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In today's workforce, an increasing amount of jobs require continuing education. As well, it's no secret that the path to that sought-after promotion or higher salary is often furthering your education. As a working adult, how could you possibly find the time to manage your family and career plus an education? Continuing education online is the perfect solution!
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To learn more about continuing education online, visit our partner sites OnlineSchools.net and AdultEducation.org.


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James Bond (literary character)
|James Bond
|James Bond, 007 character
Ian Fleming's image of James Bond; commissioned to aid the Daily Express comic strip artists.
|First appearance
|Casino Royale, 1953 novel
|Last appearance
|Solo, 2013 novel
|Created by
|Ian Fleming
|00 Agent
|Commander (Royal Naval Reserve)
Andrew Bond (father)
Monique Delacroix Bond (mother)
Teresa di Vicenzo (widowed)
Harriett Horner (invalid)
|Significant other(s)
|Kissy Suzuki
|James Suzuki Bond (son with Kissy)
Charmian Bond (aunt)
Max Bond (uncle)
CMG, RNVR, is a fictional character created by British journalist and novelist Ian Fleming in 1953. He is the protagonist of the James Bond series of novels, films, comics and video games. Fleming wrote twelve Bond novels and two short story collections before his death, although the last two books—The Man with the Golden Gun and Octopussy and The Living Daylights—were published posthumously.
The Bond character is a Secret Service agent, code number 007, residing in London but active internationally. Bond was a composite character who was based on a number of commandos whom Fleming knew during his service in the Naval Intelligence Division during World War II, to whom Fleming added his own style and a number of his own tastes; Bond's name was appropriated from American ornithologist James Bond. Bond has a number of character traits which run throughout the books, including an enjoyment of cars, a love of food and drink, and an average intake of sixty custom-made cigarettes a day.
Since Fleming's death in 1964, there have been other authorised writers of Bond material, including John Gardner, who wrote fourteen novels and two novelizations and Raymond Benson, who wrote six novels, three novelizations and three short stories. There have also been other authors who wrote one book each, Kingsley Amis (writing as Robert Markham), Sebastian Faulks, Jeffery Deaver and William Boyd, with a further instalment due in September 2015 by Anthony Horowitz. Additionally a series of novels based on Bond's youth—Young Bond—was written by Charlie Higson.
As spin-offs from the literary works, there was a television adaptation of the first novel, Casino Royale, in which Bond was played as an American agent. A comic strip series also ran in the Daily Express newspaper. There have been 25 Bond films; seven actors have played Bond in these films.
Fleming's concept of Bond 1
- Inspiration for the character 1.1
- Origins of the name 1.2
- Looks 1.3
- Background 1.4
Tastes and style 1.5
- Beverages 1.5.1
- Cuisine 1.5.2
- Smoking 1.5.3
- Drugs 1.5.4
- Attitudes 1.6
- Personal life 1.7
- Abilities 1.8
Continuation Bond works 2
- John Gardner 2.1
- Raymond Benson 2.2
Others 2.3
- Kingsley Amis 2.3.1
- Sebastian Faulks 2.3.2
- Jeffery Deaver 2.3.3
- William Boyd 2.3.4
- Anthony Horowitz 2.3.5
- Young Bond 3
- Adaptations 4
- See also 5
- References 6
- Bibliography 7
- External links 8
Fleming's concept of Bond
The central figure in Ian Fleming's work was the fictional character of James Bond, an intelligence officer in the "Secret Service". Bond was also known by his code number, 007, and was a Royal Naval Reserve Commander.
James Bond is the culmination of an important but much-maligned tradition in English literature. As a boy, Fleming devoured the Bulldog Drummond tales of Lieutenant Colonel Herman Cyril McNeile (aka "Sapper") and the Richard Hannay stories of John Buchan. His genius was to repackage these antiquated adventures to fit the fashion of postwar Britain ... In Bond, he created a Bulldog Drummond for the jet age.
During World War II, Ian Fleming had mentioned to friends that he wanted to write a spy novel.[2] It was not until 1952, however, shortly before his wedding to his pregnant girlfriend, Ann Charteris, that Fleming began to write Casino Royale, to distract himself from his forthcoming nuptials.[3] Fleming started writing on his first book, Casino Royale, at his Goldeneye estate in Jamaica on 17 February 1952, typing out 2,000 words in the morning, directly from his own experiences and imagination.[4] He finished work on the script in just over a month,[5] completing it on 18 March 1952.[6] Describing the work as his "dreadful oafish opus",[7] Fleming showed it to an ex-girlfriend, Clare Blanchard, who advised him not to publish it at all, but that if he did so, it should be under another name.[8] Fleming went on to write a total of twelve Bond novels and two short story collections; he died on the morning of 12 August 1964.[9] The last two books—The Man with the Golden Gun and Octopussy and The Living Daylights—were published posthumously.[10]
Inspiration for the character
Fleming based his creation on a number of individuals he came across during his time in the Naval Intelligence Division during the Second World War, admitting that Bond "was a compound of all the secret agents and commando types I met during the war".[11] Among those types were his brother, Peter, whom Fleming worshipped[11] and who had been involved in behind the lines operations in Norway and Greece during the war.[12]
Aside from Fleming's brother, a number of others also provided some aspects of Bond's make up, including Conrad O'Brien-ffrench, a skiing spy whom Fleming had met in Kitzbühel in the 1930s, Patrick Dalzel-Job, who served with distinction in 30 AU during the war, and Bill "Biffy" Dunderdale, station head of MI6 in Paris, who wore cufflinks and handmade suits and was chauffeured around Paris in a Rolls-Royce.[11][13] Sir Fitzroy Maclean was another figure mentioned as a possibility, based on his wartime work behind enemy lines in the Balkans, as was the MI6 double agent Dušan Popov.[14]
Origins of the name
Fleming took the name for his character from that of the American ornithologist James Bond, a Caribbean bird expert and author of the definitive field guide Birds of the West Indies; Fleming, a keen birdwatcher himself, had a copy of Bond's guide and he later explained to the ornithologist's wife that "It struck me that this brief, unromantic, Anglo-Saxon and yet very masculine name was just what I needed, and so a second James Bond was born".[15]
When I wrote the first one in 1953, I wanted Bond to be an extremely dull, uninteresting man to whom things happened; I wanted him to be a blunt instrument ... when I was casting around for a name for my protagonist I thought by God, [James Bond] is the dullest name I ever heard.
On another occasion Fleming said: "I wanted the simplest, dullest, plainest-sounding name I could find, 'James Bond' was much better than something more interesting, like 'Peregrine Carruthers'. Exotic things would happen to and around him, but he would be a neutral figure—an anonymous, blunt instrument wielded by a government department."[17] After Fleming met the ornithologist and his wife, he described them as "a charming couple who are amused by the whole joke".[18] In the first draft of Casino Royale he decided to use the name James Secretan as Bond's cover name while on missions.[19]
Bond's number—007—was assigned by Fleming in reference to one of British naval intelligence's key achievements of World War I: the breaking of the German diplomatic code.[20] One of the German documents cracked and read by the British was the Zimmermann Telegram, which was coded 0075,[21] and which was one of the factors that led to the US entering the war.
Facially, Bond resembles the composer, singer and actor Hoagy Carmichael. In Casino Royale Vesper Lynd remarks, "Bond reminds me rather of Hoagy Carmichael, but there is something cold and ruthless." Likewise, in Moonraker, Special Branch Officer Gala Brand thinks that Bond is "certainly good-looking ... Rather like Hoagy Carmichael in a way. That black hair falling down over the right eyebrow. Much the same bones. But there was something a bit cruel in the mouth, and the eyes were cold."[22] Others, such as journalist Ben Macintyre, identify aspects of Fleming's own looks in his description of Bond.[23] General references in the novels describe Bond as having "dark, rather cruel good looks".[24]
In the novels (notably From Russia, with Love), Bond's physical description has generally been consistent: slim build; a three-inch long, thin vertical scar on his right cheek; blue-grey eyes; a "cruel" mouth; short, black hair, a comma of which falls on his forehead. Physically he is described as 183 centimetres (6 feet) in height and 76 kilograms (167 lb) in weight.[24] After Casino Royale, Bond also had the faint scar of the Russian cyrillic letter "Ш" (SH) (for Shpion: "Spy") on the back of one of his hands, carved by a SMERSH agent.[25]
In Ian Fleming's stories, James Bond is in his mid-to-late thirties, but does not age.[26] In Moonraker, he admits to being eight years shy of mandatory retirement age from the 00 section—45—which would mean he was 37 at the time.[27] Fleming did not provide Bond's date of birth, but John Pearson's fictional biography of Bond, James Bond: The Authorized Biography of 007, gives him a birth date of 11 November 1920,[28] while a study by Bond scholar John Griswold puts the date at 11 November 1921.[29] According to Griswold, the Fleming novels take place between around May 1951,[30] to February 1964, by which time Bond was aged 42.[31]
If the quality of these books, or their degree of veracity, had been any higher, the author would certainly have been prosecuted under the Official Secrets Act. It is a measure of the disdain in which these fictions are held at the Ministry, that action has not yet—I emphasize the qualification—been taken against the author and publisher of these high-flown and romanticized caricatures of episodes in the career of a outstanding public servant.
It was not until the penultimate novel, You Only Live Twice, that Fleming gave Bond a sense of family background, using a fictional obituary, purportedly from The Times.[33] The book was the first to be written after the release of Dr. No in cinemas and Sean Connery's depiction of Bond affected Fleming's interpretation of the character.[34] The novel reveals Bond is the son of a Scottish father, Andrew Bond, of Glencoe, and a Swiss mother, Monique Delacroix, of the Canton de Vaud.[35] The young James Bond spends much of his early life abroad, becoming multilingual in German and French because of his father's work as a Vickers armaments company representative. Bond is orphaned at the age of 11 when his parents are killed in a mountain climbing accident in the Aiguilles Rouges near Chamonix.[36]
After the death of his parents, Bond goes to live with his aunt, Miss Charmian Bond, in the village of Pett Bottom, where he completes his early education. Later, he briefly attends Eton College at "12 or thereabouts", but is removed after two halves because of girl trouble with a maid.[33] After being sent down from Eton, Bond was sent to Fettes College in Scotland, his father's school.[35] On his first visit to Paris at the age of 16, Bond loses his virginity, later reminiscing about the event in "From a View to a Kill".[37] Fleming used his own upbringing for his creation, with Bond alluding to briefly attending the University of Geneva,[38] (as did Fleming) before being taught to ski in Kitzbühel (as was Fleming) by Hannes Oberhauser, who is later killed in "Octopussy".[39][37]
In 1941 Bond joins a branch of what was to become the Ministry of Defence and becomes a lieutenant in the Royal Naval Volunteer Reserves, ending the war as a commander. Bond applies to M for a position within the "Secret Service", part of the Civil Service, and rises to the rank of principal officer.[40]
At the start of Fleming's first book, Casino Royale, Bond is already a 00 agent, having been given the position after killing two enemy agents, a Japanese spy on the thirty-sixth floor of the
- WorldHeritage pages with incorrect protection templates
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- Pages containing links to subscription-only content
- Commons category without a link on Wikidata
- Characters in British novels of the 20th century
- Fictional assassins
- Fictional British people
- Fictional British secret agents
- Fictional characters introduced in 1953
- Fictional commanders
- Fictional double agents
- Fictional gamblers
- Fictional martial artists
- Fictional orphans
- Fictional people educated at Eton College
- Fictional secret agents and spies
- Fictional socialites
- James Bond characters
- Ian Fleming's 'Red Indians' – 30AU – Literary James Bond's Wartime unit
External links
- Amis, Kingsley (1966).
- Bennett, Tony; Woollacott, Janet (2003). "The Moments of Bond". In Lindner, Christoph. The James Bond Phenomenon: a Critical Reader. Manchester:
- Britton, Wesley Alan (2004). Spy television (2 ed.).
- Caplen, Robert (2010). Shaken & Stirred: The Feminism of James Bond. Bloomington, Indiana: Xlibris.
- Chancellor, Henry (2005). James Bond: The Man and His World. London:
- Comentale, Edward P; Watt, Stephen; Willman, Skip (2005). Ian Fleming & James Bond: the cultural politics of 007.
- Cork, John; Stutz, Collin (2007). James Bond Encyclopedia. London:
- Fleming, Ian (2006b). You Only Live Twice. London: Jonathan Cape.
- Fleming, Ian (2006c). Moonraker. London: Jonathan Cape.
- Fleming, Ian (2006d). Goldfinger. London: Jonathan Cape.
- Fleming, Ian (2006e). Octopussy and The Living Daylights. London: Jonathan Cape.
- Griswold, John (2006). Ian Fleming's James Bond: Annotations And Chronologies for Ian Fleming's Bond Stories.
- Jütting, Kerstin (2007). "Grow Up, 007!" - James Bond Over the Decades: Formula Vs. Innovation. GRIN Verlag.
- Lindner, Christoph (2009). The James Bond Phenomenon: a Critical Reader.
- Simpson, Paul (2002). The Rough Guide to James Bond.
- ^ a b Cook, William (28 June 2004). "Novel man".
- ^
- ^ Bennett & Woollacott 2003, p. 1.
- ^ Chancellor 2005, p. 4.
- ^ "Ian Fleming". About Ian Fleming.
- ^ Black 2005, p. 4.
- ^ Macintyre 2008, p. 19.
- ^ Chancellor 2005, p. 5.
- ^ "Obituary: Mr. Ian Fleming".
- ^ Black 2005, p. 75.
- ^ a b c Macintyre, Ben (5 April 2008). "Bond - the real Bond".
- ^ "Obituary: Colonel Peter Fleming, Author and explorer". The Times. 20 August 1971. p. 14.
- ^ Macintyre 2008, p. 68-9.
- ^ Chancellor 2005, p. 54.
- ^ Caplen 2010, p. 21.
- ^
- ^ a b c Fleming, Ian (5 April 1958). ""The Exclusive Bond" Mr. Fleming on his hero".
- ^ Chancellor 2005, p. 230.
- ^ O'Brien, Liam (14 April 2013). The name's Secretan... James Secretan': Early draft of Casino Royale reveals what Ian Fleming wanted to call his super spy"'".
- ^ Macintyre 2008, p. 65.
- ^ Chancellor 2005, p. 190.
- ^ Amis 1966, p. 35.
- ^ Macintyre 2008, p. 51.
- ^ a b Benson 1988, p. 62.
- ^ Pearson 2008, p. 215.
- ^ Black 2005, p. 176.
- ^ Fleming 2006c, p. 11.
- ^ Pearson 2008, p. 21.
- ^ Griswold 2006, p. 27.
- ^ Griswold 2006, p. 7.
- ^ Griswold 2006, p. 33.
- ^ Fleming 2006b, p. 256-259.
- ^ a b Benson 1988, p. 59.
- ^ Macintyre 2008, p. 205.
- ^ a b Chancellor 2005, p. 59.
- ^ Chancellor 2005, p. 58.
- ^ a b Benson 1988, p. 60.
- ^ Pearson 2008, p. 42.
- ^ Chancellor 2005, p. 61.
- ^ a b c d Benson 1988, p. 61.
- ^ Griswold 2006, p. 14.
- ^ Lycett 1996, p. 257.
- ^ Fleming 2006a, p. 52-53.
- ^ Macintyre 2008, p. 178.
- ^ Chancellor 2005, p. 90.
- ^ Johnson, Graham; Guha, Indra Neil; Davies, Patrick (12 December 2013). "Were James Bond's drinks shaken because of alcohol induced tremor?" (PDF).
- ^ Chancellor 2005, p. 88.
- ^ Benson 1988, p. 67.
- ^ Pearson 2008, p. 299.
- ^ Macintyre 2008, p. 85-6.
- ^ Chancellor 2005, p. 87.
- ^ Chancellor 2005, p. 169.
- ^ a b Chancellor 2005, p. 113.
- ^ Biddulph, Edward (1 June 2009). ""Bond Was Not a Gourmet": An Archaeology of James Bond's Diet". Food, Culture and Society: an International Journal of Multidisciplinary Research 12 (2): 134. (subscription required)
- ^ Cabrera Infante 1985, p. 212.
- ^ a b Chancellor 2005, p. 70.
- ^ a b Benson 1988, p. 70.
- ^
- ^ Macintyre 2008, p. 176.
- ^ Chancellor 2005, p. 77.
- ^ a b c Benson 1988, p. 71.
- ^ Black 2005, p. 40.
- ^ a b Black 2005, p. 82.
- ^ Lindner 2009, p. 71.
- ^ Black 2005, p. 83.
- ^ Fleming 2006e, p. 96.
- ^ Comentale, Watt & Willman 2005, p. 244.
- ^ Fleming 2006d, p. 3.
- ^ Macintyre 2008, p. 160.
- ^ Fleming 2006d, p. 300.
- ^ a b UK CPI inflation numbers based on data available from Gregory Clark (2014), "What Were the British Earnings and Prices Then? (New Series)" MeasuringWorth.
- ^ Macintyre 2008, p. 58.
- ^ Fleming 2006c, p. 10-11.
- ^ Chancellor 2005, p. 205.
- ^ Comentale, Watt & Willman 2005, p. 166.
- ^ Griswold 2006, p. 39-40.
- ^ Chancellor 2005, p. 160.
- ^ a b Macintyre 2008, p. 132.
- ^ Benson 1988, p. 15.
- ^ "Bond's unsung heroes: Geoffrey Boothroyd, the real Q".
- ^ Amis 1966, p. 17.
- ^ a b Amis 1966, p. 18.
- ^ Benson 1988, p. 62-63.
- ^ a b Benson 1988, p. 63.
- ^ a b c d e f g Harker, James (2 June 2011). "James Bond's changing incarnations".
- ^ Simpson 2002, p. 58.
- ^ "Licence Renewed". The Books. Ian Fleming Publications. Retrieved 23 November 2011.
- ^ "Cold". The Books. Ian Fleming Publications. Retrieved 23 November 2011.
- ^ a b Ripley, Mike (2 November 2007). "Obituary: John Gardner: Prolific thriller writer behind the revival of James Bond and Professor Moriarty".
- ^ Black 2005, p. 185.
- ^ Benson 1988, p. 149.
- ^ Fox, Margalit (29 August 2007). "John Gardner, Who Continued the James Bond Series, Dies at 80".
- ^ Benson 1988, p. 151.
- ^ a b c Davis, Kylie (23 November 2007). "A Bond with the devil".
- ^ Black 2005, p. 188.
- ^ "Obituary: John Gardner".
- ^ Black 2005, p. 191.
- ^ Benson 1988, p. 152.
- ^ Binyon, Michael (20 January 2011). "Sex, spies and sunblock: James Bond feels the heat".
- ^
- ^ a b Simpson 2002, p. 62.
- ^ "Raymond Benson". The Books. Ian Fleming Publications. Retrieved 23 November 2011.
- ^ "The Man With The Red Tattoo". The Books. Ian Fleming Publications. Retrieved 23 November 2011.
- ^
- ^ a b c Dugdale, John (29 May 2011). "Spy another day".
- ^ a b Black 2005, p. 198.
- ^ Simpson 2002, p. 63.
- ^ "Colonel Sun". The Books. Ian Fleming Publications. Retrieved 25 November 2011.
- ^ Benson 1988, p. 146.
- ^ Benson 1988, p. 147.
- ^ "Faulks pens new James Bond novel".
- ^ "Sebastian Faulks". The Books. Ian Fleming Publications. Retrieved 25 November 2011.
- ^ Weisman, John (22 June 2008). "Close to 007 original, but not quite".
- ^ "James Bond book called Carte Blanche". BBC News. 17 January 2011. Retrieved 25 November 2011.
- ^ a b Hickman, Angela (25 June 2011). "In others' words; Many iconic literary characters outlive their creators, presenting a unique challenge to the next authors in line".
- ^ "Jeffery Deaver". The Books. Ian Fleming Publications. Retrieved 25 November 2011.
- ^ Stephenson, Hannah (28 May 2011). "The mantle of James Bond has been passed to thriller writer Jeffery Deaver".
- ^ "William Boyd takes James Bond back to 1960s in new 007 novel".
- ^ "Anthony Horowitz to write new James Bond novel". BBC News. 2 October 2014.
- ^ "Charlie Higson". The Books. Ian Fleming Publications. Retrieved 28 November 2011.
- ^ "Danger Society: The Young Bond Dossier". Puffin Books: Charlie Higson. Penguin Books. Retrieved 2 November 2011.
- ^ "Young Bond books". The Books.
- ^ Cox, John. "The Charlie Higson CBn Interview". CommanderBond.net. Retrieved 27 November 2011.
- ^ a b
- ^ Malvern, Jack. "Shaken and stirred: the traumatic boyhood of James Bond". The Times. p. 26.
- ^ Black 2005, p. 14.
- ^ Consumer Price Index (estimate) 1800–2014. Federal Reserve Bank of Minneapolis. Retrieved 27 February 2014.
- ^ Lindner 2009, p. 14.
- ^ Britton 2004, p. 30.
- ^ Benson 1988, p. 11.
- ^ Jütting 2007, p. 6.
- ^ Simpson 2002, p. 21.
- ^ Sutton, Mike. "Dr. No (1962)".
- ^ Cork & Stutz 2007, p. 23.
See also
In 1962 Eon Productions, the company of Canadian Harry Saltzman and American Albert R. "Cubby" Broccoli released the first cinema adaptation of an Ian Fleming novel, Dr. No, featuring Sean Connery as 007.[133] Connery was the first of seven actors to play Bond on the cinema screen, six of whom appeared in the Eon series of films. As well as looking different, each of the actors has interpreted the role of Bond in a different way.[134]
In 1957 the Daily Express newspaper adapted Fleming's stories into comic strip format.[131] In order to help the artists, Fleming commissioned a sketch to show how he saw Bond; illustrator John McLusky considered Fleming's version too "outdated" and "pre-war" and changed Bond to give him a more masculine look.[132]
Adaptations of Bond started early in Fleming's writings, with CBS paying him $1,000[126] ($8,782 in 2015 dollars[127]) to adapt his first novel, Casino Royale, into a one-hour television adventure;[128] this was broadcast on 21 October 1954.[129] The Bond character, played by Barry Nelson, was changed to "Card Sense" Jimmy Bond, an American agent working for "Combined Intelligence".[130]
Higson stated that he was instructed by the Fleming estate to ignore all other interpretations of Bond, except the original Fleming version.[124] As the background to Bond's childhood, Higson used Bond's obituary in You Only Live Twice as well as his own and Fleming's childhoods.[125] In forming the early Bond character, Higson created the origins of some of Bond's character traits, including his love of cars and fine wine.[124]
I deliberately steered clear of anything post Fleming. My books are designed to fit in with what Fleming wrote and nothing else. I also didn't want to be influenced by any of the other books ... for now my Bible is Fleming.
In 2005 author and comedian Charlie Higson released SilverFin, the first of five novels and one short story in the life of a young James Bond;[120] his final work was the short story "A Hard Man to Kill", released as part of the non-fiction work, Danger Society: The Young Bond Dossier, the companion book to the Young Bond series.[121] Young Bond is set in the 1930s, which would fit the chronology with that of Fleming.[122]
Young Bond
In October 2014 it was announced that Anthony Horowitz was to write a further Bond book. The book is due to be set in the 1950s, and it contains material written, but previously unreleased, by Fleming.[119]
Anthony Horowitz
In 2013 the William Boyd-written continuation novel Solo was released; it ignored Deaver's new timeframe and was set in 1969.[118]
William Boyd
Whilst the chronology changed, Deaver included a number of elements from the Fleming novels, including Bond's tastes for food and wine, his gadgets and "the rather preposterous names of some of the female characters."[115]
The films didn't influence me at all and nor did the continuation novels. I wanted to get back to the original Bond who's dark and edgy, has quite a sense of irony and humour and is extremely patriotic and willing to sacrifice himself for Queen and country. He is extremely loyal but he has this dark pall over him because he's a hired killer - and he wrestles with that. I've always found him to be quite a representative of the modern era.
On 26 May 2011 American writer Jeffery Deaver, commissioned by Ian Fleming Publications, released Carte Blanche.[114] Deaver restarted the chronology of Bond, separate from the timelines of any of the previous authors, by stating he was born in 1980;[115] the novel also saw Bond in a post-9/11 agency, independent of either MI5 or MI6.[116]
Jeffery Deaver
Faulks ignored the timeframe established by Gardner and Benson and instead reverted to that used by Fleming and Amis, basing his novel in the 1960s;[105] he also managed to use a number of the cultural touchstones of the sixties in the book.[113] Faulks was true to Bond's original character and background too, and provided "a Flemingesque hero"[105] who drove a battleship grey 1967 T-series Bentley.[94]
After Gardner and Benson had followed Amis, there was a gap of six years until Sebastian Faulks was commissioned by Ian Fleming Publications to write a new Bond novel, which was released on 28 May 2008, the one hundredth anniversary of Ian Fleming's birth.[111] The book—entitled Devil May Care—was published in the UK by Penguin Books and by Doubleday in the US.[112]
Sebastian Faulks
In 1967, four years after Fleming's death, his literary executors, Glidrose Productions, approached Kingsley Amis and offered him £10,000 (£158,366 in 2015 pounds[71]) to write the first continuation Bond novel.[85] The result was Colonel Sun published in 1968 under the pen-name Robert Markham.[108] Journalist James Harker noted that although the book was not literary, it was stylish.[85] Raymond Benson noted that Bond's character and events from previous novels were all maintained in Colonel Sun,[109] saying "he is the same darkly handsome man first introduced in Casino Royale.[110]
Kingsley Amis
Benson followed Gardner's pattern of setting Bond in the contemporary timeframe of the 1990s[105] and, according to Jeremy Black, had more echoes of Fleming's style than John Gardner,[106] he also changed Bond's gun back to the Walther PPK,[101] put him behind the wheel of a Jaguar XK8[94] and made him swear more.[107] James Harker noted that "whilst Fleming's Bond had been an Express reader; Benson's is positively red top. He's the first to have group sex ... and the first to visit a prostitute",[85] whilst Black notes an increased level of crudity lacking in either Fleming or Gardner.[106]
In Bond novels and their ilk, the plot must threaten not only our hero but civilization as we know it. The icing on the cake is using exotic locales that "normal people" only fantasize about visiting, and slipping in essential dollops of sex and violence to build interest.
Following the retirement of John Gardner, Raymond Benson took over as Bond author in 1996; as the first American author of Bond it was a controversial choice.[99] Benson had previously written the non-fiction The James Bond Bedside Companion, first published in 1984.[100] Benson's first work was a short story, "Blast From the Past", published in 1997.[101] By the time he moved on to other projects in 2002, Benson had written six Bond novels, three novelizations and three short stories.[102] His final Bond work was The Man with the Red Tattoo, published in 2002.[103]
Raymond Benson
The return of Bond in 1981 saw media reports on the more politically correct Bond and his choice of car—a Saab 900 Turbo;[89] Gardner later put him in a Bentley Mulsanne Turbo.[94] Gardner also updated Bond's firearm: under Gardner, Bond is initially issued with the Browning 9mm before changing to a Heckler & Koch VP70 and then a Heckler & Koch P7.[40] Bond is also revealed to have taken part in the 1982 Falklands War.[95] Gardner updated Fleming's characters and used contemporary political leaders in his novels; he also used the high-tech apparatus of Q Branch from the films,[96] although Jeremy Black observed that Bond is more reliant on technology than his own individual abilities.[97] Gardner's series linked Bond to the Fleming novels rather than the film incarnations and referred to events covered in the Fleming stories.[98]
Gardner stated that he wanted "to bring Mr Bond into the 1980s",[90] although he retained the ages of the characters as they were when Fleming had left them.[40] Even though Gardner kept the ages the same, he made Bond grey at the temples as a nod to the passing of the years.[91] Other 1980s effects also took place, with Bond smoking low-tar cigarettes[92] and becoming increasingly health conscious.[93]
In 1981 writer John Gardner was approached by the Fleming estate and asked to write a continuation novel for Bond.[85] Although he initially almost turned the series down,[86] Gardner subsequently wrote fourteen original novels and two novelizations of the films between Licence Renewed in 1981[87] and COLD in 1996.[88] With the influence of the American publishers, Putnam's, the Gardner novels showed an increase in the number of Americanisms used in the book, such as a waiter wearing "pants", rather than trousers, in The Man from Barbarossa.[85] James Harker, writing in The Guardian, considered that the Gardner books were "dogged by silliness",[85] giving examples of Scorpius, where much of the action is set in Chippenham, and Win, Lose or Die, where "Bond gets chummy with an unconvincing Maggie Thatcher".[85] Ill health forced Gardner to retire from writing the Bond novels in 1996.[89]
John Gardner
Continuation Bond works
Kingsley Amis, in The James Bond Dossier, noted that although Bond is a very good shot and the best in the Secret Service, he is still beaten by the instructor, something that added realism to Bond's character.[81] Amis identified a number of skills where Bond is very good, but is still beatable by others. These included skiing, hand-to-hand combat, underwater swimming and golf.[82] Driving was also an ability Amis identified where Bond was good, but others were better;[82] one of those who is a better driver than Bond is Sir Hugo Drax, who causes Bond to write off his battleship-grey supercharged Bentley 4½ Litre.[83] Bond subsequently drives a Mark II Continental Bentley, which he uses in the remaining books of the series,[84] although he is issued an Aston Martin DB Mark III with a homing device during the course of Goldfinger.[84]
I wish to point out that a man in James Bond's position would never consider using a .25 Beretta. It's really a lady's gun - and not a very nice lady at that! Dare I suggest that Bond should be armed with a .38 or a nine millimetre - let's say a German Walther PPK? That's far more appropriate.
From Casino Royale to From Russia, with Love Bond's preferred weapon is a .25 ACP Beretta automatic pistol carried in a light-weight chamois leather holster.[76] However Fleming was contacted by a Bond enthusiast and gun expert, Geoffrey Boothroyd, who criticised Fleming's choice of firearm for Bond[77] and suggested a Walther PPK 7.65mm instead.[78] Fleming used the suggestion in Dr. No, also taking advice that it should be used with the Berns-Martin triple draw shoulder holster.[79] By way of thanks, the Secret Service Armourer who gives Bond his gun was given the name Major Boothroyd, and is introduced by M as "the greatest small-arms expert in the world".[78]
In the penultimate novel of the series, You Only Live Twice, Bond suffers from amnesia and has a relationship with an Ama diving girl, Kissy Suzuki. As a result of the relationship Kissy becomes pregnant, although she does not reveal this to Bond before he leaves the island.[75]
Only once in the series does Fleming install a partner for Bond in his flat, with the arrival of Tiffany Case, following Bond's mission to the US in Diamonds Are Forever. By the start of the following book, From Russia, With Love, Case had left to marry an American.[61] Bond was married only once, in On Her Majesty's Secret Service, to Teresa "Tracy" di Vicenzo, but their marriage ends tragically when she is killed on their wedding day by Ernst Stavro Blofeld.[74]
... elastic office hours from around ten to six; lunch, generally in the canteen; evenings spent playing cards in the company of a few close friends, or at Crockford's; or making love, with rather cold passion, to one of three similarly disposed married women; weekends playing golf for high stakes at one of the clubs near London.
Bond lives in a flat off the King's Road in Chelsea. His flat is looked after by an elderly Scottish housekeeper named May. May's name was taken from May Maxwell, the housekeeper of Fleming's close friend, the American Ivar Bryce.[53] In 1955 Bond earned around £2,000 a year net (£45,783 in 2015 pounds[71]), although when on assignment he worked on an unlimited expense account.[61] Much of Fleming's own daily routine while working at The Sunday Times was woven into the Bond stories[72] and he summarised it at the beginning of Moonraker:
Personal life
Another general attitude and prejudice of Fleming's that Bond gives voice to includes his approach to homosexuality. While Fleming had a number of gay friends, including Noël Coward and his editor, William Plomer, he said that his books were "written for warm-blooded heterosexuals".[69] His attitude went further, with Bond opining that homosexuals were "a herd of unhappy sexual misfits – barren and full of frustrations, the women wanting to dominate and the men to be nannied", adding that "he was sorry for them, but he had no time for them."[70]
It was part of his profession to kill people. He had never liked doing it and when he had to kill he did it as well as he knew how and forgot about it. As a secret agent who held the rare double-O prefix—the licence to kill in the Secret Service—it was his duty to be as cool about death as a surgeon. If it happened, it happened. Regret was unprofessional—worse, it was a death-watch beetle in the soul.
Black does not consider Bond to be the unthinking wild beast Zhukov writes about, however.[63] From Russia, with Love sees Bond watching Kerim Bey shoot the Bulgarian killer Krilencu and Bond observing that he had never killed anyone in cold blood.[64] In "The Living Daylights" Bond deliberately misses his target, realising the sniper he has been sent to kill is a beautiful female cello player.[65] Bond settles this in his mind by thinking that "It wasn't exactly murder. Pretty near it, though."[66] Goldfinger opens with Bond thinking through the experience of killing a Mexican assassin days earlier.[67] He is philosophical about it:
James Bond lives in a nightmarish world where laws are written at the point of a gun, where coercion and rape are considered valour and murder is a funny trick ... Bond's job is to guard the interests of the property class, and he is no better than the youths Hitler boasted he would bring up like wild beasts to be able to kill without thinking.
According to academic Jeremy Black, Bond is written as a complex character, even though he was also often the voice of Fleming's prejudices.[62] The output of the prejudices, combined with the tales of Bond's actions, led journalist Yuri Zhukov to write an article in 1965 for the Soviet daily newspaper Pravda, describing Bond's values:
Bond occasionally supplements his alcohol consumption with the use of other drugs, for both functional and recreational reasons: Moonraker sees Bond consume a quantity of the amphetamine benzedrine accompanied by champagne, before his bridge game with Sir Hugo Drax (also consuming a carafe of vintage Riga vodka and a vodka martini);[59] he also uses the drug for stimulation on missions, such as swimming across Shark Bay in Live and Let Die,[60] or remaining awake and alert when threatened in the Dreamy Pines Motor Court in The Spy Who Loved Me.[61]
Bond is a heavy smoker, at one point smoking 70 cigarettes a day.[55] Bond has his cigarettes custom-made by Morland of Grosvenor Street, mixing Balkan and Turkish tobacco and having a higher nicotine content than normal; the cigarettes have three gold bands on the filter.[56] Bond carried his cigarettes in a wide gunmetal cigarette case which carried fifty; he also used a black oxidised Ronson lighter.[57] The cigarettes were the same as Fleming's, who had been buying his at Morland since the 1930s; the three gold bands on the filter were added during the war to mirror his naval Commander's rank.[56] On average, Bond smokes sixty cigarettes a day, although he cut back to around twenty five a day after his visit to a health farm in Thunderball:[57] Fleming himself smoked up to 80 cigarettes a day.[58]
On 1 April 1958 Fleming wrote to The Manchester Guardian in defence of his work, referring to that paper's review of Dr. No.[17] While referring to Bond's food and wine consumption as "gimmickery", Fleming bemoaned that "it has become an unfortunate trade-mark. I myself abhor Wine-and-Foodmanship. My own favourite food is scrambled eggs."[17] Fleming was so keen on scrambled eggs that he used his short story, "007 in New York" to provide his favourite recipe for the dish: in the story, this came from the housekeeper of his friend Ivar Bryce, May, who gave her name to Bond's own housekeeper.[53] Academic Edward Biddulph observed that Fleming fully described seventy meals within the book series and that while a number of these had items in common—such as scrambled eggs and steaks—each meal was different from the others.[54]
When in England and not on a mission, Bond dines as simply as Fleming did on dishes such as grilled sole, oeufs en cocotte and cold roast beef with potato salad.[48] When on a mission, however, Bond eats more extravagantly.[49] This was partly because in 1953, when Casino Royale was published, many items of food were still rationed in the UK,[1] and Bond was "the ideal antidote to Britain's postwar austerity, rationing and the looming premonition of lost power".[50] This extravagance was more noteworthy with his contemporary readers for Bond eating exotic, local foods when abroad,[51] at a time when most of his readership did not travel abroad.[52]
For his non-alcoholic drinks Bond eschews tea, calling it "mud" and blaming it for the downfall of the British Empire. He instead prefers to drink coffee.[47]
Bond's drinking habits run throughout the series of books. During the course of On Her Majesty's Secret Service alone, Bond consumes forty-six drinks: Pouilly-Fuissé, Riquewihr and Marsala wines, most of a bottle of Algerian wine, some 1953 Château Mouton Rothschild claret, along with Taittinger and Krug champagnes and Babycham; for whiskies he consumes three bourbon and waters, half a pint of I.W. Harper bourbon, Jack Daniel's whiskey, two double bourbons on the rocks, two whisky and sodas, two neat scotches and one glass of neat whisky; vodka consumption totalled four vodka and tonics and three double vodka martinis; other sprits included two double brandies with ginger ale, a flask of Enzian Schnaps and a double gin: he also washed this down with four steins of German beer.[44][45] Bond's alcohol intake does not seem to affect his performance.[46]
'A dry martini,' he said. 'One. In a deep champagne goblet.'
'Oui, monsieur.'
'Just a moment. Three measures of Gordon's, one of vodka, half a measure of Kina Lillet. Shake it very well until it's ice-cold, then add a large thin slice of lemon peel. Got it?'
'Certainly monsieur.' The barman seemed pleased with the idea.
'Gosh, that's certainly a drink,' said Leiter.
Bond laughed. 'When I'm ... er ... concentrating,' he explained, 'I never have more than one drink before dinner. But I do like that one to be large and very strong and very cold, and very well-made. I hate small portions of anything, particularly when they taste bad. This drink's my own invention. I'm going to patent it when I think of a good name.'
Fleming biographer Andrew Lycett noted that, "within the first few pages [of Casino Royale] Ian had introduced most of Bond's idiosyncrasies and trademarks", which included his looks, his Bentley and his smoking and drinking habits.[42] The full details of Bond's martini were kept until chapter seven of the book and Bond eventually named it "The Vesper", after Vesper Lynd.
Tastes and style


text:
On August 1, 2007, serial entrepreneur and Boston-based tax accountant Lewis Weinstein quietly launched the beta version of ReferralKey, an on-line referral management system.
Some called it "LinkedIn on steroids." Others feel it's just another version of the traditional inbound marketing strategy.
How does it work?
Once you create a ReferralKey online profile showcasing your amazing accomplishments, you can invite others to join your network and start exchanging leads. Does the following viral email look familiar?
Are you taking on new clients?
If you're taking on new clients, I'd like to include you in my private referral network to send you business leads through Referral Key. Please accept my invitation below. Thanks!
Person's Name
Name of Their Company
City, State
It seemed like a good idea at the time, but there was one problem. It didn't take off. Weinstein told the Boston Globe that professionals using the site felt it just wasn't helping them generate enough new business. Weinstein: "The common response was, 'I thought you were gonna send me referrals."
A wait-and-see approach never works and Weinstein discovered that something essential was missing from his system; something that drives all human behavior: an incentive.
You see, the average ReferalKey member wasn't just going to refer a colleague or a friend on the basis of his or her merits or the existing relationship. Before they were willing to make a recommendation, they needed one question answered:
"What's in it for me?"
Weinstein's answer:
Cash, Omaha Steaks, L.L.Bean or Callaway Golf gift cards.
ReferralKey was relaunched in April 2010, based on the following principle:
"Grow your business by offering rewards to other people who send you successful referrals."
This winning idea turned boring, unresponsive professionals into bounty hunters, ready to stake their claim and claim their steak. I just received an email from a colleague offering me 10% of whatever she will make, if she lands a job based on my referral.
RefferalKey even lets you track referrals to "ensure your relationships are reciprocal." Yes, my friend, if you rub my back, I'll rub yours and just so you know, I do keep score!
Do you like it so far? If you're having any doubts, you're not alone.
Chris Reimer is Vice President of Social Media at brand developer Falk Harrison. He writes in his blog:
"The first time I got an email with the subject line "Are you taking on new clients?" Holy crap, I was excited! You bet I'm taking clients! (what a hook). Ten seconds later, I felt the shame of spam, deflated, and just a little pissed. After receiving 100 of these emails? No one likes spam."
Kathryn Delany is a web designer and Search Engine Optimization and Marketing Specialist. She writes:
"I have been sucked into the vortex of the Referral Key saga. I usually am very cautious about these emails. However, the initial invitation came from a long trusted colleague so I signed up. Sadly I followed the instructions on importing my LinkedIn Contacts, little suspecting that this site hijacks the list before you can choose who you would like to invite to your circle. As it 'imports' your contacts it automatically sends out the invitation to everyone on it!"
Chris Reimer concludes:
"Stop joining services that blast out marketing messages Uzi-style as ReferralKey.com does. The bad taste you are leaving in people's mouths is not worth it."
Apart from receiving downright annoying emails, I have a more moral objection. There is a good reason why professionals like lawyers, realtors, accountants and therapists have adopted codes of conduct, specifically prohibiting them from taking payment for referrals. It is considered to be unethical.
Look at the definition of bribery:
"An act implying money or gift given that alters the behavior of the recipient"
RefferalKey says it is based on "trusted relationships," but if you're meeting a need with greed, what does that really say about your definition of "trust" and "relationship"?
Do you really think you can buy my opinion and influence my behavior by offering me a bounty? Is that how you think I operate? I almost feel insulted!
If I were motivated by money, I probably wouldn't even be in the voice-over business. Take it from me: You will never do your best work for the love of money. You do your best work when you hold yourself up to standards no one else can or will match. Your best work is always a labor of love and never the result of greed.
Here's my bottom line: a referral needs to be earned, not bought.
I owe a huge part of my business success to referrals, and I am frequently asked to recommend colleagues. For those recommendations I get paid big time.
Before I tell you what I receive in return, you should know that I take my referrals very seriously. The fact that I will recommended a certain person, reveals as much about me as it does about the person in question.
One can usually judge someone by the company he or she keeps. When you pass the name of a colleague on to someone else, you put your reputation on the line. So, how do you go about it?
When you're thinking of recommending someone, ask yourself the following question:
How do I know that someone else is good at their work?
Here are your options:
- See – I need visual evidence (e.g. I need to watch them do their work)
- Hear – I need to hear them (e.g. listen to their demo)
- Read – I need to read about them (e.g. a review, a report, a website)
- Do – I have to work with them to get a feel for how good they are
In certain circles, the answer to the question "How do I know that someone else is good at their work?" is called a "Convincer Strategy," and most people come up with more than one answer.
The next question is:
How often does a person have to demonstrate that they're good at what they do, before I am convinced?
- A number of times – e.g. Three or four times
- Automatic – I always give someone the benefit of the doubt
- Consistent – I'm never really convinced
- Period of time – It usually takes e.g. a week, a month… before I can tell if someone's really good
The last thing you need to be aware of is your frame of reference:
- Internal – No matter what anyone says about her, only I can tell whether or not she's any good
- External – A source I trust recommended her, and that's good enough for me
It's very common for people to have an internal frame of reference with an external check, or the other way around. If your frame of reference is completely internal, no one will ever be able to convince you of anything. If it's completely external, your opinion will be totally dependent on what others have to say.
Whether we realize it or not, all of us have different ways of convincing ourselves. If my frame of reference is pretty much internal and a person needs to consistently demonstrate to me that he's any good by working one-on-one with me, systems like RefferalKey are useless.
It will only work for people with a more external frame of reference who are convinced by reading about someone, and based on that, give the person the benefit of the doubt. How big of a group is that?
Should you decide to give RefferalKey a try, ask yourself how well you know the contacts you're about to invite and how well they know you. In other words: what is the quality and the depth of the referrals this system generates? Is it worth the risk of pissing people off with automated impersonal email messages?
Referring people can be very rewarding. It's an essential part of being in business and staying in business, as long as you do it for the right reasons. If you landed a gig as a result of my recommendation, I demand that you pay me back by doing the best job you could possibly do. As one of my teachers used to say:
"If you look good, I look good, so you better make me look good!"
Secondly, don't send me any money or vouchers for Omaha Steaks. You booked the job because you're the best and you deserve it. I don't take any credit (or cash) for that.
Take your 10% and give it to a worthy cause. Pay it forward.
That's the key to referrals!
PS Please refer someone else to this blog by retweeting and "liking" it on Facebook.


text:
If you have or know a solar project, please submit it to us for consideration as a featured project using Submit an Item. http://www.solaripedia.com/302/submit-an-item.html
Backpacking and camping are on the minds of many nature-lovers year-round. Roger, from Green Planet Solar Energy, walks us through different ways to incorporate solar energy in outdoor activities.
Why use solar camping equipment? Solar camping equipment is the perfect complement to the impact free camping experience. I find that going into the wilderness refreshes me and motivates me to be more constructive in terms of the future of the planet. Using renewable energy while camping or hiking is a way of taking my commitment to reduce my ecological footprint with me into the bush. Whether you are going on foot or in an RV, there are solar energy saving devices you can use. Here quality is a big issue; there is little point buying a solar powered device to save electricity only to have it break down and be thrown out soon after due to poor build quality.
Portable solar panels
Portable solar panels are a great source of pollution-free electricity while camping. Depending on the capacity of the panel, you can run a number of electrical devices from these including lights, battery chargers, radios and so on. These work best in conjunction with a large lead-acid battery such as a car battery.
The Solar Camping Shower
A solar camping shower is a very simple device that allows you to have a hot shower at the end of the day. As long as there is a steady supply of sunshine, the bag containing the water will heat up.
This is more efficient when the air temperature is higher, since there will be less heat loss from the bag.
Sunlight strikes the plastic surface of the bag containing the water. The surface will be matt (not shiny) so that as little light is reflected as possible. It is also black as that absorbs the most amount of light.
The light, once absorbed, is turned into heat and that heat is transferred to the water. This process will continue as long as sunlight is falling on the bag. Because water has a high specific heat value (meaning it stores a lot of heat per gram) it holds the heat well. This means that the water in the bag will stay warm even after the sun has stopped shining on it.
This is a great way to harvest the sun's energy without any pollution at all. It allows us to have the luxury of a warm shower even when we are miles from any powered water source and have no heating source other than a bright sunny day.
These devices are not expensive to purchase and should be available from your local camping or outdoor supplies store.
The K-Light Solar Lantern
Pisat's new rugged little solar lantern is ideal for the outdoors. It can function as a lantern or as a torch and has two output settings. There is maximum light, provided by 16 Light Emitting Diodes (LEDs) or economy mode where 8 LEDS are used. The whole unit is roughly the same size and weight as a full can of drink.
The battery in the lantern is charged via a separate solar panel. At maximum light output, the torch provides one hour of light for each hour of charge. In economy mode, one hour of charge provides two hours of operation. The solar panel itself is designed to take so much punishment the company is calling it "unbreakable", and the lantern itself is waterproof and shatterproof.
The handle of the lantern can be changed to allow the unit to be used as a torch. The torch part is at the bottom of the unit and comes with several settings to adjust the beam of light. The unit costs just under $50, which is excellent given that it has an expected lifespan of 10 years.
The Solar Powered Backpack
A solar powered backpack incorporates a thin film solar cell panel into the pack body. This panel can be either the amorphous Silicon type or the newer CIGS variety. The panel is connected to a battery pack which charges, storing excess power during the daytime.
Good quality backpacks will come with a wide variety of connection types that link to the battery pack, so that charging any small device that has a standard power input is easy. Phones, iPods, rechargeable torches and other such devices can then be kept charged even when a regular power supply is nowhere to be found. This not only provides convenience and comfort but also has the safety aspect of being able to stay in contact by avoiding a flat phone battery.
The solar backpack is one of the first products that incorporate thin film solar cell technology into everyday items. Given the continual rise in energy demands of the modern lifestyle, this approach of utilizing spare surfaces to generate electricity is both economically sensible and environmentally friendly. By being able to recharge a torch while hiking in the daytime, less waste will be produced from dead batteries. This has several knock on effects such as reducing manufacturing costs and energy use, as well as reducing harmful landfill.
Current Solar Cell Efficiency The flexible panels incorporated into solar backpacks currently have good efficiency. This will continue to rise as the technology of these solar cells advances, but the gains will be small and slow. Current flexible solar panels will provide a good return on investment immediately and will give good service for many years.
The New Solar Tent
Concept By Orange
The idea of a solar tent is nothing new and indeed tents with flexible solar panels built into the top fabric have been in use with the military for some time. This concept tent by UK manufacturer Orange is different, as of June 2009.
Called the Glastonbury, the tent plans to have photovoltaic material built into the fabric of the tent. The fabrics will have solar threads woven into the fabric, which is different from sewing a solar panel into place.
The top parts of the tent are to be adjustable, so they can be repositioned throughout the day to get the most from the sunshine.
The energy generated by the tent will be able to be monitored on a flexible LCD touch screen display inside the tent. The plan is to also have a wireless internet connection that can be displayed on this same panel. The wireless fun doesn't not stop there. The tent will contain a charging pocket that will wirelessly charge mobile devices placed in it - no cables required!
On the comfort front there will be a floor heating mat which is activated by a drop in ground temperature. The tent will also be able to glow in the dark so it's easy to find.
To avoid festival-goers ever losing their tent, the Concept Tent would be fitted with innovative "glo-cation" technology. Glo-cation works by enabling campers' mobile phones to identify their tent using either an SMS message or automatic active RFID technology (a longer range version of that used in London Underground Oyster cards); both would trigger a distinctive glow in the tent helping identify it from a distance. If you get lost, you'll be able to contact the tent and it will give you its GPS location and the direction you need to travel to get back to it.
Clearly this is a luxury tent and is not intended for hiking adventures. Not that it'd be any good for that, as the solar panels can't really function when the tent is stowed away in a pack. Indeed, it is purpose built to accommodate the stationary camper. Mind you, with all these futuristic features it'd probably cost as much as a caravan.
The Solar Hat Fan:
Get Ready For Safari
The solar hat fan has symbolized the uncoolest cool since they first appeared. These devices come in two basic forms, ones that clip onto the brim of a hat, and ones that are built in to the hat itselft.
The style of hat that the fan is built into can vary, but I've picked the good old Pith helmet because that's in the same league as the fan itself in terms of fashion.
A clip-on fan can cost as little as ten bucks and would no doubt be invaluable for those jungle safaris you regularly go on. Obviously, you can move the clip-on fan from one hat to another which you can't do for the embedded unit. They are available from just about any online store that sells electrical products. Your local electronics store will also likely have them, and you'll save on postage.
Camping Portable Solar Panels Video Link


text:
Aug. 17, 2004
Athens, Greece - Yale women's fencer Sada Jacobson (Dunwoody, GA) won a bronze medal in the women's sabre competition at the Olympics Tuesday. Jacobson beat Romania's Catalina Gheorghitoaia 15-7 in the bronze medal match to become the first American woman ever to medal in fencing. Jacobson's medal-winning effort began with a first-round bye, as she was the No. 1 seed in the 24-fencer field. She beat Cuba's Ana Faez Miclin 15-4 in the round of 16, then beat France's Leonore Perrus 15-11 in the quarterfinals. Perrus had knocked out Jacobson's sister Emily in the previous round. After falling to China's Xue Tan 15-12 in the semifinals, Jacobson regrouped to win the bronze medal match. Tan fell in the gold medal match to the USA's Mariel Zagunis. Jacobson, a two-time NCAA champion for the Bulldogs, left Yale in November of 2002 to concentrate on her fencing full time. She plans to re-enroll in the fall. Women's sabre was an Olympic event for the first time in 2004. The Ivy League has not had an Olympic fencing medalist since the Los Angeles Games of 1932 when Columbia's Hugh Alessandroni and Yale's Dernell Every and Frank Righeimer each earned bronze in team foil. report by Sam Rubin '95 (firstname.lastname@example.com), Yale Sports Publicity Department


text:
|portable (needs FFI)
|Safe Haskell
Shapes used for collisions, their properties and some useful polygon functions.
- data Shape
- data ShapeType
- newShape :: Body -> ShapeType -> Position -> IO Shape
- type CollisionType = Word32
- collisionType :: Shape -> StateVar CollisionType
- type Group = Word32
- group :: Shape -> StateVar Group
- type Layers = Word32
- layers :: Shape -> StateVar Layers
- type Elasticity = CpFloat
- elasticity :: Shape -> StateVar Elasticity
- type Friction = CpFloat
- friction :: Shape -> StateVar Friction
- type SurfaceVel = Vector
- surfaceVel :: Shape -> StateVar SurfaceVel
- body :: Shape -> Body
- momentForShape :: Mass -> ShapeType -> Position -> Moment
- momentForCircle :: Mass -> (Distance, Distance) -> Position -> Moment
- momentForSegment :: Mass -> Position -> Position -> Moment
- momentForPoly :: Mass -> [Position] -> Position -> Moment
- shapePointQuery :: Shape -> Position -> IO Bool
- shapeSegmentQuery :: Shape -> Position -> Position -> IO (Maybe (CpFloat, Vector))
- type Segment = (Position, Position)
- data Intersection
- = IntNowhere
- | IntPoint !Position
- | IntSegmt !Segment
- epsilon :: CpFloat
- (.==.) :: CpFloat -> CpFloat -> Bool
- isLeft :: (Position, Position) -> Position -> Ordering
- isClockwise :: [Position] -> Bool
- isConvex :: [Position] -> Bool
- intersects :: Segment -> Segment -> Intersection
- polyReduce :: Distance -> [Position] -> [Position]
- polyCenter :: [Position] -> Position
- convexHull :: [Position] -> [Position]
A collision shape is attached to a
Body to define its
shape. Multiple shapes may be attached, including
overlapping ones (shapes of a body don't generate collisions
with each other).
Note that to have any effect, a
Shape must also be
added to a
Space, even if the body was already added.
There are three types of shapes that can be attached to bodies:
A circle is the fastest collision type. It also rolls smoothly.
A line segment is meant to be used as a static shape. (It can be used with moving bodies, however two line segments never generate collisions between each other.)
Polygons are the slowest of all shapes but the most flexible. The list of vertices must form a convex hull with clockwise winding. Note that if you want a non-convex polygon you may add several convex polygons to the body.
newShape :: Body -> ShapeType -> Position -> IO ShapeSource
newShape b type off creates a new shape attached to
b at offset
off. Note that you have to
add the shape to a space otherwise it won't generate
Collision type
type CollisionType = Word32Source
The collision type is used to determine which collision callback will be called. Its actual value doesn't have a meaning for Chipmunk other than the correspondence between shapes and the collision pair functions you add. (default is zero)
Groups are used to filter collisions between shapes. If the group is zero, then it imposes no restriction to the collisions. However, if the group is non-zero then the shape will not collide with other shapes in the same non-zero group. (default is zero)
This is primarely used to create multi-body, multi-shape objects such as ragdolls. It may be thought as a lightweight alternative to creating a callback that filters the collisions.
Layers are similar to groups, but use a bitmask. For a collision
to occur, two shapes must have at least one layer in common.
In other words,
layer1 .&. layer2 should be non-zero.
(default is
-1, meaning all bits set)
Note that although this type may have more than 32 bits, for portability you should only rely on the lower 32 bits.
type Elasticity = CpFloatSource
The elasticity of the shape is such that
0.0 gives no bounce
1.0 give a "perfect" bounce. Note that due to
inaccuracies using
1.0 or greater is not recommended.
The amount of elasticity applied during a collision is calculated by multiplying the elasticity of both shapes. (default is zero)
By default old-style elastic iterations are done when the
steps. This used to result in a not-so-good
simulation, but now this is the recommended setting.
The friction coefficient of the shape according
to Coulumb friction model (i.e.
0.0 is frictionless,
iron on iron is around
1.0, and it could be greater
The amount of friction applied during a collision is determined by multiplying the friction coefficient of both shapes. (default is zero)
Surface velocity
type SurfaceVel = VectorSource
The surface velocity of the shape. Useful to create conveyor belts and players that move around. This value is only used when calculating friction, not collision. (default is zero)
body s is the body that this shape is associated
to. Useful especially in a space callback.
momentForShape :: Mass -> ShapeType -> Position -> MomentSource
momentForShape m s off is a convenience function that calculates
the moment of inertia for shape
s with mass
m and at a
off of the body's center. Uses
momentForSegment and
momentForPoly internally.
momentForCircle :: Mass -> (Distance, Distance) -> Position -> MomentSource
momentForCircle m (ri,ro) off is the moment of inertia
of a circle of
m mass, inner radius of
ri, outer radius
ro and at an offset
off from the center of the body.
momentForSegment :: Mass -> Position -> Position -> MomentSource
momentForSegment m p1 p2 is the moment of inertia of a
segment of mass
m going from point
p1 to point
momentForPoly :: Mass -> [Position] -> Position -> MomentSource
momentForPoly m verts off is the moment of inertia of a
polygon of
m mass, at offset
off from the center of
the body and comprised of
verts vertices. This is similar
Polygon (and the same restrictions for the vertices
apply as well).
shapePointQuery :: Shape -> Position -> IO BoolSource
shapePointQuery shape p returns
True iff the point
in position
p (in world's coordinates) lies within the
shapeSegmentQuery :: Shape -> Position -> Position -> IO (Maybe (CpFloat, Vector))Source
shapeSegmentQuery shape p1 p2 returns
Just (t,n) iff the
segment from
p1 to
p2 (in world's coordinates)
intersects with the shape
shape. In that case,
0 <= t <=
1 indicates that one of the intersections is at point
p1 +
(p2 - p1) `scale` t with normal
For polygons
This section is inspired by
a Python module made from http://code.google.com/p/pymunk/,
although implementations are quite different.
Also, unless noted otherwise all polygons are assumed to be simple (i.e. no overlapping edges).
data Intersection Source
A possible intersection between two segments.
Don't intercept.
|IntPoint !Position
Intercept in a point.
|IntSegmt !Segment
Share a segment.
The epsilon used in the algorithms below when necessary to compare floats for "equality".
(.==.) :: CpFloat -> CpFloat -> BoolSource
"Equality" under
epsilon. That is,
a .==. b
abs (a - b) <= epsilon.
isLeft :: (Position, Position) -> Position -> OrderingSource
isLeft (p1,p2) vert is
vertis at the left of the line defined by
vertis at the line
isClockwise :: [Position] -> BoolSource
isClockwise verts is
True iff
verts form
a clockwise polygon.
intersects :: Segment -> Segment -> IntersectionSource
intersects seg1 seg2 is the intersection between
the two segments
seg1 and
seg2. See
polyReduce :: Distance -> [Position] -> [Position]Source
polyReduce delta verts removes from
verts all
points that have less than
delta distance
in relation to the one preceding it.
Note that a very small polygon may be completely "eaten"
if all its vertices are within a
delta radius from the
polyCenter :: [Position] -> PositionSource
polyCenter verts is the position in the center
of the polygon formed by
convexHull :: [Position] -> [Position]Source
O(n log n).
convexHull verts is the convex hull of the
polygon defined by
verts. The vertices of the convex
hulls are given in clockwise winding. The polygon
doesn't have to be simple.
Implemented using Graham scan, see http://cgm.cs.mcgill.ca/~beezer/cs507/3coins.html.


text:
I tried juicing for almost two weeks straight and loved it. I didn't feel tired and had more energy and I didn't feel hungry. It seemed my body craved veggies more and less sugar and my skin and hair looked great! Now I try to juice as often as possible, sometimes I'll juice for several days straight just to cleanse my body of any toxins and then go back to putting in good organic meals. Juicing will always be a part of my life now that I understand and have seen the benefits. Recently, I was given a juicing book of recipes by a dear friend, so it's a perfect excuse for me to get back into something that is not only delicious and nutritious, but fun! Making up recipes to share with your friends and knowing that you are doing something that is so good for your body is what juicing is all about. Give it a try if only for a few days and see what I'm talking about!
For more articles like this visit my website


text:
Grid Monitoring at CERN with Elastic
How CERN uses the Elastic technology stack within 5 different use cases for WLCG grid monitoring: Messaging, Job Monitoring, Data Monitoring, Infrastructure Monitoring and Cloud Benchmarking.
Pablo Saiz
Pablo Saiz is a computer scientist from Spain who has been working at CERN for the last 15 years. During that time, he has been involved with several areas related to distributed computing for the WLCG (Worldwide LHC Computing Grid). He was the main developer and project leader of AliEn, the ALICE Environment on the GRID. AliEn is the system used by ALICE (one of the LHC experiments) to distribute the data and workload among the more than seventy sites participating in the experiment. Currently, he leads a team that is responsible for the monitoring applications used by the WLCG. The team provides applications to monitor data distribution, job processing and service status. Pablo is the main designer of tools like the Site Status Board (SSB) and the Service Availability Monitoring (SAM3).


text:
5 Piece Perch Pan
Brand: Lodge Manufacturing
Product Code: 5255
Availability: 3
Product Code: 5255
Availability: 3
Price: $20.00
5 Piece 15-1/4" x 5-5/8", 1" Deep
After a day on the water, the Lodge Perch motif for cornbread or muffins tops off a great meal. And kids love pancakes made with this pan!
- Foundry seasoned, ready to use upon purchase.
- Use on all cooking surfaces, grills and campfires.
- Oven safe.
- Sauté, sear, fry, bake and stir fry to heart's content.
- Hand wash. Dry immediately.
- Rub with a light coat of vegetable oil after every use.
- You may experience some sticking with new cookware so use a little oil when cooking.
- Mild soapy water is fine, if you dry and oil immediately.
- Lodge seasoned cast iron is right at home on any heat source, except the microwave.
Write a reviewYour Name:
Your Review: Note: HTML is not translated!
Rating: Bad Good
Enter the code in the box below:


text:
This is the Pure Wiki Deletion extension.
Release status: unstable
|Hook, Parser function
|Implements pure wiki deletion by causing blank pages to be redlinked, creating
#ifblank and
#ifnotblank parser functions, and creating Special:RandomExcludeBlank, among other things.
|Latest version
|1.16beta2; incompatible with 1.16beta3 and everything came after, including current versions.
|Creative Commons Attribution/Share-Alike License 3.0, GPL
|Translate the PureWikiDeletion extension if it is available at translatewiki.net
|Check usage and version matrix.
When installed:
- A link to a blank page will show up as a red link.
- When a user follows a link to a blank page, the page will behave the same way that deleted pages do now, except there will be an additional message, reading:
|A former version of this article was blanked by [USER NAME/IP] on [DATE]. The reason given for blanking was: [EDIT SUMMARY]. You may view the article's history, edit the last version, or type new article into the white space below.
- Users will be directed to a random non-blank page when Special:RandomExcludeBlank is used.
- An
#ifblankparser function can be used to detect the blank page's existence.
- Blanked pages have noindex and nofollow attributes.
This can be used to implement a policy of "pure wiki deletion," in which pages are blanked if they contain nothing but unverifiable content, patent nonsense, content that is outside project scope, etc. Content removed in this manner remains accessible to non-sysops via the page history. Such a policy enhances transparency and user empowerment by allowing any user to easily review the content removal decision to see whether it was appropriate, and to revert if it was not. Wiki owners will likely regard deletion, rather than blanking, as appropriate for pages containing content, such as copyright violations, that the owner is legally required to remove from any viewing by non-sysops.
There are two parser functions, #ifblank and #ifnotblank. Their syntax is as follows:
{{#ifblank: BlankPage|true|false}} returns true. {{#ifnotblank: BlankPage|true|false}} returns false.
Add this line to LocalSettings.php:
require_once( "$IP/extensions/PureWikiDeletion/PureWikiDeletion.php" );
Edit MediaWiki:Sidebar. There should be a line pertaining to the random page. Delete that line and replace it with:
** Special:RandomExcludeBlank|Random page
Go to Special:PopulateBlankedPagesTable. It will automatically populate your blanked pages table with any blanked pages that may exist on your wiki.
Configuration parametersEdit
You can change the style of broken, blank and known links. By default, broken links are a cherry red that is a bit brighter than the shade of red we are accustomed to seeing in broken links. These parameters should be placed in LocalSettings.php:
$wgPureWikiDeletionBlankLinkStyle="color: red";
By default, anyone can blank or unblank pages. You can limit this to logged-in users:
$wgPureWikiDeletionLoginRequiredToBlank=true; $wgPureWikiDeletionLoginRequiredToUnblank=true;
Note that blankings/unblankings by non-logged-in users will not appear in the log until bug 14735 is fixed.
Development notesEdit
Since this extension no longer works, an alternative is to give everyone power to delete, view deleted history entries, view deleted revisions, and undelete, by putting the following into LocalSettings.php :
$wgGroupPermissions['*']['delete'] = true;
$wgGroupPermissions['*']['deletedhistory'] = true;
$wgGroupPermissions['*']['deletedtext'] = true;
$wgGroupPermissions['*']['undelete'] = true;
$wgGroupPermissions['*']['browsearchive'] = true;
See alsoEdit
- Bug 3843 — Fixed by this extension
- w:Wikipedia:Pure wiki deletion system
- m:Pure wiki deletion system (proposal)
- Extension:MassBlank — Similar to Extension:Nuke, but mass blanks pages rather than mass deleting them


text:
These games teach valuable skills and have a high fun and educational rating.
Your child develops both spelling and health trivia knowledge by spelling words related to health and nutrition, learning the definition, origin and hearing the words in a sentence.
Your child learns about asthma and the human body by watching this video about the lungs and breathing.
Zoodles 11.8.7 Copyright (c) 2014 Inquisitive Minds, Inc. All rights reserved.


text:
Make it count!
David Perez's Personal Blog
Join e-mail contact
Beyond Dreams
David Perez
05 Oct, 2016
Step Up To The Challenge
Sometimes the best way to learn and grow is to embrace opportunities that get you out of your element, and completely out of your comfort zone. As scary as it may seem, just COMMIT, and then figure it out. I know, it sounds counterintuitive, but it works if you pure your energy and passion into the challenge. You never know, you just might surprise yourself. This weekend was a very special one for a great mentor and friend of mine, who retired after serving our country honorably as a Naval
What is inspiration? Where do we find it? Why do we search for it? A few days ago, I was reminiscing with one of my mentors about a period of my life when I felt fully inspired for a whole year. Even though my personal and professional life was not free from challenges, I was on cloud nine. That's not to say that I have been down and out lately. I have many periods of inspiration throughout the week, some more intense than others. So, it makes me ponder deeply about what is inspiration and
Success Despite a Rocky Start
I had an opportunity to catch up face to face with my brother last weekend, which happens about once a year and between military transfers. As we are leaders in our respective industries, we often share ideas about leadership and engage in the occasional philosophical discussions about life. Shortly after the visit, we committed to engage in more frequent discussions about all sorts of topics, to stay connected, share ideas and challenge our thoughts and perspectives. After debating what topic


text:
OmniTouch 8082 My IC Phone
Alfalak unveils smart access systems
Manama, March 21, 2013
Alfalak Electronic Equipment & Supplies, a leading technology solutions company, has unveiled a new smart desk phone solution and intelligent next-generation access control systems at a recent event in Bahrain.
The Platinum Sponsor of the recently concluded PMI Conference introduced the Alcatel-Lucent OmniTouch 8082 My IC Phone, a multitasking communication and collaboration desktop device for the enterprise environment, and the 2N Helios IP door and security intercoms that offer advanced features including integration with IP-PBX, display of video on any SIP video phone and availability of iOS and Android clients.
Alfalak has launched the My IC Phone to offer an unprecedented level of comfort at the desk with its high-quality wideband audio capacity and its always-on availability, a company statement said.
Optimised for eco-friendly deployment (Class 3 maximum) and featuring an award-winning design that reinforces the brand image of business enterprises, the My IC Phone is also equipped with a capacitive haptic touch screen with rich contextual menus, delivering the intuitive interface of a smartphone.
The 2N Helios IP door and security intercoms, on the other hand, also have a built-in card reader, can be configured to log all door opening events and can be attached to a network finger print device.
Ahmed Ashadawi, president and CEO, Alfalak, said: "The cutting-edge technologies that we have introduced at the PMI Conference represent another important breakthrough in our continuing thrust to deliver practical, value-driven solutions to business enterprises."
"Moreover, we have unveiled these new devices in response to a growing demand for superior smart communication and intelligent access control systems in the Middle East market.
"The excellent response that we have received during the PMI Conference strongly indicates that we are moving on the right track towards helping Middle East business enterprises generate optimum value from their technology investments," he added. – TradeArabia News Service


text:
I was flipping thru the channels and I noticed that they are going to replay 2 Clipper games as "Top Games of the Year" on NBATV.
Clippers @ Memphis - The amazing comeback win on April 29th play off game.
08/02 - 4am, 11am
08/03 - 5am, 3pm
08/04 - 2am
08/06 - 3am
08/14 - 10am
Also, lakers @ Clippers game from April 2nd.. damn loss..
08/02 - 2am, 9am
08/03 - 3am, 1pm
08/07 - 12am
could have had the 2nd game, metta fouled cp late, bynum traveled + team woke up to late in the game (swaggy was ballin) and one of vdns most poorly coached games, he choked here...we didnt have chauncey either!
I watched the comeback last night and it pisses me off that we didn't keep Reggie and Nick Young.
Hopefully the new guys will make me forget.
I browsing around the channels last night and came across it on NBA tv. They were playing the big comeback... man that was really something!
How is it that the comeback game ranked at #6?
We're there really 5 better games that that one this season rly??
I think it was ranked low because it wasn't a close competitive game until the comeback.I think the game belongs on a greatest moments list rather than best games if you get what I am trying to say.I think the top 5 games on the list will be competitive games that went back and fourth for the majority of the game.But I wouldn't know because I don't get NBA TV .
^^ well said .. I guess it can't be that great a game when the home team is limited to one field goal in the 4th quarter. #5 on the list was pretty damn good game it was okc vs Miami game 4... Westbrook was unreal that gm
What do u guys think #1 will be? I say bulls vs heat when the bulls forced ot with the starters riding the bench!
I re=watched the huge comback game yesterday also.. sickjuice.. pure sickjuice


text:
- Publish date:
- Updated on
- Year
- 1948
20th annual Academy Awards celebrated
Hollywood's elite braved freezing temperatures and strong winds to attend the 20th annual Academy Awards ceremony, which took place on this day in 1948 at the Shrine Civic Auditorium in Los Angeles, California.
The first Academy Awards had been given out in May 1929, in a banquet held at the Hollywood Roosevelt Hotel. They were the preeminent honors in the motion-picture industry, awarded by the fledgling non-profit organization the Academy of Motion Picture Arts and Sciences, formed in 1927. The actual awards were gold statuettes, designed by Cedric Gibbons and sculpted by George Stanley; the were dubbed "Oscars" after 1931, when a secretary at the Academy noted the statuette's resemblance to her Uncle Oscar.
For the 20th anniversary of the Academy Awards, producers of the ceremony turned the stage at the Shrine Auditorium into an enormous birthday cake. Twenty large-scale Oscar statuettes stood in place of the candles. In addition to celebrating the best in film produced in the year 1947, and the 20th anniversary of its organization, the Academy was celebrating the film industry itself and how far it had come in the past two decades. In 1929, Hollywood was going through the sometimes painful transition from silent film to "talkies." As studios struggled with technical difficulties with sound recording and editing, some of silent film's biggest stars were pushed out of the limelight due to their inability to learn lines, their heavy foreign accents or less-than-melodious voices. The economic structure of Hollywood was also changing, as smaller studios like 20th Century Fox and Warner Brothers built themselves into major corporations in order to compete with already-established powerhouses such as Metro-Goldwyn-Mayer and Paramount.
In 1947, two years after the end of World War II, the Hollywood studio system produced and distributed more than 500 films. In an average week, 90 million Americans (out of a total population of 151 million) went to see a movie, paying around 40 cents for a single ticket. At the Shrine on that March night, the Oscar for Best Picture of 1947 went to Gentleman's Agreement, produced by Fox. The film starred Gregory Peck as a journalist who poses as a Jewish man in order to investigate and report firsthand on anti-Semitism in America. Gentleman's Agreement was an example of a new type of film that came out of Hollywood in the post-World War II years. Far removed from a typical genre film (musical, Western, gangster, etc.), it was a realistic, socially conscious drama that reflected some of the country's darker realities. The film's director, Elia Kazan, a former stage director, took home the Best Director Oscar.
As in 1929, the movie industry stood at another crossroads in 1948. Aside from the threat of a new, exciting entertainment medium–television–looming on the horizon, Hollywood was in the grip of anxiety over the attempts of the House Un-American Activities Committee (HUAC) to root out Communist influence in the movie industry. For his part, Kazan earned the enduring contempt of many of his peers in 1952, when he complied with HUAC's request to give the names of colleagues in New York City's Group Theater who had been secret members of the Communist Party. The era of the so-called "Red Scare" would change Hollywood forever, as the studios began blacklisting suspected Communists under pressure from Washington, ending the careers of many talented artists.


text:
If you feel the City of Vallejo or a public agency within the City is responsible for causing you injury, damage or loss, you may file a claim for damages. Claims must be filed within six months of the incident.
Claim forms are available here or also may be obtained from the City Clerk's Office.
City Clerk's Office
Vallejo City Hall
555 Santa Clara St., 3rd floor
Vallejo, CA 94590
Please answer all items fully and to the best of your knowledge. Failure to do so may result in your claim being found insufficient. Legal advice concerning your claim should be obtained from your own lawyer.


text:
Seo person needed.
Rozpočet $8-15 USD / hod.
Review and analyze areas that need improving
• Execute tests, collect and analyze data, identify trends and insights in order to achieve maximum ROI in paid search campaigns.
• Track, report, and analyze website analytics and PPC initiatives and campaigns.
• Optimize copy and landing pages for search engine marketing
• Ensure websites are filled with optimal keywords.
• Place keywords appropriately in copy to gain most search engine traffic
• Perform keyword discovery, expansion and optimization
• Research and implement search engine optimization recommendations
• Research and analyze competitor advertising links
• Develop and implement link building strategy
3' experience with search engine optimization
Ability to conduct technical website audits, develop actionable recommendations, and execute on them
Strong understanding of technical aspects of search engine optimization including site structure, crawlability, indexation, and redirects
Experience with tools to boost productivity
Write or review keyword rich meta data for pages
Link building experience through traditional and creative white hat methods
Knowledge and experience with Conversion Rate Optimization, Video SEO and Local SEO a plus
Up-to-date with the latest trends and best practices in SEO and SEM
Job Type: Contract hourly based
Bid only if you are willing to release a portfolio for our customer review, submit only organic search result.
73 freelanceů na tento projekt zveřejnilo nabídku v průměrné hodnotě $10/hod.
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text:
A long break...
In 2005 I decided to start broadcasting a 2 hour show on wireless FM, recording from my sister's flat on a Sunday night. That slowly but surely matured into a podcast, with me recording around 40 or so shows a year on an almost weekly basis, covering all manner of sub-genres within the electronic music spectrum. At one point I thought that I could continue this indefinitely and there's no reason to think that I might resume in the future, but for now real life has more pressing concerns that are much more important.
This means that for the foreseeable future I will no longer be curating the Bleep43 podcast. I've listened to an inordinate amount of great music and have had all manner of superb guests, some on several times, in the 6 years or so that it has been running. I'd like to thank everyone who has listened, enjoyed and contributed to the show in that time. It may well be that we will resume at some point for some one-off specials, but for now I cannot promise anything.
Many thanks again for listening.
Toby Frith


text:
- Home
- News
- Sports
- Opinion
- Obituaries
- Features
- Special Sections
- Classifieds
- Public Notices
By CHARLES HAYNES
First Amendment Center
Culture wars are returning to school this fall as conflicts over what to say — or not to say — about homosexuality escalate across the country.
After a spate of high-profile news stories about gay teen suicides (nationwide, six in September alone), school officials are caught in the crossfire in the fight over how to address the anti-gay bullying that has been implicated in some of the deaths.
If you currently subscribe or have subscribed in the past to the Roane County News, then simply find your account number on your mailing label and enter it below.
Click the question mark below to see where your account ID appears on your mailing label.
|ZIP Code:


text:
To sign up for updates or to access your subscriber preferences, please enter your email address.
Privacy Act Statement:The collection of your personal information for this U.S. Census Bureau subscription form is authorized under 5 U.S.C. 301 and 44 U.S.C. Section 3101. The purpose of collecting this information is to respond to inquiries or requests, in support of activities or services including social media, subscription email service to disseminate news and information, and blogging capability. Personally identifiable information such as name, email address, address, and telephone numbers may be collected. Disclosure of this information is permitted under the Privacy Act of 1974 (5 U.S.C. Section 552a) to be shared among Census Bureau staff for work-related purposes. Disclosure of this information is also subject to all of the published routine uses as identified in the Privacy Act System of Records Notice COMMERCE/Census-4, Economic Survey Collection and COMMERCE/Dept-19, Mailing Lists. Providing this information is voluntary and you may be removed from the subscription at any time. Failure to provide this information may affect the Census Bureau's ability to disseminate news information to subscribers.


text:
CocoaJewelry necesitaba un nuevo diseño de logotipo y lanzó un concurso de diseño en 99designs.
Un ganador ha sido elegido entre 7 diseños de 4 diseñadores freelance.
Cocoa Jewelry sells bold, trendy jewelry to women who want to indulge in their fashion cravings. Cocoa gives women an opportunity to earn free jewelry by hosting parties at home. You and your friends can try on jewelry, share conversations and shop in a relaxed environment. We carry unique costume and designer jewelry that helps you make a fashion statement.
A Cocoa Jewelry customer is the working woman (25-55) who lives a busy life. They rarely have time to shop for themselves, due to family obligations or work commitments. However, amongst their hectic schedules, the combination of a night out with the girls and fabulous jewels is too hard to resist. These women understand the versatility a great piece of jewelry can offer and after a busy, stressful day, why not indulge a little? Visions of chunky beaded necklaces and colourful cocktail rings will be dancing in their heads!
See document (Design Project Breif_Cocoa.docx) for complete content.
1) Logo
The logo must have the business name, Cocoa Jewelry, the font must be clean, no handwritten fonts. The palate of colours should include champagne, variations of brown, bronze, rich chocolate colours. Preferably a mix of matte and iridescent finishes.
2) Business Cards
Front of card
The card must have Cocoa Jewelry logo. The palate of colours should include champagne, variations of brown, bronze, rich chocolate colours. Preferably a mix of matte and iridescent finishes.
Must include the contact info provided in (Design Project Breif_Cocoa.docx).
Back of card
Host a party and get $100 in free jewelry plus 20% off all your future purchases.
Visit http://www.cocoajewelry.com/party to book a party now.
3) 2 –sided Postcard
Front of Postcard
The postcard size must be 5"x 7". Must be very clean, un-cluttered design. Must have the same color palette, champagne, bronze, different shades of brown.
Must include:
- Logo
- Images of select jewelry pieces (attached - please lighten the background on Postcard_image6.jpg to match the other images)
- Host a party and get $100 in free jewelry plus 20% off all your future purchases.
- Turn postcard over for more details (small font at bottom of card)
Back of Postcard
Why host a Cocoa jewelry party?
Full content in attachment (Design Project Breif_Cocoa.docx).
Descubre cómo funciona un concurso de diseño u obtén más información sobre nuestros servicios de diseño de logo.


text:
Coastal Chic Lamp TablesView Coastal Chic Lamp Tables description >
Our selection of
Coastal Chic Lamp Tablescan be seen below. Use the refine box to narrow down the products listed by price range. Click on the product titles or thumbnail images to view a detailed page on each product. Clicking on the icon next to the price will add any Coastal Chic Lamp Tables that you are interested in to a wishlist/compare list. You can see your list at any time by clicking on the matching icon at the top of the page.
Buy Coastal Chic Lamp Tables Securely
With our leading payment providers, SagePay and PayPal, you can buy coastal chic lamp tables from EW Home Furniture with peace of mind.


text:
Joint Release from:
Directed Energy Directorate
United States Air Force
J. Rich Garcia
email: firstname.lastname@example.com
New Mexico Tech
George Zamora, Public Information Office
Phone: (505) 835-5617
KIRTLAND AIR FORCE BASE, N.M., April 23, 2003 - Creating new opportunities for technology transfer is the primary purpose of a cooperative research and development agreement signed Friday between the Air Force here and the New Mexico Institute of Mining and Technology in Socorro, N.M.
The Institute's agreement with the Air Force Research Laboratory's Directed Energy Directorate builds upon an educational partnership agreement signed by the two organizations last year. While that initial agreement stressed classroom education in optics, the new agreement expands the capabilities of existing optical laboratories. People from both organizations can use these laboratories to transfer optics research and development skills and knowledge to graduate and undergraduate students enrolled in such related degree programs as engineering and science.
Both organizations are expected to benefit from the agreement. Air Force researchers believe it will improve their ability to provide innovative technologies that can aid the warfighter with critical strategic and tactical defenses. The relationship will also encourage students to consider future employment with the Air Force.
The Institute, also known as New Mexico Tech, anticipates the agreement will attract graduate and undergraduate science, engineering and technology students to the field of optics. Student internships are also expected, which will provide opportunities for research under the guidance of experienced optical engineers, physicists and other experts.
By combining expertise from both organizations, officials believe the results will be world-class capabilities in fabrication, coatings, metrology for meter-class and larger optics, and optical coating technologies for temperature-sensitive lightweight optical components.
New Mexico Tech also has expertise in laser weapons development and testing within its Energetic Materials Research and Testing Center. The Air Force directorate maintains experts in large-aperture telescopes and other optics-based intelligence systems within its Optical Components Engineering Laboratory.
This expertise, combined with joint capabilities, can be applied to a wide range of potential applications for ground, air and space-based systems being worked by Department of Defense organizations, the Department of Energy, the National Aeronautics and Space Administration and other government agencies.
New Mexico Tech is a research-oriented public university specializing in science and engineering.
The Air Force directorate is a 600-person organization that conducts research in high-energy lasers, high-power microwaves and other directed energies that have a potential for defense applications.


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Posted byJamie Todd Rubin
Published by Jamie Todd Rubin
Jamie Todd Rubin writes fiction and nonfiction for a variety of publications including Analog, Clarkesworld, The Daily Beast, 99U, Daily Science Fiction, Lightspeed, InterGalactic Medicine Show, and several anthologies. He was featured in Lifehacker's How I Work series. He has been blogging since 2005. By day, he manages software projects and occasionally writes code. He lives in Falls Church, Virginia with his wife and three children. Find him on Twitter at @jamietr. View more posts