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Unparalleled bliss. Every amenity at your fingertips. A true connection with nature, with the people you love, and with yourself. Spend a single moment here in Namale and you will be convinced that the words "paradise found" were first spoken with our secluded beaches and authentic luxury in mind.
Here at Namale, an ultra all-inclusive Fiji resort and spa, you can disappear into total relaxation inside your gorgeously appointed villa or bure, unwind at our award-winning spa, or share a blissful private dinner wherever you desire. Or satisfy your taste for adventure with a horseback ride, hike through the virgin rainforest to a hidden waterfall, or a breathtaking scuba trip into the Koro Sea. It is this unique combination of serenity and excitement, privacy and exclusivity that draws people from all over the world and our world-class staff is committed to making your authentically Fijian vacation experience the most memorable you've ever had.
Here, we take all inclusive to the next level, providing you an ultimate experience where your every request is met, every want anticipated, and every expectation exceeded. Welcome to Fiji!

subset: commoncrawl


text:
"The Day Carl Sandburg Died," a documentary film by Paul Bonesteel, will have two free showings during the Sandburg Days Festival. The film will be shown at 8 p.m. Friday, April 20, at the Carl Sandburg College Fine Arts Theatre, 2400 Tom L. Wilson Blvd., Galesburg, and 5 p.m. Saturday, April 21, at the Galesburg Public Library, 40 E. Simmons St., Galesburg. "The Day Carl Sandburg Died" takes a look at Sandburg's life and explores his influence.
The April 20 showing will be followed by a presentation from the Galesburg Public Art Commission regarding the Poet in the Park Sandburg sculpture project, which will place a bronze sculpture of Sandburg in Galesburg's Central Park. Refreshments will be served after the film.
The April 21 showing will be followed by a question-and-answer session with Sandburg biographer Penelope Niven, Poetry Slam founder/creator Marc Smith and Knox College Director of Creative Writing Robin Metz, who are all in the film. Refreshments will be served after the film.
Both film showings are sponsored by the Galesburg Public Art Commission and are part of Sandburg Days festival for the mind, which takes place April 18-21 in Galesburg and honors Galesburg-born, two-time Pulitzer Prize-winning poet and Abraham Lincoln biographer Carl Sandburg and his family by celebrating with the community through educational and recreational activities. A complete list of events for Sandburg Days festival for the mind can be found online at www.sandburg.edu/festival.
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text:
Seven SA students gain merits in all subjects
- From: The Advertiser
- December 17, 2010
ONE of South Australia's top students has revealed his secret to success - study what you are passionate about.
St Peter's College graduate Scott Coyte felt great relief yesterday when he opened his Year 12 results to find perfect 20/20 merit scores for all five subjects.
Yet Scott, 16, said as long as he did his best and followed his interests he would have been ecstatic no matter what the verdict.
"It's important to follow your passion and give to the world what you're best at," Scott said.
A total of 1038 merits were awarded to 745 SA Year 12 students. Seven students five boys and two girls achieved five merits each.
After completing economics, information technology studies, English studies, performance special study (music) and mathematical studies this year, as well as achieving merits in two other music subjects last year, Scott plans to study music next year at the University of Adelaide's Elder Conservatorium.
This is bucking the trend of his fellow high achievers who mostly are interested in medicine.
"One possibility is to become a concert pianist, another is to follow pure mathematics," Flagstaff Hill student Scott said.
"The areas of music and mathematical science are where I can contribute the most to the world."
Education Minister Jay Weatherill said it was a great occasion to celebrate the success of all Year 12 students.
This year, 12,663 were successful in completing their South Australian Certificate of Education, 189 more than last year. More than 90 per cent of Year 12 students who set out to achieve their senior secondary certificate did so.
Almost 17,500 results envelopes were delivered yesterday, some of which went to students who were just studying one or more Year 12 subjects but not completing the full certificate.
"There are over 12,000 success stories across the whole state," Mr Weatherill said.
"This will open up the opportunities they've been looking to realise looking to realise the dream to take the next step into work, further study, university."
South Australian Certificate of Education Board chief executive Dr Paul Kilvert said this year met the benchmark of the number of students who achieve outstanding success in their final year.
He said next year's students who would complete the new certificate including four subjects instead of five and a compulsory research project may expect similar results.
"The strength of the SACE is that each year it improves and gets better," Dr Kilvert said.
"SACE from next year will build upon the success of this year and past years."
Another St Peter's College five-merit student, Tom Khoo, said it was affirming to receive his results yesterday having put in the hard work.
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I'm a programming intern, and since I'm the only one in the company who seems to have rudimentary knowledge of Linux I've been given the task of setting up a network so that employees may share files and so that we have a local testing server for our websites.
Now while making the network file shares and testing them on each machine, a coworker told me that developers and designers are actually on separate Internet connections.
What would be the best way to join these two networks so that there are no conflicts between IP addresses? I know VPNs might the answer but the networks would have to use bandwidth to use the file share, which doesn't make much sense considering that both networks are the same building.


text:
Store opened
6 Years
OLDCLAN Fashion&Leather Co.,Ltd Store No.801688 View my products on Alibaba.com
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- Compatible Brand: Samsung
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- Compatible Samsung Model: I9300 Galaxy SIII
- Model Number: W13PC0075
- material: 100% cow leather
- model: for samsung s4
- Place of Origin: Guangdong, China (Mainland)
- Brand Name: S.C
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- Unit Type: piece
- Package Weight: 0.250kg (0.55lb.)
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text:
how i can add google search box in my blog?
how i can add google search box in my blog?
Add the code provided by Google to the relevant template file in your current theme. So, in short, it depends upon where you want it to appear on your site.
i am using classic theme of word press and want to add google search box at the header of the blog?
then where i want to add the codes provided by the google?
Try header.php.
Read this post to add Ajax-powered Google CSE with in few mintues on your site.
go to this website:http://www.googleadsensecode.com/..
get the code you want
now 1st decide where do u want to place google ads on the header e.g left or right etc,
Then go in header.php & find the closest postion to the palce where you want the google ads to appear, if you can't find the place just paster the code, refresh the page to see the result
& do this by just make a new div like this & put the code inside it:
<div id="g-search">
<!-- Start Here -->
<script type="text/javascript"><!--
google_ad_client = "pub-2151667935419035";
/* 120x600, created 7/17/08 */
google_ad_slot = "8233032726";
google_ad_width = 120;
google_ad_height = 600;
<script type="text/javascript"
<!-- End Here -->
then adjust the exact position by using CSS styling e.g margin & padding etc
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text:
Fifty years after the world's conversation at Nuremberg about medical research abuses, Jean, a 20-year-old college senior, sits in the office of the clinical director of her university's egg donation program. He tells her about hyperovulation drugs and a short, outpatient procedure with a few risks. She daydreams about how strange it is to be talking with this man, and about how to handle the $12,000 on her Visa bill. Her mom and dad would faint if they knew about it. He is nice, she thinks. He looks professional and sounds honest. He asks more questions about her dreams and plans than have any of her professors. As Jean sips a cappuccino and reads through the consent form, she decides to take the money offered, sign on, and enroll as an egg donor in a small infertility protocol. She'll still have $8,000 worth of credit card debt, but she thinks
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text:
Start2Finish is dedicated to breaking the cycle of child poverty by providing ongoing educational support to Canada's at risk children throughout their school years, nurturing mind, body and social health so they are empowered to succeed and become role models for change.
On October 18, 2015, Start2Finish invites you to become part of our team of champions as together we strive to eradicate child poverty and equip the most vulnerable children in our communities for lifelong success. Come run or walk to the finish line with us and help raise funds to make an even greater difference in thousands of young lives. We believe there are no poor minds — only poor opportunities — and every child deserves the tools to succeed.


text:
Confirmed: Geoff Johns Is the New President of DC Entertainment
Comic Books, Film, TV
The Book of Genesis Illustrated
by Robert Crumb
WW Norton, 224 pages $24.95.
It's a pretty safe bet that whatever book you pictured in your feverish little brain when you heard the phrase "Robert Crumb adapts Genesis" will never match, or perhaps even compare to, the actual product. When surrounded by as much anticipation and hype as this book has been, (virtually every blogger on the block has declared this the de facto "book of the year," or at least the "book they're most looking forward to") there is bound to be some disappointment.
That's especially true if what you were expecting was anything more than the all-too-literal, note-for note interpretation that Crumb has ultimately produced (indeed, except for a phrase here and there, he seems to have left the sacred text intact). If you were hoping to see some sort of sly, satirical take on the Bible, sorry, but that's not here. If you were expecting googly eyes and big feet, go elsewhere. There is the occasional bit of flop sweat, but otherwise, Crumb keeps his cartoony vibe in check. There's not so much as an ounce of irony to be found.
That even extends to depicting the level of sex and brutal violence that these stories are so well known for. Surprisingly, for the guy who created the incestuous "Joe Blow," he stays well within an R rating, avoiding any explicit, full-on depictions of genitalia or coitus. He's not afraid to show naked bodies entwined or swords splitting heads, but he refuses to become too explicit, even when the text calls for it — his depiction of Onan masturbating is shown from the side, with no spurting penis to be found. I suspect that Crumb's reasons for this have less to do with an attempt to cater to the religious audience or even the mainstream market place (they're going to be turned off by the blood and breasts anyway) than Crumb's refusal to pander. The overall tone here is one of respect, not towards the Christian or Jewish religion, but instead to the people and cultures and civilizations that inspired these stories.
The result a rich, introspective, at times frustrating, but ultimately rewarding book, that warrants repeated readings and forces the reader to re-examine their take on the first book of the Bible, as well as their attitude towards the artist himself.
There's a danger here in adopting such a straightforward tone. The book could have easily, without the author's intent, slipped toward the reverential, or ended up as some sort of stiff, Classics Illustrated-style adaptation that added nothing to the original work. And indeed some of the early "Creation" chapters have this "Picture Stories from the Bible" feel. But Crumb's ultimately too good an illustrator and storyteller for any of that nonsense. Even though he holds himself strictly to a mostly nine-panel grid and hardly ever breaks out into one of those full-page or even half-page spreads he's so good at, Genesis remains a compelling, dramatic account.
What Crumb ultimately seems to draw Crumb to these stories is the various inherent dichotomies of the text — chaos versus order, barbarism versus civilization, secular versus spiritual and, in particular, men versus women. Anyone who's read any version of Genesis knows that despite being a patriarchal text, the women of Genesis play a large and important role. Crumb highlights and emphasizes this role through his art. It may surprise and even frustrate those who continually write Crumb off as a misogynist, but his Genesis offers a decidedly feminist spin. His sympathy is clearly with Sarah, Rebekah, Rachel and the other wives in this saga (although he still portrays them in that gap-toothed, voluptuous, taut nippled style he's so clearly enamored of) .
Indeed, in his lengthy (and very insightful) notes, Crumb, in trying to explain some odd or contradictory passages, suggests that many of the notable women in Genesis, like Sarah, might have been priestesses, or come from matriarchal societies. Indeed, he posits that many of the Genesis stories could be myths from a matriarchal society rewritten and reshaped for a new, patriarchal paradigm.
Whether or not that is the case, I do think that these women's stories underline the limited but important role women played in these early societies. My wife has a saying that she likes to use when she's feeling rather irate or put-upon by the rest of the household: "If Mama ain't happy, ain't nobody happy." That's a phrase that could easily see Sarah or Rebekah sputtering out in rage. Reduced to the role of childbearer, their sole importance centered on providing a male heir, it doesn't seem that surprising that these omwen would exert their influence whenever possible, as Sarah does in forcing the banishment of her handmaid Haggar, or in Rachel and her sister Leah's squabbles over their husband, Jacob.
As I suggested before, there's little interplay between the images and text. What the narration describes is usually what you see. If there's any subversion to be found in this book, however, it's in the characters body posture or facial expressions. Crumb is very subtle here, but his it's the minor details that make this book as striking as it ultimately is. If you get a chance to look at the book, notice the eyes of the character, what they're looking at and how. Note the disgust on Joseph's expression when he says "I'm not God am I?" Or how Dinah reacts when she's led out of the House of Shechem after her brothers have slaughtered everyone inside. Or the terror on Rebekah's face when she fears Esau may try to slay Jacob (and Isaac's henpecked look in the following panel, as Rebekah rails at him). It's in moments like these that Crumb is able to convey these character's inner humanity. They no longer seem like unrecognizable archetypes, but real flesh-and blood humans.
The story I found myself the most drawn to is that of Joseph, the boy with the coat of many colors, who is sold into slavery by his brothers only to rise above them all through his cleverness and guile. I found myself surprisingly moved by Crumb's depiction of this lost soul. His anger and pain upon rediscovering his treacherous brothers feels real and honest. The world Crumb portrays in Genesis seems like a harsh and unforgiving one, full of inky darkness and sweat and flesh, where brothers battle brothers, fathers battle sons and life, especially female life, isn't worth much unless you have cattle, grain and water and lots of people to do your bidding. Still, it is not a place devoid of nobility or honor, or perhaps even love, though that last one seems to perhaps the hardest to find.
This is a book that is going to frustrate and annoy many. It frustrated me at times. Crumb is striving for something much subtler here than he's attempted before and coming to it with a certain set of expectations is only going to lead to disappointment. Many critics will no doubt decry the book for going with obvious choices, like making God a big white guy with a long, flowing beard.
But Crumb doesn't seem as interested in completely rejiggering our perception of the text or playing against traditional norms as much as he is in skewing our perspective ever so slightly. There are insights to be gained in this adaptation. But it's all in the eyes.
How would you compare it to his work on Kafka? That's the kind of approach I expected him to take for this adaptation.
Hmm. Good question. I haven't looked at the Kalfka book in awhile, but based on recollection I'd say Genesis is even more controlled and reined in.
I should really dig out my copy and compare the two.
Knowing WW Norton, I think the reason Crumb stayed within the confines of R-rated imagery is that the publishing contract mandated it. Once you get out of the Garden of Eden section, you don't even see a penis.
You and I are in agreement about the book in some respects, and in disagreement about others. If you're curious, here's the URL for my review of the book:
The main thing I think you and I disagree on is the need for the book. If Crumb wasn't going to provide any significant interpretive dimension to his treatment, I can't understand why he bothered. If people want to read the Book of Genesis, they'll read the translated scriptures. People who pick this thing up are looking for Crumb.
I haven't read Crumb's version, but it's worth noting that despite centuries of insistence otherwise(and a well-known expression based on that insistence), an attentive reading of the text will suggest that Onan did not masturbate but rather practiced coitus interruptus. If Crumb in fact showed him choking the chicken, it's another example of what I felt when I read the excerpt of the book printed in the New Yorker–that Crumb's version wasn't just traditional, it was needlessly so.
Terry — If we're getting technical, it's depicted as coitus interruptus.
I'd say that Crumb's music taste is the key to understanding his approach here… the traditional folk music he likes is to a large degree about doing versions of age old works in a traditional way. The differences between various versions of folk songs is bound to be fairly subtle, mostly based on small personal differences in phrasing betweem the artists. It's an artistic opproach fairly different from the taboo breaking radical 20th century approach that Crumb embraced earlier in his career – but I DO think it's a valid way of making art. You just have to get away from the 20th century 'avantgarde' way of thining. Not everything has to be 'new' or 'radical' all the time.
I'd say some of us appreciate Crumb as a trend setter and yes, he did break through the wall of censorship that went up after the Congressional comic book hearings in the '50s. I had a sneak peak of the book of genesis illustrated here and wanted to compare more independent opinions.
For some of us it's nostalgia—I was a horny, teen-age hippie when I first discovered undergrounds back in the '60s. That being said, if you study his body of work you start to understand the point of view he brings to even the simplest illustration. Crumb is a self-aware, sexually immature, cynic who has few heroes (blues musicians, etc.). Sure, there are better illustrators but none that would deliver the Bible from his POV. I think of Crumb as the cartoonist's Ivan Albright. He could draw/paint the loveliest subject and still make you wonder if there wasn't something rotten just out of view.
My being a 67- y.o. artist/musician/writer, who still has a small stash of R. Crumb comics, as well as his Kafka book, after reading 80% of The Book Of Genesis, I'm still amazed at R. Crumb's unique style of draftsmanship, as well as his original and , at one time, very relevant urban humor. However, for the life of me, I can't understand what, except for money, was the incentive for him to spend five years, creating an entire sea of drawings on a book project that reads as flat as a gift shopping list.
Like yourselves, I've seen his drawings of bottles of mustard and ketchup,with more "personality" than all but 4-5 drawings that make up this book! Something is definitely…missing, which gets back to my question- realizing the agreed upon restrictions associated with producing this project, what was the point, and worse yet, what was actually achieved?


text:
You, Me and Dupree
|PG-13 (for sexual content, brief nudity, crude humor, language and a drug reference)
|Release Date:
|July 14, 2006
|Running time:
|108 minutes
|Matt Dillon, Kate Hudson, Owen Wilson, Michael Douglas, Amanda Detmer
|Anthony Russo, Joe Russo
|Mary Parent, Scott Stuber, Owen Wilson
|Mike LeSieur
|Universal Pictures
Web Site: http://www.youmeanddupree.com/
Description: Carl and Molly Peterson are just starting their new life together --complete with a cute house, boring neighbors, stable jobs and the routines of newlywed existence. There's just one unfortunate hitch in their perfectly constructed new world. And his name is Dupree. Randy Dupree, Carl's oldest friend and perpetual bachelor, has found himself with nowhere to go after being fired. Carl yanks his jobless/homeless pal out of the bar he's living in and invites him to temporarily crash on the couch -- that's just what friends do. At first, Carl is quite pleased to have his good buddy as a permanent couch guest, while Molly bears the brunt of Dupree's immature antics. But, as Carl becomes buried in his grown-up job, he finds it harder and harder to juggle Dupree and his responsibilities as a husband. To make matters worse, Dupree uses his ample spare time to become a great companion for Molly. Even her dad and the neighbors are falling for his carefree wisdom and charm -- frustrating Carl to no end. Soon, everyone (but Carl) begins to root for Dupree to stick around. But as Dupree starts to become a fixture in the Peterson's home, three becomes not just a crowd -- but a full blown, hilarious catastrophe.
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text:
Effects of Orlistat on Fat-Soluble Vitamins in Obese Adolescents
Version of Record online: 17 JAN 2012
DOI: 10.1592/phco.22.11.814.33627
2002 Pharmacotherapy Publications Inc.
Pharmacotherapy: The Journal of Human Pharmacology and Drug Therapy
Volume 22, Issue 7, pages 814–822, July 2002
Additional Information
How to Cite
McDuffie, J. R., Calis, K. A., Booth, S. L., Uwaifo, G. I. and Yanovski, J. A. (2002), Effects of Orlistat on Fat-Soluble Vitamins in Obese Adolescents. Pharmacotherapy, 22: 814–822. doi: 10.1592/phco.22.11.814.33627
Publication History
- Issue online: 17 JAN 2012
- Version of Record online: 17 JAN 2012
- Manuscript received January 7, 2002; Accepted for publication in final form April 29, 2002
- Abstract
- References
- Cited By
Study Objectives. To determine whether orlistat causes fat-soluble vitamin deficiencies in African-American and Caucasian adolescents.
Design. Prospective, open-label pilot study.
Setting. Warren Grant Magnuson Clinical Center of the National Institutes of Health.
Patients. Seventeen adolescents with body mass indexes above the 95th percentile for age, race, and gender who also had at least one obesity-related comorbid condition.
Intervention. Subjects received orlistat 120 mg 3 times/day and a daily multivitamin supplement containing vitamin A 5000 IU, vitamin D 400 IU, vitamin E 300 IU, and vitamin K 25 μg.
Measurements and Main Results. During 3–6 months of orlistat treatment, acute absorption of retinol (vitamin A) was not significantly altered, but absorption of α-tocopherol (vitamin E) was significantly reduced compared with baseline levels (p<0.001). Serum levels of vitamins A and E did not change significantly; however, there was a nonsignificant decrease in vitamin K. Mean vitamin D levels were significantly reduced compared with baseline (p<0.02) after 1 month of orlistat, despite multivitamin supplementation.
Conclusion. It may be prudent to monitor vitamin D concentrations in adolescents who take orlistat, even when a multivitamin is prescribed.


text:
NYCdwellers and New York City Real Estate
NYCdwellers is New York City's largest real estate marketplace specializing in residential no fee apartment rentals in Manhattan. We are dedicated to providing outstanding service to New York apartment hunters from all over the world. Our website is comprised of modern apartment search technology and powered by six, full-time staff providing unsurpassed service to NYCdwellers' customers and listing providers.
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There are thousands of Manhattan rental apartments, but just one site - nycdwellers.com that brings them all together. We've changed the way folks rent New York City apartments. With us you can virtually preview almost all available Manhattan rentals from your home convenience. Our team manages the most extensive database of New York apartments for rent. When you want to rent in Manhattan without trouble, visiting NYC Dwellers is a must. These pages will give you access to priceless data about apartments for rent in New York City, all from neighborhood details to landlord policies. The very best ways to rent apartments in New York are through NYC Dwellers. The best searching experience for apartments in New York City for rent is within just a click a click of a mouse. NYC Dwellers is a single destination for people intending to rent Manhattan apartments. All New York apartment rentals on the market today are displayed on our website. With such a diverse pool of NYC rentals and dozens of search criteria, NYC Dwellers is the peerless apartment source of the Big Apple.
© 2012 Apartments Integrated Inc. All Right Reserved


text:
Favstar gets even better if you sign in.
Sunday night = perusing Facebook to see if anybody has broken up with their stupid elf-faced girlfriend & is ready to be with me, Greg.
I live in a hovel! And you live in a townhouse! I can't believe this girl!
Like @MrsRupertPupkin's tweets? Send them a Favstar Pro Membership to show you care.Gift them Pro!


text:
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text:
After School Programming
PYE - Presbyterian Youth Explosion
PYE is an after-school ministry of First Presbyterian Church. At PYE, we bring children together in a safe environment. Significant relationships with others - outside the family circle - are among the most profound influences on the spiritual development of a child. Connection with other children and adults creates a safe environment where faith can be explored and questions asked in an atmosphere of understanding and acceptance.
Meeting on Thursdays from 3:45-5:10 p.m., this age group makes music, shares snacks and discovers how to grow in love for God and neighbor. Each week is a time of celebration and there are usually a few surprises along the way!
Grades 2-8
Meeting on Thursdays from 3:45 - 6:30 p.m., we study, make music, and share our evening meal. Each week is a time of celebration and there are usually a few surprises along the way!
At PYE, we try to practice "learn by doing." Throughout the year, there will be opportunities for all of our kids to take part in putting "faith into action," through service projects, works days, and special "learn by doing" activities. We will provide plenty of notice and we hope that everyone will take part!
Each week, our PYE will break into three groups to study and discover what God wants us to know and how God wants us to live., As a congregation engaged in expressing faith in action, we offer our PYE children opportunities to share what they learn through acts of kindness and service. We understand the heart of the gospel message to be: love God...love neighbor. That's what we teach at PYE.
Part of what makes PYE so much fun is spending time together making music. Each participant in PYE will have the opportunity to play our English Handbells and Choir Chimes as well as singing together in our choir.
The Choir School
The Choir School of First Presbyterian Church is affiliated with the Royal School of Church Music in America (RSCMA) and gives children and adults unique experience in the English Cathedral Tradition.
The choir school is offered to children beginning in the second grade. The choir school students meet on Tuesdays after school and attend the Presbyterian Youth Explosion (PYE) after school program which intersects with The Choir School on Thursday afternoons. The Choir School students attend choir rehearsal on Thursday evenings from 6:30-7:15 p.m. and attend rehearsal on Sunday morning at 9:30 a.m. before leading the congregation in worship during our 10:30 a.m. service.


text:
The track special has been available here as a kit car for about five years.
Kit Car
8You'll be able to buy a complete KTM X-Bow in the US soon
- David Gluckman
- Jun 16, 2016
- 8
5This incredibly detailed toy Jeep will set you back $2,300 [w/video]
4Egoista Motors' EM01 Stradale Project hits $100,000 crowdfunding target
- Danny King
- Feb 9, 2015
- 4
Italy's Egoista start-up has raised $100,000 in its crowd-funding campaign for an open-wheeled, plug-in kit car.
9Caterham inks US distribution deal with Superformance
- Brandon Turkus
- Jan 3, 2014
- 9
Sort of like an automotive big box store, Superformance is rapidly becoming the destination for anyone interested in modern kit cars. Besides the normal spattering of Shelby Cobra replicars, Superformance also offers replicas of the GT40 and Corvette Grand Sport. Now, we can add an altogether different type of DIY car to the company's portfolio - Caterham.
22Wild one-off Lamborghini Sogna for sale at $3M [w/videos]
- Jeffrey N. Ross
- Dec 10, 2013
- 22
The Lamborghini Countach was the dream car for many teens and pre-teens in the 1980s, but at least one Japanese man thought there was room for improvement. As the story goes, Ryoji Yamazaki had a dream of a supercar as a 13-year-old, and at the age of 41, he used his design studio, Art & Tech, to create the Sogna in 1991.
37Dubuc Canadian DIY supercar to debut in Montreal [w/video]
- Abigail Bassett
- Dec 7, 2013
- 37
A new Canadian kit car manufacturer, Dubuc Super Light Cars (SLC), has unveiled the Tomahawk, a lightweight, mid-engine kit car that's promised to weigh under 2,000 pounds. The Tomahawk will debut at the Montreal International Auto Show in January.
4Does a DIY EV named Pius sound familiar to anyone else?
- Jon LeSage
- Aug 7, 2012
- 4
Electric vehicle fans have been building their own do-it-yourself cars for years, and a Japanese company thinks it has just the thing to reach that market: a quirky little DIY EV kit. We're not saying Modi chose "Pius" as the product name as a crass way to trick that audience, just that the name certainly reminds us of another, quite popular, green vehicle.
23AM General to offer civilian Humvee kit car
33DDR launches McLaren F1-influenced Miami GT with Acura RSX or Chevy Corvette power
- Aaron Richardson
- Jul 19, 2011
- 33
14eBay Find of the Day: SixTen Sabre is part Morgan, part Mustang, and all head-scratcher
- Aaron Richardson
- Apr 21, 2011
- 14
5SEMA releases 50-state guide to help you tag and title your hobby car
- Jeremy Korzeniewski
- Jan 14, 2011
- 5
Obtaining a legal title and registration is oftentimes one of the most difficult procedures custom car builders will face on the long road to getting their beloved hobby cars out of the garage and into the parking lot at the local Friday night car show.
70Galatea thinks Hyundai Tiburon is perfect platform for coachbuilt styling
- Jeff Glucker
- Oct 6, 2010
- 70
Galatea Revision – Click above for high-res image gallery
43eBay Find of the Day: Italianate 1991 Acura NSX
- Zach Bowman
- Apr 9, 2010
- 43
Acura NSX meets Lamborghini – Click above for high-res image gallery
16Heynsdyk 2500SF puts that old Porsche 944 to good use
- Jonathon Ramsey
- Jan 23, 2010
- 16
Heynsdyk 2500SF – Click above for high-res image gallery
34VIDEO: Mythbusters tests skipping Lambo from Speed Zone, a.k.a. Cannonball Run 3
- Jonathon Ramsey
- Dec 29, 2009
- 34
Mythbusters car skipping test -- Click above to watch video
26eBay Find of the Day: Chevrolet C5 Corvette-based Saleen S7 replica roadster
- Jonny Lieberman
- Oct 27, 2009
- 26
C5 Corvette based Saleen S7 replica - click above image for hi-res gallery
44VIDEO: Super Replicas' Lamborghini Reventon clone isn't fooling anyone
- Jonathon Ramsey
- Apr 26, 2009
- 44
Follow the jump to see footage of the Super Replica Lamborghini Reventon
22Retroforza gives Mazda Miata a Ferrari complex
15Update: Bailey Blade hit hard in bad economy, adds green options
- Chris Tutor
- Nov 24, 2008
- 15
Click above for a high-res gallery of the Bailey Blade
12Factory Five modernizes the '33 Coupe
- Jeremy Korzeniewski
- Sep 12, 2008
- 12
Click above for more shots of the '33 Hot Rod from Factory Five Racing
- Volvo shoots for self-drivers by 2021
- Jeep spends $1 billion on factories
- Find Parts & Accessories for your vehicle!
- Obama rolls out new EV plan
- Infiniti dealers ranked best, Tesla worst
- Compare Volvo XC90 and Lincoln MKX


text:
WunderPhotos Upload
encrusted rim
Uploaded by: tahomus
Thursday November 22, 2012
Mt. Rose Wilderness Area, Tahoe Sierra, NV
Caption: blue margarita, anyone?
Manufacturer: PENTAX
Model: PENTAX Optio W80
x-Resolution: 72.00
y-Resolution: 72.00
Resolution Unit: Inch
Software: Optio W80 Ver 1.00
Artist: Picasa
YCbCr Positioning: co-sited
PRINT Image Matching: 350 bytes undefined data
Compression: JPEG compression
Exposure Time: 1/640 sec.
FNumber: f/4.2
ISO Speed Ratings: 64
Exif Version: Exif Version 2.2
Components Configuration: Y Cb Cr -
Compressed Bits per Pixel: 3.00
Exposure Bias: 0.00 EV
MaxApertureValue: 3.60 EV (f/3.5)
Metering Mode: Pattern
Flash: Flash did not fire, compulsory flash mode.
Focal Length: 5.0 mm
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Color Space: sRGB
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White Balance: Auto white balance
Digital Zoom Ratio: 1.00
Focal Length In 35mm Film: 28
Scene Capture Type: Standard
Contrast: Normal
Saturation: Normal
Sharpness: Normal
Subject Distance Range: Distant view
Image Unique ID: b33088a299850d2c15ae908e9f53b7bf
InteroperabilityIndex: R98
InteroperabilityVersion: 0100
RelatedImageWidth: 4000
RelatedImageLength: 3000
November 22, 2012 Photo Series
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text:
Top Definition
A very small, hard knot of hair, twisted up betwixt the thumb and index finger, then mashed together.
Look, he has been neenooing, his hair is all twisted up. Boy that's a fine looking neenoo you have there son...
লিখেছেন- Bacon123456789 11 de অগাস্ট de 2008
Trending Now
A cute way to say genitals, als a secretive way. :)
Dude, Austin got his NeeNoo swirled by this really hot girl named Nella.
লিখেছেন- austinolive546 13 de ডিসেম্বার de 2010


text:
please i need an help.
i'm triyng to add some extra fieds in Locations made by simple input text and checkboxes.
I now that is not suggested to change core files, but i need to personalized SLP.
Managed to modify the files:
and of course adding my desired field in MySql Table store_locator
i've inserted my own text input fields with no problem, and i'm ablle to add and edit data.
My problems comes with checkboxes as '0' and '1' values. No problem to INSERT or UPDATE db values when i check the box to write '1' in db. But if i uncheck a box in edit mode, i cannot write '0' in db, so i cannot uncheck value.
i tryed with something like:
$query = sprintf("UPDATE " . $wpdb->prefix ."store_locator " . "SET sl_r_accinf = '0' WHERE sl_id NOT IN ()";
but nothig happen.
Can you help me solving this MY problem?
Thanks in advance.


text:
Whenever I add a custom character into a page or post through the WordPress Visual Editor, it automatically places a span tag with a font family and size.
Is there a way I can edit what the default style that custom characters will use? Basically, I'd like to make them super-script and change the font size.


text:
Nebraska Revised Statute 21-2005
- Revised Statutes
- Chapter 21
- 21-2005
Repealed. Laws 2014, LB749, § 298; Laws 2015, LB157, § 10; Laws 2015, LB279, § 19. Operative date January 1, 2017. Fees.
(1) The Secretary of State shall collect the fees prescribed by this section when the documents described in this subsection are delivered to him or her for filing:
(a) Articles of incorporation or documents relating to domestication:
(i) If the capital stock is $10,000 or less, the fee shall be $60;
(ii) If the capital stock is more than $10,000 but does not exceed $25,000, the fee shall be $100;
(iii) If the capital stock is more than $25,000 but does not exceed $50,000, the fee shall be $150;
(iv) If the capital stock is more than $50,000 but does not exceed $75,000, the fee shall be $225;
(v) If the capital stock is more than $75,000 but does not exceed $100,000, the fee shall be $300; and
(vi) If the capital stock is more than $100,000, the fee shall be $300, plus $3 additional for each $1,000 in excess of $100,000.
For purposes of computing this fee, the capital stock of a corporation organized under the laws of any other state that domesticates in this state, and which stock does not have a par value, shall be deemed to have a par value of an amount per share equal to the amount paid in as capital for each of such shares as are then issued and outstanding, and in no event less than one dollar per share.
(b) Articles of incorporation or documents relating to domestication if filed by an insurer holding a certificate of authority issued by the Director of Insurance, the fee shall be $300.
(c) Application for reserved name...$25
(d) Notice of transfer of reserved name...$25
(e) Application for registered name...$25
(f) Application for renewal of registered name...$25
(g) Corporation's statement of change of registered agent or registered office or both...$25
(h) Agent's statement of change of registered office for each affected corporation...$25 not to exceed a total of...$1,000
(i) Agent's statement of resignation...No fee
(j) Amendment of articles of incorporation...$25
(k) Restatement of articles of incorporation...$25 with amendment of articles...$25
(l) Articles of merger, share exchange, or conversion...$25
(m) Articles of dissolution...$45
(n) Articles of revocation of dissolution...$25
(o) Certificate of administrative dissolution...No fee
(p) Application for reinstatement...$25
(q) Application for reinstatement more than five years after the effective date of an administrative dissolution or administrative revocation...$500
(r) Certificate of reinstatement...No fee
(s) Certificate of judicial dissolution...No fee
(t) Application for certificate of authority...$130
(u) Application for amended certificate of authority...$25
(v) Application for certificate of withdrawal...$25
(w) Certificate of revocation of authority to transact business...No fee
(x) Articles of correction...$25
(y) Application for certificate of existence or authorization...$25
(z) Any other document required or permitted to be filed by the Business Corporation Act...$25.
(2) The Secretary of State shall collect a recording fee of five dollars per page in addition to the fees set forth in subsection (1) of this section.
(3) The Secretary of State shall collect the following fees for copying and certifying the copy of any filed document relating to a domestic or foreign corporation:
(a) One dollar per page for copying; and
(b) Ten dollars for the certificate.
(4) All fees set forth in this section shall be collected by the Secretary of State and remitted to the State Treasurer and credited two-thirds to the General Fund and one-third to the Corporation Cash Fund.
- Laws 1995, LB 109, § 5;
- Laws 1996, LB 1036, § 5;
- Laws 2007, LB117, § 1;
- Laws 2008, LB907, § 2;
- Laws 2012, LB1018, § 2;
- Laws 2015, LB279, § 12.


text:
Ken and Jeri Scarth and Bernadette and Brad Keeler announce the engagement of their daughter, Aubrey Anna Scarth, to Casey Todd Renner.
Renner is the son of Gary and Karen Renner of Friona.
The couple plan to be wed April 5 at South Georgia Baptist Church.
Amarillo Globe-News, April 1, 2003
Amarillo Globe-News © 2016. All Rights Reserved. Terms of Service | Privacy Policy / About Our Ads


text:
If the US government can do it, so can I. After all, no State has rights not held by the individuals who make it up, and no individual has more rights than any other. And if rights are imaginary, then no one has a right to rule me or coerce me, so...
Here is the one and only 1 Million Money Note in existence. So far, anyway.
I authorize myself- through my own Constitution- to issue Money in whatever form I see fit (it says so right on the back of the note).
The current exchange rate for a "Money" is 1 Money to $0.75 (in Federal Reserve Notes). Silver and gold are given preference in exchange, and get better rates, though.
Acceptance is not mandatory, but is purely voluntary. Laziness on my part, and my inability to issue Money electronically, ensures that Money will never hyperinflate itself in the way US Dollars are guaranteed to do.
But, just like Federal Reserve Notes or US coins, it is only really worth the material, the paper or metal, that makes it up. Only the belief it is worth more makes it worth more.
Rightful Liberty, without exception.
Please note: This blog and its author hold no sympathetic regard toward Nazis, Democrats, Communists, Republicans, fascists, socialists, nationalists, or other statists and political parties, past or present.
KentForLiberty pages
Monday, January 21, 2013
Unveiling: Money
Posted by Kent McManigal at 6:30 AM
Labels: Constitution, economy, government, humor, liberty, personal, Rights, society
Subscribe to: Post Comments (Atom)


text: 04 Feb 2016 Britain's tallest buildings - and those that will soon make the list Previous slide Next slide 1 of 20 View All Skip Ad Plans for Britain's next mega-skyscraper - nicknamed "The Trellis" by early observers - have been unveiled. It will be 309.6m tall when completed - equal to The Shard. Here we list the country's other tallest buildings, and outline other monsters that are yet to be completed. • The best hotels in central London The UK's 10 loftiest buildings are all in the capital. The tallest outside the M25 is the Spinnaker Tower in Portsmouth (11th overall), at 170m. A viewing tower is also planned for Brighton. The British Airways i360 will be 162 metres tall when it opens next year. • The best hotels in Brighton Credit: GETTY It is closely followed by Manchester's Beetham Tower (12th), which we think looks like a Playstation 2 turned on its side. Credit: GETTY The 17th tallest building in Britain is the BT Tower in Birmingham (pictured), at 152 metres. Holloway Circus, also in the UK's second city, comes in at number 24. Credit: ALAMY Only one other building outside London makes the top 30 - that's the West Tower in Liverpool. Now for the top 10... Credit: AP/FOTOLIA 10. BT Tower Height 580ft (177m) - though the aerial rigging takes it to 191m Britain's tallest building for 25 years, from 1965 to 1980. How do I get in? It is only open for corporate events, though a ballot earlier this year permitted 1,400 diners access to its restaurant - which was closed to the public in 1980. It also sometimes accepts visitors as part of the annual Open House London initiative. What is there to do nearby? Grant Museum of Zoology is on its doorstep. Among its bizarre treasures is a glass jar filled with 18 preserved moles. London's secret sights: 16 odd attractions you never knew were there Credit: GETTY 9. 30 St Mary Axe Height 591ft (180m) Better known as The Gherkin, 30 St Mary Axe was opened in 2004. How do I get in? Searcys private members club occupies the top three floors, where there is a bar and restaurant. Become a member, or find one who will invite you along as a guest. The rest of the building is only open to those who work or live there, although taking part in The Gherkin Challenge - during which hundreds run up the building's 38 floors for the NSPCC - will grant your access. What is there to do nearby? Head to tiny Postman's Park on King Edward Street, a rarely-visited green space away from the bustle of the city. Credit: GETTY 8. St George Wharf Tower Height 594ft (181m) This 52-storey residential building opened in Vauxhall in 2014. How do I get in? Buy one of the 223 flats, or befriend a resident. What is there to do nearby? Watch the cricket at the Kia Oval, or visit the Imperial War Museum. Credit: GETTY 7. Tower 42 Height 600ft (183m) The former National Westminster Tower (to the left of the Gherkin) was London's tallest building for 11 years (1980-1991), until the construction of One Canada Square. How do I get in? Make a reservation at the Vertigo 42 champagne bar (on the 42nd floor) or City Social restaurant (on the 24th). What is there to do nearby? Catch a play at the Barbican Centre or head to the free Museum of London. Credit: AP/FOTOLIA 5= HSBC Tower Height 656ft (200m) 8 Canada Square serves as the global headquarters of the HSBC Group. How do I get in? The building is closed to anyone who doesn't work for HSBC - or have a meeting scheduled with them. Credit: GETTY 5= Citigroup Centre Height 656ft (200m) Another of the Canary Wharf skyscrapers, 25 Canada Square houses Citigroup's European headquarters. How do I get in? Unless you know one of the good folk at Citigroup, you don't. Credit: GETTY 4. Leadenhall Building Height 737ft (225m) The wedge-shaped Leadenhall Building - nicknamed the Cheese Grater - was completed in 2014. How do I get in? You can't yet, unless you work there. A public area - alas, on the ground floor - is planned for next year. It will feature shops, according to a spokesman. What is there to do nearby? The Bank of England Museum and the Guildhall Art Gallery. Credit: GETTY 3. Heron Tower Height 755ft (230m) The Heron Tower was completed in 2011, despite opposition from English Heritage due to its proximity to St Paul's Cathedral. How do I get in? Sushi Samba, featuring outdoor terraces, and Duck & Waffle, open 24/7, occupy the top floors. What is there to do nearby? The Monument, which offers terrific views of the city, the Tower of London, and Leadenhall Market, are all within easy reach. Credit: GETTY 2. One Canada Square Height 771ft (235m) London's tallest building until the arrival of The Shard. How do I get in? The ground floor and basement levels are open to the public, and contain a shopping area. The floors above, occupied by offices, are not. What is there to do nearby? Visit the London Docklands Museum or head to Greenwich via Island Gardens and the footbridge under the Thames. Credit: GETTY 1. Shard London Bridge Height 1,016ft (310m) The tallest building in the European Union, and the second-tallest free-standing structure in Britain (after the 330-metre Emley Moor transmitting station). How do I get in? Viewing platforms are found on floors 68-72. The rest of the building is used for offices, apartments and the Shangri-La hotel. What is there to do nearby? Borough Market, HMS Belfast, and the Old Operating Theatre Museum and Herb Garret are all within walking distance. Credit: GETTY Planned buildings that will break the top 10 include Newfoundland Quay, a 218-metre residential skyscraper on the Isle of Dogs that should be completed in 2018. 52-54 Lime Street will sneak in at number seven when it opens in 2017. It has been nicknamed "The Scalpel" and will be 190 metres tall. Riverside South is a proposed development for Canary Wharf, which could become the new home of J.P. Morgan as was initially expected to reach a height of 236 metres. The project has been on hold for some time, however. Approval has also been given for North Quay in Canary Wharf. Its three towers would reach 221m, 209m and 120m. One Nine Elms in Vauxhall is also under construction, with completion expected in 2018. At 199.9 metres, it would also enter the top 10. -- This article was first published on May 28, 2012 and updated in full on December 12, 2015 Back to image Back to image Back to image Back to image Back to image Back to image Back to image Back to image Back to image Back to image Back to image Back to image Back to image Back to image Back to image Back to image Back to image Back to image Back to image Back to image Back to image


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The nonagenarian looked cuddle-worthy in a furry red coat.
To shield themselves from the February cold, certain fall 2013 Fashion Week showgoers turned to Muppet-inspired outerwear — a trend that inexplicably resurfaces season after season. On day one, Sarah Jessica Parker opted for a Cookie Monster–blue fur jacket, worn with an LBD, bare legs, and coral-colored pumps. But, yesterday, Iris Apfel took Sesame Street dressing to a whole 'nother level, putting on a bright red fluffy coat, turtleneck, scarf, trousers, and duck boots. She completed her monochromatic look with matching lipstick and silver jewelry ... and we just want to squeeze her thrice, so she'll laugh; however, we always want to, regardless of her outfit.


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Diabetes Treatment Center - Waterloo, IA
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Waterloo Endocrinologist Doctors for Diabetes Treatment
Type of Physician: Endocrinologist
What is a Endocrinologist? A subspecialty certification by the Board of Internal Medicine; practitioners treat disorders of the internal (endocrine) glands such as the thyroid and adrenal glands. Endocrinology also deals with disorders such as diabetes, metabolic and nutritional disorders, pituitary diseases, and menstrual and sexual problems.
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* Provider Directory Terms of Use:
The WebMD 'Provider Directory' is provided by WebMD for use by the general public as a quick reference of information about Providers. The Provider Directory is not intended as a tool for verifying the credentials, qualifications, or abilities of any Provider contained therein. Inclusion in the Provider Directory does not imply recommendation or endorsement nor does omission in the Provider Directory imply WebMD disapproval.
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Met with an experienced campaign manager today for an hour. I learned a great deal about the nuts and bolts of a small, local campaign such as this run for the Minnesota House. Signs. Door-knocking. Printing. Color themes. Web site. Fundraising. All things which must be decided. A political campaign is sort of like running a business with yourself as the product.
To keep sane, I will have to frequently stop, breathe, and remember why I am running. First, to protect and improve rural eldercare. Second, to improve rural schools. Third, to advance the transportation interests of Northwestern Minnesota.
But to get to that point, I have to find about 800 4' lengths of rebar to hold signs. You have to have solid signs or they blow all over and look flimsy. Somebody who has flimsy signs--well, how in the world could somebody with flimsy signs hope to get anything done about nursing homes?
I have been watching the Minnesota legislature with more interest than usual. Minnpost has the best in-depth coverage of the nuts and bolts. The bonding bill is taking up the attention right now. From the outside, that negotiation looks like a most unpleasant tit-for-tat affair, with project pitted against project. How do you decide if a new classroom building in Thief River Falls is more important than a parking ramp in St. Cloud? Or should the state back bonds for either one?
There are priority lists, but in the end there is a lot of horse-trading, I am sure. One legislator told me he had a project a few years ago that he wanted for his district, but was told that it was not high priority. In fact, it was way, way down the list below the cut-off. But he kept bringing it up every now and then, just in case. Sure enough, on the last day before the vote, his project got included in the bill as a part of a negotiation trade-off. He was as surprised as anybody.


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Wikipedia:Featured article candidates/Revelation (Third Day album)/archive1
- The following is an archived discussion of a featured article nomination. Please do not modify it. Subsequent comments should be made on the article's talk page or in Wikipedia talk:Featured article candidates. No further edits should be made to this page.
The article was not promoted by Ian Rose 16:08, 19 July 2012 [1].
Revelation (Third Day album)[edit]
Revelation (Third Day album) (edit | talk | history | protect | delete | links | watch | logs | views)
- Featured article candidates/Revelation (Third Day album)/archive1
- Featured article candidates/Revelation (Third Day album)/archive2
I am nominating this for featured article because I believe it fits the FA criteria. For background, the article is a Gold-certified album by Christian rock band Third Day. It is one of their more successful efforts and featured collaborations from Lacey Mosley and Chris Daughtry as well as being produced by mainstream producer Howard Benson. I think the article is of featured-article quality and it would be a nice addition to our featured article collection, as well as WikiProject Christian Music's third FA success. To specify on why I think this passes each criteria, I'll note why I think it passes each individually:
- 1(a) Well-written - The article passed GA and was peer-reviewed; any issues that slipped through either can easily be fixed.
- 1(b) Comprehensive - The article covers all aspects of the album; background, recording, composition, reception, sales, and singles.
- 1(c) Well-researched - The article is cited at all relevant and important sections, and features citations from reliable publications like Billboard and CCM Magazine.
- 1(d) Neutral - The article is represented fairly, noting some negative points critics made in reviews even though the reviews were very positive.
- 1(e) Stable - The article has not encountered an edit war and does not change on a day-to-day basis.
- 2(a) A lead - The lead is three paragraphs long and represents the most crucial aspects: recording, commercial success, and critical success.
- 2(b) Appropriate structure - Sections are divided into section headings when required.
- 2(c) Consistent citations - All citations are made using citation templates and have a uniform date structure.
- 3 Media - Three images are in the article, two of which being free-use images and the non-free image, the album cover, being covered by fair-use guidelines on album covers.
- 4 Length - The article is 2,616 words long, reasonable for an article on such an album.
If you have any concerns or issues to point out I will be happy to address or correct the problem. Thank you for your time. Toa Nidhiki05 00:46, 24 May 2012 (UTC)
- Review by Royalbroil: support with the following comments:
- I like how the Billboard and R&R charts are cited since 2008/2009 is the time when R&R was fading from prevalence being replaced by Billboard (who bought it out).
- Please cite this sentence - They also chose to work with mainstream producer Howard Benson, who had worked on projects with other bands that Third Day had enjoyed; Benson had wanted to work with Third Day because he liked the quality of Mac Powell's vocals.
- Good job of selecting the right sources for professional reviews.
- The first two sentences in the "Release and sales" section should have inline citations.
- Comprehensiveness is the right length and all of the sources are reliable. Royalbroil 03:51, 24 May 2012 (UTC)
- To address the concerns:
- Comment by The Devil's Advocate: As I said in the GA review I think expanding on the Awards section would be important before this could be considered FA status. I also noted then that there should be more paraphrasing because the article is a little too heavy on direct quotations. The packaging section could also do with a little expansion, though not much, and rewriting, especially with the repetitive use of the word "location" in that section.--The Devil's Advocate (talk) 15:22, 24 May 2012 (UTC)
- Not much I can expand on awards, but I could merge it with critical reception perhaps and make 'Critical reception and awards'. I'll see what I can do on the rest. Toa Nidhiki05 16:39, 24 May 2012 (UTC)
- I slightly rewrote and beefed up the packaging section, adding their bassist's input on the art as well as his opinion on similarities between it and Radiohead's "Hail to the Thief" cover. As for direct quotes, I removed some but I'm not sure there's much more I can remove. The important parts in background that are direct quotes would be rather difficult to paraphrase, while the reviews are also mostly direct quotes. I'll check again but I'm not sure if there is much more to be removed. 19:32, 24 May 2012 (UTC)
- Note: This is a WikiCup nomination. The following nominators are WikiCup participants: Toa Nidhiki05. To the nominator: if you do not intend to submit this article at the WikiCup, feel free to remove this notice. UcuchaBot (talk) 00:01, 25 May 2012 (UTC)
Oppose Lead needs a complete rewrite. It is far too focused on dull, quantitative, factual information like detailed chart positions, sales figures and awards. It mentions nothing about the making of the record, the music and lyrics in it, and what critics considered to be good about it. See In Utero (album) for a good album-article lead.—indopug (talk) 15:29, 29 May 2012 (UTC)
- I do agree with this objection. Seems the lead could use some improvement to move away from sales data.--The Devil's Advocate (talk) 16:49, 29 May 2012 (UTC)
- I see what you mean, analysis on background, lyrics and music is lacking and it focuses a lot on technical aspects. There is enough content in the article for a three-paragraph lede, so I'll try and make the first one analysis on background, the second on lyrics/music, and the third on sales/singles. Would you be willing to change to a 'Support' !vote if I were to do that? Toa Nidhiki05 17:43, 29 May 2012 (UTC)
- On a further note regarding the lede, the information about Benson's religious beliefs should be cited directly in the lede since it is contentious BLP material. See WP:LEADCITE.--The Devil's Advocate (talk) 00:44, 10 June 2012 (UTC)
- I see what you mean, analysis on background, lyrics and music is lacking and it focuses a lot on technical aspects. There is enough content in the article for a three-paragraph lede, so I'll try and make the first one analysis on background, the second on lyrics/music, and the third on sales/singles. Would you be willing to change to a 'Support' !vote if I were to do that? Toa Nidhiki05 17:43, 29 May 2012 (UTC)
Source review - spotchecks not done. Nikkimaria (talk) 18:45, 2 June 2012 (UTC)
- FN3: catalogue ID number?
- Use consistent italicization
- What makes this a high-quality reliable source? This? Nikkimaria (talk) 18:45, 2 June 2012 (UTC)
- I have a copy of the album as a physical CD, but where would I find the number?
- It would depend on the album - some have it on the spine, or in the booklet, or on the back. Nikkimaria (talk) 16:59, 29 June 2012 (UTC)
- Are there any specific areas I can fix? I'm using citation templates so it shouldn't be too hard to fix.
- For example, compare FNs 9 and 13, or 16, or 20. Nikkimaria (talk) 16:59, 29 June 2012 (UTC)
- As to the first source, keep in mind that context is required - while the opinion of a source such as The Christian Manifesto might not be the best source for, say, a Lady GaGa album, it is perfectly fine for a Christian album such as this one. To get to a bigger point, per WP:RS the TCM review is an 'opinion piece' - the reviewer, C. E'Jon Moore (and also main editor of the site), has had his work published in magazines not related to the TCM site. While it may technically qualify as a 'self-published' source according to WP:RS, since TCM calls itself a blog, as the author of the review (C. E'Jon Moore) has published work in the relevant field of Christianity published in third-party magazines, it can be used per that policy. I'm absolutely shocked you question JFH as a RS; if you were to ask anyone in the Christian Music WikiProject they would tell you it is one of the most reliable sources in the field of Christian music. It is more reliable than TCM and I'll point out that among other things, JFH is not a blog or self-published source as it has editorial control and oversight among all reviews, has had dozens of interviews with notable Christian and mainstream artists. It also has a bit more credibility due to its length of activity - 15 years is quite a while for a Christian review website, as the CCM movement didn't even start until the late-70s or early 80s. Toa Nidhiki05 18:03, 3 June 2012 (UTC)
- Okay. I'm not in the Christian Music WikiProject, so you'll have to be a bit patient. Can you source Moore's work in other magazines? And JFH's editorial policy? Nikkimaria (talk) 16:59, 29 June 2012 (UTC)
- I haven't found much on Moore aside from contributor status at Northstar Magazine, the official magazine of Rochester College. The citation isn't essential to the article so it could be removed. As for JFH, this is from their 'About us' page:
The JFH Staff writers adhere to strict journalistic standards. Our editorial staff is independent of any artist/record label/management firm. All artist interviews are arranged through the artist's management/publicist/label and are recorded and transcribed for true accuracy.
Toa Nidhiki05 17:30, 29 June 2012 (UTC)
- Expansion and sourcing
- I have found some additional sources that will help you in expanding the article further.
- These two focus on the album in general but touch on subjects regarding the album that do not yet appear to be addressed: [2] [3].
- This one is a press release from their label's parent company that goes into some detail on the Dove Awards they won so you can expand on that material: [4].
- Lastly, the first source used in the article seems to redirect now to some other page. Here is a version of the article from Reuters: [5].--The Devil's Advocate (talk) 01:31, 10 June 2012 (UTC)
- Great sources - I've implemented the awards one and expanded the awards bit. I'll find a place to implement the two ones regarding Third Day in the mainstream.
- Thanks for noting the last source issue, I've fixed it to note the article must be found manually on that page. The Reuters version works fine but there are some things the citation covers that the Reuters port doesn't. Toa Nidhiki05 02:19, 10 June 2012 (UTC)
- I have found some additional sources that will help you in expanding the article further.
- Quotes and lede
- I have said before that I think there should be more paraphrasing, but to note some specific issues the Reception section overall could use more paraphrasing, but the quotes from the Allmusic and Jesus Freak Hideout reviews are especially in need of paraphrasing. I am not suggesting you not provide direct quotes from the reviews, but you should try to use your own words as much as possible. Another part that should mostly be paraphrased is the description of Mosley's recording session.
- Seems there is enough material to expand the lede a bit. I would like to see a larger lede for a prospective featured article. I have some other concerns, but I am going to try to address those by editing the article directly.--The Devil's Advocate (talk) 15:43, 18 June 2012 (UTC)
Delegate note -- open for 7 weeks and apparently no activity for about a month, I can't see any prospect of consensus to promote... Cheers, Ian Rose (talk) 16:06, 19 July 2012 (UTC)
- The above discussion is preserved as an archive. Please do not modify it. No further edits should be made to this page.


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text:
Something about the demo
Well first i have played the demo..and then after that i have decided to buy the game..anyway
My question is..how come the map or mission whatever that you have in the demo...it is not in the game
Is this a map that you have to download or something?
If yes what is the name?..i want it
The demo map was originally made for the E3 show, to show off how good the game was. When the game finally came out, it wasn't included (although I believe it was included in the gamecube version as an unlockable extra?).
I think that may be it, but I haven't got JO installed at the moment (i know, I know :p )
Give it a go and lemme know anyways!
Sorry i am new about this game...but where exactly i have to put the file...in what folder of the game?
There is 2 files:
No worries mate :)
You should only need the .pk3 file. Put it into:
C:\Program Files\LucasArts\Star Wars JK II Jedi Outcast\GameData\base
(assuming yours is the auto install-path).
Start a single player game as normal, then bring down the console - Shift + ` that's the key under your Esc and next to 1.
Then type map demo and press enter/return.
The demo map will load (no snow though :( )
It might be an idea to save the game as soon as the map loads, then you can start the map from the savegame in the future, and not have to do the console thing every time.
Have fun! :)
Hey! it's working...thanks a lot mate^^
And actually there is snow..anyway for me
Probably something in my JO settings then :p
Glad you've got it running!
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Best Of :: Arts & Entertainment
Ruben Rosario is part of an endangered species: the grizzled but tender-hearted metro columnist who has sources from the mayor's office to the morgue. Mike Royko and Jimmy Breslin are probably the two best-known examples of this genus. Nowadays metro dailies seem more interested in devoting column space to ideological blowhards and domestic diarists. The kind of "journalists," in other words, who rarely challenge their opinions by conducting interviews with actual other human beings. Rosario's only ideology is championing the rights of the downtrodden and desperate. The veteran columnist has a particular soft spot for immigrants being chewed up by a pitiless, dysfunctional bureaucracy and victims of sexual violence. The tale of Laura R. was vintage Rosario. In 1986 the then-seven-year-old was molested by a family acquaintance while living in Arden Hills. Now a 30-year-old California resident, Laura R. discovered that the man convicted of assaulting her had become a much-loved chess instructor working with kids in the Twin Cities. She contacted Rosario to bring this situation to light. The resulting five-part series was astonishing for its complexity and compassion—traits not often associated with the drive-by media.
It's a rare performer who can transmit the truth of his character while at the same time seeming to provide an anchor and touchstone for those around him on the stage. Penumbra stalwart James Craven consistently brings a soulful complexity to the roles he plays, while lending authenticity to every scene in which he appears by virtue of his studied, gravity-filled reactions. He lent a complicated mix of motives to his football coach in Redshirts at Penumbra in the last year, then mixed things up as a storefront dance teacher in Get Ready. It was his work as Doaker in August Wilson's The Piano Lesson, though, that stood out most of all. It was an authoritative, searching piece of acting to match the greatness of Wilson's text.
Sarah Agnew is the very definition of "range." In the last year she lent Shavian barbs to the Guthrie's Major Barbara, then anchored the Blue Battleship's nicely realized premiere of Brian Friel's The Home Place with a light touch that underscored the work's conflicted take on Irish sovereignty. Most recently she appeared in the one-woman The Syringa Tree at the Jungle, a completely assured and accomplished evening that compelled her to play a little girl, her mother, and myriad members of an apartheid-era South African household. Surely someone so versatile has boatloads of craft to draw on; Agnew's trick is to always make her work seem freshly inspired.
One of the great tragedies of the local talk-radio landscape is that the two lunatic geniuses of the AM dial both work their pathos from noon to 2 p.m. weekdays. This means that in the unlikely event you're actually near a radio during the midday hours, you have to choose between the maniacal ramblings of Tommy Mischke and the droll tomfoolery of Dan Cole. It also means there's undoubtedly more dead air and missed commercial breaks during this span of 120 minutes than during all other hours of the day combined. For reasons that we can't back up with any scientifically valid theories, we usually find ourselves gravitating toward the Common Man during our lunch break. Cole's shtick just seems better suited to the daylight hours. It's also fitting that the self-proclaimed laziest man in broadcasting insists on eating his lunch while fulfilling his two hours of daily labor. Cole's preposterous opinions about professional sports, backed up by an endless arsenal of clichés, are particularly amusing when rubes who don't get the joke call in to express indignation at his lack of sound reasoning. In recent months Dan from Woodbury has added the NostraCommonus bit, in which the host predicts—based on a Byzantine array of factors known only to Cole—the outcomes of sporting events. But basically he's been recycling the same vapid jokes since he joined KFAN 16 years ago. Remarkably, this somehow makes the Common Man's send-up of sports-talk radio all the more hilarious.
Patricia Briggs knows what to say about art, but more importantly, she draws out the inner critic of viewers, too. In her talks in museums, classrooms, and galleries, her savvy, dynamic questions inspire audiences to talk about visual art from personal, local, and international perspectives. Briggs, an MCAD professor of art history and critical studies, independent curator, and local critic, approaches art criticism with an emphasis on conversation and collaboration. She makes regular visits to artists' studios and conducts interviews, then conveys the important issues and questions she discovers to her students and audiences. In addition to publishing her reviews in a number of local venues, including mnartists.org, Briggs gives a national and international voice to Twin Cities artists through her contributions to respected journals such as Artforum and Art Papers.
Few commercial ventures offer more risk than art galleries. Sure, paintings, sculpture, assemblages, and whatnot are solid investments...as long as you buy the right ones. They're also one of the first things even the most passionate aficionado passes on when times get hard. Factor in a fickle public and an extremely low looker-to-buyer ratio, and opportunities for ruination lurk in every clean, well-lit corner. Some local galleries—the mighty SooVAC and Midway Contemporary Arts, for example—fashion elaborate safety nets from private donations and foundation money, while the likes of Shoebox and Placement forge alliances with other local businesses. But First Amendment finances art with, well, art. The compact exhibition area in the gallery's northeast Minneapolis warehouse space opens onto graphic powerhouse Burlesque of North America's production facility, a huge room filled with the printing gear that helps pay the gallery's bills and provides added visual excitement when opening-night crowds inevitably spill over. First Amendment's principals—Mike Davis, Todd Bratrud, Lonny Unitas, Wes Winship, Aaron Horkey, resident DJ Mike the 2600 King, et al.—are all respected artists in their own right, with far-reaching connections, dead-on curatorial instincts, and a profound understanding of their clientele's budgets. To wit: You can walk out of First Amendment full-handed for less than you'd spend on a night of serious drinking. Add live entertainment from Calvin Johnson, Building Better Bombs, and a slew of other local and national luminaries, a substantial presence at SXSW 2008, a commitment to DJ culture demonstrated every Tuesday at the Triple Rock's Triple Double blowouts, and voila!—a formidable institution, built from the ground up by a crew that has been hanging out since high school, when a collective love of graffiti brought them together.


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I'm using WordPress as a CMS and am wondering how to unpublish a static page. I would rather not delete the page as it will be published again at some point.
As far as I can tell WordPress 2 doesn't have this funcionality (with posts you can make them private/draft which serves the same purpose).
Is there a plugin that could perform this function?
Thanks in advance for your feedback,