text:
Executive Producer of The View talks about working with Barbara Walters
Bill Geddie has worked with Walters for 25 years
PALM DESERT, Calif. - You may have heard, broadcast icon, Barbara Walters is retiring. All week long ABC has been celebrating her 50 plus years in the business. Each day on The View, that airs right here on News Channel 3 at 10 a.m., special guests have appeared to pay tribute to Walters.
Tonight at 9, a two hour special looking back at Barbara's life, will feature highlights from high profile interviews, clips from her Network stints and an assortment of video from the good and not so good times on the The View.
And, the one man who has been at Walter's side for the past 25 years will interview her tonight, asking the tough questions. Bill Geddie is no stranger to the interview format, he is the Executive Producer of The View and has helped produce Walter's Prime Time Specials, and nearly four-thousand episodes of The View.
As Walters eases off her daily duties and scales back her television appearances, Geddie talks to News Channel 3 Anchor, Karen Devine about what it's been like working so closely with the matriarch of broadcast news all these years. And, he tells us what's next for The View minus Barbara Walters.
When asked what it's been like to work with, "The Barbara Walters," Bill Geddie didn't hesitate and said, "25 years working with Barbara, it has been absolutely amazing. I am the luckiest man on earth because I get to work with the best in the business for 25 years."
In the past quarter century there's not been an interview or prime-time special featuring Walters without Bill Geddie. They are a team, different as can be. She's Boston-New York, he's Oklahoma-Texas.
Geddie says they each bring different sensibilities to the table making them a great combo. She trusts his decision making, and, "I trust hers, says Geddie, and she has a very good eye and is a very good editor, so she lets you take a hack at it first, and let's you present what you think it should be and then she either loves it or tells you what's wrong with it and she's right 99.9% of the time."
In 1997 Geddie and Walters pitched the idea of a panel of women discussing the news of the day including social and political issues to ABC News, neither one of them had one daytime television. The Network picked it up, but even the creators were skeptical that the show would take off.
"Did we think it would work, no we didn't think it would work," said Geddie, "we thought it was a bold idea, we thought it was too smart in some ways, so did many people."
17 seasons so far and The View is still going strong. Oh, but there has been some controversy. Putting five strong women at the table discussing their opinions on any given issue, sometimes turned into very loud arguments between co-hosts, making headlines and newscasts across the country.
"I think that our show has always been sort of raw and honest and it's live. And there aren't many live shows left and there's certainly aren't many live shows where we talk about the things we talk about so sooner or later they're going to rub each other the wrong way at any given moment. And, I have always embraced it", said Geddie "and Barbara has too. So, I'm not sorry about any of that, I'm not sorry about any hires, I think it's all for the best."
Bill Geddie will continue to produce The View and be there on a daily basis guiding the co-hosts during the one hour show. But, he says, the program will be different without Walters. He says it was different when Rosie left or when Meredith left, but he says that's how the show rejuvenates itself.
"I can tell you this, we will never replace Barbara Walters ever. So anybody we rehire will never replace Barbara. There's no one to replace Barbara Walters ever," said Geddie. "We are going to hire someone, I think that hire will happen in the fall, but no one replaces Barbara."


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subset: commoncrawl


text:
Cabby: He said his name was Sherlock Holmes.
Sherlock Holmes: What?
Cabby: Well, that's the name what he give me, sir - Sherlock Holmes!
[all laugh]
Sherlock Holmes: Well, at least whoever it is has a sense of humor!
[last lines]
Sherlock Holmes: Oh, Watson - the needle!
Sherlock Holmes: There are still some gaps to be filled, but all in all, things are becoming a little clearer.
Dr. Watson: Not to me, I assure you; it's all a hopeless jumble. Stapleton, Franklin, the Barrymans - put it all together and what have you got?
Sherlock Holmes: Murder, my dear Watson. Refined, cold-blooded murder.
Dr. Watson: Murder?
Sherlock Holmes: There's no doubt of it in my mind. Or perhaps I should say, my imagination. For that's where crimes are conceived and they're solved - in the imagination.
Dr. Watson: It's a pity you didn't think about bringing that infernal violin of yours - to regale me with some of your music!
Sherlock Holmes: I DID, my dear Watson! Anything to oblige!
[he whips out the violin and begins to play]
James Mortimer, M.D.: Mr. Holmes, you're the one man in all England who can help me... I am in mortal fear that Sir Henry's life will be snuffed out.
James Mortimer, M.D.: Mr. Holmes, we've admired you in the past as does every Englishman. Your record as our greatest detective is known throughout the world. But this - seeing how you work - knowing that there is in England such a man as you gives us all a sense of safety and security. God bless you, Mr. Holmes!
Dr. Watson: Then, why are we rushing up to London, leaving Sir Henry entirely alone and unprotected?
Sherlock Holmes: We're not, my dear Watson. We're just giving the impression of rushing up to London.
Sherlock Holmes: The only way to nab our man is to catch him in the act - catch him so that there's no escape, no alibi. And that means gambling with Sir Henry's life.
Dr. Watson: [horrified] But...
Sherlock Holmes: Gambling to save his life. But we've got to take that chance.
Sherlock Holmes: Do you remember that missing boot, Watson? Why do you suppose the brown one, the one that had never been worn, was so mysteriously replaced and the black one taken?
Dr. Watson: Why?
Sherlock Holmes: Because the brown one would never have had the scent of the owner - and the black one had!
Sherlock Holmes: [a portrait that he has just seen fascinates him] You must - you must dine with us before you sail.
Sir Henry Baskerville: Well, there's the old boy himself - Sir Hugo, the Beast of the Baskervilles.
Dr. Watson: Done by Ransome, one of the minor painters.
Sir Henry Baskerville: I don't imagine it's very valuable.
Sherlock Holmes: I can't quite agree with you, Sir Henry.
Sherlock Holmes: One day, it might prove to be of the greatest value.


text:
VERY EXCITED to have Phil McGowan return to Blue!
Currently, Phil can be found throughout New England leading his own bands as well as playing with some of the top jazz musicians in the area, which have included Bruce Gertz, Marshall Wood, Billy Pierce, Greg Hopkins, Russ Hoffmann and Ted Casher, among others.
A New England native, Phil McGowan was born in Newburyport, Massachusetts in 1985. At an early age, Phil joined with his brother and a local pianist to form a jazz trio, and began his career as a freelance musician. With Les Harris Jr. as a mentor, Phil was able to hone his skills by sitting-in with various legendary musicians at the Press Room in Portsmouth, New Hampshire through his middle school and high school years. Later on, Phil was hired as a sideman by some of these musicians, including Herb Pomeroy, Dick Johnson and Volker Nahrmann.
Phil holds a Music Performance Degree in Percussion, with Jazz Studies Concentration from the University of Southern Maine, where he continued his education in jazz while gaining familiarity with different types and traditions of music from around the world. Through his years at music school Phil continued to freelance, finding himself in concert halls, clubs, music festivals and cruise ships, which ventured into Europe, Africa and Asia.


text:
Windows and processes control manager
Use this security logo:
Freeware is computer software that is available for use at no cost or for an optional fee.
Tutorial not found. Let know us about any useful video tutorial.
debug, window, window properties, smart, menu manager, windows processes manager, debugging, windows hierarhy, handy, debug manager, window property, timer, position
A lot of changes and fixes.


text:
Calculus: Applications to biology and medicine
Real-Life Calculus
The name calculus often brings about terror amongst people. It is one strand of math which many people are afraid of coming across. But, it has real-life applications in ways that people who not imagine. Biology and Medicine use calculus in unbelievable ways. Let's take a look.
Blood Flow
Calculus can be used to determine the blood flow in an artery or a vein at a given point in time.
Cardiac output
Calculus can be used to find the amount of blood pumped through the heart per unit time.
TUMour growth
Calculus can be used to determine how fast a tumour is growing or shrinking and how many cells make up a tumour.
As you can see, calculus can be applied to many real-life situations. Biology and Medicine have particular uses for certain principles in calculus to better serve and treat people. It has many beneficial uses and makes medical/biological processes easier.
thank you!!
By: Tanvi Patel
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Working The Ball
I got an email question from Ryan about hitting draws and fades, so I thought I would tackle that subject today. He was confused by all the various methods that he reads – changing the grip, changing the set up, changing the swing path, etc. Specifically, Ryan asked:
What is the correct way to hit a draw or fade? If there is no "right" way, what way do you think would work best for most golfers?
Well, Ryan, the correct way is whatever works for you, but there are certainly many different methods. What I'm going to do is share with you what I think is the easiest way to learn to "work the ball". But this comes with a warning: If you have a method that is working for you, stay with it. And if you are still trying to figure out how to move the ball north and south, and breaking 85 is still your goal, you probably don't need to work on this yet.
That all said, here's what I think is the easy way to approach the process.
Hitting the Fade
I'm a huge fan of playing everything with a fade. I find that for me it's more consistent and doesn't move that far, so I can just target down the left side of every fairway, and hold my line out left of every pin and fire away. I got away from that approach to golf a while back and it's taken me a few years to get back to the old reliable fade. As Lee Trevino said, "You can talk to a fade, but a hook just won't listen." This game is so much easier when you know the ball is almost positively going to curve in only one direction.
So, for me, hitting the fade is merely a matter of two things – a weaker grip on the club, and a conscious thought of slowing down the rotation of my hands through impact.
For those of you that want to perfect the fade, here are what I think are the basics:
Hitting The Draw
As you would expect, hitting the draw is almost the opposite of hitting the fade, but I think a draw is harder to control than a fade. A draw can quickly become a snap hook, while a fade rarely turns into a big slice. At least that's my belief.
But there are times you just need to work the ball right to left, and knowing how is helpful. For me, I've worked so hard to groove a consistent fade, working a draw is the hardest thing. But here's how I do it:
So, those are my keys to working the ball right or left. I'm sure you guys all have other ideas that work for you, so let's hear them. Then Ryan can experiment with all that we've shared with him and see what works best with his swing.
But I want to re-iterate that working the ball is a two-edged sword. First, learning how will exponentially increase your enjoyment of the game. There is no thrill quite like envisioning a shot that curves right into the fairway or the flag, and then executing it just like you pictured. But you will experience a learning curve trying to achieve this skill that will cost you some shots. It's your choice, but to me, the great enjoyment of this game is the challenge of exerting complete control over that little white pill. One shot a round that turns out just like you imagined is a huge payoff for me.
OK, guys and gals, share your thoughts with Ryan on "working the ball."
The Wedge Guy is sponsored by SCOR Golf, where Terry Koehler is President/CEO. He encourages you to submit your questions or topics to be considered for his columns on Tuesdays and Fridays. Each submission automatically enters you to win a SCOR4161 wedge to be given away monthly. Click the button below to submit your question or topic today.
[ comments ]
lcgolfer64 says:
'Wedge Guy' is absoultely right-on. A lot of it is 'thinking correctly' I can't tell you how much this improved my game (and range work) this year.
My routine for this was telling myself to "just put it there" and visulize the shot going the way I intended. While it didn't work 100% of the time, it did a majority of the time.
It definitley made the game more enjoyable and the satifaction of hitting it the way I wanted to, where I wanted to - came from my set-up routine more than anything.
bducharm says:
I like to keep things simple. I do not change my grip at all. When I want to fade or draw the ball, I either open or close my stance and keep the blade pointed at the target - where I want to the ball to end up. I then make the same swing. This has worked very well for me.
Banker85 says:
The fade is my shot of choice. My setup is identical but i dont change my grip for a fade. I just try to make sure i "cut across the ball to get the side spin that creates the left to right shot. As far as the hook/draw goes thats another story. I usually hit the snap hook when trying this. I saw Stewart Cink on TV about 2 weeks ago and he talked about hitting a draw his idea was just hitting a certain spot on the ball which is back/bottom/inside of the ball and a buddy i work with is getting lessons and his instructor gave the tip of keeping the right elbow close to your body creates the out-to-in swing that promotes a draw.
aaronm04 says:
During a lesson, I got these nuggets from the instructor which really works well for me. He told me that he got this advice from his college golf coach. It has to do with the relationship between your upper and lower body. As he described, your hands and your hips.
For a straight shots, your hands and hips should start the downswing at the same time. For fades, slightly start your hips first. For draws, slightly start your hands first.
While the timing is something to work on, I found myself being able to put the intended ball flight on my shots. As mentioned, you also have to tell yourself the ball flight you want. Though not always perfect, this really helped me.
aaronm04 says:
I should also mention that all of the above starts from your normal setup and grip. Only the timing is altered, which, for me, made it "feel" easier rather than having to adjust to an altered grip or stance.
martyr says:
I tried working the ball the last time I was at the range. After about six or seven attempts to hit a snap hook (only one of which actually worked...sorta) it took me about twenty balls to undo the adverse effect it had on my regular swing. It got the timing in my hands all screwed up. I'm still trying to break 100 and realize I have no business trying to shape shots at this point, but I thought it would be good for a laugh.
zandercutt says:
draw: close the stance and take the club back flatter.
fade: open your stance and take the club back steeper.
make a big backswing for a draw and try to come more down on the ball for a fade.
aaronm04 says:
@martyr : like Terry said in his post, if "breaking 85 is still your goal, you probably donGÇÖt need to work on this (working the ball) yet." Plus, snap hooks are bad. You shouldn't be working on them. About the only time you might need one is to get around an obstacle. Even then, there are probably better options.
If you haven't broke 100, I'd say spend a lot of time chipping and putting (more than trying to work the ball). That's where you can really get your score down. Also an area where high-handicappers generally struggle (at least the ones I know).
wedgeguy says:
Good stuff, guys. For "aaronM04", you don't want to "adjust" to the altered grip. By changing the orientation of your grip, when your hands return through impact naturally, the clubface is helped closed or open because of that changed starting point. Maybe I didn't make that clear. Keep up the comments, fellows. We're all learning here.
Dogberry says:
I rarely try to shape shots, since my swing consistency is still pretty bad. But I have tried hitting fades and draws on the practice range when I'm hitting the irons relatively well. I use player's cavity back irons and adjusting my grip stronger or weaker is all I need for a draw or a fade. I think the equipment you're using will be a big factor in how the different methods work for you.
mikeyg1115 says:
first of all i want to say, ryan what an excellent question. i have been waiting for someone to ask it. i just didnt know the right way to put it. and wedge guy this is some of the best advise i have ever heard on this topic probably ever. i love you man.....
Kolt15 says:
I do what Tiger Woods does to fade the golf ball always have i put it 1 ball up in my stance and a ball closer. Thats makes me get more upright and lets me fade the ball... I have a natrul Draw so i dont have anything for drawing the golf ball
onedollarwed says:
Nice disclaimer. People have natural "English" on the ball. especially with certain clubs. The subconcious factors are real produce nice natural effects. Alignment can be a very subconcious obstacle as well.
A freind of mine was always talking about tee boxes that were "bad set-ups." Course designers can align tee boxes to be misleading, and visual/real obstacles can cause havoc with swing thoughts. Have you ever said, "I can be fading all day, but I always hook it into that pond!"
Turning away from targets without truly realigning causes this. The guy who opens up more thinking he's aiming left to make room for a slice goes even further right.
onedollarwed says:
What I'm saying is that no matter how you work the ball, on purpose, or accidentally, it's feedback for your swing and ball contact. Ping-pong physics is the best example. For working the ball I use alignment and opening/closing of the club face. This produces lofting/delofting and distance adjustments. However, if when getting blanced over the ball you feel that your swing will produce certain spin/direction with the most athletic attack, go with it. (these would be up/down/side/wet/foot in hole/ etc.) The physics doesn't lie. There are only limited reasons a ball will curve. Either the clubface has motion (top,back,sides) in addition to flush impact, or the clubface is angled to flush impact (up,sides), and of course both.
onedollarwed says:
With a nuetral swing, aligning right and closing the face should produce a draw , and aligning left with an open face should fade it.
And here's the best news about working the ball.... it's the most worthwhile thing to do at the driving range!
eventHorizon says:
As has been mentioned, working the ball is usually a low percentage shot and therefore most players don't gain much from doing it and probably commonly get themselves in more trouble. With that said, for me, when I want to work the ball, I don't change my swing one bit. I use the knowledge that the plane of the swing gives the ball its starting path and the face of the club through impact puts the spin on the ball causing it to turn. Therefore, I just line up my feet/shoulders with where I want the ball to start, place the face of the club in the direction of where I want the ball to finish and then take my grip (the grip feels normal to my stance however the clubface is closed -- I did not close my face using my grip). Something I want to learn however is how to pick the sharpness of the curve that the ball takes. That meaning, be able to control at what point the ball starts to move and at what angle. Seems impossible.
onedollarwed says:
Yes, a low percentage shot often, unless you really have a great opportunity. For instance, going around obstacles is by far the best use - either dog legs, or recovering from errant shots. In many of these cases there is a wide margin of error, due to large spaces on the course that can be exploited. Straight lines are very limiting when trying to cover ground, trying to go left down a dogleg with a fade is even worse. Even a small curve in your shot can gain huge yards in the right direction. If you had to choose extra distance or curve control, which would you pick? Good, then start working on it!
808yota says:
I think everyone has given GREAT advice. Here's one's that's terrible, but works for me...Fade, I set up left, feet, shoulders, hips, and swing at bout 95-100%...hands don't have time to "catch up" and instant fade.
Draw, a little closed, sloooowwww backswing, full turn...
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- 1 [countable] a word or symbol that represents an amount or a quantity synonym figure Think of a number and multiply it by two. a high/low number even numbers (= 2, 4, 6, etc.) odd numbers (= 1, 3, 5, etc.) You owe me 27 dollars? Make it 30, that's a good round number. see also cardinal (2), ordinal, prime number, whole number position in series
- 2 [countable] (abbreviation No.) (symbol #) used before a figure to show the position of something in a series They live at number 26. The song reached number 5 in the charts. telephone, etc.
- 3 [countable] (often in compounds) a number used to identify something or communicate by telephone, etc. My phone number is 266998. I'm sorry, I think you have the wrong number (= wrong telephone number). He dialled the number, then changed his mind and hung up. What is your account number, please? see also box number, E-number, PIN, registration number, serial number See related entries: Communication devices, Making calls quantity
- 4 [countable] number (of somebody/something) a quantity of people or things A large number of people have applied for the job. The number of homeless people has increased dramatically. Huge numbers of (= very many) animals have died. A number of (= some) problems have arisen. I could give you any number of (= a lot of) reasons for not going. We were eight in number(= there were eight of us). Nurses are leaving the profession in increasing numbers. Sheer weight of numbers (= the large number of soldiers) secured them the victory. The course will have to be repeated owing to pressure of numbers (= too many students). staff/student numbers A plural verb is needed after a/an (large, small, etc.) number of… group of people
- 5[singular] (formal) a group or quantity of people one of our number (= one of us) The prime minister is elected by MPs from among their number. magazine
- 6[countable] (British English) the version of a magazine, etc. published on a particular day, in a particular month, etc. synonym issue the October number of 'Vogue' see also back number song/dance
- 7[countable] a song or dance, especially one of several in a performance They sang a slow romantic number. thing admired
- 8[singular] (informal) (following one or more adjectives) a thing, such as a dress or a car, that is admired She was wearing a black velvet number. grammar
- 9 [uncountable] the form of a word, showing whether one or more than one person or thing is being talked about The word 'men' is plural in number. The subject of a sentence and its verb must agree in number. See related entries: Grammar Word OriginMiddle English: from Old French nombre (noun), nombrer (verb), from Latin numerus.Extra examples Add all the numbers together, divide by ten, and take away the number you first thought of. Add all the numbers together, divide by ten, and then take away twelve. Anna counted the number of men standing around outside. Conference organizers put the number of attendees at around 500. Factories had increased in number between the wars. Houses on this side of the road have even numbers. I keep getting the wrong number. Many people have died in the epidemic—the precise number is not known. Many people think 13 is an unlucky number. Shark numbers have dwindled as a result of hunting. The Pentagon increased the number of troops in Iraq to about 145 000. The candidates received an equal number of votes. The decline in numbers of young people means that fewer teachers will be needed. The paintings, twelve in number, are over 200 years old. There are an infinite number of solutions to the problem. There were about 150 there, in round numbers. There's more to accountancy than just number crunching. There's more to an accountant's job than just number crunching. They exchanged numbers and agreed to go out for a drink one evening. We live at number 21. We've had a fair number of complaints about the new phone system. Wild dogs are now few in number. a record number of enquiries back numbers of the magazine high numbers of unemployed teachers the number of children who wear glasses the winning numbers in tonight's lottery 'So you owe me 28 dollars?' 'Make it 30, that's a good round number.' A number of people were late for the meeting. A number of problems have arisen. He dialled the number, then changed his mind and hung up. Huge numbers of animals have died. I could give you any number of reasons for not going. I'm sorry, I think you have the wrong number. Pick out all the odd numbers. Sheer weight of numbers secured them the victory. Student numbers are growing annually. That's quite a high number— think of a lower one. The back numbers of 'The Times' were kept in a basement. The classes will have to be repeated owing to pressure of numbers. Think of a number and multiply it by two We were eight in number. What is your social security number, please?Idioms
nounjump to other results
BrE BrE//ˈnʌmbə(r)//; NAmE NAmE//ˈnʌmbər//Communication devices, Making calls, Grammar
following a set of simple instructions identified by numbers painting by numbers
by numbersjump to other results
(North American English) following closely the accepted rules for doing something
by the numbersjump to other results
(British English) an easy job; a pleasant situation that other people would like It's all right for him—he's got a very cushy number.
a cushy numberjump to other results
(informal) to know what somebody is really like and what they plan to do He thinks he can fool me but I've got his number.
have (got) somebody's numberjump to other results
(informal) the time has come when you will die or lose everything
your number is upjump to other results
a way of considering an activity, etc. that is concerned only with the number of people doing something, things achieved, etc., not with who or what they are MPs were playing the numbers game as the crucial vote drew closer.
numbers gamejump to other results
(informal) a person who does the same job as you in another organization The Foreign Secretary is currently having talks with his opposite number in the White House.
your opposite numberjump to other results
(saying) being in a group makes you safer and makes you feel more confident
there's safety in numbersjump to other results
the combined power, strength or influence of a group They won the argument by sheer weight of numbers.
weight of numbersjump to other results
Check pronunciation: number


text:
Founded in 1962 in Santa Barbara, California, the hotel chain is synonymous with great travel value. The first hotel in Santa Barbara still carries the torch today, but a lot has changed for the motel chain that pioneered the first real economy motel designed for the no-frills traveller. The air-conditioned hotel has a lobby and Internet access.
The hotel is located in Arizona's original capital city, across from Yavapai Community College.
Basic room amenities include an en suite bathroom with a shower and bath, hairdryer, double bed, direct dial telephone, satellite/cable TV, radio and wireless Internet is available in select rooms for a nominal fee. Free coffee is served in the morning. The air conditioning and heating in all accommodation is individually regulated.
The hotel has an outdoor swimming pool.
Room Facilities:
Direct dial telephone
Satellite cable TV
Double bed
Individual airconditioned
Individual heating
Wheelchair accessible


text:
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By way of example, and not as a limitation, you shall not (and shall not permit any third party to) either (a) take any action or (b) upload, download, post, submit or otherwise distribute or facilitate distribution of any content on or through the Service, including without limitation any User Submission, that: (i) infringes any patent, trademark, trade secret, copyright, right of publicity or other right of any other person or entity or violates any law or contractual duty; (ii) you know is false, misleading, untruthful or inaccurate; (iii) is unlawful, threatening, abusive, harassing, defamatory, libelous, deceptive, fraudulent, invasive of another's privacy, tortious, obscene, offensive, or profane; (iv) constitutes unsolicited or unauthorized advertising or promotional material or any junk mail, spam or chain letters; (v) contains software viruses or any other computer codes, files, or programs that are designed or intended to disrupt, damage, limit or interfere with the proper function of any software, hardware, or telecommunications equipment or to damage or obtain unauthorized access to any system, data, password or other information of Company or any third party; or (vi) impersonates any person or entity, including any employee or representative of Company.
Additionally, you shall not: (i) take any action that imposes or may impose (as determined by Company in its sole discretion) an unreasonable or disproportionately large load on Company's (or its third party providers) infrastructure; (ii) interfere or attempt to interfere with the proper working of the Service or any activities conducted on the Service; (iii) bypass any measures Company may use to prevent or restrict access to the Service (or other accounts, computer systems or networks connected to the Service); (iv) run Maillist, Listserv, any form of auto-responder or "spam" on the Service; or (v) use manual or automated software, devices, or other processes to "crawl" or "spider" any page of the Site.
You shall not (directly or indirectly): (i) decipher, decompile, disassemble, reverse engineer or otherwise attempt to derive any source code or underlying ideas or algorithms of any part of the Service, except to the limited extent applicable laws specifically prohibit such restriction, (ii) modify, translate, or otherwise create derivative works of any part of the Service, or (iii) copy, rent, lease, distribute, or otherwise transfer any of the rights that you receive hereunder. You shall abide by all applicable local, state, national and international laws and regulations.
Company does not guarantee that any Content or User Submissions (as defined below) will be made available on the Site or through the Service. Company has no obligation to monitor the Site, Service, Content, or User Submissions. However, Company reserves the right to: (i) remove, edit or modify any Content in its sole discretion, including without limitation any User Submissions, from the Site or Service at any time, without notice to you and for any reason (including, but not limited to, upon receipt of claims or allegations from third parties or authorities relating to such Content or if Company is concerned that you may have violated the Terms of Use), or for no reason at all and (ii) remove or block any User Submissions from the Service.
You may browse the Site and view Content without registering, but as a condition to using certain aspects of the Service, you may be required to register with Company and select a password and screen name ("User ID"). You shall provide Company with accurate, complete, and updated registration information. Failure to do so shall constitute a breach of the Terms of Use, which may result in immediate termination of your Company account. You shall not (i) select or use as a User ID or domain a name of another person with the intent to impersonate that person; (ii) use as a User ID or
domain a name subject to any rights of a person other than you without appropriate authorization; or (iii) use as a User ID or domain a name that is otherwise offensive, vulgar or obscene. Company reserves the right to refuse registration of, or cancel a User ID and/or domain in its sole discretion. You are solely responsible for activity that occurs on your account and shall be responsible for maintaining the confidentiality of your Company password. You shall never use another user account without such other user' express permission. You will immediately notify Company in writing of any unauthorized use of your account, or other account-related security breach of which you are aware.
Fund-Raising and Commerce
Any contribution made on the Site is a donation to the Unreasonable Institute, a registered US 501(c)3 non-profit organization, and will be treated as such. In accordance with regulations of the United States Internal Revenue Service, all donations made to the Comapny are the full property of the Company and are not promised for the use of any specific project within or outside Company's operations.
Ventures ("Project" or "Projects") listed on the Site ("Listings") are raising money for the Company. You understand that making a contribution to a Project is charitable in nature and does not give you any rights in or to that Project or any profits ultimately derived from or related thereto, including without limitation any ownership, control, or distribution rights, or any rights commonly afforded to the owner of a security and that the Project shall be free to solicit other funding for the Project, enter into contracts for the Project, allocate rights in or to the Project, and otherwise direct the Project at their sole discretion. You further understand that nothing in this Agreement or otherwise limits Company's right to enter into agreements or business relationships relating to Projects. Any contribution made by you is irrevocable and you shall have no right to a return of your contribution in whole or in part. Refunds are at the sole discretion of the Company.
The Site is not offering, nor is it creating a platform for the exchange of, any security - including but not limited to, any note; stock; treasury stock; security future; bond; debenture; evidence of indebtedness; certificate of interest or participation in any profit-sharing agreement, collateral-trust certificate, preorganization certificate or subscription; transferable share; investment contract; voting- trust certificate; certificate of deposit for a security; fractional undivided interest in oil, gas, or other mineral rights; any put, call, straddle, option, or privilege on any security, certificate of deposit, or group or index of securities (including any interest therein or based on the value thereof); or any put, call, straddle, option, or privilege entered into on a national securities exchange relating to foreign currency, or, in general, any interest or instrument commonly known as a "security", or any certificate of interest or participation in, temporary or interim certificate for, receipt for, guarantee of, or warrant or right to subscribe to or purchase, any of the foregoing. The Company will not raise funds in any manner that would involve the offer of a sale of a "security" as defined by the Securities Act of 1933, as amended, or any State securities laws.
Company shall not be liable for your interactions with any organizations and/or individuals found on or through the Service. This includes, but is not limited to, delivery of goods and services, and any other terms, conditions, warranties or representations associated with listings on Company Service. Company does not oversee the performance or punctuality of Projects. Company is not responsible for any damage or loss incurred as a result of any such dealings. All dealings are solely between you and such organizations and/or individuals. Company is under no obligation to become involved in disputes between you and a Project, or between site members and any third party. In the event of a dispute, you release Company, its officers, employees, agents and successors in rights from claims, damages and demands of every kind, known or unknown, suspected or unsuspected, disclosed or undisclosed, arising out of or in any way related to such disputes and the Service.
Company makes no guarantees regarding the performance or fairness of WePay.com. Additionally, because of occasional failures of some credit cards, Company cannot guarantee the full receipt of the targeted amount.
Third Party Sites
The Service may permit you to link to other websites or resources on the Internet, and other websites or resources may contain links to the Site. When you access third party websites, you do so at your own risk. These other websites are not under Company's control, and you acknowledge that Company is not responsible or liable for the content, functions, accuracy, legality, appropriateness or any other aspect of such websites or resources. The inclusion of any such link does not imply endorsement by Company or any association with its operators. You further acknowledge and agree that Company shall not be responsible or liable, directly or indirectly, for any damage or loss caused or alleged to be caused by or in connection with the use of or reliance on any such Content, goods or services available on or through any such website or resource.
Content and License
You agree that the Service contains Content specifically provided by Company or its partners and that such Content is protected by copyrights, trademarks, service marks, patents, trade secrets or other proprietary rights and laws. You shall abide by and maintain all copyright notices, information, and restrictions contained in any Content accessed through the Service. Company grants each user of the Site and/or Service a worldwide, non-exclusive, non-sublicensable and non-transferable license to use and reproduce the Content, solely for personal, non-commercial use. Use, reproduction, modification, distribution or storage of any Content for other than personal, non-commercial use is expressly prohibited without prior written permission from Company, or from the copyright holder identified in such Content's copyright notice. You shall not sell, license, rent, or otherwise use or exploit any Content for commercial use or in any way that violates any third party right.
Third Party Intellectual Property and Copyright Notifications
Company respects the intellectual property of others, and Company asks its users to do the same. Company may, in appropriate circumstances and at its discretion, terminate the accounts of users who infringe the intellectual property rights of others. Company will remove infringing materials in accordance with the Digital Millennium Copyright Act if properly notified that content infringes copyright.
If you believe that your work has been copied in a way that constitutes copyright infringement, please provide Company's Copyright Agent (defined below) with a written notification containing at least the following information (please confirm these requirements with your legal counsel, or see Section 512(c) (3) of the U.S. Copyright Act, 17 U.S.C. §512(c)(3), for more information):
(i) an electronic or physical signature of the person authorized to act on behalf of the owner of the copyright interest; (ii) a description of the copyrighted work that you claim has been infringed; (iii) a description of where the material that you claim is infringing is located on the Site, sufficient for Company to locate the material; (iv) your address, telephone number, and email address; (v) a statement by you that you have a good faith belief that the disputed use is not authorized by the copyright owner, its agent, or the law; and (vi) a statement by you that the above information in your notice is accurate and, under penalty of perjury, that you are the copyright owner or authorized to act on the copyright owner's behalf.
If you believe that your work has been removed or disabled by mistake or misidentification, please provide the Company's Copyright Agent with a written counter-notification containing at least the following information (please confirm these requirements with your legal counsel or see Section 512(g) (3) of the U.S. Copyright Act, 17 U.S.C. §512(g)(3), for more information):
(i) a physical or electronic signature of the subscriber/user of the Services;
(ii) identification of the material that has been removed or to which access has been disabled and the location at which the material appeared before it was removed or access to it was disabled; (iii) a statement made under penalty of perjury that the subscriber has a good faith belief that the material was removed or disabled as a result of mistake or misidentification of the material to be removed or disabled; and (iv) the subscriber's name, address, telephone number, and a statement that the subscriber consents to the jurisdiction of the Federal District Court for the judicial district in which the address is located, or
if the subscriber's address is outside of the United States, for any judicial district in which the service provider may be found, and that the subscriber will accept service of process from the person who provided notification under subsection (c)(1)(C) of 17 U.S.C. 512 or an agent of such person.
You acknowledge that if you fail to comply with all of the aforementioned notice requirements, your notification or counter-notification may not be valid and that Company may ignore such incomplete or inaccurate notices without liability of any kind.
Under Section 512(f) of the Copyright Act, 17 U.S.C. §512(f), any person who knowingly materially misrepresents that material or activity is infringing or was removed or disabled by mistake or misidentification may be subject to liability.
Our designated copyright agent for notice of alleged copyright infringement is:
Cesar Gonzalez, 1877 Broadway, Suite 100, Boulder, CO 80302
Email: cesar @ unreasonableinstitute.org
Intellectual Property Rights, Projects
The Service provides you with the ability upload your content to the Site. Company will not have any ownership rights in your content; however, Company needs the following license to perform the Service. You hereby grant to Company the worldwide, non-exclusive, royalty-free, right to (and to allow others acting on its behalf to)
(i) use, host, display, and otherwise perform the Service on your behalf (e.g., use, host, stream, transmit, playback, transcode, copy, display, feature, market, sell, distribute and otherwise exploit ("Host") the content, along with all associated copyrightable works or metadata, including without limitation photographs, graphics, and descriptive text ("Artworks") in connection with the Service); (ii) (and to allow other users to) stream, transmit, playback, download, display, feature, distribute, collect, and otherwise use the content and Artworks; and (iii) use and publish, and to permit others to use and publish, the name(s), trademarks, likenesses, and personal and biographical materials of you and the members of your group, in connection with the provision of the Service.
You agree to pay all royalties and other amounts owed to any person or entity due to your submission of your content to the Service or the Company' Hosting of the content as contemplated by these Terms of Use.
To enable Company to Host your content pursuant to the above provisions, you hereby grant to Company the worldwide, non-exclusive, perpetual, royalty-free, sublicensable and transferable right to use, reproduce, copy, and display your trademarks, service marks, slogans, logos or similar proprietary rights (collectively, the "Trademarks") solely in connection with the Service.
Intellectual Property Rights, Users
The Service may provide users with the ability to add, create, upload, submit, distribute, collect, or post ("Submitting" or "Submission") content, videos, audio clips, written forum comments, data, text, photographs, software, scripts, graphics, or other information to the Site (collectively, the "User Submissions"). By Submitting User Submissions on the Site or otherwise through the Service, you:
(i) acknowledge that by Submitting any User Submission to the Site, you are publishing that User Submission publicly, and that you may be identified publicly by your User ID in association with any such User Submission; (ii) by Submitting any User Submissions through the Site or the Service, you hereby do and shall grant Company a worldwide, non-exclusive, perpetual, irevocable, royalty-free, fully paid, sublicensable and transferable license to use, edit, modify, reproduce, distribute, prepare derivative works of, display, perform, and otherwise fully exploit the User Submissions in connection with the Site, the Service and Company's (and its successors and assigns) business, including without limitation for promoting and redistributing part or all of the Site (and derivative works thereof) or the Service in any media formats and through any media channels (including, without limitation, third party websites). You also hereby do and shall grant each user of the Site and/or the Service a non-exclusive license to access your User Submissions through the Site and the Service, and to use, edit, modify, reproduce, distribute, prepare derivative works of, display and perform such User Submissions solely for personal, non-commercial use. For clarity, the foregoing license grant to Company does not affect your other ownership or license rights in your User Submission(s), including the right to grant additional licenses to the material in your User Submission(s), unless otherwise agreed in writing; (iii) represent and warrant, and can demonstrate to Company' full satisfaction upon request that you own or otherwise control all rights to all content in your User Submissions, or that the content in such User Submissions is in the public domain, you have full authority to act on behalf of any and all owners of any right, title or interest in and to any content in your User Submissions to use such content as contemplated by these Terms of Use and to grant the license rights set forth above, you have the permission to use the name and likeness of each identifiable individual person and to use such individual's identifying or personal information as contemplated by these Terms of Use; (iv) you are authorized to grant all of the aforementioned rights to the User Submissions to Company and all users of the Service; (v) you agree to pay all royalties and other amounts owed to any person or entity due to your Submission of any User Submissions to the Service; (vi)that the use or other exploitation of such User Submissions by Company and use or other exploitation by users of the Site and Service as contemplated by this Agreement will not infringe or violate the rights of any third party, including without limitation any privacy rights, publicity rights, copyrights, contract rights, or any other intellectual property or proprietary rights; and (vii)understand that Company shall have the right to delete, edit, modify, reformat, excerpt, or translate any materials, content or information submitted by you, that all information publicly posted or privately transmitted through the Site is the sole responsibility of the person from which such content originated and that Company will not be liable for any errors or omissions in any content, and that Company cannot guarantee the identity of any other users with whom you may interact in the course of using the Service.
Company cannot guarantee the authenticity of any data which users may provide about themselves. You acknowledge that all Content accessed by you using the Service is at your own risk and you will be solely responsible for any damage or loss to any party resulting therefrom.
Company may terminate your access to all or any part of the Service at any time, with or without cause, with or without notice, effective immediately, which may result in the forfeiture and destruction of all information associated with your membership. If you wish to terminate your account, you may do so by following the instructions on the Site. Any fees paid hereunder are non-refundable. All provisions of the Terms of Use which by their nature should survive termination shall survive termination, including, without limitation, ownership provisions, warranty disclaimers, indemnity and limitations of liability.
Warranty Disclaimer
Company has no special relationship with or fiduciary duty to you. You acknowledge that Company has no control over, and no duty to take any action regarding: (i) which users gains access to the Site; (ii) what Content you access via the Site; (iii) what effects the Content may have on you; (iv) how you may interpret or use the Content; or (v) what actions you may take as a result of having been exposed to the Content. You release Company from all liability for your having acquired or not acquired Content through the Site. The Site may contain, or direct you to websites containing, information that some people may find offensive or inappropriate. Company makes no representations concerning any Content contained in or accessed through the Site and Company will not be responsible or liable for the accuracy, copyright compliance, legality or decency of material contained in or accessed through the Site or the Service.
THE SERVICE IS PROVIDED "AS IS" AND "AS AVAILABLE" AND IS WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF TITLE, NON-INFRINGEMENT, MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE, AND ANY WARRANTIES IMPLIED BY ANY COURSE OF PERFORMANCE OR USAGE OF TRADE, ALL OF WHICH ARE EXPRESSLY DISCLAIMED. COMPANY, AND ITS DIRECTORS, EMPLOYEES, AGENTS, SUPPLIERS, PARTNERS AND CONTENT PROVIDERS DO NOT WARRANT THAT: (i) THE SERVICE WILL BE SECURE OR AVAILABLE AT ANY PARTICULAR TIME OR LOCATION; (ii) ANY DEFECTS OR ERRORS WILL BE CORRECTED; (iii) ANY CONTENT OR SOFTWARE AVAILABLE AT OR THROUGH THE SERVICE IS FREE OF VIRUSES OR OTHER HARMFUL COMPONENTS; OR (iv) THE RESULTS OF USING THE SERVICE WILL MEET YOUR REQUIREMENTS. YOUR USE OF THE SERVICE IS SOLELY AT YOUR OWN RISK. SOME STATES DO NOT ALLOW LIMITATIONS ON HOW LONG AN IMPLIED WARRANTY LASTS, SO THE ABOVE LIMITATIONS MAY NOT APPLY TO YOU.
Electronic Communications Privacy Act Notice (18 U.S.C. 2701-2712)
COMPANY MAKES NO GUARANTY OF CONFIDENTIALITY OR PRIVACY OF ANY COMMUNICATION OR INFORMATION TRANSMITTED ON THE SITE OR ANY WEBSITE LINKED TO THE SITE. Company will not be liable for the privacy of email addresses, registration and identification information, disk space, communications, confidential or trade-secret information, or any other Content stored on Company's equipment, transmitted over networks accessed by the Site, or otherwise connected with your use of the Service.
You shall defend, indemnify, and hold harmless Company, its affiliates and each of its, and its affiliates employees, contractors, directors, suppliers and representatives from all liabilities, claims, and expenses, including reasonable attorneys' fees, that arise from or relate to your use or misuse of, or access to, the Site, Service, Content or otherwise from your User Submissions, violation of the Terms of Use, or infringement by you, or any third party using your account, of any intellectual property or other right of any person or entity. Company reserves the right to assume the exclusive defense and control of any matter otherwise subject to indemnification by you, in which event you will assist and cooperate with Company in asserting any available defenses.
Limitation of Liability
IN NO EVENT SHALL COMPANY, NOR ITS DIRECTORS, EMPLOYEES, AGENTS, PARTNERS, SUPPLIERS OR CONTENT PROVIDERS, BE LIABLE UNDER CONTRACT, TORT, STRICT LIABILITY, NEGLIGENCE OR ANY OTHER LEGAL OR EQUITABLE THEORY WITH RESPECT TO THE SERVICE FOR:(i) ANY LOST PROFITS, DATA LOSS, COST OF PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES, OR SPECIAL, INDIRECT, INCIDENTAL, PUNITIVE, OR CONSEQUENTIAL DAMAGES OF ANY KIND WHATSOEVER, SUBSTITUTE GOODS OR SERVICES (HOWEVER ARISING), (ii) FOR ANY BUGS, VIRUSES, TROJAN HORSES, OR THE LIKE (REGARDLESS OF THE SOURCE OF ORIGINATION), OR (iii) FOR ANY DIRECT DAMAGES IN EXCESS OF (IN THE AGGREGATE) ONE- HUNDRED U.S. DOLLARS ($100.00). SOME STATES DO NOT ALLOW THE EXCLUSION OR LIMITATION OF INCIDENTAL OR CONSEQUENTIAL DAMAGES, SO THE ABOVE LIMITATIONS AND EXCLUSIONS MAY NOT APPLY TO YOU.
Accessing the Service is prohibited from territories where such Content is illegal. If you access the Service from other locations, you do so at your own initiative and are responsible for compliance with local laws.
Electronic Delivery/Notice Policy and Your Consent
By using the Services, you consent to receive from Company all communications, including notices, agreements, legally required disclosures or other information in connection with the Services (collectively, "Contract Notices") electronically. Company may provide such electronic Contract Notices by posting them on the Company Site. If you desire to withdraw your consent to receive Contract Notices electronically, you must discontinue your use of the Company Site and Services.
Tax and Legal Compliance
In addition to this Agreement, you must familiarize yourself with, and comply with the policies, domestic laws (including common law), state legislation, international laws, statutes, ordinances and regulations regarding your use of the Service including listing and supporting Projects. In particular, you must ensure that your activities, Projects you list, and the balance of your information do not violate any relevant country-based fair trading legislation. Notwithstanding successful conclusion of a transaction, you must ensure strict compliance with any particular formalities which, if not complied with, will either render a transaction void or unlawful.
Projects must ensure that they comply with all applicable laws in the United States and all other countries. Projects must also ensure that they strictly comply with this agreement and the policies which form part of the agreement.
Governing Law
These Terms of Use (and any further rules, policies or guidelines incorporated by reference herein) shall be governed by and construed in accordance with the laws of the State of Colorado, without giving effect to any principles of conflicts of law, and without application of the Uniform Computer Information Transaction Act or the United Nations Convention of Controls for International Sale of Goods. You agree that the company (and all Services) is deemed a passive website that does not give rise to personal jurisdiction over Company or its respective parents, subsidiaries, affiliates, successors, assigns, employees, agents, directors, officers or shareholders, either specific or general, in any jurisdiction other than the State of Colorado. You agree that any action at law or in equity arising out of or relating to these terms, or your use or non-use of the Services, shall be filed only in the state or federal courts located in the State of Vermont and you hereby consent and submit to the personal jurisdiction of such courts for the purposes of litigating any such action. You hereby irrevocably waive any right you may have to trial by jury in any such dispute, action or proceeding.
Integration and Severability
The Terms of Use are the entire agreement between you and Company with respect to the Service and use of the Site, and supersede all prior or contemporaneous communications and proposals (whether oral, written or electronic) between you and Company with respect to the Site. If any provision of the Terms of Use is found to be unenforceable or invalid, that provision will be limited or eliminated to the minimum extent necessary so that the Terms of Use will otherwise remain in full force and effect and enforceable. The failure of either party to exercise in any respect any right provided for herein shall not be deemed a waiver of any further rights hereunder.
Company shall not be liable for any failure to perform its obligations hereunder where such failure results from any cause beyond Company's reasonable control, including, without limitation, mechanical, electronic or communications failure or degradation (including "line-noise" interference). The Terms of Use are personal to you, and are not assignable, transferable or sublicensable by you except with Company's prior written consent. Company may assign, transfer or delegate any of its rights and obligations hereunder without consent. No agency, partnership, joint venture, or employment relationship is created as a result of the Terms of Use and neither party has any authority of any kind to bind the other in any respect. In any action or proceeding to enforce rights under the Terms of Use, the prevailing party will be entitled to recover costs and attorneys' fees. All notices under the Terms of Use will be in writing and will be deemed to have been duly given when received, if personally delivered or sent by certified or registered mail, return receipt requested; when receipt is electronically confirmed, if transmitted by facsimile or e-mail; or the day after it is sent, if sent for next day delivery by recognized overnight delivery service.


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I have launched a new site that is focused on the radio show that I do weekly on WCR FM in Warminster Wiltshire on a Wednesday evening. The show is called Panic radio and below is a link to the site and also a link to the Mixcloud account that carries some of the shows. The one below is the third anniversary cover version special.
Panic Radio
Wednesday, May 17, 2017
Friday, February 10, 2017
Prince Panic Radio Tribute
My Radio show tribute to Prince. Two hours of Prince originals, b-sides, remixes and cover versions. I hope you enjoy it.
Track listing for the show
- Lets Go Crazy
- Anotherloverholenyohead
- Guitar
- She's Always In My Hair
- Mavis Staples - Time Waits For No One
- Purple Dub - Take Me With You
- Chaka Kahn - I Feel For You
- Star Fish and Coffee
- Sign O The Times
- Colonized Mind
- Balltimore
- Raspberry Beret
- Kiss 12" Mix
- You Got The Look
- The Time - Jerk It Out
- Gett Off (club mix)
- Controversy
- Musicology
- The Family - High Fashion
- Seven (acoustic version)
- Supercute
- When Doves Cry
- The Cross
- A Case of You (Joni Mitchell cover)
- Sometimes in Snows In April
Panic Radio is live on Warminster Community Radio on Wednesday evening 9pm to 11pm. If you have music you would like me to consider then please email (tony.h at wcrfm.org.uk).
The WCR Website is here - http://www.wcrfm.org.uk/
Wednesday, December 14, 2016
Albums of Year 2016
Top 20 LPS 2016 Panic Radio - Highway Five
1. Ed Scissor and Lamplighter – Tell Them It's Winter
2. Kate Tempest – Let Them Eat Chaos
3. Towel – Wipe Me Dry
4. Serpentwithfeet – Blisters
5. Giaka – Security
6. Daughter – Not Too Disappear
7. Yussef Kamaal - Black Focus
8. Moor Mother – Fetish Bones
9. Ash Koosha – I AKA I
10. Nick Cave and The Bad Seeds – Skeleton Tree
11. Lucy Dacus – No Burden
12. Higher Authorities - Neptune
13. Karl Blau – Introducing Karl Blau
14. Beans on Toast – A Spanner in The Works
15. Richmond Fontaine – You Can't Go Back If There's Nothing To Go Back To
16. Jah9 – 9
17. Olga Bell – Tempo
18. Car Seat Headrest – Teens of Denial
19. David Bowie- Black Star
20. Cavern of Anti-Matter - Void Beats / Invocation Trex
1. Ed Scissor and Lamplighter – Tell Them It's Winter
2. Kate Tempest – Let Them Eat Chaos
3. Towel – Wipe Me Dry
4. Serpentwithfeet – Blisters
5. Giaka – Security
6. Daughter – Not Too Disappear
7. Yussef Kamaal - Black Focus
8. Moor Mother – Fetish Bones
9. Ash Koosha – I AKA I
10. Nick Cave and The Bad Seeds – Skeleton Tree
11. Lucy Dacus – No Burden
12. Higher Authorities - Neptune
13. Karl Blau – Introducing Karl Blau
14. Beans on Toast – A Spanner in The Works
15. Richmond Fontaine – You Can't Go Back If There's Nothing To Go Back To
16. Jah9 – 9
17. Olga Bell – Tempo
18. Car Seat Headrest – Teens of Denial
19. David Bowie- Black Star
20. Cavern of Anti-Matter - Void Beats / Invocation Trex
Monday, December 07, 2015
Top 20 LPs 2015 - Panic Radio List
1. Jason Isbell – Something More Than Free
The new king of alt.country? Former Drive By Trucker releases a LP that is full of great songs that much like the Courtney Barnett record spins the mundane into pure song writing gold. An emotional record that wears its hard won smarts front and centre. A joy to listen to.
2. King Midas Sound/Fennesz – Edition 1
Dread and Jah, bass heavy KMS working with Austrian electronic artist Fennesz is a musical marriage made in some sort of smoke filled heaven. Like Massive Attack drowning in claustrophobic reverb and dub. Eerie, grainy, creeping and infectious.
3. Courtney Barnett – Sometimes I Sit and Think Sometimes I Just Sit
Debut LP proper from Courtney Barnett after a series of great EPs. The ability to turn snapshots of the mundane (buying a house, the daily commute, driving) into a series of little musical epiphanies is amazing.
4. Roots Manuva – Bleeds
The return of Roots Manuva. UK hip-hip/grime with the advantage of hard won experience, doubt, fear, religious rebirth not the usual subjects for grime. Dark, bruised and wonderful.
5. Jam City –Dream A Garden
A cross pollination of club music signifiers and mid 80s dream pop indie. Like a dubbed out Cocteau Twins. A rain streaked faded Polaroid of effected guitars, beats, floating vocals and a deep rooted sense of ennui.
6. Darkstar – Foam Island
A huge shift for Darkstar from retro synth pop of their early releases to austerity electronica. The sound of social contract collapsing via interviews and electronic soundscapes. Calypso beats, dub, soft focus electronica. Protest music of a different hue.
7. Torres –Sprinter
New York born living in Nashville her second LP with shades of early PJ Harvey (it's produced by Rob Ellis). Despair, rage, loss. Brutally honest and hook heavy. From a whisper to a scream.
8. Holly Herndon – Platform
Dense modern laptop electronica. The sound of modern technology, dance floor moves, digital sludge, post modernism and a haunting vocals. The sound of the Future?
9. JLin – Black Ballet
A do love a bit of Footwork but most of that comes in single sized chunks. Jlin takes those frantic machine rhythms of footwork and she bends them into new shapes. Dam funky.
10. Jenny Hval - Apocalypse Girl
Feminism, melody, electronics, noise, American cultural imperialism, gender politics. That makes it sound really dry but its rude, explicit, funny, quite "pop" and very catchy.
11. Sherwood and Pinch – Late Night Endless
Old School dub master meets new school electronica. A beast of a record full of BASS, reverb and big dry echoes. Much more than the sum of its talented parts.
12. Grasscut – Everyone Was A Bird
More organic less electronic than the first two LPs but still a delight. Fan submitted spoken word piece, nature based lyrical themes and soaring strings.
13. Public Service Broadcasting – The Race for Space
Working with the British Film Institute PSB splice film and news clips with post rock and electronic backing. Funkier than it sounds on paper.
14. Lonelady – Hinterland
This is like a lost factory record release. Shades of ACR, Section 25, and early New Order. Fragile guitar melodies, industrial murk, Brit funk but a modern twist in the production.
15. Sleater-Kinney – No Cities to Love
Fantastic return after 10 years away. Snaps, snarls, the guitars bite yet it is joyful at the same time. Knocks the New Order and Prodigy come backs out of ring with a series of beautiful jabs.
16. The Unthanks – Mount The Air
Folk detour that was started when I picked up a copy of the first Unthanks LP second hand. A lovely mixture of dark folk themes and solid gold harmonies and melodies.
17. The Band of Holy Joy – The Land of Holy Joy
One of my favourite bands of the late 1980s this is their 19th LP! Johnny Brown is a lyricist with a sharp eye for detail. Bittersweet stories of those living on the fringes of society set to a romantic spring laden ramshackle indie racket.
18. Floating Points – Elaenia
Late period Talk Talk refracted through an electronic and post rock prism without the god fearing lyrics. Might be higher up the list if I had longer to listen to it.
19. Romare – Projections
Smoky vocal samples, African drums, garage, house, jump cuts. A lovely collage of various dance forms into a fun, funky and clever record.
20. Bill Ryder Jones – West Kirby County Primary
Former member of the Coral and Artic Monkeys tour guitarist BRJ's solo LP is a bleak and beauty collection mainly recorded at home. Strong songs with clever little lyric touches, a fragile voice and a sense of loss. One to get lost in.
Monday, March 31, 2014
New Order - Drop the Guitar Live in Chile 2014
New Order have previewed their first new track since 2005's Waiting for the Siren's Call. Played live in Chile as part of Lollapalooza Chile on the 30th March 2014. The song is the first new material since Peter Hook left the band. Although Hooky is no longer a member the song has the familiar bass rumble, a spidery guitar part that is very mid period (circa 1985) New Order and a Barney vocal that is prime New Order. It sounds more like New Order than the recent Bad Luienent stuff although the only difference live is Stephen Morris. Sound like a return to form to my ears.
More information here:
Fact Magazine - http://www.factmag.com/2014/03/31/new-order-unveil-first-new-song-in-nine-years-listen-here/
Slicing Up Eyeballs - http://www.slicingupeyeballs.com/2014/03/31/new-order-new-song-drop-the-guitar-santiago-video/
Consequence of Sound - http://consequenceofsound.net/2014/03/watch-new-order-debuts-drop-the-guitar-their-first-new-song-in-nine-years/
The Redemption of Martin Hannett - Book and DVD Release
The genius of Martin Hannett (Joy Division, New Order, U2 and Happy Mondays producer) is too be celebrated with a new book and DVD film both released in April.
Hannett's story,he died of a heart attack in back in 1991 aged only 42, has gone mainly unrecorded despite the wealth of material produced on Factory Records.
Cerysmatic Factory who have seen the DVD outline it below:
featuring contributions from Tony Wilson Vini Reilly, Bruce Mitchell, Peter Hook, Bernard Sumner, Tosh Ryan, Steve Hopkins (Invisible Girls), Mark Radcliffe, Dave Formula, Reni and Andy Couzens (Stone Roses) plus many othera.
This is no flash expensive BBC documentary, it's a gritty warts 'n' all tale of experimentation, laid bare with the minimum of trickery and a host of wide-eyed observers...."
You can order directly from here:
This is great interview between Tony Wilson & Martin Hannett. .
The song being "produced" is Pauline Murray and the Invisible Girls - The Visitor have a listen below. Listen to the snare drum!
There is also a sample from the video in the first two tracks from The Durutti Column's A Paean To Wilson.
Tuesday, March 25, 2014
Wildest Woes - Sam Radcliff
This great little EP popped into my inbox a few weeks ago and I have been returning to for repeat listens. It was recorded in a bedroom in Berlin by Sam Radcliff and has shades of few cool things in its grainy mix.
The opening track reminds of James Blake and the club sounds of East India Youth. The title track Wildest Woes ripples like a lo-fi The XX and crackles like a male fronted Young Marble Giants. The whole EP is worth a listen and a few of your £'s to download. Hopefully someone will pick up the EP and give it a big promo push as it deserves to be heard by a bigger audience. One to listen out for in the future.
I can't get the player from Bandcamp to imbed so I will come back to it later if I have time.
Widest Woes EP - Sam Radcliff
Thursday, March 20, 2014
Actress - Welcome to the Headspace
There is a wonderful interview in the March edition of Wire Magazine with Actress (aka - Darren Cummingham ). It covers a fair amount of ground looking at his background in Wolverhampton, his promise as a football player that got cut short by injury and his move to London. Cunningham comes across as rather otherworldly, living in a kind of altered urban reality. He has interesting things to say on the nature of reality, space, music, how music can heal and attempting to get the sounds in his head out in musical form.
Under the Actress moniker he has released 4 LPs, Hazyville (2008), Splazsh (2010), RIP(2012) and his latest release Ghettoville (2014) on Ninja Tunes. Imagine the fractured musical sound of Burial refracted through a hazy mesh of broken speakers, weed smoke, field recordings and relentless rain. It sounds like the film Se7en looks, a noirish combination of grimey undercurrents and forward motion.
There is a small glimpse into the music making process for Actress and the analogue equipment, field recordings and overloading of circuits that are crucial to the weird, warped sound world that features on the Actress releases.
Below is an Actress track Grey Over Blue from his Ninja Tune 12" that outlines the kind of dislocated sonic ground that his LPs traverse. I would recommend buying the LPs and losing yourself in the blurred South London via Wolverhampton head space of Darren Cunningham.
Quietus Interview - http://thequietus.com/articles/14423-actress-interview-ghettoville
Electronic Beats Interview -http://www.electronicbeats.net/en/features/interviews/an-interview-with-actress/
Friday, February 28, 2014
Belgian Fog - Loveless Way
Belgian Fog is the musical alias of Robert Dale from Washington State and he works at KEXP in Seattle and has produced a sparkling gem of a track. The songs is propelled along a strident bright programmed rhythm box, a cute melody line and a great vocal that sweeps from a mellow croon to a soaring falsetto. There are shades of New Order in he guitar coda towards the end and it also reminds me of the more synth driven work of Stephin Merritt's work on those early Magentic Fields releases. That's not to say that the track sounds overtly retro it doesn't, the production, the beats the whole feel is fresh. It strikes me as hybrid of The Weeknd's warped R&B and the confessional indie of Bon Iver or Bright Eyes with some added Hot Chip. It has already worked its way to my head and hopefully there will more music in the near future.
Thursday, February 27, 2014
Postcode – Zebratronic (Small Bear Records) Review
One of the main joys of the internet for me is the ability to stumble across new music and then get directly to the source via few clicks of a mouse. I love Soundcloud and Bandcamp for allowing you to listen to tracks and purchase directly (or almost directly) from the band of artist.
My latest discovery (via an email) are Postcode. Postcode are based in the Isle Man, not a renowned hot bed of musical activity. I have a friend who grew up there in the 1980s and at the time it all seems to have been all heavy metal, motorbikes and the odd gig by Dumpys Rusty Nuts. It's came as a pleasant surprise that Postcode are not metal and they don't mention motorbikes! Zebratronic is the third LP from the band.
On Zebratronic the band (Mike Daugherty music and Marie Reynolds words and vocals) blend fizzing synth lines, brittle drums, warm distortion and plaintive vocals into a heady and beguiling mix. It reminds me of dark pop hues of Garbage, the stark melodic intent of Client or the bruised electronic goth of Curve.
On Zebratronic the band (Mike Daugherty music and Marie Reynolds words and vocals) blend fizzing synth lines, brittle drums, warm distortion and plaintive vocals into a heady and beguiling mix. It reminds me of dark pop hues of Garbage, the stark melodic intent of Client or the bruised electronic goth of Curve.
The opening track "Back by Dawn" starts with a brooding Joy Division bassline and a crisp rattling machine drum loop before Marie Reynolds vocals become the perfect foil for the music, uncoiling slowly before the blizzard of guitars kick in around 2:20. Dodge City is an amphetamine rush of overloaded guitars and drowning vocals, Pound is built around a punch drunk drum pattern, snappy bass & guitar hook and razor blade guitars. The epic Resurrection clocks in at 7:18 and shifts through the sonic gears from its jangling guitar intro, via a sprightly snare roll hook to blasts of guitar sludge and distorted vocals and an ebbing slow burning ambient bridge before the sonic onslaught returns. Autumn is a real gem, a twinkling music box melody bouncing on top of circling chord sequence, swirling sweet caramel multi-tracked vocals and a sly infection rhythm box. Imagine early New Order fronted by Romy Madley Croft and you get the idea. It would make a great single.There is an extra track on the CD a great cover version but I will let you discover the pleasures of that yourself.
The CD is released via Small Bear Records label and you can order it directly via their Bandcamp website. Mine came with a free copy of a Small Bear compilation, free badge and a post it note from the band. The CDs are very well packaged with great quality artwork and finishing. My daughter loved the cover of the Zebratronic CD. At a £5.00 it really is a steal. All this great music for less than the price of a decent cup of coffee and a muffin.
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New Years Cruise
Sail Date: December 28, 2015
Reviewed: 1 year ago
Traveled As: Couple
Room Type: Balcony
An amazing adventure/cruise that was fun, exciting and basically just what we needed. As a first time "cruiser" we were amazed at all the activities and food choices available and yet if you wanted to simply relax plenty of that too. Couple of things that enhanced our trip experience - we paid for the faster to fun and it paid off tremendously in getting on, getting off and ensuring our luggage was in the room and there when we got off (best money spent). There were so many excursions to choose from it was hard to choose just two but they were both excellent. The NEW YEARS party was just what we were looking for and there was entertainment for everybody to enjoy no matter what your taste
Category Ratings
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|Cabin / Stateroom
|Embarkation and Disembarkation
|Ship Quality
|Destinations and Excursions
|Onboard Activities
|Children's Programs
|Service and Staff
|Food and Dining
Port Ratings
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Target: Colorado Governor John Hickenlooper
Goal: Stop the establishment of unregulated marijuana clubs in Colorado until legislation on regulation is approved.
Since Colorado voted to legalize marijuana for recreational use in November, two marijuana clubs have opened offering people a place to enjoy their marijuana. Without any regulation from state officials, these clubs are challenging the federal government to intervene, and neglecting the responsibility to implement the landmark amendment thoughtfully. Please sign this petition and urge Governor Hickenlooper to close and stop the establishment of marijuana clubs that threaten recreational marijuana use in Colorado.
Amendment 64 allows anyone over the age of 21 to recreationally use marijuana in private in the state of Colorado. Less than a month after the amendment was approved, two marijuana clubs have opened offering people a private but social environment to use marijuana. Businesses are not yet able to sell marijuana, so the clubs offer a place for people to bring their own marijuana for use amongst friends and fellow enthusiasts. Unlike Colorado's medical marijuana establishments, the marijuana clubs are operating under zero regulation or instruction from state officials.
Marijuana supporters are fearful that these establishments will challenge the federal government with their in-your-face approach to using marijuana. Colorado's medical marijuana industry implements and upholds the highest state regulations and is considered a success because of the necessary adherence to state laws. Unlike California, which does not operate under similar regulation, Colorado is proud to have avoided the wrath of federal intervention experienced in California. It is Colorado's responsibility as one of the first to approve recreational marijuana use to regulate it in a way that protects marijuana users, the community, and the reputation of the state.
It is mandatory for Colorado to respect the federal government's ability to trump state law and stop recreational marijuana use despite the vote. Colorado's implementation of amendment 64 can either serve as a "how to" or a "how not to" as other states await their chance at recreational marijuana use. It is pivotal that unregulated marijuana clubs be closed until further examination and concrete regulation can be implemented.
Dear Governor Hickenlooper,
With the passage of amendment 64 comes a great responsibility not only to the Colorado community, but to other states enacting similar laws. The Colorado medical marijuana industry is one of the highest regulated industries and has been copied and silently approved by the federal government. The recent emergence of two unregulated marijuana clubs challenge Colorado's responsible implementation of recreational marijuana use. Please close these marijuana clubs and restrict similar businesses from opening until legislation is approved to regulate their practices.
Although the marijuana clubs do not sell marijuana, they allow marijuana enthusiasts over 21 years to enjoy marijuana in a private and social environment. Patrons bring their own marijuana to be enjoyed by themselves and friends in club-like settings. While the clubs are not breaking any laws, they are challenging the recent approval of recreational use in Colorado. Without regulation, how can we know the clubs aren't admitting patrons under 21 years of age? Are patrons carrying more than the one ounce allowance? Was all of the marijuana grown by each individual patron? If so, where did they get the seeds or immature plants, which are illegal to purchase without a medical marijuana license? Are patrons leaving the clubs safe to drive?
These questions and many more need to be answered with regulation to prevent the amendment from becoming a joke that necessitates federal intervention. The Colorado medical marijuana industry is success due to the intense regulation implemented. In order for recreational use to also be a success, it is necessary to think before we act.
Please shut down and stop marijuana clubs from opening their doors without regulation from Colorado state officials.
[Your Name Here]
Photo Credit: thefix via Yahoo


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I visited my first tanning salon at age 16. In high school I was a cheerleader, and I felt that being tan for games made me look skinnier in my uniform. My friend's mom owned a tanning salon and always gave us a discount to tan. I even got a job working at a tanning salon for a couple of years.
Looking at the most recent cancer data released by the New York State Cancer Registry and the CDC's National Program of Cancer Registries (2006-10), it appears that some counties in the Western New York area have higher-than-average breast cancer incidence rates when
As we approach the fall harvest traditions and holidays like Halloween and Thanksgiving, we thought we'd offer up a fun, delicious way to get a boost of vitamin A in a tasty, cool and refreshing treat: a pumpkin banana smoothie.
Very soon, our local farmers' markets will be switching out their seasonal offerings.
As an Associate Professor of Oncology in Roswell Park's Department of Health Behavior, my work focuses on the interaction that smokers and other tobacco users have with the products they purchase.
At Roswell Park, my colleagues and I now perform over 90% of lung cancer surgeries with minimally invasive surgical techniques.
Here at the Center for Personalized Medicine at Roswell Park, we have recently been working to identify any genetic abnormalities in bladder cancer tha
Watermelon is a great food to include in your summer meals. In addition to being a fat-free and salt-free refreshing fruit, it is a great source of Potassium, Vitamin A, Vitamin C, and Lycopene.
Over the last four years, Roswell Park Cancer Institute has conducted workshops in Nigeria on an ongoing basis to share our knowledge, resources and skills with patients and doctors in less privileged countries.


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Fact Sheets
Sexual Transmissible Infections (STIs) increase the risk of HIV. A list of fact sheets can be found from the drop down menu above.
For information about less commonly diagnosed STIs such as Lymphogranuloma Venereum (LGV), Scabies, Crabs, and more, check out The Drama Down Under.
Trans men who have sex with men can find some awesome information through Australia's GRUNT campaign and from Canada's Primed 2 which may cover some sexual health concerns more specific for guys with a fronthole/vagina.


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the British government department responsible for health in England, and for some aspects of health care in the rest of the United Kingdom. The governments of Scotland, Wales and Northern Ireland are largely responsible for health policy in their own areas. The main duty of the department is to manage the National Health Service, and it is also in charge of social services to old people, children, the mentally ill and others in need, though decisions on spending in these areas are made by local authorities.jump to other results
the Department of Health
BrE ; NAmE(abbreviation DH)
Check pronunciation: the Department of Health


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Gastro-intestinal helminths of donkeys in Burkina Faso
Original Investigations
- Accepted:
- Cite this article as:
- Vercruysse, J., Harris, E.A., Kaboret, Y.Y. et al. Z. Parasitenkd. (1986) 72: 821. doi:10.1007/BF00925102
- Citations
- 58 Downloads
Thirty adult donkeys from Burkina Faso were necropsied and their gastro-intestinal worm burdens counted and determined. The strongylids were the most abundant species with a prevalence of 100% forStrongylus vulgaris. Four species ofStrongylus, two ofTriodontophorus and six of the Cyathostominae were recovered. All of the animals were also infested with habronematid nematodes, but oxyurid and ascaridid nematodes were found in low numbers. In addition to the nematodes, the paramphistomid trematodeGastrodiscus aegyptiacus and the anoplocephalid cestodeAnoplocephala magna occurred in varying numbers. Faecal egg-counts from 131 donkeys ranged between 100 and 9,200 for strongylid eggs.
Copyright information
© Springer-Verlag 1986


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Police say 63-year-old Barbara Allen of Genesee was on Andrew Settlement Road in Potter County Wednesday morning when her dog got sick and started vomiting in the car. She got distracted, the car went out of control, went off the road, hit a culvert and flipped onto the passenger side.
After being freed from the car, Allen was taken by ambulance to Charles Cole Memorial Hospital for treatment of moderate injuries.


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The Milo chair by Simon Pengellyhas a dual personality; a clear,structured form with sharp, clean lines in one guise and a softer, much more relaxed, unstructured identity. A padded, removable cover with gathered detailing and contrasting zip transforms Milo from a precise, tight, moulded foam chair into a cosier, more domestic piece. With solid oak legs or a powder coated swivel base, Milo comes with or without arms in both the structured and soft version offering the perfect combination for every role.
Product card (PDF)
I started making furniture in my father's workshop when I was eight, going on to win national competitions for cabinet making. The practical experience and an affinity with materials and processes, gained from an early age, are central to my design work and service.
Understanding materials and manufacturing techniques is fundamental to my approach, combined with a passionate desire to create accessible production furniture with 'soul'. Understanding manufacturing culture and possessing knowledge of these companies markets is the only way to effectively work with manufacturers.
The finishes shown are our standard finishes, if you wish to specify any finish other than these options please contact us to discuss your requirements. Please note that colours are for reference only and will vary from screen to screen.
We offer a wide range of contract fabrics and leathers from a selection of manufacturers:
Gabriel - www.gabriel.dk
Bute - www.butefabrics.com
Vescom - www.vescom.com
Kvadrat - www.kvadrat.dk
Camira Fabrics - www.camirafabrics.com
Sorensen - www.sorensenleather.com
Spectrum Contract Vinyls -www.spectrumvinyls.co.uk
We are also happy to upholster in your own fabric or leather (COM).


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Energy & Green Renewable Technology Market News
Report explores the DC-DC converter market 2016 global and Chinese industry trends, production, sales, demand, supply, analysis & forecast to 2021
- Details
- WhaTech Channel: Energy Market Research
- Submitted by RNR Market Research.
- News from ReportsnReports - Industry Trends & Forecasts
- Viewed: 5 times
Global and Chinese DC-DC Converter Industry, 2016 Market Research Report provides key statistics on the market status of the DC-DC Converter manufacturers and is a valuable source of guidance and direction for companies. The report also contains Trends, Analysis and Development of DC-DC Converter Manufacturing Technology.
The Global and Chinese DC-DC Converter Market 2016 Research Report is a professional and in-depth study on the current state of the DC-DC Converter industry. Firstly, the report provides a basic overview of the industry including definitions, classifications, applications and industry chain structure.
The DC-DC Converter market analysis is provided for the international market including development history, competitive landscape analysis, and major regions' development status. Secondly, this report states import/export, supply and consumption figures as well as cost, price, revenue and gross margin by regions (United States, EU, China and Japan), and other regions can be added.
- Agency -.
Inquire on this Report @ www.reportsnreports.com/contacts/inquirybeforebuy.aspx?name=731817.
What's more, the DC-DC Converter industry development trends and marketing channels are analyzed. Finally, the feasibility of new investment projects is assessed, and overall research conclusions are offered.
In a word, the report provides major statistics on the state of the industry and is a valuable source of guidance and direction for companies and individuals interested in the market.
Table of Contents
Chapter One Introduction of DC-DC Converter Industry
1.1 Brief Introduction of DC-DC Converter
1.2 Development of DC-DC Converter Industry
1.3 Status of DC-DC Converter Industry
Chapter Two Manufacturing Technology of DC-DC Converter
2.1 Development of DC-DC Converter Manufacturing Technology
2.2 Analysis of DC-DC Converter Manufacturing Technology
2.3 Trends of DC-DC Converter Manufacturing Technology
Access a Copy of Report @ www.reportsnreports.com/purchase.aspx?name=731817
Chapter Three Analysis of Global Key Manufacturers
3.1 Company Profile
3.2 Product Information
3.3 Contact Information
Chapter Four 2011-2016 Global and Chinese Market of DC-DC Converter
4.1 2011-2016 Global Capacity, Production and Production Value of DC-DC Converter Industry
4.2 2011-2016 Global Cost and Profit of DC-DC Converter Industry
4.3 Market Comparison of Global and Chinese DC-DC Converter Industry
4.4 2011-2016 Global and Chinese Supply and Consumption of DC-DC Converter
4.5 2011-2016 Chinese Import and Export of DC-DC Converter
Chapter Five Market Status of DC-DC Converter Industry
5.1 Market Competition of DC-DC Converter Industry by Company
5.2 Market Competition of DC-DC Converter Industry by Country (USA, EU, Japan, Chinese.)
5.3 Market Analysis of DC-DC Converter Consumption by Application/Type
Chapter Six 2016-2021 Market Forecast of Global and Chinese DC-DC Converter Industry
6.1 2016-2021 Global and Chinese Capacity, Production, and Production Value of DC-DC Converter
6.2 2016-2021 DC-DC Converter Industry Cost and Profit Estimation
6.3 2016-2021 Global and Chinese Market Share of DC-DC Converter
6.4 2016-2021 Global and Chinese Supply and Consumption of DC-DC Converter
6.5 2016-2021 Chinese Import and Export of DC-DC Converter
Chapter Seven Analysis of DC-DC Converter Industry Chain
7.1 Industry Chain Structure
7.2 Upstream Raw Materials
7.3 Downstream Industry
Chapter Eight Global and Chinese Economic Impact on DC-DC Converter Industry
8.1 Global and Chinese Macroeconomic Environment Analysis
8.1.1 Global Macroeconomic Analysis
8.1.2 Chinese Macroeconomic Analysis
8.2 Global and Chinese Macroeconomic Environment Development Trend
8.2.1 Global Macroeconomic Outlook
8.2.2 Chinese Macroeconomic Outlook
8.3 Effects to DC-DC Converter Industry
Chapter Nine Market Dynamics of DC-DC Converter Industry
9.1 DC-DC Converter Industry News
9.2 DC-DC Converter Industry Development Challenges
9.3 DC-DC Converter Industry Development Opportunities
Chapter Ten Proposals for New Project
10.1 Market Entry Strategies
10.2 Countermeasures of Economic Impact
10.3 Marketing Channels
10.4 Feasibility Studies of New Project Investment
Chapter Eleven Research Conclusions of Global and Chinese DC-DC Converter Industry
Complete TOC Available @ www.reportsnreports.com/reports/731817-global-and-chinese-dc-dc-converter-industry-2016-market-research-report.html.
List of Tables and Figures
Figure DC-DC Converter Product Picture
Table Development of DC-DC Converter Manufacturing Technology
Figure Manufacturing Process of DC-DC Converter
Table Trends of DC-DC Converter Manufacturing Technology
And more.
For more information:


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Albert Einstein Medical Center, Philadelphia, PA
Arterial and venous thrombosis may share common pathophysiology based on inflammatory mediators and platelet activation. Antiplatelet therapy demonstrated efficacy in atherosclerosis, but in venous thromboembolism (VTE) is still debatable. The objective of this study is to investigate the association between the use of antiplatelet therapy in patients with history of atherosclerosis on the occurrence of VTE.
We conducted a retrospective, case-control study, reviewing 593 patients admitted to Albert Einstein Medical Center (AEMC), Philadelphia with a diagnosis of either myocardial infarction or ischemic stroke. Patients who had been treated with anticoagulation therapy before the first visit at AEMC were excluded. The occurrence of VTE, risk factors for VTE, and use of antiplatelet therapy (Aspirin or Clopidogrel) were recorded.
The mean age of the entire study population was 67.8 years. 52% of the patients were female and 77% were African American. The overall incidence of VTE was 13%; and 82% (486/593) were on antiplatelet therapy with aspirin, clopidogrel or combined. Among patients on antiplatelet therapy, 11% (54/486) developed a VTE, compared to 22% (24/107) in the nonuser group [OR (odd ratio) 0.43; 95% CI, 0.25–0.74; P = 0.002] After controlling for factors related to VTE (smoking, history of cancer, and immobilization), antiplatelet use was still associated with low risk of developing VTE [OR, 0.45; 95% CI, 0.26–0.77; P = 0.004].
In this study, the use of antiplatelet therapy appears to be associated with significantly reduced the occurrence of VTE. Further investigation is warranted to determine a protective of antiplatelet therapy.
Antiplatelet therapy may help to reduce the risk of developing venous thromboembolism.
Danai Khemasuwan, No Financial Disclosure Information; No Product/Research Disclosure Information
Wednesday, November 4, 2009
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What are these, bats for ants??
09/01/2016 10:32pm
I never thought that there will be animals like this, it is so small and very adorable, we should be responsible to take care of them, we should love the animals or the life forms that are living with us, I will share this article to my father, he will love this post so much
07/21/2016 11:57pm
The different photo makes different impression in the mind of people. Its people who make start their life when they are in the hands of other. The passage of time makes them free and liberty to move and make their own design. The correct decision makes them happier and makes their life easier.
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