text:
CONTENTS Volume 8 Number 5 Issue 66 8 10 12 44 46 47 48
Editor's Letter Let's hit the beach, brah. Of The Month More information about Die Antwoord. Stuff about DVDs and art shows too! ION the Street What if we want to wear our sunglasses during the day? What then, Corey Hart? Poster Art: Christine Hale These posters are adorable! ION the Web 8=====D Horoscopes Apparently astronomers believe there should be a 13th zodiac sign. Astrologists disagree and we'll take their word over some science guys, any day. Comics
22 24
CULTURE Dave Arnold Call Dave if you want a sign painted or erotic Archie comic fan art. Vladimir Kato Get impaled by Vlad... impaled with laughter and awe that is.
Beach Blanket Bingo A look at some of our favourite swimwear lines. Night Camp This issue's fashion editorial is shot by Kin Chan and styled by Charlotte Stokes.
Die Antwoord The most interweb-famous band of all time sits down for a interview and photoshoot with us. Let's see if they translate well from web to print. Holy Ghost! Interview with the DFA signed band with Fleetwood Mac drums. Protomen Oh man is this issue nerdy. Tame Impala Australian Psych Rock group gets wavy with us. Album Reviews
36 38 40 42
WHERE TO FIND US WEB www.ionmagazine.ca FACEBOOK www.facebook.com/ionmagazine TWITTER @ionmagazine TUMBLR www.ionmagazine.tumblr.com ISSUU www.issuu.com/ionmagazine I
Publisher/Fashion Director Vanessa Leigh firstname.lastname@example.com Editor in Chief Creative Director Art Director Music Editor Fashion Editor Office Manager
Michael Mann firstname.lastname@example.com Danny Fazio firstname.lastname@example.com Tyler Quarles email@example.com Trevor Risk firstname.lastname@example.com Toyo Tsuchiya firstname.lastname@example.com Natasha Neale firstname.lastname@example.com
Copy Editor Editorial Intern
Steven Evans Zia Hirji
Nojan Aminosharei, Jenkin Au, Dr. Ian Super, Tyler Fedchuk, Stefana Fratila, Aleem Jamal-Kabani, Sinead Keane, Ryan Kerr, Chelsea Moore, Kellen Powell, Ian Urbanski, Alicia Wrobel
ABOUT OUR COVER DIE Antwoord SHOT EXCLUSIVELY FOR ION MAGAZINE On the cover this month are Ninja and Yo-Landi Vi$$er of Die Antwoord. This high energy, rave rap outfit from South Africa caused the internet to explode back in February when two videos they made, "Zef Side" and "Enter The Ninja," spread like tuberculosis. The virus analogies can't stop there as everything about Die Antwoord is totally infectious, be it the music, the tattoos, the hair, the Zef style, or the Afrikaans slang. Given that Die Antwoord translates from Afrikaans to The Answer, it begs one to ask: what's the question? Probably something along the lines of, "Are these two for fokken real?" After photographing and talking to them as well as seeing their ridiculously awesome live show (their first ever in Canada), we'd have to emphatically say yes! Die Antwoord currently have a digital ep, titled 5, available on iTunes and are slated to release their full-length album in October on Interscope Records.
Photographers and Artists Toby Marie Bannister, Baaron Campbell, Kin Chan, Justin Tyler Close, Aurielle St Cyr, Ashley Gesner, Adam Hendrik, Jonathon Kingsbury, Kris Krüg, Grace Lee, André Pinces, Charlotte Stokes, Andrea Tiller, Felix Wong
ION is printed 10 times a year by the ION Publishing Group. No parts of ION Magazine may be reproduced in any form by any means without prior written consent from the publisher. ION welcomes submissions but accepts no responsibility for the return of unsolicited materials. All content © Copyright ION Magazine 2010 Hey PR people, publicists, brand managers and label friends, send us stuff. High-resolution jpegs are nifty and all, but they're no substitute for the real thing. Clothing, liquor, PS3s, CDs, vinyl, Blu-rays, video games, and an iPad can be sent to the address below. #303, 505 Hamilton Street. Vancouver, BC, Canada. V6B 2R1 Office 604.696.9466 Fax: 604.696.9411 firstname.lastname@example.com www.ionmagazine.ca | @ionmagazine www.facebook.com/ionmagazine | www.issuu.com/ionmagazine Advertising enquiries can be directed to firstname.lastname@example.com
Cover Photography: André Pinces, Makeup: Andrea Tiller for TRESemmé Hair Care/NOBASURA, Live Photography: Kris Krüg
CONTRIBUTORS WRITER [Jenkin au]
makeup ARTIST [Andrea Tiller]
stylist [Charlotte Stokes]
Writer [Alicia Wrobel]
Jenkin interviewed Vladimir Kato for this issue. Bio in third person? Jenkin would normally laugh. In fact, I know Jenkin so well that he'd probably make something up on the spot, like the chocolate chunking up on his teeth. Jenkin thinks photography is a sham and would never touch it. He also thinks writing is for the dogs and will never write a single piece in his life. Jenkin is a short scrawny Asian kid who thinks he was born here and wishes he was a super chef. He's also a comic book nerd and he thinks that porn would be great in a 4-D theatre. Jenkin is my best friend.
Andrea did the makeup for our shoot with Die Antwoord. Dre was born and raised for most of her childhood in Peru by an Austrian father and Peruvian mother. This explains why she has Latina flare and an appreciation for art, music, fashion and culture. She's been painting faces for the last five years in Vancouver and has been a regular contributor to ION. She dreams of doing makeup for Lil Wayne one day and possibly marrying him.
Charlotte styled our fashion editorial in this issue. Australia seems like a cruel place for a red headed girl to be born but Charlotte Stokes thrived while living directly under the hole in our ozone. She worked down under as a fashion editor and stylist until she made the move to Canada, just over a year ago. Vancouver has kept her busy and the area's moderate climate has been easier on her complexion. She's stoked to be working with ION and looks forward to flawless skin in 20 years thanks to a rigorous dedication to sun screen.
Alicia wrote the swimwear article in this issue. She hopes her cool glasses will convince someone to hire her as her degree in communications with a minor in publishing is proving to be more use folded as a paper airplane. She likes traveling, vintage teacups, Starbucks, sangria, mason jars, coffee ice cream, and still has yet to find a horror movie that scares her. Put a picture of a moth in front of her, or worse yet a real moth, and she will probably rip your head off—or the moth's. In her free time she enjoys finding the most interesting words in the English language, one of which will always be 'loaf'. She often wonders why she doesn't get mail from carrier pigeons because it would be awesome.
[www.nobasura.com] [www.justalilhype.com/blog/jenk]
Michael Mann "Untitled" by Toby Marie Bannister
I recently read an article that a magazine produced a whole issue without going into their office once! Mindblowing stuff, I know. I can see why this would be a newsworthy story. Well, fuck you magazine that produced an issue without going into the office, we did this whole issue on the beach. And I wrote this whole editor's letter without wearing socks or a shirt. Summer is all about sitting on the beach and getting drunk when you least expect it. However, sometimes there is a magazine to do. So we decided to multitask and combine the two. How is doing this possible, you ask? Well it's really not that hard now that you can get the internet at the beach. How great is that? Who wants to read a book when you can Facebook instead? All you need to do is plug in one of those fancy
internet usb sticks or tether your iPhone to your computer with Bluetooth. I cannot wait to see my data charges at the end of the month! Life is tough. It's not easy putting together a magazine on the beach. The sand is an issue. Not only does it get between your toes but it also gets in your keyboard. And you can't merely wash it all off at one of those showers by the concession stand. We would have finished this issue weeks ago if we didn't have to spend so much time cleaning our laptops with q-tips. Then there are all the distractions. Did you know women are now allowed to run around topless on public beaches without fear of being arrested? And not even exclusively at the weird hippy beach where the unemployed hang out and do mushrooms. Female doctors and lawyers
and bankers are running around tits out and rubbing sunblock on each other at even the most family friendly beaches these days. You go girls! Assert your hard-fought-for rights and never take them for granted (I've been in the sun all day and might imagining this). And then there's the sun! Nevermind how hard it is to Photoshop Yo-Landi from Die Antwoord's hair when the sun's glaring on your computer screen. The real pain in the ass is sunburn. Oh, the sun's deadly rays can be unforgiving. Fortunately we have a sexy young intern to slather sunblock on our pasty skin. His name is Zia and he has magically soft hands. Wanna be less productive? Crack open a drink. Even one can totally throw a wrench in the production of a magazine. With each successive
drink, productivity goes down till it degenerates into hours of "Hey look at these funny pictures of cats I found on the internet." A month ago we were all busy Icing each other—a fun summer game where you force your friends to drink Smirnoff Ice at hilarious and inopportune moments. Now we've actually started drinking Palm Bay coolers. Not for a joke, but because they're tasty. We do this magazine with cellphones, laptops, iChat, pirated software and a printer that's so old, the paper has those perforated edges on it. We do it in cramped apartments, tiny offices, patios and even the beach. A lot of times it's like trying to build a skyscraper with glue and popsicle sticks. But I wouldn't have it any other way. Also, I am eating a popsicle right now. It's delicious. I can never resist the siren's song of the ice cream truck.
OF THE MONTH [Boxers] Ninja's Boxers [DVD] A Prophet [DVD] The Girl With The Dragon Tattoo [DVD] The Runaways
[1] Boxers—Ninja's Boxers For this issue we got the oddest and awesomest request from an artist ever.
Prophet is fresh, dirty, quickly paced and smart. It shows us an exciting and dangerous world that until
Prior to our photoshoot with Die Antwoord, we received an email asking, "Can you bring XL boxers of
now we've never had access to. It's a welcome contribution to the genre. —Kellen Powell
Canadian flag and maple leaves for Ninja to wear for this?" We were, of course, ecstatic and immediately dropped everything we were doing to go on a quest for him. Said Ninja of the boxers we gave him,
[3] DVD—The Girl With The Dragon Tattoo You've read the book and you loved it so much you went out and
"They're nice. I love new boxers and underpants and socks. We never had money so for a few birthdays
got a massive winged serpent tattooed on your back and even started learning a little Swedish. Now see
Yo-landi always bought me underpants and socks and I always liked them. I have nice affection with new
the movie! Mikael Blomkvist is a journalist who has just lost a libel case and is sentenced to jail. Little
underpants." If you'd like to look like Ninja does on our cover, his maple leaf boxers can be purchased for
does he know, he's secretly being hacked and stalked by a hot and complicated young goth named
$15 at almost any tourist store in Gastown, Vancouver.
Lisbeth Salander (Noomi Rapace). Before going to jail, Mikael is hired by a wealthy industrialist to investigate the incredibly old and unsolved case of his missing foster child. Lisbeth, one of the more fascinating
[2] DVD—A Prophet In the earliest days of the gangster movie, the films had to address gangster-ism
female characters we've seen in years, decides to help Mikael get to the bottom it all. Suspense, Nazis,
under the guise of exposing a social problem no one wanted to talk about. In reality they were mostly
intrigue and serial murder ensue. Just wishing they stuck with the original name, Men Who Hate Women.
made because they were exciting and provided a dark romantic fantasy to audiences dealing with a harsher realities such as war or recession. Somewhere along the way this changed and we didn't have
[4] DVD—The Runaways The Runaways were an all-girl rock band from the Seventies fronted by Joan Jett
to pretend we were only watching it so we could learn about how bad crime was. Routing for anti-heroes
and Cherie Currie. So naturally, when it came time to make the movie, Kristen Stewart and Dakota
became okay because everyone knew it was just a movie. The problem now is that we've seen them all
Fanning were cast to play them. The movie is rather superficial but undeniably stylish and a great intro-
before. Even new gangster movies coming out today can be easily pigeonholed; "This movie wants to
duction to The Runaways' music. Kristen Stewart's and Dakota Fanning's performances aren't as painful
be Heat, this movie wants to be Goodfellas, etc." The exceptions seem to be coming out of Europe. A
as you'd expect either. One of the problems with the movie is it focuses too much on Cherie, the least
[Book] David Choe [Call for Submissions] By The Pound [Mixes] White Light Mix Series. [Art Show] the dark [5]
interesting person the group (Yes, we're fully aware that the movie is based on Cherie Currie's book). Oh
the action, you are in luck, because the Sleeping Giant gallery is currently taking submissions. —Zia Hirji
boo hoo Cherie, your dad's an alcoholic so you decided to get back at him by developing a drug problem.
Give us more about Kristen Stewart... err... Joan Jett, please! [7] Mixes—White Light Mix Series White Light is a great series of mixes curated by local Vancouver boys [5] Book—David Choe David Choe is an artist you should know. One reason is he's completely nuts and
Matty C and DJ Neoteric. Don't expect any head banging electro or anything you'd find yourself grinding
got locked up for three months in a Japanese jail for shoving a cop. A more important reason is that he's
your teeth to at four in the morning on these mixes, think of these as the perfect soundtrack to a late
one of the most talented artists in the world and his work can be seen in Facebook headquarters and the
night drive or something you could listen to while hanging out with a lady friend. Based on songs, not
White House. His book is 288 pages of Choey goodness. That means lots of portraits of skulls, whales
tracks, this is Dance music done just right—dark and moody. A few of ION's favourites are Vol. 18 by
and incredibly graphic females nudes. Seriously, this guy loves women more than any other man on the
Neoteric, Vol. 24 by Rory Phillips and Vol. 22 by Wax Romeo, who "tried to do a mix that would sound as
planet. Another fun fact, David Choe is sometimes a backup dancer for Die Antwoord. Read his blog. It's
good in your white Miata as it would at your next séance." —Zia Hirji [www.whitelightmixes.com]
great. [davechoe.blogspot.com] [8] Art Show—the dark For one night only, one of our favourite artists—Devitt Brown aka the dark—will [6] Call for Submissions—By The Pound You can buy a lot of stuff by the pound: meat, bulk dry soup mix
be having a show at On Main. Devitt is easily one of Vancouver's best stencil and screenprint artists so
and... art? According to the people at Sleeping Giant Gallery in Toronto, hosts of the By the Pound exhibit,
you don't want to miss this. He'll be doing a live installation and there'll be prints and shirts available for
you can. The basic concept involves 200 artists from across Ontario submitting pieces of art. If a buyer is
purchase. Come on down, have a drink and art it up.
interested in making a purchase, they will take said piece of art to a scale where it will be weighed and
ON MAIN, 1965 Main Street. Friday, August 20. Show starts at 7pm.
sold according to a set by the pound price. Clever, right? Well if you're an artist who wants to get in on
[1] Vonzipper - Manchu [2] Aldo - Kulzer
It's that time of the summer when you sail through life. So wake up dude! Go to the beach, laze around, throw some sunnies on and you are set for a killer yet fashionable time.
Photography: Adam Hendrik Styling: Toyo Tsuchiya Styling assistants: VCC Styling Bootcamp March 2010. Makeup and Hair: Aurielle St Cyr Models: Brennan at Richard's Model Management, Amy at Lizbell Agency
ION THE PRIZE WESC Apparently the Swedes are good at a few things: crafting perfect pop songs, furniture you put together yourself and meatballs. They can add making sunglasses to that list with this month's prize, a pair of WESC shades. The heat is on which means beach days aplenty—what better way to spot your summer crush while you're catching some rays than through the lenses of a pair of WESCs. To enter visit [www.ionmagazine.ca]
Dave Arnold
Sign Language Words: Chelsea Moore
Two things about Montreal artist Dave Arnold: A) He is hilarious, and B) He doesn't like to be pigeonholed. In an attempt to avoid this, he's currently working under the alias Mr. Sign, and is bringing a new face to many storefronts in an old way: by hand-painting signs for businesses eager to recreate that old nostalgic charm. He also has a collection of paintings titled "Teenage Nudes," consisting of Betty and Veronica from Archie comics posing in the nude. "It seemed like a decent idea," he says, laughing. One commonality within all of Dave's work is his rampant penchant for nostalgia. "I think a lot of it's based on reading Archie comics actually," he reveals. "The stuff I think looks interesting mostly can be traced back to all those funny, weird little ads in them that have tricky wording, but are also real simple." Having never really been interested in the "newer stuff," he shares that he's basically been stuck in the Twenties, adding that this has made business successful. "It almost seems to be like a trendy thing now, to take a place and give it that old-fashioned, almost cottagey type vibe, and it seems to be appealing to all sorts of different people—to
go back to the sort of older look, like not as crisp and clean." Mr. Sign's success in Montreal has had people talking, with store owners eager to commission his work and clients brought to tears of utter joy with the results. Dave laughs, "Oh my god, I think that was the best response you could ask for. If someone breaks into tears, then you know that you've hit the mark." And although he's always had a knack for artistry, Dave unabashedly admits that really, he's just trying to get by. It's all about, "How can I take what I'm doing and charge more money for it, basically. It's always been the goal to sell everything I've got!" He further divulges that he doesn't have much of a connection to, or interest in art as self-expression. "The whole 'express what's on the inside', like, 'put yourself on the canvas', has never interested me. I just like pumping this stuff out, and if I can somehow pay my bills doing it, I'm happy." Apart from his flourishing sign painting business, "Teenage Nudes" has been Dave's greatest success to-date, garnering overwhelmingly positive public interest. Always candid, he
laughs, "People actually give a shit about Archie?" But after doing the show it hit him, "At that age you have no idea what sex is about, and then you see a boob in a magazine and giggle yourself to death, just trying to figure out what is actually going on. So a lot of people were like, 'This really speaks to how my brain used to work, and how my brain works now,' and the fact that I was able to bring them back to an older time." As for what's next, Dave says not to expect to see him in the sign business for much longer, as he tends to bore easily. He's planning his next show to be titled "Mr. Sign" and it will consist of signs he describes as a little bit more twisted or weird, thus marking the end of Mr. Sign, and the beginning of something new. His motivation for doing this? "So my brain doesn't explode." [www.davearnoldart.com]
VLAD THE IMPAINTER Words: Jenkin Au
Toronto artist Vladimir Kato is an animator by day and a glorious painter by any-other-time-of-the-day. Vladimir's twisted and hilarious creations include concepts from the far reaches of his mind such as R-rated movies and dark-humoured Italian comics. Luckily, he keeps some of that stuff out of his animation work, as he works on a lot of childrens' programs. Recently I had a chance to chat with him following his most recent solo art show, titled Wilderness. As an animator, have you had trouble deciding whether a character or concept should go in an animation or your artwork? It depends what it is. My full time job is character design and background design for Teletoon and stuff like that. For instance, right now maybe a more retro character would totally belong in an art gallery. A piece back from the past is not ironic but it brings out the retro cool. People would mock the newer stuff that I would do and they wouldn't take it seriously, even if my intention was to provoke them. If I were to draw any of the 3D or newer animation styles, they wouldn't take it seriously in an art gallery. Why is that? I'm not sure. Maybe because it doesn't have any credibility or it's too commercial and they don't understand it. If I were to do that, I would do it on purpose to provoke them to get a reaction and get hate out of them. It would be where I knew they would hate it, but I would do it just to prove that humanity is shitty. Where would you find the separation between work and art? My artwork definitely has my personal humour in it. I would try to explain my personality through my humour. My animation work is completely commercial and I do work based on what my clients want to see. I use technical skills for that. Both works are kind of weird—I
have to put emotion into both of them. I do a lot of background work and you have to convey a lot of emotions and feelings. My personal work is kind of like a party. If I were to describe my personal work, it would be a scene from Trading Places where Eddie Murphy takes all the scumbags from the bar back to his house and the place goes wild. What would you say is your kind of humour? It's just really obnoxious stuff like a drunk guy in high heels. I am totally going to go back to that kind of stuff because it's really fun for me. I'm going to be staying away from the upscale hipster stuff. Your artwork is quite spontaneous. More on the serious side, does your artwork hide any political motives that emerge subconsciously? It kind of does. There are political motives that I want to do but I'm being safe and holding it back. I grew up in a communist country and we were isolated from the West, yet we still got exposure to everything, even if it was forbidden, showing how corrupt the government can be at times. Right now, I'm just trying to have some fun with it and find my themes and style. Maybe later I will become more serious with a serious message. Are the tranny pictures a political move? I was upset about the way they were treating the trannies. Even though I am not a homosexual, I admire their culture. This was kind of like an ode to that and how awesome it is, kind of in your face with a Prince vibe. The colours are also totally my colour scheme with the blue, the red, and the black. Prince is one of my favourite artists and I was just listening to him the other night. Wanting to keep your work life separate from your art life is quite difficult, especially with running two solo shows in two years. Did
preparing for these two shows at any point feel like work more than pleasure? Definitely. The first art show was pretty fun because it was my introduction to everybody. With the second one, I had to stick with a theme and I also had my full time job picking up at the same time. I set a theme but I'm so spontaneous that I can never pick something and do it. I always like to explore other options and do random shit, like an artist with A.D.D. The problem with all this was that sometimes, I had a wicked idea in my head but when I go to paint it, I wasn't having fun painting it and it was almost a chore. When I was goofing off, I have the best time ever. There are a few paintings I planned out this year and it was just a total chore. What will your next show be based around? The next show will definitely be the whole package – some of the technicals and lots of humour. I still haven't decided on a theme but it will be stuff that I like to see and a bit on what people want to see. This will be the last show and I want to have some fun with it. Finally, how do you see the evolution of your artwork taking place? It is definitely going to evolve. Everything that fazes me always changes and I like to put out the most recent thing that fazes me. The quality will definitely improve and my painting skills will become more complex. My painting skills are getting better each year and right now. It is completely different than it was three or four years ago. I'm going to try some different media, too. I used to do a lot of film and film funny things, following people around with amazing music over top. It will always change and evolve. [www.vladkato.com]
BEACH BLANKET BINGO! Words: Alicia Wrobel
Photography: Felix Wong
It's about time you ditch that itsy-bitsy-teenie-weenie-yellow -polka-dot-bikini for something a bit more original. Swimwear companies are upping the ante when it comes to merging fashion with function, and you don't want to be left behind. If you're not sure where to start your search, why not try a couple of buzz-worthy ones on for size. Anna Kosturova's swimwear has graced many famous bodies, including those in the Sports Illustrated Swimsuit Issue, which she describes as the holy grail of the industry. As a youngster, she spent her summers lounging by the pool from morning to night, and it is because of this she believes she developed her love for all things aquatic. Designing swimwear was a natural progression for her, "I'm just perpetuating my childhood dream by making the beach my office."
Styling: Toyo Tsuchiya
Well known for using crochet in her pieces to give her control over design, structure and texture, Anna Kosturova promises that, "There will always be lots of colour, sparkle, and emphasis on maximizing the hotness." If you're a fan of her innovative designs, that's good news. Anna has big plans for her company—she envisions offering a head-to-toe resortlook, that would include wrap dresses, swimsuits, shoes, bags and dresses. If you're looking for something a little more earthy, add a botanical touch to your wardrobe with Maaji Swimwear. In 2002 the brand leads, Veronica Velez and Manuela Sierra, launched the Columbian company. Producing creative swimwear with an eclectic yet modern flair, designers mix patterns and textures to bring uniqueness to each piece. Their
2010 collection, Botanical Touch, brings elegance to bohemian style and offers an array of options including strapless, oneshouldered, halter, and one-piece. As if you didn't already have enough excuses to leave work and hit the beach, now you have two more. If you're in the market for a new swimsuit, be sure to check out Anna Kosturova and Maaji Swimwear. They'll guarantee that no matter where you are, you'll arrive in style. Mojitos are, unfortunately, not included. [www.annakosturova.com] [www.maajiswimwear.com]
Makeup and Hair: Grace Lee for TRESemmé Hair Care/Plutino Group
T-shirt-Mark's Work Warehouse Hoodie-American Apparel Cords-WESC
Night Camp Direction: Vanessa Leigh Photography: Kin Chan
Styling: Charlotte Stokes [Nobasura.com] Styling Assistant: Baaron Campbell Makeup and Hair Assistant: Ashley Gesner [Lizbellagency.com] Models: Adrienne N and Sam L [Nobasura.com] John T, Mark V and Jillian H [Richardsmodels.com]
Adrienne T-shirt-Public Library Shorts-Current Elliot Scarf-Wilfred @ Aritzia Caridigan-Numph
Jillian Top-Democracy Of Nevermind
Mark Shorts-WESC
Adrienne Tank-American Apparel
Sam Top-Finders Keepers
John Dressing gown-WESC
Jillian Swimsuit-Marc by Marc Jacobs @ Holt Renfrew
(Clockwise) Mark Sweater-Mark's Work Warehouse Shorts-Customized Levi's
John T-shirt-Mark's Work Warehouse Hoodie-American Apparel Cords-WESC
John Jacket-Puma T-shirt-Mark's Work Warehouse Shorts-Puma
Mark Flannel-American Apparel Shorts-Customized Levi's Shoes-Puma
(L-R) John Cardigan-Diesel @ Holt Renfrew Shorts-Comune
Sam Top and Skirt-Talula @ Aritzia Socks-H&M
Adrienne Dress-Numph
Jillian Caridgan-Numph Shorts-Customized Levis Top-Free @ Aritzia
Jillian Tank-TNA Swimsuit (worn underneath)-Marc By Marc Jacobs @ Holt Renfrew Shorts-American Apparel Shoes-Keds @ Little Burgundy
Sam Jacket-Democracy Of Nevermind Top-American Apparel Shorts-Vintage Levi's 501 Customized
John Jacket-Puma Top-Mark's Work Warehouse
Makeup: Andrea Tiller for TRESemmé Hair Care/NOBASURA
Let's Talk About Zef Words: Michael Mann Photography: André Pinces Live Photography: Kris Krüg
The video "Zef Side" went online in December 2009 and the video for "Enter the Ninja" was up in mid-January 2010. How did they fare initially? Ninja: No one watched them and we started getting insecure and we thought we sucked. Yo-Landi: A weird thing was, suddenly a lot of people caught on to "Zef Side" and we were a little tweaked because we made it for fun. But "Enter the Ninja" was more like our soul. From there, funny enough, "Zef Side" turned people on to "Enter The Ninja." And that became the big deal. Please explain what Zef is. Ninja: It's the ultimate style. February 3, 2010 is the day the videos went everywhere. What was that day like? Yo-Landi: It was messed up.
Ninja: It was nighttime. We got home at night after a show, late. We came in from Johannesburg. It was like The Twilight Zone for about a week. Did you leave your computer that week? Ninja: We just left to go to the bathroom and then came back. Or when the food ran out after the third day. We just laid down on the floor and looked at the sky and then went and looked at the computer again. Yo-Landi: When you have like 5,000 emails in your inbox you just give up eventually. I didn't know what to do. Ninja: When you'd navigate away and come back there was like 2,000 more hits. Once it jumped up 10,000 hits in a second. It was a fokken freak out. So literally over two million people have seen you shaking your dick in the "Zef Side" video?
Ninja: It's much bigger. Someone posted another one so it's actually like four million. There's two there. It's ridiculous. After the explosion in early February, what happened next for you guys? Ninja: It's all a psychedelic blur. Everyone wanted to be our friend. Yo-Landi: We went from a small fishing village in South Africa to flying business class to LA. Is it fair to say Die Antwoord is satire? Ninja: Not really. I think it's just kind of new. A lot of people say that but it's not really our thing. It's very personal to us. It's just how we are. We've done other stuff before but I didn't really know what my fokken zone was. Then when it hit me with Die Antwoord it was like, "This is the fokken shit. We can go full-force into this." It's new. People get it and they love it. But some people are cozy with the shit state of pop at the moment and they can't process it and think
it's not real. They're not into the next dimension yet and are kind of stuck in the past. How old are you? I'm 31. How old are you guys? Ninja: I'm 35 and she doesn't talk about her age. I've been doing other projects for a fokken long time. I've heard you say Die Antwoord is an overnight success that was 20 years in the making. Ninja: I've been rapping for ages. When rap came out it was so fokken fierce. There was nothing quite like it, but then rap kind of died. It's huge but it's this big fokken dead thing, to be perfectly honest. It was so fierce and psychedelic and had so many different
things popping. It started getting big and overtook Garth Brooks in the late Nineties. It was like, "Jesus, rap's bigger than country." Now it's not such a big thing. It's big but it's dead. I was experimenting with all this different shit that was way off the fokken mark. It wasn't close to the core. Then you find something like this. Die Antwoord? It's fokken personal, Die Antwoord is. Why do you think Die Antwoord has resonated with people on a global level? Ninja: Because it's new. What was the reaction to you in South Africa? Yo-Landi: Mixed emotions. Because it's the place we come from
our music means something totally different to someone from South Africa. It's got different nuances and they hear different things to what you hear. The kids love it. The older people aren't that sure. Ninja: A lot of old people really, really, really don't like it. I'm not bragging but we're the biggest group in the world ever out of South Africa. Like ever, in the history of the whole fokker. There's Mandela, District 9 and Die Antwoord. That's the history of South Africa. Someone said that to me and I'm like, "Oh yeah, that's true." The style we represent pisses a lot of people off. South Africans generally, the culture—this is gonna be a little controversial what I'm going to say here—the entire culture
is insecure a little bit. Americans, they're not insecure. You'll see the French also and they're like, "Fokk everyone; we're the centre of the world." We're kind of inspired by that attitude. There's cool fokken shit in South Africa. But the people, as a culture, as a whole, they haven't got a fokken style. Then we check in and we get to present it and stylize it with full-force. And that's what Zef is for us—that ultimate flex and it's fokken South African. It's a medium to put our most intense life experience and energy into like a bomb, which is Die Antwoord. You mentioned District 9. Is it true the director of that, Vancouverite Neil Blomkamp is going to make your next video?
I can't believe it. Neil: Fokk you. He was supposed to come tonight. He said "no" right before we came. He thought the show was at 7:30 on the 17th. So he missed it. We're gonna do something with him but he's caught up and doing a new film. We're not sure what it is but probably a video. I haven't met him yet. We're looking forward to meeting him. He's a genius. Yo-Landi, can you confirm that you're talking to David Fincher about playing Lisbeth in the English version of The Girl With The Dragon Tattoo? Yo-Landi: He asked me and I said no. We're shooting a feature film now so the plan didn't work out. He wanted to shoot in August but
we're in Japan and then we're shooting our movie. What's that called? Yo-Landi: The Answer. And it's about you guys? Yo-Landi: Yeah. Die Antwoord have this amazing internet presence. However, you've signed with a big label, Interscope, and big labels are notoriously bad at the internet… Ninja: It's like a gangster move. We have a very unique deal. Yo-Landi: I don't understand. What I mean is big labels just aren't good at the internet... especially
on YouTube. A lot of the time, efforts to monetize online traffic can end up hurting the artist. Ninja: That's why we're with Interscope. They don't restrict us at all. Every single fokken major was knocking on our door. We had a real affection with Interscope, like an understanding. We got an intimate understanding and that's really fokken important to us. Yo-Landi: They've got Wat Pomp. They've got fokk you. They put out fokken Tupac. They put out fokken Eminem. They put out Dr. Dre. All these fokken people. You walk into their office and there's Eminem's album, fokken Marshall Mathers platinum.
Ninja: They've broke a lot of things. The worst thing they can do is restrict. As for the interweb, I can do so much. But when you take it to another level, we make pop music. I want to hit different people. The cool thing is our contract is unique and we have a fort around what we do. In the past you get bands like Queen and The Rolling Stones or Michael Jackson. I don't think the labels were restricting them. I don't think they were telling them what to do because they were popping. So the thing is stay popping and you're gonna get more people plugging into this mechanism. What's the coolest thing your newfound notoriety has allowed you
to do? Ninja: Get paid. And what's the master plan to keep people talking about Die Antwoord for years to come? Ninja: I don't know. We don't think about that. The future is boring. I don't care. I never worried about that before and I'm not going to start worrying about that now. [www.dieantwoord.com]
TEAM SPIRITS Words: Aleem Jamal-Kabani
Photography: Justin Tyler Close
Having a stamp of approval from New York's famed DFA label is one way to turn heads in your direction. Another is to tastefully remix hit songs for bands such as Cut Copy, MGMT and Phoenix. But most of all, the best way to turn heads and keep them turned is to simply make good music—music that won't rapidly vanish in the pile of hype-machined rubble. Remember when it was acceptable to take your time composing music and actually write those things called songs? Alex Frankel and Nick Millhiser of Holy Ghost! sure do. We got a chance to sit down with them on the Vancouver stop of their tour with LCD Soundsystem. How did your involvement with DFA come about? Nick: We met them through our old band Automato—which was Alex and I and four other guys. James Murphy and Tim Goldsworthy produced that band. After that band fell apart, we all just sort of remained friends and Alex and I started working on what became Holy Ghost! very shortly after. What did your musical background consist of when you formed the Holy Ghost! outfit? Nick: We'd both kind of been into dance music, as teenagers, but Automato was straight up rap. We both grew up listening to anything and everything. Meeting James and Tim was definitely a catalyst to start moving towards dancier tempo's and sounds. It was also out of necessity after Automata broke up. We had been making rap for so long and thought that's what we'd be doing, but we didn't know any rappers [laughs]. So I guess we had to figure something else out. Alex: Direction also came from searching through dollar bins at record stores. We'd stumble across disco records from the late Seventies and early Eighties with the intent to sample them for rap music but then sort of started to actually like those songs that we were looking to sample from. Those weird dollar bin records definitely had an influence. What would you say distinguishes Holy Ghost! from other dance music out there? What's your trademark sound?
Alex: Live drums. We were lucky enough to record a lot with Jerry Fuchs before he passed away. I've always said the drums are the most important thing in our sound. Live drums, not samples. Nick's a good drummer and Jerry was obviously an amazing drummer. That combined with old kits, old mics, compressors, pre-amps kinda help us get as close to a Fleetwood Mac drum sound or whatever we're after. We'll often go to bigger studio just to do the drums because you can't really do that in your bedroom. Nick: Also, I think in general, along the same lines as using live drums, we use a lot of synths. A lot of the stuff we do is played by hand. Even if it's just a really simple one- or two-bar loop, instead of programming it with midi and recording it back into the computer—Alex or I will play it and do a really long take, even if it's the same thing over and over again, Alex: You sometimes make weird mistakes due to human error and those accidents turn into the best parts. Like when you hit the wrong note or turn the phrase around on itself by accident and end up like "Oh shit, that's it!" It's just more fun too. It's performative. Nick: I think a big part of our love for older gear is simply hands on is more fun. But at the same time I guess there is a slight hatred of staring at a computer screen. Alex: Pretending we're controlling a spaceship is more fun than pretending to be an accountant at a tax office. Being a two-man band, translating your recorded music into a live show was presumably a bit tricky given the abundance of old and delicate outboard gear you guys use. How did you manage to accomplish that? Nick: It's been really hard, but we've been fortunate. We got hooked up with this company called Dave Smith Instruments, which is a new company that makes analog stuff run by Dave Smith who ran Sequential Circuits in the Eighties when they created some of the most amazing and beautiful synthesizers ever. So we've been using a lot of their stuff which sounds really great but is also small, durable, affordable and designed to be taken on the road… We also had to
find some awesome dudes to play with us. None of our stuff is super technically demanding, but it can be physically demanding. Alex:. We're still figuring it out. I think we'll just keep adding elements as we go and live by the LCD motto: Start how you can and anytime you can get a little more money throw it back into the band. How has it been touring with LCD Soundsystem thus far, both on and off the stage? Alex: Amazing. On most tours, I assume there is usually a divide between the headliners and the support and they're called that: support and headline. They travel separately, they don't necessarily know each other's songs and they're kind of put together by a record label because they think it's a bill that'll work or whatever. But in this case, these are the same people we'll be drinking with around the corner in Brooklyn if we weren't all on tour. That, plus the fact they know our music really well. James knows the lyrics to our songs and of course we know their songs by heart. It's pretty fun and relaxed and musically it's really nice to have them all there to help and give us advice from their experience. I don't think we'll probably ever go on a tour this fun again… it's all down hill from here [laughs]. To kick off the tour with LCD, you guys jumped into the fire with a series of sold out shows in New York. How was it playing some of your first live shows as Holy Ghost! in your hometown? Alex: Scaaaaary! Nick: As daunting as it was to playing in New York for our first shows, it's also really nice to do four shows in a row with literally all your best friends standing right behind you. Alex: Plus, being in New York you can take the subway home after the show! [www.holyghostnyc.com]
Words: Trevor Risk
Photography: Jonathon Kingsbury
In the year 200X, the scientist Dr. Thomas Xavier Light created a robot which he called Mega Man. After the success of his creation Dr. Light and his assistant Dr. Wily built several other robots to defend against the dangers to humans. With what could only be described as premeditated insanity, Dr. Wily re-programmed the new machines to take control of the planet. In a world of allies, heroes and legends, Mega Man was a machine to create freedom. After a most tumultuous fight and adventure, Mega Man was nearly destroyed only to have his unconscious body saved by Breakman, a robot who regularly blocked Mega Man's path along the way only to disappear after he was defeated. When Mega Man came to, Dr. Light revealed that Breakman was actually his first creation… Protoman. Turns out that Protoman has a band and they will never let the darkness win. We caught up with two of the players in their hometown of Nashville, Tennessee. Tell our readers about the musical climate of Nashville. Commander: It's a strange beast, for sure. Most people associate it with Country music and the industry surrounding it, but in reality, there is a shit load of rock and roll happening there. Secretly, almost every rock band in Nashville is wishing that the rest of the world would appreciate how much good non-country music is coming out of Nashville, and simultaneously terrified that any high profile exposure from the rock community would damage their "cred." Either way, the best players, country and not, are in Nashville. What is your live show like? How do you pull it off? Panther: We pretty much do everything that the Blue Man Group
does, except we're silver instead of blue.... and don't have anywhere close to the budget they have. Oh, and we play much tougher jams. On the road, we take 10 brave men and women, forgo sleep and nutrition, disregard any and all safety precautions and barrel our way through the country playing rock and roll. It's not a pretty job.... but at least it doesn't pay well. We take three times as much gear as any smart traveling rock band, spend twice as much time getting ready for shows, and take nine times as long loading out. But what we lack in blazing speed and efficiency, we make up with sassy good looks and raging beauty. So when "Give Us The Rope" begins, do some uninitiated fans think you may be busting into a cover of Ol' Dirty Bastard's "Shimmy Shimmy Ya"? Panther: By God, if they don't, we haven't done our job. The Protomen: Jesus Christ Superstar sung by "Thunder Road"era Springsteen… if Christ was actually Mega Man. Is that a fair observation? Panther: Yes. Nailed it. That's the best description we've heard so far. Truthfully though, the religious overtones probably stem from the fact that the Bible is one of the best tales of good vs evil ever. We also would've accepted "The Protomen: Masters Of The Universe, as sung by Streets Of Fire era Diane Lane.... if that Dolph Lundgren fellow was actually Mega Man... and If Diane Lane was a bunch of dudes in makeup." Actually, our description wins because it has the all-important "as written by Jim Steinman" clause implied.... and it also has Diane Lane. Commander: Originality is like dancing with a one legged bear...nearly impossible, and if you mess up, you're dead. Capcom; what's their reaction? Panther: I'm going to tell you the honest-to-God truth here. Capcom
is sort of like a giant corporate goldfish. Once every six months, their community representative contacts us with a very polite "Hi, we're Capcom... we really like your band and wanted to say hi and introduce ourselves" letter. We respond with "Hi. We're the Protomen. We really like you too, but we've already met." They're like some sweet good-looking sorority pledge that had too much to drink at a party and couldn't remember who she'd made out with. That being said, we love the hell out of Capcom, and we look forward to all of their sweet letters of introduction. Someday, perhaps, we'll meet. We'll make the cutest couple! What percent of audiences think that you aren't serious? Is it a higher percentage in certain cities or countries? Commander: We're very aware of the dragon that we ride. We know how we look to the outside world. We're sort of like that Michael Bolton looking lion guy in Linda Hamilton's Beauty and the Beast show... Once you get to know us you realize that we're really a beautiful prince man in a Michael Bolton monster suit that just happens to be living in a sewer. Our show is a somewhat careful balance of all the most ridiculous and fun things possible. Some people like the pretty prince side.... some people like the Michael Bolton monster living in a sewer side. In the end, all we're shooting for is that people are entertained.... and don't worry, I don't follow any of my analogies either. [www.protomen.com]
IMPALA, MATE Words: Tyler Fedchuk
Photography: Tyler Quarles
Tame Impala are Australia's biggest psych rock export. This summer the four-piece released their fuzzed out debut full length Innerspeaker on the Modular imprint and recently completed a North American tour with MGMT. The band's frontman Kevin Parker took a minute to answer some burning questions about recording their album in a shack, salsa and working with The Flaming Lips' producer, Dave Fridmann. Where exactly was Innerspeaker recorded? It's difficult to say exactly. It's just a giant, mostly wooden house on the coast about four hours south of Perth. It's not a studio or anything, we just took down some of our own recording gear and set up all our bits and pieces in the main room. We were pretty adamant from the beginning that we didn't want to go to a professional studio. In fact, we would have been happy to do it at home, where I do most of my recordings. But most people involved, including our manager and label, encouraged us to get a designated location where we wouldn't be distracted, so I asked our manager to just get us a shack on the beach. Is it true you built a battery-powered recording studio? I hyped it up a bit. It's mostly just my 8-track with a whole pile of jacks and chords and headphones running out of it. I was pretty proud of it
though. It was so inspiring shooting through endless American landscape at 100 miles an hour, it seemed a waste not to be recording music at the same time. It goes anywhere that has oxygen and road houses to fill up on AA batteries. Having Dave Fridmann master your album must have been interesting. Did he have much influence over the final sound of Innerspeaker, or was that pretty much what you envisioned sonically when you began recording? Well, like most people who are fans of Dave's, I envisioned him having sonic super-powers, so it was relieving to discover that he had to work within the same sound boundaries as everyone else. That said, when you want the sound to do something, something that happens to be really weird or unconventional, where most sound engineers will say "No, no way, that's a terrible idea," Dave will say "Okay... let's try it." I remember asking him if he was concerned about how lo-fi the tracks had been recorded, and he said that if people asked him why the Tame Impala album sounds the way it does he said he'd say "Kevin came in with his funny little 8-track with its funny sounds and I just worked with it." Are there any particular bands or albums that have influenced your sound? For this album, I suppose Dungen, Caribou, Beatles, Portishead, Flaming Lips, MGMT, Silver Apples... But it's not like those names always come up
when I'm putting the song together. It's more about how I appreciate the sound looking back at it. Is there an overall lyrical theme to Innerspeaker? There wasn't meant to be, but looking back at it there definitely seems to be recurring themes. Self-questioning... Trusting your own judgement but never being really sure of anything... Your guess is as good as mine though. What's been the most interesting touring experience in America so far? Probably Los Angeles as a whole. Everyone just does what they want and it seems to be a perpetual celebration/holiday. I could be way off the mark though. What have you guys been eating on your American Tour? Salsa and corn chips and salsa and corn chips and salsa and corn chips and salsa and corn chips. There seems to be a lot more cheese on everything. So what is your favourite vegetarian dish? Vegemite on toast. [www.tameimpala.com]
The Clientele [Minotaur] DVAS [Society] Hot Panda [How Come I'm Dead?] Kylie [Aphrodite]
[1] The Clientele Minotaur Merge The Clientele have always been the band that I've listened to on cold and rainy days, but their sixth release, Minotaur EP, is being released in the middle of summer. "What the fuck?" Listening to this on a hot and humid evening, though, I begin to see how the violin and dreamy guitar perfectly soundtrack a barely dressed girl, in her apartment holding a flower that moves in the wind from her fan. "That romantic shit or whatever!" The electric bass sound. The English man's voice. The yams in the oven. A song gets dark. "I love you, okay?" The eighth track comes on, "Nothing Here Is What It Seems," and the pop gets wet and the drunk outside is still screaming: "I'll learn Greek. So fuck you!" This is a nice and seasonal record to play in your living room. -Stefana Fratila [2] DVAS Society Upper Class Recordings Not for nothing but this album didn't make my backbone slide; nor did it make my pants feel tight. Society's strongest moments are achieved at the beginning of the album, with the title track and "Consenting Adults" being the best offerings. After the midpoint all of the tracks sound repetitive and more like an afterthought. Their last two tracks, "Giving it All Away" and "Passionate Persuasion," would do better by not being on the album at all. My advice to DVAS would be to release strong singles, rather than throw out a
full length that doesn't have any real umphh. It's not that it's a bad album, it just isn't really great. In summation, if Society was a Star Trek phaser setting, it would be meh. -Dr. Ian Super [3] Hot Panda How Come I'm Dead? Mint Boy, this is nice! How Come I'm Dead sounds like the perfect soundtrack for a sick new movie you could write in your head. Imagine the playful new alterations of the title that you could come up with … for instance: "How Come I'm Dad?" or "Homecoming, I'm Done." Don't those sound like nice movies to watch? It seems like Edmonton's Hot Panda are ready. A song like "Fuck Shit Up/ Hell Hey Hex" is asking for a toss an' turn in a busy and abandoned 'venue'. Maybe I'm losing my grip on what music really is to me. But right now I just wish I could see this band live because, man, when I hear "Start Making Sense" I know those are the kind of guitar riffs I want to hear now and then... like the moment when we first felt something from music in ninth grade. Where were Hot Panda when we were in ninth grade!? -Stefana Fratila [4] Kylie Aphrodite Capitol The beauty of what sets Kylie Minogue's 20-year career apart from that of other decade-spanning pop icons like Madonna is that while Madge and co. have radically reinvented themselves for every comeback, Kylie has fought all
conventional wisdom and stuck to what she does best: dance. (Dance! DANCE!) When she did experiment—with Body Language's R&B flavour, or X's scattershot of electro, disco and conventional radio bait—her unrepentant club beats lacked their usual luster. But Aphrodite is as precisely and distinctively Kylie as we've seen since Fever—catchy, heart pumping, love struck pop. Kylie sums up her 11th album in its title track (over a primal Rhythm Nation-style drum line): "It's the truth / It's a fact / I was gone and now I'm back." It's an auspicious return that hits every note longtime fans want their nouveau-disco queen to hit. Pop-rock "Cupid Boy" is a characteristically exuberant love song, and "All the Lovers," the lead single whose music video has Kylie writhing in a 15-story-high dogpile of half-naked models (think Human Centipede meets the video for "Slow"—don't fight it, you know it sounds hot), is simply euphoric synthpop. And "Get Outta My Way," the album's pièce de résistance, marks Kylie's throwdown dance floor hit, every bit as infectious as "In Your Eyes" or "Love at First Sight." -Nojan Aminosharei
M.I.A. [/\/\ /\ Y /\] Mogwai [Special Moves] Procedure Club [Doomed Forever] Wolf Parade [Expo 86]
[5] M.I.A. /\/\ /\ Y /\ Interscope There comes a moment in every controversial musician's career where the tides turn and the fans that once anticipated her songs with genuine relish pull the pedestal out from under their idol and wait to watch her fall. For M.I.A., her third and possibly most personal album, /\/\ /\ Y /\, is that moment. But then again, that moment has been coming in fits and starts for months. First, there was the online release of M.I.A.'s uber-violent music video for "Born Free," a calculated controversy that missed the mark with its oversimplified human rights allegory. Then there was Lynn Hirschberg's New York Times Magazine takedown, which publicly shredded M.I.A.'s credibility as a revolutionary (if indeed anyone ever took her self-appointed role of pop star-pundit seriously). /\/\ /\ Y /\'s lyrics are often clumsy attempts at incendiary political statement, and lines like "Connected to the Google / Connected the government" (in opener "The Message") are off-putting enough even before you realize they include not a shred of irony. The album is full of misses (and several near-hits), and it's not as catchy as its predecessors, but it will hardly be the end of M.I.A. Behind /\/\ /\ Y /\'s over-aggresiveness are the makings of solid hip hop. If she learns to lay off, she might have us eating out of the palm of her truffle-fry-stained hands all over again. -Nojan Aminosharei
[6] Mogwai Special Moves Rock Action Mogwai are a cute, fuzzy, little chipmunk things that you buy from secret underground shops in Chinatown. They make delightful pets, multiply in numbers if you get them wet and turn into fiendish gremlins if fed after midnight. Mogwai is also a band from Scotland. They do really long, really pretty, cinematic sounding songs. Their live album is an elegant sampling of their best work. It comes with a DVD of the concert. As far as live albums go, there's nothing absolutely mind blowing here. That said, Mogwai themselves are mindblowing. This might be a good introduction for the unfamiliar or a good way to revisit them if you haven't paid attention to them in a while. -Kellen Powell [7] Procedure Club Doomed Forever Slumberland Like Halley's Comet or a successful Oakland Raiders season, noise pop is a thing again for the first time in decades and we're all paying attention. The best part about the genre is the idea that the melody is the Aspirin you require to ease the pain while the unearthly tones and production are the jam to spoon-feed to the contrarian music fan. If Procedure Club's Doomed Forever was stripped down the songs would be more akin to Shonen Knife's than they are to Prolapse's. But with 8-bit drums and guitars referencing the out-of-tune stylings of Chin Chin (an excellent re-release by Slumberland Records, by the way) the band becomes both catchy to the easy summer listener and
respected by the stubborn I-Hate-All-Pop-Music art house fatty. Add the fact that the song structures range from the waltzy finger waggling of "Rather" to the sludgy butt-rock crawl of "Nautical Song" and you've got yourself a record to give you late night cred at a gallery opening while you secretly smooch it goodnight before you place it in a lavender scented box under your bed next to a copy of The Gentle Waves' The Green Fields of Foreverland. -Trevor Risk [8] Wolf Parade Expo 86 Sub Pop A sentence I hear more and more lately is, "(band name) had to make (mediocre album) so that they could make (clearly superior album)." I've heard it said about Ariel Pink's latest. I've heard it said about the last two or three Animal Collective releases. I am hoping beyond hope to hear it when the next Strokes album is released. However, I may have to use that sentence to talk about Expo 86. At Mount Zoomer, Wolf Parade's previous release, fell short of my ridiculously high expectations. However, Wolf Parade brought the sprawling, ass-kicking aspects of Zoomer into the fold with the flawless hooks and energy of Apologies to the Queen Mary. On Expo 86, it no longer seems that the primary songwriters, Dan Boeckner and Spencer Krug, are dueling with each other. Rather, they seemed to work that relationship out on Zoomer and their respective side projects. What we are left with is a more cohesive, focused album that seems more representative of the talent involved. Plus, the album art is effing amazing. -Ian Urbanski
Christine Hale
Really bad gig posters are the equivalent of projectile vomiting on the audience according to Christine Hale. And let's face it, there is only a small minority of sick perverts out there who enjoy that. The illustrator, designer and musician with
Montreal-based band, The Hoof & The Heel, hopes that instead, her surrealist, cartoon animations simply speak to people. "There are three kinds of gig posters: the ones that just speak, the ones that are visually stunning, but kind of mumble or speak their own
language; and then the ones that can speak, but also be visually aesthetic, which is what I try to do with my posters." If you're a charity or non-profit, Christine may just pick up her pencil and
make you a poster for free because that's just the kind of nice gal that she is. [www.posterswiththemosters.com]
Words: Zia Hirji
[1] [NASA] Want to know what's going on in space? Probably. Have $200,000? Probably Not. Apart from booking a Virgin Galactic flight, following the NASA Twitter account may be the next best thing. [@NASA]
[3] [NOWNESS] Nowness is an arts and culture blog geared towards people who read Wallpaper and can tell you the name of their favourite Julian Schnabel piece. If you can get over the whole "online luxury lifestyle experience" of this site it can be a fairly interesting read. You'll also have to try and ignore all the references to LVMH Brands (who also own this website). [www.nowness.com]
[2] [NERD BOYFRIEND] "Geek Chic is coming back!" I have no clue what that statement means and whoever makes comments like this should have their lips superglued together. This website combs photos of cultural icons of yore and breaks down how to get their aesthetic. Pretty neat.
[4] [P.S. I MADE THIS] Sixty years ago this website wouldn't have been special. People would have been like. "Hey we make stuff with our hands all the time!" But now we just buy things migrant workers make using future robots, so it's nice to DIY sometimes. This blog gives you instructions on how to make any accessory you want with things you probably already have. Etsy's going to be pissed!
HOROSCOPES THIS MONTH: Ryan Kerr Ryan Kerr is an artist, author and performer based in Toronto. His first book, On Growin' Up was just recently published and should be 10% as successful as a Canadian Bestseller by the end of this year. Ryan has a fetish for vintage glassware and things in general that are pretty but impractical. He also laughs at his own jokes. [www.ongrowinup.com] LEO: Even when it's your time of year, remember that even the cutest of polar bears can't smile or wink away the melting ice caps. Nor can your excellent hair save you from terrible shoes. Avoiding areas that need attention will only lead to, well, less excellent hair overall. VIRGO: You'll never get anything done if you just stand there. Take off your pop-bottle glasses and headgear and step into the friggin' sunshine already! I'm sure that under all that nonsense, you're even an attractive person. And if not, follow someone attractive to a Pilates class! LIBRA: Remember to sort your plastics from your paper and glass—especially now. Avoid certain death by reading from solar-powered iPads instead of wasteful printed pulp and paper publications. You don't want the Green Army to penalize you for not donating enough endangered Milk Thistle seeds to the We-Live-Better-ThanYou-Live Society. Or maybe you DO!
SCORPIO: Sylvester Stallone's mother, Jackie, is also an astrologer. In addition to inventing "rumpology" (AKA the palmistry of your butt), she has published books on more traditional star signs. In one, she says Scorpians are known for their beautiful genitalia. Share my confidence in Jackie and make your gifts KNOWN already! SAGITTARIUS: It's not your fault if that lunchtime quickie left your house and was immediately hit by a bus. Fact is, bad stuff happens. If you ever wanna avert a global disaster—ie a Backstreet Boys Reunion LP—don't be so fucking hard on yourself. Only a useless idiot would keep that up! CAPRICORN: Being alive is a lot like baking a cake. Too much salt and it's game over. Plus, you only get one chance (per cake). Just for kicks, why not try a new approach to creating something you can be proud of. Season these upcoming months with moderate doses of fun rather than typical binge drinking marathons. You're an irritating drunk.
AQUARIUS: When the Aquarian Sun aligns with the Pescatarian Moon, a Lacto-Ovo Vegetarian will become a Twilight Vegan. Translation: you will be bombarded with watery, meaningless tripe this season. Question is, will you choose to ingest it? PISCES: Dear Piscean, allow me to impart some wise words I once shared with my fishy mother. MAKE A FUCKING DECISION ALREADY. It's not like you haven't weighed the shit out of the options. Or, conversely, don't. It's not my life. ARIES: Aries-heads have a lot goin' on. Always good with your hands, great skin etc, etc. It's just that dour-as-shit grimace you've been sporting recently that's putting people off. You know that expression about lemons? Well stop sucking them already! Whiney looks about as good on you as navy socks in tan leather sandals look on my mother.
clumsily smashing delicate objects with your knobby heads. More than once, you are the first to leave the party—out of shame. I've always felt that you have so much more to offer. But you know what? I've been wrong before! GEMINI: Using the expression "polar opposites" to describe two incomparable things seems wrong to me. First of all, the North and South Poles are BOTH fucking inhabitable wastes of space. Secondly, they're similarly icy cold, lame, and remote. Maybe your "bi-polar" personalities aren't such opposites either. Think about it… CANCER: Not everyone wants a Cancer. The sooner you realize this, the sooner you can dump that piece of trash you're dating and aim for someone who actually wants you for you. Someone hot? Focused maybe? Even rich? Nevermind, you're gonna ignore this and just "take a break" aren't you?
TAURUS: You bulls have such a crummy reputation. It's always you, bottle in hand,
www . qwantz . com
Beach Read anything by Hunter S Thompson or Dr. Seuss Blue PlatyPus Blog designismine.blogspot.com Madeline Wood Food TRuck Van Leeuwen yak Pak online SToRe ModCloth.com Queen of Heartz
PeRSon To Follow on TwiTTeR Garey Busey dead Cities
Song oR alBum Jane's Addiction - Summertime Rolls Model Citizen ClotHing
S k c i P r e m Sum
STReeT aRTiST Neck Face MaPtote SummeR dRink/Venue vodka press / on the roof 2enju
Thing To do in VegaS have a bacon martini at the Double Down Saloon Headline sHirts TRend in FaShion bright colors and bold prints alter ego jeWelry
see these brands and more at
www.pooltradeshow.com check out the rest of the answers... stay in touch on facebook & twitter twitter.com/PooLtrADeSHow
Published on Jul 24, 2010
Issue 66 of ION Magazine features Die Antwoord's Yo-Landi Vi$$er and Ninja on the cover. Also includes articles on Vladimir Kato, Dave Arnol...


text:
Hot Dish
When you drive by The Dallas Farmers Market, it looks like a gourdfest this time of the year. But there's more than pumpkins in those sheds. My favorite find is Mark, the mushroom man. Mark sells caviar, smoked salmon, and other luxury foods during regular workdays, but every weekend or so, you can find him in the new shed with a tableful of fresh and dried mushrooms--porcini, chanterelles, black trumpets, shiitake, portabellas, morels. And not only that--mark this down for your Christmas list--he sells a shiitake growing kit. It costs $30 a box and you harvest five or six times, more than making your money back.
Chester Exotics, 750-4412
--Mary Brown Malouf
Get the Food & Drink Newsletter
Our weekly guide to Dallas dining includes food news and reviews, as well as dining events and interviews with chefs and restaurant owners.
Recommended for You
Powered by SailThru
Popular Stories
Sponsor Content

subset: commoncrawl


text:
Browse and buy New Zealand and international books published by David Bateman Ltd.
South Island please order by 1 pm Wednesday 21st.
North Island please order by 4 pm Wednesday 21st.
Auckland please order by 12 pm Thursday 22nd.
Our warehouse reopens on Wednesday 4th January.
Find us on Facebook
Recent Releases & Best Sellers


text:
Your shopping cart is empty!
Divisa Herbal Care An Exculsive Online Shoppe
Mother Sparsh Baby On The Go Kit
Product Includes:1 Pc Lal Tail 100ml + 1 Pc Water Wipes 80pcs + 1 Pc Baby Powder 100gm + 1 Pc Baby Body Wash 100ml + 1 Pc Baby Lotion 100ml + 3 Pcs Baby Soap 75gm
Brand: Mother Sparsh
Product Code: DSMSBOTGKIT
Availability: In Stock
Price: Rs. 622 Rs. 497
Ex Tax: Rs. 497
Mother Sparsh Baby On The Go Kit Net Contains:
1. Mother Sparsh Ayurvedic Baby Massage Lal Tail 100ml (1 Unit)
2. Mother Sparsh Baby Water Wipes 80pcs. (1 Unit)
3. Mother Sparsh Ayurvedic Baby Powder 100gm (1 Unit)
4. Mother Sparsh Ayurvedic Baby Body Wash 100ml (1 Unit)
5. Mother Sparsh Ayurvedic Baby Lotion 100ml (1 Unit)
6. Mother Sparsh Ayurvedic Baby Soap 75gm (3 Units)
|Product Includes
|Product Includes
|1 Pc Lal Tail 100ml + 1 Pc Water Wipes 80pcs + 1 Pc Baby Powder 100gm + 1 Pc Baby Body Wash 100ml + 1 Pc Baby Lotion 100ml + 3 Pcs Baby Soap 75gm
Write a review
Note: HTML is not translated!
Bad Good
- Every effort has been made to ensure that the products displayed are 100% genuine and the information describing these products belonging to different manufacturers is accurate.
- Kindly go through the prescriptions while using the products.
- Divisastore will not be liable for any kind of side effect/ contraindications. It is suggested to avoid usages of herbal products with conventional medicines.
- Information on this website is provided for informational purposes and is not meant to substitute for the advice provided by your own physician or other medical professional.
- Please check the expiry date of the product before using.
- All consultations will be processed through Email only.
- Personal detail shared by customers will be for internal use only and will not be shared or sold to any third party.
- If you find any error or for any queries, please report on contact page.


text:
The Behavioral Research Lab handles all recruitment efforts. Our goal is to make it so researchers never have to recruit for their individual studies. The Lab works to get students to sign up for SONA, and the Lab works to get the participants who are on SONA to sign up for studies. Below are a few of the ways the Lab recruits participants.
How the Lab Recruits
- Recruitment Coordinator: The Labs has a dedicated Recruitment Coordinator, Laura Fitzelle. She handles all recruitment efforts, and questions regarding recruitment, including questions regarding the recruitment of specific populations, should be directed to Laura.
- Tabling: The Lab holds regular tabling sessions around campus where we get students to sign up for SONA. Most tabling is performed at the beginning of every semester. All Lab PhD Students and RAs are required to assist with tabling for 5 hours every semester.
- Tabling Studies: During Tabling efforts the Lab often has researchers hand out short, paper surveys, which we pay them for on the spot. This allows participants to experience firsthand the type of work we do. If you're interested in running a survey like this during recruitment, contact Laura Fitzelle.
- Free Paraphernalia: During tabling, and throughout the year, the Lab offers its participants free items, such as water bottles, coffee mugs, frisbees, and other items that are marked with the Business School's logo.
- Blast Emails: Every Friday evening the Lab sends out a "blast email" to all our participants on SONA detailing the studies available the following week. The majority of participant sign-ups occur right after this email is sent.
- Participant Pool Demographics: The Lab collects participants' demographic information through our prescreen survey. If you have any questions regarding the demographic composition of our participant pool, just email the Lab Manager.


text:
"Texas Roadhouse" was introduced as the new catering group for the press box, serving up prime rib and sweet potatoes, at the 2003 Media Day. Pruett talked about his team and expects it to surpass the 11-2 squad from 2002 in team speed, depth and ability; but, and there is always a but, they must find leaders, stay healthy and come together in the next 25 days before the Hofstra game on August 30.
In the morning practice, which started at 9:00 a.m., Roberto Terrell, Nate Mann and Ivan Clark continued to work in individual drills and then riding the stationary bikes during the team periods, nursing nagging injuries like hamstring tenderness (Terrell). The first serious injury came midway through the morning session, when offensive lineman Dwayne Robinson went down and had to be carried to the training room with an apparent leg injury. Good news on backup quarterback Adam Black, who will see a local ear specialist immediately and may only be out three or four weeks more.
The defense took control in seven-on-seven and team, slowing the offense better than on Friday afternoon's session. Interceptions were snagged by safety Lonnie McCown and linebacker Kevin Atkins. Quarterback Stan Hill continues to look more at ease running the offense, as does Nate McPeek at left tackle.
Quotes from Media Day:
Defensive Coordinator Bill Wilt: "This may be the biggest, fastest defense I've coached to date at Marshall. We feel good about the outside guys, like Janathan Goddard, Jamus Martin, Maurice McKinney and Marcus Hairston (defensive ends), but need someone to step up inside (at tackle). Toriano Brown is back and passed his running test, but we are going to have to watch his toe (which kept him out of practice much of 2002). Paul Sinclair can help in or out on the line. (Junior College tackle) Jamaal Whyce has a chance to help us, if he can figure out our pace and tempo.";
Mark Gale, inside linebackers coach: "Dionte' Wilson, J.T. Rembert and Kevin Atkins are great leaders. Rembert set a linebacker record in the bench press this summer, Atkins in the verticle leap and freshman Matt Couch set the linebacker squat record as well. Retention of group from spring in very good and their conditioning is great.";
Lou Anarumo, defensive backs and special teams coach: "Roberto Terrell is a two-year starter and leader, and will be back soon from hamstring tightness. Will Smith will be our other corner, and has starting experience as nickel back in 2002. Moriah Anderson started in 2001, when Chris Crocker, who is doing very well with the Cleveland Browns, moved to corner for Bowling Green. So we have starting experience at each position. Lonnie McCown is still learning our system but is solid at safety. Dorian Williams, Jimmy Tyson and Jamall Saunders will help at corner. On special teams, we need three players to replace Curtis Head (of the CFL's BC Lions). Klint Rose, Ben Lewis, Nick Kelly and (true freshman) Ian O'Conner will all compete. Roberto Terrell is back at kickoff returns and Tremel Guillory and Josh Davis have worked out at punt returns, along with freshmen Hiram Moore and Geremy Rodamer. The return game is a point of emphasis this year.";
George Darlington, new coach of whips and rovers, the outside linebackers (rovers have more pass coverage responsibilities):"We have seven players in the mix, two of which are seniors. At rover, Gladstone Coke is the starter and just became a new father of a little girl on Friday. At whip, Charles Tynes is a returning starter and a vocal leader on our defense. Chris Royal is very adaptable, playing either position, while Donte' Newsome, Dennis Thorton, Fernado Durden and Adam Lee will compete for playing time."
Pruett on defense in 2003: "I am enthusiastic. It may be the best defensive team since 1999. Our speed is very good, maybe better than for some time. We have more depth with a front eight and not much difference between our ones and our twos. Most have playing experience. On special teams, Lewis has been very accurate and his range is better than spring. Rose is a very good punter, and Guillory, Moore and Rodamer look like they can become very good return men."
On the Thundering Herd offensive side of the ball:
Offensive Coordinator/line coach Mark McHale: "We lost some really good offensive players from 2002, and not just Byron Leftwich. Steve Sciullo is starting at left guard for the Indianapolis Colts and Jeff Edwards was our three-year starter at center. We have moved three-year starter Nate McPeek to left tackle, to protect Stan Hill's blind side. Luke Salmon is a two-year starter at left guard, the only player who returns at his 2002 starting spot. Joey Stepp played in Edward's place in 2001 and started at guard and tackle in 2002-he can play anywhere, and you have got to get a good player at center. He could be a Jason Starkey-type of player. The right side is new, starting with right guards Nathan Leslie, who came over from defense late in spring, and Toby Bullock, who is battling Leslie. And at right tackle Nate Griffin has grabbed the starting nod. Our players have the confidence in Stan Hill to lead this team to wins, but we have to get the OL straight first and then we can maybe challenge being a better offense than 2002's nationally leading offense here at MU.";
Quarterbacks coach Larry Kueck: "Stan Hill is the best we got and I feel good about him. Graham Gochneaur, sitting out last year really helped him and he has started to get it the last two practices. Jimmy Skinner is surprising; not flashy or athletic, but very savy. Tim Besselo has a bright future and Bernard Morris is a pleasant surprise, a talented young kid. Hopefully, we will get Black back soon."
Dewayne Nunez, wide receivers coach: "We are talented but young. Senior Darius Watts and junior Josh Davis have worked hard since last season and we need them to be team leaders. Sophomore Wilbur Hargrove has made a play every day so far, Jason Schroeder is coming off a good spring and junior Brad Bates is running with no limp. Junior College transfer Tremel Guillory catches the ball well, moves well and is real steady. C.J. Stanfield, a walkon from California, will play. He catches the ball well. This group, plus the true freshmen like Hiram Moore and Geremy Rodamer, give us the most speed at receiver since I've been here.";
Ernie Purnsley, running backs coach: "We've got five guys. Butchie Wallace is in the best shape yet and is a three-year starter. Earl Charles had a great spring and can be really good but is still learning. Tank Tunstalle in a redshirt freshman and gives us a 235-pound power back for short yardage situations. He still is working on his protections so he can be in there in one-back situations with Stan. Michael West (a blue collar, "grunt-type" back) and James Johnson have some work to do but have lots of talent.";
Shane Miles, former graduate assistant in his first year, full-time staff member at Marshall, coaching tight ends and H-backs: "Rader has been great all summer and the first four practices. He is in his best shape yet. We want him to dominate the field as a tight end, both blocking and catching. We need someone to step up at number two to replace Eddie Smolder, either Joe Diefel or Jeff Mullins. Matt Morris, a redshirt freshman from Beckley, is a good athlete but a little light in the butt. He can become a good player, helping us on special teams this year and may be our second best blocker.
Pruett on his offense: "You know I have never been overly optimistic, but at running back we have Butchie, the best we have had for three seasons and many of you think Earl may beat him out and Tank gives us a real power back. I'm excited about our running backs. At receiver, we have Watts and Davis, the top two wide receivers in the nation, according to NFL scouts. We have Hargrove and Schroeder, both faster than Watts and Davis and Schroeder is bigger than all three. We have Bates back, two junior college receivers and two great freshmen. I'm excited about the speed and talent at receiver.
"At tight end, Rader is top ten in the nation. We won a lot of MAC titles with some tight ends who couldn't catch a cold. Rader can catch and block. At quarterback, we have Hill who had a better first start than either Byron or Chad. On the OL, Nate may be better than Sciullo. Stepp, Coach McHale told me all last year he was a better player than Jeff. Toby Bullock is the best offensive line prospect we have ever had come in and Nate Griffin is the best athlete on the offensive line. Salmons is a returner. I expect we might add to that 550 yards per game we averaged in 2002, but we have to go do it.
"Hill has a lot to prove, and he has gone a long way to do that. I also think the defense will take the load off of the offense, instead of the other way around the last two or three years. Our depth gives us a chance to have a big year and, with only 14 seniors, we will have most of these guys back two or three years.
Pruett finished by talking about season ticket sales, at 11,500 with a goal of 13,400, "I'm not satisfied with 11,500 in season ticket sales. People ask me when a top 25 team will come to Huntington to play, well, they have five home games here this year. Our fans do a great job, the rest of the MAC envies our crowds but other teams in the top 25 sellout their stadiums every week."
Marshall will put on full pads Sunday afternoon at 3:00 p.m. for the first full-contact practice of 2003. The team will work out at 8:00 a.m. and 4:30 p.m. on Monday, with one practice on Tuesday.
The 2003 MU Football Media Guide is in. You can purchase one for only $25.00 from Sports Information. It has a Marshall-record 356 pages, 14 more than the largest ever in 2002. Player bio, opponent information, coaching bios, history timelines, records and feature stories on all-time Marshall offensive linemen, additional MU legends Carl Lee and Herb Royer, all-time football nicknames and much more in the 2003 MU Football Media Guide.


text:
The Student Cellist: Mozart
By Craig Duncan
Cello - Beginning-Intermediate
Composed by Craig Duncan. Saddle-stitched, Solos. Classic. Book. 48 pages. Published by Mel Bay Publications, Inc (MB.98265).
Item Number: MB.98265
ISBN 9780786645206. 8.5 x 11 inches.
This collection includes music from Mozart's Viennese Sonatas. The piano parts frequently double the cellist to aid in performance. Features a 'pull-out' cello part with bowings and fingerings.


text:
Most Relevant Brands Of 2010
PSFK identifies the most mentioned brands of from the last 1,500 articles.
At PSFK HQ, we are in the process of creating this year's Good Brands Report. Last year's version was downloaded from our servers over 10,000 times and we're busy working with the Purple List to judge the most relevant brands of 2010 against innovation, sustainability, social commitment and imagination. As a starting point to our analysis, we identified what PSFK considers the most relevant brands of 2010 through counting stories about the brands in the last 1,500 articles on PSFK. The top brands include new names such as Foursquare, Ace Hotel and Jamie Oliver; and there are well-known brands that have featured for the first time this year including Nokia and McDonalds.
Brand / Rank
1. Apple
2. Google
3. Twitter
4. Facebook
5. Nokia
6. Foursquare
7. Ace Hotel
=7. McDonalds
=7. Nike
=7. Nintendo
=7. Jamie Oliver
=7. American Apparel
Compared to last year, we found that this year there were less brands continuously innovating. Brands seem to have dropped off the list because they created fewer new products, services and ideas. In the next couple of weeks, we will release PSFK's Good Brands Report for 2010. If you want to get pinged when we release it, add your name to the PSFK Newsletter list.


text:
Fuel Pump Issues
Hello, I have a problem.
I have a 1991 535i. The fuel pump stopped working so naturally I replaced it only to discover that it wasn't the problem. After the fact i hooked up a 12v directly to the old pump and it runs just as strong as the new one. Next I hooked up a multimeter to the plug that goes to the pump/fuel level gauge, showed 11.92v. Then went to the contacts at the pump in itself. NO POWER!!:mad: The car does turn over and there is spark, it will run, but barely, off of the injector pump. Please help me!!! :cry:
Jump terminals 30 and 87 at the fuel pump relay socket. See if that makes the pump run continuously (it should) and the car should run this way, but it may throw a code for a fuel pump relay (1261). If jumping the terminals causes the pump to run and i.e., the car runs also, then you need to replace the relay.
If you jump the terminals and have 12v to the electrical connector, but the pump won't run, then the new pump is probably faulty. If that is the case, I would try the old pump again. If you have 12v at the switch with the terminals jumped, then it has to be the pump.
I dont know if you have it, but there is a searchable version of the Bentley manual here on the fest. Testing of the fuel pump is spelled out very well.
Good luck.
I have tested both pumps, they work fine, and i have 12v to the connector as is. but not to the pump. I also just did a continuity test on the wiring. It is fine, I dont know where to look for the relay though. This is my first BMW. I will look at that manual thank you for the help
Electrical stuff is not my forte, so bear with me, but I can't figure how you can have 12v at the connector and the pump not get that voltage :dunno: Can you be a little more specific as to when you have voltage at the connector? I.e. is it continuously, with the key in position 2 or position 3 (cranking)?
If you have 12v at the connector, then the relay should be fine, as should the fuel pump fuse.
I have 12v continuously at the connecter with key in position 2 "running" fuse is fine, i changed it to be sure. There does look to be a scorch mark on one of the solder points on the bottom side of the plate. When the connecter is plugged in there is no voltage to the solder points or to the leads that go to the pump
One note on that, Its possible that the 12v im seeing is for the Fuel level sensor which runs off the same plug.
I suspect a bad fuel pump relay. Again, jumping terminals 30 and 87 at the fuel pump relay socket will supply continuous voltage to the pump. If your pump is good, and assuming that there is not a break in the wiring somewhere, then the pump should run and so should the car. If jumping the terminals fixes the no-start, then you need a new fuel pump relay. This is a common fail item.
I haven't worked on an e34 but had similar problem with e36. On my car the pump and sender have separate wires. There are four wires in the plug - two go to the sender and two to the pump. I suggest you double check the pump connection since I agree with what BMR LVR said. If you have power to the connector and you know the pump works then it should run. From what you describe I would suspect the relay. If it works with the terminals jumped as BMR LVR suggested then the relay is bad. I would use a fuse on the jumper for the relay just in case you connect the wrong terminals or if there is a short somewhere. Good luck!
I have checked it out on my car and there is current at the fp's connector in the trunk when at key2. The current disappears when the relay is pulled, but reappears when the relay sockets are jumped, which means that the pump keeps running whether the key is in the car or not. I had to drive for around 10 miles once, many moons ago, with a jumped fuel relay socket, and each time I shut off the engine I had to remove the jumped relay wires to prevent the battery from being drained down, and replace them when I wanted to drive again. Gosh that was not a nice 2 days.
My e36 stays energized with key in position 2. Every car that I have ever owned worked this way.
Your cat's paint scheme would likely look good on your car too. :)
Wait...wasn't there a picture of a camo E34 seen here recently ?
I tested this by removing my rear seat on the E36. The pump was easily heard when it was running. With the engine off, I put the key to position 2 and the pump only ran for just a second. It then stopped. Once the key was turned to position 3, the car cranked and the pump continued to run as expected with the key in position 2.
Just to be sure that the E34 operates the same way, I repeated the experiment just moments ago with an assistant to manipulate the key. However, the fp on my E34 is unbelievably quiet so I actually had to remove the carpet flooring in the trunk, remove the fp cover and then place my ear over the fp in order to hear it running. Upon repeating the experiment, I got the exact same results: key to position 2 and the pump ran for less than one second and turned off. Turned it to position 3 and the engine cranked and ran as expected. I tried to repeat the process and capture it on video, but the fuel system was now pressurized and therefore the pump did not energize in key position 2 so I could not capture it on video.
If you have 12v at the fuel pump all the time (not the fuel level sender you must make sure you are checking the correct terminals) in key position 2 without the engine running, then you have a problem in the system somewhere. Feel free to repeat the experiment on your car. Nothing has to be disconnected and it does not even require a multi meter, just the human ear and an assistant to manipulate the key (unless of course you have a very noisy pump). In fact, because of the possibility of checking for voltage the wrong point (fuel level sender), my method is probably better because it eliminates the possibility of the error.
This is the very reason that the fp checks can't be done by simply putting the key in position 2. That's why terminals 30 and 87 have to be jumped. This supplies constant voltage to the fp regardless of the ignition key presence or position thereby allowing one to test the fp.
And yes, you can run your car with the fp relay removed and terminals 30 and 87 jumped. However, that will cause a fault code to be generated and stored in the DME. Once the new fp relay is put in, then you can simply erase the fault code.
I hope this clarifies it and sorry if I caused any confusion.
Thanks for the writeup Steve. I think you and your indy is right.. Just read through the manual and it says this :
Residual pressure, checking
For quick restarts and to avoid vapor lock when the engine
is hot, the system is designed to retain fuel pressure after the
engine has been turned off. This residual pressure is primarily
maintained by a check valve at the fuel pump outlet and the
fuel pressure regulator. The fuel pump check valve is not serviceable
as an individual part.
So there is a check valve at the fuel pump. I believe that when fuel return pressure disappears, as when a hose somewhere bursts or is disconnected, the check valve notices this and stops the fuel pump from functioning. This is probably a safety measure. However i should think that the current to the pump remains live. And I am a little surprised that this happens when we are at key2. Perhaps because the fuel pressure regulator does not function because the engine is not running (the fpregulator needs engine vacuum to function), there may be some version of pressure detection that kicks in at the pump and causes it to go into standby mode or stop functioning altogether..
Deleted, repeat post.
|All times are GMT -7. The time now is 10:59 PM.
Powered by vBulletin® Version 3.8.7
Copyright ©2000 - 2017, vBulletin Solutions, Inc.
© 2001-2015 performanceIX, Inc. All Rights Reserved .: guidelines .:. privacy .:. terms


text:
Filmmaker Spike Lee defends his planned film on Chicago violence
By Mary Wisniewski
CHICAGO (Reuters) - Movie director Spike Lee, known for films that deal frankly with racial issues, appeared in Chicago on Thursday to defend his planned movie about the city, after its reported title, "Chiraq," was criticized by local politicians.
Speaking at a South Side church and surrounded by African-American mothers carrying pictures of children killed in street violence, Lee said artists hold up a mirror to society and are not afraid to tell the truth.
"We have to stop the madness," Lee said. "This is insane."
He said people who know nothing about it have been expressing opinions about the film. Lee referred to the movie's "so-called title," but did not say if "Chiraq" would be the title and did not take questions.
"Chiraq" is street slang that compares the nation's third largest city to the war zones of the Middle East. Chicago Mayor Rahm Emanuel, U.S. Senator Dick Durbin, and local alderman Anthony Beale have expressed concern over the title, with Beale calling it "insulting."
Chicago recorded 407 murders in 2014, far ahead of the 328 recorded in the larger city of New York. Chicago has long fought a reputation for violence, enhanced by the mythology surrounding Prohibition-era gangster Al Capone.
Lee said he was not concerned about Chicago politics or tourism.
"This is not about Chicago losing business," Lee said. Continued...


text:
Thu 7th May 2009 8:00ammalpaisurfcam's Playa Santa Teresa Surf Report
Photos taken by Antonio this morning at El Bar, waves were head high. See more pics at www.malpaisurfcam.com
View the Playa Santa Teresa Surf Report and Forecast. malpaisurfcam's Reports have received a total of 417264 views.
This report has received 307 views since 7/5/09.


text:
"It's just a blessing," Minter said. "I've been waiting four years for that it finally came."
Until Saturday, Minter's last interception came in a state playoff game during his senior year in high school.
"I said, 'DeMario, you're going to get one, and it's not going to be a so-so interception. It's going to be one that means something,'" defensive coordinator Willie Martinez said.
Martinez wasn't the only one to predict Minter would make a big play. Safety Greg Blue told Minter at the team hotel before the game that he had a vision of something good.
"I told him, 'When I woke this morning, I just felt like he was going to get an interception,'" Blue said. "I told him, 'I feel good for you. I think you'll get one.'"
When Minter came off the field, Martinez jumped into his arms for a giant hug. Martinez was happy for more than just Minter.
The interception gave the Bulldog defense its first red zone stop of the season. Georgia entered the game last in the SEC in red zone defense, having allowed its opponents to score on all seven of their trips inside the 20-yard line.
Later in the game, Minter two more huge plays. First, he broke up an apparent first down catch by Robert Meachem that would have given the Vols' a first down inside Georgia's 30-yard line. Then, in the fourth quarter, he made an open field tackle to stop Tennessee receiver Jayson Swain 3 yards short of a first down. The ensuing punt resulted in a 54-yard return for a touchdown by Thomas Flowers.
Demario Minter was credited with eight tackles, second-most among the Bulldogs.
"He was pretty good, boy," Martinez said.


text:
PRESQUE ISLE – Dapheen Marie McPherson, 71, passed away on Feb. 23, 2014, at her residence with her family by her side. She was born May 23, 1942, in Presque Isle, the daughter of the late Ervin A. Sr. and Amy A. (Hafford) Brown.
Mrs. McPherson enjoyed singing in a band at nursing homes, eating spaghetti and spending time with her family. Her biggest joy in her life was her children and her grandchildren; she loved them dearly.
She is survived by her daughters, Lisa Bonato and husband, David Pelkey, of Presque Isle, Debra McPherson and friend, Donny Michaud, of Presque Isle, and Melinda Frisco and husband, Mike, of Wallingford, Conn.; grandchildren, Amy Pelkey Robbins and husband, Benjamin Robbins, Katrina, Maxx and Kevin Frisco, Hanford McPherson, James Kinney, Jeremiah Lowe and Storm Bonato; great-grandchildren, Alyssa Pelkey and Talon McPherson; and also her ex-husband, Merle McPherson. She will be sadly missed by her sister-in-law, Iris Brown; nephew, Donald Lagasse; and a special niece, Gail McNearny. She was predeceased by her son, Hanford McPherson; and also a grandson, David Pelkey.
Friends may call 11 a.m. – noon Tuesday, Feb. 25, at Faye Funeral Home, at the corner of Academy Street and Centerline Road, Presque Isle. Funeral services will begin at noon from the chapel of the funeral home. Interment will be at the Fairmont Cemetery in the spring. Donations may be made to Aroostook Cancer Care, 140 Academy St., Presque Isle, ME 04769. To share photos and to sign the online guestbook,
please visit www.fayefuneralhome.com.


text:
250 Westshore Plaza(Food Court)
Tampa, FL 33609
Neighborhood: Downtown Tampa
Description Florida Currency Exchange - Finance
• We buy and sell over 80 different currencies.
• We offer competitive exchange rates and beat local bank and airport rates
• There's no minimum or maximum for an exchange
• We always keep popular currencies in stock & will order rare currencies upon request
• International Wires
• Traveler's Checks
• Cash Mall Employee Checks
W XYZ Bar100 W John F Kennedy Blvd. , Tampa FL, 33602
Mouse Trap Escape1701 N 14th St , Tampa FL, 33605
Florida Currency Exchange Photos
Business Listed in Categories
Are you the owner of Florida Currency Exchange in Tampa Florida? Send us more details! Contact Us
Upcoming Events
News & Articles
People Connected to Florida Currency Exchange
Plug Updates
Say Something or Ask a Question about Florida Currency Exchange
Recommended Ratings & Reviews
Comments : Located in Food Court of Westshore Plaza Mall
Pros : This place is great! I was leaving for Europe the next day and didn't realize that my bank couldn't get me Euros in time. They recommended me to Florida Currency Exchange, and they had Euros in stock and even beat the rate my bank quoted me! Highly recommend this place!!
Cons : Nothing =)


text:
Researching the right drawing paper to fit my illustration needs was the most important step. I chose 70gsm paper as it is suitable for alcohol-based pens and is bleached white for better scanning results; thin paper also gives the option to quickly redo individual motifs again and again, to have a sharp line-art result in the end.
Hannes Hummel (GE)
Next Tip »


text:
STARmeterSEE RANK
Up 9,226 this week
Gary Kroeger
Actor | Soundtrack | Writer
Gary Kroeger was born on April 13, 1957 in Cedar Falls, Iowa, USA. He is an actor, known for Dilbert (1999), Saturday Night Live (1975) and A Man Called Sarge (1990). He was previously married to Leigh Kroeger. See full bio »
Born:in Cedar Falls, Iowa, USA


text:
Technique : 8 - Year - Old Girl Shows Off Her Impressive Boxing Combination With Her Father !
Description:8-Year-Old Evnik Saadvakass trains with her father Posted By Persist
Added:2 years ago
0 likes, 0 dislikes
Embed / Iframe code:
Make your selection, copy and paste the embed code above.
Standart sizes: Custom size:
What is the problem?
Please do not abuse this section. The videos ,which are on investigate list, are manually checked by editor.
Security code:(is not case-sensitive) can't read
Write a comment
at least 10 characters, up to 400 characters
400 characters remaining
Security code:
(is not case-sensitive) can't read


text: Swimmer - Unregistered July 17, 2012 3:39 PM Looking back, why did McLaren hire Alonso? What did they expect? Did they think Alonso will provide the experience what's needed for Hamilton to win? Did they expect Alonso will just be a humble workhorse? I do not blame Alonso for blocking Hamilton at Ferrari. He is correct in two counts: Hamilton at Ferrari will not help Alonso. Hamilton at Ferrari will not help Ferrari. Besides that, Hamilton is not "Ferrari material". 23 agree 3 disagree