text:
By now you've surely seen dozens of news reports about the Heartbleed bug. The viral threat has led to the shutdown of several Canadian government websites, the need to reset dozens of passwords, and even the potential paranoia that you may be one of the 900 Canadians whose SIN numbers has been stolen from the CRA website.
But what is Heartbleed, exactly?
Sure, there are lengthy explanations out there on how it's a bug in OpenSSL encryption, allowing for malicious parties to snoop into supposedly secure data. But one of the best and simplest explanations has come from popular web comic XKCD, who has summed up in very basic terms how the bug works, and how it can be a bad thing for you.
[ Related: The Top 10 Worst Kinds of Passwords ]
So there you have it. Of course, Heartbleed is a lot more complicated than this, but at least you now have a better idea of why you should be changing every one of your online passwords.
EDIT: I may have spoken too soon. This is the best explanation outRead More »from Heartbleed web comic offers the most straightforward explanation of the bug


text:
Copyleft (a play on the word copyright) is the practice of using copyright law to offer the right to distribute copies and modified versions of a work and requiring that the same rights be preserved in modified versions of the work. In other words, copyleft is a general method for marking a creative work as freely available to be modified, and requiring all modified and extended versions of the creative work to be free as well.[1]
Copyleft is a form of and can be used to maintain copyright conditions for works such as computer software, documents, and art. In general, copyright law is used by an author to prohibit recipients from reproducing, adapting, or distributing copies of the work. In contrast, under copyleft, an author may give every person who receives a copy of a work permission to reproduce, adapt or distribute it and require that any resulting copies or adaptations are also bound by the same licensing agreement.
Copyleft licenses (for software) require that information necessary for reproducing and modifying the work must be made available to recipients of the executable. The source code files will usually contain a copy of the license terms and acknowledge the author(s).
Copyleft type licenses are a novel use of existing copyright law to ensure a work remains freely available. The GNU General Public License, originally written by Richard Stallman, was the first copyleft license to see extensive use, and continues to dominate the licensing of copylefted software. Creative Commons, a non-profit organization founded by Lawrence Lessig, provides a similar license provision condition called ShareAlike.
Copyleft can be characterized as a copyright licensing scheme in which an author surrenders some, but not all rights under copyright law. Instead of allowing a work to fall completely into the public domain (where no ownership of copyright is claimed), copyleft allows an author to impose some restrictions on those who want to engage in activities that would more usually be reserved by the copyright holder. Under copyleft, derived works may be produced provided they are released under the compatible copyleft scheme.
The underlying principle is that one benefits freely from the work of others but any modifications one makes must be released under compatible terms. For this reason some copyleft licenses are also known as reciprocal licenses, they have also been described as "viral" due to their self-perpetuating terms.[2] Under fair use, however, the copyleft license may be superseded, just like regular copyrights. Therefore, any person utilizing a copyleft-licensed source for their own work is free to choose any other license provided they meet the fair use standard.[3]
While copyright law gives software authors control over copying, distribution and modification of their works, the goal of copyleft is to give all users of the software the freedom to carry out these activities. In this way, copyleft licenses are distinct from other types of free software licenses, which do not guarantee that all "downstream" recipients of the program receive these rights, or the source code needed to make them effective. In particular, permissive free software licenses such as BSD allow re-distributors to remove some or all these rights, and do not require the distribution of source code.
An early use of the word "copyleft" was in Tiny Basic's distribution notice "@COPYLEFT ALL WRONGS RESERVED", however, Tiny Basic was not distributed under any form of copyleft distribution terms so the wordplay is the only similarity.
The concept of copyleft was described in Richard Stallman's GNU Manifesto in 1983 where he wrote:
GNU is not in the public domain. Everyone will be permitted to modify and redistribute GNU, but no distributor will be allowed to restrict its further redistribution. That is to say, proprietary modifications will not be allowed. I want to make sure that all versions of GNU remain free.
Stallman worked a few years earlier on a Lisp interpreter. Symbolics asked to use the Lisp interpreter, and Stallman agreed to supply them with a public domain version of his work. Symbolics extended and improved the Lisp interpreter, but when Stallman wanted access to the improvements that Symbolics had made to his interpreter, Symbolics refused. Stallman then, in 1984, proceeded to work towards eradicating this emerging behavior and culture of proprietary software, which he named software hoarding. This was not the first time Stallman had dealt with proprietary software but he deemed this interaction as a "turning point". He justified software sharing, protesting that when sharing, the software online can be copied without the loss of the original piece of work. Everyone is a winner. The software can be used multiple times without ever being damaged or wearing out.[4][5]
As Stallman deemed it impractical in the short term to eliminate current copyright law and the wrongs he perceived it perpetuated, he decided to work within the framework of existing law; in 1985,[6] he created his own copyright license, the Emacs General Public License,[7] the first copyleft license. This later evolved into the GNU General Public License, which is now one of the most popular Free Software licenses. For the first time a copyright holder had taken steps to ensure that the maximal number of rights be perpetually transferred to a program's users, no matter what subsequent revisions anyone made to the original program. This original GPL did not grant rights to the public at large, only those who had already received the program; but it was the best that could be done under existing law.
The new license was not at this time given the copyleft label.[8] Richard Stallman stated that the use of "Copyleft" comes from Don Hopkins, who mailed him a letter in 1984 or 1985 on which was written: "Copyleft – all rights reversed."[8] The term "kopyleft" with the notation "All Rites Reversed" was also in use in the early 1970s within the Principia Discordia, which may have inspired Hopkins or influenced other usage. And in the arts Ray Johnson had earlier coined the term independently as it pertained to his making of and distribution of his mixed media imagery in his mail art and ephemeral gifts, for which he encouraged the making of derivative works. (While the phrase itself appears briefly as (or on) one of his pieces in the 2002 documentary How to Draw a Bunny, Johnson himself is not referenced in the 2001 documentary Revolution OS.)
Some[who?] have suggested that copyleft became a divisive issue in the ideological strife between the Open Source Initiative and the free software movement.[9] However, there is evidence that copyleft is both accepted and proposed by both parties:
- Both the OSI and the FSF have copyleft and non-copyleft licenses in their respective lists of accepted licenses.[10][11]
- The OSI's original Legal Counsel Lawrence Rosen has written a copyleft license, the Open Software License.
- The OSI's licensing how-to recognises the GPL as a "best practice" license.[12]
- Some of the software programs of the GNU Project are published under non-copyleft licenses.[13]
- Stallman himself has endorsed the use of non-copyleft licenses in certain circumstances, most recently in the case of the Ogg Vorbis license change.[14]
Applying copyleft[edit]
Common practice for using copyleft is to codify the copying terms for a work with a license. Any such license typically gives each person possessing a copy of the work the same freedoms as the author, including (from the Free Software Definition):
- Freedom 0 – the freedom to use the work,
- Freedom 1 – the freedom to study the work,
- Freedom 2 – the freedom to copy and share the work with others,
- Freedom 3 – the freedom to modify the work, and the freedom to distribute modified and therefore derivative works.
(Note that the list begins from 0 as a reference to C and many derivative languages.)
These freedoms do not ensure that a derivative work will be distributed under the same liberal terms. In order for the work to be truly copyleft, the license has to ensure that the author of a derived work can only distribute such works under the same or equivalent license.
In addition to restrictions on copying, copyleft licenses address other possible impediments. These include ensuring the rights cannot be later revoked and requiring the work and its derivatives to be provided in a form that facilitates modification. In software, this requires that the source code of the derived work be made available together with the software itself.
Copyleft licenses necessarily make creative use of relevant rules and laws. For example, when using copyright law, those who contribute to a work under copyleft usually must gain, defer or assign copyright holder status. By submitting the copyright of their contributions under a copyleft license, they deliberately give up some of the rights that normally follow from copyright, including the right to be the unique distributor of copies of the work.
Some laws used for copyleft licenses vary from one country to another, and may also be granted in terms that vary from country to country. For example, in some countries it is acceptable to sell a software product without warranty, in standard GNU GPL style (see articles 11 and 12 of the GNU GPL version 2), while in most European countries it is not permitted for a software distributor to waive all warranties regarding a sold product. For this reason the extent of such warranties are specified in most European copyleft licenses. Regarding that, see the European Union Public Licence EUPL,[15] or the CeCILL license,[16] a license that allows one to use GNU GPL (see article 5 of the EUPL and article 5.3.4 of CeCILL) in combination with a limited warranty (see article 7 and 8 of the EUPL and 9 of CeCILL).
Types of copyleft and relation to other licenses[edit]
Copyleft is a distinguishing feature of some free software licenses. Many free software licenses are not copyleft licenses because they do not require the licensee to distribute derivative works under the same license. There is an ongoing debate as to which class of license provides the greater degree of freedom. This debate hinges on complex issues such as the definition of freedom and whose freedoms are more important, or whether to maximize the freedom of all potential future recipients of a work (freedom from the creation of proprietary software). Non-copyleft free software licenses maximize the freedom of the initial recipient (freedom to create proprietary software).
In common with the Creative Commons share-alike licensing system, GNU's Free Documentation License allows authors to apply limitations to certain sections of their work, exempting some parts of their creation from the full copyleft mechanism. In the case of the GFDL, these limitations include the use of invariant sections, which may not be altered by future editors. The initial intention of the GFDL was as a device for supporting the documentation of copylefted software. However, the result is that it can be used for any kind of document.
Strong and weak copyleft[edit]
The strength of the copyleft governing a work is an expression of the extent that the copyleft provisions can be efficiently imposed on all kinds of derived works. "Weak copyleft" refers to licenses where not all derived works inherit the copyleft license; whether a derived work inherits or not often depends on the manner in which it was derived.
"Weak copyleft" licenses are generally used for the creation of software libraries, to allow other software to link to the library, and then be redistributed without the legal requirement for the work to be distributed under the library's copyleft license. Only changes to the weak-copylefted software itself become subject to the copyleft provisions of such a license, not changes to the software that links to it. This allows programs of any license to be compiled and linked against copylefted libraries such as glibc (the GNU project's implementation of the C standard library), and then redistributed without any re-licensing required.
The most well known free software license that uses strong copyleft is the GNU General Public License. Free software licenses that use "weak" copyleft include the GNU Lesser General Public License and the Mozilla Public License. Examples of non-copyleft free software licenses include the X11 license, Apache license and the BSD licenses.
The Design Science License is a strong copyleft license that can apply to any work that is not software or documentation, such as art, music, sports photography, and video. It is hosted on the Free Software Foundation website's license list, but it is not considered compatible with the GPL by the Free Software Foundation.
Full and partial copyleft[edit]
"Full" and "partial" copyleft relate to another issue: Full copyleft exists when all parts of a work (except the license itself) may only be modified and distributed under the terms of the work's copyleft license. Partial copyleft exempts some parts of the work from the copyleft provisions, thus permitting distribution of some modifications under terms other than the copyleft license, or in some other way does not impose all the principles of copylefting on the work. For example, the GPL linking exception made for some software packages (see below).
Share-alike imposes the requirement that any freedom that is granted regarding the original work must be granted on exactly the same or compatible terms in any derived work: this implies that any copyleft license is automatically a share-alike license, but not the other way around, as some share-alike licenses include further restrictions, for instance prohibiting commercial use. Another restriction is that not everyone wants to share their work and some share-alike agreements require that the whole body of work be shared, even if the author only wants to share a certain part. The plus side for the author of the source code is that any modification to the code will not only benefit the company, but the author will be recognized and hold equal claim over the changed code.[17][18] Some permutations of the Creative Commons licenses are examples of share-alike.
Viral licensing[edit]
Copyleft licenses are sometimes referred to as "viral licenses" because any works derived from a copyleft work must themselves be copyleft when distributed (and thus they exhibit a viral phenomenon). The term 'General Public Virus', or 'GNU Public Virus' (GPV), has a long history on the Internet, dating back to shortly after the GPL was first conceived.[19][20][21] Many BSD License advocates used the term derisively[22][23][24] in regards to the GPL's tendency to absorb BSD licensed code without allowing the original BSD work to benefit from it, while at the same time promoting itself as "freer" than other licenses. Microsoft vice-president Craig Mundie remarked "This viral aspect of the GPL poses a threat to the intellectual property of any organization making use of it."[25] In another context, Steve Ballmer declared that code released under GPL is useless to the commercial sector (since it can only be used if the resulting surrounding code becomes GPL), describing it thus as "a cancer that attaches itself in an intellectual property sense to everything it touches".[26] The term 'viral' may be read as an analogy of computer viruses. According to FSF compliance engineer David Turner, it creates a misunderstanding and a fear of using copylefted free software.[27] David McGowan has written that there is no reason to believe the GPL could force proprietary software to become free software, but could "try to enjoin the firm from distributing commercially a program that combined with the GPL'd code to form a derivative work, and to recover damages for infringement." If the firm "actually copied code from a GPL'd program, such a suit would be a perfectly ordinary assertion of copyright, which most private firms would defend if the shoe were on the other foot."[28]
Popular copyleft licenses, such as the GPL, have a clause allowing components to interact with non-copyleft components as long as the communication is abstract, such as executing a command-line tool with a set of switches or interacting with a Web server.[29] As a consequence, even if one module of an otherwise non-copyleft product is placed under the GPL, it may still be legal for other components to communicate with it normally. This allowed communication may or may not include reusing libraries or routines via dynamic linking – some commentators say it does,[30] the FSF asserts it does not and explicitly adds an exception allowing it in the license for the GNU Classpath re-implementation of the Java library.
The copyleft symbol is a backwards C in a circle (copyright symbol © mirrored). But it has no legal significance.
Richard Stallman says:
"It is a legal mistake to use a backwards C in a circle instead of a copyright symbol. Copyleft is based legally on copyright, so the work should have a copyright notice. A copyright notice requires either the copyright symbol (a C in a circle) or the word "Copyright".
A backwards C in a circle has no special legal significance, so it doesn't make a copyright notice. It may be amusing in book covers, posters, and such, but be careful how you represent it in a web page!".[31]
Because it is unavailable on Unicode, it can be approximated with character U+2184 ↄ latin small letter reversed c or the more widely available character U+0254 ɔ latin small letter open o between parenthesis '(ɔ)' or, if supported by the application, by combining it with the character U+20DD ⃝ combining enclosing circle 'ↄ⃝'.[32] A discussion on the Unicode mailing list in July 2012 contended that there are other ways to insert the copyleft symbol, so it need not be encoded. It has no legal meaning.[33]
See also[edit]
- All rights reversed
- Anti-copyright
- Comparison of open source and closed source
- Commercial use of copyleft works
- Copyright
- Creative Commons licences
- Free content
- Free Culture movement
- GNU General Public License
- HESSLA – a license which prohibits uses that violate human rights or add spyware
- Open content
- Patentleft
- Permissive free software licence
- Public domain
- Share-alike
Notes and references[edit]
- ^ "What is Copyleft?". Retrieved 2010-08-29.
- ^ Mundie, Craig (May 3, 2001). "Prepared Text of Remarks by Craig Mundie, Microsoft Senior Vice President – The Commercial Software Model". New York University Stern School of Business. Retrieved 2009-10-01.
- ^ Kirk St.Amant & Brian Still (2008). "Examining Open Source Software Licenses through the Creative Commons Licensing Model". Handbook of Research on Open Source Software: Technological, Economic, and Social Perspectives. Information Science Reference. pp. 382 of 728. ISBN 1-59140-999-3.
- ^ Carver, Brian W. "Share and Share Alike: Understanding and Enforcing Open Source and Free Software Licenses". Berkeley Technology Law Journal. Retrieved 2012-02-06.
- ^ Williams, Sam (March 2002). "7". Free as in Freedom – Richard Stallman's Crusade for Free Software. O'Reilly Media. ISBN 0-596-00287-4.
- ^ Moody, Glyn (2002). Rebel Code. p. 26.
- ^ "Emacs General Public License". 2001-07-05. Retrieved 2008-08-23.
- ^ a b Stallman, Richard (2008-01-21). "About the GNU Project". Free Software Foundation. Retrieved 2008-08-23.
- ^ Biancuzzi, Federico (2005-06-30). "ESR: "We Don't Need the GPL Anymore"". ONLamp.com. Retrieved 2008-08-23.
- ^ Tiemann, Michael (2006-09-18). "Licenses by Name". Retrieved 2008-08-23.
- ^ "Licenses". 2008-06-05. Retrieved 2008-08-23.
- ^ Raymond, Eric Steven (2002-11-09). "Licensing HOWTO". Retrieved 2008-08-23.
- ^ What the GPLv3 Means for MS-Novell Agreement
- ^ Stallman, Richard (2001-02-26). "LWN.net: RMS on the Ogg Vorbis license". Retrieved 2008-08-23. "[M]y agreement with the idea of a lax [Ogg/Vorbis] license in this special case is just as pragmatic as my preference for the GPL in most cases. In both cases it is a matter of how we can attain freedom."
- ^ "The EUPL – European Union Public Licence". European Commission. Retrieved 2007-01-09.
- ^ "Free Software Licensing Agreement CeCILL". INRIA. Retrieved 2010-08-24.
- ^ Engelfriet, Arnoud. "Choosing an Open Source License". Athens University of Economics and Business. Retrieved 2012-02-06.[dead link]
- ^ Rob Myers, NonCommercial Sharealike is not Copyleft
- ^ Vixie, Paul (2006-03-06). "Re: Section 5.2 (IPR encumberance) in TAK rollover requirement draft". IETF Namedroppers mailing list. Archived from the original on 2007-09-27. Retrieved 2007-04-29.
- ^ "General Public Virus". Jargon File 2.2.1. 1990-12-15. Retrieved 2007-04-29.
- ^ Hackvän, Stig (September 1999). "Reverse-engineering the GNU Public Virus – Is copyleft too much of a good thing?". Linux Journal. Retrieved 2007-04-29.[dead link]
- ^ Stewart, Bill (1998-10-08). "Re: propose: `cypherpunks license' (Re: Wanted: Twofish source code)". Cypherpunks mailing list. Retrieved 2007-04-29.
- ^ Buck, Joe (2000-10-10). "Re: Using of parse tree externally". GCC mailing list. Retrieved 2007-04-29.
- ^ Griffis, L. Adrian (2000-07-15). "The GNU Public Virus". Retrieved 2007-04-29.
- ^ Mundie, Craig (2001-05-03). "Speech Transcript – Craig Mundie". New York University Stern School of Business. Retrieved 2008-08-23.
- ^ Newbart, Dave (2001-06-01). "Microsoft CEO takes launch break with the Sun-Times". Chicago Sun-Times. Archived from the original on 2001-06-15.(Internet archive link)
- ^ Byfield, Bruce (2006-08-29). "IT Manager's Journal: 10 Common Misunderstandings About the GPL". Retrieved 2008-08-23.
- ^ David McGowan (2005). "Legal Aspects of Free and Open Source Software". In Joseph Feller, Brian Fitzgerald, Scott A. Hissam, Karim R. Lakahani. Perspectives on Free and Open Source Software. MIT Press. p. 382. ISBN 0-262-06246-1.
- ^ "Frequently Asked Questions about the GNU Licenses". Free Software Foundation. 2008-06-24. Retrieved 2008-08-23.
- ^ Raymond, Eric Steven (2002-11-09). "Licensing HOWTO". Retrieved 2010-03-21.
- ^ Richard Stallman on Copyleft
- ^ "Unicode copyleft inquiry".
- ^ Hall, G. Brent (2008). Open Source Approaches in Spatial Data Handling. Springer. p. 29. ISBN 3-540-74830-X. Additional ISBN 978-3-540-74830-4. See Open Source Approaches in Spatial Data Handling at Google Books, page 39.
External links[edit]
|Look up copyleft in Wiktionary, the free dictionary.
- ¿Qué es el copyleft? – texto de Richard Stallman.
- GNU's Bulletin, vol. 1 no. 5 – First appearance of article on What is copyleft?
- Freedom or Power by Richard Stallman and Bradley Kuhn
- Copyleft: Pragmatic Idealism – by Richard Stallman
- Eye Magazine – Copyleft and Copyright article
- Two explanations of copyleft and its history by Richard Stallman: one in April 2006, and one in June 2006
- Article: Working Without Copyleft by Bjørn Reese and Daniel Stenberg, 19 December 2001
- David M. Berry (2008). Copy, Rip, Burn: The Politics of Copyleft and Open Source. London:Pluto Press.
- Steven Weber (2005). The Success of Open Source. Harvard: Harvard University Press.

subset: commoncrawl


text:
Buresh, LGs Too Much for Espinosa, OWUby Jocelyn Hopkinson '15 • October 12, 2013
- Mason Espinosa spent the entire day in pressure. Photos by Howard Hewitt
- Houston Hodges got Wabash on the board with a 56-yard punt return.
- Sean Hildebrand had to play a little defense after this first quarter interception.
- Cody Buresh with one of his 4.5 QB sacks.
- Mason Zurek gaining tough yards
- Zurek in more heavy traffic.
- Michael Putko looses the ball as crossing the goal line but offensive lineman Mark Riffle was there for the recovery and score.
- Buresh with another sack of Espinosa.
- Zurek has running room.
- Jon Laird with a few more yards after the catch.
- Grant Klembara with the shirttail tackle.
- A.J. Akinribade applies the pressure before Buresh comes in to finish off Espinosa
- Stella is free and running.
- The OWU defensive back goes for the strip instead of the tackle. Stella carried him more than 10 yards into the end zone.
- Tre Taylor, O-lineman, gets in on the Stella touchdown celebration.
- The Bishop wide receivers found the going tough as well.
- Akinribade brings down Calvin Cagney
- Evan Rutter and Klembara with the defensive work.
- Putko back to pass.
- Hildebrand hauls in a 22 yard scoring pass.
- Ethan Buresh '17 with the stop - yes NCAC fans, Cody has a little brother. Well, not that little.
- Denzel Wilkins on the tackle.
- Jorge Diaz-Augilar sacks QB Espinosa
- Matt Dickerson sets out on a 77-yard kickoff return. ... go to next album for a closer look!
NCAC Offensive Player of the Year Mason Espinosa may have nightmares about Cody Buresh Saturday night. No one could blame the Ohio Wesleyan quarterback if he sleeps with one eye open. Buresh tied a Wabash record with 4.5 sacks in the Little Giants' (5-0, 4-0 NCAC) 38-13 victory over the Battling Bishops (3-2, 2-2 NCAC).
"He did a great job and constantly had pressure," Coach Erik Raeburn said. "I thought he got held about 15 times, but he never got frustrated. He's tough to block. We have to do it (block Buresh) in practice every day and it's a hard deal."
Espinosa still passed for 264 yards and a touchdown on 33-of-45 passing. However, the constant pressure led to two Eddie Cmehill '16 interceptions. The talented Bishop QB had only been intercepted once thus far this season. The harassment included seven sacks by the Little Giant defense.
"If you have to worry about your life at quarterback, you tend not to throw as accurate," Buresh said.
It wasn't all good news Saturday though, Mason Zurek '16 suffered a left ankle injury. But once again someone stepped up. Anthony Stella '16 ran for 189 yards and 2 touchdowns. The former linebacker moved to the offense just two months ago.
"I played outside linebacker all through middle school and high school," Stella said. ""I learned a lot from Tyler (Holmes) and Mason just from these few weeks. Also I have CP (Porter) to back me up."
Wabash relied on its special teams Saturday to provide the spark. Houston Hodges '15 scored the game's first touchdown on a punt return, Matt Dickerson '16 returned a kickoff 77 yards, and Ian MacDougall '14 easily cleared a 45-yard field goal, the longest of his career.
"We've gotten good special teams play to this point," Raeburn said. "It's been nice to score on special teams four-out-of-five games."
After the Hodges touchdown, Ohio Wesleyan responded. The Bishops converted three third downs on the 10-play drive, including an Espinosa 23-yard touchdown pass.
"Their quarterback is fantastic — a super accurate passer," Raeburn said. "He has good weapons to throw too as well. To hold those guys to 13 points was a great effort and what we needed."
Great effort marked the Little Giants next score. Michael Putko '16 ran six yards into the end zone but fumbled the ball before it crossed the plane. Fortunately, right tackle Mark Riffle '14 fell on the ball for his first-career touchdown, 21-7.
Wabash scored twice in the second quarter. Stella busted through a large hole for a 57-yard run, carrying a defender with him the final 15 yards. On Wabash's next drive, Putko found Sean Hildebrand '14 for a touchdown with a well-placed throw to the receiver's back shoulder, 28-7 at the half. Putko finished with 11-of-18 passing for 121 yards and the score.
"Anthony did a good job when Mason went down, but it's killer to keep losing running backs," Raeburn said. "That's the way it happens, usually. It seems like all your injuries happen at one or two positions and just kill your depth."
The Bishops reached the end zone on a the third-quarter Kevin Herman run from a yard out, 28-13.
"We're all disappointed a little bit because we're all shooting for that goose egg," Buresh said. "But keeping them to 13 points is a great accomplishment."
MacDougal added his field goal in the fourth quarter set up by the Dickerson return. Stella capped the scoring with a 33-yard run around the right side of the offense, 38-13.
Buresh registered 9 stops for the game, and 5.5 tackles-for-loss. Nate Scola '14 also had 9 tackles, including 2.5 for loss. Nickel back Denzel Wilkins '15 was right behind the linebackers with 8 tackles.
Wabash's next game is against Kenyon Saturday at 1 p.m. at Little Giant Stadium.
- Buresh tied the mark of 4-1/2 sacks set by Dave Adich in 1987 and Josh Stanton in 2001.
- Ian MacDougall's 45-yard field goal was the longest of his career.
- Three different Wabash running backs (Tyler Holmes, Mason Zurek, Anthony Stella) have rushed for 100 or more yards in four of the Little Giants' five games this season.
- Wabash has scored nine touchdowns this season on either defensive or special teams plays.
More News
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- Turnbeaugh '14 Wins 140th Baldwin
- Patrick Stroud Awarded Fulbright
Photo Galleries
Wabash 38, OWU 13


text:
Dwight Howard and Chris Paul have big decisions to make about where they might play next year, maybe changing their lives forever.
I know what that's like.
I was in the seminary, and had I not made out with Sandy in front of the Our Lady of Fatima statue at Notre Dame, liked it so much and gone on later to pursue Ginny so vigorously to become my wife, I might soon be pope.
Had I stayed in the seminary, I probably wouldn't have had two daughters and three granddaughters. And a Grocery Store Bagger for a son-in-law, which goes to show you how blessed I am.
Had I become pope, I can guarantee you I would have allowed women to become priests.
As you can see, I think about being pope a lot.
Some people might consider the gospel according to Page 2 irreverent, but when you've come as close as I have to becoming the pope, how can anyone say such a thing?
I struggle with the idea of wearing red shoes as the pope does, but instead of begging for an audience with someone like Phil Jackson, it would have been nice to have him kiss my ring.
I probably wouldn't be writing for Page 2, which means many of you sinners wouldn't be so worried now about eternal hellfire for posting nasty messages below each column.
Had I become pope, anything that I would have written would have become an encyclical. And had you wanted to send along an encyclical message, you would probably have begun by writing, "Your Holiness."
Yes, my child, things could have been so different had I represented Los Angeles instead of Cardinal Mahony and I was the one asking questions and holding folks accountable.
I know this, Jim Mora wishes I were cardinal on my way to popedom.
So does my wife at times.
But somewhat surprisingly, things didn't always go well in the seminary. If you saw "Dead Poets Society," you got the seminary experience; our place was open like 100 years on the Notre Dame campus before we came along.
As a class of the '60s, we were not considered traditional enough. (It's a good thing I got that out of my system before writing for Page 2.) The clergy running the place thought they'd be better off without us and shut the seminary down. The dance arranged between seminarians and prospective nuns might have been the tipping point.
So I became a sportswriter, in my own way still listening to confessions and sermonizing — which brings me to Howard and Paul.
I have spent a lot of time with both.
There's no need to convert Paul, who is already a gung-ho Clipper to stay. And I don't believe Howard is a lost soul.
There is nothing another team can offer Paul the Clippers can't match or exceed, including money and his coach of choice.
As for Howard and all that's going to be written over the next few months about his future, hogwash.


text:
Views: 2880
I am on an island in the middle of the Pacific Ocean... I wont date a theist period (too picky?) and the single atheist men that ARE here are generally in the military and quite too young for me. *sighs*....
Also OTHER:
Guys, do NOT want girls that are really smart. My favourite activity is learning. Simply for the sake of learning. Language flows in and out of me in a variety of "species". I can get wrapped up in the proverbial white boards full of math all over the house that I find exquisitely entertaining. History can take me down in a bundle of joy or horror to the floor for many hours at end (sometimes for days)... and then there are the plethora of science fields... I can get lost in any of them at any given time for very long lengths of time. I want to share this with someone.. I want to share the taste of colour, and the touch of numbers. NOW throw in the whole being blunt and honest thing? No, guys, in general, even if the profess otherwise, do not want a smart nor honest woman.
Even a smart woman with pretty green eyes? I always think that if men don't like clever women, it reflects very badly on themselves.
I'd date you without hesitation. Math? Cool! History? Again,. tres cool.
I'm tired of stupid and/or demented women.
The problem is location, location, location. I've traveled to every state in the union... except yours. Which tells you how isolated it is.
Guys, do NOT want girls that are really smart. No, guys, in general, even if the profess otherwise, do not want a smart nor honest woman.
Hah. Yeah, let's keep telling ourselves that. And when men get turned down in a bar it's usually because "she must be a lesbian, I dunno!"
Whatever makes you feel better.
@kOrsan - think about the clever women you know. Are they valued for it, or resented, by men? Is it recognized? Do they have to keep it quiet? On TA it might be a bit different, but not always. I've seen men here lose their little rags when women show some brains.
The experiment went something like this. Dress to showcase the boobs... men flock. Keep mouth closed about subjects you love to discuss, men tag along like little bunnies. EVEN the smart ones you MIGHT be interested in. The day you open your mouth about previously silenced subjects, man does double take. Blinks rapidly.... gets uncomfortable, and the brief flirtation is over. Granted, i AM on an isolated island. Of course not ALL men are this way. I am just getting quite discouraged.
I'm not disagreeing. I'm merely saying it sounded like one of those funny excuses people pose to make themselves feel better.
Sure, intelligence isn't valued as much as looks, athleticism, wealth etc. But can we say that this bias only exists for women? Come on now. We know both sexes are just as equally discriminated against when it comes to things that actually matter. Women have to conform to societies ideals about a slim waist, and being the semi-conscious kitchen appliance that has to obey the man, while the men have to conform to the bullshit rules about being the boss of the household, being tough and rugged, being cannon-fodder in war etc. The door swings both ways. I had girls tell me I'm a nice guy, but as soon as I try to talk about something that is relevant to reality as we know it, i.e. something other than make-up, hair, or gossip, they stare at me like a cow getting inseminated. We all have to deal with this, whether male or female, and I'm sure gay people deal with the same shit also.
Oh and sadly, I do not know any clever women - in my immediate social circle that is. I know a few online, especially here. But other than that, none. That's one of the things that has chiseled away my faith in humanity over the years. For example, there are 3 lovely women at the place I work. But all of them have several times displayed and reminded me of how irrational they are, by either asking me my star sign or attempting to read their futures from coffee stains in a cup. My female "friends"/acquaintances are the same. On the surface you might mistake them for people with some sort of cognitional skills, since they have been exposed to a form of education (university), but then you find out they pray and believe the Quran. Yep.
Well perhaps that is where I have gone wrong. I wont comply to those things you mention. My body is however it is, as long as I am healthy I REALLLLLY just dont care. I am NOT skinny, nor really fat.. ah well.. I would never ever "obey" anyone. So it is me I suppose that doesnt conform and its not my intellect that scares them off? Who knows. Personally? I would not like a man who thinks he is the boss of the house, nor one who thinks it is even ok that ANYONE is cannon fodder. Tough often equates with an over abundance of testosterone. Rugged characteristics follow that as well. On deeper thought, it is perhaps my lack of will to conform to societies demands than it is my tendency to frighten the opposite gender when my brain sends out its tentacles. Perhaps it is a combination. In any event, I am OK with the idea that I may grow old alone (with many cats!) I enjoy silence and my own company quite well. I have no intention of breeding another child. I am good to go!
On the door swinging both ways. On the subject of intelligence. Women dont care if they understand what a man is talking about when he is an intelligent fellow. It has been my observation that this they prefer it EVEN if they dont live in his "world" intellectually. Biology and Psychology are at play. This means he will be able to provide a steady income (the probability of it). Age old things. So if he is smart AND good looking he is still very much attractive. On the flip side, if SHE is smart AND good looking, the physical will cease to matter once the intellectual comes to light.
I wasn't talking about you specifically, don't get me wrong.
I wish it were as you say, but sadly the physical very rarely ceases to be the main attraction of a person's being. The first impression always matters, and I know this for a fact because I'm not good looking, I don't dress well, and I'm awkward. So people will often assume intellectual superiority, until I cut them off and talk them to the ground. Sadly the first thing people can see are not your thoughts, but your face, clothes and hair. As a sapiosexual I have a lot to say, but I don't want to derail the thread. If you like, I've written about my thoughts on women and societal pressure before (in a rant).
The most hilarious point here is I am the "kind of woman you want" hahah and yet you call me a middle aged soccer mom. Oh the irony ;) Granted I am much too old for you, but I am the result of your "I want" rant.
On a personal side. I saw that you did exercise compassion to another human (my) last night. Good on you.
On a personal side. I saw that you did exercise compassion to another human (my) last night.
Huh. Who? Lies. Don't believe her.
And no, sorry, from what I remember you said you have children. I dislike children, to the point of feeling actually uncomfortable of being in the same room with them. Age is not a problem for me, as you'll find out the more you read any of my posts, I'm an old grumpy cynical fuck stuck in a somewhat younger body. You're also too nice. My ideal woman is someone like Marla Singer from Fight Club, for the lack of a better example.


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Chelsea travel to Old Trafford to take on Manchester United in the FA Cup sixth round tomorrow, with manager Rafael Benitez calling on his team to work as a unit in order to secure a place in the semi-finals of a competition we've grown to love in recent years.
The Blues have lifted the trophy seven times in our history, with four of those triumphs coming since the final returned to Wembley in 2007, most recently last season, when goals from Ramires and Didier Drogba helped us to a 2-1 win over Liverpool.
While our opponents suffered Champions League elimination earlier this week against Real Madrid, they have displayed an impressive level of consistency in the Premier League, opening up a 12-point lead over nearest challengers Manchester City, and Benitez is under no illusions as to the size of the task.
'It will be a tough game against a good team who are top of the table,' he said. 'It's an away game for us, so we know it will be difficult but we are confident we can go through.
'If you analyse the squad they have, they have four strikers and two players in each position that could play for any team. They have a strong squad and even when they make changes they keep the quality.
'In attack, they have Chicharito, [Danny] Welbeck, [Wayne] Rooney and [Robin] Van Persie, and they can play any of them.
'If you look at the players they have in wide areas and in the middle, especially if they are winning, in the last 20 minutes they still have players like [Ryan] Giggs and [Paul] Scholes to bring on.'
With the FA Cup and Europa League now our only realistic hopes of securing silverware this season, what has always been a standout fixture has now taken on even greater significance.
The Blues can take heart from our display against the league leaders back in November when we were unfortunate to lose 3-2 after being reduced to nine men, and Benitez, who won 4-1 on his last visit to Old Trafford as manager of Liverpool, is confident his side can make it a week to forget for Sir Alex Ferguson's side.
'It's always a difficult game,' explained the Spaniard. 'They have a very good team, they are experienced and they are very competitive
'Playing against a top side like United you know that anything can happen, you can win or lose.
'We have had some very good games, and some not so good, but we have quality and if we work together we can get a result. United are very strong, but we are a top side.'
Benitez will be able to freshen the side up having rested the likes of Ramires, Victor Moses and Ashley Cole in Romania, something which he believes could make a big difference.
'It's an important competition which Chelsea have done very well in, so hopefully we can carry on,' said the Spaniard.
'The good thing is that we have another game so soon after a defeat, hopefully we can do better and win, and we will have five or six players with fresh legs.'


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National Committees
There are a variety of ways in which a member can serve the union and national committee service is a great way to lend your talents, experience and knowledge of the industry to benefit the union and its members. Service on local committees is also an option and information for serving on a local committee in your area will be made available in October.
Los Angeles (July 12, 2013) – SAG-AFTRA today released the official rosters of candidates for its upcoming elections.
National president and national secretary-treasurer positions are up for election, both of which carry two-year terms. All national board seats are up for election this year, along with all local officer, local board, and convention delegate positions.
The executive vice president and other vice presidents will be elected at the inaugural SAG-AFTRA Convention in September.
Ashland, OR (July 12, 2013) – SAG-AFTRA today announced it has reached an agreement with audiobook producer BeeAudio. The BeeAudio deal is the latest in a series of efforts by SAG-AFTRA to enhance its organizing reach in the area of audiobooks.
In November of 2012, SAG-AFTRA issued "Do Not Work Notice" against the Ashland, Oregon based company that was producing books for various major publishers paying half or less than half the industry standard rate to narrators.
In recognition of the July 4th holiday, SAG-AFTRA offices will be closed on Thursday, July 4 and Friday, July 5. Offices will re-open on Monday, July 8.
Happy Independence Day!
San Francisco, CA (June 11, 2013)– Newspersons represented by SAG-AFTRA at KRON4 voted unanimously last Friday to reject the latest contract offer proposed by KRON4/Young Broadcasting management. SAG-AFTRA members cited equitable compensation, threats to job security, and health/retirement benefit concerns as their primary reasons for rejecting the Company's latest offer. SAG-AFTRA has been negotiating with the Company for over a year while Newpersons continue to work with a contract that expired on April 30, 2012.
New Three-Year Commercials Contracts Effective Retroactive to April 1, 2013


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Very nice tool. Does a fantastic job cleaning out frets. Using this on a fretless conversion project I'm doing. Only thing I wish was that the handle was made of some more dense wood for some more weight to it.
I've only had one of these for two days now, and it's already proved itself invaluable. Great for bound boards with leftover glue or shallow slots, this is the best tool for the job.
this saw gets the job done
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It works incredibly fast and efficient - a very exciting process. I'm noted with adhesive tape the level of depth according to Fret Slot Depth Gauge.
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I totally agree with you on Vincent. I think they kept him around for entertainment...although I just found him irritating.
But I can at least wish you good luck!
We are a big supporter of Best Friends and hope to spend a few days there next year as we travel through Utah.
Shoulda known you to be one of their fans, too.
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Highest tracks in the US?
Main message board: for the discussion of topical track & field items only.
11 posts • Page 1 of 1
Highest tracks in the US?
My son is starting to run track, 7th grade. We went over to Woodland Park HS, 400m from our house as the crow flies, today. He did his thing. I did 4x400 and while the thin air helped Lee Evans, it spanked DrJay. Anyway, the track sits at 8480' above sea level and I got to thinking, how many other tracks are higher in the US? It's an all-weather track (read: a pretty brick red and soft, not asphalt.) I looked at all the high mountain towns in CO and found only two tracks higher, at Lake Co. HS in Leadville (right at 10,000'!) and Summit High School in Frisco CO, at 9200'. From the Google satellite view, the Leadville track looks like it may be asphalt. The one in Frisco is gray but looks like a good facility so may be synthetic, can't tell. I Googled "Highest cities in US" and really don't see any likely higher candidates for having a track. So this one may be the third highest in the US and the first or second highest synthetic one. Anyone know any differently?
Re: Highest tracks in the US?
8400 ft. Ugh. Intervals in Boulder at 5400 ft felt awful and I was in shape then.
But in answer to your question, I can't think of anything higher, and I have been all over Colorado. And certainly not in Oregon. I am sure Nederland near Boulder has a track. And that is about 8000 ft.
Perhaps someday, someone will build a track on the top of Mt. Evans. Now that would be something.
Re: Highest tracks in the US?
Good call. I hadn't thought of Nederland. Close, but no cigar. From the Google Maps terrain view, their track looks to be at 8440', WP at 8500' (I revised WP's upward after closer inspection.)
Trust me, the 400s were nothing to write home about. (Yet they hurt!)
Re: Highest tracks in the US?
Since you have a vested interest in this I think we should get an independent auditor.
I have actually ran on Nederland's track. I did substitute teaching in Boulder Valley Schools eons ago and I taught in the HS there a few times. I was in good shape and it was awful.
I wonder what the highest track, and a real track, in the world is? Does La Paz have a track in their football stadium? That is about 12,000 feet. What is the highest altitude for a real track meet?
Re: Highest tracks in the US?
Hah, thought yee'd never ask! I've posted on this one, from personal experience: I worked in Puno, Peru, on the shores of Lake Titicaca, highest navigable lake in the world (~3750 m, 12,300 ft., to be checked later). Turns out it's actually higher than La Paz, which lies in a "bowl" protected from Altiplano winds.
While La Paz surely has the highest actual Sports Stadium, to the chagrin of visiting teams esp. for World Cups Qualifiers, Puno has a real stadium and a real track--dirt back then and likely still is.
We played our CORPUNO (where I was an SRI/AID consultant to (very) Small Industry) 'Futbol' games an even rougher field, and Basketball on an outdoor court: toughest games of my life, esp. two in one day for one "Torneo". Given the choice to play the final game same day or next, we unwisely chose to play on: wrong choice, as while we were "rested" (that being a relative term), the other team was WARM, having just played. It's cold up there even in the shade (50s at midday in Summer), and we finished under car lights.
In the previous Thread (last year?) I recounted my hypothetical World Record for (adjusted) Pentathlon: 100m, LJ, D, SP, 1500m. No Jav in sight, so SP subbed. After I ran mid-11s (Yes, hand-timed it was all over, so I certainly gave the 1500 a pass.
Re: Highest tracks in the US?
They will? There's nothing up there. About 10 years ago, at a meeting in Keystone, I biked up there to see what that hillclimb was like (it was hard and I was in better shape then!). What I most remember is that it was July, and about 90 degrees at Keystone, but it was in the 40s when I got to the top. I was freezing coming back down.
Re: Highest tracks in the US?
Obviously I was joking. The only reason I brought it up was that you can drive to the top so at least there is parking. Just like Pike's Peak. I have been up Mount Evans a few times. And yes, it is freezing up there most of the time.
Re: Highest tracks in the US?
R&D Dept has determined the track at Summit HS in Frisco, CO, is asphalt, making the Woodland Park HS track the highest all-weather track in the nation, as far as I can tell.
So what about Mexico, South America, and Asia (Europe seems unlikely)? Anyone know abhout any track over 9000' above sea level there?
Re: Highest tracks in the US?
La Paz is at 3598 oxygen-sucking meters (11,804 feet).
Fernando Acevedo of Peru set the national record of 10.43 there, but he's better known as a quarter miler. Believe he also ran a sub-46 there, at a time when we didn't realize just what the effects really were, and he briefly was seen as a "breakthrough" kind of guy.
Re: Highest tracks in the US?
Looks like a couple of years ago the Peruvian Institute of Sport installed a new Rekortan track in Puno at the Enrique Torres Belón Stadium, which is a bit higher than Jack's estimate (and higher than La Paz) at 3,829 m (12,562 ft).
Re: Highest tracks in the US?
We have a new winner. Stadium Victor Agustin Ugarte, Potosi, Bolivia, has a nice, blue all-weather track.
12,762' Stadium Victor Agustin Ugarte, Potosi, Bolivia
12,532' Enrique Torres Belon Stadium, Puno, Peru
11,811' El Estadio Olímpico Hernando Siles- La Paz, Bolivia
(I'm working off Wiki's list of highest SA cities, and getting the altitudes from GoogleMaps terrain view.)
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Council Members
The charge of the CSAC is to promote a positive professional environment for all classified employees (represented, non-represented, limited term and project appointment), support professional development activities, encourage informed communication among classified staff and with the broader University community, and to serve as advisors to the Chancellor and other University administrators.
The committee has 17 members, each serving a three-year term with a maximum of two consecutive terms. Terms are staggered so that 5-6 seats are open each year. Nominations to fill vacant seats and the subsequent voting is done in March of each year, with those chosen taking their seats in May.
2013-2014 elected members are:
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by Karls, Peggy L. — last modified Mar 17, 2014 09:59 AM
Copyright 2014 The Board of Regents of the University of Wisconsin System


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"The thing lurking under your bed always has sharper claws
and bloodier fangs than the ones you imagine. . . ."
Copyright © 2013 James Lowder. All Rights Reserved.
Thranian folk saying
Latest news.
Publications lists
and cover galleries.
Guest Suites
Links to publishers and
other sites of interest.
Screaming Tower
Author biography,
interviews, and other
online resources.
The Virtual Abode of
Author and Editor
"The Night Chicago Died" available in August
January 24, 2013. James Lowder's novella "The Night Chicago Died," featuring his pulp mystery man character The Corpse, will be part of
Super Stories of Heroes & Villains
an all-star anthology of superhero tales coming this August from editor Claude Lalumirère and Tachyon.
With hard-hitting stories from masters of the genre and fresh new talents, this vastly adventurous anthology collects some of the most exciting and original superhero stories of the past few decades. The origins of caped crusaders and their ingenious nemeses will be uncovered, their terrible secrets revealed, and their victories and defeats chronicled. From luminaries such as Jonathan Lethem and Mike Mignola to rising stars including Leah Bobet and Camille Alexa, this exciting blend of voices will release these guardians and villains from their common realm of comics, graphic novels, and movies and sets them free to roam in the wild world of prose and their readers' imaginations.
The full line up:
Introduction "The Return of the Super Story"
Kim Newman "Übermensch!"
Chris Roberson "A Knight of Ghosts and Shadows"
Steven Barnes & Tananarive Due "Trickster"
Leah Bobet "They Fight Crime!"
J. Robert Lennon "The Rememberer"
Christopher Golden & Mike Mignola "The Nuckelavee: A Hellboy Story"
A.M. Dellamonica "Faces of Gemini"
Kelly Link "Origin Story"
Rachel Pollack "Burning Sky"
James Lowder "The Night Chicago Died"
Ernest Hogan "Novaheads"
Kurt Busiek "Clash of Titans (A New York Romance)"
Cory Doctorow "The Super Man and the Bugout"
Carol Emshwiller "Grandma"
Jonathan Lethem "The Dystopianist, Thinking of His Rival, Is Interrupted by a Knock at the Door"
Jack Pendarvis "Sex Devil"
Benjamin Rosenbaum "The Death Trap of Dr. Nefario"
George Singleton "Man oh Man It's Manna Man"
Paul Di Filippo "The Jackdaw's Last Case"
James Patrick Kelly "The Biggest"
Win Scott Eckert "Philip José Farmers Tarzan Alive: A Definitive Biography of Lord Greystoke"
Jess Nevins "The Zeppelin Pulps"
George R.R. Martin "Wild Cards: Prologue & Interludes"
Carrie Vaughn "Wild Cards: Just Cause"
Tim Pratt "Bluebeard and the White Buffalo: A Rangergirl Yarn"
Will Clarke "The Pentecostal Home for Flying Children"
Camille Alexa "Pinktastic and the End of the World"
Gene Wolfe "The Detective of Dreams"
The book will be available in bookstores, online, and directly from the publisher
trade paperback
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Luke Arnold co-stars on the new pirate adventure series, 'Black Sails.' he plays John Silver, who's described on the Starz website as "a lowly sailor turned pirate-recruit…and a born opportunist."
Fun Facts About Luke Arnold: (Source: IMDB)
1) Rising star Luke Arnold is a graduate from the Western Australian Academy of Performing Arts. He began his acting career with Australian television, staring in the series McLeod's Daughters, Rush, Rescue: Special Ops, City Homicide, and Steven Spielberg's The Pacific.2) His first feature film role was the lead in Broken Hill, in which he had the opportunity to work with Academy Award winner Timothy Hutton, Spy Kids star Alexa Vega, and fellow Aussie Rhys Wakefield. The film was produced by Chris Wyatt (Napoleon Dynamite) and Julie Ryan (Ten Canoes, Red Dog). Broken Hill, a film about an Australian high school boy with big dreams of leaving the remote outback and becoming a classical musician, won a collection of international festival awards, including Best Feature 13+ at the Giffoni Film Festival in Italy.3) Following Broken Hill, Arnold stared in "The Tunnel", a thriller set in the dark tunnels of the Australian subway system.
"Black Sails" premieres Saturday, January 25th on Starz.
Twitter: @ScrambledLuke
25 FOX DriveDedham, MA 02026
Phone (781) 467-2525


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Source Naturals Wellness Colloidal Silver 30 PPM (118.28 ml)
Source Naturals' Wellness Family of products is designed to support the body's defense system when under physical stress. Source Naturals Wellness Colloidal Silver is produced using a unique electrical process that creates homogeneity, minute particle size, and stability of the silver particles. No animal proteins or artificial additives are used in Source Naturals Wellness Colloidal Silver.
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Don't miss our 7th annual American Craft Beer Fest featuring 640+ beers from 140+ brewers this May 30 & 31 in Boston, MA! Buy your tickets now!
BeerAdvocate on your phone?! True story. Try the beta now.
The ABCS - Jack's Abby Brewing
Displayed for educational use only; do not reuse.
Ratings: 247 | Reviews: 43 | Show All Ratings:
4.05/5 rDev -3.3%
look: 4 | smell: 4 | taste: 4 | feel: 4 | overall: 4.25
I think this is a genius brew. its a german style pilsener lager, with a great dose of American hops. a beautiful fusion of styles. clear on the pour until the sediment layer is disturbed and it runs a little hazy. golden in color with a really active white head a few inches high and lacing up well. the nose is dusty german malts on the light side, and aggressive fruity fresh American hops plenty high in alpha acids. clean flavor too, with a floral side of the hops emerging, fresh and springy, a nice contrast to the fuller malt body for the style. jacks abby has effective redefined the American lager, and this might be their best beer to date. so much flavor, soft feel, and snappy hops with lager yeast, a great combo. everything they make is good, this one is fabulous.
Serving type: bottle
10-06-2013 21:14:19 | More by StonedTrippin
Rhode Island
4.19/5 rDev 0%
look: 4 | smell: 4 | taste: 4.25 | feel: 4.25 | overall: 4.25
Poured from the bottle into a pint glass.
The color is a bright orange/gold with two fingers of foamy white head and good amount of lacing is left on the glass.
The smell has a bit of citrus fruit flavor. The hops elevate this a bit while giving off a bit a tart aroma that could be shaping up to hit hard with bitter hop flavor.
The taste is piney at first with splash of pine, and some grassy hops that push the bitterness up a bit. Some hints of mango and tangerine reveal themselves as the bitterness wears down. Some malty biscuit flavor comes out before a slight twang at the end.
The feel of this beer is medium bodied and is really drinkable just as most Jack's Abbey beers are. Crisp and refreshing this beer goes down easy.
Serving type: bottle
07-30-2013 03:16:10 | More by Duhast500
3.23/5 rDev -22.9%
look: 4 | smell: 2 | taste: 3.5 | feel: 3.5 | overall: 3.5
500 mL bottle poured into a snifter.
Appearance - Clear golden orange. Nice white head and surface wisps. Well retained.
Smell - Citrus hops and a little bit of a diaper aroma. Clean diaper, but weird. Some malt.
Taste - Better. Hoppy. Citrus and more pine comes out. Clean malt. Bitterness and oily hop resins linger in the finish.
Mouthfeel - Medium body. Closer to medium heavy. Medium carbonation.
Overall - Decent. Smells kinda bad, but redeems itself.
Serving type: bottle
06-25-2013 01:30:28 | More by Alieniloquium
3.8/5 rDev -9.3%
look: 4.5 | smell: 3.75 | taste: 4 | feel: 2.75 | overall: 3.75
Served in a glass chalice.
Bottled 3/28/13
Medium amber, orange color, fairly hazy with a huge white foamy head. Aroma is of citrus, piney hops, and some floral aspects as well. Taste-wise there's a lot of tropical stuff going on here, some orange and other really bright flavors. The piney notes are not as pronounced as the smell suggested. The IPL finishes really nicely - clean and dry on the palate. As I drink, there isn't much lacing but the head retention is good. Unfortunately the carbonation level is kind of lacking – it seems a little bit flat. This is a good one, but I much preferred Jack's Abbey's Kiwi offering over this.
Serving type: bottle
06-23-2013 20:16:21 | More by greenmtn1111
3.4/5 rDev -18.9%
look: 3.5 | smell: 3.5 | taste: 3.5 | feel: 3.5 | overall: 3
Appearance: 1 inch head, orange-gold in color, hazy, moderate carbonation
Smell: tropical fruits and piney hops
Taste: tropical fruits and piney hops
Mouthfeel: moderate carbonation, medium bodied, slightly bitter with some sweetness
Overall: Jack's Abbey is pretty hit and miss with me and while this is not a miss, it is not a hit either. The flavors are clean and fruity. Style wise it is fairly true, but it is just missing that wow factor that would make me want to get this again. Not a bad beer, just one I would most likely not get again either.
Serving type: on-tap
06-21-2013 12:50:38 | More by tigg924
West Virginia
4.24/5 rDev +1.2%
look: 4.5 | smell: 4 | taste: 4.25 | feel: 4.5 | overall: 4.25
A- pours clear and bright golden color with an enormous creamy and foamy white head that retains long after the pour, leaving behind thick patches of lace
S- lots of fruity notes with a bit of mango and papaya, some citrus hop with lemon zest, a bit of crackery malt and hemp
T- tropical fruity notes lead to citrus and pine resin, hop profile is huge mid-palate with sweet mango and grassy hop, long fruity citrus linger on the palate with just enough malt to contain the huge hops
M- medium body with lively carbonation, creamy mouthfeel leads to a clean, crisp and refreshing mouthfeel
O- loaded with hops and high ABV, but super crisp and refreshing with high drinkability. The hop punch of a DIPA with the crispness of a pilsner.
Serving type: bottle
06-21-2013 00:00:20 | More by Treyliff
4.18/5 rDev -0.2%
look: 4.25 | smell: 4 | taste: 4.25 | feel: 4 | overall: 4.25
I picked up a couple bottles of this at the brewery.
Poured into a Duvel glass, the appearance is a light golden color, a finger of a white colored head. Its` nose has grapefruit, sourdough bread, other tropical fruit too. Sipping on this offering from JA and I taste earthy hops, pineapple, grapefruit, some pine. This is a very nice imperial pilsner. Mouthfeel is medium, a bit chewy, small amount of bitterness in the finish. I was happy to get some of this and certainly satisfied after trying it.
Serving type: bottle
06-12-2013 22:22:24 | More by mltobin
Ontario (Canada)
4.44/5 rDev +6%
look: 4.25 | smell: 4.5 | taste: 4.5 | feel: 4 | overall: 4.5
Another Jack's Abby bottle shared by Liam
Hazy orange, solid ring of white head here, good amount of lace left on the glass here. Smell is hoppy with a ton of citrus fruit, grapefruit, mango, and some sweet peach candy, a faint suggestion of pine as well with a little bit of crisp malt as well. Taste is heavy on the hops, citrus fruit with a nice bitterness, drying grapefruit flavours with a bit of malt in here as well. Low-medium carbonation, fairly full bodied with a nice oil to it. Awesome stuff here, lovely juicy hop flavours with a definite lager quality to it, great stuff here.
Serving type: bottle
05-21-2013 20:27:58 | More by peensteen
4.35/5 rDev +3.8%
look: 4.5 | smell: 4 | taste: 4.5 | feel: 4.5 | overall: 4.25
MFG 03.28. Looks like they went from a generic printed month on some labels to an actual date stamp. 500 ml bottle into a tulip glass.
A - Pours a clear amber body. An absurd amount of foam forms after the pour, four fingers worth of bone white foam just over flowing out of the glass. Takes a while to calm down. Really excellent lacing with decent retention.
S - Pine and grapefruit. Faint malts. Oily and dank, but not as overpowering and intense as I was anticipating.
T - Pine, resin, and some bitter grapefruit juice washed away by a clean and crisp finish. Its a really interesting beer in the fact that it starts off with a huge wave of flavor but it casually turns into something light and drinkable with a bit of a crackery malt. Long lasting bitterness with a lingering citric fruitiness. Damn you Jack's Abby and your crazy lager magic!
M - Medium bodied and crisp, this is dangerously drinkable. The 7.5% abv seems unbelievable.
O - I went into this beer expecting a hop bomb (100+ IBU's, 7.5%, multiple big name hop varieties) but that is not at all what this beer is about. In typical Jack's Abby fashion you get a whollop of flavor in a light and approachable vessel.The kind of beer that you could easily polish off a growler solo while destroying your palate. These guys continue to amaze me.
Serving type: bottle
05-16-2013 01:55:34 | More by davey101
4.43/5 rDev +5.7%
look: 4 | smell: 4.25 | taste: 4.5 | feel: 4.5 | overall: 4.5
A: Pours a very clear light golden hue. A thin white head emerges, and mostly stays as a creamy layer floating on top.
S: Pretty hop forward, especially for a pilsner/lager. Piney, grassy, and peppery. A little hint of lemon peel.
T: Bitter and spicy. Lots of earthy hops with a resinous piney flavor. A tiny hint of some citrus at the very end.
M: Very crisp, very dry, and light bodied. Prickly carbonation, with a touch of warming alcohol on the back of the throat.
O: I can't get over how impressed I am every time I try a new Jack's Abby brew, and this is no exception. Blind, I gotta imagine people would assume this is a hoppy IPA, but with a cleaner more crisp bite. Absolutely delicious.
Serving type: bottle
05-16-2013 00:20:44 | More by brydeen
Rhode Island
4.18/5 rDev -0.2%
look: 4.5 | smell: 4.5 | taste: 4 | feel: 4 | overall: 4.25
Consumed 5/14/13
Appearance: Light copper from a distance, more of a dark gold when held up to the light - lightly hazy, pours with a gigantic, off-white head - fades to a nearly solid, creamy cap, leaves some serious streaks of lacing - prettiness confirmed
Smell: Holy dry-hopping, Batman - very hoppy, with loads of pine, citrus, and dank weed - fleshy orange, grapefruit - tropical fruits - resiny pine - grassy, herbal notes, and weed - an earthy spiciness that smells somewhere between mint and cilantro (if such a place exists) - some light caramel malts in the back
Taste: Sticky, bitter pine - almost as hoppy as the aroma, with a load of sticky, wet pine - citrus comes next, with some fleshy orange, tangerine, and grapefruit - some more tropical fruits - some oily, sticky citrus rind and pith, too - earthy, grassy, floral - very bitter, but not palate destroying (but palate damaging) - the lager base is here, and it's very lager-y - pale mats, with some spicy yeast
Mouthfeel: Medium body, very smooth, nicely carbonated, oily and sticky with a a lingering bitterness
Overall: Just easy as A-B-C (do the dance, do the dance)
Best consumed while listening to Justice's D.A.N.C.E. (potentially on repeat). This offer from Jack's Abby is pretty ridiculous. It's extremely hoppy, borderline abrasively bitter, but in the end it's still a lager. I'm glad I picked up a bottle of this.
Serving type: bottle
05-14-2013 06:17:07 | More by angrybabboon
4.11/5 rDev -1.9%
look: 4 | smell: 4 | taste: 4.25 | feel: 4 | overall: 4
Bottle opened on 4.21.13
Dated 03.29.2013
A - Pours a cloudy medium orange with a huge yellow-light tan head with good retention and nice lacing left on the glass.
S - Lots of citrus, orange and lemon mostly followed by some hop pine.
T - Orange peel, then some grass and pine, a touch of alcohol heat.
D - Good carbonation and a medium body.
O - Hoppy citrus and pine with more alcohol and flavor than I have ever had with a lager.
Serving type: bottle
05-14-2013 04:36:25 | More by HuskyinPDX
4.4/5 rDev +5%
look: 4.5 | smell: 4.25 | taste: 4.5 | feel: 4.5 | overall: 4.25
500ml bottle poured into a snifter.
A: Golden in color with a mild haze. Four fingers of creamy white head retain insanely well. Foamy rings of lacing stripe the glass.
S: Intense starfruit and pineapple. Wet leaves, earthy, slight pine resin. Lemon zest and tangerine. Tropical esters. Bursting with tropical aromas. Pilsner malt almost gets lost beneath the hops.
T: Explosion of tropical fruits. Starfruit, tangerine, lemon zest, pineapple, honeydew melon, kiwi. Hop tastes shift and go dank and piney, herbal and spicy. Bitterness builds and becomes formidable. Peppery. Malt base is biscuity with a slight toasted edge. Gripping spicy hop bitterness lingers on a long finish.
M: Medium bodied. Very full and firm in the mouth in that classic lager sort of way. Creamy. Prickling carbonation.
O: Impressive. Much of the hop flavor spectrum is represented in one glass. A hop-head's delight.
Serving type: bottle
05-11-2013 17:01:37 | More by ryan1788a5
North Carolina
4.28/5 rDev +2.1%
look: 4.25 | smell: 4.25 | taste: 4.25 | feel: 4 | overall: 4.5
Served on-tap at Lord Hobo in Cambridge, MA
A: Pours a clear deep golden yellow in color with light to moderate amounts of visible carbonation and some apricot + orange highlights. The beer has a finger tall fluffy white head that slowly reduces to a large medium thick cap, a very thin film covering the remainder of the surface of the beer, and a thin ring at the edges of the glass. Moderate amounts of lacing are observed.
S: Strong aromas of citrus/grapefruit/orange, pine, and tropical/mango hops and light notes of caramel sweetness.
T: Light flavors of bready malts and a touch of caramel sweetness underneath the strong flavors from the hops. There are strong flavors of citrus/grapefruit/orange, pine, and tropical/mango hops. Moderate to strong amounts of bitterness which fades slowly.
M: Medium bodied with moderate amounts of carbonation. Moderate amounts of dryness in the finish.
O: Wow, I can't believe this is an American Imperial Pilsner as I would have sworn it was a DIPA. This was a very good beer and I would love to be able to get this easily where I live... unfortunately I was only able to get it while visiting Boston on vacation. Totally recommend this one.
Serving type: on-tap
05-06-2013 23:45:34 | More by dbrauneis
4.39/5 rDev +4.8%
look: 4.5 | smell: 4.5 | taste: 4.25 | feel: 4.5 | overall: 4.5
Poured in a stein: a beautiful light golden color with a 3 finger head which resolved itself.
Strong grapefruit and citrus wafted from the head.
The mouth feel was pleasant and tingling.
The taste is strong grapefruit, grapefruit rinds, and loads of hops.
The 100 IBUs are apparent with the warm spicy bitterness felt on the back of the tongue.
Another excellent beer from Jack's Abby- creating a new American craft lager.
Serving type: bottle
05-04-2013 00:59:20 | More by brureview
4.3/5 rDev +2.6%
look: 4.25 | smell: 4.5 | taste: 4.25 | feel: 4.25 | overall: 4.25
Bottle thanks to BobZ poured into a Hill Farmstead taster.
Pour: Bright, mostly clear orange with a finger of sticky, frothy white head. Lots of lacing through out, and even a bit of alcohol coating.
Smell: Right from opening the bottle, big burst of resinous pine and bright citrus. Very slick with hop oils, even on the nose. Dank, lightly grassy. A touch of bready malt and a light waft of lager yeast.
Taste: Follows the nose with an aggressive hoppy pine, tangerine, and grassiness. Quite bitter, more so than I expected. More doughy sweetness in the middle, and a touch of honey. Finishes bitter with pine.
Mouthfeel: Bitterness cuts down on the drinkability, but still refreshing. No trace of alcohol.
Overall: Another impressive lager from Jack's Abby. Drinks like an DIPA. Thanks Bob!
Serving type: bottle
05-03-2013 18:43:24 | More by cfrances33
4.24/5 rDev +1.2%
look: 4 | smell: 4.25 | taste: 4.25 | feel: 4.25 | overall: 4.25
The ABCS opens to exactly the kind of nose one would expect from a double IPL with 100+ IBUs: massive waves of dank hoppy goodness, with dandelion stem, lemon oil, pine resin, pink grapefruit, grapefruit rind, mint, eucalyptus, and grass oozing forth from the open bottle. The aromas are surprisingly faint, but one gets the feeling that this is more because they're so thick that they don't rise easily, instead forming an oily layer that more slides than rises. Still, there's obviously a lot of hops in here, held somewhat in check by orange, apricot, and berry fruit esters, as well as candi sugar, brown sugar, and rosewater. Bits of toast crust and biscuit form a light bready backing, but are mostly drowned by hops and sugars. As a whole, the nose is very nice, and especially for hopheads, represents the sort of rock or icon that people will travel to from thousands of miles away just to touch briefly; it's hard to imagine more hop aromas crammed into one bottle. This does, of course, mean that the aromas will be a turnoff to anyone not familiar with lupulin overabundance, and the sheer strength of the hops puts the beer largely, if deliciously, out of balance.
On the tongue, the beer is almost exactly as bitter and hoppy as should have been expected: thick swaths of dandelion stem, mint, eucalyptus, grapefruit, pine resin, and mint attack the tongue and soft palate, burning and etching their way into the flesh. The bitterness here is extreme, but balanced, with an impressive variety of almost every conceivable hop flavor working in perfect harmony to irreversibly wreck your palate. There are also bucketloads of sugar in here to try and keep the hops in check, with orange oil, apricot, and berry fruit esters, as well as brown sugar, and bits of toast crust and biscuit lodged in a lifejacket somewhere way in the back, hanging on for dear life. The aftertaste is a long-burning hop fuse that is, even after thirty seconds, more potent than an actual mouthful of many beers. Mouthfeel is medium to medium-heavy, and carbonation is medium.
Overall, this is very good beer, and once again, hophead heaven. At the same time, the sheer hoppiness of it all does imbalance the beer, and I suspect there are many people who would find this unpalatable, the hops coming across more like burnt anise seeds in fresh-squeezed grapefruit juice. But for a paltry $4.50 per bottle, you're really not going to find more flavor for your buck. Recommended.
Serving type: bottle
05-03-2013 17:58:31 | More by jondeelee
North Carolina
4.05/5 rDev -3.3%
look: 4.25 | smell: 4.25 | taste: 3.75 | feel: 4.5 | overall: 4.25
A: Pours a slightly hazy yellow-gold with two fingers of foamy white head that fades into a thin layer with good lacing.
S: Sweeter citrus notes up front followed by strong notes of grapefruit and pine. The aroma finishes sweet.
T: Grapefruit and resiny pine dominate the earthy flavor. The finish is fairly bitter with a citrus rind flavor.
M: Mid-light body with medium-high carbonation, this beer is surprisingly light and crisp for such a hoppy beer. It works well, though.
O: A good beer overall. It's a bit heavy on the bitterness and any of the lager characteristics of the beer (except for the lighter body) are lost under the hops. Still, it's quite enjoyable.
Serving type: bottle
05-02-2013 12:10:41 | More by n2185
4.19/5 rDev 0%
look: 4 | smell: 4 | taste: 4.25 | feel: 4.25 | overall: 4.25
16oz, Bottled 3/28/13
Riedel tulip
A: Pours a hazy golden orange color. Fluffy off white pillow layer of two fingers of head. Good carbonation. Some layers of lacing sheeting.
S: Funny that the S isn't silent, definitely getting that Simcoe. Cat pee. Big fruity hop notes. Citrus. Pine. Grainy notes, but lower on the malt bill.
T: Nice punch of hop bitterness on tip of the tongue. Then a rush if the other hop flavors, Calypso and Simcoe seem to come to the forefront. Getting fruit: peach and mango. As for a malt bill, it's thinner due to lagering. Finish is crisp and dry and clean.
M: Light medium bodied beer.
Serving type: bottle
04-22-2013 13:55:30 | More by inlimbo77
New Hampshire
4.35/5 rDev +3.8%
look: 4 | smell: 4.25 | taste: 4.5 | feel: 4.25 | overall: 4.25
Presentation: 500 mL bottle with a bottled on date of 3.28.2013. Chilled and poured into a Hill Farmstead tulip.
Appearance: Bright orange and slightly hazy in color. Pours a light, one finger white head. Leaves a great sticky lacing around the glass.
Aroma: Pineapple sweetness, some earthy pine, and some grapefruit notes reach out upfront. The hop presence is really strong and there's only not much in the way of malt backbone. Really bright and fruity.
Tasty: Grapefruit, pineapple, and mango notes upfront. Definitely more on the tropical end of the spectrum but with some strong earthiness and pine. Pretty strong bitterness on the end of each sip after an initial juicy burst. A dry finish.
Mouthfeel: Light bodied and refreshing for the ABV, which is hidden exceptionally well. A light, dry finish.
Overall, a really tasty, hoppy and bright lager. Really refreshing with some great juicy tones that finishes dry and light. Very well done and priced incredibly fairly.
Serving type: bottle
04-21-2013 19:51:38 | More by Gosox8787
4.19/5 rDev 0%
look: 4 | smell: 4.25 | taste: 4.25 | feel: 4.25 | overall: 4
Good head for a bar pour. Lingering single layer of bubbles throughout the tasting. Nearly a blanket of lace. The liquid is hazy with a light golden color.
Strong evergreen and grapefruit rind aroma. Smells like DIPA.
The taste is dessert dry and hop-pellet suckingly bitter. Very full body for a Pilsner. Doesn't have the crispness one would expect from a lager. The alcohol is well hidden with the strong hop bitterness. Low carbonation. Long, long aftertaste.
This is overhopped for the style, but one cannot say that this isn't flavorful and best enjoyed by hopheads.
Serving type: on-tap
04-21-2013 16:13:41 | More by smcolw
New York
4.39/5 rDev +4.8%
look: 5 | smell: 4.5 | taste: 4.25 | feel: 4.25 | overall: 4.5
Straight pour from a 0.5l / 16.9oz / 1 pint 0.9fl oz pry-off bottle to my nice Tired Hands stempiece; Bottling date of March 28 printed in black ink on the far left-hand side of the label ("MFG 03.28.2"—though I suspect the last numeral is an error of some sort). So that makes this a day under three weeks old.
Appearance (5.0): Nearly three fingers of bone-white foam comes off the pour, forming a very tight, elegant head that dies down very slowly. It shows good retention, leaving even collars all the way down and good lacing between. Honestly it's almost a wall of lace on the far side of the glass. The body has a slight chill haze, giving some depth to this deep honey-colored beer. Just awesome, through and through. This might be perfect, actually.
Smell (4.5): Loads of sweet, rich citrus tones: mango, papaya, passionfruit, candied orange peel, etc. And, some very solid floral tones (sweet, almost like hibiscus) along with some subtle, pale but sweet malt scent underneath—very, very nice.
Taste (4.25): GAHH! Oodles of dry citrus bitterness (white grapefruit peel) and nearly astringent herbal tones, fleshing out a very solid bitterness (but not quite to the point of harshness, per se—not too over the top). There also are some subtlely lemony bitter tones in there, too. The malt is dry, crackery, crisp, and slightly nutty underneath with lovely toasted wheat bread tones, too, which mesh well with the citrus pith bitterness. As it warms, some very subtle floral tones come out, which I'm really digging as it goes on. The hops profile also shows more and more funky, resinous Simcoe character as it warms, which I dig. This shit is rad. No sign of booze or anything else.
Mouthfeel (4.25): So crisp, so dry, so drinkable. The pale malt body helps the hop oils make the body feel simultaneously slick and dry. The carbonation is subtle, with a soft but full foaming effect on the way down, with a spicy tingling character in the middle. Very, very well done. So awesome, but way too easy to drink (as if that's a thing).
Overall (4.5): This is an outstanding beer, if you ask me (which presumably you did, if you're reading this review). It doesn't have the sweet fruit and dynamic hops character of Hoponious Union, exactly; instead, it moves toward pithy citrus bitterness, some resin, and an amazing nose. Jack's Abby really does the aroma hops fantastically well. You can SEE the dry-hopping in the beer, too, with all of that amazing lacing. This is an excellent beer. IPLs and DIPLs need to be a much more common thing, in my opinion, so way to go Jack's Abby for leading the way.
Serving type: bottle
04-18-2013 00:09:36 | More by fmccormi
4.34/5 rDev +3.6%
look: 4.5 | smell: 4.5 | taste: 4.25 | feel: 4 | overall: 4.5
500 mL bottle poured into a Sam Adams Perfect Pint glass. Bottled 3/28/13.
A -- Beautiful golden color. Ultra clear body. Three fingers of fizzy pale yellow-white head.
N -- Wow. Really strong hops. You can smell them from relatively far away. You don't need to get your nose right in there like you usually do. Really pleasant floral and grass smells. Citrus and pice spice notes too. Very, very fragrant.
T -- Hops again, obviously. Grassy. Good for the summer months. Apricot taste with the pine resin. Quite flavorful and tasty. The malt background of the lager is kind of overwhelmed, but I think that is quite all right.
M -- The hops are kind of dry, but not super dry like with SA Noble Pils. Not heavy at all for a bigger than normal beer. Easy drinking. Possibly dangerous!
O -- Excellent. Very good hops profile here. A lot to like. Brings a lot to the table without taking anything off. Get it while its still relatively fresh.
Serving type: bottle
04-18-2013 00:07:39 | More by tkelley
3.95/5 rDev -5.7%
look: 4 | smell: 4.25 | taste: 4 | feel: 3.5 | overall: 3.75
16.9 fl oz brown bottle served in a tulip.
Dull, slightly cloudy gold in color. Very active carbonation that fuels a frothy, bright white head that plasters the rim of the tulip. For the most part, thin and spotted lacing with good strength.
Bright tropical fruit aromas: lime, honeydew, and pine, balanced by clean, bright pine hops. Clean, pale malt character with just a touch of sweetness, imparted mostly by the fruity esters. Notes of lemongrass with a touch of herbs, cilantro.
The pale malt character provides just enough of a backbone for the intense hop profile; clean, yet somewhat bland grains. Unlike the aroma, the primary flavor component is weighted more towards the spicy than the fruity along the hop spectrum. Pretty intense pine along with some herbs that provides a moderate earthen quality. A slightly fresh, juicy honeydew, pear, and peach follow an almost gritty, earthen bitterness.
Medium in body. Drinks a bit light and refreshing in spots, but the spiciness, sweetness, and herbal flavors retract from this beer's ability to quench your thirst. A bit too active on the palate for the style.
A really clean, crisp, and fresh lager with a ton of flavor going on here, surprising for the style. With that said, maybe a little too much going on with the combination of hops.
Serving type: bottle
04-14-2013 18:33:44 | More by NEhophead
4.11/5 rDev -1.9%
look: 4 | smell: 3.75 | taste: 4.25 | feel: 4 | overall: 4.25
Poured this into a small white wine glass at the Collonade hotel in Boston, room 544. Bought at the Bauer wine and spirit at Newbury street just a few blocks away.
Orange golden clear body with plenty of fine carbonation that forms a bright white head of one finger that reduces soon to a thin layer leaving nice lacing 4
Aroma is moderate citric hops, tangerine, orange and some biscuit malts. 3.75
Taste follows aroma at least in the beginning before bitterness starts dominating the palate. Hops are nicely balanced with the biscuit malts. Long lasting bitter aftertaste. Actually, when you think it is finally gone, it comes back one more time. 4.25
Medium body slightly oily body with crisp carbonation. 4
One of the most tasty lagers that I have ever drunk. Great effort on balancing the tremendously high 100+ IBU with the malts. I am not sure if I really enjoy this long lingering bitterness, but I know you American hopheads do. Respect to Jack's Abby brewing for amazing me with this one. 4.25
Serving type: bottle
04-14-2013 16:12:13 | More by safaricook
The ABCS from Jack's Abby Brewing
93 out of 100 based on 247 ratings.


text:
The editors favorite innovations to help you do your job better--or at least have fun trying. Get the Message he pitfall with most pagers is that when the user is out of range, their messages may be lost. For event planners, that can be often: in flight, driving between coverage areas or through a tunnel, or when the pager is turned off. Motorola has come out with a product called Page Finder that gets around the problem. The paging system "finds" the mobile user, stores the message while the pager is out of range, and immediately forwards it when the pager is back in range. OtherPageFinder features include anti-glare display, a choice of alert tones, the ability to store messages, a pro grammable alarm clock, along with a date and time display. PageFinder was introduced in late 1997 through SkyTel, but is now widely available. For more information, visit the Web site for Motorola's message systems products at www.motorola.com/pager.
Be the First on Your Block So just how dedicated are you to having the very latest in geek gear? If you have eight thousand bucks fluttering around in the petty cash drawer, consider this scenario: You've tried room diagramming software like Optimum Settings or Meeting Matrix, but you just don't get the feel of the meeting space.
So you go on the site inspection, and then you wish you had your software on hand to plot out where you want the risers on the stage. Haul along a laptop? Gee, anybody could do that. On the other hand you could don your Xybernaut Mobile Assistant II wearable computer and literally keep one eye on the room and the other on your computer screen's room schematic. And, you will look waaaaay cool. In addition to coming loaded with Windows 95, the Mobile Assistant also has Verbex Listen for Windows 95, because Xybernautics believes that a hands-free computer ought to respond to voice commands. Of course there's also a mini-keyboard that straps to your wrist--useful if you have a sudden urge to write a new program in Visual Basic while walking from the meeting site to the parking lot.
Other goodies include a wireless connection to the Internet as well as a headset-mounted, color video camera whose images can either be transmitted immediately or stored on the hard drive. List price, loaded: $8,455. Call (888) 992-3777 or see the Web site at www.xyber naut.com.
No, you can't get a life-size replica of your company's old mainframe, but Ann Hemyng Candy Inc. can produce other wonders in chocolate. The Trumbauersville, Penn.-based confectioner makes disks, chips, and tiny computers to satisfy every attendee's sweet tooth. Custom shapes can be created. For more information, call (800) 779-7004 or (215) 536-7004, or visit the online chocolate catalog at www.chocolateshop.com.
Verified space? I don't need no verified space . . ." and with that you scan the far wall of the ballroom with your trusty Seiko ProMeasure+, a tapeless device that ultrasonically measures room dimensions, including heights, at the push of a button. The large digital read-out displays the measurement in both feet and inches and in meters and centimeters.
It also features a high-accuracy conversion calculator, so when you're in a convention center and a decorator tells you an average cost per foot for carpet, you can calculate it on the spot, accurately.
Call (800) 873-4508 to locate the nearest dealer.
Some folks are busy. Some folks (like you) are really busy. And 3Com's Palm III connected organizer is for you. Enjoy being organized? Indulge your anal-retentive side with the Palm III's to-do list function, which will keep track of up to 1,500 chores. Always find the right contact by consulting its 6,000-capacity address book. Keep track of up to 3,000 appointments, and let people know you're coming by using the Palm III's e-mail messaging capability. It will store as many as 200 e-mail messages. Best of all, the Palm III organizer offers infrared transfer capabilities. Simply aim and "beam" data, notes, schedules, applications, or your business card to your PC or to other Palm III users. It also does mundane stuff like create expense reports that can be transferred directly to an Excel spreadsheet.
At just under five inches tall and six ounces (with batteries), the Palm III fits in your shirt pocket or purse. At $400, no self-respecting control freak should be without it. Visit 3Com's site at palmpilot.3com.com.
It's a camera. It's a tape recorder. It's a video recorder.It downloads still, video, or audio files into your computer. It's the Swiss Army Knife of the camera world: The Ricoh RDC-2. It takes pictures at a good 768x576-pixel resolution at 35mm and 55mm settings. It can take still pictures with approximately 10 seconds of 8-bit 11KHz audio (sorry, mono only) using its built-in microphone. It will record sound like a digital tape recorder, although only into RAM. It can create video files made up of still pictures shot at 0.9-to 1.5 second intervals.These images can be directed to a video monitor with an included video-out jack. The device measures an inch deep, three inches high, and just under six inches wide. It uses AA alkaline batteries and weighs just over half a pound (without batteries). It retails for about $800. Call (800) 225-1899 for more information,or visit www.ricohcpg.com
For guaranteed oohs and aahs, light up Glitzzzz sparklers when attendees least expect it. Set off with a wireless transmitter, the light show lasts for 45 seconds and showers sparks two-and-a-half feet in the air. Used as a centerpiece, on stage, or to decorate the dessert table, the sparklers are controlled remotely with JTECH Inc.'s Party Pager System. Call JTECH in Boca Raton, Fla. at (800) 321-6221,or visit www.jtechinc.com.
Tecnotes, a Westhampton Beach, N.Y. promotional products company, started cutting up printed circuit boards in 1989. At the time, the company used the obsolete hardware to create a flip-top note pad but since then has expanded its product line to include clocks, clipboards, binders, address books, business card cases, and more. The latest addition to the line is the Cyber Bag Tag. All products can be imprinted with company logos and custom shapes are available. For more information, contact Tecnotes at (516) 288-1010, (800) 321-6221, or email@example.com; or visit the company Web site at www.tecnotes.com.
In 19 cities, ranging from Tampa to Seattle, you can now order a PC--complete with Internet connection, color printer, fax, copier, and scanner--and have it rolled into your room along with your morning coffee. In fact, the Nomad workstation, provided to hotels and resorts by Carabiner International, is available whenever you want it--along with 24-hour technical support provided by Hewlett-Packard. By the end of this year, Carabiner plans to have Nomad service available at more than 100 hotels. To learn more, call Carabiner at (404) 836-1866.


text:
Diabetes HealthSense
Resources for living well
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American on the Move is an evidence-based nonprofit dedicated to helping you take small steps and make small lifestyle changes for a healthier way of life. This website will help you improve your health and quality of life through healthful eating and active living. Includes an online community, articles on making healthy choices, and more. En español
America on the Move (AOM)
This project works to advance nutrition and physical activity policy in schools and communities in order to prevent obesity and its associated chronic diseases. It develops research-based, user-friendly tools and resources to educate audiences on nutrition and physical activity issues and help groups take action to implement strategies that will improve nutrition and physical activity environments. En español
California Project LEAN
ChooseMyPlate.gov from the USDA illustrates the five food groups that are the building blocks for a healthy diet and provides tools for diet/calorie tracking and information on weight management, physical activity, and healthy eating. Some materials available in Spanish.
U.S. Department of Agriculture (USDA)
This bilingual Spanish and English guide provides healthy tips for reducing salt and sodium in your diet to lower your blood pressure. En español
National Heart, Lung, and Blood Institute (NHLBI)
Eat More, Weigh Less? provides information about cutting caloric intake to successfully lose weight. Details include a list of nutritious and filling foods, healthy ingredient substitutes for recipes, and ways to cut calories without eating less.
Centers for Disease Control (CDC)
This meal planning curriculum is for people living with diabetes and their support persons. The curriculum incorporates participatory nutrition education, food preparation activities, and tasting of foods. En español
Oregon Diabetes Program
This online tracking tool lets you track what you eat to manage your diabetes and prevent the onset of complications. Explore nearly 5,000 foods and find recipes and healthy alternatives to improve your meals. En español
American Diabetes Association (ADA)
This tip sheet helps Hispanics/Latinos at risk for type 2 diabetes move more and eat less to reduce their risk. En español
National Diabetes Education Program (NDEP)
This comprehensive kit includes reproducible patient education handouts on 29 topics related to cardiometabolic risk reduction, prediabetes, diabetes, and CVD. En español
American Diabetes Association (ADA)
On this website you'll find suggestions for reducing the number of calories in what you drink and help deciphering nutrition facts labels. En español
Centers for Disease Control and Prevention (CDC)
This toolkit provides materials to begin a community outreach program with African Americans and Hispanics/Latinos at risk for type 2 diabetes, reinforcing the message that type 2 diabetes can be delayed or prevented. CME credit available. En español
National Diabetes Education Program (NDEP)
This booklet helps people with diabetes make wise food choices to prevent health problems and keep blood glucose levels on target. En español
National Institute of Diabetes and Digestive and Kidney Diseases (NIDDK)
This online resource from the American Diabetes Association® provides helpful information and first steps for taking control of your type 2 diabetes. En español
American Diabetes Association (ADA)
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Bank of America and Feeding America are working this holiday season to raise awareness and support for hunger relief through the Give A Meal campaign.
For every $1 donated from November 18 through January 10, 2014 to Feeding America or local food banks via www.bankofamerica.com/give, the Bank of America Charitable Foundation will contribute $2 more, up to a total match of $1.5 million.
The Give A Meal campaign kicked off locally when more than two dozen Bank of America employee volunteers sorted and packed food for area families at Philabundance, a Feeding America affiliate. Philabundance is the area's largest hunger relief organization, serving more than 72,000 people each week. More than 900,000 Delaware Valley residents are at risk of hunger and food insecurity, according to estimates.
Visit www.bankofamerica.com/give today to help support hunger relief in the Delaware Valley.