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Michael Jordan's The Steak House N.Y.C.
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Private Dining
Michael Jordan's The Steak House N.Y.C.
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23 Vanderbilt Ave
New York, NY 10017
Midtown East
Getting there ›
$31 to $50
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Michael Jordan's The Steak House N.Y.C. Details
Dining Style:
Fine Dining
(212) 655-2300
Hours of Operation:
Monday through Friday 11:30am – 2:30pm
Monday – Saturday 5:00pm – 10:15pm
Sunday 5:00pm – 9:15pm
Monday – Friday 11:30am – Midnight
Saturday 12:00pm – Midnight Sunday
2:00pm – 11:00pm
Payment Options:
AMEX, Diners Club, Discover, MasterCard, Visa
Dress Code:
Smart Casual
Accepts Walk-Ins:
Additional Details:
Banquet/Private Rooms, Bar Dining, Bar/Lounge, Beer, Counter Seating, Delivery, Full Bar, Late Night, Non-Smoking Restaurant, Private Room, Takeout, View, Weekend Brunch, Wheelchair Access, Wine, Wine Bar
Getting there
Cross Street:
43nd Street
Public Transit:
4,5,6,7 & S Train to Grand Central.
Street Parking
Parking Details:
Convenient Garage
A word from Michael Jordan's The Steak House N.Y.C.
Situated on the North and West balconies of New York's Grand Central Terminal, this restaurant was designed to reflect Michaels sense of taste and style. Michael Jordan's The Steak House N.Y.C. ranks among the finest steakhouses in Manhattan, offering a world class menu and an extensive, eclectic
selection of wines and spirits. There are two private dining rooms and two semi private dining rooms available, with pre-fixe menus.
Foodspotting photos
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Diner Reviews
the food was of good quality and
the table service very good. nothing to complain about. The server was attentive and i was seated without issue though i was half an hour early. Well done. That's the good. The bad is that the hostess, at the front of the restaurant, before you enter the bar area is the worst. She was not welcoming, not pleasant and clearly had better things to do. thankfully everyone else was very nice."
Dined on 7/28/2014
Great view of Grand Central
station from our balcony table! Steak was really good and portion size perfect (instead of the huge and wasteful amounts encountered in other places). As a tourist, this was a lovely treat."
Dined on 7/27/2014
The shrimp and crab cake
appetizers were amazing. The bone-in rib eye was fantastic. As was the filet and the lobster. The broccoli, Mac n cheese, steak fries and sweet potato fries were really good. The only issue was the poor service we experienced with our "new waiter.""
Dined on 7/27/2014
My brother's family with two kids
were in town. The kids asked for steak, so we took them to MJ for good dinner and a view. We chose to sit at the bar tables so that the kids can have a better view of the Grand Central. We loved the food. The only little surprise was that they did not have any beer on tap."
Dined on 7/25/2014
The food was awful! We were very
disappointed and we came from San Diego."
Dined on 7/24/2014
It was ok for restaurant week but
do not come hungry.. very small portions, but you get what you pay for. Now the drinks were a bonus nice size glass priced perfectly."
Dined on 7/23/2014
So...yeah not dining here ever
again! We found a purple rubber band in our creamed spinach and the management poorly handled the situation. After telling our waiter about it we then had to wave him down so he could get the manager. You would think the manager would want to deal with a situation like that but instead he came over as if he was doing us a favor and offered us 'free dessert' which was already included in our prix fixe meal. Of course we did not want anymore food so paid our bill and left without the manager even offering us any explanation on how something so dangerous and disgusting could happen at a restaurant that 'prides' itself on quality and expensive food. I will never dine at a place with such horrible management"
Dined on 7/23/2014
We had an overall good dining
experience. The ambience is just shy of amazing--overlooking the hustle, bustle and beauty of Grand Central Terminal at the height of the evening rush hour--A priceless New York moment! Our food was outstanding the skirt steak was tender and flavorful and the crab cakes were moist and heart. We shared the mac and cheese and asparagus. Keep in mind, side dishes are for two or more something our server DID NOT tell us but we knew because our experience (he never asked us that either). The service we received from the staff other than our server was outstanding. For us, this is what made it a good experience instead of a great one."
Dined on 7/23/2014
Great for lunch and very
convenient-the food is pretty good here and very vibrant armosphere-entry way gets crowded-especially if you have reservations"
Dined on 7/23/2014
I don't quite agree with the
restaurant week concept as the special restaurant week offer is usually never the same as their regular menu, but my husband and I were in the area and decided to give it a try. I was pleased with the gazpacho...fresh and delicious. Unfortunately, their filet mignon was overly seasoned with pepper leading me to believe they were trying to conceal the grainy taste of what appeared to be an "omaha steak" select cut of meat. The twice baked potato served with the filet looked, felt and tasted more like quadruple baked. The strawberry shortcake dessert was bleh. They have better cakes at Shoprite. Overall, the meal felt and tasted precooked, frozen and reheated under food lamps. Stick to the regular menu."
Dined on 7/21/2014
Who would have thought that dining
inside Grand Central Terminal would be very pleasant and appealing with panoramic views of the interior? Service and food were also top-notched. A definite return on the way to the train!"
Dined on 7/21/2014
We had a spectacular time. Given
it's location, it was extremely pleasurable! True gem within Grand Central!"
Dined on 7/18/2014
Overpriced for the quality and
ambiance. Asked for a steak medium well, came out blood red in middle, outside burnt. Very noisy, although expected in Grand Central, service just ok, not what should be for this kind of restaurant"
Dined on 7/18/2014
The food was faultless! The
service however didn't live up to my expectations. Whilst our waiter was quick, he was too quick. The second that he cleared our plates away from our main course, he immediately gave us the dessert menu. No opportunity for a break / rest between courses. And dessert arrived within 2 minutes of ordering it. We felt hurried. Also, the waiter was not at all engaging. We felt like he didn't really want to be there."
Dined on 7/18/2014
Selected Michael Jordan's for both
the food and ambiance. It was my husbands 1st trip to NYC so I wanted him to see Grand Central. I had dined here before and knew the food was excellent. We were not disappointed! We got a balcony table as requested so we could see the rush of people to their trains while we enjoyed our food."
Dined on 7/16/2014
My 17 year old son, a Norwegian
basketball player, wanted to visit Michaels restaurant on our last night in NY. We were granted the Jordan booth, his personal spot, where Michaels mother had just visited a couple days earlier. We had the Fresh Chilled Shellfish Platter and of course the Bone-In New York Strip. The dessert was also a delightfull experience. Awesome food and service in this historic place the Grand Central. We will revisit!"
Dined on 7/10/2014
The location is very nice in this
hall, a beautiful ambience. But the steak (New York Strip - 47$!!) was stringy! The potatoes tasted a bit fishy. We will never come back."
Dined on 7/10/2014
Went for dinner with guests in
town. Chose it for the view and central location. Prices are what to expect from a steakhouse in Manhattan...think $125+ per person if you have apps, entrees and wine. Good was generally pretty tasty. I had the bone-in rib-eye but the boneless option my guests had looked a bit better. My steak had rested a bit too long. Wine selection is reasonable. Red wine was served at too low of temperature (chilly) and never really opened up despite breathing a bit. Ordered a different bottle for the second and got an even colder bottle. Was told it was the ambient heat that was forcing them to over chill. Overall a good experience but not yet a favorite."
Dined on 7/9/2014
Our first family holiday since our
children left home so we wanted a treat. Jordan's was recommended by a friend who we must thank. Great food, attentive friendly service and unique location made this a very special evening indeed. My son and I shared the "tomahawk" steak which was unbelievably good but SO big! My wife and daughter settled for something smaller but insisted it was wonderful too."
Dined on 7/8/2014
Went here as we were told it was
kid friendly.. It was but did not have a kids menu. Managed to find something on the menu that did the trick. Both my partners' and my steak were great but my steak was a little over done whereas my partners was perfect. We requested a table by the balcony, which we got. Ambience was great."
Dined on 7/6/2014
It's been ten years since I dined
@ MJ's in Grand Central . The food , service , and experience did not disappoint!"
Dined on 6/27/2014
Steaks are always cooked as
requested and the kitchen has great timing. The staff is friendly and attentive."
Dined on 6/26/2014
We went to this Grand Central
Station restaurant at 6:30- still in the rush hour so it would be nicer to pick a weekend. The salads were huge and tasty. I wish the menu had a salad with steak in it because a regular steak would be too heavy. I had a lobster roll which was ok and my husband had tuna steak which he liked. But the best thing about the restaurant is its setting."
Dined on 6/25/2014
Thoroughly enjoyed Jordan's. The
food was excellent with generous portions. The services was top notch and friendly. It was a special occasion dinner, we requested a table overlooking the concourse - the view was terrific! A definite NYC experience not to be missed."
Dined on 6/20/2014
Enjoy a fantastic steak with a
nice Cab, while watching the hustle and bustle of Grand Central...a truly New York experience."
Dined on 6/20/2014
Jordan's is set in the spectacular
main hall at Grand Central Station. A very warm welcome, brisk attentive and unobtrusive service, with delicious well cooked food. Don't miss their "signature" NY Strip steak - as good as meat gets. Everything about our dining experience was positive - We love MJ@GCSNY"
Dined on 6/17/2014
convenient for trains. Setting is
cool overlooking GCT. Menu is a little tired and the specials could use some creativity. The food is certainly good but will not wow you."
Dined on 6/16/2014
The filet mignon as well as the
side dishes were excellent!"
Dined on 6/10/2014
Although convenient to meet or say
farewell to travelers at GC the food and service needs major adjustments. Several mishaps in order taking and having to flag down servers to correct them became laughable quickly. Food quality was only fair but portions were adequate. Ambiance is notable if seated along the railing... View of the hustle and bustle of commuters and the like is never tiring."
Dined on 6/10/2014
I went with my grilfriend who has
never been to Michael Jordan's. She likes her steak very soft, tender, juicy and medium cooked, so I told her that Michael Jordan cooks excellent steaks. I was right, she enjoyed her Filet Mignon and so did I. The only complaint she gave me was that they rush you out of the restaurant. The bill was put on our table immediately after we ate our dinner and we did not take any deserts. The waiter came around twice to take our bill. My girlfriend ate everything and was just digesting her food, she ate too much, she did not want to be rushed out of the restaurant. "
Dined on 6/3/2014
I go here at least 3 times a month
if not more because of the service, location and quality of food. You can't beat the location in midtown for proximity to everything and ease for everyone to get here because it's so central. The food is great - typical steakhouse; I only gave it 4 stars (not 5) because the menu doesn't change much. One of my favorite things is the fast track menu which gets me in and out in under an hour and is reasonably priced. My secret tip: ask for a table at the edge with the view over the concourse but you have to reserve in advance because it's popular, perfect for people watching."
Dined on 6/3/2014
Reliably good, and the salmon is
also wonderful. The feeling of openness above Grand Central's main concourse is a delight and, surprise!, not noisy -- more of a city hum."
Dined on 5/28/2014
This was my second time to MJ's in
2 weeks. The "Fast Track" lunch is a good deal. The second time the steak was not great - with big pieces of warm fat and not charred as advertised. But still a good deal. You CAN hear your table mate and GCT cannot be beat for the view. I will be back and hope for better luck. "
Dined on 5/20/2014
Great place for the stereotypical
busy, always on the go New Yorker. The lunch menu has a message saying to let the staff know if you have to catch a train. We took them up on this and they delivered! Full course lunch prepared to perfection and I caught my train!"
Dined on 5/14/2014
If you're looking for a convenient
location - this is it. And you'll pay for it. I was enticed by the special lunch menu....but at the end of lunch, the tab of $90 for two people was much more than I had anticipated. My meal was tasty - but I think not worth the price tag. Sorry, Michael. "
Dined on 5/14/2014
Booked a table for 9 for a
business lunch and requested the balcony - our out of town guests loved the view of Grand Central and the food was excellent. I highly recommend for business lunches especially when you want to show your guests Manhattan "
Dined on 5/14/2014
The food & service was
outstanding! Best steaks I had in a while excellent wine selection and great view"
Dined on 5/11/2014
The food was delicious but service
was a little slow. After dining at Michael Jordan's steakhouse at Mohegan Sun we were thrilled to go back closer to home. Unfortunately we rate the NYC much lower than CT. We LOVED the view in Grand Central Station better than the food."
Dined on 5/9/2014
I remember going to Michael
Jordan's when it first opened. It was a good restaurant in a spectacular space. 10+ years later, I went back. It was this past week. What a change. Oddly, it became a chain restaurant without having all the baggage and locations that makes a chain steakhouse difficult to pull off. The kitchen or management was inflexible. I asked to substitute my fries for a baked potato on the lobster roll only to be met with "we don't permit substitutions". Regardless, the food was eh. Usually, that statement is followed by a ". . . but I will speak to the chef and do it for you". Not here. in one of NYC's most beautiful settings - Grand Central Station - MJ's has become a tourist, Disney World like restaurant. Boo!"
Dined on 5/8/2014
Sitting on the north balcony above
the Great Hall of Grand Central Station gives you a birds eye view of one of the greatest spaces in the World! Add to that the great service and food served in classic steak house style. No frills here just really high quality food no matter what you order at prices that don't break your budget. I come here every chance I get and am wowed every time."
Dined on 5/8/2014
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The Metropolitan Opera is one of the best known opera companies in the world, a vibrant home for the most creative and talented singers, conductors, composers, orchestra musicians, stage directors, designers, visual artists, choreographers, and dancers from around the world. Known as the venue for the world's greatest voices, the Met has been under the musical direction of James Levine since 1976. Under the leadership of General Manager Peter Gelb, the Met has launched a series of bold initiatives that are designed to broaden the company's audience and revitalize its repertory.
The Lindemann Young Artist Development Program was created in 1980 by Maestro Levine to identify and develop extraordinarily talented young artists in the realm of opera. The program has trained a new generation of celebrated American and international opera singers, as well as coaches and pianists, who perform at the highest standards in productions at the Met and opera houses around the world.
The Young Artist Development Program has been named after Mr. and Mrs. George Lindemann in recognition and gratitude for their leadership and generous support.
While many opera companies across the country conduct young artist training programs, the Met's Lindemann Young Artist Development Program is unparalleled for the quality and scope of resources available to its participants. Throughout their instruction, young artists draw upon the vast pool of world-renowned talent available at the Met, including current and former Met artists, internationally recognized coaches and master teachers, and staff from the Metropolitan Opera's music and artistic departments. Program participants have access to daily rehearsals and practice sessions, where they can observe opera's great singers preparing their roles for the current Met repertory. They are presented with the unparalleled opportunity to perform onstage in Met productions, as many are assigned supporting roles and serve as cover's for featured singers.
In a unique partnership between two prestigious musical institutions, the Metropolitan Opera and The Juilliard School joined forces with the beginning of the 2010-11 season. The program's participants now have access to both organizations' considerable resources and personnel, in an effort to expand learning and performing opportunities for young artists. This includes one fully staged or concert opera production per year at Juilliard, conducted by Maestro Levine, featuring members of the Young Artist Program and the Juilliard Orchestra.
The inaugural production was Smetana's The Bartered Bride in February 2011, conducted by James Levine and directed by Stephen Wadsworth. Gluck's Armide conducted by Jane Glover and directed by Fabrizio Melano followed in 2012. The 2012-2013 season production was Mozart's Così fan tutte, conducted by Alan Gilbert and directed by Stephen Wadsworth.
Faculty and Staff:
James Levine-Music DirectorBrian Zeger-Executive DirectorKen Noda-Musical Assistant to James LevineStephen Wadsworth- Head of Dramatic StudiesRobert Cowart- Head of Linguistic StudiesVlad Iftinca- Staff Music CoachNathaniel Murray- Fitness InstructorDavid Paul- German InstructorRenee Therriault-English InstructorGuest Master Teachers for the 2013-14 SeasonJohn FisherRenata ScottoCarol Vaness-Clare Avery-Administrative DirectorSean Guerrier-Administrative Associate
Benjamin BlissBrandon CedelMario ChangEkaterina DeleuYing FangLachlan GlenRyan Speedo GreenCecelia HallAnthony KalilAlexey LavrovMary-Jane LeeNimrod David PfefferAndrew StensonDaniel StewartBryan WagornYunpeng Wang
James LevineMUSIC DIRECTOR/CONDUCTOR (Cincinnati, Ohio)MET DEBUT: Tosca 1971MET HIGHLIGHTS: Das Rheingold, Concerts, Simon Boccanegra, Don Pasquale, Wozzeck, Il Trovatore, Die Walküre, La Bohème, Don Carlo
Brian Zeger
EXECUTIVE DIRECTOR (Port Jervis, New York)EDUCATION/TRAINING: BA Harvard; MM The Juilliard School; DMA Manhattan School of Music CAREER HIGHLIGHTS: Collaborations with many of the world's top artists including von Stade, Terfel, Voigt, and Graham. Artistic Director of the Ellen and James S. Marcus Institute for Vocal Arts Department at The Juilliard School; For 10 years, Mr. Zeger was the Program Director of the Program for Singers at the Steans Music Institute of the Ravinia Festival; recordings on EMI Classics, New World, Naxos, and Koch record labels.
Ken Noda
MUSICAL ASSISTANT TO JAMES LEVINE (New York, New York)EDUCATION/TRAINING: Studied piano with Daniel BarenboimCAREER HIGHLIGHTS: Soloist with Berlin, Vienna, New York, Israel, and Los Angeles Philharmonics; London, Boston, Chicago, and San Francisco Symphonies; Cleveland Orchestra and Orchestre de Paris under Abbado, Barenboim, Chailly, Levine, Mehta, Ozawa, and Previn. Chamber music collaborations with Levine, Perlman, and Zukerman. Vocal accompanist to Battle, Behrens, Ewing, Millo, Moll, Norman, and Upshaw; regular participant at Marlboro Music Festival.
Stephen Wadsworth
HEAD OF DRAMATIC STUDIES (Mt. Kisco, New York)CAREER HIGHLIGHTS: Director for the Met's Boris Godunov and Iphigénie en Tauride; director for The Juilliard School and The Metropolitan Opera's joint production of The Bartered Bride and Così fan tutte. Met debut Rodelinda 2004; has been a teacher in the Lindemann Young Artist Development Program since the early 1980s; has directed at La Scala, the Vienna Staatsoper, Covent Garden, Netherlands Opera, the Edinburgh Festival, and Seattle Opera, where he directed the world premiere of Daron Hagen's Amelia, celebrated the 25th anniversary of his debut, and received the Artist of the Year Award; wrote the opera A Quiet Place with Leonard Bernstein which played at New York City Opera.
Robert Cowart
HEAD OF LINGUISTIC STUDIES (Philadelphia, Pennsylvania)EDUCATION/TRAINING: Studied music and languages at University of Pennsylvania and Queens College; extensive private research studies in linguistics. CAREER HIGHLIGHTS: Vocal language coach at Manhattan School of Music; The Juilliard School; Mannes School of Music; Curtis Institute of Music; Aspen Music Festival and School; International Vocal Arts Institute in Israel, Montreal and Japan; and "Si parla si canta" Vocal Program in Urbania, Italy, where he concentrates on the profound connection between language and the voice.
Vlad Iftinca
STAFF MUSIC COACH (Iasi, Romania)EDUCATION/TRAINING: Studied at Southern Methodist University, Dallas; Mannes School of Music and The Juilliard School. CAREER HIGHLIGHTS: New York conducting debut with The Juilliard School in Rossini's La cambiale di matrimonio and La scala di seta; Assistant Conductor at the Met since 2008; Vocal accompanist to Te Kanawa, Hampson, Voigt, Hong, Leonard; recitals with the Met's 2012 Summer Recital Series, Carnegie Hall, Alice Tully Hall, Los Angeles Opera, Zurich Opera, Hong Kong Performing Arts Festival, Beijing Music Festival, Seoul Performing Arts Center, Samling UK Masterclasses 2011 and 2013.
Nathaniel Murray
FITNESS INSTRUCTOR (Buffalo, New York)EDUCATION/TRAINING: Laban Bartenieff Institute of Movement Studies, New York; Alexander and Feldenkrais; Integral Yoga; Yoga Certification; Kokushi Budo Institute, New York; Shodan-First Degree Black Belt-Aikido; trained with Babatunde Olatunji as Master Drummer. CAREER HIGHLIGHTS: Performed with Alvin Ailey American Dance Theater; Fitness Coach for the David Letterman Band, Saturday Night Live Band, James Taylor Band and Stevie Wonder Band; Guest Artist with Kirtanist Krishna Das.
David Paul
GERMAN INSTRUCTOR (Hamburg, Germany)EDUCATION/TRAINING: Studied acting and directing at Columbia University; Graduate of the Domingo-Cafritz Young Artist Program at Washington National Opera. CAREER HIGHLIGHTS: Has worked extensively on operatic and theatrical stages throughout the United States and abroad, including Washington National Opera, the Tel Aviv Summer Opera Festival, and the Shakespeare Theatre Company in Washington, DC; Dramatic Advisor for the Juilliard School's master's program in Voice; served on the faculties of the International Vocal Arts Institute in Israel, "Viva Virginia" at Virginia Tech, and the Columbia University Summer High School Program.
John Fisher
GUEST MASTER TEACHER (Glasgow, Scotland, United Kingdom)EDUCATION/TRAINING: Studies at Glasgow University, the Royal Academy of Music, and the London Opera Centre. CAREER HIGHLIGHTS: Music Director of the Opera Studio at Théâtre à la Monnaie, Brussels; Music Staff at De Nederlandse Operastichting, Amsterdam; Head of Music Staff/Artistic Administrator at Teatro alla Scala, Milan; Artistic Director of Teatro alla Fenice, Venice; Director of Opera and Vocal Productions/Executive Producer at Deutsche Grammophone; Director of Music Administration at the Met; General Director of Welsh National Opera.
Renata Scotto
GUEST MASTER TEACHER (Savona, Italy)CAREER HIGHLIGHTS: Made her Met debut as Cio-Cio San in Madama Butterfly in 1965 and since became a legendary opera star; made her Met directing debut in 1986 with Madama Butterfly, and has directed at the Lyric Opera of Chicago, Arena di Verona, and Florida Grand Opera among many others; master classes at Curtis Institute of Music, The Juilliard School, Yale University, the Russian Opera Center in Moscow, Tokyo University; Director of the Young Artists Program at the Verdi Institute in Parma; founded the Renata Scotto Vocal Academy in Albisola, Italy and at Westchester Music Conservatory, New York; received an Honorary Doctorate from The Juilliard School.
Carol Vaness
GUEST MASTER TEACHER (San Diego, California)CAREER HIGHLIGHTS: Launched her career in 1979 with Vitellia in La Clemenza di Tito at New York City Opera; made her Met debut in 1984 as Armida in Rinaldo; has performed almost all of Mozart's operas at the Met; has sung at Teatro alla Scala, Covent Garden, Vienna Staatsoper and Paris Opera; Professor of Voice and Opera Workshop at Indiana University; numerous recordings on various record labels; four Grammy Award nominations.
2013-14 Young Artists
Benjamin Bliss
TENOR (Prairie Village, Kansas)Lindemann Young Artist Development Program-First YearEDUCATION/TRAINING: Bachelor of Fine Arts, Chapman University; Los Angeles Opera's Domingo-Thornton Young Artist Program
CAREER HIGHLIGHTS: 2012-2013 season; Alfredo in La Traviata with Wolf Trap Opera Company, Tomas in LA Opera's Wold Premiere of Dulce Rosa, Male Chorus in Britten's The Rape of Lucretia with James Conlon and LA Opera's Domingo-Thornton Young Artists, Barbarigo in LA Opera's production of Verdi's I due Foscari. 2012-2011 season: Daniel in LA Opera's cathedral production of The Festival Play of Daniel, Harlekin in Ullman's Der Kaiser von Atlantis and Der Revolutionär in Krenek's Das geheime Königsreich with James Conlon and LA Opera, LA Opera debut as Benvolio in Romeo et Juliette under the baton of Placido Domingo; 2013 Operalia Don Plácido Domingo Sr. Zarzuela Prize recipient, two-time Finalist in the Western Region Met Auditions.
Brandon Cedel
Mr. Cedel's participation in the Lindemann Young Artist Development Program is sponsored by Annette Merle-Smith
BASS BARITONE (Hershey, Pennslyvania)Lindemann Young Artist Development Program-First YearEDUCATION/TRAINING: The Curtis Institute of Music
CAREER HIGHLIGHTS: 2013-2014 season; Watchman in Die Frah ohne Schatten at the Met, Met's 2013 Summer Recital Series, Kennedy Center debut Recital with Vocal Arts Society, Masetto in Don Giovanni with the Glyndebourne Festival.2012-2013 season; Colline in the Royal Opera House of Oman's production of La Boheme,William Dale in Opera Philadelphia's production of Silent Night, Nerbulone in Eliogabalo with Gotham Chamber Opera, Antonio in Le Nozze di Figaro with the Los Angeles Philharmonic; Pirro in I Lombardi with the Opera Orchestra of New York; Lord Sidney in Il Viaggio a Reims with Wolf Trap Opera Company; Leporello in Don Giovanni with Chautauqua Institute, Bass soloist in Rossini's Petite Messe Solennelle. Grand FinalsWinner of 2013 Metropolitan Opera National Council, 2012 Sullivan Foundation Award, George London Award, Sara Tucker Grant from the Richard Tucker Foundation, 2011 Grand Prize in the Gerda Lissner Competition, First prize in the Giulio Gari Competition, First prize in the Palm Beach Opera Competition Junior Division.
Mario Chang
TENOR (Guatemala City, Guatemala)Lindemann Young Artist Development Program-Third YearEDUCATION/TRAINING: Private CoachingCAREER HIGHLIGHTS: 2013-2014 Season; Italian Tenor in Der Rosenkavlier at the Met, Met's 2013 Summer Recital Series. Recent career highlights include a concert in Puerto Rico honoring Giuseppi Verdi with the Teatro de La Opera. 2012-2013 season; Met debut Fourth Esquire in Parsifal. In the 2011-2012 season; Chevalier de la Force in Dialogues des Carmélites IVAI program in Israel, Carnegie Hall debut in concert with the Musical Olympus Foundation, debut with the Orchestre Symphonique de Bretagne in Rennes, France. Gaston in La Traviata at The National Theater in Guatemala 2006, Mozart Requiem with the National Symphonic Orchestra of Guatemala 2006, 2007; Beethoven's 9th. Symphony in Ruben Dario Theater in Nicaragua with the Orchestra Centroamericana 2009, Don Ottavio of Mozart's Don Giovanni in South Carolina and West Virginia 2009, Fritz Kobus of Mascagni's L'Amico Fritz at Miami Beach 2011. Galas with Orchestra in Guatemala, El Salvador, Nicaragua, Ecuador, and in San Petersburg, Russia for the Musical Olympus Festival, 2011. 2013 grant from the Festival Musique et Vin au Clos Vougeot, Member of the 2013 L'Accademia di Santa Cecilia di Roma Opera Studio, recepient of the Hildegard Behrens Foundation Young Artist Humanitarian Award 2013. Winner of the First Prize at the 48 Edition of the International Francisco Viñas Competition at El Liceu Theater in Barcelona, Spain 2011; also winner of the "Placido Domingo Prize" for Best Tenor and the "Amics de l'Opera de Sabadell" Prize.
Ekaterina Deleu
PIANIST (Chisinau, Moldova)Lindemann Young Artist Development Program-First YearEDUCATION/TRAINING: Bachelor of Music in Piano Performance Saint-Petersburg State Conservatory
CAREER HIGHLIGHTS: 2011-2012 season; staff pianist in the Young Artists Programme of the Bolshoi Theatre of Russia, staff pianist at the XIV International Tchaikovsky Competition; 2010-2011 staff pianist at Centre d'Art Lirique de la Méditeranée and Nice Conservatoire (France), rehearsal pianist of C.A.L.M. production L'enfant et les sortilèges; 2006-2009 accompanist at the Vocal Faculty and Opera Studio of the St.Petersburg State Conservatory; "Best accompanist" prize at the International Opera Singers Contest "St.Petersburg", winner of the International Festival-Competition "Three centuries of classic romance (Lied)".
Ying Fang
SOPRANO (Ningbo, China)Lindemann Young Artist Development Program-First Year EDUCATION/TRAINING Master of Music The Juilliard School, Bachelor of Music The Shanghai Conservatory
CAREER HIGHLIGHTS: 2013-2014 season; Mme Podtochina's Daughter in The Nose at the Met, Met's 2013 Summer Recital Series; Contessa di Folleville in Rossini's Il Viaggio a Reims with the Wolf Trap Opera. 2012-2013 season; Zaide in Mozart's Zaide in concert with the New World Symphony, Bellezza in Handel's Il trionfo del Tempo e del Disinganno with the Juilliard 415 under the baton of William Christie; Pamina in Mozart's The Magic Flute with The Aspen Opera Theater Center, Zerlina in Mozart's Don Giovanni, Fanny in Rossini's La Cambiale di Matrimonio with The Juilliard School. First Prize Award 2013 Gerda Lissner International Vocal Competition. Winner of the 2009 7th Chinese Golden Bell Award for Music.
Lachlan Glen
PIANIST (Camden, NSW, Australia)EDUCATION/TRAINING Master of Music The Juilliard School, Bachelor of Music Rutgers University, Undergraduate Studies at The University of Southern Queensland
CAREER HIGHLIGHTS: Albumn "stopping by" with tenor Kyle Bielfield released on Delos label. Founder and Artistic Director of "Schubert & Co.". Solo performances and concerto appearances throughout Australia, Europe and the U.S., including Carnegie Weill Recital Hall. Recent recitals with singers and instrumentalists include performances in Dresden, Berlin, Basel, London, Sydney and New York. Staff and faculties of the Internationale Meistersinger Akademie, Castleton Festival and Chautauqua Institution.
Ryan Speedo Green
BASS-BARITONE (Suffolk, Virginia)Lindemann Young Artist Development Program-Third YearEDUCATION/TRAINING: Master of Music Florida State University, Bachelor of Music Hartt School of Music CAREER HIGHLIGHTS: 2013-2014 season; The Jailor in Tosca and Bonze in Madama Butterfly at the Met. Bass soloist in Handel's Messiah at Carnegie Hall with Cecilia Chorus; Mozart's Requiem with the Santa Cruz County and Beethoven's Symphony No.9 with Florida Orchestra Symphony. Second Soldier in Salome with Boston Symphony 2012-2013 season; Basilio in Il Barbiere di Siviglia with Utah Opera, Don Profondo in Il Viaggio a Reims with Wolftrap Opera, Met stage debut singing the Mandarin in Turandot and The Second Knight in Parsifal; In the 2011-2012 season, he reprised the role of Colline in La Bohème with Central City Opera; The Commendatore in The Juilliard School's production of Don Giovanni; Colline in La Bohème with Central City Opera; Don Magnifico in La Cenerentola and Colline in La Bohème with Opera Colorado; Bass soloist in the Verdi Requiem with Hartford Chorale and the Mozart Coronation Mass with Virginia Symphony. Beethoven's Symphony No.9 with the Norwalk Symphony Orchestra. 2014 George London Award Winner; 2012-2013 Career Development Award with the Sullivan Foundation Competition; Grand Finals Winner of the 2011 Metropolitan Opera National Council Auditions; 2011 Sara Tucker Grant from the Richard Tucker Foundation.
Cecelia Hall
MEZZO SOPRANO (Durham, North Carolina)Lindemann Young Artist Development Program-First YearEDUCATION/TRAINING: Advanced Diploma in Opera Studies and Master of Music The Juilliard School, Bachelor of Music at DePaul University, Ryan Opera Center at Lyric Opera of Chicago.
CAREER HIGHLIGHTS: 2013-14 season: Dorabella in Cosi fan tutte at NC Opera; Annio in La Clemenza di Tito at Lyric Opera of Chicago; Zerlina in Don Giovanni at Opera Philadelphia, Spotlight Recital with Marilyn Horne's The Song Continues at Carnegie Hall. 2012-13 season; Wellgunde/Rossweisse in Der Ring des Nibelungen at Seattle Opera, Composer in Ariadne auf Naxos at Ft. Worth Opera, Third Maid in Elektra at Lyric Opera of Chicago, Octavian in scenes from Der Rosenkavalier with the Grant Park Music Festival. Other highlights include the title role in Handel's Teseo at Chicago Opera Theater, Cherubino in scenes from Le Nozze di Figaro at Chicago's Symphony Hall; Rosina in Il Barbiere di Siviglia and the title role in L'enfant et les sortilèges at The Castleton Festival, recitals with Carnegie's Ensemble ACJW, Second Lady in Die Zauberflöte at Lyric Opera of Chicago, European debut as Composer in Valencia's Palau de les Arts, recital at Wigmore Hall with Samling Showcase, Met debut in 2011 as Second Priestess in Iphigénie en Tauride, several leading roles at The Juilliard School; Third Prize from the 2013 Gerda Lissner Competition, The 2013 Lynne Harvey Foundation Scholarship from the Musician's Club of Women, the 2012 Brian Dickie Outstanding Young Singer Award, a 2011 Sarah Tucker Study Grant, and Juilliard's 2011 DeRosa Memorial Prize.
Anthony KalilTENOR (Goshen, Indiana)Lindemann Young Artist Development Program-Second YearEDUCATION/TRAINING: Musical studies at Wartburg College
CAREER HIGHLIGHTS: 2013-2014 season; Metropolitan Opera debut as The Young Man in Die Frau Ohne Schatten; 2012-2013 season, Alfredo in La Traviata with Opera on the Avalon; Tenor soloist for Beethoven's Symphony No.9 with the Norwalk Symphony Orchestra, Lensky in Eugene Onegin with Vashon Opera, participant in the I Sing Beijing program in Beijing, China. He has performed such roles as Rodolfo in La Bohème, Cavaradossi in Puccini's Tosca, The Count of Lerma in Don Carlo, Gabriel Von Eisenstein in Die Fledermaus, Canio in Pagliacci, Pinkerton in Madame Butterfly, and the Duke of Matua in Rigoletto. 2013 Sara Tucker Grant from the Richard Tucker Foundation; Second Prize 2013 Gerda Lissner Competition.
Alexey LavrovBARITONE (Komi Republic, Russia)Lindemann Young Artist Development Program-Second YearEDUCATION/TRAINING: Syktyvkar Music College and St. Petersburg State Conservatory
CAREER HIGHLIGHTS: 2013-2014 Season; Yamadori in Madama Butterfly, Dominik in Arabella, Huntsman in Rusalka at the Met. 2012-2013 Season; Flemish Deputy Don Carlo Theatre du Capitole, Donald Billy Budd at Santiago di Chile, Met Debut as Herald in Otello and The Flemish Deputy in Don Carlo, Demetrius in A Midsummer Night's Dream at Stanislavsky and Nemirovich-Danchenko Theatre in Moscow; Title Role in Eugene Onegin with the Rheinsberg Festival in Germany and on tour with Mikhailovsky Theatre in Japan, Silvio in Pagliacci, Robert in Iolanta, and Baron Douphol in La Traviata with the Mikhailovsky Theatre, Morales in Carmen, Shchelkalov in Boris Godunov, Robert in Iolanthe with the Bolshoi Theater Young Artist Programme; Fourth Prize winner Concurso Internacional de Canto Teatro Colón competition. Winner of the 2010 Hariclea Darclee International Voice Competition and the 'Three Centuries of Classical Romance' Singing Competition, Second Prize at the Byulbyul International Vocal Competition, Third Prize at the Elena Obraztsova International Competition, and was awarded a Diploma at the International Rachmaninov Contest.
Mary-Jane Lee
SOPRANO (Lethbridge, Alberta Canada)Lindemann Young Artist Development Program-First YearEDUCATION/TRAINING: Master's Degree in Vocal Performance from Rice University Shepherd School of Music, Bachelor of Music degree at Utah State University. Santa Fe Opera Apprentice Program, Aspen Music Festival, Chautauqua Institution
CAREER HIGHLIGHTS: 2012-2013 season; Musetta in La Bohème with Northern Lights Music Festival, Vier Letzte Lieder with the Missouri River Festival, Arabella (cover) in Arabella with the Santa Fe Opera, Rosalinde in Die Fledermaus with Wichita Grand Opera. Other highlights: La Contessa in Le Nozze di Figaro with Aspen Opera Theater Center, and Micaëla in Carmen with Chautauqua Institution. 2013 Licia Albanese-Puccini Foundation Grant Winner.
Nimrod David PfefferPIANIST (Migdal-Ha'emek, Israel)Lindemann Young Artist Development Program-Second YearEDUCATION/TRAINING: Professional Studies Diploma in Orchestral Conducting Mannes College of Music, Master of Music and Professional Studies Diploma in Piano Perfromance, Bachelor of Music Tel-Aviv University.
CAREER HIGHLIGHTS: Recital appearances at Weill Recital Hall at Carnegie Hall, Alice Tully Hall, Russian Kremlin, Warsaw Philharmonic Hall, Shanghai Concert Hall, Ravinia Festival; American Ballet Theatre debut at The Metropolitan Opera in the production of Lady of the Camellias; Soloist with the Israel Philharmonic Orchestra, New York conducting debut with the Mannes Orchestra at Symphony Space in New York City, Served as cover conductor with the Buffalo Philharmonic Orchestra, Assistant conductor to Joseph Colaneri at the Mannes Opera, Assistant conductor at Glimmerglass Festival in 2014, in Madama Butterfly and An American Tragedy. 2011-2012 fellow at Steans Music Institute at Ravinia Festival, 2012 Grantee of the Bagby Foundation for the Musical Arts, First prizes: International Columbia Chopin Competition, Katcz Competition, and Tel-Aviv Chopin Competition.
Andrew StensonMr. Stenson's participation in the Lindemann Young Artist Development Program is sponsored by the Kern Family, in memory of Ralph W. Kern.
TENOR (Rochester, Minnesota)Lindemann Young Artist Development Program-Second YearEDUCATION/TRAINING: Master of Music at Cincinnati College-Conservatory of Music, Bachelor of Arts Luther College
CAREER HIGHLIGHTS: 2013-2014 season; Role debut Tonio in Seattle Opera's production of La Fille du Régiment, Demetrius in The Enchanted Island at the Met, Messiah tenor soloist with Seattle Symphony, Tenor soloist in Mozart's Requiem with Hartford Symphony. 2012-2013 season; Third Esquire in Parsifal at the Met, Brighella in Ariadne auf Naxos at the Glyndebourne Festival, Tenor soloist in Handel's Messiah with San Francisco Symphony, 2011-2012 season; Orphée in Orphée et Euridice with Seattle Opera, Ernesto in Don Pasquale with Seattle Opera Young Artists Program, 2011 Sara Tucker Study Grant from the Richard Tucker Music Foundation.
Daniel Stewart
CONDUCTOR (San Francisco, California)EDUCATION/TRAINING: Graduate Diploma Curtis Institute of Music Fellow, New World Symphony; Bachelor of Music and Performer Diploma Indiana University School of Music;
CAREER HIGHLIGHTS: 2013-2014 season Music Director of Santa Cruz Symphony, 2013 debuts with the Saint Louis Symphony and New World Symphony, Has conducted ensembles including the Metropolitan Opera Orchestra, Boston Symphony Orchestra, Hessischer Rundfunk Sinfonie Orchester, Los Angeles Philharmonic and Curtis Opera Theater, Cover conductor with the Philadelphia Orchestra, Los Angeles Philharmonic, Saint Louis Symphony, Atlanta Symphony Orchestra, and Opera Company of Philadelphia; Winner of the 2010 James Conlon Conducting Prize at the Aspen Music Festival, Principal Violist of ensembles including the Aspen, Schleswig-Holstein, and Verbier festival orchestras, and the New World Symphony; Compositions performed at venues including the Aspen, Verbier, and Tribeca New Music festivals.
Bryan Wagorn
PIANIST (Ottawa, Canada)Lindemann Young Artist Development Program-Third Year EDUCATION/TRAINING: Doctor of Musical Arts candidate, The Manhattan School of Music, Master of Music The Mannes College of Music; Bachelor of Music The University of Ottawa;
CAREER HIGHLIGHTS: In the 2013-2014 season; Assistant Conductor of Falstaff at the Met, Participant at the Marlboro Music Festival, Staff Pianist Ravinia Festival Steans Music Institute; Pianist and coach, Pinchas Zukerman Summer Music Institute, Canada; Recital appearances include Carnegie Hall, The Marilyn Horne Foundation, the Jeunesses Musicales de Canada, Rehearsal pianist and harpsichordist in the 2012-2013 season Met + Juilliard production of Cosi fan Tutte.
Yunpeng Wang
BARITONE (Shenzhen, China)Lindemann Young Artist Development Program- First YearEDUCATION/TRAINING: Master of Music The Manhattan School of Music, Bachelor of Music Central Conservatory of Music, Beijing China.
CAREER HIGHLIGHTS: 2012-2013 Season: Carnegie Hall debut with The Musical Olympus Festival; Alice Tully Hall debut singing with I Sing Beijing Program and The New York City Opera Orchestra, Performed with The Hartford Symphony as a soloist in Beethoven's Ninth Symphony and The Yellow River Cantata, Appeared with The Voices of 2012 concert with the Budapest Symphony Orchestra MÁV in Pécs, Hungary; Athanaël in Thaïs with The Manhattan School of Music Opera Theater. 2011-2012 season; Marco in Gianni Schicchi and Eisenstein (Cover) in Die Fledermaus at The National Centre for the Performing Arts in Beijing, China; Guglielmo in Cosi Fan Tutte with The Manhattan School of Music Opera Theater; Participated in the Zürich Stiftung Opera Bel Canto Night in Switzerland. Recipient of 2nd Place Prize, Zarzuela Prize, and Audience Award of Placido Domingo's International Operalia Competition in 2012; 1st Place Winner of The 2013 Alan M. and Joan Taub Ades Vocal Competition.
© 2014 The Metropolitan Opera

subset: commoncrawl


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Right Hand Screen Door Latch(5 Reviews) Add A Review
Catalog Item # 37376
Reg $17.99
Ask a Question
Q. How do I know if I need right or left?
- A. When standing inside the vehicle looking out if the hinge is on the left of the door the right hand latch is used (SKU 37376), if the hinge is on the right use the left hand latch (SKU 37381)
- A. Distance of the screw holes 3 and 1/4"
Technical Specs
Weight: Less than 1 lb.
Manufacturer: Rv Designer Collection
Mfg Part #: E285
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Right Hand Screen Door Latch: Customer Reviews
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Screen Door latch. Easy to attach and works well
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Tag Archives: hanka kupfernagel
Kupfernagel – It Will Be A Big Party
Posted on 26. Jan, 2011 by lyne.
With four rainbow jerseys in her closet, German Hanka Kupfernagel (Itera-Stevens) knows what it takes to win the Cyclocross World Championships (actually make that five as Kupfernagel also won the Road World Championships Time Trial in 2007). And she hopes to repeat this Sunday at St Wendel in Germany. But Kupfernagel also knows that she'll […]
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Compton Dominates Hoogerheide World Cup
Posted on 24. Jan, 2011 by lyne.
In both the Women and Elite Men's World Cup races at Hoogerheide in the Netherlands, the winner chase down the break and soloed to the win. American Katie Compton (Planet Bike) continued her undefeated streak in the World Cup races, making it five for five.
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First Cross Win For Vos At Azencross
Posted on 30. Dec, 2010 by lyne.
A three-way battle of champions. World Champion Marianne Vos (Nederland Bloeit) took her first cross win of the season at the GVA Azencross in Loenhout on Wednesday. Though she looked to be struggling during the race to stay in the lead group, she hung on and then used her powerful kick, no doubt helped by […]


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Indiana columnist
In the wake of the Cinderella season that the Indianapolis Colts experienced last year, where everything seemingly went right on the field, perhaps what's been happening to the team over the past few days shouldn't come as too much of a surprise.
Maybe it was time for a little bad luck to set in.
How bad?
Since late last week, the Colts have lost three offensive starters for the season — running back Vick Ballard (knee, torn ACL), offensive guard Donald Thomas (quad, torn ligament) and, the most recent, tight end Dwayne Allen (hip).
Ballard was injured in a non-contact drill during practice last Thursday. Thomas was sidelined midway through the first quarter of last Sunday's home loss to Miami.
It was announced Wednesday afternoon that Allen, who was injured in Indianapolis' season-opening win over Oakland two weeks ago, would soon be undergoing surgery that would end his season. He was hurt while trying to haul in a third-quarter pass from quarterback Andrew Luck in the Raiders' game, falling awkwardly after being hit by an Oakland defender.
To say that the Colts will be limping into this week's road game with the San Francisco 49ers might be stretching it a bit. But it is safe to assume that the Indianapolis coaching staff will be busy trying to put together a game plan that will feature a few different parts on offense.
"Like Donald [Thomas], like Vick [Ballard], like anybody we've lost to this point, makes you sick. Injuries are part of this game. We all understand that. We know that. But it will be next man up," Indianapolis head coach Chuck Pagano said Wednesday.
"Like the others, we feel for him, but [Allen] will go and get it taken care of, rehab and be back for the offseason program in 2014."
The decision to sit the second-year tight end from Clemson came somewhat as a surprise.
"We were all hoping that it would be something that with time and with rest, he would come around. [Allen] is a tough, tough, tough kid," Pagano explained.
"Playing through the foot injury [for example]. But once we got the [hip] evaluated, we saw exactly what the doctors saw in there and what needed to be done. For the long term and the big picture, it's the right thing to do right now."
Ballard will be replaced by running back Ahmad Bradshaw. Offensive guards Joe Reitz or rookie Hugh Thornton will take over for Thomas. And second-year tight end Coby Fleener will now get the bulk of the work instead of splitting time with Allen.
Dominique Jones and recently signed Jack Doyle should rotate as Fleener's primary backups. Rookie Justice Cunningham, who is currently on the practice squad, may be elevated to the active roster as well.
"We're going to do whatever we have to do that gives us the best chance to win [Sunday]," the Colts coach said.
As tough it will be to move on from their recent spate of major injuries, the Colts concentration now is on facing what is expected to be a surly San Francisco team this week. The 49ers are coming off a 29-3 loss to NFC West rival Seattle.
"Guys are excited to get back out on the football field [after Indianapolis' 24-20 home loss to Oakland] and get ready. We know that we have a great challenge ahead of us. First road game, hostile environment, you can go on and on and on," Pagano voiced.
"But we're worrying about us. Fixing the things that we need to fix and prepare the best we can. Go execute and stick to the process."
That's the key, the Colts coach stressed.
"Just focus on us. Need to be more consistent. Play 60 minutes of consistent football. Don't leave plays out there. Don't leave points out there on the field. Take care of us. We know what we're about to face. We're playing a really good football team," Pagano said.
"They're well-coached. They've got great players all over the place. So it's more about us. It's more about our preparation, it's more about our focus. Knowing exactly what to do so we can go out there and play fast."
There will be plenty of familiar faces on both sidelines Sunday when the Colts arrive at San Francisco's Candlestick Park.
49ers head coach Jim Harbaugh played quarterback for the Colts from 1994-97 and is in the team's Ring of Honor at Lucas Oil Stadium.
He also was the head coach at Stanford who recruited current Indianapolis players Andrew Luck, Delano Howell and Fleener. Luck, Howell, Fleener and wide receiver Griff Whalen (who had been a walk-on) all played for Harbaugh in college.
San Francisco defensive coordinator Vic Fangio served in the same capacity with the Colts (1999-01) and at Stanford. Indianapolis cornerback Vontae Davis is the younger brother of 49ers tight end Vernon Davis.
Colts offensive coordinator Pep Hamilton served on Jim Harbaugh's coaching staff at Stanford. He served as wide receivers coach on Harbaugh's Stanford 2010 team. Hamilton also served as an offensive assistant and quarterbacks coach in San Francisco during the 2006 season.
Want more?
Indianapolis defensive coordinator Greg Manusky was the San Francisco defensive coordinator from 2007 to 2010. Colts defensive line coach Gary Emanuel was the 49ers defensive line coach from 2005-06.
Defensive tackle Ricky Jean-Francois played for the 49ers from 2009 to 2012. Outside linebacker Cam Johnson played for San Francisco last season.
Sitting out practice Wednesday, besides Allen, were inside linebacker Pat Angerer (knee), safety Antoine Bethea (toe) and safety LaRon Landry (ankle).
Wide receiver T.Y. Hilton (groin) and wide receiver/kick returner David Reed (quad) both saw limited work. Inside linebacker Kavell Conner (ankle), wide receiver Darrius Heyward-Bey (ribs), center Samson Satele (elbow) and wide receiver Reggie Wayne (shoulder) all had full practice.


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Science & Education
Workshop Date: Saturday, November 29, 2014, 1-5 PM
The goal of this half-day workshop is to provide participants with an introduction to writing a grant proposal for the NIH, specifically related to the radiological sciences. Topics covered include elements of a good grant proposal, understanding the review process, and planning the proposal.
Workshop Fee: $35.00


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• The Quality Of Popular Music Has Declined
• 2006: Year In Music (Pt. 2)
• All Killer, No Filler: "Only Hits" Collects A Dozen Of The Hottest Tracks Of 2006
• Rapper Jibbs To Release Debut, "Jibbs feat. Jibbs," Oct. 24
• One Chance Is Making The Most Of Their One Chance
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Down For Life (Edited)
Down For Life (Parental Advisory)
Laffy Taffy (Single) (Edited)
Birth Place: Atlanta, Georgia, USA
Years Active: 2004-2006
Genres: Pop Rap, Snap Music
Years Active: 2004-2006
Genres: Pop Rap, Snap Music
D4L (Down for Life) is an American rap group composed of Fabo, Mook-B, Stoney and Shawty Lo. D4L was part of the snap music dance-centric subgenre of hip hop. D4L signed to the independent Dee Money Entertainment, which released the group's 2005 debut album, "Down for Life," in conjunction with Asylum Records. The album's lead single "Laffy Taffy," reached #1 on the Billboard Hot 100 Singles chart in January 2006. "Down for Life" was certified gold after peaking at #22 on the Billboard 200 Albums chart.
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Dem Franchize Boyz Crime Mob Young Dro Jibbs YoungBloodz Yung Joc Lil' Scrappy Huey Lil Jon & The East Side Boyz Ying Yang Twins
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Bar Cake
We built this website around a Content Management System in 2010.
We built this in 2009 with design provided by our partners Big Blu Design.
Vivien Lloyd Preserves
We built this website for Vivien Lloyd in 2011 and have supported her business as it has evolved and gained more pulicity. Vivien runs courses, writes books and makes great jam and chutney.
Capture a Memory
We built this website in 2012. Capture a Memory licenses artists' designs to companies throughout the world – so this is their primary showcase. Built around the WordPress platform, this website can be updated by the owner directly.
Mendip Bottle
The Mendip Bottle approached us in 2012 to develop a website and e-commerce store. This website utilises 'responsive design' to provide an optimised user experience across multiple web-devices.
Clifton Coffee
Built in 2012 around a Content Management System, this website includes an e-commerce store, blog facility and integration with Twitter & Facebook. Clifton Coffee Company supplies the best coffee and tea in the Southwest.
Channel 4′s Fourdocs was a high-profile Channel 4 website allowing amateur documentary makers to upload 4minute documentaries that were then processed and displayed on a website. The Fourdocs community would then assess & rate the films. CPi Projects managed two significant deliveries for Channel 4′s Fourdocs website in 2006 and 2007. The first project was […]
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Website updated at long last02 October
It should have been done a long time ago – but at last we have a ...


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Sydney Musai Walter, Roshi plus 1 year ago Delete / Edit
"See One's Own True Nature," Rev. Phil's interview with Musai Roshi, was aired on Santa Fe Local Access Television, October 11, 2010
Recent Dharma talk given at The Mahasangha retreat on Ameland, Netherlands, January 17. 2010
Zen Buddhism
Zen Buddhist Dharma Talk: Practice, Introduction, Practice, Meditation at Prajna Zendo Zen Center, near Santa Fe and ElDorado New Mexico, with Musai Sydney Walter Roshi
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RALEIGH — Despite voicing concerns about the city losing public housing, Raleigh leaders on Tuesday approved a plan to reduce subsidized units at the federally funded Capitol Park development.
Raleigh City Council members questioned Raleigh Housing Authority Director Steve Beam for about 30 minutes about the plan before approving it 7-1. Only Councilman Eugene Weeks voted against Beams proposal, which would turn 60 units of subsidized housing for low-income residents at Capitol Park into market-rate homes with rents of up to $1,100 a month. The homes would be sold to the housing authoritys affiliated nonprofit for $300,000, or about $5,000 per unit.
With this plan here, youre almost promoting people to being homeless, Weeks said.
The council also noted that Capitol Park just north of downtown Raleigh was built in 2003 with a $29 million federal grant to create a community where public housing residents live side-by-side with moderate-income neighbors paying full rent.
The promise that was made to us when Capitol Park was funded was that it was going to be a mixed-income neighborhood, Councilman Russ Stephenson said.
But City Manager Ruffin Hall said that Tuesdays vote wasnt a referendum on Capitol Park. Instead, he said it was simply to certify whether Beams plan is consistent with the citys 2010-2015 Consolidated Plan for affordable housing. After Hall said the two plans were in sync, the council ended its discussion and voted in favor of the housing authority plan.
Several council members said they havent reviewed the five-year city plan recently and relied on the interpretation of Hall and other city staffers.
The time I really studied it was when it first came out, Stephenson said.
Mayor Nancy McFarlane said that Beams proposal for Capitol Park and other initiatives have been thoroughly vetted at city hall. There are multiple, multiple eyes looking at that, she said.
What is the plan?
The five-year city plan does not address the number of public housing units Raleigh should offer. But it does rank housing needs, putting renters classified as very low income as the citys first priority. That category would include a family of four earning less than $22,750 a year the demographic served by public housing.
By contrast, the 60 converted units at Capitol Park would target renters making 80 percent of the area median income, or $60,800 for a family of four.
That shift troubles Bill Rowe, the director of advocacy at the N.C. Justice Center. He said that Tuesdays council discussion left him with more questions than answers.
What is the plan for those folks who are making $10 an hour? he said. It would be nice to have some of that data, and its important for the City Council to understand how the policies of the housing authority will impact the provision of housing for these low-income people.
Rowe said he was surprised the council didnt follow McFarlanes initial suggestion to delay the vote for two weeks. I thought that required a little more deliberation than it got, he said.
McFarlane said after the meeting that the favorable vote was appropriate given the Raleigh Housing Authoritys high marks and clean audits. She added that she still hopes to speak with local congressional and federal officials about the funding shortages.
This is one of the top-rated housing authorities in the country, she said. Could we have more affordable housing? Theyre certainly trying within the parameters of the federal government.
Not sufficient money
In his presentation Tuesday, Beam cited funding cuts from the U.S. Department of Housing and Urban Development as one reason for taking public housing out of Capitol Park. We dont want to continue to allow Capitol Park to become the Halifax Court that it replaced, he said, referring to the barracks-style, crime-ridden housing project that previously occupied the site. Theres not sufficient money to operate all the public housing units we have.
But a former HUD deputy secretary has said Beams plan to convert a federally funded development is highly unusual, and most housing authorities are taking a different approach to funding constraints. Durham, for example, is converting some of its public housing units to a private, voucher-based model under a federal pilot program. The Bull City will maintain the same number of subsidized units for its poorest residents.
Beam said the pilot program wont work for Raleigh. What theyre doing is replacing one program with another one with a completely different set of rules, he said.
Council members said they trust Beam to minimize the pain of federal cuts. I understand theyre operating under the gun in terms of HUD saying they want to get out of that (public housing) business, Stephenson said.
This was wrong
The councils support for Beam didnt sit well with neighborhood leader Octavia Rainey, who spoke to the council after the vote. She says the Capitol Park plan will hurt black residents, who make up an overwhelming majority of public housing tenants.
You tell me you support civil rights, and you went along with that mess? she told the council. This was wrong. Dont ask me for my black vote anymore.
Rainey also called on McFarlane to appoint additional members to the housing authority board, which has only one black member and no representation from Southeast Raleigh. The mayor says shell consider the request.
With the Capitol Park plan now headed to HUD for final approval, the City Council is still seeking answers about another controversial move by the housing authority. The council asked city staffers Tuesday for a report on why streets at the Walnut Terrace public housing development have been renamed after obscure magicians such as Jerry Andrus and Jean Eugène Robert-Houdin.
Beam who named the streets without input from the agency board is a noted card-trick magician who often takes compensatory and vacation time to attend magic conventions.
That report is due back to the council within two weeks.
Campbell: 919-829-4802; Twitter: @RaleighReporter


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Early concern about the upcoming fire season may lead to the cancellation of a yearly summer event in Rapid City.
At Wednesday's Legal and Finance Committee meeting, Fire Chief Mike Maltaverne presented a report calling for a cancellation the 4th of July fireworks show over the Executive Golf Course.
Instead, Maltaverne suggests a New Year's Eve show.
He says some of the upsides will be a higher economic impact downtown, less competition with other 4th of July events, and less traffic congestion.
The committee unanimously acknowledged the report, moving the fireworks display to the New Year's celebration.
The matter still requires approval from the full city council.


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City of Kansas City, Mo.
CONTACT: Mary Charles, city communications officer, (816) 513-1356
FOR IMMEDIATE RELEASE: Dec. 30, 2009
Phases I and II of City Snow Ordinance no longer in effect
The City of Kansas City, Mo., is alerting motorists that Phase I and II of the City Snow Ordinance ended at 1:30 p.m. on Dec. 30. Motorists are advised to use caution as many residential streets remain snow packed.
City of Kansas City, Mo., crews assigned to arterial, primary and residential streets are still running snow routes as outlined in the City's Snow Plan. Crews assigned to primary and arterial streets work around the clock to remove snow and apply salt on City streets should it prove necessary. Crews assigned to residential streets apply salt as needed on hills, intersections, curves and slick areas and work to maintain a passable lane on residential streets.
The City's Public Works, Parks and Recreation and Water Services departments collaborate in the City's effort to remove snow and ice from approximately 900 miles of primary and arterial routes and maintain a passable driving lane on more than 1,800 miles of residential routes.
Phase I of a winter storm watch is issued when the streets are slick. During this time, drivers who do not have snow tires on their cars will be ticketed if they get stuck on a major thoroughfare.
In Phase II of a winter storm, cars parked on designated snow routes will be ticketed two hours after the phase is implemented.
Residents can call the following numbers for assistance: City of Kansas City, Mo., 3-1-1 Action Center (a division of the City Manager's Office), 311 or 513-1313; and the Missouri Department of Transportation, (816) 622-6500. Requests for removal of tree limbs from the rights-of-way should be directed to the 3-1-1 Action Center. Requests for service also can be submitted to the 3-1-1 Action Center online at http://www.kcmo.org.
Media inquiries about ice and snow removal should be directed to Dennis Gagnon, public information officer for the Public Works Department, (816) 513-2659.


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Photos and VideosMore Photos and Videos
19-year-old Bobbi Kristina Brown said in an interview with Oprah Winfrey on Sunday that her mother was "an angel."
In her first public appearance since the death of her mother, Whitney Houston, Bobbi Kristina Brown revealed to Oprah Winfrey that she is still trying to find a way to move on.
"I can sing her music, but to hear it now, I can't," Bobbi Kristina told Winfrey. "I can hear her voice telling me to keep moving, baby, I gotcha. She's always with me. I can always feel her with me. She used to always say, 'Do you need me?' And I said, 'I always need you.'"


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For over 100 years, the Mainstream Medical Establishment has been trying to hide a form of medicine that could solve most of your health problems.
But it gets worse...
Because, the real cures for your health problems have been right under your nose the whole time.
In fact, The current powers that be was established explicitly to squash this competition. And it's used all kinds of tactics to do so.
As someone who's interested in natural health, you probably share my frustration with the medical system's shortcomings. It's why we've produced a controversial video that reveals an alternative to mainstream medicine that's been around for over two centuries.
But thanks to the mainstream medical establishment, it's nearly impossible to get access to it here.
In fact, if you ask your doctor about this medicine he probably won't know what you're talking about.
Or if he's heard of it, he more than likely will tell you it's a bunch of magic potions and snake oil. Not real medicine.
By the time you're finished watching this video, however, you'll be able to explain to your doctor that he's dead wrong.
Because you'll be among the few to know the truth.
The truth that some of the symptoms of the most deadliest diseases, illnesses and ailments can vanish without ever having to take another prescription drug!
For more true healing stories that the mainstream medical establishment would prefer you not hear, watch this revealing video presentation, before it's taken down.
We value your privacy.
In addition to this revealing health video, you also get our free e-letter Doctors Health Press e-Bulletin.
The Doctors Health Press e-Bulletin is sent to over 180,000 readers and growing. Each day, you can expect specific natural health advice, news and breakthroughs written by some of the leading experts in the natural health and wellness industry.
We've been publishing since 1986 and we have over one million customers in 141 countries. Let us help you get healthier today... starting FREE!
We value your privacy.
The information contained herein is for information purposes only and is not to be construed as a diagnosis, treatment, preventive, or cure for any disease, disorder, or abnormal physical state, nor should it be considered a substitute for medical care from your doctor. On any matter relating to your health or well-being—and prior to undertaking any health-related activity—consult an appropriate health professional. The opinions herein are exactly that, they are the opinions of the author. Doctors Health Press, a division of Lombardi Publishing Corp. and its employees are not responsible for medically unsupervised activities that could be harmful to your health.


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Game details
- Game:
- Splatterhouse
- Genre:
- Fighting
- Sub Genre:
- Beat 'Em Up
- Release Date (US):
- November 23rd, 2010
- Release Date (UK):
- November 26th, 2010
- Players:
- 1
- Online Players:
- Developers:
- BottleRocket Entertainment
- Publisher:
- Namco Bandai
- Rating:
- M [Mature]
- PSU Rank:
- 540 of 1166 Games
- PSU Rank on PS3:
- 366 of 0 Games
- Additional Information:
- Also available on Xbox 360.
About Splatterhouse
Follow Rick and his mysterious Terror Mask as he unmercifully tears, cuts and beats his way through denizens of unearthly creatures in an epic adventure to rescue his girlfriend from the clutches of deranged occult figure Dr. West. Embodying the unfiltered, primal aggression of its namesake, Splatterhouse combines visceral, adrenaline-soaked combat with horror elements to deliver an original gaming experience that defies the boundaries of the traditional action category with over the-top gore and shocking new gameplay mechanics. Featuring an original storyline by critically-acclaimed comic book writer Gordon Rennie (Necronauts, Judge Dredd), Splatterhouse takes Rick beyond the mansion as he scours the ends of the world to rescue his beloved Jennifer.
- PSU Review Score
- 7.5
- Avg. user review score:
- 7.7
You must be logged in to rate a game
Splatterhouse falls short of classic brawler status, but there's still fun to be had out of dishing out handjobs and experimenting with the range of grisly moves on offer.
We like
- Dishing out handjobs -- and we never thought we'd say that!
- Getting creative with the varied move-set
- The compelling boss battles
We dislike
- The frequency of checkpoints. If you die, you sometimes have to go back a long way
- Unrefined combat system and unbalanced A.I.
- The repetitive takedown animations
See PSU's review on Metacritic & GameRankings
Handjob dungeon: now that sounds like a great place to visit, doesn't it? Sadly, it isn't. It turns out that Handjob Dungeon isn't a sex den where full-blooded males' dreams come true, but it's actually just a play on words and an indication of the type of playground wit and tongue-in-cheek humour that you'll encounter throughout Splatterhouse, a re-imagining of the 1988 blood-soaked, button...
- Posted Dec 1st 2010
- Read full review
Splatterhouse News
Splatterhouse delayed, but still in the works
We recently mentioned that Namco Bandai didn't have Splatterhouse listed in its E3 lineup. There have been some difficulties in the development process, including a "performance issue" with Bottlerocket and the reassignment of the project. Joystiq pinged Namco for an update and...
- Posted Jun 18th 2009
- Read more
Splatterhouse remake to include original game
Splatterhouse, the bloody action adventure romp coming soon to the PlayStation 3, is a remake of a beat 'em up of the same name released by Namco in 1988. Gamers planning on playing the new Splatterhouse that are hankering for some nostalgic gaming appear to be in for a treat. "Everybody wan...
- Posted Feb 8th 2009
- Read more


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The Kane County Cougars and Peoria Chiefs have shattered the Midwest League single-game attendance record. And their game has not even been played yet.
Advanced ticket sales for the teams' July 29 contest at Wrigley Field has already surpassed the record of 14,492. That mark was set between the same teams Aug. 11, 2007.
Because of the ticket demand, the Chicago Cubs have put additional tickets on sale. They are now available for the upper deck box and upper deck reserved sections.
Those tickets are $5 and $10 on www.cubs.com and www.peoriachiefs.com
The game is believed to be the first minor league contest at the 94-year old ballpark.
ALL-STAR COACH: Former Bees hitting coach Terry Bradshaw will be the hitting coach for the Pacific Coast League all-stars in their game against the International League all-stars.
Bradshaw, now the hitting coach with the Triple-A Omaha Royals, coached for the Bees in 2001.


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Noah's Bark is an all-volunteer 501(c)(3) non-profit pet rescue organization based in the Los Angeles South Bay area. We are an all breed rescue. Some dogs come to us as strays, but the majorities come from LA area shelters, all of which are ALL HIGH KILL shelters. We often rescue the most broken and pitiful dogs from these shelters, the ones that would have little to no chance of being adopted by the public. We give these dogs a second chance at a new and loving life.
We are committed to finding permanent and happy homes for these unwanted and homeless pets in our community. Noah's Bark was founded in 1997 by Lila Hemmingway. It is now run by Shelly Gomez, a dedicated animal advocate. She was there in the beginning with Lila when the organization was first founded. We rescue and rehome approximately 300 pets each year. Our organization does not have a shelter where all of the rescues are centrally housed. Dedicated volunteers provide foster homes while our rescues await their forever homes. If you would like to help Noah's Bark by becoming a foster or by making a donation please see our "How Can I Help?" page.
(Please right click on Paypal link and click "Open in New Tab" to donate)
Thank You Givebones, for sponsoring Noah's Bark for the month of March!
Buy a collar. Save a dog.
and counting...
Every Saturdayfrom 12-3PMat the Torrance Petco24413 Crenshaw Blvd.Torrance 90505
Attention Amazon shoppers!!
Support our doggies by shopping at amazon smile.
It's amazon for charities, we receive five percent of your purchase.


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Keep your link to the world safe with the rugged OtterBox Defender Series Case for HTC ThunderBolt 4G. A tough polycarbonate shell with a built-in screen protector hugs your phone while the quality silicone skin wraps around it all for exceptional shock absorption. Included is a holster belt clip for your carrying convenience.
Online prices and product selection may vary from our retail stores. All prices and offers are subject to change. Copyright RadioShack Corporation 2014. All rights reserved.


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Rev. Mari Wiles
Campus Ministry Overview
Part of Chowan's commitment to a real world, Christian education incorporates campus ministries.
Chowan University's Campus Ministry is a pastoral mission, which covenants to honor God and edify the University community while sharing the light and truth of Gods salvation by:
The Campus Ministry Team, led by Mari Wiles, gives students incredible opportunities to grow spiritually through worship and service alike.
The Chowan Christian Service Association Scholarship is available for students who have a call into ministry. Click here to apply online.
Study Abroad in the Holy Land. Students learn more about Christ when they walk where He walked. Walk on the shores of the Sea of Galilee, pray at Calvary, and sing songs of praise as you walk the city streets of Jerusalem.
El Salvador Mission Experience - 2014
Cuba Mission Experience - 2012
>>Click here to read an article about the Cuba Mission Team.
Haiti Mission Experience - 2011
A group of 10 students, staff, and alumni traveled to Haiti to help families rebuild their homes, provide free mobile medical clinics, and share the love of God to the orphaned Haitian children in the name of Jesus. Throughout the journey, they blogged and shared pictures of their experiences. As you read and visualize this mission you are invited to travel alongside our student-missionaries.
>> Click here to read the Haiti Mission Team blog.
South Africa Mission Experience - 2009
Campus Ministry Staff
Rev. Mari Wiles
Minister to the University
(252) 398-6268 or 1 (888) 4-CHOWAN
B.A. Psychology, Mars Hill College, Mars Hill, NC
M. Div. Theology, Southeastern Baptist
Theological Seminary, Wake Forest, NC
Moving my life to serve at Chowan University has been a grand adventure. I have lived in a lot of places but this is my first small town experience. I am enjoying exploring Northeastern NC.
"I believe it is important to have places and spaces of Grace on a University campus. It is my prayer that the pastoral leadership of the Campus Ministry team can offer safe places for individuals to know God, serve God and share God. We have Faith in our Future because we know God holds our future."


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Step 1: Ingredients
1 1/4 cups flour
1 cup sugar
1/3 cup unsweetened cocoa powder
1 tsp baking soda
1/2 tsp salt
1 cup warm water
1 tsp vanilla extract
1/3 cup vegetable oil
1 tsp distilled white or apple cider vinegar
Chocolate Glaze
1/2 cup sugar
4 tbsp margarine
2 tbsp soy milk
2 tbsp unsweetened cocoa powder
2 tsp vanilla extract
Note: if you don't care to make it vegan, or don't have soy milk or margarine, you can use butter in place of the margarine, and whatever milk you prefer in place of the soy.
Step 2: Mix
Step 3: Bake!
Would this recipe work with almond milk in the place of soy milk?
Also, does anyone have a conversion of this recipe into metric units? ("grams" instead of "cups" etc)
Thank you for such a super easy and delicious recipe. My friend shared your recipe with me and now I share it with others. I sometimes double and triple the recipe to make lots of cupcakes, decorate them (buttercream icing using Earth Balance Butter) and freeze in airtight containers. I'm always ready for company or to go anywhere with dessert! Best chocolate cake ever! Thanks again!
Just had the first slice of BEST chocolate cake. YUMMY!
I just made this one today and wanted to say thank you. Very easy to make and very tasty. :-)
Do yu need to heat the glaze to melt sugar ect? or just mix it together??? thanks
sorry correct me if I m wrong but margerine is not vegan...
Correcto, 95% of Margarine contains Milk Solids, so therefore is not vegan.
There are a few Vegan spreads, Nuttelex in Australia, or even better use coconut oil!!! yum :)
There is vegan margarine available. I am going to use coconut oil.
This is the second time I have made this cake. It is so delicious! I used coffee instead of water and let the cocoa powder bloom in the coffee. I reduced the sugar by a forth of a cup and put cherry pie filling in the middle. Amazing.
I only have an 8 inch springform pan if I follow the recipe like so would it be good to make in that? Or does the temp or time have to change please let me know. Thank you!
It would probably cook the same time/temp b/c that's essentially the same size as the square pan! But maybe grease it if you don't intend to serve it IN the springform pan?
Thanks hun!
I had this cake at a birthday party yesterday and O M G it was THE best chocolate cake I've ever had! Instead of the glaze, she frosted it with the peanut butter frosting at http://m.allrecipes.com/recipe/84429/fluffy-peanut...
I seriously cannot wait to make this cake myself. It was incredible!
I used to make this when I was a kid. It was called wacky cake and it was our go to chocolate cake recipe. The amounts here vary a bit (for example my recipe called for 6T of oil and 1T of vinegar) but it is essentially the same. 25+ years later it is still yummy. I usually keep it in the fridge as I find it tastes best when it is cold. Will have to try the frosting.
I've been making this since 2009.Truly simple and delicious, every time ! Period.
Amazing! I made this cake with whole wheat flour with wonderful results. Didn't have time for icing today and was yummy without it. Next time around will make icing and post a picture. This recipe is a keeper - easy and delicious.
Second time making this fabulous recipe! This time in my 'crockpot' in a cake/bread insert. Cooked it on High for approx 1-1/2 hours or till toothpick comes out clean. W o n d e r f u l ! This time, I made the Chocolate Glaze. Delicious! This entire recipe is an absolute success! :)
is it not necessary to grease pan?
Thank you so much for this great recipe, my 11 yr old Daughter wanted to take "cake Pops" to school for Easter but one of her friends has an egg allergy, I used this recipe for the cake, they came out Amazing, I was so impressed with it I used the same recipe to make "Bunny Cupcakes" for my eldest daughter to take to her school where she is a Grade 2 teacher, they all LOVED THEM, it's now the ONLY chocolate cake recipe I will be using x x x
I made this cake yesterday for a teenagers birthday and it was delicious. I replaced the cocoa powder for carob powder, and I added 1/4 cup coconut, and 1/2 cup of carob chips, and 2 tbsp. more of water. For the glaze I added about 4 tbsp. of almond butter, and a bit more honey. Everything tasted fantastic. this will definitely me a favorite cake that I will bake often. Thanks for the recipe. Cathy
I added orange zest, desecrated coconut and chilli flakes to my mixture, all to taste. For my glaze I used Pure sunflower spread. Best cake I've ever tasted.
Yum o, I just made this for my husbands birthday. I added fresh lavender to the batter and sprinkeld some buds on the glaze!
My first chocolate cake ever and I was lucky to get my hands on this recipe. It came out exactly as promised and tasted out of the world!
Accidentally I added more chocolate and then realized and substituted with more sugar, so it came out very chocolatey and with enhanced taste. So now I use 1/2 cup cocoa powder and 1 1/4 cup sugar each time :)
The glaze was tricky as I could not get Vegan butter (or margarine), so added some chocolate sauce instead.
The only part that I hate is the wait time of 2 hours for it to cool down, but it is all worth it !!!
I am not vegan, nor am I vegetarian. However, my best friend is vegan and so I try my hand at vegan cooking/baking whenever he's at my house. I first made this cake for his birthday last month and I have been completely obsessed with this cake ever since! I've always thought I never had a sweet tooth, but now I definitely do- for this cake. It's so delicious... I've already made it twice and now i'm about to make it again. Thanks so much for the recipe- I'm going to be printing it out and using it for years to come.
Someone made this cake at a potluck and I fell head over heels for it. I've made it twice since and will be making anther one tonight for a potluck - It's just that amazing. I don't like using all purpose flour in my baked goods so I made the recipe with 1/2 cup whole wheat flour the first time, which turned out fantastic, and the second with all whole wheat flour, which also turned out great; just a bit more dense.
The only thing I had an issue with was the glaze - It always came out a bit strong, almost too salty, almost burnt-tasting. Next time I'll use less milk and take the pot off a few seconds after it's begun simmering, and use non-salted margarine or something and see how that goes.
P.S. to the author: To "blend" refers to using a blender or handheld blender for wet ingredients. Mixing dry or wet ingredients together with a spoon or something of the like is usually referred to as mixing or stirring together. Sifting the flour, cocoa powder, baking soda and salt together will help create a better texture as well. =)
Amazing recipe. I made two yesterday and stuck them together with some sour cherry jam! The best cake ever.
(: I forgot to share this beautiful photo of this heavenly cake of mine. thank you again for the recipe--seriously, my first chocolate cake from scratch and I still have not strayed from it :P


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Q-Mark 2516W Electric Baseboard Heater with Thermal Cut-Off Switch
- Features 5,118 BTUs of Power for Effective Heating and Durable Metal Construction
- Read More...
Enjoy space-saving warmth this winter. The Q-Mark 2516W electric baseboard heater warms spaces quickly and effectively. Keep winter cold at bay, and use this baseboard heater to create a cozy environment.
Thermal Cut-Off Protection
The Q-Mark 2516W electric baseboard heater includes a thermal cut-off protection for increased safety. Should this heater get too hot, the thermal cut-off switch will shut the heater off.
Quick Installation
No disassembly required! The Q-Mark 2516W electric baseboard heater is easy to install. The pre-notched mounting guide marks make installation so easy anyone can do it.
Complementary Design
The Q-Mark 2516W electric baseboard heater features a complementary neutral white finish that matches any decor perfectly. This heater is perfect for any room in the house.
Quiet Operation
The Q-Mark 2516W electric baseboard heater is designed for quiet operation. There are no popping or pinging noises normally associated with baseboard heaters. This option is perfect for a bedroom; it won't interrupt your sleep.
Guaranteed Satisfaction.
- 1 year limited manufacturer's warranty
- Up to 30 days to return your purchase
- Money back guaranteed
- Free return shipping
- No restocking fees
- Model: 2516W
- Product Type: Electric Baseboard Heater
- Product Dimensions: L: 2.90" x W: 72.00" x H: 6.75"
- Product Weight: 14.00 lbs.
- Product Color: Navajo White
- Application: Provides supplemental heating for residential use
- Type: Baseboard Heater
- Warranty: 1-year limited manufacturer's warranty on parts and labor; 10-years on heating element
- Fuel Type: Electric
- Voltage: 120 volts
- Coverage Area: 150 square feet
- Watts: 1500 watts
- Amps: 12.5 amps
- Frequency: 60 Hz
- Certifications: UL
- Heating Element: Sheathed Electronic Heating Element
- Heating Capacity: 5118 BTUs
- Finish: Navajo White
- Construction: Metal
- Hardwired: Yes
- Remote Control: No
- Control Type: Dial
- Fin: Yes
- Fin Type: Chimney
- Thermostat Required for Use: Yes
- Thermostat Must Be Purchased Separately: Yes
- Automatic Cut-Off Fetaure: Yes
- Low Surface Temperature: No
- Safe to Mount Against Walls: Yes
- Flooring Types Recommended For Use: Carpet , Hardwood , Laminate , Tile
- Portable: No
- 1500 watts of heating to warm 150 sq. ft.
- Durable construction for longevity
- Easily installed without disassembly
- Navajo white enamel finish matches most any decor
- Silent operation for nighttime use
- Thermal cut-off switch for overheat protection
Customers Also Viewed
from Prescott, KS


text:
Cumberland Times-News
Safety Day today at Sears store
LAVALE — Sears Safety Day will be held today from 10 a.m. to 5 p.m. at Sears at Country Club Mall.
Free activities will include a Maryland State Police crash simulator, professional child safety seat inspections, Allegany County Sheriff's Office prescription drug drop-off, Allegany County 911 Center phone simulators, Masons East Gate Lodge child ID packets, Allegany and Mineral Counties Crime Solvers, and Cresaptown Volunteer Fire Department with fire units and the fire escape house.
Red Cross sets blood drives
CUMBERLAND — The American Red Cross has scheduled the following blood drives in West Virginia.
• Monday, 1:30 to 5:30 p.m., Pendleton County Library, Franklin.
• Oct. 29, 1 to 7 p.m., Paw Paw Fire Hall.
• Oct. 31, 2 to 7 p.m., Mathias-Baker Rescue Squad.


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In a recent crossword puzzle, the clue was "childhood game." My husband, Toby, and I started to name all the childhood games we played and had a lot of laughs.
Toby came up with Follow the Leader. He said as a boy, growing up in Schuyler Falls, he and his friends would even play this fun game in the dark.
They climbed to the upper beams of the old grist mill in Schuyler Falls, walking across the beam with only two dim flashlights, one with the leader and one with the guy at the end of the line.
He shakes his head now and admits they could have been killed had they fallen from that height. Did we ever think of the dangers when we were young?
Another game popular in Schuyler Falls in the 1940s was Kick the Can. A variation on Hide and Seek, the person who was "it" had to make sure the people hiding didn't make it to the can. If they did, you were "it" again. I wouldn't be good at that game. I hate being "it."
One of my favorite kid games was Red Rover, Red Rover. I was thrilled when I heard, "Let Susie come over."
I asked one of my grandchildren if they ever played Red Rover. The confused look was enough to tell me that if it's not a video game, most kids today haven't played it.
When I was really young, Duck, Duck, Goose, was a favorite. For the younger set, everyone would sit on the ground, in a circle. The "farmer" would walk around the outside of the circle, tapping each one on the head and say "Duck" until he or she came to someone they wanted to be chased by. Then they would say "Goose," and that person would have to chase them, trying to tag them before they sat down.


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You might be able to find help fighting breast cancer and other types of cancers at your local grocery store and fitness centers, according to the research findings of Dr. Marian Neuhouser, Ph.D, RD.
Dr. Neuhouser is a nutritional epidemiologist with a background in nutritional sciences. She is an investigator at Seattle's Fred Hutchinson Cancer Research Center. Her research is focused on lifestyle factors such as nutrition and physical activity. Some factors may prevent breast and prostate cancer and improve survivorship in those diagnosed with cancer.
According to the Centers for Disease Control and Prevention, each year, more than 200,000 American women are diagnosed with breast cancer and more than 40,000 American women will die from breast cancer.
Dr. Neuhouser's research has found that for postmenopausal women in particular, being overweight or obese may increase the risk for breast cancer.
Dr. Neuhouser explains, "After menopause, estrogens are synthesized by adipose tissue—the more adipose a woman has, the more estrogen she will make. Adipose cells also synthesize inflammatory factors, which have been linked to breast cancer."
One of the most important things a woman at risk for breast cancer can do, says Dr. Neuhouser, is to "maintain a healthy weight."
Given what the research indicates, Dr. Neuhouser says, "One of the most important things is that if a woman is overweight or obese, she should be advised to lose weight and maintain a healthy weight. Daily physical activity and following healthy eating habits with plentiful fruits and vegetables and minimal empty calories and fried foods will help achieve these goals."
Dr. Neuhouser says while it can be challenging to lose weight, "Small changes can add up and make a big difference."
When it comes to getting active, Dr. Neuhouser says, "If someone is not used to physical activity, try a five to ten minute walk and gradually increase the time. Having physical activity partners or walking partners always helps. I know my soccer team will be waiting for me on the field, so even if I am tired or busy, I still show up."
In Campbell, there are many groups devoted to helping to keep people fit. Among them are:
- Campbell Saturday Morning Long Distance Run, meetup group, various locations.
- Get Fit Silicon Valley, meetup group, various locations.
- Drop-in fitness programs, Campbell Community Center, 1 W. Campbell Ave.
When it comes to food, Dr. Neuhouser says, "Start with making one new food change each week. Instead of eating two cookies, eat just one."
If you are concerned about your weight, Dr. Neuhouser suggests getting the support you need by asking your doctor for " a referral to a reputable weight loss program." For nutrition advice, Dr. Neuhouser recommends asking for a referral to a registered dietitian.
Locally, you can find support managing your weight through various organizations including:
- Weight Watchers, 156 N San Tamos Aquino Road, Campbell.
- Take Off Pounds Sensibly (TOPS), various locations.
- Silicon Valley Weight Loss Challenge, various locations.
(Other Patch staffers also contributed to this article.)
Don't miss a thing in Campbell! Get the FREE Patch newsletter each morning. Register here.
Into social media? So are we. Join us on facebook, twitter or instagr.am (@campbell_patch).


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Editor's note: This is the first of occasional stories on unusual businesses in Roseville.
As the owner of Mr. Zero's, Rik Schwinden marches to the beat of different retail drummer.
Schwinden's Roseville shop, now celebrating its fourth holiday season, carries a vast array of eclectic pop culture merchandise. Items range from vintage LPs and 45 single records to video games, posters and board games.
The shop, at 1744 Lexington Ave. N., is as unusual in its merchandising and pricing as it is in the offbeat memorabilia it carries. Records, for example, are priced at odd numbers such as $3, $5, $7, and $9 per item.
Meanwhile, Mr. Zero's is running an 11 percent discount on items through the holiday season; at other times of the year the store has sales with discounts set at 11, 13, 17 and 27 percent.
What's with that name?
And that odd name: Mr. Zero's? Schwinden, a hardcore fan of the 1960s pop group The Monkees, said the name is taken from a 1968 episode of the music group's TV show. The episode, called "The Devil and Peter Tork" had as its backdrop a store called Mr. Zero's Pawn Shop.
Meanwhile, the store's business mascot, a kind of clown or courtjester, was designed by Jose Delbo, the Argentinian cartoonist who did the illustration on the Beatles' animated movie "Yellow Submarine."
Schwinden said his shop represents a nearly extinct breed of retailing as scores of similar stores and chains have gone out of business.
"I'm trying to keep alive a dying art for people who don't want to sit on the Internet," said Schwinden, whose career in music retailing has included stints at the Record Shop, FYE, Sam Goody, Wax Works and Warehouse Entertainment.
Customers at Mr. Zero's range from grade-school kids to retired folks in their 70s.
In buying and selling used records and other items, Schwinden said he has come across a plethora of unique items including an autographed Billy Joel album cover and signed guitars.
Schwinden said he got the idea for his shop after working for a similar business in Minneapolis and concluding there was room for one on the east side of the Mississippi River. After studying the east Metro's demographics, Schwinden settled on locating his shop in Roseville.
"We felt Roseville would be the place to be in the next five years and when the economy turns around," he said.
Since opening the store in November, 2009; Mr. Zero's sales have steadily grown, increasing about 10 percent annually.
Schwinden said that running his own store has had its joys and challenges.
One of the best things he likes is that "people bring me rare things which is cool," Schwinden said. "I meet some of the most fascinating people, too." They range from rock musicians to writers, he said.
Schwinden said his shop has also given him the the opportunity to do some work in local movies such as "Attack of The Moon Zombies, which was directed by Christopher Mihn.
But on the downside, Schwinden said he frequently encounters customers who don't respect his business or realize he is not running a thrift shop. "We're dealing in top of the line stuff here," he said.


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To kick off a project, you must fill out the MarComm Request form. You will then be contacted by our traffic manager, Gary Epstein, who will call you to get some more info and discuss the process. Gary will then build a project plan that meets your timing and budget needs. To learn more, visit the How We Work page.
Please allow at least six weeks for all projects that include printed materials. Particularly complex projects may require more time. Please get in touch with us as early as possible so we can develop a schedule that meets your needs; if you are concerned that you may not have enough time to execute your project, please reach out to us anyway so we can discuss options that might work for you.
Our traffic manager, Gary Epstein, will coordinate your needs with the necessary departments. You can contact him at ext. 1348 or email@example.com.
If you don't have any photography or design elements to start from, our creative services team will gladly make recommendations. We will discuss the background and goals of your project with you and our internal team to determine the best creative approach for your needs.
Every project must follow Loyola's Branding Guidelines (PDF). If you have questions, please contact the office of creative services at ext. 5025. It is essential that the brand be followed to maintain consistency and accuracy in the creative representation of Loyola.
To get training for Loyola's content management system, as well as to get an account, email firstname.lastname@example.com. For tips and information on best practices when managing your site's content, contact Kim Hall at firstname.lastname@example.com.
No. There are no charges for services offered by web communications or institutional communications.
A flat fee of $40 per job is charged for all creative service projects to cover design and consultation time. Additional costs incurred during the creation of a project are passed along to the client without mark-up. These expenses could include illustration or photography, printing, and delivery charges.


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X-Hose Pro®
Reversible Bedspread
Singing Bird Clock & Thermometer
Set/2 Drawer Dividers
RFID Armored Wallets
Hot Air Balloon Spinner
Ribbon Braid Hat
Garden Seat & Kneeler with Pouch
Multi-hued rugs awaken any room! The soft rays of color that transform the sky can now transform your floors, too. Cushy, durable nylon pile creates a plush place to step and is a snap to clean. Just toss in the wash! Non-slip backing keeps rugs in place.
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