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It is 10K Gold not 14K like the title says here on Ben's.
And it's beautiful! Black diamonds are really cool against white gold and other gems.
Not a bad idea at all for Valentines day... if my mom is into this kind of thing. I'm the lucky guy that has a wife who hates people (will only wear her wedding ring)
Aaaah - here's the rub ... the only sizes available are 8.5 thru 10 ... nothing for normal sized lady fingers! ( BUMMER!
Black Diamond = Polished Coal. Bling Bling.
This has "I be your pimp" written all over it.
Appears to be OOS. When you try to select a size from the drop down all you get is ???.
I've had only good luck on ICE.com in case anyone was weary about nuying people sight unseen...
|darktideryezing wrote:
|...I'm the lucky guy that has a wife who hates people (will only wear her wedding ring)
Alright! A cheap and functional engagement ring!
Alright! A cheap and functional engagement ring!
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Find a Rouyn Noranda, Quebec vacation rental home for your vacation. Stay at one of our rustic Rouyn Noranda, Quebec cabins, cozy cottages, or authentic condos. We have everything from large rental homes to small villas. Rent for a weekend, week, month, or entire season! Vacation rentals are great accommodations for families and large groups. Enjoy the convenience of a full kitchen and save money by eating in. Living like the locals at a vacation rental assures you an authentic travel experience. Browse our Rouyn Noranda, Quebec vacation rentals and plan your vacation today!
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Saguenay River, Quebec Bike Tours - Seven days. Cycling, hiking, and optional kayaking. Cycling is on quiet rolling paved roads and bike paths around Lac St-Jean, with one day in the hilly riding in the Charlevoix region, and a stunning hike along edge of the Saguenay fjord.

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Dennis >Arts & Entertainment > Blockbuster Express
964 Route 28, South Dennis, MA | Directions 0266041.667403 -70.147678
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Our elastic rib belt help stabilize rib and sternum fractures and provide compressive support to surgical incisions.This rib belt is a 6 inch single breathable panel belt with contact closure.
Features Include:
•Inconspicuous under clothing.
•Easy to apply.
•Gender specific for a better fit.
Provides firm support and reduces discomfort from deep breathing or coughing during recovery.
Universal Rib Size 28-50 inches


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Both DIRECTV and your financial institution are required by law to keep your banking information safe and secure. We take this responsibility very seriously. Any information provided on directv.com will NOT be shared and will be transferred using our Verisign-certified secure network.
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Resource Library
The Resource Library contains a collection of higher education learning and teaching materials flowing from projects funded by the Commonwealth of Australia including those from the Australian Learning and Teaching Council.
Results may be sorted filtered by keywords.
1 resource found.
Studio Teaching Toolkit
An excellent informative and helpful description of, and guide to studio practice with particular reference to art architecture and design and broader application to studio practice in dance, music and drama. The resource will be of interest to design and problem solving disciplines such as engineering and computer science.
Volume One: STP Final Report of the Studio Teaching Toolkit are particularly useful for teachers and learners, Heads of School, Deans of Faculties, Facilities Management personnel and tertiary providers considering the review or introduction of new art and/or design courses. The value of these materials lies in the descriptions of the nature and defining characteristics of studio practice, the elucidation of the conditions and modes that lead to effective learning outcomes and effective methods of assessment and feedback for studio practice.
The Studio Teaching Toolkit applies the findings contained in the three reports (Volumes1 to 3) and case studies (Volume 4) into concise and practical information arranged into six sections: Using the toolkit; What is Studio; Effective Strategies; Assessment and Feedback; Student Experience; Case Studies.
Part six of Volume One (pp 93--100) provides a succinct description of the project and the four fundamental questions the project explored. Along with the Executive Summary (pp v-ix) and Recommendations (pp x-xii) users, and in particular teachers of art and design, should refer to the Studio Teaching Toolkit http://studioteaching.org/ for practical and concise resource materials.
Contained in the Effective Strategies section of the Studio Teaching Toolkit are 10 benchmark statements for effective studio practice relating to issues of culture, mode, program and space. These ten statements are particularly useful for courses and unit/subject level review and quality assurance processes.


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Spokane >Shopping >
Antiques >Tossed & Found
2607 N Monroe St, Spokane, WA | Directions 9920547.681551 -117.426827
Neighborhoods: Emerson Garfield
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by Margaret DeRitter
If you watch Associate Professor of Art Sarah Lindley interact with her ceramics students at Kalamazoo College, it's clear she's teaching them about more than technique. She's also teaching them to think critically about form, function, scale, color, and other qualities of three-dimensional art and the ideas an artist's choices convey.
During critique sessions, Lindley doesn't do all the talking. She has her students gather around a project, look at it carefully and even touch the work. She then encourages the artist to talk about his or her goals for the piece and asks the others to respond to what they are seeing and touching. Rather than making snap judgments about whether or not they like a piece, the students make observations and ask questions, and Lindley does the same.
"Do you want this shape to mean something?" she'll ask. Or: "Why did you choose this size?" Or: "At what height would you want to display this piece?"
She might eventually talk about whether certain aspects of a project are successful or not, but her main point is not to offer judgment. Her point is to get students asking questions and noticing artistic choices and whether they further a student's goals.
For one assignment in the spring, she asked her students to make something related to the theme "A Matter of Taste." One student made a series of seven white bowls of descending size and placed strawberries of the same size in each one. Another student made a sculptural form that looked like a discarded cloth napkin. Another made about a dozen cups that she placed in a row at the edge of a table.
After the students handled the cups and talked about them a bit, Lindley pulled out five of them and placed them in a row by themselves. The five were about the same height, but their shapes and colors were different. Suddenly their differences came into sharp focus, and the aesthetic appeal of the five was dramatically greater than the original lineup.
"The artists here are learning not just how to make stuff but how to analyze it and how to edit it," Lindley says.
Lindley, a member of the Kalamazoo College faculty since 2001, received her own lessons in analysis and editing when she was earning her Master of Fine Arts degree at the University of Washington. "A professor told me, 'You're too caught up in how well you can do stuff. You're way too caught up in how you can do anything with your hands'. He got us to pay attention to what was in front of us — the artwork itself — and how we felt about it," Lindley says.
Her undergraduate education at New York State College of Ceramics at Alfred University was much more technically oriented. "Alfred is one of the most well-known ceramics programs in the world," she says. "It was a good place to be, but it was very different from graduate school. They were two very different styles of education. Alfred was founded to promote the art and science of ceramics and glass. The curriculum was more based in the material and in form. My graduate program was based more in the concept of the work. There was no pressure to work in clay. A lot of times we were talking about ideas instead of how well something is made."
This complementary nature of her undergraduate and graduate training has served her well at Kalamazoo College, she says. "I need to have a lot of technical knowledge to be the only 3D professor on the faculty. At a place like K, we need someone who can teach everything: ceramics, wheel throwing, sculpture, wood fabrication, steel fabrication, mold processes." And, of course, the College also needs someone who can help students think critically.
"We have a lot of discourse (in Lindley's classes)," says Katie Hunter '15, a junior from Ypsilanti who's majoring in art. "Sarah poses everything as a question. Sometimes it's overwhelming when she's talking about my work, but it's teaching you to be independent, to think independently."
Hunter says that when she was choosing a college, she knew she wanted to attend a liberal arts college in the Midwest. "I knew K had the best facilities and the best faculty in the Midwest for ceramics. And I looked at all of the professors' work before I came and was really impressed with it."
When it comes to Lindley's artwork, others seem to be impressed by it too. It has been featured in numerous group shows across the U.S. and even in the World Ceramic Biennale in Korea in 2009. She also has had multiple one- and two-person shows.This school year she'll have shows at Eastern Michigan University, Alma College, and Hope College.
Lindley has often done ceramic sculptures referencing furniture and domestic environments, but her latest work deals with the natural environment, specifically the effects of industry on nature and on communities. She became interested in the effects of paper
"Sometimes it's overwhelming...but (she's) teaching you to think independently."mills on the Kalamazoo River and its adjacent communities after she and her husband, fellow artist Norwood Viviano, moved to Plainwell in 2005.
She and Viviano, an art professor at Grand Valley State University, had a joint exhibition in the spring at Western Michigan University's Richmond Center for Visual Arts. Lindley's work depicted paper mills as small architectural skeletons made of black and brown clay. They were placed on top of paper-pulp pieces in the shape of the mills' footprints, and between them ran an approximately 30-foot element of interconnecting coils symbolizing the river and the movement of contaminated sediment. The various pieces in the exhibit were all placed at about knee height.
"People at the reception talked about everything being so low," Lindley says. "I wanted that. I wanted to give the sense that as humans you could trip and destroy the whole thing."
She also used a different scale for the river than for the mills, with the river being depicted on a much smaller scale relative to actual length and width and depth. "It was a metaphor for a kind of power dynamic," she says.
It's not surprising that these choices would be intentional on the part of an artist who has her students think so carefully about such things. In fact, her conversation about her own art reflects the kinds of concerns you'd notice in one of her classroom critiques.
Lindley says she has learned, over her 12 years of teaching at K and from observing her colleagues, how to present her feedback in a nurturing way and to time it so that it's most effective. "I think I still have the same kind of intensity as in the beginning, but I think I'm better able to judge when students are able to hear things. Maybe you could say I have more patience. Sometimes you can see where students can go and you want to help them get there, but if you go too fast, it can be too much."
While her students acknowledge that her critique sessions can be difficult, they really seem to appreciate them.
"I love the critiques. I learn so much," says sophomore Sophie Taylor-Havens '16.
"I've never edited so hard as in Sarah's class," Hunter says. "It's become like a sport for us."
Photo - Sarah Lindley and her students engage in critical thinking.
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Modern Design Besides the unique air-gap design the Edelbrock RPM Air-Gap Intake Manifold features a larger cross sectional area and a taller carb flange for compatibility with large displacement, stroker 351-W based engines and includes nitrous bosses.
Application. Edelbrock RPM Air-Gap Intake Manifold is designed to fit 351W (windsor) V8 equipped Mustangs.
Technical Note. Aftermarket 4-Barrel Carburetors are not compatible with Fords Auto Overdrive Transmission (AOD) unless used with Lokar bracket part# SRK-4000. There are no provision for exhaust heated chokes and no exhaust crossover.
Mustang Fitment: 1979, 1980, 1981, 1982, 1983, 1984, 1985, 1986 Details >>


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KitchenAid Pro Line® Tea Kettle
- Summary
The Pro Line Tea Kettle offers peak commercial-quality performance as well as classic KitchenAid style. A sliding dial lets you set and adjust the desired water temperature in seconds, while an easy-to-read dial tracks heating progress. Thanks to double-walled construction, the lift-off kettle stays cool to the touch yet insulates beautifully to maintain consistent heat.
- Commercial design with state-of-the-art features and fast, efficient operation.
- Iconic KitchenAid style with heavy-duty die-cast aluminum construction.
- Sliding dial makes it simple to set or adjust desired temperature.
- Dual-wall design insulates to maintain water temperature longer.
- External gauge keeps track of water temperature.
- Clear window next to handle indicates water level.
- Kettle lifts off the base for easy carrying and pouring.
- Cool-touch sides.
- Beeps when selected temperature is reached.
- Removable mesh water filter minimizes scale deposits.
- Cord wrap helps keep countertop tidy.
- Automatic shutoff.
- BPA-free.
- This product is intended for use in the United States and Canada and is built to United States electrical standards.
- Medallion Silver is
- Dimensions & More Info
- 33.8-fl.-oz. cap.
- Made in China.
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Cellar/Tasting Notes "Coffee and ripe plum, with hints of prune on the nose. Full-bodied, with beautiful fruit and supersilky tannins. Long and gorgeous. Best ever from here."
Cellar/Tasting Notes "There's a deep well of dark fruit on the nose, with crushed blackberry and hints of dark chocolate. Subtle and rich. Full-bodied, with chewy tannins and a long, long finish. Tight and powerful. Excellent length to this. —J.S."
Cellar/Tasting Notes ...this ripe, richly fruity wine has plenty of black cherry, black currant and cedary notes intermixed with some tobacco leaf and subtle background barrique smells. The wine is medium-bodied, possesses excellent concentration...
Cellar/Tasting Notes "A blend of barrels taken by Nicolas Tari. A total of 46 barrels produced. This sample taken before any racking has taken place although there will probably be one in May (instead since the 2004 vintage, the wine rests upon its lees with batonnage dependent upon each barrel.) A more Semillon based..


text: i saw you 24th june 2010 at coventry. my husband got me tickets and i will be forever greatful to him for the wonderful present. YOU REALLY ARE AMAZING, everytime i put 1 of your albums on it takes back to that fantastic day, your a true insperation and i cant wait till i get to see you again.


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Chamblee >Auto Dealers > Curry Honda Atlanta
5525 Peachtree Industrial Blvd, Atlanta, GA | Directions 3034133.898320 -84.301571
Hours Monday: 9:00 am - 8:00 pm Tuesday: 9:00 am - 8:00 pm Wednesday: 9:00 am - 8:00 pm Thursday: 9:00 am - 8:00 pm Friday: 9:00 am - 8:00 pm Saturday: 9:00 am - 8:00 pm Sunday: 12:00 pm - 6:00 pm
Ripp Off City - Sales people are gruff and out for money, careful with your wallett here. Pushy and if you dont jsut sign, your a problem customer, who must want a good deal and they dont have any
Don't deal with them. Can't be trusted
Curry Honda Atlanta has by far the best customer service. I do not ever hesitate to take my car there, because I know that it is in good hands. They are so friendly and never do you run into problems.
Excellent Customer Service! I have been going to Curry Honda for oil changes for years and have never ran into a problem. The staff is very friendly & they take care of you!
I always go to Curry Honda Atlanta to my oil change plus and other car repairs. Their Service Adviser, Adnan Cosiac, he is great, I will always recommend him to other people. Cheers!
Just bought the vehicle I wanted and searched for months for with service from Jeff that was great. Thanks!!!
I bought a 2004 Honda Accord about 3 months and the guy who sold the car to me was named Jeff. He was amazing and I would definitely buy a car from him again
kelvin crawford was amazing when it came to helping me pick out my 20067 honda civic coupe! i love it and curry honda!!! thanks kelvin!!!
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Curry Honda Service – I had my Honda serviced at this location and I am very satisfied with the results.
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