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text:
Corporate Double Room
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subset: commoncrawl


text: Santa Monica restaurateur Jennifer Morton conquered California comfort fare (Blue Plate) and New England-style seafood (Blue Plate Oysterette), but she still had a chip on her shoulder — namely, the kind that goes great with guacamole. So she teamed up with eco-resort Shore Hotel to open the adjacent Blue Plate Taco, a casual Mexican joint that serves fresh, flavorful food with killer views of the Pacific. Get the fiesta started with tacos ($3.50 a pop) and shareable small plates (flautas, salmon chilaquiles) before moving on to mains bolstered by bright veggies and well-marinated proteins (kale chopped salad, grilled jidori chicken). Savor an agua fresca (watermelon, strawberry, elderflower) or hibiscus-infused Frozen in Thyme cocktail bar side or migrate to the patio, where drop-down shades keep both harsh rays and nosy passersby at bay. Go with pals or that charmer you picked up on Pico (otherwise known as Pico de Guy-o). Blue Plate Taco, 1515 Ocean Avenue, at Broadway Street, Santa Monica (310-458-2985 or blueplatesantamonica.com).Photo: Assembly / Getty Images


text:
A special series of activities for seniors called the "summer Senior Sampler" is being offered now by the Village of Palmetto Bay's Parks Department and hosted at the Arlene and Edward Feller Community Room at Ludovici Park.
Short URL: http://www.communitynewspapers.com/?p=40237
Palmetto Bay: where they tax the kids to play and give it all away to those who can afford it. Who ever would have guessed that Mayor Stanczyk and Vice Mayor Brian Pariser could actually transfer wealth from kids up to adults.
I was wondering why my son asked for his allowance early. He told me he needed it to pay the ball field tax.
Comments are closed


text:
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#154399 - 01/24/06 05:55 PM zog machine
Registered: 07/28/05
Posts: 270
Loc: Israel
I was watching the movie "American History X" the other day (for the 3rd time... since it was TV prime-time), and this time I noticed the lyrics that one of the characters in it, "Seth", sings:
"My eyes have seen the glory of the trampling at the zoo, / We've washed ourselves in niggers blood and all the mongrels too, / We've taken down the zog machine Jew by Jew by Jew, / The white man marches on!"
Now my obvious question is, what the hell is a zog machine?
Edited by Logwood (01/24/06 06:45 PM)
#154400 - 01/24/06 06:04 PM Re: zog machine
Carpal Tunnel
Registered: 04/03/00
Posts: 10508
Loc: this too shall pass
#154401 - 01/24/06 06:22 PM Re: zog machine
Carpal Tunnel
Registered: 07/17/00
Posts: 3467
Loc: Marion NC
It seems to me it may have been an abbreviation or a trademark for Zyklon B gas, which was the main agent used by the Nazis in their death camps once they got them really rolling._________________________
#154402 - 01/24/06 06:30 PM Re: zog machine
Carpal Tunnel
Registered: 07/17/00
Posts: 3467
Loc: Marion NC
But the context was supect, so I did some looking around. ZOG stands for Zionist Occupation Government, stemming from an accusation by or belief oin the part of neo-fascists that there is a Zionist conspiracy to take over if not the whole world at least the government of the United States. And that would make more sense than the abbreviation for Zyklon, which I still think I saw somewhere or other.
Then there was Zog, king of hmmm was it Romania or Albania? One of them -nias. But the ZOG machine would most likely be from Zionist Occupied Government._________________________
#154403 - 01/24/06 06:54 PM Re: zog machine
Registered: 07/28/05
Posts: 270
Loc: Israel
Wow, that link is spot-on, tsuwm, thanks. Also made me think I should've perhaps posted a warning: so sorry if the quote/lyrics offended anyone.
Thanks for that etymology bit, teD.Quote:
Then there was Zog, king of hmmm was it Romania or Albania? One of them -nias. But the ZOG machine would most likely be from Zionist Occupied Government.
Yes, most of the definitions I got for "Zog" were of him... "president of Albania from 1925 to 1928 and king from 1928 to 1939..."
Bunch of useless dictionaries...
#154404 - 01/24/06 08:29 PM Re: zog machine
Carpal Tunnel
Registered: 07/17/00
Posts: 3467
Loc: Marion NC
Wow, that link is spot-on, tsuwm, thanks.
I respectfully disagree:
We're taking down the zog machine . . ..
To me that is more likely to mean we are taking down the Zionist Occupation Government machine by killing the people who are operating it, not taking down the machine spitting out zyklon b. Why would the neo-fascists want to celebrate taking their killing machine down?_________________________
#154405 - 02/11/06 02:42 AM Re: zog machine
Registered: 02/11/06
Posts: 1
well i was pondering about the lyrics also we'v taken down the zog machine jew by jew by jew a zog machine was basicly a gas chamber used to kill the jews so what does it all mean why would they want to F@#$ up their own killing machine and they sure as hell would'nt used jews so maybe on the other hand we've taken down the Zog Machine Jew by Jew by Jew meaning they have revealed it and made it a true killing machine by killing jews who knows!!!
#154406 - 02/11/06 10:23 AM Re: zog machine
Carpal Tunnel
Registered: 03/15/00
Posts: 6511
Loc: lower upstate New York
I'm sorry, I don't understand you (and I'm not sure I want to...).
#154407 - 02/11/06 07:42 PM Re: zog machine
Carpal Tunnel
Registered: 03/15/00
Posts: 11605
Loc: Louisville, Kentucky
This thread has now reached the very border of my tolerance level.
#154408 - 02/22/06 08:59 AM Re: zog machine
Registered: 02/22/06
Posts: 1
ZOG is the short hand for Zionist Occupation Government. Trust me I am majoring in The History of World War II the after affects with a minors in Race Relations and Racist Propaganda. Skin heads believe that there is a this whole conspericy working against them and it is all from the govenment and they must destroy it before it destroys them and what they stand for "The master Race". The song is by a band called Skrewdriver, they are a skin head band from the south.
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The evolution of the cloud, a 24/7 business environment, data growth, and more have significantly changed the way that enterprises think about their data centers. The next generation of the data center needs to have an agile, high-density infrastructure with the security capabilities to keep up with ever-changing compliance mandates and developments.
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Faconnable was born in 1950 in tailor Jean Goldberg's small shop off Rue Paradis, a few blocks from the coastline of Nice, France. Once popular as a purveyor of tuxedos for Hollywood stars attending the Cannes Film Festival, the brand is still renowned for its smartly cut, continental-flavored men's clothing — plus the knack for color and elegance that Jean's son Albert brought to the table when he took over the company in 1961. After launching a Paris boutique, Faconnable came to the States in 1988 thanks to Nordstrom, which later bought the brand. Despite its change in ownership, Façonnable has remained true to its origins with sharp construction and trend-transcending designs. The label isn't afraid to innovate and experiment — launching a women's line in 1995 and concocting new styles such as the nautical-themed "downtown fisherman" and "Englishman in Grasse" (a sartorial synthesis of cashmere, suede, and plaid cotton). Tailored denim oxfords, classic fit linen sport shirts, lightweight microfiber jackets, and hybrid swim trunks in brilliant colors reflect Façonnable's impressive range, which covers styles ranging from sporty to elegantly chic.
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text:
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So here's the thing. I share, I care. I give. I give a lot of information out on this blog and in all honesty I expect nothing in return. Until now. Keep reading.
This is my friend and fellow blogger Hayley. You might not realise that you have met her before. She has taken many awesome images for me – all of the cleansing recipes shared on the blog are her images – and more. She designs flyers for the clinic, edits images I send through – she is always on call! She is one clever lady. And if you aren't in practice of reading her blog – it's time to start practicing.
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Gender Equity Resource Center
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Swenson Hall 1031
Belknap and Catlin
P.O. Box 2000
Superior, WI 54880
ph. 715-394-8091
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The goal is 200 pledges signed by November 1. So, please stop in the Gender Equity Resource Center at Swenson 1031. If you want more information feel free to contact T.K. at 715-394-8091 or at firstname.lastname@example.com.
Sponsored by the Gender Equity Center, www.uwsuper.edu/genderequity.


text:
14016 Turnberry Ln, Midlothian, VA 23113
Virgina Senior Living at its Finest
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text:
The Phoenix Coyotes on Sunday assigned forward Tim Kennedy and defenseman Connor Murphy to the Portland Pirates, the club's American Hockey League affiliate.
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The 20-year-old Murphy (6-3, 190) has recorded one goal and seven assists in 26 games with the Coyotes this season.


text:
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text:
Main Content
Ladies, play hard in these Elite II soccer shorts from Nike. They're lightweight and just the perfect length to help move with you on the field!
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text:
Missed free throws, turnovers and soft defense plagued the Lady Panthers on Friday night but the girls still pulled out a 45-35 win over the Wildcats in Richmond Hill.
Liberty County lost a close one Friday night in Richmond Hill when the Wildcats fired off a last-second shot to beat the Panthers 48-46.
The Long County High School boys basketball team defeated Pierce County on Friday, 60-55, in a hard-fought battle.
The Long County High School girls basketball team has not yet won a game this year, but it's not due to a lack of effort or a lack of heart. On Friday, the Lady Tide lost to the Pierce County Lady Bears 43-31, but they fought until the final buzzer sounded.
FLOWERY BRANCH - Almost to a man, the Atlanta Falcons insist they don't care who they play in the next round of the playoffs.
In a matchup between local private school powerhouses boasting talented point guards, First Presbyterian Christian Academy won the first battle against Faith Baptist in December.
The Lady Tigers stormed past the Lady Pirates in Brunswick on Tuesday, beating the home team 76-56.
The Lady 'Landers of First Presbyterian Christian Academy defeated the Faith Baptist girls 55-42 in a home game Tuesday at the St. James Sports Center.
The Long County High School boys basketball team fell 60-46 to visiting Region 2-AA leader Tattnall County High School on Tuesday night.
The Long County High School girls basketball team lost 60-30 to Tattnall County on Tuesday.
SAVANNAH -- The Savannah Tire Hockey Classic 2011 is set for Jan. 13-15 at the Savannah Civic Center. The classic is a collegiate tournament that now features six of the South's most exciting hockey programs: University of Georgia, University of Florida, Georgia Tech, Florida State, and newcomers University of South Carolina and The Citadel.
You'll probably hate me for bringing this up, but it's time to begin planning for your 2011 taxes – or at least, about the tax implications of your retirement account contributions.
The unbeaten girls basketball team at Bradwell Institute is moving up, according to at least one sports website.
Although practice doesn't officially start until Jan. 31, the Liberty County High School baseball team has started conditioning as they prepare for a new region.
Despite trailing at halftime, Faith Baptist Christian Academy of Ludowici beat the Faith Baptist Eagles of Brandon, Fla., 76-58 on Dec. 30.
The Pembroke Lodge No. 469 F&AM's second annual Golf Tournament is May 17. Registration is at noon and there will be shotgun start at 1 p.m. Lunch will be served after the tournament.
Page 1 of 1


text:
Helium Is Currently Booking Parties
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text:
Physics I
Physics I is a course designed for high school students in grades 11 & 12. Topics studied include motion, forces, momentum, energy, heat, electricity & magnetism, waves & optics, fluid mechanics, and atomic & particle physics. The course requires that students be comfortable describing and solving real-world problems using algebra and basic trigonometry. The course also requires vector math, but this topic is taught at the beginning of the course. The course is supported by an interactive, inquiry-based laboratory environment where students gain hands-on experience with the concepts being studied. The content of the course course exceeds the requirements of the Massachusetts Curriculum Frameworks for high school physics and is recommended for students who are planning to take AP Physics and/or the SAT subject test in physics.


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» From "New Studio Album to be Released on August 21, 2012 " // June 16, 2012 5:33:15 PM UTC
Good afternoon dear!
I am a student at the University Unicuritiba, and approximately one month we had a mission to make the representation of a rock show using recycled materials.
My team then made the representation of Can not Take That Away - Lynyrd Skynyrd.
there is no video on youtube or google regarding this song, so was our reference through other videos recorded between 1993 and 1994.
Our course is called: Course Technology in Events
and this was the best work we've done .. Therefore we would like to share with you!
Curitiba, Brazil
I have pictures and videos on my facebook...
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Terms & Conditions of Sale
'Event' means an entertainment event including, without limitation, a concert, exhibition, sports, theatrical and/or music event to be held at a venue in respect of which We have the right to sell you tickets.
'Tickets' means tickets or other types of evidence (including electronic tickets) for an event sold by us to you on behalf of the organisation responsible for the event for the right to occupy space at or to attend an event.
'Venue' means any facilities or locations of any nature where the event is being held.
'We' means ATG Tickets (The Ambassador Theatre Group Limited). 'Us' and 'Our' shall be read accordingly.
'You' means you or anybody who in our reasonable opinion is acting with your authority or permission. 'Your' shall be read accordingly.
'Promoter' means the person firm or company staging the event if different from us and the venue.
'Group' means group organisers, charities, travel and coach companies or other organisations that we have agreed to sell to knowing that the tickets are intended for resale.
These terms and conditions incorporate and should be read in accordance with the venue and/or promoter terms, conditions and regulations, copies of which are available upon request from the venue. In the event of any inconsistency between the terms in relation to venue or promoter requirements, those of the promoter shall prevail. If no promoter, those of the venue shall prevail. These terms and conditions are an extension of STAR's Code of Practice which is available from STAR (0870 603 9011, www.star.org.uk)
All tickets are sold subject to availability and to these terms and conditions. These terms and conditions should be read carefully prior to purchase and any queries relating to them should be raised with us prior to purchase, as purchase of tickets constitutes acceptance of these terms and conditions. A valid ticket must be produced to get into an event. Please notify us of any access requirements at the time of booking. Removing any part of, altering or defacing the ticket may invalidate your ticket. It is your responsibility to check your tickets as if you have made a mistake it cannot always be rectified after purchase. Please check your tickets on receipt carefully and contact us immediately if there is a mistake. We will not be responsible for any ticket that is lost, stolen or destroyed. The Management only accept responsibility for tickets bought from one of its own managed sales points. Any queries regarding tickets purchased from ticket agents must be directed back to the relevant agent. It is not always possible to issue duplicate tickets. For example for non-seated events where there is a possibility of both the original and duplicate tickets being used, compromising the licensed capacity of the venue. Duplicates may therefore be issued at the discretion of the promoter or the venue acting reasonably. If duplicates are being issued, a reasonable administration charge may be levied. We and the promoter reserve the right to provide alternative seats at an event to those specified on the ticket if the staging of the event reasonably requires, provided they are of no less value to that stated on the ticket. Where a concession is claimed, proof of identity and concession entitlement (for example of age or student status) may be required. Ownership or possession of a ticket does not confer any rights (by implication or otherwise) on you to use, alter, copy or otherwise deal with any of the symbols, trade marks, logos and/or intellectual property appearing on the ticket.
The price of the ticket shall be the price set at the time we accept your order. All prices set are inclusive of any applicable taxes but exclusive of any booking fee and collection or delivery fee. Credit/debit card fees may be charged per ticket on certain performances. The Box Office will inform you of this cost at the time of booking. No order will be accepted until we have received full payment. Other requirements regarding the need for clear and transparent pricing information to be supplied at the time of sale, including booking fees, are covered in the STAR Code of Practice.
Tickets will only be delivered to the billing address of the debit/credit card holder unless We specifically offer you the facility for tickets to be sent to an alternative address. If your tickets are not being held at the venue box office, and you have not received your tickets from us 72 hours prior to the event, please contact us. If tickets dispatched by Royal Mail ordinary post, special delivery or registered post are returned to us as 'addressee unknown' we reserve the right to cancel your booking and make a refund of the ticket price only. We reserve the right to make tickets available for collection at the venue box office. You will be notified by telephone, email or in writing of the arrangements for collection (using the details provided at the time of ordering) if this becomes necessary. Where there is not enough time to deliver tickets, you will be told at the point of purchase the arrangements for collection of your tickets. If you are collecting your tickets from the venue box office, you must have your acknowledgement of order and the credit/debit card used to make the order with you.
The organiser of the event and/or the venue reserves the right to make alterations to the published event programme where reasonably necessary.
If you are unable to attend the event though no fault of ours, we can offer a ticket exchange facility, subject to availability, if the event at a venue managed by Ambassador Theatre Group. In order to obtain an exchange you must contact us 48 hours before the event. Tickets can be exchanged for a seat of the same value, within its current run at the same venue and will be subject to a per ticket exchange fee. If a discount has been applied to the tickets, then this will only be honoured within the original terms and conditions of the offer. If the event has been booked though us for a promoter or group then an exchange may not be offered and we would refer to the promoter / groups own terms and conditions of sale. Except where we offer an applicable ticket exchange or resale facility, tickets cannot be exchanged or refunded after purchase unless the performance is cancelled or rescheduled (subject to below) or where there is a material change to the programme of event. If a resale facility is available, resale of these tickets cannot be guaranteed and is subject to a per ticket administrative charge. Where an event is cancelled or rescheduled (subject to below) by the venue or promoter, where an event is cancelled or rescheduled due to circumstances beyond our control, or where there is a material change to the programme of the event, you will be entitled to claim a refund from us in accordance with this clause. A 'material' change is a change which, in our reasonable opinion, makes the event materially different to the event that purchasers of the ticket, taken generally, could reasonably expect. The use of understudies in a theatre performance shall not be a material change. Where an outdoor event is cancelled or curtailed because of adverse weather, we shall not be liable to make any refund or pay any compensation beyond the refunds that may be payable under the venue's or promoter's rules. Where such a refund is sought you must bring this to our attention as soon as possible upon becoming aware of such change, cancellation or where the event has been rescheduled, prior to the rescheduled event. The refund for tickets equals the face value of the tickets purchased in accordance with the STAR Code of Practice. Refunds shall only be made to the person who purchased the tickets and, when possible, be made using the same method as was used to purchase the tickets except, at our discretion, where payment was made by cash. These terms and conditions do not and shall not affect your statutory rights as a consumer. For further information about your statutory rights contact Citizens Advice, Consumer Direct (http://www.consumerdirect.gov.uk/) or the Department for Business Innovation and Skills
Personal arrangements including travel, accommodation or hospitality relating to the event which have been arranged by you are at your own risk. Liability for the cancellation or rescheduling of an event, or for material changes to aneEvent, will be limited to the refund as set forth in Section 7. Neither we nor the venue nor the promoter will be responsible for any loss, theft or damage of your personal belongings, other than caused as a result of our negligence or that of the venue or the promoter or other breach of statutory duty.
It is your responsibility to ascertain whether an event has been cancelled or re-scheduled and the date and time of any re-scheduled event. Where an event is cancelled or re-scheduled, we will use our reasonable endeavours to notify you using the details you provided us with at the time of ordering. We do not guarantee that you will be informed of such cancellation before the date of the event. It is your responsibility to inform us of any change to the contact address, telephone number or email address you provide us with at the time of ordering.
See the ATG Privacy Policy.
11. Resale/use of Tickets and property
You may not re-sell or transfer a ticket if prohibited by law. In addition, re-sales or transfers of tickets may be prohibited for certain events subject to the specific terms and conditions of those events (for example but not exclusively limited to charity events or events where age restrictions may apply because of content of the entertainment or licensing requirements). Where a ticket is offered for resale in line with these terms and conditions, you must provide to the buyer full details of the ticket. Full details include, if printed on the ticket, the block or tier, row and seat number. Buyers must also be made aware of these terms and conditions and any other terms and conditions that are specific to the event. You should check whether any special terms apply before offering a free ticket for resale. Free tickets are often provided for specific reasons limiting their transferability.
Any ticket obtained in breach of these terms and conditions shall be void and all, rights conferred or evidenced by such ticket shall be void. Any person seeking to use such a void ticket in order to gain or provide entry to an event may be considered to be a trespasser and may be liable to be ejected and liable to legal action. Void tickets are non-refundable.
Tickets may be restricted to a maximum number. Any such restriction shall be notified to you at the time you book the tickets. We reserve the right to cancel tickets purchased in excess of this number and without the agent's agreement, without prior notice unless the purchase of an excess was due to our error.
The management of the venue reserves the right to refuse ticket holder's admission to the venue in reasonable circumstances including for health and safety, licensing reasons or where a ticket is void. The management of the venue also reserves the right to request that ticket holders leave the venue at any point on reasonable grounds and may take any appropriate action to enforce this right. By way of example, the venue may remove a ticket holder who:
1) has behaved in the venue in a manner which, in the reasonable opinion of the venue has, or is likely to affect the enjoyment of other visitors; or
2) uses threatening, abusive or insulting words or behaviour or in any way provokes or behaves in a manner which may provoke a breach of the peace; or
3) in the reasonable opinion of the venue is acting under the influence of alcohol or drugs; or
4) fails, when required, to produce proof of identity or age.
You must comply with instructions and directions given by venue staff and stewards. No refunds will be given to ticket holders who are refused entry or ejected due to their own behaviour as suggested in, but not limited to, the examples above.
5) Children under 5 will not be admitted to the Venue except for family shows. Children (ages 18 months to 15 years inclusive) shall require their own ticket which shall be at full ticket price if no child concessions are available at the time of booking. Babes in arms (children under 18 months) shall be admitted free of charge to those shows they may attend (children's shows and pantomimes only) however children under the age of 18 months will not be admitted to any performance unless they are specifically aimed for them (i.e. children's shows and pantomimes). Children must be supervised at all times and supervision of children shall be by not less than 1 adult per 10 children. The Management reserves the right to ask parents / supervisors to remove children if, in the opinion of the Management, they are causing a disturbance.
6) In Scottish venues, under 16s must be accompanied by an adult at all times.
The use of equipment for recording or transmitting (by digital or other means) any audio, visual or audio-visual material or any information or data inside any venue is strictly forbidden. Unauthorised recordings, tapes, films or similar items may be confiscated and destroyed. Any recording made of an event in breach of these conditions shall belong to the promoter. The promoter and venue will not be liable for any loss, theft or damage to confiscated items. By attending an event, ticket holders consent to filming and sound recording of themselves as members of the audience. The promoter may use such films and recordings (including any copies) without payment. Ticket holders shall not bring into the Venue or display or distribute (whether for free or not) at the event any sponsorship, promotional or marketing material's. Mobile telephones and messaging equipment must be switched off during the event. Alcohol may only be consumed in public bars and other authorised areas. Smoking is not
permitted unless within a designated smoking Area (if any).
The following are not permitted within any venue:
I) animals (with the exception of guide dogs);
2) laser pens
3) Your own food and drink (unless permitted by the Venue);
4) bottles, cans or glass containers (unless permitted by the Venue);
5) any item which may be interpreted as a potential weapon including sharp or pointed objects (e.g. knives);and
6) illegal substances.
The management of the venue reserves the right to conduct security searches from time to time and confiscate any item which, in the reasonable opinion of the management of the venue, may cause danger or disruption to other members of the audience or the event or is one of the items not permitted in the venue as listed above. Every effort shall be made to admit latecomers to events at a suitable break in the event, which may be the interval, but late admission cannot be guaranteed. Ticket holders may only leave and re-enter the venue during an event at the discretion of the management of the venue. Otherwise, there will be no re-admission or pass-outs of any kind. The obstruction of gangways, access-ways, exits, entrances or staircases, congregating in non-designated areas or seeking entry to stands or seats for which you do not hold a ticket is strictly forbidden.
Ticket holders must comply with all relevant statutes, safety announcements and venue regulations whilst attending the event. If ticket holders have any special requirements or concerns about any special effects which may be featured at the event, prior notice should be provided when ordering tickets. Special effects may include, without limitation, sound, audio visual, pyrotechnic effects or lighting effects.
Any complaints about a tickets holder's seating or ability to view a production should be made promptly to the Venue Management either before or during the performance.
If any dispute arises out of these terms and conditions, we will attempt to settle it. To this end we shall use our reasonable endeavours to consult or negotiate in good faith, and attempt to reach a just and equitable settlement satisfactory to both parties. Although this does not restrict your rights to pursue court proceedings, if we are unable to settle any dispute by negotiation within 21 days, the parties may attempt to settle it by mediation. To, initiate a mediation a party must give written notice to the other parties to the dispute requesting a mediation. The mediation shall be conducted in accordance with the STAR Code of Practice and Dispute Resolution Procedure current at the date of the referral which sets out, the procedures to be adopted, the process of selection of the mediator and the costs involved, and which terms are deemed incorporated into this agreement.
STAR can be contacted at:
PO Box 43
Telephone: 0870 603 9011
email: firstname.lastname@example.com
If we delay or fail to enforce any of these Terms and Conditions it shall not mean that we have waived our right to do so.
We shall be entitled to assign any of our rights and obligations under these Terms and Conditions provided that your rights are not adversely affected.
If it is found by a court that any of these Terms and Conditions for any reason cannot be enforced, this shall not prevent the other provisions from continuing to apply.
Any person, other than the venue or promoter, not a party to these Terms and Conditions shall have no rights under the Contracts (Rights of Third Parties) Act 1999 to enforce any term of these Terms and Conditions. The Act can give rights under some contracts to third parties who are not parties to those contracts but in this case only we, the venue, the promoter and you (or your assignees permitted hereby) have rights and obligations under this contract.
For the purposes of these Terms and Conditions, 'Force Majeure' means any cause beyond our control including, without limitation, act of God, war, insurrection, riot, civil disturbances, acts of terrorism, fire, explosion, flood, theft of essential equipment, malicious damage, strike, lock out, weather, third party injunction, national defence requirements, acts or regulations of national or local governments. We will not be liable to you for failure to perform any obligation under these Terms and Conditions to the extent that the failure is caused by Force Majeure. This Clause does not affect the terms of Clause 7.
We intend to rely on the written terms set out here in this document as well as the written terms and conditions of the venue and the promoter. You should read the terms and conditions carefully before entering into the contract to ensure that they contain very thing that you consider has been agreed. If they do not then you should speak to any member of staff. After the contract has been made, these Terms and Conditions cannot be varied or amended in any respect unless both you and we agree and it is preferable that this is in writing).
Nothing in these Terms and Conditions and no action taken by you or us under these Terms and Conditions shall create, or be deemed to create, a partnership, joint venture or establish a relationship of principal and agent or any other relationship between you and us beyond the relationship created under these Terms and Conditions..
These Terms and Conditions, and the terms and conditions of the venue and the promoter and any specially agreed terms constitute the entire agreement between the parties in connection to, its subject matter and supersede any previous terms and conditions, agreement or arrangement between the parties. Each of the parties agrees that it has not entered into these Terms and Conditions in reliance on, and shall have no remedy in respect of, any statement, representation, covenant, warranty, undertaking or indemnity (whether negligently or innocently made) by any person (whether party to these Terms of Conditions or not) other than as expressly set out in these Terms and Conditions. Nothing in this clause shall operate to limit or exclude any liability for fraud.
These Terms and Conditions shall be governed by and construed in all respects in accordance with English/Scottish law and the parties agree to submit to the exclusive jurisdiction of the English/ Scottish courts.
ATG Theatre Card Membership Terms and Conditions
These are the terms and conditions which apply to your ATG Theatre Card ('these Conditions'). By purchasing or renewing an ATG Theatre Card (or by using an ATG Theatre Card issued to you as a replacement for your AmbassadorFriends Membership or your LiveCard Membership) you agree to be bound by these Conditions. These Conditions replace AmbassadorFriends Membership Terms and Conditions and LiveCard Membership Terms and Conditions with effect from 1st August 2011.
In these Conditions:
'ATG' and 'Ambassador Theatre Group' (and 'we', 'our', 'ours' and 'us') refers to The Ambassador Theatre Group Limited, registered in England and Wales with company number 2671052 whose registered office is at 2nd Floor, Alexander House, Church Path, Woking GU21 6EJ and each of its subsidiaries and affiliated companies including ATG London Limited, registered in England and Wales with company number 3902727 whose registered office is at 2nd Floor, Alexander House, Church Path, Woking GU21 6EJ.
'ATG Theatre Card' means the card which is issued to you by the Ambassador Theatre Group following an application in accordance with these Conditions or which is issued to you as a replacement for your AmbassadorFriends Membership or your LiveCard Membership.
'ATG Theatre Card number' means the account number issued to you when you purchased your ATG Theatre Card.
'ATG venues' means all venues owned or operated by the Ambassador Theatre Group. A full list of venues can be found at www.atgtickets.com
'Benefits' means those benefits and discounts at ATG venues and from external providers which are from time to time notified on our website, newsletters or mailings, as available to holders of a valid and current ATG Theatre Card. Additional conditions may apply to individual benefits and discounts.
'Initial Fee' is the fee paid when you purchase your ATG Theatre Card. 'Renewal Fee' means the sum payable by you as set by ATG at the end of the first 12 month validity period and for any subsequent 12 month periods thereafter.
'Our terms and conditions of sale' means those that apply to our customers purchasing tickets and attending any ATG venue as published from time to time.
'Validity Period' refers to a 12 month period from the date of the initial purchase or renewal of your ATG Theatre Card and means the period during which your ATG Theatre Card is valid in accordance with these Conditions.
'Our website' means www.atgtickets.com
1.1 All Benefits are subject to availability and to these Conditions.
1.2 A valid ATG Theatre Card will entitle you to the Benefits but you acknowledge that some or all of the Benefits may be added to, removed or altered by ATG at its discretion.
1.3 Your ATG Theatre Card may be used to purchase the stated number of tickets (maximum 4) with the Benefits that are outlined at www.atgtickets/theatrecard or in ATG brochures, subject to availability.
1.4 Additional Benefits offered by external companies are beyond the control of ATG and may be subject to change without notification.
1.5 Any additional fees associated with your ATG Theatre Card and/or relating to the purchase of tickets will be outlined in ATG brochures, print and at www.atgtickets.com/theatrecard
1.6 Any purchase of tickets to events at ATG venues will be subject to our terms and conditions of sale.
1.7 Fee free ticket exchange is offered subject to availability of equivalent value tickets on the dates requested. We reserve the right not to offer an exchange if there is no reasonable prospect of being able to re-sell the tickets which are offered for exchange. No fee will be charged for making an exchange. If tickets of a higher value are requested or if fees or costs (including postage) are applicable to the requested tickets we may require such fees and costs to be paid by you before making an exchange.
2.1 To purchase an ATG Theatre Card you must be at least 18 years of age and be a resident in the UK.
2.2 An ATG Theatre Card can be purchased online at www.atgtickets.com/theatrecard or by calling 0844 871 7633.
2.3 The Ambassador Theatre Group reserves the right to refuse any application for an ATG Theatre Card.
2.4 When your application for an ATG Theatre Card has been accepted you will be issued with an ATG Theatre Card and an ATG Theatre Card number. Neither an ATG Theatre Card nor an ATG Theatre Card number will be issued until ATG has received full payment.
2.5 Your ATG Theatre Card will be issued to you within 28 working days. 2.6 Your ATG Theatre Card number must be quoted at all times when booking tickets.
2.7 Subject to these Conditions, the ATG Theatre Card will be valid for the Validity Period, commencing on the date that you purchased your ATG Theatre Card.
2.8 Your Direct Debit agreement is with ATG London Limited and it is the name of this company that will appear on your bank statements as the payee. You have the right to cancel your Direct Debit in accordance with the Direct Debit Guarantee below, but if you do cancel your Direct Debit and have received Benefits, ATG reserves the right to require that you pay to ATG within 7 working days the full amount of the Initial Fee (or, as the case may be, the relevant Renewal Fee) or, if such Fee is not so paid, the value of the Benefits received, including any applicable ticket or booking fees that would have applied to the purchase of tickets had you not held a valid ATG Theatre Card.
2.9 The Direct Debit Guarantee
If there are any changes to the amount, date or frequency of your Direct Debit we will notify you 10 working days in advance of your account being debited or as otherwise agreed. If you request us to collect a payment, confirmation of the amount and date will be given to you at the time of the request.
If an error is made by us in the payment of your Direct Debit, you are entitled to a full and immediate refund of the amount which has been incorrectly paid from your bank or building society.
If you receive a refund you are not entitled to, you must pay it back when we ask you to.
You can cancel a Direct Debit at any time by simply contacting your bank or building society. Written confirmation may be required. Please also notify us.
3.1 At least one month before the expiry of the first 12 months of the Validity Period, ATG will offer you the opportunity to renew your ATG Theatre Card for a further twelve-month period. Any renewals will be subject to payment of the then current Renewal Fee.
4.1 Your ATG Theatre Card is a personal revocable licence and is, at all times, the property of the Ambassador Theatre Group.
4.2 ATG reserves the right to refuse to supply you with an ATG Theatre Card and can terminate your ATG Theatre Card and/or demand the return of your ATG Theatre Card and/or cancel it at any time if, in its reasonable opinion, you are in breach of these Conditions.
4.3 Your ATG Theatre Card is strictly non-transferable to any third parties. Only the named holder on the ATG Theatre Card will be entitled to use the ATG Theatre Card and to receive Benefits.
4.4 Any Benefits and tickets obtained in breach of these Conditions will be made null and void and ATG may refuse to admit the ticket holders to its venues.
4.5 The Initial Fee and any Renewal Fee are non refundable in the event that an ATG Theatre Card is terminated as permitted by these Conditions.
4.6 The Ambassador Theatre Group may vary the number and location of ATG venues where an ATG Theatre Card can be used.
5.1 You must inform ATG if your ATG Theatre Card is lost or stolen.
6.1 You have the right to cancel your ATG Theatre Card within 7 days of the date of receiving your ATG Theatre Card and welcome letter. If you do cancel your ATG Theatre Card within such 7 day period the Initial Fee paid will be refunded to you.
6.2 If you do want to cancel you must call our ticket centre on 0844 871 7633
6.3 If you cancel your Membership in accordance with clause 6.1 above and have received Benefits, ATG reserves the right to require that you pay to ATG within 7 working days the full amount of the Initial Fee (or, as the case may be, the relevant Renewal Fee) or, if such Fee is not so paid, the value of the Benefits received, including any applicable ticket or booking fees that would have applied to the purchase of tickets had you not held a valid ATG Theatre Card.
7.1 ATG may cancel your ATG Theatre Card if you provide any false information at the time of purchase, you misuse your card in anyway or there is any irregularity in the payment of any fees for your ATG Theatre Card or tickets.
7.2 If ATG do cancel your ATG Theatre Card as permitted by these Condition you will not be entitled to any refund of your Initial Fee or any Renewal Fee.
8.1 You must ensure that the information provided by you when you purchase your ATG Theatre Card is accurate and complete and contains your correct name, contact address, telephone number and/or email address and any other requested details.
8.2 It is your responsibility to inform ATG of any personal detail changes.
8.3 The Ambassador Theatre Group will use this personal information to provide you with all information connected with the supply of your ATG Theatre Card including; ticket offers, benefits, renewals, brochures and newsletters, events, offers, changes to the ATG Theatre Card scheme.
8.4 By purchasing an ATG Theatre Card you consent to your information being used in this way.
9.1 If any part of these Conditions shall be deemed unlawful, void or for any reason unenforceable, then that provision shall be deemed to be severable from these Conditions and shall not affect the validity and enforceability of any of the remaining provisions of the Conditions.
9.2 These Conditions (as amended from time to time) contain the entire agreement and understanding between you and us in respect of all matters which are referred to herein and supersede any prior written or oral agreement between us relating to such matters. No oral explanation or oral information given by either of us shall alter the interpretation of these Conditions. You confirm that, in agreeing to accept these Conditions, you have not relied on any representation that is not expressly included herein and you agree that you shall have no remedy in respect of any misrepresentation which has not become a term of these Conditions. However, nothing in these Conditions purport to exclude liability for any fraudulent statement or act.
9.3 These Conditions will be exclusively governed by and construed in accordance with the laws of England and Wales whose Courts will have exclusive jurisdiction in any dispute, save that we have the right, at our sole discretion, to commence and pursue proceedings in alternative jurisdictions.


text:
The world of economics is a complicated and messy place. Yet modern economic analysis rests on an attempt to represent the world by means of simple mathematical models. To what extent is this possible? How can such a program cope with the fact that economic outcomes are often driven by factors that are notoriously difficult to quantify? Can such mathematical modeling lead us to theories that work?
This interesting and provocative collection of essays addresses most if not all of the key current policy issues in open economy macroeconomics: the strong dollar, LDC debt problems, and deficit financing.
One Rogers Street
Cambridge MA 02142-1209
Suite 2, 1 Duchess Street
London, W1W 6AN, UK
Contact Us


text:
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In the world of banking, Bob Diamond '73 is a big deal.
The president of London-based Barclays Group, Diamond, 56, is the architect of an investment and management strategy and philosophy that has produced record profits (more than $4 billion last year) for Barclays' investment banking arm, which, as its chief executive, he has turned into one of the industry's hottest.
In past months, Diamond has been a point man in Barclays' takeover bid for ABN Amro, the Dutch bank. The bid on the table was worth more than $90 billion, and would create the world's fifth-largest bank, combining two already vast global financial networks.
Beyond the world of finance, Bob Diamond may not be a household name in the United States. But he's a go-to guy for the UK media. Most recently his comments on the downturn in the markets stemming from sub-prime mortgage failures went worldwide on the news wires.
Yes, Bob Diamond is a very big deal. So, why start this profile of him with a garden shed?
It was the mid-1970s and Diamond was in graduate school at the University of Connecticut getting his MBA. One of his professors there, Jack Viega, mentioned that he was looking for someone to build a garden shed. Diamond, with some carpentry experience, gave his professor an estimate that landed the job.
And then Diamond was back, saying the estimate he'd given was too low. But rather than make excuses or try to blame it on the client, Diamond took responsibility and addressed the situation head-on. Viega remembers him saying, "'Look. I screwed up. I didn't estimate it right.' … He's an honest guy. That was what impressed me most. Something he did in that situation and how he behaved."
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I absolutely love nearly everything about this lipstick, so it kinda' hurts to have to give it a low review. I had received the color Putty as a sample which was a very flattering peach color for my skin tone. The texture also feels really nice and the scent from the lipstick is very pleasant as well. However, as did my sample, my lipstick broke off and now isn't really all that practical to use. I still had quite a bit left too :(
A bit dark for me, but a fun change. That's one of the best parts of Birchbox, getting to try something different and finding that it has a home in your makeup bag.
I am obsessed with this lipstick! I bought the Marachino Cherry and it glides on like silk and the color lasts forever. I am a lip gloss junkie and haven't worn lipstick in years, but I have been converted! I receive tons of compliments every time I wear it. It makes me feel confident, powerful and sexy!
This is my #1 lipstick to wear out...The shade (Maraschino Cherry) is a perfect red, and it's pretty pucker-proof. The texture feels fabulous on my lips as well.
Received putty which for a fair skinned blonde was just a perfect match to my natural lip. Looked totally luscious. Would love to try more colors and see how they look too, hopefully they will try another sample in a future box.
This lipstick felt very good on and stayed put - the color was very neutral and natural looking. I will it was a bigger sample!
i received a red lipstick and i am almost out. It will be time to reorder. I love the squared off design of the product. It lasts all night long. thumbs up!!!!!!!!!!!
I like it when my lipstick actually sticks to my lips this didn't last very long and I was having to reaply often.
I love this red lipstick, they are very creamy and break easily. It is a nice, matte and creamy shade that is flattering and bold at the same time.
I love lip stick and this is a great product but it was not really my cup of tea. I have found many lip sticks that compliment my skin tone a little better then this one.


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Barbacoa Beef Cheek Tacos
Author Notes: I couldn't face a whole cow head ... so I made this with cheeks. The marinade turns into a thick, rich almost mole-like sauce ... delicious! - aargersi
Food52 Review: When we asked for "nose to tail" recipes, we didn't expect to see many universal crowd-pleasers, but aargersi's tacos are just that. The beef cheeks, marbled and melting after over three hours in the oven, absorb the various marinade components (spices, coffee, chili, peanut butter) and sing with freshness of the lime juice in which they're braised. Add a warm corn tortilla, some addictive pink pickled onions, a slab of avocado and a fistful of cilantro leaves, and you've got a taco fit for the toughest critic. Make sure to save any leftover onions! – A&M - A&M
Serves 6-8 (depends how many tacos each person can eat!)
Pickled Onions
- 1 red onion
- 1 tablespoon salt
- 2 tablespoons sugar
- 1/4 a beet
- 1 handful cilantro
- 1 part water
- 2 parts cider vinegar
- Slice the onions very thinly and put them in a microwaveable container. Add the beet, cilantro, salt and sugar. Cover everything with 1 part water to 2 parts vingar.
- microwave for 1 minute, stir, and microwave for another minute. Cool, then refridgerate overnight. The beet will turn it a really pretty hot pink color.
Barbacoa Beef Cheeks
- 2 1/2 pounds beef cheeks
- 4 cloves garlic
- 1 tablespoon natural peanut butter
- 1 ancho chili
- 1 teaspoon instant espresso
- 2 tablespoons olive oil (plus 2 more for cooking)
- 1 tablespoon honey
- 2 teaspoons cumin
- 1 teaspoon smoked sweet paprika
- 1 handful fresh cilantro
- 1 teaspoon salt
- 1 cup chicken broth (you can use beef too, I just had chicken on hand)
- 3 limes
- 1 avocado
- corn tortillas
- fresh cilantro
- Clean and trim the cheeks. Put them in a container that you can marinate them in.
- Remove the stem and seeds from the ancho, cut it up into chunks and rehydrate in a little water (I stick it in a ramekin and microwave for 30 seconds)
- Peel and chop the garlic. Put everything from the garlic to the salt in the food processor (including the water from the chili) and blend into a paste. Toss the paste with the cheeks and marinate for several hours or better yet over night.
- When it is time to cook, heat the oven to 275, and heat 2 tbs olive oil in a dutch oven. Brown the cheeks on both sides. Use the broth to rinse the rest of the marinade into the dutch oven, then squeeze the juice of 3 limes in.
- Bake at 275 for 3 1/2 hours - turn the cheeks over once or twice while they cook and if the liquid dries up add a bit more broth
- When the cheeks are fall-apart tender, take the pan out of the oven. Using 2 forks, pull the meat apart in the pan so that it mixes in with all of that fatty juicy goodness.
- To serve - heat 2 tortillas (I like to double wrap the taco as they are juicy). Fill with barbacoa, a slice of avocado, some of pickled onions and fresh cilantro. Serve and enjoy!!!
- Your Best Nose to Tail Recipe Contest Winner!
Comments (66) Questions (0)
over 1 year ago jaxstar84
Have got this in the fridge marinating and it smells awesome!! I cant wait till I can cook it tomorrow!
over 1 year ago coffeefoodwritergirl
It's so great to see this recipe active again! It looks so yummy!
over 1 year ago savorthis
These look great. No wonder so many people are saving it! If I can get to the mexican market this weekend I am all over it.
over 1 year ago
Abbie is a trusted source on General Cooking.
Oh I hope you do! And that you enjoy them! Maybe I should make them too, in solidarity ...
almost 2 years ago dchu
Amazing!!! Thanks for the recipe! I used 1.5 lb beef cheek and 1 lb beef tendon since that's what I had in the freezer, and the tendon gave the sauce a wonderful silky texture. It's absolutely true that the onions are key--I'm pickling 2 onions next time since there just weren't enough to go around!
about 2 years ago Airi @ TastynChic
These were good. didn't have time to marinate and slow-cook for a few hours but just made them last minute after work and they still didn't disappoint. Thanks for this great recipe. Will be back soon to enjoy again :)
about 2 years ago lschrive
These are wonderful! I almost didn't make the pickled onions, but am so glad I did. The bright acidic bite was needed against the full fattiness of the beef. Wonderful meal - thank you!
about 2 years ago
Abbie is a trusted source on General Cooking.
I am so glad you enjoyed them! Yes - the onions are key :-)
over 2 years ago TOfoodie
We made this with 2 lbs of brisket and popped it in the slow cooker for 10 hours overnight (and another 1 without the lid). Delicious! Thanks!
about 2 years ago TOfoodie
Trying it again this weekend with beef cheeks and I have to say, it's even better!
over 2 years ago Timnaustin
I can attest from personal experience that Aargers' beef cheek tacos are absolutely delicious. I hope she will give me another chance to review them. (c; I may try to make them myself. Her Cochinita Pibil is awesome as well. Of course the pink onions go well on both items, or on their own for that matter.
over 2 years ago Timnaustin
I can attest from personal experience that Aargers' beef cheek tacos are absolutely delicious. I hope she will give me another chance to review them. (c; I may try to make them myself. Her Cochinita Pibil is awesome as well. Of course the pink onions go well on both items, or on their own for that matter.
almost 3 years ago Poufoulet
Beef cheeks are available at Costco Business Center in San Diego (not the regular retail stores, though). At $2.35 a lb, they are a steal!
over 3 years ago lloreen
I made this with beef chuck and it was delicious - tender and full of flavor! Thanks for the great recipe.
over 3 years ago LobsterBrieAvocadoBreath
Just sensational--don't let the overnight marinade keep you from making this! I was looking for something fun and different to make (easy is always good too!!!) for my 14 yo and me...so I went to the best recipe section and my kid was all over this Barbacoa. Issues? Not so much: It was late in the day, and store didn't carry beef cheeks (I was sort of okay with that - Mr. awesomeness-beef-man-behind-the-meat-counter Dave recommended: prime rib (REALLY 'spensive, Lucy! And also said could use Chuck. Got the chuck...). Forgot the buy ancho chile...So anyway used two limes, poblano paste instead of the anchos----and just cooked it all up without all the marinating...three hours, low heat. Son made homemade flour tortillas. The pickled beets and onions, beyond just being beautiful...were so simple and tasty...so many fabulous app. ideas to use this prettiness for ....What a great find....
almost 4 years ago monkeymom
This recipe is amazing! It was an opportunity for me to go to a local carniceria. They also had great oxtail too so we literally had a head to tail week of eats! The beef cheeks had great flavor and I liked the differences in texture. And the onions...man, awesome. Love your recipes!
almost 4 years ago Shoshanadh
I would like to try this with a whole 6lb brisket that I got at the farmers mkt. The farmer told me that since it's bison, I should cook it "low and slow," at 185F overnight. Do you think it will still work?
almost 4 years ago
Abbie is a trusted source on General Cooking.
Absolutely - bison is a lot lower fat though so I think it might be a good idea to up the oil a bit to compensate ... and you'll need more marinade since it's 6 lbs ... make a lot of the onions!!!
about 4 years ago fulphilling
Props to you aargersi, this recipe was the shit!!! made it for the wife and a couple of friends. had some drinks and what not, man, we enjoyed these tacos thoroughly! the onions are all gone, still have more meat though, any leftovers suggestions? BTW- I tossed in some heel meat that we happened to have in the freezer. TRUE nose to tail tacos!
almost 4 years ago
Abbie is a trusted source on General Cooking.
I am so glad you liked them! Leftovers - enchiladas maybe? Or just with refried beans and salsa, maybe some jalapenos? Awesome deal on the heels, I have never cooked them (or even seen them for that matter :-) I have some cheeks in the freezer, perhaps this will be a taco weekend ...
almost 3 years ago midnitechef
Leftover Barbacoa breakfast tacos: over moderate heat, sprinkle some babacoa in your pan, render remaining fat, add scrambled eggs and green onion. You can add other stuff to the pan before the eggs, whatever you like really. Mushrooms would work well.
about 4 years ago
Amanda Hesser
Amanda is a co-founder of Food52.
I made these recently using short ribs instead of beef cheeks -- again, delicious! Thought people might want to know there's an alternative if they can't get the cheeks.
almost 4 years ago
Abbie is a trusted source on General Cooking.
That is a great idea!! Funny because cheeks are everywhere down here ...
about 4 years ago bobbity
I'm making this dish tonight :-) The beef cheeks have been marinating since yesterday afternoon and the onions are looking pink and awesome!
Can't wait :->
about 4 years ago morisseau
I love beef cheeks, but to me this is not a good recipe. I'd pass.
about 4 years ago marynn
Cheeks! It's what's for dinner!
Two quick questions: 1.) Did you cover the cheeks during the braise? 2.) Did you use plain white vinegar or cider vinegar for the onion? (I used apple cider vinegar and my sneak onion bite this AM tasted oddly effervescent...)
The marinade alone is a keeper. Bet you could do this with ox tail. Many thanks.
about 4 years ago
Abbie is a trusted source on General Cooking.
Hi there! Answers! 1) not completely, but I flipped during the process 2) apple cider vinegar - effervescent is a new one! an oxtail would be great!!!!
about 4 years ago JKohler
Substituted brisket and it was great. Onions were yummy too. Leftovers will make for a nice salad tomorrow.
about 4 years ago
Abbie is a trusted source on General Cooking.
Oh great idea! Next time I can't find cheeks I will consider brisket instead ... yeah onions in salad, on nachos, you name it ...


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Timeline series notebooks lead Acer's product avalanche
Article Summary
Looks like Acer's product developers have been slamming down the Red Bulls with a raft of new products being announced including the Timeline energy-efficient series of notebooks, the first small-form-factor PC based around NVIDIA's Ion platform, a new netbook, and a notebook or three. Let's get to it.
« Back to Timeline series notebooks lead Acer's product avalanche
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Fr Raniero Cantalemessa, Preacher to the Papal Household for the last 30 years, has accepted an invitation to speak at Focus 2012, the annual teaching holiday for HTB's family of churches and friends.
Fr Raniero, who is 77, has been a strong supporter of the Alpha course for many years and was a guest speaker at Focus in 2003.
A Capuchin friar, he was appointed to his post in the Vatican by Pope John Paul II in 1980 and was retained in his position by Pope Benedict XVI. He preaches to the Pope and the Papal Household in St Peter's Basilica, Rome during Lent and Advent and is 'the only person allowed to preach to the Pope'.
More than 3,700 people attended the Focus event at Golden Sands, Mablethorpe, Lincolnshire, last month and many more are expected to attend next year from 21-27 July, 2012 at the same venue.
Other guest speakers at Focus 2012 include Brian and Bobbie Houston, founding pastors of Hillsong Church in Sydney, Australia.
To book (and receive the early-bird discount): http://www.htb.org.uk/whats-on/events/focus-2012


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Vision and Strategy
Our Vision sets out what we want to be:
In any business, clear direction is vital. Our Vision guides the direction and the decisions we take as an organisation. Tesco is a company built around customers and colleagues, high-quality assets around the world and multiple opportunities for growth – and these characteristics are central to our Vision for the business.
We want Tesco to be the most highly valued business by: the customers we serve, the communities in which we operate, our loyal and committed colleagues and of course, our shareholders. For these things to be possible, our Vision for the business has five elements – each of them describes the sort of company Tesco aspires to be.
We see it as essential not only to be the shop of choice for customers but also the place people want to work, a business that communities welcome and the retailer in which every shareholder wants to invest.
Whether it's food or general merchandise, books or digital entertainment, banking or eating out, our business is full of opportunities for both customers and colleagues. We want our business to offer something new every time.
Tesco's success has always been based on trying to understand customers' needs better than anyone else – and then innovating to make their lives that little bit easier. This attitude, which brought online grocery shopping, extended shopping hours, Finest, Everyday Value, a range of formats from Express to Extra – and all the other things that make us who we are – is as central to our Vision now as it ever has been.
Retail is local because cultures, tastes, climates, regulations are all different. But the core skills that we have learned in one place can be applied in others. For example, setting up our grocery home shopping operations from scratch in eight international markets across the Group wouldn't have been possible without what we've learned in the UK.
We want Tesco to be a company that earns trust, not just respect, through everything we do – be it our in-store shopping trip, our Price Promise, or our determination to assure customers on food quality. We want to be a business that customers, colleagues and communities trust and are loyal to.
Our Strategy reflects our priorities as the business grows and customers' needs change:
We have a well-established and consistent seven-part strategy for growth, which reflects the way consumer needs are changing and the increasingly global nature of our business – and of course driving it forward is critical to our success over the coming years.
To grow the UK core, the largest business in the Group and a key driver of sales and profit, is a priority. Our 'Building a Better Tesco' plan has been restoring growth to the business through a comprehensive series of improvements for customers.
We have established profitable businesses in Asian and European markets. Today, 32% of our Group sales and 29% of profits are made internationally and our goal now is to take the performance of these businesses to higher levels.
Food is our heritage but as the business has grown and diversified over recent years, we have added an ever-wider range of products and services in-store and online, bringing Tesco value and quality to many more categories.
Consumers are increasingly spending a bigger proportion of their income on services – whether it is in telecoms, eating out or financial services. In the UK, we have built some strong, successful new businesses and our ambition now is to take that experience to all of our markets.
The changes we have made to our Core Purpose and Values to reflect Tesco's wider social purpose are clear signals that we put our responsibilities to the communities we serve at the heart of what we do.
Brands are about giving customers confidence in the quality, value and reliability of the things we sell. We aim to be a creator of highly valued brands across our offer, whether it is Finest, F&F or Tesco Bank.
As Tesco continues to grow and diversify we need more leaders to run the broad range of businesses, operations and support functions. We are investing in the development of more leaders and a bigger, more diverse talent pool to support the growth of the Group.
Annual Report 2013
Our businesses
As one of the world's largest retailers with over 530,000 colleagues, we serve millions of customers a week in our stores and online.
Core Purpose and Values
The Tesco Values sit at the heart of our business and help us deliver our Core Purpose
Annual Report Downloads
Visit the download centre to download this section of the report as a PDF


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This article, entitled DIY Automatic Shower Cleaner, comes from Dawn Wells at Blogging Mom of 4.
Busy moms need great cleaning solutions, right? We need ways to keep our house clean that are quick and easy...oh and that won't break the bank. I love Scrubbing Bubbles shower cleaner, however, buying those refills really adds up. So I went looking for a DIY Automatic Shower Cleaner replacement.
The other problem I have with my automatic cleaner is that it cleans the top half of my shower but not the tub area. Do you have that problem too? My tub is a whirlpool tub…sounds wonderful but it's a PAIN to clean. Trying to keep those jets clean is terrible. So what I want is a replacement for my automatic cleaner and then the same thing but in a spray bottle so I can get my tub too. Here's what I found.
Automatic Shower Cleaner
If you already have Scrubbing Bubbles bottle, you can re-use it. Take the bottle and carefully remove the cap using a small pliers.
Add Hydrogen Peroxide, Rubbing Alcohol, Dish Soap and Rinse Aid to the bottle. Fill with water. Replace the cap by twisting back on and gently shake. Put back in your automatic sprayer and use as normal.
To read more from Dawn, visit Blogging Mom of 4.


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Earth System Topics: Oceans
Earth System Topics: Oceans
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David Watkins, University of Nebraska at Lincoln
Introductory oceanography
Earth System Topics: Oceans: Oceans
Introductory Oceanography
Alfred Hochstaedter, Monterey Peninsula College
This course introduces basic oceanography concepts such as seafloor features, plate tectonics, atmospheric and oceanic circulation, and waves.
Earth System Topics: Oceans: Oceans
OCEAN320 Oceans of Change
Stephen Schellenberg, San Diego State University
Upper-division General Education course exploring scientific, socioeconomic, and geopolitical perspectives on human impacts upon global ocean system, including global ocean warming and acidification, regional ...
Earth System Topics: Oceans: Oceans
Introduction to Oceanography Lecture and Lab
Hilary Lackey, Mt. San Antonio College
In this course, we will investigate the geologic origin and physical dynamics of ocean basins, waves and coastal processes, the chemistry of seawater, and how biological activity affects the oceans. The lecture and ...
Earth System Topics: Oceans: Oceans
Using Data to Teach Earth ProcessesAn Illustrated Community Discussion at the 2003 Annual Meeting of the Geological Society of America
Stephanie Pfirman, Barnard College
Stephanie Pfirman Barnard College - This three-semester sequence enables students to explore the Earth System via large data sets. Critical processes governing the dynamics of the Atmosphere, Ocean, Solid Earth and ...
Using Data to Teach Earth ProcessesAn Illustrated Community Discussion at the 2003 Annual Meeting of the Geological Society of America
Bill Prothero, University of California-Santa Barbara
William Prothero Univ of Calif Santa Barbara - This is a set of activities and an approach to using data in a large general education oceanography class. -
Global Change and Human Health
The course begins by focusing on the dynamics of Earth's physical systems and the impacts of increasing human population on those systems, and concludes by examining several critical health issues in light of ...
Coastal Geology
Lindley Hanson, Salem State University
Lindley Hanson , http://www.salemstate.edu/~lhanson/index.html , email@example.com Salem State College a Public four-year institution, primarily undergraduate . Course URL: Subject: ...
Marine Sediments: Source, Sinks, and Significance
Carol Pride, Savannah State University
This course covers the basics of sedimentology; coastal, estuarine and shelf geological processes; and paleoceanographic interpretation of deep sea sediment records. The course will focus on a transect extending ...
Marine Environmental Geology
Course taught by Prof. Ed Laine, Bowdoin College (firstname.lastname@example.com) and Cathryn Field, Lab Instructor (firstname.lastname@example.com). Example compiled by Suzanne Savanick, Science Education Resource Center (firstname.lastname@example.com).
This course is an introduction to the aspects of marine geology and oceanography that affect the environment and marine resources. Service-learning is an essential component of how students learn about the earth. We deliver part of the content of this course by arranging for students to solve a problem with a local community partner.
Earth System Topics: Oceans: Oceans:Ocean Basin Topography, Biosphere, Solid Earth, Oceans, Hydrology:Surface Water, Hydrology


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Uvaldo Herrera Guest Page
It is with heavy hearts that the HNBA family sends the family of Uvaldo Herrera our condolences. Uvaldo, former HNBA General Counsel, Vice President of Programs and champion of the recently-named HNBA Annual Uvado Herrera Moot Court Competition, died yesterday, August 21, 2011 after a long battle with cancer. Uvaldo Herrera was a Staff Director at State Farm Insurance Company, holding a variety of positions during his nearly three-decade career with the company. He was a graduate of the University of Illinois and the DePaul University College of Law.
We invite you to share your memories of Uvaldo and your thoughts and prayers for his family here.


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COLUMBIANA, Ohio - Brenton Colabella put on a show, completing 17 of 33 for 394 yards and five touchdowns as Steubenville Catholic (3-0) rolled Columbiana (0-3).
Colabella threw scores to Aleks Porreca (19 yards), Ryan Fletcher (27 yards) and Johnny DiCarlantonio (20, 45 yards). Khalil Jones ran one in from 9 yards for the Crusaders.


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The first day of meetings for the Big XII's athletic directors came and went with little said about league expansion. In fact, the only official comments on the topic came from commissioner Bob Bowlsby himself:
"I think we did gravitate around some principle that will guide us going forward and I think we created some filters that we all agreed on. I think there was a fair amount of unanimity in the room."
The Big XII commish also said that everything discussed regarding expansion could be classified as "what-ifs."
Meanwhile, CBSSports.com reports that behind closed doors, the Big XII's ADs discussed who might go where if the Big Ten and SEC decide to expand again… and who would be left for the Big XII in such a scenario. Their views should not surprise. According to Jeremy Fowler, the ADs believe the Big Ten would likely chase schools already in the Association of American Universities (Virginia, North Carolina, Pittsburgh, Georgia Tech and Duke). They believe the SEC would go after a school or two from what would be new states to the SEC: Virginia and North Carolina (Virginia, Virginia Tech, UNC, Duke, NC State and Wake Forest). The biggest programs left behind (according to what Fowler heard coming out of the meeting): Florida State, Clemson and Louisville.
Bowlsby has made it clear — as has powerful Texas AD DeLoss Dodds — that the 10 Big XII schools make a whole lotta cash as a 10-member league. Adding more teams had better equal more cash. From the comment above, we'll assume that the league's ADs agreed on a pair of things.
First, if Notre Dame (part-time) or Florida State (full-time) decide they want to jump onboard the Big XII bus they'll receive a warm welcome immediately. Those additions would likely be unanimous.
Second, unless/until the other power leagues start bulging to 16- or 18- or 20-team leagues, there's no need for the Big XII to make the first move. Unless the Irish or Seminoles ask for admission, of course.
Again, those are assumptions based on past comments, past actions, and yesterday's remark from Bowlsby. And the commish made another comment that seems to back up our views: "It's not about what we're prepared to do, it's that we're prepared."
Bowlsby also said his league gave unanimous support to exploring scheduling and marketing alliances with other conferences, like the ACC. (Mike Slive has said the SEC has had no alliance discussions with the Big XII "at all," which is surprising considering he almost always keeps his options open.) And he said that the Big XII has asked the NCAA if it's really necessary for a conference to have 12 teams in order to hold a football championship game.
One final comment from Bowlsby fall in line with something we've bee writing for days: "This environment has a lot of moving parts and if some of them would stop or slow down, it would be easier to come up with a strategy." Which is why everyone should stop or slow down.


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Does Photoshop Express or any other app work with raw photos?
No, not at this time.
You have to remember that the available tablets have very little CPU or GPU processing power available.
And camera raw processing is very compute intensive.
So is it your suggestion that camera settings should save a raw and a jpg of each image so that while traveling I can work with jpgs and later at home I can selectively refine the raw versions?
I don't have any suggestions here.
Right now I don't see any place for a tablet in my photography workflow, except as a presentation device once the images have been processed.
Thanks for your insights.
Sent from my iPad2


text: I feel pretty dumb right now but I am really hoping that this helps anybody regardless of who you voted for!!!! We just bought a house and everything these people who sold did, they did top notch. To my dismay when I went to turn on the water in the guest bathroom; I turned on the left hand faucet and got cold water. When I turned on the right hand faucet NOTHING!!!! I panicked a little because with just moving we are a bit tight and plumbers can be expensive. I explained to my wife that I would cut the water supply to the house and disemble the faucet on the right side to see if some mineral deposit or something was keeping water from coming out. Well when I looked closely at the handle it says hot and the top and cold to the lower. So I turned on the left handle and then turned "on" the right and to my pleasent surprise the handle on the right is a thermostadt to some degree not a separate hot or cold source. So if you turn on one knob and get cold or hot and when you try the other you get nothing don't panic, give a closer look and hopefully you have the same set up. I had just never seen this type before! Happy baths to you all.