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Concert Reviews
Tishchenko/Prokofiev/Shostakovich - Valery Gergiev/Denis Matsuev
Sun 21 Sep 2014
Financial Times, 22 Sep
Matsuev was born with 10 hammers where other people have fingers and his performance of Prokofiev's Piano Concerto No.3 caught him at his most virtuoso, fast, furious and percussive, forging industrial music at fever pitch.
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London Evening Standard, 22 Sep
Gergiev also gave us the real thing: Shostakovich's Tenth Symphony, big, bold and blatant when it needed to be, but also exuding refined pungency.
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Schubert/Mahler - Bernard Haitink/Camilla Tilling
Sat 16 Aug 2014, Royal Albert Hall, London
Financial Times, 18 Aug 2014
Their Mahler, a rapt performance of the Symphony No. 4, was as fresh and welcome as a blue sky on a spring morning.
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London Evening Standard, 18 Aug 2014
Indeed, there are other ways to present both these works — emphasising the tensions, highlighting their inner drama. Yet Haitink's unforced readings are delivered with such integrity that at that moment they seem to be the right and only way.
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Classical-music.com, 18 Aug 2014
Haitink, who can make silence speak as eloquently as sound, created an exquisite, unhurried flow.
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The Times, 18 Aug 2014
His interpretation of the Fourth Symphony with the London Symphony Orchestra was stunning: mostly beguilingly gentle and unhurried, but with a profusion of subtle nuances and an utterly persuasive ebb and flow.
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The Guardian, 17 Aug 2014
With the LSO audibly relishing the chance of playing with a conductor who cares about getting everything right and about making fine distinctions in the dynamics and attacks, this was a performance of fascinating detail.
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MusicOMH, 17 Aug 2014
All sections of the LSO played magnificently – the fact that they enjoy working with Haitink was evident in every bar, and they rewarded him with some of the finest playing I've heard all year.
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Classical Source, 16 Aug 2014
Haitink sculptured a perfectly proportioned account of this charming, soulful and invigorating Symphony, the LSO responding with clarity, style, gentleness and warmth.
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Brahms/Janacek - Valery Gergiev/Barry Douglas
Thu 24 Jul 2014, Royal Albert Hall, London
The Observer, 26 Jul 2014
Together with the LSO Chorus, the players let rip magnificently in Janáček's Glagolitic Mass.Together with the LSO Chorus, the players let rip magnificently in Janáček's Glagolitic Mass.
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The Guardian, 25 Jul 2014
The LSO played magnificently, as one would expect
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Classical Iconoclast, 25 Jul 2014
Those powerful, pounding brasses, the upward, thrusting rhythms, cascading rivulets of sound sparkling like light through the giant trees in the forest, the chorus intoxicated by faith.
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Classical Source, 24 Jul 2014
Certainly this vibrant, brass-blazing... timpani pounding and vocally scintillating performance under Gergiev at his most persuasive made – for an instant, at least – the best possible case for Paul Wingfield's edition.
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Beethoven - Myung-Whun Chung
Tue 15 Jul 2014, St Paul's Cathedral, London
The Guardian, 17 Jul 2014
...strong playing from the LSO, sumptuous singing from the London Symphony Chorus, and a fine quartet of Korean soloists led by the excellent Kathleen Kim, whose voice cut through the aural fog around her like a laser.
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Classical Source, 15 Jul 2014
Chung initiated a slow-burn intensity in the Adagio from a notably serene opening to its powerful anticipation of greater things to come that fed into the finale.
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Penderecki/Bruckner - Daniel Harding
Thu 3 Jul 2014, St Paul's Cathedral, London
Financial Times, 6 Jul 2014
The massive climaxes thundered; the long, slow melodies rolled around the cathedral as though time was of no matter to them. Whenever he reached one of Bruckner's (many) dramatic silences, Harding thoughtfully held on for an age until the last echo of the chord before had finally rumbled out of earshot.
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London Evening Standard, 4 Jul 2014
If the closing Adagio didn't disperse the acoustic haze, Harding allowed it to build with grace: the music was not outfaced by the building in which it unfolded.
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Bachtrack, 4 Jul 2014
The inexorable progression to the final apocalyptic climax was perfectly judged and for the first time the music seemed bigger than its surroundings. Particularly beautiful woodwind solos pierced the bed of strings and very haunting they were too.
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Classical Source, 4 Jul 2014
Harding drew from the LSO's strings a tender, even luscious, manner with the major-key second subject, more so than anything previously hinted at in the Penderecki.
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Beethoven/Messiaen - Jonathan Nott/Steven Osborne/Cynthia Millar
Sun 29 Jun 2014
Bachtrack, 1 Jul 2014
Jonathan Nott and the London Symphony Orchestra delivered an energetic, precise and intense performance of Beethoven and Messiaen... The LSO's prominent brass and percussion sections were absolutely outstanding in their performance, and the entire orchestra was on fine form.
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The Guardian, 1 Jul 2014
This was Nott's first time with the LSO, and he made the most of it, eliciting an extraordinary finesse and fullness of tone in Beethoven's Second Symphony, which combined impressively with the fast pace and sharply articulated phrasing.
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Classical Source, 1 Jul 2014
Beethoven's Second Symphony was given an imposing and forcefully projected reading... Both here and then in the Messiaen, Nott's rapport with the LSO was undoubted.
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The Times, 1 Jul 2014
Razor-sharp articulation, clarity, beautifully poised solos characterised this performance. And a slow movement that seemed composed of one long line of breath.
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Boulezian, 29 Jun 2014
This was a wonderful – in every way – conclusion to the LSO's season. The final, prolonged, glowing chord sent shivers down the spine.
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Strauss/Beethoven - Fabio Luisi
Sun 22 Jun 2014
Classical Source, 22 Jun
As one would expect from the LSO it was excellently played, the hero striding manfully forth at the outset and with great swathes of string tone in the more voluptuous sections
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Mozart/Bruckner - Fabio Luisi/Lise de la Salle
Thu 19 Jun 2014
Bachtrack, 20 Jun 2014
Luisi conjured a whole shuddering kaleidoscope of death-ridden and celestial visions from the orchestra, who responded with inspired playing.
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Classical Source, 20 Jun 2014
Coherent and completely in step with Bruckner's visionary quality, this was a performance that only doubled one's love for this incredible work.
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The Arts Desk, 20 Jun 2014
Luisi and the orchestra turned the scherzo into a zesty Rhine journey at the gallop with terrific uplift from the strings.
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The Guardian, 20 Jun 2014
As for De la Salle... her playing was unfussy, elegant, never drawing unwarranted attention to itself, but at the same time absolutely distinctive.
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Alastair Putt/Bruck/Dvořák - Sir Mark Elder/Nicola Benedetti
Thu 12 Jun 2014
Classical Source, 12 Jun 2014
Benedetti has a strong platform presence... her tone quality was lovely, and she threw off the finale's fireworks as if they presented no challenge.
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Beethoven - Leonidas Kavakos/Enrico Pace/Tim Hugh
Fri 6 Jun 2014
Classical Source, 6 Jun 2014
The LSO was at its legendary, sumptuous best, with a wrap-around spread of depth and clarity, Kavakos's rather angular, heavily gestural conducting adding an extra hit of pressure to the pace.
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Beethoven/Henze/Schumann - Sir Simon Rattle/Veronika Eberle/Anna Prohaska
Sun 1 Jun 2014
The Times, 4 Jun 2014
in Schumann's Symphony No 2 the conductor's instincts for lean, muscular textures and lithe tempos in early Romantic repertory met the plush playing of the LSO, with infectious results.
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Boulezian, 3 Jun 2014
There was excellent playing from all concerned, whether the burnished strings or the Mozartian wind-band; the horns in particular sounded ravishing.
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Bachtrack, 3 Jun 2014
This was a thrilling concert… electrifying playing, accomplished soloists and a programme that allowed for new discoveries via both familiar and unfamiliar works.
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The Guardian, 3 Jun 2014
Exceptionally delicate dynamics were a hallmark throughout, as both orchestra and soloist spun the first and second movements out into the merest scintillas of sound, which made the closing rondo all the more impressive for being harder won than usual.
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The Arts Desk, 2 Jun 2014
The Larghetto was spacious in the extreme, with several of those trademark Rattle pianissimi, but the breadth of gesture gave the opportunity for Daniel Jemison's glorious bassoon tone to resonate, and the Egmont-like chords at the end of the slow movement were given real passion. Eberle and the LSO brought the light-footedness of chamber music and of dance to the closing rondo movement.
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Classical Source, 2 Jun 2014
Beethoven's Violin Concerto received a majestic outing. Rattle and the LSO's accompaniment was consistently ear-grabbing
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Birtwistle/Brahms - Daniel Harding/Paul Lewis
Tue 20 May 2014
Financial Times, 24 May 2014
Lewis was planning a longer game and the finale rose to a lofty conclusion in which pianist and orchestra grew to become equal players.
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The Times, 23 May 2014
And they fluttered from darkness into seering light with such energy that the music hit its audience in the viscera.
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Classical Source, 22 May 2014
Steering a confident and focused course, Harding palpably had its measure and was abetted by an assured response from the LSO.
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The Independent, 21 May 2014
...this work has no extraneous literary connotations: teeming with ideas, it's about the orchestra itself, and about the dramatic transformations through which its sound can pass.
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London Evening Standard, 21 May 2014
An extraordinary piece, played with slithering sensuality by the London Symphony Orchestra under Daniel Harding.
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Ravel/Prokofiev/Shostakovich - Pablo Heras-Casado
Wed 14 May 2014
The Times, 16 May 2014
This was a feisty yet detailed performance enlivened by a particularly graceful solo from the orchestra's new co-principal bassoon Daniel Jemison.
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Classical Source, 14 May 2014
With lithe and pungent accompaniment, true to LSO family values, Simovic told of tales and painted pictures, his response ranging from intense to ghostly.
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Mozart/Strauss - Sir Mark Elder/Anne Schwanewilms/Sarah Connolly/Lucy Crowe
Thu 8 May 2014
The Times, 12 May 2014
...this performance was all about the LSO, whose stylistic versatility and tonal brilliance were breathtaking.
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The Guardian, 9 May 2014
It was superbly managed from an orchestral point of view, and any other UK ensemble tackling Rosenkavalier in the near future is going to have its work cut out to match it.
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Classical Source, 9 May 2014
Elder showed masterful command of structure by not vulgarising the already ripe harmonic palette but patiently allowing the music to develop its own natural momentum towards its glorious culmination.
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The Arts Desk, 9 May 2014
And as an interpretation, featuring all repeats including the second half of the finale, it had a near-perfect mix of light and shade, space and buoyancy.
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London Evening Standard, 9 May 2014
All three sopranos gave of their best in the rapturous trio of the Act 3 finale, where Elder's flawlessly calibrated climax drew magnificent playing from the LSO.
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Bach Track, 9 May 2014
Few orchestras can boast such a resplendent horn sound as the current LSO team, rejoicing through the opening bedroom scene ecstatically.
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Strauss/Mozart - Sir Mark Elder/Imogen Cooper
Sun 4 May 2014
The Guardian, 4 May 2014
... the woodwind was in stupendous form, and in the Serenade, the conductor's only role seemed to be one of occasionally drawing each player gently back from their reveries and into the fold.
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Classical Source, 4 May 2014
Dripping with atmosphere and suggestion, this reading clearly showed that Elder believes in every note of this 20-minute score
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Boulezian, 4 May 2014
... I should turn to the final work, Till Eulenspiegel. It received a truly outstanding performance; I am not sure that I have heard a better one.
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Strauss/Brahms - Nikolaj Znaider/Roman Simovic/Tim Hugh
Thu 1 May 2014, Barbican
Financial Times, 4 May 2014
This was a lesson in finely blended sound, sensuousness and vitality in which every member of the orchestra was a joyful, committed participant.
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Classical Source, 2 May 2014
The LSO gave a coruscating account of this rich score, and brought vividly to life the moods and zeal that Strauss paints so magnificently.
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Mahler - Daniele Gatti
Sun 27 Apr 2014, Barbican
The Guardian, 28 Apr 2014
The opening movement was always tightly controlled, and the energy Gatti drew from the LSO was remorseless.
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Classical Source, 28 Apr 2014
...every sound was ghoulishly meaningful, the LSO relishing Mahler's amazing invention and scoring
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Boulezian, 28 Apr 2014
This concert, however, made it clear that the LSO remains a Mahler orchestra to be reckoned with.
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Bach Track, 28 Apr 2014
Gatti has not conducted the LSO for nearly 20 years, all the more astonishing a fact given the assuredness of the performance. At times Gatti was almost stationary on the podium, inviting the orchestra to come to him; in other moments it felt as if he and the orchestra were partners in a dance.
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Pärt/Youssef - Kristjan Järvi/Dhafer Youssef
Thu 24 Apr 2014, Barbican
Jazz Journal, 26 Apr 2014
... the LSO offered both restrained and sumptuous string playing, a range of brass and percussion interjections, and, it must be said, some sustained passages of really spirited ostinato rhythm.
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The Telegraph, 25 Apr 2014
Youssef has a pleasingly clear light voice, just right for the quavering ornaments of Middle Eastern music.
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Scriabin/Chopin/Messiaen - Valery Gergiev/Daniil Trifonov
Sun 13 Apr 2014, Barbican
The Times, 16 Apr 2014
Above all, Trifonov tapped into Chopin's sense of freedom at the piano, and his joy in its potential.
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The Guardian, 14 Apr 2014
Valery Gergiev's three-concert sweep through the symphonies of Alexander Scriabin has proved to be one of the most rewarding and genuinely revelatory of his recent projects with the London Symphony Orchestra...the quality of the solo wind playing was exceptional.
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The Arts Desk, 14 Apr 2014
...there was plenty to enjoy, and it was performed with great conviction by the LSO and Gergiev, for whom this is clearly of a labour of love.
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Classical Source, 14 Apr 2014
Gergiev had its measure both rigorously and conceptually, binding its cyclical structure yet giving it a certain freedom, to which the LSO responded innately and with impressive character and ensemble.
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Scriabin/Messiaen - Valery Gergiev/Denis Matsuev
Thu 10 Apr 2014, Barbican
Financial Times, 13 Apr 2014
Gergiev was in his element, firing up the musicians in the boisterous outer movements and stressing elegance in the sensuous slow centrepiece. Here was the unadorned Russian soul – apolitical and all-embracing.
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Classical Source, 11 Apr 2014
In lesser hands this kind of composition can fall apart in performance, but Gergiev controlled the disparate rhythms and meters in a masterly fashion, so that the music moved logically and purposefully ahead to its final triumphant resolution.
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Scriabin/Lizst - Valery Gergiev/Denis Matsuev
Sun 30 Mar 2014, Barbican
The Times, 1 Apr 2014
I don't think I've ever seen [Gergiev] smile so much as during and after The Poem of Ecstasy, a work he clearly loves, and whose delicate and dance-like spirit he liberated.
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The Arts Desk, 31 Mar 2014
Gergiev did both works proud, without the slightest trace of apology. These were fine, controlled performances, correctly free in style but never rambling or diffuse, and wonderfully well-played by a full-strength LSO. In both quality and quantity, the sound – orchestral and choral – was terrific.
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Financial Times, 31 Mar 2014
In this later symphony, with its pre-echoes of Stravinsky's fairytale score for The Firebird, the combination of high-quality playing and Gergiev's ability to get the music to pulsate with spontaneity will have won Scriabin new admirers.
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The Guardian, 31 Mar 2014
With Gergiev fully endorsing Matsuev's approach, this was a performance that married a barnstorming manner with real musical distinction.
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Evening Standard, 31 Mar 2014
Gergiev paced the sprawling six-movement structure skilfully, just as he held something in reserve for the cataclysmic conclusion to the Poem of Ecstasy.
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Classical Source, 31 Mar 2014
an impressive demonstration of the LSO's skill in a work of which it has given numerous fine performances in recent years
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Daily Telegraph, 31 Mar 2014
Deservedly better known, [Poem of Ecstasy] was delivered with voluptuous virtuosity and plenty of decibels.
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Boulezian, 31 Mar 2014
Strings were voluptuous, and the LSO brass excelled itself, not least in Philip Cobb's excellent, vibrato-laden solos, as 'Russian' a sound as one is likely to hear from a non-Russian orchestra.
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Mendelssohn/Schumann - Sir John Eliot Gardiner/Alina Ibragimova
Sun 23 Mar 2014, Barbican
The Times, 26 Mar 2014
It's debatable whether any other London orchestra, including Gardiner's Orchestre Romantique et Révolutionnaire, could have delivered the first and fourth movements of the Italian Symphony at this speed with this precision.
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Financial Times, 25 Mar 2014
This most recent concert in John Eliot Gardiner's series of Mendelssohn and Schumann with the London Symphony Orchestra ... showed how asking a traditional symphony orchestra to play in something approaching period style can send a jolt of electricity through its performances.
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The Guardian, 25 Mar 2014
The LSO players rose to it all – this was no imitation period band, but a modern orchestra responding brilliantly and unapologetically to a famously demanding conductor.
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Evening Standard, 24 Mar 2014
this reading of the Italian exploited the exhilarating athleticism of the first movement and the frenzied Neapolitan dance rhythms of the saltarello finale.
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The Independent, 24 Mar 2014
Alina Ibragimova set out to make the strongest possible case for this missing link. It opens with Handelian grandeur, then settles into a soulful mode for which this young violinist's expressively lyrical sound was well suited: not big, but very sweet and pure.
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Classical Source, 24 Mar 2014
Gardiner made the finale, a 'Saltarello', into a hectic display of virtuosity, admirably realised by the LSO as a whole and the flutes in particular.
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Mendelssohn/Schumann - Sir John Eliot Gardiner/Alina Ibragimova
Sat 22 Mar 2014, G Live Guildford
The Guildford Dragon, 24 Mar 2014
This was romantic orchestral performance at its best, and every section played a vital part – well done the violas! The whole symphony was beautifully shaped and finely phrased, the climactic horns and timpani sending us home with a smile.
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Mendelssohn/Schumann - Sir John Eliot Gardiner/Alina Ibragimova
Fri 21 Mar 2014, Portsmouth Guildhall
The Edge, 26 Mar 2014
The LSO's performance was breath-taking ... most definitely one of the best concerts of its genre that will be seen all year.
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The News, 24 Mar 2014
Two Mendelssohn symphonies were the popular attraction in the LSO's long-awaited return to Portsmouth, but the revelation was Schumann's late and seldom-played Violin Concerto.
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Elgar/Mahler - Daniel Harding/Tim Hugh
Fri 14 Mar 2014, NCPA Mumbai
Financial Chronicle, 27 Mar 2014
It seems like an odd thing to say since we are still only in March, but the recent concerts by the London Symphony Orchestra are likely to be the highlights of the year.
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Rachmaninov/Mahler - Daniel Harding/Yuja Wang
Sat 8 Mar 2014, Hong Kong Cultural Center
South China Morning Post, 11 Mar 2014
The third [movement of Mahler 1] lingered over the beauty of each moment, while the finale's outer sections were played unashamedly white hot, with no holds barred in the brass and percussion. The brazen encore was a medley from John Williams' score for the film Star Wars. An exhilarating evening.
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Huw Watkins/Mahler - Daniel Harding/Adam Walker
Sun 23 Feb 2014, Barbican
Bachtrack, 25 Feb 2014
It was an exhilarating end to a quite brilliant concert.
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The Guardian, 25 Feb 2014
Walker, playing with staggering virtuosity and charm, kept the audience on the edge of their seats throughout, and brought the house down at the end.
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The Times, 25 Feb 2014
...the glitter-bomb finale — horn players on their feet, clarinets and oboes raised like peashooters — was simply thrilling.
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Classical Source, 24 Feb 2014
Adam Walker's playing was miraculous, his tone shifting imperceptibly from seductive roundness to an edgy astringency and adding layers of nuance to Watkins's already thoroughly imagined, translucent writing. Walker literally breathed character into the music, with an effortless, assured virtuosity that played games to great effect with the orchestra, and with Daniel Harding superb in his control of balance and attack.
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Evening Standard, 24 Feb 2014
Flute concertos don't come along every day, and it's a measure of the depth of LSO talent that it could pluck a player from its own woodwind section to take the solo part in Huw Watkins's new Flute Concerto. Watkins is not afraid of either melody or drama, and Adam Walker seemed up for every challenge thrown at him.
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The Independent, 24 Feb 2014
Under Daniel Harding's direction the London Symphony Orchestra cast a matching spell, at one point answering the flute's busy monologue with a ravishing blend of high strings, woodwind, and harp.
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Rachmaninov/Stravinsky - Daniel Harding/Yuja Wang
Thu 20 Feb 2014, Barbican
Classical Source, 21 Feb 2014
The LSO responded brilliantly to [Daniel Harding's] clear, precise direction, and the dramatic ending of the ballet, where Petrushka's ghost appears, was quite chilling, even though there was no stage action to see.
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Yuja Wang solo recital
Sun 16 Feb 2014, Barbican
Seen and Heard, 20 Feb 2014
The ultra-gestural second piece was perfectly judged, while the finale held its share of surprises, not least the post-Debussian haze of its opening. The technique, again, was jaw-droppingly good, in fact in places improbable.
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The Guardian, 18 Feb 2014
Of her fabulous technique there can be no doubt, nor of the weight of sound she can conjure from a piano. The control is sometimes breathtaking. And she also has the tender touch in her fingers, conjuring sounds of deliquescent beauty from the keyboard when she chooses.
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Debussy/Prokofiev/Ravel - James Gaffigan/Yuja Wang
Thu 13 Feb 2014, Barbican
Classical Source, 14 Feb 2014
[Yuja Wang] sailed through the brief scherzo with nonchalant brilliance, and her pungent account of the march-like third movement was succeeded by a finale that once more showed a combination of sensitivity and brilliance. Throughout, Gaffigan and the LSO were ideal, expert partners.
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Beethoven/Rachmaninov - Jaap Van Zweden/Yuja Wang
Sun 9 Feb 2014, Barbican
The Guardian, 11 Feb 2014
The climax of the introduction was big enough to be the climax of a whole symphony – how could van Zweden keep up the energy? But he did: drawing the music into huge arcs and keeping momentum fierce, he paced things superbly.
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Financial Times, 11 Feb 2014
It was only in the finale that the dextrous fingers also found a characterful sparkle and humour. The closing rush to the end was quite exhilarating.
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Classical Source, 10 Feb 2014
Here was a reading – most notably in the wonderfully grasped and played slow movement – that was remarkably fine throughout, especially in Chris Richards's long clarinet solo, and the manner by which van Zweden built the finale was enormously impressive and undeniably thrilling.
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Panufnik/Dvorák - Michael Francis/Anne-Sophie Mutter
Wed 5 Feb 2014, Barbican
The Times, 7 Feb 2014
Hearing two of [Panufnik's] most skilfully constructed works, vividly performed by the London Symphony Orchestra under the baton of Michael Francis, afresh was something of a revelation.
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Daily Telegraph, 6 Feb 2014
Fittingly, the LSO was in charge of officially launching this year's Panufnik centenary celebrations...It did so impressively
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The Guardian, 6 Feb 2014
Among the most remarkable and original of Panufnik's scores, [Lullaby] was exquisitely done – a perfect performance.
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Financial Times, 6 Feb 2014
Can the slow movement [of Dvorak's Violin Concerto] ever have been played with a tone so tender and withdrawn, as though revealing some long-lost romantic secret? Mutter remains a truly first-class draw.
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Bachtrack, 7 Feb 2014
The LSO captured [Panufnik's Lullaby's] haunting, broken-music-box quality, sounding at once totally contemporary and like a child's lullaby. Aside from a few slightly heavy moments in the solo melody instruments, the deft performance was utterly entrancing.
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Elgar/Britten/Maxwell Davies - Sir Antonio Pappano/Maxim Vengerov/Markus Butter/LSC
Sun 2 Feb 2014, Barbican
The Sunday Times, 9 Feb 2014
In the new symphony, Davies turns baroque architecture into bloody narrative with an unmistakeable personal twist.
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The Observer, 9 Feb 2014
Creativity, mortality and renewal: this was the collective message that imprinted itself on our hearts as Max took his bow and beamed at his cheering audience.Creativity, mortality and renewal: this was the collective message that imprinted itself on our hearts as Max took his bow and beamed at his cheering audience.
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Finacial Times, 7 Feb 2014
Davies was visibly moved at the end of the performance, which had the buzz of a big musical occasion – not least because it found the London Symphony Orchestra and Chorus on superlative form and the conductor Antonio Pappano at his most inspirational.
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New York Times, 4 Feb 2014
... this work turns on its head the old trope about architecture being frozen music. Here is music functioning as liquid architecture: monumental, certainly, but lightened by a grace and brilliance worthy of the buildings that inspired it.
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Classical Source, 4 Feb 2014
Not since Tippett has British music had a choral work comparable in its combining of innovation with experience.
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The Times, 4 Feb 2013
The LSO offered plenty of variegated colours. Brass burbled in their boots; the marimba chortled; strings massed lyrically.
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Daily Telegraph, 3 Feb 2014
conductor Antonio Pappano had led a fabulously full-blooded yet crystal-clear performance of Elgar's Alassio: In the South.
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The Guardian, 3 Feb 2014
It's one of the most movingly personal of Davies's recent scores, and a major new symphony.
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Evening Standard, 3 Feb 2014
In music that is neither ancient nor modern, the symphony unfolds at a steady pace, incrementally building a carefully controlled tension so that the closing moments feel like a genuine release. The audience, liberally sprinkled with composers, responded with warm enthusiasm.
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The Arts Desk, 3 Feb 2014
Pappano and the LSO shone in a very well rehearsed performance of this substantial and complex new work.
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Maxwell Davies/Brahms/Walton - Sir Antonio Pappano/Janine Jansen/LSO On Track
Thu 30 Jan 2014, Barbican
MusicOMH, 1 Feb 2014
After the interval, the orchestra's performance of Walton's Symphony No. 1 in B-flat minor saw Pappano demonstrate a deep understanding of the mechanics of, and nuances in, the symphony, without ever losing sight of the work's expansive elements.
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Bachtrack, 1 Feb 2014
Jansen seemed in a trance throughout, listening deeply to the orchestra when not playing; the orchestra, for their part, could hardly have been more alert, or indeed more thoroughly Brahmsian in the sound they produced, playing with extreme strength and depth that was somehow never overblown.
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Evening Standard, 31 Jan 2014
...the finale soared like a film score, reaching its climax with a confident swagger. Pappano and his players delivered a performance of wide-screen magnificence.
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The Arts Desk , 31 Jan 2014
...if certain pages already seemed to yearn for Walton's eventual haven in Ischia in the Bay of Naples the "last post" trumpet solo immediately prior to the blazing coda of the finale - beautifully played with a gently nostalgic vibrato by Philip Cobb - surely belonged to Oldham, Lancashire, Walton's home town. Great piece, great performance.
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Classical Source, 31 Jan 2014
It's not often that a loud ending is greeted by stunned silence, cued here by a statuesque Pappano, but that's what happened initially – testimony to another triumph for Antonio Pappano and the LSO.
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Mendelssohn/Schumann - Sir John Eliot Gardiner/Maria João Pires
Tue 21 Jan 2014, Barbican
The Times, 23 Jan 2014
This was the London Symphony Orchestra; but, with violins and violas all standing, and with a new suppleness and brilliance in their voice, they sounded both Romantic and revolutionary.
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Evening Standard, 22 Jan 2014
The deep-hued textures of the symphony (four horns, prominent violas and cellos) were offset by robust upper strings, their visceral attack enhanced by having the players standing.
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Classical Source, 22 Jan 2014
You take the LSO's responsive style for granted, but the subtlety of colour and expression were in another league, entirely at the disposal of what is in effect a tone-poem.
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Haydn The Creation - Richard Egarr et al
Sun 12 Jan 2014, Barbican
Financial Times, 15 Jan 2014
The best feature was the freedom Egarr gave the LSO's wind section to shine, especially the three flutes and Andrew Marriner's clarinet.
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The Guardian, 14 Jan 2014
As one would expect from such an orchestra and chorus, there was plenty of thump and oomph in the large moments, but it was consistently matched with delicate vocal and instrumental shading and detail elsewhere.
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The Times, 14 Jan 2014
Vivid details continued as Haydn's oratorio pressed ahead on streamlined modern instruments. Avian flutes chortled with character. No blandness, either, in the brass's roaring lion and the footfall of "heavy beasts". And Gerald Finley's vocal menagerie couldn't have been more piquant, with its bleating sheep, slithering worms and creepy-crawly insects.
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Rimsky-Korsakov/Tchaikovsky/Prokofiev - Michael Tilson Thomas/Evgeny Kissin
Thu 19 Dec 2013, Barbican
Classical Source, 20 Dec 2013
The finale, playful and carefree until the mechanisms of the coda that seem to warn as much as power the Symphony to its insistent conclusion, continued to find the LSO and MTT on 'old friends' top form; and, boy, they really nailed the final chord with formidable togetherness.
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The Independent, 20 Dec 2013
[Kissin's] approach at the Barbican to that most hackneyed of piano concertos, Tchaikovsky's first, was typical, avoiding the usual schmaltz of the opening through the sheer perfection of his sound, delivering the virtuoso passage-work with lightness and precision, investing the start of the cadenza with Chopinesque delicacy, and answering the orchestra's staccato entry in the slow movement with a pearlised staccato of his own.
Read full review
Rimsky-Korsakov/Tchaikovsky/Prokofiev - Michael Tilson Thomas/Evgeny Kissin
Wed 18 Dec 2013, Symphony Hall Birmingham
Birmingham Post, 2 Jan 2014
Veteran conductor Michael Tilson Thomas, a fine exponent of Tchaikovsky, and the LSO (groomed by Valery Gergiev) sounded as authentically Russian as anything from St Petersburg.
Read full review
Liszt/Prokofiev/Tchaikovsky - Michael Tilson Thomas/Simon Trpceski
Thu 12 Dec 2013, Barbican
The Guardian, 15 Dec 2013
This was a big, daringly stark reading, with the dynamics dramatically well disciplined and the climaxes allowed to build steadily to an almost unbearable tension. The LSO, as so often with Tilson Thomas, were on their best form.
Read full review
The Independent, 13 Dec 2013
And under Michael Tilson Thomas's direction the London Symphony Orchestra responded adroitly to [Simon Trpceski's] challenge, in the Andante providing ethereal textures over which he laid leisurely figurations, and in the crazy finale allowing him to let rip while maintaining steely technical control.
Read full review
Classical Source, 13 Dec 2013
The finale was strongly delivered and exhilarating. I cannot think of anybody who could have surpassed the performance that Michael Tilson Thomas gave us.
Read full review
Beethoven/Dvorák - Nikolaj Znaider
Thu 5 Dec 2013, Barbican
Classical Source, 6 Dec 2013
Once the slightly tentative account of the opening pages passed, the musical narrative took off and Znaider led the LSO through a notably rousing development and climax to the recapitulation in the first movement.
Read full review
LSO On Film: The Music of Patrick Doyle
Sun 1 Dec 2013, Barbican
Cineworld, 2 Dec 2013
Derek Jacobi received a standing ovation for his forceful delivery of 'My Thoughts Be Bloody' from Hamlet, his rich tones lent additional power by the portentous, powerful orchestra. On a more tender note, Thompson was reduced to tears by Doyle's solo violin piece 'Corarsik' (making its UK concert debut) – composed specially for the actress' 50th birthday.
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1981 Results Found for Arthur Parker
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"Parker" family name, ancestry, and history
Meaning: "keeper of the park"
Origins: England
Parker is a family name of English origin, derived from Old French with the meaning "keeper of the park". "Parker" was also a nickname given to gamekeepers in medieval England. It is the 51st-most common surname in the United Kingdom. Within the United States, it is ranked as the 47th-most common...
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subset: commoncrawl


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In the News: Augie's Billeter Has Winning Formula
Augustana Men's Basketball Coach Tom Billeter closed out the 2013 calendar year on Saturday with a 77-55 win over Wayne State heading into the holiday break. The following story appears in the Sunday, Dec. 22, edition of the Argus Leader with his winning formula for the Vikings.
Hasseler Op-Ed: Let's Remember Mandela, Carry on His Quest
"To Nelson Mandela, representative of a people of hope, persistence, strength and reconciliation, may you rest in peace but may the work of transformation go on." Read the op-ed celebrating Nelson Mandela's life and work by Dean of the College Dr. Susan Hasseler.
105 Students to Study Abroad Over J-Term
In January, the world will be the classroom for 105 Augustana students who will spend time learning hands-on about the art, music, history and languages of 17 countries on five continents. These real-world courses are part of Augustana's January Interim, a four-week session designed for curricular exploration and enrichment
Wright Discusses "Federal Reserve: 100 Years of Boom and Bust"
Nef Family Chair of Political Economy and Director of the Thomas Willing Institute Dr. Robert Wright was recently featured in a documentary entitled "Federal Reserve: 100 Years of Boom and Bust," that discusses the events leading up to the Fed's creation and its impact on the economy over the past century.
Nobel Peace Prize Forum Seeks Augustana Peace Scholars
The Nobel Peace Prize Forum consortium is accepting student applications for two 2014 Peace Scholars, who will be awarded a six-week educational experience in Oslo, Norway, designed to deepen their understanding of issues related to peace, justice, democracy and human rights. The application deadline is Friday, Jan. 31, 2014.
Senior Represents USA Rugby in France
Senior Kaitlyn Foss (Pipestone, Minn) recently represented USA Rugby in France as a member of the USA Rugby AIG Women's Collegiate All-Americans (WCAA) team. Learn about her rugby career and journey in France.
Three-Dimensional View Helps Laser in Building New Molecules
In an article published this week in the journal Nature Communications, researchers from Augustana, Kansas State University, the Max Planck Institute for Quantum Optics and the Ludwig Maximilian University in Munich, Germany, have reported an improved feedback technique to help in building new molecules.
Augustana Society of Physics Students Chapter Recognized
Augustana's chapter of the Society of Physics Students has recently been named a "Distinguished SPS Chapter" by the Society of Physics Students (SPS).
Students Collecting Gifts for Teens, Families in Need
In an effort to help those in need this holiday season, Augustana students are collecting gifts for area teens and families. Learn more about the Teen Town program, Christmas Giving trees located throughout campus, and the opportunity to adopt an individual or family for the holiday season.
Vocal Students Recognized at Statewide Music Convention
Augustana vocal students were recognized at the South Dakota Music Teacher Association State Convention, held recently on the campus of South Dakota State University in Brookings.


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HOME NHL Pittsburgh Penguins Gear Pittsburgh Penguins T-Shirts Sale Items (41 items) Product ID: 1319718
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Kids need pets and pets need kids.
Before we had kids we had dogs. We had one dog, Kolby, and two years later got a second, Mookie. They were best friends. They had to be near one another at all times. When they slept they snuggled together. When they went outside they ran around together. If one got into mischief the other was into it too.
When we had Mia the dogs kept an eye on her, but kept their distance too. Then the twins came along and they started demanding more of our attention. It was hard for us to give them the attention they requested having three kids under 2, but we tried to give them lots of love while the girls were sleeping. Mia was at the age now that she liked to run around and chase the dogs and they liked it too, but it wasn't the same as attention from mom and dad.
Then Kolby got sick. I started feeling guilty about my inability to spend more time with him, taking him for walks, playing outside and just snuggling on the couch. Mookie tried cuddling with him and Kolby would nip at him to get away. Poor Kolby just wanted to be left alone. As Kolby got sicker and sicker Mookie got sadder and sadder. After weeks of watching Kolby becoming less and less like the dog we fell in love with 7 years earlier we knew it was time to let him go. He was suffering and we couldn't stand to watch it anymore.
After we put Kolby down Mookie was very mopey. Mia was so young she didn't really understand what had happened she just knew that Kolby was gone. Nana Beanie and Papa Randy explained to her that Kolby had gotten very sick and he went to heaven up in the sky. Mia came home and told us that Kolby was sick and up in the sky like a bird. She mentions him sometimes and remembers he is gone. It makes us very sad.
Mookie has started coming around. He has found comfort in cuddling with the kids...all three of them. The babies love when he is close enough for them to touch him. When he gets near Mia he rolls over to reveal his belly to her and she'll sit and pet him and say, "Oh Mookie, I gotta go play." He tries to follow her into the playroom until she kicks him out of "her room". She's afraid he'll eat her toys...he has chewed up a couple of her balls. It makes me happy to see how much he loves the girls and how happy just looking at him makes the girls. When the babies are fussy he walks over and puts his face close to theirs and they laugh. There are nights Mia won't go to bed unless Mookie sleeps with her.The other day Mia didn't want to leave the house without giving Mookie a hug.
The more time Mia spends with Mookie the less she talks about Kolby. I think it's good for both of them that they have each other. They have a special bond whenever Mookie is off the leash and runs off we can call him and call him and call him and he won't come, but as soon as Mia calls for him he comes running back.
As hard as it was for us to let Kolby go because he was our first baby it's going to be harder to let Mookie go because of the effect it will have on Mia. He's 7 so hopefully we have several more years with him.
Mookie needed that bond with Mia to get over the loss of Kolby and Mia needs Mookie to understand the love and joy pets bring to our lives.
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It was great chatting with you ladies. Can't wait to see the lo's everyone posts. My DH just brought supper home too, so will chat later.
It was great chatting with you ladies. Can't wait to see the lo's everyone posts. My DH just brought supper home too, so will chat later.
Here is my lo:
I'm sorry I missed this, I was sick. But animals are my life so I'll be doing this LO. Does this qualify for the Scrappin 7????? someone should make a list somewhere what counts and what doesn't so we don't have to keep bugging you guys LOL! Right now it just says do any 7 challenges but several don't count. Just a thought.
Please have Patience...For I have NONE!
I used Helen's Mom's Christmas Diner (I have the whole kit and love it)
I was so sad when I wasn't home untill after it was over, but then I remembered that we have a few days to finish the layout! So I will work on it tomorrow! Looks like you guys had a good time. :o)
I don't know if these crops count or not for the Scrappin 7 but I'll ask and will get back to you.
Erin, can't wait to see your lo....
Holly, the site partner, stated that crop lo's count towards the 7 lo's in the scrappin 7 challenge.....
So we hope to see your lo soon!!
CROP INSTRUCTIONS summary
Help yourself to the wa in my layout:
1. Pick out one or more photos of your pet or if you dont have a pet, a holiday photo of any kind.
2. Tell us about your pet/s or your photo here at the crop or in the description of your lo.
3. Your background has to include a Christmas color: red, green, silver or gold.
4. Frame your photo.
5. Use a piece of ribbon ,rope or a bow.
6. Use some wordart or add text or a title to your lo.
7. Post your lo to the speed scrap gallery by Thursday, Dec. 19th at 6 PM EST and add a link here .
8. Post some love for your favorite los or ALL the los that were submitted for this crop- the HOLIDAY PET CROP.
9. Just have a doggone good time and guess what, youve completed another wonderful lo!
Cathy will be sending out participation prizes to all that post by Dec. 19th......
OK Ladies, here is a summary reminder of the rules for the crop and the deadline.
Wanted to try to be there but just wasn't able. Although I was inspired to make something up with my pets so I did do my very first digital christmas card instead of a layout with them and sent one to the gallery as I cannot remember how to add a link to my thread. I love yours and everyones layouts. Hopefully I will be able to join the next crop. Merry Christmas


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Contains material for both the Home Economics Club and its successor, the Kappa Chapter of Phi Upsilon Omicron, a national honor society for home economics students founded at Utah Agricultural College (now Utah State University) in 1924. Includes minutes of meetings, scrapbooks, financial ledgers, membership lists, student project reports, audits of the Kappa Chapter by the national conclave, correspondence, office files, and historical materials.; Arranged in numeric sequence according to Box and Folder; Historical Note; Minutes,; Minutes,; Minutes,; Minutes,; Minutes,; Minutes,; Minutes,; Minutes,; Historian's Book,; Historian's Book,; Scrapbook,; Scrapbook,; Scrapbook,; Scrapbook,; Photo album scrapbook,; Scrapbook,; Scrapbook,; Financial Ledger,; Financial Ledger,; Financial Ledger,; Financial Ledger,; Checkbook,; Checkbook,; Card File of Members,; Card File of Members,; Membership and initiate lists,; Membership and initiate lists,; History of Kappa Chapter; Chapter reports,; Conclave reports,; Correspondence with National Conclave,; Student Project Reports,; Certificates,; Alumni; Annual Reports; Applications for membership; By laws; Council minutes, national; Correspondence, District Councillor; Correspondence, General; Correspondence, National Offices; Correspondence, Treasurer; Financial; Fund Raisers; History; Honorary Memberships; Inspections and Reviews; Inspections and Reviews; Invitations; Membership; Membership; Membership; Officers; Officer qualifications; Opening Ceremony; Orientation; Pledgees; Program Planning; Projects; Projects; Scholarships; Song Lyrics; Stationary and Letterhead; Song Book; Isabel Bevier; Constitution and By Laws,; Phi Upsilon Omicron Songs; Kappa Chapter Year Book.; Patterns for Initiation Robes; National Directories and Handbooks; Audits of Kappa Chapter Recording of Kappa Chapter (33 1/3 record); Oversize box; Oversize box; Account with members; Cash Disbursed; Includes both Cash Disbursements and Accounts with Members; (Cancelled); (Cancelled) Cancelled Checks were sampled for the above years, the remainder were discarded
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I feel the same way about the endless threads. I almost never used to post in them because I always felt either totally lost, or like Erin said, like I would be offensive if I just butted in...
But then, I just butted into this one - because I was tired of being afraid of not being a part of the secular community here because I didn't want to post on the neverending thread.
They are sooo hard to keep up with though. I've been thinking of taking an internet break, and I know any of the nets will be like german to me when I come back.
Just Midge
Gosh, I think I feel bad because I never worry about that. I tend to think about it more like a conversation in a room. I don't feel obligated to comment on everything that everyone says. Sometimes it's okay to just "listen" and say nothing. I'm sorry for those of you who feel overwhelmed.
I confess Savana has been narrating her play. While I was cooking breakfast this morning her and Kai were running around the room and heard her say, "And Savana and Kai leapt over the sleeping horse into the new spring meadow." Her descriptives are awesome.
I suddenly hat my living room. Hate it. I want slipcovers for my couches because we can't afford, nor do we really want to have the stress of new furniture and young children, dog, cat. I also hate the rug so I'm on a mad hunt for one today. I really want an oval shaped, wool, braided one. I know they are kind of old fashioned looking but I really like them.
Chrissy, I hope Jess is feeling better!
You guys, it's ok if you don't comment on each and every thing that comes up. I know I don't expect everyone to know what we're all doing.
I do feel bad if I miss something big and later see others posting a reply. It generally works out that someone posts something sad, then I post nonsense and look insensitive. It's really that I just missed it.
Lydia, is this the trip where your dad was going to go alone with them?
I confess Oscar cracks me up. He made a collage this morning, then told me "It's of a girl looking in the mirror, and she's all, sort of, messed around. I did it in cubism."
I also confess I guess there's some miscellaneous toomuchtimeonmyhands APA video animation things that mention me and I don't have the time or energy to view them all to see if I should feel slandered or not.
I LOVE Oscar! What a cool kid!
Oscar is little genius. I love it!!
Just Midge
LOL@ Oscar. He's awesome.
I confess I started playing ZooWorld on FB last night (Saturday night) because my life is just that lame.
I have such a quandry. My best friend in the world has 2 kids around the same age as Savana and Kai. They are really wild and the older one is really destructive in his play. Every time they come over, things get broken. Every time. They broke the wooden ukelele Savana got for her first birthday, they pulled the cord off the light on Kai's ceiling (standing on his bed) they've broken our sliding door screen twice and our front door screen once. I mean, it's totally crazy and the list does not include the things we've been able to fix.
It's getting to the point that I don't even want them here anymore and I feel terrible because I love them so much but it's not even fun for me while they are here. I'm so stressed out and I'm the only one that even addresses any issues that happen between the kids so it's honestly like a workday for me.
And Savana often tells me after they leave about things that the older son says/does that I just can't stand. Calling people stupid jerks and things like that. The problem is clearly a lack of boundaries. But I am not about to address her parenting. She is the most sensitive person in the world and I just can't.
We're having a party next weekend on saturday that they are coming to and I am already wondering what is going to happen this time.
I confess I'm back from Florida.
I don't stress about jumping in or keeping up, but I feel bad if I miss somebody when I respond. I always feel like people take it personally or something if I don't respond to everyone, but I've never noticed that people actually do this. So I'm just not going to let it bother me - if I miss commenting, I miss commenting. No big deal.
That's adorable about Oscar. And Savana.
Me (40) DH (47) & furbabies * m/c 7/08 4/12 11/12
I can't ever remember it either. The only one I know is "he had a flat affect" because I typed that one 890 million times when I worked in the mental health clinic.
If that's the worst thing I mess up grammatically, I'm not going to worry about it. Sometimes I type slang (ain't and 'cause) because I know it irritates people.
You got it right. "Affects" is an action, "effects" is a thing.
Sorry you were stressed out at work.
I went and dug up those videos and I totally don't think they're funny. I know why they are supposed to be funny ... they just aren't. I was thinking I was the only one who felt that way but apparently I'm not.
Me (40) DH (47) & furbabies * m/c 7/08 4/12 11/12
I have to say the older I get, the less I find it appropriate when I see/hear people call other people out on grammar. You understand what they were saying, so just give it a rest. Nobody types perfectly 100% of the time.
Me (40) DH (47) & furbabies * m/c 7/08 4/12 11/12
I confess I want to buy a plush (won't call it stuffed) bear in my DH's uniform to keep me company while he's gone. Is that totally juvenile, silly, and a waste of money? Cause I'll probably do it anyway!
Me (40) DH (47) & furbabies * m/c 7/08 4/12 11/12
I did see those but somehow to me the bears are less creepy. Not sure why.
This is the one I want - I just think it's cute. And I like that you can pick the exact uniform.
Me (40) DH (47) & furbabies * m/c 7/08 4/12 11/12
I think the bear is really cute. At first I was picturing a man sized bear wearing your dh's actual uniform. Then I realized he probably has his uniform with him and that something like that would actually be kind of scary.
I just watched the little apa movies and actually didn't find them funny at all. I didn't find them offensive or anything, they just didn't make me laugh. I'm a humor snob. A lot of movies that are supposed to be funny don't make me laugh either. Stacy, you were mentioned in a vague, non specific way while the two characters are discussing a circ thread.
My father types like he's an English-as-a-second-language person. He speaks it properly...*shrug* So he's not a typist, big deal. He's far more clever than most people I know irl.
My dad is similar. He's one of the smartest people I've ever met but he can't spell to save his life. Didn't stop him from writing a book, so I don't see what difference it makes!
Me (40) DH (47) & furbabies * m/c 7/08 4/12 11/12
Rich's stepsister wrote him on Facebook, saying she hasn't had anything to do with her mom in quite a while and would like to have some stable family relationships for her kids sake.
It's all nice and dandy, except when crap hit the fan 11 years ago, she told me she didn't want to get involved. I considered us to be good friends at the time...we did stuff together and I babysat her daughter. When she said that, I never called her again and she never called me. As far as I'm concerned, she's the one who chose to have no 'stable family connections' and I kind of resent her thinking we can just pick up where we left off 11 years ago.
I'm not sure I'm ready to re-open that whole bag. We're doing pretty good not having anything to do with Rich's father's side of the family. The other part of me, however, really always liked her and thinks we should invite her and the kids over for a bbq.
I'm such a mess.
Last edited by Ky'sMom; 07-11-2010 at 10:18 PM. Reason: spelling
I think its very cool for a young kid to have when their parent is deployed


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Ok, perhaps I, (the dog) never really had to work, but now you're retired and I'm getting older and we have time for long walks and lounging around. Sounds great until someone gets the idea to start dressing us up like you! We can see that you never really knew fashion and now you're just going for cheap laughs with your friends. Please don't humiliate me anymore. The Dog.
Here are a few of my friends getting even! http://dogshaming.tumblr.com/


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Search results
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Create the page "Mylothris continua" on this wiki! See also the page found with your search.
- Pieridae Subfamilia: Pierinae Tribus: Pierini Subtribus: Aporiina Genus: Mylothris Species: M. aburi – M. agathina – M. alberici – M. alcuana – M. arabicus –2 KB (195 words) - 23:05, 14 July 2013


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If you think boardshorts are just for surfing, you're missing out on some of the most incredibly functional and fashionable beachwear of the summer. Whether you swim, sail or surf, Roxy, Quiksilver and Billabong offer some of the most visually creative and incredibly comfortable designs under the sun, especially if you do a bit of research before you buy.
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Knowing what you want in a boardshort is as essential as putting on sunscreen before heading to the beach. Almost all boardshorts offer fast-drying fabric in a variety of names like Super Suede and other nylon and polyester blends. Think about how you'll be using your boardshort and size up the durability according to fabric weight. If you're sitting for hours in an open cockpit sailboat like a Laser, you might want to consider fast-drying boardshorts with extra durability. If you're usually standing and doing stuff like windsurfing or wakeboarding, shorts made from lightweight fabrics work fine, although you may want to consider material with a mechanical stretch or gusseted panels for added mobility.
Not long ago some boardshort manufacturers opted for Velcro fly designs, but the combination of unlined shorts and tiny Velcro hooks were never comfortable for hairy guys. Unless you make liberal use of your razor on a regular basis, you'll find comfort in checking out what sort of fly is featured with your boardshort. Some manufacturers use a longer drawcord closure (newcomers often find that the lace closures require a little bit of practice) while other designers like Quiksilver opt for innovations like a neoprene Neo-Fly for better comfort. If you're determined to wear Velcro closure boardshorts, try wearing them with a fast-drying lightweight liner like Patagonia's Silkweight Boxers.
Another boardshort purchase consideration is pockets. If you're going to be in the water for hours, you probably don't need to worry about extra storage potential, but fast-draining eyelets and mesh pocket liners are important. If you're wearing your boardshorts around town, you'll probably want storage space for your wallet and SUV keys.
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This Asian babe is one of the cutest gals I have seen in a long time in photographs. I discovered her when she came into the club one night with her portfolio to show to a prospective customer. I got a look at it and though she should be in magazines with her looks. I offered to set her up for a new session and she readily agreed. We set up at her house and we went to work. She wanted some masturbation shots so we got those going and she spent a long time playing with her pussy. It was a good shoot, and after we were done I got the best blowjob I have had in years!
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Yuria Satomi
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Single magnets featuring Gene Anthony's images of the Summer of Love and days of Haight, or 6-packs of your favorite rock poster images, all are waiting to dress your fridge.


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Homeowners in the unincorporated areas of Santa Cruz County began to receive bills last week for a controversial statewide fire protection fee aimed at stabilizing revenue for Cal Fire, the state's wildland fire protection agency.
The California State Board of Equalization administers the fee that charges homeowners within a designated "state responsibility area" between $115 and $150 per habitable building.
Residents whose property is within the boundaries of a local fire district qualify for the lower of the two rates, and those whose property is with the limits of an incorporated city — such as Scotts Valley — are exempt from the fee.
Some 24,000 Santa Cruz County homeowners were notified that they would be subject to the fee in October. Since then, it has been widely criticized by local government and fire officials, as well as statewide watchdog organizations, many of whom claim that the fee is a tax increase in disguise that diverts resources away from local firefighting districts.
One organization, the Howard Jarvis Taxpayers Association, filed a class-action lawsuit against the Board of Equalization on Oct. 3 challenging the fee.
The association claims the fee is an illegally enacted tax increase that violates state law enacted by Proposition 13.
According to Prop. 13, state tax increases require a two-thirds vote of the Legislature. Fees, however, require a 50 percent plus-one vote. The fire protection fee, passed as Assembly Bill x129 in 2011, was voted into law with a simple majority.
"When (Gov. Jerry Brown) signed this into law … he said it was of dubious legality," said Kris Vosburgh, executive director of the Sacramento-based Howard Jarvis Taxpayers Foundation during a phone interview on Monday. "(The Legislature) had just a majority vote, so they called it a fee."
Vosburgh said homeowners would not see any additional service or fire protection. Rather, he said, the money collected by the fee would "backfill" the state's coffers.
"If you're a homeowner, there's no specific value (added) to your property," he said. "Folks are going to be paying this charge, but they're not going to be receiving any benefits that they aren't already receiving from the state of California."
As of press time Wednesday, Nov. 28, there had been no hearing date set for the case. However, Vosburgh said the lawsuit does not mean homeowners should delay paying the fee, because interest and other penalties would be charged for payments made more than 30 days after bills are sent.
He urged homeowners to pay the fee, but also to protest the fee by filing a petition for redetermination.
"We're urging people to file the protest," Vosburgh said, adding the lawsuit seeks refunds for those who had filed such a petition.
Dennis Mathisen, a spokesman for Cal Fire, said Tuesday by phone that while the agency is aware of the pending lawsuit, Cal Fire had not been formally served court summons.
"We are awaiting further information," he said. "In the meantime, we're continuing to move forward with implementing the law."
Mathisen said the fee will secure a more stable revenue stream for Cal Fire, which in recent years has been subjected to massive fluctuations in its budget because of California's ongoing budget crisis.
Mark Stone, the outgoing supervisor of Santa Cruz County's 5th District, acknowledged the budgetary concerns of Cal Fire but said the fee virtually guarantees less funding for local fire districts.
Other than Scotts Valley and a small corner of Santa Cruz, the overwhelming majority of the 5th District falls within the boundaries of a state responsibility area and will be subjected to the fee.
Stone said that the additional charges for fire protection at the state level could result in voters being less willing to approve future tax and bond measures intended to support local fire agencies.
"With the state solving its problems by raising a huge fee, it makes it virtually impossible for us to manage our county fire budget shortages," he said.
At a glance
- For more information on the fire prevention fee and how to file an appeal, visit www.firepreventionfee.org
- For more information about the Howard Jarvis Taxpayers Association's class-action lawsuit, visit firetaxprotest.org
- For more information about Cal Fire, visit calfire.ca.gov


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It's for newborn calves too-and nesting can decrease the incidence of respiratory disease in calves. During their first week of life, calves spend 80 percent of the day lying down. During Week 2, this time only decreases to 75 percent. Now factor in that newborn calves have little body fat and their comfort zone is between 50°F and 78°F and the need for creating a nest for a calf becomes evident. Studies have shown that creating a nest where the calf's legs are covered by the straw not only helps keep calves comfortable but decreases the incidence of respiratory disease. You can test the effectiveness of the bedding yourself by kneeling down on it. If your knees feel cold after a few minutes, the calf will feel cold too. If bedding materials are less than desirable or don't allow for nesting, calf blankets can be used to keep calves warm.
Reprinted with permission from the Professional Dairy Producers of Wisconsin


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Original Post:
My daughter is having a lot of trouble walking. It started last Saturday, April 20th with a slight limp that was barely noticeable. On Monday the 22nd her limp was prominent but she never said it hurt but she was very emotional and cried about everything. On a walk the next day she was really struggling and kept stopping, I also notice her hesitating to go up/down stairs or steps. She collapsed 2x on the walk and started saying her leg hurt and would point to her knee. By that evening she was constantly crying and barely walking or if she walked it was extremely wobbly and she would hold onto objects for support. Took her to the Ped the next morning (the 24th) and she could still barely walk...looked like she had jello legs. x-rays ordered for her left side since that was the leg she was pointing at....nothing came up as far as bone damage. Is was ruled a sprain knee and I was told to give IBprf for pain/swelling.
Here is the thing....she has only gotten much worse since being seen. She is unable to walk without some type of support and she literally looks afraid to take the next step. She is super happy to just lay down or sit in the stroller. I have now noticed that when she is laying on her back she cannot sit up on her own. she has resorted to trying to crawl to get around but even crawling looks weird and she wobbles and will fall over. I just feel like this is not her knee. Any suggestions??
Very quickly..... Brooke was transported via non emergency ambulance to a Pediatric unit in Los Angeles yesterday. Through motor skill evaluations today the neurologist feel she may have some swelling around her cerebellum. The only way to confirm that it is swelling and not something more serious is to get an MRI. She will remain in the hospital until the MRI and be re-evaluated with those results which will take place Friday. Last night was a nightmare as she was poked and proded until 2am..... I was getting kicked out because I had Preston with me. What else could I do he is BF only. I had to sleep in the car with him last night from 3am til 7am. That was lovely.
Came home tonight because we have no clothes, no toiletries nothing for ourselves or the baby. The hospital SW turned in our application to get a room with the Ronald McDonald house and it was accepted so the boys and myself will stay their while Brooke stays with Daddy in the Hosptial.I will update on Friday! hopefully....
Video: TBD


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My nemesis. Sucks to work them. Feels so good when you're done.
Found this routine that I modified slightly that seems to work well and it's not too long...about 5min.
20 of Each of the exercises:
-Crunches (touch right elbow to left knee)
-Crunches (touch left elbow to right knee)
-Bicycle (alternating back and forth between the previous 2 moves)
-Upper Abs Crunches (lay on your with your legs fully extended, arms fully extended above your head - trying to be as LONG as possible. Then just come up to about a 45 degree angle, enough to tighten the upper abs)
-Lower Ab Crunches (lay with your feet on the ground and legs at a 45 degree angle. reach your flat palms to the middle of your thigh, then roll up so your hands touch your knees, just flexing the lower part of your abs)
-Reverse Crunches (Extend legs and "curl" them up so your knees crunch towards your chest)
-Crunches (legs extended and straight up in the air, hands behind head and elbows out)
-Plank (keep back straight, tighten glutes up and hold for :60 - twice)
That works a pretty good section of your abs...have fun and let me know how it goes!


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Ranges in price (i.e. $98-$550) means there are multiple printings and/or sizes available. Click on an item to view a list of printings and prices.
Computer-generated tickets were the name of the game in the '90s. More business-like in their just-the-facts-ma'am presentation, these mementos are nevertheless from some of the absolute best concerts of the era and are testaments to how the rock concert event swelled from small venue to stadium and eventually settled upon a mixture of the two. Find older venues like the Greek Theatre and the Warfield among the Arco Arena, Cow Palace and Oakland Arena selections in these offerings.


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18 U.S. Code § 3739 - Supervision—(Rule)
Source(June 25, 1948, ch. 645, 62 Stat. 846.)
References in Text
Rule 39 of the Federal Rules of Criminal Procedure was abrogated Dec. 4, 1967, eff. July 1, 1968, and is covered by Rule 27, Federal Rules of Appellate Procedure, set out in the Appendix to Title 28, Judiciary and Judicial Procedure.
The table below lists the classification updates, since Jan. 3, 2012, for this section. Updates to a broader range of sections may be found at the update page for containing chapter, title, etc.
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It is supplied complete with an integral metal floor and two stainless steel hasps with high security padlocks which will deter even the most determined thief; an additional feature is a Heavy Duty Ground Anchor complete with High Security Cable which prevents the cycles from being removed. The dimensions of Protect a Cycle allow up to three adult bikes to be stored (depending on style) and the clever design, which features a spring assisted opening action, allows complete and easy access.
Bike shed supplied only
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The richest people in America
Published On: Sep 22 2012 07:00:34 PM PDT Updated On: Sep 16 2013 11:00:00 PM PDT
Buoyed by public markets, the average net worth of the richest people in America has hit a record $5 billion.
The views expressed are not those of this company or its affiliated companies. By posting your comments you agree to our Terms of Use.


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Booking area
Description of company
Mundomar Cruceros
MUNDOMAR CRUCEROS can offer up to close to 3.000 cruises and offers links and information through its own website to facilitate your accesing to the official sites. The possibility of getting more information through telephone or vía e-mail with all the cruise companies related is also a possibility. Cruises and cabins are described in detail and easyly located in the attached ship´s deck plans in PDF format. Pictures and detailed prices are also provided to help our clients in selecting the cruise option that best fits his/her dreams.
MUNDOMAR CRUCEROS is capable of commercializing more cruises because of the wide variety of its offer and of the cruise companies thus represented. On top of that, it offers the best rates and last-minute offers available in the international market.
MUNDOMAR CRUCEROS sells through Travel Agencies exclusively. If personalized assesment is required, MUNDOMAR CRUCEROS can facilitate it to the client and recommend a professional and specialized Travel Agent as well. Our clients will be able to search the cruise of their interest in www.mundomarcruceros.com in the simplest way and all by themselves. By destiny, by sailing date, by embarking port`, by port of call, by cruise company, by ship name, by duration of the Cruise and by offers. MUNDOMAR CRUCEROS has the widest and more up to date variety of offers in all the cruise companies.


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KHQ.COM - KHQ has obtained several photographs released in the March shooting death of Brendon Kaluza-Graham. We're providing these photographs to put the story into context and to provide further details for you.
Prosecutors announced Wednesday that Gail Gerlach, the man who shot 25 year-old Brendon Kaluza-Graham as he was driving away in a stolen car, will be charged with first degree manslaughter. Gerlach will be booked into jail and arraigned on June 12th. Major Crimes Detectives, the Chief Criminal Deputy and Deputy Prosecutor have met, and two of the three said Gerlach should be charged with murder.
"Mr. Gerlach is disappointed in the charging decision, but he's looking forward to his day in court, he maintains his innocence," said Richard Lee, Gail Gerlach's Attorney. Regardless, Prosecutor Steve Tucker said Gerlach will be charged with first degree manslaughter because investigators can not prove there was a motive or intent to kill. First degree manslaughter is based on recklessness. Prosecutors say that Gerlach was not in danger when he fired the shot. A person needs to have fear of imminent danger that something bad's going to happen before you are legally permitted to use deadly force.
Two major aspects in this case are that Kaluza-Graham was driving away from the scene, and the angle that the bullet went in. Detectives say that the car was 40 to 60 feet away from Gerlach and going 50 miles per hour at the time. Prosecutor Steve Tucker says he does not believe Gerlach was in danger when he chose to fire the shot. He called the shot "1 in 1,000".
Prosecutors are also filing a weapons violation enhancement. Together, if he is convicted, Gerlach will face 8 to 10 years in prison. But if he's found "not guilty", the jury will be asked to come back with a second verdict, as to whether what Gerlach did was in self defense.


text: I hate it when someone who has an expensive car, or one that they think it "really nice" park like a jerk and take up 2 spaces. Well - this guy has been doing just that for awhile. Some people who work in the same building as him decided to teach him a lesson. Watch and see how the "jerk" handles it.


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Moderators: Jenise, David M. Bueker, Robin Garr
Rahsaan wrote:Speaking of the Produttori del Barbaresco, yesterday I was looking for wines to drink now and someone tried to convince me that the 05 Moccagatta was approachable and showing considerably softer than in previous years.
I was skeptical, but trusting enough to buy a bottle. However somewhere between the shelf and the counter I ended up leaving the bottle in the store. Was that a subconscious good move? Or should I go back to correct my omission?
David M. Bueker wrote:Not all of us are as old as you Bill.
David M. Bueker wrote:Sounds like a cooked bottle. Never gotten cooked/raisined fruit from this wine at any stage.
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Still broken. FAIL! FAIL! FAIL! RT @UPROXX: Reminder: You Can Download Over 700 Marvel #1 Issues For Free Right Now http://t.co/2UF6s9RTP1
Dislike button: Why Facebook doesn't need one.
RT @fastcompany: Why Salary Shouldn't Be The Biggest Factor In Career Choice
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Some great advice. How to Deal with a Toxic Client - Mark Goulston - Harvard Business Review
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My thoughts exactly. RT @jcolman: Best. Flowchart. EVER! #ias13
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One of my sons had a bad ear infection before Christmas- screaming in pain, 104 degree fever, etc. He was on abx for 14 days.
He has been off abx for 4 WEEKS. Two days after he finished his meds, he started diarrhea. He has had 2 incidents of pooping blood and our ped had me bring him to the office immediately both times. All of his panels have come back negative (c-diff, salmonella, parasites...). He still has diarrhea, although no bleeding for 11 days. The ped is calling me this afternoon to discuss again. He's been to the office 4 times in total. I feel like if she doesn't have a plan today, I need to bring him to the ped practice at the best university hospital in town. I'm not sure how quickly I can get in there- I've vaguely heard that it can be slow but have not tried, yet.
We're doing probiotics 3 times a day, bland diet, lots of water & pedialyte.
Anybody encountered this before? I'm trying to think if there is anything else I should push for or ask about.


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Thank You!
Thanks to all who came out to support MOPA's Photo Auction 2011 earlier this month. The event was a huge success for the Museum and almost all of the gorgeous art (generously donated by galleries, artists and collectors) found a new home. I would like to offer a special thanks to Andrea Fiucyznski, president of Christie's Los Angeles, who presided over our auction, as well as our brilliant designer, Terri Mitchell, of PR1ZE.
We're In!
Yesterday, I stopped in to The Frame Maker to watch Tom Houk and his team in action as they framed a vibrant piece by Patrick Ryoichi Nagatani for the upcoming Photo Auction. The team brings craft and soul to the process, calling MOPA staff on a daily basis to ensure framing is just right for every piece.
Autumn is Almost Here
Photography has inspired and fascinated me since I first realized my father taught photography. Over the years, I've found myself constantly drawn to images with elements of fashion and spontaneity. At MOPA, we've been bringing together all sorts of amazing work for the inaugural launch of our Photo Auction, taking place on Wednesday, October 5th. One donation in particular comes from Autumn de Wilde, a photographer whose work I've admired for some time.


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24,144 Newest Publications about the topic solutionrss
17-10-2013 | A. Shanavas, T. Narasimhaswamy, B.V.N. Phani Kumar, A. Sultan Nasar, Canadian Journal of Chemistry, 2013
Utilisant des approches divergentes, on a réalisé des synthèses de nouveaux mésogènes en forme étoilée à base d'acide trimésique et des portions centrales portant des chaînes latérales symétriques se terminant par des groupes alcoxy. Les portions centrales et les chaînes latérales sont liées par ...
18-09-2013 | Umit Gulyuz; Oguz Okay, Soft Matter, 2013
pH responsive physical gels were prepared by micellar copolymerization of acrylic acid with 2 mol % stearyl methacrylate in the solution of worm-like sodium dodecyl sulfate micelles. The physical gels are insoluble in water and exhibit time-dependent dynamic moduli, high Young's modulus (6 – 53 ...
18-09-2013 | Franziska Fendt; Carina Koch; Stefanie Gaertner; Nikolaus Korber, Dalton Transactions, 2013
The reaction of Rb4Sn4 with ZnPh2 in liquid ammonia in the presence of [2.2.2]-cryptand yielded crystals of Rb6[(η2-Sn4)Zn(η3-Sn4)] • 5NH3, which could be characterized by single crystal X-ray diffraction. This is the first example of a successful solution reaction of the highly charged ...
18-09-2013 | Ying-Xian Ma; Ying Han; Jing Cao; Chuan-Feng Chen, Organic & Biomolecular Chemistry, 2013
Complexation behaviours between pentiptycene-derived bis(crown ether) containing two 24-crown-8 moieties in trans position and a series of paraquat derivatives with different terminal functional groups were investigated. It was found that these paraquat derivatives could all form stable 2:1 ...
18-09-2013 | Facundo Ignacio Altuna; Valeria Pettarin; Roberto Williams, Green Chemistry, 2013
Epoxidised soybean oil (ESO) was cross-linked with an aqueous citric acid (CA) solution without the addition of any other catalyst or solvent. Completely bio-based polymer networks were generated. The initial system was an emulsion but it became a homogeneous and transparent polymer network by ...
18-09-2013 | Simon Tricard; Fabrice Charra; Talal Mallah, Dalton Transactions, 2013
The elaboration of coordination networks' nano-objects on surfaces can be realized by sequential growth in solution (SGS). This bottom-up strategy gives the possibility to control the size, the isolation and the organization of the objects with a precision going up to the molecular scale. ...
18-09-2013 | Yoshiro Imura; Clara Morita; Takeshi Kawai, New Journal of Chemistry, 2013
Single-walled carbon nanotubes (SWCNTs) were dispersed in an aqueous solution of a long-chain amidoamine surfactant (C18AA) at a high concentration (
17-09-2013 | Yunwen Wu; Tao Hang; Zheyin Yu, Chemical Communication, 2013
A microball-nanosheet hierarchical structured silver film was deposited on the copper substrate by the proper amount of NaH2PO2 adding into the bath solution. Non-sticky superhydrophobic surface has prepared by the modification of n- hexadecanethiol. It showed perfect behavior in anti-corrosion ...
17-09-2013 | Yang Chen; Huipeng Zhou; Yan Wang; Wenying Li; Jian Chen; Quan Lin; Cong Yu, Chemical Communication, 2013
Substrate hydrolysis was utilized to trigger a "top-down" etching process for the generation of fluorescent gold nanoclusters, and the changes in emission intensity of the assay solution provide a facile way for the sensing of enzyme activity.
17-09-2013 | D SAJAN; Alen S; Job Sabu; Udayalakshmi K; Veeraiah V; Chaitanya K, CrystEngComm, 2013
3-Nitrocinnamic acid (3NCA) is synthesized and the crystals have been grown in aqueous solution by slow evaporation solution growth technique. Grown crystal was confirmed by powder XRD studies. The geometry, intermolecular hydrogen bonding, and harmonic vibrational wavenumbers of 3NCA have been ...


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All Categories - Event(s) for month of March 2013.
Monday, March 18, 2013
Women Writers of Utopian Fiction
Time: 6:00 PM
Location: Private Dining Room
Tuesday, March 19, 2013
Time: 5:00 PM
Location: Reading Area Community College (RACC), Lobby located outside the cafeteria
Price: Free
Christopher Collins Lee & Merynda Adams
Time: 8:30 PM
Location: Francis Hall Theater & Recital Hall
Price: General Public: $18/$20 Students: $15 Alvernia Students: $10 *$5 off Faculty/Staff, Seniors College, Alumni
Wednesday, March 20, 2013
Alvernia University's O'Pake Institute offers a classic series of films to Berks County. Come and explore the concepts, issues, and ideas surrounding citizenship with this fantastic series of timeless movies.
Time: 7:00 PM
Location: Bernardine Lecture hall
Price: FREE
Thursday, March 21, 2013
Time: 7:00 PM
Location: Francis Hall Theatre