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Alien: Resurrection
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Topic: Alien: Resurrection (Read 44246 times)
Shining Force
Alien: Resurrection
Reply #15 on:
February 07, 2003, 06:45:58 PM »
ehhrr... well, I seriously think that this is the best part of the whole series.
Alien: Resurrection
Reply #16 on:
November 25, 2006, 04:09:49 PM »
This was obviously a Frankenstein creation about as succesful as 'skunkappotomus'. The talent was there but I have to agree with ernst: this was not good chemistry, for whatever reason.
Sometimes successful writers or directors get away with taking audacious risks that result in great achievements. Other times, people let them do things that just suck. In this movie, it was the latter. (SF, you are just soooo wrong on this one.)
But I don't think it was any worse than Aliens 3, the prison one. Damn, I've crapped more colorful product than that movie. At least Alien Resurrection had some entertaining moments. At least crap provides some satisfaction, and you get to flush it. Aliens 3 was just an unpleasant waste of time. And not a GOOD 'unpleasant waste of time'.
Alien: Resurrection
Reply #17 on:
November 25, 2006, 04:09:49 PM »
yep i agree with the review-horay... y? because i went online searching for other reviews that echoed my thoughts BUT to my dismay they never really pointed out the flaws that this review did.
Alien-top movie, kinda horror in a tight space, on a big fu*king ship where only a handful of crew inhibit...
aliens- testosterone to the max... lots of action, cool weapons and hardass top marines (like hicks/hudson/vasquez) and it doesn't lose the essence why aliens are bad news. Oh and it also gives us a better insight into the alien (hive) nature.
alien3- boring, very boring, coupled with actors that could have done much better, weak storyline that doesn't try to develop any other characters. Newt/hicks/bishop dies before the movie started (all of ripleys efforts are lost!), best part was when she dies in the pool of lava holding the alien b***h.
alien Res- well a few comments...
1) its debatable as to which was worse 3 or 4 and i say both r crap... some good bits from both BUT they're crapness overshadows them.
2)I think they relied too much on the humour side of it all... i mean one or two punch lines would have been ok (of course totally hilarious would make u think it was a comedy but kinda darkish type-if there was such a thing)
I never liked the funny side of things to a would be serious movie... i remember in the cinema everyone laughed when the general awoke from the bed with bodily hair like a monkey.
3) Everyone was more or less s**te except for weaver, the worse being winona (man never really liked her anyhow, I think if they chose better actors it would redeem the movie... slightly BUT who would go for it??? the movie was such a bag of pants!
4) remember real bishop? well it looked like he had the technology and knowledge to do the cloning at the time of the 3rd movie... what i'm trying to say is that, make a movie time-lined 200 yr later?? u'd expect the sophistication of technology and weapons would be far suprior compared to the times of aliens/alien3 but it isn't or at least it doesn't seem like 200 yrs worth of technology, its just utter s**te! in my opinion bring back bishop experimenting on ripley in the not too distant future, lets say 6-8 yrs from alien3 would have been better, coz then u'll have a mad scientist developing aliens to SELL to anyone to highest bidder...
5)under water aliens scene was ok... i think that i still prefer those dark looking aliens than to see some new evoled alien species.
ok lastly... for all alien fans, i think I would prefer to recognise only the first 2 movies as the alien trilogy and prefer to dump the last 2. It would have been ok to redeem the trilogy after alien3 by making alien 4 where she wakes up straped to a medical bed and a geek is exerimenting her .. or whatever (only an idea) - but then again my english teacher of old told me never to begin or end a story as if it was a dream... look what they did to wizard of oz... it did ok didn't it??? lol contradicting myself.
alien 5 i suppose is probably not going to thrill me, the last alien movie didn't really leave much to ponder on. If an alien survived then oh s**t earth is doomed and no matter how perfect ripley is nothing can be done UNLESS they make it where they have to bring in the entire marines (horay :D) back again to secure vital areas of earth, then we'll have guns and stuff.
IF there were no surviving aliens then 'oh happy days... happy days', no more aliens (good because they can't make the franchise any crapper. Bad because... NO MORE ALIENS)
oh and i like ripley in alien/aliens- i think it just makes her more human and we can somehow relate to her feelings, whereas new super ripley just makes her out to be somekind or marvel super heroine..
alien vs predator does sound good... and it would spark of the question of 'which species is better?', don't ask me which one is better, still deciding.
aiiiieeeeeeee my brain is hurting... laterz
James Perry
Alien: Resurrection
Reply #18 on:
November 25, 2006, 04:09:49 PM »
I love it when there are movies almost everybody but me hates. The last 2 Alien films are in this catagory. I thought the 3rd was somewhat suspenseful and had some very good acting all around. It nowhere near matched the instant classic of the first 2 but it was still a good time in my opinion. Resurrection looks great. I would pay $8 and buy popcorn to watch Winona Ryder wallow in dog excrement. She's freakin' cute here! Not quite Mermaids cute or Great Balls of Fire cute...but cute enough for me to buy the whole DVD set. I'm also forgiving for the director who did a great just with SFX and production design. This would be an A picture if they'd stuck with the weirdo storyline from the beginning with the scientists. Instead it turns into a sort of run-from-the-creature feature. When I first saw it I loved it...and still do. Weaver is a little too freaky here, however. I was glad she did Galaxy Quest to kind of prove she could still play the sexy female role like she did in the original Alien and Ghostbusters.
Anyway, I'm in the minority when I say I like this film. Visually striking in almost every scene. I can't wait for Alien 5!! Terminator 3 happened...time for Alien 5.
James Perry
Alien: Resurrection
Reply #19 on:
November 25, 2006, 04:09:49 PM »
One more thought...wouldn't a Dawn of the Dead type Alien film be great? Aliens instead of zombies?
Alien: Resurrection
Reply #20 on:
November 25, 2006, 04:09:49 PM »
When Elgyn seperates from the group to investigate the strange noises, I was reminded of the scene in 'What Waits Below' (reviewed by Andrew) where Santos lets his curioisity get the better of him and as a result gets bitten by a monster. I'm aware of the 'man-wanders-off- and-gets-et' genre cliche, but there's such a similarity that I wonder if one was an influence on the other.
It's when this happens in a film that you wonder if the writer himself wasn't distracted by something and consequently failed to come up with a decent ending.
Alien: Resurrection
Reply #21 on:
November 25, 2006, 04:09:49 PM »
This is one of those movies that makes you hate Hollywood. The 'Alien' series ended on a great (albeit very down-beat) note, very tragic and fulfilling... and then in mosies A:R, a horrible new chapter to revive the franchise. It was bad in so many ways- RUINING the series, adding plenty of dreary characters and the utterly craptastic Newborn idea. The music really got under my skin too, for some unknown reason, and bothered me the whole way through. There was never a suspenseful moment, or even a single one where you sympathize with any of the characters. The Aliens were well done, but shown in the light way too much (in addition to the CGI, ugh).
The thing that really burned me, though, was the Christy (is that the name?) death sequence. The Alien launches itself out of the water, stays in place on the ladder, swaying, doing nothing. It was retarded- that Alien would rushed up the ladder and torn both of them apart, but No-oo. In a completely unrealistic moment, Christy gets shot in the face with acid... and practically nothing happens. That big gorilla moron flips back on the ladder and shoots like a dips**t, and then nails a spider in a web. It was the tackiest, stupidest, most insulting, most damaging scene in any science fiction film EVER!
Alien: Resurrection
Reply #22 on:
November 25, 2006, 04:10:12 PM »
I actually watched this file in the cinema when it first came out years ago and again for the second time just last night. I agree with the review. Of all the Alien movies, this one reeks. One thing I will point out in the review that is not quite accurate: the science vessel was not programmed to crash into earth initially, only return there. Ripley made Call redirect "Father" (the ship's computer) to crash the ship as they had used to much energy in the rapid (3 hour) return to actually blow the ship up. Must have had some sort of super-hyper-ultra drive to get back from "unregulated" space to Earth sub 3 hours...
<rolls eyes>
Alien: Resurrection
Reply #23 on:
November 25, 2006, 04:10:12 PM »
Aaaw c'mon. Its an Alien movie. Why the hell did you give it a skull? At the least it deserved two blobs. By giving it a skull you are stating that this film is worse than the "howling" movies and "up from the depths"
Alien: Resurrection
Reply #24 on:
November 25, 2006, 04:09:03 PM »
What do you get when you cross the co-director of Delicatessen and the Alien franchise. You should get a unique cinematic experience but instead you get this junk. The makers of Alien Resurection could have made art, but instead rely on formula for profit.
Dave Munger
Alien: Resurrection
Reply #25 on:
November 25, 2006, 04:10:12 PM »
They should have left Ripley dead and brought back Newt. The movies aren't called "Ripley", why can't someone else fight the Aliens? I may have mentioned this before, but at the end of #2, when they're going into coldsleep, Newt asks, "Will we dream?" I say that means the next two movies were nightmares Newt had in coldsleep. Either way, they could have said that her pod was ejected and picked up by pirates or something, and she grew up to be a mighty Alien slayer. I do like the idea of having space pirates, it seems consistent with the way the future is in these movies.
Alien: Resurrection
Reply #26 on:
September 26, 2004, 06:59:09 AM »
Alien Resurrection is just weird, the first two films are the best but when they got to making this movie the plot had just gone weird, there was clones of ripley, weird deformed bodies, ripley actually being related to the aliens, a creature that is half alien-half human. I didnt even think very much of Alien 3 but this film is by far the weakest of the series, compared to the first classic movie it was a failure. This film is also very unrealistic in some ways too particularly in the underwater sequence, were supposed to believe that they can scream and fight underwater for that long? i doubt they could, especially when most of them are also carry big looking guns and one guy is even swiming with the weight of another guy on his back.
Alien: Resurrection
Reply #27 on:
November 25, 2006, 04:09:03 PM »
I hate this movie!
They spoiled a great character as Ripley. How can they give her alien capabilities when she said that she hates aliens??? What a contradiction...
Alien: Resurrection
Reply #28 on:
November 25, 2006, 04:10:12 PM »
I don't know, I thought the following lines were not bad:
Space Pirate: "Ripley, I thought you were dead!"
Repley: "Yeah, I get that a lot."
Bad Movie Lover
Karma: 46
Posts: 887
Re: Alien: Resurrection
Reply #29 on:
December 01, 2007, 11:20:14 PM »
I enjoyed it when I saw in theaters. Haven't seen it since then, will probably watch it soon.
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subset: commoncrawl


text:
September 28, 2011
Bruce Venzke & Gail Grabowski
Theme: Sue the Bastards — The first words of the theme answers form a familiar phrase related to the legal profession.
Theme answers:
- 20A: *Test that sounds easier than it often is (OPEN-BOOK EXAM).
- 26A: *"End of discussion" ("AND THAT'S THAT").
- 36A: *Z's (SHUT-EYE).
- 43A: *Thing to do before a heist (CASE THE JOINT).
- 51A: What the first words of the answers to starred clues describe (LAWYER'S DREAM).
Today's theme made me chuckle because it reminded me of a story PuzzleDad once told me:
After a 107-77 win over Kentucky Wesleyan, the preseason No. 1, in the semifinals of the D-II tournament, a television reporter asked University of Northern Alabama Coach Bill Jones if in his wildest dreams he'd thought he'd score the win in that fashion.Bullets:
Jones replied: "My wildest dreams don't include basketball."
- 6A: State secrets? (BLAB). We see a couple grammatical tricks in today's clues. In this clue "state" is a verb. And over at 60-Down, "retiring" is an adjective (meaning SHY).
- 14A: Logger's competition (ROLEO). Learned this one from crosswords. Can't imagine I'll ever have occasion to use it in real life.
- 17A: Bottomless pit (ABYSM). I had ABYSS here at first which caused me some trouble.
- 31A: Symbol of strict control (IRON HAND). For some reason I wanted this to be IRON FIST. Is that a phrase too? I don't have time to look it up.
- 63A: Corkers? (IRISH). Cute! County Cork is in Ireland.
- 7D: Trunk attachment (LIMB). Anyone else get stuck picturing an elephant's trunk? What the heck would "attach" to that??
- 8D: Chow chow (ALPO). The first "chow" is a type of dog. The second "chow" is a synonym for food.
- 9D: Affectionate gesture con los labios (BESO). No idea what "labios" means. Affectionate gesture with one's labels?
- 23D: "Bullying is __!": school rule (A NO-NO). I'm guessing the kids who are prone to bullying will also be prone to mocking this phrase.
- 44D: Cape May County weekly (HERALD). Random!
- 46D: Foster's dream girl (JEANIE). Awesome.
- 1A: Olds compact (ALERO).
- 10A: "Casablanca" character (ILSA).
- 61A: Hindu royal (RANI).
- 1D: Notre Dame's Parseghian (ARA).
- 3D: Bridge guru Culbertson (ELY).
- 21D: Greek vowel (ETA).
- 53D: __-Ball (SKEE).
- 54D: Manuscript marking (DELE).
Everything — 1A: Olds compact (ALERO); 6A: State secrets? (BLAB); 10A: "Casablanca" character (ILSA); 14A: Logger's competition (ROLEO); 15A: Get to (RILE); 16A: Like Switz. in WWII (NEUT.); 17A: Bottomless pit (ABYSM); 18A: Strike callers (UMPS); 19A: Major-__ (DOMO); 20A: *Test that sounds easier than it often is (OPEN-BOOK EXAM); 23A: Fill with bubbles (AERATE); 25A: Major stories (EPICS); 26A: *"End of discussion" ("AND THAT'S THAT"); 30A: Weather map figures (LOWS); 31A: Symbol of strict control (IRON HAND); 35A: Cycle opener (UNI-); 36A: *Z's (SHUT-EYE); 39A: Compete (VIE); 40A: She has a memorable smile (MONA LISA); 42A: Hamlet, for one (DANE); 43A: *Thing to do before a heist (CASE THE JOINT); 47A: Scrub, at NASA (ABORT); 50A: Either "Cathy's Clown" singer (EVERLY); 51A: What the first words of the answers to starred clues describe (LAWYER'S DREAM); 55A: Genesis victim (ABEL); 56A: Swedish furniture giant (IKEA); 57A: Egg holders (NESTS); 61A: Hindu royal (RANI); 62A: Tumbled (FELL); 63A: Corkers? (IRISH); 64A: Howard's wife, to the Fonz (MRS. C); 65A: Offended, with "off" (TEED); 66A: Homework assignment (ESSAY); 1D: Notre Dame's Parseghian (ARA); 2D: Tennis tactic (LOB); 3D: Bridge guru Culbertson (ELY); 4D: Vacation destinations (RESORTS); 5D: Brass band sound (OOM-PAH); 6D: Brown-haired boy (BRUNET); 7D: Trunk attachment (LIMB); 8D: Chow chow (ALPO); 9D: Affectionate gesture con los labios (BESO); 10D: Thorough (INDEPTH); 11D: April 1605 pope (LEO XI); 12D: "Poison" shrub (SUMAC); 13D: Elemental bits (ATOMS); 21D: Greek vowel (ETA); 22D: "The Family Circus" cartoonist (KEANE); 23D: "Bullying is __!": school rule (A NO-NO); 24D: Dickens's Drood (EDWIN); 26D: Homecoming guest (ALUM); 27D: Occupy, in a way (SIT AT); 28D: Roman numeral (TRE); 29D: Today, in Toledo (HOY); 32D: Help (AVAIL); 33D: Dolt (NINNY); 34D: Bug bugger (DEET); 36D: November ticket (SLATE); 37D: Embroidered word (HIS); 38D: Put to the test (USE); 41D: Painter's medium (ACRYLIC); 42D: Half-story windows (DORMERS); 44D: Cape May County weekly (HERALD); 45D: Time for celebration (EVE); 46D: Foster's dream girl (JEANIE); 47D: Security device (ALARM); 48D: Kid-lit elephant (BABAR); 49D: "Hee Haw" host (OWENS); 52D: Break (RIFT); 53D: __-Ball (SKEE); 54D: Manuscript marking (DELE); 58D: Family nickname (SIS); 59D: Org. with body scanners (TSA); 60D: Retiring (SHY).


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HAGART wrote: Great minds think alike! I actually did this and shared my experiment on this forum. I thought I was original and came up with it first, but even Summerlander had tried it long before me. It's an easy, simple experiment for anyone prone to "out of body dreams". I call it, (OBE... Out of BED Experience) . I wasn't successful, and concluded that I was only in a WILD. I had another two this morning. I have a very realistic feeling of a body and can touch things, feel the cold snow, and wet water, but it was clearly a dream since it is almost June here and getting hot in real life!
Here's a link to that experiment right here in this forum in the Science Section:
Just because I couldn't do it in my 2-3 attempts doesn't mean I disproved it either. I should setup a deck of cards and try again! Reading it again, I was overly scientific, but that's because I didn't want any loop-holes and wanted to be precise. But I couldn't help but lace it with some of my conspiracy theories, I can't help it.
Cool! I'll check that thread, thanks for sharing your experiences! I joined a few weeks ago and I am very behind in exploring the large amount of info available on this forum.
I too love a sprinkle of conspiracy theories, LOL! Makes everything more interesting, but I avoid over-indulging or being sucked into it (been there, done that).


text: After upgrade to lateste 3.0.5 version today I get the error below when I try to acces ISPConfig webpage at https://192.168.0.10:8080 as usualy. I run CentOS 6.3. Other sites working OK. Internal Server Error The server encountered an internal error or misconfiguration and was unable to complete your request. Please contact the server administrator, [email protected] and inform them of the time the error occurred, and anything you might have done that may have caused the error. More information about this error may be available in the server error log.


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Special Report Day 3 | The Affordable Care Act: The Illinois Health Insurance Marketplace will be one of the proving grounds of Obamacare in 2014 and beyond, and the system isn't expected to work flawlessly the first year. The federal government has given Illinois almost $155 million to set up the marketplace, also known as a health-insurance exchange. An additional $70 million in federal funds will be spent in Illinois on marketing, promotion and consumer-assistance programs to help the public learn about and sign up for the exchange.
This is the third day of a five-day series where SJ-R heath care reporter Dean Olsen examines the Affordable Care Act and its expected impact. This series will be posted in its entirety at http://bit.ly/ACAseries. If you have questions about the ACA, email them to firstname.lastname@example.com. Olsen will round up the best questions and publish the answers in the newspaper and online in the coming days.
The Illinois Health Insurance Marketplace will be one of the proving grounds of the Affordable Care Act in 2014 and beyond, and the system isn't expected to work flawlessly the first year.
"It's a convoluted health-care system that we have. It's not an easy thing," said Jim Duffett, a supporter of the ACA and executive director of the Champaign-based Campaign for Better Health Care.
The federal government has given Illinois almost $155 million to set up the marketplace, also known as a health-insurance exchange, and the feds will fund the marketplace's online portal for an enrollment period scheduled to begin Oct. 1. An additional $70 million in federal funds will be spent in Illinois on marketing, promotion and consumer-assistance programs to help the public learn about and sign up for the exchange.
Coverage will begin Jan. 1, and an estimated 70 percent of enrollees will qualify for out-of-pocket costs reduced through federal subsidies.
Because the General Assembly hasn't been able to pass a bill establishing a state-operated exchange, the administration of Gov. Pat Quinn, which supports a state-operated exchange, agreed to a state-federal partnership for at least the first year.
Navigating the maze
The marketplace portal will provide comparisons of the four different tiers of coverage to be sold. The marketplace will dole out cost-reducing subsidies to insurers and individuals as well as keep track of the transactions, daunting tasks that will involve the Internal Revenue Service and state regulatory agencies such as the Illinois Department of Insurance.
With information typed in by applicants, the portal is supposed to determine whether people are eligible for Medicaid, and if so, transfer them online to the state agency that will help them sign up for that program. There are questions about how seamless that handoff will be, at least initially.
Also unknown is how federal officials will respond if they eventually determine that some applicants for coverage shouldn't have received subsidies. Applicants could have experienced a change in income, or officials could conclude, after the fact, that the applicant's employer offered coverage that fell within guidelines for affordability.
Whether all enrollees in these situations will have to repay subsidies they received or whether forgiveness will be offered the first few years, are unanswered questions, according to Laura Minzer, executive director of the Illinois Chamber of Commerce's Healthcare Council.
The federal government will staff a call center to help answer such questions for potential enrollees after Oct. 1. The state plans to operate a call center of its own offering guidance, according to marketplace director Jennifer Koehler.
The federal government plans to award $2.3 million in contracts, and Illinois officials recently awarded $27 million in federal grants, to fund "navigators" and "in-person counselors," respectively, who will work for local groups such as hospitals and other not-for-profit organizations around the state to help people choose the right plan in the marketplace.
Among the recipients of grants for services to central Illinois residents were the Springfield Urban League ($288,999), Campaign for Better Health Care ($250,000), Illinois Association of Community Action Agencies ($500,000), Southern Illinois Healthcare Foundation ($450,000), and Illinois Association of Public Health Administrators ($5 million).
In addition, Central Counties Health Centers' Springfield site received $132,249 in separate federal funding for outreach and enrollment assistance related to the ACA. Southern Illinois University School of Medicine's Center for Family Medicine in Springfield received $64,775 in federal funds for the same purpose.
Nothing is 'perfect'
Details on the insurance plans and insurers to be involved in the marketplace could emerge in late August or September, though the Quinn administration says six insurance carriers have proposed selling a total of 165 health policies. Quinn aides won't release more details, and many insurers won't say whether they have submitted plans.
Health Alliance Medical Plans, Aetna and Blue Cross and Blue Cross of Illinois confirmed they have proposed coverage to be sold through the marketplace. So has not-for-profit Land of Lincoln Health, the only "consumer-operated and oriented plan," or co-op, to receive federal approval as part of the ACA. Land of Lincoln also received a $160 million federal startup loan.
Land of Lincoln chief executive officer Dan Yunker said the co-op's lack of a profit motive could provide competition to keep the price of coverage low in the marketplace. "Pricing is going to be very important," he said.
Duffett contends that Illinois can deal more quickly with any unforeseen implementation problems by having a state-operated insurance exchange rather than a state-federal partnership.
A bill that would put a state-operated exchange in place in 2015 passed the Illinois Senate with no Republican votes but never was called for a vote in the Democratic-controlled House this year. The governor has said he supports a state-based exchange.
If the legislature fails to pass the bill in the fall veto session (Oct. 22-24 and Nov. 5-7), inevitable problems with the startup of the ACA's key provisions in 2014 will make state lawmakers scared of supporting a state-based exchange for at least another five years, Duffett said.
"Nothing is going to be perfect," he said. "If we have a state-based exchange, we will have more power to change it."
But lawmakers in the Illinois House may be even less willing to support a state-based exchange with parts of the ACA's implementation still in flux, Minzer said. She was referring to the recent decision by President Barack Obama's administration to delay for a year the ACA's penalties on certain employers that offer no insurance or coverage that is considered inadequate or too expensive.
The state chamber isn't supporting a state-based exchange as currently proposed in the bill that the Senate passed and Duffett's group supports.
Duffett, however, said the delay in penalties on employers has "no impact on a state exchange."
Brief head: Confident in Obama
Lynn Williamson isn't worried about potential problems with the state's insurance exchange or other parts of Obamacare.
A former field organizer for Obama's campaign organization, Williamson, 49, a Springfield resident, is uninsured and working full-time as a case manager for the Springfield Urban League's summer youth program. The job came with no health benefits.
Williamson explained the benefits of Obamacare to prospective voters before Obama's re-election in November. In recent months, she has received care at SIU and through the Sangamon County Medical Society's Coordinated Access to Community Health Program for the uninsured. She said the local programs are "a blessing."
"I don't think it's fair that Americans have to die in the street because they don't have health coverage," she said. "It is unacceptable."
If Williamson doesn't have a job with health insurance in the near future, she said she expects to find affordable insurance through Illinois' marketplace or qualify for the Medicaid expansion.
"Either way, I'll be insured," she said. "I'm confident in my president."
Dean Olsen can be reached at (217) 788-1543. Follow him at twitter.com/DeanOlsenSJR.
Enrollment projections for Illinois Health Insurance Marketplace
Year Individual Small Group* Total enrollment
2014 337,000 149,000 486,000
2015 489,000 203,000 692,000
2016 714,000 329,000 1,043,000
2017 933,000 357,000 1,290,000
2018 946,000 403,000 1,349,000
2019 952,000 443,000 1,395,000
2020 958,000 443,000 1,401,000
*Small Business Health Options Program
Source: Deloitte LLP. More information is available at http://bit.ly/statemarketplace.


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K200D Discontinued
The K200D has been put into the list of discontinued DSLRs at Pentax Japanese home website:-
http://www.pentax.jp/english/imaging/digital/slr/others.html (English page)
http://www.pentax.jp/japan/imaging/digital/slr/others.html (Japanese page)
Since the K200D was put onto the market in fall February 2008 (see this announcement), the product life of it is only 9 months.
Recently, the K200D has been sold damn cheap, at around HK$4,000 (US$500) for the single lens kit set (with the DA 18-55 II) and less than $3,600 (US$450) for the body alone, which is even cheaper than the K-m which is placed lower in the Pentax camp.
Indeed, I did predict on day one that the K200D would not be a success, owing to the marketing shortsightednesses of Pentax (and actually Hoya), all which I had talked about and analyzed for why, much earlier here. Actually, it has been proven that the K200D is undoubtedly just a market failure and with such a very short product lifetime. In contrast, the elder Nikon D60 and Canon 450D are still here and they are still selling like hot cakes, aren't they? Why? Well, this market failure did not have no trace, just look at what I reported in July about an Internet Poll which showed that the K200D was the least popular or just the least wanted entry level DSLR body, and that did verify once again that the K200D was just a fault and mistake of Pentax/Hoya in the very beginning.
Frankly, Pentax/Hoya should not have wasted their efforts, money and time in making such a K200D (the basic "logics" behind are mostly faulty, I would say again, who wanted a bulky and heavy but weather sealed body at an initially higher than average "entry level" price but without a matching weather sealed "entry level" priced *kit* lens?? Amazing and unbelieveable market positioning and rationales??). What I firmly believe is that they *should* have created, produced and marketed a K-m alike DSLR back to February this year (or actually should be even earlier). Now, fortunately, they have still made the K-m, but unfortunately I am afraid that it is just a bit too late and the most worrisome thing is that the K-m has no updated features as it should have, especially for what it is targeted at those DSLR beginners who mostly have just used a P&S or a prosumer DC, say, the LiveView and those associated *standard* features like Live Histogram and Face Detection and so on.
Anyway, to look at the bright side, anyone and I could *imagine* that there will be a K300 coming soon which is about to replace the K200D (I guess Pentax have opted to drop the "D" letter from now on, as the K2000 is actually not named as the K2000D - there is no "D", against what quite some people still mis-spell and/or mis-type it). However, objectively thinking, I bet the K300 would not happen in the near future. It is because it is just not something that is desirable by Pentax/Hoya to keep more DSLR models in production as it would incur more production costs, business risks and other financial burdens. The reality is just that there is already not much market share left for Pentax to support their current products. In this case, they could be just much happier to group all the existing limited and tiny groups of purchasers for both the K-m and the K200D rather than to split them into two!
Well, it also recalls me of the last Pentax high-ranked official's funny and unrealistic speech of a "lower class entry level DSLR" (the K-m) and an "upper class entry level DSLR" (the K200D)!? And, his September claim of three hierachies of DSLRs has now vanished?
Finally, now if the exposure accuracy of the K-m is really debugged somehow and be better (as it seems to be so far - read my recent blog entries for those preliminary findings) than that of the K20D (which still looks problematic in this department, just like what all other previous Pentax DSLRs have been found to be, no matter from what many different Pentax DSLR users (mostly new) have reported (do searches at Google and other Pentax forums for those) or just look at my this simple and direct analysis), *should* the K20D be also discontinued soonest and be replaced by something that up-to-the-standard (of all others)?


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10 Horrifying Lyrics from The Weeknd + Live Video of "Can't Feel My Face"
Photos, Words and Video by G.
In the 1980s when I was a kid and I turned on the radio to the current pop music stations, I vividly remember my parents thinking our music was "just a bunch of noise" in comparison to the classic rock and roll of the era they grew up in. Years later, we gained an appreciation of each others music primarily based on the lasting effects both kinds of music had on the world. I've always tried to stay current on the latest in music and in the streaming music generation and it gets harder and and harder to find music that I could find myself wanting to listen to one time, let alone over and over again. I have found myself retreating to "obscure indie bands" so that at a minimum, I can listen to music being made and sung by actual musicians. I am really not a fan of the autotune world we live in, where it takes over 5 writers to compose the most simplistic and banal lyrics imaginable. I have also found that mainstream radio, which I used to enjoy so much, is so offensive to my ear drums, I'd rather listen to silence than what the current pop channels have to offer.
With that being said, for a lot of the modern music super stars, I am familiar with their names (primarily because they can't seem to keep out of the scandal pages for being despicable people – but we'll save that discussion for another time), and I find I don't know the music that makes them famous. When a name keeps popping up, I often take a chance and go see them live and I experience their music for the first time when they are standing before me. Also a discussion for another time – try it some time. It really takes you out of your comfort zone and I can say from doing this hundreds of times, there are not a lot of people that are willing to take this chance. When I did this for Miley Cyrus last year, I found myself feeling like an "old person" as I was completely shocked at how bad her music was (despite thinking she had a good voice) and also what a bad role model she is for teens, her main audience, who attended the concert without parental supervision, dressing up like complete sluts and in winter time, no less! Trust me, I am one of the most liberal people you'll ever meet and I found myself cringing with horror, which messes with my head because it makes me feel like I am an old person who is judging the youth.
Enter Abel Tesfaye, also known by his stage name: The Weeknd (sic). Three of his songs slipped onto my radar: "Nocturnal," a dance track with Disclosure, "Prisoner," a duet with Lana Del Rey (a track I don't really care for, but I like Lana's vocals) and "Can't Feel My Face," an uptempo track that almost rips off the music for a song called "Jaded" by Soul Decision verbatim (but I like that song). That was enough for me to go see The Weeknd, who played 4 sold out shows at New York arenas (2 at Madison Square Garden and 2 at Barlcays Center in Brooklyn). If a performer can play to approximately 70,000 people over the course of 1 week, his music must be something special, so I took a chance and went to see him at Barclays Center on November 19, 2015.
At the conclusion of The Weeknd's show, I found that he has a decent voice and I enjoyed the light show that included explosions and fire. What I didn't enjoy was walking out of the concert feeling dumbfounded in a similar manner (but with different circumstances) like I did when I left the Miley Cyrus concert a year ago at the same venue. I should also point out that I do my best to avoid the news, but occasionally, items hit my radar, typically after they are discussed ad nauseum. One such item is "Black Lives Matter." It's hard to escape that sound byte. With what little I know on the matter, one way to make that so is for all of us, black, white or green to start treating each other with respect. Seems like a no-brainer to me, but to the 70,000 that sang along word for word to songs by The Weeknd, the so called "N-Word" was uttered so many times that I lost count. In my opinion, it sets any progress this movement might have made backwards by leaps and bounds and not only is this guy selling out arenas, but he is also winning awards for his music! WHAT??? Nearly every song is bragging about being high out of his mind, fucking, beating up and degrading bitches (his words, not mine) and causing havoc with his niggaz (his words, not mine). Sounds like he should be in jail instead of being celebrated as the "new Michael Jackson." This is like a Kathy Bates in Misery moment, where you want to shout "HAVE YOU ALL GOT AMNESIA!?" Do parents know what their kids are really listening to? And if so, Madonna and 2 Live Crew are owed an apology because at the time, they were mocked for being too scandalous and that stuff could be taught in church in comparison to what The Weeknd was telling his followers! So with that, I decided to compile a list of 10 of the most horrifying lyrics I heard at The Weeknd's concert. The items that make the list are included for their horrifying lyrical content, because if we wanted to do one with all the bad grammar and misspelled words, we could be here for days.
After the jump, see if you are as horrified as I am or if you think I am an oldster that needs to get with the times. Please let me know in the comments section, and include your age if you would, please.


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One (Gay) Man, One (Single) Woman :: Jonathan Lisecki on 'Gayby'
In the fantasies of some extremists, the universal (and only acceptable) recipe for a family is one man, one woman, and their offspring. Real life tends to be more complicated, of course, what with divorced mothers and fathers remarrying and blending their broods, not to mention single mothers and fathers, and adoption, and--the biggest bogeyman of all to hysterical homophobes--gays and lesbians actually having kids of their own. Oh, the horror.
Look beyond the reactionary fear and loathing, however, and the general picture that emerges from "non-traditional" family configurations is one of loving couples sharing their lives and attentive parents tending to their children. It's devotion and commitment, rather than sexual dynamics, that make a family.
As society progresses, so-called "alternative" families are starting to see themselves represented in the media, as with the two adoptive dads on the popular TV show "Modern Family" or the lesbian moms in the movie "The Kids Are Alright," whose son and daughter are the products of the same sperm donor.
Writer-director Jonathan Lisecki throws the cinematic door open a little wider with "Gayby," a movie in which a single straight woman, Jenn (Jenn Harris), tired of waiting for a suitable husband to come along, turns to her gay best friend, Matt (Matthew Wilkas) for help in the mommy department. A zesty comedy ensues, as the would-be parents, still looking for romantic love, carry on with their dating lives but make a point of ending the evening in bed together as they attempt to conceive the old-fashioned, low-tech way.
Though "Gayby" started off as a short film, the new feature-length version feels completely integrated. There's no sense of anything having been tacked on; Lisecki has developed his world and his characters more completely, rather than simply padding out the extra minutes. Jenn and Matt are surrounded by riotous companions like Nelson (Lisecki), Matt's friend, a gently ironic presence who has decided to become a bear, and Jamie (Jack Ferver), Jenn's pal at work, whose funny, catty quips are delivered in a rapid-fire deadpan fashion.
Jonathan Lisecki chatted with EDGE about the film, its balance of comedy and politics, and the small village of friends and colleagues it took to create this cinematic gem.
A Tight Script
EDGE: "Gayby" was originally a short film. Now you have expanded the idea into a feature, using the same two main characters and actors from the short. What went into the process of writing additional material to create the new, feature length version?
Jonathan Lisecki: I think of them as separate projects, in a way. It was always a story first regardless of what form it would take.
When I first came up with the basic idea for "Gayby," I had the resources to make a short much more easily than a feature. As the short played all over in various festivals, audiences started repeatedly asking for more, and my producers became interested in helping me make a feature.
I found it very easy to expand the same idea into a longer format. But in each case it was a story that I presented as best I could at the time.
EDGE: Did you use any of the short film's footage in the feature, or is the feature a from-the-ground-up, all new production?
Jonathan Lisecki: No, you can't really reuse old prior footage unless you're doing flashbacks. While the short has similar scenes to the feature, they were re-written to fit more into the longer story. The short has a very definite ending; in the feature, that moment becomes the end of the first act.
EDGE: There's a wonderful chemistry between Jenn Harris and Matthew Wilkas. How did you originally cast them? Were there any issues getting them back for the feature length version of the film?
Jonathan Lisecki: I had originally been thinking of a different actress, but she became unavailable as soon as I decided to make the short. I immediately thought of Matt and Jenn, whom I'd done a play with years before. They really are friends from college, as you can probably tell from the photos at the beginning of the film, and both are great actors and very fun to work with. As soon as I told them I wanted to make a feature based around the same characters we created, they were on board instantly.
EDGE: There's a low-key brand of humor to the film that works quite well. Were any of the one-liners ad libbed?
Jonathan Lisecki: No, the film is tightly scripted. If anything happened that wasn't on the page, it was because I asked for it in the moment. But ninety-nine percent of the film is directly from the script.
Quite a few of the characters were written with the people who played them in mind and I tried to write for their strengths. I also don't like an overly rehearsed quality, so I tried to not go too far in that direction. That can help the words feel spontaneous. And having great actors really helps as well.
Playing it Straight
EDGE: The cast in general seem to have a sort of modern, Gen X-ish ironic take on life. Was this a directorial decision, or is it more a matter of the pool of acting talent you drew from?
Jonathan Lisecki: I directed the actors to be in the world of the film. And we re-asserted that in the editing room as often as necessary.
There's nothing left to chance. Some actors were cast well enough that I didn't need to do too much work, whereas others required a little more. But as a director I find that maintaining the overall tone has to be at the forefront of every decision you make. It was always on my mind at every step of the process.
EDGE: I noticed some interesting cameos--Randy Harrison from "Queer As Folk" appears briefly, and Adam Driver, now a regular on the HBO series "Girls," was also in a few scenes. How did they come to be part of the production?
Jonathan Lisecki: Randy was in the original reading of the screenplay. I would have loved to have him have a larger part, but he was doing a play in DC at the time and could only come down for one day. He appears in an additional musical sequence that you'll be able to see on the DVD.
I saw Adam Driver and Joanne Tucker (who plays Valerie) in a play they did when they were seniors at Juilliard. I think they're both so talented, and I was very happy when they said yes to the film.
The entire cast consists of friends I've worked with in the past, actors I met along the film festival circuit, and people I know from seeing their work. There is really no one in the film that I didn't already know. Which is often the way it is when you are making a low budget film that is more a labor of love than a job for everyone involved.
EDGE: The whole notion of gay parentage seems pre-loaded with a lot of political weight, but "Gayby" is refreshingly free of all that. Was this a deliberate choice? Or is this just how you roll as a writer and director?
Jonathan Lisecki: I took out anything that felt like an overt statement, but I do feel that the film addresses the issue of what a truly modern family can be in a clear way.
As a viewer, I prefer experiencing something as opposed to being told what I should be experiencing. I feel that comedy, when it is done well, can get a point across in a way that a hardcore drama never could. The message of acceptance of difference and respect for alternative parenting is there, without me having to beat anyone over the head with it.
But if the viewer wants to skip that, they can still enjoy the movie as a pure comedy.
Comic Gold
EDGE: Another charged aspect of the film is the theme of gay men having straight sex. I think it's an interesting thing that GLBT film and literature often overlooks: Gay men might actually enjoy sex with women on occasion, and for various reasons, without risking their "gay identity." And the film mines some real comic gold from the situation of a gay man sleeping with a straight woman, with both of them still seeking romance elsewhere--it's a very neatly made point about the difference between sex and romance and the different kinds of love that can exist between people.
Jonathan Lisecki: The incredibly brief and awkward sex between Matt and Jenn is only about procreation. I don't think they particularly enjoy the sex. And beyond the first time we never really see them do it again, except for very brief moments as they finish. They find their romance elsewhere with people in line with their orientation.
I wanted it to replicate what it might be like for any two friends who were having sex purely to have a child together, especially college friends who may have had bad sex before. Personally, while I was in college, I was open to sex with both genders, although I do consider myself a gay man. And the kernel of this idea comes from my own personal experience. I have to be true to that.
EDGE: You cast yourself in the film as Nelson, Matt's friend and a sweet would-be bear. Did you find it hard to direct yourself, or to wear both hats in the scenes that included you?
Jonathan Lisecki: I've worked with almost everyone I act with in the film before. I've been acting with Matt, Jenn, and Jack for years. Since most of my acting scenes were with people I trust, it was not difficult at all to change hats. If anything, it was easier to have one less person in the mix.
My cinematographer, Clay Liford, is a close friend, and I knew I could rely on him to be extra vigilant on the days when I was in the film. But honestly, in this case I think it helped. It certainly helps in yet another way to get across your intended tone if you are delivering your own lines.
EDGE: I particularly liked the mix of antagonism and sexual tension between Nelson and Jenn's gay friend from work, Jamie. Any plans to spin those two off in a movie of their own?
Jonathan Lisecki: Jack Ferver, who plays Jamie, is a genius comedic performer. He was in the same play I first did with Jenn and Matt years ago. And we have always had this very funny interplay back and forth, as people and as performers. So I wanted to include that in the feature.
I don't know if I will revisit these specific characters, but I hope to continue working with him. My sound person did make a dance song out of some of our lines combined together, and it's fairly hilarious and quite catchy.
EDGE: What projects are you cooking up for the future?
Jonathan Lisecki: I have to travel with "Gayby" quite a bit through the summer. I have a project I'd like to start working on in the fall, involving some of the same cast. I don't like to talk too much about things before they happen. I might be a bit superstitious in that regard.


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Do you secure your weapon?
Every gun that actually shoots should be treated a weapon. This includes airsoft as well as BB guns. This means that you should always take care of your gun as though it could pose a threat to untrained users. Just as you would lock a rimfire weapon in a gun vault, locking your airsoft or BB gun in a vault keeps everyone that may come in contact with it safe.
Many people are litigation happy and a child with a BB stuck in his foot is a lawsuit for sure. Therefore, not only does a vault protect innocent people, it protects you as well.


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Butterfly Wedding Invitations | Summer Weddings
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It's Up To You! - Invitation
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Romantic Butterflies - Invitation
Set the stage for your spring or summer wedding with the beauty and charm of butterfly wedding invitations. These whimsical creatures become a naturally elegant wedding theme, inspiring an array of colors and ideas for everything from wedding invitations to reception decorations. Shop our butterfly invitation collection and you will find brilliant colors, artistic illustrations, elegant embossing and so much more. Don't forget, butterfly designs are available on wedding napkins as well.


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Hathaway scores 3 as No. 1 seed Darien wins FCIAC hockey playoff opener
STAMFORD -- The first step is always the most important step at playoff time.
The top-seeded Darien High boys ice hockey team took care of business Friday night by rolling to a 5-0 FCIAC quarterfinal victory over Stamford at Terry Conners ice rink.
"The first win is huge," said Brendan Hathaway, Darien's senior captain who recorded a hat trick. "You work all regular season to put it all together in the postseason. This is the time to step up and do it."
Hathaway was a shining example for Darien (17-2-2) as he scored three goals on the evening.
The victory means that Darien will battle No. 4 Ridgefield in Wednesday's semifinals at Terry Conners rink at 7:30 p.m.
Stamford, which saw its season end at 6-14-1, fought Darien to a 2-1 loss last Sunday. But that was a stretch that saw Darien play Ridgefield on Saturday and arch-rival New Canaan on Monday.
Darien was fresh and primed Friday. Blue Wave head coach Chris Gerwig rolled out all four of his forward lines and simply wore out a young and learning Stamford squad.
Stamford senior goalie Hunter Alderman concluded his prep career in style, registering 36 saves.
Hathaway opened the scoring for the Blue Wave with 6:30 left in the first period, converting a pass from Nicholas Tuzinkiewicz.
Hathaway made it 2-0 with just 15.7 seconds left in the first period, knocking home a rebound. Jack Pardue and Dana Wensberg assisted.
"I got the glory but it was the work of my linemates (Trent Bergin, Pardue) that made it happen," Hathaway said. "We were really moving the puck well."
Darien goalie Michael Collins (14 saves) kept the lead secure as the senior made critical saves early in the second period, including stopping Stamford's Michael Zarrilli on a breakaway.
Bergin pushed the advantage to 3-0, scoring with 6:32 left in the second period.
In the third period, Darien kept skating and staying out of the penalty box. Connor Davis converted a Jack Knowlton feed with 5:47 left for 4-0.
Hathaway completed his hat trick with 4:18 to go with Pardue and Brendan Cassidy assisting.
"The best thing I saw was we got traffic in front of the net. You have to win battles and score goals in close to win titles," Gerwig said. "We're completely healthy for the first time all season. And our depth will serve us well going forward."
Darien 5, Stamford 0
Records: Stamford 6-14-1; Darien 17-2-2
Goals: D -- Brendan Hathaway 3, Trent Bergin, Connor Davis. Assists: D -- .Nicholas Tuzinkiewicz, Jack Pardue 2, Dana Wensberg, Jack Knowlton, Brendan Cassidy. Goalies: S -- Hunter Alderman (36 saves); D -- Michael Collins (14 saves).
Highlights: No. 1 seed Darien meets St. Joseph in Wednesday's semifinals. Probable 7:30 start at Conners Rink.


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Tags: i love watermelon and fried chicken too t-shirt, i love watermelon and fried chicken shirt, tee shirts that make fun of stereotypes, tees for fried chicken lovers, mm mm chicken


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Barcelona based artist Conrad Roset defines the "Muse" in his incredibly seductive works made using watercolor and ink. Pulling inspiration from the raw nudes of Austrian artist Egon Schiele, his female figures stretch and bend in elegant ways, forming distinct, bold lines across the composition. He uses deep, black ink that covers up these women's bodies like a veil, creating a harsh contrast to their pale skin. Each muse wears this blanket of black beautifully, as if it is her own shadow. Conrad Roset uses sparks of color to highlight the flora that appear in his work and also in certain rosy cheeks and the tips of fingers and toes. The subtly of the color and line creates a delicate contrast to the richness of the heavy black ink.
Conrad Roset explains that,
"I search the beauty the body exudes, I like drawing the female figure."
He is intrigued and focused on the female figure as a subject. The women in his illustrations are undoubtedly stunning, and can also seem both fragile and strong. They are bold in nature but delicate in beauty. Roset's body of work has a high fashion flavor, as he has done work for clients such as Zara and Elle Magazine. His captivating works are on view now at Spoke Art Gallery in San Francisco. His debut, solo exhibition titled Pale will be on view there until September 26th. (via Hi-Fructose)


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March 15, 2007
SAN DIEGO - Jenna Green scored a game-high 25 points and Jessica Wilson added 17 to lead UC Santa Barbara to a 75-63 victory over the University of San Diego in WNIT First Round action Thursday night in the Jenny Craig Pavilion. The Gauchos shot 46.2% in the second half and outscored the Toreros by four to claim the postseason victory.
With the win, UCSB improves to 19-13 overall and will advance to face Oregon in the WNIT Second Round Saturday night in Eugene, Ore. Tip-off for that game is scheduled for 7:00 p.m. The Gauchos will look to avenge an 85-77 loss at the hands of the Ducks November 17 in the Thunderdome.
The win was Santa Barbara's first in postseason play since defeating No. 3 Houston in the second round of the NCAA Tournament March 22, 2004.
San Diego's season, the most successful in program history, comes to a close at 21-9 overall. The loss was just the Toreros' fifth this season on their home floor.
Green had another outstanding shooting performance, finishing 9-for-17 from the floor for her third consecutive game with at least 20 points. The junior center was 7-of-8 at the free-throw line, hauled in five rebounds, with two steals, and a block. Wilson was 6-for-11 from the field, including 2-of-3 from three-point range, to go with seven rebounds. Freshman guard Meagan Williams had a great game off the bench, scoring nine points on 4-of-7 shooting, while grabbing a game-high 10 rebounds in 25 minutes.
Freshman forward Morgan Henderson was 4-of-6 from beyond the arc and 6-for-10 overall for 20 points to lead the Toreros. WCC Co-Player of the Year Amanda Rego added 10, as did senior Ashley Voisinet to round out the scoring leaders for USD.
The Toreros jumped out to a quick 6-0 lead in the first 1:16 on a pair of baskets from Kelly Winther and a Voisinet jumper. UCSB made just one of its first nine shots, while giving up three offensive rebounds on San Diego's first five possessions, all of which led to second chance points. UCSB would get it going however and quickly shook off the rust. Trailing 8-2 two minutes later, the Gauchos used a 13-1 run over the next 5:00 keyed by eight points from Green to take a 15-9 lead at the 11:44 mark.
Santa Barbara then extended its advantage to seven at 23-16 after a Wilson offensive rebound and put back with 7:16 left to play in the half. UCSB's cushion reached 10 - the highest of the opening half - at 28-18 with 4:25 left aftet a jumper from LaShay Fears and a Jordan Franey layup, but the Toreros responded with a 7-0 spurt keyed by a three-pointer and pair of free-throws from Henderson to pull within three, 28-25 less than two minutes later. Wilson answered with her second triple of the evening and the Gauchos scored eight of the final 11 points of the half to take a 36-28 lead into the locker room at the break.
Green scored on the Gauchos' first two possessions after intermission propelling Santa Barbara to a 40-30 lead less than a minute into the second half. The Toreros would not go quietly though, as Henderson's second hit from downtown at the 16:08 mark cut the deficit to just six, 44-38.
After UCSB got baskets from Green and Williams to push the lead back to 10 at 48-38, Amber Sprague scored inside and Henderson connected from deep again to cut the deficit in half, 48-43. The Toreros would close to within one (50-49) after a Kiva Herman jumper with 10:08 remaining before the Gauchos rattled off 11 straight over the next 5:31, including four points apiece from Williams and Green, to take a 61-49 advantage and put the game out of reach.
The Toreros continued to fight, answering with a 7-2 run capped off by Henderson's fourth three-pointe of the game to pull within seven at 63-56 with 3:19 left on the clock, but Green and Franey made a combined 10 free-throws down the stretch to put the game on ice.
UCSB shot 40.3% (25-of-62) for the game and made three of its eight three-point attempts, 37.5%, while USD shot 37.3% (25-of-67) and made six of 18 threes, 33%. Santa Barbara out-rebounded San Diego 45-40, despite 17 offensive boards from the Toreros. The Gauchos turned the ball over 18 times to 22 USD miscues.


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Support bipartisan legislation to protect the Mueller investigation
Congress has a duty to acts as Trump continues to attack the investigation into Russian interference in the 2016 election.Sign this Petition
Come April 15, everybody ponies up their fair share, right? Not so much. Thanks to corporate tax cuts and loopholes, these big companies will be rollin' in the green instead of paying Uncle Sam. Read Sen. Bernie Sanders' (I-VT) corporate freeloaders list now:
Spread the word. Share this on Facebook today.
Originally submitted by volunteer editors Carole S., Toni S., Laura S. and Brandon W. Found on Buzzflash.com.


text:
- 1800 717 710 | Newsletter |
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Product code : AVE.C4469
UPC code :719821254867
AVENGER MP EYE COUPLER W/16MM BUSHINGThe Avenger C4469 MP Eye Coupler with 16 mm Bushing accepts 5/8" male accessories, light fixture mounts and various studs. The coupler has a load capacity of over 110 lb and is supplied with a 5/8" spigot.
- Aluminum Construction
- Accepts 5/8" Male accessories
- 110.23 lb Load Capacity
- Construction: Aluminum
- Compatibility: 1.65 - 2.05" (42 - 52 mm) round tube
- Mounting: 5/8" (16 mm) Baby receiver
- Weight Capacity: 661.38 lb (50 kg)
- Weight: 1.92 lb (0.52 kg)
- Package Weight: 1.35 lb
- Box Dimensions (LxWxH): 5.4 x 4.1 x 2.0"
Accessories visible on product image are not included
If this product is listed as "in stock" you can rest assured that orders placed before 2pm EST will be dispatched same day, if ordered online.
If your product is on backorder, please contact us for an ETA.
Shipping is done via Startrack Express or Australia Post eParcel service and tracking advice will be provided once shipped. For more information, please visit our Shipping Policy.
If your product is on backorder, please contact us for an ETA.
Shipping is done via Startrack Express or Australia Post eParcel service and tracking advice will be provided once shipped. For more information, please visit our Shipping Policy.
John Barry Sales extends the warranty conditions as scheduled by the product manufacturer. The Warranty period starts from the date of invoice, and shall be effective until warranty period expires. Where not stated, John Barry Sales will provide 1-year (12 months) warranty for other equipment items, with exception of the following goods and services: Cables (custom made & stock) - 3 months. Audio & Video media - 3 months. Consumable items - 3 months. Should you have any questions regarding our equipment warranty conditions, please contact us.
John Barry will happily exchange a product sold to you that does not match the description on our website, or if the product is not of an acceptable quality or condition for use.
John Barry reserves the right under Australian Consumer Law to refuse a request for an exchange or refund on all final sale items, if you have misused/mishandled the product, or if you have simply changed your mind. Please visit our Refunds & Returns policy page for further information.


text: The upgrade to 3.0.4 seems ok. I have installed mailman with the new manuel. But I created a list before this install, on a domain. And lists on this domain are created, but there are 404 errors for interfaces http://<domain>/cgi-bin/mailman/admin/<list> http://<domain>/cgi-bin/mailman/listinfo/<domain> ispconfig "mail warnings" shows : Nov 18 13:38:02 ks356348 postfix/postmap[5085]: warning: /var/lib/mailman/data/virtual-mailman.db: duplicate entry: "<list>@<domain>" (and other aliases) /var/lib/mailman/data/aliases seems ok. But /var/lib/mailman/data/virtual-mailman has a problem : there are several lists of <domain> which are not deleted. Do you know how I can correct that ? Thanks !


text: Boca Raton, Fla.—The prices marketers pay to rent sales-contact email addresses continue to drop, fueled by increasing availability of email lists, according to a report from list management company Worldata. According to Worldata's "Summer 2013 List Price Index," the rental price of permission-based email addresses for sales contacts at midsize-to-large businesses dropped 12.1% from the same period a year ago, to $232 per thousand names. Permission-based email names at small businesses dropped even more, 17.8%, to $120 per thousand names. However, international email list prices rose by 1.5%, to $407 per thousand names, compared with summer 2012, and continue to be the highest- priced list rental category. Postal list prices for aggregated business databases fell 9.4% to $77 per thousand names.


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Color: Black
The black Canare Starquad XLRM Cable with Neutrik Unisex XLRM/XLRF (Black, 20') is handcrafted with the super flexible Canare L-4E6S cable and superior Neutrik unisex XLR cable. This cable allows you to switch easily between male and female by sliding housing back and forth. Use Starquad for reduced hum and EMI, and no handling noise. This cable is perfect for all microphone use and great for connecting balanced output of some audio processors, mixers, and low density patch bays to XLR inputs.
|Connector 1
|3-Pin XLR Unisex
|Connector 2
|3-Pin XLR Male
|Cable Length
|20' / 6.1 m
|95% Tinned-Annealed Copper (TAC) Braid
|Number of Conductors
|Wire Gauge
|Nominal Impedance
|44 Ohms
|Conductor Capacitance
|46.0 pF/ft at 1 kHz
|Conductor DC Resistance
|0.0299 Ohms/ft (Up to 1000' / 304.8 m)
|Shield DC Resistance
|0.0091 Ohms/ft (Up to 1000' / 304.8 m)
|Packaging Infoeazvtbwdxrwbfefstystrsyvfrcxbxcdbbe
|Package Weight
|0.95 lb
|Box Dimensions (LxWxH)
|6.9 x 4.6 x 1.1"


text:
Admission to all majors at CSULB is competitive as CSULB continues to have more qualified applicants than available new student spaces. All transfer students must declare a major when submitting their application. Review Transfer Application and Admissions for eligibility and application details. To review the detailed major specific requirements select the major below. If a major is highly impacted it will be noted next to the name of the major and additional supplemental criteria and requirements are indicated in the major specific details.
These criteria will be used for Fall 2018 and Spring 2019 admission consideration. Admission criteria are subject to change for future admission cycles. See ASSIST to determine the courses offered at California institutions which will satisfy the specific course requirements.
BE AWARE: For Fall term admission, coursework and unit minimums must be completed no later than the prior Spring term. For Spring term admission, coursework and unit minimums must be completed no later than the prior Summer term.
Transfer AA/AS degree recipients: The Transfer AA/AS degree curriculum is used in lieu of the specific course requirements listed. Under current CSU guidelines, the cumulative GPA will be increased by 0.1 and this 'calculated GPA' will be applied to the major specific minimum GPA and to any GPA used in the ranking of applicants. See Transfer AA/AS degree for additional requirements.
Select the major you would like to view or select "Expand All" to view the entire college.


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Paulson Prescription for China's Debt Problem
China's local governments have amassed a mountain of debt and are increasingly tapping under-regulated sources of funding to finance new infrastructure projects and pay off older loans . So what happens next? Do we sit back and wait for the inevitable financial crisis, or can something be done to ensure local governments can keep building while also funding an ever-expanding suite of social services?
According to recommendations from the Paulson Institute all is not lost, but some big changes are needed in how Beijing allocates state resources.
The Paulson Institute is the think tank Henry "Hank" Paulson—formerly U.S. Treasury secretary and Goldman Sachs chairman—set up at the University of Chicago after leaving government. Broadly it aims to promote sustainable development globally. With Mr. Paulson's longstanding ties to Beijing, its focus is on China, specifically Chinese investment into the U.S. and China's domestic urbanization.
China's urbanization often gets held up by economists and fund managers as the driver of development that will keep China's economy humming for the next generation, and hopefully support regional and even global growth to boot. Hundreds of millions of people are expected to move from the countryside to the cities, which will drive massive infrastructure investment—as long as the money is there to pay for it.
"China's spectacular economic growth performance seems prima facie evidence that the government has managed the urbanization process well enough," said Christine Wong, professor of Chinese public finance at the University of Oxford, in a Paulson policy memorandum. But "the system of public finance for municipalities is in tatters and in need of urgent repair."
"The current system of revenue-sharing does not provide sufficient resources for cities to meet their heavy responsibilities in service provision—including education, health care, social welfare and pensions, alongside urban facilities," Ms. Wong wrote.
The problem for local governments is that Beijing allows them little scope to raise their own revenue, so infrastructure and sometimes even social services are paid for from land sales. Given that land is a finite resource, it's not a sustainable funding option. According to Ms. Wong, in 2010, income from land sales accounted for about 35% of fiscal revenue for second-tier cities, while tax revenue accounted for only 30%. Direct transfers from Beijing are also a major funding source for local governments.
According to Ms. Wong, what's needed is a broader tax base for local governments, with local authorities having more say over how they raise revenue.
"The central government could give municipalities greater tax autonomy by giving them some discretion on tax rates for a few selected taxes, such as the vehicle tax and license fees," she said in the note. "They could also be permitted to piggyback or levy surcharges on central or shared taxes. The corporate income tax and personal income tax could be good candidates."
There are reasons why Beijing has been reluctant to give local governments more discretion, not least being that by controlling the purse strings the central government can exercise greater control over the regions. Still, local governments have found ways to be more financially independent. Other than land sales, local governments across that country have set up off-balance sheet financing vehicles, quasi-official companies that are loosely backed by the local authorities but can borrow from the banks and other lenders.
Local governments aren't allowed to run a deficit, and so can't take on debt directly. But the financing vehicles have amassed a huge volume of debt that the local authorities are ultimately responsible for. The National Audit Office estimates that at the end of 2010 local government debt totaled 10.7 trillion yuan ($1.7 trillion), which Ms. Wong says is equivalent to 263% of revenue raised by governments below the national level, making it no small burden to local governments whose tax revenue has dropped with China's economic slowdown, even as the cost of providing social services rise. But that debt is equivalent to only 27% of China's current-year gross domestic product. Ms. Wong says working through the debt is well within the capacity of the central government's finances.
Still, the necessary changes won't happen overnight, and until they do Ms. Wong also offers a warning that must sound familiar to Mr. Paulson, given his role as U.S. firefighter in chief during the meltdown of global financial markets.
"Government must guard against banks passing on financial risks through repackaging these loans as complex financial products to sell to consumers hungry for yield," she writes.
Dinny McMahon
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In return for the College of Registered Nurses of Nova Scotia (hereinafter referred to as 'CRNNS') providing you with a user ID and password, you agree to abide by the following terms and conditions of use for this and all future uses of the CRNNS Committee Portal through the use of your CRNNS user ID and password:
These terms and conditions of use may be amended from time to time. When this occurs, you will be presented with the new version and asked to indicate your acceptance once again before you are provided with access to the Committee Portal.
By accepting this agreement, and with each subsequent access to the Committee Portal, you are indicating your agreement to the terms and conditions of the preceding.
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Given name(s): Nicola Ann
Last name: Aaronson
Former name(s): Smith
CRNNS number: 12345
Type of licence: Nurse Practitioner
Status of Licence: Active Practising
Start Date: November 1 2014
Expiry Date: October 31 2015
Current Conditions and Restrictions: This nurse is not able to...
Licence Status Notes: (Text Field)
Date of initial entry on the register: January 1, 1970
Date of removal from the register:
Registraton Status Notes: (Text Field)
Date of re-entry on the register:
No history.
NP Practice Category: Family
Collaborative Practice Effective Date: January 31, 2012
Dartmouth General Hospital
330 Main Street