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Parks and Recreation Li'l Sebastian T-Shirt
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must-see movies since 1960
A place for the discussion of all things not closely related to the sport and its competitive side. (as always, locked for the duration of major international championship)
28 posts • Page 1 of 1
must-see movies since 1960
A gallery of choices (a work in progress says the critic) suggested by the readers of the SF Chronicle.
I've only seen half of them, and can't imagine wanting to view more than a dozen of the ones I haven't.
Re: must-see movies since 1960
I've seen about half of them too. Here is the link if anyone is interested.
http://www.sfgate.com/news/slideshow/Mu ... to-3550129
Re: must-see movies since 1960
There's some that get by you for whatever reason. My Fair Lady --the LP-- was probably played 500 times that year (63?) by my mother. I could mouth the words with RexH. I just saw the film last week (It wasn't bad).
Never saw The Alamo (Duke Wayne version). That was bad. The Green Leaves of Summer has become an earworm for me (the Tarantino version).
Re: must-see movies since 1960
Except for two or three, or at least all of the US ones, I have seen all of them that were made last century. And except for The Lord of Rings saga, hardly any of the the others.
Re: must-see movies since 1960
("Three Days of the Condor" was listed twice.)
There are a number of well made movies on the list that I couldn't stand for one reason or another.
What, no Japanese movies?
Re: must-see movies since 1960
Uh oh it starts with "Lost in Translation" and I hated that one, and then it goes to "Borat" and The Artist." Oh wait it's San Francisco...O.K. now I see some good ones. I've seen 110-115 of these, and I agree with 75% of them being great films, and I can even think of a dozen they missed.
As usual with these lists they're light on foreign movies, but if you want to get any of them on Netflix I'd recommend: The Lives Of Others....... Superb
Cinema Paradiso.......... Sublime and a movie for and about movie lovers
Manon Of The Spring
Downfall........Hitler's last days.
After The Wedding
And if you have not seen "The Last Seduction" an American Film noire with a fantastic (and since underused) Linda Fiorentino
Last edited by jeremyp on Fri Oct 05, 2012 12:23 pm, edited 1 time in total.
Re: must-see movies since 1960
I prefer not to say what I've disliked because I don't want to insult anyone else's tastes, but since this is about a group list, and since jeremyp already started, I confess that I also hated "Lost in Translation." I couldn't buy into Bill Murray having been an action hero, and was bored throughout.
Re: must-see movies since 1960
Not intending to hijack the thread, but since two people have mentioned "Lost in Translation" I have to say that I absolutely love it. Probably watched it 15 times and am mesmerized every time. I think Bill Murray was just supposed to be a big American actor, not necessarily an action star.
And I thought Three Days of the Condor was listed twice, but didn't want to go back and check.
Though I've seen 60-some of them, I only really liked about 40-some of them. Different tastes, and all.
Re: must-see movies since 1960
Last century? Oh the pain, oh the injury. Geezers unite!
Re: must-see movies since 1960
I must have purely American sensibilities, because I liked almost all of the USA ones (cept most notably Lost in Translation and Borat and very few others) and didn't like or have no desire to see most of the others.
Re: must-see movies since 1960
Yes, it is sad. But 2000 is when I pretty much stopped going to movies on a regular basis. The Bourne and LOR sagas are pretty much it.
Straw Dogs is an interesting choice. For a Peckinpah film I prefer The Wild Bunch by miles...the only memorable moment I can remember in Straw Dogs is when Hoffman's wife changes a plus sign to a minus, on a blackboard filled with obscure mathematical equations, out of spite. And sure enough Hoffman soon walks in and immediately notices something is wrong and changes it back. The only comical scene in the whole movie.
Re: must-see movies since 1960
It was indeed listed twice.
Re: must-see movies since 1960
wow! as i noted in my original note, it was a "work in progress"; that means that Condor was only listed once when I first read it, and there was no Borat or Lost in Translation.
I think the count was 105 total at that point; it has obviously grown much in the telling.
Re: must-see movies since 1960
Maybe someone thought it was a trilogy and are still waiting for the third day to come out.
Re: must-see movies since 1960
That's OK - very good, underrated movie
Re: must-see movies since 1960
Amazing The Battle of Algiers is not on the list. You might actually learn something.
Re: must-see movies since 1960
I remember seeing it way back when, expecting not to like it, and being pleasantly surprised.
Re: must-see movies since 1960
Very good movie. Max von Sydow is wonderful as the assassin.
Re: must-see movies since 1960
Especially after 9/11.
It's one of many non American exclusions. I would like to see a list of best non english language movies for english speakers.
Re: must-see movies since 1960
It is a sign on gravitation, so of course he knows it has to be negative. I have cited that scene a number of times. I only saw it once, but I thought that the level of tension was ramped up continually through the film without having a bunch of big bangs/guns going off etc. So, I think that version OK.
Re: must-see movies since 1960
Not a bad list as such crapola goes... I agree that about 75% are very strong films. The remainder are a few I haven't seen (mostly the obligatory French productions that any Bay Area critic could not resist including) and too many Woody Allens, along with some just plain stinkers. Inglourious Basterds is one hell of a stupid movie. If I had to watch that one, Reds, JFK and My Dinner with Andre in a quadruple feature I'm pretty sure I'd lose what little is left of my mind.
One issue I have is that the picks tend to reflect "serious' flicks... that is to say, "films" rather than "movies" in Marlow's world. E.T. is included but a lot of films that might be considered light weight are left out. I'm not sure what makes a film a Must See, but if insight into American culture has any bearing then I'd want to include works like American Graffiti and Hoosiers. Also, even the comedies on the list lean to seriousness. Several fims with huge, albeit silly, social impact are absent... how many tens of millions of Americans can recite whole chunks of dialogue from movies like Airplane! or Young Frankenstein, The Princess Bride, or A Christmas Story ?
Re: must-see movies since 1960
I've been reading this thread, but haven't clicked into the list til today, and my first response was, "What an odd list." But I think it's the nature of such things -- they are always idiosyncratic and really personal. For me, such lists are most interesting for finding movies I've never seen, or even heard of, in some cases. Doesn't mean I'll like them, but more to look at and think about. I prefer such lists when they come from a specific person -- especially someone I know -- because it's a way of understanding that person's view of this form of art and entertainment.
Two observations about this list:
1. Following jhc68, this list and almost all others like it inevitably devalues comedies and "light" romances. Granted, there are a few on here, but as jhc68 notes -- and as I'm sure any of us could add -- there are great, great comedies that mean as much to us as any serious movies. They almost always get set aside, I suppose in the wake of the interest on the part of film writers and scholars in the mid-20th century (+/-) in advancing this medium as a form of art. That it is, and comedies are some of its best expressions. Oh well.
2. Not one movie here from any of the Asian film cultures -- nothing from India, Japan, China/Taiwan, South Korea, etc. Amazing. I could easily make a list of a few dozen from those cultures that ought to be on any "global" list. Again, oh well.
Re: must-see movies since 1960
Could not agree more. I have a growing list of people I refuse to see anything associated with:
Quentin Tarantino
Woody Allen
Sacha Baron Cohen
Adam Sandler
Tyler Perry
Wes Anderson
Terrence Malick
Re: must-see movies since 1960
They they just don't like Tom Hanks, because Forest Gump, Green Mile and Cast Away always seem to get the underrepresented to me. Add in Star Wars? Harry Met Sally?
Alien(s)? Matrix? Braveheart? Avatar? Born on the 4th of July? nor Platoon? Close Encounters of the 3rd Kind? Tin Men? (Dreyfus gets no love from the list?) Once Upon a Time in America?
Like Master Po says, it's just a window into the minds of the people who compile the lists.
Re: must-see movies since 1960
As you know, I have extensive lists of movies rated for each individual year, or groups of 2 years, posted here in another thread.
The following titles are NOT all #1's from my lists.
These are just GREAT and MEMORABLE movies from those years.
Also, not all years are represented!!
1964...The T.A.M.I. Show
1964...Woman in the Dunes
1966...Tokyo Olympiad (lots of track!!)
1968...Coogan's Bluff
1970...Let It Be
1972...Play It Again, Sam
1972...The Man (about 1st black President!!)
1976...Mother, Jugs, and Speed
1978...Renaldo and Clara (rare Dylan flick--4 hours long!!)
1983...Without a Trace
1983...The Day After
1983...Lianna (about lesbian love)
1984...Something About Amelia (Ted Danson a child molester??)
1986...The Deliberate Stranger (Mark Harmon IS Ted Bundy!!!)
1988...The Christmas Wife (beautiful movie!!)
1989...Uncle Buck
1991...La Belle Noiseuse (Emannuelle Beart nude most of movie!!)
1993...12:01 (fun sci-fi flick!)
1995...Nelly and Monsieur Arnaud
1995...MTV Unplugged: Bob Dylan ("Dignity" LIVE!!!!)
1996...Everything Relative (The Big Chill, lesbian-style!!)
2002...Rabbit-Proof Fence
2003...Prey for Rock and Roll
2004...Antares (graphic sex)
2008...W. (surprisingly GREAT flick!!)
Re: must-see movies since 1960
One epic movie not mentioned that I loved was Once Upon a Time in America. Great cast - DeNiro, James Woods, Tuesday Weld, Joe Pesci, Treat Williams
Re: must-see movies since 1960
I completely agree with you, which is why I included it in my list
Re: must-see movies since 1960
Well, I would never categorize the TAMI Show as a great movie but I would certainly say that James Brown's segment performing Please, Please, Please ought to be required viewing/listening for anyone who wants to understand American pop culture. Maybe the greatest act in Rock and Roll history, and he did the same thing almost nightly for years...
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Video In The Library, or, How I Learned to Love My Unconventional Skill Set
20/12/2011 § 8 Comments
Today's Guest post comes from Amy Frazier, who just finished her first term with Emporia State University's School of Library and Information Management in Portland, Oregon. Before entering library school, Amy studied film in London and taught film making skills to community members here in Portland. You can read more of her writing on her blog: Sidelong Citation and be sure to follow her on twitter: SidelongCite.
I came to library school by way of film and video work. Prior to enrolling at Emporia State University SLIM-Oregon, the main thrust of my career was in documentary film making and education, teaching people how to make their own films and videos. It wasn't the most obvious path to the stacks, even though to me the progression seemed natural. But it can be a challenge to find ways to make my existing skill set relevant to librarianship, so I spend a lot of time looking at the intersection between moving pictures and the library.
During my first term in library school, I got an opportunity to start digging into this a little bit by way of a class called "Theoretical Foundations of Service." We got a group assignment to develop an information seeking behavior model related to a specific kind of library — visual libraries in the case of my group, which we narrowed down further to film and video archives and libraries. (There were two ex-film students in the group, which might explain the choice.)
A review of the literature didn't provide a great deal of information – there were some good pieces about related fields like art libraries, but for moving pictures specifically there was very little. So as a next plan of attack, we decided to go straight to the authorities. We were very graciously granted interviews by two amazing librarians, Liz Coffey of the Harvard Film Archive and Mark Quigley of the UCLA Film and Television Archive . Based on those conversations, we gradually built up a picture of what an effective search would look like.
In a nutshell, it was… complicated. There were a number of factors that, while certainly not exclusive to film and video, represented unusually large obstacles. Collections tend to be quite isolated from each other and inaccessible from the world outside their home institutions; searches require pretty intensive mediation by a librarian who knows their collection well; and even under the best of circumstances, a search for motion picture items can be a long and uncertain endeavor. While the project gave me a new level of respect for the librarians and archivists doing this work, it was eye-opening to see how complex the process can be. Even with some idea of how to go about a search like this effectively, the prospect remains intimidating.
So that was my first brush with film and video in the library. Outside of school I work as a circulation assistant in the library of a large medical school/research hospital, and was lucky enough to be given a role on an existing video project developed by our User Experience librarian. It's a relatively simple piece, a profile of the staff at our library and their philosophies of service and librarianship, but it's an opportunity to demonstrate what video can do in the library. Now I'm looking around and seeing potential projects everywhere — some of the article databases are so confusing, what if we put together a video tutorial to help guide patrons through a simple search? We have students and researchers using library resources 24 hours a day, wouldn't it be great to have that sort of resource available even when there isn't a reference librarian in the house? Could video make these resources more accessible to that group of patrons that's reluctant to come in and ask for help? It's not a replacement for real reference instruction, but I think it could be a great supplement.
§ 8 Responses to Video In The Library, or, How I Learned to Love My Unconventional Skill Set
Nice Synopsis Amy! Thanks for highlighting this oft neglected facet of LIS.
I too come from a moving image background (television in my case) and am finding many intersections with LIS. I volunteer at a Media Archive and particularly with the amount of user generated content and mass of media produced every day, audio and video archive management is a growing field (see LoC A/C Center http://www.loc.gov/avconservation/packard/). The Association of Movie Image Archivists is a great resource and professional group (http://www.amianet.org/). I am on their ListServe and the support network and educational discussions are interesting and helpful (Liz and Mark's names I know as they are active contributors). It is kinda neat just to hear what people all over the world are working on or trying to find.
As you adeptly highlighted there is great potential to use video as an educational tool and resource in more traditional library environments as well. I just completed a Digital Media class and was impressed by how much my classmates learned and were able to accomplish over the semester, with thoughts of how to utilize skills in their future or current library work. I would encourage all LIS students out there to investigate such a course for both personal and professional development.
I completely agree; I've taught a lot of people how to do basic production, and one of the most satisfying experiences I've had is that moment when someone ceases to feel intimidated by the medium and really grasps what they can do with it.
I'm still trying to figure out how I fit into libraries, and how this particular skill might fit into my future work (whatever it turns out to be. ) But I've been pretty stunned and pleased that it looks like becoming a librarian is not a departure from filmmaking, but rather a kind of evolution.
Thanks for a great post! I love the idea of using AV as a way to engage and educate patrons as well as provide alternate avenues of research. As an AV archivist at a historical research library/archive, I can tell you that our AV collections don't get nearly the amount of use that they should. Part of that is lack of awareness/lack of education on our part, and part is simply a lack of equipment to play obsolete/dying media formats. These are the kinds of things that keep me up at night :/
One library I know of that has been very active in using video productions to connect with patrons is the Harold B. Lee Library at BYU. They've made videos not just for the library, but for other campus services (maybe you've seen their library parody of the Old Spice ads?)- http://www.youtube.com/user/hbllproduction
On the same topic, there is an interesting interview of David Lee King in Bibliotech show #10 (http://dquarium.com/bibliotech/bibliotech10). He talks about how libraries could use video to market themselves, I have found it very inspiring.
I listen to Daved Lee King every chance I get, and that was a great interview. Video is a medium for everybody, including librarians; I've heard of a few public libraries setting up small studios for public use, which is an idea I love love love. But even just getting libraries to a place where they're producing their own little videos would be a great thing.
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I'm making my first instrument so I'm no great expert but buying a fingerboard with the fret slots cut has saved me the cost of expensive fretting saws, etc. I am a joiner though and the fingerboard is of excellent quality rosewood. I would definitely recommend this fingerboard from my experience.
The item was exactly as described in the catalogue. Removal of the first fret and trimming of the dusty end matched the scale length of the quality old banjolele I was restoring very closely. A touch of ebony stain blackened the slightly lighter streaks and it polished to a fine finish. It fretted solidly and easily and looks splendid on the instrument.
With ebony being so expensive and somewhat hard to get, I decided to make the one they sent me work. It wasn't exactly flat but then again, fretting never helps. I WILL ORDER AGAIN but hope for better quality next time
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A heart attack occurs when blood flow to the heart is interrupted. This deprives the heart muscle of oxygen, causing tissue damage or tissue death. Other names for heart attack include coronary attack, myocardial infarction, coronary thrombosis, and coronary occlusion.
Heart attack is an outcome of coronary artery disease (CAD), also called coronary heart disease. If too much plaque (fatty material) builds up in the coronary arteries, it can decrease the blood flow to the heart. If the plaque tears, a blood clot will form that may close off or severely narrow the artery. A heart attack occurs when the clot blocks the flow of blood to the heart. Cells in the heart start to die if they are without oxygen-rich blood for more than a few minutes. Heart attack also can occur if an artery that supplies the heart starts to spasm or contract. The spasm decreases or can stop blood flow. A heart attack can result from a severe spasm.
More than 80 million people in the US have some form of cardiovascular disease. Every year about 1.2 million Americans suffer a heart attack.What are the risk factors for heart attack?What are the symptoms of heart attack?How is heart attack diagnosed?What are the treatments for heart attack?Are there screening tests for heart attack?How can I reduce my risk of heart attack?What questions should I ask my doctor?What is it like to live with heart attack?Where can I get more information about heart attack?
Revision Information
- Reviewer: Michael J. Fucci, DO
- Review Date: 09/2013 -
- Update Date: 09/30/2013 -


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A wireless Holter monitor—small enough to fit on the back side of an electrode—provides more accurate signals than traditional designs that typically require the recording monitor be carried in a pocket or in a pouch worn around the neck or waist because noise and interference are greatly reduced The circuit is inexpensive and is capable of providing diagnostic-quality, 1-lead ECG traces A driven leg eliminates the need for a 60 Hz notch filter Patient comfort and privacy are greatly improved because all circuitry can be worn under clothing.
Data is encrypted and uploaded automatically every few minutes to a collection and analysis system on-site for hospital, nursing facility, or intermediate care facility in-patients Patients at home can go to their physician's office or clinic at predetermined times (perhaps daily or weekly) to upload information without removing the monitor or the placement of electrodes Wireless Holter monitors also can be equipped with a memory card for data transfer through a cell phone or LAN line-based base station in the home In addition to performance, reliability, low power consumption, and cost considerations, wireless ECG Holter monitors must be designed to support dedicated telemetry bands so that the ECG data from the monitor transfers quickly, accurately, and securely to the data collector for evaluation.
The Wireless Medical Telemetry Service (WMTS) band in North America, and other unlicensed ISM bands, provide a dedicated spectrum to ensure an interference-free, reliable link for data transfer Analog Devices' ADF7021 high performance, narrow-band ISM transceiver IC supports the WMTS band and the 433 MHz, 868 MHz, and 915 MHz ISM bands It achieves best-in-class receiver sensitivity of –123 dBm at 1 kbps and includes on-chip T/R switch, VCO tank, RF/IF filters, and fully automatic AFC and AGC To achieve multiyear battery life, the ADF7021 can be put into ultralow power sleep mode, drawing typically less than 0.1 µA of current.
ICs for Low Power, Low Cost Holter Monitors Support Standard Wireless Bands
When used in combination with a low power microcontroller, average standby currents of less than 2 µA can be achieved. A WMTS optimized reference radio design (EVAL-ADF7021DBZ6) includes schematics and layout files, and can be a starting point for your wireless ECG Holter monitor design.
The AD623 is an integrated single-supply instrumentation amplifier that delivers rail-to-rail output swing and low power consumption (1.5 mW at 3 V). The center node is used for accessing the residual common-mode signal. The AD8500 micropower precision CMOS operational amplifier features a maximum supply current of 1 µA, a maximum offset voltage of 1 mV, and a typical input bias current of 1 pA. It operates rail-to-rail on both the input and output. The device can operate from a single-supply voltage of 1.8 V to 5.5 V or from a dual-supply voltage of ±0.9 V to ±2.75 V. The AD8641 low power, rail-to-rail output JFET amplifier offers high input impedance, precision performance, and low cost. The input impedance needs to be much larger than the 681 kΩ resistor attached to its input. The AD7466 is a 12-bit ADC that features extremely low power consumption in a small package. Power dissipation is 480 µW @ 3.6 V/50 kSPS. It is available in a 6-lead SOT-23 package. For designs requiring wider dynamic range and a higher signalto-noise ratio, the AD7685 PulSAR® ADC offers 16-bit resolution and power dissipation of 1.35 mW @ 2.5 V/100 kSPS. It is available in a 3 mm × 3 mm QFN (LFCSP).
These options (shown in the figure below) require a low power microcontroller. Another option for this portion of the signal chain is to replace these two ICs with the ADuC7022. The ADuC7022 incorporates a 16-bit/32-bit microcontroller that has a high performance 1 MSPS multichannel ADC integrated on the same chip. The ADC provides the necessary dynamic range to meet medical standards and to detect very small ECG waveform changes. The ARM7® architecture has 32-bit registers enabling it to perform real-time FIR filters on the ECG signal.
© 1995 - Analog Devices, Inc. All Rights Reserved


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Quote:Do they grade Lionel trains as well? I see that there is a picture of one on their website next to the very interesting text that John was good enough to provide.
Quote: This may be a rather silly analogy but I used to wear my pants a bit tight. Well … very tight! Now though, I like a scoche more room in my britches so it doesn't hurt when I sit. It's only a matter of preference and certainly based on logic.
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Joey Logano Nascar Rookie of the Year Framed 6x3 Photographs with Tire Limited Edition of 320
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Celebrate the achievements of 2009 Nascar Rookie of the Year Joey Logano. This collectible contains two 6 x 3 photographs, a descriptive plate and piece of race used tire, all framed in black wood, ready to hang. Item comes with a statement of authenticity from Joe Gibbs Racing and Mounted Memories. Limited edition of 320. Overall dimensions 12x14x2
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Personalized Recipe Gift Set with Embosser
Item includes personalization.You can enter your text once you add this item to your basket.
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Our newly updated set features design refinements that make it the perfect gift for cooks. Ideal for sharing and storing favorite recipes, it includes a maple recipe card box customized with the cook's name, along with our embosser and stand.
Gift set includes:
- Maple wood recipe box personalized with "Kitchen Of" and the name of your choice. Holds approx. 500 cards.
- Groove atop recipe box holds included Acrylic cover for propping up a recipe card, protecting it from stains as you cook.
- One hundred 4" x 6" recipe cards.
- 12 preprinted dividers for organizing recipes: Seafood, Desserts, Soup & Salad, Vegetables, Entertaining, Pasta, Side Dishes, Meat, Holiday, Poultry, Bread and Hors D'Oeuvres.
- Embosser with maple stand and "Kitchen Of" embosser plate, for personalizing recipe cards, cookbooks, stationery and more.
- For personalization of the box and embosser, please specify up to 26 characters.
- Dimensions & More Info
- Recipe box: 7" x 5" x 5 1/2" high. Holds approx. 500 cards.
- Recipe cards and dividers: 4" x 6".
- Embosser: 5" long.
- Embosser made in USA; stand made in Taiwan.
- All other items made in China.
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RGS Executive is an executive recruitment consultancy specialising in appointments in the rail industry at managerial, professional and senior technical levels up to and including board appointments
We have been involved in the UK rail sector since the start of the process of privatisation of British Rail and have handled many of the appointments that have helped to shape the structure of rail companies across the country.
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Stun the competition with your Orlando style by throwing on this classy Arch snapback hat from adidas. With an arched team name boldly embroidered on the crown, a stylish flat bill and an embroidered team logo on the right side, this cap will make sure everyone sees who you're reppin' at the next get-together! Throw it on and relax, knowing that there's no need to be screaming your lungs out every time your Magic score points just so people know you're a die-hard fan. When it comes to sending that message, this hat will more than suffice.
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