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Comments On Nov 23, 2013:Works good. Couldn't tell a difference in shifting or anything.
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Views sought on plan for Tesco and 300 homes (From This Is Wiltshire)
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Views sought on plan for Tesco and 300 homes
5:30am Monday 23rd December 2013 in Latest News
RESIDENTS in Lydiard Tregoze and Royal Wootton Bassett are being invited to have their say on plans for a new Tesco supermarket, homes and other community facilities at Marsh Farm.
The proposals include landscaped, public open spaces and play areas for children. Part of the site is being ring-fenced for community facilities and residents are being asked what they would like it to be used for. All ideas will be considered before a planning application is submitted to Wiltshire Council in the spring.
Tesco's corporate affairs manager Beth Greenhouse said: "We are looking forward to meeting local people and talking about what matters to them during our consultation, which will last a few months."
The proposals for Marsh Farm include a community supermarket slightly bigger than Sainsbury's in Royal Wootton Bassett, around 300 new homes including affordable homes, homes for older people, a community hub and play areas for children.
Lydiard Tregoze Parish Council chairman Peter Willis said: "We have listened to what is being proposed and are taking our time to consider the plans and what they mean for our community."
Details of the public consultation will be advertised in the New Year.
Comments (6)
Please log in to enable comment sorting
5:11pm Mon 23 Dec 13
John Smith II says...
6:18pm Mon 23 Dec 13
faatmaan says...
6:19pm Mon 23 Dec 13
GimmeStrength says...
y during peak times.
8:16pm Mon 23 Dec 13
house on the hill says...
faatmaan wrote:Dont worry, when they cant sell them in the marketplace, they will be sold as social housing or some other stupid scheme that keeps house prices artificially high so that no one can afford to buy without "help" and of course its good for votes, until the housing market takes off and then no one wins apart from estate agents, lawyers and mortgage companies.
what no social housing !
10:55pm Wed 25 Dec 13
Mukkin says...
11:10pm Wed 25 Dec 13
Mukkin says...
John Smith II wrote:It is saturated, but we're dealing with greedy, powerful organisations who care little about the damage done to communities for the sake of lining their fat dirty pockets.
I am amazed that the market for supermarkets in the wider Swindon area is not already satured - how long until the bubble bursts?
I could name many a village and town in Berkshire that was once like Swindon and Bassett, now they are truly saturated, not just with Tesco, but cars, traffic lights, over population, over crowded schools, doctor surgeries and hospitals, where council letters are sent out in 10 different languages, if people do nothing then they get what they are given.
No doubt some bleeding heart liberal or leftie will come and tell me I need to change, embrace, welcome, but that's what they have said before, unfortunately, I've lived with the results :-D
Comments are closed on this article.


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The Cambridge Companion to Literature on Screenby Deborah Cartmell Imelda Whelehan
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Jessica Stockholder Catalogue
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Group Exhibitions
"Vilio Celli, Laurie Metters, Jessica Stockholder," Open Space Gallery. Victoria, BC, Canada.
"Graduation Exhibit," McPherson Library Gallery, University of Victoria. Victoria, Canada. May 1982.
"Selections from the Artists File," (Installation: The Lion the Witch and the Wardrobe) Artists Space. New York, New York. September 1985.
"Artists and Curators," John Gibson Gallery. New York, New York. September 1988.
"Making a Clean Edge," P. S. 1. Long Island City, New York.
Fillin-Yeh, Susan, curator. "The Technological Muse," Katonah Museum of Art. Katonah, New York. November 1990.
"Le Choix Des Femmes," (Installation (at Le Consortium): Recording Forever Pickled) Consortium, Espace Frac and L'Usine. Dijon, France. November 1990.
Weinberg, Adam, curator. "Contingent Realms," The Whitney Museum of American Art at Equitable Center. New York, New York. September 1990.
Cirincione, Janine, curator. "Detritus," Jack Tilton Gallery. New York, New York. July 1990.
Lieberman, Rhonda, Catherine Liu, Lawrence Rickels, curator. "Stendhal Syndrome: The Cure," Andrea Rosen Gallery. New York, New York. June 29-August 4, 1990.
Daniel Weinberg Gallery. Santa Monica, California. June.
Jack Tilton Gallery. New York, New York. February.
Nickas, Robert, Armando Rascon, Peter Wright, curator. "Information," Terrain. San Francisco, California. January 1990.
"Pop 90," Postmasters Gallery. New York, New York. January 1990.
"Berkshire Art Association 1989 Exhibition of Painting and Sculpture," Berkshire Museum. Pittsfield, Massachusetts. September 1990.
Nickas, Robert, curator. "A Climate of Site," Barbara Farber Gallery. Amsterdam, Netherlands. January 1990.
Galerie Xavier Hufkens. Brussels, Belgium.
"Le Consortium collectionne," (Installation: Recording Forever Pickled) Chateau d'Oiron. Oiron, France. July 1991.
"J�rgen Meyer, Jessica Stockholder, Franz West," Christine Burgin Gallery. New York, New York. December 1991.
"American Artists of the Eighties," Palazzo delle Albere, Museo Provinciale d'Arte. Trento, Italy. December 1991.
Liu, Catherine, curator. "Plastic Fantastic Lover (object a)," Blum Helman Warehouse. New York, New York. October 1991.
"Awards in the Visual Arts 10," Southeastern Center for Contemporary Art. Winston-Salem, North Carolina. June 1991.
Hirshhorn Museum and Sculpture Garden. Washington, DC.
Albuquerque Museum. Albuquerque, New Mexico.
Toledo Museum of Art. Toledo, Ohio.
"Sculptors' Drawings," Paula Cooper Gallery. New York, New York. May 1991.
Nickas, Robert, curator. "The Museum of Natural History," Barbara Farber Gallery. Amsterdam, The Netherlands. April 1991.
Hoffman, George, curator. "Physicality: An Exhibition on Color Dimensionality in Painting," The Gallery. New York, New York. March 1991.
Westreich, Thea, curator. "Peter Nadin and Jessica Stockholder," Warren Adelson Gallery. New York, New York. April 10-May 4, 1991.
Collins, Tricia, Richard Milazzo, curator. "Outside America: Going into the 90's," Fay Gold Gallery. Atlanta, Georgia. April 1991.
"Stuttering," Stux Gallery. New York, New York. December 1991.
"1991 Biennial," (Installation: Recording Forever Pickled Too) Whitney Museum of American Art. New York, New York. April 1991.
"As Long as It Lasts," (Installation: Catcher's Hollow) Witte de With. Rotterdam, Netherlands. July1992.
Decter, Joshua, curator. "Transgressions in the White Cube: Territorial Mappings," Suzanne Lemberg Usdan Gallery, Bennington College. Bennington, Vermont. November 1992.
"Mary Heilmann, Jack Pierson, Jessica Stockholder," Pat Hearn Gallery. New York, New York. September 1992.
"Cultural Fabrication," John Good Gallery. New York, New York. June 1992.
"Women artists not included in Documenta 9," Kunstlerhaus Stuttgart. Stuttgart, Germany. June 1992.
"Testwall: Small 3 Dimensional Multiples," TZ'Art & Co. New York, New York. November 1993.
Galerie Nathalie Obadia. Paris, France (November).
Kirili, Alain, curator. "Jours Tranquilles � Clichy," 40, Rue de Rochechouart. Paris, France. June 1993.
Tennisport Arts. New York, New York. September 1993.
Smolik, Noemi, curator. "Ordnung und Zerst�rung," Lothringer Stra�e 13. M�nchen, Germany. May 1993.
Hopkins, Peter, curator. "The Good, the Bad, and the Ugly...a modest proposal," Galerie Jousse Seguin. Paris, France. May 1993.
"Anniversary Exhibition," Daniel Weinberg Gallery. Santa Monica, California. April 1993.
John Good Gallery. New York, New York. May 1993.
"Mettlesome & Meddlesome: Selections from the Collection of Robert J. Schiffler," American Fine Arts. New York, New York. January 1993.
The Contemporary Arts Center. Cincinnati, Ohio. February 1993.
Rosenberg, Barry A, curator. "Simply made in America," The Aldrich Museum of Contemporary Art. Ridgefield, Connecticut. January 1993.
Searle, Adrian, Greg Hilty, curator. "Unbound: Possibilities in Painting," (Installation: Fat Form and Hairy: Sardine Can Peeling) Hayward Gallery, The South Bank Centre. London, United Kingdom. February 1994.
"Country Sculpture: House Beautiful," Le Consortium. Dijon, France. May 1994.
Theodore, Stephanie, curator. "Joe's Garage," TZ'Art & Co. New York, New York. December 1994.
Harris, Susan, curator. "Ethereal Materialism," Apex Art. New York, New York. November 1994.
Obadia, Nathalie, curator. "Symphonie en Sous-Sol," Galerie Renos Xippas. Paris, France. September 1994.
"The Little House on the Prarie," Marc Jancou Gallery. London, United Kingdom. September 1994.
"Balkenhol, Dunham, Gilliam, Hirst, McCaslin, Stockholder, Weinstein," Baumgartner Galleries. Washington, D.C., Maryland. July 1994.
"Herr Schleiermachers Sista Dr�m: F�rest�llningar om M�leriet," Galerie Nordenhake. Stockholm, Sweden. May 1994.
Herrera, Arturo, curator. "John Dunn, Adelheid Mers, Carla Preiss, Jessica Stockholder," N.A.M.E. Gallery. Chicago, Illinois. April 1994.
"Information Service," Goethe House. New York, New York. March 1994.
"Untitled...," Postmasters Gallery. New York, New York. February 1994.
Siena, James, curator. "The Beauty Show," (With panel discussion) Four Walls. Brooklyn, New York. January 1994.
Muniz, Vik, curator. "Possible Things: A Drawing Show," Bardamu Gallery / Publishing House. New York, New York. January 1994.
Decter, Joshua, curator. "Don't Look Now," Thread Waxing Space, New York, NY. January 1994.
"Reveillon '94," Stux Gallery. New York, New York. January 1994.
"1995 Collectie Presentatie Moderne Kunst," Centraal Museum Utrecht. Utrecht, The Netherlands. April 1995.
Hofmann, George, curator. "Color in Space: Pictorialism In Contemporary Sculpture," David Winton Bell Gallery, List Art Center, Brown University. Providence, Rhode Island. April 1995.
"New York � Positionen Aktueller Malerei," Studiogalerie der Kunstverein Museum Schlo� Morsbroich. Leverkusen, Germany. March 1995.
"On Target," (Project: artists alterations on �Target�, 1970 print by Jasper Johns) Horodner Romley Gallery. New York, New York. January 1995.
"Targets," Horodner Romley Gallery. Soho, New York. January-February 25, 1995.
Weibel, Peter, curator. "Pittura - Immedia: Malerei in den 90er Jahren," (Installation: Recording Forever Pickled) Neue Galerie am Landesmuseum Joanneum. Graz, Austria. March 1995.
"L'Ossessione Del Segno," Studio La Citt�. Verona, Italy. Opened December 7, 1996.
"Unconditionally Abstraction," Schmidt Contemporary Art. St. Louis, Missouri. November 23-December 20, 1996.
"Patterns of Excess, curated by Paula Marincola," Beaver College Art Gallery, Beaver College. Glenside, Pennsylvania. November 7-December 20, 1996.
Meyers-Kingsley, Dara, curator. "Luminous Bodies," Rotunda Gallery. Brooklyn, New York. September 19-November 2, 1996.
"What I Did On My Summer Vacation," White Columns. New York, New York. September 13-October 20, 1996.
"Form als Ziel m�ndet immer in Formalismus; (Mies van der Rohe)," Galerie Rolf Ricke. K�ln, Germany. June 7-August 10, 1996.
Ostrow, Saul, curator. "Painting In An Expanding Field," Usdan Gallery, Bennington College. Bennington, Vermont.
Gibbons, Arthur, curator. "Square Bubbles," Nott Memorial Art Museum, Union College. Schenectady, New York.
Sultan, Terrie, curator. "Painting Outside Painting: 44th Biennial Exhibition of Contemporary American Painting," The Corcoran Gallery of Art. Washington D.C., Maryland. December 1996.
"Una Nuova Tradizione Americana," Galerie Oddi Baglioni. Rome, Italy. October 1996.
Feinstein, Rochelle, Shirley Kaneda, Margaret A. Miller, curator. "Re:Fab: Painting Abstracted, Fabricated," Robert Hull Fleming Museum, University of Vermont. Burlington, Vermont.
"Elena Sisto, Lisa Hoke, Jessica Stockholder," Dru Arstark Gallery, New York, New York. October 5-December 15, 1996.
Rooseum. Malm�, Sweden.
"Painting The Extended Field," (Studio Works and Installation: Bowtied In the Middle) Magasin 3, Stockholm, Sweden.
Kardon, Janet, curator. "Millennium Eve Dress," The Fabric Workshop and Museum. Philadelphia, Pennsylvania. December 6, 1996-February 22, 1997.
"Heart, Mind, Body, Soul: American Art in the 1990s, Selections from the Permanent Collection," The Whitney Museum of American Art. New York, New York. Opened December 3, 1997.
Ostrow, Saul, curator. "New York - Divergent Models," Nassauischen Kunstverein. Wiesbaden, Germany. September 7-October 19, 1997.
"Onomatopoeia," Studio La Citt�. Verona, Italy. July 5-August 30, 1997.
Rubinstein, Raphael, curator. "Colorflex," Apex Art. New York, New York. May 29-June 28, 1997.
Devine, Dan, curator. "Across Lines: J.Beuys, M.Chin, M.DiSuvero, J.Duff, M.Kendrick, J.Monti, J.Silverthorne, R.Smithson,J. Stockholder, D.Weiner, F.West," Rosenberg Gallery, Hofstra University. Hempstead, New York. April 3-23, 1997.
"Wandst�cke IV: S. Fleury, T. Gr�nfeld, I. Knoebel, L. Mantello, O.Metzel, J. Stockholder, R. Tiravanija," Bob van Orsouw Galerie. Z�rich, Switzerland. January 17-February 22, 1997.
Szeemann, Harald, curator. "4e Biennale de Lyon," (Installation: Bowtied In the Middle, 1995) Halle Tony Garnier. Lyon, France.
Celant, Germano, curator. "La Biennale di Venezia: XLVII International Art Exhibition," (Installation: Recording Forever Pickled, 1991) Corderie Building. Venice, Italy.
VanDyke, Jonathan, curator. "Coming Off the Wall," Susquehanna Art Museum. Harrisburg, Pennsylvania. November 11, 1997-March 5, 1998.
Lissmann, Christina Dr, curator. "I Love New York: Crossover der aktuellen Kunst," Museum Ludwig K�ln. K�ln, Germany. November 6, 1997-January 21, 1998.
Good, John, curator. "The Prophecy of Pop," Contemporary Arts Center. New Orleans, Louisiana. November, 1997-February, 1998.
"Dijon/le Consortium.coll," (Installations: House Beautiful, 1994 and Recording Forever Pickled, 1990) Centre Georges Pompidou. Paris, France.
"Young Americans 2," (Studio Works and Installation: Bowtied In the Middle, 1995) Saatchi Gallery. London, United Kingdom. April 30-July 12, 1998.
Schweizer, Andreas, curator. "Auf der Spur: Kunst der 90er Jahre im Spiegel von Schweizer Sammlungen," Kunsthalle Z�rich. Z�rich, Switzerland. October 30-December 27, 1998.
Shottenkirk, Dena, curator. "Interpreting, with curatorial perspectives by: Lynn Cooke, Lia Gangitano, Robert Storr and Lydia Yee," The Rotunda Gallery. Brooklyn, New York. September 10-October 17, 1998.
Colpitt, Frances, curator. "Chromaform: Color in Sculpture," University of Texas at San Antonio Art Gallery. San Antonio, Texas. September 3-October 16, 1998.
University Art Gallery, New Mexico State University. Las Cruces, New Mexico.
Santa Barbara Contemporary Arts Forum. Santa Barbara, California.
"Painting Language," L.A Louver Gallery. Los Angeles, California. August 5-September 5, 1998.
"Review," Galerie Georg Kargl. Vienna, Austria. opened June 13, 1998.
"Humble County," D'Amelio Terras Gallery. New York, New York. June 11-July 31, 1998.
"Exploiting the Abstract," Feigen Contemporary. New York, New York. May 2-June 13, 1998.
Pissarro, Joachim, Prof. Thomas Crow, curator. "Now and Later," Yale University Art Gallery. New Haven, Connecticut. March 27-August 1, 1998.
Sachs, Sid, curator. "Pop / Abstraction," Museum of American Art of the Pennsylvania Academy of the Fine Arts. Philadelphia, Pennsylvania. February 21-April 19, 1998.
Canning, Susan, curator. "Alternative Measures," Castle Gallery, College of New Rochelle. New Rochelle, New York. February 1-April 5, 1998.
"Gallery Artists," Jay Gorney Modern Art. New York, New York. January 17-February 7, 1998.
"Drawing in the Present," Aronson & Main Galleries, Parson School of Design. New York, New York. October 13-December 3, 1999.
Umberg, Gunther, curator. "...und wandelt mit bed�chtiger Schnelle vom Himmel durch die Welt zur H�lle," Galerie N�chst St. Stephan / Rosemarie Schwarzw�lder. Wien, Austria. September 22-October 31, 1999.
"Recent Prints," Betsy Senior Gallery. New York, New York. April 17-June 5, 1999.
Horodner, Stuart, curator. "Re: Rauschenberg," Marcel Sitkoske Gallery. San Francisco, California. May 6-July 3, 1999.
"Special Offer: Eine Ausstellung des K�lner Galeristen Rolf Ricke," Kasseler Kunstverein. Kassel, Germany. March 14-April 11, 1999.
"Geez Louise!: Art After Louise Nevelson," Educational Alliance Gallery. New York, New York. December 2, 1999-January 14, 2000.
"Think Twice: International Sculpture Show," Galeria OMR. Mexico City, Mexico. November 9, 1999-January 9, 2000.
"In the Beginning was MERZ," (Installation: Gelatinous Too Dry) Sprengel Museum. Hannover, Germany.
Haus der Kunst. M�nchen, Germany.
"Apparent Things: Painting with Things," (Installation: Pictures at an Exhibition) Haus der Kunst. M�nchen, Germany. September 2-November 26, 2000.
Dubrow, Norman, curator. "Before They Became Who They Are," Kravets/Wehby Gallery, New York, New York. January 13-February 10, 2000.
"Gebaude: Donald Judd, Gerhard Merz, Jessica Stockholder (with OpenOffice)," Heimer & D�ring Kunstberatung. Berlin, Germany. September 27-November 18, 2000.
Riese, Ute, curator. "Skulptur 2000," Kunsthalle Wilhelmshaven. Wilhelmshaven, Germany. October 1-November 12, 2000.
"Beyond the Press: Innovations in Print," Hand Workshop Art Center. Richmond, Virginia. January 21-March 12, 2000.
"Spilled Edge/Soft Corner," Blackwood Gallery, University of Toronto at Mississauga, Erindale College Mississauga. Ontario, Canada. January 14-February 13, 2000.
Hickey, Dave, curator. "Beau Monde: Toward a Redeemed Cosmopolitanism," (Installation: Bird Watching) Site Santa Fe. Santa Fe, New Mexico. July 14, 2000-January 6, 2001.
"Camera Works," Marianne Boesky Gallery. New York, New York. June 28-August 10, 2001.
"American Art from Sammlung Goetz," Rudolfinum. Prague, Czech Republic. May 2001.
"Prints & Multiples," Senior & Shopmaker Gallery. New York, New York. March 2001.
Gross, Jennifer, curator. "Objective Color," Yale University Art Gallery. New Haven, Connecticut. February 6-March 25, 2001.
Schaffner, Ingrid, curator. "On Collecting: Pictures, Patents, Monkeys and More...," Western Gallery, Western Washington University. Bellingham, Washington. January 19, 2001-Spring 2003.
"Art Downtown: New Photography," Wall St Rising. New York, New York. June 13-September 15, 2002.
"Print Publisher's Spotlight Two Palm Press," Barbara Krakow Gallery. Boston, Massachusetts. April 27-June 5, 2002.
"SiteLines: Art on Main," Addison Gallery of American Art, Phillips Academy. Andover, Massachusetts.
"New Editions & Monoprints," Pace/Prints. New York, New York. June 19-July 12, 2002.
"Beyond the Pale: Material Possibilities," Neuberger Museum of Art. Purchase, New York. February 3-May 26, 2002.
"Living Units," Triple Candie. New York, New York. June 15-July 27, 2002.
"Under Pressure: Prints from Two Palms Press," University Gallery, University of Massachusetts. Amherst, Massachusetts. February 2-March 15, 2002.
"Painting on Sculpture," Tanya Bonakdar Gallery. New York, New York. November 20, 2002-January 10, 2003.
"Flower Power," FRAC Lille. France. December 2003.
"Under Pressure: Prints from Two Palms Press," The Cooper Union School of Art. New York, New York. January 21-February 21, 2003.
"179th Annual: An Invitational Exhibition of Contemporary American Art," National Academy Museum. New York, New York. May 6-June 20, 2004.
"Kunst Stoff," Galerie N�cht St. Stephan. Vienna, Austria. March 5-April 8, 2004.
"Whitney Biennial 2004," Whitney Museum of American Art. New York, New York. March 11-May 30, 2004.
"The Dunny Show, Kid Robot," Visionaire Gallery, New York, New York.
"Kunst Stoff," Galerie Nachst St. Stephan. Vienna, Austria.
The National Academy Museum Invitational. New York, New York.
"Peintures Migrantes," Ecole Superieure des Beaux-Arts du Mans. Le Mans, France. November 10-December 23, 2004.
"Art 21," (Accompanying exhibition Pucker, the Gallery) Art 21, Inc. New York Dieu Donne Papermill Residency. New York, New York.
"Material Matters," Cornell University, Johnson Museum of Art. Ithaca, New York.
Mark Muller, Germany.
"Women's Work: Large Scale Paintings 1970-1990," Greenberg Van Doren Gallery. New York, New York. March 22-April 15, 2006.
"Justine, Enoc, Natalie, Tjorg, Paul, Martha & Jessica," Mitchell-Innes & Nash Gallery. New York, New York. August-September, 2006.
"Concrete Works," Mitchell-Innes & Nash Gallery. New York, New York. June 2-July 27, 2007.
"Connecticut Contemporary," Wadsworth Atheneum. Hartford, Connecticut. April 19-August 12, 2007.
"Like Color in Pictures," Aspen Art Museum. Aspen, Colorado. February 15-April 15, 2007.
Campbell, Neil, curator. "Paint," Vancouver Art Gallery. Vancouver, Canada. January 13-April 29, 2007.
"A Drawing Show," Lisa Boyle Gallery. Chicago, Illinois.
Ribas, Jo�o and Becky Smith, curator. "In Defense of Ardor," Bellwether. New York, New York. May 24-June 30, 2007.
"Sublime: Experiences and Perceptions in Contemporary Sculpture," Pilar Parra & Romero Galer�a de Arte. Madrid, Spain. September 12-October 27, 2007.
"Led Almost by My Tie," BravinLee programs. New York, New York. September 7-November 24, 2007.
"Extra-Ordinary: The Everyday Object in American Art," organized by the Whitney Museum of American Art, New York. Austin Museum of Art. Austin, Texas. August 25-November 4, 2007.
"says the junk in the yard," Flowers East. London, United Kingdom. August 3-September 8, 2007.
"Les incontournables," FRAC Limousin. Limoges, France. June 29-October 27, 2007.
Meyer-Stoll, Christiane, curator. "Lust for Life. Die Sammlung Ricke," Kunstmuseum Liechtenstein. Vaduz, Liechtenstein. September 21, 2007-January 13, 2008.
"Invisible Rays: The Surrealism Legacy," The Rose Art Museum, Brandeis University. Waltham, Massachusetts. September 26-December 14, 2008.
"3D - Oeuvres de la Collection du FRAC Limousin," Espace culturel Fran�ois Mitterrand. P�rigueux, France. March 8-May 30, 2008.
"Embrace!," Denver Art Museum. Denver, Colorado. 2009.
"La Pintura y sus Alrededores," Galerie naechst St. Stephan. Vienna, Austria. 2009.
"Self-Fulfilling Prophecies," Leo Koenig Inc. New York, New York. March 4-April 17, 2010.
"Everyday Things: Contemporary Works from the Collection," The Museum of Art, Rhode Island School of Design. Providence, Rhode Island. April 13, 2012-February 24, 2013.
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iOS Developer Program members can log in to the iOS Dev Center to download iOS 4.1 GM seed and iOS SDK 4.1 GM seed. Review the Xcode 3.2.4 Readme and the iOS SDK 4.1 GM seed Release Notes before installing and developing with these new releases.
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NAB Announces 2009 Crystal Radio Award Winners
Washington, DC - Apr 21, 2009 - The National Association of Broadcasters has named 10 winners of the NAB Crystal Radio Awards. Since 1987, the NAB Crystal Radio Awards have recognized radio stations for their year-round commitment to community service. The 2009 NAB Crystal Radio Award recipients:
|KKLI-FM Colorado Springs, CO
|WGY-AM Latham, NY
|KOZT-FM Fort Bragg, CA
|WIBC-FM Indianapolis, IN
|KUAD-FM Windsor, CO
|WKRQ-FM Cincinnati, OH
|KXKT-FM Omaha, NE
|WRAL-FM Raleigh, NC
|WDBR-FM Springfield, IL
|WTUZ-FM New Philadelphia, OH
Award winners were selected from 50 finalists and recognized at the NAB Show Radio Luncheon.
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Read each issue online in our Digital Edition Format in your Web browser.
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When building its new broadcast production vehicle, MRN applied lessons learned from the past.
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I have been working at Iowa State University
Pros – Lots of pride in working for a great institution. Benefits have remained solid even through tough economic/budgetary times.
Cons – Career development and advancement opportunities for staff members are lacking.
Advice to Senior Management – The university is too polite in the way it positions itself. It's probably just the Midwestern humility but we need to assert ourselves more in the marketplace. We're better than what we let on.
Yes, I would recommend this company to a friend
I have been working at Iowa State University
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- Media|multimedia
- Newsroom
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Opinion and editorial
Jakarta Post, 17 March 2008
Indonesian forest law misjudges the climate
Opinion: Daniel Murdiyarso
"May you live in interesting time" is said to be an ancient Chinese proverb and subtle curse. Whatever its origins, there's no doubt these are interesting times for anyone engaged in environmental public policy-making. Especially... More »
The Canberra Times, 13 December 2007
Seeing REDD to save the forests and the planet
Opinion: Sven Wunder & Frances Seymour
Global warming poses a significant threat to our future. That much is now widely accepted. Less certain is what we need to do to arrest the process. When the United Nations Framework Convention on Climate Change drew up the Kyoto... More »
Jakarta Post, 04 December 2007
Reducing deforestation in RI
Opinion: Daniel Murdiyarso
Deforestation and land clearance in developing countries are responsible for annual carbon emissions measuring approximately 1,600 million tons. That's roughly a quarter of the world's greenhouse gas emissions, making... More »
Sinar Harapan, 23 September 2007
Menyikapi Laporan IPCC dengan Bijak
Opinion: Daniel Murdiyarso
Baru-baru ini kita mendengar serangkaian peluncuran laporan Panel Antar-pemerintah tentang Perubahan Iklim (IPCC). Pertama dari Paris di bulan Februari 2007, kedua dari Brusel di bulan April, kemudian dari Bangkok bulan Mei yang... More »
Jakarta Post, 29 July 2007
Science key to better environmental decision
Opinion: Douglas Sheil and Erik Meijaard
In the 1980s, over a million hectares of Central Kalimantan's peat forests was cleared and drained for growing rice. To the government, this was a battle against poverty and hunger. Environmental concerns were easily brushed... More »
CGIAR News, 06 June 2007
Balancing Power
Opinion: Yulia Siagian and Heru Komarudin
Research shows that collective action can be effective locally, but questions remain about how best to devolve power to communities, by Yulia Siagian and Heru Komarudin More »
Jakarta Post, 22 January 2007
Signs of growing justice in forest business
Opinion: Charlie Pye-Smith
No matter where you go in rural Indonesia, you will come across people who have fallen foul of the country's forest laws. Take what happened in West Lampung, Sumatra, in the mid-1990s. In Simpang Sari, the police pulled up the... More »


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Board index » Indigo Help » Indigo Server Software
All times are UTC - 6 hours
The server can run headless (no UI) in the background on your Mac while consuming minimal CPU resources.
nsosnicki wrote:For my use, Applescript is a must have.I run Indigo on a dedicated server (not dedicated exclusively to Indigo, but a box that no one ever needs to locally log in to), so ideally, I'd like to have Indigo demonized with Applescript support without the need for a GUI login.Understanding the Applescript limitation, the next best thing would be for Indigo to be able to run under a non-admin account (either with a GUI or not, really doesn't matter at that point except for the CPU cycles). For security purposes, I'd prefer not to leave an interactive admin session open on the server all the time.
/Library/Application Support/Perceptive Automation/Indigo 5/
Last edited by matt (support) on Mon Sep 14, 2009 3:11 pm, edited 3 times in total.
gmusser wrote:What exactly should I change the permissions to? Global read/write? Or do I need to chown to the server account?George
Last edited by Otis69 on Mon Feb 26, 2007 11:52 am, edited 3 times in total.
wwhigginsjr wrote:If someone can provide instructions on how to run Indigo headless and without any user logged in (sacrificing AppleScript), I'd greatly appreceate it.
Users browsing this forum: dtich, Indy_Larry and 0 guests


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I have been working at Monsanto Company
Pros – astronomical growth of company - great opportunties
Cons – Top Heavy - many ready to retire
Advice to Senior Management – n/a
Yes, I would recommend this company to a friend
I have been working at Monsanto Company
I worked at Monsanto Company
Monsanto has always embraced innovation and always focused on helping to make a better world. You can see it in our groundbreaking products and in our dynamic environment where your skills and your career can grow and… — Full Overview
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This is the employer's chance to tell you why you should work for them. The information provided is from their perspective.
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Idaho is renowned for its potatoes, and rightfully so—the state alone grows roughly one-third of America's crop. The Gem State's natural riches, however, extend far beyond its tubers. Sun Valley Resort in central Idaho highlights the state's mountainous terrain with more than 40 kilometers of trails and powdery slopes that start at heights of up to 6,000 feet. The ski lifts stay in operation long ...
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Passes let bowlers perfect their techniques with three games per day, plus shoe rental for more than 90 days
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"Mathematica is a researcher's playground," says Markus van Almsick. Recently, he used the diverse functionalities in the software to design a children's playground and zip-line that meet Germany's strict safety requirements.
The power of Mathematica enabled him to easily calculate values for a long list of variables, including speed, height, and tension, and to develop the perfect blueprint in record time.


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West Coast Vancouver Island South: Synopsis
Technical Marine SynopsisIssued 4:00 PM PDT 18 April 2014 Tonight and Saturday At 4:00 p.m. PDT today ridge located over the Mainland Coast.
By 10:00 a.m. PDT Saturday ridge located over BC interior.
At 6:00 p.m. PDT tonight intensifying cold front located on a line
northwest-southeast over western Bowie.
By 10:00 a.m. PDT Saturday low 970 mb located over southwestern
At 8:00 p.m. PDT Saturday approaching warm front located near the
Outer Coast.
Marine Weather StatementIssued 3:22 PM PDT 18 April 2014 An approaching 970 MB and cold front push towards the North Coast
tonight causing winds to rise to southeast storm force winds up to 55
knots ahead of the front from this evening to late Saturday morning.
Hurricane force southeasterlies near 70 knots are likely near the
headlands of Vancouver Island overnight and early Saturday morning.
Winds will ease to strong to gale force late Saturday over coastal
waters as the front reaches the BC coast.
A secondary system swinging around the primary low will bring another
system to the coastal waters with more gale to storm force
southeasterlies on Sunday.
- Date modified:


text:
Best Soccer Equipment Ratings / Top Customer Rated Soccer Equipment - Sort by reviews count (low to high)
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Struggling with a purchasing decision? Can't decide between two Soccer Equipment? Discover reviews, ratings and customer feedback for Soccer Equipment and see what other customers just like you had to say. Buying advice for JUGS and other brand are provided by outdoor enthusiast just like you.
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text: Outfit Ideas: Seven Ways to Wear One Blouse One Classic Sleeveless Blouse, Seven New Ways to Wear It by Hannah Weil 4/01/11 3 Reactions 38 Shares Print 9 17 12 0 0 The little sleeveless blouse is making quite the comeback for Spring. Sure, it's a classic to begin with, but we're excited to see it back in rotation — and we're ready to give it new life this season. Think of it as a perfect little blank canvas for plotting your warmer-weather outfit strategy — that's what we're doing! We've got one Equipment Signature Sleeveless Blouse ($187) and we're styling it up seven new ways — from your Spring luncheon to your date night, click through to shop all the fabulous ways to wear it. Afternoon Polish What's Your Reaction? 0 0 0 0 0 0 We love playing with the blouse's sweet vibe by adding a little pleated skirt and structured handbag. To mix it up, try a pair of platforms, or keep it girlie with a pair of sandals and socks. Equipment Signature Sleeveless Blouse ($187), Topshop Red Pleated Short Skirt ($70), Topshop Libby Tan Platform Sandals ($140), Ameko Suki Small Grab Bag ($171), House of Harlow 1960 Red Gold and Black Resin Earrings ($38), Asos Metal Keeper Patent Skinny Waist Belt ($11) 1 / 7 '70s Sophisticate What's Your Reaction? 0 0 0 0 0 0 This is the most sophisticated way to wear the '70s this Spring — a pair of high-waist trousers (that aren't denim) can go right with your blouse to the office, then to happy hour. Equipment Signature Sleeveless Blouse ($187), Alice + Olivia High Waist Bell Bottom ($220), Asos Leather Portfolio Clutch ($79, originally $99), Dolce Vita Emery Platform Sandals ($199), Gigi Orange Python Bangle ($110), Banana Republic Oblong Hoop Earrings ($45) 2 / 7 Out With the Girls What's Your Reaction? 0 0 0 0 0 0 If you thought this little blouse couldn't handle late night, you were wrong. Just add a pair of slick leather shorts and a pair of open-toe booties or wedges. Then, accessorize with a leopard clutch, jewels, and the perfect shade of red polish. Equipment Signature Sleeveless Blouse ($187), Silence and Noise Leather Shorts ($128), Asos Leather Leopard Print Pony Skin Clutch ($29, originally $33), Zara Buttoned Wedge Shoe ($99), Asos Semi Precious Rock Ring ($25), Essie Nail Polish in Really Red ($8), Wendy Nichol Pyramid Hoops ($190) 3 / 7 Styled Errands and a Movie What's Your Reaction? 0 0 0 0 0 0 You know when that long Saturday afternoon turns into a quick bite with the girls for dinner, followed by a movie? This look ensures you're prepared with the ease of your button-down, seasonal stripes, and a great pair of wedges. Equipment Signature Sleeveless Blouse ($187), Madewell Striped Cashmere Cardigan ($168), Elizabeth and James Sawyer Wedges ($365), Madewell Love Letter Clutch ($52), Topshop Khaki Zip Detail Skinny Trousers ($76) 4 / 7 Spring Luncheon What's Your Reaction? 0 0 0 0 0 0 Adding the blouse to a sweet femme skirt takes the more predictable little dress out of the equation and gives you something entirely more unique. We love how soft and easy this feels, and if you need to get dressier, just switch out the shoes and jewelry. Equipment Signature Sleeveless Blouse ($187), Girl. By Band of Outsiders Althea Skirt ($648), Zara Buckled Messenger Bag ($50), Madewell Peekaboo Slingback ($198), Gorjana Vintage Chain Tassel Necklace ($85) 6 / 7 Urban Cool What's Your Reaction? 0 0 0 0 0 0 When the weather starts to warm, this look is ideal for hanging in the city and keeping cool. We love how the drawstring skirt dresses down the classic feel of the blouse; then it's all about the punchy accessories. Equipment Signature Sleeveless Blouse ($187), Ray-Ban New Wayferer ($119), Zara Small Leopard Print Bag ($149), Steve Madden Paiigge Sandals ($70), Topshop Ruch Waist Jersey Skirt ($50) 6 / 7 Easy-Breezy Date Night What's Your Reaction? 0 0 0 0 0 0 We love the idea of the button-down blouse as a little layering piece, revealing just a hint of skin and a great, Springy-printed bustier underneath. Leave a few buttons open, tuck into a pair of high-waist flares, and add a pair of wedges to lengthen those legs. Equipment Signature Sleeveless Blouse ($187), Notify Optimum High Rise Denim ($240), Mara Hoffman Embroidered Bustier Top ($260), 7 For All Mankind Kristen Suede Wedge ($195), Asos Leather Weave Clutch ($108), Gara Danielle Turquoise Crystal Hoop Earrings ($88) 7 / 7 9 17 12 0 0 Read More Fashion How ToOne Piece Seven WaysStylingMadewellAsosNet A Porter7 For All MankindMara HoffmanRay BanEquipmentShopbopShopping Get a Personalized Fashion & Beauty Newsletter! Help us customize your newsletter by selecting your interests (optional): Street Style Fashion & Beauty News Beauty Tips Celebrity Style AnAshopholic 3 years tres chic Link Love Step up your Spring style with just five style tips — Lifestyle Mirror This season's chicest headbands are pure purr-fection — InStyle Why skinny jeans are actually the worst — HuffPost Style Lucky fights off some big rumors — Racked Rumer Willis shows a little too much skin — People StyleWatch Yes, workout wear can look chic — Lucky Prepare to swoon over these bridal accessories — Who What Wear How the fashion world is remembering one factory collapse — Fashionista Etsy can help you live out your childhood fashion dreams — The Cut Source: Getty / Caroline McCredie


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The Stellar Labs Value Series S-Video Cables are high quality interconnect assemblies commonly used with DVD players, satellite receivers and VCRs.
Login Here to rate and review this product.
108-3965 - Hook and Loop Fastening System - Black
Ideal for automotive, electrical, and electronic applications 1" wide material adheres to most materials including metal, glass, wood, plastics and more System contains 4.9 yards each of hook material and loop material Available in black an...
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24-12089 - 25ft Composite Video + Audio 1-rca M-M + 2-rca Audio M-M
The Stellar Labs Value Series Composite Video and Stereo Audio Cables are high quality interconnect assemblies that provide excellent picture quality and signal integrity. Their bonded, tangle-free construction and flexible PVC cable jacket reduces cable clutter a...
MCM Cat 57, Page 579


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Günstige Unterkünfte Europa Portugal Vila Real
Volcanoes and Vila
as it will disrupt the yam harvest. As it turned out, some friends from Vila also wanted to climb, so we made our ...
Posted in Island Home by RichCarm
October 27 2010
Today we headed up into the Serra de Acaria do Cume and then looped back down to Castro Marim with its old castles and the lovely town of Vila Real de Santo Antonio which is on the river border with Spain ...
Posted in Jeni and Kevin's Travels 2010 by kforge
Over the river to Spain
Plaza, Ayamonte Benches in the plaza, Ayamonte Tavern, Ayamonte Ayamonte wall art View from Ayamonte across to Portugal A train trip (on another sunny day!) took us to Vila Real de San Antonio - a lovely little town - to catch the ferry to Ayamonte, across the river in Spain. Vila Real has ...
Posted in Portugal and Spain 2013 by suziqed
Was ist Ihnen wichtiger?Preis Beliebtheit


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Meet the Missouri Commission on Human Rights
The Missouri Commission on Human Rights appointed Alisa Warren Executive Director on Jan. 7, 2008.
The basic powers and duties of the Commission are to eliminate discrimination through the enforcement of the Missouri Human Rights Act and prevent social inequality through education and outreach. The Missouri Commission on Human Rights is authorized to investigate complaints in employment, public accommodations, and housing – if the reason for the alleged discrimination is based on race, color, religion, national origin, ancestry, sex, disability, age (40 - 69) (in employment only), and familial status-families with children under the age of 18 (in housing only).
Prior to joining the Missouri Commission on Human Rights, Warren was employed by the University of Missouri—Columbia as Director of Diversity Initiatives. Her previous Missouri state service included employment with the Office of Administration as Director of the Office of Equal Opportunity. She also was employed by the Department of Economic Development as Interim Executive Director of the Missouri Community Service Commission.
Warren holds a bachelor's degree in Environmental Design, and a master's degree in Public Administration – and a Ph. D. in Community Development with an emphasis in Social Disparity - all from the University of Missouri—Columbia.
MCHR Commissioners:
- Dierkes, Michael, (R), Acting Chairperson, St. Louis, 2nd District, April 1, 2015
- Birks, Donna Lynn, (D), commissioner, Kansas City, 5th District, April 1, 2018
- Placzek, Jenifer, (D), commissioner, Springfield, 7th District, April 1, 2015
- Worthington, Dr. Roger, (D), commissioner, Mexico, 4th District, April 1, 2014
- MCHR has five (6) commissioner vacancies.
Pictured left to right: Former 7th District Commissioner Adolfo Castillo, Former 6th District Commissioner Daniel Champion, Executive Director Alisa Warren, Former 9th District Commissioner Jaye Jackson, Chairman Al Carter and Former 2nd District Commissioner Herman Elmore at 50th Anniversary Conference, January 21, 2009.
Alisa Warren
Michael Dierkes
Acting Chairperson 2nd District
Term expires 4/1/2015
Jenifer Placzek
Commissioner 7th District
Term expires 4/1/2015
Dr. Roger Worthington
Commissioner 4th District
Term expires 4/1/2014


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Cheap Lot
Parking in Boston seems pricey. It's not, and we need to make it more expensive.
Driving in Boston is about as much fun as an emergency appendectomy with a jigsaw. Those of us who live here are well equipped to deliver detailed lectures on the reasons why: one-way streets derived from 17th-century cow paths; the lack, for the most part, of a grid; poor to nonexistent signage; and the general willingness of citizens on foot, on bike, and behind the wheel to dart out recklessly into traffic. But as bad as driving is in Boston, it's a dream compared with the parking.
You see, the average car is driven only about 5 percent of each day. The rest of the time—when the owner is at work, at home, or in a store—that car is parked. In a small city with limited space like ours, this creates a major problem. Too many cars are competing for too few parking spots. Finding an empty space on the street is such a rarity that when my friend in the North End does manage to grab one, she'll often choose to keep her car parked in it and shell out for a Zipcar when she needs to run an errand. Whenever you're thinking of driving into the city—be it for a Red Sox game or a quick stop on Newbury Street—there's always one overwhelming concern: If I can't find a spot on the street, how much is the garage going to cost me?
It doesn't have to be like this. Unlike a lot of the problems we have with cars around here, this one we can actually fix.
We'll get to what Boston must do to alleviate its parking problems, but first, let's examine how we got ourselves into this mess. In 1978 the city froze the number of off-street spaces—garages, private lots, and the like—at 35,556 in the North End, Financial District, Chinatown, Back Bay, and South End neighborhoods. (Southie and Eastie had their own parking freezes later on.) Why? Because we needed to reduce air pollution to comply with the Clean Air Act. Limiting the availability of garage parking was seen as an effective way to control the number of pollution-spewing cars that were traveling into the city. Not a bad strategy, but, predictably, with supply limited and no new competition, the owners of the city's garages have spent the past 30 years jacking up their prices.
During that same period of time, the city has barely raised the rates at parking meters, for fear of angering the public. In 2011 the Boston Transportation Department bumped up the hourly rate by a quarter, to $1.25. That marked the first increase since the mid-1980s, and it didn't come close to matching inflation since 1985 (114 percent), never mind reflecting what the market-driven price should have been in a city that had added 62,000 residents and very few additional spaces since 1980. Today, our meters cost far less than those in Chicago and Washington, DC ($3 an hour), and in Los Angeles (as much as $4 an hour).
Why does all of this matter? Because when you combine low street-parking prices with a cap on the number of garage parking spaces, what you get is a mad dash for street spots and super-pricey garages. Today, according to Colliers International, Boston is home to the second-most-expensive parking garages in America, trailing only Manhattan. Residents of Chicago, San Francisco, and Washington, DC—who pay more on the street—all pay less at the garage. Our hourly garage rates hover between $11 and $15, and our average monthly rate is $438. Pay that for two years and you've shelled out almost as much as you would for a new Kia.


text:
Rafinha Alcantara, brother of Thiago, has signed a three-year contract extension with Barcelona.
Rafinha, like his sibling, had been weighing up his options, which included a loan move to Celta Vigo.
Luis Enrique, Celta coach and former Barca B boss, was keen to take both the 20-year-old and his team-mate Jonathan Dos Santos to Balaidos, while Rafinha's father, Mazinho, represented the La Liga side from 1996-1999.
However, the younger of the two Alcantaras opted to put pen to paper on a deal to keep him at Barca until 2016 instead, although he has made it clear that there is still a chance he could be representing a different team come next season.
"I am very happy to continue to be attached to the club but I am open to the possibility of going out on loan," he told the press after signing his new contract. "If I need to do that in order to get minutes then that's not a problem."
Rafinha, who, unlike his brother, has chosen to represent Brazil at international level, played 36 games for Barca B last season, netting 10 goals.


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9800 Westover Hills Blvd, San Antonio, TX | Directions 7825129.465883 -98.686802
Convenent & quiet place to stay in the Seaworld Area – This hotel was worth our stay and money. Nestled in the quiet hills across from Seaworld, we had a very relaxing time in the western part of SA. They offered free shuttle service to & from Seaworld. We, regretfully, did not use it and ended up paying almost $20 for parking. We would stay here again.
Editorial Review – Luxurious hotel accomodates tourists and business travelers with relaxing ammenities and proximate attractions.
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Over the years, I have accumulated a good bit of cellulite on my thighs, and I want to figure out how to get rid of it, because I know that it makes me a lot less attractive than I would be otherwise. I kind of ignored the problem at first, and told myself, that it would not get too bad. However, that is not how things have turned out, and it is pretty bad right now. I really want figure out how to find an effective cellulite treatment to start in the near future. I would like to find a treatment method that has a high rate of success for getting rid of the condition.
I need to learn more about the composition of cellulite, and how it forms. If I know more about it, and how it forms in the first place, then I will be better prepared to prevent more from accumulating in the future. And that is just about as important to me, as getting rid of it in the first place. It makes me want to cry, to think about how much I have let myself go.
I am going to turn things around though, and I recently lost my boyfriend of several years. I am having trouble with my self esteem, and my self image right now, and I want to make myself look more attractive, since I am back on the market. I thought things were more serious with my last boyfriend, than he was ready to accept. I guess that I am kind of foolish for taking things too fast. Anyway, I hope to find a good source of information for how to rid yourself of cellulite problems, and also find some info on how to keep it from coming back. I intend to spend the next hour or so, studying this sort of thing.Assess A Bit More


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A new Wisconsin Historical Society website is coming mid-May 2014!
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Developers try to cut a canal around the worst rapids in the Fox River.
Map of a Route for a Canal to Avoid the Principle Rapids of the Neenah (or Fox) River Between Lake Winnebago and Green Bay
This map ("surveyed under the direction of Capt. Cram T. E. by J.L. Woodside, Assistant")details one of the many canal projects proposed to improve internal transportation in Wisconsin in the 1830s. Suggested by a group in Green Bay, the Fox River Improvement Company sought to construct an efficient waterway between Green Bay and Mississippi River, including the portage between the Fox and Wisconsin rivers. This map shows how they intended to get around the worst rapids in the Fox River valley. Applications for state and federal funding for canals and river improvements such as this were a central political issue in the decades before the Civil War. Some were funded, few were built, and fewer still were effective before railroads made them unnecessary. Click "Zoom & Pan" for a closer look.
View the Document
Related Topics:
Immigration and Settlement
Great Lakes Steamships and Canals
Cram, Thomas Jefferson, 1807?-1883.
Pub Data:
In: Report from the Secretary of War transmitting... copies of reports, plans, and estimates, for the improvement of the Neenah, Wiskonsin, and Rock Rivers... 26th Congress, 1st Session, Senate Doc. 318, Serial Set vol. 359 (Washington: Blair and Rives, 1840); this copy from the Wisconsin Historical Society map collection (GX 902 1839CR)
Cram, Thomas J. "Map of a Route for a Canal to Avoid the Principle Rapids of the Neenah (or Fox) River Between Lake Winnebago and Green Bay." In: Report of the Secretary of War... (Sen Doc. 318, U.S. Serial Set vol. 359; Washington, 1840). Online facsimile at: http://www.wisconsinhistory.org/turningpoints/search.asp?id=133; Visited on: 4/24/2014
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Investigation performed at the Center for Excellence in Hip Disorders, Texas Scottish Rite Hospital for Children, Dallas, Texas
A commentary by Fred R. Nelson, MD, is linked to the online version of this article at jbjs.org.
Local non-weight-bearing as a treatment for Legg-Calvé-Perthes disease remains controversial since a clear scientific basis for this treatment is lacking. The purpose of this study was to determine the effects of non-weight-bearing on decreasing the femoral head deformity following ischemic osteonecrosis and to investigate its biological effects.
Unilateral femoral head ischemia was induced in sixteen piglets by placing a ligature around the femoral neck and transecting the ligamentum teres. Eight animals received a hind-limb amputation to prevent weight-bearing on the ischemic side (NWB group). The remaining eight piglets were allowed to bear weight as tolerated (WB group). The contralateral femoral heads of the WB group were used as normal controls. All animals were killed at eight weeks after induction of ischemia, when a deformity is expected in this model. Radiographic, microcomputed tomographic (micro-CT), and histomorphometric assessments were performed.
Radiographic and micro-CT assessments showed significantly greater flattening of the infarcted epiphysis in the WB group compared with the NWB group. The mean epiphyseal quotient (ratio of femoral head height to diameter) was significantly lower in the WB group (0.29 ± 0.06) compared with the NWB group (0.41 ± 0.06, p < 0.001). Histomorphometric analyses showed that the mean percentage revascularization of the infarcted epiphysis was significantly greater in the NWB group (95% ± 14%) compared with the WB group (34% ± 33%, p < 0.0004), suggesting that revascularization was more rapid in the NWB group. Both histomorphometric and micro-CT analyses of trabecular bone parameters showed significantly decreased bone volume and decreased trabecular number in the infarcted epiphysis of the NWB group compared with the WB group (p < 0.05).
Local non-weight-bearing decreased the deformity following ischemic femoral head osteonecrosis and increased the rates of revascularization and resorption of the infarcted epiphysis.
Local non-weight-bearing was mechanically protective but biologically suboptimal following ischemic osteonecrosis since it increased the imbalance of bone resorption and formation.
Fig. 1-A Representative radiographs of femoral heads from the three groups. The femoral heads from the weight-bearing (WB) group show moderate to severe collapse. The femoral heads from the non-weight-bearing (NWB) group have better preservation of the round shape of the femoral head. Fig. 1-B Bar graph showing the mean epiphyseal quotient (EQ) (and standard deviation) for each group (n = 8 per group). The mean EQ of the WB group (0.29 ± 0.06) was significantly lower than that of the NWB group (0.41 ± 0.06), which was significantly lower than that of the normal control group (0.49 ± 0.02) (p < 0.001).
Fig. 2-A Representative three-dimensional reconstructions of microcomputed tomography (micro-CT) sections of femoral heads from the three groups. The weight-bearing (WB) group had moderate to severe femoral head flattening, whereas the femoral head in the non-weight-bearing (NWB) group was normal or had mild flattening. Fig. 2-B Representative micro-CT sections of the central region of a femoral head from each group. Areas of bone resorption are visible in the infarcted epiphysis in the WB and NWB specimens.
Fig. 3-A Low-magnification photomicrograph of a histological section of an infarcted epiphysis from the weight-bearing (WB) group showing flattening of the femoral head and large areas of bone resorption (asterisks) (×0.5 [scale bar = 2 mm], von Kossa and McNeal tetrachromium stain). Fig. 3-B Low-magnification photomicrograph of a histological section of an infarcted epiphysis from the non-weight-bearing (NWB) group showing preservation of the round shape and larger areas of bone resorption compared with the WB group (asterisks) (×0.5 [scale bar = 2 mm], von Kossa and McNeal tetrachromium stain). Fig. 3-C Higher-magnification photomicrograph of an area of bone resorption from Figure 3-B showing replacement of bone by fibrovascular tissue (×20 [scale bar = 100 μm], von Kossa and McNeal tetrachromium stain). Fig. 3-D Bar graph of the mean percentage of bone volume (and standard deviation) in each group. The NWB group had the lowest mean bone volume percentage. BV = bone volume, and TV = total volume.
Figs. 4-A, 4-B, and 4-C High-magnification photomicrographs of sections stained for tartrate-resistant acid phosphatase (TRAP) activity to visualize osteoclasts (stained in red) (scale bar = 100 μm). The number of osteoclasts in the normal femoral heads (Fig. 4-A) was significantly less than the number in the weight-bearing (WB) group (Fig. 4-B), which was significantly less than the number in the non-weight-bearing (NWB) group (Fig. 4-C) (p < 0.0008). Fig. 4-D Bar graph showing the mean number of osteoclasts (and standard deviation) in each group.
Figs. 5-A, 5-B, and 5-C Representative photomicrographs of calcein-labeled femoral head sections from the normal control (Fig. 5-A), weight-bearing (WB) (Fig. 5-B), and non-weight-bearing (NWB) (Fig. 5-C) groups (×0.5). Compared with the widely distributed calcein labeling in the normal femoral heads, the calcein labeling was spotty and significantly decreased in the femoral heads from the WB and NWB groups, indicating that new bone formation was significantly decreased in both groups (p < 0.0001). Fig. 5-D Bar graph of the areal percentage of calcein labeling (and standard deviation) in each group.
Figs. 6-A, 6-B, and 6-C High-magnification photomicrographs of the central area of representative femoral heads (×20 [scale bar = 100 μm], von Kossa and McNeal tetrachromium stain). Fig. 6-A A normal femoral head showing normal marrow contents consisting of adipocytes, hematopoietic and mononuclear cells, and blood vessels (asterisk). The trabecular bone contains an osteoblast lining and osteoid (arrows). Fig. 6-B An infarcted femoral head from the weight-bearing (WB) group. The cells in the marrow are necrotic, with a loss of nuclear and cytoplasmic staining. There is an absence of blood vessels in the marrow space and osteoblast lining of the trabecular bone. Fig. 6-C An infarcted femoral head from the non-weight-bearing (NWB) group. The marrow space is occupied by fibrovascular tissue (myelofibrosis), with many spindle-shaped cells and small blood vessels (asterisks). Fig. 6-D Bar graph comparing the areal percentage of revascularization (and standard deviation) in the infarcted epiphysis of the WB and NWB groups. The NWB group had significantly greater revascularization compared with the WB group at eight weeks after induction of ischemia.
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The new iPad has a built-in Camera app that not only lets you shoot 5 megapixel photos, but does a surprisingly good job at recording 1080p video as well. What's more, the built-in Photos app lets you trim your videos right on the iPad. And if you need more powerful editing, complete with titles and transitions, there are a couple of great App Store apps for that!
Recording video with your iPad is very simple.
Apple has included the basic editing ability of trimming your videos with the iPad. Any other editing will need to be done on a 3rd party app (see below).
If you want to edit, add titles or transitions, or otherwise make your videos even more fantastic before uploading, you can do that right on your iPad with either Apple's iMovie or Avid Studio.
Once you're done and your videos are perfect, the iPad also makes it really easy to share them in a number of different ways.
Additional resources:
I don't know if it just me but is there something wrong with the beginning of this article?
What's that your taking a video of, a coaster?
One slight amendment: you can only trim videos if you view them via the Camera app, not via the Photos app.
I couldn't get this to work, but found out you have to open the camera app, then click last video shot in bottom left corner. Otherwise the gray border isn't shown if you view videos from the photos app. Must be an iOS 6 change.
can i pause a video while recording and then come back later to add to it?


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Planning a Theme Park Vacation for Large Group in 8 Easy Steps
Mommy Frog and I were in charge of planning the last "Frog Family Reunion" and, of course, we did it Disney-style. Here are the eight steps we followed that kept family members from acting like Cinderella's step-sisters.
(I'm not mentioning any names!)
1. Pick a team leader.
If you are reading this blog, you are probably the self-appointed team leader for your group. Trust me, it's quite an undertaking, but having one point-person keeps everything running much more smoothly. You'll be the one to make dining reservations, keep confirmation numbers, organize a general schedule, play referee…yes, play referee. Look on the bright side though…being the team leader means you have the final say! (Well, it sounded good in my head anyway.)
2. Set your dates.
We had a vague idea of when it would be easiest for everyone to take off from work, so with that in mind, we sent an email to the group with two date options. Fortunately, all but one chose the same set of dates, and the one who didn't was OK with the dates we picked. Do this far enough in advance that arranging work schedules, school schedules, pet-sitting and such won't be a problem. (The 'When to Visit' page is a big help at this stage of the process…click here.)
3. Get the tickets.
Purchasing your tickets in advance is one of those things you can easily cross of your list…you're going to have a long enough list as it is! In my opinion, having the Park Hopper option is a must if you're traveling with a large group. You'll want as much flexibility as possible, and as you'll read later on, you may want to split up. Not everyone has to get the exact same ticket either. In our case, the grandparents had no interest in the water parks, so they got Park Hoppers, but everyone else got Park Hopper + Water Park Fun & More tickets. (For tips on choosing 'Which Ticket,' click here.)
4. Choose where to stay.
There are a number of factors to consider here, the first of which is "budget." Part of your group may want to go full-on luxury while others are more comfortable in a Value Resort. For planning purposes, it's easier if everyone stays in the same place, so a Moderate Resort may be the way to go. You might also consider renting a vacation home. Keep in mind this means you will have to organize transportation to and from the parks. We like the convenience of complimentary transportation and being able to have a little "alone time" at the end of each day, so it's on Disney property for us. For the best of both worlds, the Cabins at Disney's Fort Wilderness Resort are great! (Click here for more 'Where to Stay' help.)
5. Take care of transportation-related plans.
Before you have to start deciding what to do and where to eat, why not go ahead and cross off the "getting here" part of your list? At this point, since everyone knows the dates of the trip and where they are staying, it's simpler for each sub-group to make its own transportation arrangements. There may be some people who fly and others who are close enough to drive. Just make sure you (the team leader) has everyone's itinerary and arrival information. (Check out 'How to Get Here' and 'Moving Around' for transportation and travel tips.)
6. Get a general idea of what everyone wants to do.
"General" is the key word here. If you get a feel for how people see their vacation going (i.e. take it easy vs. do as many things as possible, arrive at park opening each day vs. sleep in, rides vs. parades and shows, etc.), you'll have a better idea of how detailed to make your schedule. The larger the group, the wider range of answers you're going to get and the more important it is to let sub-groups do their own thing. In this situation, it's a good idea to have scheduled "together time" like meals or fireworks shows. (Our 'What to Do' and 'On Vacation' pages are a good place to start.)
7. Make Advanced Dining Reservations (ADRs).
Sit-down meals are a great time to get everyone together especially if you plan on doing the smart thing and split up into smaller groups during the day. Since you will be making reservations for a large group, try to make them as far in advance as possible. Where you have Advanced Dining Reservations will affect which park everyone chooses to visit that day, so make sure you get feedback from the group beforehand. And remember, you can't please all the people all the time. (Our 'What to Eat' page is packed with Disney dining information like menus and Frog Family Favorites…click here.)
8. Start exercising your "patience muscles."
You'll need them to be in tip-top shape…trust me.
Have you ever gone on a theme park vacation with a big group? What worked and what didn't? (Our next Frog Family Reunion is coming up and I need all the help I can get!)
Happy Traveling!
One Response to "Planning a Theme Park Vacation for Large Group in 8 Easy Steps"
[...] If you're planning a theme park vacation for a large group, be sure to read this helpful blog: Planning a Theme Park Vacation for a Large Group in 8 Easy Steps [...]


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ASUS A8n-Sli Premium | AMD Opteron Dual Core x64...is it possible to install onto this setup, I've 2gb RAM.
Processor supports SSE2 SSE3. I tried installing the Hazard distribution last night, but it halted and said I needed to take a photo of the page and contact Hazard.
Can anyone direct me to the correct distro.
Any Help would be much appreciated.
Thanks in Advance


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Web Publications
THE AMERICAN ASSOCIATION OF VARIABLE STAR OBSERVERS 25 Birch Street, Cambridge, MA 02138 USA BITNET: aavso@cfa8 SPAN: nssdca::cfa8::aavso Tel.617-354-0484 FAX 617-354-0665 AAVSO ALERT NOTICE 156 (April 16, 1992) 2027 + 52 NOVA CYGNI 1992 This recent nova has been very well monitored by observers worldwide since its discovery in February. Accompanying is the light curve of N Cyg 92 from its discovery to Apri 12. Using the criteria from The Galactic Novae, by C. Payne-Gaposchkin (Dover Publications, NY, 1964, p. 24), this nova would be classified as a fast nova (fall of two magnitudes in 11 to 25 days), for it took 18 days to decline two magnitudes, thus giving a decline rate of 0.11 magnitude per day. Once it reached magnitude 6.3, N Cyg 92 took another 18 days to decline one magnitude, and thus the rate of decline decreased to 0.06 magnitude per day. Also accompanying are "b" and "d" scale charts for Nova Cyg 92. Observers are requested to use these charts in making magnitude estimates. It is interesting to note that one of the four amateur observing projects for the Hubble Space Telescope (Cycle I) is the monitoring of a bright nova to detect comet clouds around it. The amateur astronomer on this project John Hewitt, has been waiting for a bright nova since the selection of his project for Cycle 1 over two years ago. N Cyg 92 has been chosen by John to be observed by HST, and it has been scheduled for observation in the coming weeks. Observers are strongly recommended to continue to keep a close eye on this nova so that we may provide information to John during his observing run. Please continue to call your observations in to Headquarters. 0807-34 NOVA PUPPIS 1991 N Pup 91, discovered in late December, has also been well monitored during the past few months. Accompanying is its light curve compiled from observations both telephoned to Headquarters and sent in with observers' monthly reports. N Pup 91 took 38 days to decline two magnitudes from maximum, with a decline rate of 0.05 magnitude per day. It is therefore a moderately-fast nov~ again using Payne-Gaposchkin's classification of novae light curves (fall of two magnitudes in 26 to 80 days). Observers are strongly recommended to continue to keep a close eye on this nova. UPDATES ON RARE DWARF NOVAE OUTBURSTS 0829+53 SW Ursae Majoris This SU UMa-type dwarf nova had a superoutburst in which it reached magnitude 10.5 on March 21.154 UT, as reported by R Stewart, W. Paterson, NJ. SW UMa remained brighter than magnitude 12 until March 31, and declined to < 13.7 by Apri15.9 UT. 1950+32A EY Cygni ThiS dwarf nova at quiescence since 1986, had an outburst in which it reached 11.0 on March 28.1 UT, as reported by P. Schmeer, Bischmisheim, Germany, and 11.5 on March 29.4, as independently reported by J. Griese, Stamford, CT. This outburst was well-monitored by observers world-wide. EY Cyg was magnitude 13.1 on April 12. PARTICIPATION IN MONITORING CATACLYSMIC VARIABLES FOR EUVE SURVEY We are in the process of compiling the finder charts of cataclysmic variables for which we will be coordinating observations worldwide for NASA's EUVE (Extreme Ultraviolet Explorer) satellite. We will be alerting observers and interested participants in this project soon, giving chart information for this very interesting pioneering satellite project, which, starting in late summer, will survey the sky in the extreme ultraviolet wavelengths (70 - 760 Angstroms). The answering machine (617-354-0484) at AAVSO Headquarters is on nights and weekends for your convenience. Thank you very much for all your efforts and valuable observations. Good observing! Janet A Mattei Director
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Last Updated: August 3, 2010 - 11:25am


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The girl's Heart of Hearts tee is a lightweight comfortable tee shirt made from 100% cotton. The girl's tee shirt features an adorable high quality print that looks great. The cotton tee is naturally breathable making it ideal for everyday wear during the summer. The relaxed fit tee is a brilliant addition to the summer wardrobe and will continue to look great wear after wear.
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1 person found this helpful
I have been working at Vistage International
Pros – The Vistage culture focuses on personal growth and discovery which is very important to me. I am mentoring the both young and old business leaders which demands more of me as I assist the cross-section of America's small to mid size business leaders.
Cons – The mission statement requires (at least to me) that I am responsible for creating a safe, honest and rich meeting enviroment month after month and year after year. Having 14 to 18 business owners, presidents and CEOs in the moment both in body and mind takes a lot of effort on my part. One-to-one coaching sessions are very meaningful to the members because they see me as their accountability coach.
Advice to Senior Management – 1. Keep focousing on enriching the experience for our members and 2. Look for the tipping point that will explode our brand as a leading indicator for business success.
Yes, I would recommend this company to a friend
1 person found this helpful
I have been working at Vistage International
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Views: 31
Well, it'd certainly be their most relevant material for a prominently metal event.
I agree.
They should play raditude.
Fall Together and Take Control would be awesome but I'm sure the setlist will be awesome regardless of what is played.
They've toyed with covering Maiden and Sabbath in the past. It would be sweet if they just did all covers. Rivers has a great metal voice.


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Jason D. Hartline, Associate Professor
Prof. Hartline is on sabbatical at Harvard Economics and Computer Science Departments for the 2014 calendar year (January 2014-December 2014).
Prof. Hartline's current research interests lie in the intersection of the fields of theoretical computer science, game theory, and economics. With the Internet developing as the single most important arena for resource sharing among parties with diverse and selfish interests, traditional algorithmic and distributed systems approaches are insufficient. Instead, in protocols for the Internet, game-theoretic and economic issues must be considered. A fundamental research endeavor in this new field is the design and analysis of auction mechanisms and pricing algorithms.
His hobbies include playing sports such as ice hockey, soccer, volleyball, and ultimate; appreciating arts such as fashion, theater, and dance; and participating in sporty-arts such as lindy hop and aerial acrobatics.
Dr. Hartline joined the EECS department (and MEDS, by courtesy) in January of 2008. He was a researcher at Microsoft Research, Silicon Valley from 2004 to 2007, where his research covered foundational topic of algorithmic mechanism design and applications to auctions for sponsored search. He was an active researcher in the San Francisco bay area algorithmic game theory community and was a founding organizer of the Bay Algorithmic Game Theory Symposium. In 2003, he held a postdoctoral research fellowship at the Aladdin Center at Carnegie Mellon University. He received his Ph.D. in Computer Science from the University of Washington in 2003 with advisor Anna Karlin and B.S.s in Computer Science and Electrical Engineering from Cornell University in 1997.
Curriculum Vitae: [pdf]
Publications. (in reverse-chronological order)
The Simple Economics of Approximately Optimal Auctions, with Saeed Alaei, Hu Fu, Nima Haghpanah. FOCS 2013 [pdf] [arXiv]
Bayesian Mechanism Design (a survey), Foundations and Trends in Theoretical Computer Science 2013. [pdf] [link]
Auction with Unique Equilibria, with Shuchi Chawla, EC 2013. [pdf]
Prior-independent Auctions for Risk-averse Agents, with Hu Fu and Darrell Hoy. EC 2013. [pdf] [arXiv]
Prior-free Auctions for Budgeted Agents, with Nikhil Devanur and Bach Ha. EC 2013. [pdf] [arXiv]
Prior-independent Mechanisms for Scheduling, with Shuchi Chawla, David Malec, and Balu Sivan, STOC 2013. [pdf] [arXiv]
Badminton and the Science of Rulemaking, with Robert Kleinberg. Huffington Post, 2012. [link]
The Biased Sampling Profit Extraction Auction, with Bach Ha. Working paper, 2012. [arXiv]
Approximation in Mechanism Design, AER: Papers and Proceedings 2012 [pdf]
Bayesian Optimal Auctions via Multi- to Single-agent Reduction, with Saeed Alaei, Hu Fu, Nima Haghpanah, and Azarakhsh Malekian, EC 2012 [abstract] [arXiv] [video (Saeed)]
Optimal Crowdsourcing Contests, with Shuchi Chawla and Balu Sivan. SODA 2012. [arXiv] [video1] [video2]
Mechanism Design via Consensus Estimates, Cross Checking, and Profit Extraction with Bach Ha. SODA 2012 and TEAC 2012. [pdf]
Prior-independent Multi-Parameter Mechanism Design, with Nikhil Devanur, Anna Karlin, and Thach Nguyen. WINE 2011. [pdf]
Mechanism Design via Consensus Estimates, Cross Checking, and Profit Extraction, with Bach Ha. SODA 2012. [arXiv]
Truth, Envy, and Profit, with Qiqi Yan. EC 2011. [pdf] [video]
Derandomization of Auctions, with Gagan Aggarwal, Amos Fiat, Andrew Goldberg, Nicole Immorlica, and Madhu Sudan, GEB 2011. [link]
Bayesian Incentive Compatibility and Matchings, with Robert Kleinberg and Azarakhsh Malekian. SODA 2011. [pdf] [video (Bobby)]
Multi-parameter Mechanism Design and Sequential Posted Pricing, with Shuchi Chawla, David Malec, and Balasubramanian Sivan. STOC 2010. [pdf]
Bayesian Algorithmic Mechanism Design, with Brendan Lucier. STOC 2010. [pdf] [video (Brendan)]
Simple versus Optimal Mechanisms, with Tim Roughgarden. EC 2009. [pdf]
Limited and Online Supply and the Bayesian Foundations of Prior-free Mechanism Design, with Nikhil Devanur. EC 2009. [pdf]
Selling Ad Campaigns: Online Algorithms with Cancellations, with Moshe Babaioff and Robert Kleinberg. EC 2009. [pdf]
Reducing Mechanism Design to Algorithm Design via Machine Learning, with Nina Balcan, Avrim Blum, and Yishay Mansour. JCSS, December 2008. [link] (Preprints: [ps] [pdf])
Position Auctions and Non-uniform Conversion Rates, with Liad Blumrosen and Shuzhen Nong. Workshop on Ad Auctions 2008 (no proceedings). [ps] [pdf]
Optimal Mechanism Design and Money Burning, with Tim Roughgarden. STOC 2008. [ps] [pdf] [audio] (Full version recommended [link])
Optimal Marketing Strategies over Social Networks, with Vahab Mirrokni and Mukund Sundararajan. WWW 2008. [pdf] [video (Mukund)]
Auctions for Structured Procurement, with Matthew Cary, Abraham Flaxman, and Anna Karlin. SODA 2008. [ps] [pdf]
Book Chapter: Profit Maximization in Mechanism Design, with Anna Karlin. In Algorithmic Game Theory, Editors: Noam Nisan, Tim Roughgarden, Eva Tardos, and Vijay Vizarani, October 2007. [web site] (Based loosely on Topics in Algorithmic Game Theory course notes [pdf] [ps])
Algorithmic Pricing via Virtual Valuations, with Shuchi Chawla and Robert Kleinberg. EC 2007. [ps] [pdf] (Full version recommended [arXiv])
Bayesian Optimal No-deficit Mechanism Design, with Shuchi Chawla, R. Ravi, and Uday Rajan. WINE 2006. [ps] [pdf]
Transcript of panel discussion: Models for Sponsored Search: What are the right questions? Speakers: Kamal Jain, David Pennock, Michael Schwarz, and Rakesh Vohra. EC 2006. [ps] [pdf]
Competitive Auctions, with Andrew Goldberg, Anna Karlin, Mike Saks, and Andrew Wright, Games and Economic Behavior, 2006. [ps] [pdf]
Knapsack Auctions, with Gagan Aggarwal, SODA 2006 [ps] [pdf]
On the competitive ratio of the random sampling auction, with Uriel Feige, Abraham Flaxman, and Robert Kleinberg, WINE 2005 [ps] [pdf]
Mechanism Design via Machine Learning, with Maria-Florina Balcan, Avrim Blum, and Yishay Mansour, FOCS 2005 [pdf] (Full version recommended [ps] [pdf])
Near-Optimal Pricing in Near-Linear Time, with Vladlen Koltun, WADS 2005 [ps] [pdf]
From Optimal Limited to Unlimited Supply Auctions, with Robert McGrew, EC 2005. [ps] [pdf]
Derandomization of Auctions, with Gagan Aggarwal, Amos Fiat, Andrew Goldberg, Nicole Immorlica, and Madhu Sudan, STOC 2005. [ps] [pdf]
Near-Optimal Online Auctions, with Avrim Blum, SODA 2005. [ps] [pdf]
On Profit-Maximizing Envy-Free Pricing, with Venkat Guruswami, Anna Karlin, David Kempe, Claire Kenyon, and Frank McSherry, SODA 2005. [ps] [pdf]
Collusion-Resistant Mechanisms for Single Parameter Agents, with Andrew Goldberg, SODA 2005. [ps] [pdf]
(Full Version: MSR-TR-2004-40)
A Lower Bound on the Competitive Ratio of Truthful Auctions, with Andrew Goldberg, Anna Karlin, and Mike Saks, STACS 2004. [ps] [pdf]
Optimization in the Private Value Model: Competitive Analysis Applied to Auction Design, Ph.D. Thesis, Aug. 2003. [ps] [pdf]
Envy-Free Auctions for Digital Goods, with Andrew Goldberg, EC 2003. [ps] [pdf]
Competitiveness via Consensus, with Andrew Goldberg, SODA 2003. [ps] [pdf]
Characterizing History Independent Data Structures, with Edwin Hong, Alexander Mohr, William Pentney, and Emily Rocke, ISAAC 2002. (© Springer-Verlag) [ps] [pdf]
(Full version appears in special issue of Algorithmica [ps] [pdf])
Truthful and Competitive Double Auctions, with Kaustubh Deshmukh, Andrew Goldberg, and Anna Karlin, ESA 2002. (© Springer-Verlag) [ps] [pdf]
(Full version [ps] [pdf])
Competitive Generalized Auctions, with Amos Fiat, Andrew Goldberg, and Anna Karlin, STOC 2002. [ps] [pdf]
Competitive Auctions for Multiple Digital Goods, with Andrew Goldberg, ESA 2001. (© Springer-Verlag) [ps] [pdf]
An Experimental Study of Data Migration Algorithms, with Eric Anderson, Joe Hall, Michael Hobbes, Anna Karlin, Jared Saia, Ram Swaminathan, and John Wilkes. Workshop on Algorithm Engineering, WAE 2001. [ps] [pdf]
Competitive Auctions and Digital Goods, with Andrew Goldberg and Andrew Wright, SODA 2001. [ps] [pdf]
(Full Version, see Competitive Auctions, above)
On Algorithms for Efficient Data Migration, with Joe Hall, Anna Karlin, Jared Saia, and John Wilkes, SODA 2001. [ps] [pdf]