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English: iPhone using the Wikitude application, demonstrating an example of Augmented Reality (Photo credit: Wikipedia)
How Much Does Cell Phone App Development Cost?
One of the most common questions surrounding app development is "how much does it cost?" Unfortunately, the answer is not as clear or direct as the question. Zco Corporation has developed apps costing as little as $5,000 and as much as $1 million. The overall cost to develop an app depends on a number of factors throughout the development process.


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We are used to seeing our local police officers and firefighters working together to protect the people in their communities.
Tonight, however, will see several local emergency responders facing off to see who is better on the gridiron. All of it will be done for a good cause, though, as all proceeds raised will benefit the Brooke County Special Olympics.
For four years now, our area's bravest and finest have been going toe to toe in what has been dubbed the Brooke County Special Olympics Bowl, all in an effort to help send local Special Olympians to regional, state and international competitions.
Last year's event raised $5,000 and we know this year's game can do just as well.
We thank our local firefighters and police officers who are willing to play in this game each year, showing a willingness to give back when they already do so much for the rest of us.
We encourage our residents to show up at 7 p.m. today and fill the stands at Brooke Memorial Stadium. Cheer on your favorite team by wearing either blue or red. Show your support for those on the field, and especially for our area Special Olympics athletes who are constantly doing everything they can to bring pride for themselves and their home towns.
Come out, have some fun, show your community spirit and lend a hand to this great group of people.

subset: commoncrawl


text:
Brian Castro was appointed National Ombudsman and Assistant Administrator for Regulatory Enforcement Fairness at the U.S. Small Business Administration in August 2013.
When small businesses...
The National Ombudsman receives comments from small business concerns and acts as a liaison between them and federal agencies. Comments received from small businesses, are forwarded to federal agencies for a high level review and federal agencies are requested to consider the fairness of their enforcement action.
A copy of the agency's response is sent to the small business owner by the Office of the National Ombudsman. In some cases, fines have been lowered or eliminated and decisions changed in favor of the small business owner.
To file a comment or complaint online click here.
If you would like to complete a form to fax or mail, click here to print a blank Comment form.


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The Irish Enchantress
Renegade Heart
Taming the Beast
Renegade Heart
Taming the Beast
Ciara Caldwell, CIA Agent, and Bryce Ashland, Secret Service, meet one night in Hong Kong while both are on assignment. Ciara knows BryceÆs role, but Bryce only knows Ciara as an ōembassy employeeö. The have intensely hot sex and part, without even knowing each otherÆs names.
Five years later, Bryce is a widower with an 8-month-old baby girl, desperately in need of a decent live-in nanny. He married a young girl who he had slept with and gotten pregnant. He left the service at the request of his wife and has taken over the family business in South Carolina. The wife passed away from complications during childbirth, leaving Bryce with a heavy load of guilt and a baby. The guilt is due to their strained relationship and BryceÆs feeling that if they had not had sex, she would not be dead. But baby Carolina is his one blessing and he adores her.
Ciara is in trouble, having evidence against her partner in the CIA that will convict him of spying. She goes underground, offering to work as a live-in nanny, changing her last name and utilizing the skills from her childhood, when she cared for her sister and two brothers.
Ciara and Bryce have been unable to forget that erotic night in Hong Kong and are shocked to find that the attraction has not diminished. Their fantasies around that night have probably even enhanced the lustful thoughts that both must deal with when Ciara pops up on BryceÆs doorstep.
They agree to give this a tryout, both acknowledging they need the other, and the fun begins.
Unfortunately, I have a lot of difficulty with the entire plotline. It is implausible to think that an active CIA agent can just bury herself in South Carolina, check in periodically to see if they have caught the bad guy and just adapt to caring for a young child without any ramifications. Secondly, I find it hard to believe that a seasoned Secret Service agent would just welcome an unknown woman into his house, trust her with his child and not do any background checks.
The sexual tension and its ebbs and flows are the heart of the story. Ciara turns off her emotions and just ignores Bryce. However, for a professional and hardened spy, she quickly resorts to a roller coaster of emotions. She cries easily, and is besieged by her emotions around the past with her family, with Bryce and with her growing love for both Bryce and his daughter. This seems so inconsistent with the character she is supposed to be that I found myself losing interest.
Bryce follows the same pattern, but for different reasons. He fears allowing his emotional vulnerability to be seen, while tormenting himself with his wants and needs. He sees the bonding between Ciara and Carolina, but does nothing to protect his daughter from the trauma of a break-up that he is convinced will occur. He is a strong hero in his caring attitude, his principles and his willingness to take a risk. Yet, he allows himself to shrug off the unease he feels when he thinks Ciara is keeping secrets from him. This lack of conviction detracts from his appeal.
Having said all that, I have to admit I was easily drawn into the sexual tensions and the hot encounters Ciara and Bryce experience on their journey to finally admitting their love. Their obvious love of the baby endeared them to me throughout the story. The scene when Carolina takes her first step is poignant and brings a smile. The glimpses of normalcy with friends at a cookout hint at what could be a great romance. But the overall theme is sexual tension, which isnÆt enough to carry the romance.
The constant threat hanging over Ciara is never realized and eventually detracts from the overall story. This dangling plotline cemented the impression that that the story is really just about instantaneous combustion, lust and sex.
Single Father Seeksģ satisfies on a basic level, but if you are looking for a romance with depth, this is not the story for you.
--Shirley Lyons


text:
Speckled Sussex,Standard Blue Cochins,Blue/SplashMarans. 2 months up
Speckled Sussex $15 each.
Cochins Both Standard and Bantams Pullets $25 each
Blue Marans $25 each
Must buy 2 pullets or 4 juveniles..
Pictures of parent birds.
281 350 1322
Apr 24 -
Young Male Horse
Young Horse
Apr 23 -
Fertile guinea eggs for hatching in the incubator or under a broody hen.
$2.50 each.
Apr 21 -
Fertile Hatching PEACOCK/PEAFOWL EGGS.
Fertile peacock/peafowl hatching eggs
$30 each.
Colors are India Blue. White and also silver pied.
Fertile and fresh.
Ready for the incubator.
281 350 1322
AMHA/AMHR Mini Mares- Champion Lines
2007 AMHA/AMHR 32.5" Bay mare. She is a granddaughter of Cross Country's Call Me Sir. 2003 AMHA/AMHR 30.75" Bay pinto mare. She is a granddaughter of Dipper's Duffy. Both sires listed have made history in the miniature horse industry. These mares are well bred and are being sold well below what they are worth. I am asking $600 each or $1000 for both. I would prefer they stay together. I will email pics.
Apr 21 -
Denson Spring
Standard Big Blue Cochin Pullets/Cocker. FEATHER FOOTED!
Pullets and Cockerals. Standard Big Blue Cochins. Good layers and excellent broody hens. $25 each. Minimum sale 3.
281 350 1322
Apr 19 -
Black Gelding, 10yr, good trail horse
Coal is a 10 yr old gelding, he was used for a while for hog hunting, but then went on to a girls camp, and now we own him, hes good on trails, little to no spook. The girls camp tends to spoil them so he got nippy, BUT thats about his only fault and we've worked on that. He lunges well, stands for tacking, bathing, trimming and grooming. Loads easy. He's about 14.2hh.He's up to date on everything, coggins, shots , trims, worming,teeth floating, and even had a adjustment with the others by a ...
Apr 16 -
Feather footed cochin for sale.
All assorted colors. $25 each.
Will lay this summer. Sold straight run-unsexed.
281 350 1322
4010 West Spring Stubner
Apr 16 -
)))) L@@k ((((( 6 horse trailer
Six horse trailer. Werm flooring , Electric jack, large mid tack, living quarters with AC and heat strip ,water tank and sink, microwave , frig, very nice trailer getting out of the race horse business. Has new tires and the trailer pulls great call 979-702-9909
2 and 3 pic are the mid tack
Apr 15 -
fresh eggs chicken. duck geese
For sale Fresh eggs $3.75 1 dozen duck $5.00. Geese $10.00Tel.832-837-3341 se habla español
Apr 14 -
White haired Sheep
Beautiful lambs for sale. 2 months old.
Female - white haired
Male - part white hair and part dorper
$100.00 each FIRM
2920/Roberts Cemetery Rd. area near Magnolia, Tx.
Apr 13 -
Big PUREBRED MUSCOVY ducks. Free ranged. Grain fed. Very plump
Muscovy ducks are great at eating mosquitoes. They'd be awesome for fly control in the horse barn too.
Naturally organically raised on pasture with corn fed for a treat.
$30 EACH for Hens. 2 hens left.
$30 each. Drakes.
This is a group of ducks that will be
excellent for keeping insects down. Lots of people use them in horse barns.
I've heard they kill snakes too?
Bring cash and a box or dog crate for them to transport in.
I will need help catching them. They are ...
Apr 12 -
Horse Farm Help Wanted
Wanted--Someone to work Monday thru Friday for 3 hours each morning. on a Horse Farm cleaning stalls and other barn duties. Must know how to handle horses and have own transportation. Pearland, Tx. 281-489-8777
Apr 11 -
Beautiful Reg. Appaloosa Mare
Black with white blanket, APHC Reg., Col. Freckles bred Appaloosa mare; she has a beautiful head and lots of mane and tail - very dressy mare; 8 yrs. old, 15.3 hands; has had one foal which was spotted and is a wonderful mom; excellent ground manners (Clinton Anderson method), easy to handle; trailers well, good in a stall or pastured with other horses; green broke to ride, just needs to be finished up. Would make a nice English, endurance or barrel prospect. We're moving and would like to find her ...
Apr 11 -
Riding lessons, Tots to teens & moms,Dads too
We are specializing in the tots, 4,5,6 and teens and moms and dads, beginners. We're not a big fancy barn, we aim to give you a comfortable enjoying time. We teach about horses as well as how to ride them. Its a family atmosphere, everyone is friendly, we're older retired folks and enjoy all ages. come meet us, get to know the horses, see if you want to join our little group. We offer picnics by the pond, birthday parties, just relaxing in the quiet surroundings. We are also available after work on ...
Apr 11 -
Horse Boarding
We offer quality boarding and care for your horse, my own are 34,26,25,22 and very fit and healthy, so I know wht to do. I will treat your horse like its my own..I have lots of references from past boarders and currant ones also. I include worming every 10 weeks. I feed quality feed and hay only. I am a retired Vet Tech and have a keen eye for problems before they arise. All paddocks have walk ins or stalls connected. My web site is www.jecarouselfarm.com
Bay and white Paint Mare with two blue eyes
Fancy Nightlark Angel
APHA registered just can't find her certificate but that can be remedied for $125 that APHA charges for a replacement certificate.
Lab tested to have only paint babies
Has had two paint colts.
Has great pedigree which will provide this coming weekend since so much to type. Has racing and cow horse lineage
Was once saddle broken but has not been ridden in 6 yrs.
NOT a KID Horse. Would need an experienced rider.
Priced set low because not current on shots.
Very pretty horse, ...
Apr 10 -
XX Tiny Miniature Horse !!!!
Lily ,is a very sweet and loving XX tiny miniature horse yearling filly she is halter and lead rope trained.Right now she looks like a little polar bear because of her winter coat , but she is very petite. Her Mom and Dad are AMHA and AMHR registered. Call or message me at 713-305-2551
Apr 9 -
Male and female pair mini donkeys. Asking $300 obo! Female might be pregnant she is 1 year and male is 10 months! Please call or txr 936-499-2785
Apr 5 -
goat for sale
i am selling a goat for sale. also i have for sale sheeps.my number is 7136790684
Apr 5 -
We have a male and female pair of mini donkeys. They need good homes. Male is 10 months old and female is 1-2 years. She may be pregmant by a diffrent jack! Asking $300 for the pair! Please call ot txt me at 936-499-2785
Apr 4 -
Quarterhorse - Eagle - Large - Adult - Male - Horse
Quarterhorse - Eagle - Large - Adult - Male - Horse
Name: Eagle
Rescue ID: TBarH128
Breed: Quarterhorse
Gender: Male
Color: Black
Age: Young
Eagle is a dandy, grade gelding ready to meet his human partner and get started under saddle. He has been working with a wonderful trainer and likes to learn and have something to do besides stand the pasture looking handsome. Eagle is a seal bay with a white star on his forehead and a steady, friendly personality. At 15 hands, he's ...
Apr 4 -
Quarterhorse - Baco - Large - Adult - Male - Horse
Quarterhorse - Baco - Large - Adult - Male - Horse
Name: Baco Recue ID: TbarH203 Breed: Quarterhorse Gender: Male Color: Chestnut/Sorrel Age: Adult Baco is a sweet, gentle Quarterhorse available as a companion horse. He can be used as a lead-line horse for small children and/or to brush and love on. If you are interested in Baco or any other horse, dog or cat, please go to www.t-bar.org and see all the animals that deserve a second chance and fulfilled life full of love.
Breed: ...
Paint/Pinto - Admiral - Large - Young - Male - Horse
Paint/Pinto - Admiral - Large - Young - Male - Horse
Name: Admiral Rescue ID: TbarH252 Breed: Paint/Pinto / Quarterhorse / Mixed Gender: Male Color: Paint Admiral is a beautiful boy! He was gelded the summer of 2011 and is a stout boy who loves to play in the mud and run all day with his pasture mates. With some time and attention, Admiral could be a great partner.
Breed: Paint/Pinto
Size: Large
Petfinder ID: 25662898
Pet has been spayed/neutered
True ...


text:
The Pew Charitable Trusts is driven by the power of knowledge to solve today's most challenging problems. Pew applies a rigorous, analytical approach to improve public policy, inform the public and stimulate civic life.
Dec 17, 2012
The Census Bureau's new national population projections released this week forecast markedly lower growth for the nation in the coming decades—especially from immigration—than the last official projection in 2008. In fact, the bureau's new projected population of 420.3 million in 2060 is below its previous projection of 439 million for a decade earlier, in 2050. The bureau's new projected population for 2050 is 399.8 million.The 2060 population figure, which represents a 34% increase from the U.S. 2012 population of 314 million, assumes that annual growth will range from just below 2 million to 2.5 million. That is decidedly less than in 2008, when the bureau assumed the nation would add about 3 million to 3.4 million people each year through 2050, the final year in that set of projections.
Population projections are created from underlying assumptions about the nation's future net immigration, birth rates and death rates. Formulating new population projections is especially challenging now because the Great Recession that began in 2007 has helped to slow immigration and births. Immigration levels have come down since a peak in 2001, and unauthorized immigration began falling around 2007. Birth rates, already decreasing in recent decades, declined sharply after 2007. But are these recession-related declines a short-term blip or do they represent a long-term swerve?Read the full article, Census Bureau Lowers Forecast and 'Loses' 39 Million Future Americans, on the Pew Research Center's Social & Demographic Trends Project website.
The Pew Health Group's new Web site informs and engages people about issues that affect their health and well-being.
Spring 2012
Read articles on improving elections, the changing news environment, improving school lunch standards, and more.
The Pew Charitable TrustsTel: 215.575.4810 PATel: 202.552.2169 DCEmail: email@example.com
About The Pew Charitable Trusts:
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The Pew Charitable Trusts. All rights reserved.
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text: At DataTech Labs we understand how important your data is so our professional staff will work around the clock to ensure a timely turn-around of your data recovery needs. Our recovery engineers have decades of experience recovering data from failed hard drives, computers, RAID arrays, and removable media devices. We are proud to offer professional data recovery services to Philadelphia and surrounding areas thoughout Pennsylvania.


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RecordPad Free Sound Recording Software 5.12
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RasterVect Free Edition 16.3.8
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AutoServices 2.00
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Preventive and Corrective Actions Process Manager. Automation of ISO procedure. This procedure automates the process of preventive and corrective actions taken into a company. The procedure starts with the fill in of the preventive and corrective actions request form. On this form there is the possibility to attach files. The tasks arise the one after the other in the Tasks menu of the employees of the company.
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Smart Chefs Stay Slim
Lessons in Eating and Living From America's Best Chefs
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Chefs are around delicious, tempting food all day. So how do they manage to look good while eating so well? When People magazine editor Allison Adato found covering the restaurant world was taking a toll on her own waistline, she turned to top chefs for their secrets. Here, more than three dozen greats like Eric Ripert, Thomas Keller, Rick Bayless, Tom Colicchio, and Michelle Bernstein reveal how to:
"Overeating may be an occupational hazard, but some chefs manage to maintain their weight. Smart Chefs reveals their successful strategies for eating what they love-in moderation, of course. Adato presents their strategies as 'lessons' that should work for anyone who adores food. Smart Chefs is fun to read and packed with good advice."—Marion Nestle, Professor of Nutrition, Food Studies, and Public Health at New York University and Author of What to Eat — Marion Nestle, professor of nutrition, food studies, and public health at New
"Smart Chefs Stay Slim is at once approachable, realistic and mouth-watering." — Gail Simmons
"A breezy, entertaining read sharing lessons, tips and recipes from some of America's best-known chefs in answer to the compelling question, 'How do chefs stay slim?' It's filled with enjoyable anecdotes that promise to help fuel your efforts to do the same."—Karen Page and Andrew Dornenburg, James Beard Award–Winning Authors of the Bestseller The Flavor Bible and The Food Lover's Guide to Wine — Karen Page and Andrew Dornenburg, James Beard Awardwinning authors of the bes
"Sure, chefs are delighted to talk about childhood obesity, and a healthier America, but getting this personal? Sharing private details about their own struggles and frustrations with weight? It's very rare. I love this book because of the great practical tips. But I really love this book because it humanizes so many legendary chefs, who aren't above taking inventory of their own bodies -- as emotional as that can be -- just like the rest of us."—Alyssa Shelasky, author of Apron Anxiety and editor at New York magazine's Grub Street — Alyssa Shelasky, author of Apron Anxiety and editor at New York Maga
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DETROIT (AP) - Alex Petan's two goals led Michigan Tech past Michigan 4-0 and into the championship game of the Great Lakes Invitational college hockey tournament at the Joe Louis Arena in Detroit.
The Huskies (5-10-3) play Western Michigan today in hopes of winning their first GLI championship since 1980. They last appeared in a title game in 2007.
Petan scored in the first and third periods Saturday. Jujhar Khaira and Tommy Brown also scored for MTU, which had been 0-4-3 in its previous seven games.
Pheonix Copley made 38 saves, including 16 in the first period.
Michigan (6-10-2) had won two straight Great Lakes titles. The Wolverines were 0 for 4 on the power play.
Western Michigan won a shootout 1-0 on Saturday to advance to the finals of the GLI.
The Broncos (11-4-2) got their only goal in regulation from Mike Cichy at 10:21 of the first period. This is Western's first appearance in the tournament since 1986.
Michigan State (5-10-3) got the tying goal from Matt Berry with 16 seconds left in regulation during a power play.
Western Michigan got five shots on goal in overtime, while the Spartans had just one.
Mike Leone scored the only goal in the shootout, the first ever at this event.
Michigan State has been in the title game for three of the last four years, but the Spartans are 1-5-2 in their last eight games this season.


text:
Bloodborne Pathogens
Chapter 296-823, WAC
Effective Date: 09/01/04
|Control Employee Exposure
Your Responsibility:
To use feasible controls to eliminate or minimize occupational exposure to blood or other potentially infectious materials (OPIM)
If occupational exposure
remains after implementing these controls, personal protective
equipment must be used. See WAC
296-823-150, Personal Protective
You must
Use feasible controls, including appropriate equipment and safer medical devices, to eliminate or minimize occupational exposure
You must
- Use appropriate equipment and safer medical devices to eliminate or minimize employee exposure.
- Use work practices designed to eliminate or minimize employee exposure.
- Examine and maintain or replace equipment and safer medical devices on a regular schedule to make sure they remain effective.
Sharps with engineered sharps injury protections (SESIP) is a nonneedle sharp or a needle device used for withdrawing body fluids, accessing a vein or artery, or administering medications or other fluids, with a built-in safety feature or mechanism that effectively reduces the risk of an exposure incident.
Handle contaminated sharps properly and safely
You must
- Make sure that you don't bend, recap, or
remove contaminated
needles or other contaminated sharps unless
you can demonstrate that there is no feasible alternative or
that it's required by a specific medical or dental procedure.
– Bending, recapping or needle removal must be done by using a mechanical device or a one-handed technique.
- Demonstrating that no alternative to bending, recapping, or removing contaminated sharps is feasible, may be accomplished through written justification, supported by reliable evidence, in your exposure control plan.
You must
- Make sure you don't shear or break contaminated needles.
Handle reusable sharps properly and safely
You must
Place contaminated reusable sharps immediately, or as soon as possible after use, in appropriate containers until properly decontaminated. Containers must be all of the following:
- – Puncture resistant
- – Labeled or color-coded as described in this chapter
- – Leakproof on the sides and bottom
- – Meet the same requirements as the container for disposable sharps, except they don't need to be closable.
- Store or process contaminated reusable sharps so employees aren't required to reach into the container or sink by hand.
- Make sure reusable sharps containers aren't opened, emptied, or cleaned manually or in any other manner that would expose employees to contaminated sharps.
Minimize splashing, spraying, splattering,
and generation of droplets
You must
- Make sure all procedures involving blood or OPIM are performed so splashing, spraying, spattering, and generation of droplets are minimized.
- – Examples include:
- Appropriate operation and use of recommended controls for surgical power tools, lasers and electrocautery devices
- Use of personal protective equipment when contact with blood or OPIM is reasonably anticipated
- Making sure cleaning procedures don't generate unnecessary splashes, spraying, spattering, or generation of droplets.
Make sure items are appropriately labeled
Attach appropriate labels to:
- - Containers used to store, transport, or ship blood or other potentially infectious materials (OPIM) including:
- Refrigerators
- Freezers
- – Sharps containers
- – Contaminated equipment
- – Laundry bags and containers
- – Specimen containers
- – Regulated waste containers.
- Make sure that labels:
– Include the following symbol:
- – Are all or mostly fluorescent orange or orange-red with lettering and symbol in a contrasting color
- – Are attached to the container by string, wire, adhesive, or other method so they can't become lost or accidentally removed.
Make sure employees clean their hands
You must
1) Provide handwashing facilities that are readily accessible to employees, wherever feasible. If handwashing facilities aren't feasible, provide either one of the following:
- Antiseptic towelettes
- Antiseptic hand rub product along with clean cloth/paper towels.
2) Make sure employees clean their hands as soon as feasible after removing gloves and whenever there is the potential for contact with blood or other potentially infectious materials (OPIM). Do one of the following:
- Wash with soap and water
- Use an appropriate waterless antiseptic hand rub product or towelettes, provided there are no signs of visible contamination
- Use an appropriate waterless antiseptic hand rub product or towelettes followed by washing with soap and water as soon as possible, when hands are visibly contaminated and handwashing facilities aren't immediately available.
3) Make
sure employees wash any skin with soap and water, or flush mucous
membranes with water as soon as feasible following contact with
blood or OPIM.
You must
Prohibit food, drink, and other personal
activities in the work area
You must
- Make sure eating, drinking, smoking, applying cosmetics or lip balm, and handling contact lenses are prohibited in work areas where there is occupational exposure.
- Make sure food and drink aren't kept in refrigerators, freezers, shelves, cabinets, or on countertops or benchtops where there is a potential for exposure to blood or other potentially infectious materials (OPIM).
Prohibit pipetting or suctioning by
- Prohibit mouth pipetting or suctioning of blood or other potentially infectious materials (OPIM).
Place specimens in an appropriate containerYou must
- Place specimens of blood or other potentially infectious materials (OPIM) in an appropriate container that prevents leakage during collection, handling, processing, storage, transport, or shipping.
- Make sure the container is properly labeled
or color-coded and closed before being stored, transported,
or shipped.
– If outside contamination of the container occurs, the container must be placed inside a second container that prevents leakage and is properly labeled or color-coded– If the specimen could puncture the container, the container must be placed inside a second container that:
Is puncture-resistant
- Prevents leakage during handling, processing, storage, transport, or shipping
- Is properly labeled or color-coded.
Helpful Tool:
This tool contains information about the handling and storage of criminal evidence. Criminal evidence contaminated with blood or OPIM is considered a specimen under the scope of this chapter. You can find a copy of this tool in the Resource section of this chapter.
Examine and label contaminated equipment
You must
Examine equipment which could become contaminated with blood or other potentially infectious materials (OPIM) before servicing or shipping.
– Decontaminate this equipment and its parts as necessary unless you can demonstrate that decontamination isn't feasible
– Attach an easily seen biohazard label to the equipment stating which portions remain contaminated.
You must
- Make sure that information on contaminated equipment is communicated to all affected employees, the servicing representative, and the manufacturer as appropriate, prior to handling, servicing, or shipping so that appropriate precautions will be taken.
Make sure your worksite is maintained in a clean and sanitary condition
You must
1) Develop an appropriate written schedule for cleaning and decontamination based upon the following:
- The location within the facility
- Type of surface to be cleaned
- Type of contamination present
- Tasks or procedures being performed in the area.
Decontaminate work surfaces with an appropriate disinfectant at these times:– After completion of a procedure
– Immediately or as soon as possible when surfaces are clearly contaminated or after any spill of blood or OPIM
– At the end of the workshift if the surface could have become contaminated since the last cleaning.
- Remove and replace protective coverings,
such as plastic wrap, aluminum foil, or imperviously backed
absorbent paper used to cover equipment and environmental surfaces,
as soon as possible when they:
– Clearly become contaminatedor
– At the end of the workshift if they could have become contaminated during the shift.
- Inspect and clean (on a regularly scheduled
basis) all bins, pails, cans, and similar receptacles intended
for reuse that have a reasonable likelihood for becoming contaminated
with blood or OPIM.
– Clean and decontaminate these types of receptacles immediately or as soon as possible when they are visibly contaminated.
- Use a brush and dustpan, tongs, forceps,
or other mechanical means to clean up broken glassware that
may be contaminated.
These lists are available from the EPA Office of Pesticides, antimicrobial pesticides website at http://www.epa.gov/oppad001/chemregindex.htm.
Handle regulated waste properly and
Regulated waste is any of the following:
You must
- Discard contaminated sharps immediately, or as soon as possible, in containers that are all of the following:
- – Closable
- – Puncture resistant
- – Leakproof on sides and bottom
- – Appropriately labeled or color-coded
- – Easily accessible to personnel
- – Located as close as feasible to the immediate area where sharps are used or areas sharps can be reasonably anticipated to be found (for example, laundries)
- – Maintained upright throughout use
- – Replaced routinely
and not allowed to overfill.
- Make sure when you move containers of contaminated sharps, the containers are:
- – Closed prior
to removal or replacement to prevent spilling or protrusion
of contents during handling, storage, transport, or shipping;
– Placed in a secondary container, if leaking is possible. The second container must be:
- Closable
- Constructed to contain all contents and prevent leakage during handling, storage, transport, or shipping
- Appropriately labeled or color-coded.
- Make sure regulated waste other than sharps is placed in containers that are all of the following:
- – Closable
- – Constructed to contain all contents and prevent leakage of fluids during handling, storage, transport, or shipping
- – Closed prior to removal to prevent spillage or protrusion of contents during handling, storage, transport, or shipping
- – Placed in a
second container if outside contamination of the primary regulated
waste container occurs.
- The second container must meet these requirements.
Dispose of all regulated waste according to applicable state and county regulations.
Handle contaminated laundry properly and safely
You must
- Handle laundry contaminated with blood or other potentially infectious material (OPIM) as little as possible and with a minimum of agitation.
- Bag contaminated
laundry or put it into a container at the location
where it was used
– Don't sort or rinse at the location of use
– Place and transport contaminated laundry in bags or containers that are properly labeled or color-coded
– If your facility ships contaminated laundry off-site to a second facility that doesn't use an infection control or isolation system when handling all of their soiled laundry, your facility must place the laundry in red bags or containers that are appropriately labeled.
You must
- Place and transport wet contaminated laundry that is likely to soak through or leak to the outside, in bags or containers that will prevent such leakage.


text:
Public Health
Through this program, you will gain a Northern European perspective on salient aspects of public health such as prevention, health promotion, and quality improvement. You will examine the challenges of health delivery, prioritization, and health economics.
- Access to real-life and current debates within the Danish healthcare system by designing a research question in a semester-long project in collaboration with a Danish public healthcare institution
- Understand what determines the priority setting for healthcare provision and the relationship between the many players involved in policy making and provision of health services
- Travel with your classmates and DIS faculty on course-integrated study tours to compare insights from the analysis of contrasting national healthcare systems
This program is right for you if you study health science, public health, public policy, or a similar discipline and wish to acquire skills for a graduate degree in health professions, and a future career in health administration or health promotion.
>> Health Delivery and Prioritzation in Northern Europe
This course aims at providing you with a solid knowledge of the provision and organization of public health in Northern Europe, and of the historical, social, economic, and political background of the present healthcare systems. You will explore what determines health priority setting and the relationship involved in policy-making and provision of health services.
- Credits: 3
- Week-Long Study Tour: Preference of Tallinn-Helsinki | Riga-Helsinki
- Core Course Week: A three-day study tour in Western Denmark alongside a two-day seminar in Copenhagen.
DIS has over 190 elective courses for you to build your curriculum from after choosing your required core course. You have to opportunity to focus on your major or diversify by selecting any combination of courses based on your needs. Click here for electives related to biology, and biomedicine/biotechnology, pre-medicine/health science, and public health.


text:
You're leaving Wedding Paper Divas to see the Deal of the Day at our parent site, Tiny Prints.
You won't be able to dismiss this by usual means (escape or click button), but you can close it programatically based on user choices or actions.
"The quality of the invites were better than expected. They look very high end. We ordered all of the accessories and will now be ordering our programs. Don't hesitate they are beautiful!"
"I ordered these for my wedding invitations, and I am very happy with the result! The Ecru paper is very high quality and durable, and the thermography is so beautiful! I did my research by ordering a few samples first to figure out what paper and font I wanted, and I ended up with the perfect invitations!"
"The weight and texture of the paper is beautiful and of great quality. I really liked that the texture and color of the invite carried over to the back of the card. I love the design on this card, I feel like the leaves look like they are painted as opposed to a quick stamp of color. I kept the same font and color as provided in the sample and I thought it was very easy to read and worked well with the over-all look of the invite. The customer service was excellent. I needed more room on the card for the wording and they were able to fit everything the way I wanted it. Also, I needed to call back and order more invites and the customer service was great. Delivery was very timely as well."
"They were perfect for our little garden wedding. I loved the texture of the paper. It gave it some character. The brown and green font was very organic looking. And the print on the back added some class. Customer service was great and we got them on time as promised which was awesome with only a 30 day lead time to our date!"
"We personalize this card with deep red ink and it looked amazing with the brown tree and borders. Paper used is very heavy and not cheap at all. Several friends and family have said they love the invitations...very unique! The team at WPD do a great job of communicating about personalization and listen well. I asked for a few items to be changed and had a new preview in 24 hours. HIGHLY RECOMMEND Wedding Paper Divas"


text: Close 2 INCH NEON TROUSER SHORTS Style: 3015271C 39.9 39.9 9.99 9.99 $39.90 $9.99 Read Reviews Classic trouser styling goes short, sexy and wildly colorful. Pigment dyed with on-trend neon shades, these lend a bright boost to your days off. Try them with a neutral top to keep the spotlight focused on your bare legs. One-button closure with zip flySlant hand pockets, on-seam ticket pocketBack welt pockets2" inseamCotton/SpandexMachine washImported This item is no longer available


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text:
"Welcome welcome welcome to my page, this is where I get to introduce you to me!" Tail twitches side to side excitedly. "Now just so everybody is aware of something before we get to the nitty-gritty........this description and introduction is not a reflection of my personal RP skills. Just putting that out there. I am by no means a multi-paragraph-er but am well off and capable of sending out 4-10 sentences or more per post. That being said I also hate describing myself...." Eye twitches. "Hence why this will be lack-luster compared to how I RP, if you wish to see the fox.......well then go and look at the pics I will put up! They are all my own personal art I have purchased and are myself specifically......so no generic fox pics for anyone! Just lots of meeee!" Beams proudly as his vanity is showing. "So without further ado let me pop down a few lines and see what I can drum up for you all to glean about me."
Standing off to the side one would see a fairly looking average male fur from a distance, coming closer it would soon become apparent one was dealing with a fur of the vulpine variety. Going closer it was easy to determine he was average height for his species, standing at full height at 5'8 [not counting the ears]. His head devoid of any stylized headfurs preferring to let it grow in that natural orangish-red hue his species was known for. His entire body at first glance showed all of the typical marking for a fox his type, the only distinguishable marking out of place would be the tear-shaped black birth-mark resting on his face just under the right eye. His overall build could be chalked up as muscular but only just so, leaning more towards lithe and thin than bulky and built. Going lower and moving all around the place it was easy to spot his massive tail making a right nuisance of itself, sometimes just hanging there......other times flicking all over the place. The tip of said appendage sometimes perking up and seeming to look around like a periscope it would seem. It would be noted due to some physiological alterations the male vulpine did have expert control over said tail, meaning he can and often uses it as another limb and not just something to cuddle. Going back up to his face we see well groomed and shaped features all along his muzzle, soft tender looking lips often splitting into a wry smile given the situation really. Up a little higher a pair of silver square-rim glasses would be resting midway up along the bridge of his muzzle, more often than not though he was looking over them and no through them.......for good reason. A little higher and one comes to his eyes, two icy blue orbs with a little more sheen to them than one might normally see. Don't be surprised if on your first meeting with him those eyes begin to glow and flit over you from head to toe......it's normal at this point for him to do that.......call it a quirk. Attitude wise he loves to laugh, taking any opportunity to do so even if it is at his own expense. Unlike most foxes you might come across he is not going to just simply roll over and be the stereotypical slut-puppy. He is the oddball complete 50/50 split, being bi and a perfect switch. He happily beds all genders and has taken every position......it depends on his mood or how you conduct yourself really..........though if you want anything from him he expects to be approached like you have some common decency or at least a minimum of competency............meaning if you walk up to him and just go for the grope, you are going to end up being lifted by your ankle into the air by his tail tip. He probably will not hurt you.......probably........just don't think you can use your size to get the better of him. He is more than happy to be submissive if asked just as easily as being a dom, you only have to ask......not so hard is it? Now if you still have any question about him, just ask him......he does not mind in the least bit. Walk right up and go...."Why do your eyes glow sometimes? What is the deal with that tail? Why are you always snapping your finger and making weird things happen?" He is more than happy to answer if asked.........and for anyone simply interested in the details of other things......well that is something you should ask in person.
[On a small side note just to let it be known I am above flexible, I am male so of course my character is male.....however if you would like a male-herm or cuntboi for something in particular I have no issue playing as one for the right person.]
Now all that aside and moving on I am an art collector. I love having my characters brought to life and drawn for me to see and display. I am also a dabbler [heavy emhapsis on the dabble D: ] in writing and poetry. Oddly enough I am praised for my RP skills, but sit me down alone to write something and my brain goes to mush! Now for anyone who might be wondering about my name the full details are Tyrse Josh Styles......and you prounounce Tyrse as you would tears[the things that fall out your eye hole when you cry XD] Or if you want to be lazy everyone else calls me Ty.species Red Fox
I went out and about and finally squeezed my rear back into my black jeans and wide double studded belt with matching shoes and shirt ^_^
I always feel so awesome walking around in that.............the pants have the power! http://www.youtube.com/watch?v=0jnCcejkpjg


text:
The Icarus Deception
How High Will You Fly?
Seth Godin - Author
ePub eBook | $11.99 | add to cart | view cart
ISBN 9781101612309 | 256 pages | 31 Dec 2012 | Portfolio | 18 - AND UP
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Summary of The Icarus Deception Summary of The Icarus Deception Reviews for The Icarus Deception An Excerpt from The Icarus Deception
In Seth Godin's most inspiring book, he challenges readers to find the courage to treat their work as a form of art
Everyone knows that Icarus's father made him wings and told him not to fly too close to the sun; he ignored the warning and plunged to his doom. The lesson: Play it safe. Listen to the experts. It was the perfect propaganda for the industrial economy. What boss wouldn't want employees to believe that obedience and conformity are the keys to success?
But we tend to forget that Icarus was also warned not to fly too low, because seawater would ruin the lift in his wings. Flying too low is even more dangerous than flying too high, because it feels deceptively safe.
The safety zone has moved. Conformity no longer leads to comfort. But the good news is that creativity is scarce and more valuable than ever. So is choosing to do something unpredictable and brave: Make art. Being an artist isn't a genetic disposition or a specific talent. It's an attitude we can all adopt. It's a hunger to seize new ground, make connections, and work without a map. If you do those things you're an artist, no matter what it says on your business card.
Godin shows us how it's possible and convinces us why it's essential.
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A natural approach to health insurance
Contact us | Mon - Fri 9am - 6pm
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Apply online for a Freedom Your Choice or Freedom Elite policy and get one month free health cover.
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Get full control of your health insurance cover with Freedom Your Choice policy.
You decide whether you have treatment through the NHS, privately in the UK or abroad.
Get full peace of mind with the Freedom Elite private medical insurance.
Choose the health benefits that are important for you and your family and let us worry about the rest.
Live and work abroad with no healthcare worries with Freedom Worldwide policy.
Select one of our five levels of cover to create the international PMI plan that is right for you.
Access to new cancer treatments are not the same between England and Wales
More people are getting private health insurance
Freedom Health Insurance and Freedom Health are trading names of Freedom Healthnet Ltd © 2012
Freedom Healthnet Limited is authorised and regulated by the Financial Conduct Authority with the registration number 312282.
Company registered address: Freedom Healthnet Ltd, Bourne Gate, 25 Bourne Valley Road, Poole, BH12 1DY. Company registration number: 4815524.
The guidance contained within the website is subject to the UK regulatory regime and is therefore primarily targeted at customers in the UK.
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Family discouragement, overinvolvement, or high levels of expression of critical emotions can contribute to relapse among persons with serious mental illness, but the opposite seems true as well. When families participate in psychoeducation alone or with other families, they learn skills to help the consumer cope with his or her situation and support the consumer's recovery. In this systematic literature review of family and consumer psychoeducation, the authors conclude that both interventions empower families and individuals to participate more actively in treatment.
Although developed early in the recovery movement, the Recovery Assessment Scale (RAS) has proven to be an effective and reliable measure of the wide spectrum of recovery, including psychological well-being, positive illness outlook, higher levels of social participation and support, sense of belonging, and community participation. Researchers and policy makers can feel assured that the RAS reliably and validly measures recovery, which will further increase research in this critically important area.
Crisis intervention team models that train police to handle mental health crises in the community have been applauded, but they could become a temporary trend without more research linking specific aspects of the training with behavior changes among police. Major gaps exist in research verifying that changes in officers' attitudes and skills translate into behavioral change and determining how criminal justice–mental health partnerships affect officers' behavior, the authors said.
State Mental Health Policy: Back to the Future: New Mexico Returns to the Early Days of Medicaid Managed Care
Integrated Care: High-Impact Mental Health–Primary Care Research for Patients With Multiple Comorbidities
Law & Psychiatry: Assisting People in Recovery Who Have Criminal Records to Reach Their Employment Goals
April 21, 2014
Skill Building: Assessing the Evidence
April 15, 2014
Veterans' Perceptions of Behavioral Health Care in the Veterans Health Administration: A National Survey


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Jessica Elizabeth Peck and Patrick Daniel Girard were married August 6, 2011 at the Montgomery Street Pier in Rouses Point by the Honorable John Labonte.
The bride is the daughter of Katherine and Larry Brown of Rouses Point and the late Gerald Peck. The bridegroom is the son of Debra Dutcher of Saranac Lake, and Daniel and Susan Girard of Valley Stream.
Sabrina Thayer of Morrisonville was maid of honor. Kyle Matilla of Charlotte, North Carolina was best man.
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Bridesmaids were Melissa Peck of Plattsburgh, the bride's sister and Danielle Girard of Boston, Massachusetts, the bridegroom's sister.
Ushers were Matthew Brunet of Plattsburgh, Brian D'aust of Plattsburgh, Mike Garrant of Haymarket, Virginia, and Scott Smith of Plattsburgh.
A reception was held at the Rouses Point Sportsmen's Club.
The Girards reside in Charlotte, North Carolina.


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Type: Event | Date: Sunday, Nov 21, 2010It is time, once again, to get jiggy with it. Full coverage all day and night on HitFix.
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Ceramic Ginger Grater
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- Summary
With rows of sharp teeth, this durable grater effortlessly shreds fresh gingerroot while leaving unwanted fibers behind. The ceramic surface is impervious to acids and oils and won't transfer flavors. A silicone ring on the base prevents slipping.
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- 3 1/2" diam.
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Equity Home Bias, Incomplete Financial Markets and Nominal Rigidities, 2011, Canadian Journal of Economics 44(1), 340-363.
Financial Frictions and Stress in Financial Markets with Pierre L. Siklos, in Economic Research Bulletin 9(2), Czech National Bank, November 2011.
"Financial Integration, Nominal Rigidity and Monetary Policy", 2013, International Review of Economics & Finance 25, 75-90.
Vertical Trade, Exchange Rate
Pass-Through, and the
Exchange Rate Regime with Yao Tang, 2013, accepted at Open Economies Review.
Working Papers
"The Effects of Exchange Rates on Employment in Canada" with Haifang Huang and Yao Tang, 2013 (revise and resubmit).
Financial Frictions and Credit Spreads with Pierre L. Siklos, 2013 (submitted).
Explaining Saving Behavior with M.B. Devereux and A. Lahiri, 2008.
Working in Progress
Inflation Targeting and Financial Integration in Emerging Markets.


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Antony Gormley
Antony Gormley
(British, 1950)
Antony Gormley
(British, b.1950) is a sculptor best known for large-scale installations that explore the human body in space. Born in London, Gormley studied at Trinity College, Cambridge, before traveling to India and Sri Lanka for several years. After his travels, Gormley came back to London to study sculpture at Central Saint Martins College of Art and Design and the Slade School of Art. Gormley's early work, titled
(1991), consists of 35,000 small terracotta figures made by a Texca family of brick makers in Cholula, Mexico. Gormley has made several variations of the work, including
Field of the British Isles
(1993), for which he won the Turner Prize of the following year. He has made metal casts of his own body for several projects, including
Another Place
(1997), which spreads 100 cast iron figures across a two mile stretch of Crosby Beach in England. For
Event Horizon
, Gormley set casts of his body, 27 made of fiberglass and four from iron, on the rooftops of buildings in London (2007) and New York (2010); in 2010, he set 100 cast iron figures of his body throughout the Austrian Alps. Gormley's work has been exhibited at the Tate Gallery in London, the British Museum, and the Museum of Modern Art in New York. He was made an Officer of the British Empire in 1997, and currently lives and works in London.
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Antony Gormley
Xavier Hufkens
Antony Gormley
Bodies in Space Black and White (Pair)
Dominic Guerrini Fine Art
Antony Gormley
Ohne Titel / Untitled (14)
Galerie Thomas Modern
Antony Gormley
Feeling Material XII
McClain Gallery
Antony Gormley
Xavier Hufkens
Antony Gormley
Another Time XVIII
Galerie Thaddaeus Ropac
Antony Gormley
Rest II
White Cube
Antony Gormley
Stretch II
White Cube
Antony Gormley
Shared Vision
Peter Harrington
Past auction results
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Antony Gormley
, 2009
cast iron
View Details
Antony Gormley
, 2007
View Details
Antony Gormley
, 1996
carbon and casein on paper
View Details
Antony Gormley Biography
Born in London
1968 - 1971
Degree in Archaeology, Anthropology and History of Art at Trinity College, Cambridge
1977 - 1979
Attended Central School of Art and Goldsmith's College before completing a postgraduate course in sculpture at Slade School of Art
Awarded the Turner Prize
Awarded the Order of the British Empire
Honorary Doctorate, University of Sunderland
Honorary Fellowship, Goldsmith's College, University of London
Honorary Doctorate, University of Central England, Birmingham
Awarded the South Bank Prize for Visual Art
Civic Trust Award for The Angel of the North
British Design and Art Direction Silver Award for Illustration
Fellow, Royal Society of Arts
Honorary Fellow of the Royal Institute of British Architects
Honorary Doctorate, Open University
Honorary Fellow of Jesus College, Cambridge
Honorary Fellow of Trinity College, Cambridge
Honorary Doctorate, Cambridge University
Royal Academician
Awarded the Bernhard Heiliger Award for Sculpture
BCSA Structural Steel Design Award
Lives and works in London
Selected Exhibitions
NeuenGalerie - neu gesehen: Sammlung + documenta-Erwerbungen - Neue Galerie, Kassel
Give me five - Städel Museum, Frankfurt/Main
Von Kopf bis Fuß - Porträts und Menschenbilder in der Sammlung Würth - Kunsthalle Würth, Schwäbisch Hall
Antony Gormley - According to a given mean - Xavier Hufkens, Brussels
Antony Gormley - Middelheim Museum, Antwerp
Transport, Canterbury Cathedral, UK (solo)
Antony Gormley - Model - White Cube - Bermondsey Street, London (England)
Bodyspace - Sean Kelly Gallery, New York City, NY
Antony Gormley – Corpos Presentes - Centro Cultural Banco do Brasil - CCBB - Brasília, Brasilia
Corpos Presentes – Still Being - Centro Cultural Banco do Brasil - CCBB - Rio de Janeiro, Rio de Janeiro, RJ
Antony Gormley - Still Standing - White Cube - Hoxton Square, London (England)
Antony Gormley: Drawing Space - The Phillips Collection, Washington, DC
Antony Gormley – Corpos Presentes - Centro Cultural Banco do Brasil - CCBB - São Paulo, São Paulo
Vessel' - Galleria Continua - San Gimignano, San Gimignano
Antony Gormley – Horizon Field Hamburg - Deichtorhallen Hamburg, Hamburg
Antony Gormley - Middelheim Museum, Antwerp
Geste serpentine et autres propheties, Frac Lorraine, Metz, France
Alpine Desire, Austrian Cultural Forum, New York, NY
MEMES, Anna Schwartz Gallery, Melbourne, Australia [cat.]
FLARE II, Salisbury Cathedral, Salisbury, England
FOR THE TIME BEING, Galerie Thaddaeus Ropac, Paris, France [cat.]
TWO STATES, Harewood House, Yorkshire, England
STILL STANDING, The State Hermitage Museum, St. Petersburg, Russia [cat.]
SPACE STATION AND OTHER INSTRUMENTS, Galleria Continua Le Moulin, France
Drift III, Royal Academy of Arts, London, United Kingdom (solo)
MADE IN THE UK, Museum of Art, Rhode Island School of Design, Providence, Rhode Island
TRA. Edge of Becoming, Fondazione Musei Civici venezia, Venice, Italy
FLARE II, St. Paul's Cathedral, London, England
BREATHING ROOM II, Sean Kelly Gallery, New York, NY
EVENT HORIZON, Mad. Sq. Art, Madison Square Park Conservancy, New York, NY
FIRMAMENT IV, Anna Schwartz Gallery, Sydney, Australia
CRITICAL MASS, De La Warr Pavilion, Bexhill-on-Sea, England
TEST SITES, White Cube, Mason's Yard, London, England
TEST SITES, White Cube, Mason's Yard, London, England
DRAWING SPACE, MACRO Museum of Contemporary Art, Rome, Italy [cat.]
Museo de Arte Contemporáneo de Monterrey, MARCO, Monterrey
Antony Gormley, Kunsthaus Bregenz, Bregenz, Austria
One & Other, Fourth Plinth, Trafalgar Square, London, England
Between You and Me, Artium, Vitoria, Spain
Between You and Me, Musée d'art moderne de Sainte-Etienne, St. Etienne, France, 11 October – 25 January 2009
Antony Gormley, MARCO Monterrey, Monterrey, Mexico
Between You and Me, Kunsthal Rotterdam, Rotterdam, Netherlands, 12 July – 14 September (solo)
En perspective, Giacometti, Musée des Beaux Arts de Caen, Caen, France, May 17 - August 31
Fourth Plinth Commission: The New Proposals, The National Gallery, London, UK
Space to Draw, Jerwood Space, London, UK
On Time: The East Wing Collection VIII, The Courtauld Institute of Art, London, UK
Gravity: Ernesto Esposito Collection, Artium, Vitoria-Gasteiz, Spain
Firmament, White Cube, London (solo)
Blind Light, Hayward Gallery, London (solo)
Spacetime, Mimmo Scognamiglio, Milan (solo)
Bodies in Space, Bernhard Heiliger Award for Sculpture, Georg-Kolbe-Museum, Berlin, Germany (solo)
Feeling Material, Deutscher Bundestag Gallery, Berlin, Germany (solo)
Blind Light, Sean Kelly Gallery, New York (solo)
Ataxia, Anna Schwartz Gallery, Melbourne, Australia (solo)
British Visions: Modern and Contemporary Sculpture and Works on Paper, Davidson College, NC
Body & Mind: Exclusively Drawings, Antony Gormley and Oliviero Rainaldi, Temple University, Rome Campus, Rome, Italy
Rummage: Sculptors' Drawings, The Winchester Gallery, Winchester School of Art, Winchester, UK
Enigma: Absence + Presence in Contemporary Art, Nevada Museum of Art, Reno, NV
Turner Prize: A Retrospective 1984-2006, Tate Britain, London, UK
Reflection, Pinchuk Art Centre, Kiev, Ukraine
Structures and Surfaces, Sean Kelly Gallery, New York, NY
Breathing Room, Galerie Thaddeus Ropac, Paris, France(solo)
Altered States, Mimmoscognamiglio, Naples, Italy (solo)
Antony Gormley, Parco and Museo di Scolacium, Catanzaro, Italy (solo)
You and Nothing, Galerie Xavier Hufkens, Brussels, Belgium (solo)
Critical Mass, Museo D'Arte Contemporanea Donna Regina, Naples, Italy (solo)
To the Human Future-Flight from the Dark Side, Art Tower Mito, Japan
Less is More, More or Less, Weinstein Gallery, Minneapolis, MN
Sixty Years of Sculpture in the Arts Council Collection, Longside Gallery, Yorkshire Sculpture Park
The Ship: The Art of Climate Change, The Natural History Museum, London, UK
The Faces of a Collection, Kunsthalle Mannheim, Mannheim, Germany
Zones of Contact, 2006 Biennale of Sydney, Sydney, Australia
Motion on Paper, Ben Brown Fine Arts, London, UK
Beyond Limits, Sotheby's at Chatsworth, Chatsworth House, Derbyshire, UK
Making a Mark, Northern Print, Newcastle upon Tyne
New Works, Sean Kelly, New York (solo)
Another Place, Crosby and Waterloo Beach, Liverpool, UK (solo)
Field for the British Isles, Longside Gallery, Yorkshire Sculpture Park, Wakefield, UK (solo)
Certain Made Places, Gallery Koyanagi, Tokyo, Japan (solo)
Asian Field, ICA, Singapore (solo)
Inside Australia, Anna Schwartz Gallery, Melbourne, Australia (solo)
Tate Sculpture: The Human Figure in British Art from Moore to Gormley, Millenium Galleries, Sheffield, UK
Figures/Sculpture, Sammlung Essl – Kunst der Gegenwart, Klosterneuburg, Vienna, Austria
Ceramics Biennale, Icheon, Korea
Glyndebourne Festival, Glyndebourne, East Sussex
Blickachsen 5, Bad Homburg, Germany
Henry Moore Epoch and Echo. Aspects of English Sculpture In The Twentieth Century, Museum Würth, Schwäbisch Hall, Germany
Sculpture: Time and Process, The Study Gallery, Poole
Soul / Inspired Art, Museum of Modern Art by the Sea, Ostend, Bruges, Belgium
Munch Revisited, Henie Onstad Kunstcenter, Oslo, Norway
Space – Now And Then, AaBe Factories, Tilburg, Netherlands
The Difference in Temperature Between Your Body And Mine, Galleria Suzy Shammah, Milan, Italy
Domain Field, Great Hall, Winchester, UK (solo)
Mass and Empathy, Fundacao Calouste Gulbenkian, Lisbon, Portugal (solo)
Clearing, White Cube, London, UK (solo)
Field for the British Isles, Gloucester Cathedral, Gloucester, UK (solo)
Asian Field, Guangdong Museum of Contemporary Art, China (solo)
Clearing, Galerie Nordenhake, Berlin, Germany (solo)
Uniform, Yale Centre for British Art, Yale, New Haven, CT (solo)
Asian Field, Jonan High School, Tokyo, Japan (solo)
Antony Gormley, BP British Art Displays,Tate Britain, London, UK (solo)
Presence: Images of Christ for the Third Millenium, Canterbury Cathedral
Off the Beaten Track: Arts Council Collection Explored, Longside Gallery, Yorkshire Sculpture Park, UK
Etre: Les droits de l'homme à travers l'art, United Nations, Palais des Nations, Geneva, Switzerland
Bodily Space: New Obsessions in Figurative Sculpture, Albright-Knox Art Gallery, Buffalo, NY
A Secret History Of Clay: From Gauguin to Gormley, Tate Liverpool, Liverpool, UK
Laocoon Devoured, ARTIUM, Vitoria-Gasteiz, Spain / Centro José Guerrero, Granada / DA2, Salamanca, Spain
Summer Exhibition, Royal Academy, London, UK
A13, The Wapping Project, London, UK
Den Haag Sculpture Project, Den Haag, Netherlands
Out of Place, Galerie Nordenhake, Berlin, Germany
Conversation Pieces, The Hague, the Netherlands
A Araneira. 100 Artistas Da Coleccion CGAC, Centro Galego de Arte Contemporanea, Santiago de Compostela, Spain
Umedalen, Umea, Sweden
Cobweb, CGAC, Santiago de Compostela, Spain
20JAHRE20YEARS, Galerie Thaddaeus Ropac, Salzburg, Austria
Making Space, Taking Place, Tuscia, Poggibonsi
British Sculpture Show, National Museum of Art, Bucharest, Romania
Asian Field, China touring exhibition; Guangzhou, Beijing, Shanghai, Chongqing (solo)
Standing Matter, Galerie Thaddaeus Ropac, Salzburg, Austria (solo)
Domain Field, BALTIC, Gateshead, UK (solo)
Independence, South London Gallery, London, UK
Blickachsen, Bad Homburg, Germany
Me & More, Kunstmuseum Luzern, Switzerland
SKULPTUR 03, Max-Gandolph-Bibliothek and Galerie Thaddaeus Ropac, Salzburg
Past and Present: Jewellery by 20th Century Artists, Louisa Brown Gallery, London, UK
Open Spaces: Vancouver International Sculpture Project – Third Biennale, Vancouver, Canada
Perpetual Bliss – Form, Symbol & Material in Contemporary Sculpture, Galerie Thaddaeus Ropac, Paris, France
The Nude In 20th Century Art, Kunsthalle Emden, Germany
Blast To Freeze, Les Abattoirs, Toulouse, France
Beaufort 2003, De Panne Beach, Belgium
Territoires Nomades, Rurart, Poitou Charentes, France
Himmelschwer (As Heavy as the Heavens – Transformations of Gravity), Landesmuseum Joanneum and Jesuit's College, Graz, Austria (Part of Graz 2003)
Sancturary – Contemporary Art and Human Rights, Gallery of Modern Art, Glasgow, UK
Antony Gormley: Sculpture, Centro Galego de Arte Contemporanea, Santiago de Compostela, Spain (solo)
Antony Gormley, Galleria Mimmo Scognamiglio, Naples, Italy (solo)
Antony Gormley, Galerie Xavier Hufkens, Brussels, Belgium (solo)
Tuscia Electa, San Casciano, Italy (solo)
Antony Gormley Drawing, The British Museum, London. UK (solo)
Field For the British Isles, The British Museum, London, UK (solo)
Inside Australia, Lake Ballard, Perth International Arts Festival, Australia (solo)
Sculptura Internazionale a la Mandria, Villa Dei Laghi, Venaria Reale, Turin, Italy
Slip: British And Dutch Contemporary Artists Working with Ceramic, Frans Halsmuseum, Haarlem, the Netherlands (touring to Sainsbury Centre of Visual Arts, Norwich)
Time Space Motion, Galerie Thaddaeus Ropac and Max-Gandolph-Bibiliotek, Salzburg. Austria
European Field, Galleri Stefan Andersson, Umeå [part of Umedalen Skulptur 2002]
Who Comes – Who Leaves – Who Stays, Eastern Cemetery, Malmo, Sweden
Blast to Freeze, Kunstmuseum Wolfsburg, Germany
Gardens of Art: The Sculpture Park at the Frederik Meijer Gardens, Grand Rapids, MI
Self-Evident: Making the Self the Subject of Art from 1970 to the Present Day, Tate Britain, UK
Retrospectacle: 25 Years of Collecting Modern And Contemporary Art, Denver Art Museum, CO
To Eat or Not to Eat, CASA. Centro de Arte de Salamanca, Salamanca, Spain
New Works, Galerie Nordenhake, Berlin, Germany (solo)
Insiders, New Art Centre and Sculpture Park, Roche Court, East Winterslow, UK (solo)
Insiders, White Gallery, Brighton, UK (solo)
Antony Gormley, Contemporary Sculpture Centre, Tokyo, Japan (solo)
Some Of The Facts, Tate St. Ives, Cornwall, UK (solo)
Dialogue: Antony Gormley Allotment, Kockumshallen, Malmo, Sweden (solo)
Field for The British Isles, Church of St. Mary the Virgin, Shrewsbury; Tullie House, Carlisle (solo)
States and Conditions, Orchard Gallery, Derry (touring to Model Arts and Niland Gallery, Sligo) (solo)
Drawings, Sommer Contemporary Art, Tel Aviv, Israel
Vibration, Utsunomiya Museum of Art, Japan
Geometrie Plus Gestus, Galerie Thaddaeus Ropac and Max-Gandolph-Bibiliotek, Salzburg, Austria
Steirischer Herbst 2001, Graz, Austria
Miroslaw Balka, Antony Gormley, Ulrich Ruckreim, Galleri Solvberget, Stavanger, Norway
Quantum Cloud (part of North Meadow Sculpture Project), Millennium Dome, Greenwich, London, UK (solo)
Quantum Clouds and Other Work, Galerie Thaddaeus Ropac, Paris, France (solo)
Field, Vieille Église, Caumont, Picardy, France (solo)
Strange Insiders, fig-1, London, UK (solo)
Drawn, White Cube2, London, UK (solo)
Trialogo: Giuseppe Gallo, Antony Gormley, David Hammons, Palazzo delle Esposizioni, Rome, Italy; Kwangju Biennale, Korea
London Calling, Fundraising auction for Ken Livingstone's Mayoral Campaign, Gimpel Fils, London, UK
Out There, White Cube2, London, UK
Lost Paradise Lost, Lutherkirche/ Kunsthalle zu Kiel, Hanover, Germany
Between Cinema and a Hard Place, Tate Modern, London, UK
Lappeenranta 2000, South Carelia Art Museum, Lappeenranta, Finland
Enclosed and Enchanted, Museum of Modern Art, Oxford and touring to Mappin Art Gallery, Sheffield and others
Narcisse blessé: Autoportraits Contemporains, Passage de Retz, Paris, France
Positionen, Galerie Thaddaeus Ropac and Max-Gandolph-Bibiliotek, Salzburg, Austria
Interplay: Selected Works from the Museum and Private Collections, Museet for Samtidskunst, Oslo, Norway
Utopia, Rogaland Kunstmuseum, Stavanger, Norway
Conversation, Milton Keynes Gallery, Milton Keynes
Die Intelligenz der Hand, Rupertinum, Salzburg, Austria
Selected Public Collections
Arts Council of England
Ashmolean Museum, Oxford
British Council
British Museum, London
Henry Moore Foundation for the Study of Sculpture
Jerwood Collection, Witley
Jesus College, Cambridge
Jupiter Artland, Edinburgh
Leeds City Art Gallery, Leeds
Manchester Art Gallery, Manchester
Peterborough Sculpture Trust
Science Museum, London
Scottish National Gallery of Modern Art, Edinburgh
Southampton City Art Gallery, Southampton
Tate, London
Art Gallery of New South Wales, Sydney, Australia
National Gallery of Victoria, Melbourne, Australia
Museum of Modern Art, Vienna, Austria
Rupertinum Museum Moderne Kunst, Salzburg, Austria
Lhoist Collection, Brussels, Belgium
Montreal Musée des Beaux Arts, Canada
Guangdong Museum of Contemporary Art, Guangzhou, China
Herning Kunstmuseum, Denmark
Arken Museum of Modern Art, Denmark
Louisiana Museum, Humblebaek, Denmark
Sastamoinen Collection, Finland
Centre Georges Pompidou, France
Staatliche Museen Kassel, Neue Galerie, Kassel, Germany
Stadt Kassel, Germany
Kunsthalle Bremen, Germany
Kunsthalle zu Kiel, Germany
Museum Würth, Künzelsau, Germany
Irish Museum of Modern Art, Dublin, Ireland
Israel Museum, Jerusalem, Israel
Galleria de Arte Moderna, Torino, Italy
Tokyo City Opera, Japan
Kirishima Sculpture Park, Japan
Nagoya City Art Museum, Japan
Iwaki City Art Museum, Fukushima, Japan
The Hakone Open-air Museum, Japan
The National Museum of Modern Art, Tokyo, Japan
Tokushima Art Museum, Japan
Sapporo Sculpture Park, Hokkaido, Japan
Wakayama Prefectoral Museum, Japan
Museo de Arte Contemporaneo, Monterrey, Mexico
Caldic Collection, The Hague, Netherlands
Astrup Fearnley Museet for Moderne Kunst, Oslo, Norway
Museet for Samtidskunst, Oslo, Norway
Fundação Calouste Gulbenkian, Lisbon, Portugal
Fundação Berardo, Sintra, Portugal
Malmo Konsthall, Malmo, Sweden
Moderna Museet, Stockholm, Sweden
Umedalen Sculpture Foundation, Umea, Sweden
Weltkunst Foundation, Zurich, Switzerland
Pinchuk Art Centre, Ukraine
deCordova Sculpture Park & Museum, Lincoln, NE
Marguiles Foundation, FL
Museum of Modern Art, Fort Worth, TX
Museum of Contemporary Art, Los Angeles, CA
Museum of Contemporary Art, San Diego, CA
Phoenix Art Museum, Phoenix, AZ
San Francisco Museum of Modern Art, CA
Walker Arts Centre, Minneapolis, MN
Nancy Durrant, 'We Were in Winter Now It's Spring', The Times, 25th October 2011
Michael Glover, 'Of Gods and Men', The Independent (Arts & Books Section), 23rd September 2011
Richard Smirke, 'Body Works', The Big Issue in the North, 5th September 2011
Peter Aspden, 'Gormley on the Loose at the Hermitage', Financial Times Weekend Magazine, 17/18 September 2011
Jonathan Gawthorpe, 'Brick Man's Return', The Yorkshire Post, September 3rd 2011
Paul B. Franklin, 'Antony Gormley, Thaddaeus Ropac', Art in America, Sept 2011
Colin Coyle, 'DDDA sculpture left high and dry', The Sunday Times, 2 May 2010
Richard Lord, 'Bodies at Work', Asia Tatler, Hong Kong, May 2011
Robert Nelson, 'Robotic adventures in existential despair', The Age, Sydney Australia, 23 March 2011
Jutta Berger, 'Aufi zu den Eisenmannern!', Der Standard, Vienna, Austria, 15 March 2011
'Antony Gormley's rooftop sculptures are making New Yorkers jumpy', Times Online, 12 March 2010
Eelco de Winter, 'Van draadmodel tot polderreus', Bouwen Met Staal, Zoettermeer, The Netherlands, February 2011
Amanda Gordon, 'Close to the Edge', ARTnews, New York, USA, March 2010
Woon Tai Ho, 'What the hell is that?', The Business Times, Singapore, 18 December 2009
Matthew Bell , 'Wonderful world, beautiful people. But can one look after the other?', The Independent on
Carol Vogel, 'Playing Sculpture 'I Spy' In New York's Cityscape', The New York Times, New York, USA, 4 December 2009
Ann Hindry, 'Antony Gormley's Metaphysical Body', Art Press, Paris, France, December 2008
Jessica Lack et al, '1000 Artworks To See Before You Die', The Guardian, London, England, Volume 2, 27 November 2008
"Art Listings: Antony Gormley," Time Out New York, June 9-15, 2005, p.63
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