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Provider ID: 80820075First Membership: 12/15/1992Denturist - Resident Practicing
(306) 569-2900
Victoria East Denture Clinic
An Implant Supported Denture is a stable foundation for the permanent replacement of missing teeth supported by implants that have been implanted into the bone, which are then utilized as a support for full and partial dentures providing a stable anchor.
Implant Supported Dentures are proven to be more stable and feel more "real" than a conventional denture because it is stable/anchored but still removable for proper cleaning and hygiene. Implants have a long clinical history as a proven restoration option with an excellent success rate and studies have shown that implants preserve bone and reduce tissue loss.
Benefits of Dental Implants:
The Denturist will work with you and your oral health team to coordinate treatment once your implants are in place and osseointegrated to ensure safe fabrication and utilization of these implants for an Implant Supported Denture.
You may have decided to have some or all of your remaining teeth extracted or your Dentist may have advised you that you should consider having extractions. A treatment option is to have an Immediate Denture placed at time of the extraction(s).
Prior to extractions, your Denturist will take impressions and specific measurements of your existing oral situation. Together, with your Denturist, you may determine the size, shape and colour (shade) of the teeth to be used (as well as other esthetic considerations) for your new dentures.
The finished Immediate Denture is inserted immediately after your tooth or teeth have been extracted, usually while your mouth is still frozen with local anesthetic. An Immediate Denture is an excellent alternative to being without your teeth because your smile is restored directly after your extraction(s). It also protects the sensitive gum tissue at the extraction site(s). The denture acts as a bandage to:
During the healing process the presence of an Immediate Denture can also help make the transition from eating soft food to a wider variety of food easier and faster. However, the ability to eat a wide variety of textures does take time, and the rate at which extraction sites heal varies with every individual. The results and length of healing time may vary considerably (from a few weeks to several months) due to many factors. Some of these factors are: your general health (e.g. diabetes, immune system diseases), nutrition, age, and the condition of your teeth and oral tissues prior to extractions.
A Complete Standard Denture is for those who have no remaining natural dentition and is fabricated to suit each person's individual looks and needs. Your prosthesis is handcrafted to match your age, complexion and facial features.
The teeth are set so that they look natural and your smile is not only functional but aesthetically pleasing. A certain number of procedures and good quality teeth are used in the construction of your dentures. A standard denture fits most people comfortably and functions well; however, they are constructed using physiological averages on a non-adjustable device.
Patients who have unusual conditions in their temporal mandibular joint (jaw joint) or oral cavities may require additional extensive measurements to accommodate their needs.
Similar to a fingerprint, each individual has a unique bite, jaw and facial structure. A Precision Denture is constructed by recording additional measurements of your jaw movements and spatial position to create a personalized denture ensuring enhanced function.
The temporomandibular joint is among the most complicated joints in the human body due to its three-dimensional spatial movements of rotation and translation. The technology used in fabricating a Precision Denture helps in determining the excursive movements of the bite which has significance in many denture cases especially complete dentures, and prostheses produced for implants.
Precision Dentures are fabricated with high quality teeth to provide the best wear resistance and a natural, life like appearance. The occlusion or "bite" functions more effectively because the patient's movements are mimicked, this will often allow for a superior, highly anatomical tooth type to be used.
Along with the Denturist's personal creative touches and high-quality denture teeth, they incorporate additional measurement and recording procedures including a face-bow transfer record to create your new smile! The procedures used in fabricating a Precision Denture allow the Denturist to provide you with the best fitting and best functioning denture possible.
A removable Partial Denture is designed to replace one or more missing teeth and can be tooth-supported, tooth/tissue supported and/or implant/tissue supported. If you require a Removable Partial Denture your Denturist will design and build it to meet your specific needs.
A Removable Partial Denture can be made of different materials, including acrylics, a metal/acrylic combination or flexible thermoplastics. Acrylic partials are usually used as a temporary replacement of missing teeth. Metal partials are considered stronger structurally, thinner and more hygienic than an acrylic partial. With new materials, designs and fabrication techniques, partials are becoming more comfortable than ever. Many partials are now designed with less visible clasps making them more undetectable. All partials are designed to be removable and should be removed nightly to enhance oral health.
Removable Partial Dentures can help preserve the natural placement of your remaining teeth by providing them with additional support for a more balanced and effective bite for easier chewing. They can also enhance your natural appearance and ability to speak clearly.


text: This Duels of the Planeswalkers 2013 deck pack includes two brand-new decks for Campaign and Multiplayer play. The blue and black "Rogues' Gallery" deck disrupts your enemies' plans with spells, then summons stealthy mages and shadowy undead to deliver the killing blows. Wield all five colors of magic with the "Mana Mastery: deck. A pentacolor array of spells will help you keep the battlefield clear while you set the stage for towering, indomitable creatures!

subset: commoncrawl


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Monday Afternoon in Woodbridge
Potomac emerges from a wild ninth with a 7-6 win
In another so-called meaningless game, the Potomac Nationals took their fans on a roller-coaster of emotion with a 7-6 win to close out the second half of the 2010 season.
Ahead 5-1 in the ninth, and a rested A.J. Morris on the mound, the game looked like it was in the bag. Except someone forgot to tell Kinston, who got an infield single to third and two singles to center pull within three at 5-2.
Morris would get the next five batters to hit the ball on the ground, none would leave the infield by virtue of the bat, but Kinston would emerge with the lead.
Doug Pickens would be safe on an error by Tyler Moore that the scorekeeper saw otherwise (if at all) to load the bases. The next batter, Donnie Webb, would reach base by virtue of Nicol's unsuccessful attempt to put out Pickens, the throw sailing past Francisco Soriano into foul territory for a two-base error that saw Webb take third, and three runs come in to score for a 5-5.
The next three grounders to short would result in outs, but Webb was able to score on the second to get the go-ahead run and give Kinston a 6-5 lead.
But this is a veteran Potomac team, an adjective that's somewhat pejorative with minor-league fan(boy)s, but in this case it simply means they carried themselves like they've seen this before.
Derek Norris flew out to right to open the inning, but Bill Rhinhart singled to put the tying run on base, speedster Chris Curran taking his place at first base to score on a long hit that stayed in the park. Tyler Moore, who had homered to open the scoring way back in the second, struck out. Jose Lozada fell behind 0-2 but plunked a single to shallow center to push Curran to second.
Both managers went to their reserves for a better matchup, Potomac summoning Jamar Walton to bat from the left side and Kinston calling for Matt Langwell to replace a tiring Tyler Sturdevant. Like Lozada, Walton fell behind quickly, but battled back to work the count full and then draw the walk to load the bases.
Next came up 26-year-old Robbie Jacobsen, backup catcher, corner infielder, left fielder, and twice this season, bullpen-saving reliever. Again, Langwell got the drop, getting ahead 0-2, but couldn't get the swinging strike as Jacobsen fouled off the nibbles, and wouldn't chase the pitcher's pitches to work the count to 2-2.
The battle ended with a two-out drive to left field that brought in Curran and Lozada, gave the P-Nats a 7-6 win, and secured a winning overall record at 70-69. But perhaps more importantly, the veteran delivered that perceptible-but-immeasurable momentum going into the Mills Cup playoffs against the Frederick Keys, beginning on Wednesday.


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LAS VEGAS -- The readership here bathes in its sophistication.
It doesn't stoop to sexism. It believes the gratuitous use of the female body should be outlawed.
However, every year, it needs to be informed as to whether some company has decided to present scantily clad dancing girls in order to attract attendees to its wares.
Just, you know, for sociopolitical reasons.
In my duty as your representative, I stormed as many halls as my thighs could muster this morning. I kept one eye open for the sort of curious spectacles as that presented last year by robotics company TOSY.
Yes, bikini clad girls offering dulled dancing to hungover wanderers at 10:30 a.m.
I saw none. It doesn't mean they aren't here -- indeed, one diligent colleague says he saw some dancing girls on a stage in the South Hall.
However, an initial impression (which I reserve to change at a moment's notice) suggested that tech companies had managed to avoid at least some of the ultimate positions in crassness.
At least first thing in the morning.
The subject of so-called "booth babes" has tortured intact minds for some time. At last year's Computex in Taipei, women complained that tech companies had demanded they show more skin.
Conversely, at gaming expo ChinaJoy 2012, booth babes were banned, so as not to corrupt hitherto incorruptible teenage minds.
Of course, exhibitors at CES aren't shy to present attractive women, especially in an attempt to offset less attractive spiels.
But as one colleague just remarked to me: "I think I've seen more fluorescent full body Lycra bodysuits here than in the summer Olympics track and field competition."
I talked to one lady in a fluorescent green bodysuit. She was at the Tylt booth. I asked her about her suit. She said it was very comfortable for a 12-hour stretch.
Perhaps I am indulging in wishful thinking. I want to believe that there is a different way. Sex doesn't always sell, even though the French think it does.
Some more trawling around the halls might prove that nothing has changed, that exhibitors were merely waiting for the afternoon to produce jiggers.
By the way, I have been asked by the wise and worldly to point out that ViewSonic had flooded its booth with chicks. The evidence is below.


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Peabody man charged in hit-and-run near Fenway
Victim treated for injuries
A Peabody man is facing charges for a hit-and-run in Boston early Sunday morning.
Police said officers on foot patrol in the area of Lansdowne Street witnessed a Mercury Grand Marquis strike a female pedestrian crossing the roadway at 12:29 a.m. Authorities said the vehicle did not attempt to stop after striking the victim.
The victim was transported to Beth Israel Hospital for treatment.
Police said the officers tried to stop the fleeing vehicle but were unsuccessful. After broadcasting a description, officers in the area of 1161 Boylston St. located a vehicle matching the description.
Officers took Everett Strauss, 30, into custody and charged him with leaving the scene of an accident with personal injury and possession of a Class D substance.


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Spike Jonze is adapting this into a feature. Looks pretty awesome if you ask me.
Ryudo wrote:The world will end when OL is no longer entertained by us.
Old Man OL wrote:Visually looks pretty pleasing, but my fears with this are the same as with any adaptation of a childrens' picture book; a lot of unnecessary additions. Where The Wild Things Are was brilliant because of its simplicity. Turning it into an hour-and-a-half feature will no doubt remove that simplicity to pad the 90 minute run time.
Looks good initially, but I still have a bad feeling about it.
Users browsing this forum: No registered users and 1 guest


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Stephen Co - Keeping America Beautiful Since 1897
Among the well-known and respected brands that are part of The Stephan Company household:
Quinsana Plus Anti-Fungal Powder And Spray - It cures athlete's foot and jock itch. With the active ingredient 1% tolnaftate, keeps skin dry and fungus-free and relieves the itching and burning of athletes foot. Application is fast and simple; clinically proven to prevent recurrence with daily use.
Wildroot Hair Groom and Hair Cream - The Natural Looking Hair Groom, Its Special ingredients such as lanolin help hair look neat and handsome. Especially effective for dry hair. keep hair in place, so it looks handsome and natural. Just massage in a little Wildroot, comb as usual and your hair will look healthy and well groomed all day.
Protein 29 Hair Conditioning Hair Groom and Clear Hair Gel - Conditioning Hair Groom hair tonic has a special protein rich formula that helps make hair easy to style and keep in place. It helps restore body that shampooing, blow drying, sun and chlorine can rob from your hair. Conditioning Hair Groom clear gel is a daily protein-rich grooming gel to keep your hair beautiful and in place with no sticky feel. Use only a small amount for all day hold and control.
Cashmere Bouquet Powder
Pamper your skin every day with Cashmere Bouquet. Made with fine Italian talc, which is known the world over for its soft feel, Cashmere Bouquet absorbs perspiration and prevents chafing. Smooth it over your body after a bath or shower to give your skin that fresh and soft feeling all day long. As timeless and classic as all Cashmere Bouquet products but with a hint of lavender.
Cashmere Bouquet Baby Powder - It is a soft powder made from high quality talc and soothing Chamomile. This fresh powder, with only natural scents will keep baby's tender skin dry, smooth and comfortable.
Balm Barr SkinCare
Balm Barr Cocoa Butter Formula hand and body cream - A rich moisturizer with a concentration of cocoa butter, shea butter and Vitamin E that helps even the driest skin stay soft and supple. Helps prevent flakiness and chapping.
Balm Barr Cocoa Butter Formula Hand And Body Lotion - The high concentration of natural cocoa butter, shea butter, Vitamin E and aloe instantly softens and soothes dry skin. This cocoa butter formula specially formulated, all-purpose skin lotion is light and never greasy.
Balm Barr Moisturizing Cream whipped - Lanolin, mineral oil and other emollients give this a light feel that's never greasy. Use Balm Barr Moisturizing Cream daily to soften and soothe tight, dry, chapped skin. Great for sunburn relief.
Balm Barr Stretch Mark Cocoa Butter Massage Cream - Softens taut, tight skin. Use this stretch mark cream during and after pregnancy to keep skin supple. Use while dieting to restore skin's firmness. Clinical testing proves that massaging daily keeps the skin soft and more pliable.


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Posts Tagged journal
What to Do on Saturday Afternoons (24 Jan 1998)
Posted by Rob in autobiography, journal on 24 November 2013
24 January 1998 – 5:33 pm
At Offices – Austin, TX
What to Do on Saturday Afternoons
There are nights followed by mornings-after when I've had it up to here with this place and its clientele and with coffee and especially with cigarette smoke. I wake on these mornings with a dry throat and no energy at all to rise and I feebly declare that "I shall not go there again today, perhaps never again!"
And then what happens is that tea time rolls around, and it seems that it would be splendid to have a warm cup of coffee and to read a book — perhaps even do some drawing — and then, here I am. I had more to say about the people who work here — who smile when I come in and wave when I leave, but didn't notice at all that I wasn't here for nine days. Why should I expect them to? Perhaps because I notice when they are gone for a few days. Oh, well.
Especially on Saturday afternoons, when the sunlight turns slanty and golden, this place seems just the thing, and often it meets my expectations. One is moved to think God created the coffee bean and tobacco leaf and the book, just with Saturday afternoons in mind.
Art and Tarantino
Art and Tarantino
Thoughts Above and Around Inglourious Basterds
by J. Robinson Wheeler
It's kind of weird to watch the Weinstein brothers, who are bound together tightly to Tarantino — Miramax was the house that Pulp Fiction built, as the legend goes, and in order to sustain the complete creative control and freedom every artist desires, Tarantino relies on Bob and Harvey to fund and promote all of his films — be crossing their fingers that Basterds would be a moneymaking hit, one their company desperately needed. Even before seeing this movie, and concluding that Tarantino was an Artist with a capital A, I was saying to myself, "Tarantino makes art films." Yes, he does think about entertaining audiences, delivering payoffs, and so forth (though he will always make the quirky artistic choice if his muse says he must, which is partly what allows me to define him as an artist), but if you look at all of his movies, they're quirky art films, not pack-em-in-seats blockbusters. He has this huge reputation, still partly from Pulp Fiction — which was a huge hit in one of those concoctions of timing and public taste where something new was embraced for being new, rather than rejected for being new — for being an exciting filmmaker, someone whose releases are highly anticipated. However, I hang around in a film geek crowd in a city with a thriving film-fan culture, so of course it tends to feel to me like his releases are anticipated. Yet, there's a huge audience out there that is just people who go to see the latest thing at the mall every week before renting it again a few months later on DVD. They are fine with McMovies. Then here comes chef Tarantino with his five course platter of weird foods.
Tarantino's movies are weird. His tics and obsessions are on full display. He returns to the same wells over and over again, doing variants on the same ideas. He throws in references that even people who have taken film school classes are likely to miss half the time. The violence in his movies is bloody, huge, and gross. His sense of humor is mischievous and geeky and as apt to unsettle and audience as make it chuckle. By all rights, he shouldn't be as famous as he is, shouldn't have the clout he does, shouldn't have the budget to indulge himself that he's given. It's pretty shaky to build a career on catering to a small audience of super film geeks like yourself; the economics just shouldn't sustain it. But he does. And he's built his career from the ground up, by following his muse and doing his quirky art. There's no cheating or short cuts, although there is luck.
I remember seeing Pulp Fiction when it came out. I remember seeing it with a big audience. I remember taking my Dad to see it, and he was blown away by it from the moment Amanda Plummer swung that pistol around on her bony arm and screamed profanities, until the lacerating chords of surf music cut her off and the title came up, big and fat and yellow like a young lion pouncing. It was the kind of moviegoing experience where you've never seen anything like it and you wanted to shout, "Hot damn!" It was like a slug of adrenaline right in your chest, just like the one Mrs. Marcellus Wallace got, watching Pulp Fiction when it was brand new. It also had the benefit of Sam Jackson as the anchor man, racing the baton home in the last scene. There's a lot of lowlifes in Pulp Fiction's gallery of characters, but there's two who make moral choices: Butch (Bruce Willis) and Jules (Jackson). So the movie ends on this positive note, on this right moral choice. So after taking this long, bizarre ride, you step out of the theater feeling like maybe it was worthwhile, as bizarre and as long as it was. A year earlier, we saw Jurassic Park for the first time, and we were like, hey, dinosaurs, cool. Never seen dinosaurs not move like clunky claymation creatures before, that's neat, that's kind of new. Then here comes Pulp Fiction, and it was a new kind of storytelling altogether. Dialogue like that was new. The disordered chronology was new. Seeing someone get an andrenaline shot in the heart was new. Seeing a wad of bills five inches thick was new. And somehow, the public was ready for all this.
Doing something new can get you drummed out into the street and your career destroyed as it's getting started. There's been more of a history of that in the history of art than the reverse. And if you do manage to create a breakout success, then comes the burden of following it. Do you have the goods? Can you keep doing it? Will anyone care when it's not new any more? That's destroyed quite a few artists as well.
And now I'm sitting here in this all-night cafe pondering Quentin Tarantino's career and his status as an artist who has managed to keep the conditions alive for creating the art he wants to create, because I consider myself an artist, too. I'm nearly 40 years old, though, and have yet to find much of any audience for what I do. That doesn't stop me from doing it, it never has — and my inability to stop creating what I consider to be creative works of art, despite all financial, social, psychological, and practical impediments to doing so is part of why I easily identify myself as such. I am quite simply compelled to.
What I grapple with, of course, is what to spend my time working on, which projects to throw energy and time into completing, which to let lie fallow, which to reject, which to play around with until it seems like it's going in a better direction. Sometimes, there's something that I just feel like I have to get done, so I do that. Other times I can dither around with a project for years. I can throw everything I have into something that's totally not commercial or perhaps so self-indulgent there's no reasonable way that anybody but myself is going to like it. I can scrap things because I am full of endless anxieties about whether anyone will like them or not, or because my strongest suspicion is that they won't, so I don't bother. It is very perplexing, most of the time.
When I was a kid and didn't have much invested in my own ego, I proved to have a knack for writing stories that had an audience appeal. There were all these little ideas I'd scooped up from various places, from things that had pleased me — from comic books and from Spielberg movies and from young adventure novels and such — that I was able to sort of stick in at the right moments to thrill the little audience of my classmates and my writing teacher. By the time I was finishing college, I was preoccupied with delving into my own private angst and finding some way to express it, and pleasing an audience was pretty low on my list of artistic prioirities. Then I sort of moved out of that into a phase of trying to reclaim those earlier sensibilities, but I was still not the best judge of what projects would find a receptive audience and which wouldn't. My artistic ambitions were enormous by that point.
It's all still in flux. I still wonder, of course, whether I'll ever make a movie again, or if The Krone Experiment was it. I was watching Tarantino expound upon his own oeuvre, as he called it, to Charlie Rose, and about how one watches the development of a unique voice over the course of a career. He said something interesting, which is that being a writer-director, as opposed to a director who is happy to pick up scripts written by other people and develop them, necessarily means you're not going to make as many movies, partly because you have to start from scratch at the bottom of Mount Everest every time, facing the blank page and scratching something onto it that hopefully will be a movie three years later. I am now aware that I may be lucky to make three movies in my life, and that would be better than making one, but it's too bad I won't get to make ten or twenty, because I'd be very interested in seeing what my gimmick is, what my voice sounds like, what my themes are that I go back to over and over again, what is a Rob Wheeler movie (or a J. Robinson Wheeler movie, or a John Robinson Wheeler movie — I'm kind of schizo on the whole naming thing right now, which is a whole other deal), and what isn't. Back when I was making Krone, I remember saying that it would be great if my partner, Ben Pascoe, ended up making a lot of movies on his own, and so did I, so that later we could look back and see how Krone was, indeed, a collaborative mix of two distinct filmmakers. With just the one movie, it's a little harder to tease out the difference.
Of course, the other thing is, that unlike Quentin Tarantino, I have never exclusively been a film artist. I have lately been making serious plans to take some movie scripts I've written, that I might have to admit I will never be able to produce as movies, and draw them as webcomics (serialized graphic novels, basically) instead. I think this is a great idea and I'm very keen to do it, but it's turning out that drawing comic pages is an incredibly labor-intensive activity, and one of the things I'm slowest at, just as I'm reaching an age where I can feel myself slowing down. So then it starts looking like it'll take three years to do each of these comics projects, about the same amount of time it would take to make them into movies. The main advantage is economic, of course.
These days, it can cost nearly nothing to make a movie, unless you really want to rent some equipment, pay actors and crew for their time and talent, and need anything special in the way of costumes, props, or special effects. I have a lot of confidence in my talent as a filmmaker, but I have zero skill and experience at raising money. The main trick of doing Krone was figuring out a way to do it without raising any money at all, and I did, but I don't think I can or will do that again. What I have to spend on any project is my own time, which is a limited resource, and my own energy, which is renewable but also limited.
Thus it does all come down to trying to choose every day which project to invest in. Every now and then someone will poke me with a request to finish something I started that they wanted to see more of, and they probably wonder why I don't do so. It's not necessarily that I don't want to, but when a project cools off, it takes an extra investment of energy to heat it up again, so that, in a way, it's more expensive than a newer project, which is hot to start with. The energy economics don't make sense, and there's no money economics to balance it out.
I've drifted far away from Tarantino and Inglourious Basterds, I know, but this wasn't supposed to be a review of that. It was my own situation that was on my mind, but seeing that movie and thinking about Tarantino and his situation brought it into focus.
Hello, Professor.
I was eating dinner at Magnolia Cafe during South by Southwest this last March, when I was accosted by two youthful grown women seated in a booth, across the aisle from my table.
"Excuse me," said the woman on my left. "Are you a professor?"
I immediately knew why she had asked (and was pleased by it), but I said, "What makes you ask that?"
"Because you looked: " she began, and then launched into a mimed imitation of me, as I look when sitting in contemplation. It was instantly recognizable as me — all of my good friends would have laughed out loud to see it — which pleased me more. She went on to describe this look of focused, "very earnest concentration" that struck her as "scholarly."
I smiled and said, "No, I'm not actually a professor, but I get why you would make that impression."
For further study
Professor: One who professes.


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So I was wondering if my fiancee was to make and sell break sticks would any of you guys be interested?
He hand carves them from wood and does good quality work. He's made me a couple and I think they look awesome. They're very sturdy as well.
He's wanting to make them and sell them for 10 dollars plus shipping.
I'll post some pictures of a break stick he made me later.
But I was wondering would you be interested at all?


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18748922Add to Lightbox Download
There are still women at the Jungle camp in Calais, on 27 October 2016 who are determined to get to the UK. The women claim they are being kept from their families who have lived in the UK for years and they want to be reunited with them. Many carried signs and held a small protest to try and get French authorities to pay attention to the needs of women and children. (Photo by Gail Orenstein/NurPhoto) *** Please Use Credit from Credit Field ***
- Filename
- sipausa_18748922.JPG
- Copyright
- SIPA/ RealTime Images
- Image Size
- 4397x3098 / 1.4MB
Asyl 2016 Calais France Humanitarian crisis Refugees camp The jungle before the dismantling eviction life in the Jungle migrants october refugees Asylbewerber Asylkrise Border Borders Buergerkrieg B¸rgerkrieg Calais Dschungel Calais jungle Dschungel von Calais EU Europa Europe European European refugee's crisis Europeanrefugee's crisis Fliehen Flucht Fluechtlinge Fluechtlingskrise Fluechtlingspolitik Fl¸chtlinge Fl¸chtlingspolitik Frontex Grenze Grenzen Krieg Krise Migranten Migration Rettung Vertreibung asylum asylum crisis asylum-seeker civil war civilwar crisis escape europaeisch europ‰isch europ‰ische Fl¸chtlingskrise expulsion fleeing jungle de Calais migrant protection-searching refugee policy refugee's crisis rescue schutzsuchend war 2015-2016 European Migrant Crisis Emigration and Immigration Exclusion Geographical Border Horizontal New Jungle - Calais Photography Refugee
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Greenworks Commercial fan-cooled rapid battery charger.
Advanced electronic control optimizes performance for a quick charge:
Portable Winch Co. warrants its new products to be free of failure resulting from defective material and workmanship under normal use and service. Warranty Policy
All orders are processed on opening business hours - Monday to Friday - 8:30 a.m. to 5:00 p.m. Eastern Time with the exception of Canada's public holidays. Shipping page
We want you to be pleased with your order. If you are not satisfied, call or write to us within 25 days for authorization to return or exchange your merchandise. Return Policy


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Coal generates nearly half the electricity we use in the United States. We all depend on the fossilized remains of plants — but the vast majority of the coal in the ground comes from a single era, from 360 to 300 million years ago.
What caused the Great Coal Crash of 300 million years ago, that stopped coal from being formed? As usual, you can blame evolution.
Top image: Coal power plants by London Permaculture/Flickr
Coal is primarily comprised of the plant's lignin, the rigid cell walls that are left behind after the rest of the plant gets eaten away by fungi. The lignin accumulates as peat, then gets compressed into coal. However, somewhere around 300 million years ago, something happened to the fungi. The first white rot fungi appeared on the scene, able to digest the lignin. This meant much less coal — because the entire biomass was digested, and released as carbon dioxide.
This information came to light thanks to the genome sequencing of 31 Agaricomycetes fungi, both brown and white rot. Through a comparative analysis of these genomes, researchers were able to spot that around 290 million years ago, fungi that could break down lignin arrived on the scene. And while it may seem rather mundane to figure out why we have more coal from x million years ago rather than y, it does show the huge amounts of information we can gather from genomic analysis — and that information could help us engineer fungi that break down things that we need broken down.
Image: Scanning electron micrograph of aspen wood that is being attacked by the white rot fungus Punctularia strigosozonata, courtesy of A. Justo and D. Floudas


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^ Doctor of Urbanity prescribes wee mom-and-pops for scale and diversity.
(Also help control cellulite.)
Type: Posts; User: ablarc
^ Doctor of Urbanity prescribes wee mom-and-pops for scale and diversity.
(Also help control cellulite.)
Exactly what the doctor ordered.
Not, I suppose, if the purpose of punishment is revenge.
But revenge for what? Is guilt here proved beyond reasonable doubt? Can it ever be?
This situation is so hopelessly entangled that no one will ever sort out the truth of it.
Let the defendants out. If they're not guilty, some degree of justice will have been done.
If they are...
Wow ... so sad! My deepest condolences, Linda.
Those Italians!
Always going off half-cocked.
Must be their hot Mediterranean blood. ;)
I was rooting for the Turkish entry. Showed promise of becoming an icon.
The choice shows timidity.
Lame brains. The magic of this building is the Modernist continuum of unbroken space from outside to the far reaches of the mezzanine. Destroying that is not forgiven by strips of black granite.
^ Well, that's a relief. The rest of the building's features are hopefully as easy to explain away.
Where do they get all those pretty girls?
I sort of agree with you about those first two hats, Fabrizio; refined taste (ultra-refined). But I like the others, too.
The wedding was the best...
I dunno, lofter; this building seems more and more vapid the more I see of it. What is the message of the blue and white pattern? Could it be aesthetic bankruptcy? What should we do now, Olaf? Empty...
^ Might be a bit of a ruin by then.
(Maybe that's OK.)
How long will this be up?
The ledges will be attacked by water. (Process already underway)
This building will look de-constructed even when finished. Is that intentional symbolism? If so, is it appropriate?
After years of visualizing Fabrizio as the cool dude with a cigarette, I find the new avatar hard to digest.
Facade streaking mars this building; it's a result of rainwater draining concentratedly from the low point of the circular windows. Hard to figure out a fix.
Does it bother anyone else that those square depressions don't accurately represent the Twin Towers' footprints --neither in their dimensions or their exact locations?
Too late for remedy, I know;...
The sign is the work.
As it now stands, this isn't a mural; it's a billboard.
Advertising the "artist" with block letters, it seems presumptuous, even arrogant.
^ Nope.
47 pages ?? That sure shows dedication. What's the source of your unusual interest in this case, FrankZ ?
Aw, you're just a sucker for a pretty face.
Sauce for the goose is sauce for the gander.
Looks like the base of an office building --which is what it ought to be.
The skylight is superfluous frippery. To gauge its cost, you have to add all the lost revenue from the never-to-be tower.
The building's not too bad though.
Generally, Arquitectonica = shit.


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text: Product Availability Update Hornady Makes Plans to Increase Production Volume http://www.hornady.com/support/availability For over half a year, Hornady Manufacturing, along with the rest of the shooting sports industry, has experienced an unbelievable spike in demand. This dramatic increase in demand is unprecedented. As stated earlier this year in our Product Availability FAQ we have been continuously growing for a number of years; adding people, equipment and manufacturing space as rapidly as we can. We are producing and shipping product at record levels and are continually looking to grow and improve our ability to fulfill orders. But the current state of the industry is such that our increase in shipments this year is overshadowed by a 200% increase in demand. One area that we have identified that will enable us to increase production, is the minimization of machinery downtime. The largest period of downtime our machines experience is during change over and retooling to convert a machine from manufacturing one bullet or cartridge to another. Under normal market conditions, we can keep the supply chain full by making popular items on a regular basis and keeping specialty or less-used products on a seasonal basis. However, with demand at record levels, it has become difficult to justify shutting down a machine to change it over to produce a product of less demand. Therefore, we are temporarily suspending some items in order to focus our efforts on the most popular and highest demand products and ship more total product. We realize that many of the suspended items are going to disappoint some of our customers. We have painstakingly reviewed our order status and order history and unfortunately had to make some tough decisions. It wasn't easy, but we know that we will do a better job of servicing the industry as a whole by focusing on the items of highest demand. We are not alone; this is effectively already happening throughout our industry, but is accomplished through selective manufacture with no notification to the industry. We are simply making every effort to be up-front about our plans to maximize production. Again, this is only temporary. This is not a permanent suspension. We will continue to push as hard as we can to meet the demand of our industry and will produce our full catalog of items as soon as we can. Please know that nobody wants to produce more and get our product to into your hands more than we do. And lastly, we feel compelled to address some of the conspiracy theories that we have seen posted. NO, this is not a conspiracy effort to shape the industry, nor is it controlled by the government. We are simply being forthright about our manufacturing plans and our efforts to supply MORE product to the very hungry shooting sports industry. We truly appreciate your patience during this period of time. Thank you for your understanding. The Team at Hornady http://www.youtube.com/watch?feature=player_embedded&v=_p2pl3ZsH8s


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When you make your own pasta, you will always end up with some scraps, even more if you make ravioli. You can easily recycle this leftover pasta to make maltagliati, meaning "poorly cut" in Italian, which was traditionally meant as food for the poor. We are way past that, and today you can enjoy rich texture and amazing flavor of your pasta without the social stigma ;-)
Creamy scrambled eggs
I love the creamy texture of scrambled eggs, but I strongly dislike the idea of eating eggs raw, so I hacked a scrambled eggs recipe to be both completely set, creamy, and pack a crunchy punch as an extra. It's so delicious with fresh bread or toast, and the consistency makes it spreadable like a cottage cheese! I come back to this recipe quite often, because it's simple, fast and feels luxurious ;-)
Tuna and egg bento
The bare tuna-paste bento was a great success, but with the arrival of my new bento container, I was left with some extra unused space. I decided to fill the space with easy to make and very tasty iri tamago, which is basically a Japanese kind of scrambled eggs! You can definitely use iri tamago in onigiri, or as a small side dish.
Simple chicken teriyaki bento
This recipe is very easy and fast to cook, because it requires ready-made teriyaki sauce. Still, it's a really tasty alternative to sausages and pork, and chicken made in teriyaki style is juicy, tender and full of aroma! It also takes just few minutes, because the meat is first fried quickly, and then glazed with sauce. Fast food like a boss ;-)
Fancy tamagoyaki bento
Oh my, this one is both a looker and tastes amazingly! :-) This bento idea is based on the basic tamagoyaki recipe, so feel free to use your favorite ingredients: champignons or chanterelle mushroom, herbs, different kinds of onion, bacon bits, ham shavings etc. Go crazy! :-) It's also a very good side dish!


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This strange, spermoid robot is a case study. Basically, its creators wanted to build something so "unlikable" that their other robots would be downright cuddly in comparison and, more important, they wanted to reduce the mental clutter associated with telepresence. So what you have is a spermoid robot with actuated face and tiny stub arms.
The device, when it's finally launched in 2011 for about $8000, will track the user's face and mimic his or her expressions. You can then put spermbot in a room and have people talk to it. I also suspect people will draw all over its pure white carapace.
Prof. Hiroshi Ishiguro designed the robot with his researchers at the ATR in Japan. The robot is 31 inches long and weighs a mere 11 pounds. It will haunt your dreams for all eternity and only the cold solace of a blade to the brain will save you.


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Just add Kiki and you have sparkling water. She's in her element here.
She relaxes in the soothing water. It dissolves away every distraction. She is free to muse on pleasures to come. A dreamy smile plays across her face as she remembers past delights. Suddenly there is a powerful surge that makes her gasp.
Like the hand of a skilful lover the water strokes across the tops of her legs. Little ripples roam around and between them. Soon there are ripples stirring within her too.
Kiki Water Nymph


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my blog is about sexual harassment lasting over a term of 22 years,there are updated inserts regularly of incidents where I am asking for public feedback using my email address of firstname.lastname@example.com with any information on nude photo's of myself that they were shown and told to abuse me when seen in public the litigation that went with these photo's is false and needs to be addressed.
Error: Please make sure the Twitter account is public.


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written by Patti Spinner and Maria Spelleri
Azar Grammar Series: Basic English Grammar, 4th edition
Song Lessons reinforce grammar structures using well-known songs. You may download, reproduce and adapt the material to suit your classroom needs. The Song Lessons are available as Word documents or PDF files.
[Another good resource for teachers who like to use song-based activities in the classroom is Songs and Activities for English Language Learners.]


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INTERIORS AND EXTERIORS: Stark modern architecture provides the backdrop for Ferragamo's fall ad campaign featuring Daria Werbowy and Tyson Ballou. Creative director Massimiliano Giornetti tapped photographer David Sims for the London shoot. Stylist Marie-Amélie Sauvé was also at the ready, as were Paul Hanlon for hair and Lisa Butler for makeup.
Sims' intention was "to create a feeling of organic continuity between architecture and nature," according to the Italian company. To that point, the more impactful shots include images of windows that reveal linear interiors and reflect the impressionistic-looking trees nearby. Ferragamo's fall clothes, bags and shoes, of course, are the main attraction. Fans of the brand will find a familiar face in the Ukrainian-born Werbowy, who has now headlined three campaigns.
This is shaping up to be a memorable season for Sims, who has earned high marks for the Prada campaign featuring Christoph Waltz. Earlier this month, the photographer's wife Luella Bartley was named design director at Marc by Marc Jacobs.