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JRF Supports Immigration Reform
The Jewish Reconstructionist Federation continues to work with a coalition of Jewish and interfaith organizations towards comprehensive reform of the immigration system in the United States. Our key partner in this endeavor is HIAS (The Hebrew Immigrant Aid Society, see http://wewerestrangerstoo.wordpress.com/).
HIAS and our national and local Jewish organization partners have launched We Were Strangers, Too: the Jewish Campaign for Immigration Reform.
The We Were Strangers, Too campaign calls for immigration legislation that:
•Keeps families united and decreases the waiting time for family re-unification.
•Creates pathways to citizenship for undocumented immigrants.
•Creates a plan for future migration flows in order to protect all workers' rights.
•Empowers immigrants to fully integrate by providing financial support to local governments and community organizations that offer classes and services.
•Establishes border protection and enforcement policies that bolster our national security, while balancing enforcement with economic development and human and civil rights.
Contact Congress: Schedule an in-district lobby visit with your Members of Congress or send an e-letter to Congress asking for immigration reform.
Educate: To Educate leaders in your community, host a Rabbinical Roundtable discussion in your city, which will engage Jewish leadership on the topic of immigration from the Jewish perspective. To educate the general Jewish community, host Welcome the Stranger, HIAS' 90-minute educational program focusing on immigration from a historical and values perspective.
Spread the Word: HIAS offers religious materials on immigration, including sample D'Var Torah and Jewish holiday guides focusing on immigration.
Stay In Touch: Contact Liza Lieberman (firstname.lastname@example.com) with any questions, to join the national Jewish Task Force for Immigration Reform listserv, or to sponsor the We Were Strangers, Too campaign.
A Faith Leaders' Statement on Immigration
Supported by the Jewish Reconstructionist Federation
As the leaders of different faith groups and denominations across the country, are gravely concerned with the current political and policy environment surrounding the issue of immigration. We are troubled by signs that our nation is turning away from reforming our nation's immigration system and is instead pursuing enforcement policies which are ineffective and inhumane.
Enforcement raids, state and local anti-immigrant ordinances, and harmful rhetoric against immigrants are just a few of the signs that our nation is moving away from civil discourse and toward discord and division. As a result, immigrant families are being separated and immigrant and ethnic groups targeted, creating a climate of fear in all of our communities.
Now is the time to restart the debate on immigration reform and develop fair, balanced, and humane solutions to immigration. We offer the following principles to help guide our country in reaffirming our identity as a nation which welcomes immigrants and believes that the best of America is shown in how we treat those who come to our shores:
Anti-immigrant rhetoric has no place in public discourse and should not be used. As a country, we value civil public discourse as the reasonable way to address our problems and arrive at solutions. Inflammatory statements and dehumanizing categorizations of any person or people, e.g. "illegals", should be stricken in favor of factual and more accurate descriptions of the people adversely affected by our broken immigration system.
Elected officials should examine all aspects of our immigration system. Examining and reforming only one aspect of our immigration system—such as enforcement---will not meet the challenges we face. The legal immigration system, both employment and family-based, must also be reformed.
Reform of our laws should restore the rule of law and secure our borders. Current immigration law is severely flawed and thus must be corrected in order to re-establish the rule of law. As a sovereign nation has the right to secure its border, any reform should ensure that our country's borders are secure from outside threats.
Reform of our laws must respect the human dignity of the person. The adoption of new laws must be measured by their ability to uphold basic human dignity. Any proposals which can lead to an abuse of human dignity and human rights must include safeguards to protect against such violations.
Reform of our laws must protect family unity. Proposals should ensure that families are kept together, to the greatest extent possible, and that children and youth, particularly, are afforded special protection. Too often our immigration laws lead to the disintegration of the family unit and the abandonment of children.
We commit ourselves to working with our own faith communities and others to foster constructive and respectful dialogue on this important national issue. As faith leaders, we will work to ensure that immigrants are treated with respect and dignity. We will speak out and educate our communities about the value of immigrants and the important contributions they make to our lives, while fostering a climate for constructive and civil dialogue on this important national issue.
We also urge our elected officials and all persons of good will to work together to find solutions which uphold the moral fabric of our nation, protect the dignity and human rights of all persons, and restore and maintain the rule of law.
As a nation of immigrants, we must remember our heritage and return to those values which have helped build our great nation—fairness, justice, opportunity, and compassion.
Political Update: http://jta.org/news/article/2009/03/12/1003677/two-immigration-amendments-extended
New resources on Immigration for the Jewish holidays available at http://advocacy.hias.org/NetCommunity/religious_materials
See http://www.hias.org/progress for more information
Op-Ed by Rabbi Maurice Harris: http://www.jewishaz.com/issues/story.mv?100430+abraham
Sample Programs in JRF communities:
At our Social Concerns Luncheon on a recent shabbat, the topic was immigration. Two speakers from the Hebrew Immigrant Aid Society (HIAS) spoke on the topic "Religious Responses to Illegal Immigration and Initiatives for Reform". The first speaker, HIAS CEO Gideon Aronoff, outlined five Jewish bases for HIAS's work in helping Jewish and non-Jewish immigrants as well as in supporting "fair and compassionate immigration laws." The second speaker, HIAS VP of Media and Communications Roberta Elliott, talked about starting the first Jewish detention visitation group in the U.S., at the Elizabeth Detention Center near Newark Airport. The center houses individuals who arrive without sufficient documentation while their applications for asylum and status are considered. Roberta's descriptions of conditions at the center and her stories about detainees she has met and assisted were moving and inspiring. Several of our members expressed interest afterwards in following up with detention visits and in organizing a book drive for the detainees which is a need of the people there. You can read more on our website, http://www.thesaj.org
As part of the faith alliance of metro Atlanta, Rabbi Josh Lesser helped organize educational sessions documentary showing in collaboration with many other institutions. Congregation Beit Chaverim has a strong relationship with RRISA (Refugee Resettlement and Immigration Services of Atlanta) and we have partnered with a number of families to provide support. Our school has worked with the Burmese immigrant community. This year our tikkun olam commitee is working with some Latino organizations to do advocacy against proposed state anti-immigration bills and we are planning an educational Shabbat on immigration in Georgia. Lastly, we are creating a Passover seder that explores directly immigration with the passover narrative. Rabbi Joshua Lesser http://www.congregationbethaverim.org/
Rabbi Dennis Sasso of affiliate Beth El Tzedek, Indiannapolis, IN, is a member of the Board of Directors of the Immigrant Welcome Center in Indianapolis and represented the center and the Jewish Community Relations Council at a conference to sign and launch the Rabbi Sasso's talk is attached to this page. http://bez613.org/
10 Things You and Your Synagogue can do to Welcome the Stranger- Rebecca Gould (RRC '11)
The list below focuses on Philadelphia and region, but can be adpated for resources and organizational connections in your area:
"When a stranger resides with you in your land, you shall not wrong him. The stranger who resides with you shall be to you as one of your citizens; you shall love him as yourself, for you were strangers in the land of Egypt: I the Lord am your G-d."
- Leviticus 19: 33-34
What can I do to help?
1. Encourage people in your life to use language that honors the divine spark in everyone - use the term undocumented immigrant instead of illegal alien.
2. Donate furniture - free pick up from your home - to furnish apartments for new refugees.
3. Go to these websites and join listservs: for state legislation updates - http://paimmigrant.org/ and for national legislation updates - http://capwiz.com/hias and www.interfaithimmigrant.org then make calls and write emails as legislation comes up.
4. Become an American friend by helping new immigrants get settled and learn about living in Philadelphia.
5. Help refugees and immigrants avoid deportation by giving tzedakah to HIAS and Council so we can continue to provide legal representation for those in need. Go to http://hiaspa.org/involved.html to give.
How can my synagogue community make a difference?
1. Create a media watch committee to respond to anti-immigrant sentiment (post on facebook, blog, write op-eds, etc.) Help people fulfill the Jewish values of welcoming the stranger and loving your neighbor by changing public opinion on immigration.
2. Join the PA Immigration and Citizenship Coalition listserv at http://paimmigrant.org/ and participate as a community in local actions for immigration reform.
3. Do an oral history project about your congregants families' immigration stories. Children and adults can interview relatives. Present creatively and make connections to current day immigration issues. Research immigration issues and history at hias.org
4. Sponsor educational programs and invite speakers from various faiths and backgrounds (tailored for adults or children).
5. Do a community drive for household goods and other items to help immigrants and refugees. Encourage bar and bat mitzvah students to take a leading role.
HIAS and Council Migration Services of Philadelphia (www.hiaspa.org)
Myth # 1: Immigrants Take Jobs Away From Americans
Immigrants work in niche occupations, including many areas U.S. workers don't choose to work in. One recent study showed NO correlation between high unemployment and counties with large numbers of immigrants.
(http://immigrationpolicy.org/sites/default/files/docs/Not_In_Competition_3.pdf ; http://immigrationpolicy.org/just-facts/immigration-reform-and-job-growth )
Myth # 2 Immigrants Increase Crime
New immigrants are less likely to commit crimes than native-born Americans. While immigration has increased since 1994, including doubling undocumented populations, violent crime rates fell by 34.2%. This question has been studied for over 100 years and the findings consistently show that new immigrants commit fewer crimes than native born residents. (http://www.boston.com/bostonglobe/editorial_opinion/oped/articles/2008/03/05/immigration_and_crime/ ; http://immigrationpolicy.org/just-facts/immigrants-and-crime-are-they-connected-century-research-finds-crime-r... )
Myth # 3 Immigrants Don't Pay Taxes
All immigrants pay taxes, whether income, property, sales, or other. As far as income tax payments go, immigrants pay $90-$140 billion a year in federal, state, and local taxes. Even undocumented immigrants pay income taxes, as evidenced by the Social Security Administration's "suspense file" (taxes that cannot be matched to workers' names and social security numbers). In 2002, this suspense file grew by $56 billion in reported earnings, with $7 billion in Social Security taxes and $1.5 billion in Medicare taxes largely paid by immigrants who will never enjoy these programs. Immigrants contribute $611 billion to our Social Security system; a moratorium on legal immigration would devastate the system by raising the deficit 31% over 50 yrs.
Myth # 4 Immigrants Don't Contribute Economically to Society
The immigrant community is not a drain on the U.S. economy but, in fact, proves to be a net benefit. Research reported by both the CATO Institute and the President's Council of Economic Advisors reveals that the average immigrant pays a net 80,000 dollars more in taxes than they collect in government services. For immigrants with college degrees the net fiscal return is $198,000. Furthermore, The American Farm Bureau asserts that without guest workers the U.S. economy would lose as much as $9 billion a year in agricultural production and 20 percent of current production would go overseas. In the Philadelphia region, immigrants have accounted for nearly 75 percent of the area's labor growth since 2000 and, when compared to native born, more are employed (73 percent versus 71.5 percent) and self-employed (10.7 percent versus 7.9 percent). In addition, immigrants have a high rate of entrepreneurship, opening businesses and creating jobs. And new groups have tremendous buying power. The growth of the Latino press is an example; at a time when newspapers are struggling for readership, Latino radio and T.V. offerings are increasing. Since 1990 Latino purchasing power has increased by 349% and Asian buying power by 92%. (Source: New Brookings Institution study, "Recent Immigration to Philadelphia: Regional Change in a Re-Emerging Gateway." CATO Institute, CATO Handbook for Congress: Policy Recommendations for the 108th Congress, http://www.cato.org/pubs/handbook/hb108/hb108-63.pdf; Executive Office of the President: Council of Economic Advisors, "Immigration's Economic Impact," June 20, 2007, http://www.whitehouse.gov/cea/cea_immigration_062007.html; Derrick Z. Jackson, "Undocumented Workers Contribute Plenty, The Boston Globe, April 12, 2006, http://www.boston.com/news/globe/editorial_opinion/oped/articles/2006/04/12/undocumented_workers_contribute_pl...)
Myth # 5 Immigrants Don't Want to Learn English
Immigrants and their children learn English today at the same rate as Italian, German, and Eastern European who emigrated in the 19th and early 20th centuries. There are not enough English classes to accommodate all the immigrants who want to learn English. Nevertheless within 10 years, 75% of immigrants are able to speak English well. 91% of second generation immigrants are fluent or near fluent English speakers. By the third generation, 97% speak English fluently or near fluently. (Source: Shirin Hakimzadeh and D'Vera Cohn, "English Usage Among Hispanics in the United States," http://www.prospect.org/cs/articles?articleId=10487 Pew Hispanic Forum, 12/6/07. http://pewhispanic.org/reports/report.php?ReportID=82; Janet Murguia and Cecilia Muñoz, "From Immigrant to Citizen," The American Prospect 10/23/05; http://www.immigrationforum.org/images/uploads/MythsandFacts.pdf)
Myth # 6 Immigrants Have a Way to Immigrant Legally; They Just Need to Wait Their Turn
There are no legal possibilities for many immigrants. Visa caps, complex laws including 1996 changes in the law means if an immigrant leaves and tries to apply to re-enter, they could be separated from their family for 10 years or more. There are virtually no permanent employment visas for unskilled immigrants; the wait is 8 years and no employer will hold a job open that long. Immigrants can't wait in line, because there is no line.
|Jewish Community Statement 6-29-05 .doc
|Interfaith Immigration Platform 2009.pdf
|Welcome the Stranger Cover Letter.pdf
|Welcome the Stranger.doc
|Torah Quotes Welcoming the Stranger.doc
|Jews stepping up efforts on immigration issue.doc
|PJA passover seder insert.pdf


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Wired Equivalent Privacy
From MTU LUG wiki
WEP is short for Wired Equivalent Privacy. The purpose of WEP was to add a tiny level of security to make it difficult for the average person to listen in on traffic going on a WiFi network. WEP uses the RC4 algorithm. While it is no longer recommended for new systems, it is quite secure when implemented properly.
RC4 is a stream cipher. The algorithm is initialized with a specific seed value and then generates a pseudo-random stream of bits that is XORed with the data. WEP generates this seed using a 40-bit (later 104-bit) key and a 24-bit initialization vector. The key is shared across all devices, the initialization vector (IV) is regenerated for each packet sent across the network. The IV used to seed RC4 is sent in the clear as part of the transmission.
Original attacks against WEP relied on weak IVs that leaked information about the other parts of the key. An attack like this required approximately 1 million to 5 million packets to obtain the required number of weak IVs. Obviously, that is alot of traffic to capture and store. This attack was known as the FMS attack. Eventually vendors released updated drivers that simply didn't use weak IVs.
Luckily someone named KoreK came along with a new statistical attack against WEP that only relied on unique IVs. This attack requires about 250,000 unique IVs for a 40-bit WEP key. This still takes a long time to gather, but an order of magnitude fewer than the FMS attack. An attacker can use a tool like airodump to capture packets on a WiFi network. After gathering the required number of packets s/he then runs aircrack on the packet log and the key will be discovered.
Luckily WEP has another vulnerability we can exploit to generate encrypted traffic on the network. A replay attack is when you retransmit an encrypted message with the hopes that the destination will accept it. There is no check in WEP to ensure that it won't decode and pass on already decoded packets. The retransmitted packet will obviously use the same IV each time, but if a host on the network responds then it's response will use a new IV each time.
To usefully exploit this flaw you need a packet that a host will respond to. Most networks have lots of these; it's part of being an Ethernet network. Address Resolution Protocol (aka ARP) is used by hosts on an Ethernet network to discover what Media Access Control address corresponds to an IP address. This is used to fill in the link-layer fields of the packet. This ARP packet is broadcast to all hosts on the network and a host will always respond to an ARP query that contains it's IP address. ARP packets are perfect for the replay attack because of this. Aireplay is a tool that is used to do exactly this.
The KoreK attack combined with the replay vulnerability can crack a 40-bit WEP key in under 30 minutes. 104-bit WEP in under an hour.

subset: commoncrawl


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Fine art
Fine art, from the 17th century on, has meant art forms developed primarily for aesthetics, distinguishing them from applied arts that also have to serve some practical function.
Historically, the 5 main fine arts were painting, sculpture, architecture, music and poetry, with performing arts including theater and dance.1 Today, the fine arts commonly include additional forms, such as film, photography, conceptual art, and printmaking. However, in some institutes of learning or in museums, fine art and frequently the term fine arts (pl.) as well, are associated exclusively with visual art forms.citation needed
One definition of fine art is "a visual art considered to have been created primarily for aesthetic and intellectual purposes and judged for its beauty and meaningfulness, specifically, painting, sculpture, drawing, watercolor, graphics, and architecture."2 In that sense, there are conceptual differences between the Fine Arts and the Applied Arts. As originally conceived, and as understood for much of the modern era, the perception of aesthetic qualities required a refined judgment usually referred to as having good taste, which differentiated fine art from popular art and entertainment.3 However in the Postmodern era, the value of good taste is disappearing, to the point that having bad taste has become synonymous with being avant-garde.4 The term "fine art" is now rarely found in art history, but remains common in the art trade and as a title for university departments and degrees, even if rarely used in teaching.
The word "fine" does not so much denote the quality of the artwork in question, but the purity of the discipline.citation needed This definition tends to exclude visual art forms that could be considered craftwork or applied art, such as textiles. The visual arts has been described as a more inclusive and descriptive phrase for current art practice. Also, today there is an escalation of media in which high art is more recognized to occur.citation needed
- 1 History
- 2 Cultural perspectives
- 3 Two-dimensional work
- 4 Sculpture
- 5 Conceptual art
- 6 Dance
- 7 Theatre
- 8 Film
- 9 Architecture
- 10 Other
- 11 Academic study
- 12 References
- 13 Further reading
|History of art
|Art history
According to some writers the concept of a distinct category of fine art is an invention of the early modern period in the West. Larry Shiner in his The Invention of Art: A Cultural History (2003) locates the invention in the 18th century: "There was a traditional "system of the arts" in the West before the eighteenth century. (Other traditional cultures still have a similar system.) In that system, an artist or artisan was a skilled maker or practitioner, a work of art was the useful product of skilled work, and the appreciation of the arts was integrally connected with their role in the rest of life. "Art," in other words, meant approximately the same thing as the Greek word techne, or in English "skill", a sense that has survived in phrases like "the art of war," "the art of love," and "the art of medicine."5 Similar ideas have been expressed by Paul Oskar Kristeller, Pierre Bourdieu, and Terry Eagleton (e.g. The Ideology of the Aesthetic), though the point of invention is often placed earlier, in the Italian Renaissance.
Cultural perspectives
The separation of arts and crafts that often exists in Europe and the US is not shared by all other cultures. In Japanese aesthetics the activities of everyday life are depicted by integrating not only art with craft but man-made with nature. Traditional Chinese art distinguished within Chinese painting between the mostly landscape literati painting of scholar gentlemen and the artisans of the schools of court painting and sculpture. A high status was also given to many things that would be seen as craft objects in the West, in particular ceramics, jade carving, weaving, and embroidery. Latin American art was dominated by European colonialism until the 20th-century, when indigenous art began to reassert itself inspired by the Constructivist Movement, which reunited arts with crafts based upon socialist principles.
Two-dimensional work
Painting and drawing
Drawing is a form of visual expression and is one of the major forms within the visual arts. Common instruments include graphite pencils, pen and ink, inked brushes, wax color pencils, crayons, charcoals, chalk, pastels, markers, stylus, or various metals like silverpoint. There are a number of subcategories of drawing, including cartooning. Certain drawing methods or approaches, such as "doodling" and other informal kinds of drawing such as drawing in the fog a shower leaves on a bathroom mirror, or the surrealist method of "entopic graphomania", in which dots are made at the sites of impurities in a blank sheet of paper, and lines are then made between the dots, may or may not be considered to be part of "drawing" as a "fine art."
Mosaics are images formed with small pieces of stone or glass, called tesserae. They can be decorative or functional. An artist who designs and makes mosaics is called a mosaic artist or a mosaicist.
Printmaking is the process of making artworks by printing, normally on paper. Except in the case of monotyping, the process is capable of producing multiples of the same piece, which is called a print. Each print is considered an original, as opposed to a copy. The reasoning behind this is that the print is not a reproduction of another work of art in a different medium — for instance a painting — but rather an image designed from inception as a print. An individual print is also referred to as an impression. Prints are created from a single original surface, known technically as a matrix. Common types of matrices include: plates of metal, usually copper or zinc for engraving or etching; stone, used for lithography; blocks of wood for woodcuts, linoleum for linocuts and fabric in the case of screen-printing. But there are many other kinds, discussed below. Multiple nearly identical prints can be called an edition. In modern times each print is often signed and numbered forming a "limited edition." Prints may also be published in book form, as artist's books. A single print could be the product of one or multiple techniques.
Calligraphy is a type of visual art. It is often called the art of fancy lettering 6 A contemporary definition of calligraphic practice is "the art of giving form to signs in an expressive, harmonious and skillful manner".6 Modern calligraphy ranges from functional hand-lettered inscriptions and designs to fine-art pieces where the abstract expression of the handwritten mark may or may not compromise the legibility of the letters.6 Classical calligraphy differs from typography and non-classical hand-lettering, though a calligrapher may create all of these; characters are historically disciplined yet fluid and spontaneous, improvised at the moment of writing 789
Fine art photography refers to photographs that are created to fulfill the creative vision of the artist. Fine art photography stands in contrast to photojournalism and commercial photography. Photojournalism visually communicates stories and ideas, mainly in print and digital media. Fine art photography is created primarily as an expression of the artist's vision, but has also been important in advancing certain causes. The work of Ansel Adams in Yosemite and Yellowstone provides an example. Adams is one of the most widely recognized fine art photographers of the 20th century, and was an avid promoter of conservation. While his primary focus was on photography as art, his work raised public awareness of the beauty of the Sierra Nevada and helped to build political support for their protection.
Sculpture is three-dimensional artwork created by shaping hard or plastic material, commonly stone (either rock or marble), metal, or wood. Some sculptures are created directly by carving; others are assembled, built up and fired, welded, molded, or cast. Because sculpture involves the use of materials that can be moulded or modulated, it is considered one of the plastic arts. The majority of public art is sculpture. Many sculptures together in a garden setting may be referred to as a sculpture garden.
Conceptual art
Conceptual art is art in which the concept(s) or idea(s) involved in the work take precedence over traditional aesthetic and material concerns. The inception of the term in the 1960s referred to a strict and focused practice of idea-based art that often defied traditional visual criteria associated with the visual arts in its presentation as text. However, through its association with the Young British Artists and the Turner Prize during the 1990s, its popular usage, particularly in the UK, developed as a synonym for all contemporary art that does not practice the traditional skills of painting and sculpture.10
Dance is an art form that generally refers to movement of the body, usually rhythmic, and to music,11 used as a form of expression, social interaction or presented in a spiritual or performance setting. Dance is also used to describe methods of nonverbal communication (see body language) between humans or animals (bee dance, patterns of behaviour such as a mating dance), motion in inanimate objects (the leaves danced in the wind), and certain musical genres. In sports, gymnastics, figure skating and synchronized swimming are dance disciplines while the Katas of the martial arts are often compared to dances.
Modern Western theatre is dominated by realism, including drama and comedy. Another popular Western form is musical theatre. Classical forms of theatre, including Greek and Roman drama, classic English drama (Shakespeare and Marlowe comprised), and French theater (Molière included), are still performed today. In addition, performances of classic Eastern forms such as Noh and Kabuki can be found in the West, although with less frequency.
Fine arts film is a term that encompasses motion pictures and the field of film as a fine art form. A fine arts movie theater is a venue, usually a building, for viewing such movies. Films are produced by recording images from the world with cameras, or by creating images using animation techniques or special effects. Films are cultural artifacts created by specific cultures, which reflect those cultures, and, in turn, affect them. Film is considered to be an important art form, a source of popular entertainment and a powerful method for educating — or indoctrinating — citizens. The visual elements of cinema give motion pictures a universal power of communication. Some films have become popular worldwide attractions by using dubbing or subtitles that translate the dialogue.
Cinematography is the discipline of making lighting and camera choices when recording photographic images for the cinema. It is closely related to the art of still photography, though many additional issues arise when both the camera and elements of the scene may be in motion.
Independent filmmaking often takes place outside of Hollywood, or other major studio systems. An independent film (or indie film) is a film initially produced without financing or distribution from a major movie studio. Creative, business, and technological reasons have all contributed to the growth of the indie film scene in the late 20th and early 21st century.
Architecture is frequently considered a fine art, especially if its aesthetic components are spotlighted — in contrast to structural-engineering or construction-management components. Architectural works are perceived as cultural and political symbols and works of art. Historical civilizations often are known primarily through their architectural achievements. Such buildings as the pyramids of Egypt and the Roman Colosseum are cultural symbols, and are important links in public consciousness, even when scholars have discovered much about past civilizations through other means. Cities, regions and cultures continue to identify themselves with, and are known by, their architectural monuments.12
- Avant-garde music is frequently considered both a performing art and a fine art.
- Creative writing —distinct from journalism or technical writing, as well as different from most forms of academic writing and organizational communications— is, as previously mentioned, frequently considered a fine art.
- Electronic Media —perhaps the newest medium for fine art, since it utilizes modern technologies such as computers from production to presentation. Includes, amongst others, video, digital photography, digital printmaking and interactive pieces.
- Textiles, including quilt art and "wearable" or "pre-wearable" creations, frequently reach the category of fine art objects, sometimes like part of an art display.
- Western art (or Classical) music is a performing art frequently considered to be fine art.
Academic study
- Kyoto City University of Arts, Japan Offers graduate degrees in Painting, Printmaking, Concept and Media Planning, Sculpture, and Design (Visual, Environmental, and Product), Crafts (Ceramics, Dying and Weaving, and Urushi Lacquering); also the Science of Art and Conservation.
- Tokyo University of the Arts The art school offers graduate degrees in Painting (Japanese and Oil), Sculpture, Crafts, Design, Architecture, Intermedia Art, Aesthetics and Art History. The music and film schools are separate.
- Korean National Universitydead link Music, Drama, Dance, Film, Traditional Arts (Korean Music, Dance and Performing Arts), Design, Architecture, Art Theory, Visual Arts Dept. of Fine Arts (painting, sculpture, photography, 3D laser holography, Video, interactivity, pottery and glass)
Great Britain
- Royal Academy of Arts, London
- The Ruskin School, University of Oxford The BFA is a three-year, studio-based course in which students work alongside each other in collaboratively organised studios. It allows students to engage with the diversity of disciplines that shape contemporary art, including painting, sculpture, printmaking, photography, installation, video, sound, performance and other experimental forms.
- Edinburgh College of Artdead link
- Central Saint Martins, London
- University of Kent, UK Fine Art Phd "The programme welcomes students who wish to pursue any form of artistic practice in an interdisciplinary studio-based research environment. Research students are supported through their studies by a supervisory team and regular supervisory meetings."
South America
- Brazil: The Institute for the Arts in Brazilia has departments for theater, visual arts, industrial design, and music. 13
United States
In the United States an academic course of study in fine art may include the Bachelor of Arts in Fine Art, or a Bachelor of Fine Arts, and/or a Master of Fine Arts degree — traditionally the terminal degree in the field. Doctor of Fine Arts degrees —earned, as opposed to honorary degrees— have begun to emerge at some US academic institutions, however. Major schools of art in the US:
- Yale University, New Haven, CT - MFA in Painting, printmaking, sculpture, photography, and graphic design. An interdisciplinary degree in film is also offered. The BA in art includes the same areas of study, plus drawing.14
- Rhode Island School of Design, Providence, RI - MFA in Ceramics, Glass, Jewelry + Metalsmithing, Painting, Photography, Printmaking, Sculpture, Textiles; BFA in Film/Animation/Video, Illustration15
- School of the Art Institute of Chicago, Chicago, IL - MFA in Studio, MFA in Writing16
- University of California Los Angeles, Los Angeles, CA - MFA in Ceramics, Interdisciplinary Studio, New Genres, Painting and Drawing, Photography, and Sculpture17
- California Institute of the Arts, Valencia, CA18
- Carnegie Mellon University, Pittsburgh, PA19
- Cranbrook Academy of Art, Bloomfield Hills, MI20
- Maryland Institute College of Art, Baltimore, MD21
- Columbia University, New York, NY - The School of the Arts at Columbia University offers MFA degrees in Film, Theatre Arts, Visual Arts and Writing, an MA degree in Film Studies, a joint JD/MFA degree in Theatre Management & Producing, and a PhD degree in Theatre History, Literature and Theory.22
- ^ The Project Gutenberg EBook of Encyclopaedia Britannica 10 (11 ed.). 1911.
- ^ "Fine art | Define Fine art at Dictionary.com". Dictionary.reference.com. Retrieved 2014-03-13.
- ^ "Aesthetic Judgment". The Stanford Encyclopedia of Philosophy. 22 July 2010.
- ^ Richard B. Woodward (04/12/12). "When Bad Is Good".
- ^ David Clowney. "A Third System of the Arts? An Exploration of Some Ideas from Larry Shiner's The Invention of Art: A Cultural History". Contemporary Aesthetics. Retrieved 05/07/2013.
- ^ a b c Mediavilla, C. (1996). Calligraphy. Scirpus Publications.
- ^ Pott, G. (2006). Kalligrafie: Intensiv Training. Verlag Hermann Schmidt Mainz.
- ^ Pott, G. (2005). Kalligrafie:Erste Hilfe und Schrift-Training mit Muster-Alphabeten. Verlag Hermann Schmidt Mainz.
- ^ *Zapf, H. (2007). Alphabet Stories: A Chronicle of Technical Developments. Rochester: Cary Graphic Arts Press.
- ^ Turner prize history: Conceptual art Tate gallerydead link tate.org.uk. Retrieved August 8, 2006.
- ^ Britannica Concise Encyclopedia. "britannica". britannica. Retrieved 2010-05-18.
- ^ The Tower Bridge, the Eiffel Tower and the Colosseum are representative of the buildings used on advertising brochures.
- ^ "Institute for the Arts, Brazilia".
- ^ "Yale University School of Art". Art.yale.edu. Retrieved 2014-03-13.
- ^ "Division of Fine Arts RISD". Risd.edu. Retrieved 2014-03-13.
- ^ "School of the Art Institute of Chicago". Saic.edu. Retrieved 2014-03-13.
- ^ "UCLA Department of Art". Art.ucla.edu. Retrieved 2014-03-13.
- ^ "California Institute of the Arts Programs". Calarts.edu. 2013-12-20. Retrieved 2014-03-13.
- ^ "Carnegie Mellon College of Fine Arts". .cfa.cmu.edu. Retrieved 2014-03-13.
- ^ "Welcome to Cranbrook Academy of Art". Cranbrookart.edu. Retrieved 2014-03-13.
- ^ "Maryland Institute College of Art". Mica.edu. Retrieved 2014-03-13.
- ^ "Columbia University School of the Arts". Arts.columbia.edu. Retrieved 2014-03-13.
Further reading
- Ballard, A. (1898). Arrows; or, Teaching a fine art. New York: A.S. Barnes & Company.
- Caffin, Charles Henry. (1901). Photography as a fine art; the achievements and possibilities of photographic art in America. New York: Doubleday, Page & Co.
- Crane, L., & Whiting, C. G. (1885). Art and the formation of taste: six lectures. Boston: Chautauqua Press. Chapter 4 : Fine Arts
- Hegel, G. W. F., & Bosanquet, B. (1905). The introduction to Hegel's Philosophy of fine art. London: K. Paul, Trench &.
- Hegel, G. W. F. (1998). Aesthetics: lectures on fine art. Oxford: Clarendon Press.
- Neville, H. (1875). The stage: its past and present in relation to fine art. London: R. Bentley and Son.
- Rossetti, W. M. (1867). Fine art, chiefly contemporary: notices re-printed, with revisions. London: Macmillan.
- Shiner, Larry. (2003). "The Invention of Art: A Cultural History". Chicago: University of Chicago Press. ISBN 978-0-226-75342-3
- Torrey, J. (1874). A theory of fine art. New York: Scribner, Armstrong, and Co.
HPTS - Area Progetti - Edu-Soft - JavaEdu - N.Saperi - Ass.Scuola.. - TS BCTV - TS VideoRes - TSODP - TRTWE
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Capital One Financial Corp.
Company Profile
Capital One Financial Corp. is a diversified banking company based in McLean, Va., known best as a credit-card issuer. The eighth-largest bank by deposits, Capital One is focused primarily on consumer and commercial lending and deposit origination.
Capital One made its name in the direct marketing of no-fee credit cards and in recent years has transformed itself into a bank. While it sidestepped the mortgage mess, observers expect that the credit crisis will hit the bank harder than competitors because it's a big consumer lender.
The bank is known for its data-driven, analytical culture. It has grown quickly since its founding in 1988 but in recent years has experienced its share of downsizings. Capital One repaid the $3.55 billion in TARP funds that it had received from the U.S. Treasury Department at the height of the financial crisis.
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Woodmere >Food & Dining > Village Square Pizza
27349 Chagrin Blvd, Cleveland, OH | Directions 4412241.463176 -81.486683
Mon - Thu, 11am - 9pm; Fri, Sat, 11am - 10pm; Sun, 4pm - 9pm
Neighborhoods: Woodmere
do not ever eat here – nothing was good at all i saw mold on some of the salad, the bread was hard, and to top it off the pizza tasted really old, i will never ever eat there again
A trip to pizza paradise! – Village Sguare simply has the best pizza I've ever had (great Calzones too!) The crust is medium thick and a little crispy, the perfect amount of sauce and lots of wonderful rich cheese. I've never been to Italy but I've got to believe this is the way it would taste in the old country. I'll never eat chain pizza again!
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Surgeons >Sharkey, Michael J, Md - Georgia Dermatology-Skin Cncr
212 Hospital Dr Ste C, Warner Robins, GA | Directions 3108832.615314 -83.629310
Mon. - Fri. 9am - 5pm;Sat. - Sun. CLOSED
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Who doesn't love Betty White? Nobody at FOX 11, that's for sure. Betty dropped by Good Day LA to chat with Tony Potts (filling in for Steve Edwards) and Maria Sansone. They talk about her career in television which began decades ago at a local station where she was live on the air for 5 1/2 hours a day, six days a week. Amazing.
Now, of course, she stars on TVLand's "Hot In Cleveland" where she's reuniting with many of the past sitcom stars she worked with in the past. And the animals. She talks about the animals she loves and the big fundraiser being held at the L.A. Zoo next week.
Fun facts about Betty:
(Source: Wikipedia)
The 43rd Annual Beastly Ball will be held a week from Saturday at the LA Zoo. Follow Betty on Twitter: @BettyMWhite


text:
A group for us Geek and Nerds to talk about things we like. Technology, sci-fi, movies, TV, collecting, games, comics, science, etc.
Location: Austin, TX
Members: 168
Latest Activity: on Monday
Started by Steph S.. Last reply by Steph S. Apr 3. 37 Replies 1 Like
This is an idea I got from Dungeons and Dragons. But I was wondering what alignment you are.Here is an online alignment test.http://www.youthink.com/quiz.cfm?obj_id=3215…Continue
Started by Steph S.. Last reply by Steph S. Apr 3. 1 Reply 1 Like
This is a fun test to take to determine what type of survival personality you have. Really fun for fans of the show and comic book! My results were Alpha "Male" -- see what results you get.…Continue
Started by Steph S. Mar 18. 0 Replies 1 Like
Started by Steph S.. Last reply by Joan Denoo Feb 7. 1 Reply 2 Likes
Stealth technology takes a lot of forms. The word can refer to all kinds of…Continue
Started by Ruth Anthony-Gardner. Last reply by Kosak Grabovsky Feb 7. 2 Replies 1 Like
One American City Enjoys a Hyperfast Internet -- Any Surprise…Continue
Started by Ruth Anthony-Gardner. Last reply by Grinning Cat Jan 24. 1 Reply 1 Like
Make Up Tips to Make Your Face Illegible to Computers"... all you need is some tape, scissors, eyeshadow and something…Continue
Tags: face recognition
Started by Steph S.. Last reply by Ruth Anthony-Gardner Jan 5. 1 Reply 1 Like
When we think of famous figures, we have a tendency to boil them down to their most defining traits. In our heads, Teddy Roosevelt becomes badass distilled, and Albert Einstein is a brain with a severe comb allergy. This is all by design -- famous…Continue
Started by Steph S. Dec 18, 2013. 0 Replies 1 Like
This past year was a strange one, with a variety of popular beliefs being busted. Some were welcome news: Other myths left a funk like a fart-filled balloon when they burst. Here, in no particular order, are seven popular stories and myths busted in…Continue
Angelica welcome to the group!
Welcome Mink
Mink welcome to the group! Glad to have you.
that's funny Ruth - thanks
Varsha welcome to the group!
yeah - cool thank you Ruth!
Pi anyone. lol
I'm sure most of you nerds can remember Archimedes number to more decimal places than I can.
I can only remember it to 6 decimal places. How many can you?
© 2014 Atheist Nexus. All rights reserved. Admin: Richard Haynes.


text:
"Teachers Rr' Awesome" Apprecation Card
Material List
- DCWV® Paper Pad, 12"x12" - the Edumacation Stack™
- Envelope, 5 1/2"x4 1/4" - White
- Baker's Twine - Red and White
- Round Buttons - Yellow and Red Star
- Scoring Tool
- Paper Crafting Adhesive
- Paper Trimmer
- Scissors
- Pencil
- Ruler
Project Instructions
Step 1 Cut an 8½"x5½" strip from a blue print in the stack. Score this down the middle and fold in half to create a 4¼"x5½" card.
Step 2 Cut out three pennants from the print with tags and icons; adhere them to look like a banner on the card, starting with the twine and then adding the pennants on top as shown.
Step 3 Cut out saying(s) from the tags and icons print to convey desired message. Adhere them below the banner.
Step 4 Add the buttons to the side of the middle sentiment(s) as shown.
Step 5 Write desired message inside and offer to recipient.


text:
Skip navigation
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Legislature home
Table of contents
Assembly Rule
Unless otherwise required by the state constitution, by law, or by legislative rule, all questions are decided by a majority of a quorum.
(2) Unless a roll call vote is required by the state constitution, by law, or by legislative rule, any question before the assembly may be decided by voice vote. The presiding officer shall decide and announce the outcome of each voice vote and, when so announced, the decision of the presiding officer is final.
(3) A roll call vote shall be taken when the recording of the "ayes" and "noes" is required by the state constitution, by law, or by legislative rule, when ordered by the presiding officer, or when requested by a member with the support of 15 seconds.
(4) When the voting machine is available, the machine may be used to record the "ayes" and "noes." When the voting machine is not available, the chief clerk shall call and tally the roll. On all roll call votes, the record produced by the voting machine or the chief clerk's tally is official and final.
(5) Only the members present in the assembly chamber may vote.
(6) During a roll call vote, any member may raise the point of order that a member appears to be absent from the chamber but is shown as voting according to the roll call display boards. If the presiding officer rules the point of order "well taken", the vote of the absent member may not be recorded.
(7) Any interruption of a roll call vote, from the time the voting machine is opened or the calling commenced to the announcement of the official totals by the presiding officer, is out of order except to raise a point of order concerning the taking of the vote.
(8) After the voting machine is closed or the calling completed, a member's request to be recorded as voting or as voting contrary to the way shown in the official record shall be shown in the journal, but does not alter the outcome of the roll call vote.
(9) The official record of the roll call vote, and the account of the roll call vote in the daily journal, shall show the names and total number of those voting "aye", of those voting "no", and of those absent or not voting.
Assembly Rule
Voting mandatory; exceptions.
When a question is put every member present shall vote either "aye" or "no" unless paired with another member who is absent with leave, or unless the assembly for special cause excuses the member from voting.
Assembly Rule
Presiding officer votes.
The presiding officer shall vote and be recorded on all roll call votes.
Assembly Rule
Members may pair on any question by filing a signed statement with the chief clerk indicating the questions on which they wish to be paired. The chief clerk shall read the pair to the assembly before the vote is taken. A "pair" form for the use of members shall be provided by the chief clerk.
(1) A pair may not be recognized unless one or both of the parties thereto are absent with leave.
(2) If one party to a pair is present and votes, the pair is invalidated.
(3) Pairs are applicable to the main questions on a proposal and do not apply to amendments or procedural motions unless the pair so specifies.
(4) A pair is not counted as part of the official result of a vote, but shall be recorded.
(5) For the purpose of establishing a qualified majority or quorum, both members of the pair are considered not present.
[(5) cr. 1995 A.Res. 2]
Assembly Rule
Division of the question.
Any member may request a division of simple amendments and motions involving distinct and independent propositions or concurrent actions if they are severable without being rewritten or restated, and the question shall be divided if each separate proposition or action to be voted on is complete and proper regardless of the action taken on any other portion of the original question.
(2) If it is the opinion of the presiding officer that the proposed division of a simple amendment is unduly complex or the purpose of the division can be more clearly or simply accomplished by amendment, or that a call for a division is being used as a substitute for a series of amendments, the question may not be divided.
(3) An amendment to delete certain words and to substitute other words is one indivisible proposition.
(4) Bills, joint resolutions, resolutions, and substitute amendments, and amendments received from the senate for assembly concurrence, may not be divided. A bill vetoed in its entirety by the governor may not be divided. A report of a committee of conference may not be divided.
(5) When a bill has been vetoed in part and the assembly considers a specific item for passage notwithstanding the objections of the governor, any member may request that the item be divided. The item may be divided on request by a member if:
(a) The request proposes to so divide the item that each separate proposition, if passed notwithstanding the objections of the governor, will result in a complete and workable law regardless of the action taken on any other part of the original item.
(b) It is the opinion of the presiding officer that the item involves distinct and independent propositions capable of division and that the division will not be unduly complex.
(6) When a bill has been vetoed in part the committee on rules may, by a resolution offered under rule
, propose to schedule a specific part as a special order. When appropriate, the resolution may divide the part into one or more independent propositions and dependent propositions. The proposed division must include at least one separate proposition that, if passed notwithstanding the objections of the governor, will result in a complete and workable law regardless of the action taken on any other part of the original part. The presiding officer shall first put the question on the independent proposition. The question on any proposition dependent thereon may be put only if the independent proposition has been passed notwithstanding the objections of the governor.
[(4) am. 1989 A.Res. 2]
[(4) and (6) am. 1995 A.Res. 2]
[(2), (4), (5)(b) and (6) am. 2001 A.Res. 3]
Assembly Rule
Tie loses question.
Whenever the assembly casts a tie vote, the question is lost.
Assembly Rule
Interruptions of clerk during roll call.
A person may not visit or remain at the clerk's desk while a roll call vote or tabulation is in progress.
Chapter 10:
Assembly Rule
Call of the assembly.
Any member who obtains the floor may request a call of the assembly to require absent members to be sent for.
(2) A call of the assembly is in order at any time, including while a motion to adjourn is pending, but not when voting is in progress or a request for a leave of absence or a motion to lift a call is pending.
(3) A call of the assembly requires 15 seconds.
(4) On a call of the assembly being requested, the presiding officer shall state substantially: "It requires 15 members to second a call of the assembly; those in favor of the call will rise." If 15 members rise, the call is ordered.
[(4) cr. 1995 A.Res. 2]
Assembly Rule
Members to remain in chamber when under call.
When a call of the assembly is ordered, the sergeant at arms shall close the doors and members may not leave the assembly chamber.
Assembly Rule
Sergeant to bring in absentees.
When a call of the assembly is ordered, the chief clerk shall immediately call the roll of the members. At the conclusion of the call of the roll the names of absent members shall be read aloud and entered in the journal indicating those absent with leave and those absent without leave. The chief clerk shall furnish the sergeant at arms with a list of those who are absent without leave, and the sergeant at arms shall proceed to bring in such absentees.
(1) If summary process is required to secure the attendance of absentees, it shall be carried out as prescribed by law.
(2) Expenses incurred by the sergeant at arms in securing the attendance of absent members may, with the consent of the assembly, be imposed upon such members.
Assembly Rule
Business under call.
While the assembly is under call:
(1) Business may be transacted as if there were no call except that further action may not be taken on the specific question under consideration when the call was ordered.
(2) A concurrent call may be ordered on any question taken up after an initial call.
(3) All motions relating to the call, adjournment, or any recess shall be decided by a roll call vote.
(4) The sergeant at arms may at any time report on the progress or completion of the call. Any such report shall be entered in the journal.
Assembly Rule
Lifting a call.
A call of the assembly terminates or is lifted when any of the following occurs:
(1) The sergeant at arms or the chief clerk reports that all who were absent without leave are present.
(2) A motion to lift the call is approved by a majority of the current membership.
(3) The assembly recesses or adjourns.
Assembly Rule
Successive calls on same question.
Successive calls on the same question are not in order unless significant business, a recess, or an adjournment has intervened.
Chapter 11:
Assembly Rule
Changing assembly rules.
Assembly rules may be rescinded or changed only with the approval of a majority of the current membership by roll call vote.
(1) Any proposed change of assembly rules shall be offered as a resolution.
(2) Any resolution affecting assembly rules shall be referred by the speaker or presiding officer to the calendar for the 2nd legislative day after it is offered, or to a committee. A resolution providing for the adoption of assembly rules at the commencement of a legislative biennium may be taken up immediately after it is offered if the resolution has been provided to the assembly members-elect of the new legislature at least one week before the convening of the session.
[(2) am. 1999 A.Res. 3]
[(1) and (2) am. 2001 A.Res. 3]
Assembly Rule
Suspension of the rules.
Any assembly or joint rule may be suspended by the unanimous consent of the members present or by a two-thirds roll call vote of the members present.
(2) When a unanimous consent request is made or a suspension of the rules is moved, the purpose sought to be accomplished thereby shall be stated.
(3) When a unanimous consent request is granted or a motion to suspend the rules prevails, only those rules are suspended that otherwise would prevent the accomplishment of the stated purpose.
(4) A unanimous consent request or a motion to suspend the rules may be made at any time under any order of business by a member who obtains the floor, but not while the assembly is voting.
(5) Unanimous consent requests and motions to suspend the rules are not permitted for frivolous, indecorous, or clearly dilatory purposes.
[(1)(intro.) and (a) to (d) rn. from (intro.) and (1) to (4) 1995 A.Res. 31]
[(2) to (5) rn. from (1) (a) to (d) 1997 A.Res. 2]
Assembly Rule
Authority and interpretation of the rules.
The power to make rules governing its procedure is a constitutional power of each house of the legislature. The rules of the assembly, together with the joint rules, govern the assembly's parliamentary practice.
(1) In the absence of a pertinent assembly or joint rule, questions of parliamentary procedure are decided according to applicable rules of parliamentary practice in Jefferson's manual which are not inconsistent with constitutional or statutory provisions relating to the functioning of the legislature.
(2) Established precedents of both houses, long-established custom, opinions of the attorney general interpreting rules and precedents, and other leading parliamentary authorities such as Mason's manual may be used in the interpretation of both the assembly rules and the rules in Jefferson's manual.
Assembly Rule
Continuity of assembly rules.
The rules of the assembly remain in effect until amended or rescinded by the assembly. At the beginning of a new biennial session, the rules of the assembly in effect at the conclusion of the preceding regular session remain in force until superseded by assembly rules adopted in the new session of the legislature.
Assembly Rule
Special, extended, or extraordinary sessions.
Unless otherwise provided by the assembly for a specific special, extended, or extraordinary session, the rules of the assembly adopted for the regular session, subject to the following modifications, apply to each special session called by the governor and to each extended or extraordinary session called by the assembly and senate committees on organization or called by a joint resolution adopted by one house and concurred in by the other house:
(1) A proposal or amendment may not be considered by the assembly unless it is germane to the session call or pertains to the organization of the legislature.
(2) Proposals may be offered or introduced only by the assembly committees on finance, organization, or rules, or by the joint committees on employment relations, finance, or organization.
(3) A notice of hearings before committees is not required other than posting on the legislative bulletin boards, and a schedule of committee activities need not be published.
(4) All proposals shall be referred to the day's calendar and may be taken up immediately. A calendar need not be provided.
(5) A motion to postpone a proposal to a day or time certain may not be allowed.
(6) All motions to reconsider shall be taken up immediately unless a different time is set by vote of a majority of the members present and voting for a specific motion to reconsider.
(7) All motions to advance a proposal to its 3rd reading and all motions to message a proposal to the other house may be adopted by a majority of the members present and voting.
[(intro) am. 1991 A.Res. 2]
[(4) am. 1995 A.Res. 2; 1999 A.Res. 3]
[(intro.), (2), (4) and (6) am. 2001 A.Res. 3]
[(4) am. 2003 A.Res. 3]
Assembly Rule
Content, format, and style of rules and manual.
The assembly manual shall be composed of pamphlets containing the assembly rules, the joint rules, the session schedule, the state constitution, alphabetical indexes, and other information approved by the speaker or the committee on assembly organization. Whenever directed to do so by the speaker or the committee on assembly organization, the chief clerk shall recompile and republish any pamphlet part. In recompiling the assembly manual or any pamphlet thereof, the chief clerk shall make spelling and other minor corrections and shall consult with the legislative reference bureau to make any references to provisions of the constitution, statutes, joint rules, or assembly rules conform to the numbers assigned to the provisions.
(2) Spelling and capitalization in the assembly rules shall follow the style of the Wisconsin statutes.
Within one week after the adoption of any resolution significantly changing the assembly rules, the chief clerk shall direct the reproduction of a new pamphlet incorporating the entire text of the assembly rules as affected by the resolution unless, in the judgment of the speaker, additional rule changes may soon be agreed to by the members. Each pamphlet edition shall contain a revised table of contents and index prepared by the legislative reference bureau.
(b) The chief clerk shall supervise the production of the book of the assembly rules for insertion into the assembly manual.
(c) As directed by the chief clerk, any resolution amending the assembly rules may be engrossed and may be duplicated for distribution.
[(3)(a) and (b) am. 1995 A.Res. 2]
Chapter 12:
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text:
Buy any 5 Rapala Lures and receive a free t-shirt direct from Rapala by mail. Click HERE for a printable order form. One offer per household. Offer valid through 09/15/2013.
Rapala Glass Shad Rap GSR07 Lures offer molded high-impact plastic with holographic foil insert that allows the chameleon-like Glass Shad Rap to pick up the color of its surroundings and bounce the same color back in an iridescent glow. When fished in bright sunlight or low light, the lure looks completely natural, adapting to the current conditions.
Glass Shad Rap Lures suspend on pause and swims with a slightly different action than the legendary balsa model. Add internal rattle, VMC black nickel hooks and hand-tuned and tank-tested features, this lure truly has it all.
Features of these baits include:
Listed below are the lure specifications.
The colors we carry are shown in the table below.
Please select the color from the list above.
This is the go to crank bait I fish for s allies in the spring on mountain lakes


text:
All first year students will be assigned a mentor who will serve as a guide and resource from the before orientation through your first quarter at the University of Washington Bothell. The mentors contact their mentees throughout the summer and answer questions about their transition to the University and registering for orientations, create events for new students to attend and make friends, direct students to resources, and provide advice from a student's perspective.
72% of current UW Bothell students are enrolled full-time, and 28% are enrolled part-time.
© University of Washington Bothell Privacy | Terms


text:
PITTSBURGH—Attorneys for Pittsburgh's ABC affiliate want a federal judge to dismiss a lawsuit filed by a woman who says her mug shot was wrongly aired on the TV news when her daughter—who has the same first and last name—was arrested for kidnapping.
The Pittsburgh Post-Gazette (http://bit.ly/12nJdXT) reports Hearst Stations Inc., which owns WTAE-TV, argues the lawsuit by 49-year-old Kathy Bass, of New Salem, was filed after the statute of limitations. Hearst also contends Bass—whose 24-year-old daughter was the subject of the August 2010 news story—has her own arrest history and that authorities passed out the wrong mug shot.
The plaintiff's attorney acknowledged his client was once convicted of disorderly conduct. The younger Bass received one to two years in prison after pleading to lesser charges in the case aired on WTAE.


text:
We liked this soft-but-tough, 100% cotton Denim Shirt so much, we had 'em embroider our logo right there on the chest! Wear it loud, wear it proud, and wear it with the knowledge that, like a lot of our stuff, you didn't have to pay full price for it. Not even close, in fact. Full-button front with stand-up collar. Button cuffs and 2 button pockets. Shirttail hem. Machine wash / dry. Imported.
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text: What to Wear to Spin Class No Matter How You Spin It — You Need These Essentials For Indoor Cycling! by Michele Foley 9/04/13 28 Reactions 629 Shares Print 559 42 23 4 1 Indoor cycling and Spin classes are a mainstay at the gym, but specialized boutique studios like Flywheel Sports, SoulCycle, and YAS are bringing the workout to more people than ever before. But regardless of where you choose to turn the wheel, you'll need the right gear. We turned to Allie Fell, an instructor at SoulCycle, for her top gear picks when it comes to sweating it out on the bike! Shimano Cycling Shoes What's Your Reaction? 0 0 0 0 0 0 To maximize your workout, the proper shoes are a must — they better engage the muscles of the lower body, let you pedal more efficiently, and keep you stable while doing any out-of-the-saddle work. Allie is fond of the Shimano Women's Cycling Shoes ($70, originally $100): "These shoes give the best support on the bike, so you feel secure and ready to dance!" 1 / 7 CamelBak Water Bottle What's Your Reaction? 0 0 0 0 0 0 The mantra of any indoor-cycling class should be, "Hydrate, hydrate, hydrate!" Classes like Spin, Soulcycle, and Flywheel are all intense cardio classes that don't allow for a ton of breaks, which means you need a bottle that's easy to use midworkout. The CamelBak Podium Bottle ($10) fits nicely in a bike cup holder and is easy to use even while pedaling. 2 / 7 Lululemon Sports Bra What's Your Reaction? 0 0 0 0 0 0 Even in a low-impact sport like cycling, you still need a quality sports bra. Not only will it keep you supported, but the materials are better suited for a sweaty ride. The Lululemon Energy Bra ($48) offers light support and won't chafe the skin in sweaty environments like an indoor cycling class. "This bra is by far the most sweat-resistant bra," says Allie. "Which is key when burning 500-700 calories in a 45-minute class." 3 / 7 Nike Pro Leggings What's Your Reaction? 0 0 0 0 0 0 Skip the loose, flowy yoga pants in favor of fitted capris — you need something that won't interfere with the mechanics of the bike. Also, you're going to sweat a lot, so you want to consider gear that is moisture-wicking. Allie calls the Nike Pro Elite Knit Capris ($95) her favorite because they absorb sweat and are comfortable during rides. 4 / 7 Herschel Colorblock Backpack What's Your Reaction? 0 0 0 0 0 0 Obviously you are going to need something to store all your gear in, so take Allie's suggestion and grab the Herschel Colorblock Backpack ($55). "It is a small and efficient bag that still fits everything I need to head off to class," she says. 6 / 7 What's Your Reaction? 0 0 0 0 0 0 She might be a little biased, but Allie is fond of the SoulCycle line of tanks because they are the perfect fit — not too tight and not too loose! 6 / 7 What's Your Reaction? 0 0 0 0 0 0 As is the case with any intense workout, fueling up before and after class is important. For Allie, that means peanut butter Clif bars or blueberry Chobani yogurt. "They both give me the perfect amount of energy, especially when I need to quickly eat something in between classes," says Allie. "And they are easy to just throw in your bag and have on the go!" 7 / 7 559 42 23 4 1 Back to Homepage Comments Read More SoulCycleIndoor CyclingCyclingFitness GearWorkoutsWorkout Clothes SoulCycle No Matter How You Spin It, You Need a Primer on This Popular Indoor Cycling Move 3/20 Are You Ready to Ride? A First-Timer's SoulCycle Experience 3/04 Break a Sweat to Our 45-Minute SoulCycle Playlist! 7/17/13 Pedal Your Way to SoulCycle Success With These Tips 7/10/13 We SoulCycle With Max Greenfield and Get His Take on New Girl's "Awesome" Surprise Kiss 1/30/13 Kelly Ripa's Fit Philosophy 10/02/12 Get a Personalized Fitness Newsletter! Help us customize your newsletter by selecting your interests (optional): Running Yoga Weight Loss Working Out What's Your Reaction? 0 0 0 0 0 0 0Reactions Jennifer14881396 32 weeks allie your amazing! #soulcycle #SF #bayarea thehealthycollective 33 weeks Just started loving indoor cycling! http://thehealthycollective.com/2013/09/02/welcome-to-the-family/ Link Love Lose weight faster with these 7 research-backed breakfast tips — Women's Health Kate Hudson's secret to a healthy life — Self 10 takeout salads with more calories than most desserts — Blisstree Celebrate Spring veggies with this simple dinner recipe — Vegetarian Times Can you catch the same cold twice? — HuffPost Healthy Living A lotion that can help lower your stress levels — POPSUGAR Beauty Eat at night and burn more calories? — Shape A vegan vanilla custard you won't be able to resist — Healthy. Happy. Life


text:
4' Cellular Antennas
9dB Gain, Dual Band
Digital Antenna's dual band cellular antennas improve signals on cellular (824-894 MHz) and PCS (1850-1990 MHz) bands. They are omni-directional, transmitting and receiving signals from all directions, which provides you with 10 times the signal strength of a cell phone used by itself.
With a powerful 9dB gain and professional marine grade construction, these 4' cellular antennas deliver high performance that will last for years. Each antenna is designed for easy connection to your cell phone or amplifier.
All of our antennas are made in the USA, assembled, tested and tuned by hand for maximum performance, quality and durability.
All 4' Dual Band Cellular Antennas Feature:
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160 Walt Whitman Rd, Huntington STA, NY | Directions 1174640.825418 -73.412143
Monday - Thursday 11:30am - 10pm
Friday - Saturday 11:30am - 11pm
Sunday 12n - 9pm
Neighborhoods: Smithtown, Long Island
A New England institution where diners don bibs and crack open lobsters with their bare hands. – In Short
With 30-plus outposts up and down the Eastern seaboard, this Cambridge-based chain reels in a seemingly endless supply of after-work professionals and tired tourists. The look varies somewhat from establishment to establishment but a casually nautical theme and a crowd as loud as the ocean's roar are fairly consistent. Signature dishes include clam chowder, wood-grilled swordfish, steamed clams, and 2-pound lobsters that can be ordered baked and stuffed with scallops and shrimp.
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Learn more about the animals at the Birmingham Zoo!
Subscribe to the free Podcast in iTunes, sync your iPod and bring it to the Zoo on your upcoming visit! Our new Podcast Tour, made possible by Birmingham Coca-Cola Bottling Company, includes fun facts about the animals in our collection and is an exciting way to enjoy the Zoo!
No iPod? You can listen to the MP3s directly from the Birmingham Zoo website by clicking them below. If you wish to download them to your computer, simply right-click the link and choose "Save Target As" to save them to your machine.
Audio Tour Files (MP3 Format):
- Introduction
- African Lion
- Giraffe
- Tiger
- Gorilla
- Flamingo
- Komodo Dragon
- Ostrich
- Zebra
- Greater Kudu
- Meerkat
- Red Panda
- Cotton Top Tamarin
- Rainbow Lorikeet
- Striped Skunk
- Otters
- Anaconda
- Eastern Diamondbacked Rattlesnake
- Sea Lion
- Scarlet Ibis
- Macaws
- Hampshire Sheep
- Pygmy Goat
- American Alligator
- Spectacled Owl
- American Beaver
- Red River Hogs
- Giant Anteater
- Bald Eagle
- Orangutan
- Closing
Subscribe to the free Podcast in iTunes
The Podcast Is Also Available En Español:
Subscribe to the Podcast, en Español, free from the iTunes store.
If you wish, you can also download the entire Podcast in .zip format:
The Birmingham Zoo would like to thank the Coca-Cola Bottling Co. for their support!


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The worst mistake losing poolies can make down the stretch is to tune out their teams entirely.
It may have been clear for months that this just wasn't going to be your season.
Maybe you blew the draft. Perhaps your team has been decimated by injuries. Or, conceivably, the person in first place had a horseshoe-ectomy and has caught lucky break after lucky break on the way to an easy win.
Whatever the reason – don't bury your head in the sand as the season winds down.
There are only three weeks left in the '11-12 campaign and it's been these final few months where we may have been and will continue to see emerging trends for '12-13. Players who may have been mired in quicksand in the first half might have emerged after January and while their seasonal totals might still look average at best, the late surge might be a better indicator of what lies ahead for the following season.
Then there are the sleepers. It's one thing to read the stats line for a hot prospect, but it's an entirely different animal to see Sven Baertschi's predatory instincts unveiled in the offensive zone when he reads Keith Yandle's intent to pass the puck, pounces for the interception and then strikes for his third goal in three games on the emergency call-up. That's the sort of tactile research that will etch an indelible impression in your memory and will leave you salivating at the possibilities of him winning a job right out of Flames' camp in the fall.
Erik Karlsson's offensive abilities have been known for awhile now, but remember that he was a minus-30 last year. As much as that statistic is often completely overblown in terms of its positive and negative attributes, it's still a mainstay in fantasy hockey and it likely delayed his being drafted by a few rounds back in September. That said, the sharp minds that paid close attention down to the wire last spring, including through Ottawa's late-season Craig Anderson-inspired surge (11-5-1 with 2.05/ 939 peripherals and two shutouts with the Sens after compiling atrocious injury-related stats with the Avs), may have noticed that aside from piling up 4-8-12 in 16 March starts – Karlsson was also plus-1 in that time. He was minus-25 in January and February combined alone. He's easily on the right side of that stats line this year.
If you snoozed through the end of last season you might have missed the boat on Ray Emery's courageous comeback from that career-threatening hip injury. He snuck in nine starts with the Ducks and registered a 7-2-0 mark, including a 2.28 GAA and .926 SV% while being just what Anaheim needed at just the right time. Overlooking that period of time might have caused you to undervalue Emery's chances of not only winning the back-up gig with the Hawks coming out of training camp, but also of having the chance to supplant Corey Crawford as the starter.
If you had already turned your attention to something else when Blake Wheeler was traded from Boston to Atlanta, you likely fumbled the ball on the fact that he noticeably ramped up his shot totals with a more significant top six role and he began to make more frequent box score appearances. Fast forward to this season, where he's been a breakout star for the Winnipeg Jets and has been basically unstoppable for the past few months.
How about Dallas Stars hotshot Jamie Benn? He had a decent 56 points in 69 starts last season, but the more impactful stat included the 22 points he accumulated over his final 20 affairs. He took his game to an entirely new level in that period of time and he's carried over that play into this season, helping the Stars make up for the loss of Brad Richards inside of their top six.
As an aside, if you think the Rangers will go deep in the playoffs – Richards has been ramping his game up to that MVP-worthy level. His seasonal stats still look fairly pedestrian, but he's coming on strong and Henrik Lundqvist won't be the only one mightily bearing the weight of this team's post-season fortunes on his shoulders.
The point here is simple though.
When your fantasy team is winning, it's really easy to stay motivated to check in daily and pour over the box scores. You want the title. You can taste it.
But when your lineup is further down, be it fourth or last, it's so tempting to just pack it in and concentrate on spring training, March Madness or whatever else occupies your free time.
Don't. Keep up that work ethic until the final buzzer sounds on the regular season and then continue keeping tabs throughout the playoffs, where even more stars of tomorrow can be uncovered.
Whether it feels like it now or not, you'll be laying the critical groundwork for a run at next year's championship instead of starting a step behind again next fall.
Not every piece of information you uncover in the stretch run will turn into gold, to be sure, but knowledge is power. The more details at your fingertips, the better chances of your success right from the start of next season's marathon known as the fantasy hockey campaign.
Should you be so inclined, follow me on Twitter for NHL and fantasy info as a safe mobile notifications options with minimal self-involved dreck in 140-character spurts.
Pengwin7 said:
notoriousjim said:
For teams in leagues with a season move limit they should look into doing the same thing that i did. drop the last guy on your bench and pick up 5 more starts a week from the best the FA list has to offer. This week it netted me 2g, 1a, +1, 6 shots and 13 hits... that stat line is better than most of the stars on my team (i also played more conservative options that were not likely to hurt my +/-). At the end of the playoffs i will pick up a prospect or something that may be keepable for next season and if not, roster flexibility (espically being able to take advantage of players coming off the IR and getting a nice 2 for 1 trade) is invaluable.
Wrist_Shot said:
AFlyers66 said:
It's really quite simple, folks.
Follow Nichols' lead:
Outwork your fellow GMs.
Out-scout your fellow GM's.
Keep grindin'.
Great stuff, as usual, Chris.
Curley said:
Most fail to treat they're team all the way through, and it's the number on reason for failure.
They need to remember that most successful Pool Teams are are determined by the little sleeper players or "middle of the road" or "best buy for the buck" or the player whose "in the right situation" guys which we all look for! ,
Without a full season's knowledge of whats going on, your one step behind the other guy!
Hopefully theres a lot of read on this article. This will help all poolies..
As usual,
Great read Chris!


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Musicians celebrate International Jazz Day in Osaka 2014: Herbie Hancock, Toshiko Akiyoshi, Gregory Porter, John Beasley, John Scofield, Dee Dee Bridgewater, T.S. Monk, Oumou Sangaré, Shelia E, Pete Escovedo, Roberta Gambarini, Kenny Garrett, James Genus, Terri Lyne Carrington, Steve Turre, Roy Hargrove, Lalah Hathaway, Terumasa Hino, Chris Thomas King, Earl Klugh, Marcus Miller, Theo Croker, Joe Louis Walker, Kris Bowers, Courtney Pine, Jonathan Butler, Claudio Roditi, Lew Tabackin, Troy Roberts, Esperanza Spalding, Wayne Shorter, and Makoto Ozone. Read More »
Jazz in the Classroom
College Program
2013 Thelonious Monk International Jazz Saxophone Competition
Peer To Peer Program
International Tours
Blues and Jazz
International Jazz Day is on April 30! We're working hard with Institute Chairman Herbie Hancock and UNESCO to make this the best Jazz Day yet. If you're not sure about participating, take a look at this video message from Director-General Irina Bokova.
Renowned trumpeter and teaching artist Terell Stafford joined students from our Performing Arts High School jazz program at the Department of Education on April 4. The students delivered an informance and answered questions from an admiring audience. Check out the blog post and some excellent photos here.
We're presenting our Peer-to-Peer jazz education program in Buffalo and Rochester public schools this week! Combining performance with educational information, the informances will be presented by five exceptionally gifted music students from the Los Angeles County High School for the Arts (LACHSA), one of 11 public performing arts magnet schools around the country participating in the Institute's National Performing Arts High School Jazz Program. The students are accompanied by renowned teaching artists Antonio Hart and Lisa Henry. Do you have pictures from this or any other Peer-to-Peer tour? Share them with us by posting on our wall or sending them to email@example.com!
We're pleased to announce that Osaka, Japan will serve as the 2014 Global Host City for International Jazz Day. On April 30, Osaka will be the site of many key activities for the global celebration of jazz - including the All-Star Global Concert, to be streamed live online and on public television stations around the world. Read the press release.
Jazz legend Benny Golson will present a Listening Session next Tuesday at our program at the UCLA Herb Alpert School of Music. He will discuss the composition and recording of "Along Came Betty," "Stablemates," "Whisper Not" and other classic compositions. Free & open to the public. Learn more here.
We're so pleased to announce the upcoming Peer-to-Peer tour featuring the All-Star sextet from our Performing Arts High Schools Jazz Program, led by Competition winners and renowned musicians Ambrose Akinmusire and Lisa Henry. The students and guest artists will travel to schools throughout Northern California and will even perform a night at world-famous jazz club Yoshi's San Francisco on Feb. 26. Read more here.
Students from our college program had the chance to give a special performance for rockers Mötley Crüe last Wednesday. Check out the video and article from UCLA Today.
Registration for the 3rd annual International Jazz Day is now open! The Institute and UNESCO organize this global celebration of jazz each year to promote peace, intercultural dialogue, and respect for human dignity through music. Check out the official website and register your event here.
We're so pleased that Monk Competition winners Melissa Aldana (2013), Kris Bowers (2011), and Jamison Ross (2012) were featured performers at the National Endowment for the Arts Jazz Masters Awards on January 13th, 2014!
The Institute is in the process of digitizing the program books from some past competitions. Each book is a piece of jazz history, with rare photos and info on competitors - many of whom are now celebrated jazz artists in their own right! You can check out the 2007 Trumpet Competition in brilliant full color here.
Institute Chairman Herbie Hancock was recently featured in The New York Times. The article reviews his numerous contributions to jazz and makes mention of his work both with the Institute and on behalf of International Jazz Day.
The Institute was recognized at the 2013 Champions of Jazz Gala for its public school education programs in Newark, NJ and beyond. The event featured our clinicians Don Braden & Christian McBride, 2013 Competition winner Melissa Aldana, and Newark's Arts High Jazz Quartet! Check out this special video tribute from host WBGO.
Congratulations to First Place winner: Melissa Aldana, Second Place winner: Tivon Pennicott, and Third Place winner: Godwin Louis!
The 2013 Thelonious Monk International Jazz Saxophone Competition and All-Star Gala Concert came to a close with roaring applause as first place winner Melissa Aldana traded choruses with saxophone great Jimmy Heath and joined an all-star cast in a finale featuring Heath's classic composition "Gingerbread Boy."
Read More
Congratulations to our three finalists Godwin Louis, Melissa Aldana, and Tivon Pennicott! We'll see you tomorrow night for the finals and All-Star Gala Concert at the Kennedy Center's Eisenhower Theater!
On September 16 the Thelonious Monk International Jazz Saxophone Finals and All-Star Gala Concert will be held at the Kennedy Center in Washington, D.C. The Institute will present Wayne Shorter with a Lifetime Achievement Award and pay tribute to the late George Duke with performers including: Marcus Miller, Ledisi, Branford Marsalis, Jimmy Heath, Brian Blade, Terri Lyne Carringtion, Kurt Elling, Roy Hargrove, Take 6, Danilo Perez and John Patitucci, among others. The evening's co-hosts will include Herbie Hancock, Thelonious Monk, Jr. and Billy Dee Williams. John Beasley will serve as the evening's musical director. All proceeds from the Gala Concert will support the Institute's public school jazz education programs in Washington, D.C. and across the country. For ticket information: Click Here
The 13 Saxophone Semifinalists for 2013 have been Announced: Melissa Aldana, Santiago, Chile; Braxton Cook, Silver Spring, Maryland; Sam Dillon, Great Neck, New York; Lukas Gabric, Villach, Austria; Andrew Gould, Long Island, New York; Michael Griffin, Sydney, Australia; Danny Janklow, Los Angeles, California; Mike Lebrun, Framingham, Massachusetts, Godwin Louis, Harlem, New York; Tivon Pennicott, Marietta, Georgia; Clay Pritchard, Grapevine, Texas; Dean Tsur, Timrat, Israel; and Ben Van Gelder, Groninger, The Netherlands.
The 2013 Thelonious Monk International Jazz Saxophone Competition will be presented by the world-renowned Thelonious Monk Institute of Jazz, in partnership with Cadillac, this year's Presenting Sponsor, on September 15 and 16. The Competition Semifinals will be held at Baird Auditorium in The Smithsonian's Natural History Museum on Sunday and is free and open to the public at 1pm.
The Competition finals will be held at The John F. Kennedy Center for The Performing Arts on Monday at 7:30pm.
Institute College Ensemble Performs at Red Sea Jazz Festival With Vocalist Jane MonheitThe Thelonious Monk Institute of Jazz Performance Ensemble is traveling to Israel to perform on August 18th and 19th at the Red Sea Jazz Festival with world renowned vocalist Jane Monheit. The group will perform music from Monheit's recent recordings as well as their own original compositions. They will also present a Master Class as part of the festival events on August 19th.
Ambrose Akinmusire
Dee Dee Bridgewater
Bill Cosby
George Duke
Kevin Eubanks
Aretha Franklin
Herbie Hancock
Antonio Hart
Jimmy Heath
Lisa Henry
Lionel Loueke
Thelonious S. Monk, Jr.
Gretchen Parlato
Dianne Reeves
Wayne Shorter
Clark Terry
Bobby Watson
Ben Williams
Billy Dee Williams
Ben Williams"Moontrane"
Jon Irabagon"Foxy"
Ambrose Akinmusire"Regret (No More)"
Gerald Clayton"Hank"
Lage Lund"12 Beats"
Gretchen Parlato"Holding Back The Years"
Andre Hayward"Nica's Dream"
Seamus Blake"Will Call"
Pedro Martinez"Bendicion Madre"
Eric Lewis"Monk"
Jane Monheit"There's A Small Hotel"
Darren Barrett"Ina It"
Jon Gordon"Mysterioso"
Sheryl Bailey"East to Wes"
Sara Lazarus"Taking a Chance On Love"
Jacky Terrason"Round Midnight"
Joshua Redman"Hutchhiker's Guide"
Ryan Kisor"Better Late Than Never"
Bill Cunliffe"Butch and Butch"
Ted Rosenthal"Ballade in G Minor"
Marcus Roberts"In Walked Bud"
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© 2014 Thelonious Monk Institute of Jazz
Jazz Day
National Jazz Curriculum
Thelonious Monk
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This jazz site is part of JazzCorner.com


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Have a Fun Spa Birthday Party at your Home for your Daughter!
Spa includes mini facial, hand treatment, lip and soothing eye treatment, foot treatment, spa craft, natural makeup , sparkle nails, and relaxation time with Nature Music. Goody Bags as requested. Special Gift for the Guest Of Honor.
Party approx. 1 1/2 Hours-2 1/2 hours.
Girls Ages 4-16
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Handwashing only uses a small amount of water...I think I'd consider a small 4-6 gallon tank in each lavatory. Recovery rate is fairly slow, but should be plenty for hand washing unless it is something like a theater where there could be hundreds of people through quickly. These can be run off of 110vac. An electric tankless needs substantial power, then you have the losses to get it to the lavs, so people probably wouldn't get hot unless you add recirculation which adds even more to the complexity and cost. I'd keep it simple with a small tank in each lav, or maybe one, if they are back to back. Close to the point of use, so fast warm water.
Alternately, if I was going to use a tankless, I'd consider installing it in the bathroom, or nearby in a closet to minimize the response time to get hot water there.


text: I am a fourth year PhD student in Biomedical Engineering at Purdue University. My research focus is in biomaterials and tissue engineering. Specifically, I am investigating how collagen-polysaccharide interactions affect structural and mechanical properties of scaffolds that could be used in vascular tissue engineering. Additionally, I am working with a small science museum in Lafayette, IN to build an exhibit that describes the nanoscale.


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