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My son is 4 weeks old.Ā I got some Dollar General brand diapers at the shower and they were size 1 so I used them first.Ā He developed a diaper rash within just a few days, so I went to Pampers Swaddlers thinking he got a rash because of the cheap diapers.Ā His rash progressively got worse and at his two week appt the doctor said it isn't a diaper rash but an "irritation" and prescribed me the Nystatin Cream.Ā I've been using the cream for two weeks and the rash is worse than ever.Ā This past weekend I started using Pampers Baby Dry diapers in case the mesh on the inside of the swaddlers is irritating him.Ā Rash still got worse.Ā Today he has been out of diaper most the day, but I also have a toddler and can't keep changing the cloth diaper under him.Ā Now he is in a very loose cloth diaper and he is fine for now, but IDK what to do about the rash.Ā I'm going to call the doctor again tomorrow, but really, what can he do.Ā The cream should've worked in two days and it's been two weeks.Ā Anyone with this experience?
~ Karen
Is it possible that its yeast? I know those rashes just keep getting worse and worse until you use an antifungal.
Try Dr. Smith's Diaper Rash Cream. It's a little pricey, but within a few days my LO's rash was completly gone.
put cornstarch in the diaper :)
MineĀ=ĀJ (8.5), K (8.5), A (4)ĀĀOurs =ĀMason joined us on May 19, 2011!
My LO has a very sensitive tush and at around 2 weeks, he got a diaper rash that got bad fast! I tried everything, even got several suggestions from friends who are nurses, and after a little over a week of trying out everything I could think of, it still wasn't better, so I took him to the doctor. She gave me a recipe for what she called a 'magic butt paste'
1/2 tube Desitin (not the creamy)
1/2 tube A+D Ointment
1-2 Tbsp Maalox
Mix this all together until thick using enough maalox to get it a spreadable consistency. Apply every diaper change.
She also said that I should get Lotrimin (foot fungus cream) and apply that every diaper change as well.
My LO was completly better in less than a week.
Hope this helps!
Our doctor also said that since my LO is EBF, and he had poop in almost every diaper that was working with the moisture of his urine to cause the diaper rash. She told me that between 1-2 months, as babies neck muscles get stronger, their sphincter muscles also get stronger and they will begin to poop less and should have less rash issues.
Courtney 13yr
Ian 3yr
Max 5-4-11 Almost ONE!!!
Nystatin is a anti fungal cream, I just went through the same thing. My DD had a rash that would bleed when we wiped her, I was prescribed Nystatin and it only got worse, then my dr had me buy maalox and neosporin and put them both on her every diaper change and it was unbelievable! It was barely there after a few days!!!
Wife to Josh (4/10/10)
Angel Baby(mc)(8 wks @ 11/26/06)
Nathan(7/31/09) & Kimberly(11/27/2010)
When my LO gets diaper rash, I put Aquaphor all over his butt. I really lay it on thick. Then I put some powder on top of that, just for good measure. It makes the redness go away completely by the next diaper change.
Good luck to you!
Learn more
Look how far your child has come.
Review your child's growth milestones.
Read about 5 years 1 month : Week 2.
Your growing child
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text:
Nutrients to Help Relieve Arthritic Pain
…joints. Aniseed myrtle also has effective and completely safe anesthetizing properties that can reduce arthritic pain. Back to Top Wild Rosella (Hibiscus sabdariffa) Similar to lemon and aniseed myrtle, wild rosella helps prevent arthritic pain and inflammation by neutralizing toxins that make it into…Read More

subset: commoncrawl


text:
Recently, after upgrading a version of my site that I am migrating to WP from 3.3.1 to 3.3.2, Q and A stopped working correctly. I have been using Q and A as a key component of my site's FAQ pages. Instead of expanding when a question is clicked on, as it used to, it now takes you to a new page with the answer. I have been unable to determine why. jQuery appears to load first, before Q and A. Any advice would be greatly appreciated.
Here is a sample of a problem page: http://www.scalit.com/blog/faq-frequently-asked-questions/faq-general-questions/


text:
The Zhuang research lab works on the forefront of single-molecule biology and bioimaging, developing and applying advanced optical imaging techniques to study the behavior of individual biological molecules and molecular assemblies in vitro and in live cells. Students and postdoctoral fellows in the Zhuang lab apply their diverse backgrounds in chemistry, physics, biology, and engineering to develop new imaging probes and methods and applying these tools to study a variety of interesting biological systems. Our current research is focused on three major directions: (1) Developing super-resolution optical microscopy that allows cell and tissue imaging with nanoscopic scale resolution and applying this technology to cell biology and neurobiology, (2) investigating how biomolecules function, especially how proteins and nucleic acids interact, using single-molecule fluorescence imaging and spectroscopy; (3) Investigating how viruses and cells interact using imaging techniques with high spatiotemporal resolution.
Fluorescence microscopy is one of the most widely used imaging methods in biomedical research. It's molecular/chemical specificity and live-cell compatibility have made fluorescence microscopy a particularly powerful tool for biological research, and numerous breakthroughs in biology have been enabled by this imaging modality. However, the spatial resolution of light microscopy, classically limited by the diffraction of light to several hundred nanometers, is substantially larger than the typical length scales of molecules in cells, preventing a detailed characterization of most subcellular structures.
To overcome this limit, we have developed a super-resolution light microscopy method, stochastic optical reconstruction microscopy (STORM). In this method, we introduced the use of photoswitchable fluorescent probes to temporally separate the spatially overlapping images of individual molecules, allowing the positions of these molecules to be precisely determined and super-resolution images to be reconstructed from these molecular coordinates. Using STORM, we have achieved three-dimensional, multicolor fluorescence imaging of cells and tissues with sub-diffraction-limit resolution. Through innovations in optics and molecular probes, we reached a spatial resolution of ~10 nm and, in some cases, sub-10 nm. We have demonstrated live-cell STORM imaging with sub-second time resolution. We are currently working on advancing super-resolution imaging by further increasing the spatial and temporal resolution and enhancing deep-tissue, live-animal imaging capabilities.
We have applied STORM to a variety of problems in cell biology and neurobiology. These studies have led to the discoveries of previously unknown cellular structures and elucidated the high-resolution structures of many molecular assemblies in cells. For example, we discovered a periodic membrane-bound cytoskeletal structure in neurons made of actin, spectrin, and associated proteins, and determined the molecular mechanism underlying the preferential formation of this periodic membrane skeleton structure in axons over dendrites. Our studies have also provided novel insights into chromatin structures in the nucleus, the molecular architecture of synapses, the spatial distributions and molecular identities of synapse on neurons, and other cellular structures. Currently, we are focusing on the following biological areas: sub-cellular structures in the neurons, neural circuits in the brain, and the three-dimensional structure and dynamics of chromatin and chromosomes in the nucleus.
STORM Image Gallery
Click here for a more detailed description of recent research in the lab.
STORM Workshop (August 2010, April 2012)
Selected publications:
We have developed and applied single-molecule fluorescence imaging and spectroscopy techniques to study complex biomolecular systems in vitro. In particular, we use the highly sensitive distance dependence of fluorescence resonance energy transfer (FRET) to detect structural changes at the single-molecule level. We are also developing novel single-molecule methods to detect dynamics within biomolecular complexes.
An area of particular interest to us is the interactions of proteins with nucleic acids. Many essential cellular reactions, such as DNA replication, transcription, RNA processing, and protein synthesis, involve DNA-protein or RNA-protein complexes. Understanding nucleic acid-protein interactions is thus crucial for deciphering the molecular mechanisms underlying many important biological processes. Using single-molecule methods, we directly visualize the assembly and function of these molecular complexes in real time. These experiments allow us to observe transient states that are difficult to detect by classical ensemble experiments, to probe the dynamic interactions between DNA, RNA and proteins, and to determine the relationship between the structural dynamics and function for these molecular complexes. Using this approach, we have studied the assembly process, catalytic cycle, and structure-function relationship of several nucleic acid-interacting enzymes, including ribozymes, telomerase, HIV reverse transcriptase and chromatin-remodeling enzymes.
Our current focus is on ATP-dependent chromatin remodeling enzymes. We are studying how these enzymes remodel nucleosome structures and how the remodeling process is regulated.
Click here for a more detailed description of recent research in the lab.
Selected publications:
Our research in this direction focuses on virus-cell interactions and related cellular trafficking pathways. Viruses must deliver their genome into cells to initiate infection. This entry process is a subject of fundamental importance as well as a therapeutic target for viral disease treatment. However, understanding viral entry mechanisms is challenging because of the involvement of multiple entry pathways and multiple steps in the pathway, each featuring interactions of the viruses with different cellular structures. What could be a better way to study viral trafficking than to take a ride with the virus particle on its journey into the cell? To realize this goal, we have developed real-time imaging methods to track individual virus particles in live cells. This approach allows us to follow the fate of individual viruses, to dissect the infection pathways into microscopic steps, and to determine the molecular mechanism of each step. By combining this approach with other biochemical methods, we have studied the entry mechanisms of influenza virus, poliovirus, dengue virus and non-viral gene delivery vectors. Our research also extends to the post entry trafficking, assembly and budding mechanisms of viruses.
Click here for a more detailed description of recent research in the lab.
Selected publications:


text:
Jaromir Jagr is an elite talent. He is a guaranteed Hall of Famer. He gave the Penguins and the city of Pittsburgh 11 years. We're the first to admit that we were on the Jagr Hate Train when he asked for a trade in 2001. We were in our middle-teen years at the team, filled with angst and hormones. But as time as progressed and we've seen how sports leagues and human beings operate, we've come to hold Jagr up there as one of our most favorite players of all time. It will be a crime if his contributions to the Penguins franchise are never acknowledged in the way they should be.
Here is a great laid-back interview he had with Ray Ferraro recently. WARNING: David Volek sighting.


text:
05 November 2012
Lift Me Up
92 comments:
Oh I can imagine how annoying this is when the doors close/open every two seconds..Your bag is awesome!!!!xxReplyDeleteReplies
haha! i can relate to this, the amount of people wanting to go into the lift i had to keep pressing the button and posing.Delete
amazing shoes and i love your stunning style!!kissesReplyDelete
Love these photos! you really rock in these picture and it is very tricky place!ReplyDelete
The pants are gorgeous!!!
Amazing outfit!!!ReplyDelete
do you want to follow each other??
let me know
Un kiss
wait, did you do this on some public lift? wow that must be super challenging, I first thought you went up and down and open and all over again, tho the first picture is just perfect, you look chic and just awesome, loving your eye bracelets and your pants, and that bag <3<3.ReplyDelete
go check out my latest halloween portfolio
Not exactly public, but that would be fun for next time... Especially if I include random people in the photos while I just continue posing and completely ignoring them (or use them as props).Delete
Well, at least you forced your neighbors to learn the virtue of patience, haha.ReplyDelete
Love the trousers and coat. You look amazing!
I love the white coat!ReplyDelete
New Stop Motion Outfit Post
you and your creative photo shooting locations... ;)ReplyDelete
love the warm coat... guess it's getting pretty chilly over there in london!
rachel x
please stop being so fucking fabulous! you're making the rest of us look bad ;)ReplyDelete
Lol! Liz you are hilarious! xxDelete
So cool!!! love these photos and those pants and that bag are gorgeous :)ReplyDelete
Ah you have an awesome style! I love those trousers so much! And your shoes are awesome. I know what you mean about finding places to shoot photos, its hard especially in the winter! I love your posing and modelling aswell your so expressive its brilliant :)ReplyDelete
Hayley xx
wow your trouser are amazingReplyDelete
i love them
you are the bestReplyDelete
Wow! Great pics!ReplyDelete
AWWWWWESOME! :3ReplyDelete
you look amazing, we so much love your pants!ReplyDelete
Nice crotch shot :) Also, did you adjust the colours in these shots? I would have thought that the horrible lift light would make the colours look really weird, but the shots are great!ReplyDeleteReplies
Yay! I love a good crotch shot, it really pulls focus. Yeah I had to enhance the colors and up the exposure because the actual photos were too dim, even on a low shutter speed.Delete
you inspie me. you know itReplyDelete
lots of kisses
Glad I did Fran xDelete
such a good place to take photos :)ReplyDelete
Great pants!ReplyDelete
xo Jennifer
Haha you are amazing Nathan! Totally love the trousers. We're using a nikon d7000 with a 55-200mm VR lens :) xxxReplyDelete
Love that bag!ReplyDelete
Hey, thank you for your sweet comment! Followed you back instantly and with pleasure.ReplyDelete
The outfit is great, though those shoes are definitely not my cup of tea, but I loooove the pants (I want them for myself!) and your coat. Your writing styling is amazing as well, I laughed reading about your elevator adventure!Replies
Aww thanks Rosa, I'm really glad you enjoyed my writing style and the fact that you laughed, well, my work is done :) (You were provoked...)Delete
OMG! You are FABULOUS. I must fallow you and btw I LOVE your shoes..the color, style etc, you rock that outfit.ReplyDelete
Thank you for your lovely comment on my blog!ReplyDelete
Such a great a idea to take photos in a lift :)
And that bag?? Omg I'm jealous! Love it so much!!
Pastel Bokeh
I follow you now, please follow me back.ReplyDelete
Absolutly love your blog, and your style. You are so special
Kisses from spain
Love that shoes
Really awesome pants! I like them so much!ReplyDelete
You always have a great taste!
Come back soon to visit my blog: Cosa mi metto???
Win a red dress by Max C London!
- warriorNovember 6, 2012 at 10:25 AM
interesting backdrop and great shots.ReplyDelete
love your photos! I follow you now! I like your risky style...is perfect! And the Céline trousers are wonderful!!!!!ReplyDelete
kisses from Viva la Couture...follow me! today new post!
so cool this outfit!!! looove your bag!!! thanks for nice comment on my blog!!!!ReplyDelete
hope see you soon!!!
Cool pics dear!!! kisses!ReplyDelete
kinda had to laugh about the 2nd promotional picture for your male readers but the idea of the lift is fab and your whiteness of the set tooReplyDeleteReplies
Haha, was the crotch shot too much? Well I can't help having a reverse camel toe.. I think they call it a moose-knuckle but that term's so cringe.Delete
love the shooting, so fun! following you in bloglovin & facebook! xxxReplyDelete
OMGGG! You are so freaking fabolous! And always love to see your hilarious pose!ReplyDelete
You are as fabulous as they come, my dear. xReplyDelete
<3 Melissa
WOW amazing!!!! Please, Never change your style. You mark the difference! Thanks for your comment, i'll be careful with my bag! :D Thanks! ^^ReplyDelete
Aww thanks dear, I live to provoke.Delete
your pants and hand accessories are really adorable. your poses so fun too!ReplyDelete
JOIN NOW! International Giveaway of "100 Years of Fashion" Book
You look so cool! You have really amazing style!ReplyDelete
I admire you :)
Thank you for your amazing comment! You have a great style and I love your outfit posts, keep it up!ReplyDelete
x lauren
Funny pictures:) loooove the bag!!!ReplyDelete
:D:D:D:D:D:D this post is really funny Nathan!! In love with the last pose! See you soon and thank u soooooo much for your comment on my blog!!ReplyDelete
I'm following you on bloglovin'!!ReplyDelete
Nathan I love this, you did an amazing job taking photos of your outfit and all of them in lift! SO creative and gorgeous! Love it!!!ReplyDelete
Hi Nathan! thank you very much for your comment! I am following you! I am starting this new blogger life :) and it is so difficult to get people following you!ReplyDelete
Thanks again
INSTAGRAM @daisyfashionstyle
thanks for stopping by we now follow you..great blog and fabulous style! love those pants. great choice with the elevator xoReplyDelete
First I wonna thank you for your lovely comment on my blog!
Second, I WONNA FOLLOW YOU for sure!!!
I'm a new followern number 190 ;)
You comment and this post made me so smile and fee good!
I love to see people like you, always smiling and in a postive mood!
Follow me back that would be great!
Let me know ;)
You'll see me soon on your blog again ;)
Thank you for your lovely comment.ReplyDelete
You are so unique and peculiar, it is so great to see someone do and dress what one wants. Keep it up. I am following aswell :)
wow, I think you have a great blog... really. I enjoyed looking and your posts and was wondering if you'd like to follow each other. I just opened up a new blog and would love your support on it!! Hope you come by soon! Stay in touch xxReplyDelete
Thx for visiting me. Really enjoyed your long comment on my post ;)ReplyDelete
Haha, I love this post it is fun! And totally love the trousers you are wearing!
those pants are awesome! and your accessories are killin it!ReplyDelete
thank you for commenting onmy blog- your fantastic! I absolutly love your style of dress and the way you write. Knee high c=socks are fantastic- i dont understand how something that has less coverage than tights feel a lot warmer.ReplyDelete
this photoshoot is fantastic- it looks mega difficult to get right but the results are worth it (fingers crossed your neibours dont find out it was you hogging the lift). cannot wait to see what you do next- folloowing you now
@That pictures are awesome haha ! :DReplyDelete
May god bless this post gurl you are serving us major quirky chic realness at its finest I LOVE It!ReplyDelete
i LOVE your outfit!!! lolReplyDelete
You are soo fab. those pants are to die for :)
love your style, love your look,ReplyDelete
and I especially love your pants and those heels!!!!!
YOu are so very stylish and chic!
I'm an american guy traveling in Europe this fall, and I have 13 years in ballet, and a love for fashion.......
Growing up, I used to wear tights with sweaters all the time as a comfy alternate. Your progressive androgynous look reminds me of all those days....epsecially when the delivery man would come and I'd meet him at the door and he's refer to me as Miss......
I've been raving to my new friends about how much I love the tights/shorts look, so they encouraged me to try it myself...
and I have in a big way,..... denim cutoffs, high waisted shorts, even a romper.......
I will following your blog religiously..... thanks for sharing your lovely taste
Oh wow, thanks for the kind words, and I'm glad I inspire you in anyway, keep on being provoking, and your future loyal readership is much appreciated xDelete
Love your pants!ReplyDelete
Kisses, Denis.
Holy crap you look amazing! I swear it's hard to find awesome male fashion bloggers! Gawwwd I adore your trousers and bag!! :DReplyDelete
The Krystel BookReplies
That is so sweet of you to say Melissa, thanks :)Delete
Cool pants.Thank you for your comment.ReplyDelete
omg those trousers are awesome!!!ReplyDelete
this is fun!!! love !ReplyDelete
Hi Nathan! such a great photoshoot you have here! gosh I would def be dying in there! I'm just in love with your jacket and your Miu Miu shoes! You look so fierce! keep it up with the fashion work!ReplyDelete
oh Nathan, you just never run out of creativity, do you? I normally wouldn't go for these shoes, but after seeing them on you, I'm obsessed!!! xxReplyDelete
Thanks Rea, actually I never pegged myself for one who would go for something like that, but I was looking for a chunky heel with a high platform and I settled for this ;)Delete
love the bag and trousers!!ReplyDelete
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Heavy duty cable ties with 120 lbs. tensile strength. Sold 50 per bag.
24-4785 - Belden 5300FE 500ft Shielded 18 AWG/2 Conductor
Belden 5300FE Shielded Riser Multi-Conductor Cable
24-7700 - Belden 5502FE Unreeled Package 1000 feet GRAY Commercial Applications
New Generation, four conductor, 22AWG stranded bare copper conductors. PVC insulation, foil tape with 24AWG stranded tinned bare copper drain wire
providing 100% shield coverage. Gray PVC jacket. Common applications include: Broadcast, intercom/P.A. systems, soun...
50-9090 - Single Gang Wireport Cable Pass Through Wall Plate with Grommet - White
Wireport™ Grommet Pass–Through Wall Plates
Identical to other Midlite Wireport™ products, these single or double gang wall plates feature a grommet insert for added security and improved appearance. These are the perfect solution when multiple cables are to be fe...
28-11025 - SNAPTOGGLE (Type BB) Heavy-Duty 1/4"-20 Toggle Bolts - 10pk
Ideal for mounting flat-panel TVs
Strong-up to 2x the load of an old-fashioned wing toggle
Solid metal channel resists vibration & shock
Save time-at least 6 minutes per anchor v. wing toggles (can use a screw gun; anchor does not spin)
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50-7724 - L/R Stereo Audio Balun
L/R Stereo Audio Balun
Use to send two channels of unbalanced line level audio over Cat5 cable. This balun features two 8" pigtail leads, each terminated with gold plated male RCA connectors, color coded red and white, and a single female RJ-45 jack.
MCM offer...
MCM Electronics gave me terrific service and great prices. I will cheerfully shop with them again for my electronic needs.


text:
Volume 88 Issue 40 | pp. 49-54 | Meetings
Issue Date: October 4, 2010
Issue Date: October 4, 2010
Pacifichem 2010
International Chemical Congress of Pacific Basin Societies, Dec. 15–20
Department: ACS News
Keywords: Meeting, Program, Pacifichem
Keywords: Meeting, Program, Pacifichem
The 2010 International Chemical Congress of Pacific Basin Societies is the sixth in the series of successful Pacifichem congresses that began in 1984. To be held in Honolulu on Dec. 15–20, Pacifichem 2010's theme is "Chemistry, Technology, and Our Global Society." Pacifichem's vision is to promote scientific exchange in the Pacific Basin for a healthy and sustainable future.
The conference is sponsored jointly by the American Chemical Society (ACS), the Canadian Society for Chemistry (CSC), . . .
You Do Not Have Access to C&EN Protected Content.
- Chemical & Engineering News
- Copyright © American Chemical Society


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Jackson County United Way will kick off the 2013-2014 Power of Community campaign with a series of community celebrations around the county.
All of the events are free and open to the public.
The events will include music, free refreshments, prizes, activities for the entire family and information about what the United Way is doing in the community.
This story appears in the print edition of The Tribune. Subscribers can read the entire story online by signing in here or in our e-Edition by clicking here.
All content copyright ©2016 The Tribune, a publication of AIM Media Indiana unless otherwise noted.
All rights reserved. Click here to read our privacy policy.


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Marzo 16 2016The Interagency Committee on Human Nutrition Research (ICHNR), on March 4, released the first-ever National Nutrition Research Roadmap. This document will help guide government, academia, and the private sector to more effective collaboration on federally funded human nutrition research. The report is the result of more than a year of collaboration among 10 different federal departments and agencies, more than 90 federal experts, and numerous public comments.
Marzo 14 2016We get it. Between hectic schedules, tight budgets, and caring for children, sometimes it's easier said than done when it comes to healthy eating. MyPlate, MyWins, our latest initiative, is here to make healthy eating easier with real life solutions you can apply today. MyPlate, MyWins is all about finding a healthy eating style that works for you and fits with your everyday life.
Marzo 12 2016We believe that teaching children how to eat healthy, and educating them on the importance of proper nutrition, is crucial to the health and wellbeing of our next generation. And to demonstrate our support of healthy eating and nutrition education, USDA launched the Team Nutrition initiative more than two decades ago.
Marzo 12 2016Today, USDA published a proposed rule that codifies portions of the 2014 Farm Bill related to outreach that further strengthen guidelines against recruitment. Outreach activities designed to pressure or persuade a person to apply for benefits are not allowed. Furthermore, as directed by the Farm Bill, the proposed rule specifically prohibits radio, television or billboard advertising.
Marzo 11 2016The Alliance for a Healthier Generation ("The Alliance") was founded as a response to the growing rate of childhood obesity. To combat this epidemic and to help make the healthy choice the easy choice, the Alliance created the Healthy Schools Program in 2006, launched in 231 schools in 13 states. The Healthy Schools Program has since grown to become the nation's most extensive effort to prevent childhood obesity in schools.
Marzo 11 2016For more than 250,000 students in the Los Angeles Unified School District (LAUSD), gone are the days of scrounging for lunch money, bumming a snack from a friend, or going into seventh period with a growling stomach. As of March 1,339 sites in the district now offer breakfast and lunch at no cost to students via the Community Eligibility Provision (CEP). By expanding CEP in their district, LAUSD is guaranteeing students access to the nutrition they need to thrive in the classroom and beyond.
Marzo 10 2016In honor of Registered Dietitian Day, today we celebrate Registered Dietitians around the country, working in all facets of society including the Federal government. Across the Federal family, RDs work in nutrition research, nutrition education development, nutrition policy, nutrition assistance programs, and much more, providing leadership, knowledge and expertise that is critical to Federal programs.
Marzo 9 2016USDA's Agricultural Marketing Service (AMS) purchases nearly 100 million pounds of boneless and ground beef each year for distribution through Federal nutrition assistance programs, including the National School Lunch Program. AMS works tirelessly with producers, processors, and other federal and state officials to ensure that beef delivered to program recipients is safe and nutritious.
Marzo 9 2016A recent study by the Robert Wood Johnson Foundation found that the majority of school food service directors believe their staffs need more training to maximize the benefits of the new nutrition standards. Bridgette Matthews, a Lead Mentor for USDA's Team Up for Nutrition Success Initiative, discusses how proper training can not only help staff meet the new standards, but also prepare them to teach students about making healthy choices.
Marzo 9 2016What started as a week-long event in 1973 by the Academy of Nutrition and Dietetics became a month-long celebration in 1980, thanks to growing public interest in nutrition. Food and nutrition professionals often celebrate this special month by providing educational and fun resources and treats—such as information booths, posters, games, recipes, and healthy snacks—to promote healthy eating in the workplace and at home.


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The death penalty is arbitrary. It discriminates on the basis of race and income. It kills the innocent. It is unconstitutional. And it may even deepen the wounds of families already grieving from the most terrible tragedy imaginable. Even in the worst of cases, it cannot be justified.
"Based on these failures, justice has been delayed for the victims' families and the citizens of Oklahoma, and confidence further shaken in the ability of this State to carry out the death penalty"


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Pell Grants are awarded to help undergraduates pay for their education after high school. For many students these grants provide a foundation of financial aid to which aid from other sources may be added. To apply for a federal Pell Grant, students must complete the Free Application for Federal Student Aid (FAFSA). The FAFSA must be completed for each academic year the student is enrolled.
Federal Supplemental Educational Opportunity Grants are awarded to help students pay for their post-secondary education. These grants are for undergraduates with exceptional financial need (with priority given to Pell Grant recipients). To apply for the FSEOG, the student should complete the Free Application for Federal Student Aid (FAFSA).
The Workforce Development program at MCC is sponsored through the Workforce Investment ACT (WIA). This program provides training, employment and financial services to disadvantaged adults and dislocated workers who meet the eligibility criteria.
(Pending available funding)
The State Child Care Grant to community colleges provides childcare assistance for student parents in college with demonstrated need for childcare funding.
It is recommended that all applicants for child care assistance file for the Federal Title IV Student Financial Aid, although eligibility for federal aid is not a criterion for receiving assistance through this program. Once all applications have been received, the Child Care Grant Coordinator and Financial Aid Officer will jointly determine the need of student parents for childcare funding assistance. Applicants will be notified in writing of their eligibility.
To be eligible for the North Carolina Community College Grant and North Carolina Education Lottery Scholarship, students must complete the Free Application for Federal Student Aid (FAFSA) and list a North Carolina community college as one of their top three choices on the institutions section of the FAFSA. No payments are made during the summer term.
A qualified student must be a resident of North Carolina enrolled at least half-time (6 credit hours) in an eligible curriculum program. Students must meet the satisfactory academic progress requirements and the Pell Grant eligibility requirements except for the expected family contribution (EFC) requirement established by the federal government. Students with a bachelor's degree are ineligible. Qualified students may receive both the Pell Grant, the North Carolina Community College Grant, and the North Carolina Education Lottery Scholarship.
Annual amounts for full-time students vary based on the student's established need and enrollment status. If a student's enrollment status reduces, the annual award amount will reduce proportionally. Funding amounts may vary depending on lottery proceeds and state legislation.
Students are eligible for MCC Institutional scholarships up to covering tuition and fees if the following eligibility requirements are met:
Merit, Curriculum Based, & Other Scholarships to Montgomery Community College:
The MCCF is proud to receive and award annual scholarships for students enrolled in specific fields of study, based on demonstrated excellence in the classroom, and from third party partners in the community. The Montgomery Community College financial aid office retains a list of annual scholarships. Deadline for these scholarships is April 1 for the next academic year.
For more information on scholarships available, visit the Program Costs page for any academic program of study. Links to the MCC Foundation scholarship pages, the FAFSA website, and any unique scholarship opportunities will be listed by program.
An outside scholarship may be awarded from a high school, a local civic club or church, educational foundation, etc. If you will be receiving such an award, you must notify the MCC Financial Aid Office prior to registration . You must submit an authorization letter from the donor to the MCC Business Office if the College is expected to bill for your award.
MCC does not participate in the Federal Family Education Loan program. However, commercial loan information is available from the Financial Aid Office upon request.
Students may utilize a third party provider to make installment payments on their tuition costs. More information can be found at: eCashier.
The Financial Aid/Veterans Office provides information and assistance to veterans and dependents of disabled or deceased veterans who are eligible to receive educational benefits. Veterans applying for VA educational benefits must enroll in an approved curriculum program and take only those courses that are required for graduation. Satisfactory academic progress must also be maintained.
Students wishing to submit inquiries about Veterans payments may now do so through the Internet. The Internet address is http://www.va.gov/
Students may also call the VA Regional Office at 800-827-1000 for information and assistance or the U.S. Department of Veterans Affairs Education Service at 888-442-4551.
For additional information contact your local Veterans Service Representative or the Financial Aid Office at MCC. Students may pick up a MCC VA Handbook at the Financial Aid Office or access the Veterans Benefits link online.
Students who have a mental or physical disability that is an impediment to employment may apply for financial assistance through vocational rehabilitation. Interested students should contact the Vocational Rehabilitation Office nearest the students' home, or contact:
N.C. Division of Vocational Rehabilitation Services
PO Box 26053
805 Ruggles Drive
Raleigh , NC 27611-6053
Locally, students may contact:
North Carolina Vocational Rehabilitation
Southern Pines Office
Many North Carolina employers will provide tuition assistance through employer sponsorships equivalent to in-state rates. For more information concerning this process contact the MCC Business Office at (910) 576-6222, or (800) 839-6222, extension 329.
Montgomery Community College
1011 Page Street | Troy, NC 27371
910-576-6222 | Fax: 910-576-2176
©2011 All Rights Reserved


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A case study I put together for a job I'm applying for at the big G.
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Extreme Reach Recognized as One of America's Fastest-Growing Companies
Earlier this month, Extreme Reach was named to the 2015 Inc. 5000 List, an exclusive ranking of the nation's fastest-growing private companies. Extreme Reach achieved a rank of #426, with a three-year growth rate of 1,117 percent. This puts Extreme Reach at #9 among the fastest-growing private companies in the Boston metro area, and #52 in the Advertising / Marketing industry.
This also represents the second time that Extreme Reach has cracked the Inc. 500, achieving a rank of #171 in 2013. This year's inclusion is particularly impressive given the company five-fold growth in revenue and consistently strong year-over-year growth since its' application to the 2013 Inc 500.
The 2015 Inc. 5000 is ranked according to percentage revenue growth when comparing 2011 to 2014. To qualify, companies must have been founded and generating revenue by March 31, 2011, have generated at least $100,000 in revenue in 2011, and have generated no less than $2 million in 2014. Additionally, companies have to be U.S.-based, privately held, for profit, and independent.
Extreme Reach Acquires Talent Partners
On June 15, 2015, Extreme Reach completed the acquisition of Talent Partners, a leading provider of business affairs solutions for advertisers and agencies for nearly five decades. Extreme Reach acquired Talent Partners from The Carlyle Group, a well-known global asset management firm, which will retain an ownership position in the combined company.
The deal represents a unique opportunity to move the industry forward, bringing talent and rights innovation to everyone involved in video advertising. This move is particularly important for digital video advertising, where more than a third of all ads do not follow legal contracts for talent and rights.
Thanks to our advanced cloud-based platform, Extreme Reach is able to automate manual processes and provide information on every aspect of talent and rights for clients. With our expertise and fully integrated platform, clients can improve compliance and gain greater control of where and when their ads are running across all video media, ensure payment is accurate and timely and get everything they need in one place, with one login.
Read more on the benefits of the acquisition in our press release.
March Madness 2015 Brand Effectiveness Study
The annual NCAA Men's Division I Basketball Tournament has grown into the second most popular multi-program sporting event for advertisers, behind only the NFL playoffs. Last year's March Madness tournament garnered 21.3M viewers (second only to the Super Bowl). TV advertising spend is projected to be $1.13 billion, up 10% from last year, a record for the month-long event.
March Madness is also very supportive of the changing viewing habits of sports fans. The tournament is offered on multiple digital devices including tablets, laptops and desktops. In 2014, Turner Sports produced March Madness Live and reported 70 million live video streams were recorded for the duration of the tournament.
In this study, Extreme Reach Research has compiled data intelligence that illustrates which brands within dominant verticals ran the most effective March Madness ads. These insights are based on brand lift data using proprietary Extreme Reach brand effectiveness research technology.
The 87th Academy Awards Brand Lift Study
The 87th Academy Awards commanded close to $2 million for a 30-second TV spot and reached a US television audience of 36M+. The Oscars have now become a spectacle for Hollywood, its fans and advertisers alike, offering a grand opportunity for brands to speak to a mass audience. Which brands won the night and came home with the advertising gold? Our Brand Effectiveness Study has all the answers.
In this study, we've compiled insights that illustrate which brands ran the most effective Oscar ads based on brand lift data.
Three Steps for Converging Digital Video and TV Advertising, Today
Evolving is Key to Success as TV and Digital Video Advertising Grow Together
Unless you've been living under a rock, you're well aware that Digital Video has become one of the fastest growing channels for both media consumption and marketing budgets. In November, Nielsen reported that the audience for online video was expanding by a whopping 60% per month (Nielsen Total Audience Report). Last September, eMarketer predicted that Digital Video ad spend for 2014 would be 56% greater than 2013. If you assume that the extraordinary rise of Digital Video means TV's days are numbered, your assumption would be incorrect. TV isn't going anywhere anytime soon. In fact, TV ad revenues are growing significantly too. In 2014, US TV advertising was on a trajectory to grow 3.3% (more than $2 billion) to $68.54 billion. The point is both are growing, and it's important for marketers to understand that they're not just growing, they're growing together. TV is becoming more like Digital and Digital Video is becoming more like TV every day.
It's time to step back and look at TV and Digital Video advertising together. Now is the time for TV advertisers to integrate, or expand the use of, Digital Video in their video advertising strategies. Internet-connected devices are no longer just for marketing experiments. They're absolutely a necessary part of an impactful video marketing mix and must be treated as such by any marketer who wants to connect with consumers where they actually watch video. The time has come to plan, execute and measure a single video strategy across all screens.
So how exactly do you stop treating Digital Video as if it's the same as other Digital media (it's not) and begin integrating it with traditional TV strategies and operational workflows?
Here are three steps marketers and agencies can take that will get things moving in the right direction, today:
Step 1 – Tear Down the Walls
Media agencies have been working in silos for decades. Broadcast teams rarely communicate with their Digital counterparts and, for the most part, that made sense—until very recently. For several years, the content and ads consumed online were very different from those consumed on television. The resulting media strategies, operational execution and measurement have been very specific to their respective environments. Different objectives and metrics meant different approaches.
The lines have blurred for consumers' video media consumption, and marketing organizations must follow suit. It's time to get the Broadcast and Digital Video teams in the same room. There will be immediate benefits—such as significant savings in operational costs and time — as well as massive long-term positive impacts across entire agencies, holding groups and the marketing departments of brand advertisers themselves.
Step 2 – Simplify Workflows
While some advertisers and Digital media vendors may occasionally use or recommend custom video creative or native formats for specific placements or screens, the fact remains that 9 out of 10 video ads that appear in Digital environments are originally created for and air on TV. It's simply not cost-effective to produce unique creative for every screen or media outlet, so this will likely continue to be the case. Digital Video Ad Operations teams should work in lockstep with Broadcast Traffic and Operations teams to ensure the fastest, smoothest possible workflow and the highest possible video quality 100% of the time on every screen. There's only one master version of each video ad that comes from post-production. Consider synchronizing your Ad Ops teams around that creative and utilize smart technologies that enable them to work together in a single streamlined workflow. You can do this today.
Step 3 – Measure Everything
According to a study conducted by Nielsen, media campaigns that include both TV and Digital Video are more effective than media plans that only include one or the other. The study cites increased ROI that can be quantified with at least four key brand lift metrics: general recall, brand recall, message recall and likeability. The sequence in which a campaign's creative is viewed makes a difference, too. Being exposed to an ad creative in a Digital environment first enhances the impact of the TV exposure and vice versa. In short, the most effective video campaigns are not focused on Digital or TV, they're focused on both. So, advertisers should measure everything and communicate so everyone involved understands the campaign's goals and that the appropriate tools are used to achieve and measure them.
There will, of course, be challenges as video advertising converges. Brand marketers and agency leaders must invest in the education of their employees to ensure that they understand new technologies and systems. The inertia that has been created by the traditional approach to media planning, buying and measurement must be overcome. Media buyers and sellers must create and maintain new standards. As always, consumer behavior lights the way that our industry must follow. We must evolve to ensure we are constantly maximizing ROI as we follow the consumer down their path.
Written by Avi Brown, Chief Digital Officer at Extreme Reach
Internet Talent & Rights Rules Aren't the Same as TV
Business Affairs Expertise Isn't Just for TV Anymore
As more and more video ad campaigns run across multiple screens, the management of commercial talent contracts and payment, and of rights in general, is becoming more complex and often quite costly.
It's time for agencies and brands to consider a new, unified approach to managing talent and rights for all video advertising, not just Broadcast and Cable TV.
TV Evolved
The advertising industry is constantly transforming to catch up with technology and consumer behavior. Nowhere is this more evident today than in the recent evolution of TV. TV audiences, TV content and TV commercials have all expanded beyond Broadcast and Cable to a new world of Digital viewing options. Advertisers and agencies are now realizing that they too must bridge the gap between TV and Digital Video advertising when it comes to commercial talent contracts, payment and compliance. But even some of the most forward-thinking agencies still see Business Affairs—particularly commercial talent and rights management— as a classic television model and department. As a result, the terms of talent contracts are mysterious territory for Digital Video ad teams and agencies and Business Affairs teams are often left out of the loop on Digital campaigns. Today, that is a problem.
One Commercial. Every Screen.
More than 90% of the video ads that run online also run on TV. In fact, most of those ads start out as Broadcast TV commercials. The use of those ads online is sometimes a secondary concern and in some cases, repurposing a spot can be unplanned, with little communication. For years, TV advertisers worked with TV agencies (both creative and media) on their Broadcast campaigns and worked with a different digital agency (or a separate Digital team) for planning and buying Digital media. Digital video budgets and inventory were scarce, so most advertisers would just have their Digital team get a TV ad from their TV people and send it to a couple of websites to serve it up. But Digital Video has grown up. And although it's grown up in a Digital family, it's matured into a completely TV-like experience: "TV" commercials are now presented in TV-like ad breaks to Digital audiences who view Digital Video an extension of TV. However, it's very important to understand that a commercial running on both Broadcast and online media will have different payment and compliance requirements that must be considered for each.
Different Screens. Different Rules.
It's a mistake to assume that commercial talent contracts and licenses for rights necessarily include use on digital screens. This is rarely the case, especially with licensed rights. Separate payment to union performers for Internet, and sometimes Industrial, usage must be made to secure the rights for those media types. TV, Internet, Industrial and other Usage rates for Union Commercials are distinctly defined in the SAG AFTRA Commercial Contract, whereas Non-Union ads are based on negotiated fees.
In addition, the duration of permitted use online is different than the typical 13-week cycles long-established for network, Cable and other Broadcast use too. It's important to understand the differences between the length of time an ad can run on TV vs. online media, in order to ensure that the use of the commercial remains within the various durations outlined in the actors' contracts. Sometimes it's tricky to know for sure that a particular ad is no longer running. Tracking where and when an ad ran on Digital media, for the purposes of talent payment and compliance, can be an additional concern as well. This is frequently the case because Internet talent and rights lack the maturity and infrastructure of TV and often the digital data is handled separately by a Digital team. These data disconnects frequently delay, hinder or further separate the availability of Digital data for Business Affairs. As a result, Talent Managers are at the mercy of late or incomplete reporting of uses.
There are similar issues involved when securing the rights to use licensed music and images in commercials that may run on the Internet. As Digital Video ads have become more visible, the "Internet" terms of these talent and rights contracts have become more enforceable. So, it's prudent to plan for compliance upfront rather than ask for forgiveness if an ad runs where it wasn't permitted.
Manage Risk. Control Costs.
According to SAG/AFTRA (the commercial actor's union), when a commercial featuring union talent runs online without paying Internet usage, the infraction may warrant a late fine of up to $90, plus wages due, per performer. The late penalty of $90 per performer is small compared to the standard usage fees of $3,000. However, late fees for a cast of 10 or more performers get expensive, quickly. In more severe cases where the commercial has been released, the costs can be dramatically higher, and the headaches of contracting new terms for each actor can be major. And now, talent has quite a bit more leverage and the power to negotiate higher usage fees. In addition, willful use of music, images or footage online without a license that covers Internet use is copyright infringement, which can be a very expensive matter if litigated. And damages can include attorney fees and/or statutory damages.
The Takeaway
- Evolve: Think of the role of Business Affairs as a true multi-screen discipline that extends beyond traditional TV. Establish a workflow that facilitates complete transparency, knowledge and control of all commercial usage rights across Broadcast, Cable and Internet.
- Gain Expertise: If you're part of a Broadcast-centric Business Affairs team, round out your team with a trained expert on Digital advertising. Or, if you rely on other Digital teams or agencies, identify experts within those groups whom you can work with to establish a safe and efficient multi-screen workflow. If you're on a Digital team and don't have access to talent and rights details, connect with a knowledge- able ally who does.
- Know Early: Rather than think of TV first and Internet as an afterthought, understand the various uses of each commercial before it's even cast. Early transparency from square one will enable you to think more strategically, manage risk more effectively and keep costs in check.
- Lock It Down: If there is a chance that a Broadcast commercial may run online, report use, pay related fees in a timely manner to secure the rights to run on the Internet and lock down Internet licenses in music and footage agreements too. Be mindful of expiring rights to ensure compliance and you will eliminate significant unexpected costs and issues down the road.
- Track Usage: Take advantage of available tools that enable greater transparency and the automatic tracking of commercials and expirations across all screens and against contract terms. That way, you can be apprised of potential compliance issues, not just on traditional TV, but across every Digital screen as well.
Written by Courtney Allen, Director of Client Relations at Extreme Reach.
Super Bowl XILX Brand Effectiveness Study
This year, a 30-second TV commercial during the Super Bowl cost about $4.5 million. And with that hefty, record-setting price tag comes a question we hear every year: which ad did the best? Which brand made the greatest impact with their Super Bowl investment? We'd like to help answer those questions.
In this study, we've compiled insights that reveal which brands ran the most effective Super Bowl ads based on brand lift data. We've analyzed the responses from the audience as a whole and looked at specific demographic segments as well. Read through the study and be sure to let us know what you think!
Your Digital Video Ads Can and Should Look a Lot Better
The TV Perspective: When it comes to Video Quality, The Source Matters
The online media and advertising industries still have a long way to go to ensure a consistent TV-like viewing experience across all screens. With the growing adoption of Smart TV's and OTT solutions, larger screens have to now be considered too. As a brand builder, protector and storyteller, you need to control every factor you can to ensure the best possible quality of your video ads. One step in particular can make a significant difference.
The TV industry has had organizations like SMPTE, NAB and Society of Broadcast Engineers for decades in order to protect and draw TV viewers by ensuring the highest quality viewer experience possible. The digital advertising industry doesn't have organizations dedicated to online video quality. In short, there are no equivalent standards for online video. However, digital video has quickly become a popular alternative to TV for a huge portion of the viewing audience. And TV, with all of its meticulous quality oversight, has set a very high bar for the audience's viewing expectations.
Without industry-defined video quality standards and practices, online video quality remains inconsistent and often poor, particularly when it comes to advertising. For brands, this can be a serious issue. Studies have shown that poor quality video often sparks a negative viewer response. According to one recent report* more than 2 in 5 online video views are of inferior quality.
In the broadcast world, most advertisers wouldn't think of delivering a file that didn't meet stringent industry-defined quality standards. There's a well-established TV practice that ensures that ads clear the high broadcast bar: Brands and agencies go direct to the source, the post-production house that did the finishing work, to obtain the ad. The post-house has the highest-resolution master file and they can provide that pristine file digitally upon request. Starting with that crisp source file is one of the most effective steps you can take because that creative master remains in its purest, most watchable form. If your third-party ad platform supports broadcast quality MPEG or QuickTime files, you can immediately eliminate several quality-compromising steps that typically occur along an ad's dark journey from production to digital audience.
One Key Step Toward a TV-Like Viewing Experience
Video quality is a significant issue for most marketers who include digital video in their advertising mix. If it's important for you and the brand(s) you're building, you will find it worthwhile to go right to the source, the video post house, to gain access to the creative master. Before you do this, however, make sure you know the Ad-ID of the specific creative you need. Ad-ID (or in some cases, an ISCI code) is a unique code number used to identify each specific creative. Each version of a single ad has a unique assigned code number. If you know the specific Ad-ID, you know you're using the correct creative. This is important, because different versions may be different lengths, have different talent and rights permissions (like whether the ad is even permitted for internet use), specific contractual expiration dates, etc. Armed with the proper Ad-ID, contact the post-house that has the master file you're looking for and grant their operations person permission to upload the broadcast master to your third-party ad platform. If your third-party ad platform supports broadcast standard files (not all do), you've just improved the way the vast majority of your digital audience experiences your brand and message.
There are several other steps you can take to improve and control the quality of your digital video ads, but this a great first step. The future offers even greater quality enhancements. With the implementation of new codec standards (H.265), perceived video quality should be able to increase even at the lowest of bitrates. But when you start with anything less than the video source file (creative master), you compromise the viewer experience from the beginning. Your ads shouldn't take a lesser path for digital than with TV, and today, they don't have to.
To learn more about video convergence, please click here.
*2014 Viewer Experience Report. Rep. Conviva, 31 Mar. 2014. Web. 3 Sept. 2014.


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Apparently, this user prefers to keep an air of mystery about them.
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text: I cant thank you enough Venue Service By Nicky, on 26 Aug 2014Hellooo Aisha, How have you been doing? Shew but I miss bugging you daily, hee hee, I'm just playing! Firstly, I would like to say a HUGE THANK YOU to you, Patience, Tony and the rest of the amazing Oakfield staff, for making our dream day better than we could ever have dream't. People are still commenting at how great it was and that's thanks to all of you. You are all so professional, friendly and caring. I can't thank you enough! We had the time of our lives at Oakfield Farm. Thank you once again for everything! I really do appreciate it. I look forward to hearing from you soon again Kind regards Nicky


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Gift @SteveStreza Favstar Pro to unlock their best tweet!Gift them Pro!
Palestinians are tweeting people in #Ferguson to tell them how to deal with tear gas. Basically tells you everything. pic.twitter.com/E03cSxMMuc
Fan artists - sign your work. No matter how flawed you think it is, someone will stumble onto it and want to find other stuff you've made.
Responsive Design
Reasons people don't update their phones:
❌ new features
❌ more useful apps
❌ security
Reasons people update their phones:
✅ new emoji
He's in a boat. The boat is on land. The land is in Watertown.
alias please=sudo
How Apple introduced the iPhone in 2007: http://www.youtube.com/watch?v=mmiWTKZzBLY …
How Samsung introduced the Galaxy Gear in 2013: http://www.youtube.com/watch?v=B3qeJKax2CU …
Update your iPhones/iPads now. The SSL bug is really bad. Always brace your if statements. https://www.imperialviolet.org/2014/02/22/applebug.html … pic.twitter.com/lEgUdqZChu
1 GB of storage over time:
1981: $300000
1990: $10000
1997: $100
2004: $1
2008: Free but Facebook owns it
2013: Obama watches your Snapchats
The new Twitter photo tagging lets anyone tag you by default. You can change this at https://twitter.com/settings/security … #privacy pic.twitter.com/6I7MP5uOmw
Vote for me for Reddit CEO. My plans to improve Reddit: 1) delete the backups 2) delete all the data 3) shut down Reddit forever
The @verge's "the mobile web sucks" article downloaded 5.8 MB of data in Safari. The ad/analytics libraries made rendering take 11 seconds.
If queues are FIFO, and stacks are FILO, are singletons YOLO?
Mavericks pro tip: Press Command-Control-Space to bring up the new ✨ emoji panel ✨! pic.twitter.com/5O0yz0Zr1d
RIP Dennis Ritchie, inventor of C and co-inventor of UNIX. Pretty much any app you've ever used runs on either/both of these.
Just maxed out my Dropbox referrals by posting my referral link on Google's AdWords. 16 GB of free space. Total one-time cost: $6.17.
To export your Instagram photos: http://t.co/Mo6WnRTQ
To delete your Instagram account: https://t.co/sK710v1Y
Open this on your iPhone to get a feel for the Metro UI in Windows Phone 7. Very close to accurate. http://t.co/EHXNMADn
Comic book writer. Fan of space, animation, cuties, and social justice. Aggressive hugger. Black lives matter. He/they.
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79 reviews | 4.6 out of 5
I ordered this bike and it was shipped to me with no problem. When it came out of the box, I was really impressed with the color and frame (a nice white with purple accents). I was missing a tool to assemble the handle bars, but nothing a little hardware store visit couldn't fix. I read online reviews for this bike beforehand regarding the height of the bike, and noticed some people mentioned that this bike can be a bit high for shorter individuals. I'm 5'2 and the bike seat at its lowest position was about two inches too high for me (couldn't touch the ground even on tip toes). I thought about replacing the seat post, but the seat is actually a really nice seat (a bit wasteful to spend additional $ to buy a new seat with a shorter post, in my opinion). I ended up returning the bike, but if you don't mind jumping off and on the bike or replacing the post, then it's definitely a nice bike. It was definitely light weight (I had no problem lifting the bike out of my car myself).
A great bike for the price! I had read from other reviews that the bike was not for short women, but decided to buy it anyway. I am 5'3" and can toe touch just fine. If you are shorter than me, do what I had originally done when I had the bike assembled and take off the rear reflector from the seat post and it will give you and additional half inch or so to lower the seat. I later had it put back on and i can touch my toes down, all I need anyway. I had my bike professionally assembled by the local bike shop and the did a great job of making sure my bike was put together and everything was tuned just right. The bike is great to ride, and the rapid fire shifters are much better than the twist grip kind. The bike is light enough to pick up easily and put in my minivan, and so far has been great to ride. My only complaint is that the water bottle cage mounts are mounted in a place that only allows you to put a small bottle there, an different place like the seat post area would have allowed me to hold a larger bottle. The bike handles well on the paved trail I ride on, and on the street as well.
This is a great bike for riding around town. It is perfect for bike paths, paved trails and street riding. (I have also ridden it for short stretches of gravel road -- but it isn't a dirt bike.) It is very comfortable and the shocks work well to absorb the bumps. Shifting is easy -- just a flick of the finger or thumb. I also really like how smooth the ride is on this bike generally. Stopping, starting, shifting gears just very smooth. It is also lightweight which was important to me. As a great bonus, I had this shipped site to store and the associate told me that they would set it up for free.
This is my first adult bike. I am a 29 year old woman who is 5'10" and the reason I purchased this bike was because all of the reviews were really good. The only "bad" reviews were that it wasn't for the shorter women out there. That isn't a problem for me. Here are some of the things I've noticed so far.
1. I rated "Ease of Set Up" poor because there is no way (In my opinion) that a newbie bike owner should be putting this together. I paid $50 for a bike shop to put it together to insure it was set up properly so I don't injure myself.
2. The ride is REALLY SMOOTH & the gears change very well
3. Downside: the framework of the frame isn't conducive to adding a water bottle holder. It doesn't really fit. I got a handle bar water bottle holder, no big deal.
4. Downside: the kickstand is WAY too short. The bike would fall over if you tried to use it. Not a deal breaker for me, I had the bike shop remove it, and I'll lean it up against the wall in my garage or hang it up on my peg board. May be a deal breaker for you. A new kickstand would be about $8.
5. I thought the seat would be more uncomfortable than it is. I'm impressed with the comfort factory seat.
6. Side note FYI- I forgot that getting a helmet would be something I'd have to purchase. Helmets are $40, $80, $120 depending on what you are looking for in a helmet. This was another additional cost I personally wasn't prepared for. I just wanted to buy a bike and ride it.
7. The staff at the bike shop who put my bike together seemed to be pretty impressed with the bike, and the amount I paid for it. They mentioned that it is a little heavier, but I wasn't buying the bike to race with, so speed/weight wasn't an important factor for me. I definitely recommend this bike, but make sure you are fully aware of everything that is involved (so you can budget accordingly!) Enjoy!
Looking for a hybrid, I shopped bike shops and rode top brand bikes. They cost at least twice what this one did, and might possibly be 10% better. I found assembly a snap, but I have always worked on my own bikes. Just remember to orient the fork correctly. The ride is soft, which I wanted, and the gear shift is smooth and the shifting is accurate. I did not expect the latter in a self-assembly bike. The gearing from bottom to top seems appropriate for the bike. The spoke pattern is weird, but seems to work just fine.
This a is great bike. It is light weight, which was important for my wife. Very sharp looking, not so important but a nice feature. The lever gear shifters are a joy after fighting with the old twist grip types. I will probably end up buying the men's version for myself. The front fork and seat suspensions make for a very smooth ride and reduce fatigue when riding over rough roads.
Although I believe this bike would fit a shorter person (with seat adjustment, etc.) I am very happy that I feel so comfortable on this Schwinn! I'm 5' 8" and I've always felt that bikes just weren't quite the right fit, and seats wouldn't extend high enough for me. On this Schwinn 7th Avenue Hybrid I get good leg extension while pedaling and the seat height adjustment has an excellent range. There's plenty of room to adjust for even taller women. Feels very secure and the seat is also more comfortable than my old bikes. I have a mountain bike that I may try to see if this seat works on it too! My husband said this Schwinn was easy to assemble, but all four brake pads plus the tension needed adjustments. But if you've done bikes before he said, it's not a problem. I'm super happy going for much longer rides now. Thanks Schwinn!
My husband just bought me this bike. It was only $149 at our local store! Rides and shifts very smooth. Very light weight. No water bottle cage is included. Kick stand is a nice feature. You sit a little more upright on this bike, which I like because my old mountain bike hurt my hands from leaning on them too much. Can't wait for summer!
Great looks, nice features, lighter than expected and at a great price! I just needed to replace the seatpost, since the lowest position was slightly high for my wife.
The bike came right on time as promised, was relatively easy to put together. I really like the look of it, the seat could be a bit more comfortable, but I think I will get used to it in time. Warning to anyone thinking of putting it together yourselves, don't mess around with the gear shifters unless the bike is being pedaled. I jammed the chain by doing just that and had to fool around adjusting it afterwards. So far I am very happy with my bike and look forward to many hours of fun and exercise.
Went to a high end bike store, found high prices and nice bikes. This bike has the style, and components to make it a great bike that will last a long time and it fits me great:) i love it!
I ordered this bike on a Monday night at about 10pm. It was sitting on my porch by 8am on Wednesday. The bike itself is a pretty easy to put together. Adjusting the brakes was a little tedious to get it exactly right. It's nothing anyone can't handle themselves if they have the know how to get to that point in the assembly though. The bike isn't the lightest thing on the market, but it definitely lighter than a lot of it's counterparts which aren't that much cheaper on this site. I looked locally at several bike shops. I bought this bike because I couldn't justify spending $450 and more for a similar bike with them. Seriously, everything I found with about the same features was that much more. I am 5'3" and find that this bike a little to tall for me. I can use it, but I have to stand on my toes to do so. I lowered the seat as far down as it will go. My other option would be buying another post that is shorter, but I would then lose the compression portion which is a nice feature. That's my only complaint, but I found that issue with other bikes I test rode too. Overall I am happy with this bike and glad I bought it. It's perfect for someone like me who wants to exercise, use it to make short trips locally and sometimes go on the bike paths by the river.
I bought this as a birthday gift for my wife and assembled it myself. With 21 speeds, a shock absorber in the seat, as well as the front fork, this bike gives a lot of bang for your buck. Shimano shifters and brakes are high quality for a bike at this price point. It is also fairly light, yet feels very solid. My wife loves the way it rides and handles. My only complaint seems typical for this manufacturer-the instruction manual is a joke. The instructions for adjusting the brakes are for another brand of brakes that are not on this bike. Also, if I were not already familiar with derailleur mechanisms, I would still be trying to adjust them. I'm not sure whether a purchaser would be better off getting this assembled or not, as I have seen many complaints about bikes that were already assembled. All in all, it was very easy to assemble, with the fine tuning of the brakes and derailleurs the only time-consumers. Well worth the time.
This is a great bike for the price and for someone who isn't an avid biker. The seat is comfortable and gears easy to change. Others commented on the height of the bike being too tall, but your legs should be fully extended on the down pedal.
I knew very little about bikes but this bike rides smoothly, is a good height for me (5'4"), was easy to put together. The seat is comfortable and the brakes stop when I want them to. It was more expensive than I wanted to pay but for the extra bucks I got a lighter weight bike with a spring adjusted seat. I am pleased.
I liked it as other reviews said but only thing is little bit big for me. i am 5'5 and using its seat at the lowest.
I had the hardest time finding a reasonably-priced recreational bike for my very long-legged 5'9" daughter (14yrs old). I went w/ this based on others' reviews that it was too big for them. This works for my daughter. She did get a flat w/i a week of purchasing which tells me that the tire/tubes probably aren't the best quality, but we replaced the tube and it's working fine again. This is definitely a good bike if you need one bigger than 26"- this is 28".
It's a little tall for me. In only 5'1" and the lowest seat setting is just barely low enough.
As many have said, the frame is too tall for short girls. I'm 5'3'' and couldn't touch toe even after I put the seat all the way down. The step-through design helps so I just get off the bike at every red light.
It's not so light weighted or fast as a road bike but I like the upright sitting position and I can ride off the bike trail sometimes. So generally it fits my purpose.
I am 5'3". I read the other reviews by women the same height. They felt it was too big for them. I find the bike very comfortable. Though I can't sit and touch the ground. Riding is a good fit. Since that is what I purchased the bike for. Sitting and not touching the ground is not an issue.


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Long-term, prospective study evaluating clinical and molecular biomarkers of epileptogenesis in a genetic model of epilepsy tuberous sclerosis complex
Coordinator: Sergiusz JÓZWIAK
Project Number: 602391
EC contribution: 9,451,675.00
Project website: http://www.epistop.eu/
Despite a great progress in the management of epilepsy, still one third of patients is refractory to available medications. The incidence of epilepsy is highest in infancy and 50% of children experience epilepsy-related comorbidities, such as developmental delay and autism. The development of epilepsy (epileptogenesis), extensively studied in animals, is barely studied in humans, as patients usually present AFTER the seizure onset.
EPISTOP is the first prospective study of epileptogenesis in humans, beginning BEFORE seizures and continuing through age 2+ years, permitting detailed analysis of the onset, drug-resistance, and comorbidities of epilepsy. To maximize information derived from the study we have chosen homogenous group of patients with prenatal or early infantile diagnosis of Tuberous Sclerosis Complex (TSC). A clinical randomized study of pre-seizure treatment in TSC infants is a part of the project. The aim of EPISTOP is to examine the risk factors and biomarkers of epilepsy and to identify possible new therapeutic targets to block or otherwise modify epileptogenesis in humans.
Biomarker analysis will be performed by a multidisciplinary, systematic approach in three clinical settings:
- prospective study of epilepsy development in infants with TSC, including analysis of clinical, neuroimaging, and molecular, blood-derived biomarkers at predefined time points: before the onset of seizures, at the onset of epileptiform discharges on EEG, at seizure onset and at the age of 24 months
- prospective study of blood-based biomarkers in infants with TSC treated with antiepileptic drugs prior to seizure onset in comparison to children treated only after clinical seizures appearance.
- analysis of biomarkers of epileptogenesis and drug-resistant epilepsy in brain specimens obtained from TSC patients who have had epilepsy surgery and TSC autopsy cases.
EPISTOP will be carried out by a consortium of 14 partners from 9 countries, including 2 SMEs.


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U.S. Sen. Barbara Boxer, D-Calif., has introduced legislation that aims to improve patient care and address the nationwide shortage of nurses.
The National Nursing Shortage Reform and Patient Advocacy Act would protect the rights of nurses to advocate on behalf of their patients, establish minimum nurse-to-patient ratios in hospitals and invest in training and retention of nurses to address the nationwide nursing shortage, according to a news release from Boxers office.
The legislation builds on a California law that set minimum nurse-to-patient ratios, and extends those minimum standards to hospitals that participate in Medicare and Medicaid.
Specifically, the bill would establish minimum nurse-to-patient ratios that will "save lives, improve the quality of care and help to address the nursing shortage by creating a work environment that encourages nurses to remain in the hospital workforce," according to the news release.
For most hospitals, the bill calls for a direct care RN to be assigned to no more than:
• One patient in trauma emergency units;
• One patient in the OR, provided that a minimum of one additional person serves as a scrub assistant in the unit;
• Two patients in critical care units (including NICUs), labor and delivery units, coronary care units, acute respiratory care units, postanesthesia units and burn units;
• Three patients in EDs, stepdown units, pediatrics units, telemetry units, antepartum units and combined labor, delivery and postpartum units;
• Four patients in med/surg units, intermediate care nursery units, psychiatric units and other specialty care units;
• Five patients in rehabilitation units and skilled nursing units;
• Six patients in well-baby nursery units and postpartum units (three couplets).
The bill also provides whistleblower protections to support the right of nurses to advocate for the safety of patients and report violations of minimum standards of care; and invests in nursing mentorship demonstration programs to better prepare nurses for work in a hospital setting.
The bill has been assigned to the Health, Education, Labor and Pensions Committee, which will consider it before possibly sending it on to the whole Senate.
Boxer introduced a similar bill in 2011. That bill did not make it out of the committee.
Track the 2013 bill: www.govtrack.us/congress/bills/113/s739.


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The National Institute of Standards and Technology has named Kent Rochford as its director of a new wireless telecommunications lab it runs with the National Telecommunications and Information Administration.
The Communication Technology Laboratory (CTL) is based at NIST's Boulder, Colo., research facilities and seeks to advance understanding of spectrum use with the goal of promoting better spectrum-sharing approaches. NIST and NTIA announced formation of the lab last year, and NIST said on March 26 that its appointment of Rochford was effective March 24.
The center will be jointly managed by Rochford and the director of NTIA's Institute for Telecommunication Sciences.
According to NIST's announcement, Rochford had been senior director of Sharp Labs of America. He is also a NIST veteran, having previously served as chief of NIST's Optoelectronics Division, director of its Electronics and Electrical Engineering Laboratory, and director of operations at the agency's Boulder Laboratories.
CTL could provide a way to beat the growing national wireless spectrum crunch, said Willie May, associate director of laboratory programs at NIST, during a cloud mobility conference at the agency's headquarters on March 25.
CTL is the seventh of NIST's major research units. It aims to enhance agencies' effectiveness in coordinating research, standards development and testing functions in advanced communications technologies. According to agency statements, CTL will also promote interdisciplinary research and be a focal point for industry's and government's testing, validation and conformity assessments for those technologies.
Posted by Mark Rockwell on Mar 27, 2014 at 10:15 AM
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The latest version of the Defense Department-wide Enterprise Service Management Framework places more emphasis on managing IT risk.
Despite GSA's efforts to accelerate the FedRAMP approval process, the lack of agency reciprocity puts the program's central goals at risk.
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The agency software inventories required under the draft category management policy will be treasure maps that lead to efficient, effective, streamlined buying and unprecedented savings.
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Translation: Let me feed the hungry bird. Further details refer ILAM fieldcard D2A11.
Nezala Shonga (Composer/Performer)
78 RPM Shellac Record
Sound Forge v.8
Technics SP - 10 MKII direct drive turntable
Vestax BDT-2500 belt-drive turntable
Studer Revox interface SP 10-8
Research number: D2A11
Master number : XYZ5951
Sound of Africa series number: TR-189 A9
Tape number: 34
International Library of African Music
International Library of African Music


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Do any music stores beyond iTunes exist that allow you to legally purchase content on an iPhone? That is to say, is it possible to purchase music without connecting to a computer? Streaming or downloading are both ok. Through an app or a website is also ok.
I haven't tried the service, it seems that Rhapsody does more or less what you are asking for -- a music store on the iPhone that is separate from iTunes.
I have used MOG on an iPod touch to download music from their library to my iPod Touch for offline listening. As I understand the contract, I do not own the content, only the right to listen to it during my contract term.


text: Family-owned and operated, we're a private, personal haven for guests and members who are welcomed as part of an extended family. We are dedicated to improving our guests' physical well-being as well as mind and spirit. Enjoy the comfort of our spacious suites, join the action on our tennis courts or in our fitness center, or relax poolside at our lagoon pool. You may spend an hour or two with us, or an entire day. Your home away from home.


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I would like to change the Site Title and Tagline font type, size and color. Also which font types are available? I would appreciate any advice.
Thanks, Al
Your theme uses #blogtitle and #subtitle markups. You need to edit style.css and look for those items above and change the fonts, styling, etc. If you want more fonts, you can try Google Fonts which is free.
Thanks for the info. I have been on vacation but will correct, hopefully, today.
This topic has been closed to new replies.


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Sebastian Ärleryd
I got my M.S. in Engineering Physics from Uppsala University where I learned about math, physics and computational science. I have programmed as a hobby for a long time and enjoy trying and learning new stuff.
I work as a Software Engineer at Uprise (EA) in Uppsala.
I have released two hobby games for iOS and Android. I am also interested in computer graphics and computations on GPUs. Functional programming in strict languages such as haskell fascinates me.
- Uppsala, Sweden
- baskus.wordpress.com
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I'm using the C# built-in Winforms Chart control (System.Windows.Forms.DataVisualization.Charting.Chart) with its built-in ability to let the user select a range. What I'd like to do is to read back what range the user has selected. Surely there must be some easy way to do this, but I haven't been able to find it.
The cursor is enabled like so:
var ca = chart1.ChartAreas["ChartArea1"].CursorX;
ca.CursorX.IsUserEnabled = true;
ca.CursorX.IsUserSelectionEnabled = true;
I am aware that I can make the chart zoom when the user selects a range by enabling
ca.AxisX.ScaleView.Zoomable, but I don't want the picture to change: instead I am using the chart as a way to display information and let the user select a range of X values for which I then do some extra processing.
I tried hooking to chart1.SelectionRangeChanged and that indeed fires every time the range is changed - I just can't seem to get the selection range from the CursorEventArg I get back. It has "
NewSelectionStart" and "
NewSelectionEnd" fields, but those are
NaN, disappointingly. I tried looking at the various properties of the chart and the axes, but didn't find anything that sounded promising.
Further investigation reveals the ChartArea.CursorX.SelectionStart property which sounds like exactly what I need... except that it's NaN too. I don't know whether this is normal or I'm hitting some sort of bug?
So, how can I figure out what range the user selected?


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