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TL;DR - The Authors Guild Still Sucks.
Joe sez: Okay, so the Authors Guild keeps acting like a bunch of assclowns, and now the ABA has embarrassed itself alongside them. There's a good breakdown of it over at The Digital Reader via Nate Hoffelder, and some smart comments over at Passive Voice. But there's more to say about this matter, so Barry Eisler is going to unleash some much-needed logic and reason, and then I'm going to fisk.
Barry sez: Publisher Lobbyist "Unprecedented Joint Action!"
Life is too short to continually respond to self-serving publishing establishment bloviation, so I was going to ignore this American Booksellers Association "interview" of Mary Rasenberger, the Executive Director of the Authors Guild. It's such a regurgitation of long-since debunked legacy publisher talking points that the most useful thing you could do with it is play Bullshit Bingo: Amazon a Monopoly…Devaluing Books…Free Flow of Ideas…Engine of Democracy…Bingo! Besides, Nate Hoffelder had already performed the thankless task of acting as this week's bucket brigade and responding to this latest cycle of the same old publishing establishment bullshit, and Joe intended to do the same. So I was all set to roll my eyes and move on...
But then I realized: the piece is such a purified expression of publishing propaganda that even apart from the tired, repeatedly debunked substance (a charitable word, under the circumstances), there were a few propaganda aspects worth noting.
First, though the answers Rasenberger provides are entirely predictable (and indeed, have been debunked so many times they're not worth addressing with anything more than a link or two), the questions themselves are revealing. Here's a sample:
·How has Amazon's abuse of its dominance in the book industry directly affected authors?
·How have Amazon's punitive actions against publishers, such as Hachette during their 2014 contract dispute, impacted authors?
·According to some news reports, self-published authors who once thought of Amazon as their ally are now feeling victimized. Why is that?
·As Amazon continues to sell huge numbers of titles below cost and uses them as loss leaders to entice sales on other segments of its website, what will be the long-term effect on a thriving and robust literary marketplace?
Holy "When did you stop beating your wife," Batman!
If you were a legacy publisher…if you were an Amazon competitor…if you were any one of the unprecedentedly joint actors…indeed, if you were a clone of Mary Rasenberger, Executive Director of the Authors Guild, interviewing yourself!—would you phrase even one of these embarrassingly loaded questions differently?
Assuming you had an exceptionally low shame threshold, you wouldn't. The questions would all be the same.
Which brings us to the second revealing aspect of this "propaganda masquerading as an interview" drill. You see, in the standard "blow-job masquerading as interview" gambit, it's generally enough to hope the reader will just assume the interviewer and interviewee are working at arms-length. Making the point explicitly isn't really the done thing. Here, however, perhaps not trusting readers to be sufficiently gulled, the ABA and AG are at pains to describe the "unprecedented joint action" of the AG, Authors United, the ABA, and the Association of Authors' Representatives in going after Amazon for monopolizing the marketplace of ideas, devaluing books, and generally crushing dissent, democracy, and all that is good. The impression they're trying to create is, "Wow, if so many separate organizations hate Amazon, Amazon must be doing something bad."
But what's critical to understand is that the most fundamental purpose of the Authors Guild, Authors United, the American Booksellers Association, and the Association of Authors is to preserve the publishing industry in its current incarnation. Whatever marginal differences they might have (I've never actually seen any, but am happy to acknowledge the theoretical possibility) are eclipsed by this commonality of purpose. Under the circumstances, the fact that these four legacy publisher lobbyists agree on something is entirely unremarkable (indeed, what would be remarkable would be some evidence of division). But if people recognize the exercise as a version of "No really, I read it somewhere…okay, I wrote it down first," the propaganda fizzles. And that's why these propagandists have to nudge readers with the bullshit about the "unprecedented joint action." Otherwise, when Authors Guild Executive Director Mary Rasenberger cites Authors United pitchman Doug Preston as though Preston were a separate, credible source, people might roll their eyes instead of nodding at the seriousness of it all. They might even giggle at the realization that all those "When did Amazon stop beating its wife?" questions were functionally being put by Rasenberger to herself.
So no, this wasn't remotely a cross-examination, or even a cross pollination (indeed, publisher lobbyists are expert at fleeing anything that offers even the slightest whiff of actual debate—which does make their alleged devotion to the Free Flow of Ideas and Information as the Engine of Democracy worthy of a smile, at least, if nothing else). It was just a stump speech lovingly hosted by someone else's blog. The sole reason for the exercise was to create the misleading appearance of multiple, arms-length actors when functionally there is only one.
In fairness to the aforementioned Unprecedentedly Joint Actors, there is a rich heritage behind this form of propaganda. For example, in the run-up to America's second Iraq war, Dick Cheney would have someone from his office phone up a couple of pet New York Times reporters, who would then dutifully report that anonymous administration officials believed Saddam Hussein had acquired aluminum tubes as part of his nuclear weapons efforts…and then Cheney would go on all the Sunday morning talk shows and get to say, "Don't take my word for the aluminum tube stuff—even the New York Times is reporting it!"
So leave aside the fact that the "joint action" in question is anything but unprecedented—that it is in fact publishing establishment SOP. Anyone familiar with the record of these organizations will instantly realize that the "unprecedented joint action" in question is a lot like the "joint action" of all four fingers—plus the thumb!—of someone throwing back a shot of tequila. Like that of a little boy pleasuring himself—with both hands!—and trying to convince anyone who will listen that the Unprecedented Left and Right Action is proof that "Everybody loves me!"
The third aspect of this publisher lobbyist propaganda worth mentioning is the standard "we're just disinterested, non-partisan, democracy-loving onlookers" dodge. Authors United, one of the partner organizations cited by both the ABA and the AG in the piece (they all work so hand-in-glove and cite each other so promiscuously they can be hard to distinguish) is particularly shameless in this regard, repeatedly proclaiming "We're not taking sides" even while buying $100,000 anti-Amazon ads, sending complaints to the Amazon board of directors, and lobbying the Justice Department to break up Amazon. I'd ask Author United's Doug Preston what more he would do against Amazon if he were taking sides, but these organizations never engage their critics (a tactic that could fairly be cited as its own form of propaganda).
Here, the ABA is careful to issue the standard "We're not anti-Amazon!" disclaimer—a disclaimer that serves as its own punch line given the surreally tendentious questions that follow it, and given that the very title of the piece is "Why Amazon Deserves Antitrust Scrutiny." It's like the old French joke about Germany—"We love Germany so much we think there should be two of them." The jointly-acting, non-side-taking, non-anti-Amazon ABA, AG, AU, and AAR actually love Amazon—so much they want the company broken into multiple bite-sized chunks!
You know what, though? I doubt even the Unprecedented Joint Actors believe their own storyline. Because a resort to this type of crass propaganda isn't a sign of confidence or strength. It's a recognition that people aren't buying your bullshit. That doesn't mean the Unprecedented Joint Actors won't prevail—after all, Cheney did, so we know that sometimes the propagandists win. But this is why it's so important that their tactics, as well as their aims, be constantly exposed.
Joe sez: So, with Barry's points in mind, a-fisking I shall go. The asinine interview in crazy bold italics, my reply in common sense regular font.
Two weeks ago, the book industry saw an unprecedented joint action: U.S. booksellers, authors, and literary agents called on the U.S. Department of Justice to investigate the business practices of Amazon.com. On July 13, the group Authors United, led by author Douglas Preston, delivered a letter to the U.S. Department of Justice calling for an investigation of Amazon's "abuse of its dominance in the world of books." The Authors United action was supported by the American Booksellers Association, which sent its own letter to the DOJ, and by both the Authors Guild and the Association of Authors' Representatives.
Here, Mary Rasenberger, executive director of the Authors Guild, talks about the organization's support for the Authors United letter and why Amazon's unprecedented dominance of the book retail market is harmful to authors, booksellers, and the reading public.
Barry just talked about how this is hardly "unprecedented." But why is the American Booksellers Association involved with this issue? Specifically, how are they being harmed other than Amazon simply competing better than they are? Let's read on…
BTW: Why did the Authors Guild support last week's Authors United appeal to the Department of Justice and what has been your role in the Authors United letter?
Mary Rasenberger: We at the Authors Guild have been working closely with Doug Preston for the greater part of the past year on both the longer policy memo and the shorter letter that he is asking authors and others to sign.
Wow. I have so many sarcastic responses in my head competing to be first. It took over six months for two committees of authors to write these terrible 23 pages?
With all those eyes on it, the policy memo was still so poorly done a four-year-old child could poke holes in it.
And during all this time, the Authors Guild could have been devoting its efforts to doing something that actually helps authors instead of publishers.
We could argue about the merits of getting into bed with the enemy that controls you, and trying to change things through appeasement rather than conflict, but then don't call yourself a guild for authors. On the AG website is a lengthy pronouncement on how they protect free speech and defend the"digital arena" from censorship, when they just wrote to Congress in an effort to resurrect a ridiculous offshoot of SOPA.
Might I suggest they call themselves the Vichy Guild?
Barry also mentioned that on their website the AG crows "Half of Net Proceeds is the Fair Royalty Rate for E-Books," while two lines down it calls on the government to investigate Amazon… for paying exactly that fair royalty!
We sent a separate letter to the Department of Justice on this topic last summer and met with them as well. We wholeheartedly believe that Amazon deserves antitrust scrutiny.
Follow this through to the conclusion. The DOJ goes after Amazon. What happens next? It levies fines? Who will ultimately pay those fines? You think perhaps those costs will be passed along? To whom? Customers? No. Amazon wants to keep prices low. So how would it recoup that money, since Amazon is notorious for not making a profit? Maybe, perhaps, Amazon will pay that fine by squeezing suppliers? You know, like publishers and writers? It that what all of these organizations want?
Or let's say the Assistant Attorney General pushes to break up Amazon. What will happen to Amazon as a result? Well, what happened when Standard Oil was broken up? Hint: many of those companies thrived, but it didn't foster new competition in the market. It simply divvied up the pie. But let's pretend that breaking up Amazon fosters innovation and competition (even though Amazon seems to be the only player actually innovating and competing). What happens next? More competition means… lower prices. Doesn't the Big 5 want higher prices? Isn't that the whole point? What the hell are they thinking trying to use the government against Amazon? How does this scenario end well for the Big 5?
I can think of just one way: Amazon is afraid so it gives the Big 5 all the terms they're asking for to get them to stop poking Uncle Sam.
Do they really think Amazon is afraid? Or that Amazon doesn't have a stable of lawyers who are experts in anti-trust?
If the government fines Amazon, or breaks it up, publishers will be disintermediated even faster than their present course is dictating.
Didn't anyone think this through? The problem isn't Amazon. The problem is that technology--which is inevitable--is changing the way consumers buy and read books. If not Amazon, another company or companies will follow the same path. The reign of paper dominance has ended. They way to thrive is to innovate, not to whine to Uncle Sam.
While Amazon has done a lot that has benefitted the book industry — it created an e-commerce platform that made buying books online very easy and fast; created the first really good e-reader, which dramatically increased access to e-books; and made it very easy for authors to self-publish — in recent years it has ruthlessly used, indeed abused, its unprecedented dominance of the book retail market in ways that harm the book industry as a whole, including authors and the reading public.
Yeah, I've heard this one before. Amazon harms authors by paying them larger royalties and eliminating the barrier to entry, and harms readers by offering the world's widest selection of books, at low prices.
And my wife harms me by bathing me with love and constantly supporting me. Maybe I should ask the DOJ to intervene in my marriage.
The fact is Amazon now virtually controls an important marketplace of information. That is not good for bookstores or for authors, and it is not good for democracy. We now have a single, corporate entity that exerts a dangerous amount of control over the channels of free expression that sustain our democracy. A corporation has never before in American history been allowed to monopolize an information or communications channel. The courts and the government never let that happen before, precisely because democracy relies on the free flow of expression and that requires a broad, diverse array of information sources. When the Associated Press, Turner Broadcasting, or Barnes & Noble threatened to dominate a single marketplace of information, the courts or a government agency intervened. It's important to see the big picture here, because this situation can easily be trivialized. We're not just talking about the price of an e-book. We're talking about interference with the marketplace of information and ideas, which is the engine of any democracy.
I've already blogged at length about how the "marketplace of information" bullshit is bullshit. But let's examine the end of that ridiculous statement, "the engine of any democracy." On the AG website is a lengthy pronouncement on how they protect free speech and a defend the "digital arena" from censorship, when they just wrote to Congress in an effort to resurrect a ridiculous offshoot of SOPA.
So, do they only want to protect the democracy that they agree with? Isn't that called something other than democracy? They don't want Amazon to control the marketplace of information, and at the same time they wrote to Congress demanding that Congress control the marketplace of information.
And why is the ABA involved with this? Wouldn't they want Amazon to stifle the "marketplace of information" so seekers of true information will instead patronize indie bookstores?
Think about it. Your main competition is seriously messing up. Instead of letting them hang themselves with their own rope, you want to get the government involved? Instead of one large competitor, does the ABA want five more smaller competitors? What if the DOJ breaks Amazon up, and one of the new companies formed by the breakup decides to set up a new brick-and-mortar bookstore chain? If that happens, will the ABA be pleased? Or will ABA members just sue the chain like they sued Barnes & Noble?
How about, instead of suing or whining to the government, you just try to compete?
I like bookstores, even if they refuse to stock my Amazon published work. I don't want them to disappear. But nobody owes anyone a living. If they need government interference to compete, because customers freely choose to shop for books elsewhere, I don't see how that can be called a good thing.
So the Authors Guild has taken a keen interest in Amazon. We've been following Amazon's behavior in the book markets for a number of years — as have most other publishing industry observers. But I want to be clear on one thing, even after everything I just said: We're not anti-Amazon. We don't oppose everything the company does. We give praise where it's due. We've simply opposed Amazon's more ruthless tactics and the unhealthiness of its monopoly.
What horseshit.
We're not anti-Amazon! Except when we are!
We're against monopolies! Except, you know, the Big 5 cartel that controls paper distribution!
Amazon deserves praise for opening up the long tail to readers in the most remote parts of the country, for instance. But did it have to do that at the expense of so many independent bookstores?
No, it didn't. Some indie bookstores could have opened up to service customers in remote parts of the country. But they didn't. Amazon did. And Amazon didn't do it to smite indie bookstores. It did it to reach customers. The fact that indie bookstores don't offer the wide range of products Amazon offers isn't Amazon's fault. No one, Amazon included, is preventing bookstores from competing
And we are grateful to Amazon for making it so easy for authors to publish on their own, but it should pay authors decent royalties and allow them to set their own prices without punishment; Amazon should be transparent about what goes into determining its royalty pool.
I agree. Amazon should pay authors decent royalties. Which is why I'm glad its royalties are four times more decent than the ones paid by the Big Five. Someone really ought to let the Authors Guild know this--it's important.
And yeah, I agree it would be nice if Amazon would eliminate its 35% (still twice the legacy rate) band for books priced under $2.99 and over $9.99. But calling that band--which again, at a minimum still pays out twice the going legacy rate--a "punishment" is worse than moronic. It's blatant fear-mongering through propagandistic word choices. If Amazon is "punishing" authors for paying 35% and 70%, what is the Big Five doing to authors when it pays 12.5% or 17.5%?
The call for more Amazon transparency is also interesting, given the legendary openness practiced by the Big Five. But let's examine this one in detail anyway.
Amazon's KU payout rate fluctuates according to some equation only Amazon knows. Like a utility bill. Every month someone comes to the door asking me to "lock in" my gas or electric rate, protecting it in case it goes up. But then I'm locked into the higher rate if prices drop.
Amazon could pay a set, agreed-upon rate per page that doesn't fluctuate. What then? What if subscriptions become the #1 way to read, and our sales our cannibalized, and we're locked into that rate?
Well, you could say that if that happens, Amazon could always raise the rate. Or pay bonuses.
But that's no different than what Amazon is currently doing. That still means fluctuating payments.
If Amazon allowed authors to opt in or out of KU each month, forecasting what the per page rate will be for that month, that would give authors more control. But how much more? If the rate fluctuates, we still have no financial stability. And we still won't know how much we'll earn at the end of the month, because we can't predict how many page reads will get.
I don't see an easy answer here. But if you're worried about ebook retailers screwing you, your only true alternative is controlling your own sales via your own website.
In the meantime, KU is optional. We can opt out after three months. And if authors don't like the way Amazon pays, they'll leave, and Amazon will need to entice them back with better payments. This seems like a system that polices itself.
Last summer, in the midst of Amazon's dispute with Hachette, when Amazon began deliberately suppressing Hachette authors' sales in order to drive a wedge between the publisher and its authors, we worked behind the scenes, writing a series of white papers that led to meetings with the DOJ and a number of state attorneys general.
Well slap me with a mackerel until I spit scales, here comes the "Amazon Attacks Authors!" meme again.
Amazon has never suppressed sales. I swear I'm gonna get a tattoo gun and start inking that on every moron who says they did.
Hachette refused to make a deal with the #1 book retailer in the world, and Amazon had no legal or moral obligation to keep selling Hachette books. Hachette authors should have sued Hachette for bad faith breach of contract, because Hachette used them as human shields to get terms from Amazon that benefitted Hachette and not its authors.
That's right. The Agency Model doesn't benefit authors. But that's what Hachette was holding out for.
Meanwhile, Doug, with his Authors United grassroots group of authors, brought great and well-deserved attention to the Hachette authors' cause. We've been supportive of Authors United from the start. Doug is an Authors Guild council member — we've worked hand in hand with him.
Ah, nothing like a bunch of multimillionaires taking the grassroots approach by wasting $100,000 on a full page NYT ad. Power to the people, man! I mean, isn't an ad a lot better for authors than maybe, I dunno, sharing that $100,000 with authors who were harmed because Hachette dragged its feet for eight months to sign a new deal with Amazon?
BTW: How has Amazon's abuse of its dominance in the book industry directly affected authors?
Worst. Interview. Ever.
Unless… maybe this isn't an actual interview? Maybe it's propaganda?
Unless… maybe this isn't an actual interview? Maybe it's propaganda?
MR: Amazon has artificially driven down the price of books and, because of its market dominance, it has been able to force publishers of all sizes, as well as independently published authors, to accept its terms on a "take it or leave it" basis.
Amazon has indeed driven down the price of books, but how is that artificial? That's called "reality". When you have a lot of buying power, you can negotiate for better deals, and pass along the savings to consumers. You can even afford to make some items loss leaders.
As far as harming independently published authors, is Mary Rasenberger high? Serious question. I say some really stupid shit when I get high, and I can forgive her this giant hunk of idiocy if she was bogarting a purple kush spliff when she said it.
If not, I'll remind Mary that indie authors get 70% for self-pubbed sales on Amazon, and 17.5% through Big 5 publishers. I'll also remind Mary that both Amazon, and KDP Select, are optional for authors, not mandatory, whereas if an author signed with a publisher they have ZERO say on who sells it, or for how much.
Plus, it drive me nuts when Authors Guild morons say things about Amazon that could also be directly applied to Big Publishing. Hey! Mary! You think Amazon has take it or leave it terms? Have you ever seen a contract from the Big 5? Do you think it's maybe significant that the authors who sign the Amazon "take-it-or-leave-it" contract can walk away from it pretty much any time? Think that's maybe worth mentioning? While by comparison a legacy contract functionally lasts forever? See any distinction there that might be worth pointing out--unless your point is obfuscation rather than education?
Since no one can sell books without Amazon, guess what? They take it.
Where were you, pre-Amazon, when tens of thousands of writers actually didn't have a choice? You really think this is a new phenomenon? Those who have market muscle tend to flex it. But I don't see anything in the KDP TOS that gives Amazon rights for the author's life plus 70 years, or non-compete clauses, or any of the many unconscionable things that Big 5 publishers have stuck us with for decades. Amazon is so big and mighty it could demand all rights. It doesn't. Stop calling Amazon a bully when the real bullies, the ones who came before Amazon, are so much worse.
Small publishers in particular have been hurt: they have had to accept really unfair terms, and there is nothing they can do to fight back. Amazon could care less if one little publisher refuses to sell through them; that publisher will just go out of business and it won't affect Amazon one bit.
And someone think of the poor travel agents, driven out of work by Expedia and cohorts! And shouldn't the DOJ be going after Netflix for hurting all those poor cable company monopolies?
Low prices hurt authors because their royalties are lower, of course.
Joe makes $2.74 on a $3.99 ebook on Amazon via KDP. Joe made $1.74 on a $9.99 ebook when he pubbed with the Big 5.
And do we even need to get into the "lower priced books sell more copies" argument?
But it has also devalued books generally. Amazon has commoditized books by offering them all at the same low price, losing money so they can lure readers in as consumers. The result is that readers start thinking books should be that cheap — even though those prices are artificial — and everyone else is forced to lower book prices.
I spanked this ridiculous "devalue" meme over five years ago. Books are not being devalued. Period.
Barry and I were chatting about this, and he reminded me that books compete with other forms of entertainment. As those forms become cheaper and more ubiquitous, the notion that we can protect the place of books in the entertainment ecosystem by making them more expensive is suicide. What kind of hubris could lead to these positions? Books are not special snowflakes. When you can get unlimited Netflix streaming for $9.99 a month, you shouldn't price an ebook that can be read in eight hours at $14.99. That's not a sustainable business model.
Needless to say, advances are way down, as well as royalties, and fewer books are being bought by publishers because there is only so much money to go around. It is one of the reasons we have full-time authors making 30 percent less in absolute dollars (not accounting for inflation) than they did in 2009 when the e-book was first taking off.
And here we have the Authors Guild doing what it does best; advocating for publishers. Because we all know that publishers write the books, so publishers deserve keeping 75% of the royalties.
If authors are making less, publishers should pay more. Maybe the Authors Guild should focus on getting better royalty rates from the Big 5. Or maybe authors should dump them and earn 70% royalties going indie.
Another way Amazon has adversely affected authors is an issue [ABA] members are familiar with — the drastic reduction in discoverability on its service (leading some book buyers to go to stores to browse and then buy on Amazon). Most mid-list books simply get lost on Amazon; it is difficult for the titles of lesser-known authors to be discovered on Amazon, where "discoverability" often means simply being updated about the newest title from famous authors.
Unlike EVERY OTHER FREAKING BOOKSTORE IN HISTORY?!?!
Seriously, hasn't discoverability always been a giant issue with all midlist authors? What does Amazon have to do with that?
Except, you know, giving ALL authors the chance to reach readers, rather than the gatekeepers who prevented 99.9% of them from ever reaching anyone.
An author has a better chance to get discovered by readers on Amazon than they have getting discovered by readers in a Big 5 slush pile.
So, the mid-list authors are badly suffering in sales, and because publishers are not making enough on those books, they are disinclined to offer advances that actually support writing the book.
Newsflash: no fiction author gets an advance for a first book. And with all self-pubbed books, you start earning money 30 days later if you hit publish, which isn't that far removed from the 14 day waiting period after starting a new job. So enough with the BS "authors need advances to survive" meme.
If you need some sort of income to feed yourself while writing, try Kickstarter or Indiegogo, neither of which keeps your rights for your lifetime plus 70 years.
Hence, we see more and more books by celebrities rather than authors. At least there is more work for ghostwriters!
That's the answer. Change your name to the Ghostwriters Guild. Then I won't have to keep wasting my time on you.
BTW: How have Amazon's punitive actions against publishers, such as Hachette during their 2014 contract dispute, impacted authors?
Why do I feel like I'm watching the audience participation during the Rocky Horror Picture Show?
MR: To begin with, Amazon's punitive actions against publishers end up harming individual authors much more than they harm the publishers they're intended to punish. There's no way around it. Many publishers are themselves major corporations — some are parts of multinational conglomerates — and they can absorb the losses caused by Amazon in a way that an individual author cannot.
Wait a second... publishers are losing money? And it's Amazon's fault?
How, exactly?
Let's read on...
Amazon controls more than 40 percent of total book sales in the U.S., 75 percent of online sales of physical books, and 65 percent of the e-book market.
Oh, snap! So publishers are losing money through Amazon because Amazon sells more of their books than anyone else!
Wait. Hold on. That doesn't make a lick of sense.
Publishers set the prices of books on Amazon, via the agency model. And publishers sell most of their books through Amazon.
How could Amazon be causing publishers to lose money?
Call me stupid, but if I'm selling a lot of something, and I get to set the price, doesn't that earn money for me? And if it doesn't, shouldn't I stop selling through that particular retail outlet?
How can the Authors Guild spout this craziness with a straight face?
When Amazon stands between authors and the reader or potential readers who might want to buy their books — as they did with the Hachette authors — it is the authors who feel the sting.
Let me see if I understand this; when I sign a contract with a publisher, expecting that publisher to properly exploit my work by selling it in every market possible, and said publisher doesn't do that because they want to keep the prices of my books high when Amazon wants to keep them low and sell more copies thereby making me more money via volume, I'm supposed to get angry at Amazon and not my publisher?
Tell me again what I need a publisher for?
Seriously. If Amazon controls so much of the industry's sales, why do I need a Big 5 company when I can put my books on Amazon without them? ESPECIALLY when some publishers, like Hachette, prevent me from fully utilizing Amazon?
And that's just the financial side of things. There are some very real and very frightening risks to the free flow of information when one corporation has the power to favor or disfavor expressive, creative works.
I agree. I was rejected hundreds of times by the Big 6. How dare they stifle my voice! The DOJ needs to force them to publish me!
When a corporation gets this kind of power, it can play favorites. It can pick winners and losers. It has picked winners and losers. Last summer, Paul Ryan's book was published by Hachette [and was among the titles initially delisted by Amazon]. Paul Ryan's a congressman; he has a pulpit. So he went on TV and complained. What happened? In a flash, his book was fully available again.
Amazon didn't delist any Hachette titles. Stop the revisionist history nonsense. Amazon removed pre-order buttons, because it had no contract with Hachette.
Most authors don't have the power to make that happen, of course. But you can see, the power to suppress or promote certain ideas and certain political flavors is there. And it's a threat to free speech, plain and simple.
Actually, the threat to free speech is demanding that a retailer sell what you want them to sell. Next does the Authors Guild want to tell me what I can and can't write?
The Authors Guild does this all the time. Not only do they make arguments that can easily be turned against them, they also make accusations against Amazon that can be applied to the Big 5, in much bigger ways. But the Authors Guild constantly defends the Big 5. It's just a house of bad logic cards.
This isn't mere speculation; it has already had a chilling effect: Doug Preston describes how dozens of bestselling authors declined to sign an Authors United letter last summer for fear of retaliation from Amazon.
Show me ONE author who was retaliated against.
In fact, Doug Preston recently had a book promotion on Amazon's Prime Day event. So Amazon retaliated against its #1 Critic by selling a fuckton of his books.
Damn, why won't Amazon retaliate against me like that?
And since when did being afraid of someone equate to someone actually being injured? Authors were afraid, ergo Amazon must demonstrably be a monster?
Or maybe authors were afraid, because they're a bunch of babies?
As Barry put it in a recent Techdirt post:
All of which gives the lie to the oft-repeated Authors United claim that Amazon "retaliates"against authors. There's no evidence at all for this charge; in fact, were it true, it's hard to imagine how the books of every Authors United member, even those of floridly outspoken Authors United pitchman Doug Preston, would be available on Amazon, despite all the crazy accusations and anti-Amazon advocacy. These "author" organizations demonstrably have no fear at all of crossing Amazon. But the one group they never cross is the New York Big Five. Which is about all you need to know about where real retaliation, and real power, lies in the book industry.
And this, in a comment at The Passive Voice:
Someone once said, "If you want to get noticed, pick a fight" (I thought it was Banksy, but couldn't verify–if anyone knows, I'd be curious). Good advice, and I doubt anyone would claim you can get more attention with a blog post than you can by picking a fight. And clearly the AG isn't across-the-board *afraid* of picking fights; look what it's done WRT Amazon and Google. So why is it willing to pick fights with Amazon and Google, but not with legacy publishers? Why even within the relatively safe confines of the very blog post under discussion here do they not call out even a single legacy publisher by name?
I'll agree that authors are afraid. But they aren't afraid of Amazon, because if they truly were they wouldn't speak out.
You know, like how the Authors Guild never speaks out against the Big 5.
BTW: According to some news reports, self-published authors who once thought of Amazon as their ally are now feeling victimized. Why is that?
According to a talking squirrel in a dream I had, hearsay is not only admissible in court, but new provisions allow witnesses to also express how they feel about the hearsay and it's totally iron-clad evidence. That's how come we could burn all those mean old witches who were cursing my fields and making my pee pee shrink into my body.
Wait, is leading the question allowed?
Also, speaking of non-sequiturs, I love it when something is demonized without proof, because it always leads to good things. I mean, cats are satanic and evil and therefore need to be outlawed. What's the worst that can happen?
MR: As we've seen time and time again, at the end of the day, Amazon is only interested in one thing —
To become the most customer-centric company on the planet?
its own welfare and obscene growth.
Damn! I was wrong again!
Amazon really needs to change their mission statement.
That became clear to a lot of the self-published authors who used to be on Team Amazon right when Amazon began pulling the rug out from under them on their royalty payments. When Amazon rolled out its subscription service, Kindle Unlimited, last year, it automatically enrolled most of the self-published authors who published with the KDP Select program in the subscription service, where readers got unlimited access to hundreds of thousands of books for $9.99 a month. So, all of a sudden, a lot of these indie authors' royalty checks just plummeted. And there were some misgivings in the indie community; many of these writers thought they had a partner in Amazon.
We're your Authors Guild, pandering to you even if you can't get a real publishing contract! As long as, you know, it suits our current pro-publisher agenda…
I didn't mind KU, because KDP Select is optional, and Amazon is only offering subscription services because customers want them. Incidentally, Amazon wasn't the first ebook subscription service. KU was launched to compete with others. Competition is what everyone wants, right?
Worse, though, Amazon treats its indie authors as second-class citizens. Traditionally published books in Kindle Unlimited were paid for as if sold every time a reader read beyond a certain portion. Indie authors, on the other hand, are paid pro rata out of a pool, which pits indie authors against each other in a competition for readers: One author's gain is another's loss.
I already debunked this silliness when I fisked Scalzi. Subscription services aren't zero sum. If someone borrows my book, you don't lose $1.40. That what "one author's gain is another's loss" actually means.
And there is no limit to the number of books that can be borrowed, and the pool is only limited the same way the any industry's gross sales are limited.
And how does Amazon calculate the amount of money that goes into the pool? No one knows but Amazon. There is a complete lack of transparency in how it determines what the pool is and, so, what any author's royalties are. They expect authors to just trust them? It is shocking when you think about it. Imagine if a publisher said, "Don't worry, we'll pay you something out of our profits; just trust us." Not exactly a model for professional authors to rely on.
I already explained this above, but I'll add: KDP Select is opt-in. If you don't like what you get paid, you opt out. And it's not like professional authors EVER knew what their royalties would be. From the beginning, authors were asked to trust publishers with royalty statements. Trust the indecipherable figures. Trust that the numbers were true when we had no way to verify them. Trust that their withholding reserves against returns were fair and consistent.
With Amazon we find out within 30 days, instead of 180, what we get paid.
As for complete lack of transparency, anyone can read Amazon's KDP terms of use. It's transparent. But every single publishing contract varies to some degree. Where's the transparency there? Instead, we get NDAs that bestselling authors sign to never admit how high their royalties are compared to other authors. Via the Authors Guild:
Some bestselling authors have managed to obtain a 50% e-book split, though they're asked to sign non-disclosure agreements to keep these terms secret.
If the Authors Guild is demanding transparency, how about starting there?
Things got even worse when Amazon announced that starting in July it will be splitting up the Kindle Direct royalty pool in a completely different fashion, based on the number of pages read — and this was announced just weeks before it took effect. We still don't know how that will play out, but one thing is sure — if the per-page model benefits Amazon financially they will start forcing it on publishers, starting with the smallest, who have no bargaining power.
Shit. It sounds like the bank forcing me to pay my mortgage so I can live in this nice house.
Ha! Kidding! I don't have a mortgage. I paid off my house with one month of Amazon royalties.
If you want to play, you pay. Everyone knows this.
But someone should worry about the poor publishers. And what better advocate than the Authors Guild?
Are they really too stupid to see this blatant conflict of interest?
Our biggest problem with Amazon vis-à-vis indie authors is that they do not treat their authors as professionals. They provide a take it or leave it contract. Yes, we have lots of problems with the standard contracts of traditional publishers — but at least they allow authors to individually negotiate terms. The KDP authors don't even have that luxury — they are forced to accept Amazon's terms and its unknowable royalties, or go somewhere else.
Uh, publishers keep rights. Like, forever. Amazon doesn't. Authors can walk away from a KDP contract anytime. See my comments on this above. If you'd rather have the ability to negotiate your contractually obligated 25 author copies up to 30, and in exchange for that power give up ever being in control of your book again, knock yourself out.
Whoops, the problem is that Amazon has so dominated the market there is nowhere else to go if you want any reasonably sized potential audience.
Translation: The problem is that Amazon sells so goshdarn many books, they get to dictate their own terms. Except, you know, where they don't. Like when legacy publishers forced the Agency Model on them, which hurt author sales.
But let's punish the company that made us more money than any other.
BTW: As Amazon continues to sell huge numbers of titles below cost and uses them as loss leaders to entice sales on other segments of its website, what will be the long-term effect on a thriving and robust literary marketplace?
Uh, cheap and plentiful books for everyone around the world?
MR: Just like any ecosystem, a thriving literary marketplace is a diverse, multifaceted literary marketplace. We need a diversity of publishers — big houses that can invest in major projects and distribute on a mass scale, as well as small houses committed to publishing marginalized voices.
Actually, the majority of us don't need publishers. Fewer than 1% of authors need that extended paper distribution. .
We need diversity of authorship no less. And we need diversity in our distributors. We need independent stores with community ties and highly curated collections; big box stores for the selection they offer and their purchasing power; we need public libraries to serve their communities; school libraries to get kids reading; we need Amazon, too.
You need tricks when you don't have truth. The buzzword is "diversity". Who doesn't want or like diversity?
The thing is, it's a strawman. Amazon isn't hurting diversity. Amazon is making consumers happy. You can't force a consumer to shop where you want them to. You also can't force a supplier to deal with a retailer. And how is selling more titles than ever, and allowing all authors to publish whatever books they want, and enabling readers to find any book they want, anything other than "diverse"? If this isn't diversity, how would you characterize the Big Five's function of "curating" titles by making sure 999 out of 1000 never even see the light of day?
You're whining about the cow you're currently milking.
Has there ever been a diverse marketplace as the AG describes it? Are retailers supposed to promote their competition? Are readers supposed to read only what certain companies want them to read?
Here's the truth about publishers: they limit what they publish.
Here's the truth about bookstores: they limit what they carry.
Here's the truth about Amazon: they have no limits (except for certain types of erotica). And if they don't carry it, a third party can sell it via Amazon.
Any real fan of diversity wants more choices. That's what Amazon offers.
Here's what Amazon doesn't do: prevent competition. Any supplier is free to go to any other retailer.
Our concern is that Amazon is ruining that necessary diversity.
If the Authors Guild truly wants diversity, their members need to do what I did, and start their own company.
Its loss leader pricing allowed it to capture its outsize market share. That market dominance enabled it to extract excruciating terms from publishers, which in turn led to a dangerous amount of consolidation among publishers.
Wait, publishers are consolidating? Why hasn't the Authors Guild protested this? Written to Congress? Contacted the DOJ?
Now, as I mentioned earlier, we see the effect this is all having on authors. In April, we at the Guild conducted our first major member survey since 2009. The findings aren't encouraging. Median writing-related income dropped 24 percent in that time; full-time authors' median income is down 30 percent, from $25,000 to $17,500.
Wow. Sobering. Perhaps maybe... I dunno... I don't want to be out of line or anything... but perhaps the FUCKING AUTHORS GUILD CAN WRITE SOME FUCKING LETTERS TO THE FUCKING HEADS OF THE FUCKING BIG 5 AND FUCKING DEMAND HIGHER ROYALTIES. NAME AND SHAME THE MEMBERS OF THE BIG FIVE INDIVIDUALLY. YOU KNOW, THE WAY YOU'RE CONSTANTLY TRYING TO DO WITH AMAZON.
But whining for government intervention might work, too. Because maybe the government will break up Amazon, and Amazon will die, and then we call go back to higher book prices, fewer book choices, and lower book royalties.
Yeah. That sounds a lot better than actually advocating for authors.
Advances are down — authors need these to keep the lights on while they finish their books. These developments are unsustainable. We need to turn things around so that authorship can once again be a sustainable career, and so that authors can continue to create the sort of work that sustains the rest of the industry — and that sustains its readers and our culture at large.
In these carefree days of crowdfunding, we don't need advances. And crowdfunders only want a book in return, not 75% of your royalties for life plus 70 years.
But there is, indeed, something unsustainable happening.
It's called the status quo.
BTW: What kind of feedback are you receiving from your members following last week's appeal to the DOJ?
MR: The response has been terrific. We're really looking forward to seeing how many signatures the letter collects. We have a huge number already.
I can't feel bad for my peers when so many are so stupid. I don't know what the "huge" number is (I'm guessing somewhere between five and a gazillion), but anyone who signs that ridiculous letter is either showing they have Stockholm Syndrome, are motivated soley by greed, or are a product of a failed educational symptom.
Here's my plea to not just the Authors Guild, but to humanity in general: Think about why you believe what you believe, and then logically and ably defend your beliefs. Everyone knows that publishers are being disintermediated by Amazon. And everyone knows that bigshot authors--those status quo bestsellers who have gotten fat off the gravy train--don't want publishers to become extinct. That position is defensible. Take that position. It reveals you as greedy, self-interested dicks, but it's honest. Trying to guise greed in the form of altruism is evil. Using the media for your propaganda is insidious. Repeating the same easily refutable nonsense arguments and accusations, over and over, without ever engaging in public debate, is embarrassing. If you really believe Amazon is bad, learn more about the situation, or take a closer look at your own motivation. I challenge anyone from the "huge number" who signed the Authors Guild letter to write a guest post for my blog about why they did, defending their point of view. You can even do it anonymously. Shoot me an email. Explain to the world why you sided with a bunch of morons. Prove that I'm wrong. Am I asking a lot? For you to justify your signature? Or are you someone who votes without knowing why they do it? Someone who makes decisions without thinking? Someone who eagerly wants to ban dihydrogen monoxide? Surely a single signatory out of that huge number has the guts to step up and explain, in their own words, why they want government intervention with Amazon, and what they expect will happen. My blog is yours. I'll be waiting....
Here's my plea to not just the Authors Guild, but to humanity in general: Think about why you believe what you believe, and then logically and ably defend your beliefs. Everyone knows that publishers are being disintermediated by Amazon. And everyone knows that bigshot authors--those status quo bestsellers who have gotten fat off the gravy train--don't want publishers to become extinct. That position is defensible. Take that position. It reveals you as greedy, self-interested dicks, but it's honest. Trying to guise greed in the form of altruism is evil. Using the media for your propaganda is insidious. Repeating the same easily refutable nonsense arguments and accusations, over and over, without ever engaging in public debate, is embarrassing. If you really believe Amazon is bad, learn more about the situation, or take a closer look at your own motivation. I challenge anyone from the "huge number" who signed the Authors Guild letter to write a guest post for my blog about why they did, defending their point of view. You can even do it anonymously. Shoot me an email. Explain to the world why you sided with a bunch of morons. Prove that I'm wrong. Am I asking a lot? For you to justify your signature? Or are you someone who votes without knowing why they do it? Someone who makes decisions without thinking? Someone who eagerly wants to ban dihydrogen monoxide? Surely a single signatory out of that huge number has the guts to step up and explain, in their own words, why they want government intervention with Amazon, and what they expect will happen. My blog is yours. I'll be waiting....


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To celebrate the reimagining of our Regent Street flagship store, Riccardo Tisci commissioned London-based artist Graham Hudson to create a unique and ambitious new artwork.
'Sisyphus Reclined', a specially commissioned interactive installation created for our Regent Street flagship store, was an ambitious exploration of life, death, psychology, AI, religion, humanity and much more. In Greek mythology, Sisyphus was the thief condemned by the gods to an eternity of pushing a large boulder up a hill only to have it roll down again. This story of the human condition was the central inspiration for Hudson's work. The three-floor scaffold structure in Regent Street featured robots creating sculptures, 3D scanning, mould-making and casting and even a gym – all referencing ideas of the body from classicism as well as our obsession with image and the narcissism of our age. 'It's a tale of life and death in sculptural form,' said Hudson. 'Of what it is to 'make', be that, objects, ideas, bodies and selves; how we make; ideas of how power and desire is structured; and thought processed.'
'The project pushed the physical capability of the building to its limit,' he said of 121 Regent Street which, fittingly, from 1888–1910, was a dedicated exhibition space called 'The New Gallery'. 'I was excited about Burberry's commitment to be open-minded about what was possible,' Hudson added. 'I think the fact that London has been a building site since the Romans arrived has been a creeping influence on my work. The scaffold and rubble, it's also a kind of acting – a façade. There's no such thing as a neutral space. There's no place that you can put an artwork that doesn't bring meaning. The context is everything. The store's history as a gallery and an auditorium was key to our early conversations about why this space was relevant and what could occur here.'
Hudson graduated from the Royal College of Art in 2002 where he had intended to make films but 'fell for the immediacy of art'. He was an assistant on Michael Landy's 'Break Down' in 2001, where he destroyed all his possessions 'with brutal sincerity and love'. In 2006, for a Henry Moore Foundation residency at Chelsea parade ground, Hudson built his own house and studio and lived there for eight months.Of his body of work, the artist said, 'We are not individual selves, we are environmental products – with no free will. I have no style. Actually, I think a lot of people would say that it has no style; an aesthetic of unfinished and broken.' His pieces explore subjectivity: he believes objectivity is 'a mirage' and personal experience, no matter how mundane. 'How you encountered the artwork will have a lot to do with your own life experience. Every experience affects our views, values and behaviour, from reading a book to sitting next to someone on a bus. Any creative output is equally tossed on the seas of random perception.'
'It's a tale of life and death in sculptural form. Of what it is to 'make', be that, objects, ideas, bodies and selves; how we make; ideas of how power and desire is structured; and thought processed.' – Graham Hudson

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SQL Profiler Tips and Tricks
If you're a developer who works with SQL Server, you probably already know about SQL Profiler, the graphical tool that lets you capture and analyzer SQL Server events in real time. If you're not familiar with this tool, check out my previous article, "Introduction to SQL Profiler". This time around, I'm going to drill a bit deeper into this useful tool, offering you ten more bits of SQL Profiler that you might not have noticed already.
1. Using Existing Templates
When you fire up SQL Profiler and tell it to create a new trace, it pre-selects some events, data columns, and filters for you. Before you start fine-tuning this selection, you should know that the SQL Server team has already saved some useful starting points for you in the form of trace templates. Instead of creating a new trace, select File, Open, Trace Template. SQL Server ships with trace templates for various purposes including simply counting stored procedures, tuning your SQL statements, and measuring the duration of T-SQL statements.
2. Creating Your Own Templates
Of course, the built-in trace templates won't be perfect for everything you want to do. Sooner or later you'll find yourself carefully crafting a SQL Profiler trace that has the exact combination of events, filters, and data columns that you need to diagnose some common problem within your own organization. When you do, you can stash this combination away for the future as a trace template of your own. Just stop the trace and select File, Save As, Trace Template and assign it a memorable name. The next time you need the same combination you can open up the saved template and have it instantly available.
3. Saving to a Table
One of the nice things about the SQL Profiler engine is that you can either capture data for interactive analysis right on screen, or save it for later inspection - and you don't have to decide up front which of those things you're going to do. Better yet, you can save a trace in the most natural possible place: right in a SQL Server table! When you've created a trace that warrants keeping around for future analysis, stop the trace and select File, Save As, Trace Table. You'll be presented with the Connect to SQL Server dialog box so that you can choose the server where you want to save the trace (this doesn't have to be the same server that you're profiling). Then select a database and either select an existing table or type the name of a new table, as shown in Figure 1. Click OK to save the trace.
4. Replaying a Trace
Saving your traces to a table enables one of the other exciting features of SQL Profiler: replaying traces. Select File, Open, Trace Table and choose a server to connect to that has a saved trace table. Open the trace table. Now you'll find that the commands on the Replay menu are active. Choose Replay, Start and SQL Profiler will let you choose a server to be the target of the replayed activity. Figure 2 shows the options that you can set for a replay.
Why would you want to replay a trace? Suppose you're debugging a problem with one of your servers - say, clients are deadlocking when running a particular set of queries. You can run SQL Profiler to capture a trace of the client activity that includes the deadlocks, and then rework the stored procedures on the server that you think are causing the deadlock. Replay the stored trace, and you can see whether your fixes were effective in preventing the problem from happening again.
To replay a trace, SQL Server must have certain event classes and data columns in the trace. The easiest way to make sure you have the minimum set in your trace is to start with the SQLProfilerTSQL_Replay trace template, which is one of the ones that's installed with SQL Server.
5. Using Breakpoints
When you're replaying traces, you can use some standard debugging tools to view selected events in slow motion. Place the cursor on any line in the trace and then click F9 to set a breakpoint (or click F9 a second time to clear an existing breakpoint). Then you can click F5 to run the trace to the next breakpoint. At that point you can use the F10 key to execute the trace one statement at a time. Alternatively, you can use Ctrl+F10 to execute all statements up to the current cursor location.
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- Publish date:
- Updated on
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- 1893
The World's Columbian Exposition closes in Chicago
October 30, 1893 is the last day of Chicago's World's Columbian Exposition, a great fair that celebrated the 400th anniversary of Columbus's arrival in the New World and offered fairgoers a chance to see the first gas-powered motorcar in the United States: the Daimler quadricycle. The exposition introduced Americans to all kinds of technological wonders—for instance, an alternating-current power plant, a 46-foot-long cannon, a 1,500-pound Venus de Milo made of chocolate, and Juicy Fruit gum—along with replicas of exotic places and carnival-style rides and games.
Four years earlier, the Universal Exposition in Paris had featured an elaborate display of steam- and gas-powered vehicles, including the Serpollet-Peugeot steam tricar, named for its three wheels and powered by a coke-burning boiler and a lightweight, petrol-fueled four-wheeled car built by the German engineer Gottlieb Daimler. The Chicago fair promised an even more impressive spectacle. Its Transportation Building, designed by Louis Sullivan, was crammed full: Pack mules and horse-drawn carts crowded next to bicycles and boats. Most exciting of all were the rows of massive American-built steam locomotives that towered over everything else in the hall. Trains, the Exposition's organizers seemed to say, were the transportation of the future.
Only one internal-combustion vehicle was on display at the fair, tucked away in the corner of the Transportation Building: another of the wire-wheeled, tiller-steered, one-cylinder platform quadricycles that Daimler had introduced to Parisian fairgoers in 1889. It was like nothing most Americans had ever seen and yet almost no one paid any attention to it. Reporters barely mentioned the Daimler car and it didn't even appear in the exhibition catalog.
But a few very important people did notice it and studied it closely. One was the bicycle mechanic Charles Duryea, who used the Daimler car as the inspiration for the four-wheeled, one-cylinder Motor Wagon that he built with his brother Frank. In 1896, the Duryea Motor Wagon Company became the first company to mass-produce gas-powered vehicles in the United States.
Another admirer of the Daimler car was Henry Ford, who returned to Dearborn after the fair and built an internal-combustion quadricycle of his own. (He called it his "gasoline buggy.") Ford drove his little car for the first time on July 4, 1896 and sold it later that year for $200. Just a few years later, he incorporated the Ford Motor Company and the automobile age had begun.


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We offer 14% commission on all of the products we sell and will be including an incentive program. All of our products are backed by the manufacturers' warranties so returns are very low. We offer both Live Chat & 1800 numbers on our website for any questions customers may have.
The Mountain Shop at KL Sport specializes in selling premier outerwear brands including The North Face, Mountain Hardwear, Cloudveil, and Black Diamond. We offer customers regular sales and free shipping for all orders.
Our affiliates will enjoy 10% commissions on all sales, which average $150. We also allow for 14 return days during which affiliates will still collect a commission.
This is an affiliate opportunity to promote the Woodgas Camp Stove line. Woodgas stoves are a clean burning and economical biomass alternative to outdoor cooking with propane or alcohol with an efficiency of up to 90% higher than other biomass cooking options.
The program is two-tiered paying 15% on the first tier and 5% on second tier sales.
Like an extra hand (but much smaller than your fist), the Magnet Gun Caddy conveniently holds your gun when you need to temporarily set it down. It holds just about any long barrel gun upright against your car (or any metal surface). The patent-pending design makes it possible to secure and remove your gun from the holder with just one hand. The Magnet Gun Caddy protects your gun and your car and is small enough to fit in your pocket – making it truly portable and easy to store.
We are looking for Affiliates passionate about hunting and/or shooting sports. The two-tier progfram pays 10% on the first tier plus 3% second tier. All sales are tracked through Mal's-ecommerce, a secure third party shopping cart and affiliate program tracking software company.
Introducing Insect Shield Repellent camp apparel – a remarkable tool in the battle against bugs. Insect Shield camp apparel provides effective, built-in and odorless protection against mosquitoes, ticks, ants, flies, chiggers, and midges (no-see-ums) including those that can carry dangerous diseases such as West Nile virus and Lyme disease. Insect Shield Repellent Apparel is EPA-registered and has been tested and proven to last through 70 launderings – the expected lifetime of a garment.
Affiliates earn 10% commission on sales.
Camping Life is dedicated to providing readers with informative articles about interesting destinations, products and activities to enhance their outdoor lifestyles.
We are offering our LinkConnector Affiliates a tiered commission structure based on monthly subscription volume, paying $8-$12 commission on sales.
Discount pool supplies including above ground pools, pool slides, pool chemicals and more. Save 30% to 70% on all of your pool supplies, every day at Aqua Superstore.
Affiliates earn 5% on all sales, with order value ranging from $300 to $2,800. Dedicated program management. We want you to succeed.
As a BrigadeQM partner, visitors to your website will have the opportunity to purchase superior quality products from a company that respects their customers, and gives back to the community by supporting non-profit organizations and providing an avenue for supporting our deployed troops.
Affiliate Program Highlights:


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The Medications Return Program enables the safe disposal of expired and unused medicines. To learn more, click here.
You may dispose of your old medications in an environmentally friendly manner including:
- All prescription drugs
- All over-the-counter medicines
- Natural health products
You may return your unused medications to a participating pharmacy or approved collection sites. View the program in place for your province for more information.
To learn more about how you can participate in the Medications Return Program click here.
Companies selling health products
To learn more about how you can join the PCPSA and make a positive difference for our environment, click here.
Read our latest bulletin from March 2012.
"Fish can't say no to drugs - bring your old meds to your pharmacist!"
We invite you to complete a short survey during the Pharmacists Awareness Month and a chance to win gift cards offered by Stericycle.
The MRP encouraged people to return their expired or unwanted medications to local pharmacies for safe disposal. When you complete the survey, you are automatically entered into a draw for $50.00 gift cards.
Winners will be contacted in May 2012. To complete the survey, visit


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Ray-Ban x Scuderia Ferrari RB3602M black sunglasses
The RB3602M sunglasses, created by Ray-Ban and Scuderia Ferrari, are distinguished by a super lightweight full metal frame and bold details.
The new ultra lightweight metal design is characterised by clean lines and a round silhouette. Equipped with innovative flexible hinges, these high-performance sunglasses are adorned with vibrant accents on the temple tips and nose pads for a bold racing vibe. The lenses are embellished with both the Scudetto Ferrari and Ray-Ban logos, whilst the unmistakeable Scudetto colours adorn the temple tips, making these sunglasses a unique choice for all Scuderia Ferrari fans.
- Round
- Lens diameter - bridge width: 51 mm - 21 mm
- Side length: 140 mm
- Composition: 50% Steel, 50% Glass
We offer Standard, Express and Next Day shipping: choose the service that best meets your needs at Checkout.
We also provide free pick up for your returns: you have 15 days from delivery to follow our quick and easy return procedure.


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Letter to House on Jobs -- District Information
June 25, 2010
Dear Representative:
An education jobs fund enacted as part of the emergency supplemental appropriations bill will save jobs and bring critical federal dollars to your district. As the attached congressional district breakdown shows, an education jobs fund will have a significant impact in saving education jobs, keeping students learning, and boosting the local economy.
Investing in education is a proven way to spur economic recovery. Education jobs and the additional revenue they foster have a ripple effect on job creation and economic growth:
- According to the Bureau of Labor Statistics, Current Employment Survey, education is the second largest industry in American, just behind healthcare with 13.7 million workers, and is the source of employment for 11.1% of workers on the nation's non-farm payrolls.
- According to the Economic Policy Institute, every 100,000 education jobs lost leads to the loss of an additional 30,000 jobs due to reduced consumer spending and less revenue.
Congress needs to act now. Students get only one shot at an education. It is not their fault they are in school during a devastating economic crisis. Education reform can't happen if there are no teachers in the classroom. Fulfilling the promise of public education requires investing in the quality staff necessary to make sure every student has the individual attention and assistance necessary to excel. In contrast, massive layoffs will lessen the quality of education a student receives -- a result that may prove irreversible in the long-run.
Funding education jobs now is an investment in our nation's future – helping to ensure an educated workforce and citizenry for the 21st century. If we don't pay now, we will pay later in the form remediation costs for a less prepared, less competitive workforce, and an increased demand for social safety net spending. Unemployment numbers remain at record levels. Adding hundreds of thousands of educators to the unemployment rolls will cause the rate to rise even more, and increase the number of people who need unemployment benefits and COBRA subsidies.
This crisis demands immediate action. Our students, our communities, and our nation as a whole cannot afford the price of any further delay. Congress must pass an education jobs fund as part of the emergency supplemental bill.
Kim Anderson
Director of Government Relations


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This Falcon ¼ Zip Top is a top seller and excellent unisex item for your childs sports school wear needs. The Falcon ¼ Zip Top is a coordinated product meaning we stock the matching football shirts, polo shirts, long sleeve top, hoodies, shorts, trousers and socks! The PolyCotton blend makes this item soft but durable and also easy to wash at 40°, music to every Mums ears!
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