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May 20, 2016 by Rebecca Collins
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Balloons, Art, research, Wolverhampton, asylum
I'm fast approaching the end of my first year as a final year student at the University of Wolverhampton. (Being part-time I am studying the final year over two years.) So now is a good time to reflect on what I've achieved this year. I started the year with a blank studio, and now I've just cleared away to end up the year with the same blank studio.
My art over the last 8 months, since I began the first semester with no idea what to do, has focused on one object: the abandoned balloon. That is how I work. I find something to be obsessed with and I obsess over it for a long period until I get to the point when I can't obsess any longer and I have to exhibit something. That is where I am today.
Since October when the first semester begain, I've found or been sent nearly 300 balloons in various stages of abandonment. This all started when I found an orange balloon on the pavement in Wolverhampton and thought 'that looks interesting'. Since then, I've drawn them, I've photographed them, I've written about them, I've logged them in a folder and in Excel, I've blogged about them, I've talked about them, I've even turned them into bronze objects. I have had a fantastic year with my balloons. They have served me well. I love them. I can't let them go, at least, not just yet. Soon, but not quite yet.
I will be exhibiting at the End of Year Degree Show next month and then after that at the Asylum Gallery in Wolverhampton. Then, I think, I will say goodbye to my balloons and move onto something new (who knows what at this point).
My final pieces will consist of just two elements: an audio piece and bronze castings. Part of me wonders how 8 months work can be condensed into just two very small things: one that isn't even tangible. But, in fact, this doesn't worry me. That is what art is. Art isn't quantity, art is thought as well as object. Art is about research, exploration, experimentation and, ultimately, provoking thought in others and myself.
When you visit an exhibition (and indeed a final degree show) you will see one or two pieces per artist or student. This might not look much for one year's work but it is. There is a lot of invisible stuffing that goes into each visible, tangible art object. That is what I love about being an art student. I just love the research and thinking. I can spend days just thinking: thinking on trains, in the car, at Zumba, in the shower, at 3am and even, sometimes, in my studio space. I spend far more time thinking than I do creating.
I have created something, two things. And I can't wait to show them to the world.
May 11, 2016 by Rory Buckland
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analogue, Film, photography, scanning
So as you might have guessed from the title the last couple of weeks of my residency have mostly been about scanning!
Well all that analogue output has a price I suppose, and that price is hours at the scanner, but all in a good cause. Its great to be able to see the images closely on screen and start to get a feel for how the main project as a whole might come together.
Its now time to optimise the files and give serious thought to the final ooutput. Im hoping I can exhibit / display them in some way within the host institution.
May 2, 2016 by Rebecca Woodcock
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drawing and painting, Fine Art, Gallery, museum, exhibition, Ceramic
I was asked to make a piece of work in reposnce to the museum collection. i chose a piece of work painted by my great grandfather Oliver Clare. The work is in porcerlain, mounted on steal into Cherry wood. The work will be on display form 27th May 2016.
April 28, 2016 by AA2A Georgia Rodger
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teesside, Bedfordshire, Liverpool Hope, exhibitions, AA2A artists
Hi AA2A fans,
It's fantastic to see there are so many AA2A artists who've been uploaded images and blogs about their exhibitions as they come to the end of their schemes:
- 'Parallax'; AA2A artists and AA2A Plus artists at Constantine Gallery, Middlesbrough Tower, Teesside University, see Susan Gough's blog
- AA2A exhibition at University of Bedfordshire School of Art and Design, 21 Apr 2016 - 28 Apr 2016, see Gayle Storey's exhibition album
- 'Inprogress'; AA2A artists at the Cornerstone Gallery, Liverpool Hope University, see Fiona Candy's album
These are just a small selection, sorry I haven't featured more here, but if you're an artist from this year please who's putting on an exhibition or evenlet us know as we'd love to see your documentation of these shows on Dotbiz.
All the best
April 28, 2016 by Susan Gough
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This first third of my year has been somewhat fraught to say the least; a birth (my grandson), a wedding, illness and a death. . . . not all of which I have been prepared for and certainly not the best situation to be in when trying to make new work for the AA2A scheme, which has suffered as a consequence.
April 26, 2016 by Rory Buckland
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sketchbook, people, photography, solent
I spent yesterday shooting what was likely the last roll of fim for the core project of my AA2AC residency. The weather was just how I needed it - overcast, giving a nice even soft light. A bit of rain, but that was easily enough worked around.
One of the things I like about photographing out on the street is the people you meet. The curious ones, that enqiire about what you're photographing, or recognice the Mamiya RB from their days of shooting meduim format film before everything went digital.
The facilities at Solent are getting pretty busy with the impending deadlines for the students to hand their work in. Comfroting to see students still leave it all to the last moment!
So now its all about editing, tidying up the scans and deciding what and how to have an outcome from the project. Ill also be able to get more material in my sketchbook for the project.
April 25, 2016 by Victoria Walters
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Week 24
It is great to finally get to Plymouth this week. The studios need clearing for the shows, so taking the laminate along is out, but this is fine, I am working in the workshops. On Thursday I go along to the Carnegie Wave Seminar, organized both by the private sector wave energy company of that name and by the University. This kind of collaboration is very common nowadays and can work extremely well, although it's important to take the commercial element into account. It emerges that as yet, a lot of the work in generating energy from wave power has been heavily funded by the public sector and that it will take a while before it can self-sustain commercially. A big contributor in terms of funding is the EU - on my way home an 'In' campaigner gives me a leaflet outlining the investments the EU are making to research into green energy.
We are given several interesting talks about work going on at Plymouth, Carnegie's work and operations at Falmouth-based wave energy test site Wave Lab. Several of the academics and industry specialists talk about the "survivability" of the technical apparatus, its ability to withstand waves intact, a term which interests me in relation to my focus on survival. We are then given a tour around the COaST (Coastal Ocean and Sediment Transport) Lab within the University, which is fascinating. It is an amazing facility and incredibly useful for testing; it is apparently even possible to simulate curvature in wave forms. It has a moving floor (should my false floor be moving I wonder?!) While we are there, a buoy test is in process. After the tour, I ask several of the academics within the Lab about groundswell. Gerd Masselink had already sent me a really helpful email and explained that the term is not a scientific one used by oceanographers, but rather used by divers and surfers. In response to my question, the academics I speak to concede that "rogue" waves and extreme waves are hard to simulate in the lab. I am interested by the way we speak about power in the environment, in terms of disobedience.
I find myself wondering what Leonardo Da Vinci would make of all this (!) and how his early hydraulics experiments are seen by oceanographers today. He would be fascinated by the lab, I think, but I imagine would point to the need for direct observation too, which I am sure oceanographers would entirely agree with. I also think about that early Renaissance spiritual dynamic in Leonardo's writings, which shows itself in his desire to get inside the spirit of the bird that inhabits his work on flying machines, and wonder if that also inhabits his experiments in hydraulics, which I seem to remember had its successes and failures. I don't know, I should look. The idea of desiring to get inside a wave would probably seems very odd today, but not for a surfer of course! Perhaps it is no coincidence that many oceanographers and industry specialists are also surfers, and I wonder how that direct encounter is integrated in their work. There is something there to learn from Leonardo's work, perhaps, still. Not all developments are linear. Does this have something to do with the spiritual side of observation that Goethe and Beuys talk about and how it can transform you? The idea of 'spirit' is quite problematic today.
For myself as a very early career artist trying to make an installation piece, I feel a bit foolish, and wonder if I am asking silly questions. I am definitely awed by the engineering prowess of the people working in wave energy capture and the wave lab. I think to myself, I cannot possibly enter into that equation with my low level work! But I am trying to do what these guys are doing. There is an issue around distance and proximity. In terms of climate change, a major challenge is to communicate things that may be geographically distant but which have an impact, to communicate both complex science and an affective element. It reminds me of discussions of immersion in installation practice - immersion can address the cognitive and the sensory. I will come back to that. Perhaps things will filter through.
Plymouth COaAST Laboratory - image source: Hufton and Crow
On Friday I have a really helpful chat with Richard Wood, who feels that the tiling approach with plaster and wood for the installation, rather than working with laminate, is probably the way forward. He mentions that laminate has to be installed on a dead straight surface, 2mm out and it can misbehave, so he warns that it could be a bit of a nightmare given that I do not know enough about the space where we will be showing. He also raises the issue of all the engineering challenges of installing a false floor. I am really grateful for the advice, the different challenges I am working with – in terms of geographical distance (also a part of the work!) – make a modular approach a useful solution and at the same time, it has that sense of the domestic. I go and have a chat with Simon about working with plaster tiles and he suggests that instead of a gel flex mould, I may be best working with a wood frame, which I can reuse again and again. I go up to the postgrad room to plan the tiling out and assess that I need a 300mm x 300mm tile. I go over to Rob in woodwork, who is a star and knocks me up a 30cm x 30cm frame, he does such a great job! Off back to casting for the first tile test. I am going to have to break the work down time-wise and get a certain number done each time I come. There is a lot to do.
On Saturday I finally get up to the ICIA at the Edge Arts centre, on Bath University's main campus, to see Grace Schwindt's feature-length film, "Only a Free Individual Can Create a Free Society". I think it is worth mentioning here because it relates to some of the broader questions I am trying to get to grips with. The film is based around an interview the artist undertook with a taxi driver, who had been an activist in West Germany during the 1960s and 1970s. The discussion focuses around the group he had been part of and their discussions of what freedom was. In this interview with the artist published in The Skinny, she explains, "I chose this guy because he wasn't going to offer me a solution," she explains. "What is freedom? There are different ideas on how to live freer, as with the student movement, revolution and family, all of which are palling. These situations relate to the film's set."
Grace Schwindt, "Only a Free Individual Can Create a Free Society" (2014)
Medium: Full HD, single channel video, sound, colour; English language
Running time: 80 minutes
There were all sorts of issues of interest to me: the form in which Schwindt explored these issues being the principal one. The performers within the work juddered slightly, as though travelling in the taxi and spoke in a rote, robotic manner. There was an awareness, it seemed to me, of the political texts being discussed and the search for a new language of engagement in the work of the Frankfurt School, including that of Herbert Marcuse. The interview confirms this,"One point of critical reference comes from Frankfurt, Schwindt's place of birth. More specifically, the Frankfurt School's critical teachings spilled into Grace Schwindt's home life. With this comes certain readings of the work as a meditation on the freedom and unfreedom of communication, which we're led to believe is open to as many interpretations as the seer pertains and not just cultural associations assigned to the 'norm.' As a take-down of these kind of indolently habitual assumptions, the film can be experienced as questioning whether language is not in itself a self-reflexive and metalinguistical form."
I am reminded me a tiny bit of my talk for Dexter's session on my practice and states of emergency. "The artist does this. The artist makes that. The artist uses the other" in a very deadpan way, interrupted by an emergency broadcast. But Schwindt's orchestration was far more sophisticated and more fully informed, yet it is a language I recognise. The costumes, which she had a team working on, also delighted and appealed to me, as a kind of defamiliarisation and a clowning too (perhaps from Adorno's Negative Dialectics?) The question: what new forms are needed? comes up for me as something Schwindt is clearly exploring, and it was certainly central for Beuys too, post-war.
There was a handout accompanying the film, which explained the socio-political post-war context in Germany and I found it so helpful. It shed some light on terms Beuys had used and perhaps explained why he became disaffected by the Green party who, I had not realized, emerged from the APO, an "extra-parliamentary opposition" called for by the leader of the Socialist German Students' party (SDS), Rudi Dutschke (I am reminded of a poem within "Beuys: In Memoriam" where the writer reminds Beuys, "Remember Rudi, remember Dutschke"). It emerged in the film that the term Freedom was often used as a way to refer to the attempt to forge an alternative to capitalism; capitalism being seen as yet another form of social coercion and not a sufficient break from fascism. It seems that Schwindt is very much of the optinion that capitalism constraints freedom, but I am not entirely sure she is offering very clear alternatives either. The interview ends with her comment, "There is a very limited possibility of freedom in capitalism, because you never reach promise, and that's my point." I wonder if she means confirmation, or acceptance, or commitment, rather than promise, alternative translations of Zusage, which can also mean promise in English.
In some respects this could really feed into my thinking about my own practice and into the FAB installation. It reminded me a bit of my feeling during the PGDip that another form of garment was needed for this work that tries to deal with contemporary contexts, with a society of precarity. Is what I am planning a kind of replay, a remediation, of previous work and if so is it appropriate to new contexts? To UK contexts? I may sit with the work in my hilarious "survival" suit, but does this offer something of value in the present? The film reminds me of what Camilla said to me, that "It is OK to work with serious content". This points me back in the direction of work I had done at PhD level, about critical theory, that I was trying to bring into my work on the MA, but perhaps, without either the technical or critical cogency and coherence I had hoped for. What is going on in a UK and US context? Obama's speeches were heartening, and I am not for Brexit, but I am questioning of what security is on offer.
Week 23
I heard back on the interview, not successful this time, so, somewhat disappointed. On the weekend I went to the Michael Beutler exhibition at Spike Island, a real treat. The work made me feel hopeful, playful. By comparison my own plans seem rather depressing! There is something of Thomas Hirschhorn in there – the use of materials you might have to hand – without the obvious polemic, perhaps, and of Andrea Zittel too, although the everyday industrial materials were less crafted. But such a lovely sensitivity to materials and an interesting architectural language! Admittedly I suppose this is Fine Art though, rather than architecture, the work would not withstand weathering. But perhaps it is a kind of provocation to come up with ideas, to co-produce, to keep that zone of creativity safe even where the socio-political contexts have become extremely rigid. This makes me think about Bernard Tschumi again, that notion of an erotics of working in relation to confinement. But for Beutler, it feels more as though a separate zone is needed, partly libidinal perhaps, but not sado-masochistic, there are no overtones of Bataille. I would really like to read more about the artist, hear a talk. I may try to make it along to the family day on 30th April.
Michael Beutler, Haus Beutler (2014). Installation view, La Loge, Brussels
I spend the rest of the week working on the FAB proposal and thinking about the Plymouth placement. I had hoped to use some oak that was thin enough to break, but that did not work out. But as I am not wood bending – oak is one of the best woods for bending – is that the most appropriate material anyway? What messages would it have sent? I start thinking about alternatives; working with veneers, cladding, laminate. Mum has some laminate I think I could play with, which can give a wave-like effect. As it has a kind of back board, I can't get the kind of splintering I had initially hoped for, but I can get create some distressing and signs of fixings at the end to suggest breakage or splitting. Please note all blog readers, this is NOT how to take a professional photograph it is just a note!
Week 22
I spent most of this week preparing for the interview, I decided to give it all I had got. I also continue with my FAB proposal, and have some really helpful discussion from a friend, Cliff, who has long been fascinated by Goethe, Steiner and Beuys' work. He was a science teacher and worked for a long time with plants. I was very touched when he sent me scanned excerpts of books which mentioned the notion of a "warmth time machine", knowing that so many of my books have to be kept in store at the moment.
Week 21
I have been invited for a job interview which would mean teaching into Fine Art Digital Media, so it is time to refresh and reconnect with a somewhat distant past practice in digital media and head to London to the exhibition "Electronic Superhighway" at the Whitechapel Gallery. It proves really valuable trip on a number of levels. I studied for my MA Digital Media at UWE from 2000-3 and completed the course with a sense that I was far more interested in what fine artists were doing with new technologies than I was in being a web designer or a producer of commercial multimedia projects. That was fine, the course was taught in an art school, it was understood that there were a number of different possible career trajectories. But I didn't fully understand how I could develop as an artist without a sense of where my digital practice was situated in relation to contemporary practice, I didn't really understand what it meant to be an artist and I lacked confidence. I also enjoyed the theory side and was a bit academic so I was happy to move in that direction at the time. So seeing the work of the artists on display at the Whitechapel, I could finally understand why I felt the need to go and do a Foundation after my MA, and why I felt I had to come back to studying Fine Art, to fill in a missing piece in a way, to understand why I felt so drawn towards doing, or at least exploring that kind of work.
One of the first pieces of work on display immediately connected into my own research concerns. It was a very small installation work called "Homo Sacer" by James Bridle. According to the Whitechapel website, Bridle is an "artist, writer, publisher and technologist". The work is a hologram projected onto a board, redolent of the kind of holograms that are starting to be used in airports and government buildings to give instructions. "Homo Sacer" is a legal concept discussed in a series of books on this theme by Italian philosopher Georgio Agamben, a term referring to the notion of "bare life". I won't got into this too much in a blog, but this outlines the degree to which the state can define a person's status as a human being; When I was researching during the PGDip Fine Art, I looked at this concept, because the work I was doing seemed to connect with issues around the state of emergency and exception, discussions of what is justified in the interests of "protecting" the public. Interestingly, in relation to our current discussions about whether to stay in the EU, the blurb explains that "The female hologram figure in Homo Sacer (2014) speaks lines from UK, EU and UN legislation, as well as quotations from government ministers. Her script describes the nature of citizenship in the 21st century, and how it can be revoked with potentially fatal consequences."
Homo Sacer (2014)
Digital video, perspex, rear projection 7:05, dimensions variable
Another treat at the exhibition was seeing a piece of work by Wafaa Bilal, an Iraqi artist I had the good fortune to meet at the Winchester Centre for Global Futures in Art & Design Conference, held at Mosaic Rooms in 2013. I was familiar with the piece, "Domestic Tension", which had both disturbed and impressed me at the time. Rather than talk about this in too much detail here, I have referred to the work on this blog post, which I created for the interview and which discusses his work briefly in the context of digital media fine art installation practice.
I was sad that I had to rather rush the upstairs space at Whitechapel dedicated to histories of digital and other time-based practices. But one thing really struck me about the work I did see was that women were well represented, some of them women I had never heard of, for example Lynn Schwarz and her wonderful animations! Another impression I got was that even in the earliest days of interactive installation there have been critiques of the dangers, as well as the potentials, of technology. I was intrigued, but also rather disconcerted by "Lorna", her installation on display at the Whitechapel, which invited you in to sit in Lorna's living room where, as an agoraphobic, she had spent most of the previous 4 years. The work has three potential outcomes –Lorna shoots herself, shoots the television, or moves to LA. In an interview, Herschman Leeson suggests that the last may be the worst!
Later in the week, two friends mention that they are curating a week's creative work at Fringe Arts Bath. They are looking for additional contributions for their theme, "Time Machine". I put forward a proposal that is a homage to Beuys, relating to his notion of a "warmth time machine". The piece, entitled "Emergency Conference", will need to go up for 31st May. It is a piece that I can show near to home and I am (doing my best at) keeping it simple so that I can deliver for Plymouth.
April 24, 2016 by Rebecca Collins
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Elizabeth Price, Ashmolean, video art
After visiting the Andy Warhol exhibition at the Ashmolean I took a trip to the top of the building to watch Elizabeth Price's video piece about the collections at the Ashmolean and the Pitt-RIvers Museum which is the culmination of her time spent in Oxford. She had been commissioned to create a piece about some aspect of the museums' collections. The work was two years in the making.
As I dip my toe in video art I'm a bit of a fan of Elizabeth Price and much admired her Turner Prize piece about the fire at Woolworths called The Woolworths Choir of 1979. I love the style of her work in which she is seemingly able to match rhythm with images effortlessly. I know how much work actually goes into getting this effect.
This new piece did not disappoint. It is a 18-minute long video called A RESTORATION shown over two large screens in a darkened room. I found it utterly compeling and engaging. It shares with the Woolworths video that sense of a perfect matching of audio and visual and a beat which keeps the viewer watching. It is intellectual and thought-provoking. It is fast paced but not too much so. It builds up. It takes you with it. I felt it in my stomach. It has a narrative and narratives within that narrative. I won't give too much away: it is very much worth a visit.
I loved the mix of contemporary (almost science fiction) audio with imagesthat were reminiscent of Victorian obsessions with collecting and archiving. The visual text reminded me of the Hitch Hiker's Guide to the Galaxy (the bit with the Babel Fish). The voice was synthasized but just had something about it that was odd but somehow completely appropriate.
The video has so many messages played on many levels as well, about collecting, colonization, posession, obsession, history, our relationship with objects and civilization. I haven't stopped thinking about it a week later.
I am currently working on a video for my The Museum of the Lost Balloon project and this has given me a lot of inspiration just when I needed it, when I was stuck in that all too familiar pit of artistic angst.
April 24, 2016 by Rebecca Collins
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Ashmolean, Andy Warhol, Oxford
Last weekend I found myself in Oxford and, while I was there I paid a visit to the Ashmolean (it would have been rude not to). The Ashmolean is currently running an exhibition of the art of Andy Warhol.
Until recently, I didn't feel particularly inspired by Pop Art as a movement generally and the art of Andy Warhol in particular. I admired the philosophy behind Pop Art but didn't feel the emotion of it.
However, a few months ago I came across a story about Andy Warhol that sparked my interest in him, as an artist and as a person. This was the story of Andy Warhol and 25 cats name(d) Sam which I came across completely by chance while googling idley on the Internet. I wrote a blog about this amazing story, and ever since then I've been on a quest to obtain the book he and his mother created about Sam and Sam, Sam and Sam etc. (I haven't been able to yet as it isn't very cheap.)
I appreciate anyone who is quirky. I love quirkiness. And this story showed me that Andy Warhol was quirky. I knew he was quirky but quirky with cats? In my mind, that is someone to admire. I love cats. Artists who love cats are like-minded souls.
Visiting this exhibition, which displays pieces from a private collection and contains an eccelectic mix of video, print, drawing and painting, made me realise that Andy Warhol was a true 'Renaissance' man. What I mean by that is that he was able to dip and delve in all sorts of areas and take advantage of moods and themes of the age. He was a man who loved to play (and he was quite shrewd in what he chose to play with too). He was an entrepeneur but also, and first and foremost, an artist. He was opportunistic and constantly alert (open, and willing) to new ventures. He could morph from artist to printmaker to video maker and film maker.
Art for him didn't just happen in the studio. It happened in undefined social spaces. He helped move art from the studio to the community. He was an observer of society and that is what I think I also have in common with him (besides cats). I would decscribe myself as an observer too. I wish I could have met him (perhaps in a lift somewhere).
The exhibition is well worth a visit. I found much to be inspired by (especially the weewee paintings) on display. The exhibition runs for another month so if anyone reading this finds themself in Oxford with a few hours to spare over the next few weeks, I recommend a trip to the Ashmolean.
April 18, 2016 by Rory Buckland
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solent, photography, sketchbook, 5x4
So Im aware thst I havent been on here and writing as much as I had hoped or intended.
I understand the scheme is drawing to a close for some, however I was lucky enough to be offered an extension at my interview. Which is a relief as I am still in production of the project I pitched at my interview.
I have had many internal ongoing questions about what I was doing, and if it is the right approach. However I deciede to go with my instincts and carry on as I had decided. See what the end result is when its completed, hopefully a good one.
Becoming reaquainted with analogue photography has been really enjoybale and may well have changed my practice for the longterm. I have been using 35mm for sketchbook purposes, whilst shooting final images on medium format (120) for fininshed pieces. this last week I have commenced a little side project on 5x4 which I will write about iin another post.
I have had some assitance form students with the project, which has been helpful and hopefully useful for them as well. If Im honest there my have been scope for more, but I can be a bit controlling when it comes to my work. So relinquishing that and the inherent quality control can be tricky. Something I need to work on I dare say.
Thats all for now. I will try and visit again sooner!


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Explorit Science Center
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text:
The Sensual Bath Test
Their result for The Sensual Bath Test ...
Making Waves!!!
You scored 61 % Sensual Sensation
Splish splash! I bet you are already planning on seeing if that certain someone would like you to give them a bath arent you? Planning every little pleasure, asking questions on the sly so you can make it all the better for them?
Dont be shy. Give it a try.
But, then again what do I know. Im just a hopeless romantic with a loofa, Turkish towels and scented oils. Thanks for taking my first test and have a great day.
Their Analysis (Vertical line = Average)
They scored 61% on variable 1, higher than 14% of your peers.
All possible test results
Cold shower perhaps?
Seriously though you might want to think a little more sensual and let the sexual follow at its own pace. It is a different gratification for both the giver and receiver and confidentially I think t... Read more
Making Waves!!!
MMMMMMM! Splish splash! I bet you are already planning on seeing if that certain someone would like you to give them a bath arent you? Planning every little pleasure, asking questions on t... Read more
Oooooooooh!! I bet youre a lover they dont forget! You know that making love is more than having sex and Id guess that youve scrubbed a back or two in your day as well. Com... Read more
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|By Business Wire
Article Rating:
|February 4, 2014 09:31 AM EST
VantageScore Solutions, the company behind the VantageScore® credit scoring model, announced today the launch of a series of webcasts to help consumer lending institutions improve risk management processes due to advances in credit score modeling and decision analytics.
The webcasts will help credit policy professionals, risk analysts, marketing and acquisition specialists, compliance officers and other senior managers tackle critical issues regarding when, why and how to implement a new credit score model into current credit risk management systems.
"These webcasts are an extension of the dialogue we've been having with lending institutions since the launch of Vantage Score 3.0," said Sarah Davies, senior vice president of analytics, research and product management at VantageScore Solutions. "In a post-recession lending environment, institutions are seeking tools such as VantageScore 3.0 that are designed to deliver maximum benefit given the current credit dynamics."
The new informational tool leverages the knowledge and experience of more than 25 industry experts who have deployed new credit scoring models in their strategies, processes and technology platforms at major lending institutions.
The first two webcasts in the series were posted today. The first webcast provides the key analytic, process and reporting building blocks for approaching credit score model conversion. Its goal is to provide a checklist of tasks that should be completed in order to successfully implement a new scoring model with the goal of reducing losses and increasing volumes. The webcast discusses four methods for implementing a new scoring model, and then provides in depth guidance on one conversion method known as the "plug and play" method.
A second webcast covers credit score migration trends and the continued evolution of consumer credit management behaviors with an emphasis on how to leverage those trends as a credit provider.
The remaining webcasts will be posted on a regular basis. Each webcast builds on prior information to address credit score model conversion approaches for increasingly complex strategies and product designs. Along with broad topics to be covered that include testing, such as back testing, phased implementation and champion-challenger approaches, new strategy design for universe expansion opportunities and performance monitoring methods, more specific subject matters will be discussed, such as:
- Understanding the risk versus volume trade off when determining the score cut-off using a new scoring model. Analyzing and capturing swap set financial and behavior dynamics in order to optimize the score cut-off.
- Origination trends over the recession: A study across the mortgage, auto, and credit card industries that examines how origination trends changed and what geographic opportunities exist for portfolio growth.
- Optimizing the score cut-offs in complex lending strategies using multiple scoring models and/or additional lending criteria. Many lending institutions incorporate additional underwriting criteria to further segment consumer populations. This webcast will take these criteria under consideration and provide guidance for how to analyze, test and monitor scoring model conversion scenarios.
- Measurable bias: A methodology for identifying measurable bias in credit score models as well as consumer credit products using U.S. Census data.
- Full strategy rebuild: A comprehensive discussion of analytics and processes to guide lenders in universe expansion strategy design that captures the value of new consumers without introducing undue risk.
To be alerted when these and more VantageScore Solutions webcasts become available, sign-up for the VantageScore newsletter, follow the VantageScore Twitter account (@VantageScore), contact a representative from one of the three national credit reporting companies (Equifax, Experian, and TransUnion), or subscribe to our YouTube channel.
About VantageScore Solutions
VantageScore Solutions, LLC (www.vantagescore.com) is the independently managed company that owns the intellectual property rights to the VantageScore credit scoring models, including the recently announced VantageScore 3.0 model which provides up to 25 percent predictive improvement over earlier models and has the ability to formulate a score for 30 – 35 million previously unscoreable consumers. Initially developed by America's three national credit reporting companies (CRCs) — Equifax, Experian and TransUnion — VantageScore Solutions' highly predictive models use an innovative, patented and patent-pending tri-bureau scoring methodology that provides lenders and consumers with more consistent credit scores across all three national credit reporting companies.
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Adding public cloud resources to an existing application can be a daunting process. The tools that you currently use to manage the software and hardware outside the cloud aren't always the best tools to efficiently grow into the cloud. All of the major configuration management tools have cloud orchestration plugins that can be leveraged, but there are also cloud-native tools that can dramatically improve the efficiency of managing your application lifecycle. In his session at 18th Cloud Expo, ...
Jul. 30, 2016 12:00 PM EDT Reads: 1,338
SYS-CON Events announced today that LeaseWeb USA, a cloud Infrastructure-as-a-Service (IaaS) provider, will exhibit at the 19th International Cloud Expo, which will take place on November 1–3, 2016, at the Santa Clara Convention Center in Santa Clara, CA. LeaseWeb is one of the world's largest hosting brands. The company helps customers define, develop and deploy IT infrastructure tailored to their exact business needs, by combining various kinds cloud solutions.
Jul. 30, 2016 11:30 AM EDT Reads: 1,374
StackIQ has announced the release of Stacki 3.2. Stacki is an easy-to-use Linux server provisioning tool. Stacki 3.2 delivers new capabilities that simplify the automation and integration of site-specific requirements. StackIQ is the commercial entity behind this open source bare metal provisioning tool. Since the release of Stacki in June of 2015, the Stacki core team has been focused on making the Community Edition meet the needs of members of the community, adding features and value, while ...
Jul. 30, 2016 11:00 AM EDT Reads: 621
Qosmos has announced new milestones in the detection of encrypted traffic and in protocol signature coverage. Qosmos latest software can accurately classify traffic encrypted with SSL/TLS (e.g., Google, Facebook, WhatsApp), P2P traffic (e.g., BitTorrent, MuTorrent, Vuze), and Skype, while preserving the privacy of communication content. These new classification techniques mean that traffic optimization, policy enforcement, and user experience are largely unaffected by encryption. In respect wit...
Jul. 30, 2016 11:00 AM EDT Reads: 528
For basic one-to-one voice or video calling solutions, WebRTC has proven to be a very powerful technology. Although WebRTC's core functionality is to provide secure, real-time p2p media streaming, leveraging native platform features and server-side components brings up new communication capabilities for web and native mobile applications, allowing for advanced multi-user use cases such as video broadcasting, conferencing, and media recording.
Jul. 30, 2016 10:45 AM EDT Reads: 1,063
SYS-CON Events announced today the Kubernetes and Google Container Engine Workshop, being held November 3, 2016, in conjunction with @DevOpsSummit at 19th Cloud Expo at the Santa Clara Convention Center in Santa Clara, CA. This workshop led by Sebastian Scheele introduces participants to Kubernetes and Google Container Engine (GKE). Through a combination of instructor-led presentations, demonstrations, and hands-on labs, students learn the key concepts and practices for deploying and maintainin...
Jul. 30, 2016 10:15 AM EDT Reads: 1,038
SYS-CON Events announced today that Venafi, the Immune System for the Internet™ and the leading provider of Next Generation Trust Protection, will exhibit at @DevOpsSummit at 19th International Cloud Expo, which will take place on November 1–3, 2016, at the Santa Clara Convention Center in Santa Clara, CA. Venafi is the Immune System for the Internet™ that protects the foundation of all cybersecurity – cryptographic keys and digital certificates – so they can't be misused by bad guys in attacks...
Jul. 30, 2016 10:15 AM EDT Reads: 1,505
ReadyTalk has expanded the capabilities of the FoxDen collaboration platform announced late last year to include FoxDen Connect, an in-room video collaboration experience that launches with a single touch. With FoxDen Connect, users can now not only engage in HD video conferencing between iOS and Android mobile devices or Chrome browsers, but also set up in-person meeting rooms for video interactions. A host's mobile device automatically recognizes the presence of a meeting room via beacon tech...
Jul. 30, 2016 10:00 AM EDT Reads: 520
The cloud market growth today is largely in public clouds. While there is a lot of spend in IT departments in virtualization, these aren't yet translating into a true "cloud" experience within the enterprise. What is stopping the growth of the "private cloud" market? In his general session at 18th Cloud Expo, Nara Rajagopalan, CEO of Accelerite, explored the challenges in deploying, managing, and getting adoption for a private cloud within an enterprise. What are the key differences between wh...
Jul. 30, 2016 10:00 AM EDT Reads: 2,177
Deploying applications in hybrid cloud environments is hard work. Your team spends most of the time maintaining your infrastructure, configuring dev/test and production environments, and deploying applications across environments – which can be both time consuming and error prone. But what if you could automate provisioning and deployment to deliver error free environments faster? What could you do with your free time?
Jul. 30, 2016 09:45 AM EDT Reads: 513
Ixia (Nasdaq: XXIA) has announced that NoviFlow Inc.has deployed IxNetwork® to validate the company's designs and accelerate the delivery of its proven, reliable products. Based in Montréal, NoviFlow Inc. supports network carriers, hyperscale data center operators, and enterprises seeking greater network control and flexibility, network scalability, and the capacity to handle extremely large numbers of flows, while maintaining maximum network performance. To meet these requirements, NoviFlow in...
Jul. 30, 2016 09:30 AM EDT Reads: 823
Choosing the right cloud for your workloads is a balancing act that can cost your organization time, money and aggravation - unless you get it right the first time. Economics, speed, performance, accessibility, administrative needs and security all play a vital role in dictating your approach to the cloud. Without knowing the right questions to ask, you could wind up paying for capacity you'll never need or underestimating the resources required to run your applications.
Jul. 30, 2016 09:30 AM EDT Reads: 806
It's 2016: buildings are smart, connected and the IoT is fundamentally altering how control and operating systems work and speak to each other. Platforms across the enterprise are networked via inexpensive sensors to collect massive amounts of data for analytics, information management, and insights that can be used to continuously improve operations. In his session at @ThingsExpo, Brian Chemel, Co-Founder and CTO of Digital Lumens, will explore: The benefits sensor-networked systems bring to ...
Jul. 30, 2016 09:15 AM EDT Reads: 1,654
Extreme Computing is the ability to leverage highly performant infrastructure and software to accelerate Big Data, machine learning, HPC, and Enterprise applications. High IOPS Storage, low-latency networks, in-memory databases, GPUs and other parallel accelerators are being used to achieve faster results and help businesses make better decisions. In his session at 18th Cloud Expo, Michael O'Neill, Strategic Business Development at NVIDIA, focused on some of the unique ways extreme computing is...
Jul. 30, 2016 09:00 AM EDT Reads: 612
On Dice.com, the number of job postings asking for skill in Amazon Web Services increased 76 percent between June 2015 and June 2016. Salesforce.com saw its own skill mentions increase 37 percent, while DevOps and Cloud rose 35 percent and 28 percent, respectively. Even as they expand their presence in the cloud, companies are also looking for tech professionals who can manage projects, crunch data, and figure out how to make systems run more autonomously. Mentions of 'data science' as a skill ...
Jul. 30, 2016 09:00 AM EDT Reads: 594


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I've just realized that it's almost never the main couple that does this (with the exception of two- Z and Bella and Qhuinn and Blay)- but the supporting characters. In many cases the true meat of the story isn't with the two "main" characters, but with the supporting ones. I can't think of another author who does this so successfully. Ward does it and the results are fascinating. Her character-building skillz are unrivaled.
I liked Cait and Duke. They were interesting and I liked their real world problems and hang-ups.
Devina- The devil whose humanish quirks make her a somewhat sympathetic character at times (until you remember all the reasons we have to hate her).
All Ward's books have dark undertones, but this one was especially stygian. Jim, Adrian, Nigel, Colin- the story was full of overwhelming rawness. It was, at times, a viscerally painful read.
Very well done.
Highly recommend.
This is really a book that you want to read only if you have read the four leading up to this installment. Immediately you are pulled into a story that has been building and one would be fairly lost if this was the first book you picked up. That doesn't mean it should stop you from getting this book, just buy the first four books as well. This truly is a series you don't want to miss out on.
I have been a huge fan of J.R. Ward for years and an avid follower of the Black Dagger Brotherhood series, so I like the gritty emotion that you find in one of her novels. These are not simple love stories. Her novels are complex, fully thought out journeys that drag you along, even at times if it pulls you kicking and screaming. Her characters are never only good or evil. The Angels in these novels are not purely holy characters. They are flawed, angry, aggressive, sexually deviant characters that you connect with because of their imperfections. The Demon, Devina is so wonderfully quirky that at times I almost forget all the reasons why I really hate her. As she talks to her therapist, or counts her lipsticks (again) you see the humanity in her and forget about all the evil she has done to Adrian, Jim and Sissy. Well, you forget it briefly and then hate yourself for having any positive thoughts afterward.
There are plenty of surprises in this book.Read more ›
As to what I did not expect? To feel so let down and disappointed and find myself really not caring about the 'souls in play'. The plot twist happened at the very end, and while it ended well for those lucky people with the all the 'heat', I found myself saying 'meh'. The wins and losses were much more of a deal in the other books, and this one was complete filler. I imagine the 6th and 7th books are going to be where the real feelings are, but man...how long do I have to wait.
I'll finish the series, because at this point I am invested in the author and a fan for life, but wish I got some sort of a discount on this one. Just okay.
But my biggest problem with this book is that there was way too much that made no sense. Even if I suspend my imagination and take into consideration this is a supernatual/paranormal themed book. EXAMPLE -- MILD SPOILER follows: Jim could sense when Devina was outside Cait's house, but he could not sense that she was impersonating Sissy and sitting right in his face? Really? Sorry not buying it.
I'm becoming really uninterested in this series. It's becoming too slow paced and dis-jointed.
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Loved it, once again I can not wait for the next one. I have enjoyed this series almost as much as the BDB series.Published 13 days ago by Kristina Butler
There's only one word to describe anything written by this author: AWESOME!Published 1 month ago by R. F. Knapke
I love this series from JR Ward. If you like the Black Dagger Brotherhood series you will love this series also! Read morePublished 1 month ago by Debbie A
Although this series doesn't have the depth of the Black Dagger Brotherhood series, I'm still a big fan. Read morePublished 2 months ago by Stephanie Litwins


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Time Zone Map
Standard time zone map of the world in a jpeg file
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About Time Zone Map"Time Zone Map" is listed in dxzone.com under 3 categories. Its main category is World and local maps (Ham radio maps, prefix maps, world maps). Listed in our web site index since Thursday Aug 10 2006, till today received a total of 1233 hits, received 4 votes for a total score of 5.75/10
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Win: A Man Of Steel Nokia Lumia 925 Handset
To celebrate the release of MAN OF STEEL in cinemas on 14 June, Pocket-lint has teamed up with Nokia, official partner of Man Of Steel, to offer one lucky reader a special-edition Nokia Lumia 925 mobile phone handset with limited-edition charger and case.
The Nokia Lumia 925 introduces a metal design and showcases the latest PureView camera innovation, new features and third-party applications coming to the Nokia Lumia range. The Nokia 925 includes the most advanced lens technology and next-generation imaging software to capture clearer, sharper pictures and video, including the best low-light images.
From Warner Bros. Pictures and Legendary Pictures comes Man of Steel, starring Henry Cavill (Immortals, TV's The Tudors) in the role of Superman, under the direction of Zack Snyder (300, Watchmen).
A young boy learns that he has extraordinary powers and is not of this earth. As a young man he journeys to discover where he came from and what he was sent here to do. But the hero in him must emerge if he is to save the world from annihilation and become the symbol of hope for all mankind.
The film also stars four-time Oscar nominee Amy Adams (The Master) as Daily Planet journalist Lois Lane, and Oscar nominee Laurence Fishburne (What's Love Got to Do with It) as her editor-in-chief, Perry White. Starring as Clark Kent's adoptive parents, Martha and Jonathan Kent, are Oscar nominee Diane Lane (Unfaithful) and Academy Award winner Kevin Costner (Dances with Wolves).
Squaring off against the superhero are two other surviving Kryptonians, the villainous General Zod, played by Oscar nominee Michael Shannon (Revolutionary Road), and Faora, Zod's evil partner, played by Antje Traue (upcoming Seventh Son). Also from Superman's native Krypton are Lara Lor-Van, Superman's mother, played by Ayelet Zurer (Angels and Demons), and Superman's father, Jor-El, portrayed by Academy Award winner Russell Crowe (Gladiator).
To be in with a chance of winning this heroic prize, all you need to do is answer the movie-related question at the bottom of the page:
Join the conversation with #MANOFSTEEL on Twitter. For more information on MAN OF STEEL visit the official Facebook Page http://www.facebook.com/ManOfSteelUK
- Competition will close at 23:59 on Friday 28 June 2013
- Open to UK participants only
- One winner will receive 1 (one) special-edition Nokia Lumia 925 handset with limited-edition charger and case
- If any item listed above is unavailable, we reserve the right to substitute with an alternative item of similar value
- Winners will be picked at random from all valid and correct entries, and contacted by the site. The prize will be delivered to the winner within 28 days of confirmation of delivery address
- The Editor's decision is final and binding on the entrants. No correspondence will be entered into
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Prize details are correct at the date of this agreement. Events may occur that render the media promotion itself or the awarding of prizes impossible due to unforeseen circumstances or reasons beyond the control of Warner. In this situation, Warner may at its discretion vary or amend prizes so as to provide reasonable alternative prizes and prizewinners agree that no liability shall attach to Warner or parties connected to Warner as a result
© 2013 Warner Bros. Ent. All Rights Reserved. TM & © DC Comics
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Fun with typography for a SXSW event poster promoting Mogwee.
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You are the only person in charge of you, and if you want something (better health, a more fulfilling job or a more nourishing relationship), you need to take action. Let go of these five habits in order to be the healthiest version of yourself.
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Aldo Cipullo 1970 Charles Revson 18k Gp Love Bracelet Made In England
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Aldo Cipullo 1970 Charles Revson 18k Gp Love Bracelet Made In England:
For sale:MADE IN ENGLANDAUTHENTICORIGINALVINTAGEALDO CIPULLO1970Charles Revson18K Gold PlatedLOVE BRACELET!Excellent Condition (See pics)Inside measures 2" x 2 1/2"
In 1968 Cartier fashioned a limited edition of 18k gold bracelets, designed by Aldo Cipullo. These bracelets were to be given as a symbol of love's commitment as they were fastened to the receiver's wrist by means of a tiny screwdriver (not included). In 1970 Charles Revson presented, in limited supply, this specially commissioned edition of the Cartier Love Bracelet as designed by Aldo Cipullo.Comes with original screw.
One Spectacular Bracelet!!!
Shipping charge is for Continental US only!!!
No international sales!!!Please submit prompt payment within 2 days after the sale
Feel free to ask me any questions
Aldo Cipullo 1970 Charles Revson 18k Gp Love Bracelet Made In England:
S. Kirk & Son Sterling Silver Repousse Leaf Design Bangle Bracelet 16.72g
S. Kirk & Son Sterling Silver Twisted Design Bangle Bracelet 14.57g B
Beau Sterling Silver Link Bracelet 7" Vintage Simple 7.4 G
Algeo Sterling Bracelet Stylized Flower Dimensional Plaque Heavy 3.05 Oz
Authentic Hermes Double Horse Head Vintage Gold Tone Bangle And 2 Matching Rings
Sterling Silver Bracelet Echo Of The Dreamer Mars And Valentine Estate Jewelry


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Seven Hills Motorcars is veryproud to offer this beautiful numbers matching 1972 Corvette Convertible with only 29,575 original miles, a
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1968 Corvette Coupe 454 V8 4-Speed Manual Transmission Red Exterior Black Interior Stock Number: 12-96 Miles: 33K* Price: *CALL US* Lots of
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This beautiful numbers matching L71 tri-power 427 cubic inch 435 horsepower Daytona Yellow Corvette has had a frame on restoration,
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1967 Corvette convertible. Full frame off restoration in 2015. Original 327/300 motor as born with. 4 speed trans, PS, PB,
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1967 Corvette Resto Mod, LS Z06 405hp engine, Comp. Cam, SLP Throttle Body, Z06 6-Speed Transmission, Abbott Computer, Gen 4
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Jet Black 1967 Chevrolet Corvette Coupe with Red Stinger and Matching Red interior, Body-Off Restored with very few miles since
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To be OFFERED AT AUCTION at Auctions America's Auburn Fall event, September 1-4, 2016.
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$ 75,000 - $ 85,000
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1967 Chevrolet Corvette9525 Miles1-of-1CoupeRally RedBlack InteriorL68 427/400hpFactory A/CPowerglide AutomaticRadio DeleteTank StickerBuilt in St LouisAll Original Mint InteriorHeadrestsPerfect ChassisTotally Restored SuspensionLacquer


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I don't understand the concept of first pass. Do they really mean "first pass ever" which I suppose would also mean humanity will never ever interact with this comet ever?
[emphasis mine] Why? (Assuming humanity lives in harmony on Earth for another few million years) It's non-periodic (the 'C' in C/2013 A1 (Siding Spring)) comet, so as far as we know, it will be the first and only pass through the inner Solar System.
22/7 is misleading, in that people often think it's an exact value.
Who says Pi or 22/7 don't have an exact values? 22/7 is mileading because it's a rational number while Pi is not.
It is impossible to enjoy idling thoroughly unless one has plenty of work to do. -- Jerome Klapka Jerome


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Manly 16ft Skiffs- Kofm tuning in at the right time
by James Bury on 18 Oct 2011
The Kofm on the way to another solid win - Manly 16ft Skiff Club Joe Murphy
When James May stuffed a few clothes in his backpack and headed off overseas a decade ago, he planned to back sailing within a year.
But 12 months abroad quickly became two years and before he knew it 10 had passed with only the occasional journey out on the ocean.
May eventually returned to Australia with a wife and two young children in tow and immediately felt the urge to return to the water.
He now needed to find a boat and some crew.
In a happy coincidence, two old sailing mates Mark Murden and Chris Madin had the boat and just needed a
'So we put the band back together,' May laughed after steering Kofm to handicap victory in Manly 16ft Skiff Club's spring pointscore race on Saturday.
'It's taken a few weeks but we're starting to find our feet.
'On handicap it's been going well - I think they've been pretty generous with the times - and we're improving our scratch performance every week which is good.'
The three Ms - May, Murden and Madin - sailed together in different two-man combinations in the 12ft class at Lane Cove during their teenage years.
But this is the first year the trio have sailed together on the one boat.
'I did the Aussie backpacking thing...went for a year and stayed 10,' May explained.
'I was mainly in the UK and Germany and sailing took a back seat apart from a bit of offshore racing.
'I was keen to get back into it when I returned home and the others guys had been sailing at Manly and told me it was a good club and the sailing was strong so here we are.
'So far so good.'
The fleet was recalled twice for false starts on Saturday before eventually getting away in a light nor' easter.
Kofm was slow to get going but gradually moved through the field to ensure its handicap win was never in any real damage.
After a rare slip in the club championship last weekend, Fluid Building Services (Clint Bowen) returned to winning ways in the scratch event.
Southerly (Chris Thomas) was second with Bigfoot Bags & Covers (Graeme Ferguson) third. Bridgestone B Select (Natalie Greentree) took out the 13-footers race from Bigfoot Bags & Covers (John Armstrong) and Bell Potter Securities (Declan Reilly).
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Posted today at 7:38 am
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Race seven got away under black flag with a pin end bias allowing those that end to tack and cross the fleet. First out was Thomas Hansson-Mild (SWE) and Mats Caap (SWE). Caap led around the top mark, but Hansson-Mild took the lead offwind and led to the finish to find his sail number on the black board for a black flag starting penalty, along with five others.
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Beautiful day in Santander for the 2016 PA Consulting and Allen RS Feva Worlds - perfect for sitting on the beach but wind was a premium commodity. Teams were focused, keen and eager but had to deal with the tough waiting for sufficient stable breeze to go racing.
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Over 600 sailors from 43 nations to participate in Laser Youth Worlds
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PA Consulting Allen RS Feva Worlds – Day 1
Following the 12 practice race recalls the fleet behaved for the first championship start, and got away first time.
Champagne stuff is very overused in sailing, but with temperature in the high twenties, 15kts average, three qualifying series races, your mates are your arch competitors it is at the very least aqua frizzante, or full fat coke and not the zero stuff. OK, after race one the wind did ease off and by race three it was more like 8-10kts.
Posted on 26 Jul
29er Worlds - Team Postma/Bramervaer wins opening day in Medemblik
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Posted on 26 Jul
KBC Laser Radial Youth & Men's Worlds - Shifty start on Dublin Bay
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Wednesday May 19, 2010 2:23 pm
iPhone OS 4.0 SDK beta 4 released
Posted by Andru Edwards - Categories: Apple, Cell Phones, Handhelds, Software
For all you iPhone and iPad devs out there, you can now head on over to the iPhone Developer Portal to grab iPhone OS 4 beta 4, which Apple just released, alongside beta 4 of the SDK. The software build is 8A274b, while the SDK build is 10M2252. Apple is right on time, continuing to deliver iPhone OS 4.0 betas about two weeks apart from each other, every other Tuesday. It should drop down to weekly releases sometime soon here, what with the iPhone Pro rumored to make its debut sometime next month.
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Extend the Prolog program outlined in questions 1 and 2 to include the additional family relationships of uncle, aunt, grandparent, and cousin. Also add a rule that defines parents (X, Y, Z) to mean that X and Y are Z's parents.
Questions 1–2
1. Translate the statement
Halfway = Length + Width
into the machine language of Appendix C, assuming that Length, Width, and Halfway are all represented in floating-point notation.
2. Translate the high-level statement
if (X == 0) : Z = Y + Welse: Z = Y + X
into the machine language of Appendix C, assuming that W, X, Y, and Z are all values represented in two's complement notation, each using one byte of memory.


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Which TV Pairing Do You Most Wish Was A Real Couple?
It's a golden age of True Pairings: there's the public coupling of Michael and Jackie (That 70's Show), as well as Jon Snow and Ygritte (Game of Thrones), plus unsubstantiated rumors of a romance between Mulder and Scully (The X-Files), and most recently, flirty pictures of a reunion between Dylan and Kelly (90210). Who would you be the most excited to see k-i-s-s-i-n-g in real life?
1. Jerry and Elaine
2. Kevin and Winnie
The Wonder Years
3. Sam and Diane
4. Angela and Jordan
My So-Called Life
5. Liz and Jack
30 Rock
6. Sherlock and Watson
7. Joey and Dawson
Dawson's Creek
8. Logan and Veronica
Veronica Mars
9. George Michael and Maeby
Arrested Development
10. Turk and J.D.
11. Coach and Tami
Friday Night Lights
12. Stabler and Benson
Law & Order: SVU
13. Amy and Rory
Doctor Who
14. Buffy and Angel
Buffy the Vampire Slayer
Great additions from the comments section:
16. Xena and Gabrielle
Xena Warrior Princess
17. Jim and Pam
The Office
18. Rachel and Ross
19. David and Maddie
20. Roseanne and Dan
Add your own favorite couples in the comments!
- It's Day 2 of the Democratic National Convention in Philadelphia. Here's what you need to know.
- Three Qaddafi henchmen who are wanted for embezzling millions from Libya have been found living comfortably in Britain.
- ISIS has claimed responsibility for a church attack that killed a priest in northern France on Tuesday.


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When asked how she felt about Star, Nene replied "Star is special...I wouldn't spit on her if she were on fire." Yikes! Take a look at what other shots Nene fired (pun intended) at Star during the interview in the clip below.
Get top stories and blog posts emailed to me each day. Newsletters may offer personalized content or advertisements.Learn more


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The Penthouse.
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Phil Drummond
Francesco Poggi
Little Boy Lost
'tek' launches on Friday 14th May with an aim to deliver a slice of what is happening in the depths of our fair city right smack bang in the centre of London.
With panoramic views of the city skyline 'tek' will have a monthly residency on the 7th floor of The Penthouse, No. 1 Leicester Square. The Penthouse is the top three floors of what used to be the legendary 'Home' Night club.
Each Month 'tek' will be bringing the cutting edge sounds of Tech House to the West End with established headliners and guests who are representing the scene in the dark corners of the Capital. We want to show the tourists what London clubbing is really about.
For the opening night we have asked Phil Drummond to join us. Phil has been a professional DJ since the early 90's. As a producer he has had 2 top 10 hits with 'Xpansions' and 'Maradonna', in collaboration with Richie Malone. He has performed internationally in locales such as China, Hong Kong, Russia, Siberia, Ibiza, USA, the Bahamas, and across Eastern Europe. He can currently be seen at many club nights across London and Europe and has a residency at the infamous Egg night club. With his tough bass driven sounds and immaculate mixing technique he is sure to knock the shit out of the West End! He's a very busy DJ, is exceptional at what he does and we have great pride in presenting him at the 'tek' opening party.
Also for the opening night we have Francesco Poggi. Originating from Italy he came to London in 2004 and has since made a considerable impact on the underground Techno scene. His blend of minimal, techno, progressive and tech house has seen him play at venues such as Privilege, Ibiza, Ministry of Sound, London and many other leading international nightclubs. Currently he can be seen playing regularly at Scenechronic, Londons techno Sunday morning after party. As a friend and as a superb talent of a DJ, it's with great pleasure to have Mr Poggi join us for the opening.
Join us as we showcase the sound that the Underground has been loving for far too long. Let's give the tourists something to talk about...
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!Ask a Mexican!: Donkey Stripes and Zoot Suits
Dear Mexican: Why do Mexicans paint stripes on their donkeys in Tijuana? —Avenida Revolución Reveler
Dear Gabacho: Same reason we put worms in tequila bottles, celebrate Cinco de Mayo, and star in Beverly Hills Chihuahua—to cheat gabachos out of cash. To paraphrase the classic dictum: A gabacho and his money in front of a Mexican tourist trap is a gabacho who deserves the Reconquista his wallet receives.
I grew up in the 1950s in Montebello, California. There was an enclave within the Mexican community known as pachucos. Are these guys still around? How and why did they come about? There was even a hit recording called "Pachuko Hop" in 1952. —Todavía Aterrorizado de L.A. del Este
Dear Still Terrified of East Los Angeles: "Pachuko Hop" by Chuck Higgins—now that was the jam! All assertive horns, swinging rhythm, and a trumpet that bounced like the chichis of a fine ruca . . . but I digress. Pachucos were nothing more than Mexican hep cats: guys and gals who dressed in zoot suits and other fine tacuches, liked to neck, spoke a unique argot called caló, and engaged in the occasional knife fight. Their roots span everywhere from El Paso (known to natives as El Chuco, and from where the word pachuco derives) to Harlem's Cotton Club (the primal pachuco is Cab Calloway, who popularized the zoot suit). The only reason you associated pachucos with delinquency is porque the ravenous press, which labeled them as outlaws and inspired the infamous 1943 Zoot Suit Riots, where many gabacho sailors and soldiers practiced their basic training by beating the living caca out of pachucos. Like all American "juvenile-delinquent" movements, pachucismo eventually faded away, and its only real legacy is the zoot suit, which many Mexican teenage boys wear if they appear in a quinceañera; the amazing Luis Valdez play and movie, Zoot Suit; and an easy dissertation topic for Chicano-studies majors.
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Why do Mexican parents insist on wrapping their newborn babies in a dozen cobijas in 90-degree heat? —El Chamuco
Dear Demon: Everything is wrapped for Mexicans. Our tamales. Our food inside a tortilla. Babies get the burrito treatment to protect them from the elements, to transform them into a shape better suited for lugging around, and to ensure the proper crisp that their skin needs to achieve that wonderful Mexican mocha-brown.
CONGRATULATIONS TO: Henry Cejudo, who won an Olympic gold medal in the 121-pound weight class for freestyle wrestling. He was born in los Estados Unidos, but both of his parents were Mexican illegals, which makes Henry an anchor baby. Let's see, Know Nothings: Anchor babies have died in Iraq, changed the diapers of catatonic elderly gabachos, and won an Olympic gold for the Stars and Stripes. The only thing I ever see ustedes do is whine. Who better serves the States again?
Get all your Mexican fun at myspace.com/ocwab, youtube.com/askamexican, or ask him a question at firstname.lastname@example.com!
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The new warehouse is the first facility in Vietnam to provide a super frozen storage room, which reaches as cold at -58 degrees Fahrenheit.
Meanwhile, just this Friday, the Shanghai Shipping Exchange said its Shanghai Containerized Freight Index declined 6.2 percent from last Friday's reading of 670.29 to a reading of 628.59.
William E. (Bill) Woodhour became president of Maersk Line, Ltd. (MLL) July 1 and will eventually become chief executive officer of the company, taking over from Russ Bruner, who has been president and CEO of MLL since 2014.
Registration takes less than 1 minute.
The Ocean Carrier Equipment Management Association said that a key benefit of the terminal weighing approach is that shippers will not be required to perform any additional actions in order to provide the verified gross mass of containers.
Forget playing the blame game, the fraught implementation of container weighing rules came down to the fact that the container shipping industry has no single trusted information source.
One of BNSF's two trains involved in the June 28 collision in Panhandle, Texas, which left three dead and one injured, passed through a stop signal at about 65 mph prior to the collision, according to a preliminary report issued by the National Transportat


text: AdChoices Terms of Use Privacy Policy Hide TOP 10 Top 10 Fitness Top 10: Summer Habits To Keep All Year Share Tweet 0 Shares 4. Eat more fish Finizio/Flickr Fish is good for the brain and the entire body, and it's tough to get enough of it when the weather is good. Whether it's grilled on the barbecue or cooked inside with lots of fresh vegetables, fish might be something that appears on your plate regularly in the summer. In the winter, your menu might shift to heavier comfort foods, but remember fish's health benefits and incorporate it as much as you can. Next Page TOP 10 9 8 7 6 5 4 3 2 1 Comments Share your opinion Your name More Like This Top 10 Dating Treat Her Breasts Like This And She'll Never Forget Tonight Read More Top 10 Dating 10 First Date Faux Pas That Will Instantly Ruin Your Chances Read More Top 10 Dating It's Time To Break Up If Your Relationship Looks Like This Read More Top 10 Better Man 10 Bedroom Lessons You Should Learn From Your Younger Self Read More Top 10 Dating Moving In Together? Here's How To Make Sure Your Relationship Survives Read More Top 10 Entertainment The 10 Greatest Film Trilogies Of All Time Read More Around the Web Special Features Guy Gear The Best Watches Under $500 Read More Special Feature The Ultimate Guide To Hooking Up Online Read More


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Selected fares from Shreveport to Hayden
Flights from Shreveport
Shreveport Regional Airport
Traveling from Shreveport is easy with Orbitz.com. With a few clicks of your mouse, you can review prices from multiple airports and find the best deal for your trip. The Shreveport Regional Airport serves a large region including northern Louisiana, eastern Texas and the southwestern corner of Arkansas. It is also the closest airport to the Barksdale Air Force Base as well as the Shreveport casino district and Bossier City. Four airlines serve Shreveport, including American Airlines, Delta, United and Allegiant. Located just off Interstate 20, the airport is within minutes from all parts of Shreveport.
Parking at the Airport
Hourly, daily and quick-parking lots are all available at the Shreveport Regional Airport. For vehicles remaining a short time for drop-off or pick-up, a nominal rate is charged for the first twenty minutes. Long-term parking is charged by the day. All parking facilities are located right next to or across from the main terminal building, giving you several affordable and convenient parking options.
Transportation to the Airport
The average fare for a taxi service from the airport to either Shreveport or Bossier City is under $20.
Shreveport Regional Airport Restaurants
Tailwind Bar & Bistro is available in the pre-security area of the airport. This is the perfect opportunity for travelers to share a meal with friends and family prior to departing. Tailwind also operates several smaller locations along airport concourses, perfect for grabbing fast drinks and meals while waiting to board.
Flights to Hayden
Airports in Hayden
If you are looking for cheap flights to Hayden, Colorado, check Orbitz.com to find great deals on your next air ticket. The Yampa Valley Airport provides service to Hayden and all of northwest Colorado. It is located just three miles from downtown Hayden. American, Delta and United provide domestic service to the airport.
Transportation from the Airport
There are three car-rental companies, Avis, Budget and Hertz, located in the airport. Go Alpine offers shuttles from the airport. Reservations are not required during the ski season but are recommended at other times. Some hotels may also offer shuttle service from the airport, but check before your arrival to be sure. Orbitz.com works with car-rental companies to find you the best rates.
Weather in Hayden
Hayden has four distinct seasons. The average highs in the summer reach into the 80s, while the average lows in the winter are in the single digits. Spring and fall are mild, and winters can be snowy. If you are visiting in the colder months, make sure to bring a heavy coat, gloves and boots.
Major Attractions in Hayden
Hayden is a great place to visit if you enjoy outdoor activities. Backpacking, hiking and biking are popular pastimes. There are three national parks located in the vicinity: Stagecoach, Steamboat Lake and Pearl Lake, and Elkhead Reservoir. Located 20 miles east of Hayden, Steamboat Springs is a popular skiing destination. There are even dogsled tours. If you are planning a trip, check Orbitz.com for cheap flights to Hayden that will make it easy to stay within your budget.
More to explore for Shreveport to Hayden
Explore Hayden with Orbitz's Travel Guides to find the best flights, cars, vacation packages and more!
Flights from Cities near Shreveport
Flights to Cities near Hayden
Other Flights to Hayden
- Chicago to Hayden
- Rome to Hayden
- Aspen to Hayden
- Grand Junction to Hayden
- Green Bay to Hayden
- Jackson to Hayden
- Moline to Hayden
- Marquette to Hayden
- Nadi to Hayden
- Puebla to Hayden
- Redding to Hayden
- San Diego to Hayden
- Kelowna to Hayden
- Hebron to Hayden
- Windsor to Hayden
- Toluca to Hayden
- Atlanta to Hayden
- Austin to Hayden
- Baltimore to Hayden
- Charlotte to Hayden
Other Flights from Shreveport
- Shreveport to Chicago
- Shreveport to Los Angeles
- Shreveport to New York
- Shreveport to Orlando
- Shreveport to Charlotte
- Shreveport to Cleveland
- Shreveport to Dallas
- Shreveport to Detroit
- Shreveport to Houston
- Shreveport to New Orleans
- Shreveport to Phoenix
- Shreveport to San Francisco
- Shreveport to Toronto
- Shreveport to Washington
- Shreveport to Rome
- Shreveport to Edmonton
- Shreveport to Hartford
- Shreveport to Sacramento
- Shreveport to Waco
- Shreveport to Amarillo
Fare, taxes & fees: Fares include all taxes and fees, except baggage fees. Rates shown reflect fares found by other Orbitz users over the past 48 hours. Due to rapidly changing airline prices & seat availability, these fares may no longer be available.
Refunds/changes/cancellations: Itinerary changes, if permitted for the fare, will have a $30 service fee charged by Orbitz. Additional airline charges may apply.
Other conditions: Schedules, fares and rules are subject to change without notice. Seats are limited and may not be available on all flights/dates or in all markets. Lower fares may be available. Fares will not be honored retroactively or in exchange for any wholly/partially unused ticket. Tickets are non-transferable and non-refundable. Fare rules are provided for the selected itinerary before booking.


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Free forum : FORUM ONLINE ONLY FOR NIMBUZZER
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First Person: Bears in Alaska, On Camera
Charles Annenberg of the Anneberg Foundation and explore.org talks about an initiative that has live cameras in the Katamai National Park in Alaska to observe brown bears and the migration of salmon. (July 24)
DNC 2016 Day 2 recap Bill Clinton: Hillary's 'the best darn changemaker' Hillary Clinton wins nomination, New York delegates react Gov. Andrew M. Cuomo speaks about Bernie Sanders Black Lives Matter protest: 'Don't vote for Hillary' Hillary Clinton nominated Sanders makes Clinton the Democratic Party's nominee Michelle Obama takes a dig at Trump: 'When they go low, we go high' HBO 'Real Sports' looks at sewage issue in Rio HBO's 'Real Sports' on hospitals in Rio Bernie Sanders addresses NY delegation breakfast Newsday reporter: 'Unconventional start' to first day of DNC Convention