quite a lot of this where I live (Scotland) and I'm not sure how common this is across IT: a company is using a legacy technology and they know that most developers will avoid them to keep mainstream technology on their resumes. So, they will put out a advertisement saying they are looking to move their product to some hip new tech (C#, Ruby, FORTRAN 99) and require someone who has exposure to both - but the migration is just a carrot on a stick, perpetually hung in front of the hungry developer as he spends each day maintaining the legacy app.
I've experienced this myself, and heard far too many similar stories to the point where it seems like common practice. I've learned over time that every company has legacy problems of some sort, but I fail to see why they can't be honest about it. It should be common sense to any developer that the technology in place is there to support the business and not the other way round. Unless the technology is hurting the business in someway, I hardly see any just cause for reworking the software stack to adhere to whatever is currently vogue in the industry.
Would you say that this is commonplace? If so, how can I detect these kinds of leading advertisements beforehand?


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AP/IB/Honors Physics Activity Browse
Search for activities specifically designed for introductory college level physics courses. Refine this search by either clicking on the terms in boxes to the right or typing a term into the search box below. Activities include a description, background information, and necessary student documents.
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Wave Interference part of Cutting Edge:Topics:Deep Earth:Activities
This activity engages students in the exploration of interference between sinusoidal wave forms. They use an interactive applet to manipulate the phase, wavelength, amplitude, and phase velocity of two waveforms ...


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[♪♪] [ADOBE TV Presents] [♪♪] [CLASSROOM - Basic Compositing & Animation in After Effects CS5] [♪♪] Hello. My name is Adam Shaening-Pokrasso. I'm a multimedia educator, producer, and artist working in San Francisco. Today I'm going to be teaching you about animation and compositing using After Effects. After Effects is a very powerful tool used in the creation of title sequences in movies, commercials, and even some web banner ads. In doing this, we first want to start with some basic terminology. So I want to walk you through some terms that we're going to use throughout the course. First of all, the term compositing is a term that refers to the merging of multiple images that come from different sources. So this can be still images, video images, even hand-drawn imagery that can be combined together to create the illusion of everything existing in one unified environment. Another term that you should know is layers. Layers is the process of stacking multiple images together to create a sort of composite sandwich. We refer to layers in both After Effects as well as in physical animation environments. Traditionally, it was like cel animation when we were working with multiple layers of transparency, stacking them together. In After Effects, we also work with layers. The rule is always the same. The layer that's on top is always the layer that's in front. Another term you should know is the term animation. Animation refers to the rapid display of images to create the illusion of motion. This is also based on the phenomenon of persistence of vision, where multiple images are shown quickly to create the illusion of motion. Another way we use the term animation is to add movement to static images. Finally, the term keyframe is an important one to know as well. A keyframe traditionally referred to an animation technique where an illustrator would draw a key moment in an animation, maybe at the beginning or end of an action, and then a junior animator would go in and animate all the frames in between. So this term keyframe also carries over to the digital world, where we have key moments in an animation, either at the start, change, or end of a movement where certain attributes are adjusted. This could be things like position or scale, seeing something grow or fade in opacity. These are all done with keyframes. Keyframes are really the central tool in After Effects that make everything possible. So now that you understand some of the basic terms, I think it's about time to get started looking at some media and getting started doing some animation. If you're watching this from the Adobe TV website, go ahead and click the Download Sample Files button, and that will give you all the source media that we'll be working with. If you're watching this from another site, go to the URL that you see on the screen and then download the sample files there. So here we have the folder that you just downloaded, AE Title Sequence. Go ahead and open that now. I'm working on a Mac, as you can see, so my finder might look a little different than yours if you're working on a Windows machine, but all the files are the same. Go ahead and navigate to the Exports folder. Notice how I have my Project folder organized. Organization is a very important aspect of any job, whether it's video production, animation, or any creative medium. Just keeping files organized is a very important thing. You'll find in this Exports folder a finished movie called Power Foundation. This is a title sequence that we're going to be building as part of this workshop. [♪♪] [EARTH PICTURES presents] [a film about ENERGY] [directed by TIGER KIRCHMAN] [starring KATE MARQUEZ] [power FOUNDATION] [♪♪] So as you can see, this file is combining a bunch of different sources, using video, still images, text, and even modifying things with nice edges, like the stroke effect that you'll see later. We're going to build this, and you're going to start by going to the first lesson. You'll find this in the AE Lessons folder. Go ahead and navigate to the AE Lessons folder and open up Lesson 1. This will open up After Effects CS5. So now that you've opened After Effects, it'll first show you the welcome screen. Since we've got a project file ready to load, I'm just going to hit Close here on the welcome screen and then we can get started. We're starting with an empty project. So before I build some stuff and import some of my assets, I want to give you a little tour of our workspace. First of all, you have the Project panel on the left-hand side. The Project panel is your central organization tool. This is where you collect all of your media and store your image, video, sound, and even compositions in your project. Above the Project panel you'll find the Toolbar. The Toolbar has a variety of different tools available to you which are used to do different things in After Effects, generally things like moving your stage around, moving layers, rotating layers, so on and so forth. Below that in the center of the frame you'll see the Composition panel. The Composition panel is the central area where you see everything happen. This is the visual area where you can manipulate some layers, but for the most part, this is where you see all of your animation happen. Below that is your Timeline. Your Timeline is the area where you structure layers, you organize the order of those layers, and you place keyframes in time in order to create animation. You'll find in the Timeline area that there will be a time bar across the top of the Timeline area which will tell you the current time of where you're parked. On the right-hand side, we have the Info panel, Preview panel, and other things like Effects & Presets, and a variety of other panels that might come up in After Effects. The Preview panel is very important since in After Effects we don't just hit spacebar to play. We actually use a tool called RAM Preview. We'll look a little bit more at that later. So we're ready to get started. What I'd like you to do is navigate to the File menu, then select Import, then select File. What you'll notice is that there is a Command I key command there which is a shortcut enabling you to get to this menu quicker. If you're working on a PC, Control I is your key command. Go ahead and click that now. Once you're in this dialog, then you'll want to navigate to your Project folder. Mine happens to be found on the desktop. So go ahead and navigate to that now. Select the AE Title Sequence folder, then select the Video folder. In this Video folder you're going to find four video files that we're going to use as part of this title animation. We want to import all four of them. We can do so by just selecting the Video folder, then selecting Open. Go ahead and do that now. As you can see, the Video folder has now been imported. I'd like you to click on that little triangle there to open this folder up and find the assets therein. As you can see, there are four video files there, the same four files that are found on your desktop. After Effects works like a lot of software, where it links to the files on the desktop or on your hard drive. So when you move these files around, it may lose the link in After Effects. Something to be mindful of. Keep your project organized. The next thing we want to do is to build a new composition from one of these video files. Select the Faucet Drops video, then drag this video file onto the New Composition button that you'll find at the bottom of the Project panel. Let go of your mouse, and you'll see that it creates a new composition. You'll find that the settings for this composition match your video file. It's a good way to keep things consistent. It's got a slightly different icon here, and this represents a composition or a timeline. This is an assembly of a variety of images, videos, or other sources to create a composite. I prefer not to have this file located in the same video folder since it's not a video. So I'd like you to create another folder called Compositions or Comps. Go ahead and do that now by clicking on the New Folder button at the bottom of your Project panel. This will create a new folder, and you'll want to title that Comps. Once it's titled, deselect by clicking below in the empty gray area. Then move the Faucet Drops composition into the Comps folder. Now you'll find that inside of the Comps folder you also have the new comp that you just created. Go ahead and double click on this comp to open it if it's not already open. Before we begin our animation with this composition, I'd like to import one more asset, and that's going to be the music. Music can be an important driving force behind motivation for animation. It can give us inspiration around timing, inspiration around colors, feeling. All of that is driven by a lot of the sound. To import the music, we're going to do this a little differently this time. You can double click in the empty gray area in your Project panel to open up the Import File dialog box. This time instead of importing from the Video folder, we'll need to navigate back to the desktop. Go ahead and do that. Then locate the AE Title Sequence folder and find the Music folder. Once again, we want to keep things organized in folders, so instead of just importing the single asset, I'm going to go ahead and import the whole folder. Go ahead and do that. As you can see, the Music folder has now been imported. And inside of it is the PowerFoundation.wav file. This is the music that you'll be using as part of this animation. Now that you have your music file, let's give it a listen. Go ahead and double click on the Power Foundation file, and it will open in the Footage panel in the central area of After Effects. To listen to this file, most video people reach for the spacebar. But the spacebar isn't the main tool that we use to preview things. In After Effects, we use two keys. To preview most things, we use the RAM Preview button, which you'll find in the Preview panel on the very right-hand side. The key command for this is a button found on your alphanumeric keypad on the right-hand side. It's important to distinguish that this separate keypad works as different buttons than the keypad on your main keyboard area. If you are working on a laptop, you'll want to use an alphanumeric keypad as an external device or even just plug in an external keyboard so that you have full control over these key commands. So you can hit the zero key to play back both video and audio or if you just want to play back audio, you can use the period key to the right-hand side of the zero key. If you don't have an alphanumeric keypad, you'll want to navigate your mouse to the RAM Preview button found in the Preview panel. Go ahead and click that now. [♪music playing♪] This will initiate playback of the audio. Go ahead and give it a listen and get a feel for the movement at the beginning. This first shot is going to be the very first thing that we see. To stop playback, you can hit the spacebar to stop the playback. [music stops] Now that you've heard some of the audio and get a feel for the beginning of the music, let's navigate to the Composition panel so that we can begin animation on the faucet. To do this, click on the top left tab in the Composition panel. This will bring you to the Composition area. The first thing I'd like you to do is build a new text layer. To do this, click on the Text tool that you'll find on the top Toolbar. It's the little T located right here. Once you've clicked on the Text tool, you'll notice that two new panels appear, the Character panel and the Paragraph panel. These panels give you complete control over the text formatting of your layer. To create a new layer, I'd like you to click in your Composition area with your Text tool. You'll notice that a new text layer is created on your composition. But there's no text in there yet, so you'll have to add some text. Now that you've created a new text layer, go ahead and type in the words Earth Pictures Presents. Then let's modify the formatting for this type. I want you to highlight the words Earth Pictures. To do this, place your cursor left of the letter E and then drag from left to right so that you highlight the words Earth Pictures. This works very much the same way as it would in any other word processing program, and it allows you to modify specific characters or words within a single text layer to have different formatting. And we're going to do this so that the words Earth Pictures are nice and bold and big while the word Presents is a little bit more scripty. I'm going to choose a font called Impact. To do this, move your cursor to the Font area on your Character panel, then select the font Impact. If you don't have the font Impact, then you can use an alternative font such as Arial. Then to make this font all caps, you can select the All Caps button at the bottom of the Character panel right here. You'll notice that it's now all caps. We also want to modify the word Presents to use the Brush Script font. First, highlight the word Presents by placing your cursor on the left side of the letter P and select the word Presents by dragging from left to right. Now move your cursor to the Font menu and select the font Brush Script Std. Now that you've modified the font for the word Presents, let's talk a little bit about the importance of choosing a font. Font choice can be pretty extensive and an overwhelming field. So if you're just getting started with this, choose simple fonts. There are some really important factors to think about. First of all, make sure it's legible. If your viewers can't read it, then what's the point of putting text on the screen, right? Second of all, make sure that it's big enough, that it can be read on most screens. Consider that it might be on a mobile device or in other scenarios. Things like this will weigh in to the font choice that you make. But again, start simple and build from there. Now that the word Presents has been modified, go ahead and move it to the next line by clicking Return to the left of the letter P. I'm going to place my cursor to the left of the letter P, click, and hit the Return key on your keyboard. This will move it to the next line. So far, what we've done is modified individual words in this text layer. But now we want to modify the whole text layer as one to make everything a little larger and to control the leading or space between the lines. To do this, you'll need to deselect then reselect. To deselect, move your cursor into the empty gray area on your Timeline. Click once. This deselects that text layer. To reselect it, just click the Earth Presents text layer in your composition. This will reselect that same layer. Therefore, all the content within the text layer will be modified. Move your cursor to the Character panel and modify the Font Size setting. To do this, you'll notice that once you hover over the Font Size setting, your cursor changes from an arrow to a little hand with a double arrow left and right. This signifies that you can change the value by clicking and dragging either left or right to scale this value up or down. We want the font to be larger. Therefore, we're going to click and drag to the right. Go ahead and do that now. I'd like the font to be about 48 to 50 pixels. And there we have it. The other thing that we want to modify is the space between lines. This is also referred to as leading. You'll find it to the right of the Point Size setting. This setting is currently set to Auto, which means that it will scale the space between lines depending on the font size. We want to override that so that there's a little less space between these two lines. To do that, click and drag to the left and then to the right so that it scales up or down. Again, I'm trusting what looks good, but in this case I'm using about a value of 30. Now that we've modified the space between lines and the font size, let's go ahead and change the color for the word Presents. I want to highlight the word Presents. This time we're going to do this by double clicking on the word Presents with our Text tool. Move your cursor to the word Presents and double click to highlight the entire content of the word Presents. Then let's change the font color by going to the Character panel and clicking on the color swatch, which is currently set to white. This brings you to the Text Color dialog box, which allows you to change the color of your text. I'm going to select the color orange. First, modify the hue selector so that you're in the range of orange by just clicking and dragging up so that you get to the orange range. That looks about right. Then move your color selector in the big square area to the top right corner so that you get a pure orange color. To complete this color change, click the OK button, and it will modify the word Presents so that it's now orange. I chose the color orange here because it complements the color blue. It's a nice color harmony. If color theory is new to you, I suggest you familiarize yourself with the color wheel. The color wheel displays colors in a circle or in a wheel and displays opposite colors and complementary colors. It's a great tool to help you identify color harmonies. Then you're going to want to change from your Text tool to your Selection tool. To do this, move your cursor to the top Toolbar and select the Selection tool on the very top left. You'll notice that a Tool Tip pops up. This says that the Selection tool can also be enabled through the key command of the letter V. You can click the letter V on your keyboard to quickly switch to the Selection tool. I think of the letter V as corresponding to the Selection tool because it kind of looks like an arrow with the triangular shape. It's just a quick way to remember it. So now what I'd like you to do is to open up the text layer by selecting the text layer on your Timeline. Move your cursor to the Timeline panel and select the Earth Presents layer. Then click on the little arrow that you see to the left of this layer to allow this layer to open up. This will reveal two attributes: Text and Transform. We want to dig in to the Transform attributes to view some of the movement attributes that we'll be using as part of this animation. So click on the Transform arrow to the left of the word Transform. This will open up this area. What you'll notice is that After Effects takes up quite a bit of space in this Timeline area. So what you may want to do is modify the arrangement of your workspace so you have a little bit more workspace dedicated to your Timeline. To do this, move your cursor into the seam between the two panels, the Composition and the Timeline panel. You'll notice your cursor changes to a little double arrow cursor. And then click and drag up to expand the Timeline area. Now that we have a little bit more space to work in, let's talk a little bit about these five attributes. These attributes--Anchor Point, Position, Scale, Rotation, and Opacity-- are the five attributes that are consistent with all layers in After Effects that have some visual content. So this could mean a video, an image, a still image, a solid layer, a bunch of different layers. They're all going to have these same five attributes. Therefore, we can use these same basic attributes to animate virtually anything. In this case we'd like to have this text move from the right side to the left side. This is using the Position attribute. Each one of these attributes can be recalled using a keyboard shortcut. It's usually the first letter of the attribute. So in the case of Position, it's the P key. You click the P key on your keyboard, and it will reveal just the Position attribute. If you want to revert back to viewing all the attributes, you'll need to move your cursor back to the little arrow area, close the layer, then reopen it. This will reveal all five attributes again. So again, A for Anchor Point, P for Position, S for Scale, R for Rotation. And Opacity is a little bit different. We actually use the T key for Opacity, not the O key. I think of transparency as a way to remember that. So we want to view just the Position attribute. To do that, you'll want to click the P key on your keyboard, and now you're viewing just the Position attribute. If you move your cursor to the text layer on your Composition panel like so, then click on the text layer and move it around, notice that these values change as I move things around. These two values consist of an X and a Y, so the X axis moving horizontally and the Y axis moving vertically. We can move these things onscreen by clicking on the text layer on the Composition panel to move things around. Or you can modify this attribute by coming down here to the Position attribute. In the same way we modified the Font Point size, you can just click and drag left or right on either the X or Y attribute and it will slide left and right or up and down if you click on the Y attribute. I'm thinking I want this text to move from the right-hand side to the left. It's going to move in pretty quickly and then land and then kind of drift a little bit. I've noticed that having a little bit of drift to movement helps to make things a little bit more interesting. So we're going to place three keyframes. You haven't seen how to make a keyframe yet, but it's really quite simple. To create your first keyframe, you'll want to click on the Stopwatch button to the left of the Position attribute. Go ahead and do that now. This will enable keyframing. It places the first keyframe wherever your current time indicator is parked. Notice that it also creates a little diamond icon which signifies there is a keyframe at that current moment. So I'm thinking I want this to move from left to right in about 10 frames. On the top left of your Timeline you'll see a little yellow area which currently has a bunch of zeroes to it. That's the current time. So when I move my current time indicator, this little yellow bar right here, and slide it left or right, notice that those numbers change, signifying a change in time. As I move through this, you'll notice that the water from the faucet is dripping, signifying playback of the video. And if we had multiple keyframes, you might see some of the animation on the text. Animation doesn't occur with just one keyframe. You need two or more keyframes. And as I mentioned in the beginning, all the information in between is filled out by the application. We want this text to begin on the right-hand side. So go ahead and park at the very beginning of your composition on top of the very first keyframe that you've already placed. You can also use the key command of the Home key on your keyboard. This will always put you at the very beginning of your comp. Then grab your text layer on the Composition panel and slide it over to the right-hand side so it's just below the faucet and just on the outside of your stage. Since you've already got a keyframe at that moment, you don't have to change anything else. You just need to advance forward and then modify the value. We want to advance forward about 10 frames. So grab your current time indicator and slide it to the right until you see the number 10 appear in your Current Time area. At this point you'll need to place a new keyframe. To do this, click on the Diamond button to the left of the Position attribute like so. Then modify the X value so that it's moving just from right to left and not moving up or down. The easiest way to do this is to actually click on the X value and just drag it to the left. You may have to click and drag multiple times since it's traveling a good amount of distance. I want it to land so that it's just about aligned with the faucet on the left-hand side. That's the first landing point. So this movement occurs in 10 frames, moving from the right-hand side to about center in frame. For the rest of the animation, we want to see this layer drift from right to left so that it's got slow, subtle movement to make it a little more elegant. To do that, we can jump to the end of our Timeline by using the End key on your keyboard just below the Home key. So Home will put you at the very beginning, and End will put you at the very end. Click the End key on your keyboard. This places you at the very end of your Timeline. Then let's add a little bit more movement on the X axis by clicking on the X attribute and sliding from right to left. This will give it a little bit extra drift. Previously, you noticed that we clicked the New Keyframe button to add a new keyframe. You can do this, but as you noticed, once I modified the X attribute, it automatically placed a new keyframe on this layer because this layer attribute is already being animated. Once you've placed your first keyframe on any attribute and you've moved your current time indicator and you changed the value, it automatically adds a new keyframe, making it quick and simple to modify these values. So now we want to play back our animation. As I mentioned before, you could use the spacebar, but it's not ideal because it might not play in real time. So instead, you'll want to move your cursor to the RAM Preview button found in the Preview panel. You can click this button or use the keyboard shortcut, which is the zero key on your alphanumeric keypad. It then begins playback of your animation, and you'll see that the movement from right to left happens pretty quickly and then it has a little bit of drift to it. Let's watch it again. I'm going to hit the spacebar to stop playback of the animation. So that concludes basic animation. It's as simple as placing two keyframes to add animation to virtually any attribute. In the next part, we're going to be looking at animation techniques, keyframe interpolation, some of the Rotation tool, and basic effects. I'll see you in the next part. [Adam Shaening Pokrasso - Presenter/Course Design] [Bob Donlon - Executive Producer/Instruction Supervisor] [♪♪] [Kush Amerasinghe - Director/Graphics/Assets/Course Design] [Karl Miller - Producer] [Erik Espera - Editor/DP] [ADOBE TV PRODUCTIONS - tv.adobe.com] [♪♪]
Part 1 - Animation and Compositing Basics
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About This Episode
The best way to learn something is by doing it! In this series you'll learn the basics of compositing and animating in Adobe After Effects CS5 by creating a dynamic motion title sequence. This first episode covers animation terminology, the After Effects workspace, commonly used tools and basic motion.
Runtime : 00:27:36 Added : 09/14/2010
About this show
Classroom: Basic Compositing and Animation in After Effects
Join Multimedia Expert Adam Shaening-Pokrasso as he walks you through an in-depth introductory course in Adobe After Effects CS5.
|Episode Title
|Products Covered
|My Library
|Part 1 - Animation and Compositing Basics
|Part 2 - Animation Technique and Keyframe Interpol...
|Part 3 - Masking and Duplicating Layers
|Part 4 - Parenting
|Part 5 - Pre-Comps and Master Compositions
|Part 6 – Photoshop to After Effects Workflow
|Part 7 - Final Touches and Rendering
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The U.S. Army Criminal Investigation Command (CID) confirmed today that Special Agents are investigating the death of a Fort Carson Soldier who was found dead in his on-post home on March 4, 2013.
Although foul play is not suspected at this point in the investigation, CID has not completely ruled it out in order to conduct a complete and thorough investigation. They are not releasing any further details at this time.
That man has been identified as Master Sgt. Joseph P. Bascio. Bascio, who was assigned to the 759th Military Police Battalion, served three deployments in Iraq and was a 25-year Army veteran.
Fort Carson released a statement today saying : "Fort Carson is saddened by the loss of one of our Soldiers, and our
condolences go out to Master Sgt. Bascio's family. "
CID agents are also investigating allegations of a recent sexual assault involving personnel from Fort Carson.
At this point, CID is not confirming if this investigation and the death investigation cited above are linked.
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text:
May 6, 2016
A man from the east and another from Wake County were charged with trafficking cocaine following a joint investigation led by agents from the Division of Alcohol Law Enforcement.
Dishawn Goss, of Barefoot Lane, in Winterville and Eric Williams of Raleigh, were arrested in Wake County. Investigators seized approximately 1.5 kilos of cocaine, two ounces of crack cocaine, 1.5 pounds of marijuana, two vehicles, $60,000 in cash, and a firearm.
In addition to ALE, the joint investigation included the Pitt, Martin and Washington County Sheriffs' Offices and the Plymouth Police Department.
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text: A daring new rich leather satchel with clever zippered pocket hidden under the pleat from Coach that's structured yet thoroughly modern. With double handles, detachable shoulder strap, zip closure, gold hardware, plus lined interior with zip and cell pockets. Dimensions: 15"L x 4"W x 13"H. 6" handle drop and 13" shoulder strap drop.


text:
Pep Guardiola admits he has been surprised by Bayern Munich's dominance of the Bundesliga this season.
Victory for the Allianz Arena outfit at Hertha Berlin on Tuesday would be enough to crown them champions of Germany for the 24th time with seven games to spare.
Ahead of that game, Guardiola revealed he has been taken aback by his side's consistency.
"I am surprised (by) what my players have achieved - 18 straight wins is a great record," he said.
"The sooner we win the league the better, but it's no foregone conclusion that we'll win tomorrow (Tuesday). We have to play against a strong opponent.
"There will be a huge celebration if we win the league tomorrow. Winning the Bundesliga isn't easy.
"For me, the Bundesliga is the most important title. You have to show you're better every week."
Thiago Alcantara is the only Bayern player in doubt for Tuesday's clash, and Guardiola has suggested he may take the opportunity to rotate his squad.
"Thiago will undergo a few tests, but all the other players are fit," he added. "Everyone's fit, so we can rotate as much as we want."
|Villarreal 1 Liverpool 0: Adrian hands injury-time advantage to La Liga side
|Shakhtar Donetsk 2 Sevilla 2: Gameiro nets late penalty to salvage draw
|Bayern Munich v Borussia Monchengladbach: Wounded Bayern on the brink of Bundesliga glory
|Reina lauds Atletico ´super-team´
|AC Milan announce €89.3m loss
|Wilshere: Injuries inevitable with my style of play
|Atletico Madrid v Rayo Vallecano: Saul demands La Liga focus
|Mancini feels Toure swoop is unlikely
|Atletico a joy to watch, says Allardyce
|Liverpool ordered to pay record tribunal fee to Burnley for Ings
|Klaassen not interested in Napoli move
|Borussia Dortmund v Wolfsburg: Hummels transfer request disrupts hosts´ preparation
|Alli banned for the rest of Spurs´ season by FA
|West Brom v West Ham: Bilic tips Pulis to put up a fight
|Agbonlahor steps down as Aston Villa captain
|Real Betis v Barcelona: Mixed emotions for Montoya as visitors close in on title
|Hummels tells Dortmund he wants Bayern move
|Matuidi out of PSG-Rennes clash
|Newcastle United v Crystal Palace: Pardew poised for St James´ return
|Flores reveals Watford break clause
|England´s Jones helps Pardew keep Eagles grounded
|Arsenal v Norwich City: Under-fire Wenger buoyed by easing injury woes
|Forster: Chelsea rumours a compliment
|Lambert to leave Blackburn
|Sakho provisionally suspended by UEFA
|Stoke City v Sunderland: Allardyce wary of wounded Potters
|Falcao: USA can win Copa America
|Madrid confirm Benzema hamstring strain
|Everton v AFC Bournemouth: Martinez wants repeat of Wembley second-half
|Fabregas wants title challenge under Conte
|The pressure got to me at Tottenham, reveals Soldado
|Bilic has no concerns over Cresswell future
|Bilic: I might have to be a Manchester United fan!
|Real Sociedad v Real Madrid: Carvajal hoping to cope without Benzema and Ronaldo
|Martinez: Judge me over three seasons, not two or three months
|Unhappy Muller accepts being dropped for Atletico clash
|Cattermole crucial to Sunderland relegation fight - Allardyce
|Leicester success not a one-off - Mandaric
|There cannot be two coaches of Inter - Mancini
|Guardiola: Don´t compare Saul to Messi
|MLS Review: NYC stumble again, Timbers hold Revolution
|America 2 Tigres UANL 1 (4-1 agg): Arroyo, Martinez seal win
|Copa Libertadores Review: Rosario claim away advantage, Corinthians hold Nacional
|PSG prospect Edouard signs first professional contract
|Gap between Juventus and Milan is ´embarrassing´ - Sacchi
|Mancini: I made some errors this season
|Schlupp: Leicester are playing to win the title
|Leicester showing nothing is impossible - Del Piero
|Zidane does not like James, claims Valderrama
|Pressure on ´legendary´ Liverpool - Marcelino
|Madrid clash ´career-defining´ - Kompany
|Neuer: We have to be awake in Munich
|Moreno: I´m at my best thanks to Klopp
|Bale: City are elite but Madrid more mature
|We showed we belong - Oblak
|Torres: This is for the Atletico supporters
|Alonso: It could have been worse but Bayern still believe
|Simeone praises ´best´ Atletico after Bayern triumph
|Guardiola blames slow start for Bayern loss
|Saul hails most important and beautiful goal of his career
|Filipe Luis lauds Atletico match-winner Saul
|Chelsea down City for third straight FA Youth Cup
|Atletico Madrid 1 Bayern Munich 0: No joy for Pep as Saul answers the call
|Lille 0 Angers 0: Coupe de la Ligue finalists frustrated in stalemate
|Lucescu plays down Konoplyanka factor
|Experience can count for nothing, Klopp warns Liverpool
|Sevilla are ready to make history - Emery
|Klopp delight for Hillsborough families
|Cosmos boss claim contact with Totti
|Paris Saint-Germain v Rennes: Pastore insists champions remain motivated
|Ronaldo will be ´80 per cent´ fit... according to his mother
|Europa League a ´dream´ for Villarreal and Soldado
|Ozil: Third place will mean Arsenal have achieved target
|The Bendtner experiment was a failure - Allofs
|Infantino wants friendly between North and South Korea
|´The worst cash out decision in history´ - Leicester backer bailed on 5000/1 bet - for 95p!
|Sakho will not contest doping offence, but has Euro 2016 lifeline
|Ibrahimovic, Di Maria, Ben Arfa up for Ligue 1 award
|Simeone banned for rest of Liga season
|Cazorla open to Villarreal return
|RB Leipzig rejected Vardy for being ´too old´ at 27
|Villa: Griezmann at Messi and Ronaldo´s level
|ICC chief dreams of hosting Old Firm derby at Wembley
|Evra: Allegri has no time for idiots
|Beckenbauer backs Hoeness to step in for Sammer at Bayern
|Benzema is France´s best striker - Sagna
|Guardiola: Bayern success hinges on Champions League
|´Never give up and be positive´ - Ronaldo rallies Madrid team-mates
|Hart performance was ´Schmeichel-esque´ - Ferdinand
|Benitez relieved for Hillsborough families
|It´s hard without Ronaldo - Kroos
|Former Inter midfielder Mariga banned for five games for injuring referee
|Nichols free to play grand final
|Copa Libertadores Review: Mosquera gives Tachira advantage, Nacional hold Huracan
|Sampaoli: I almost joined Chelsea
|Leicester´s triumph unbelievable, but deserved - Fletcher
|Szczesny wants Roma stay
|Torres: Nothing would compare to winning a title with Atleti
|Ramos satisfied with 0-0 draw
|Filipe Luis: Leicester are like Atletico
|Ronaldo is not a child - Casemiro
|Lewandowski: Maybe I will play in England or Spain
|There are ´a million´ more disappointing results than 0-0 - Kompany
|Leicester don´t need Vardy to win title at United, says Simpson
|Dalglish: Families deserve Hillsborough verdict
|Moving Southampton game impossible - Pellegrini
|Tavecchio coy on Conte replacement
|Pellegrini accuses Madrid of lacking intent in stalemate
|Bale pleased with Madrid display
|Ronaldo, Benzema doubtful for second leg against City
|Silva out of semi-final second leg with hamstring injury
|Football League Review: Walsall close in on top two, Portsmouth seal play-off place
|Reluctant saviour Bale fails audition as Ronaldo´s successor
|Manchester City 0 Real Madrid 0: Honours even at Etihad
|Shakhtar Donetsk v Sevilla: Stepanenko ready for reigning champions
|Simeone hints at future Inter role
|Simeone ready for Bayern battle
|Tottenham eye Marseille´s Batshuayi
|Eric Black calls on fans to help Villa bounce back
|Pochettino: Managing PSG would be a dream
|Lahm desperate for away goal in Spain
|Raul surprised by Zidane coaching role
|Ronaldo out of Manchester City v Real Madrid
|Atletico have no weaknesses, Falcao warns Bayern
|Zieler to leave relegated Hannover
|Guardiola will leave great legacy behind at Bayern - Alonso
|Villarreal v Liverpool: Klopp ready to fight
|Aldridge - the biggest victory in the history of the club
|Ayre hails ´resilience and dignity´ of Hillsborough families
|Alli charged by FA
|Ben Arfa addresses transfer talk - ´Everything is possible´
|Norwich, Sunderland warned and fined by FA
|Kane: Spurs must cope with teams getting under our skin
|Bale keen for Tottenham return
|Intimidation key to Cech´s success
|Atletico treating Bayern clash like a final - Saul
|Hummels thinking about Bayern, confirms Rummenigge
|Hillsborough ´the greatest miscarriage of justice of our time´ - Burnham
|Boateng in Bayern squad for Atletico clash
|Crown Prosecution to consider criminal charges after Hillsborough verdict
|Coric claims Bayern, Madrid and Manchester City interest
|Juventus fear losing Morata and Cuadrado
|Hillsborough victims were unlawfully killed, says jury
|Hernandez: I rejected Juventus for Leverkusen
|Pepe: I am not violent - Neymar has more yellows
|Buffon: Champions League must follow for Juventus
|BREAKING NEWS: Vardy hit with additional one-game ban by FA
|Davids defends Neymar over Barcelona form
|Sydney FC sign Australia´s Wilkinson
|Running of the bulls easier than playing Atletico - Watzke
|Sakho has let Liverpool down, says Carragher
|Juventus were ´extremely lucky´ to win Serie A, claims Maradona
|´Strong character´ Alli sometimes provoked – Pochettino
|Vidal hopes to retire at Bayern Munich
|Leicester star Mahrez not interested in move to PSG
|Gameiro plays down Barcelona link
|Benitez has got Newcastle fighting with aggression - Anita
|Allegri set to sign new deal after Scudetto triumph - Marotta
|Boufal weighing up every option ahead of expected move
|Napoli will sell Higuain and should replace him with Kane, says Maradona
|Toure ready to fill Sakho void against Villarreal
|Martial has proved worth to United, says Smalling
|Dortmund fans would give Gotze a second chance - CEO
|Dortmund open to Hummels exit
|Pulis delighted with West Brom work-rate
|Juve captain Buffon revels in ´most beautiful Scudetto´


text:
The Power of Independent Thinking
David Theroux on KTVU2 on the War on Terror
Recorded: Friday, July 8, 2005
David Theroux addresses rising terrorism concerns following bombings in London and Madrid and the need for an exit strategy for the Iraq war in a KTVU Channel 2 report.
Experts: David J. TherouxType: TelevisionIssues: Terrorism and National Crises
Alvaro Vargas Llosa on the Latin American Left
Recorded: Friday, April 29, 2005
Senior Fellow Alvaro Vargas Llosa discusses the rise of the Latin America left on the NewsHour with Jim Lehrer on PBS.
Experts: Alvaro Vargas LlosaType: TelevisionIssues: Economic History and Development (International), Latin America
David Theroux on KTVU2 on Government Taxes and Spending
Recorded: Friday, April 15, 2005
David Theroux discusses the breakdown of U.S. government tax spending and reducing the burden placed on taxpayers in a KTVU Channel 2 report.
Experts: David J. TherouxType: TelevisionIssues: Fiscal Policy/Debt, Taxes