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The Review at a Glance: (max score: 5 )
Audio/Video total rating:
( Max score: 100 )
Studio and Year: 20th Century Fox - 2011
MPAA Rating: PG-13
Feature running time: 120 minutes
Genre: Drama
Disc Format: BD-50
Encoding: AVC (MPEG-4)
Video Aspect: 2.35:1
Resolution: 1080p/24
Audio Format(s): English DTS-HD 5.1 Master Audio, Spanish/French Dolby Digital 5.1
Subtitles: English SDH, Spanish
Starring: Reese Witherspoon, Robert Pattinson, Christophe Waltz, Hal Holbrook
Directed by: Francis Lawrence
Music by: James Newton Howard
Written by: Richard LaGravenese based on the novel by Sara Gruen
Region Code: A
Blu-ray Disc release Date: November 1, 2011
"Life is the most spectacular show on earth"
Film Synopsis:
Academy Award winners Reese Witherspoon and Christoph Waltz join Robert Pattinson (The Twilight Saga) for this epic tale of forbidden love based on Sara Gruen's acclaimed best seller. Against all odds, a veterinary student (Pattinson) and a beautiful circus performer from a bygone era (Witherspoon), meet and fall in love through their shared compassion for a special elephant. But their secret romance incurs the wrath of her dangerousely volatile husband (Waltz).
My Take:
Devastated by a tragic event in his life, a young dreamer, Jacob Jankowski (Pattinson), abandons his veterinary studies at Cornell University. With no house, and no money, Jacob stows away on a train carrying the circus performers of The Benzini Brothers Most Spectacular Show on Earth. Hired as a veterinarian to care for the troupe's animals, Jacob is temporarily filled with the promise of an exciting life that comes with a traveling circus troupe. However, as he builds a rapport with and becomes closer to the star of the show, Marlena (Witherspoon), they become prey to the circus's owner Marlena's violent and abusive husband August (Waltz). As the circus begins to crumble from within and against all odds, Jacob and Marlena come together through their compassion for a special elephant named Rosie. With her help, Jacob and Marlena come to a crossroads that will forever change their destiny.
My wife read the novel and loved it. She eagerly awaited its arrival on blu-ray to see how well the film adaptation would hold up. My grandmother took me to the circus when I was around 8 years old. It was Ringling Bros./Barnum & Bailey and she insisted that the circus was something that every child should experience. She was absolutely right and I loved it. Water for elephants is a period love story that uses the 1930's circus train life as a backdrop. I expect that this is very much like the type of circus that my grandmother would have seen when she was a girl and it's easy to see its allure for the audience, especially during that time. The plot is seemingly straight forward and revolves around a young man who through happenstance finds himself onboard the circus train and suddenly an integral part of the troupe by way of his veterinary training. This leads to direct exposure to the star of the show, Marlena, whose act is built around performing horses. Marlena's husband, August, owns the circus and is a cunning, domineering and violent task master who sees Marlena as a prized possession. He quickly senses the attraction between his wife and young Jacob which sets the stage for his villainous behavior. When the circus takes on a 40 + year old elephant named Rosie from a fledgling circus it represents not only a new act but will lead to the series of events that will change them all forever.
The narrative has an enriching depth that speaks to love not only between people but to that between people and animals. The romance in the story doesn't define it but serves as an element blended with the story's sense of adventure, reflection, and devotion that rises from the bonds formed by the experiences of the characters. A film like this lives or dies by the credibility of its villain. Christophe Waltz (Inglorious Basterds) never misses a beat and serves as the catalyst that drives the film's best moments. I am a Reese Witherspoon fan and have been ever since seeing her in 1991's The man in the moon. I was never sold while watching her interaction with co-star Robert Pattinson (not a fan) but it didn't really have an adverse impact on the proceedings thanks to the decent development/integration of the story's remaining elements. This is a beautifully crafted film that combines both subtle and overt cinematographic components that express the filmmaker's vision. The film has an entertaining throwback feel and while not perfect I found much to like in the characters and story. My wife thought that the adaptation successfully conveyed the spirit of the novel and made for an enjoyable experience.
Parental Guide:
The rating is for moments of intense violence and sexual content.
AUDIO/VIDEO - By The Numbers:
REFERENCE = 92-100 / EXCELLENT = 83-91 / GOOD = 74-82 / AVERAGE = 65-73 / BELOW AVERAGE = under 65
**My audio/video ratings are based upon a comparative made against other high definition media/blu-ray disc.**
(Each rating is worth 4 points with a max of 5 per category)
Audio: 86
- Dynamics:
- Low frequency extension:
- Surround Sound presentation:
- Clarity/Detail:
- Dialogue Reproduction:
Video: 88
(Each rating is worth 4 points with a max of 5 per category)
- Resolution/Clarity:
- Black level/Shadow detail:
- Color reproduction:
- Fleshtones:
- Compression:
This is a solid high definition presentation that is indicative of a newer release film. Detail is readily apparent as images are firmly resolute with crisp edges, defining sharpness, and two dimensional depth that enhances dimension. Colors are beautifully rendered with revealing delineation and tonal warmth. The long range shots of the earth toned colors of the rolling hills and countryside look terrific. Fleshtones appear lifelike with natural tonality and complexional delineation among the cast. Contrast is boldly applied and blacks exhibit good dynamic range with discernable gradational highlights and excellent depth of field during low level scenes. The lossless sound mix features definitive front channel separation and opulent clarity. Soundstage depth and imaging across the left, right and center channels is quite good. This enhances directional sounds and dialogue, allowing deep room penetration, high level perception of detail, and appropriate near field placement. The surround channels effectively extend the front soundstage by adding spatial ambience, directional pans and discrete sound placement. Dynamics and low frequency effects have solid weight and tangible authority that resonate well in the room. The combination enhances the film's active segments and results in a decent surround sound experience.
Bonus Features:
- Audio commentary with director Francis Lawrence and writer Richard LaGravenese
- (HD) Raising the tent - 15 minute featurette
- (HD) Secrets of the big top - 12 minute featurette
- (HD) The star attraction - 9 minute featurette
- (HD) Robert Pattinson: Spotlight - 4 minutes
- (HD) Working without a net: The visuals effects of Water for elephants - 22 minutes
- (HD) Feature performer: Reese Witherspoon - 2 minutes
- (HD) Theatrical trailer
- BD-live: Live Extras Exclusive - Stars of the circus
- D-Box Motion Code enabled
- Digital Copy Bonus Disc
Final Thoughts:
Adapted from Sara Gruen's novel of the same name Water for elephants is an entertaining drama that succeeds more than fails via a flawed but workable script, well drawn characters (including Rosie the elephant), and excellent production elements that combine to give it a throwback feel that I found enjoyable. It comes to Blu-ray from 20th Century Fox in a well rounded package that features rewarding high definition audio/video and a decent supplemental offering that looks behind the scenes at the production. Water for elephants is definitely worth checking out so toss it into your rental queue and take it for a spin.
Ralph Potts
AVS Forum Blu-ray Reviews
Reference Review System:
JVC DLA-RS50 3D Ready 1080p High Definition Front Projector
Stewart Filmscreen - Studiotek 130 G3 100 16x9 Screen
Onkyo PR-SC5508 THX Ultra 2 Audio/Video Processor
Sherbourn Technologies - 7/200 Seven Channel Amplifier
Oppo BDP-93 Universal Disc/3D capable Blu-ray Player (HDMI Audio/Video)
Panasonic DMP-BDT310 3D capable Blu-ray Player (HDMI Audio/Video)
Toshiba HD-XA2 HD DVD Player (HDMI Audio/Video)
Sony Playstation 3 Blu-ray disc Player (HDMI Audio/Video)
System Controller: Apple iPad/iRule Pro HD Universal Remote Control
Canton "Ergo" Series speakers
Axiom Audio QS8 Quadpolar speakers
SV Sound PB-13 Ultra (Rosenut finish)
APC AV S15BLK Power Conditioner/Surge Protector
Furman SPR-20i Stable Power Regulator
Wireworld, Better Cables (Silver Serpent) - Audio/Video/Speaker Cabling
Cool Components - CP-CP102 cooling package


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Poet Robert Frost once considered the world's demise by fire or ice, but Orlando musician Andy Matchett's vision isn't limited to such primal elements.
Describing "Key of E," his apocalyptic rock musical to debut Thursday, May 16 at the Orlando International Fringe Theatre Festival in Loch Haven Park, Matchett name-drops the musical "Grease," rock bands Black Sabbath, Rage Against the Machine and the Beach Boys, then starts talking about puppets.
"When we get to the island, everything gets very schizo," says Matchett, a highly regarded member of Orlando's independent music scene known for his theatrically minded shows with his band, the Minks.
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Loch Haven Park, Orlando, FL 32803, USA
But, wait, an island?
Turns out that's where the production's main character copes with the prospect of the end of time — a task that's more challenging because of his five personalities.
The musical mindset is equally scattered.
"There's a Beach Boys/'Day In the Life' tune, a 1980s ballad, some really dramatic moments when it feels like a musical and then some summer loving stuff thrown in there," Matchett says. "It's all mashed up against some pretty heavy rock 'n' roll. So it's as schizophrenic musically as it is plotwise, which is exactly what we were going for."
Visually, the production's Armageddon set was created by Eric Kleinsteuber and Mike Lindsey of Acronym Studios, an Orlando design group known for its art installations. Puppets, stage effects and other "creatures" were crafted by Dog Powered Robot Labs, the Orlando team of Evan and Christie Miga that worked on concert effects for Matchett and the Minks.
"I don't think anyone's going to expect to see what they are going to see," Matchett says. "I don't know if anything this ambitious has been attempted, at least not at a show on a shoestring budget or at an hourlong play."
Matchett always has displayed a flair for the dramatic, augmenting his band's shows with confetti, wandering robots and parachutes held aloft by leaf blowers. In January, he moved closer to the theatrical realm by starring in "Buddy! The Buddy Holly Story," a musical at the IceHouse Theatre in Mount Dora.
He also was the musical director for "Hedwig & the Angry Inch" at Orlando's Majestic Theatre. That 2012 musical was presented by Dark Side of Saturn Productions, which also is producing "Key of E."
The "Key of E" idea surfaced in a barroom discussion between Matchett and Dark Side's Nick Baniewich:
"He said, 'Hey, you wanna do a rock musical about the end of the world for Fringe?''' Matchett says. "I just said, 'Yeah!' really fast."
None of his other experiences prepared him for "Key of E."
"It's by far the biggest project I've ever tackled," says Matchett, who plays the show's voyeuristic narrator in a cast that also includes Orlando actor Corey Volence as wanna-be rocker and main character Ethan. Volence also wrote the script from a story that Matchett developed with his wife, Michelle Minks.
Matchett's original music will be performed by a band that includes Minks member Abraham Couch, Brandon Kalber (of Travis Morrison's Hellfighters) and Randy Coole (of Anita Drink).
"A lot of creative people flocked to this," Matchett says. "It blows my mind how many people have gathered around this."
email@example.com or 407-420-6213
'Key of E'
What: Apocalyptic rock musical directed by Orlando musician Andy Matchett at Orlando International Fringe Festival
When: 7:45 p.m. Thursday, May 16; 3 p.m. May 18; 7:45 p.m. May 19; 8 p.m. May 22; 11:45 a.m. May 25
Where: Green Venue, Loch Haven Park, Princeton Street at Mills Avenue, Orlando
Online: orlandofringe.org

subset: commoncrawl


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Travel >Texas Station Gambling Hall And Hotel North Las Vegas Hotels
2101 Texas Star Lane, North Las Vegas, NV | Directions 8903236.197410 -115.191385
Daily 24 Hours
Neighborhoods: Las Vegas
Frustrated in Vegas – If you want coffee in your room in the morning, do not book this hotel. They no longer have room service which is absurd but even more irritating is the lack of coffee maker in the room. I guess I should have brought my own...
Also - I realize this is a "local hotel" but the fact that they don't offer a shuttle from the airport is obnoxious. It's a $50 cab ride. I recommend renting a car if you don't have your own, otherwise it's impossible to get around.
The staff has been courteous but unapologetic.
Excellent local casino – Loved this hotel. Off the strip, so not as much traffic. Kids had a great time at the Kid zone. Good overall. Buffet has huge amount of options.
The Lone Star state is brought to life in Las Vegas. – In Short
This lively resort is filled with booty gained during visits to garage and yard sales, as well as design studios from the panhandle of dusty west Texas to Dallas, Austin and Houston. In fact, its executives, architects and decorators amassed the largest assortment of Texas memorabilia outside of the Lone Star state. The entrance doors are adorned with brass rodeo-cowboys-on-bucking-broncos handles. Additional artifacts include branding irons, horseshoes, holsters, hats, chaps and buffalo skins.
Great value – We stayed at a preferred room, they are large (2 queens), well equipped (coffee maker, iron, fridge) and really quiet. We had a great view of the strip and downtown.
The casino is very large and has a good selection of video poker and slot machines in all denominations, single, double deck and shoe blackjack, craps, let it ride, all the games we like and with pretty good rules and limits.
Their food is reasonably priced without loosing its quality.
graveyard special is great – Texas Station's graveyard special is the best breakfast deal in town.Steak,eggs,hash browns & french toast...platter sized ham steak,eggs,hash browns & toast...or just bacon/sausage,eggs,hash browns & toast...lots of food - little price!!!!!
You can take your family – Good place to take your family. Buffet and service is great, there is a movie theater, and child care if you want some time alone all within the casino.
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Date with the Dogs II event
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|Jepson Flora Project: Jepson Interchange
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Jepson Interchange (more information)
©Copyright 1993 by the Regents of the University of California
For up-to-date information about California vascular plants, visit the Jepson eFlora.
Annual, perennial herb, aquatic, freshwater or marine, bisexual, monoecious, or dioecious
Leaves basal or cauline, alternate, opposite, or whorled, generally ± sheathing at base, glabrous
Inflorescence: cyme; flowers 1few, subtended by ± sheathing, entire or lobed bract; staminate flowers sometimes deciduous, free-floating
Flower radial; perianth tube 0 or much elongated, peduncle-like in flower; sepals (0)3, green; petals (0)3, colored or white; stamens (1)3many, generally in 1+ series; ovary inferior, chamber 1, placentas parietal or basal, ovules 1many; style lobes generally 3, linear, lobed or notched
Fruit: achene or berry-like and dehiscing irregularly, linear to spheric, submersed
Genera in family: ± 17 genera, ± 130 species: worldwide; some cultivated for aquaria, others noxious weeds.
Perennial, rooting at nodes, generally submersed, dioecious or some flowers bisexual
Stem slender, generally branched
Leaves opposite or whorled, generally 3 per whorl, sessile; blade margin minutely, finely toothed
Inflorescence: flowers solitary, axillary, sessile or peduncled; bract generally notched
Staminate flower floating, deciduous or not; perianth tube elongated, slender, peduncle-like; stamens 39
Pistillate flower floating; perianth tube elongated, slender, peduncle-like; style slender, stigmas 3, simple or 2-lobed
Fruit cylindric to ovoid
Seeds several
Species in genus: ± 12 species: temp and tropical Am
Etymology: (Greek: of marshes)
[St. John, 1965 Rhodora 67:135,155180]
Leaves generally crowded at stem tips; middle and upper 3 per whorl; blade generally 915 mm, 1.53 mm wide, linear, tip obtuse or abruptly pointed
Staminate inflorescence: bract ovoid to elliptic, swollen; flower not deciduous, not free-floating
Staminate flower: sepals 3.55 mm, ± 4 mm wide; petals ± 5 mm
Pistillate flower: sepals ± 23 mm
Seed glabrous
Chromosomes: 2n=24,48
Ecology: Shallow water, ditches, sloughs, ponds, lakes
Elevation: 3002600 m.
Bioregional distribution: Outer North Coast Ranges, High Cascade Range, High Sierra Nevada, Great Central Valley, San Francisco Bay Area, San Gabriel Mountains, San Bernardino Mountains, Great Basin Floristic Province
Distribution outside California: to British Columbia, e US; naturalized in Europe
Flowering time: JulAug
|YOU CAN HELP US make sure that our distributional information is correct and current. If you know that a plant occurs in a wild, reproducing state in a Jepson bioregion NOT highlighted on the map, please contact us with that information. Please realize that we cannot incorporate range extensions without access to a voucher specimen, which should (ultimately) be deposited in an herbarium. You can send the pressed, dried collection (with complete locality information indicated) to us (e-mail us for details) or refer us to an accessioned herbarium specimen. Non-occurrence of a plant in an indicated area is difficult to document, but we will especially value your input on those types of possible errors (see automatic conversion of distribution data to maps).


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An innovative, lightweight offering for technical day hiking or fast-and-light overnights, the Mammut Crea Light 40 Women's pack offers 2441 cubic inches of storage, load-carrying capability, a unique ventilation system and an array of features.
An ultra-lightweight backpacking or day hiking option, the award-winning Buttermilks 40 Women's pack offers streamlined functionality. The top-loading pack weighs less than 3 pounds and can be reduced less than 2 pounds by removing the framesheet.
Ideal for a full day of hiking or fast-packing overnights, the sleek, Osprey Sirrus 36 Women's pack combines carrying comfort, ventilation and organizational features for technical performance.
Built specifically for women, the feature-rich Meridian Vapor Ki Women's pack comfortably hauls loads of up to 30 pounds. Why settle for an ill-fitting men's pack when you can have an ultralight pack designed to equip women for outdoor adventure?
Weighing just 2.5 pounds, the Deuter Spectro AC 36 SL Women's pack is a high-performance option for female day hikers. Unlike many ultra-lightweight packs, the Spectro AC 36 SL Women's pack doesn't sacrifice on fit or durability.
Designed to tote a single day's worth of gear, clothes or books, daypacks are perfect for the trail, around town or the classroom.
Ideally sized to carry an average tent, sleeping bag and a typical weekend's worth of food and gear.
View more videos in our Video Library.


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Live Reviews
Detroit Jazz Festival: Detroit, MI September 2-5, 2011
Detroit, MI
September 2-5, 2011
As chance would have it, over the past 20 years or so attending the Labor Day festivities at the Detroit Jazz Festival, there have only been a handful of weekends marked by less than optimum weather conditions. On average, the gods have largely smiled down upon the plethora of jazz devotees gathered at Hart Plaza on the banks of Lake Michigan. And when you start to think about it, you realize those are some pretty good odds; ones any betting man would take to the bank.
This year's 32nd annual edition of the festival would, however, be marked by extreme weather conditions that certainly tried even the most hard-boiled of jazz enthusiasts. In fact, by the time Friday night's activities got in full swing about 6:30 pm, the temperature in the shade was well over 90 degrees, forcing a decision to opt out of making the trek to Campus Martius for a duo of opening sets, instead preferring to get a bite to eat, followed by a return to the air conditioned comfort of the hotel. The rest of the weekend held its own share of weather ups and downs, including plenty of rain and cooler temperatures that came in by Labor Day Monday.
Another scorcher of a day, Saturday brought with it humid conditions that meant one could work up a sweat just clapping between numbers. Nonetheless, an eclectic mix of music made for some great listening, even if it also meant hopping back and forth between various stages. As the sun beat down on the grassy area directly in front of the Waterfront Stage, people scrambled to find some shade as vibraphonist Warren Wolf debuted his group WOLFPAC, making it made clear that a new star was on the rise.
Performing several originals from his newly released, self-titled Mack Avenue debut, Wolf struck a chord with his smart arrangements and spirited melodies that he often voiced, together with alto saxophonist Tim Green. "Sweet Bread" and "427 Mass Ave." most succinctly addressed Wolf's virtues, as they managed to find new routes to explore familiar ground within the mainstream tradition. And even on an instrument that can sound somewhat impersonal in lesser hands, Wolf managed to speak with authority and a true identity. Likewise could be said for pianist Lawrence Fieldswho got a further chance to shine later in the fest, as a member of drummer Jeff "Tain" Watts' quartetand drummer John Lamkin.
Coming on with a mature sense of poise and a tropical ebullience that matched the climate, singer Luciana Souza delivered a set at the Pyramid Stage, with guitarist Romero Lubambo, that begged the question as to why she has not become more prominent on the current scene. Unlike some of her contemporaries, Souza never comes off as coy or cute. Her intonation is superb and her versatility is an obvious asset. Adding a bit of weight to these delicate duets, Souza peppered the music with her own percussion flourishes, playing brushes on a flat surface and adding some shakers and pandeiro. The duo's Jobim interpretations were spot on and it was obvious that both Souza and Lubambo were having one hell of a good time.
Come mid-afternoon, the decisions became harder in terms of choosing which stage to gravitate towards. Beginning with Detroit native Curtis Fuller's set at the Waterfront, I soon found my attention wandering. While pianist Mike LeDonne and tenor man Eric Alexander kept the pots on, drummer Carl Allen seemed to be too polite at times, and Fuller seemed a bit disconnected from the proceedings.
More engaging was an accomplished set by trumpeter Sean Jones and his group over at the Amphitheatre Stage. Even as many times as Jones has made an appearance at the festival over the past several years, he never fails to speak with a renewed sense of purpose and his original compositions are the fodder that makes it all happen. Pianist Orrin Evans was the man about town in his various appearances during the weekend, including this set with Jones. His solo on "Olive Juice" was a rare combination of chops and advanced storytelling, further support for the claim that he remains one the most original voices on the current scene.
Sean Jones
Back to the Waterfront, another duo was poised to make an impression. Soon to celebrate his 90th year, harmonica virtuoso Toots Thielemans shared the stage with pianist Kenny Werner, and the two managed some sublime moments that provided relief from the obsessive heat that lingered prior to an approaching storm.
By 7:00 pm, the skies opened and rain poured down as crowds scattered to take cover. The tarps came out as crews scrambled to cover up instruments and unplug microphones. Soon, the power went out to all the stages and the scuttlebutt that started to spread was that things might be closing down for the evening. Over at the Amphitheatre, the Sun Ra Arkestra barely got started before high winds forced an end to their set. After the recent tragedy at the Indiana State Fair, I'm sure a heightened sense of caution came with the final decision to close up shop, as further storm fronts threatened to move through the area for the rest of the night.
Jeff "Tain" Watts
Several national headliners had been slated to conclude Saturday's evening's festivities, with fireworks to follow closely thereafter. Sets from Deacon Jones Blues Revue, Mandrill, organist Tony Monaco, Jason Moran, and the Dave Holland were hanging in the balance as artistic director Terri Pontremoli and her staff pondered the alternatives. Soon came word that things would move to the bar at the Marrriot Renaissance, the host hotel for the festival. It was reported that Moran was asked to start things off followed by Holland, but the pianist declined.
Around 9:30 pm, Holland and his ensemble decided to make the best of the situation and proceeded to mesmerize a standing room-only crowd that hung on the band's every move. One could say the air was electric both inside and out, as the band hit its incendiary stride and lightning lit up the night sky. Holland favorites like "Blue Jean" and "Happy Jammy" provided fodder for Gary Smulyan's blustery baritone and Chris Potter razor sharp tenor. Those wanting to rub shoulders with some of the festival's stars had no problem spotting fellow onlookers like Joe Lovano, Christian McBride, and Joe Locke. After the set, Smulyan said that the band hadn't played a gig in about a year, and so they were ready to bring it. Knowing the intricacies of the octet's charts made the magic of the evening seem even more miraculous. Joining us in conversation, alto saxophonist Steve Wilson said that Holland's set was one of the best things he has ever seen, a sentiment shared by just about everybody in the room.
Following Saturday's storms, the temperatures retreated to more comfortable levels. Starting Sunday afternoon listening to two big band sets at the Amphitheatre Stage, The US Airmen of Note featured special guest vibraphonist Joe Locke, while bassist Rodney Whitaker directed the Michigan State University Jazz Orchestra, with artist-in-residence Jeff "Tain" Watts. The former of the two sets proved to be the most cohesive, with Locke playing an integral part in the arrangements, and bringing inspired charts with him on such iconic numbers as John Coltrane's "Naima," Wayne Shorter's "Gaucho," and Chick Corea's "Inner Space."
Later that day, Anat Cohen delivered a fantastic set, with a singular voice on clarinet and soprano saxophone that set her apart from her peers. Also impressive was Cohen's versatility and ability to speak in a variety of genres, from the Brazilian strains of a rare Milton Nascimento number to the authentic son montuno of "Siboney." There every step of the way, and adding his own incendiary accoutrements, was pianist Jason Lindner, who has gone underappreciated for far too long. His prepared piano on "All Brothers" gave the piece its appropriate "world music" vibe, while his stride chops were put on display for "Jay Blues."
Anat Cohen
The rest of the evening proved to be a challenge and provided the only caveat for what was an otherwise superb festival. An embarrassment of riches made for overlapping performances, and the only remedy was to try to catch a few numbers in piecemeal fashion on one stage, before hopping over to anotherhanging around the Amphitheatre to check out Jeff "Tain" Watts, for example, and then returning later in the evening for the first number from Joe Lovano and Us Five.
In between, the decision to keep feet firmly planted at the Pyramid for Steve Wilson and Wilsonian Grain was duly rewarded. Another sagacious choice for the fest, Wilson has become a yeoman of sorts who has appeared on hundreds of recordings, but has also quietly been doing his own thing for many years now. The alto saxophonist paced a perfect set with a little bit of something for everyone, from a Thelonious Monk tune to his own "Step Lively," a musical account of a New York City subway ride. Pianist Orrin Evans was typically inspired, as was Clarence Penn, an animated drummer who upped the ante with his incredibly musical style.
Opting for a change of pace to wrap up the evening, by taking a long walk over to the Main Stage at Campus Martius, technical difficulties meant a lengthy delay in the start of Brazilian icon Ivan Lins' show. Patience started to wane as the eleven o'clock start time for the rescheduled fireworks loomed closer. While Lins' voice seemed to waver at times, and his keyboard skills were not on par with the rest of the musicians in his quartet, the overall results were nonetheless significant. Lins managed to squeeze in several of his crowd pleasers, including "Comecar de Novo" and "Velas." Still, it would prove to be an abbreviated set.
One step outside on Labor Day morning, and you could feel that the chill of autumn was likely just around the corner. Surely attendance numbers would reflect a smaller crowd this year and yet no one should take the blame on that one, considering the profusion of dramatic weather. Just a few blocks away, President Obama was set to speak before a substantial throng, and that surely accounted for the modest few gathered at the Amphitheatre for a 1:30 pm set by The New Gary Burton Quartet, although the house was full by the end of the show.
Easily one of the best performances of the festival, Burton reinvented himself with a musical outlook that was in step with the current generation. Mixing in standards and tunes written by his new band mates, Burton's genius came through, not only in his own solos, but also in the chemistry that took place between guitarist Julian Lage, bassist Scott Colley, and drummer Antonio Sanchez.
Lage was certainly the ringer here, and his comparisons to Pat Metheny were understandable. He even sported a guitar made by Linda Manzer, a luthier who also happens to have worked with Metheny for many years. But make no mistake, Lage is his own man and his kaleidoscopic sound took in a little bit of everything, a fact gleaned from a marvelous solo feature that morphed from free form into a gentle "My Funny Valentine."
Another obvious Metheny connection comes via Sanchez, who has been employed by the guitarist for many years now. His own muse is marked by a mature sense of composition. Both "Common Ground" and "Did You Get It?" provided ample structures for improvisation, including his own technically brilliant drum solos. Burton and company afforded a superb conclusion for a weekend smorgasbord of music. So, while several more performers waited in the wings, the long trip back home was calling my name. Despite the elements, the show did indeed go on. In fact, it did so with a vengeance, and the sheer volume of music that always accompanies this festival marks it as one of the best in the world, and certainly a treasure as the reigning largest free jazz festival in North America.
Photo Credit
All Photos: C. Andrew Hovan


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Travel >Tahoe Inn Kings Beach Hotels
9937 North Lake Blvd, Kings Beach, CA | Directions 9614339.233726 -120.016246
Daily 24 Hours
It was alright – We just happen to stop here to sleep. It is a very rustic place, not the cleanest, and very very country-ish. I slept on a blanket I had in the car (I set it on the bed).
Budget, yes, very 'budget' – Ok, to be fair, the lady running the place, or working the front desk anyways, was very nice and discounted our stay so I won't be too harsh. Anyhow the place is old, that is mentioned. It needs a lot of work but I'm sure the owner(s) don't care because it's on Lake Tahoe so most won't care about the rooms conditions. Here's the skinny:
No aircon or even anything like it, just a fan.
No screens on the windows so air in the room stays and does not circulate in/out.
Ants! Got into our toothbrushes overnight. GROSS!!
Shower went hot/cold/hot frequently so showers were QUICK!
Everything about the room said old and very used.
Careful using stairs to room as they did not have railings (we have small kids).
The smell (need I say more?).
There is some good like the pool area was rather clean and we enjoyed that a lot. Didn't use the hot tub but there was one underneath an overhang.
Like I said nobody is going to stay there for this stuff, they came like we did to have a great time in Tahoe, which we did, and the lady did discount our room charge. Would we stay again? Probably not. Might be good to come up with more cash and get a room at one of the nicer hotels since resting in a place where you're comfortable is as important as the activities of the day. Now you know.
Perfect Budget place to stay!! – After I had read other comments I was kind of wondering if we should stay there or not! This turned out to be the perfect budget hotel! It was clean and the staff very friendly. The down comments which I did not find to bothersome are: it is old and has some whare and tear, a little musty smell at first, then goes away. If you can handle a "motel 8", that's exactally what it makes me think of. The room (patio queen) was very large and everything worked in it. Our room 221 overlooked the pool, so we could watch the kids swim. The pool was nice and clean. All pool furnature was cleaned daily. I can't really comment on the hot tub, but they do have one. The sheets were very, very clean and the bed was comfortable!! FOOD: this was a real bonus! right next door is the Builtmore hotel and casino. They have a huge 1.99 3 eggs, choice of ham, sasauge or bacon and hashbrowns and toast. No one in our group could finish our plates! and the June dinner special is steak and shrimp with choice potatoe and veggies for 7.77 once again, we left with 1 1/2 steaks and 13 shrimp (we had 5 in our party that included 3 teens!). LOCATION: 1/2 mile to Lake Tahoe and walking distance to many cute shops, food, bike rentals and ice cream. It's right on the CA side of the state line. I would be more than happy to stay again! OH and the price 29.00 booked online. We upgraded to the patio queen and paid 32.00 with Orbitz, put that together with the great food prices and it's a great weekend get away!!
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Office of Student Life Staff
Heather Reed
Heather M. Reed is the Assistant Vice President of Student Life, Senior Associate Dean, and Director of the Office of Student Life. Her career has focused on teaching and counseling with an emphasis on managing student crises and problems.
Heather is a native Kansan from a family of K-Staters, who spent many years teaching in western Kansas. She completed her Masters in Counseling and went on to serve as Department Head of the Counseling Department at Garden City High School and to participate on the USD 457 Crisis Response Team. These experiences have provided a foundation that has enhanced her work in student life.
At K-State she serves as the chair of the Crisis Management Team, the Critical Incident Response Team and assists with parent, student and faculty orientations. Heather is an adjunct instructor for the School of Leadership Studies and enjoys interacting with students in and out of the classroom.
Her professional interests include crisis management, campus safety and the coordination of campus support services.
Karen Low
Karen R. Low is the Assistant Dean and Assistant Director of Student Life. Before accepting the Student Life position, Low was Assistant Director of Adult Student Services at K-State. She helped nontraditional students and their families navigate the transition to university by utilizing both their personal resources and those available to them at the university.
Low moved to Kansas from Montana, where she was assistant professor and director of the Master of Science in Counseling program at the University of Great Falls. In addition to program administration and teaching at the undergraduate and graduate levels, student advising and mentoring have been central to her mission of helping students succeed.
A nontraditional, first-generation college student herself, Low earned her
Bachelors in Human Services and Masters in Professional Counseling while her children were also in school. Her wide variety of experiences in and out of higher education lend a unique perspective to her student affairs work.
Her professional interests include nontraditional and multicultural student services, policy work, and program assessment.
Scott Jones
is the Assistant Dean and Assistant Director of Student Life. He has nearly 20 years of experience working with students and student groups within student affairs. Scott has been at K-State since 1999 serving in a variety of roles including Assistant Dean of Student Life, Assistant Director of Student Life, Director of Greek Affairs and Interim Fraternity Advisor.
Prior to K-State Scott served as Residence Hall Director, International House Director, Area Coordinator, and Assistant Director of Residential Life at Oregon State University and Program and Activities Advisor at the University of South Dakota.
Scott has a Master's of Education in Student Personnel Administration from Oregon State University. He has a demonstrated passion for working with students and families in crisis and came to K-State specifically for that purpose.
His professional interests include building the capacity of students by better understanding self-efficacy, emotional intelligence, resiliency and other student retention-related topics.


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In January, the meeting industry got two new Google Groups discussion forums — MiForum and MeCo — but online meetings chat still isn't up to the volume of the old MIMlist.
The MIMlist, the meeting industry's dominant listserv, which had been running since 1999 and boasted about 4,000 members at its peak, changed its name and format in early December, evolving into a bulletin board discussion group called the Meeting Industry Forum, or MiForum (www.mimegasite.com).
The functionality of the bulletin board, however, needed improvement. Posters expressed frustration with the speed of the system, not being able to reply "off-list," and other aspects of the format. In late January, just eight weeks after its launch, MiForum, owned by media company VNU, migrated to Google Groups while the bulletin board technology gets an upgrade. MiForum on Google Groups had 278 members at the end of last week. Longtime MIMlist/MiForum moderator Joan Eisenstodt, chief strategist at Eisenstodt Associates, Washington, D.C., says she expects the group to move from Google to the improved VNU technology soon.
Meanwhile, January 6 was the launch date of The Meetings Community, MeCo for short (www.meetingscommunity.org). This Google Group was organized by four meeting professionals who had been active on the MIMlist and who had a common interest in developing a meeting industry networking space that was unaligned with any company or association.
The volunteer leaders include James Louis, CIO at Best Meetings Inc., Bloomington, Minn., who says he has been working 15 to 20 hours a week to get the discussion group off the ground (not including moderating the site, which he does over the weekends). "We're taking this very slowly," says Louis. Membership reached 400 in mid- February, the same week the group sent out its first press release.
Other MeCo founders, who also serve as moderators one day a week, include Loretta Lowe, CMP, a contract event manager based in San Francisco; Dan Parks, president and creative director, Corporate Planners Unlimited Inc., Dana Point, Calif.; and William Youngs, CMP, meeting manager at Forest Laboratories USA, Jersey City, N.J. The other volunteer moderators are Jean Travers, Apex, N.C., and Sue Walton, Chicago.
"I think there'll be a slightly different identity than some of the other groups where the postings become the property of the association or company [that owns the site]," says Louis. The costs of running MeCo — primarily Web site hosting and conference calls among organizers — are currently underwritten by Best Meetings. Moderators' time and public relations services have been donated. Louis says they're not looking for advertisers but do hope to grow the site. "I'd love to be in the thousands [of members], but we're very happy with what we have."
Google Groups are free to organizers and participants. Members can receive every e-mail sent or a daily digest, or read the discussions online and not get any e-mails. You can sign up for MeCo or MiForum through their Web sites or by visiting http://groups.google.com.


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55 Public Sq, Holley
the fish fry is good and prices are fair. friendly customer service. good for a quick meal. family atmosphere.
50 Public Sq, Holley
I love the food at Dustin's. There is a huge variety of food on the menu. You can eat something new every day.
6 Thomas St, Holley
35 State St, Holley
37 E Albion St, Holley
23 Public Sq, Holley
53 State St, Holley
16214 Ridge Rd, Holley
53 State St, Holley


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I was given the task of modifying photos. Here is what I need. I work at a Juvenile center and there are numerous record photos of juveniles that have white or grey backgrounds. What needs to be done here is change all of these photos to one background such as white without altering the person in the photo. I know there is eraser tool and Lasso, but what would be the most time efficient least step method of doing this? Thank one and all in advance for any help.
Hi Michael,
Depending on your version of Photoshop you may have numerous options available for replacing background that will provide a more efficient workflow than lasso and eraser tool alone.
http://tv.adobe.com/watch/top-features-in-photoshop-cs5/edge-selection -tools/
This video link goes through selection tool options in CS5, but the Adobe TV website also offers numerous video tutorials that can help with making better selections and masks.
When replacing a background that's a solid color, a popular workflow is to use the Magic Wand tool, which selects pixels based on color, to select the background and then modify the selection as you wish to change the color. Another option is to use the Quick Select tool, which automatically detects edges in an image. Selections can be further fine tuned by using the Refine Edge feature.
It may take a little time to learn these different tools and what's best, but if you're dealing with a lot of photos it's almost certain to take less time then running through everything with manual lasso drawing and erasing backgrounds.
Hope this helps!
PS - You might also find more help on this by posting in the Photoshop General Discussion forum: http://forums.adobe.com/community/photoshop/general
or visiting feedback.photoshop.com could help.
Thanks Michael,
I have version Photoshop Cs2 which is going back there. I don't have the edge tool I don't believe, so what tools do you think I could use in my version? thanks!
Depending on the complexity of the background, the magic wand tool, color range tool (found in the select menu), quick mask tool. Each one has its uses and its falts, but all of them will create a selection that you can turn into a mask. Because the selection is editable, you can use other selection tools to make the selection more accurate.
I will try this, thank you much!
What I have tried doing is this, I load the original photo. I then select a solid color white fill layer. I then chose eraser and alternate between that and brush to restore the head of the individual that I need.
Then backround is solid white. It is a little tricky erasing around the face and hair but alternating diameters of brushes and eraser seems to help. If anyone can add any thoughts to this method I would appreciate it.
Thanks, Michael
Did you watch any of the videos on adobe tv for selections and masks. If not go head and watch them, you will quickly learn that you do not need the eraser tool. reason is the eraser tool is a destructive tool. Selections and masks are non-destructive. Which means that should you change your mind any time later after closing photoshop, you can reopen the image and change it, including bringing it back to its original state.
When you using the quick mask tool, you can switch back and forth between the white color and black color just by hitting the lowercase x on the keyboard. Armed with that keyboard shortcut and [ ] keys for adjusting the size of the brush, you can make quick work of your selection.
If you get the chance to get CS5 you will be happy with the new selection tools, but we can leave that for another day.
Unfortunately I can't remember the tools that were available as far back as CS2. If you follow the other two suggestions for help I mentioned (posting the in the Photoshop General discussion forum or using feedback.photoshop.com) you'll get some more in depth responses.
In general, like Silkrooster mentioned, you might want to try using whatever selection tools are available as an alternative to the eraser tool, but there's no shame in doing what feels comfortable if it works for you. If you haven't checked the Photoshop help manual yet (did they still offer a paper copy of it back then?) that might be worth a check, as it has a whole chapter that goes over the use of "Selections and Masks".
Good luck with your project!
You're right, I shouldn't imply that using the eraser tool is wrong, cause its not wrong. But for a new user it makes sense to keep the image non-destructive, just in case a mistake is made.
However, if someone is paranoid about making a mistake, they can make a physical copy of the file and work on a copy, the original can be place in another folder if they need extra protection. Or for the slightly paranoid they can just make a copy of the background layer (ctrl-j) and work on the copy of the layer ( this was the old style of learning and some still teach working on a copied layer).
So destruct or not to destruct is the question that only the user can answer.
Have fun...
I do indeed make a duplicate copy of what I'm working on. Thanks for all of the responses. It will only get better.
While there are some neat new Tools in CS 5/5.5 for Selections, CS2 is still very usable.
I recommend using Layer Masks to isolate (mask) your image from the Background. This keeps pixels around your subject, just in case you ever wish to go back.
Basically, i use one of the Selection Tools, such as the Elipse, or Rectangle, or even the Lasso, but do a very rough Selection. I will refine that later on. Once that rough Selection has been made, I just Copy, and Paste into a new Image, with my chosen background. Then, I choose Select>Load Selection, and choose the default, Layer 1 Transparency. Next, Save Selection, and choose Layer 1 Layer Mask. Note: there are a couple of ways to accomplish the same thing, as with most operations in PS.
At that point, I have my Layer Mask, and click on the Layer Mask icon, to make it active (you can check that in the Channels Palette). The colors should change to black and white. Then, using various Brushes, you can "paint out" that Layer Mask, and can see your work. Use a good Magnification, and work slowly. Paint out the broader areas of the background from the subject in Layer 1, working down to closer and closer to the person. I start with larger Brushes, but might well end up with tiny Brushes, as I get closer, and closer.
The beauty of using a Layer Mask, is that you still have ALL of the pixels, from that initial Selection, so you can go back, and alter the Mask. As the colors are black and white, if you hit X, to swap the colors, you can then "paint in," removing areas of the mask, where you got too close. No pixels were harmed in this operation, and you can revisit that Layer Mask 10 years from now, and refine it.
The new Tools make that initial Selection a bit more refined, but you will still likely need to do some hand-work, and I'd just as soon have the pixels to play with, rather than use a Selection Tool, that trimmed out too many.
The time spent with your Masks, will translate to how realistic the composite is. It was exactly the same, back when we did analog compositing, and created Masks on Lith Film. After we were done, we'd go in with a "one-hair brush" and Opaque, to paint in the Mask, or with bleach, to paint out the mask. Now, it's just done with pixels digitally, and one has both the History Palette, plus Undo, just in case - unlike the analog days. Gosh, I love digital!!!!!!
Happy editing, and good luck,
Thanks Bill. Most helpful answer!
You are most welcome, and happy editing.


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Cutting, Embellishing, Fabric, Fall, Felt, Hand Stitching, How-To-Projects, Patti Milazzo, Quilting, Thread,
Pick the right pattern and a fabric you love, and with a little time and effort, you'll be creating a wearable item and there will be no looking back!
Make this beautiful dress for her to wear to the Easter Egg hunt. Just think of the photo opportunities to go along with it!
For this Halloween Mini Quilt, I used the Fiskars Circle and Oval Shape Templates to design this cute felt trio of kooky characters. With the template I've created and Fiskars Sewing Tools you can put this seasonal project together in no time.
1. Use the template provided to trace and cut shapes from felt for each character and set aside
2. Using the Rotary Cutter and Acrylic Ruler, cut 4-purple and 2-black 6" fabric squares.
3. Also cut 3 - 2.5 inch x 6 inch strips – 2-purple and 1-black
4. Stitch together a set of 3 squares alternating the colors to create the front of the mini quilt. Then do this again to create the back. Press seams flat for both front and back pieces.
5. Take the felt shapes and pin in place in the center of each square. Then using a blanket stitch, stitch around the felt with color coordinated embroidery thread.
6. Once the felt is stitched on, add buttons to eyes and skully's face.
7. Cut batting .25 inch less (on all sides) less than front piece of quilt.
8. Place quilt front face down and place batting on top. Pin in place.
9. Machine stitch on the front around each of the character shapes. Remove pins.
10. Fold 6 inch strips in half by length with right sides in and stitch along length to create a small tube.
11. Use the safety pin inside the Sewing Multi Tool to assist in turning out the tube. Pin the edge of one end, then feed the pin through the tube gently pulling until the tube is right side out. Press flat with an iron – seam in the center. This will be the back of the flattened tube and won't be seen.
12. Layer the front and back pieces together with right sides facing in. Fold the fabric strips in half to create tabs. Position the finished tabs on the inside with the raw ends on the outside of the quilt and pin in place. Pin the rest of the quilt in place to prevent movement.
13. Stitch around the quilt reinforcing both the beginning and end with a backstitch. Leave a 3 inch opening along the bottom for turning out the quilt.
14. Turn out the quilt and use the Stuffing Tool attachment on the Sewing Multi Tool to neatly push out corners.
15. Press the edges only (not the felt) of the turned out piece.
16. Pin along edges if needed and stitch around each square .0625 inch from the edge.
17. Add buttons to the bottom of each tab for embellishment.
Note: This is a super simple mini quilt that can be expanded to be 6, 9 or more squares. It can be made as home décor or with more durable materials as an outdoor garden flag.
.125 yard of black and purple fabric
Felt scraps
Quilt batting
Embroidery thread
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Trailblazer News
Werner Pitches OCU to 4-3 Victory over Shawnee State
PORTSMOUTH, OH - Evan Werner (1-0) scattered 6 hits over 6 innings as the freshman lefty picked up his first win of his collegiate career.
Men's Basketball NCCAA National Tournament Underway in Missouri
GREENVILLE, SC - The NCCAA has named Ohio Christian University as the #1 seed in the 2013 NCCAA National Championship Tournament.
Lady Blazers Finish as Mid-East Region Runner-Up; Earn 5th Seed at National Tournament
CIRCLEVILLE, OH - Ohio Christian battled with Kentucky Christian University for the third time this year on Saturday afternoon and came up short to finish as Runner-Up in the Mid-East Region.
OCU Throwers Sharber and Bonk Standout at Denison Invitational
GRANVILLE, OH - The OCU Track and Field Program enjoyed another successful showing over the weekend as two athletes placed in the top ten of their respective events.
Nate Wheeler Tosses Complete Game Shutout in 5-0 Win Over NAIA Alice Lloyd College
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Men's Basketball Wins 2013 Mid-East Region Championship
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Men's Basketball Places Five on All-Region Team; Russell Named Player of the Year
CIRCLEVILLE, OH - The OCU Men's Basketball Team placed a total of five players on the 2013 All Mid-East Region Team.


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Cut everything like planned, only very difficult to insert
finally got it in and F**CK, can't get it out anymore.
Of course, no sim recognized.
Help, I'm begging you.
Cut everything like planned, only very difficult to insert
finally got it in and F**CK, can't get it out anymore.
Of course, no sim recognized.
Help, I'm begging you.
First, remain calm or otherwise you'll do silly things and damage your phone (been there).
The best way to get it out is to use a thumbtack or similar, insert it into the hole and gently push and wiggle the tray out. Just make sure you're applying enough pressure; preferably hold the phone in both hands and push it against your desk (with the thumbtack in the hole and between the phone and your desk, obviously). Works every time for me.
Use one of these bad boys, with the smallest drill-bit
Got it. Had to damage the case a little bit though.
Apparently, the turbosim was crooked ?!? good thing i had 2
Now my phone works, but i can't dial anything, only calling from my favorites and don't get a ring when someone calls
oh well
what country are you in?
Hi guys.
I'm in Reunion Island (French island in the Indian Ocean) - carrier : Orange
iWorld fixed everything, thanks for your great support (french forum suck...)
just happen the same to me and I have tried clips, thumbtacks, a small scissor...nothing works...I just order iphone tools so I can open it up but since the simtray can not be remove and all guides say that it is the first thing to remove to open up the iphone I do not know what to do. I can not bring it to an apple store to get it repair right?
You do need a Thumbtack as someone else suggested - or something thin AND strong AND easy to push HARD.
But, we found that at the same time as PUSHING something in the release hole - you should try and hold the combined SIMs IN against the SIM Tray. (So you don't break / damage the piggy-back SIM device or the chip mounted on it.
We found that a VERY THIN mechanics BRASS feeler gauge worked very well for this.
We first had this problem with week 47+ iPhones and 2nd Generation devices and early HyperSIMs.
No problems anymore with 3rd and 4th generation devices.
A3 Australia
To make sure that ur turbo sim is properly inserted just put double adhesive tape behind the sim and the frame.cute a small piece of tape and stick both ends of ur sim and Turbosim to make it more stable.i've en-counter same probs.before.


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IRON RIVER - Violet V. Holm Waier, 89, of Wakefield, formerly of Iron River, passed away Saturday, Nov. 24, 2012, at her home.
Visitation will be Friday from 9 a.m. to 11 a.m. at the First Baptist Church of Iron River.
Funeral services will be Friday at 11 a.m. at the church with Pastor John Fish to officiate.
Interment will be in Lakeview Cemetery in Alvin, Wis., in the spring.
Condolences may be expressed to the family of Violet V. Holm Waier online at jacobsfuneralhomeir.com
Funeral arrangements were by the Jacobs Funeral Home of Iron River.


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For hauling those longer items. Like a fold-down tripod, spotting scope or sausage (kidding)! It's a must-have to make hunting / hiking the backcountry a snap.
Look at the details:
State Color, as available in the Shopping Cart below. Order yours ONLINE today!
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Crosshair Bags™ 24" Round Duffel
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Ocado British Growing Coriander Pot
3 days guaranteed (avg. 4) (avg. 4)*
Product Description
Ocado Growing Coriander Pot.
Coriander is a rosette forming plant, so when you take the pot out of its sleeve it will naturally collapse. If you harvest just above the base new growth develops. Unlike other potted herbs Coriander should ideally be used once and then discarded, as success with growing on can be limited.
Potted herbs are grown as a 'cut as you need' fresher alternative to cut herbs; suited to growing in well lit, protected conditions on the windowsill or worktop. Potted herbs are mainly suited to the indoors, however, they can be planted outdoors, with varying success during spring and summer. Coriander it not recommend to try and plant outside.
As most herbs originate from hot countries they like to be kept on the dry side. The more light and heat they are exposed to, the more frequently they will need watering. During winter, you will probably find that potted herbs will not need to be watered very often.
This is an Ocado product. Like everything in our range, it's good quality, sensibly priced and, of course, responsibly sourced.
Product Information
Salad & Herbs/
Fresh Herbs/
Home & Garden/
Grow Your Own/
Seeds & Planting/
Food Cupboard/
Cooking Ingredients/
Fresh Herbs/
- Brands: Ocado
- Dietary & Lifestyle: Vegetarian
- Options: The Ocado range
Prepare & Use
Care Instructions:
Watering the herbs from the bottom is the key to keeping them healthy and to prolonging their life. Your herbs have always been watered from below so by keeping to this regime you will extend the life of the plant.
Remove the herb pots from their sleeves and place the pots in the tray. By placing water at the bottom of the tray you can always see how much water your plants have taken up. Generally water little and often and never keep your plant in standing water
Produced and packed for:
Ocado Ltd.,
Package Type
Cardboard Box.
Other Information
Proactive about packaging. We remove it when we can.
Ocado Growing Herbs come in a specially designed outer carton to prevent damage during transit.
Ocado are working with Love Food Hate Waste to reduce our impact on the environment. Visit www.lovefoodhatewaste.com to find out how you can get more out of the food you buy.
Customer Reviews
08 March 2014
Waste of time
As soon as the plastic sleeve came off, the whole plant flopped over and the leaves were limp. Will go back to purchasing Waitrose packet coriander.
Hi MJT, We're sorry to hear of your disappointment with your Coriander pot. Coriander is a rosette forming plant, so when you take the pot out of its sleeve it will naturally collapse. If you harvest just above the base new growth develops. Unlike other potted herbs Coriander should ideally be used once and then discarded, as success with growing on can be limited.
Slaw Salad with Mango and Chilli
Homemade coleslaw is always a delight, and this salad combines its freshness and crunch with an oil-based rather than a creamy dressing. Toasted seeds add flavour and nutrition, for an all-round power salad.
30 mins
Tom Aiken's Lime and Coriander Chicken and Tenderstem Rice Salad
Tom Aikens, Chef and Patron of Tom Aikens and Tom's Kitchen restaurants: "Tenderstem is a great new vegetable to work with and a really convenient ingredient for home cooks. This quick and easy recipe will inspire you to give it a go."
10 mins
Tom Aikens' Cherry Tomato Gazpacho
A summer soup worthy of a hot, sweltering day. The quality of the cherry tomatoes will make or break this enticing dish, while the quantity of icing sugar used should depend on the sweetness of your cherry tomatoes
1 hr 15 mins
Steamed chicken dumplings
A hint of chilli and ginger adds spice to this classic, low-fat Oriental dish.
1 hr
Seeds Of Change® butternut squash tikka masala
This is a classic Indian dish with all the essential flavours, try substituting the squash for marrow, spring onions, lamb or chicken.
22 mins
View all recipes containing Ocado British Growing Coriander Pot
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A Century of the Arts
For over a century, the Town Hall Theater in Chateaugay, New York, has provided a venue for spectacles of every variety. From vaudeville to cinema, the theater has continued on in its mission for over 100 years. more »
Mar 1, 2013 J. Scott Parker Arts & Culture


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Crayola® Hassle Free Watercolors
Item# kd1091
Crayola Hassle Free Watercolors are like regular watercolor paintswithout the mess! There are no cups of water to tip over and no paints to spill. The specially designed paint pots contain a bright, solid color that is only activated when you dip in the brush tip. You can even turn them upside-downthey won't spill or drip!
Get exclusive offers about this product and more!


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Portland >Food & Dining >
Bakeries >Grand Central Bakery & Cafe
1444 NE Weidler St, Portland, OR | Directions 9723245.534245 -122.650615
Monday To Sunday From 07:00 AM To 06:00 PM
Neighborhoods: Lloyd District
If for some unfortunate reason, you have to enter the Lloyd Center Mall labyrinth, it's good to stop in at this busy bakery beforehand for a little pickmeup, or a big one, in the case of the cinnamon rolls/Monkey muffins. Whether or not it's St. Paddy's day, pick up some delicious soda bread, too.
Still, their bread and other products are delicious, but this location tends to be a bit rough around the edges. As a cafe, it's only okay, but the real reason to come back is their fabulous bread.
Thanks for the allergic reaction – I have heard about this place for years, but I just went there today and left disappointed. We ordered two sandwiches and they initially only gave us one. I reminded them about the second one, and they served it up fairly quickly, but it was clear that they still weren't reading our order ticket. They added heaps of the one ingredient I asked them NOT to include in my original order, and, even though I removed it from my food, I still walked out of that place with an allergic reaction. Even if it hadn't been for that, the sandwiches were wimpy and the bread was so-so. We spent $18, had to tip up front, and bus our own table. I'm not going back, and it's too bad, because I was looking forward to enjoying this place.
great lunch spot – Get there before noon if you don't want to wait in a long line. Their soups are the best -- and no waiting! I recommend getting a bowl of the daily soups (2 are offered, one is veggie), and a side salad. Ask for the soup first. All for $5.50! A great deal. Some of their servers have a bit of an attitude, but they are basically nice if you know what you want to order.
desserts – this is a great place to buy dessert to go! chocolate cookies are yummy!
Three cheery cafes bake their way into Portlander's hearts. – In Short
If it's not the fresh-baked rustic breads, sinful sweets it's the satisfying sandwiches that draw savvy diners to all three Grand Central's bakery cafes. When you want food fast without the grease, call ahead and order a sack lunch: a sandwich (try the Black Forest ham and baby Swiss) with gourmet potato chips and a giant cookie. It's a carbohydrate-lover's dream.
Yummy Sandwiches, A Bit Overpriced – I love their sandwiches, but I will only treat myself to them every once in awhile because you can end up spending more than you might expect just for a sandwich and chips. I reccommend the egg salad sandwich on olive bread in a sack lunch though. Staff is super friendly and it has a nice, busy "meet your friends around the corner" feeling.
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The only set available in the market: The complete concertos for diverse instruments by Joseph Haydn. Performances in true Haydn spirit, full of wit and instrumental virtuosity.
Rarely recorded repertoire: The Keyboard Symphonies by C.P.E. Bach, spanning the bridge between the Baroque and the Classical period. Played with full conviction by Andrea Chezzi.
Two great, but different 20th century Cello Sonatas from Russia: The deeply romantic cello sonata by Rachmaninoff, and the cello sonata by Prokofiev, a hybrid piece of his later period.
The first, near legendary, recording of Beethoven's Leonore (1977), featuring the best singers of the time: Eberhard Büchner, Edda Moser, Edith Mathis, Theo Adam, Karl Ridderbusch, and the Staatskapelle Dresden conducted by Herbert Blomstedt.
"There are some quirky harmonies… and lively rhythms from the chamber choir Amystis… fervently committed readings."


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There's never been a better time
to apply to Otterbein University.
Apply online today!
The design/technology program provides intensive hands-on experience for students desiring a career in professional theatre. This B.F.A. program is a four-year sequence of courses in basic design, theatre technology and visual arts. Class work is augmented with a wide variety of practical production experience in all areas, with the goal of ensuring that students have a basic working knowledge of all technical areas. Students have the opportunity to build a portfolio that will display a significant level of professional preparation.
The first two years focus on practical technical skills, drafting, rendering and visual arts courses. Technical assistantships are available in all shops. From the beginning, students work on mainstage productions in a variety of roles, and in progressively more responsible positions. Otterbein DTs serve as master carpenters, wardrobe masters, master electricians, sound assistants, and stage managers just to name a few.
During the junior and senior years, emphasis is on specialization in comprehensive design or technology training that provides in-depth development and skills necessary for a professional career in theatre. Students also take courses in Theatre History and Directing to build their understanding of theatre as an art form. Many students have the opportunity to assist principal designers, the technical director or costume shop supervisor, and may be selected to design and execute in all areas for mainstage productions.
The senior year is highlighted by a 10- to 12-week internship in a major regional theatre where work and exposure to practicing professionals is assured. Students continue to refine design or technology skills with assignments in major production projects to complete the portfolio and training necessary for pursuit of professional careers or further work in graduate school.
Students are evaluated annually and must meet professional standards to complete the B.F.A. Design and Technology program.
To view a sample four year schedule click here.
Stage Managers in the Department of Theatre and Dance mayapproach their professional training through one of two possible degree paths: the B.F.A. degree in Design/Technology, which stresses the technical elements in management, or the B.A. degree in Theatre, which allows the student more freedom to combine courses in theatre with courses in business, psychology, and personnel management.
In addition to applying to the university for general admission, all students interested in applying for the B.F.A. degree in Design and Technology must schedule an interview and present a portfolio of their work to the Design and Technology faculty. Admission to the program is by invitation only and the number of available places is limited. For valuable information on how to prepare a portfolio and schedule an interview click here.
Department Office
M-F: 8:30 a.m. - 5:00 p.m.
p/ 614.823.1657 Box Office
M-F: 10:00 a.m. - 4:00 p.m.
p/ 614.823.1109
e/ firstname.lastname@example.com For general questions about admission and financial aid:
Elizabeth Doyle
Admission Counselor
p/ 614.823.1500
e/ firstname.lastname@example.com For questions about BFA Acting and Musical Theatre auditions:
Harriet Hill, Audition Coordinator
p/ 614.823.1210
e/ email@example.com For questions about BA, Design/Tech, and Dance admission:
Matt Wolfe, Administrative Assistant
p/ 614.823.1657
e/ email@example.com
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Otterbein University, 1 South Grove Street, Westerville, OH 43081, 614.890.3000
© 2014 Otterbein University. Otterbein University is an affirmative-action, equal-opportunity employer.


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How We're Funded
Funding the FAF, the FASB, and the GASBThe work of the Financial Accounting Foundation (FAF), the Financial Accounting Standards Board (FASB) and the Governmental Accounting Standards Board (GASB) is funded by a combination of accounting support fees, subscription and publication revenue, and investment income. The largest share of financial support for the standard-setting boards comes from accounting support fees. Those fees are paid by publicly traded companies (for the FASB) and municipal bond brokers and dealers (for the GASB). Neither the FAF nor the FASB or GASB receive any funds from the Federal, state, or local governments.
While our primary funding sources are stable and established by law, they are subject to factors both external and internal that change how that funding is allocated and assessed from year to year. As a result, the amount of accounting support fees needed to support the work of the FASB and GASB varies – sometimes significantly – from year to year.
Following is a brief overview of the how the FAF, the FASB, and the GASB are funded.
Main Funding SourcesThe FAF, FASB, and GASB presently obtain funding from three primary sources:
- FASB Accounting Support Fees are collected under Section 109 of the Sarbanes-Oxley Act of 2002 to fund the annual recoverable expenses of the FASB. Recoverable expenses are the total FASB operating expenses adjusted to 1) exclude non-cash expenses (mainly depreciation) and 2) include other cash requirements (mainly capital expenditures). Put another way, recoverable expenses are roughly equivalent to operating expenses. FASB accounting support fees are assessed on and collected from issuers of publicly-traded securities, as those issuers are defined in the Sarbanes-Oxley Act, and are allocated based on the average market capitalization of each issuer. In 2012, a total of 7,627 publicly traded companies paid a total of $29.8 million in accounting support fees for the FASB. The FASB accounting support fees are reviewed by the U.S. Securities and Exchange Commission (SEC) each year to ensure compliance with the statute.
- GASB Accounting Support Fees are collected under Section 978 of the Dodd-Frank Wall Street Reform and Consumer Protection Act of 2010 to fund the annual recoverable expenses (again, roughly equivalent to operating expenses) of the GASB. These support fees were instituted in 2012 through an SEC order instructing the Financial Industry Regulatory Authority (FINRA) to establish, assess, and collect accounting support fees from its members. GASB accounting support fees collected in 2012 were $8.5 million, paid by a total of 532 broker dealers.
- Subscription and Publication revenue includes sales and licensing of copyrighted FASB- and GASB-related materials. The FAF licenses the content of the FASB Codification and GASB publications to commercial publishers and other licensees for inclusion in their proprietary online research systems. Both the FASB Codification and GASB materials also are available through various paid subscription plans and hard copy printed versions. In 2012, gross revenue from subscription and publication fees totaled $17.8 million.
Accounting Support FeesSarbanes-Oxley provides that the FAF may collect as accounting support fees the full amount of the FASB's recoverable expenses, as described earlier. Similarly, Dodd-Frank provides that the FAF may collect as accounting support fees the full amount of GASB's recoverable expenses.
Since 2005, the FAF voluntarily has chosen not to seek accounting support fees to fund the full amount of the FASB's budget. Similarly, beginning in 2013, the FAF is seeking 2013 GASB accounting support fees that are less than GASB recoverable expenses.
Instead, the FAF has chosen to fund a portion of FASB and GASB recoverable expenses with residual reserve funds. Residual reserves are those funds that are forecast to exceed a targeted reserve balance. For the 2013 budget, the FAF will make available residual reserves totaling $16.9 million to fund both FASB and GASB recoverable expenses. The residual reserves are allocated to the FASB and the GASB based on the average of each Board's (1) share of net publications revenues and (2) share of recoverable expenses.
Target Reserve FundThe FAF's investment balances consist of a reserve fund and a separate short-term investment fund. The reserve fund, established early in the FAF's history, is intended to provide sufficient reserves to operate the FAF, the FASB, and the GASB during any temporary or permanent funding transition or to provide for any other unforeseen circumstances.
The FAF has established a targeted year-end reserve fund balance equal to one year of budgeted expenses for the entire organization, plus a working capital reserve equal to three months of net operating expenses for the entire organization. In addition, the FAF each year aims to have a balance in its short-term investment accounts on January 1 equal to three months of budgeted net operating expenses.
Residual Reserve Funds (and how they affect volatility in FASB/GASB accounting support fees)In preparing the budget each year, the FAF calculates the amount of reserve funds that are available to offset accounting support fees by estimating the projected year-end reserve balances and subtracting the target year-end reserve balances. These residual reserve funds pay for a portion of operating expenses that otherwise would be funded by accounting support fees.
The amount of residual reserve funds available generally depends on the amount of revenue the FAF receives from subscriptions and publications. However, other factors can affect the level of residual reserve funds – and that creates some annual volatility in the amount that the FAF must raise in accounting support fees.
For example, the 2013 projected reserve fund exceeds the target reserve fund by $16.9 million, an unusually high amount (compared to $9.3 million in 2012). This residual is the result of: concessions received from renewal of the FAF's building lease in Norwalk, Connecticut that were not budgeted, and
- favorable variances in expenses compared to the 2012 budget
- earlier than anticipated implementation of the billing and collection of GASB accounting support fees
The above chart shows the trend of FASB recoverable expenses, FASB accounting support fees, and residual reserve funds over the past several years, along with a preliminary estimate for 2014.
The chart demonstrates that the level of accounting support fees required to fund FASB operations is directly – and inversely – related to the level of residual reserve funds, even as FASB recoverable expenses remain relatively flat. In years such as 2013, when increased residual reserve funds are available to fund FASB operations, the level of accounting support fees decreases. In years when residual reserve funds decrease, accounting support fees rise.
The level of residual reserve funds, of course, depends on whether the FAF has incurred any extraordinary expenses, or receives any unanticipated revenue during the course of the year.


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Where there's a wheel, there's a way - the Live Simply® Skateboard T-Shirt hails the simplest form of locomotion beyond two feet. The long-staple organic cotton T-shirt is ringspun for softness and durability. Artwork by the Patagonia® Logowear Crew is screen-printed using inks that are PVC- and phthalate-free. Comfortable, taped shoulder seams for a no-bag fit.
- Ringspun long-staple organic cotton for softness and durability
- Screen-print inks are PVC- and phthalate-free
- Taped shoulder seams for comfort and fit retention
- Artist: Patagonia® Logowear Crew
- 5.4-oz 100% organic cotton
- 187 g (6.6 oz)
- Made in Mexico.
Organic cotton is produced using techniques that are healthy and safe for the environment and the people who work and live near the fields where it's grown. Organic cotton is never grown with synthetic chemical fertilizers, pesticides, herbicides or defoliants, nor is it genetically modified in any way. Read more


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SUPERSEDED (see Active link, below)
Active (view current version of standard)
1. Scope
1.1 This terminology includes definitions of terms that are useful to the powder metallurgy industry. These definitions are helpful in the interpretation and application of powder metallurgy terms.
2. Referenced Documents (purchase separately) The documents listed below are referenced within the subject standard but are not provided as part of the standard.
ASTM Standards
B331 Test Method for Compressibility of Metal Powders in Uniaxial Compaction
ICS Code
ICS Number Code 01.040.77 (Metallurgy (Vocabularies)); 77.160 (Powder metallurgy)
UNSPSC Code
UNSPSC Code
ASTM International is a member of CrossRef.


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Quick Peek at Glasgow!
We only spent one night in Glasgow, but that one night made me want to come back! The people were EXTREMELY friendly! We two cab drivers and both of them were just lovely. We also spoke with some locals over breakfast because they like our American accents! We definitely want to spend some more time in the cosmopolitan yet very welcoming city.
Insider Tip:Take cabs! The drivers put American cab drivers to shame.


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When grueling 16-hour days on the set of TV show White Collar left Tiffani Thiessen struggling to lose baby weight after her daughter, Harper, was born, the now-38-year-old star called in a big gun—trainer Kathy Kaehler, who sculpts the bodies of Julia Roberts and other swamped A-listers. Kaehler arrived with groceries and the key to her pounds-off program, Sunday Set-Up: Spend one hour on Sunday prepping healthful dinners for the week ahead and you'll start losing pounds, pronto. Flash-forward to today and Thiessen is at her prepregnancy weight. "Cooking this way simplified my life, and I have more energy," she says. Want to shrink like Thiessen? Our seven-day plan—including Kaehler's tasty, affordable dinners (each costs about $9 to make) and a bonus get-lean exercise routine—will deliver.
Planning a week's worth of light, filling and budget-friendly suppers is as easy as (1) shop for groceries, (2) prep key ingredients and stash them in the fridge and (3) make one beyond-simple recipe each night using your ready-to-go goods. Then the fun part: Dig in!
Crumbled lowfat feta (2 tbsp)
Shredded mozzarella (2 tbsp)
Shredded Parmesan (2 tbsp)
Beer (light, 12 oz)
Black beans (low-sodium, 15.5-oz can)
Cannellini beans (15.5-oz can)
Chickpeas (15-oz can)
Corn (15-oz can)
English muffin (whole-grain)
Marinara sauce (14-oz jar)
Panko breadcrumbs (1/4 cup)
Quinoa (3/4 cup)
Vegetable broth (14-oz can)
Basil (1 fresh bunch)
Bell pepper (red)
Broccoli (1 head)
Cauliflower (1 small head)
Cherry tomatoes (1 pint)
Eggplant (small)
Garlic (1 head)
Lettuce (1 head)
Parsley, Italian (1 fresh bunch)
Pecans (1 tbsp)
Plum tomatoes (2)
Slivered almonds (2 tbsp)
Sweet potatoes (2 medium)
Tomatoes (2 medium)
White onion (sweet, small)
Yellow onions (2 medium)
Chicken breast tenders (4 oz boneless, skinless)
Eggs (3)
Halibut (4 oz boneless, skinless)
Shrimp (4 oz shelled and deveined)
Turkey sausage (1 link, about 3 1/2 oz)
If you don't have these on hand, pick them up: black pepper; brown sugar; cayenne pepper; curry powder; dark molasses; dried basil, oregano and thyme; flour; lowfat mayo; olive oil; parchment paper; sea salt; sugar; vegetable oil cooking spray; white wine vinegar; white cooking wine.


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You can always choose to get cooking area renovating solutions if you want a brand-new appearance for your food preparation location and require a transformation. This renovation generally includes repainting your cooking area, adding brand-new home appliances, changing the installations and setup of the cabinets. But, some people are challenged with the work and wish to save a great deal of money by doing all these by themselves.
If all these sound complicated or as well tough, do not worry given that you could discover a professional company like Douglas Orr Plumbing who could do the job for you – hassle free! Try to find a person that could give you top quality and proficient kitchen remodeling as well as water heater repair services. Ask around for references from relatives and friends, and above all, search online for testimonials, you can visit this link OrrPlumbing.com.
Kitchen area Renovation and Closet Setup
- Wrap up the design of your kitchen area. Be certain of your color pattern, layout, motif and selection of components.
- Check the location. Is the room proper sufficient for new closets? Ensure to take accurate dimensions.
- When you have actually chosen exactly what layout you such as, go to a house depot and pick which cupboards you would such as for your kitchen area.
- Determine the area of the cupboard in your food preparation location. Mark them on the wall surface with a pencil.
- Pinpoint the ideal positioning by making a computation from your floor covering.
- You have to also consider the area required for your kitchen counters, foundation closet and others.
- Summarize the measurements of these and point out where exactly the cabinet's bottom must be.
- Link every closet simultaneously by positioning them behind up. Keep in mind of the altitude given that it might generate a spine amongst the cabinets. You could also them up.
- When establishing up the base cabinets, the edge or end closet originally goes in. Level it and ensure every little thing is in gauged accordingly and straightened.
- Hold your cupboards with each other. If you need additional clearance for your cabinets, you could utilize a filler strip.
- You can now begin piercing the screws into the studs and take out any unnecessary product.
- You could do some finishing touches and connect brief pieces of timber from your kitchen counter to your base cupboards.


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The good news is that parents should not feel helpless. In fact, they should feel encouraged. When it comes to underage drinking, studies show that parents have a lot more power over the decisions their teens make than they may realize. According to the Roper Youth Report, 74% of teens ages 13 to 17 say their parents are the number one influence on their decisions about whether they drink alcohol, and that finding has been consistent since this survey began more than a decade ago.
"We know it's not always easy to talk with teens, but parents are actually very effective when it comes to helping their kids make good decisions, like not drinking alcohol or giving in to negative peer pressure," says Rudy Williams, OLCC Deputy Director. "Parents can be very influential by keeping the lines of communication open, setting firm rules – and sticking to them, and teaching their kids how to make responsible choices."
The OLCC offers these additional tips for parents for prom and graduation celebrations:
The OLCC congratulates students and parents on keeping prom and graduation celebrations safe and healthy. Enjoy every minute of the season and help your teens create positive memories that will last a lifetime.


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Port Clinton Police say they are very close to an arrest after child pornography was found in a box of books.
In January a woman found pornographic images of children in a box of books she bought at a Port Clinton auction house. Police initiated an investigation at that time and determined neither the woman nor the operator of the action house knew about the photos prior to the sale.
Police say they have received several tips since going public with the story, all of which lead them to a victim and a suspect.
"Not only law enforcement, but the people in general want to get this resolved. Everybody agrees that this is a heinous crime and they never want to see it ever happen again. Hopefully I never have to investigate this again in my career," said Port Clinton Police Sergeant Corbin Carpenter.
Sergeant Carpenter says the photos were likely taken in the 1990's and that the suspect did not intend for them to be found. Carpenter says the victim, a female, is undergoing therapy. Police said they have not determined where the crime was committed, but believe it was somewhere in Ottawa County.
Child pornography found in books bought at Port Clinton auction house
Copyright 2013 Toledo News Now. All rights reserved.


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Effortless and convenient: simply operate the release knob in the luggage compartment and the towing bracket mechanically swivels the ball joint attachment into position. When the trailer is securely locked, an indicator light on the release knob lights up. The trailer stabilisation system makes for a pleasant drive.
Convenient and safe whatever the load: just operate the release knob in the luggage compartment and the swivelling mechanism turns the ball joint attachment out and in again. When the trailer is hitched and locked, indicator lights on the adjuster knob and the instrument panel show that the trailer has been successfully secured. Then you can set off. Moreover, no matter what you are transporting – a horse, a boat or a motorcycle – the trailer stabilisation system makes driving with a trailer easier. Using the sensors of the electronic stability programme (ESP), it counters oscillations of the trailer, which may be built up by a lane-change manoeuvre, ruts and grooves in the road surface or crosswind. With automatic applications of the brakes, the system decelerates the trailer, thus helping to stabilise it.