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Collection Aaron Copland CollectionHide Featured Items
Featured Items
Aaron Copland in Paris, early 1920s
Aaron Copland with Marian Anderson, rehearsing "Lincoln ...
Aaron Copland with Leonard Bernstein, ca. 1940
Aaron Copland under umbrella, University of Kansas, 1973
Aaron Copland and Clarence Adler at Lake Placid, 1925
Aaron Copland by candlelight, studio in the Berkshires, ...
Aaron Copland with car; probably at Yaddo, ca. 1932
Aaron Copland at his piano, Rock Hill, 1978
Aaron Copland conducting in rehearsal at the Shed, Tanglewood
Aaron Copland 70th birthday celebration: Claire Reis, Copland, ...
The inaugural online presentation of the Aaron Copland Collection at the Library of Congress celebrates the centennial of the birth of the American composer Aaron Copland (1900-1990). The multiformat Aaron Copland Collection from which the online collection derives spans the years 1910 to 1990 and includes approximately 400,000 items documenting the multifaceted life of an extraordinary person who was composer, performer, teacher, writer, conductor, commentator, and administrator. It comprises both manuscript and printed music, personal and business correspondence, diaries, writings, scrapbooks, programs, newspaper and magazine clippings, photographs, awards, books, sound recordings, and motion pictures.
The first release of the online collection contains approximately 1,000 items that yield a total of about 5,000 images. These items date from 1899 to 1981, with most from the 1920s through the 1950s, and were selected from Copland's music sketches, correspondence, writings, and photographs.
Aaron Copland devoted his life as a twentieth-century composer to fostering, developing, creating, and establishing distinctive "American" music. He became known as the "Dean of American Music," a sobriquet with which he was uncomfortable. His name is synonymous with Appalachian Spring —the winner of the 1945 Pulitzer Prize in Music—and Fanfare for the Common Man.
Copland extensively documented the many facets of his life in music, and theAaron Copland Collection at the Library of Congress reflects the entire breadth of his endeavors. Beginning in the late 1950s and early '60s, Copland periodically deposited his original music manuscripts at the Library of Congress and subsequently converted them to gifts. In the fall of 1989, he donated all his papers to the Library. The collection numbers approximately four hundred thousand items, dating from 1910 to 1990 with a few nineteenth-century photographs, and includes his music manuscripts, printed music, personal and business correspondence, diaries and writings, photographic materials, awards, honorary degrees, programs, and other biographical materials. It is the primary resource for research on Aaron Copland and a major resource for the study of musical life in twentieth-century America generally, particularly from the 1920s to the 1960s.
The online Aaron Copland Collection comprises approximately one thousand items selected from Copland's music sketches, correspondence, writings, and photographs. The items are represented in about five thousand digitized images, the earliest an 1899 photograph and the latest a 1986 letter. While the original collection contains almost all Copland's music manuscripts and printed scores, the online collection presents the original music sketches that Copland used in composing thirty-one works spanning the years 1924 to 1967 and covering every medium in which he composed: orchestral, ballet, opera, film, chamber, solo piano, and vocal music.
The correspondence in the online collection comprises images of approximately eight hundred letters, postcards, and telegrams from Copland that have been selected from the Aaron Copland Collection and other collections in the Music Division at the Library of Congress. Besides letters to his parents and other family members in the 1920s and 30s, the correspondence includes Copland's letters to his Parisian teacher Nadia Boulanger, the conductor Serge Koussevitzky, and others such as Nicolas Slonimsky, Roger Sessions, Carlos Chávez, Walter Piston, Leonard Bernstein, and Benjamin Britten.
As an advocate and supporter of American music and American composers, Copland frequently wrote articles, presented lectures, and delivered speeches. The online Aaron Copland Collection presents eighty-six of Copland's previously unpublished drafts. These show the creative process through which he wrote about his own music, other composers and their music, and other people who played important roles in his musical life.
Of the twelve thousand photographic materials in the Library's Aaron Copland Collection, 111 items have been chosen for online presentation. Many were created by Copland's friend Victor Kraft, a professional photographer. They include portraits of Aaron Copland at various ages and places, with family members, with other composers, and with other people associated with his career as a composer and conductor, as well as images from his worldwide travels.
The Copland Letters
"The man is in the letters," said Vivian Perlis of Aaron Copland, whose autobiography she helped to write. The online Aaron Copland Collection contains digitized images of over eight hundred letters, postcards, and telegrams from Aaron Copland covering the years from 1921 to 1986. Searchable texts of all published letters, postcards, and telegrams in the collection are also available.
The letters reproduced in the collection represent, though they do not exhaust, the holdings of Copland's correspondence in the Music Division of the Library of Congress. In general they constitute significant runs of letters to people important in Copland's life. (Problems of copyright and volume preclude making letters to Copland available online.) Every attempt has been made to include all the letters in the Music Division that Copland wrote to each correspondent represented, the one exception being the letters to Harold Spivacke, which constitute only a part of Copland's voluminous and largely business-related correspondence with the Music Division's former chief.
These letters come from many collections in the Music Division. Besides material from the Aaron Copland Collection, they contain material from the Leonard Bernstein Collection, the Elizabeth Sprague Coolidge Collection, the Jacobo Ficher Collection, the Irving Fine Collection, the Louis Kaufman Collection, the Serge Koussevitzky Collection, the Modern Music Archives, the Walter Piston Collection, the Nicolas Slonimsky Collection, the William Strickland Collection, and the papers of the Joint Army and Navy Committee on Welfare and Recreation, Sub-Committee on Music.
The letters Copland wrote that are in the Copland Collection proper came back to him in various ways. He inherited his letters to his parents after their deaths. In the 1970s, when he began to think of writing his autobiography, he asked several of his friends and colleagues to send him photocopies of his letters. Some replied with photocopies, some by returning the letters themselves. Some responded with many letters, some with just a few.
Copland seldom made carbons copies of his outgoing correspondence. The few periods in his life for which the Copland Collection is rich in carbon copies are the brief intervals when he had a secretary: in 1943 while working on the film The North Star; during his South American tour in 1947; in the fall of 1958 when he was staying in London and presumably was provided with a secretary by his publisher, Boosey & Hawkes. Because they were obviously dictated to a secretary, these letters have the flavor of Copland's post-1940 correspondence but are not particularly trenchant, lacking the distinctive qualities that came forth when Copland himself sat down to write.
The following individuals are the major correspondents represented in the letters portion of this online collection. They are listed with the source collection for Copland's letters to them or, in the case of material in the Copland Collection itself, with an indication of whether the letters are originals or photocopies.
Arthur Berger (Copland Collection; photocopy). The online collection contains a single letter to this writer of the first book-length study of Copland; it is perhaps the most evocative of Copland's letters describing his Mexican visits.
Leonard Bernstein (Bernstein Collection). Copland's protégé in the late 1930s and early 1940s, Bernstein became one of the leading champions and interpreters of Copland's music.
Nadia Boulanger (Copland Collection; originals). Copland's principal teacher and mentor. His Nonet is dedicated to her.
Paul Bowles (Copland Collection; originals). Composer and novelist. The two letters in the Copland Collection seem to have been part of a voluminous and regular correspondence.
Benjamin Britten (Copland Collection; photocopies). English composer. The first set of Old American Songs was written for Britten and his collaborator Peter Pears. Britten's side of the correspondence is published in Donald Mitchell et al., eds., Letters from a Life: The Selected Letters and Diaries of Benjamin Britten, 1913-1976 (2 vols., Berkeley: University of California Press, 1991).
Carlos Chávez (Copland Collection; photocopies). Mexican composer; one of Copland's principal composer friends. As a conductor, Chávez performed Copland's Short Symphony when American conductors had declared it unperformable. Chávez's side of the correspondence and slightly abridged versions of Copland's letters are published in Spanish translation in Gloria Carmona, ed., Epistolario selecto de Carlos Chávez (México: Fondo de Cultura Económica, 1989).
Israel Citkowitz (Copland Collection; originals). Citkowitz was a slightly younger composer (1909-1974), gifted in song and chamber music, for whom Copland had high hopes. The online collection contains all Copland's letters to Citkowitz in the Copland Collection.
Elizabeth Sprague Coolidge (Coolidge Collection). American patron of chamber music. She commissioned from Copland (and thus had dedicated to her) Appalachian Spring and the Piano Quartet.
Jacobo Ficher (Ficher Collection). Argentinian composer. Copland's letters to him document his interest in South American music.
Irving and Verna Fine (Irving Fine Collection). Irving Fine was a composer and younger colleague of Copland whose choral arrangements of several of Copland's Old American Songs have given them a life as choral works. Copland shared houses with Irving and Verna Fine for several summers at Tanglewood. After Irving Fine's death in 1962 Copland continued to be supportive of Verna Fine, and his letters to her retain warmth and sparkle to the end of his letter-writing years. Copland dedicated "Sleep Is Supposed to Be," one of the two central songs of his Twelve Poems of Emily Dickinson, to Irving Fine. The Irving Fine Collection also contains letters from Copland to Verna Fine's mother, Florence Rudnick, in whose Boston apartment he sequestered himself to write In the Beginning.
Serge, Natalie, and Olga Koussevitzky (Koussevitzky Collection). Serge Koussevitzky, conductor of the Boston Symphony from 1924 to 1949, was the first performer to champion Copland's music in America and remained a supporter of Copland (and of many other American composers) until his death. Copland, in turn, was a major help to Koussevitzky from 1940 on in the running of the Berkshire Music Festival at Tanglewood. Copland's letters to Koussevitzky's first wife, Natalie, are, for the most part, social; his letters to Koussevitzky's second wife, Olga (Olga Naumoff, Koussevitzky's secretary, until 1947), concern the running of Tanglewood. Copland's Third Symphony is dedicated "To the memory of Natalie Koussevitzky."
Minna Lederman (Modern Music Archives). Lederman was editor of the journal of the League of Composers, Modern Music, which was published from 1924 to 1946. Copland was a major contributor to the magazine and a trusted advisor to Lederman.
Marcelle de Manziarly (Copland Collection; originals). French composer, Boulanger student. Copland dedicated "Heart, We Will Forget Him," the fifth of hisTwelve Poems of Emily Dickinson, to de Manziarly.
Olga Naumoff: see Serge, Natalie, and Olga Koussevitzky.
Walter Piston (Piston Collection). American composer. The body of Piston's correspondence is in the Boston Public Library; the one letter in this online collection represents the small but important collection of letters to Piston from the years 1931-55 that is in the Music Division of the Library of Congress.
Florence Rudnick: see Irving and Verna Fine.
Roger Sessions (Copland Collection; photocopies) American composer; co-producer with Copland of the Copland-Sessions Concerts during the years 1928-31.
Nicolas Slonimsky (Slonimsky Collection; some early letters in the Koussevitzky Collection). Musical polymath. During most of the period in which Copland corresponded with him he was musical secretary to Koussevitzky; the jokey letters to the incorrigibly humorous Slonimsky serve to balance Copland's oh-so-serious letters to Koussevitzky himself.
Harold Spivacke (Coolidge Collection; Joint Army and Navy Committee on Welfare and Recreation, Sub-Committee on Music). Chief of the Music Division of the Library of Congress, 1937-1972. Spivacke's tact and unflappable serenity kept the commissioning of Appalachian Spring on course.
William Strickland (Strickland Collection). American conductor. Some of the letters in this online collection are concerned with Strickland's editorship of the H. W. Gray organ series, for which Copland wrote his Episode.
"The man is in the letters." It might then seem as though a collection of more than eight hundred letters, postcards, and telegrams from Aaron Copland would give a complete portrait of the man and the composer. However, users of this online collection should remember that these letters represent only the holdings of the Music Division of the Library of Congress. At least equally important are Copland's letters to Virgil Thomson (at Yale University); Claire Reis and William Schuman (at the New York Public Library); Howard Clurman, David Diamond, and Walter Piston (at the Boston Public Library); and several others. To each of his correspondents Copland shows a slightly different aspect of his personality, so the letters in this online collection provide a detailed self-portrait if not a complete one.
The Copland Sketches
This online collection contains approximately 2500 pages of Aaron Copland's sketches for his music, representing thirty-one of his works—thirty-three if one includes the Sextet and the Orchestra Variations, covered by the sketches for the Short Symphony and Piano Variations respectively. Representing many of Copland's best-known and most significant works, the sketches are often revelatory. Except for some miscellaneous accompanying material, the online collection includes all the sketches for the works in the online collection.
There are works for which the Library of Congress's archival Copland Collection contains no sketches. These include some of the early works and the Lincoln Portrait. Those who are interested in finding out whether the Library has sketches for a particular work not represented in the online collection, or curious about whether one of the works included has any material not presented online, should consult the Copland Collection Finding Aid.
Within the sections of the online collection, the sketches are presented as much as possible in the order in which they were received from Aaron Copland or his estate. They have been much used by scholars, and they represent Copland's not always systematic use of music-paper. Some sets of sketches have been numbered by stamp at their top left- or right-hand corner; this numeration was done by the Library of Congress when the sketches were filmed in the mid-1970s and do not represent Copland's numbering. When two separate sets of sketches exist for a single work, they are presented here as two separate items. (Note: The page numbers of some of these sketches may not appear in numerical order online. However, they are presented here in exactly the order that Copland produced them.)
The sketches reveal to scholars the history of Copland's work on the compositions, but they can also mean something to the general reader. The sketches for the Piano Variations, the Short Symphony, and the Fanfare for the Common Man show Copland searching for titles to do justice to three of his most characteristic works; the sketches for Twelve Poems of Emily Dickinson show him deciding what poems to include in the cycle; the sketches for Billy the Kidshow that the opening music was first intended to be the start of Music for Radio— which now begins with much more complex music.
The Copland Photographs
The photographic materials in the Library of Congress's Aaron Copland Collectionnumber more than twelve thousand items spanning the years 1889 to 1985 and include both black and white and color prints, contact sheets, 35-mm negatives, color slides, and photograph albums. A substantial number of photographs were taken by Copland's lifelong friend, the professional photographer Victor Kraft. Widely known photographers whose work can be found in the collection include Carl Van Vechten, Irving Penn, Gordon Parks, and Margaret Bourke-White. The subject material comprises an inclusive chronology of Copland's life and includes Copland's family; Copland himself throughout his life; friends; acquaintances; fellow composers and other people with whom he worked; places where he studied, composed, or visited; and special events.
From this vast collection, 111 photographs have been initially selected for the online collection. The digitized images fall into five broad categories: Family ; Copland Alone; Copland's Music; Copland with Other Composers and People; and Places and Events. Photographs that cannot be dated precisely or approximately have been given the designation of "middle" or "late."
Of the seven family photographs, one is a formal sitting of Copland's paternal grandparents and three of their children, while another shows Copland's parents, Sarah and Harris Copland, in front of their department store in Brooklyn, New York, in 1922. The other five capture Copland with other family members.
Aaron Copland Alone
The twenty-four photographs of Copland alone show him both formally and informally and at a range of ages from six to his seventies. Several feature Copland at his home, Rock Hill, in Courtlandt near Peekskill, New York.
Copland's Music
Twenty-one photographs capture performances or rehearsals of thirteen musical works. The orchestral works represented are the Piano Concerto, in a photograph showing Copland at the piano and André Previn conducting; the Clarinet Concertowith Benny Goodman as the soloist and Copland conducting the Los Angeles Philharmonic; and the Lincoln Portrait in two rehearsal photographs, one in color with Marian Anderson as the speaker and the other with Adlai Stevenson, both with Copland conducting. The two ballets represented are scenes from the premiere performance of Appalachian Spring at the Library of Congress and Billy the Kid, which was premiered by Lincoln Kirstein and the Ballet Caravan.
Three of the eight films for which Copland wrote music scores are illustrated in this online collection. Production stills represent The North Star and The Red Pony. There are also two informal photographs of the making of The Red Pony depicting Copland with the pony and the young boy and one studio-recording shot of Copland conducting the music for Something Wild that shows the star, Carroll Baker, in a television monitor.
One chamber work is represented in a rehearsal of the Nonet at the Library of Congress with Copland conducting. Two photographs depict William Warfield with Copland during rehearsals of Old American Songs. There is also a stage shot of the opera The Tender Land.
Copland with Other Composers and People
Numerous photographs capture Copland with fellow composers, including Leonard Bernstein, Carlos Chávez, Norman Dello Joio, Samuel Barber, Gian Carlo Menotti, Irving Fine, Arthur Berger, Douglas Moore, Benjamin Britten, Darius Milhaud, Philip Ramey, Walter Piston, Domingo Santa Cruz, Virgil Thomson, Roger Sessions, and Igor Stravinsky. He is also shown with such notable cultural figures and musicians as Artur Rubinstein, Claire Booth Luce, Clarence Adler, Nadia Boulanger, Victor Kraft, Vivian Perlis, Claire Reis, Jack Garfein, Thorton Wilder, Serge Koussevitzky, Agnes de Mille, and Oliver Smith.
Places and Events
The group of photographs entitled Places and Events shows Coplan Fontainebleau and Aldeburgh; in Paris, Germany, England, Peru, Israel, and Mexico; at Nadia Boulanger's studio with other students; at the MacDowell Colony, Yaddo, and Tanglewood; and at the University of Kansas, Brown University and Columbia University.
The Copland Writings
Aaron Copland was best known first as a composer and later, in the 1960s and '70s, as a conductor. His name is less frequently associated with literary endeavors. The Writings portion of the Aaron Copland Collection suggests that in this respect his reputation should perhaps be revised: it includes a vast array of articles, lectures, speeches, book drafts, and radio and television commentaries that span the years 1925 to 1988. The long stream of Copland's literary efforts began with an article written for publication in 1925, shortly after his return to the United States from three years in Paris, and continued into the late 1970s and early 1980s. He displayed the same technique in his writings that he did in his music: that is, a frequent self-borrowing in which he used the same material in different media.
The writings selected for this online collection comprise eighty-six items. The selections represent unpublished drafts of material for articles, lectures, and speeches. Some selections display Copland's literary processes in thoughtful revisions, word changes, rearranging, and other editorial techniques. He usually began with handwritten notes or drafts and proceeded through several typewritten drafts before creating a final unmarked typewritten version. (Example: "A Visit to Snape," Version 2 and Version 3 ) Not every literary work in the Aaron Copland Collection illustrates this transformation, however. The lectures and speeches display another aspect of Copland's literary endeavors: the fact that he underscored almost every word in red or blue pencil. Because he probably made these markings to help him deliver his speeches, they recapture something of the sound as well as the thought of his vocal presentations. They also add a colorful element to the handwritten and typed drafts.
Like many conductors, Copland used a similar device in his conducting scores, where red and blue pencil markings draw the eye to changes in time signature, dynamics, and the entrances of instruments. [Example: "Talk on Leonard Bernstein"]
Whatever their intended uses, the online examples of Copland's unpublished writings can be grouped into four categories: autobiographical, about Copland's music, about other composers, and about other people.
The two autobiographical titles contrast the esoteric concerns of "Music and the Human Spirit", in which Copland addresses "the creation of an art music" as one of "humanity's truly unique achievements," with the practicality of "The Composer as Conductor" in which he recalls that "Some twenty years ago, during the course of a memorable evening at the Stravinskys' home in Los Angeles, the venerable maestro turned to me and said in no uncertain terms: 'My dear, you should conduct your own music. All composers should conduct their own music!'"
The writings about Copland's music highlight eleven of Copland's compositions in five different media. Writings on two ballets describe his collaboration with Martha Graham (Appalachian Spring) and his work with Lincoln Kirstein on the story forBilly the Kid, ("About Billy the Kid" and "Notes on a Cowboy Ballet"). Copland discusses the creation of his three major solo piano works, Piano Fantasy", "Piano Sonata," and "Piano Variations," in two different lectures under the title Compositional Phases [on My Three Piano Works]." An article about the 1925 orchestral work Music for the Theatre summarizes the reaction of audiences, musicians, and reviewers in the United States and Europe, including the performance by the New York Symphony Orchestra in which its conductor, Dr. Walter Damrosch, had "revenge in the end." Copland wrote A Visit to Snape for a tribute to Benjamin Britten on his fiftieth birthday; in it, he extols the "kind of composer rapport" between them and the "exchange of musical impressions" between his own "The Second Hurricane" and Britten's Piano Concerto No. 1.
As the composer of several film scores, Copland was frequently asked to lecture or write about composing for the movies. In his discussions on the subject, Copland speaks not only about his experiences and the scores he wrote, but about other film composers and working in Hollywood. In "Film Music", a lecture given at the Museum of Modern Art Film Library in 1940, Copland briefly describes Hollywood and the mysterious nature of film music. He talks about the music he wrote for the film Of Mice and Men; four film composers, Eric Korngold, Max Steiner, Alfred Newman, and Herbert Stoddard; and some of their film scores. By the time he gave the lecture "Film Talk" at the Metropolitan Museum of Art in 1971, Copland's credentials as a film composer included six feature films and two documentaries. On that occasion, excerpts from three features (Something Wild, The Red Pony, and The Heiress) and one documentary (The City) were screened as he commented on how music may help a film and how one sets music to a film.
The largest category of writings in this online collection centers on Copland's views about other composers. In these works, Copland speaks not only about his American contemporaries but about Mozart ("At the Thought of Mozart"), Berlioz ("Berlioz - from the Composer's Standpoint"), and Pierre Boulez;Composers in Russia and the Composers of South America; Michael Tippett ("Cousin Michael"), Darius Milhaud, Dmitri Shostakovitch ("Dmitri Shostakovitch and the New Simplicity"), Gabriel Fauré, Franz Liszt, Gustav Mahler ("Mahler (XX Cent[ury]"), Igor Stravinsky, Serge Prokofieff [Sergey Prokofiev] ("On the Occasion of the 70th Birthday of Serge Prokofieff") , Benjamin Britten ("Special Fondness for B.B. [Benjamin Britten]") , and Zoltán Kodály. Copland was concerned above all with educating others about composers and their music, and in these writings he sometimes presents his personal viewpoints and reflections. At the National Arts Club in 1968, for example, he spoke about Leonard Bernstein's gifts and how it was "impossible to imagine the American musical scene in the last quarter century without him." [Example: "LB"]
As Copland lived on through the century, he was asked to write celebratory epistles or obituaries about many of his contemporaries, whether they were composers or others who had influenced his life. These writings about other people offer Copland's portraits of his Parisian teacher, Nadia Boulanger ("Intro[duction] of N[adia] Boulanger as Teacher"); his early theory teacher, Rubin Goldmark("Rubin Goldmark: A Tribute"); his publisher, Ralph Hawkes ("Ralph Hawkes: In Memoriam") ; his friend and colleague at the League of Composers,Claire Reis; and his long-time supporter, the conductor of the Boston Symphony Orchestra, Serge Koussevitzky ("Serge Koussevitzky - The 100th Anniversary [unpublished writings]"). "It is almost forty years since first I rang the bell at Nadia Boulanger's Paris apartment . . . " begins the 1960 tribute to his teacher, ("The Teacher: Nadia Boulanger"), the person who was most influential in molding and forming the composer Aaron Copland.
Rights and Access
The Library of Congress is providing access to The Aaron Copland Collection for educational and research purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemptions. Note that there may be U.S. copyright protection (see Title 17, U.S.C.) or other restrictions in the materials in The Aaron Copland Collection, and there may be content protected by copyright or neighboring-rights laws of other nations. See our Legal Notices and Privacy and Publicity Rights for additional information and restrictions.
Materials created by persons outside the Copland family may in some cases be subject to copyright. In many of these cases, we were unable to identify a possible rights holder and have elected to place some of those items online as an exercise of fair use for strictly non-commercial educational uses. We invite users to contact us with any information they may have particularly with regard to any items indicated as unidentified.
Responsibility for making an independent legal assessment of an item and securing any necessary permissions ultimately rests with persons desiring to use the item.
Credit Line: Library of Congress, Music Division
For guidance about compiling full citations, consult How to Cite Electronic Sources on the Learning Page.
General Credit for Copland Materials
Correspondence, Writings and Music— Used by permission of the Aaron Copland Fund for Music, Inc., copyright owner. For musical works, contact the Business Affairs Department, Boosey & Hawkes, Inc., 35 East 21st Street, New York, NY 10010, fax (212) 358-5305. For all other Copland materials, contact The Aaron Copland Fund for Music, Inc., 254 West 31st Street, 15th floor, New York, NY 10001, (212) 461-6956, fax: (212) 810-4567.
Photographs - used by permission of The Aaron Copland Fund for Music, Inc., 254 West 31st Street, 15th floor, New York, NY 10001, (212) 461-6956, fax: (212) 810-4567. The Fund's permission is limited to the right to reproduce the image of Aaron Copland. All rights to use individual photographs are controlled by the respective owners of the copyrights in those photographs. For those listed as unidentified, we invite users to contact us with any information they may have with regard to those items.
View all credits for individual photographs.
Articles - The following articles are included in this collection with permission as indicated:
Leonard Bernstein. "Aaron Copland--An Intimate Sketch." High Fidelity/Musical America. November, 1970. Used by permission of Musical America External, 10 Lake Drive, Hightstown, NJ 08520.
All of the following were originally published in "A 75th Birthday Tribute to Aaron Copland" from Schwann-1 Record and Tape Guide. November, 1975:
Nadia Boulanger. "Tribute to Aaron Copland." Used by permission of the Secretaire general, Fondation Internationale Nadia et Lili Boulanger, 25, Av. Des Gobelins, 75013 Paris, France.
Harold Clurman. "My Friend Aaron." Used by permission of Ellen Adler, 35 West 9th Street, Apt. 6B, New York, NY 10011.
Olga Koussevitzky. "A Wise and Trusted Friend." Used by permission of the Koussevitzky Music Foundation, Inc., copyright owner. 254 West 31st Street, 15th floor, New York, NY 10001, (212) 461-6956, fax: (212) 810-4567.
William Schuman. "A 75th Birthday Tribute." Used by permission of Andrea F. Schuman and Anthony W. Schuman. For further information, please contact the Music Division at the Library of Congress.
Leonard Bernstein. "Aaron and Moses." Used by permission ofThe Leonard Bernstein Office, Inc., 121 West 27th St., Suite 1104, New York, NY 10001.
More about Copyright and other Restrictions
For guidance about compiling full citations consult Citing Primary Sources.


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My sister is babysitting my daughters today and she sent me this picture...my 2 year old Mia bit her almost 2 year old Riley over a toy.
It is normal for toddlers to bite, but why do they bite? There are many reasons, but one of the most common ones is because they don't know how to vocalize what they're feeling. In this case Mia didn't know how to ask Riley to share the toy.
How to prevent biting? If you see it coming you can try to distract your toddler, but that's not very likely because toddlers act fast. You're most likely going to deal with this after the fact so remain calm, speak in a firm voice and tell your child, "No biting. Biting hurts." Then turn your attention to the child who was bitten. Giving too much attention to the biter even though it is negative attention could send mixed messages. Turning your attention to the hurt child also teaches empathy. Before resuming normal activities talk to the biter and tell them what they should have done instead of biting and hurting the other child. Finally help them move on by asking them what they would like to play.
All these phases that toddlers go through can be stressful, but it doesn't last long.
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38 U.S. Code § 5310 - Payment of benefits for month of death
(a) In General.—
(1) A surviving spouse of a veteran is entitled to a benefit for the month of the veteran's death if—
(A) at the time of the veteran's death, the veteran was receiving compensation or pension under chapter 11 or 15 of this title; or
(b) Claims Pending Adjudication.— If a claim for entitlement to compensation or additional compensation under chapter 11 of this title or pension or additional pension under chapter 15 of this title is pending at the time of a veteran's death and the check or other payment issued to the veteran's surviving spouse under subsection (a) is less than the amount of the benefit the veteran would have been entitled to for the month of death pursuant to the adjudication of the pending claim, an amount equal to the difference between the amount to which the veteran would have been entitled to receive under chapter 11 or 15 of this title for the month of the veteran's death had the veteran not died and the amount of the check or other payment issued to the surviving spouse shall be treated in the same manner as an accrued benefit under section 5121 of this title.
Source(Added Pub. L. 87–825, § 4(a),Oct. 15, 1962, 76 Stat. 950, § 3110; amended Pub. L. 98–160, title VII, § 703(3),Nov. 21, 1983, 97 Stat. 1010; renumbered § 5310 and amended Pub. L. 102–40, title IV, § 402(b)(1), (d)(1),May 7, 1991, 105 Stat. 238, 239; Pub. L. 104–275, title V, § 506(a),Oct. 9, 1996, 110 Stat. 3343; Pub. L. 105–114, title IV, § 401(f),Nov. 21, 1997, 111 Stat. 2294; Pub. L. 112–154, title V, § 507(a),Aug. 6, 2012, 126 Stat. 1194.)
2012—Pub. L. 112–154, § 507(a), amended section generally. Prior to amendment, text read as follows:
"(a) If, in accordance with the provisions of section 5110 (d) of this title, a surviving spouse is entitled to death benefits under chapter 11, 13, or 15 of this title for the month in which a veteran's death occurs, the amount of such death benefits for that month shall be not less than the amount of benefits the veteran would have received under chapter 11 or 15 of this title for that month but for the death of the veteran.
"(b)(1) If the surviving spouse of a veteran who was in receipt of compensation or pension at the time of death is not entitled to death benefits under chapter 11, 13, or 15 of this title for the month in which the veteran's death occurs, that surviving spouse shall be entitled to a benefit for that month in the amount of benefits the veteran would have received under chapter 11 or 15 of this title for that month but for the death of the veteran.
"(2) If (notwithstanding section 5112 (b)(1) of this title) a check or other payment is issued to, and in the name of, the deceased veteran as a benefit payment under chapter 11 or 15 of this title for the month in which death occurs, that check or other payment (A) shall be treated for all purposes as being payable to the surviving spouse, and (B) if that check or other payment is negotiated or deposited, shall be considered to be the benefit to which the surviving spouse is entitled under paragraph (1). However, if such check or other payment is in an amount less than the amount of the benefit under paragraph (1), the unpaid amount shall be treated in the same manner as an accrued benefit under section 5121 of this title."
1997—Subsec. (b)(2). Pub. L. 105–114substituted "under paragraph (1)" for "under this paragraph" before period at end of first sentence.
1996—Pub. L. 104–275designated existing provisions as subsec. (a) and added subsec. (b).
1991—Pub. L. 102–40renumbered section 3110 of this title as this section and substituted "5110(d)" for "3010(d)".
1983—Pub. L. 98–160substituted "surviving spouse" for "widow", and "the death of the veteran" for "his death".
Effective Date of 2012 Amendment
Amendment by Pub. L. 112–154effective Aug. 6, 2012, and applicable with respect to deaths that occur on or after that date, see section 507(c) ofPub. L. 112–154, set out as a note under section 5111 of this title.
Effective Date of 1996 Amendment
Pub. L. 104–275, title V, § 506(b),Oct. 9, 1996, 110 Stat. 3343, provided that: "The amendments made by this section [amending this section] shall apply with respect to the death of compensation and pension recipients occurring after December 31, 1996."
Effective Date
Section effective first day of second calendar month which begins after Oct. 15, 1962, see section 7 ofPub. L. 87–825, set out as an Effective Date of 1962 Amendment note under section 110 of this title.
The table below lists the classification updates, since Jan. 3, 2012, for this section. Updates to a broader range of sections may be found at the update page for containing chapter, title, etc.
The most recent Classification Table update that we have noticed was Tuesday, August 13, 2013
An empty table indicates that we see no relevant changes listed in the classification tables. If you suspect that our system may be missing something, please double-check with the Office of the Law Revision Counsel.
|Description of Change
|Session Year
|Public Law
|Statutes at Large
|§ 5310
|112-154 [Sec.] 507(a)
|126 Stat. 1194
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The first act of Kevyn Orr, Detroit's emergency manager, was to restore the salaries of the mayor and the City Council.Hush-up money. Go sit in the corner and be quiet money. Shut up or I'll fire you money. And it seems to be working. Not a word from the city's elected leaders so far. It's almost like nothing has changed.But who is running the city while the EM slogs through the quagmire of fiscal molasses? Orr's spokesman says the law assumes the city is a functioning entity and will operate as is until further notice.Big assumption. I don't know if the people can wait.Consider the past week: The city rationed police officers in an effort to save money so there would be enough cops to safely host Opening Day for the Detroit Tigers. Somebody tell that to the old woman locked in her home.Two officers were shot trying to arrest a man wanted for murder. One officer fights for his life. We send prayers to this underpaid, under appreciated law enforcement officer. But for whom exactly? We still have not officially been given his name or the particulars of the shooting. No city I know of darks out information like that. It's not democratic, nor healthy. Think Pat Tillman here.There were 75 homicides in Motown through March. The chances of getting away with murder so far this year?Three out of four.The city sent a letter to the sergeants and lieutenants' union saying they will no longer attend contract negotiations. The consequence? As many as 300 of the best and most seasoned crime fighters the city has may retire come June 30, the end of their current contract.Unbelievably, the day before the emergency manager took power last week, this communiqué from Chester Logan was sent to the precinct bosses:"All Department correspondences addressed both to and on behalf of the Chief of Police shall no longer include "Interim" in the name block."Unknown to the citizens, the police officers and even the emergency manager himself, Interim Chief Logan -- as he has been called for the past five months since Chief Ralph Godbee was bounced from office -- was quietly conferred full chieftain status.What gives? The mayor's spokesman -- himself still paid in full -- sent this statement."Chief Logan is the police chief until such time, through the Charter process, another Chief of Police is selected. Therefore, the mayor chose to remove "interim" from Chief Logan's title. Although Chief Logan is performing the duties of Detroit's Chief of Police, his salary (which is $110,161 per year) remains unchanged."Great work.Thankfully, Orr okayed a contract this week to pay a headhunting firm to find the city a new, permanent and hopefully competent chief of police. But in the meantime, the city is on the hook for fresh stationery for the lame duck chief of police.
WTTG FOX 5 & myfoxdc5151 Wisconsin Ave. NWWashington, DC 20016Main Number: (202) 244-5151Newsroom: (202) email@example.com


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I have days.
Days when I don't want to get up. Days when I feel overburdened and overwhelmed. Days when I am just so consumed by anger, defeat, depression, hate, frustration, failure and even fear.
Days that I just do want to go on.
We all do.
"Each of us is broken/Somewhere deep inside
But we're really not that different/When you strip away the pride."
And so I carry on.
I can, in part, because of stories like this one:
Every life is filled with complication and hardship but, if you're sitting at a computer reading this, or holding a smartphone or tablet, how bad can it really be?
Maybe you just need a little help with the load.
Whatever you are carrying today, think of how these three people carried each other.
And carry on.


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Hi everyone,
I just want to put this out there, to see if any of you have had similar experiences. I am 32, DH is 33, and we have never achieved pregnancy on our own. I was diagnosed with DOR in April 2011, with FSH 14.6, AMH 0.75. Now, FSH/AMH are 13.5/0.45. We've since had 4 IUIs, with 2 resulting in pregnancies-m/c twins at 8 weeks 10/2011 and chem preg 5/2012...I actually had decent response to the IUI+injectables, always had 3 mature follies. We just had a m/c work up and all chromosomal and immune screenings are normal, which means that my m/cs are all due to DOR, probably the low AMH.
My question, is what should our next step be? I'm expecting my RE to recommend continuing with the IUIs in hopes that we will get one healthy egg out of one of the cycles. But, obviously for us, this historically has resulted 100% in m/c, and the thought of doing this over and over again terrifies me.
Our other option is IVF. I might not be as good of a responder as most are, but I think that with the decent response to the IUI meds, I might have some hope. And if the embryos make it to day 5, wouldn't that be a great sign that they will go on to be a healthy pregnancy or baby? The clinic said that their success rate (as defined by healthy live birth) with day 5 embryos is 80%. Did I mention the clinic is in Barbados?
This might all be for naught, depending on what my RE says tomorrow. Just curious to hear what you have experienced and what you might suggest. Thanks!


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Braid Creator Making 3D 'Puzzle-Exploration Game'Jonathan Blow, designer of acclaimed puzzle-platformer Braid, has revealed through job postings that he's entering development of a new 3D "puzzle-exploration game."
Blow describes the project as "a puzzle-exploration game that is philosophical, and quiet, and is being made for reasons other than crass profit motive." Bless his socks.
While there are few details on what the new game will be, Blow's job posting for a 3D environment concept artist gives a fair indication of what won't be involved:
The majority of [your] portfolio should consist of things absent from the following list: Girls With Big Tits; Barbarians Wielding Axes, Covered in Blood; Aliens; Space Ships; Gangsters Getting Shot in the Face; Orcs; Giant Robots; and, of course, Postapocalyptic Wastelands.
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Dregeno Football Player Nutcracker
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Dregeno Football Player Nutcracker. Handmade from the finest select European hardwoods, these time honored designs are the mainstay of traditional nutcracker collections. With the use of wood and fur (natural and synthetic), stain and expert craftsmenship, these beautiful collectors pieces will add stately grace to any collection. Made in the Ore Mountain Region of Germany, the Erzgebirge, they are from the birthplace of the nutcracker! Still made by time honored methods, many in the homes of the craftsmen themselves, a nutcracker from the Erzgebirge will be a treasured keepsake for a lifetime!
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Brand: Dregeno Material: Wood Feature: Made in Germany Feature: Football Player Nutcracker Feature: Dregeno
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The National Labor Relations Board which had been reviewing the strike by union school bus drivers and matrons in New York City said on Friday that the strike is legal.
The Board rejected a complaint by a group of 20 private bus companies who argued that they were caught in a dispute between the union and the city.
The strike does not violate the National Labor Relations Act because the union has a primary labor dispute with the employers, according to the NLRB.
The Board says it prohibits unions from striking secondary employers in order to pressure the employer with whom they have a dispute.
More than 8,000 drivers and matrons of yellow school buses in New York City went on strike Jan. 16 leaving more than 150,000 students to find alternative transportation.
Members of Amalgamated Transit Workers Union Local 1181 are striking over job protection after the City put the school bus contract up for bid.
"We spend $6,500 per student per year. Since 1979, no administration has re-bid this contract. They do not want another company to come in, under bid and they might or might not have the same workers. They want us to guarantee that anyone who comes in gives them the same jobs at the same salary at the same seniority. We've had 12 judges rule that's illegal," said Mayor Michael Bloomberg.
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White Sox general manager Rick Hahn expects Robin Ventura to return to the dugout in 2014, and he plans to give Paul Konerko some space while the slugger decides whether he wants to play next year.
The White Sox are last in the AL Central at 62-97 heading into the season's final weekend. They need to win their last three games to avoid their most losses since finishing a franchise-worst 56-106 in 1970.
It's a much different finish than Ventura's first season as manager, when Chicago won 85 games and contended for the division title.
Hahn says he has completed his assessment of Ventura and he believes the manager has handled everything well.
Konerko says he isn't sure what he wants to do, and Hahn says he will give him time to decide.
Copyright 2013 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.
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I had planned to have it gone for good by 2, but we have been binky free since before Christmas... My dad took it from her one night in the hotel in KC, and she didn't ask for it, so we didn't give it to her... I'm hoping Charlie will be as easy.
I used to freak people out by flipping my eyelid inside out... Eyes really don't bother me, and I used to make myself read the letters wrong in hopes I would get glasses... The eye doctor always knew though, cause it wasn't consistent.. lol.
I confess I feel like a post ho this morning.


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Training and Event Calendar
This event calendar is provided as a service to our members and the public. An event may be cancelled at any time. Please confirm the event with the sponsor prior to making travel plans. To submit an event, please contact us.
October 2014
NW Louisiana Domestic Violence Memorial Service 5:30 pm
NW Louisiana Domestic Violence M… @ Salvation Army Chapel
Oct 2 @ 5:30 pm – 6:30 pm
A service of remembrance and hope where victims and survivors of domestic violence and their families have an opportunity to offer tributes and honor their [...]
Inside the Mind of an Offender: Interview Techniques for Domestic Violence Cases 8:30 am
Inside the Mind of an Offender: … @ Holiday Inn Metairie
Oct 3 @ 8:30 am – 1:00 pm
Join us for a half-day training that will take you inside the mind of a domestic violence offender and provide useful and effective interviewing techniques. [...]
Riding Against Child Abuse and Neglect 12:00 pm
Riding Against Child Abuse and N… @ Friends RV Park
Oct 4 @ 12:00 pm – 8:00 pm
DVAM Riding Against Child Abuse and Neglect People's Choice Cook off Plates $10 beginning at noon Kelly Hobson & Band – noon-2pm Live Auction 2-4pm [...]
Love Serves 8:00 am
Love Serves @ Pierremont Oaks Tennis Club
Oct 10 @ 8:00 am – Oct 12 @ 9:00 am
First United Methodist Church will sponsor an awareness event and fundraiser for Project Celebration. Players, sponsors, and volunteers are welcome to attend.
Wear Purple Day 10:00 am
Wear Purple Day @ Government Plaza
Oct 10 @ 10:00 am – 11:00 am
Local first responders will conduct "A minute without domestic violence" by sounding their sirens for one full minute sending an alarming message of the prevalence [...]
Trey Hutchinson Awards Luncheon 11:30 am
Trey Hutchinson Awards Luncheon
Oct 17 @ 11:30 am – 12:30 pm
The community is invited to share in a luncheon in honor of fallen officer Trey Hutchinson, killed in the line of duty while responding to [...]
Paint the Parish Purple Event & Candlelight Vigil 6:00 pm
Paint the Parish Purple Event & … @ Lafourche Central Market
Oct 21 @ 6:00 pm – 7:00 pm
Free Self Defense Class 6:30 pm
Free Self Defense Class @ Northpoint Community Church
Oct 23 @ 6:30 pm – 7:30 pm
Free self-defense class for women and girls (ages 10+). Project Celebration wil provide an on site free and confidential domestic violence information and resource area. [...]


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Great small luxury SUV by Mike B. on 07/03/2012. Trim: 2013 Chevrolet Equinox LTZ 2WD, Owned less than 1 year.
Pros: Just bought a 2012 Eq LTZ. Great car. Comfortable & roomy. Back seat access and leg room are very good. Std 4-cyl mill is adequate; provides all the power I need. Econ button does make earlier shifting, but no prob entering freeways. Am getting 22.6 city right now, no hwy as yet. A/C strong, even here in TX. Quiet and smooth. I looked at and drove all the competitors; all were good but Eq was great. Lots of luxury features and touches; memory seat/mirrors, power lift, premium sound. Controls are easy and intuitive. Center console is not overpoweringly huge. Perf leather seats make for a cool ride.
Cons: With all the luxury features GM put in this car, they left off an installed remote like Home Link and rain-sensing windshield. Could use power pass seat. The LTZ is a small SUV luxury car and it should come std w/all the goodies, just like the Lexus. (my wife has one.)
Overall review: Really glad I bought it. I'd do it again in a heartbeat. I can't believe it's a $30K Chevy!
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Enter key as an alternative to navigation select key
S60 5th Edition
S60 3rd Edition (initial release)
UI components that handle keyboard events should consider handling enter key events as an alternative to events from the navigation select key.
Detailed description
In most situations, Avkon UI components react to both navigation select key (EKeyOk) and enter key (EKeyEnter) events in the same way. This makes it possible to have consistent UI controls, whether the application is running on a device with conventional ITU-T keys or a device with a full QWERTY keyboard, or controlled via an external (bluetooth) keyboard.
Custom UI controls used in 3rd party applications should have the same kind of functionality.
Handle EKeyOk and EKeyEnter events in the same way whenever suitable (in OfferKeyEventL() function for classes derived from CCoeControl). Test the UI in the emulator and use the PC keyboard to control the application.


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Omega-3s dramatically inhibit breast cancer tumor growth
(NaturalNews) A new study just published in the Journal of Nutritional Biochemistry appears to be the first to provide what the researchers call "unequivocal evidence that omega-3s reduce cancer risk."
So, how much of a risk are they talking about? A huge one. The scientists from the University of Guelph found that a diet rich in omega-3 fatty acids (healthy fats found in cold water fish such as salmon and certain plant foods, including walnuts) can inhibit the growth of breast cancer tumors by 30 percent, especially if started early in life.
"It's a significant finding," David Ma, a professor in Guelph's Department of Human Health and Nutritional Sciences, and one of the study's authors, said in a media statement. "We show that lifelong exposure to omega-3s has a beneficial role in disease prevention - in this case, breast cancer prevention. What's important is that we have proven that omega-3s are the driving force and not something else."
Breast cancer is the most common form of cancer in women worldwide and is the second leading cause of cancer deaths in women. While natural health advocates and many cancer researchers have long thought that diet could help prevent malignancies, studies to document these claims have sometimes been inconsistent or even lacking.
"There are inherent challenges in conducting and measuring diet in such studies, and it has hindered our ability to firmly establish linkages between dietary nutrients and cancer risk," Ma explained. "So we've used modern genetic tools to address a classic nutritional question."
Here's what Ma and his research team did. They created a novel transgenic mouse that both produces omega-3 fatty acids and develops aggressive mammary tumors. Then, the researchers compared those animals to mice genetically engineered only to develop the same tumors. The results? The mice with the omega-3 exposure not only had 30 percent fewer tumors, but the breast tumors they did develop were a third of the size smaller than those in the control animals.
"This model provides a purely genetic approach to investigate the effects of lifelong omega-3s exposure on breast cancer development. To our knowledge, no such approach has been used previously to investigate the role of omega-3s and breast cancer," Ma stated. "The fact that a food nutrient can have a significant effect on tumor development and growth is remarkable and has considerable implications in breast cancer prevention."
Ma, who is an expert in how fats influence health and disease, added in the media statement that he hopes the study leads to more research on using diet to reduce cancer risk and on the benefits of healthy living. "Prevention is an area of growing importance. We are working to build a better planet, and that includes better lifestyle and diet," he said. "The long-term consequences of reducing disease incidence can have a tremendous effect on the health-care system."
As Natural News recently reported, there's other good news about preventing breast cancer with diet and specific nutrients from Harvard researchers, too. A recent study published in the Journal of the National Cancer Institute concluded that carotenoids (phytonutrients found in yellow, orange and red fruits and vegetables) significantly reduce the risk of breast cancer.
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Moderators: Jenise, David M. Bueker, Robin Garr
Dale Williams wrote:...I'm not a huge fan of Sicilian wines in general, but I like Montoni because it doesn't seem as "international" as many NdA....
Jim Hickman wrote:You might try the 2006 Villa Pozzi Nero d'Avola. Once again, not a complex wine, but very nice with pasta or pizza. At around $10, it's also nicely priced.
Steve Edmunds wrote:Dale; one other Sicilian red I think you might find of interest that hasn't been mentioned is Aetna Rosso, which, at its best, can be shockingly lovely and fine. .
Dale Williams wrote:Steve Edmunds wrote:Dale; one other Sicilian red I think you might find of interest that hasn't been mentioned is Aetna Rosso, which, at its best, can be shockingly lovely and fine. .
Steve, I think Oliver's Etna is the more modern spelling of same wine. Now you both have me curious. Any particular producers?
Dale Williams wrote:Jim, will keep an eye out.
Clinton, $50+ for Nero d'Avola! Yikes! I won't experiment there, will have to taste before buying.
Oliver, you seem to have an excellent lineup. Do you only distribute on West Coast? I've liked several wines that you seem to carry, but here they have different importers. Any Etnas in particular you recommend?
And anyone, a little confusion re Cerasuolo dV. I've had a rose and a red Cerasuolo from Abruzzi (the latter a Montepulciano, I think). What does the word mean?
Dale Williams wrote:Thanks, I just ordered the last couple Biondi "Outis" that Chambers St has.
Oliver McCrum wrote:
'Cerasuolo' means two different things in two different areas of Italy. In the Abruzzo it means Rosé; in Sicily it is used for the fruity blend of Frappato and Nero d'Avola called Cerasuolo di Vittoria, which is very distinctive and can be very good. I don't believe there are any red Cerasuolo from the Abruzzo, but it can make a pretty dark rosé.
Steve Edmunds wrote:...Aetna Rosso...
Mark Kogos wrote: One COS wine, Pithos, is even fermented in Greek-style terra cotta amphorae, which is about as traditional as winemaking gets. COS also makes a couple of excellent straight nero d'avolas. As rustic as these wines may sound, they're also some of the best made in Sicily, proving that respect for tradition and excellence can go hand in hand."
Well worth a try.
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Any item that says "Auction" will be auctioned off through our eBay Store. Find more information about our auctions on the Big Ticket Page.
Computer-generated tickets were the name of the game in the '90s. More business-like in their just-the-facts-ma'am presentation, these mementos are nevertheless from some of the absolute best concerts of the era and are testaments to how the rock concert event swelled from small venue to stadium and eventually settled upon a mixture of the two. Find older venues like the Greek Theatre and the Warfield among the Arco Arena, Cow Palace and Oakland Arena selections in these offerings.
The Crusaders,
The Firm,
Led Zeppelin,


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So we have a pretty good dialogue going in the anybody there thread but I thought it would be nice to make a general thread...a never ending thread where we can keep tabs and just chat. That way any new people can jump right in and feel welcome!
So we have a pretty good dialogue going in the anybody there thread but I thought it would be nice to make a general thread...a never ending thread where we can keep tabs and just chat. That way any new people can jump right in and feel welcome!
I'm in! I think that's just what this room needs.
Me (40) DH (47) & furbabies * m/c 7/08 4/12 11/12
I just said in the Anybody thread to keep posting so I can keep up so I'm in. I'll test Wed if Af doesn't show. According to a 28 cycle I'm now late but since they changed my thyroid meds I've kinda been jump around btw 28-30 days.
I need to call the doc's office to get my Clomid Rx. Will start tomorrow.
Me (40) DH (47) & furbabies * m/c 7/08 4/12 11/12
So can we post anything in here? Here is what's on my mind today...
Today was such a crazy busy day at work for me! I am a physical therapist, managing an outpatient clinic, and I have 2 employees who have quit within the past week, one more on vacation, and one in the hospital. I like to be busy but doing 5 people's work is a little much!! And I had to manage to get out of the clinic for my RE appt today, and half a dozen phone calls to the pharmacy. By the time I left work all I wanted was a glass of wine! But instead I called my friend who is about to go through IVF and vented to her for a bit. Then I came home to DS and DH having a dance party in the family room. Lol! Made my day.
Also, I'm sorry if I forget to hide my siggy. I don't have any pics on it or anything but I'm not sure what the rules are for mention of kids in this room. So, if I have offended anyone, I'm sorry.
That sounds like a crazy day! I hope some of your staff comes back soon!
I know there have been discussions in the past. I think the big no-no in here is pregnancy tickers. Either way, I haven't been offended by anyone's ticker in here yet, so I'm sure you're fine.
I'm off work for the summer (I work for the school district) so while on a budget to pay for infertility treatments, and without kids, my life is pretty boring until I go back to work and have something to do and talk about! So I apologize if I'm not sharing as much as I could! I do like to write in my spare time, and had a novel-in-progress that I stopped working on a while ago when I got bogged down with all my personal stuff going on. I'm trying to get back into it, because one of the things I like most about having the summers off is having that freedom to do what I love. But it's hard when you're focusing on infertility treatments at the same time.
Me (40) DH (47) & furbabies * m/c 7/08 4/12 11/12
As for me... I am still working my big stretch...ugh! My life is boring this week....work/sleep and repeat. I am feeling gassy and peeing a lot but think it is likely the end of the trigger and also my progesterone I am taking.....cause it is way too soon for real symptoms.
Last edited by Yellow; 07-10-2012 at 12:39 AM.
One of my close friends told me Saturday that she was pg... then today she told me she had a m/c. I feel so bad for her. This would have been their first child. They tried for 6 months to get preggo, now she has to have surgery to remove a fibroid and will have to wait 4 months before trying again. I hate that she has to go through this I have another friend who is doing IVF in Sept, and another who will do a FET this fall. Crazy how many people I know that are having fertility issues. :/
So did any of you that took progesterone supplements from ovulation through the 2ww find that they caused you symptoms? With DD I only started the supplements after my BFP so I had symptoms but was pregnant so I attributed it to that. I assume it must be as my trigger is likely starting to leave and it is too early for real preg symptoms. I am 7dpt/6dpo today. Just curious.
It is hard. My cousin, who is 10 years younger than me, got married the same summer I did. We talked about kids at the time and she said she wanted to wait 5 years before kids, because she was young and still in college. DH and I wanted to try right away. Three weeks later, I heard she was pregnant. She's had two more unplanned pregnancies since then, while I am still TTC my first. In fact, her newest baby was born the day I had my chemical. I love her, but I have had to keep my distance. I just couldn't deal with it up close.
Last edited by Gwenn; 07-11-2012 at 10:59 PM.
Me (40) DH (47) & furbabies * m/c 7/08 4/12 11/12
Progesterone no matter when I've done it makes me feel pregnant. I do believe when I'm pregnant it makes my symptoms stronger.
Gwenn, I am so sorry about your cousin, it could be my story. My cousin has had 2 in the time I've been trying and she is not understanding at all or does she use wisdom when discussing pregnancies around me. Once she asked me which of us had the problem, me or my husband. Then with my last pregnancy when we announce at 8 wks because we had seen the babies heartbeat and felt safe she said, Well you still are in the danger zone but good luck. If it wasn't against the law I might have caused her some physical harm. URGH!
Me (40) DH (47) & furbabies * m/c 7/08 4/12 11/12
I hope you ladies dont mind me jumping in here!!
So I am irritated. My stupid cycle is almost 70 days. This will be the longest it has been in a very long time! Ugh!
But I am excited to say that today I started my weight loss program through my doctor! I need to lose about 60-70 pounds. Been struggling for a very long time with it. I want to lose the weight before we start trying again!
Hi ladies, hope you are all having a nice weekend! I have been feeling some twinges in my abdomen today so I hope that I am growing some follies and that my count is better tomorrow! I go for b/w at 9am then they will call me to tell me what dosage of Follistim to keep taking, and hopefully I will be scheduling an u/s for early to mid next week. Keep your fingers crossed!!!
Ooh, good luck! KUP
Me (40) DH (47) & furbabies * m/c 7/08 4/12 11/12
So far the weekend has been good. We took our DD out on the jet ski, only going slow though, but she seemed to like it but after about 30 mins kept saying "done" lol. Thats ok though because mommy was feeling done too... I just wasnt feeling it, was tired and had a headache, but went because DH was really looking forward to going. Tomorrow will be grocery shopping and house chores then when DH gets home from work we are going over to the neighbors to go swimming. I slept terrible last night...woke up at 5 am and couldn't get back to sleep. I read for awhile then went back to sleep. Then I napped when DD slept. UGH.... Hope that doesn't happen again....it is probably from working so many nights in a row my sleep schedule gets wacky.
I can't wait for Friday....not sure if I will test wed or not....or if I should just wait....who knows...I will see when it gets closer.
Hope everybody else is having a good weekend.
Yellow, do you have a beta scheduled for Friday? Fingers crossed for you!!! Are you having pg symptoms or is it too hard to tell bc of the progesterone? I will be stalking Wed to see if you decide to test!
Sara, sounds like a great weight loss plan! Will you start trying when Kaylee is 2?
AFM - my bloodwork came back this afternoon and the nurse said my numbers are rising. I will stay on Follistim 75iu the next 2 nights then go in for u/s Tuesday morning! Come on big follies!!! lol
Can't wait to hear your u/s results!
Yellow, I'm stalking! Friday seems like such a long time!
Me (40) DH (47) & furbabies * m/c 7/08 4/12 11/12
Yeah for your numbers rising!! Can't wait to hear about your big follies on Tuesday. It will give me some diversion this week.
Sara: welcome and good luck with your weight loss!
Good luck with the U/S on Tuesday!! Hope for some big follies!
Thanks ladies for all the well wishes! I definitely feel like something is going on - twinges and fullness in my abdomen. I don't remember feeling that before! Or maybe I just forgot, because it's been 2 years! I will be sure to update tomorrow. Hoping for IUI sometime around the weekend!


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Vintage art of famous artist Constance Depler Coleman. Many of her pet artwork was reproduced on wallpaper, cocktail napkins, playing cards - all of which have now become rare collector items. Additionally, she was commissioned by various celebrities, political figures and professional athletes to create portraits of their pets. Today is a new beginning for Depler's designs; Amanda is producing her mother's art on new products that you can see on this website."As the daughter of Constance Depler Coleman, growing up was exciting and fun. I was surrounded by dogs drinking or playing cards, the house full of animal art, our raccoon going on family vacations, and all of the pets who have inspired us an amazing childhood. I am so pleased to share my mothers images, designs and paintings in a unique usable product line."
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text: Yeah, he devours the meals I cook. I don't think he should say a word about the mess. Actually, to mention it once or twice, to offer a suggestion of how I could make things easier, would be fine. But he has seriously said it to me so many times. I have to laugh to stay sane.


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ONCE UPON A TIME - "Into the Deep" - Emma and Mary Margaret (Snow White) are willing to fight to make their way back home.
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I have a little brother. Well, he's not so little anymore. He turned 21 this year and he's about the same height and weight as myself. When we were kids we were ALWAYS getting in each other's way and desperately seeking the attention of our parents in any way that we could. It shouldn't come as a shock that most sibling relationships are like this in the younger years of life. Including this one:
(GIF via BuzzFeed )
This happened LIVE on ESPN during the SEC softball tournament. Little girl has the People's Elbow!!!


text: Occupy Chicago Weekly Orientation! Tags: Announcements 1pm, Sunday, May 27, Congress&Michigan (by the Bowman Statue) (http://g.co/maps/yg4j7)Inspired by the NATO Week of Action? Wondering how to get more involved with Occupy Chicago? Then this event is for you! Occupiers will be there to explain any and all questions: How can I get involved with working groups? What are our demands? We'll have a mix of newbies, occupiers and activists. Our hope is to give the lay of the land, discuss the issues we all care about and get people immediately connected to the groups and projects that they are most passionate about. The American Spring is here! Come Occupy!https://www.facebook.com/events/458426807504247/ Read more about Occupy Chicago Weekly Orientation!1 commentLog in to post comments


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Federal prosecutors have an ace up their sleeve. He's Richard Gabriel, a jury consultant from L.A. who worked on the O.J. Simpson case.
He's here for one reason: "Obviously everyone's trying to find a fair and impartial jury," he says.
Both sides differ on who makes a good juror but they all agree it's one of the most important phases of the trial.
"You are involved in choosing who the decision-makers are going to be in your client's case," says the attorney for Bernard Kilpatrick, John Shea.
A new line of defense questioning emerged today, concerned over racial language presumably uttered by defendants caught on wire-tap. Shea declined to provide specifics.
"Everybody anticipates there will be some evidence that has race related language, maybe racially charged language, but that's as far as I'm going to go. That's going to be evidence and I'm not going to talk about it," Shae told us.
Kwame Kilpatrick was lighthearted on his way out of court, kidding with the cameraman.
He warns, "Watch yourself!" as the cameraman bumps into a parked vehicle. After asking if he was okay, Kilpatrick jokes, "They'll swear I did something."
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A duck walked into a bakery one day and asked for a pork chop.
The baker said, "We aren't a butcher; we don't sell meat here."
So the duck left.
The following day the duck went back and asked again.
This time the Baker said, "No, if you come here again I will nail your feet to the floor."
The following day the duck returned and asked, "Have you any nails?"
The baker replied, "No." And the duck said, "Well, I'll have two pork chops then."
Joe Cassady @ http://929wlmi.com/latest-updates/authors/34/


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Gears of War Film Director Eyes TrilogyDirector Len Wiseman (Live Free or Die Hard, Underworld: Evolution) is planning to helm a triplet of films based on Epic's Gears of War shooter franchise, according to a new interview.
"The hope is that we're wanting to do three movies and really cover the bases on everything," said Wiseman to horror site Bloody-Disgusting. "Basically a harder edged Lord Of The Rings."
Wiseman signed on to direct the Gears adaptation last June. The screenplay is being penned by Chris Morgan (Wanted, The Fast and the Furious: Tokyo Drift), with the project being financed by Legendary Pictures and New Line Cinema.
"It's going to be much more [on the] science fiction side of it than the creature side of it," added Wiseman of the film. "I've always been much more of a sci-fi action fan than a horror fan."
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Time to pick a new perfume? From floral to fruity, here's where you can find the fragrance to make him swoon, or just check out the top-rated scents and reviews from real women and find yourself a new favourite. Compare perfumes for women to help you find the best perfume for you. Our perfume guide will also help you pick that perfect perfume present. Get tips on how to make your perfume last longer and how to avoid buying a fake perfume when buying perfume online…
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- 16 April 2014
After forty years of life dedicated to AC/DC, guitarist and founding member Malcolm Young is taking a break from the band due to ill health. Malcolm would like to thank the group's diehard legions of fans worldwide for their never-ending love and support.
In light of this news, AC/DC asks that Malcolm and his family's privacy be respected during this time. The band will continue to make music.
- Comments: 410
- 11 December 2013Coming up next year is a fantastic new series hosted by Brian Johnson. Cars that Rock will air in the UK in Spring 2014 on Quest, Freeview Channel 38. Cars are a life long passion of Brian's as evidenced by his fantastic book and audio book "Rockers and Rollers", and this series takes his interest in the coolest cars to the next stage. Stay tuned to Brianjohnsonracing.com for more details!
- Comments: 32
- 18 November 2013
"One of my favourite drives is up near Hadrian's Wall in Northumberland and over to the Lakes. I love driving up the Military Road, going through Fourstones and Haydon Bridge up over Hartside pass on the A686 and stop at Melmerby for a cheese scone and a cup of tea. Bliss." - Brian Johnson
Brian Johnson is featured in My North East By Its Famous Sons and Daughters, a new 200-page coffee table book featuring stunning landscape pictures and full interviews with more than 60 of the region's famous sons and daughters, such as Sting, Bryan Ferry, Mark Knoplfer and more, talking about their favorite places, views and memories of North East England. Click here for more information.
- Comments: 4
- 2 October 2013Check out photos from Brian's recent trip to Lamborgini in Italy and more at BrianJohnsonRacing.com.
- Comments: 14
- 23 June 2013
AC/DC's 1980 album, Back In Black, has re-surfaced in the charts again, rocketing to #73 on the Billboard Top 200 in the U.S.
- Comments: 34
- 21 June 2013
As reported by Ultimateclassicrock.com, Brian Johnson is expected to guest on Sting's first album in 10 years titled "The Last Ship", which is slated for a September 24th release. The music from the album will also accompany an upcoming musical.
- Comments: 6
- 9 June 2013There are a limited amount of signed "Rockers and Rollers" 3CD Audio books available only at www.brianjohnsonracing.com. autographed by Brian Johnson!
- Comments: 3
- 19 May 2013Happy Birthday Phil Rudd!
- Comments: 31
- 13 May 2013
At the 2013 Bonfest in Kirriemuir, Scotland, the funding campaign for the Bon Scott statue to be erected in Bon's hometown has been started. By June 5th 2013, a total of 50,000 pounds must be collected in order to make this effort possible.
The project was initiated by DD8 Music, a non-profit organization to erect a statue of Bon in his home town of Kirriemuir. The statue has the full support of all of the local community counselors and has been offered support by several local businesses.
DD8 Music has commissioned renowned sculptor John McKenna to produce a work of art that exemplifies Bon's spirit and his Scottish roots. John is an incredible artist who has produced some truly magnificent work over the years. You can see some of his fantastic work at his website: http://www.a4a.com/
Now, the AC/DC community is being invited to help fund the statue project! To keep up to date with the project's plans please follows the Bon Scott Statue Twitter page: https://twitter.com/BonScottStatue and Facebook here https://www.facebook.com/pages/Bon-Scott-Statue-Kirriemuir/269001339883417
For more information and to pledge to contribute a donation toward the Bon Scott statue project: http://www.kickstarter.com/projects/dd8music/bon-scott-statue-kirriemuir
- Comments: 16
- 3 May 2013
Brian Johnson will be racing an iconic 1960's Mini Cooper S at Brands Hatch on May 26 and 27.
Anyone purchasing Brian's book or audio book "Rockers and Rollers" at this event will be entered into a competition in which two winners will be driven by Brian around the Brands Hatch circuit in his Ferrari.
For tickets: 0843 453 9000
- Comments: 11
- 31 March 2013Happy Birthday Angus Young!
- Comments: 89
- 19 February 2013Ride on, Bon.
- Comments: 32


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The phrase "custody" is used to describe the obligations, and rights, of parents regarding the care of their children. Child custody issues come about when an unmarried couple has a child together, or when married parents get a divorce. The two types of child custody in Minnesota are physical custody and legal custody. Legal custody involves a parent being able to make decisions regarding the child's upbringing and well-being (religion, … Read More
I Was Rushed Into Signing A Prenuptial Agreement. Is It Valid?
Did you sign a prenuptial agreement and it felt a bit rushed? Did you not have time to adequately read the terms of the agreement? Were you coerced into signing the agreement? While "rushed" may not be the best claim to void a prenup, there are a number of legal bases to do so. For instance, being coerced into signing the agreement can void the contact. So can signing under duress. Failure to fully disclose the agreement to you can also lead … Read More
Parenting Plans: An Option for Minnesota Custody Disputes
Once a divorce or paternity action has been initiated, physical and legal custody issues may arise, along with a need to determine the appropriate parenting time schedule. Rather than fighting over custody labels, Minnesota law allows the litigants to simply enter into an agreement called a "Parenting Plan." The details of a Parenting Plan are finalized by the parents themselves, and are not based on an Order of the Court; Judges have no … Read More
First Divorce Decision: Where to Venue Your Case?
The venue for a divorce, generally, refers to the location where dissolution proceedings will be heard. If you are filing for divorce in the State of Minnesota, venue refers to the county in which your divorce will be handled. The first step in initiating divorce proceedings in the State of Minnesota involves the service and filing of a Petition for Dissolution of Marriage. In order to file a Petition for Dissolution of Marriage, either … Read More
What are the Differences Between Judges, Family Law Referees and Child Support Magistrates?
In Minnesota, family law matters are typically handled either by a family court judge, referee, or child support magistrate. There are minor variations in the legal authority and responsibilities of each such official, and there is also some variation in the types of cases that they preside over. Most family court hearings in Minnesota are presided over by judges. A family court referee may get involved, but only in certain counties that … Read More
I've Filed for Divorce in Minnesota. What's Next? Go!
As early as three weeks after filing for divorce, the parties must appear before the judicial officer assigned to their case. This first appearance is called the "Initial Case Management Conference." The ICMC is an informal hearing. No arguments are presented, or decisions made - except for a determination concerning how to move forward in the most efficient manner. Any issues that are not resolved among the parties can be resolved through … Read More
Minnesota Step Parent Adoption: An Overview
Step parent adoption is the most common forms of adoption in Minnesota. It involves a three-part process. First, the parental rights of the biological father are terminated. Usually this is done on a voluntary basis, although in some instances and involuntary termination of parental rights will be necessary. The court will not grant a voluntary termination of a father's parental rights unless mother's new husband is ready to adopt the … Read More
Minnesota's Social Early Neutral Evaluation Model for Divorce and Paternity Cases
More than 95% of the cases we handle settle short of trial. When custody issues are involved, many of our clients participate in a process known as social early neutral evaluation - an SENE. In a social early neutral evaluation, the lawyers and clients will meet with a pair of evaluators. These individuals are usually social workers, custody evaluators, or experienced family law practitioners. The team will consist of one male and one female, … Read More
Contempt in Minnesota: Consequences of Ignoring Court Orders
The court is responsible for controlling the conduct that occurs within its doors, but also has to deal with issues outside of the courtroom when it comes to family matters. It is typical for a contempt motion to be made in a family law case when one party has violated an order of the court, such as an order to pay child support, spousal maintenance, or a parenting time arrangement. The contempt rules are rather strict, in an effort to … Read More
Gambling, Alcohol Abuse, Drug Use, Cheating & Dissipating: Fault In A No-Fault Divorce State
The lawyers with Thyden, Gross & Callahan, LLP, authors of the Maryland Divorce Legal Crier, recently published an article entitled "Putting the Fault Back into No-Fault Divorce." They point out that despite the fact that several states on the east coast have moved (like Minnesota in the 1970's) to "no-fault" divorce, fault still creeps into the mix. The same is true in Minnesota. While easy to simply utter "we're a no-fault state," we're … Read More
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Atari Sues over Negative Alone in the Dark Review, Accuses Reviewer of Piracy (Updated)Update: Gamer.nl staffer Erwin Bergervoet has informed Shacknews that Atari also asked the Dutch gaming site to pull its 5/10 review of Alone in the Dark posted Thursday, a day before the game's official European street date.
"Within an hour [after posting], Atari called to have the review pulled off, claiming there was an embargo till Friday," Bergervoet said in a comment to Shacknews. "Our review copy was sent directly to us by Atari and [was] not a pirated copy. They explicitly told [Gamer.nl] that they only let high scoring reviews break the post-release embargo date."
Original Story: Atari has filed suit against German gaming website 4Players for publishing a negative pre-release review of Alone in the Dark, alleging that it was written based on an illegally obtained copy of the game.
According to a 4Players editorial spotted by Game|Life, Atari's lawsuit claims that the publication date of the review—which scored Xbox 360 version of the game at 68%—implies that it was written based upon a pirated or preview version of the title. Consequently, Atari seeks an undisclosed amount in restitution.
The Xbox 360 version of Alone in the Dark began appearing on file sharing websites earlier this week, prior to the publication of any online reviews. However, 4Players argued in its editorial that it procured a copy through a retail connection who sold them a copy of Eden Games' horror shooter before the game's European June 20 street date.
Though Atari's suit against 4Players marks the company's first legal action regarding early reviews of the game, the company has also leveled complaints at several other European gaming sites.
Going by a Kotaku report, a 3/10 review of the game on Scandinavian games site GameReactor was pulled shortly after it hit the website. Atari accused the site of pirating the game, stating that press copies had only been sent out a day previously.
Norwegian gaming site Gamer.no also claims that it was asked to remove its 3/10 review of the title based on a copy purchased at a retailer earlier this week.
"Atari contacted us just minutes after it was published, claiming that our review is probably based on a preview or pirated copy, and requested it to be removed," said Gamer.no's Tor-Steinar Nastad Tangedal. "We never removed it, of course."
The PC, PlayStation 2, Xbox 360 and Wii editions of Alone in the Dark hit North American retailers on June 24. A PlayStation 3 version is expected this fall.
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Garden of Life introduces RAW CoQ10™ — a powerful formula that delivers 200mg of RAW CoQ10 per serving. Featuring a unique lipid delivery system — a RAW cold-pressed chia seed oil omega 3-6-9 matrix — and 22 RAW and organically grown fruits and vegetables — fat soluble RAW CoQ10™ supports cardiovascular system health, cellular energy production and antioxidant protection.*
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